All language subtitles for S19E06

Paul can have
the life he wants.

I ain't doing that again.

You want people here
knowing what you did?

MITCHELL: David Sellers, 31.

Someone's tried to clean up.

Where were you that day,
between 7:00 and 10:00 p.m.?

Oh, right. Yeah.

Pull another lifer in for it.

I'm outside flat 63.

The warden, Ryan White,
there's blood in his bathroom.

Better get down here.

How can we contribute
unless we know who and what
we're dealing with?

I know you're Joe Sherringham.

He's out, Sylvie.

I was gonna call you.

SNOW: Fire crews found
a body in the kitchen.

We're just waiting
for the Fire investigators.

This isn't Joe Sherringham.

No, but this is.

I can tell you who killed Joe.

We need to take Sylvie
to the building in the woods.

Impact abrasion
to the upper right cheek.

It's almost circular.

Bruising to the
surrounding area.

Also to the knuckles
of his right hand.

Thomas.

Raise your arms.

Turn around.

Clear.

So, what did Ted Blake
tell us dead

that he couldn't
when he was alive?

Puncture wound made by
a small blunt object.

We haven't been able
to match it with
anything in the house,

and it wasn't made
by the murder weapon.

Bruising on the knuckles
of his right hand,

but we didn't find
any matching bruises on Joe.

We think Jack was right,
there was someone
with him at the scene.

So you're suggesting there was
a fight between Ted
and this third person?

This is the likely
spread of the fire

from the set point outside
the kitchen door, okay?

Body's here.

Here it comes.

Open Sesame.

Kaboom.

Now, the extent of
Ted Blake's burns
would require

higher temperatures than those
caused by an accelerant.

He also had a distinctive
crescent-shaped burn

on the palm of his right-hand.

From Joe Sherringham's
front doorknob,
on the outside.

So the house was
already on fire when
Ted opened the door?

Yes.
The sudden increase in oxygen
created the fireball.

Hence the flash burns.

So there was a fight.

Ted tried to go back inside.

He was trying to save
Joe Sherringham?

-Nikki.
-NIKKI:
It's happening.

Mitchell wants us
to drive up together,

we meet Marcus at the scene
of Craig Blake's murder.

Sasha?

I'm on my way.

Ben.

Not working today?
I think Mandy's expecting you.

Er... I'll go in later,
I'm just here to see Sasha.

Dr Blackburn.

Oh. All right.

I have to be somewhere.

Can we...
Can we do this later?

Hey.

-Was the other night real?
-You shouldn't have come here.

Not now, you mean.

I won't embarrass you,
I just need to know.

Yes, it was real.

Well, hang on a minute.

What are we afraid of?
What else matters?

I have to go.
This isn't fair.

What am I supposed to do?

You are in my head
every minute.

I see you, I smell you,
my heart's going,

-my head's gone.
-Please!

Hey!

I can't do this now.

MITCHELL: Right.
Everything is in place.

Chadwell is here to tell us
about the current murders.
Nothing else.

He's never confessed
to anything.

You're both
across the forensics.

He says anything that differs
from the trial transcripts,
I need to know.

Are we sure about this?

I want him to talk.

This is my choice.
I want to know.

MITCHELL: I'm going
to bring him out now.

He's not going to get
anywhere near you, okay?

Don't meet his eye
or speak to him directly.
Understand?

Open it up.

MARCUS: Joe and I
brought him in.

Me there, and Joe over there.

Joe showed Craig
one of his girlie mags.

We were going to introduce him
to one of our games,

but Craig got upset.

And he didn't want
to play any more.

That's when he tried to leave
and you stopped him.

Yes.

-Craig was scared.
-Yes.

Started to cry.

Kept saying
he was going to tell his mum.

And did that make you angry?

I don't like people crying.

And he was such a baby.

So you tied him with wire
and then attacked him
with a knife?

-Yes.
-NIKKI: Why the face?

Why did you attack his face
after you killed him?

I just wanted him gone.

We're getting nowhere.

Did you influence someone
to kill Joe Sherringham?

No, no, Superintendent,
that's not why we're here.

He's enjoying this.
Please, let's stop it.

New information, now,
or you're back in the van.

Don't you want to know
the most important thing
about your boy?

May I?

He was here.

