Original subtitles

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

♪ [MUSIC PLAYING]

[LAUGHING IN BACKGROUND]

[MAN] IT'S NOT FUNNY. I'M SERIOUS. OKAY?

NO. DARLINE WOULDN'T TELL ME. THIS IS REALLY IMPORTANT.

OSCAR AND WADE, THEY TOLD ME, SO NOW I HAVE 11. OKAY?

AND I WANT 12. I WANT A DOZEN.

OKAY. ALL RIGHT.

SO, NOW, YOU DON'T HAVE TO BE EXACT, YOU KNOW,

JUST-- JUST GIVE ME A ROUGH ESTIMATE.

ROUGH ESTIMATE?YEAH.

50? 50 BLOW JOBS?

ARE YOU SURE? 'CAUSE, I MEAN, THAT-- IT SOUNDS KIND OF LOW.

NO. 50 MEN.

WHOA. OKAY. SEE, NOW WE'RE TALKING DICK.

OKAY. SO, ALL RIGHT, LET'S JUST SAY ON AVERAGE

THAT YOU BLEW EACH GUY 10 TIMES. THAT'S-- WAIT.

HEY, FREDDIE.WHAT?

CAN WE TALK ABOUT SOMETHING BESIDES BLOW JOBS FOR A CHANGE?

WELL, WHAT ELSE IS THERE TO TALK ABOUT?

WELL, WE COULD TALK ABOUT POLITICS.

NO. I DON'T-- I DON'T CARE ABOUT POLITICS.

SORRY. OKAY. SO 50 TIMES 10.

I'M-- I'M GONNA PUT YOU DOWN FOR AN EVEN 500. OKAY?

YOU KNOW, GIVE OR TAKE A FEW SQUIRTS.

OKAY. OKAY.

[PLAYING DISCORDANT PIANO STROKE]

[TV PLAYING IN BACKGROUND]

[MAN] YOU TALK KIND OF FUNNY. BUT I LIKE IT.

[WOMAN] I USED TO BE AN ACTRESS.

YEAH? WHAT DO YOU DO NOW? I'M A COLLEGE GIRL, TWO DAYS A WEEK,

TUESDAYS AND THURSDAYS...I GO TO COLLEGE.

YOU DON'T LOOK LIKE A COLLEGE GIRL.

I'M THE EMANCIPATED TYPE. REAL EMANCIPATED.

[TV] NO. I DON'T MEAN THAT-- WHATEVER THAT MEANS.

I MEAN, YOU JUST DON'T LOOK YOUNG ENOUGH.

I'M NOT. SO WHY GO TO COLLEGE?

GOT NOTHING ELSE TO DO...ON TUESDAYS AND THURSDAYS.

[TV] WHAT DO YOU DO ON THE OTHER DAYS?

I DRINK. I DRINK.

LULU, ARE YOU OKAY?FINE.

DID YOU TAKE YOUR MEDS, SWEETIE?YEP.

[LULU SPEAKING IN UNISON WITH TELEVISION]

THE NAME SHOULD BE EDDIE. WHAT SHOULD MY NAME BE?

I DON'T KNOW. WHATEVER YOU LIKE IT TO BE.

I'D LIKE IT TO BE WHAT IT IS: SARAH.

IT HAS A BIBLICAL RING. YOU WANT TO KNOW ITS MEANING?

LULU, ARE YOU SURE YOU'RE OKAY, SWEETIE?

WOULD YOU PLEASE LEAVE ME ALONE NOW? GOD!

WHAT ARE YOU STARING AT? HUH?

[TV]...BUT HAVE YOU CONSIDERED CONDUCT

FOR BECOMING AN UNDERCOVER COP...

[SWITCHING CHANNELS]

[IN UNISON WITH TELEVISION] LET'S GET US A BOTTLE.

NO. A FIFTH OF SCOTCH?

WHAT DO YOU WANT ME TO DO, JUST STEP OUT IN THE ALLEY? IS THAT IT?

NO. I'LL TAKE YOU HOME. NO. I'LL TAKE YOU HOME.

[CHUCKLES SOFTLY]

WHAT ARE YOU LAUGHING AT?NOTHING.

I WAS JUST REMEMBERING SOMETHING THAT HAPPENED A LONG TIME AGO.

WELL, I'M GONNA GO TO BED. YOU COMING?

YEAH. I'LL BE THERE IN A SECOND.

♪ [BACKGROUND MUSIC PLAYING]

[IN UNISON WITH MOVIE]

WHERE YOU BEEN ALL DAY?WHERE YOU BEEN ALL DAY?

AT SCHOOL. IT'S THURSDAY.

OH. I FORGOT.

YOU WERE ASLEEP WHEN I LEFT. I DIDN'T WANT TO WAKE YOU.

DID YOU GO OUT?YEAH. FOR A LITTLE WHILE...

WHY DON'T YOU JUST GO OUT AGAIN SO WE CAN ENJOY THE MOVIE.

WHY DON'T YOU BLOW ME, BABE?NICE TALK.

[MIMICKING] NICE TAWK.

[CHUCKLING]

[LULU] COME ON, BIG BOY. LET'S GO.

[BEN] THIS IS "OUR" MOVIE.

[BACKGROUND CONVERSATIONS]

HEY, I LEFT MY WALLET IN THE OTHER PURSE.

DO YOU HAVE ANY CASH?

YEAH. BUT LOOK. ISN'T THAT GREAT? I MEAN, IT'S NEAT.

YOU ALREADY HAVE THREE COPIES AT HOME.

YEAH, BUT NONE IN PAPERBACK.OKAY. SO BUY IT.

I WILL. HERE YOU GO.

THANK YOU. I'LL BE OVER BY THE COKE GUY.

SAY, YOU A WRITER?

YEAH. I'VE GOT A STORY IN HERE. IT'S IN THE MISSOURI REVIEW.

ACTUALLY, IT WAS MY FIRST TIME IN PRINT.

REALLY? WHAT ELSE YOU WRITE?

UH, MAGNETIC NORTH.NO.

WEDNESDAYS AT 9:00. IT'S A SCI-FI THING.

OH, TV. I DON'T WATCH TV.ACTUALLY, I DON'T EITHER.

UH, YO. 2 BUCKS.

HERE YOU GO.THANKS.

I'M TRYING TO REACH MR. BEN CLIFTON.THAT'S ME.

MR. CLIFTON, HELLO. MY NAME IS LINDA DAVIS.

I AM THE HEAD THERAPIST AT 16 VALLEY VIEW LANE.

ONE OF OUR PATIENTS, LULU McAFEE HAD--

LULU?YES. SO YOU DO KNOW LULU?

WELL, YEAH-- WELL, YEAH. I USED TO. WHY?

UM, SHE LEFT LAST NIGHT ON AN UNAUTHORIZED OUTING,

AND I'M AFRAID SHE HASN'T COME BACK YET.

HOW DID YOU GET MY NUMBER?

ACTUALLY, YOU ARE LISTED AS A CONTACT IN ONE OF HER OLD FILES.

I AM NOT GONNA GET INVOLVED HERE.

NO. NO ONE IS ASKING YOU TO GET INVOLVED, MR. CLIFTON.

I'M JUST ASKING TO YOU NOTIFY US

SHOULD SHE HAPPEN TO GET IN TOUCH WITH YOU.

UM, LULU HAS-- SHE'S ACTUALLY BEEN DOING QUITE WELL.

THERE WAS TALK OF GETTING HER AN APARTMENT MAYBE NEXT YEAR--

LOOK. WE HAVEN'T TALKED IN A LONG TIME.

BUT IF I HEAR FROM HER, I WILL LET YOU KNOW.

[DIAL TONE] NO LUCK, HUH?

WELL, MAYBE-- MAYBE SHE JOINED THE BLOW-JOB SQUAD.

BECAUSE THEY'RE ALL OVER, LINDA.

I MEAN, THERE'S PACKS OF THESE LONELY AND RESTLESS WOMEN,

AND THEY'RE ROAMING THE STREETS OF EVERY CITY IN AMERICA.

AND THEY'RE LOOKING FOR NEW MEMBERS.

I DON'T THINK SO, FREDDIE.

[RINGS]

HELLO. HELLO?

HELLO? [DIAL TONE]

WHO WAS IT? NOBODY. THEY JUST HUNG UP.

HEY. HEY.

BEN, IT'S 2:30 IN THE MORNING.

I KNOW.

I'VE GOT A BUSY DAY TOMORROW. NOW, TRY AND GO BACK TO SLEEP.

[EXHALES]

WHAT DO YOU WANT ME TO TELL YOU?

PEOPLE DON'T WANT TO WATCH A SHOW ABOUT AN ONCOLOGIST.

THEY JUST DON'T! IT'S A BUMMER.

CLARK, YOU WERE THE ONE WHO'S CON-- INCESSANTLY

GOING ON ABOUT HOW PEOPLE ARE DESPERATE FOR SOMETHING REAL.

WELL, THIS IS IT, MAN.

WE'VE GOT A CHANCE TO MAKE PEOPLE FEEL SOMETHING.

PEOPLE DON'T WANT TO FEEL. THEY WANT TO BE ENTERTAINED.

LOOK. IF YOU'RE "ER" AND YOU'RE SCORING A 22 SHARE,

YOU CAN WRITE ABOUT BRAIN TUMORS AND MASTECTOMIES.

YOU'RE GONNA HAVE TO COME UP WITH SOMETHING ELSE.

LIKE WHAT? I DON'T KNOW.

MAKE HIM A DENTIST, AN ARCHITECT OR A PLUMBER. I DON'T CARE WHAT HE IS.

YOU GOT TO HELP ME HERE A TINY BIT. PLEASE.

YOU'RE GETTING PAID TO DO A JOB. DO IT.

