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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,539 --> 00:00:05,700 Look, we interview girls all day for the agency. That's what we do. We interview 2 00:00:05,700 --> 00:00:08,880 girls all day. That's exactly what I've gone to. You're safe. 3 00:00:09,960 --> 00:00:12,000 You're fine. 4 00:00:12,380 --> 00:00:14,020 Just leave this fence, dude. 5 00:00:15,920 --> 00:00:17,280 Don't be hostile. 6 00:00:17,660 --> 00:00:21,720 This is a bad attitude. Okay, how about this? How about if we want you to just 7 00:00:21,720 --> 00:00:22,720 read lines? 8 00:00:23,600 --> 00:00:26,680 Right. I mean, what do you have to lose? You're hanging out at the park all day. 9 00:00:27,080 --> 00:00:30,480 I mean, it's a decent opportunity. How long have you been in town for? 10 00:00:31,020 --> 00:00:32,019 Only a couple weeks. 11 00:00:32,820 --> 00:00:39,620 I jumped on a bus out of town, and I'm trying to make it big. I'm trying to do 12 00:00:39,620 --> 00:00:42,880 the whole L .A. Well, then why are you so resistant when somebody gives you the 13 00:00:42,880 --> 00:00:46,760 opportunity? I can put you in front of a lot of directors and a lot of producers 14 00:00:46,760 --> 00:00:51,460 that are looking for talent. Now, whether or not they choose you, you 15 00:00:51,460 --> 00:00:55,140 depends, but at least I can offer you some exposure. 16 00:00:57,040 --> 00:00:59,400 Look, check this out. We have... 17 00:01:00,840 --> 00:01:04,599 We have a real live makeup artist, and anything you feel uncomfortable with. I 18 00:01:04,599 --> 00:01:05,940 wouldn't mind getting my makeup done looking pretty. 19 00:01:06,560 --> 00:01:10,740 Anything you feel like doing, you can do. Anything you don't want to do, you 20 00:01:10,740 --> 00:01:14,820 leave. All right? You can make some money. We'll put some money in your 21 00:01:15,440 --> 00:01:17,260 Just for stills and an audition? 22 00:01:17,900 --> 00:01:20,940 Audition, some stills, a couple other things. 23 00:01:21,260 --> 00:01:23,300 You can make up to $500. 24 00:01:24,190 --> 00:01:27,210 Cool, and so I can probably meet, like, business contact, too, there, right? 25 00:01:27,410 --> 00:01:30,910 Exactly. And you're making a couple right now, whether you know it or not. 26 00:01:31,170 --> 00:01:31,848 I know. 27 00:01:31,850 --> 00:01:37,430 I know we have two parts out, and he saw you, I saw you, we saw you. 28 00:01:37,750 --> 00:01:40,850 And, you know, he's willing to hop the fence for you. 29 00:01:41,930 --> 00:01:45,250 He's going to hop the fence for you. 30 00:01:45,830 --> 00:01:46,830 Oh, yeah. 31 00:01:46,910 --> 00:01:47,910 Ooh. 32 00:01:49,930 --> 00:01:51,030 Here, give her a hug. 33 00:01:55,760 --> 00:01:56,738 You feel better? 34 00:01:56,740 --> 00:01:57,740 I do. 35 00:01:57,880 --> 00:01:58,920 Come on. 36 00:01:59,320 --> 00:02:01,700 Give her a kiss on the cheek. Give her a kiss on the cheek. 37 00:02:03,160 --> 00:02:07,180 I wouldn't drink that. 38 00:02:08,139 --> 00:02:09,139 Good point. 39 00:02:09,880 --> 00:02:12,560 Come on, let's go. 40 00:02:13,360 --> 00:02:14,400 We'll go out the entrance. 41 00:02:15,120 --> 00:02:17,100 See you guys in a couple. Off the fence. 42 00:02:17,520 --> 00:02:18,520 Okay, I have to go. 43 00:02:21,660 --> 00:02:22,660 What's up, sweetie? 