Yes, you said Craig
was on the floor.

Not Craig. Connor.

Connor was standing
right here...

watching.

You see, Connor was
in my little group.

He took part
in some of our games.

Didn't you know, Sylvie?

No, how could you?

He was late that day.

But he could see
that we had Craig in here,

showing him the magazines,
trying to get him to join in.

And then, Connor was gone.

Connor ran away
and left us to it.

And now, he is angry.

Trying to kill the people
that made him ashamed.

Hello, mate.

Fancy a chat?

None of my business how long
it's been going on, all that.

But this has to stop.

None of it is your business.

Have you thought about
what'll happen to Sasha?

She's fine.

I don't think that's true.

I don't think
you're facing things.
Think about her.

Does it make you feel
you're better than me,

helping Sasha out
with them creeps,

following her
around the place?

I mean,
I know why you're there.

It's her.

Am I right?

It can go wrong
for people like us.

Very quickly, Ben.

Where's Mum?

MITCHELL: She's fine.
She'll be home shortly.

CONNOR: Why am I here?

Did she see him?

Yeah. She was very brave.

I just need to, er,
clarify a couple of things.

Can you describe
the relationship you had

with Marcus Chadwell
and Joe Sherringham?

All this came out
in the trial.

MITCHELL: I know.

Well, I knew them from school.

Erm, they lived close to us.

Marcus wanted me
to be his friend,
but I didn't like him.

No one did.

He had this weird hold
over other kids,

so I stayed away.

And your brother?

I didn't want Craig to have
anything to do with Marcus.

But he wouldn't listen.

-How do you mean?
-Well, he looked up
to older boys.

He just wanted to be cool,
show me he didn't need me.

Marcus saw that,
befriended him.

Craig was just a kid.

MITCHELL: Where were you
the day that Craig died?

Why are you asking me this?

Marcus suggested you were
at that building in the woods.

Jesus Christ.

I was at the park.

No, he claims you saw that
Craig was with them

and that you left
without saying anything.

That's not true.

If you had been there,
you'd never forgive yourself,
would you, Connor?

All that guilt
turning to anger.

You'd want to hurt him
the first chance you got,
I understand that.

-Did Mum hear him say this?
-Yeah.

And you let him
do that to her?

You have no proof
I did anything

Marcus Chadwell told you,
have you?

Craig, my dad, now me.
Can't you...

Can't you see what he's doing?

I'd like to take a swab
of your DNA, Connor.

This is a joke.

Is that your dad's?

-What, this?
-Mmm.

No. Why would it be?

Have a look?

Oh!

Jack, I thought
you'd never ask.

You're already taken.

-Meh.

Look for Ted Blake's
skin or blood.

Where are you
with the screwdriver?

I got DNA from the handle,

I'm cleaning up
the profile now.

You okay?

Yeah. If it works, I want you
to check for a match.

Right, Ted Blake. I'm on it.

Not Ted. His son, Connor.

Tell us about David Sellers.

He was a lifer,
friend of Joe's.

CONNOR: Yeah.
No, I've never
seen him before.

I've no idea
what you're talking about.

MITCHELL:
I think you do.

I think you realised
he'd found out

about Joe Sherringham's
new identity.

I think you forced him
to tell him where Joe lived

-and then you killed him.
-No.

SNOW: After that,
you visited your dad.

You knew that
he would want Joe dead, too.

All those years of grief
after what Joe
did to your brother.

So you both went to Joe's,
only Ted changed his mind.

He tried to stop you.
Is that when you hit him?

No, that's not right.

We found traces
of your dad's blood
on your signet ring.

So with your dad quiet,
you killed Joe Sherringham,

lit a fire
to cover your tracks.

SNOW: We searched your house.

Forensics found lighter fluid
on your clothes.

-I didn't murder him.
-Then explain it
all to me, Connor.

He was already dead!

Joe Sherringham
came to my dad's house.

Told him who he was
and where he lived.

Then Dad came to me.

Drunk and crying.

He could never have done it
on his own.

MITCHELL: Done what?

What was the plan, Connor?

It was to hurt him.

Set fire to him.

Kill him and then
cover up the tracks.

We got to Sherringham's flat.

And Dad started sobering up

and saying he couldn't
go through with it.

You couldn't leave him.
Not now.

