All language subtitles for Nathan for You (2013) - S01E07 - The Claw of Shame (1080p AMZN WEB-DL x265 ImE).track2

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,000 --> 00:00:10,333 - GOOD EVENING. 2 00:00:10,367 --> 00:00:11,900 WE'RE COMING TO YOU FROM THE HISTORIC ELYSIAN PARK 3 00:00:11,933 --> 00:00:13,800 IN LOS ANGELES, CALIFORNIA. 4 00:00:13,833 --> 00:00:15,633 NOW, EVERY WEEK ON MY SHOW, I CHALLENGE PEOPLE 5 00:00:15,667 --> 00:00:17,233 TO TAKE BIG RISKS. 6 00:00:17,267 --> 00:00:20,367 BUT SOME HAVE BEEN CRITICAL THAT I NEVER TAKE RISKS MYSELF. 7 00:00:20,400 --> 00:00:22,800 WELL, TONIGHT, THAT'S ALL GONNA CHANGE. 8 00:00:22,833 --> 00:00:24,400 OVER THE PAST MONTH, I'VE BEEN LEARNING 9 00:00:24,433 --> 00:00:27,400 HOW TO PICK THE LOCK ON THESE POLICE-GRADE HANDCUFFS. 10 00:00:27,433 --> 00:00:28,867 "WHY?" YOU ASK. 11 00:00:28,900 --> 00:00:30,800 BECAUSE TONIGHT I'M GONNA TAKE A BIGGER RISK 12 00:00:30,833 --> 00:00:33,900 THAN ANYONE HAS EVER TAKEN ON TELEVISION BEFORE. 13 00:00:33,933 --> 00:00:36,000 IN JUST A FEW MOMENTS, I'M GOING TO BE HANDCUFFED 14 00:00:36,033 --> 00:00:37,900 TO THIS SOLID STEEL FRAME, 15 00:00:37,933 --> 00:00:40,767 AND I'LL HAVE EXACTLY 90 SECONDS TO FREE MYSELF 16 00:00:40,800 --> 00:00:43,500 BEFORE THE CLAW ON THIS ROBOTIC ARM 17 00:00:43,533 --> 00:00:45,300 UNDOES MY PANTS, 18 00:00:45,333 --> 00:00:48,967 EXPOSING ME TO AN AUDIENCE OF CHILDREN. 19 00:00:49,000 --> 00:00:51,467 IF THAT HAPPENS, AN L.A.P.D. OFFICER 20 00:00:51,500 --> 00:00:55,000 IS STANDING BY TO ARREST ME FOR INDECENT EXPOSURE. 21 00:00:55,033 --> 00:00:58,600 WE'VE ALL SEEN ESCAPE ARTISTS RISK DEATH BEFORE. 22 00:00:58,633 --> 00:01:02,700 BUT TONIGHT, I'M GOING TO RISK SOMETHING EVEN WORSE: 23 00:01:02,733 --> 00:01:05,733 BECOMING A REGISTERED SEX OFFENDER FOR LIFE. 24 00:01:05,767 --> 00:01:09,167 AND WHAT YOU'RE GOING TO SEE TONIGHT IS 100% REAL. 25 00:01:09,200 --> 00:01:11,067 WELCOME TO NATHAN FOR YOU. 26 00:01:11,067 --> 00:01:14,067 THIS IS THE CLAW OF SHAME. 27 00:01:14,067 --> 00:01:16,133 [dramatic music] 28 00:01:16,167 --> 00:01:17,700 - NOW, YOU KNOW THIS IS CONTROVERSIAL, RIGHT? 29 00:01:17,733 --> 00:01:20,300 - WHAT DO I GAIN BY DOING THIS? - NOTHING. 30 00:01:20,333 --> 00:01:23,100 - IF HE'S GONNA ESCAPE, IF HE'S GONNA GO TO JAIL. 31 00:01:23,133 --> 00:01:25,667 - I MIGHT NOT EVEN ATTEMPT IT. 32 00:01:25,700 --> 00:01:28,833 HE'S TAKING A BIG RISK. 33 00:01:28,867 --> 00:01:30,267 - IF YOU'VE SEEN MY SHOW BEFORE, 34 00:01:30,300 --> 00:01:33,100 YOU KNOW I USUALLY FOCUS ON HELPING SMALL BUSINESSES 35 00:01:33,133 --> 00:01:35,133 BY BRINGING THEM BIG IDEAS. 36 00:01:35,167 --> 00:01:38,100 BUT TONIGHT'S EPISODE IS GOING TO BE A BIT DIFFERENT. 37 00:01:38,133 --> 00:01:41,533 RIGHT NOW, YOU'RE SEEING MY FINAL PRACTICE RUN, 38 00:01:41,567 --> 00:01:43,733 MY LAST CHANCE TO GET THE ESCAPE RIGHT 39 00:01:43,767 --> 00:01:46,767 BEFORE RISKING LIFE AS A SEX OFFENDER. 40 00:01:46,800 --> 00:01:48,233 BUT TO GET TO THIS POINT, 41 00:01:48,267 --> 00:01:52,833 IT TOOK MONTHS OF PLANNING AND PREPARATION. 42 00:01:52,867 --> 00:01:55,133 FIRSTLY, I AM NOT AN ESCAPE ARTIST. 43 00:01:55,167 --> 00:01:57,067 AND THOUGH I HAVE SOME EXPERIENCE DOING MAGIC 44 00:01:57,067 --> 00:01:58,433 AS A TEENAGER... 45 00:01:58,467 --> 00:02:00,367 THERE'S NOTHING IN THE BAG, RIGHT? 46 00:02:00,400 --> 00:02:01,500 - YEAH. - [giggles] 47 00:02:01,533 --> 00:02:02,667 - BAG IS COMPLETELY EMPTY. 48 00:02:02,700 --> 00:02:03,667 YOU CAN SEE RIGHT THROUGH IT. 49 00:02:03,700 --> 00:02:05,533 I QUIT PERFORMING YEARS AGO 50 00:02:05,567 --> 00:02:08,100 AND HAVE NEVER DONE AN ESCAPE BEFORE. 51 00:02:08,133 --> 00:02:09,667 SO I BOOKED A TRAINING SESSION 52 00:02:09,700 --> 00:02:11,400 WITH ESCAPE MASTER MARK PASKELL 53 00:02:11,433 --> 00:02:16,100 SO I COULD LEARN HOW TO PICK THE LOCKS ON A PAIR OF CUFFS. 54 00:02:16,133 --> 00:02:17,933 HOW DO I ESCAPE FROM HANDCUFFS? 55 00:02:17,967 --> 00:02:19,300 - A SHIM. - OH. 56 00:02:19,333 --> 00:02:21,500 - IF YOU HAVE A SHIM, YOU CAN-- 57 00:02:21,533 --> 00:02:23,467 - IS THAT A HAIR CLIP? - THIS IS A HAIR CLIP, 58 00:02:23,500 --> 00:02:25,067 BUT IT'S-- IT'S ADAPTED A LITTLE BIT. 59 00:02:25,067 --> 00:02:27,800 YOU GET IN THERE... 60 00:02:27,833 --> 00:02:30,433 [click] AND PUSH. 61 00:02:30,467 --> 00:02:31,800 - RIGHT. - THEN YOU CAN GET OUT. 62 00:02:31,833 --> 00:02:33,733 - EVEN AFTER HE TAUGHT ME, IT TOOK ME 63 00:02:33,767 --> 00:02:35,733 OVER 30 MINUTES TO PICK THE LOCK. 64 00:02:35,767 --> 00:02:37,867 I HAD A LOT OF WORK AHEAD OF ME TO GET MY TIME DOWN 65 00:02:37,900 --> 00:02:39,167 TO 90 SECONDS. 66 00:02:39,200 --> 00:02:41,733 AND AFTER SOME PRACTICING, I TOLD MARK MY IDEA 67 00:02:41,767 --> 00:02:43,333 FOR THE ESCAPE: 68 00:02:43,367 --> 00:02:46,867 TO HAVE TWO STAGEHANDS PULLING DOWN MY PANTS WITH ROPES, 69 00:02:46,900 --> 00:02:48,333 EXPOSING ME TO THE PUBLIC. 70 00:02:48,367 --> 00:02:51,267 AND SINCE MARK WAS CLEARLY AN EXPERT ON THIS STUFF, 71 00:02:51,300 --> 00:02:53,500 I WAS HOPING TO HAVE HIM AS AN OFFICIAL ADVISOR 72 00:02:53,533 --> 00:02:54,500 ON THE ESCAPE. 