I WANT TO SEE NEW PAGES WEDNESDAY.

WEDNESDAY? WEDNESDAY!

THIS IS BULLSHIT.

HELLO. CLIFTON.

I ACTUALLY THINK I'M A LITTLE EARLY.

DO YOU WANT TO HAVE A DRINK AT THE BAR WHILE YOU WAIT?

SURE.OKAY.

UH, CAN I GET A DIET-- DOUBLE VODKA ON THE ROCKS.

♪ [CLASSICAL MUSIC PLAYING IN BACKGROUND] ♪

[CELL PHONE RINGS]

YEAH. HELLO.

FAULKNER USED TO DRINK RIGHT ACROSS THE STREET.

WHO IS THIS?

ALL OF YOUR HEROES, THEY USED TO DRINK RIGHT AROUND HERE.

BEN?LULU.

THEY DRANK AND THEY LAUGHED AND ARGUED, JUST LIKE WE USED TO DO.

WHAT DO YOU WANT, LULU?I WANT YOU TO FIND ME, BEN.

IT'S BEEN A REALLY LONG TIME, HASN'T IT?

YEAH, IT HAS. SO, UH, WHERE ARE YOU RIGHT NOW?

I'LL BE IN THE BAR. PLEASE, BEN. JUST FIND ME.

[SOFTLY] SHIT.

HERE YOU GO. THANKS.

SIR, YOUR SCRIPT.THANKS.

[BRAKES SCREECH]

[CELL PHONE RINGS]

BEN, IT'S 1:30. WHERE ARE YOU?

WHERE AM I?

UH, I'M IN HOLLYWOOD ACROSS THE MUSSO'S.

WHAT? WE SAID WE WERE GONNA MEET AT HELENA'S.

YEAH. I KNOW. BUT I'M HAVING KIND OF A WEIRD DAY.

BEN, ARE YOU MEETING ME HERE FOR LUNCH OR NOT?

NO.WHAT'S GOING ON?

LULU'S HERE, CLAIRE.SHE'S IN L.A.? WHY?

I CAN'T GET INTO THIS RIGHT NOW. I WILL CALL YOU LATER. OKAY?

WAIT, BEN-- [DIAL TONE]

♪ I'M A HOUND DOG MAN

♪ BAD AS I CAN BE

♪ IF I GET YOUR SCENT

♪ YOU CAN'T RUN, HIDE FROM ME

♪ I WILL HUNT YOU DOWN

♪ TEACH YOU RIGHT UP...

LULU?

WHAT ARE YOU STARING AT, SWEETHEART?

I'M SORRY. I THOUGHT YOU WERE SOMEBODY ELSE.

[WHISTLES] TAKE A HIKE.

♪ ...WHEN I CATCH YOU, GIRL

♪ I WILL MAKE YOU MOAN AND WAIL ♪

♪ [MUSIC CONTINUES]

[CHUCKLES SOFTLY]

HI, BEN. HI, LULU.

[CHUCKLES]

YOU FOUND ME. YEP.

YOU LOOK DIFFERENT-- I MEAN, NOT WAY DIFFERENT.

JUST DIFFERENT. MAYBE IT'S YOUR HAIR.

IT'S DEFINITELY SHORTER.

YOU'RE STILL THE HANDSOMEST GUY IN THE WORLD.

YOU HAVEN'T AGED A MINUTE.AND YOU'RE A LIAR.

WHAT ABOUT ME? HOW DO I LOOK?

YOU LOOK FINE, LULU."FINE."

I DON'T LOOK BEAUTIFUL OR PRETTY OR ANYTHING LIKE THAT?

I KNOW I LOOK A HELL OF A LOT BETTER

THAN THE LAST TIME YOU SAW ME...16 YEARS AGO.

HOW HAVE YOU BEEN, BEN?

OKAY.

LULU...

♪ [BALLAD PLAYING IN BACKGROUND] ♪

♪ TWO LOVERS HOLDING HANDS

♪ AS THEY WALKED BAREFOOT IN THE SAND... ♪

I TALKED TO LINDA DAVIS, AND SHE'S WORRIED ABOUT YOU.

SO I THOUGHT I'D...

[ENGINE REVVING]

[LAUGHING]

♪ ...WHERE ARE THOSE TIMES?

WHAT'D YOU SAY? IOWA WRITER'S WORKSHOP.

YOU'RE KIDDING ME. LET ME SEE IT.

NOPE.

WHAT DO YOU MEAN "NO"? LULU, DON'T PLAY AROUND.

GIVE ME THE LETTER. YOU BETTER.

[LAUGHING]

COME GET IT.

NO. FUCK ME FIRST, THEN. GIVE ME THE LETTER.

"DEAR MR. CLIFTON,

"WE ARE VERY PLEASED TO INFORM YOU

THAT YOU HAVE A PLACE IN OUR 1982 IOWA WRITERS' WORKSHOP"!

DID YOU HEAR ME?

I MEAN, GOD, RAYMOND CARVER, RICHARD YEATS, THEY'RE BOTH--

WHAT ABOUT OUR ROAD TRIP THIS SUMMER?

WE'LL DO IT. IT'S JUST GONNA HAVE TO WAIT.

WELL, UNTIL WHEN?

WE'LL BE SEPARATED FOR A YEAR. IT'S NOT A BIG DEAL.

DON'T GO.

DON'T GO? ARE YOU SERIOUS? I'M NOT GONNA GIVE UP MY DREAM!

OH! SO YOU'LL GIVE ME UP; RIGHT?

NO. NO WAY. NEVER!

THAT WAS IN 1982. THAT'S WHEN WE MET.

IT WAS A GREAT SUMMER, WASN'T IT?

OUR WHOLE LIVES AHEAD OF US UNLIVED. REMEMBER?

AND THEN ONE DAY I STEPPED OUT OF THE SUNLIGHT,

AND YOU LEFT ME ALONE IN THE DARK.

YEAH. WELL, YOU KNOW, A LOT HAS CHANGED, LULU.

YEAH. OF COURSE IT HAS.

BUT THAT DOESN'T MEAN THAT WE CAN'T GO BACK.

GO BACK WHERE?

GO BACK TO WHERE WE CAN START AGAIN.

LULU, YOU KNOW THAT CAN'T HAPPEN.

SURE, IT CAN, BEN. IF WE WANT IT TO, IT CAN.

NO. IT CAN'T HAPPEN. YOU KNOW IT CAN'T, LULU.

WHAT HAPPENED TO THE BEN THAT I KNEW?

THE BEN THAT NEVER WOULD TAKE "NO" FOR AN ANSWER?

WHERE DID THE BOY GO, THE BOY WHO USED TO SLEEP OUTSIDE MY DORM ROOM WINDOW

AND CRY BECAUSE I WANTED TO BREAK UP WITH HIM?

WHAT HAPPENED TO HIM? HE WOULDN'T ACCEPT THE WORD NO.

WHAT HAPPENED TO THE GUY WHO WAS GONNA WRITE

THE BIG GREAT AMERICAN NOVEL AT THE BIG TABLE?

WHAT HAPPENED TO THAT GUY?

WHAT HAPPENED TO THE BEN WHO MADE A SACRED VOW WITH ME

TO SQUEEZE EVERY LITTLE FUCKING THING THAT WE COULD OUT OF LIFE?

REMEMBER? WHAT HAPPENED TO HIM? DOES HE JUST WRITE FOR TV NOW?

LULU, I DID NOT COME HERE TO BE ABUSED IN PUBLIC BY A--

BY A WHAT? BY A MENTAL PATIENT? A CRAZY PERSON?

GO AHEAD. SAY IT. MENTAL PATIENT.

YEAH, SO WHAT? I'VE DONE A STINT IN THE BIN MYSELF.

IT'S BETTER THAN KILLING YOURSELF, HUH?

AT LEAST YOU GET SOME REST, HUH?

THANK YOU FOR YOUR INPUT. LET'S GO.

I GUESS WE'RE LEAVING NOW. BYE, EVERYBODY.

WHERE ARE WE GOING?I AM TAKING YOU HOME.

NO. HOW ABOUT IF I TAKE YOU TO MEET OURSON?

WHOA. WHAT ARE YOU TALKING ABOUT, OURSON?

YOU HEARD ME.WE DON'T HAVE A SON.

WHERE'S YOUR CAR?BACK THERE. TALK TO ME--

YES, WE HAVE A SON. SO COME ON.

WE'LL BLAST ACROSS THE DESERT,

AND WE'LL RIDE THE THERMALS EAST LIKE A PAIR OF FUCKING EAGLES.

LULU, DON'T MESS WITH ME, PLEASE.

I'M NOT MESSING WITH YOU. I HAD A BABY.

YOU HAD A BABY? HOW?

AH, OKAY. I'LL BITE, LULU.

IT'S POSSIBLE. ANYTHING'S POSSIBLE.

ANYTHING COULD HAVE HAPPENED IN THE LAST 15 YEARS.

YOUR BABY, BEN.

THAT IS NOT POSSIBLE. THAT IS BULLSHIT, LULU.

GET OFF THE CAR!

GET IN. JUST GET IN.

6 POUNDS, 7 OUNCES...BOY.

THIS IS HIM 6 YEARS AGO.

AND THEN THIS IS HIS BIRTH CERTIFICATE:

MARTIN ELSWORTH, JUNE 6, 1983.

AND HIS PARENTS ARE JEROME ELSWORTH.

HE'S A EUROPEAN HISTORY PROFESSOR.

AND HIS MOTHER IS A CHEMIST. HER NAME'S MILLIE.

AND I DIDN'T PUT YOUR NAME DOWN THERE

BECAUSE I WANTED TO PROTECT YOUR PRIVACY.

