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1
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- GOOD EVENING.
2
00:00:10,367 --> 00:00:11,900
WE'RE COMING TO YOU
FROM THE HISTORIC ELYSIAN PARK
3
00:00:11,933 --> 00:00:13,800
IN LOS ANGELES, CALIFORNIA.
4
00:00:13,833 --> 00:00:15,633
NOW, EVERY WEEK ON MY SHOW,
I CHALLENGE PEOPLE
5
00:00:15,667 --> 00:00:17,233
TO TAKE BIG RISKS.
6
00:00:17,267 --> 00:00:20,367
BUT SOME HAVE BEEN CRITICAL
THAT I NEVER TAKE RISKS MYSELF.
7
00:00:20,400 --> 00:00:22,800
WELL, TONIGHT,
THAT'S ALL GONNA CHANGE.
8
00:00:22,833 --> 00:00:24,400
OVER THE PAST MONTH,
I'VE BEEN LEARNING
9
00:00:24,433 --> 00:00:27,400
HOW TO PICK THE LOCK
ON THESE POLICE-GRADE HANDCUFFS.
10
00:00:27,433 --> 00:00:28,867
"WHY?" YOU ASK.
11
00:00:28,900 --> 00:00:30,800
BECAUSE TONIGHT I'M GONNA TAKE
A BIGGER RISK
12
00:00:30,833 --> 00:00:33,900
THAN ANYONE HAS EVER TAKEN
ON TELEVISION BEFORE.
13
00:00:33,933 --> 00:00:36,000
IN JUST A FEW MOMENTS,
I'M GOING TO BE HANDCUFFED
14
00:00:36,033 --> 00:00:37,900
TO THIS SOLID STEEL FRAME,
15
00:00:37,933 --> 00:00:40,767
AND I'LL HAVE EXACTLY 90 SECONDS
TO FREE MYSELF
16
00:00:40,800 --> 00:00:43,500
BEFORE THE CLAW
ON THIS ROBOTIC ARM
17
00:00:43,533 --> 00:00:45,300
UNDOES MY PANTS,
18
00:00:45,333 --> 00:00:48,967
EXPOSING ME TO AN AUDIENCE
OF CHILDREN.
19
00:00:49,000 --> 00:00:51,467
IF THAT HAPPENS,
AN L.A.P.D. OFFICER
20
00:00:51,500 --> 00:00:55,000
IS STANDING BY TO ARREST ME
FOR INDECENT EXPOSURE.
21
00:00:55,033 --> 00:00:58,600
WE'VE ALL SEEN ESCAPE ARTISTS
RISK DEATH BEFORE.
22
00:00:58,633 --> 00:01:02,700
BUT TONIGHT, I'M GOING TO RISK
SOMETHING EVEN WORSE:
23
00:01:02,733 --> 00:01:05,733
BECOMING A REGISTERED
SEX OFFENDER FOR LIFE.
24
00:01:05,767 --> 00:01:09,167
AND WHAT YOU'RE GOING
TO SEE TONIGHT IS 100% REAL.
25
00:01:09,200 --> 00:01:11,067
WELCOME TO NATHAN FOR YOU.
26
00:01:11,067 --> 00:01:14,067
THIS IS THE CLAW OF SHAME.
27
00:01:14,067 --> 00:01:16,133
[dramatic music]
28
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- NOW, YOU KNOW
THIS IS CONTROVERSIAL, RIGHT?
29
00:01:17,733 --> 00:01:20,300
- WHAT DO I GAIN BY DOING THIS?
- NOTHING.
30
00:01:20,333 --> 00:01:23,100
- IF HE'S GONNA ESCAPE,
IF HE'S GONNA GO TO JAIL.
31
00:01:23,133 --> 00:01:25,667
- I MIGHT NOT EVEN ATTEMPT IT.
32
00:01:25,700 --> 00:01:28,833
HE'S TAKING A BIG RISK.
33
00:01:28,867 --> 00:01:30,267
- IF YOU'VE SEEN
MY SHOW BEFORE,
34
00:01:30,300 --> 00:01:33,100
YOU KNOW I USUALLY FOCUS
ON HELPING SMALL BUSINESSES
35
00:01:33,133 --> 00:01:35,133
BY BRINGING THEM BIG IDEAS.
36
00:01:35,167 --> 00:01:38,100
BUT TONIGHT'S EPISODE IS GOING
TO BE A BIT DIFFERENT.
37
00:01:38,133 --> 00:01:41,533
RIGHT NOW, YOU'RE SEEING
MY FINAL PRACTICE RUN,
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00:01:41,567 --> 00:01:43,733
MY LAST CHANCE
TO GET THE ESCAPE RIGHT
39
00:01:43,767 --> 00:01:46,767
BEFORE RISKING LIFE
AS A SEX OFFENDER.
40
00:01:46,800 --> 00:01:48,233
BUT TO GET TO THIS POINT,
41
00:01:48,267 --> 00:01:52,833
IT TOOK MONTHS OF PLANNING
AND PREPARATION.
42
00:01:52,867 --> 00:01:55,133
FIRSTLY, I AM NOT
AN ESCAPE ARTIST.
43
00:01:55,167 --> 00:01:57,067
AND THOUGH I HAVE SOME
EXPERIENCE DOING MAGIC
44
00:01:57,067 --> 00:01:58,433
AS A TEENAGER...
45
00:01:58,467 --> 00:02:00,367
THERE'S NOTHING
IN THE BAG, RIGHT?
46
00:02:00,400 --> 00:02:01,500
- YEAH.
- [giggles]
47
00:02:01,533 --> 00:02:02,667
- BAG IS COMPLETELY EMPTY.
48
00:02:02,700 --> 00:02:03,667
YOU CAN SEE
RIGHT THROUGH IT.
49
00:02:03,700 --> 00:02:05,533
I QUIT PERFORMING
YEARS AGO
50
00:02:05,567 --> 00:02:08,100
AND HAVE NEVER DONE
AN ESCAPE BEFORE.
51
00:02:08,133 --> 00:02:09,667
SO I BOOKED
A TRAINING SESSION
52
00:02:09,700 --> 00:02:11,400
WITH ESCAPE MASTER
MARK PASKELL
53
00:02:11,433 --> 00:02:16,100
SO I COULD LEARN HOW TO PICK
THE LOCKS ON A PAIR OF CUFFS.
54
00:02:16,133 --> 00:02:17,933
HOW DO I ESCAPE
FROM HANDCUFFS?
55
00:02:17,967 --> 00:02:19,300
- A SHIM.
- OH.
56
00:02:19,333 --> 00:02:21,500
- IF YOU HAVE A SHIM,
YOU CAN--
57
00:02:21,533 --> 00:02:23,467
- IS THAT A HAIR CLIP?
- THIS IS A HAIR CLIP,
58
00:02:23,500 --> 00:02:25,067
BUT IT'S--
IT'S ADAPTED A LITTLE BIT.
59
00:02:25,067 --> 00:02:27,800
YOU GET IN THERE...
60
00:02:27,833 --> 00:02:30,433
[click]
AND PUSH.
61
00:02:30,467 --> 00:02:31,800
- RIGHT.
- THEN YOU CAN GET OUT.
62
00:02:31,833 --> 00:02:33,733
- EVEN AFTER HE TAUGHT ME,
IT TOOK ME
63
00:02:33,767 --> 00:02:35,733
OVER 30 MINUTES
TO PICK THE LOCK.
64
00:02:35,767 --> 00:02:37,867
I HAD A LOT OF WORK
AHEAD OF ME TO GET MY TIME DOWN
65
00:02:37,900 --> 00:02:39,167
TO 90 SECONDS.
66
00:02:39,200 --> 00:02:41,733
AND AFTER SOME PRACTICING,
I TOLD MARK MY IDEA
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00:02:41,767 --> 00:02:43,333
FOR THE ESCAPE:
68
00:02:43,367 --> 00:02:46,867
TO HAVE TWO STAGEHANDS PULLING
DOWN MY PANTS WITH ROPES,
69
00:02:46,900 --> 00:02:48,333
EXPOSING ME TO THE PUBLIC.
