Original subtitles

Look, we interview girls all day for the agency. That's what we do. We interview

girls all day. That's exactly what I've gone to. You're safe.

You're fine.

Just leave this fence, dude.

Don't be hostile.

This is a bad attitude. Okay, how about this? How about if we want you to just

read lines?

Right. I mean, what do you have to lose? You're hanging out at the park all day.

I mean, it's a decent opportunity. How long have you been in town for?

Only a couple weeks.

I jumped on a bus out of town, and I'm trying to make it big. I'm trying to do

the whole L .A. Well, then why are you so resistant when somebody gives you the

opportunity? I can put you in front of a lot of directors and a lot of producers

that are looking for talent. Now, whether or not they choose you, you

depends, but at least I can offer you some exposure.

Look, check this out. We have...

We have a real live makeup artist, and anything you feel uncomfortable with. I

wouldn't mind getting my makeup done looking pretty.

Anything you feel like doing, you can do. Anything you don't want to do, you

leave. All right? You can make some money. We'll put some money in your

Just for stills and an audition?

Audition, some stills, a couple other things.

You can make up to $500.

Cool, and so I can probably meet, like, business contact, too, there, right?

Exactly. And you're making a couple right now, whether you know it or not.

I know.

I know we have two parts out, and he saw you, I saw you, we saw you.

And, you know, he's willing to hop the fence for you.

He's going to hop the fence for you.

Oh, yeah.

Ooh.

Here, give her a hug.

You feel better?

I do.

Come on.

Give her a kiss on the cheek. Give her a kiss on the cheek.

I wouldn't drink that.

Good point.

Come on, let's go.

We'll go out the entrance.

See you guys in a couple. Off the fence.

Okay, I have to go.

What's up, sweetie?

Hey. See, told you.

I know, these are real makeup artists.

We've got a real live makeup artist.

She's alive. Hold on, let me feel.

Yep, yep.

She's alive. Hold on.

Yep. All right.

She's alive there too.

See? Yeah, we weren't kidding.

See?

Oh, I saw.

We've got to reflect you in the best light so that we can give you some work.

Also, normally people that come up and approach me for work.

Or at least the bad type of work, as I like to call it.

Bad work.

Not porn shit. No work. It's bad work. I mean, money's money. Well, the porn

stuff, I don't like it. But anyway, you're a little bit cuter than normal.

So, I mean.

Are they kind of scurvy guys?

Yeah, really.

And, you know, good -looking people in L .A., right?

Remember, it's the good -looking people that get everywhere in this world. See,

look. Look at Chisel, handsome, rugged, good looks. Look.

And he's a good boy.

Yeah.

Well, yeah, that's a good way to go around in LA, just judging people on

looks. Well, that's, I mean, that's the, that's what we always hear when we're

out, like, in the glass. That's exactly what I do.

It's the good -looking people that you trust, so.

So you gotta look good. I can't.

I don't mean to look good. You're gonna make a living out here. It's pretty

hard.

Be able to use you.

And get you lots of work.

Is that where most people start? Small independent?

Yep.

Okay.

Trust me.

Why would the big agencies take you, you know? They don't know you. Yeah, they

want to see your small stuff first.

Okay. You've got to do some work. You've got to put some work in before you get

noticed.

So they're like, you've got to put out to get some. And I'm like, put out to

some? What does that mean? Like, well, you've got to put yourself out there in

order to get something back. And I'm like, okay. Yeah.

That's a good one. So I guess I have to put out to get some.

That's what I meant. You have to put out to get some.

Why didn't you think of that one?

It's your job.

All right, cool. All right, sweetie.

We'll get you all finished up, and we'll get your screen test started.

Well, yeah, he's got that part reserved for me, so, you know. Two parts, really?

Two parts? Yeah, two parts. Oh, right, you said there were two parts for me.

Yeah. Yay!

What's wrong?

I'm a little uncomfortable.

There aren't any casting members in here.

I'm in, like, pajamas.

On a bed.

It's, um... I'm, like, not wearing what I thought I was going to be wearing.

Well, you don't know anything about this business. What makes you think that

what you thought you were going to wear has anything to do with it?

Here, listen.

Take your lines.

Here, we're going to read them together for your video.

And, uh...

Look, we did your makeup.

We gave you outfit.

Look, pretty socks. Are they pretty?

Here, let's see your top.

See? Look. We got your white top.

That's pretty.

See? That's called wardrobe.

Do you have lines?

Yeah, I have lines.

Okay, you're going to read some of the lines.

You're going to read the ones with me.

Bianca lies. Read pink. You're Bianca, okay?

And you've got a good -looking guy to read lines with. Read right there.

Read that short one right there. Ready?

Okay. I'm ready.

I will now bear these braids of thine.

Why, gentlemen, you do me double wrong.

To strive for which is this in my choice?

I am no preaching scholar in these schools.

I'll not be tied to hours nor point of times, but learn my lessons as I please

myself. And to cut off all strife, here we sit down.

Take you, your instruments, play you the wiles. His lecture will be done ere

you've tuned.

All right, now, if you look at, that was good, but if you look at the back page,

there's, uh, I'm going to work on this glove making thing.

The glove making thing, man. Okay.

Nice. Finally, we get to work.

I don't have that page.

No, it's in there. It's in the back. In this lovemaking scene.

Oh, hell no.

We're going to film it from the back so that they can't see it. It's going to be

softball.

Softball, but they don't really do it in Hollywood.

Yeah, they do. They just don't really show it. It's all about the camera

Just sit down here. Just sit down here.

He's going to come behind you with the camera.

There you go.

You can't see it now, right?

There you go.

This is what I'm talking about.

This is how Shakespeare should have been written a long time ago.

Shakespeare didn't care about makeup, did I say?

Is this how Juliet was, man?

That's a good whore, huh?

Come here and suck the director's cock a little.

The director?

Always suck the director's cock.

Thank you.

Thank you.

That's wrong.

Thank you.

Shit.

Thank you.

you you

and suck it all off.

And my pussy and my ass?

At the same time?

Come on.

Can you fuck my pussy?

Can you fuck my pussy while there's a cop in my ass, huh?

That's a pretty good aim, huh?

Right there.

Fucking pieces are going in. Two fucking parts, you slum.

Fucking big star might as well be the right type of star, huh?

Yeah, beautiful little fucking boy. Beautiful little fucking boy.

There you go. There you go.

You know what would be easier? How about I put my fucking legs over yours?

Here we go.

Now do it.

Now get that fucking cock in there.

Thank you.

Get away from here

Good night.

Thank you.

Ha! Ha!

Ha!

Yeah.

some of the texture too.

Welcome to the business, sweetheart.