44 00:02:23,000 --> 00:02:24,980 Hey. See, told you. 45 00:02:25,550 --> 00:02:27,670 I know, these are real makeup artists. 46 00:02:28,030 --> 00:02:29,550 We've got a real live makeup artist. 47 00:02:30,430 --> 00:02:31,830 She's alive. Hold on, let me feel. 48 00:02:32,550 --> 00:02:33,550 Yep, yep. 49 00:02:33,670 --> 00:02:34,670 She's alive. Hold on. 50 00:02:35,390 --> 00:02:36,610 Yep. All right. 51 00:02:37,830 --> 00:02:38,830 She's alive there too. 52 00:02:40,370 --> 00:02:42,630 See? Yeah, we weren't kidding. 53 00:02:42,910 --> 00:02:43,910 See? 54 00:02:44,030 --> 00:02:44,869 Oh, I saw. 55 00:02:44,870 --> 00:02:47,950 We've got to reflect you in the best light so that we can give you some work. 56 00:02:48,530 --> 00:02:51,510 Also, normally people that come up and approach me for work. 57 00:02:51,950 --> 00:02:55,410 Or at least the bad type of work, as I like to call it. 58 00:02:55,610 --> 00:02:56,610 Bad work. 59 00:02:56,930 --> 00:03:00,310 Not porn shit. No work. It's bad work. I mean, money's money. Well, the porn 60 00:03:00,310 --> 00:03:05,910 stuff, I don't like it. But anyway, you're a little bit cuter than normal. 61 00:03:06,110 --> 00:03:07,110 So, I mean. 62 00:03:07,590 --> 00:03:09,010 Are they kind of scurvy guys? 63 00:03:09,270 --> 00:03:10,270 Yeah, really. 64 00:03:10,330 --> 00:03:14,030 And, you know, good -looking people in L .A., right? 65 00:03:14,290 --> 00:03:17,050 Remember, it's the good -looking people that get everywhere in this world. See, 66 00:03:17,090 --> 00:03:21,450 look. Look at Chisel, handsome, rugged, good looks. Look. 67 00:03:21,890 --> 00:03:23,410 And he's a good boy. 68 00:03:23,750 --> 00:03:24,750 Yeah. 69 00:03:25,330 --> 00:03:30,670 Well, yeah, that's a good way to go around in LA, just judging people on 70 00:03:30,670 --> 00:03:33,870 looks. Well, that's, I mean, that's the, that's what we always hear when we're 71 00:03:33,870 --> 00:03:35,490 out, like, in the glass. That's exactly what I do. 72 00:03:35,790 --> 00:03:37,910 It's the good -looking people that you trust, so. 73 00:03:40,550 --> 00:03:42,910 So you gotta look good. I can't. 74 00:03:43,390 --> 00:03:46,910 I don't mean to look good. You're gonna make a living out here. It's pretty 75 00:03:46,910 --> 00:03:47,910 hard. 76 00:03:48,500 --> 00:03:49,620 Be able to use you. 77 00:03:50,600 --> 00:03:51,860 And get you lots of work. 78 00:03:52,280 --> 00:03:54,080 Is that where most people start? Small independent? 79 00:03:55,140 --> 00:03:56,140 Yep. 80 00:03:56,180 --> 00:03:57,180 Okay. 81 00:03:57,220 --> 00:03:58,059 Trust me. 82 00:03:58,060 --> 00:04:01,380 Why would the big agencies take you, you know? They don't know you. Yeah, they 83 00:04:01,380 --> 00:04:02,560 want to see your small stuff first. 84 00:04:02,800 --> 00:04:05,820 Okay. You've got to do some work. You've got to put some work in before you get 85 00:04:05,820 --> 00:04:06,820 noticed. 86 00:04:07,440 --> 00:04:10,620 So they're like, you've got to put out to get some. And I'm like, put out to 87 00:04:10,620 --> 00:04:13,500 some? What does that mean? Like, well, you've got to put yourself out there in 88 00:04:13,500 --> 00:04:15,700 order to get something back. And I'm like, okay. Yeah. 89 00:04:16,469 --> 00:04:19,390 That's a good one. So I guess I have to put out to get some. 90 00:04:20,930 --> 00:04:23,070 That's what I meant. You have to put out to get some. 91 00:04:23,310 --> 00:04:24,690 Why didn't you think of that one? 92 00:04:25,550 --> 00:04:26,550 It's your job. 93 00:04:28,290 --> 00:04:30,010 All right, cool. All right, sweetie. 