Not after what he did
to your little brother.

Dad was pulling me back,
so I hit him.

I took the lighter fluid,
but the front door
was already open.

I went in.

I saw Joe
in the kitchen.

He was covered in blood.

He weren't moving.
I panicked.

I lit the fire in the hall
to cover our tracks.

And then you ran.

Except, Dad wouldn't.

I was dragging him away,

but he couldn't leave Joe
in there.

He ran back to the house.

He opened the front door
and...

Boom.

That was it.

And you didn't stay
to help him.

You tried to save yourself.

-Mum needed me,
I couldn't just...
-You ran!

Just like you did that day
in the woods when Craig died.

Marcus was telling the truth.

You and him did things
to each other in that wood,

and then one day,
you saw Craig with him.

Wanting to be like you.

And you knew what was
gonna happen to him.

And you didn't get your
little brother out of there.

You ran.

Left him to the wolves.

This wasn't about revenge.

This was about your guilt,
wasn't it?

I wanted to kill
Joe Sherringham.

I wanted him to suffer.

Just like Craig did.

But he was dead
when I got there, I swear.

Do a little dance for me.

JACK: What?

Then I'll show
what I've got here.

Oh, you made a DNA match,
didn't you?

On the screwdriver?

Do the dance first.

What's the name?

What's the name?

He already did 10 years
for a double murder.

Name's Bennet Walker.

Oh, you little diamond!
Mmm.

SASHA: You're not
answering your phone.

Are you high?

Are you using again?

Don't be stupid.

Let go, please.

Is this coke?

You promised
if you ever came that close,

you promised
you would find me first.

You weren't there.
Were you?

I promised I would be,
I swore to you.

You know your licence,
this puts you
straight back inside.

Well, turn me in them.

Get your cop mates, right now,

and I'm out of your hair
forever.

You can't destroy yourself
just because of this.

-'Cause you're afraid.
-I'm not afraid.

Everything you have
fought for, everything,

it is so much more important
than me.

You don't get it.

There is only you.

What have I got to do
to make you feel that?

You have to let me go.

We'll help you.

"We"? "We"?

You need help, Ben.

You can't take me
like this, huh?

Am I not turning you on?

You think I'm messed up?

Look what you do.
Look at you.

No, you've made your choice.

You'd rather spend your time
helping psychos.

You've chosen them
instead of us.

What is wrong with you?

What's going on in there?

BEN: What you looking at?

What, you got a problem?

Nice car.

-Clear out, now.
-Put your hands on me!

-Huh?

What do you want?
What, you want some, huh?

-MAN: Leave him, leave him.
Let's go!

JACK: DNA on the screwdriver
is a match,

and we already established

the puncture wounds
on Joe Sherringham
correspond, too.

So, Bennet Walker,
both murders.

JACK: Different implement,
same style of attack.

Victims knew each other.
I'd say yes.

We've got the address,
get a tactical team
down there.

One of yours, isn't he?

Killed two dealers
outside a club, baseball bat.

Anything else we should know?

I've just heard.

Sasha, are you okay?

Do you want to sit down?

No. No, I'm fine.

SNOW: Bennet Walker
is not at his home address.

We've got it
under observation.

Left early, didn't say why.

I'm checking his work space,
personal effects...

OLIVER: Sasha.

What's happening?

Police want to talk to me
about Ben.

They suspect
he killed someone.

No. No.

Do you believe them?

Do they know about you two?

I want to help you.

I don't care
about what happened.

I just want you to be okay.

Sasha.

What do I tell them?

Just tell them
the truth, Oliver.

MITCHELL: Where is he,
Dr Blackburn?

I've said, I don't know.

I'm allowed to press you
for the truth.

You understand that, right?

Of course.

Where would he go?

SASHA:
He's using cocaine,
he's drinking.

If he doesn't know that
you're after him,

he's probably fallen
into offence
parallelling behaviour.

In plain English.

If you break out
of rehabilitation choices,

you revert to
old, destructive habits.

It's a way
of regaining control,

to prove that
you haven't been brainwashed.

Including murder?

I'm talking about
self-destructive habits.

Because you don't believe
that Ben Walker is a killer.
This time.

No, I never said that.

His DNA is on
the murder weapon.

Well, his profile,

the manner of these murders,
it doesn't make sense.