73 00:02:54,533 --> 00:02:55,567 I MEAN, WHAT DO YOU THINK? 74 00:02:55,600 --> 00:02:57,600 - MM, I DON'T KNOW. 75 00:02:57,633 --> 00:02:59,700 IT'S MOVING A LITTLE BIT OUT OF MY FIELD. 76 00:02:59,733 --> 00:03:01,067 - I GUESS I COULD SAY 77 00:03:01,067 --> 00:03:03,133 YOU'RE A CONSULTANT ON THE ESCAPE. 78 00:03:03,167 --> 00:03:05,167 - [exhales] 79 00:03:09,067 --> 00:03:11,267 MM, I DON'T KNOW. I'LL HAVE TO GET BACK TO YOU. 80 00:03:11,300 --> 00:03:12,667 - WOULD YOU WANT THAT? 81 00:03:12,700 --> 00:03:14,067 - I'LL HAVE TO GET BACK TO YOU ON THAT, THINK ON IT. 82 00:03:14,100 --> 00:03:16,500 - WE'LL JUST CREDIT YOU AS A CONSULTANT ON THE ESCAPE. 83 00:03:16,533 --> 00:03:17,867 - I APPRECIATE THAT. - IT'S NO BIG DEAL. 84 00:03:17,900 --> 00:03:19,233 WE'LL JUST GIVE IT TO YOU. - APPRECIATE THAT, BUT-- 85 00:03:19,267 --> 00:03:20,400 - IT'S DONE. IT'S AS GOOD AS DONE. 86 00:03:20,433 --> 00:03:21,600 - I APPRECIATE IT, BUT WHAT I'M SAYING IS, 87 00:03:21,633 --> 00:03:22,800 I WILL GET BACK TO YOU. 88 00:03:22,833 --> 00:03:24,067 - YOU'LL GET BACK TO ME ABOUT THE CREDIT? 89 00:03:24,067 --> 00:03:25,167 - YEAH. 90 00:03:25,200 --> 00:03:27,200 - WELL, WE'LL JUST PUT IT IN ANYWAYS. 91 00:03:27,233 --> 00:03:30,067 JUST, WE'LL PUT IT IN THE CREDITS OF THE SHOW. 92 00:03:30,067 --> 00:03:31,400 I NEVER HEARD BACK FROM MARK, 93 00:03:31,433 --> 00:03:33,767 BUT AT LEAST I KNEW HOW TO PICK HANDCUFFS. 94 00:03:33,800 --> 00:03:36,167 WHAT I DIDN'T KNOW WAS THE LEGAL REQUIREMENT 95 00:03:36,200 --> 00:03:38,067 FOR BECOMING A SEX OFFENDER. 96 00:03:38,067 --> 00:03:40,067 SO I FOUND AN ACTUAL CALIFORNIA JUDGE 97 00:03:40,100 --> 00:03:43,067 THAT WOULD AGREE TO ADVISE ME ON THE ESCAPE ON CAMERA, 98 00:03:43,067 --> 00:03:45,067 THE HONORABLE ANTHONY FILOSA. 99 00:03:45,067 --> 00:03:47,267 SO IF I DON'T ESCAPE IN 90 SECONDS, 100 00:03:47,300 --> 00:03:49,567 I'LL BE EXPOSED TO SOME PEOPLE. 101 00:03:49,600 --> 00:03:50,900 - WHAT ARE "SOME PEOPLE"? 102 00:03:50,933 --> 00:03:52,833 - JUST, LIKE, ADULTS OR SOMETHING? 103 00:03:52,867 --> 00:03:54,300 I DON'T KNOW. - CHILDREN? ADULTS? 104 00:03:54,333 --> 00:03:57,333 - IS CHILDREN BETTER? 105 00:03:59,333 --> 00:04:00,600 - INTERESTING QUESTION. 106 00:04:00,633 --> 00:04:02,800 BOTH COULD BE OFFENDED. 107 00:04:02,833 --> 00:04:04,167 MORE LIKELY CHILDREN, 108 00:04:04,200 --> 00:04:07,067 INSOFAR AS THAT IT'S OFFENSIVE, PERIOD. 109 00:04:07,067 --> 00:04:10,267 - SO YOU'RE SAYING IT'S BETTER TO USE CHILDREN? 110 00:04:10,300 --> 00:04:12,700 - I-I DON'T REALLY THINK IT'S MY PLACE 111 00:04:12,733 --> 00:04:13,800 TO SUGGEST IT. 112 00:04:13,833 --> 00:04:16,133 - OKAY. SURE. - ALL RIGHT? 113 00:04:16,167 --> 00:04:17,500 YEAH, I REALLY DON'T. 114 00:04:17,533 --> 00:04:18,700 - I TOOK THE JUDGE'S SUGGESTION 115 00:04:18,733 --> 00:04:20,667 THAT I SHOULD EXPOSE MYSELF TO CHILDREN, 116 00:04:20,700 --> 00:04:22,533 AND ON TOP OF THAT, 117 00:04:22,567 --> 00:04:23,867 HE WAS A TREASURE TROVE OF INFORMATION 118 00:04:23,900 --> 00:04:25,500 ON HOW TO BECOME A SEX OFFENDER. 119 00:04:25,533 --> 00:04:27,367 - THERE WOULD HAVE TO BE THE ELEMENT 120 00:04:27,400 --> 00:04:29,733 OF WILLFULNESS PROVEN. 121 00:04:29,767 --> 00:04:31,567 - SO WOULD IT HELP IF, RIGHT BEFORE I DID IT, 122 00:04:31,600 --> 00:04:35,233 I SAID, "I'M DOING THIS ON PURPOSE TO EXPOSE MYSELF"? 123 00:04:35,267 --> 00:04:38,433 - WELL, YOU JUST ABANDON ANY PRECAUTION. 124 00:04:38,467 --> 00:04:40,067 "YOU KNOW, FOLKS, SOMETHING COULD HAPPEN, 125 00:04:40,067 --> 00:04:42,767 "YOU KNOW, AND IF IT DOES, 126 00:04:42,800 --> 00:04:44,267 SO WHAT?" 127 00:04:44,300 --> 00:04:45,867 SOMETHING LIKE THAT. 128 00:04:45,900 --> 00:04:47,800 - SO IT'S LIKE, YOU KNOW, IF THIS GOES WRONG, 129 00:04:47,833 --> 00:04:48,867 I DON'T REALLY CARE. 130 00:04:48,900 --> 00:04:50,133 - TOO BAD, 'CAUSE I-- - TOO BAD. 131 00:04:50,167 --> 00:04:51,500 I'M GONNA-- - TOO BAD, I-- 132 00:04:51,533 --> 00:04:52,933 - I'M GONNA GET OFF. IT'S GONNA MAKE ME HORNY. 133 00:04:52,967 --> 00:04:54,300 - WELL, WHATEVER. 134 00:04:54,333 --> 00:04:55,667 - THE MOST TROUBLING THING I LEARNED FROM HIM, THOUGH, 135 00:04:55,700 --> 00:04:58,367 WAS THAT IF ANYONE HELPED ME PULL MY PANTS DOWN, 136 00:04:58,400 --> 00:04:59,733 THEY COULD GO TO JAIL TOO. 137 00:04:59,767 --> 00:05:02,767 - THAT PERSON IS AS GUILTY AS YOU ARE. 138 00:05:02,800 --> 00:05:03,967 - SO I CAN'T HAVE ANY HELPERS. 139 00:05:04,067 --> 00:05:05,400 - RIGHT. - I DIDN'T WANT TO PUT 140 00:05:05,433 --> 00:05:07,067 ANYONE AT RISK BESIDES MYSELF. 141 00:05:07,100 --> 00:05:08,967 SO IF NO HUMAN COULD DO IT, 142 00:05:09,067 --> 00:05:11,467 I WAS GONNA HAVE TO USE A ROBOT. 143 00:05:11,500 --> 00:05:13,467 AND THE SEARCH TOOK MONTHS, WITH EVERYONE 144 00:05:13,500 --> 00:05:16,133 FROM U.S. DEFENSE COMPANIES TO NASA TELLING US 145 00:05:16,167 --> 00:05:18,167 THE TECHNOLOGY DIDN'T EXIST TO HAVE A ROBOT 146 00:05:18,200 --> 00:05:20,433 PULL DOWN SOMEONE'S PANTS. 