94 00:04:30,350 --> 00:04:34,450 We'll get you all finished up, and we'll get your screen test started. 95 00:04:34,670 --> 00:04:37,590 Well, yeah, he's got that part reserved for me, so, you know. Two parts, really? 96 00:04:37,850 --> 00:04:40,910 Two parts? Yeah, two parts. Oh, right, you said there were two parts for me. 97 00:04:41,890 --> 00:04:42,950 Yeah. Yay! 98 00:04:44,950 --> 00:04:45,950 What's wrong? 99 00:04:46,430 --> 00:04:48,350 I'm a little uncomfortable. 100 00:04:48,870 --> 00:04:52,070 There aren't any casting members in here. 101 00:04:52,370 --> 00:04:54,610 I'm in, like, pajamas. 102 00:04:56,690 --> 00:04:57,690 On a bed. 103 00:04:58,190 --> 00:05:01,910 It's, um... I'm, like, not wearing what I thought I was going to be wearing. 104 00:05:02,450 --> 00:05:05,790 Well, you don't know anything about this business. What makes you think that 105 00:05:05,790 --> 00:05:08,210 what you thought you were going to wear has anything to do with it? 106 00:05:08,430 --> 00:05:09,309 Here, listen. 107 00:05:09,310 --> 00:05:10,310 Take your lines. 108 00:05:10,910 --> 00:05:13,170 Here, we're going to read them together for your video. 109 00:05:14,090 --> 00:05:15,090 And, uh... 110 00:05:15,440 --> 00:05:17,220 Look, we did your makeup. 111 00:05:17,700 --> 00:05:20,200 We gave you outfit. 112 00:05:20,480 --> 00:05:22,260 Look, pretty socks. Are they pretty? 113 00:05:22,620 --> 00:05:23,700 Here, let's see your top. 114 00:05:24,200 --> 00:05:26,740 See? Look. We got your white top. 115 00:05:27,480 --> 00:05:28,480 That's pretty. 116 00:05:28,740 --> 00:05:30,620 See? That's called wardrobe. 117 00:05:31,580 --> 00:05:32,760 Do you have lines? 118 00:05:33,300 --> 00:05:34,300 Yeah, I have lines. 119 00:05:34,720 --> 00:05:40,120 Okay, you're going to read some of the lines. 120 00:05:40,360 --> 00:05:41,960 You're going to read the ones with me. 121 00:05:42,330 --> 00:05:45,430 Bianca lies. Read pink. You're Bianca, okay? 122 00:05:46,350 --> 00:05:51,290 And you've got a good -looking guy to read lines with. Read right there. 123 00:05:51,870 --> 00:05:53,650 Read that short one right there. Ready? 124 00:05:53,910 --> 00:05:55,390 Okay. I'm ready. 125 00:05:56,530 --> 00:06:00,690 I will now bear these braids of thine. 126 00:06:01,290 --> 00:06:03,950 Why, gentlemen, you do me double wrong. 127 00:06:04,210 --> 00:06:07,590 To strive for which is this in my choice? 128 00:06:07,850 --> 00:06:10,350 I am no preaching scholar in these schools. 129 00:06:11,000 --> 00:06:16,460 I'll not be tied to hours nor point of times, but learn my lessons as I please 130 00:06:16,460 --> 00:06:20,320 myself. And to cut off all strife, here we sit down. 131 00:06:20,740 --> 00:06:26,820 Take you, your instruments, play you the wiles. His lecture will be done ere 132 00:06:26,820 --> 00:06:27,820 you've tuned. 133 00:06:28,100 --> 00:06:32,220 All right, now, if you look at, that was good, but if you look at the back page, 134 00:06:32,440 --> 00:06:36,080 there's, uh, I'm going to work on this glove making thing. 