JUNE 6. HIS BIRTHDAY'S IN 3 DAYS.

YEAH. THAT'S WHY I'M HERE.

BECAUSE I MADE AN AGREEMENT WITH THE ELSWORTHS

THAT I COULD SEE HIM WHEN HE TURNED 16.

SO IT WOULD BE LEGAL. WE COULD SEE HIM NOW.

YOU KNOW, YOU COULD BE MAKING ALL THIS UP.

THIS PICTURE COULD HAVE COME FROM ANYWHERE.

THIS COULD BE A TOTAL FABRICATION.

LULU...

I CAN'T GET INVOLVED HERE.

NO. KEEP IT. HE'S YOUR SON.

I'M SORRY, LULU.

WHO ARE YOU CALLING?

I'M CALLING LINDA DAVIS.

NO! I AM NOT GOING BACK THERE! WE'RE GOING CROSS-COUNTRY!

WE ARE GONNA CHASE THE SPEED OF LIGHT AND CLAIM OUR BOY!

[TELEPHONE RINGS]

HELLO.

LULU? IS THAT YOU? HEY, WHAT'S GOING ON?

YOUR VOICE, IT SOUNDS ALL MUFFLED.

ARE YOU GIVING SOMEONE A BLOW JOB?

YOU'RE NOT? OH. WELL, THANK GOODNESS.

WHAT? WHAT? OH, I-- I DON'T KNOW.

ARE YOU SURE?

OKAY. YEAH. I'LL TRY. OKAY.

[LULU] BEN, DOWN HERE.

HERE. IT'S PROFESSOR ELSWORTH.

WHAT?

PROFESSOR ELSWORTH. GO AHEAD.

HELLO.

HELLO. THIS IS JEROME ELSWORTH. AND WHAT LULU TOLD YOU WAS TRUE.

THAT'S CORRECT.

SHE CALLED LAST WEEK TO SAY THAT SHE WAS COMING.

THIS IS A PRETTY BIG SURPRISE. DOES HE--

YES. ABSOLUTELY. HE'S EXPECTING YOU.

YOU SEE, OUR AGREEMENT WAS THAT IF SHE WANTED TO SEE HIM,

SHE COULD, PROVIDED THAT SHE WAS WELL ENOUGH.

WHICH SHE CERTAINLY SEEMS TO BE.

OF COURSE, I'M NOT A PSYCHIATRIST.

OKAY. VERY GOOD.

WE WILL SEE YOU IN A FEW DAYS, THEN. BYE, NOW. BYE.

FREDDIE, WHO WERE YOU TALKING TO?

NO ONE. IT WAS-- IT WAS A WRONG NUMBER.

HERE. I JUST BORROWED THESE.

AND I'M PUTTING-- YEAH.

WHAT?

I DIDN'T-- I DIDN'T TAKE THAT. I DON'T KNOW WHERE IT IS.

OH, I'M SORRY. I DIDN'T-- I DON'T KNOW. I DON'T KNOW ANYTHING.

♪ [ROCK MUSIC PLAYING]

♪ ...TNT WRAPPED UP REAL TIGHT

♪ MM-HMM

♪ OH, D-D-D-DYNAMITE, BABY

♪ TNT WRAPPED UP REAL TIGHT

♪ HEY, HEY

OKAY. SO FLAGSTAFF; RIGHT? YES.

UH, ALBUQUERQUE.UH-HUH.

AM-A-RE-YO. AMARILLO.

YOU KNOW WHAT? LET'S NOT STOP IN AMARILLO.

LET'S JUST KEEP GOING. WHEN YOU GET TIRED, I'LL DRIVE.

YOU CAN'T DRIVE, LULU.

YEAH, I CAN.NO, YOU CAN'T DRIVE.

YES, I CAN.YOU DON'T HAVE A LICENSE.

OH, WELL, EXCUSE ME.

WHEN DID YOU BECOME MR. PLAY-BY-THE-RULES?

YOU USED TO BE OPEN FOR ANYTHING, BEN.

YOU USED TO BE WILD.

WHAT-- WHAT ARE YOU DOING?

BRING BACK ANY MEMORIES?LULU, PUT YOUR SHIRT ON.

DON'T TELL ME THAT YOU HAVEN'T THOUGHT ABOUT MY BODY.

YOU HAD A GREAT BODY.

I HADA GREAT BODY?SORRY. HAVE.

WOULD YOU GET DOWN?!

HEY, RELAX. I'M JUST CATCHING SOME RAYS.

LULU, STOP.JUST GIVE ME A KISS.

NO. LULU!

JESUS, I WASN'T GONNA STICK MY TONGUE DOWN YOUR THROAT

OR ANYTHING, IF THAT'S WHAT YOU WERE AFRAID OF.

AND IF YOU THINK THAT YOU'RE GONNA FUCK ANYTIME REAL SOON,

FORGET ABOUT IT.

YOU KNOW WHAT? I'VE GOT TO MAKE A PHONE CALL.

TO WHO? MY WIFE.

PUSSY-WHIPPED.

ARE YOU GUYS GOING ANYWHERE NEAR NEW MEXICO?

UH, WE'RE GOING TO FLAGSTAFF.

[TELEPHONE RINGS]

HELLO.UH, CLAIRE. IT'S ME.

WHERE HAVE YOU BEEN?I'M IN THE DESERT.

WHAT DO YOU MEAN IN THE DESERT?

WE ARE SOMEWHERE BETWEEN VICTORVILLE AND LAS VEGAS.

"WE'RE." YOU AND--LULU. I'M WITH LULU.

[ENGINE STARTS AND BRAKES SQUEAL]

STOP THE CAR, LULU! LULU! SHIT!

WHO WAS THAT DUDE?JUST SOME GUY I PICKED UP.

YEAH? HE DIDN'T LOOK LIKE HE WAS HITCHING TO ME.

I DIDN'T SAY HE WAS HITCHING. I SAID I PICKED HIM UP.

WHERE?AMARILLO,

WHERE I WAS DANCING TOPLESS AT THE TEDDY BEAR LOUNGE.

SO WHERE YOU HEADED?

WILL YOU STOP ASKING ME QUESTIONS, PLEASE?

'CAUSE IT COULD MAKE ME EXTREMELYPARANOID.

AND, BELIEVE ME, YOU DO NOT WANT TO HAVE THAT HAPPEN.

DO YOU WANT ME TO COME UP FRONT?

NO, I DON'T WANT YOU TO COME IN THE FUCKING FRONT.

I THINK YOU BETTER GET OUT OF THE CAR

BEFORE I GET SERIOUSLY PISSED.

YOU KNOW SOMETHING? YOU'RE A VERY STRANGE CHICK.

YOU HAVE NO IDEA.

[ENGINE REVS AND TIRES SQUEAL]

[BRAKES SCREECH]

YOU CAN KISS ME NOW IF YOU WANT.

UNBELIEVABLE.

OKAY.

♪ I HAVE

♪ CRIED ENOUGH TEARS

♪ TO WASH MY DISHES

♪ I HAVE PACED ALL THE ROADS

♪ IN MY HEART

♪ THERE ARE DUSTY ABANDONED AND DESERTED ♪

♪ HOW'D I COME TO THIS GHOST TOWN? ♪

♪ YOU WERE NOT ONE TO SHOW ME YOUR FEELINGS ♪

♪ AND BY THAT I GUESS I SHOULD HAVE KNOWN ♪

♪ WHEN I KNOCKED I WAS HOPING YOU'D ANSWER ♪

♪ THERE WAS SPIRITUALLY NOBODY HOME ♪

♪ ALL THESE WELLS ARE OUT OF WATER... ♪

SEPARATE ROOMS? UM, 114.

WHERE ARE YOU? 112.

I GOT IT. THANK YOU.

BEN, WHAT DID YOU TELL CLAIRE?

UH, I TOLD HER THE TRUTH.

YOU TOLD HER WHERE WE WERE GOING?

YOU TOLD HER ABOUT MARTIN?

YEAH. I TOLD HER EVERYTHING.

SHE'S MY WIFE. SHE'S GOT A RIGHT TO KNOW.

BUT YOU'RE STILL HERE, AREN'T YOU?

I BET SHE'S NOT TOO HAPPY ABOUT THAT.

GOOD NIGHT, LULU.GOOD NIGHT, BEN.

♪ NOW THERE'S ONLY ONE LIGHT

♪ ON THE MAIN STREET

♪ AND THERE'S REALLY NOBODY AROUND ♪

♪ WELL, I THOUGHT YOU'D BE LIKE IN A WESTERN ♪

♪ BUT YOU WERE ONLY A GHOST TOWN ♪♪

DO YOU LIVE IN CHICAGO?NO.

YOU'RE TRAVELING ON BUSINESS?NOPE.

MY HUSBAND'S ON HIS WAY TO MADISON, WISCONSIN.

I'M MEETING HIM THERE.

OH. OKAY.

HE'S WITH HIS OLD COLLEGE FLAME. THEY'RE DRIVING ACROSS COUNTRY.

BY THE WAY, MY NAME'S CLAIRE.

CLAIRE. MY NAME'S LOU. PLEASURE.

NICE TO MEET YOU.

SO WHAT KIND OF WORK DO YOU DO, IF I MAY BE SO FORWARD TO ASK?

I'M IN ADVERTISING.

TOO BAD. WRONG OCCUPATION.

WHY? WHAT ARE YOU LOOKING FOR?

PROFESSIONAL HIT MAN.I CAN'T HELP YOU THERE.

SHAME.

WHO ARE YOU LOOKING TO GET RID OF?

OH, MY HUSBAND.

MAYBE WE COULD ASK THE PILOT TO MAKE AN ANNOUNCEMENT,

SEE IF SOMEBODY ON BOARD COULD HELP YOU OUT.