147 00:05:20,467 --> 00:05:21,900 BUT I DIDN'T GIVE UP, AND EVENTUALLY, 148 00:05:21,933 --> 00:05:23,600 I FOUND A COMPANY THAT SAID THEY COULD DO IT. 149 00:05:23,633 --> 00:05:25,900 - SO THIS IS IT. 150 00:05:25,933 --> 00:05:29,700 THIS IS A KUKA-ROBOTICS K.R. 15-2. 151 00:05:29,733 --> 00:05:31,067 - AFTER JOHN SHOWED ME THE ROBOT, 152 00:05:31,067 --> 00:05:33,967 I EXPLAINED TO HIM SPECIFICALLY WHAT I NEEDED IT TO DO. 153 00:05:34,067 --> 00:05:35,267 THEN, ONCE THE PANTS ARE DOWN, 154 00:05:35,300 --> 00:05:37,567 I WANT IT TO COME UP HERE, 155 00:05:37,600 --> 00:05:40,267 HOOK ONTO THE BOXERS, AND PULL THOSE DOWN. 156 00:05:40,300 --> 00:05:42,133 JOHN SUGGESTED MAKING CUSTOM-DESIGNED PANTS 157 00:05:42,167 --> 00:05:45,133 WITH LOOPS THAT WOULD MAKE IT EASIER FOR THE ROBOT 158 00:05:45,167 --> 00:05:46,600 TO REMOVE THEM, 159 00:05:46,633 --> 00:05:47,933 SO I HIRED A TAILOR TO MAKE THE PANTS 160 00:05:47,967 --> 00:05:50,100 TO JOHN'S SPECIFICATIONS. 161 00:05:50,133 --> 00:05:51,600 AND OVER THE WEEK THEY WERE BEING MADE, 162 00:05:51,633 --> 00:05:53,900 HE INFORMALLY BECAME MY PRACTICE PARTNER. 163 00:05:53,933 --> 00:05:55,133 I BORROWED A PAIR OF HIS UNDERWEAR 164 00:05:55,167 --> 00:05:57,667 SO WE COULD PULL DOWN MY PANTS ALL THE WAY 165 00:05:57,700 --> 00:05:58,867 WITHOUT SEEING MY PENIS. 166 00:05:58,900 --> 00:06:01,967 - 90. 167 00:06:04,600 --> 00:06:06,833 - THE PANTS BEING TAKEN OFF WAS DEFINITELY DISTRACTING, 168 00:06:06,867 --> 00:06:09,067 BUT I WAS GETTING CLOSER TO MY 90-SECOND GOAL. 169 00:06:09,100 --> 00:06:11,333 TIME, TIME, STOP IT. WHAT DO I GOT? 170 00:06:11,367 --> 00:06:12,433 - OKAY, 150. 171 00:06:12,467 --> 00:06:14,233 - AND AFTER GETTING AN HOUR OR SO 172 00:06:14,267 --> 00:06:15,467 OF TRAINING IN, THE COMPLETED PANTS 173 00:06:15,500 --> 00:06:18,500 WERE PACKAGED UP AND DELIVERED TO REEL EFX 174 00:06:18,533 --> 00:06:21,100 SO THE ROBOT COULD BEGIN BEING PROGRAMMED. 175 00:06:21,133 --> 00:06:22,900 IN THE MEANTIME, I WANTED TO FIND OUT 176 00:06:22,933 --> 00:06:25,167 THE REAL CONSEQUENCES OF GOING TO PRISON 177 00:06:25,200 --> 00:06:26,667 AS A SEX OFFENDER, SO I MET UP 178 00:06:26,700 --> 00:06:30,067 WITH JIMMY MURPHY, WHO'S SERVED OVER 11 YEARS 179 00:06:30,067 --> 00:06:32,167 FOR A VARIETY OF VIOLENT CRIMES. 180 00:06:32,200 --> 00:06:33,767 - I'LL TELL YOU THIS. 181 00:06:33,800 --> 00:06:36,333 IN THERE, IT'S THE LAST THING YOU WANT TO BE. 182 00:06:36,367 --> 00:06:37,500 IT'S THE LOWEST. 183 00:06:37,533 --> 00:06:40,567 - WHAT WOULD HAPPEN TO ME IN THERE? 184 00:06:40,600 --> 00:06:43,300 - WELL, YOU KNOW, YOU'D PROBABLY, UH, GO-- 185 00:06:43,333 --> 00:06:44,433 GO TO YOUR CELL, AND YOU'D FIND 186 00:06:44,467 --> 00:06:47,500 A COUPLE OF SNICKERS BARS ON YOUR PILLOW. 187 00:06:47,533 --> 00:06:48,667 - OH, WOW. - AND THEN-- 188 00:06:48,700 --> 00:06:49,800 - SO THIS DOESN'T SOUND THAT BAD AT ALL. 189 00:06:49,833 --> 00:06:50,900 - NO, YOU'D GO IN THERE, 190 00:06:50,933 --> 00:06:52,500 AND YOU'D SAY, "OH, WOW, WHAT A GIFT." 191 00:06:52,533 --> 00:06:54,100 YOU KNOW, AND YOU'D EAT THE STUFF. 192 00:06:54,133 --> 00:06:57,300 WELL, SOMEONE'S GONNA COME AND SAY, "HEY. 193 00:06:57,333 --> 00:06:58,967 WHAT HAPPENED TO MY CHOCOLATE?" 194 00:06:59,067 --> 00:07:01,133 AND YOU'RE GONNA GO, "OH, I, UH, I ATE THAT." 195 00:07:01,167 --> 00:07:02,133 AND THEN THEY'RE GONNA GO, 196 00:07:02,167 --> 00:07:03,800 "WELL, YOU NEED TO PAY FOR THAT." 197 00:07:03,833 --> 00:07:06,067 - YEAH, HOW? I DON'T HAVE ANY MONEY. 198 00:07:06,067 --> 00:07:07,367 - WELL, THEN YOU MIGHT FIND YOUR HEAD BOUNCING 199 00:07:07,400 --> 00:07:09,300 OFF SOMEBODY'S BELT BUCKLE. 200 00:07:09,333 --> 00:07:10,300 - I DON'T WANT TO DO THAT. 201 00:07:10,333 --> 00:07:11,700 - NO, OF COURSE YOU DON'T. 202 00:07:11,733 --> 00:07:13,567 'CAUSE THERE'S A LOT OF BELT BUCKLES IN THERE. 203 00:07:13,600 --> 00:07:15,300 - REALLY? - OH, YEAH, YOU'LL GROW TIRED. 204 00:07:15,333 --> 00:07:16,733 - THEY ALLOW YOU TO WEAR BELTS IN PRISON? 205 00:07:16,767 --> 00:07:18,733 - NO, IT'S A-- - SO HOW WOULD IT WORK? 206 00:07:18,767 --> 00:07:20,067 THEY JUST GIVE YOU THE BUCKLE? 207 00:07:20,067 --> 00:07:21,900 - WELL, NO, I, UH-- 208 00:07:21,933 --> 00:07:23,700 - SO THERE'S NO BELT BUCKLE. - WELL, NO, NOT REALLY. 209 00:07:23,733 --> 00:07:24,767 I MEANT-- - SO MY HEAD WOULDN'T BE 210 00:07:24,800 --> 00:07:26,900 BOUNCING AROUND ANY BELT BUCKLES. 211 00:07:26,933 --> 00:07:28,700 - SO, IN OTHER WORDS, YOU'D HAVE A [bleep] IN YOUR MOUTH. 212 00:07:28,733 --> 00:07:30,367 - I MEAN, IT PROBABLY WOULDN'T BOUNCE, TOO, 213 00:07:30,400 --> 00:07:33,067 BECAUSE I WOULD STOP WHEN I GOT TO THE BALLS 214 00:07:33,067 --> 00:07:35,067 BEFORE I GOT IN. 215 00:07:35,067 --> 00:07:36,500 - I DON'T KNOW HOW YOU DO IT. 216 00:07:36,533 --> 00:07:38,467 - WELL, THAT'S HOW I WOULD. 217 00:07:38,500 --> 00:07:39,967 I'D NEVER REALLY BEEN FORCED TO PICTURE 218 00:07:40,067 --> 00:07:42,233 HOW I'D GIVE ORAL SEX TO A MAN, 219 00:07:42,267 --> 00:07:44,633 BUT AFTER VISUALIZING IT, I BEGAN TO QUESTION 220 00:07:44,667 --> 00:07:47,633 IF THIS ENTIRE STUNT WAS ACTUALLY WORTH IT. 221 00:07:47,667 --> 00:07:50,400 MY CONCERNS WERE HEIGHTENED WHEN I RETURNED TO REEL EFX 222 00:07:50,433 --> 00:07:52,667 TO FIND THE ROBOT ACTING UNPREDICTABLY. 