70
00:02:48,367 --> 00:02:51,267
AND SINCE MARK WAS CLEARLY
AN EXPERT ON THIS STUFF,
71
00:02:51,300 --> 00:02:53,500
I WAS HOPING TO HAVE HIM
AS AN OFFICIAL ADVISOR
72
00:02:53,533 --> 00:02:54,500
ON THE ESCAPE.
73
00:02:54,533 --> 00:02:55,567
I MEAN, WHAT DO YOU THINK?
74
00:02:55,600 --> 00:02:57,600
- MM, I DON'T KNOW.
75
00:02:57,633 --> 00:02:59,700
IT'S MOVING A LITTLE BIT
OUT OF MY FIELD.
76
00:02:59,733 --> 00:03:01,067
- I GUESS I COULD SAY
77
00:03:01,067 --> 00:03:03,133
YOU'RE A CONSULTANT
ON THE ESCAPE.
78
00:03:03,167 --> 00:03:05,167
- [exhales]
79
00:03:09,067 --> 00:03:11,267
MM, I DON'T KNOW.
I'LL HAVE TO GET BACK TO YOU.
80
00:03:11,300 --> 00:03:12,667
- WOULD YOU WANT THAT?
81
00:03:12,700 --> 00:03:14,067
- I'LL HAVE TO GET BACK TO YOU
ON THAT, THINK ON IT.
82
00:03:14,100 --> 00:03:16,500
- WE'LL JUST CREDIT YOU
AS A CONSULTANT ON THE ESCAPE.
83
00:03:16,533 --> 00:03:17,867
- I APPRECIATE THAT.
- IT'S NO BIG DEAL.
84
00:03:17,900 --> 00:03:19,233
WE'LL JUST GIVE IT TO YOU.
- APPRECIATE THAT, BUT--
85
00:03:19,267 --> 00:03:20,400
- IT'S DONE.
IT'S AS GOOD AS DONE.
86
00:03:20,433 --> 00:03:21,600
- I APPRECIATE IT,
BUT WHAT I'M SAYING IS,
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00:03:21,633 --> 00:03:22,800
I WILL GET BACK TO YOU.
88
00:03:22,833 --> 00:03:24,067
- YOU'LL GET BACK TO ME
ABOUT THE CREDIT?
89
00:03:24,067 --> 00:03:25,167
- YEAH.
90
00:03:25,200 --> 00:03:27,200
- WELL, WE'LL JUST PUT IT
IN ANYWAYS.
91
00:03:27,233 --> 00:03:30,067
JUST, WE'LL PUT IT
IN THE CREDITS OF THE SHOW.
92
00:03:30,067 --> 00:03:31,400
I NEVER HEARD BACK
FROM MARK,
93
00:03:31,433 --> 00:03:33,767
BUT AT LEAST I KNEW
HOW TO PICK HANDCUFFS.
94
00:03:33,800 --> 00:03:36,167
WHAT I DIDN'T KNOW
WAS THE LEGAL REQUIREMENT
95
00:03:36,200 --> 00:03:38,067
FOR BECOMING A SEX OFFENDER.
96
00:03:38,067 --> 00:03:40,067
SO I FOUND AN ACTUAL
CALIFORNIA JUDGE
97
00:03:40,100 --> 00:03:43,067
THAT WOULD AGREE TO ADVISE ME
ON THE ESCAPE ON CAMERA,
98
00:03:43,067 --> 00:03:45,067
THE HONORABLE ANTHONY FILOSA.
99
00:03:45,067 --> 00:03:47,267
SO IF I DON'T ESCAPE
IN 90 SECONDS,
100
00:03:47,300 --> 00:03:49,567
I'LL BE EXPOSED
TO SOME PEOPLE.
101
00:03:49,600 --> 00:03:50,900
- WHAT ARE "SOME PEOPLE"?
102
00:03:50,933 --> 00:03:52,833
- JUST, LIKE, ADULTS
OR SOMETHING?
103
00:03:52,867 --> 00:03:54,300
I DON'T KNOW.
- CHILDREN? ADULTS?
104
00:03:54,333 --> 00:03:57,333
- IS CHILDREN BETTER?
105
00:03:59,333 --> 00:04:00,600
- INTERESTING QUESTION.
106
00:04:00,633 --> 00:04:02,800
BOTH COULD BE OFFENDED.
107
00:04:02,833 --> 00:04:04,167
MORE LIKELY CHILDREN,
108
00:04:04,200 --> 00:04:07,067
INSOFAR AS THAT
IT'S OFFENSIVE, PERIOD.
109
00:04:07,067 --> 00:04:10,267
- SO YOU'RE SAYING
IT'S BETTER TO USE CHILDREN?
110
00:04:10,300 --> 00:04:12,700
- I-I DON'T REALLY THINK
IT'S MY PLACE
111
00:04:12,733 --> 00:04:13,800
TO SUGGEST IT.
112
00:04:13,833 --> 00:04:16,133
- OKAY. SURE.
- ALL RIGHT?
113
00:04:16,167 --> 00:04:17,500
YEAH, I REALLY DON'T.
114
00:04:17,533 --> 00:04:18,700
- I TOOK
THE JUDGE'S SUGGESTION
115
00:04:18,733 --> 00:04:20,667
THAT I SHOULD EXPOSE MYSELF
TO CHILDREN,
116
00:04:20,700 --> 00:04:22,533
AND ON TOP OF THAT,
117
00:04:22,567 --> 00:04:23,867
HE WAS A TREASURE TROVE
OF INFORMATION
118
00:04:23,900 --> 00:04:25,500
ON HOW TO BECOME
A SEX OFFENDER.
119
00:04:25,533 --> 00:04:27,367
- THERE WOULD HAVE TO BE
THE ELEMENT
120
00:04:27,400 --> 00:04:29,733
OF WILLFULNESS PROVEN.
121
00:04:29,767 --> 00:04:31,567
- SO WOULD IT HELP IF,
RIGHT BEFORE I DID IT,
122
00:04:31,600 --> 00:04:35,233
I SAID, "I'M DOING THIS
ON PURPOSE TO EXPOSE MYSELF"?
123
00:04:35,267 --> 00:04:38,433
- WELL, YOU JUST ABANDON
ANY PRECAUTION.
124
00:04:38,467 --> 00:04:40,067
"YOU KNOW, FOLKS,
SOMETHING COULD HAPPEN,
125
00:04:40,067 --> 00:04:42,767
"YOU KNOW,
AND IF IT DOES,
126
00:04:42,800 --> 00:04:44,267
SO WHAT?"
127
00:04:44,300 --> 00:04:45,867
SOMETHING LIKE THAT.
128
00:04:45,900 --> 00:04:47,800
- SO IT'S LIKE, YOU KNOW,
IF THIS GOES WRONG,
129
00:04:47,833 --> 00:04:48,867
I DON'T REALLY CARE.
130
00:04:48,900 --> 00:04:50,133
- TOO BAD, 'CAUSE I--
- TOO BAD.
131
00:04:50,167 --> 00:04:51,500
I'M GONNA--
- TOO BAD, I--
132
00:04:51,533 --> 00:04:52,933
- I'M GONNA GET OFF.
IT'S GONNA MAKE ME HORNY.
133
00:04:52,967 --> 00:04:54,300
- WELL, WHATEVER.
134
00:04:54,333 --> 00:04:55,667
- THE MOST TROUBLING THING
I LEARNED FROM HIM, THOUGH,
135
00:04:55,700 --> 00:04:58,367
WAS THAT IF ANYONE HELPED ME
PULL MY PANTS DOWN,
136
00:04:58,400 --> 00:04:59,733
THEY COULD GO TO JAIL TOO.
137
00:04:59,767 --> 00:05:02,767
- THAT PERSON IS
AS GUILTY AS YOU ARE.
138
00:05:02,800 --> 00:05:03,967
- SO I CAN'T HAVE
ANY HELPERS.
139
00:05:04,067 --> 00:05:05,400
- RIGHT.
- I DIDN'T WANT TO PUT
140
00:05:05,433 --> 00:05:07,067
ANYONE AT RISK
BESIDES MYSELF.