OH, YOU MEAN LIKE A TERRORIST IN BETWEEN ASSIGNMENTS.

YEAH. OR MAYBE A SERIAL KILLER WITH SOME DOWN TIME.

THAT WOULD BE EXCELLENT.

SO WHAT DO YOU DO, CLAIRE, WHEN YOU'RE NOT PLOTTING?

OH, I'M A PSYCHIATRIST.

CAN I HAVE ANOTHER VODKA, STRAIGHT UP?

MAKE THAT A DOUBLE.

ANYTHING FOR YOU, SIR?

YEAH. I'LL HAVE THE SAME.

YOU DON'T MIND IF I GET DRUNK, DO YOU, LOU?

YOU DON'T MIND IF I JOIN YOU?BE MY GUEST.

[LULU] YOU WERE TALKING IN YOUR SLEEP.

[BEN] NO, I WASN'T.YES, YOU WERE.

I COULD HEAR YOU THROUGH THE WALL.

LULU, YOU'RE BEING SILLY. YOU KNOW THAT.

[CONVERSATION IN BACKGROUND]

THAT GUY IS WATCHING US.

HE'S READING HIS NEWSPAPER.

YEAH, NOWHE IS READING A NEWSPAPER.

BEFOREHE WAS STARING A HOLE INTO MY HEAD.

HE'S FOLLOWING US, YOU KNOW.

LULU, HE IS NOT. I'M DRIVING. I--

YES. I'M GONNA GO OVER THERE AND TALK TO HIM.

NO, YOU ARE NOT. NO. PLEASE, PLEASE SIT DOWN.

[LAUGHING] I FOOLED YOU, DIDN'T I?

WHAT? DID YOU THINK I WAS GOING OFF ON SOME KIND OF

PARANOID DELUSIONAL BREAK.

THIS IS NOT FUNNY, LULU. IT'S NOT FUNNY.

OH, IT'S NOT FUNNY, LULU. IT'S NOT FUNNY.

I GOT TO GAS THE CAR. BE RIGHT BACK.

[RHYTHMIC TAPPING]

[TAPPING GROWS LOUDER]

[TAPPING GROWS LOUDER AND ECHO'S]

[TAPPING STOPS]

DON'T EVEN THINK ABOUT IT.

ME? ARE YOU TALKING TO ME? [ECHO'S] TO ME? TO ME?

THAT'S IT. THAT'S IT. THAT'S IT.

WHY ARE YOU FOLLOWING ME? I AM SICK AND TIRED OF IT. DO YOU UNDERSTAND?

I DON'T WANT YOU TO FOLLOW ME ANYMORE.

WHERE'S THE CAMERA? GIVE ME THE CAMERA.

WHERE IS THE FUCKING CAMERA? OKAY. IS IT UNDER HERE? NO.

[LAUGHING]

WHAT ARE YOU LAUGHING AT?

I'LL GIVE YOU ONE MORE CHANCE. GIVE ME THE CAMERA.

THE CAMERA! JESUS CHRIST!

I'M TIRED OF YOU GUYS FOLLOWING ME!

DO YOU UNDERSTAND?! JUST LEAVE ME THE FUCK ALONE!

JUST LEAVE ME THE FUCK ALONE! DO YOU GET IT?! NO MORE!

WHAT ARE YOU LOOKING AT?! WHAT?!

JUST CALM DOWN. JUST CALM DOWN. OKAY?

LET'S GO. I'M SORRY.

DON'T BOTHER. JUST-- JUST GET HER AWAY FROM ME.

I'M SORRY.

ALL RIGHT. LET ME GET THIS REAL CLEAR.

YOU'RE A SHRINK. SHE'S A MENTAL PATIENT?

CERTIFIABLE. MM-HMM.REALLY, LIKE--

WAIT. IT GETS BETTER.NO?

YEAH. LISTEN TO THIS.

OKAY? GET READY.

I JUST FOUND OUT THEY HAD A CHILD TOGETHER BACK IN '83

THAT BEN NEVER KNEW ABOUT. OKAY?

SHE GIVES HIM UP FOR ADOPTION

WHILE SHE'S IN A MENTAL INSTITUTION,

AND THAT'S WHY THEY'RE GOING BACK TO MADISON NOW

IS TO SEE HIM FOR THE FIRST TIME.

THAT'S UH-- THAT'S PRETTY HEAVY.

OH, GOD. YOU'RE TELLING ME.

OH, MY LIFE. AND I'M FOLLOWING THEM.

THEY DON'T EVEN KNOW I'M COMING.

THEY DON'T KNOW?NO.

HE'S PROBABLY SCREWING HER RIGHT NOW IN SOME MOTEL ROOM.

NAH. I DON'T THINK SO.

I MEAN, WHY? WHY WOULD HE?

WHAT DO YOU MEAN?

WHY? I MEAN, LOOK AT YOU. HE'D BE NUTS.

THAT WAS SWEET. THANKS.

SO...

SO DO YOU HAVE ANY KIDS WITH, UH, BEN?

CAN I SHOW YOU SOMETHING?YEAH.

THIS YOUR SON?MINE AND BEN'S.

HE'S A BEAUTIFUL BOY.YES. THAT HE WAS.

HE, UM, GOT SICK A LITTLE OVER A YEAR AGO.

AND HE DIED.

I'M SORRY.

WE, UM, WE DON'T TALK ABOUT IT, ME AND BEN.

YOU KNOW,

I HAVEN'T EVEN SAID HIS NAME SINCE THE FUNERAL.

CLAIRE, WHAT'S HIS NAME?

YOU WANT TO KNOW HIS NAME?

I WANT TO KNOW YOUR SON'S NAME.

HIS NAME'S ANDREW.ANDREW.

HIS NAME IS ANDREW.BEAUTIFUL NAME.

[LOU] IT'S OKAY.

OH. I DON'T MEAN TO DO THIS TO YOU.

OH, I'M MAKING A MESS.

I'M MAKING A MESS.THAT'S ALL RIGHT.

IT'S OKAY.

HOW LONG IS YOUR, UM, LAYOVER IN CHICAGO?

IT'S THREE HOURS.

CAN I ASK YOU A FAVOR?YEAH.

WOULD YOU MIND SPENDING A LITTLE MORE TIME WITH ME?

WELCOME TO THE ROCK CREEK MOTEL.

HOW ARE YOU?

FILL OUT THIS REGISTRATION CARD. I'LL BE WITH YOU IN A SEC.

I NEED A ROOM WITH TWO BEDS, IF YOU HAVE IT.

THAT'S GONNA COST YOU 86.50, PLUS TAX.

FINE. I DON'T CARE.

THAT LADY OUT THERE WITH YOU?

YES. WHY?

WELL, SHE'S BUCK NAKED BY THE POOL.

UH, DO YOU HAVE A TOWEL?YEAH.

[GIGGLES]

WE'RE IN, UH, ROOM 7.

SAME ROOM?

HERE'S YOUR TOWEL.

COME ON. COME IN.

BEN.

[SIGHING]

COME ON, BEN. NO.

PLEASE? COME ON IN.

REMEMBER THAT TIME WE WENT SKINNY-DIPPING IN LAKE PALLARD?

I THINK THAT'S WHEN IT HAPPENED.

WHEN WHAT HAPPENED?

WHEN I FELL IN LOVE WITH YOU.

LULU. LULU? WHAT HAVE YOU DONE?

GIVE ME THE RAZOR.

WHAT HAVE YOU DONE? WHAT HAVE YOU DONE?

[SOBBING]

I'M SORRY. I'M SORRY.

I CAN HEAR YOUR HEART BEATING.

YOU'RE SCARED, AREN'T YOU? ARE YOU SCARED?

NOW YOU KNOW HOW I FEEL.

[SOBBING]

LULU, I-- LET'S GET SOME REST. OKAY?

THERE WAS THIS WOMAN WITH ONEITEM: BROCCOLI.

AND SHE WANTED TO CUT IN FRONT OF ME IN LINE.

AND SHE WAS WEARING NURSING SHOES.

I SAID "NO," AND SHE SAID "NO?" AND I SAID "NO!"

AND THEN I PUNCHED HER. AND THEY TRIED TO ARREST ME.

BUT I ESCAPED AND DISAPPEARED INTO THE TEDDY BEAR LOUNGE.

AND THAT NIGHT I LET A MAN FUCK ME THAT I DIDN'T KNOW.

AND WE LISTENED TO CHRISTMAS CAROLS ON THE RADIO.

AND ON THE WAY HOME, I TRIED TO SUCK THE LIGHT OUT OF THE STARS.

LULU--

I KNOW, BEN. MY MIND IS BROKEN, YOU KNOW.

AND I'VE GOT A GLITCH IN MY GANGLIA.

BUT THE NAKED TRUTH IS THAT I WOULD JUST LIKE

TO LEARN HOW TO JET SKI BEFORE I DIE. THAT'S ALL.

I WOULD LOVE TO HAVE MY OWN APARTMENT,

AND I WOULD LOVE TO PAINT A RAINBOW ON THE WALL,

AND I'D LOVE TO LEARN HOW TO PLAY THE GUITAR,

AND I'D LIKE TO SHOTGUN DOWN AN AVALANCHE

AND-- OH!-- I WOULD LOVE TO STAND IN THE SHADOWS OF THE ROCK OF GIBRALTAR.

LULU, I NEED TO ASK YOU SOMETHING

AND I NEED YOU TO TELL ME THE TRUTH.

ARE YOU TAKING YOUR MEDICATION?

WHAT MEDICATION?YOUR PILLS, ARE YOU TAKING THEM?