223 00:07:52,700 --> 00:07:54,200 [clang] 224 00:07:54,233 --> 00:07:55,900 TO MAKE MATTERS WORSE, I FOUND OUT 225 00:07:55,933 --> 00:07:58,533 THAT THE ROBOT WHOSE PRECISION WOULD DETERMINE MY FATE 226 00:07:58,567 --> 00:08:01,100 RAN ON WINDOWS 95. - IT'S AS GOOD-- 227 00:08:01,133 --> 00:08:02,500 - YOU'VE GOTTA BE KIDDING ME. 228 00:08:02,533 --> 00:08:03,967 MY PARENTS THREW OUT THEIR COMPUTER 229 00:08:04,067 --> 00:08:06,967 THAT RAN WINDOWS 95, LIKE, SEVEN YEARS AGO 230 00:08:07,067 --> 00:08:09,633 BECAUSE MINESWEEPER WASN'T WORKING PROPERLY. 231 00:08:09,667 --> 00:08:11,600 - IT'S OKAY. 'CAUSE WHAT HAPPENS-- 232 00:08:11,633 --> 00:08:12,733 - HONESTLY, LIKE, MY LIFE, LIKE-- 233 00:08:12,767 --> 00:08:15,067 THIS IS MOVING WITHIN AN-- 234 00:08:15,100 --> 00:08:16,467 - RIGHT. - MILLIMETERS OF MY BODY. 235 00:08:16,500 --> 00:08:18,867 I WAS MAINLY CONCERNED BECAUSE ON THE DAY OF THE ESCAPE, 236 00:08:18,900 --> 00:08:21,633 JOHN WOULD HAVE TO STEP AWAY FROM THE CONTROLS 237 00:08:21,667 --> 00:08:24,067 AND LET THE PROGRAM RUN AUTOMATICALLY. 238 00:08:24,100 --> 00:08:26,333 BUT HE ASSURED ME THE SOFTWARE WOULD WORK. 239 00:08:26,367 --> 00:08:29,267 SO THE ROBOT WAS TRANSPORTED TO ELYSIAN PARK, 240 00:08:29,300 --> 00:08:31,933 WHERE A CREW OF OVER 50 PEOPLE WORKED 241 00:08:31,967 --> 00:08:33,300 FOR TWO STRAIGHT DAYS TO PREPARE 242 00:08:33,333 --> 00:08:36,267 FOR TONIGHT'S HISTORIC STUNT. 243 00:08:40,067 --> 00:08:41,300 male announcer: TONIGHT, NATHAN FIELDER 244 00:08:41,333 --> 00:08:43,200 RISKS THE ULTIMATE SHAME, 245 00:08:43,233 --> 00:08:46,133 FACING A HEARTLESS ROBOT THATS ONLY MISSION 246 00:08:46,167 --> 00:08:48,833 IS TO EXPOSE HIS PRIVATE PARTS. 247 00:08:48,867 --> 00:08:50,967 - THIS MIGHT BE THE MOST DANGEROUS STUNT 248 00:08:51,067 --> 00:08:52,167 EVER IMAGINED. 249 00:08:52,200 --> 00:08:53,967 announcer: CHILDREN WATCHING... [child screams] 250 00:08:54,067 --> 00:08:56,167 L.A.P.D. PRESENT... [siren wails] 251 00:08:56,200 --> 00:08:58,067 AND ALL IN THE DARK OF NIGHT. 252 00:08:58,067 --> 00:08:59,867 - YOU KNOW, I'VE BEEN PUT ON EARTH FOR A REASON, 253 00:08:59,900 --> 00:09:02,167 AND I BELIEVE THIS IS GOD'S PLAN FOR ME. 254 00:09:02,200 --> 00:09:04,133 announcer: THE WORLD IS WATCHING. 255 00:09:04,167 --> 00:09:06,500 WILL HE INSPIRE MILLIONS 256 00:09:06,533 --> 00:09:08,533 AND HONOR HIS HOME COUNTRY OF CANADA 257 00:09:08,567 --> 00:09:12,600 OR END UP BEHIND BARS AND RISK DEPORTATION? 258 00:09:12,633 --> 00:09:15,900 NEVER BEFORE ATTEMPTED IN THE HISTORY OF TELEVISION... 259 00:09:15,933 --> 00:09:17,800 - I MEAN, THIS IS A COMEDY CENTRAL SHOW. 260 00:09:17,833 --> 00:09:20,700 I MEAN, THIS IS-- IT'S CRAZY WHAT WE'RE DOING. 261 00:09:20,733 --> 00:09:23,867 announcer: WILL HE ESCAPE, OR WON'T HE? 262 00:09:23,900 --> 00:09:27,900 NATHAN FIELDER TAKES ON... 263 00:09:29,900 --> 00:09:32,267 - WE'RE JUST MOMENTS AWAY FROM THE ESCAPE, 264 00:09:32,300 --> 00:09:34,700 AND TONIGHT, I CANNOT RISK FAILURE. 265 00:09:34,733 --> 00:09:36,333 BUT ONE THING I'VE LEARNED OVER THE YEARS IS THAT 266 00:09:36,367 --> 00:09:38,600 YOU CAN'T BE AFRAID OF FAILING. 267 00:09:38,633 --> 00:09:40,867 IN FACT, ON MY SHOW, WHEN I HELP BUSINESSES, 268 00:09:40,900 --> 00:09:42,567 I FAIL ALL THE TIME. 269 00:09:42,600 --> 00:09:44,400 AND I'M NORMALLY SHY TO SHOW THOSE MOMENTS, 270 00:09:44,433 --> 00:09:46,967 BUT TONIGHT, I'M GOING TO MAKE AN EXCEPTION. 271 00:09:47,067 --> 00:09:50,567 SO LET'S TAKE A LOOK NOW AT SOME OF MY GREATEST FAILURES. 272 00:09:50,600 --> 00:09:52,067 ONE OF MY LEAST POPULAR IDEAS 273 00:09:52,067 --> 00:09:54,667 WAS FOR A COMPLETELY GERM-FREE HOT DOG STAND. 274 00:09:54,700 --> 00:09:56,900 AT OUTDOOR FOOD CARTS, IT'S EASY FOR GERMS 275 00:09:56,933 --> 00:10:00,033 TO TRANSFER FROM MONEY TO YOUR FOOD, 276 00:10:00,067 --> 00:10:01,100 SO TO COMPLETELY ELIMINATE THIS, 277 00:10:01,133 --> 00:10:02,833 I DESIGNED A HANDS-FREE METHOD 278 00:10:02,867 --> 00:10:05,233 TO APPLY CONDIMENTS TO THE WIENER. 279 00:10:05,267 --> 00:10:07,100 ALSO, THERE WOULD BE A SECOND EMPLOYEE 280 00:10:07,133 --> 00:10:08,933 WHOSE ONLY JOB IS TO HANDLE THE MONEY. 281 00:10:08,967 --> 00:10:10,100 - WHAT ARE YOU DOING WITH THE WALLET? 282 00:10:10,133 --> 00:10:12,100 - WE'RE DOING A GERM-FREE EXPERIENCE, 283 00:10:12,133 --> 00:10:13,200 SO YOU DON'T HANDLE YOUR OWN MONEY. 284 00:10:13,233 --> 00:10:14,633 - OH, REALLY? 285 00:10:14,667 --> 00:10:16,567 - BUT PEOPLE WERE A BIT ANNOYED WITH THE MONEY HANDLING PART. 286 00:10:16,600 --> 00:10:17,700 - CAN I HAVE MY WALLET BACK? 287 00:10:17,733 --> 00:10:19,267 - AND THE HANDS-FREE ONION DISPENSER 288 00:10:19,300 --> 00:10:21,067 PROVED TO BE PROBLEMATIC AS WELL. 289 00:10:21,100 --> 00:10:22,333 SO YOU HAVE TO UP-- ONE UP, ONE DOWN. 290 00:10:22,367 --> 00:10:24,167 WHEN IT HITS THE TABLE, THE ONIONS WILL FALL. 291 00:10:24,200 --> 00:10:25,467 - AND DROP IT. KEEP DROPPING IT. 292 00:10:25,500 --> 00:10:26,633 UP AND DOWN, DROP IT. 293 00:10:26,667 --> 00:10:29,200 - FAST. 294 00:10:29,233 --> 00:10:30,200 - OOPS. 295 00:10:30,233 --> 00:10:31,567 - OH. - UGH. 296 00:10:31,600 --> 00:10:33,533 - THIS IS NOT GONNA WORK. IT'S NOT GONNA WORK. 297 00:10:33,567 --> 00:10:34,733 - THAT'S NOTHING TO DO WITH THE CONTRAPTION. 