141
00:05:07,100 --> 00:05:08,967
SO IF NO HUMAN
COULD DO IT,
142
00:05:09,067 --> 00:05:11,467
I WAS GONNA HAVE TO USE
A ROBOT.
143
00:05:11,500 --> 00:05:13,467
AND THE SEARCH TOOK MONTHS,
WITH EVERYONE
144
00:05:13,500 --> 00:05:16,133
FROM U.S. DEFENSE COMPANIES
TO NASA TELLING US
145
00:05:16,167 --> 00:05:18,167
THE TECHNOLOGY DIDN'T EXIST
TO HAVE A ROBOT
146
00:05:18,200 --> 00:05:20,433
PULL DOWN SOMEONE'S PANTS.
147
00:05:20,467 --> 00:05:21,900
BUT I DIDN'T GIVE UP,
AND EVENTUALLY,
148
00:05:21,933 --> 00:05:23,600
I FOUND A COMPANY
THAT SAID THEY COULD DO IT.
149
00:05:23,633 --> 00:05:25,900
- SO THIS IS IT.
150
00:05:25,933 --> 00:05:29,700
THIS IS A KUKA-ROBOTICS
K.R. 15-2.
151
00:05:29,733 --> 00:05:31,067
- AFTER JOHN SHOWED ME
THE ROBOT,
152
00:05:31,067 --> 00:05:33,967
I EXPLAINED TO HIM SPECIFICALLY
WHAT I NEEDED IT TO DO.
153
00:05:34,067 --> 00:05:35,267
THEN, ONCE THE PANTS
ARE DOWN,
154
00:05:35,300 --> 00:05:37,567
I WANT IT TO COME UP HERE,
155
00:05:37,600 --> 00:05:40,267
HOOK ONTO THE BOXERS,
AND PULL THOSE DOWN.
156
00:05:40,300 --> 00:05:42,133
JOHN SUGGESTED MAKING
CUSTOM-DESIGNED PANTS
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00:05:42,167 --> 00:05:45,133
WITH LOOPS THAT WOULD MAKE IT
EASIER FOR THE ROBOT
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00:05:45,167 --> 00:05:46,600
TO REMOVE THEM,
159
00:05:46,633 --> 00:05:47,933
SO I HIRED A TAILOR
TO MAKE THE PANTS
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00:05:47,967 --> 00:05:50,100
TO JOHN'S SPECIFICATIONS.
161
00:05:50,133 --> 00:05:51,600
AND OVER THE WEEK
THEY WERE BEING MADE,
162
00:05:51,633 --> 00:05:53,900
HE INFORMALLY BECAME
MY PRACTICE PARTNER.
163
00:05:53,933 --> 00:05:55,133
I BORROWED A PAIR
OF HIS UNDERWEAR
164
00:05:55,167 --> 00:05:57,667
SO WE COULD PULL DOWN MY PANTS
ALL THE WAY
165
00:05:57,700 --> 00:05:58,867
WITHOUT SEEING MY PENIS.
166
00:05:58,900 --> 00:06:01,967
- 90.
167
00:06:04,600 --> 00:06:06,833
- THE PANTS BEING TAKEN OFF
WAS DEFINITELY DISTRACTING,
168
00:06:06,867 --> 00:06:09,067
BUT I WAS GETTING CLOSER
TO MY 90-SECOND GOAL.
169
00:06:09,100 --> 00:06:11,333
TIME, TIME, STOP IT.
WHAT DO I GOT?
170
00:06:11,367 --> 00:06:12,433
- OKAY, 150.
171
00:06:12,467 --> 00:06:14,233
- AND AFTER GETTING
AN HOUR OR SO
172
00:06:14,267 --> 00:06:15,467
OF TRAINING IN,
THE COMPLETED PANTS
173
00:06:15,500 --> 00:06:18,500
WERE PACKAGED UP AND DELIVERED
TO REEL EFX
174
00:06:18,533 --> 00:06:21,100
SO THE ROBOT COULD BEGIN
BEING PROGRAMMED.
175
00:06:21,133 --> 00:06:22,900
IN THE MEANTIME,
I WANTED TO FIND OUT
176
00:06:22,933 --> 00:06:25,167
THE REAL CONSEQUENCES
OF GOING TO PRISON
177
00:06:25,200 --> 00:06:26,667
AS A SEX OFFENDER,
SO I MET UP
178
00:06:26,700 --> 00:06:30,067
WITH JIMMY MURPHY,
WHO'S SERVED OVER 11 YEARS
179
00:06:30,067 --> 00:06:32,167
FOR A VARIETY
OF VIOLENT CRIMES.
180
00:06:32,200 --> 00:06:33,767
- I'LL TELL YOU THIS.
181
00:06:33,800 --> 00:06:36,333
IN THERE, IT'S THE LAST THING
YOU WANT TO BE.
182
00:06:36,367 --> 00:06:37,500
IT'S THE LOWEST.
183
00:06:37,533 --> 00:06:40,567
- WHAT WOULD HAPPEN TO ME
IN THERE?
184
00:06:40,600 --> 00:06:43,300
- WELL, YOU KNOW,
YOU'D PROBABLY, UH, GO--
185
00:06:43,333 --> 00:06:44,433
GO TO YOUR CELL,
AND YOU'D FIND
186
00:06:44,467 --> 00:06:47,500
A COUPLE OF SNICKERS BARS
ON YOUR PILLOW.
187
00:06:47,533 --> 00:06:48,667
- OH, WOW.
- AND THEN--
188
00:06:48,700 --> 00:06:49,800
- SO THIS DOESN'T SOUND
THAT BAD AT ALL.
189
00:06:49,833 --> 00:06:50,900
- NO, YOU'D GO IN THERE,
190
00:06:50,933 --> 00:06:52,500
AND YOU'D SAY, "OH, WOW,
WHAT A GIFT."
191
00:06:52,533 --> 00:06:54,100
YOU KNOW,
AND YOU'D EAT THE STUFF.
192
00:06:54,133 --> 00:06:57,300
WELL, SOMEONE'S GONNA COME
AND SAY, "HEY.
193
00:06:57,333 --> 00:06:58,967
WHAT HAPPENED
TO MY CHOCOLATE?"
194
00:06:59,067 --> 00:07:01,133
AND YOU'RE GONNA GO,
"OH, I, UH, I ATE THAT."
195
00:07:01,167 --> 00:07:02,133
AND THEN THEY'RE GONNA GO,
196
00:07:02,167 --> 00:07:03,800
"WELL, YOU NEED
TO PAY FOR THAT."
197
00:07:03,833 --> 00:07:06,067
- YEAH, HOW?
I DON'T HAVE ANY MONEY.
198
00:07:06,067 --> 00:07:07,367
- WELL, THEN YOU MIGHT FIND
YOUR HEAD BOUNCING
199
00:07:07,400 --> 00:07:09,300
OFF SOMEBODY'S BELT BUCKLE.
200
00:07:09,333 --> 00:07:10,300
- I DON'T WANT TO DO THAT.
201
00:07:10,333 --> 00:07:11,700
- NO, OF COURSE YOU DON'T.
202
00:07:11,733 --> 00:07:13,567
'CAUSE THERE'S A LOT
OF BELT BUCKLES IN THERE.
203
00:07:13,600 --> 00:07:15,300
- REALLY?
- OH, YEAH, YOU'LL GROW TIRED.
204
00:07:15,333 --> 00:07:16,733
- THEY ALLOW YOU
TO WEAR BELTS IN PRISON?
205
00:07:16,767 --> 00:07:18,733
- NO, IT'S A--
- SO HOW WOULD IT WORK?
206
00:07:18,767 --> 00:07:20,067
THEY JUST GIVE YOU
THE BUCKLE?
207
00:07:20,067 --> 00:07:21,900
- WELL, NO, I, UH--
208
00:07:21,933 --> 00:07:23,700
- SO THERE'S NO BELT BUCKLE.
- WELL, NO, NOT REALLY.
209
00:07:23,733 --> 00:07:24,767
I MEANT--
- SO MY HEAD WOULDN'T BE
210
00:07:24,800 --> 00:07:26,900
BOUNCING AROUND ANY
BELT BUCKLES.