Do you know
you have tracking software
on your mobile phone?

My guess is that
Ben put it there.
He was stalking you.

You see, I believe you
are what connects
the two victims.

However unwittingly,
I believe you led Ben
to David Sellars

and Joe Sherringham.

You've already told us
he wanted you to stop working
with those people, correct?

He hated your job,
didn't he?

And we know what drove
Ben's first two murders,

two drug dealers,
10 years ago, jealous rage.

Both victims were attacked
in this distinct style,

the face targeted.

Like there was a desire
not just to kill,
but to obliterate them.

So there's something personal

about this kind of hostility?

Right.

But Ben Walker and
Joe Sherringham never served
or did probation together,

they never even met.

-Do we know that for sure?
-No.

But Sasha Blackburn would.

Nikki, she's suspended.

She also knows
the case in detail.

Style of attack,
psychological motive,

it's central
to these killings.

They've got a prime suspect.

Look, I'm not saying that
Ben Walker didn't do this.

His DNA is all over
the murder weapon.

One of the murder weapons.

The police want him
for both murders.

All we have at this moment
are similarities.

Conjecture.

It's not enough.

Is Max okay?

DIANE: Yeah, he's fine.

How long is he
going to be there?

He's just there
as a precaution.

Why don't you
just say it, Mum?

Everything you ever thought
about me is true.

Do you think
I take pleasure in this?

You always said that
I'd end up hurting you or Dad.

We wanted you to be happy.

You wanted me married.

And you chose a job
to drive your husband away,
to drive us away.

And this man?

The one the policeman
in the hall is trying
to protect us from.

How are you?

Have they arrested him?

You're up to speed
on the case details.

I want a professional opinion.

Both David and Joe
received these blows
to the face after death.

Seems like a deliberate
targeting, mutilation,

something very personal
about the hostility.

Yeah, the face
represents a person,

destroy the face,
destroy the person.

You supervised Ben Walker
and Joe Sherringham.

Did their paths ever cross?

No, they were in
different facilities. Why?

I suppose I don't think
you're reckless enough
to believe

Ben Walker's innocent
just because you were
in a relationship with him.

You're still not certain
Ben Walker did it, are you?

It's very hard
to fake your way through
12 years of tests

and therapy.
Take Marcus Chadwell,
for example.

A straightforward,
psychopathic personality type.

Plenty of people are
and have successful jobs

in business, politics.

What makes
a psychopath a killer

is almost always
childhood trauma.

Abuse,

parental neglect.

But none of that
happened to Ben.

His issues are to do
with addiction, rage,
but these...

The focus, the will,
the need to obliterate.

I don't know.

These are something else.

Why are you doing this?

There's already enough
evidence to arrest Ben.

Because, pathologically,
there are still things
that don't make sense.

And I need to make
sense of them.

Psychoanalyse
that how you want.

-Why are they after me?
-Ben.

Don't-don't run.
You'll make it worse.

They want me for David
and Joe Sherringham.
They want me!

Right?

Did you track my phone?
Did you follow me?

Is that what they're saying?

Your DNA's found
on the screwdriver
that killed Joe.

Right.

-Right.
-You have to stop this now.

It's too late.

Ben, please.

I am not going back
inside again, I'm not!

Just listen!

OFFICER: Bennet Walker
has just made contact
with Sasha Blackburn.

I've checked the house,

there's no sign of him
in the immediate vicinity.

Sasha came into
the workshop yesterday.

While you were at the centre.

You never said.

Did you know something's
going on with her and Ben?

No, there isn't.

There isn't.

You think she's some angel.

Mandy, stop.

Ben.

No, you're all right, Mandy.

-Don't be afraid of me.
-OLIVER: Please.

-Whatever you've done...
-Have I got this wrong?

It's okay.

Tell me I've got this wrong.

Do we go to the police now,
is that what we have to do?

It's Sasha.

Why you killed them.

Why you go to the centre.
'Cause she's there.

-Oliver.
-No, no. No. It's just talk.

You set me up.
My screwdriver...

Christ, I see it now.

You had me trusting you.

You need to trust me now.

Please don't do that.

I'm sorry,
I'm calling the police.

Yeah, do it. Bring 'em.

-Mandy. Mandy...

Argh!