298 00:10:34,767 --> 00:10:36,567 IF YOU DROP A HOT DOG, YOU DROP A HOT DOG. 299 00:10:36,600 --> 00:10:37,667 THE PUBLIC JUST WASN'T READY 300 00:10:37,700 --> 00:10:39,900 FOR THE GERM-FREE HOT DOG EXPERIENCE, 301 00:10:39,933 --> 00:10:42,500 SO I LAID THE CONCEPT TO REST. 302 00:10:42,533 --> 00:10:45,133 NEXT, I HAD AN IDEA FOR A TEARLESS WAY 303 00:10:45,167 --> 00:10:47,700 TO TELL A CHILD THAT THEIR PET HAS DIED, 304 00:10:47,733 --> 00:10:49,800 TO BE AN UP-SELL SERVICE FOR AN ANIMAL HOSPITAL. 305 00:10:49,833 --> 00:10:51,400 THE CONCEPT WAS TO MAKE A VIDEO 306 00:10:51,433 --> 00:10:53,200 OF THE PET WHILE IT'S STILL ALIVE, 307 00:10:53,233 --> 00:10:55,533 TELLING THE CHILD IT'S IN ANIMAL HEAVEN NOW. 308 00:10:55,567 --> 00:10:57,833 I HIRED THE ONLY VOICE ACTOR THAT RESPONDED 309 00:10:57,867 --> 00:10:59,833 TO MY CRAIGSLIST AD TO BE THE DOG. 310 00:10:59,867 --> 00:11:01,467 BUT WHEN WE SHOWED IT TO THE OWNER'S CHILD... 311 00:11:01,500 --> 00:11:03,733 [gentle harp music] 312 00:11:03,767 --> 00:11:05,567 - [foreign accent] OH, IT'S ME, MADI. 313 00:11:05,600 --> 00:11:08,067 I'M IN HEAVEN NOW. 314 00:11:08,100 --> 00:11:09,467 SO SORRY I DIED. 315 00:11:09,500 --> 00:11:11,067 I MISS YOU SO MUCH. 316 00:11:11,067 --> 00:11:13,967 I'M HAPPY HERE, SO I'M NOT COMING HOME. 317 00:11:18,433 --> 00:11:20,067 - NO, SHE DOESN'T. - NO. 318 00:11:20,067 --> 00:11:21,100 - WHAT--AW. 319 00:11:21,133 --> 00:11:22,833 IT'S OKAY. 320 00:11:22,867 --> 00:11:24,400 - HE HATED HIS DOG'S VOICE. 321 00:11:24,433 --> 00:11:26,933 ANOTHER FLUBBED IDEA. 322 00:11:26,967 --> 00:11:28,400 AND LASTLY, MY FAVORITE IDEAS 323 00:11:28,433 --> 00:11:30,300 DON'T JUST HELP WITH BUSINESS. 324 00:11:30,333 --> 00:11:32,067 THEY'RE GOOD FOR THE COMMUNITY AS WELL. 325 00:11:32,067 --> 00:11:33,867 SO I APPROACHED A BAR WITH AN INNOVATIVE WAY 326 00:11:33,900 --> 00:11:36,133 TO STOP DRUNKS FROM GETTING BEHIND THE WHEEL. 327 00:11:36,167 --> 00:11:38,267 THE CONCEPT WAS TO HAVE A STREET MAGICIAN 328 00:11:38,300 --> 00:11:39,900 STATIONED OUTSIDE THE BAR, 329 00:11:39,933 --> 00:11:41,667 PERFORMING A MAGIC TRICK THAT ALLOWS HIM 330 00:11:41,700 --> 00:11:43,767 TO SECRETLY TEST THE BLOOD ALCOHOL LEVELS 331 00:11:43,800 --> 00:11:45,900 OF PATRONS AS THEY LEAVE. 332 00:11:45,933 --> 00:11:48,300 AND WITH MY BACKGROUND IN MAGIC, I OFFERED TO TEST IT OUT. 333 00:11:48,333 --> 00:11:51,133 FOR MY FINAL TRICK, I'M GOING TO NEED YOUR KEYS. 334 00:11:51,167 --> 00:11:53,333 - MY KEYS? - YES. 335 00:11:53,367 --> 00:11:57,333 GREAT. GIVE THE WAND A BLOW. 336 00:11:57,367 --> 00:12:00,433 OKAY, A LITTLE BIT HARDER, RIGHT INTO THE TOP. 337 00:12:03,867 --> 00:12:06,567 OKAY, AND YOU ARE OVER THE LEGAL LIMIT. 338 00:12:06,600 --> 00:12:07,733 - OKAY. - BLOOD ALCOHOL. 339 00:12:07,767 --> 00:12:09,667 SO YOUR KEYS ARE GONE. - OH! 340 00:12:09,700 --> 00:12:11,267 - AND I CANNOT GIVE THEM BACK TO YOU. 341 00:12:11,300 --> 00:12:14,067 - OKAY. - SORRY. 342 00:12:14,100 --> 00:12:16,533 BUT THAT'S WHEN I REALIZED THE FLAW IN MY IDEA. 343 00:12:16,567 --> 00:12:18,667 IF I HELD ON TO HIS KEYS AND HE TOOK A CAB, 344 00:12:18,700 --> 00:12:20,800 THE GUY COULDN'T GET INTO HIS APARTMENT. 345 00:12:20,833 --> 00:12:21,967 - COULD I GET MY KEYS, PLEASE? 346 00:12:22,067 --> 00:12:23,500 - I CAN'T, BECAUSE YOU'RE DRUNK. 347 00:12:23,533 --> 00:12:24,667 - PLEASE GIVE ME MY KEYS. 348 00:12:24,700 --> 00:12:26,667 - AND THE ONLY SOLUTION AT THAT POINT 349 00:12:26,700 --> 00:12:27,833 WAS TO DRIVE HIM HOME. 350 00:12:27,867 --> 00:12:29,233 YOU LIVE FAR. 351 00:12:29,267 --> 00:12:31,133 - I KNOW I DO. 352 00:12:31,167 --> 00:12:32,633 - ALSO, ONCE I GOT HIM HOME, 353 00:12:32,667 --> 00:12:34,667 I REALIZED I COULDN'T JUST GIVE HIM HIS KEYS 354 00:12:34,700 --> 00:12:36,433 UNTIL HE WAS ASLEEP, OR ELSE HE MIGHT GO OUT 355 00:12:36,467 --> 00:12:37,500 AND DRIVE AGAIN. 356 00:12:37,533 --> 00:12:39,067 - YOU NEED TO SEE ME SLEEPING? 357 00:12:39,067 --> 00:12:41,467 - I NEED TO SEE YOU FALL ASLEEP BEFORE I LEAVE YOUR KEYS, 358 00:12:41,500 --> 00:12:45,367 OR ELSE YOU MIGHT TAKE THEM AND GO OUT AGAIN. 359 00:12:45,400 --> 00:12:47,133 YOU DON'T BRUSH YOUR TEETH BEFORE BED? 360 00:12:47,167 --> 00:12:48,133 - USUALLY NOT. 361 00:12:48,167 --> 00:12:49,300 I USUALLY BRUSH MY TEETH IN THE MORNING. 362 00:12:49,333 --> 00:12:50,967 - REALLY? - YEP. 363 00:12:51,067 --> 00:12:52,567 I KNOW IT'S KIND OF GROSS, 364 00:12:52,600 --> 00:12:54,533 BUT NOBODY ELSE IS REALLY PAYING ATTENTION 365 00:12:54,567 --> 00:12:56,067 TO THE WAY MY BREATH SMELLS. 366 00:12:56,067 --> 00:12:57,800 - SO I HAD TO PUT HIM TO BED AND MAKE SURE 367 00:12:57,833 --> 00:12:59,067 HE WENT TO SLEEP... 