MY LITHIUM AND MY SEROTONIN LEVELS ARE DOING JUST FINE,

SO DON'T WORRY ABOUT ME OR MY STATE OF MIND, MR. CLIFTON.

CAN I ASK YOU SOMETHING?SURE.

UM, WHY DIDN'T YOU COME AND VISIT ME IN THE HOSPITAL?

WHY?

[SOBS]

BEN, PLEASE TELL ME.

I DID, LULU.

I CAME TO SEE YOU EVERY DAY AFTER CLASS FOR A WEEK.

AND THEY HAD YOU IN A LOCKED WARD

WITH YOUR ARMS AND LEGS STRAPPED TO THE BED,

AND YOU HAD NO IDEA WHO I WAS.

THEY TOLD ME THAT YOU DIDN'T CALL--

I BEGGED THEM NOT TO TELL YOU.

WHY? WHY?

I WAS AFRAID.

I WAS AFRAID THAT YOU WOULD ALWAYS BE SICK

AND THAT OUR LIVES COULD NEVER BE THE SAME.

[SNIFFS]

I WISH THAT YOU WOULD HAVE CALLED ME ONCE, YOU KNOW,

OR WRITTEN ME A LETTER. BECAUSE I MISSED YOU SO MUCH.

YOU KNOW, BEN?YES, I DO.

I'M SORRY, LULU. I'M SO SORRY.

YOU KNOW, MAYBE WE SHOULD JUST FORGET THIS, JUST TURN AROUND.

MAYBE WE SHOULD JUST STOP AND GO BACK HOME NOW.

NO. WHY?

'CAUSE WE'VE COME TOO FAR. THIS IS OUR SON THAT YOU'VE

CARRIED AROUND IN YOUR HEART FOR OVER 16 YEARS.

THERE'S NO WAY WE'RE TURNING AROUND.

DO YOU REALLY WANT TO SEE HIM?WITH ALL MY HEART.

♪ [ROCK MUSIC PLAYING]

♪ IF I GET MY HANDS ON

♪ WHAT MY EYES SEE

♪ MY WHOLE MIND AND BODY

♪ WILL BE TROUBLE-FREE

♪ I SEE WHAT I WANT KNOW WHAT I NEED ♪

♪ BABY, PLEASE CONSIDER ME I WISH YOU WOULD ♪

♪ IT'D BE GOOD IF YOU COULD ♪

♪ OH, BABY, COME AND GO WITH ME ♪

♪ I'M LONELY AS A MAN CAN BE ♪

♪ SEEMS A GLASS WALL BETWEEN US ♪

♪ I CAN LOOK, BUT CAN'T TOUCH ♪

♪ TEMPTATION GETTING GREATER

♪ I TELL YA LITTLE TOO MUCH

♪ I SEE WHAT I WANT AND I KNOW WHAT I NEED ♪

♪ BABY, PLEASE CONSIDER ME ♪

♪ I WISH YOU WOULD IT'D BE GOOD ♪

♪ IF YOU COULD

♪ BUT, BABY, COME GO WITH ME ♪

♪ I'M LONELY AS A MAN CAN BE

♪ PLEASE, CONSIDER ME... ♪

OH, BEN. I WONDER WHAT HE'S LIKE.

YOU KNOW?

I HOPE HE'S HANDSOME AND SMART LIKE YOU.

NO DOUBT.AND TALL LIKE ME.

[CELL PHONE RINGS]

HELLO.

HEY, BEN, WHAT'S THE DEAL, MAN? WHERE THE HELL ARE YOU?

HEY, CLARK. HOW'S IT GOING, BUD?

"HOW'S IT GOING?" WE'RE WAITING ON YOU!

YOU PROMISED PAGES WEDNESDAY? WHERE THE HELL ARE THEY?

WHAT CAN I SAY? SOMETHING CAME UP.

I CAN'T BELIEVE THIS CRAP. YOU'RE FUCKING FIRED!

WE ALL GOT TO DO WHAT WE ALL GOT TO DO, I GUESS.

I'M GONNA PERSONALLY MAKE SURE YOU NEVER STEP FOOT

ON THIS LOT AGAIN! YOU ARE DEAD IN THIS TOWN!

HAVE A NICE LIFE. I CANNOT BELIEVE WHAT I DID.

UH, SWEETHEART, YOU JUST WITNESSED THE END OF MY TV CAREER.

♪ ...I SEE WHAT I WANT KNOW WHAT I NEED ♪

♪ BABY, PLEASE CONSIDER ME ♪

♪ I WISH YOU WOULD IT'D BE GOOD ♪

♪ IF YOU COULD

♪ BUT, BABY, COME DOWN WITH ME I'M LONELY AS A MAN CAN BE... ♪

BEN, LOOK IT. OUR MOVIE.

OH, MY LORD. THAT'S AMAZING.

THIS IS DR. CLIFTON. AN EMERGENCY HAS COME UP,

AND I HAVE TO CANCEL OUR SESSION THIS AFTERNOON.

I WILL SEE YOU NEXT WEEK THOUGH. I'M SO SORRY. THANK YOU.

THANK GOD FOR ANSWERING MACHINES.

HOW CAN I HELP YOU?

YES. I HAVE A RESERVATION. CLAIRE CLIFTON.

HAS BEN CLIFTON CHECKED IN YET?

UH, NO. IT DOESN'T LOOK LIKE IT.

BUT I'LL GET YOU ALL SQUARED AWAY.

IT'S AMAZING, ISN'T IT? IT LOOKS EXACTLY THE SAME.

SERIOUS BLAST FROM THE PAST. IT'S INCREDIBLE.

REMEMBER WHEN WE SAT RIGHT OVER THERE?

YOU BROUGHT ME TO DINNER HERE. YOU WERE TRYING TO IMPRESS ME.

IT WAS OUR THIRD DATE. YOU WANTED TO GET ME IN BED.

ROOM 1108. I'LL HAVE YOUR BAGS BROUGHT RIGHT UP TO YOUR ROOM.

ARE YOU GONNA GET US A ROOM?GOOD IDEA.

CLAIRE. HELLO, BEN.

WHAT ARE YOU DOING HERE?

I JUST FELT LIKE TAKING A LITTLE TRIP,

DO SOMETHING IMPULSIVE FOR A CHANGE.

I'M ALWAYS ADVISING THAT TO MY PATIENTS.

ANYWAY, I WANTED TO SEE WHAT ALL THE FUSS WAS ABOUT.

WHO'S SHE?

I'M BEN'S WIFE. CLAIRE CLIFTON.

NO, YOU'RE NOT. BEN'S WIFE LIVES IN L.A.

WHO IS THIS PERSON?

SHE ISMY WIFE.YOU TOLD HER TO COME HERE?

NO, I DID NOT TELL HER TO COME HERE.

WELL, THEN, WHAT IS SHE DOING HERE?

IT WAS MY IDEA. I THOUGHT MAYBE THAT

I COULD WATCH OUR MARRIAGE DISINTEGRATE UP CLOSE.

OH, REALLY? WHAT MARRIAGE?

EXACTLY.

YOU CAN'T BE HERE. YOU'RE NOT SUPPOSED TO BE HERE.

YOU SHOULD JUST GO BACK HOME.

TELL HER, BEN. TELL HER.TELL HER WHAT?

[SOFTLY] TELL HER TO GO.

I CAN'T DO THAT, LULU.

[BELL RINGS]

[BELL RINGS REPEATEDLY]

UH, MISS. UH...

GODDAMNIT! NO WONDER YOU WRITE FOR FUCKING TELEVISION!

I MEAN, JACK KEROUAC,

HE WOULD NEVER HAVE MARRIED A UPTIGHT BITCH LIKE THIS.

CHARMING, BEN. WAS SHE ALWAYS THIS RUDE?

SHE LOOKS LIKE MARTHA STEWART.

WHO THE HELL DO YOU THINK YOU ARE? HUH?

YOU KNOW, HE MAY HAVE MARRIED YOU, BUT HE LOVED ME FIRST.

DIDN'T YOU?WHAT ARE YOU DOING?

NOTHING. IT'S TRUE, ISN'T IT?

BEN? TELL HER, BEN.

YES. I LOVED YOU FIRST. OKAY?

NOW, CAN WE TAKE THIS OUT OF THIS LOBBY?

YOU CAN STAY NOW, IF YOU WANT.

YOU DID WHAT?

YOU BROKE THE SIXTH COMMANDMENT? OH, MY GOD.

I'M GONNA HAVE TO PRAY FOR YOUR SOUL RIGHT HERE.

PLEASE FORGIVE HER FOR BEING SUCH A SLUT.

SHE REALLY DIDN'T MEAN IT.

YOU JUST DID IT WITH A PERFECT STRANGER?

YEAH. WHY?

WHY, BEN? I DON'T KNOW. MAYBE 'CAUSE I FELT LIKE IT!

AND YOU JUST COULDN'T WAIT TO TELL ME ABOUT IT, COULD YOU?

WHAT'S HAPPENING WITH MY LIFE?!

DAMN IT!

[MUTTERING]

[GRUNTS][SLAMS]

[GRUNTS]

HE'S REALLY ANGRY.GOOD.

OH. YOU KNOW, HE DIDN'T CHEAT ON YOU.

I MEAN, I TRIED EVERYTHING THAT I COULD

TO GET HIM TO CHEAT ON YOU, BUT HE WOULDN'T.

I JUST THOUGHT YOU MIGHT LIKE TO KNOW THAT.

I KNOW. SO NOW YOU'RE PROBABLY FEELING VERY SORRY,

REGRET SETTING IN, REMORSE. I'M SURE YOU FEEL REALLY GUILTY.

OOH! SHUT UP!

♪ GUILTY, GUILTY, GUILTY

YES! I FEEL GUILTY! OKAY? ARE YOU HAPPY?! GOD!