211
00:07:26,933 --> 00:07:28,700
- SO, IN OTHER WORDS, YOU'D HAVE
A [bleep] IN YOUR MOUTH.
212
00:07:28,733 --> 00:07:30,367
- I MEAN, IT PROBABLY WOULDN'T
BOUNCE, TOO,
213
00:07:30,400 --> 00:07:33,067
BECAUSE I WOULD STOP
WHEN I GOT TO THE BALLS
214
00:07:33,067 --> 00:07:35,067
BEFORE I GOT IN.
215
00:07:35,067 --> 00:07:36,500
- I DON'T KNOW
HOW YOU DO IT.
216
00:07:36,533 --> 00:07:38,467
- WELL, THAT'S HOW I WOULD.
217
00:07:38,500 --> 00:07:39,967
I'D NEVER REALLY BEEN FORCED
TO PICTURE
218
00:07:40,067 --> 00:07:42,233
HOW I'D GIVE ORAL SEX
TO A MAN,
219
00:07:42,267 --> 00:07:44,633
BUT AFTER VISUALIZING IT,
I BEGAN TO QUESTION
220
00:07:44,667 --> 00:07:47,633
IF THIS ENTIRE STUNT
WAS ACTUALLY WORTH IT.
221
00:07:47,667 --> 00:07:50,400
MY CONCERNS WERE HEIGHTENED
WHEN I RETURNED TO REEL EFX
222
00:07:50,433 --> 00:07:52,667
TO FIND THE ROBOT
ACTING UNPREDICTABLY.
223
00:07:52,700 --> 00:07:54,200
[clang]
224
00:07:54,233 --> 00:07:55,900
TO MAKE MATTERS WORSE,
I FOUND OUT
225
00:07:55,933 --> 00:07:58,533
THAT THE ROBOT WHOSE PRECISION
WOULD DETERMINE MY FATE
226
00:07:58,567 --> 00:08:01,100
RAN ON WINDOWS 95.
- IT'S AS GOOD--
227
00:08:01,133 --> 00:08:02,500
- YOU'VE GOTTA BE KIDDING ME.
228
00:08:02,533 --> 00:08:03,967
MY PARENTS THREW OUT
THEIR COMPUTER
229
00:08:04,067 --> 00:08:06,967
THAT RAN WINDOWS 95,
LIKE, SEVEN YEARS AGO
230
00:08:07,067 --> 00:08:09,633
BECAUSE MINESWEEPER
WASN'T WORKING PROPERLY.
231
00:08:09,667 --> 00:08:11,600
- IT'S OKAY.
'CAUSE WHAT HAPPENS--
232
00:08:11,633 --> 00:08:12,733
- HONESTLY, LIKE,
MY LIFE, LIKE--
233
00:08:12,767 --> 00:08:15,067
THIS IS MOVING
WITHIN AN--
234
00:08:15,100 --> 00:08:16,467
- RIGHT.
- MILLIMETERS OF MY BODY.
235
00:08:16,500 --> 00:08:18,867
I WAS MAINLY CONCERNED BECAUSE
ON THE DAY OF THE ESCAPE,
236
00:08:18,900 --> 00:08:21,633
JOHN WOULD HAVE TO
STEP AWAY FROM THE CONTROLS
237
00:08:21,667 --> 00:08:24,067
AND LET THE PROGRAM RUN
AUTOMATICALLY.
238
00:08:24,100 --> 00:08:26,333
BUT HE ASSURED ME
THE SOFTWARE WOULD WORK.
239
00:08:26,367 --> 00:08:29,267
SO THE ROBOT WAS TRANSPORTED
TO ELYSIAN PARK,
240
00:08:29,300 --> 00:08:31,933
WHERE A CREW
OF OVER 50 PEOPLE WORKED
241
00:08:31,967 --> 00:08:33,300
FOR TWO STRAIGHT DAYS
TO PREPARE
242
00:08:33,333 --> 00:08:36,267
FOR TONIGHT'S HISTORIC STUNT.
243
00:08:40,067 --> 00:08:41,300
male announcer:
TONIGHT, NATHAN FIELDER
244
00:08:41,333 --> 00:08:43,200
RISKS THE ULTIMATE SHAME,
245
00:08:43,233 --> 00:08:46,133
FACING A HEARTLESS ROBOT
THATS ONLY MISSION
246
00:08:46,167 --> 00:08:48,833
IS TO EXPOSE
HIS PRIVATE PARTS.
247
00:08:48,867 --> 00:08:50,967
- THIS MIGHT BE
THE MOST DANGEROUS STUNT
248
00:08:51,067 --> 00:08:52,167
EVER IMAGINED.
249
00:08:52,200 --> 00:08:53,967
announcer: CHILDREN WATCHING...
[child screams]
250
00:08:54,067 --> 00:08:56,167
L.A.P.D. PRESENT...
[siren wails]
251
00:08:56,200 --> 00:08:58,067
AND ALL IN THE DARK OF NIGHT.
252
00:08:58,067 --> 00:08:59,867
- YOU KNOW, I'VE BEEN PUT
ON EARTH FOR A REASON,
253
00:08:59,900 --> 00:09:02,167
AND I BELIEVE
THIS IS GOD'S PLAN FOR ME.
254
00:09:02,200 --> 00:09:04,133
announcer:
THE WORLD IS WATCHING.
255
00:09:04,167 --> 00:09:06,500
WILL HE INSPIRE MILLIONS
256
00:09:06,533 --> 00:09:08,533
AND HONOR HIS HOME COUNTRY
OF CANADA
257
00:09:08,567 --> 00:09:12,600
OR END UP BEHIND BARS
AND RISK DEPORTATION?
258
00:09:12,633 --> 00:09:15,900
NEVER BEFORE ATTEMPTED
IN THE HISTORY OF TELEVISION...
259
00:09:15,933 --> 00:09:17,800
- I MEAN, THIS IS
A COMEDY CENTRAL SHOW.
260
00:09:17,833 --> 00:09:20,700
I MEAN, THIS IS--
IT'S CRAZY WHAT WE'RE DOING.
261
00:09:20,733 --> 00:09:23,867
announcer: WILL HE ESCAPE,
OR WON'T HE?
262
00:09:23,900 --> 00:09:27,900
NATHAN FIELDER TAKES ON...
263
00:09:29,900 --> 00:09:32,267
- WE'RE JUST MOMENTS
AWAY FROM THE ESCAPE,
264
00:09:32,300 --> 00:09:34,700
AND TONIGHT,
I CANNOT RISK FAILURE.
265
00:09:34,733 --> 00:09:36,333
BUT ONE THING I'VE LEARNED
OVER THE YEARS IS THAT
266
00:09:36,367 --> 00:09:38,600
YOU CAN'T BE AFRAID
OF FAILING.
267
00:09:38,633 --> 00:09:40,867
IN FACT, ON MY SHOW,
WHEN I HELP BUSINESSES,
268
00:09:40,900 --> 00:09:42,567
I FAIL ALL THE TIME.
269
00:09:42,600 --> 00:09:44,400
AND I'M NORMALLY SHY
TO SHOW THOSE MOMENTS,
270
00:09:44,433 --> 00:09:46,967
BUT TONIGHT, I'M GOING TO MAKE
AN EXCEPTION.
271
00:09:47,067 --> 00:09:50,567
SO LET'S TAKE A LOOK NOW
AT SOME OF MY GREATEST FAILURES.
272
00:09:50,600 --> 00:09:52,067
ONE OF MY LEAST POPULAR IDEAS
273
00:09:52,067 --> 00:09:54,667
WAS FOR A COMPLETELY
GERM-FREE HOT DOG STAND.
274
00:09:54,700 --> 00:09:56,900
AT OUTDOOR FOOD CARTS,
IT'S EASY FOR GERMS
275
00:09:56,933 --> 00:10:00,033
TO TRANSFER FROM MONEY
TO YOUR FOOD,
276
00:10:00,067 --> 00:10:01,100
SO TO COMPLETELY
ELIMINATE THIS,
277
00:10:01,133 --> 00:10:02,833
I DESIGNED
A HANDS-FREE METHOD
278
00:10:02,867 --> 00:10:05,233
TO APPLY CONDIMENTS
TO THE WIENER.