368 00:12:59,067 --> 00:13:03,067 * AND IF THAT LOOKING GLASS GETS BROKE * 369 00:13:03,067 --> 00:13:06,300 * MAMA'S GONNA GET YOU A BILLY GOAT * 370 00:13:06,333 --> 00:13:08,867 BEFORE I LEFT HIS KEYS. 371 00:13:08,900 --> 00:13:10,233 SO, AS YOU CAN SEE, 372 00:13:10,267 --> 00:13:12,600 EVEN THE GREATEST MINDS FAIL SOMETIMES. 373 00:13:12,633 --> 00:13:13,933 - OHH! 374 00:13:13,967 --> 00:13:17,233 - BUT FAILING TONIGHT IS NOT AN OPTION. 375 00:13:17,267 --> 00:13:18,633 BESIDES THE RISK TO ME, 376 00:13:18,667 --> 00:13:20,233 THERE ARE TEN INNOCENT CHILDREN 377 00:13:20,267 --> 00:13:22,067 PARTICIPATING IN TONIGHT'S EVENT, 378 00:13:22,067 --> 00:13:24,067 AND I DON'T TAKE THAT LIGHTLY. 379 00:13:24,100 --> 00:13:25,900 SO EARLIER TODAY, I SPOKE WITH THEIR PARENTS 380 00:13:25,933 --> 00:13:28,133 TO ASSURE THEM THEY HAD NOTHING TO WORRY ABOUT. 381 00:13:28,167 --> 00:13:29,867 HEY, GUYS. HOW'S EVERYONE DOING? 382 00:13:29,900 --> 00:13:31,267 - GREAT, THANK YOU. - GREAT. 383 00:13:31,300 --> 00:13:32,633 - GOOD. 384 00:13:32,667 --> 00:13:34,333 SO, BEFORE WE BEGIN, I JUST WANTED TO GIVE YOU 385 00:13:34,367 --> 00:13:35,600 SOME ASSURANCE. 386 00:13:35,633 --> 00:13:37,767 UH, WE'RE GONNA BE BLURRING ALL YOUR FACES, 387 00:13:37,800 --> 00:13:38,967 SO YOU DON'T HAVE TO WORRY 388 00:13:39,067 --> 00:13:41,867 ABOUT, YOU KNOW, COWORKERS BEING LIKE, 389 00:13:41,900 --> 00:13:44,567 "WHY DID YOU LET YOUR KID DO THAT FOR $100?" 390 00:13:44,600 --> 00:13:46,867 YOU KNOW, OR QUESTIONS LIKE THAT 391 00:13:46,900 --> 00:13:48,633 FROM, YOU KNOW, THE COMMUNITY OR ANYTHING. 392 00:13:48,667 --> 00:13:51,067 YOU DON'T HAVE TO WORRY ABOUT THAT. 393 00:13:51,067 --> 00:13:54,467 OKAY, GREAT. WISH ME LUCK. 394 00:13:54,500 --> 00:13:56,200 OKAY. 395 00:13:56,233 --> 00:13:59,367 SO I NOW HAVE ON THE CUSTOM-MADE PANTS 396 00:13:59,400 --> 00:14:01,500 THAT THE ROBOT WILL BE REMOVING. 397 00:14:01,533 --> 00:14:04,067 UM, YOU KNOW, WE'RE GONNA GIVE THESE KIDS 398 00:14:04,100 --> 00:14:05,967 A BIT OF A BATHROOM BREAK BEFORE I BEGIN, 399 00:14:06,067 --> 00:14:09,600 BUT WHEN WE RETURN, IT WILL BE THE ESCAPE. 400 00:14:09,633 --> 00:14:11,633 [dramatic music] 401 00:14:15,600 --> 00:14:17,967 - ALL RIGHT, SO WE'RE ABOUT READY TO BEGIN. 402 00:14:18,067 --> 00:14:20,433 EVERYONE HAS BEEN CLEARED OUT OF THE ESCAPE AREA 403 00:14:20,467 --> 00:14:22,200 BESIDES THE NECESSARY PEOPLE. 404 00:14:22,233 --> 00:14:24,967 OFFICER BILLY SMALLING IS HERE, 405 00:14:25,067 --> 00:14:26,067 OBVIOUSLY THE CHILDREN, 406 00:14:26,100 --> 00:14:28,233 AND JUDGE ANTHONY FILOSA 407 00:14:28,267 --> 00:14:31,467 TO DO SOME FINAL CHECKS. 408 00:14:31,500 --> 00:14:33,233 I'M NOW GOING TO HAND OVER THE REINS 409 00:14:33,267 --> 00:14:36,067 TO MATT "MONEY" SMITH, NATIONAL SPORTSCASTER, 410 00:14:36,067 --> 00:14:37,133 WHO'LL BE CALLING THE EVENT. 411 00:14:37,167 --> 00:14:38,667 MATT, THANKS FOR DOING THIS. 412 00:14:38,700 --> 00:14:40,733 - WELL, THANKS FOR HAVING ME, NATHAN. 413 00:14:40,767 --> 00:14:41,900 - AND DO YOU HAVE ANY QUESTIONS FOR ME? 414 00:14:41,933 --> 00:14:42,900 - WELL, I THINK THE OBVIOUS ONE IS, 415 00:14:42,933 --> 00:14:45,467 WHY ARE YOU DOING THIS? 416 00:14:45,500 --> 00:14:47,800 - YOU KNOW, FOR-- FOR THE SHOW AND STUFF. 417 00:14:47,833 --> 00:14:49,067 - YEAH. 418 00:14:49,067 --> 00:14:50,833 WELL, I-I JUST GET THE SENSE THAT PERHAPS-- 419 00:14:50,867 --> 00:14:52,833 I MEAN, YOU KNOW THIS IS CONTROVERSIAL, RIGHT? 420 00:14:52,867 --> 00:14:55,167 - YEAH, YEAH. YEAH. 421 00:14:55,200 --> 00:14:56,333 - OKAY. GOOD LUCK. - ALL RIGHT. 422 00:14:56,367 --> 00:14:57,800 - ALL RIGHT. - THANKS, MATT. 423 00:14:57,833 --> 00:15:00,433 - AND WITH THAT, THE ESCAPE IS JUST MOMENTS AWAY, 424 00:15:00,467 --> 00:15:03,800 SO LET'S LEARN A LITTLE MORE ABOUT NATHAN FIELDER. 425 00:15:03,833 --> 00:15:05,867 [upbeat folk music] NATHAN WAS BORN IN 1983, 426 00:15:05,900 --> 00:15:08,067 THE ONLY SON OF TWO CANADIAN CIVIL SERVANTS, 427 00:15:08,100 --> 00:15:09,967 ERIC AND DEBORAH. 428 00:15:10,067 --> 00:15:11,867 * 429 00:15:11,900 --> 00:15:13,633 WHICH BRINGS US TO TONIGHT. 430 00:15:13,667 --> 00:15:15,733 AND WE ARE MINUTES AWAY FROM THE BIG ESCAPE, 431 00:15:15,767 --> 00:15:17,867 AND RIGHT NOW, IT LOOKS LIKE NATHAN IS HAVING 432 00:15:17,900 --> 00:15:21,700 SOME FINAL WORDS WITH THE HONORABLE JUDGE FILOSA, 433 00:15:21,733 --> 00:15:23,067 SO LET'S LISTEN IN. 434 00:15:23,067 --> 00:15:25,533 - SO DOES EVERYTHING LOOK GOOD IN TERMS OF THE SETUP 435 00:15:25,567 --> 00:15:29,267 FOR AN INDECENT EXPOSURE CONVICTION IF I-- 436 00:15:29,300 --> 00:15:32,733 IF I FAIL TONIGHT TO ESCAPE? 437 00:15:32,767 --> 00:15:35,067 - UH, APPARENTLY IT DOES. 438 00:15:35,067 --> 00:15:36,133 UM-- 439 00:15:36,167 --> 00:15:37,400 - GOOD. THAT'S ALL I NEEDED TO KNOW. 440 00:15:37,433 --> 00:15:39,367 THANK YOU. AND, OFFICER SMALLING... 441 00:15:39,400 --> 00:15:42,300 - AND NOW NATHAN'S STEPPING OVER TO OFFICER SMALLING, 442 00:15:42,333 --> 00:15:45,533 AND HE IS GOING TO GO AHEAD AND INSPECT THOSE HANDCUFFS 443 00:15:45,567 --> 00:15:47,833 AND MAKE SURE THEY ARE UP TO STANDARD. 