THIS IS RIDICULOUS.

WHAT AM I EVEN DOING IN THIS ROOM WITH YOU?

YOU HAVE AN AWFUL LOT OF PENT-UP ANGER, DON'T YOU?

YOU MUST BE AN AWFUL THERAPIST.

I AM AN EXCELLENT THERAPIST.

HOW ABOUT IF I BE THE JUDGE OF THAT?

YOU SHOULD GO TALK TO BEN.

OH, REALLY? DO YOU HAVE ANY MORE ADVICE?

MAYBE YOU'D, UM, LIKE TO BE OUR MARRIAGE COUNSELOR.

DID YOU KNOW THAT SOMETIMES I ASK MY PILLOW LATE AT NIGHT

"HOW MUCH SADNESS DO I HAVE TO FEEL?"

AND DO YOU KNOW THAT LOVE IS THE WORLD'S GREATEST PAINKILLER?

AND MARILYN MONROE WORE A MASK OF TRAGEDY OVER HER PUBIC HAIR.

YOU'RE RIGHT. I-- I THINK I SHOULD GO TALK TO BEN.

WHY DIDN'T YOU AND BEN EVER HAVE ANY KIDS?

WAS IT BECAUSE YOU WERE TOO BUSY WITH YOUR PRACTICE?

[CHUCKLES] TOO BUSY BEING A DOCTOR?

I MEAN, WE KNOW THAT HE'SNOT IMPOTENT.

THAT'S FOR SURE.

NO, HE'S NOT.

WHAT?

WHY ARE YOU LOOKING AT ME LIKE THAT?

BEN AND I DID HAVE A CHILD...

A SON.

HE DIED OF LEUKEMIA LAST YEAR.

HE WAS 5.

I'M SURPRISED BEN DIDN'T TELL YOU.

THAT'S ABSURD! SHE NEVER MENTIONED A SON TO ME.

I MEAN, OBVIOUSLY-- OBVIOUSLY SHE WAS HALLUCINATING.

NO. IT IS NOTA HALLUCINATION AND IT'S NOTA LIE. TRUST ME.

AND YOU'VE SPOKEN TO THE ADOPTIVE PARENTS? THEY KNOW THAT YOU'RE COMING?

YES. AND THEY KNOW EVERYTHING.

[KNOCK ON DOOR] HOLD ON.

NOW WHAT? NO, NOT YOU.

WHAT WERE YOU SAYING?

HEY, HEY, HEY. I'VE GOT A GREAT IDEA.

MY, UH, LOVINGWIFE IS HERE, WHO HAPPENS TO BE A SHRINK.

YOU GUYS SHOULD HAVE A GREAT TIME JERKING EACH OTHER OFF.

BEN, WHO IS THAT?LULU'S THERAPIST.

KNOCK YOURSELF OUT. I'M GONNA GET DRUNK.

OH, GOD.

HELLO. THIS IS DR. CLIFTON.

NO, NO, NO. NO, NO, NO. NO, NO.

HEY, LULU. IT'S ME. OPEN UP.

NO. DON'T WORRY ABOUT ME. I'M FINE. I'M FINE.

I'M JUST A GIRL WITH SCARED WRISTS WHO CAN'T SIT STILL.

LULU, OPEN THE DOOR. PLEASE!

BEN, SHE'S OFF HER MEDICATION.

I KNOW THIS, CLAIRE. DO YOU HAVE YOUR KEY?

NO. LISTEN.

NO! I DON'T WANT MY FUCKING MEDICATION BECAUSE IT MAKES ME FEEL NOWHERE,

AND I DON'T LIKE TO FEEL NOWHERE BECAUSE THAT'S NO FUN!

I WOULD LIKE TO BREAK WINDOWS! I WOULD LIKE TO SMASH GLASSES!

She's breaking down, Ben.

I MEAN, WHO GIVES A FUCK IF THE KITCHEN KNIVES LOOK REALLY FRIENDLY?

LULU! LULU, PLEASE OPEN UP! LULU, OPEN UP!

CAN'T WE JUST CLOSE OUR EYES AND COUNT BACKWARDS

AND LET THE RAIN FALL ON OUR FACES?

LULU, PLEASE OPEN UP. PLEASE!

ALL RIGHT. I'LL GET THE KEY. YOU GET THE PRESCRIPTION.

GET ON A PLANE AND GO HOME. MAYBE YOU'LL GET LUCKY AGAIN.

LULU, OPEN THIS DOOR!

LULU McAFEE IS A 38-YEAR-OLD SINGLE WHITE FEMALE

WHO'S BEEN HOSPITALIZED OVER 30 TIMES

FOR ATTEMPTED SUICIDE AND SELF-MUTILATION.

AT NIGHT SHE CAN BE BELLIGERENT. SHE DOES NOT LIKE LOUD NOISES.

SOMETIMES SHE FEELS A THORN IN HER FOOT

WHERE THERE IS NO THORN.

AND THEN SHE STUMBLES, AND SHE NEARLY TUMBLES

TILL SHE REACHES OUT AND A STRANGER'S HAND HOLDS HER.

YOU BETRAYED ME, CLAIRE! YOU FUCKING BETRAYED ME.

I KNOW! I KNOW YOU'RE ANGRY! BUT SHE NEEDS SUPERVISION; OKAY?

IHAVE SUPERVISED HER VERY WELL FOR 2,000 MILES.

COULD YOU OPEN THE DOOR? WE LOCKED OURSELVES OUT.

I UNDERSTAND. BUT THINGS ARE A LITTLE DIFFERENT RIGHT NOW, BEN.

SHE'S ABOUT TO SEE HER SON FOR THE VERY FIRST TIME TOMORROW--

YOU'RE FORGETTING SOMETHING HERE, CLAIRE. HE'S MY SON, TOO.

LULU.

HEY.

HEY. ARE YOU OKAY?YEAH.

IS THERE ANYTHING--SIT DOWN.

BEN, WHY DIDN'T TELL ME THAT YOU HAD A CHILD THAT DIED?

BEN, PLEASE. WE HAVE TO TALK ABOUT THIS.

TALK? TO YOU? I TRIED THAT CONSTANTLY.

BUT YOU PUT YOUR PAIN IN SOME

PRETTY LITTLE BOW-TIED BOX THAT I CAN'T TOUCH.

YOU OBVIOUSLY BURIED ANY LOVE YOU HAD FOR ME WITH IT.

THAT'S NOT TRUE.

YOU BOTH NEED TO TALK ABOUT THIS.

WHAT DO YOU WANT FROM ME?I WANT YOU TO TELL ME.

TELL YOU WHAT?TELL ME ABOUT YOUR SON.

TELL YOU HOW MUCH I HATE IT

THAT EVERYWHERE I LOOK I SEE HIS FACE?

IN THE CLOUDS, IN THE WINDSHIELD,

IN THE BLANK PAGE IN MY TYPEWRITER.

AND THEN OTHER TIMES I CAN'T SEE HIM AT ALL,

AND IT KILLS ME. IS THAT WHAT YOU WANT?

OR HOW ABOUT THE FACT THAT I FEEL I'M DYING INSIDE

AND THERE'S NOT A GODDAMNED THING I CAN DO ABOUT IT?

I JUST CAN'T STOP HEARING HIS VOICE.

I'M IN THE MALL, JOGGING IN THE PARK,

AND I HEAR HIM SAY, "YOU'RE FUN, DADDY."

HE USED TO SAY THAT ALL THE TIME WHEN WE WERE HORSING AROUND.

"YOU'RE FUN, DADDY. YOU'RE FUN, DADDY."

THAT'S GOOD. WHAT WAS HIS NAME?

AN...

[SOBBING]

SAY IT, BEN. ANDREW.

ANDREW. THAT'S A GOOD NAME.

IT'S LIKE MY DREAMS DIED WITH HIM.

NOW I HAVE SOME SON THAT I KNOW WHO ALREADY KNOWS IT ALL,

AND HE'S NOT GONNA BE INTERESTED IN ANYTHING I HAVE TO SAY.

YOU DON'T KNOW THAT.

YOU THINK HE CARES ABOUT US?

OH, MAYBE. AND MAYBE NOT.

BUT WE CAN LET HIM KNOW THAT WE CARE ABOUT HIM, YOU KNOW.

WE'RE GONNA SEE HIM, LULU.

[SOBBING SOFTLY]

CLAIRE, I THINK I NEED MY MEDICATION.

OKAY.

IT'S OKAY.

I'M SORRY. OKAY?

WOW.

WELL, THIS KID'S PARENTS GOT TO HAVE SOME BUCKS.

[CLAIRE] YEAH. NICE NEIGHBORHOOD.

BEN, I THINK YOU SHOULD PULL OVER.

NO. IT'S 216. WE'RE NOT THERE. IT'S THE NEXT BLOCK.

I KNOW. BUT LULU HAS SOMETHING TO TELL YOU BEFORE WE GET THERE.

SO CAN YOU PULL OVER NOW?

SO, WHAT?

THISIS ERIC-- LINDA DAVIS' FROM VALLEY VIEW. YOU KNOW?

AND WHEN WE CALLED THE PARENTS, THAT WASN'T THE PARENTS.

THAT WAS FREDDIE. AND FREDDIE'S AT VALLEY VIEW.

HE'S CRAZIER THAN I AM. THAT'S FOR SURE.

AND YOU WERE RIGHT. I FORGED THE BIRTH CERTIFICATE.

WHAT ARE YOU TRYING TO TELL ME?

I'M TRYING TO TELL YOU THAT, UM, I LIED.

THAT THIS IS NOT OUR SON.HE'S NOT OUR SON?

YOU WERE BULLSHITING ME FOR 2,000 MILES?

NO!-- YES. I MEAN, SORT OF.