279
00:10:05,267 --> 00:10:07,100
ALSO, THERE WOULD BE
A SECOND EMPLOYEE
280
00:10:07,133 --> 00:10:08,933
WHOSE ONLY JOB
IS TO HANDLE THE MONEY.
281
00:10:08,967 --> 00:10:10,100
- WHAT ARE YOU DOING
WITH THE WALLET?
282
00:10:10,133 --> 00:10:12,100
- WE'RE DOING
A GERM-FREE EXPERIENCE,
283
00:10:12,133 --> 00:10:13,200
SO YOU DON'T HANDLE
YOUR OWN MONEY.
284
00:10:13,233 --> 00:10:14,633
- OH, REALLY?
285
00:10:14,667 --> 00:10:16,567
- BUT PEOPLE WERE A BIT ANNOYED
WITH THE MONEY HANDLING PART.
286
00:10:16,600 --> 00:10:17,700
- CAN I HAVE MY WALLET BACK?
287
00:10:17,733 --> 00:10:19,267
- AND THE HANDS-FREE
ONION DISPENSER
288
00:10:19,300 --> 00:10:21,067
PROVED TO BE PROBLEMATIC
AS WELL.
289
00:10:21,100 --> 00:10:22,333
SO YOU HAVE TO UP--
ONE UP, ONE DOWN.
290
00:10:22,367 --> 00:10:24,167
WHEN IT HITS THE TABLE,
THE ONIONS WILL FALL.
291
00:10:24,200 --> 00:10:25,467
- AND DROP IT.
KEEP DROPPING IT.
292
00:10:25,500 --> 00:10:26,633
UP AND DOWN, DROP IT.
293
00:10:26,667 --> 00:10:29,200
- FAST.
294
00:10:29,233 --> 00:10:30,200
- OOPS.
295
00:10:30,233 --> 00:10:31,567
- OH.
- UGH.
296
00:10:31,600 --> 00:10:33,533
- THIS IS NOT GONNA WORK.
IT'S NOT GONNA WORK.
297
00:10:33,567 --> 00:10:34,733
- THAT'S NOTHING TO DO
WITH THE CONTRAPTION.
298
00:10:34,767 --> 00:10:36,567
IF YOU DROP A HOT DOG,
YOU DROP A HOT DOG.
299
00:10:36,600 --> 00:10:37,667
THE PUBLIC JUST WASN'T READY
300
00:10:37,700 --> 00:10:39,900
FOR THE GERM-FREE
HOT DOG EXPERIENCE,
301
00:10:39,933 --> 00:10:42,500
SO I LAID THE CONCEPT
TO REST.
302
00:10:42,533 --> 00:10:45,133
NEXT, I HAD AN IDEA
FOR A TEARLESS WAY
303
00:10:45,167 --> 00:10:47,700
TO TELL A CHILD
THAT THEIR PET HAS DIED,
304
00:10:47,733 --> 00:10:49,800
TO BE AN UP-SELL SERVICE
FOR AN ANIMAL HOSPITAL.
305
00:10:49,833 --> 00:10:51,400
THE CONCEPT WAS
TO MAKE A VIDEO
306
00:10:51,433 --> 00:10:53,200
OF THE PET
WHILE IT'S STILL ALIVE,
307
00:10:53,233 --> 00:10:55,533
TELLING THE CHILD
IT'S IN ANIMAL HEAVEN NOW.
308
00:10:55,567 --> 00:10:57,833
I HIRED THE ONLY VOICE ACTOR
THAT RESPONDED
309
00:10:57,867 --> 00:10:59,833
TO MY CRAIGSLIST AD
TO BE THE DOG.
310
00:10:59,867 --> 00:11:01,467
BUT WHEN WE SHOWED IT
TO THE OWNER'S CHILD...
311
00:11:01,500 --> 00:11:03,733
[gentle harp music]
312
00:11:03,767 --> 00:11:05,567
- [foreign accent]
OH, IT'S ME, MADI.
313
00:11:05,600 --> 00:11:08,067
I'M IN HEAVEN NOW.
314
00:11:08,100 --> 00:11:09,467
SO SORRY I DIED.
315
00:11:09,500 --> 00:11:11,067
I MISS YOU SO MUCH.
316
00:11:11,067 --> 00:11:13,967
I'M HAPPY HERE,
SO I'M NOT COMING HOME.
317
00:11:18,433 --> 00:11:20,067
- NO, SHE DOESN'T.
- NO.
318
00:11:20,067 --> 00:11:21,100
- WHAT--AW.
319
00:11:21,133 --> 00:11:22,833
IT'S OKAY.
320
00:11:22,867 --> 00:11:24,400
- HE HATED HIS DOG'S VOICE.
321
00:11:24,433 --> 00:11:26,933
ANOTHER FLUBBED IDEA.
322
00:11:26,967 --> 00:11:28,400
AND LASTLY,
MY FAVORITE IDEAS
323
00:11:28,433 --> 00:11:30,300
DON'T JUST HELP
WITH BUSINESS.
324
00:11:30,333 --> 00:11:32,067
THEY'RE GOOD FOR THE COMMUNITY
AS WELL.
325
00:11:32,067 --> 00:11:33,867
SO I APPROACHED A BAR
WITH AN INNOVATIVE WAY
326
00:11:33,900 --> 00:11:36,133
TO STOP DRUNKS FROM GETTING
BEHIND THE WHEEL.
327
00:11:36,167 --> 00:11:38,267
THE CONCEPT WAS TO HAVE
A STREET MAGICIAN
328
00:11:38,300 --> 00:11:39,900
STATIONED OUTSIDE THE BAR,
329
00:11:39,933 --> 00:11:41,667
PERFORMING A MAGIC TRICK
THAT ALLOWS HIM
330
00:11:41,700 --> 00:11:43,767
TO SECRETLY TEST
THE BLOOD ALCOHOL LEVELS
331
00:11:43,800 --> 00:11:45,900
OF PATRONS AS THEY LEAVE.
332
00:11:45,933 --> 00:11:48,300
AND WITH MY BACKGROUND IN MAGIC,
I OFFERED TO TEST IT OUT.
333
00:11:48,333 --> 00:11:51,133
FOR MY FINAL TRICK,
I'M GOING TO NEED YOUR KEYS.
334
00:11:51,167 --> 00:11:53,333
- MY KEYS?
- YES.
335
00:11:53,367 --> 00:11:57,333
GREAT.
GIVE THE WAND A BLOW.
336
00:11:57,367 --> 00:12:00,433
OKAY, A LITTLE BIT HARDER,
RIGHT INTO THE TOP.
337
00:12:03,867 --> 00:12:06,567
OKAY, AND YOU ARE OVER
THE LEGAL LIMIT.
338
00:12:06,600 --> 00:12:07,733
- OKAY.
- BLOOD ALCOHOL.
339
00:12:07,767 --> 00:12:09,667
SO YOUR KEYS ARE GONE.
- OH!
340
00:12:09,700 --> 00:12:11,267
- AND I CANNOT GIVE THEM
BACK TO YOU.
341
00:12:11,300 --> 00:12:14,067
- OKAY.
- SORRY.
342
00:12:14,100 --> 00:12:16,533
BUT THAT'S WHEN I REALIZED
THE FLAW IN MY IDEA.
343
00:12:16,567 --> 00:12:18,667
IF I HELD ON TO HIS KEYS
AND HE TOOK A CAB,
344
00:12:18,700 --> 00:12:20,800
THE GUY COULDN'T GET
INTO HIS APARTMENT.
345
00:12:20,833 --> 00:12:21,967
- COULD I GET MY KEYS,
PLEASE?
346
00:12:22,067 --> 00:12:23,500
- I CAN'T,
BECAUSE YOU'RE DRUNK.
347
00:12:23,533 --> 00:12:24,667
- PLEASE GIVE ME MY KEYS.
348
00:12:24,700 --> 00:12:26,667
- AND THE ONLY SOLUTION
AT THAT POINT
349
00:12:26,700 --> 00:12:27,833
WAS TO DRIVE HIM HOME.