444 00:15:47,867 --> 00:15:49,633 - DOUBLE-LOCKED... [clears throat] 445 00:15:49,667 --> 00:15:51,067 SMITH & WESSON POLICE HANDCUFFS, 446 00:15:51,067 --> 00:15:53,167 JUST LIKE WE WERE ISSUED IN THE POLICE ACADEMY. 447 00:15:53,200 --> 00:15:55,567 - OKAY, GREAT, AND HERE IS THE KEY. 448 00:15:55,600 --> 00:15:56,767 - WELL, EVERYTHING SEEMS TO BE IN ORDER, 449 00:15:56,800 --> 00:15:59,733 AND NOW NATHAN IS STEPPING OVER TO A LAPTOP, 450 00:15:59,767 --> 00:16:02,633 WHERE HIS MOM AND DAD ARE STANDING BY VIA SKYPE. 451 00:16:02,667 --> 00:16:04,800 AND THEY DON'T KNOW WHAT NATHAN HAS PLANNED TONIGHT. 452 00:16:04,833 --> 00:16:06,300 - HI, GUYS. - BUT HE WANTED 453 00:16:06,333 --> 00:16:08,567 TO HEAR THEIR VOICES BEFORE STEPPING TO THE STAGE. 454 00:16:08,600 --> 00:16:10,067 - I DON'T KNOW IF YOU CAN HEAR ME, 455 00:16:10,100 --> 00:16:13,700 BUT, UH, I'M ABOUT TO DO SOMETHING VERY RISKY, 456 00:16:13,733 --> 00:16:17,467 UM, SO THE NEXT TIME I TALK TO YOU 457 00:16:17,500 --> 00:16:20,667 MIGHT BE BEHIND BULLETPROOF GLASS. 458 00:16:22,667 --> 00:16:25,467 - OH, WOW. - WHY? 459 00:16:25,500 --> 00:16:26,967 - I CAN'T REALLY GET INTO IT RIGHT NOW. 460 00:16:27,067 --> 00:16:28,433 I DON'T HAVE TIME. BUT I JUST WANT TO SAY 461 00:16:28,467 --> 00:16:31,067 THAT I LOVE YOU GUYS. 462 00:16:31,100 --> 00:16:34,067 AND, YOU KNOW, WISH ME LUCK, OKAY? 463 00:16:34,100 --> 00:16:35,800 - WELL, NATHAN, WHAT ARE YOU-- WHAT ARE YOU-- 464 00:16:35,833 --> 00:16:37,200 - WHAT'S GOING ON? 465 00:16:37,233 --> 00:16:40,300 - YOU GUYS? CAN YOU HEAR ME? 466 00:16:40,333 --> 00:16:41,767 HELLO? 467 00:16:41,800 --> 00:16:43,067 - WELL, APPARENTLY A LACK 468 00:16:43,100 --> 00:16:44,367 OF AN INTERNET CONNECTION UP HERE. 469 00:16:44,400 --> 00:16:46,400 DON'T KNOW WHETHER OR NOT THEY HEARD THAT MESSAGE. 470 00:16:46,433 --> 00:16:48,300 BUT HEARTFELT, NONETHELESS. 471 00:16:48,333 --> 00:16:50,500 [tense music] 472 00:16:50,533 --> 00:16:52,667 AND IT'S TIME NOW FOR NATHAN 473 00:16:52,700 --> 00:16:54,900 TO MAKE HIS WAY TO THE STAGE. 474 00:16:54,933 --> 00:16:56,333 YOU KNOW, YOU WONDER WHAT'S GOING ON 475 00:16:56,367 --> 00:16:58,767 IN NATHAN'S MIND RIGHT NOW AND IF ANY AMOUNT 476 00:16:58,800 --> 00:17:00,167 OF PREPARATION IS ENOUGH... 477 00:17:00,200 --> 00:17:01,367 - ALL RIGHT. - FOR THE PRESSURE 478 00:17:01,400 --> 00:17:03,333 THAT HE'S FACING HERE TONIGHT. 479 00:17:03,367 --> 00:17:05,167 NATHAN NOW MAKING HIS WAY INTO POSITION. 480 00:17:05,200 --> 00:17:07,567 YOU CAN SEE OFFICER SMALLING LOCKING HIM 481 00:17:07,600 --> 00:17:11,267 INTO THAT LOOP, AND THAT IS A SOLID STEEL FRAME. 482 00:17:11,300 --> 00:17:12,300 - PUT THIS AROUND MY WRIST. 483 00:17:12,333 --> 00:17:14,633 - CERTAINLY AN ADORABLE GROUP OF KIDS 484 00:17:14,667 --> 00:17:16,167 BROUGHT IN TONIGHT. 485 00:17:16,200 --> 00:17:17,400 CERTAINLY HOPE THE NIGHT DOESN'T END 486 00:17:17,433 --> 00:17:21,267 WITH THEM SEEING A MAN EXPOSE HIMSELF TO THEM. 487 00:17:21,300 --> 00:17:22,533 WELL, NOW THAT NATHAN'S LOCKED IN, 488 00:17:22,567 --> 00:17:24,600 THE CREW GONNA DO ONE LAST LOOK-OVER, 489 00:17:24,633 --> 00:17:26,333 SO WE'LL STEP AWAY FOR A COMMERCIAL, 490 00:17:26,367 --> 00:17:29,267 AND WHEN WE RETURN, THE ESCAPE. 491 00:17:29,300 --> 00:17:31,400 [dramatic music] 492 00:17:33,900 --> 00:17:37,500 [dramatic music] 493 00:17:37,533 --> 00:17:38,767 - ALL RIGHT, WE'RE BACK, AND THIS IS IT. 494 00:17:38,800 --> 00:17:40,133 THE STAGE IS SET. 495 00:17:40,167 --> 00:17:42,433 NATHAN HAS 90 SECONDS TO FREE HIMSELF 496 00:17:42,467 --> 00:17:43,900 FROM THOSE CUFFS AND HIT THAT RED BUTTON 497 00:17:43,933 --> 00:17:45,333 TO HIS RIGHT. 498 00:17:45,367 --> 00:17:46,533 THE BUTTON IS A KILL SWITCH. 499 00:17:46,567 --> 00:17:48,433 IT IS THE ONLY THING THAT CAN STOP 500 00:17:48,467 --> 00:17:50,200 THE PROGRAMMED MOTION OF THE ROBOT 501 00:17:50,233 --> 00:17:54,067 FROM TAKING OFF NATHAN'S PANTS IN FRONT OF THESE KIDS. 502 00:17:54,067 --> 00:17:55,933 AND NOW HE WILL DELIVER THE LINE 503 00:17:55,967 --> 00:17:59,367 GIVEN TO HIM BY JUDGE FILOSA. 504 00:17:59,400 --> 00:18:01,467 - SOMETHING MIGHT HAPPEN HERE, 505 00:18:01,500 --> 00:18:04,300 AND IF IT DOES, SO WHAT? 506 00:18:04,333 --> 00:18:05,300 - AND WITH THAT, 507 00:18:05,333 --> 00:18:06,733 HE HAS ESTABLISHED WILLFUL INTENT. 508 00:18:06,767 --> 00:18:09,400 SO IF HE EXPOSES HIMSELF TONIGHT, 509 00:18:09,433 --> 00:18:10,933 IN THE EYES OF THE LAW, 510 00:18:10,967 --> 00:18:12,567 IT WILL NOT BE CONSIDERED AN ACCIDENT. 511 00:18:12,600 --> 00:18:13,967 - READY! 512 00:18:14,067 --> 00:18:16,067 - GO! 513 00:18:16,100 --> 00:18:17,533 - AND WE ARE UNDERWAY NOW. 514 00:18:17,567 --> 00:18:19,100 HMM, STRUGGLING. LOOKED AS THOUGH HE-- 515 00:18:19,133 --> 00:18:22,067 HE PULLED A PICK STRAIGHT FROM HIS HAIR. 516 00:18:22,067 --> 00:18:25,067 NATHAN WORKING ON THOSE HANDCUFFS. 