DON'T-- DON'T EVEN-- TALK! DO NOT TALK, LULU!

WHAT ARE YOU TRYING TO DO TO ME?!

NOTHING.

I CAN'T-- LOOK! I CAN'T TAKE THIS ANYMORE!

LOOK. I'VE GOT A SON; I DON'T HAVE A SON.

WHAT IS THIS, FUCK WITH BEN WEEK?!

BEN, JUST LISTEN TO HER!AND WHAT ABOUT YOU?

IF YOU WANT TO GET RID OF ME, I'LL DO IT FOR YOU. HOW'S THAT?!

WE HAVE A SON. WE HAVE A SON! I HAVE A SON?

YES, WE HAVE A SON. THIS IS NOT HIM. THIS IS ERIC.

WHY DIDN'T YOU TELL ME THIS EARLIER

BEFORE I MADE A COMPLETE ASS OUT OF MYSELF?

BECAUSE I WAS AFRAID THAT YOU WOULDN'T COME WITH ME.

SO WHAT'S IN YOUR HEAD?

YOU THINK WE'RE LITERALLY GONNA SHOW UP AT THIS KID'S HOUSE

AS IS BIOLOGICAL PARENTS-- "HEY, HERE'S MOMMY AND DADDY.

AFTER 16 YEARS, WE'RE HERE TO SCREW WITH YOUR LIFE!"

BEN, LULU TOLD ME ABOUT THIS LAST NIGHT.

I HAVE CONTACTED THE PARENTS AND THEY HAVE AGREED, AS LONG AS

IT'S OKAY WITH MARTIN, YOUR SON. ALL RIGHT? SO WE'RE GONNA GO.

I HAVE TO RETIE MY--

WHERE ARE MY GLASSES? DID I BREAK 'EM?

I DON'T KNOW. YOU THREW THEM AT ME.

WHERE DOES HE LIVE?IT'S THE SAME ADDRESS, BEN.

WE'RE ON ELM STREET. IT'S UP THERE. THERE.

MILLIE. THEY'RE HERE.

CAN YOU GO UPSTAIRS AND ASK MARTIN TO COME DOWN?

WHAT? WHAT? WE'VE DISCUSSED THIS.

WE'VE COME TO AN AGREEMENT. IT'S THE RIGHT THING TO DO.

BUT FOR WHO? THERE'S A DOZEN EXCUSES.

WE'RE NOT GONNA TALK ABOUT THIS.

SAY THAT WE DIDN'T KNOW. SAY THAT WE CHANGED OUR MIND.

STOP IT. STOP IT! OKAY? MARTIN!

[EXHALES]

ALL YOU HAVE TO DO IS JUST BE YOURSELF.

JUST BE LULU. YUP.

I CAN DO THAT... I GUESS.

ARE YOU READY?

ARE YOU READY? TAKE YOUR GLASSES OFF.

OKAY.

DOES ANYONE WANT TO RING THE BELL?

THE BELL?

BEN, THE DOORBELL.OH.

[BELL CHIMES]

HI. I'M MARTIN.

[CHUCKLES NERVOUSLY]

HI. BEN.YOUR FATHER.

LULU. YOUR MOTHER.

NICE TO MEET YOU.

THIS IS CLAIRE, BEN'S WIFE.

OH, THE SHRINK; RIGHT?YEAH, THAT'S RIGHT.

HAPPY BIRTHDAY.THANK YOU.

YEAH. CONGRATULATIONS. 16. IT'S A BIG ONE.

A BIG ONE?WELL, YOU GET TO DRIVE AND ALL.

I'VE BEEN DRIVING SINCE I WAS 14.

OH, I DIDN'T KNOW.

THAT'S RIGHT. YOU DON'T KNOW ANYTHING ABOUT ME.

YOU'RE RIGHT. I DON'T.

BUT HE WANTS TO. WE WANT TO.

SORRY. I-- I WAS JUST TRYING TO BE FRIENDLY.

NICE TRY.

WELL, UM, COME IN.

I KNOW THIS IS A LITTLE SHORT NOTICE...

MOM, DAD, THIS IS LULU.

HELLO. NICE TO MEET YOU.

HI.

HI. NICE TO MEET YOU.

AND THIS--CLAIRE.

SORRY. OH, THAT'S OKAY.

I THINK WE'RE ALL PRETTY NERVOUS RIGHT NOW.

NO KIDDING. BOY, OUT THERE MY HEART WAS POUNDING SO FAST

I THOUGHT IT WAS GONNA POP.

IT WAS GOING BOOM-BOOM BOOM-BOOM-BOOM-BOOM, YOU KNOW,

LIKE I WAS ON DEATH ROW OR SOMETHING.

BUT NOW THAT MARTIN LET US IN, I FEEL MUCH BETTER.

I MEAN, I MAY NOT SOUND LIKE I FEEL BETTER, BUT IT IS BETTER; NO?

I KNOW I TALK REALLY FAST. YOU KNOW, YOU'RE SO HANDSOME.

DON'T.SORRY. I DIDN'T MEAN ANYTHING BY IT.

THAT'S OKAY. YOU WERE JUST TRYING TO BE AFFECTIONATE.

MAYBE WE SHOULDN'T RUSH THINGS.I WASN'T TRYING TO.

WHY DON'T, UM-- WHY DON'T WE SIT DOWN?

IT'S A LOVELY HOME.THANK YOU.

COULD I GET ANYONE SOME ICED TEA OR A LEMONADE?

OH, MAN, I COULD USE A GLASS OF WHITE WINE.

WE DON'T SERVE ALCOHOL. I'M SORRY.

OH, ICED TEA WOULD BE GREAT.

TEA'S FINE.

YOU DON'T SERVE ALCOHOL?NEITHER ONE OF US DRINKS.

OH. ARE YOU ALCOHOLICS?

NO.YES. YES. I'M AN ALCOHOLIC.

WOW. I USED TO DRINK A LOT WHEN I WAS IN COLLEGE,

BUT I WAS NEVER THAT BAD.

A LOT OF MENTALLY ILL PEOPLE HAVE ALCOHOL IN THEIR--

MY MOM IS NOT MENTALLYILL.

I WASN'T SAYING-- THAT'S NOT WHAT I MEANT.

CLAIRE SAID THAT YOU WRITE FOR TELEVISION.

YOU DID IT AGAIN. YOU INTERRUPTED ME.

DID I?

TWICE. I'M SORRY.

NO, YOU'RE NOT.

I MEAN, I WOULD JUST LIKE TO BE ABLE TO FINISH ONE SENTENCE--

HE SAID HE WAS SORRY.SO NOW YOU'RE ON HIS SIDE.

WELL, I GUESS THAT YOU WOULD BE BECAUSE

THIS IS YOUR HOUSE AND YOU LIVE TOGETHER...

[DOORBELL CHIMES]I'LL BE RIGHT BACK.

HEY, BREATHE. [EXHALES]

[GIRL] SORRY I'M LATE.

HEY, MRS. ELSWORTH, MR. ELSWORTH.

THIS IS LAYLA.

HI. I'M HIS GIRLFRIEND.

BEN.HI, NICE TO MEET YOU?

LULU.HI. NICE TO MEET YOU.

YOU WRITE FOR "MAGNETIC NORTH"? THAT'S A REALLY COOL SHOW.

BEN WAS ACTUALLY NOMINATED FOR AN EMMY TWICE.

LOST BOTH TIMES, BUT...

UM, MARTIN WRITES.

POETRY, ACTUALLY. HE WRITES POETRY.

REALLY? I'D LOVE TO READ SOME OF IT.

WHY?

OH, NO. YOU SHOULD SHOW HIM. HE HAD SOME PUBLISHED IN OUR--

JUST DROP IT. OKAY?

I'D LOVE TO SEE YOUR WRITING. BEN I KNOW WOULD, TOO.

I'D RATHER NOT.

WHY ARE YOU SO NEGATIVE?

CAN'T YOU BE A LITTLE BIT MORE OPEN, A LITTLE BIT?

MARTIN'S EXTREMELY OPEN. HE BARELY KNOWS YOU OR BEN.

I THINK THERE ARE SOME THINGS HE WOULD RATHER KEEP TO HIMSELF.

WELL, THAT'S UNDERSTANDABLE.

WE ALL CAN RELATE TO THAT, AHEM. CAN'T WE, BEN?

WELL, I... I COULD RELATE A LOT MORE

IF YOU COULD FIND A WAY

TO LIGHTEN UP JUST A LITTLE BIT.

I WOULD THINK THAT YOU WOULD BE A LITTLE MORE UNDERSTANDING

CONSIDERING YOU'RE THE ONE THAT PUT HIM IN THIS SITUATION.

MILLIE.

CAN MARTIN NOT SPEAK FOR HIMSELF? YOU CAN, CAN'T YOU?

ALL WE DID WAS ASK TO SEE SOME OF YOUR WRITING.

BEN IS A WRITER, TOO.

YES. YOU'VE ALREADY MENTIONED THE WRITING.

WE'VE COME TO SEE YOU, TO TRY TO GET TO KNOW YOU, MAYBE LEARN TO LIKE US.

WELL, I DIDN'T ASK YOU TO COME BACK.

I DIDN'T ASK YOU TO COME BACK INTO MY LIFE, DID I?

NO.

DID I, BEN?NO, MARTIN,YOU DIDN'T.

BUT LET'S FACE IT,

YOU WOULDN'T BE ON THIS PLANET IF IT WEREN'T FOR ME AND LULU.

WHAT?IT'S A FACT.

SO NOW AFTER 16 YEARS YOU'RE GONNA COME BACK AND WANT TO TAKE CREDIT?

MAN, THAT'S BULLSHIT!