350
00:12:27,867 --> 00:12:29,233
YOU LIVE FAR.
351
00:12:29,267 --> 00:12:31,133
- I KNOW I DO.
352
00:12:31,167 --> 00:12:32,633
- ALSO, ONCE I GOT HIM HOME,
353
00:12:32,667 --> 00:12:34,667
I REALIZED I COULDN'T JUST
GIVE HIM HIS KEYS
354
00:12:34,700 --> 00:12:36,433
UNTIL HE WAS ASLEEP,
OR ELSE HE MIGHT GO OUT
355
00:12:36,467 --> 00:12:37,500
AND DRIVE AGAIN.
356
00:12:37,533 --> 00:12:39,067
- YOU NEED
TO SEE ME SLEEPING?
357
00:12:39,067 --> 00:12:41,467
- I NEED TO SEE YOU FALL ASLEEP
BEFORE I LEAVE YOUR KEYS,
358
00:12:41,500 --> 00:12:45,367
OR ELSE YOU MIGHT TAKE THEM
AND GO OUT AGAIN.
359
00:12:45,400 --> 00:12:47,133
YOU DON'T BRUSH YOUR TEETH
BEFORE BED?
360
00:12:47,167 --> 00:12:48,133
- USUALLY NOT.
361
00:12:48,167 --> 00:12:49,300
I USUALLY BRUSH MY TEETH
IN THE MORNING.
362
00:12:49,333 --> 00:12:50,967
- REALLY?
- YEP.
363
00:12:51,067 --> 00:12:52,567
I KNOW IT'S KIND OF GROSS,
364
00:12:52,600 --> 00:12:54,533
BUT NOBODY ELSE
IS REALLY PAYING ATTENTION
365
00:12:54,567 --> 00:12:56,067
TO THE WAY MY BREATH SMELLS.
366
00:12:56,067 --> 00:12:57,800
- SO I HAD TO PUT HIM TO BED
AND MAKE SURE
367
00:12:57,833 --> 00:12:59,067
HE WENT TO SLEEP...
368
00:12:59,067 --> 00:13:03,067
* AND IF THAT LOOKING GLASS
GETS BROKE *
369
00:13:03,067 --> 00:13:06,300
* MAMA'S GONNA GET YOU
A BILLY GOAT *
370
00:13:06,333 --> 00:13:08,867
BEFORE I LEFT HIS KEYS.
371
00:13:08,900 --> 00:13:10,233
SO, AS YOU CAN SEE,
372
00:13:10,267 --> 00:13:12,600
EVEN THE GREATEST MINDS
FAIL SOMETIMES.
373
00:13:12,633 --> 00:13:13,933
- OHH!
374
00:13:13,967 --> 00:13:17,233
- BUT FAILING TONIGHT
IS NOT AN OPTION.
375
00:13:17,267 --> 00:13:18,633
BESIDES THE RISK TO ME,
376
00:13:18,667 --> 00:13:20,233
THERE ARE
TEN INNOCENT CHILDREN
377
00:13:20,267 --> 00:13:22,067
PARTICIPATING
IN TONIGHT'S EVENT,
378
00:13:22,067 --> 00:13:24,067
AND I DON'T TAKE THAT LIGHTLY.
379
00:13:24,100 --> 00:13:25,900
SO EARLIER TODAY,
I SPOKE WITH THEIR PARENTS
380
00:13:25,933 --> 00:13:28,133
TO ASSURE THEM THEY HAD
NOTHING TO WORRY ABOUT.
381
00:13:28,167 --> 00:13:29,867
HEY, GUYS.
HOW'S EVERYONE DOING?
382
00:13:29,900 --> 00:13:31,267
- GREAT, THANK YOU.
- GREAT.
383
00:13:31,300 --> 00:13:32,633
- GOOD.
384
00:13:32,667 --> 00:13:34,333
SO, BEFORE WE BEGIN,
I JUST WANTED TO GIVE YOU
385
00:13:34,367 --> 00:13:35,600
SOME ASSURANCE.
386
00:13:35,633 --> 00:13:37,767
UH, WE'RE GONNA BE BLURRING
ALL YOUR FACES,
387
00:13:37,800 --> 00:13:38,967
SO YOU DON'T HAVE TO WORRY
388
00:13:39,067 --> 00:13:41,867
ABOUT, YOU KNOW,
COWORKERS BEING LIKE,
389
00:13:41,900 --> 00:13:44,567
"WHY DID YOU LET YOUR KID
DO THAT FOR $100?"
390
00:13:44,600 --> 00:13:46,867
YOU KNOW,
OR QUESTIONS LIKE THAT
391
00:13:46,900 --> 00:13:48,633
FROM, YOU KNOW,
THE COMMUNITY OR ANYTHING.
392
00:13:48,667 --> 00:13:51,067
YOU DON'T HAVE TO WORRY
ABOUT THAT.
393
00:13:51,067 --> 00:13:54,467
OKAY, GREAT.
WISH ME LUCK.
394
00:13:54,500 --> 00:13:56,200
OKAY.
395
00:13:56,233 --> 00:13:59,367
SO I NOW HAVE ON
THE CUSTOM-MADE PANTS
396
00:13:59,400 --> 00:14:01,500
THAT THE ROBOT
WILL BE REMOVING.
397
00:14:01,533 --> 00:14:04,067
UM, YOU KNOW,
WE'RE GONNA GIVE THESE KIDS
398
00:14:04,100 --> 00:14:05,967
A BIT OF A BATHROOM BREAK
BEFORE I BEGIN,
399
00:14:06,067 --> 00:14:09,600
BUT WHEN WE RETURN,
IT WILL BE THE ESCAPE.
400
00:14:09,633 --> 00:14:11,633
[dramatic music]
401
00:14:15,600 --> 00:14:17,967
- ALL RIGHT,
SO WE'RE ABOUT READY TO BEGIN.
402
00:14:18,067 --> 00:14:20,433
EVERYONE HAS BEEN CLEARED
OUT OF THE ESCAPE AREA
403
00:14:20,467 --> 00:14:22,200
BESIDES THE NECESSARY PEOPLE.
404
00:14:22,233 --> 00:14:24,967
OFFICER BILLY SMALLING
IS HERE,
405
00:14:25,067 --> 00:14:26,067
OBVIOUSLY THE CHILDREN,
406
00:14:26,100 --> 00:14:28,233
AND JUDGE ANTHONY FILOSA
407
00:14:28,267 --> 00:14:31,467
TO DO SOME FINAL CHECKS.
408
00:14:31,500 --> 00:14:33,233
I'M NOW GOING TO HAND OVER
THE REINS
409
00:14:33,267 --> 00:14:36,067
TO MATT "MONEY" SMITH,
NATIONAL SPORTSCASTER,
410
00:14:36,067 --> 00:14:37,133
WHO'LL BE CALLING
THE EVENT.
411
00:14:37,167 --> 00:14:38,667
MATT, THANKS FOR DOING THIS.
412
00:14:38,700 --> 00:14:40,733
- WELL, THANKS FOR HAVING ME,
NATHAN.
413
00:14:40,767 --> 00:14:41,900
- AND DO YOU HAVE ANY QUESTIONS
FOR ME?
414
00:14:41,933 --> 00:14:42,900
- WELL, I THINK
THE OBVIOUS ONE IS,
415
00:14:42,933 --> 00:14:45,467
WHY ARE YOU DOING THIS?
416
00:14:45,500 --> 00:14:47,800
- YOU KNOW, FOR--
FOR THE SHOW AND STUFF.
417
00:14:47,833 --> 00:14:49,067
- YEAH.
418
00:14:49,067 --> 00:14:50,833
WELL, I-I JUST GET THE SENSE
THAT PERHAPS--
419
00:14:50,867 --> 00:14:52,833
I MEAN, YOU KNOW
THIS IS CONTROVERSIAL, RIGHT?
420
00:14:52,867 --> 00:14:55,167
- YEAH, YEAH.
YEAH.
421
00:14:55,200 --> 00:14:56,333
- OKAY. GOOD LUCK.
- ALL RIGHT.
422
00:14:56,367 --> 00:14:57,800
- ALL RIGHT.