517 00:18:25,067 --> 00:18:27,067 WE ARE 80 SECONDS AWAY 518 00:18:27,067 --> 00:18:29,233 FROM A LIFETIME OF SCORN 519 00:18:29,267 --> 00:18:30,233 FOR NATHAN. 520 00:18:30,267 --> 00:18:32,067 [tense music] 521 00:18:32,100 --> 00:18:33,700 NOW THE ROBOT GOING TO THAT-- 522 00:18:33,733 --> 00:18:34,900 THAT FLY. THE FLY IS DOWN. 523 00:18:34,933 --> 00:18:36,567 AND WHILE HE'S WORKING 524 00:18:36,600 --> 00:18:38,400 ON THE HANDCUFFS, THE ROBOT 525 00:18:38,433 --> 00:18:40,233 CONTINUES TO WORK ON THE PANTS. 526 00:18:40,267 --> 00:18:42,133 * 527 00:18:42,167 --> 00:18:43,300 APPEARS AS THOUGH HE'S TAUNTING. 528 00:18:43,333 --> 00:18:44,533 NO, HE'S GOING FOR THAT LOOP. 529 00:18:44,567 --> 00:18:46,533 NOW HAS THE BUTTON UNDONE. 530 00:18:46,567 --> 00:18:48,300 * 531 00:18:48,333 --> 00:18:49,767 AND THE KIDS LAUGHING ALONG 532 00:18:49,800 --> 00:18:51,067 WITH THE ROBOT'S ANTICS. 533 00:18:51,067 --> 00:18:52,867 [robot whirring] 534 00:18:52,900 --> 00:18:56,533 NATHAN STRUGGLING WITH THAT PICK. 535 00:18:56,567 --> 00:18:57,600 HE DROPPED THE PICK. 536 00:18:57,633 --> 00:19:00,567 * 537 00:19:00,600 --> 00:19:01,900 IT LOOKS LIKE IT'S CAUGHT ON HIS CLOTHING, 538 00:19:01,933 --> 00:19:04,133 AND NOW HE'S TRYING TO RETRIEVE IT, 539 00:19:04,167 --> 00:19:05,333 AND HE'S GOT IT. 540 00:19:05,367 --> 00:19:07,267 GOT IT WITH HIS-- WHAT A CLOSE CALL, 541 00:19:07,300 --> 00:19:09,067 AS HE RETRIEVES THE PICK WITH HIS TONGUE. 542 00:19:09,067 --> 00:19:10,567 HAD THAT FALLEN TO THE GROUND, 543 00:19:10,600 --> 00:19:13,167 IT WOULD HAVE BEEN ALL OVER. 544 00:19:13,200 --> 00:19:14,933 NEXT IS GOING TO BE THOSE LOOPS 545 00:19:14,967 --> 00:19:16,867 ON THE HIP. 546 00:19:16,900 --> 00:19:18,400 THIS IS GETTING TIGHT HERE. 547 00:19:18,433 --> 00:19:20,500 THE ROBOT NOW HAS BOTH PANT LEGS DOWN, 548 00:19:20,533 --> 00:19:21,867 IS ABOUT TO SECURE 549 00:19:21,900 --> 00:19:23,333 THE LOOP ON THE UNDERPANTS, 550 00:19:23,367 --> 00:19:25,133 AND NATHAN'S STILL WORKING ON THOSE CUFFS. 551 00:19:25,167 --> 00:19:26,300 WE ARE JUST 20 SECONDS AWAY. 552 00:19:26,333 --> 00:19:29,633 NATHAN WORKING THOSE HANDCUFFS. 553 00:19:29,667 --> 00:19:31,533 AND NOW IT LOOKS AS THOUGH, WITH THE PANTS DOWN, 554 00:19:31,567 --> 00:19:34,600 THE ROBOT GOING FOR THAT UNDERWEAR LOOP. 555 00:19:34,633 --> 00:19:36,700 WE ARE NOW AT TEN SECONDS AND COUNTING. 556 00:19:36,733 --> 00:19:38,700 * 557 00:19:38,733 --> 00:19:40,467 WE HAVE JUST A COUPLE SECONDS LEFT. 558 00:19:40,500 --> 00:19:41,700 OH, NO, WE ARE SEEING PUBIC HAIR. 559 00:19:41,733 --> 00:19:44,100 [buzzer] BUT HE HAS ESCAPED. 560 00:19:44,133 --> 00:19:47,767 NATHAN FIELDER HAS MANAGED TO ESCAPE 561 00:19:47,800 --> 00:19:50,633 AND SAVE HIMSELF FROM A LIFETIME OF SHAME. 562 00:19:50,667 --> 00:19:52,567 THERE'S THE REPLAY. 563 00:19:52,600 --> 00:19:54,667 THE MOMENT WHERE HE WAS ABLE TO PICK THE CUFFS, 564 00:19:54,700 --> 00:19:57,367 HIT THE BUTTON JUST IN TIME. 565 00:19:57,400 --> 00:19:59,367 AND YOU CAN SEE THE RELIEF ON HIS FACE. 566 00:19:59,400 --> 00:20:01,800 [triumphant music] 567 00:20:01,833 --> 00:20:02,833 WELL, THERE YOU SEE IT. 568 00:20:02,867 --> 00:20:04,100 HE TOOK ON GREAT RISK, 569 00:20:04,133 --> 00:20:06,867 AND NOW THIS, HIS REWARD. 570 00:20:06,900 --> 00:20:08,800 CONGRATULATIONS FROM THE JUDGE AND OFFICER. 571 00:20:08,833 --> 00:20:10,633 - GOOD JOB. - THANK YOU. 572 00:20:10,667 --> 00:20:13,900 - UM, SO THE ROBOT 573 00:20:13,933 --> 00:20:16,333 PULLED HIS PANTS DOWN. 574 00:20:16,367 --> 00:20:17,533 BUT HE WON. 575 00:20:17,567 --> 00:20:18,667 [giggles] SO-- 576 00:20:18,700 --> 00:20:19,833 - IT WAS REALLY FUNNY. 577 00:20:19,867 --> 00:20:21,567 I REALLY WANTED HIS PANTS TO FALL DOWN 578 00:20:21,600 --> 00:20:23,333 'CAUSE IT'S HILARIOUS. 579 00:20:23,367 --> 00:20:25,600 - I WOULD HAVE BEEN SORT OF OFFENDED 580 00:20:25,633 --> 00:20:29,233 IF IT--IF HIS UNDERWEAR FELL DOWN, 581 00:20:29,267 --> 00:20:31,000 BUT NOT THAT MUCH. 582 00:20:31,033 --> 00:20:33,733 - HE PRESSED THE BUTTON, AND THEN IT DIDN'T FALL DOWN. 583 00:20:33,767 --> 00:20:35,867 I WAS LIKE, "YES!" 584 00:20:35,900 --> 00:20:37,167 I WAS LIKE, "HALLELUJAH." 585 00:20:37,200 --> 00:20:41,533 * 586 00:20:41,567 --> 00:20:44,433 - OKAY, BEFORE YOU GUYS-- BEFORE YOU GUYS LEAVE, 587 00:20:44,467 --> 00:20:48,167 REMEMBER TO ALWAYS TAKE BIG RISKS 588 00:20:48,200 --> 00:20:49,800 AND BELIEVE IN YOURSELF 589 00:20:49,833 --> 00:20:54,433 AND FOLLOW YOUR DREAMS, JUST LIKE I DID. 590 00:20:54,467 --> 00:20:55,900 I DRE--WELL, YEAH, I DID. 591 00:20:55,933 --> 00:20:57,100 IT WAS-- IT WAS A DREAM OF-- 592 00:20:57,133 --> 00:21:01,800 [all laughing, chattering at once] 593 00:21:01,833 --> 00:21:03,867 YOU KIND OF TALKED OVER MY SPEECH. 594 00:21:03,900 --> 00:21:05,433 OKAY. FINE. - LET'S GO. LET'S GO. 595 00:21:12,900 --> 00:21:15,133 - I MADE SO MANY NEW FRIENDS UP THERE. 596 00:21:15,167 --> 00:21:17,933 HOWEVER, I THINK ABOUT YOU ALL THE TIME. 597 00:21:17,967 --> 00:21:20,767 GOOD-BYE. I LOVE YOU. 598 00:21:20,800 --> 00:21:23,700 I WISH I COULD DO MORE FOR YOU. 43994

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