IF I EVER HAVE A KID, I'M NOT JUST GONNA BLOW OFF

ANY RESPONSIBILITY AND JUST LEAVE IT.

OBVIOUSLY THERE'S NOT A THING WE CAN DO OR SAY

THAT IS NOT GONNA SET YOU OFF, IS THERE?

ALL THEY ARE TRYING TO DO IS TO COME HERE AND MEET THEIR SON.

ALL RIGHT. WELL, I'M NOT IT.OKAY?

YOU'RE NOT MY DAD.

HE'S MY DAD, AND SHE'S MY MOM, AND SHE'S JUST CRAZY.

THAT IS NOT FAIR, MARTIN.

WHAT? I MEAN, LOOK AT HER.

NO! HE IS RIGHT.

THEY GIVE US ONE NIGHT'S NOTICE AFTER 16 YEARS.

HOW DID YOU THINK THAT HE WAS GONNA REACT?

DID YOU THINK ABOUT THAT AT ALL? WHY DO WE LET THEM DO THAT?

OKAY. THAT'S ENOUGH! THAT'S ENOUGH!

YOU KNOW WHAT?

NONE OF YOU ARE INTERESTED IN GIVING US A CHANCE HERE, HUH?

WE KNOW HOW DIFFICULT THIS HAS GOT TO BE FOR YOU,

BUT IT'S HARD FOR US, TOO, OKAY?!

DO YOU HAVE ANY IDEA WHAT THIS WOMAN HAS GONE THROUGH,

THE COURAGE IT TOOK FOR HER TO GET HERE OVER 2,000 MILES?

SHE WAS BRINGING ALL THE LOVE SHE HAS TO YOU,

KNOWING THAT YOU WOULDN'T BE ABLE TO GIVE IT BACK RIGHT AWAY.

I THINK YOU OWE HER AN APOLOGY.

YOU FIND HER?

NO. SHE'S-- SHE'S GONE. CLAIRE, LET'S GO!

I'M SORRY. MARTIN'S REALLY A WONDERFUL KID.

GIVE IT SOME TIME, YOU'LL LEARN THAT.

OH, GOD. WHERE COULD SHE BE?

I THINK I KNOW WHERE SHE IS. SO LET'S GO.

WAIT.

I'D LIKE TO COME WITH YOU.LET'S GO.

HEY, UM, CAN I GO IN ALONE?

MARTIN...

IT'LL BE ALL RIGHT.OKAY.

♪ [MUSIC PLAYING]

WHY DID YOU DO THAT?WHY DID YOU DO THAT?

I WANTED TO SEE WHAT KIND OF DAY IT IS.

A DAY LIKE ANY OTHER. GIVE ME A DRINK.

WHAT TIME IS IT? 11 O'CLOCK.

I'LL BE BACK LATER.

WHY?WHY?

LISTEN.

I'M REALLY SORRY ABOUT WHAT I SAID EARLIER.

YOU KNOW, I-- I DIDN'T MEAN IT.

I KNOW YOU'RE NOT CRAZY.

OH, YEAH, I AM. I ACCEPT IT, YOU KNOW.

YOU SHOULD, TOO. IT MAKES THINGS A LOT EASIER.

[FILM PLAYING IN BACKGROUND]

WHAT'D YOU HAVE TO SAY THAT FOR, SARAH?

HOW DO YOU KNOW MY NAME WAS SARAH? YOU TOLD ME.

[IN UNISON WITH FILM] I LIED. WHEN I'M DRINK, I LIE.

HOW MANY TIMES HAVE YOU SEEN THIS?

A LOT. A LOT.

IT WAS BEN'S FAVORITE FIRST, AND THEN IT WAS MINE.

WE HAD A LOT OF FUN TOGETHER, ME AND BEN. WE HAD BIG FUN.

FOR A WHILE WE WERE SO CLOSE THERE, WE SHARED ONE HEART.

BEN WOULD HAVE MADE A TERRIFIC DAD, DON'T YOU THINK?

I DON'T KNOW, YOU KNOW? MAYBE.

MARTIN, HE NEVER KNEW THAT I HAD A BABY.

I NEVER TOLD HIM UNTIL A FEW DAYS AGO.

LOOK, EDDIE.

[IN UNISON] I GOT TROUBLES, EDDIE. YOU THINK YOU GOT TROUBLES?

IT WOULD BE BETTER IF WE DIDN'T SEE EACH OTHER FOR A WHILE.

YOU KNOW, I COULD NEVER EVER HAVE RAISED YOU, YOU KNOW?

I WAS TOO SICK.YEAH.

BUT I KNEW THAT ONE DAY WE WOULD SEE EACH OTHER.

I KNEW THAT FOR SURE.

I'M REALLY GLAD THAT YOU CAME.

YOU ARE? YEAH. I AM.

SORRY.

Shh. Please be quiet while the movie's playing.

OKAY.

IS THAT WHAT MAKES A WINNER? WHAT ELSE CAN?

YOU GUYS OKAY?

YEAH.

ARE YOU OKAY?

[EXHALES DEEPLY]

YOU KNOW, SOMEDAY, SARAH, YOU'RE GOING TO SETTLE DOWN.

YOU'RE GONNA MARRY A COLLEGE PROFESSOR...

EXCUSE US, SIR. EXCUSE US.

[ANNOUNCEMENTS OVER P.A. IN FOREIGN LANGUAGE]

OH. WELL, WE'VE GOT A MINUTE.

WHAT? WHAT'S WRONG?

I DON'T KNOW ABOUT THIS.ABOUT WHAT?

I JUST THINK I SHOULD GO WITH YOU.

NO, LULU. I NEED TO--

WE DID IT, YOU KNOW. WE FOUND OUR BOY.

THANK YOU. YOU WENT ALL THE WAY.

I LOVE YOU, LULU.I LOVE YOU, TOO.

I'VE ALWAYS LOVED YOU.I'VE ALWAYS LOVED YOU.

I ALWAYS WILL. ALWAYS.

[P.A.] THIS IS THE FINAL CALL

FOR FLIGHT 232 TO SAN FRANCISCO.

NOW BOARDING AT GATE NUMBER 7.

WHICH ROUTE ARE YOU TAKING HOME?

THE ONLY ONE WE HAVEN'T TAKEN, THE NORTHERN ROUTE.

CHEYENNE?MM-HMM.

ROCKIES?MM-HMM.

IT'D BE BEAUTIFUL.

HAVE FUN. I'LL MISS YOU.

BYE, LULU.

♪ [MUSIC PLAYING]

♪ ONCE IN EVERY LIFE

♪ SOMEONE STEALS YOUR HEART

♪ AND YOU ARE FOREVER CHANGED

♪ EVEN WHEN YOU MUST PART

♪ YOU FIND IT HARD TO LEAVE

♪ THE FEELINGS ARE GONE

♪ BUT A VOICE INSIDE IS TELLING YOU ♪

♪ YOU CAN HOLD ON

♪ SO SAY GOOD-BYE

♪ OH, I CAN'T SAY THAT I WON'T CRY ♪

♪ 'CAUSE I'M SO GLAD

♪ FOR EVERYTHING WE HAD THE GOOD AND BAD ♪

♪ SAY GOOD-BYE

♪ JUST LOOK AT ME YOU'LL KNOW THAT I ♪

♪ STILL LOVE YOU SO

♪ EVEN THOUGH WE HAVE TO SAY GOOD-BYE ♪

♪ NO MATTER WHERE YOU ARE WHEREVER THAT MAY BE ♪

♪ I WILL ALWAYS HAVE YOU HERE

♪ DEEP IN THE HEART OF ME...

[BELL RINGS]

FEDEX FOR LULU McAFEE.THAT'S ME.

WELL, THERE WE GO. LINE 22. HERE.

THANK YOU.THANK YOU.

OH, FUCK.

[SOFTLY] BEN.

"TO LULU, WHO TOOK ME ON ONE MORE RIDE WITH THE TOP DOWN."

[CHUCKLES]

♪ NO MATTER YOU ARE WHEREVER THAT MAY BE ♪

♪ I WILL ALWAYS HAVE YOU HERE

♪ DEEP IN THE HEART OF ME

♪ AND IF I NEVER SEE

♪ THAT WARM AND TENDER SMILE AGAIN ♪

♪ WE WILL ALWAYS HAVE THE MEMORIES ♪

♪ YOU CAN'T FILL IN

♪ SO SAY GOOD-BYE

♪ OH, I CAN'T SAY THAT I WON'T CRY ♪

♪ 'CAUSE I'M SO GLAD

♪ FOR EVERYTHING WE HAD

♪ THE GOOD AND BAD

♪ SAY GOOD-BYE

♪ JUST LOOK AT ME, YOU'LL KNOW THAT I ♪

♪ STILL LOVE YOU SO

♪ EVEN THOUGH WE HAVE TO SAY GOOD-BYE ♪

♪ YOU'VE GOT YOUR LIFE

♪ AND YOU KNOW I'VE GOT MINE

♪ BUT WE WILL ALWAYS BE

♪ FOREVER INTERTWINED

♪ OUR HEARTS KNOW THAT

♪ IT WOULD BE WRONG TO STAY

♪ SO BEFORE YOU TURN AND WALK AWAY ♪

♪ SAY GOOD-BYE

♪ THOUGH, I CAN'T SAY THAT I WON'T CRY ♪

♪ 'CAUSE I'M SO GLAD

♪ FOR EVERYTHING WE HAD THE GOOD AND BAD ♪

♪ SAY GOOD-BYE

♪ JUST LOOK AT ME, YOU'LL KNOW THAT I ♪

♪ HAVE ONE LAST WISH

♪ ONE LAST KISS BEFORE WE SAY ♪

♪ GOOD-BYE ♪