- THANKS, MATT.
423
00:14:57,833 --> 00:15:00,433
- AND WITH THAT, THE ESCAPE
IS JUST MOMENTS AWAY,
424
00:15:00,467 --> 00:15:03,800
SO LET'S LEARN A LITTLE MORE
ABOUT NATHAN FIELDER.
425
00:15:03,833 --> 00:15:05,867
[upbeat folk music]
NATHAN WAS BORN IN 1983,
426
00:15:05,900 --> 00:15:08,067
THE ONLY SON OF TWO
CANADIAN CIVIL SERVANTS,
427
00:15:08,100 --> 00:15:09,967
ERIC AND DEBORAH.
428
00:15:10,067 --> 00:15:11,867
*
429
00:15:11,900 --> 00:15:13,633
WHICH BRINGS US TO TONIGHT.
430
00:15:13,667 --> 00:15:15,733
AND WE ARE MINUTES AWAY
FROM THE BIG ESCAPE,
431
00:15:15,767 --> 00:15:17,867
AND RIGHT NOW, IT LOOKS LIKE
NATHAN IS HAVING
432
00:15:17,900 --> 00:15:21,700
SOME FINAL WORDS
WITH THE HONORABLE JUDGE FILOSA,
433
00:15:21,733 --> 00:15:23,067
SO LET'S LISTEN IN.
434
00:15:23,067 --> 00:15:25,533
- SO DOES EVERYTHING LOOK GOOD
IN TERMS OF THE SETUP
435
00:15:25,567 --> 00:15:29,267
FOR AN INDECENT EXPOSURE
CONVICTION IF I--
436
00:15:29,300 --> 00:15:32,733
IF I FAIL TONIGHT
TO ESCAPE?
437
00:15:32,767 --> 00:15:35,067
- UH, APPARENTLY IT DOES.
438
00:15:35,067 --> 00:15:36,133
UM--
439
00:15:36,167 --> 00:15:37,400
- GOOD.
THAT'S ALL I NEEDED TO KNOW.
440
00:15:37,433 --> 00:15:39,367
THANK YOU.
AND, OFFICER SMALLING...
441
00:15:39,400 --> 00:15:42,300
- AND NOW NATHAN'S STEPPING OVER
TO OFFICER SMALLING,
442
00:15:42,333 --> 00:15:45,533
AND HE IS GOING TO GO AHEAD
AND INSPECT THOSE HANDCUFFS
443
00:15:45,567 --> 00:15:47,833
AND MAKE SURE
THEY ARE UP TO STANDARD.
444
00:15:47,867 --> 00:15:49,633
- DOUBLE-LOCKED...
[clears throat]
445
00:15:49,667 --> 00:15:51,067
SMITH & WESSON
POLICE HANDCUFFS,
446
00:15:51,067 --> 00:15:53,167
JUST LIKE WE WERE ISSUED
IN THE POLICE ACADEMY.
447
00:15:53,200 --> 00:15:55,567
- OKAY, GREAT,
AND HERE IS THE KEY.
448
00:15:55,600 --> 00:15:56,767
- WELL, EVERYTHING SEEMS
TO BE IN ORDER,
449
00:15:56,800 --> 00:15:59,733
AND NOW NATHAN IS STEPPING OVER
TO A LAPTOP,
450
00:15:59,767 --> 00:16:02,633
WHERE HIS MOM AND DAD
ARE STANDING BY VIA SKYPE.
451
00:16:02,667 --> 00:16:04,800
AND THEY DON'T KNOW
WHAT NATHAN HAS PLANNED TONIGHT.
452
00:16:04,833 --> 00:16:06,300
- HI, GUYS.
- BUT HE WANTED
453
00:16:06,333 --> 00:16:08,567
TO HEAR THEIR VOICES
BEFORE STEPPING TO THE STAGE.
454
00:16:08,600 --> 00:16:10,067
- I DON'T KNOW
IF YOU CAN HEAR ME,
455
00:16:10,100 --> 00:16:13,700
BUT, UH, I'M ABOUT TO DO
SOMETHING VERY RISKY,
456
00:16:13,733 --> 00:16:17,467
UM, SO THE NEXT TIME
I TALK TO YOU
457
00:16:17,500 --> 00:16:20,667
MIGHT BE BEHIND
BULLETPROOF GLASS.
458
00:16:22,667 --> 00:16:25,467
- OH, WOW.
- WHY?
459
00:16:25,500 --> 00:16:26,967
- I CAN'T REALLY GET
INTO IT RIGHT NOW.
460
00:16:27,067 --> 00:16:28,433
I DON'T HAVE TIME.
BUT I JUST WANT TO SAY
461
00:16:28,467 --> 00:16:31,067
THAT I LOVE YOU GUYS.
462
00:16:31,100 --> 00:16:34,067
AND, YOU KNOW,
WISH ME LUCK, OKAY?
463
00:16:34,100 --> 00:16:35,800
- WELL, NATHAN, WHAT ARE YOU--
WHAT ARE YOU--
464
00:16:35,833 --> 00:16:37,200
- WHAT'S GOING ON?
465
00:16:37,233 --> 00:16:40,300
- YOU GUYS?
CAN YOU HEAR ME?
466
00:16:40,333 --> 00:16:41,767
HELLO?
467
00:16:41,800 --> 00:16:43,067
- WELL, APPARENTLY A LACK
468
00:16:43,100 --> 00:16:44,367
OF AN INTERNET CONNECTION
UP HERE.
469
00:16:44,400 --> 00:16:46,400
DON'T KNOW WHETHER OR NOT
THEY HEARD THAT MESSAGE.
470
00:16:46,433 --> 00:16:48,300
BUT HEARTFELT, NONETHELESS.
471
00:16:48,333 --> 00:16:50,500
[tense music]
472
00:16:50,533 --> 00:16:52,667
AND IT'S TIME NOW
FOR NATHAN
473
00:16:52,700 --> 00:16:54,900
TO MAKE HIS WAY
TO THE STAGE.
474
00:16:54,933 --> 00:16:56,333
YOU KNOW, YOU WONDER
WHAT'S GOING ON
475
00:16:56,367 --> 00:16:58,767
IN NATHAN'S MIND RIGHT NOW
AND IF ANY AMOUNT
476
00:16:58,800 --> 00:17:00,167
OF PREPARATION IS ENOUGH...
477
00:17:00,200 --> 00:17:01,367
- ALL RIGHT.
- FOR THE PRESSURE
478
00:17:01,400 --> 00:17:03,333
THAT HE'S FACING
HERE TONIGHT.
479
00:17:03,367 --> 00:17:05,167
NATHAN NOW MAKING HIS WAY
INTO POSITION.
480
00:17:05,200 --> 00:17:07,567
YOU CAN SEE OFFICER SMALLING
LOCKING HIM
481
00:17:07,600 --> 00:17:11,267
INTO THAT LOOP,
AND THAT IS A SOLID STEEL FRAME.
482
00:17:11,300 --> 00:17:12,300
- PUT THIS AROUND MY WRIST.
483
00:17:12,333 --> 00:17:14,633
- CERTAINLY AN ADORABLE
GROUP OF KIDS
484
00:17:14,667 --> 00:17:16,167
BROUGHT IN TONIGHT.
485
00:17:16,200 --> 00:17:17,400
CERTAINLY HOPE THE NIGHT
DOESN'T END
486
00:17:17,433 --> 00:17:21,267
WITH THEM SEEING A MAN
EXPOSE HIMSELF TO THEM.
487
00:17:21,300 --> 00:17:22,533
WELL, NOW THAT NATHAN'S
LOCKED IN,
488
00:17:22,567 --> 00:17:24,600
THE CREW GONNA DO
ONE LAST LOOK-OVER,
489
00:17:24,633 --> 00:17:26,333
SO WE'LL STEP AWAY
FOR A COMMERCIAL,
490
00:17:26,367 --> 00:17:29,267
AND WHEN WE RETURN,
THE ESCAPE.
491
00:17:29,300 --> 00:17:31,400
[dramatic music]
492
00:17:33,900 --> 00:17:37,500
[dramatic music]
493
00:17:37,533 --> 00:17:38,767
- ALL RIGHT, WE'RE BACK,
AND THIS IS IT.