135 00:06:36,680 --> 00:06:38,620 The glove making thing, man. Okay. 136 00:06:39,730 --> 00:06:41,570 Nice. Finally, we get to work. 137 00:06:41,810 --> 00:06:43,570 I don't have that page. 138 00:06:45,550 --> 00:06:50,370 No, it's in there. It's in the back. In this lovemaking scene. 139 00:06:50,790 --> 00:06:52,030 Oh, hell no. 140 00:06:53,050 --> 00:06:57,710 We're going to film it from the back so that they can't see it. It's going to be 141 00:06:57,710 --> 00:06:58,710 softball. 142 00:06:59,190 --> 00:07:01,910 Softball, but they don't really do it in Hollywood. 143 00:07:02,470 --> 00:07:05,690 Yeah, they do. They just don't really show it. It's all about the camera 144 00:07:06,310 --> 00:07:08,390 Just sit down here. Just sit down here. 145 00:07:09,320 --> 00:07:11,580 He's going to come behind you with the camera. 146 00:07:12,400 --> 00:07:16,680 There you go. 147 00:07:17,760 --> 00:07:20,880 You can't see it now, right? 148 00:07:21,700 --> 00:07:22,860 There you go. 149 00:07:23,300 --> 00:07:24,920 This is what I'm talking about. 150 00:07:25,240 --> 00:07:28,980 This is how Shakespeare should have been written a long time ago. 151 00:07:31,980 --> 00:07:36,320 Shakespeare didn't care about makeup, did I say? 152 00:07:39,050 --> 00:07:40,810 Is this how Juliet was, man? 153 00:07:41,790 --> 00:07:43,290 That's a good whore, huh? 154 00:07:45,050 --> 00:07:47,370 Come here and suck the director's cock a little. 155 00:07:47,690 --> 00:07:48,750 The director? 156 00:07:49,390 --> 00:07:50,770 Always suck the director's cock. 157 00:08:29,660 --> 00:08:32,460 Thank you. 158 00:08:48,840 --> 00:08:51,640 Thank you. 159 00:10:29,000 --> 00:10:30,000 That's wrong. 160 00:11:52,200 --> 00:11:55,000 Thank you. 161 00:15:04,560 --> 00:15:05,560 Shit. 162 00:15:35,120 --> 00:15:36,120 Thank you. 163 00:16:42,600 --> 00:16:44,020 you you 164 00:17:27,079 --> 00:17:28,160 and suck it all off. 165 00:18:35,060 --> 00:18:37,200 And my pussy and my ass? 166 00:18:37,460 --> 00:18:39,660 At the same time? 167 00:22:14,670 --> 00:22:16,450 Come on. 168 00:24:42,899 --> 00:24:44,300 Can you fuck my pussy? 169 00:24:44,540 --> 00:24:46,960 Can you fuck my pussy while there's a cop in my ass, huh? 170 00:24:52,660 --> 00:24:53,800 That's a pretty good aim, huh? 171 00:24:54,560 --> 00:24:55,560 Right there. 172 00:25:21,160 --> 00:25:24,020 Fucking pieces are going in. Two fucking parts, you slum. 173 00:26:07,470 --> 00:26:09,910 Fucking big star might as well be the right type of star, huh? 174 00:26:10,130 --> 00:26:12,570 Yeah, beautiful little fucking boy. Beautiful little fucking boy. 175 00:26:42,050 --> 00:26:44,950 There you go. There you go. 176 00:26:47,650 --> 00:26:50,590 You know what would be easier? How about I put my fucking legs over yours? 177 00:26:51,090 --> 00:26:52,350 Here we go. 178 00:26:53,250 --> 00:26:54,250 Now do it. 179 00:26:55,190 --> 00:26:56,790 Now get that fucking cock in there. 180 00:27:41,130 --> 00:27:42,130 Thank you. 181 00:29:51,909 --> 00:29:55,070 Get away from here 182 00:30:09,420 --> 00:30:10,420 Good night. 183 00:31:50,600 --> 00:31:51,600 Thank you. 184 00:32:39,440 --> 00:32:40,440 Ha! Ha! 185 00:32:40,540 --> 00:32:41,540 Ha! 186 00:33:25,070 --> 00:33:26,070 Yeah. 187 00:37:21,260 --> 00:37:22,320 some of the texture too. 188 00:37:23,300 --> 00:37:24,360 Welcome to the business, sweetheart. 13580