OLIVER: Er, yeah, yeah.
It's me and my wife,

we've been attacked.

Er...

I-I think she might be dead.

Yeah. Yeah, please come,
as quickly as you can.

Hello?

Check upstairs.

Through there.

OLIVER: Please.

Help her.

Victim is Mandy Bright,
wife of Oliver Bright,
also attacked.

Looks like
she got in Walker's way.

MITCHELL: Right.
Managed to get
a statement out of Bright.

He said Walker
tried to attack him,
drunk or high.

They tried to calm him down,
he grabbed the knife,

started attacking Oliver.

Wife tried to intervene,
Ben went berserk.

Knocked her out with
a chopping board,
started stabbing.

Oliver tried to stop him,
got thrown against
the table here.

Walker was about to attack him
again, then suddenly fled.

-Blood trail.

MITCHELL: Er,
ends at the back door.

OLIVER: Catch him.

Please! He's a monster.

I want the ambulance escorted
and 24-hour protection on him

-until we find Walker.
-SNOW: Guv.

-There you go.
-Thanks.

Sugar, no milk.

Does this mean
I don't have to go to school
for the whole day?

-MAN ON TV: In other news...
-Mum!

The police are on the lookout
for a man in connection
with a double knife attack

earlier today
in which a woman
was fatally stabbed

and her husband injured.

Police have stressed that,
if spotted,

Bennet Walker should not be
approached under
any circumstances.

Laceration near the vertex
of the skull.

Blunt force trauma matches
the chopping board
found next to her.

THOMAS:
Is that what killed her?

NIKKI: Immobilised her,
at least.

Multiple stab wounds,

five, six, seven to the face.

Consistent with
the kitchen knife
collected at the scene.

Only seven wounds
to the face?

Mmm.

And none around the eyes.

They're more uniform
than the other attacks.

Shallower.

Haven't penetrated the skull,
facial bone.

Much less force was used.

Because it had nothing to do
with jealousy.

She just got in the way.

Hi. Could Mandy Bright
have moved
after being attacked?

NIKKI: Negative,
disabling blows,

she would have fallen
where she stood.

Hmm.

You've gone quiet on us, Jack.

There's a bubble pattern
in the blood.

THOMAS:
Aerated. Chest wound.

Mandy couldn't have got
near the door

and Oliver had injuries
to his arm and forehead.

It's Ben Walker's,
he'll be bleeding heavily.

Yep.

Yeah, this is Snow.

I'm gonna need a sweep
of the area immediately,
around the Brights' house.

NIKKI: Clarissa.

Erm, multitasking now, Nikki.

Oliver Bright never mentioned
Ben Walker was injured.

THOMAS: Defending himself
in a knife attack,

maybe he just didn't realise.

He missed his attacker
sustaining a deep chest wound?
Is that likely?

It's not impossible.
Where's this going?

The wounds on Sellars
and Sherringham.

As we know,
made with extreme
agitated force.

Mandy Bright's wounds.

Not so tightly grouped,
not nearly so forceful,

and none around the eyes,

as if they'd been
deliberately avoided.

As if he was forcing himself
to inflict them,
no anger, no rage.

Why?

To match Sellars
and Sherringham.

THOMAS: Ben Walker's
already the suspect,

he'd have no reason
to do that.

Oliver Bright volunteered
at the Origins Centre,

he knows Sasha
and he knows all the victims.

No, it's circumstantial,
it's not enough.

Oliver Bright's a lifer,
what's the name
of his original victim?

Downloading the
post mortem files now.

Have you caught him yet?

We'll tell you
when there's news.

You're fine here.

Is it just one of you?

PC Nelson's taking over
in 15 minutes, okay?

Okay.

NURSE: This shouldn't be
too uncomfortable.

The wounds on
Sellars and Sherringham,
as we know,

were made with extreme
agitated force.

This is the reconstructed
fracture sequence
of a murder victim

14 years ago.

Forensics performed
a CT scan of the injuries

but at the time,
they couldn't model
fracture sequences,

so they couldn't
have seen this.

It gives us a narrative,
the sequencing of the blows.

These were targeted.

Watch the increasing force
around the eyes.

Almost identical
to the patterns

found on
Sherringham and Sellars.

Who is this?

Charles Moore.

Killed with a tyre wrench
in a road rage attack.

By who?

Oliver Bright.

He got 10 years
for the murder.

Oliver Bright? No, no, no.

You convinced us
that the killer's victims

meant something personal
to him, anger, jealousy.

This is a road rage attack,
random.

He knows Ben Walker, Sasha,
he knew David Sellars.

Joe Sherringham.

Now his wife has been killed.

He's connected.

To all of them.

Okay. All right,
we'll talk to him.

NURSE: Thank you.

Shit! Come on, let's go!

Check the other corridor.

This is Snow.

Oliver Bright is not
on the ward, repeat,
Bright has left the ward.

You think Oliver did this?

That doesn't make any sense.

Could Oliver have hidden
his true reasons
for killing Charles Moore?

SASHA: He would have had
to mask his symptoms
from the start,

the psychometrics,
assessments,
all my work with him.

But is it possible?

His rehabilitation
wouldn't have been addressing
the reasons he killed.

So he wouldn't have been
getting any better,

but he could have
been getting worse.

Oliver knew
the recent victims.

These are intensely directed,
personal attacks,

his murder was random,
a stranger.

What if it wasn't random?

What if he did know
Charles Moore?

Ben. Ben, can you hear me?

Mitchell, I've found Walker,

garden half a mile
from the crime scene.

He set me up.

My screwdriver...

on the dead guy.
He killed his own wife.

He killed them all.

Just make sure
Sasha's still okay.

Mum.

I'll be a couple of hours.

Ben's been attacked.

-Sasha, no.

It's not him, Mum.
He's not guilty.

-Oh, it's the police again.

Don't go, please!

Who else is here?

Please let them go.

MITCHELL: We think
Oliver Bright is in the house.

We've lost contact
with the officer inside,

and Sasha, too.

Stay back. Let's go.

I can protect you.
You see that now.

Yeah.

Yeah, I can see you, Oliver,

you're here for me.

Of course. Always.

-You can protect me.
-I do protect you.

Then we don't need
anyone else here, do we?

-Sasha.
-Mum.

We can let them go.

Can't we?

We can be alone.

Just me and you.

SASHA: How can we
be together, tell me,

how can we do that?

We are. Now.

-That's why I came.
-Can we leave here?

Just you and me.

No. No, there are police.

Don't worry about the police,
we have each other.

-Officer down.
-Go.

OLIVER: Where do we go?
There's nowhere.

Are you pretending now?

No, no, I won't pretend.

I know why
you killed Charles Moore,
I know the truth, Oliver.

Charles took your mum away.

I showed him who was strong.

He shouldn't have hurt you.

No.

But you shouldn't
have hurt him.

No.

You don't like hurting people,
do you?

You, you want to
protect people.

-People who need you.
-Yes.

You don't need that.

You're not going
to hurt anyone here,
are you?

Mum!

-Mum, get out! Go, go!

OLIVER: No!

Leave us alone! Stay back!

OFFICER: Go, go!

Watch your step here.

-Are you both okay?

-What about Sasha?
-I don't know!

You said we'd be together.

You're scaring me now, Oliver.

You don't hurt people
you love.

You wanted to leave me.

Why?

Why?

Killing Charles Moore
didn't bring your mum back.

Did it?

Joe.

David. Killing them,
it's not going to make me
be with you.

You know that I'm strong.

And you can stop this.

We can help you, please.

No.

I don't need you.

I don't need you, Oliver.

I'm not your mum.

I don't want you
to protect me,
I want you to stop.

-I love you.
-No.

You just chose me
because I tried to help you.

No. No.

I don't love you.

I just try to help people.

OFFICER: I've got movement.

Go, go!

Move in!

-You okay? You all right?
-OFFICER: Armed police!

-You sure?

Where's Max, where's my mum?

We've got them, they're safe,
we've got them all.

All right, look after her.

All right.

MITCHELL: I can't see.

OFFICER: Premises clear!

JACK: Looks like
he cut his own throat.

I was in the area
so I thought I'd pop by
and see how you're doing.

-All change.

Hi.

Tea?

-No, thanks.
-Please.

How's he coping?

We'll be okay.

What about the new place?

It's nice, it's light,

airy.

It's a shoebox.

But it'll do the job.

Till I get a job.

What about everything else?

I have to find out, don't I?