494
00:17:38,800 --> 00:17:40,133
THE STAGE IS SET.
495
00:17:40,167 --> 00:17:42,433
NATHAN HAS 90 SECONDS
TO FREE HIMSELF
496
00:17:42,467 --> 00:17:43,900
FROM THOSE CUFFS
AND HIT THAT RED BUTTON
497
00:17:43,933 --> 00:17:45,333
TO HIS RIGHT.
498
00:17:45,367 --> 00:17:46,533
THE BUTTON IS A KILL SWITCH.
499
00:17:46,567 --> 00:17:48,433
IT IS THE ONLY THING
THAT CAN STOP
500
00:17:48,467 --> 00:17:50,200
THE PROGRAMMED MOTION
OF THE ROBOT
501
00:17:50,233 --> 00:17:54,067
FROM TAKING OFF NATHAN'S PANTS
IN FRONT OF THESE KIDS.
502
00:17:54,067 --> 00:17:55,933
AND NOW HE WILL
DELIVER THE LINE
503
00:17:55,967 --> 00:17:59,367
GIVEN TO HIM
BY JUDGE FILOSA.
504
00:17:59,400 --> 00:18:01,467
- SOMETHING MIGHT HAPPEN HERE,
505
00:18:01,500 --> 00:18:04,300
AND IF IT DOES,
SO WHAT?
506
00:18:04,333 --> 00:18:05,300
- AND WITH THAT,
507
00:18:05,333 --> 00:18:06,733
HE HAS ESTABLISHED
WILLFUL INTENT.
508
00:18:06,767 --> 00:18:09,400
SO IF HE
EXPOSES HIMSELF TONIGHT,
509
00:18:09,433 --> 00:18:10,933
IN THE EYES OF THE LAW,
510
00:18:10,967 --> 00:18:12,567
IT WILL NOT BE CONSIDERED
AN ACCIDENT.
511
00:18:12,600 --> 00:18:13,967
- READY!
512
00:18:14,067 --> 00:18:16,067
- GO!
513
00:18:16,100 --> 00:18:17,533
- AND WE
ARE UNDERWAY NOW.
514
00:18:17,567 --> 00:18:19,100
HMM, STRUGGLING.
LOOKED AS THOUGH HE--
515
00:18:19,133 --> 00:18:22,067
HE PULLED A PICK
STRAIGHT FROM HIS HAIR.
516
00:18:22,067 --> 00:18:25,067
NATHAN WORKING
ON THOSE HANDCUFFS.
517
00:18:25,067 --> 00:18:27,067
WE ARE
80 SECONDS AWAY
518
00:18:27,067 --> 00:18:29,233
FROM A LIFETIME
OF SCORN
519
00:18:29,267 --> 00:18:30,233
FOR NATHAN.
520
00:18:30,267 --> 00:18:32,067
[tense music]
521
00:18:32,100 --> 00:18:33,700
NOW THE ROBOT
GOING TO THAT--
522
00:18:33,733 --> 00:18:34,900
THAT FLY.
THE FLY IS DOWN.
523
00:18:34,933 --> 00:18:36,567
AND WHILE
HE'S WORKING
524
00:18:36,600 --> 00:18:38,400
ON THE HANDCUFFS,
THE ROBOT
525
00:18:38,433 --> 00:18:40,233
CONTINUES TO WORK
ON THE PANTS.
526
00:18:40,267 --> 00:18:42,133
*
527
00:18:42,167 --> 00:18:43,300
APPEARS AS THOUGH
HE'S TAUNTING.
528
00:18:43,333 --> 00:18:44,533
NO, HE'S GOING
FOR THAT LOOP.
529
00:18:44,567 --> 00:18:46,533
NOW HAS
THE BUTTON UNDONE.
530
00:18:46,567 --> 00:18:48,300
*
531
00:18:48,333 --> 00:18:49,767
AND THE KIDS
LAUGHING ALONG
532
00:18:49,800 --> 00:18:51,067
WITH THE ROBOT'S ANTICS.
533
00:18:51,067 --> 00:18:52,867
[robot whirring]
534
00:18:52,900 --> 00:18:56,533
NATHAN STRUGGLING
WITH THAT PICK.
535
00:18:56,567 --> 00:18:57,600
HE DROPPED THE PICK.
536
00:18:57,633 --> 00:19:00,567
*
537
00:19:00,600 --> 00:19:01,900
IT LOOKS LIKE IT'S CAUGHT
ON HIS CLOTHING,
538
00:19:01,933 --> 00:19:04,133
AND NOW HE'S TRYING
TO RETRIEVE IT,
539
00:19:04,167 --> 00:19:05,333
AND HE'S GOT IT.
540
00:19:05,367 --> 00:19:07,267
GOT IT WITH HIS--
WHAT A CLOSE CALL,
541
00:19:07,300 --> 00:19:09,067
AS HE RETRIEVES THE PICK
WITH HIS TONGUE.
542
00:19:09,067 --> 00:19:10,567
HAD THAT FALLEN
TO THE GROUND,
543
00:19:10,600 --> 00:19:13,167
IT WOULD HAVE BEEN
ALL OVER.
544
00:19:13,200 --> 00:19:14,933
NEXT IS GOING TO BE
THOSE LOOPS
545
00:19:14,967 --> 00:19:16,867
ON THE HIP.
546
00:19:16,900 --> 00:19:18,400
THIS IS GETTING
TIGHT HERE.
547
00:19:18,433 --> 00:19:20,500
THE ROBOT NOW HAS
BOTH PANT LEGS DOWN,
548
00:19:20,533 --> 00:19:21,867
IS ABOUT TO SECURE
549
00:19:21,900 --> 00:19:23,333
THE LOOP
ON THE UNDERPANTS,
550
00:19:23,367 --> 00:19:25,133
AND NATHAN'S STILL WORKING
ON THOSE CUFFS.
551
00:19:25,167 --> 00:19:26,300
WE ARE JUST
20 SECONDS AWAY.
552
00:19:26,333 --> 00:19:29,633
NATHAN WORKING
THOSE HANDCUFFS.
553
00:19:29,667 --> 00:19:31,533
AND NOW IT LOOKS AS THOUGH,
WITH THE PANTS DOWN,
554
00:19:31,567 --> 00:19:34,600
THE ROBOT GOING
FOR THAT UNDERWEAR LOOP.
555
00:19:34,633 --> 00:19:36,700
WE ARE NOW AT TEN SECONDS
AND COUNTING.
556
00:19:36,733 --> 00:19:38,700
*
557
00:19:38,733 --> 00:19:40,467
WE HAVE JUST
A COUPLE SECONDS LEFT.
558
00:19:40,500 --> 00:19:41,700
OH, NO, WE ARE SEEING
PUBIC HAIR.
559
00:19:41,733 --> 00:19:44,100
[buzzer]
BUT HE HAS ESCAPED.
560
00:19:44,133 --> 00:19:47,767
NATHAN FIELDER
HAS MANAGED TO ESCAPE
561
00:19:47,800 --> 00:19:50,633
AND SAVE HIMSELF
FROM A LIFETIME OF SHAME.
562
00:19:50,667 --> 00:19:52,567
THERE'S THE REPLAY.
563
00:19:52,600 --> 00:19:54,667
THE MOMENT WHERE HE WAS ABLE
TO PICK THE CUFFS,
564
00:19:54,700 --> 00:19:57,367
HIT THE BUTTON
JUST IN TIME.
565
00:19:57,400 --> 00:19:59,367
AND YOU CAN SEE THE RELIEF
ON HIS FACE.
566
00:19:59,400 --> 00:20:01,800
[triumphant music]
567
00:20:01,833 --> 00:20:02,833
WELL, THERE YOU SEE IT.
568
00:20:02,867 --> 00:20:04,100
HE TOOK ON GREAT RISK,
569
00:20:04,133 --> 00:20:06,867
AND NOW THIS,
HIS REWARD.
570
00:20:06,900 --> 00:20:08,800
CONGRATULATIONS
FROM THE JUDGE AND OFFICER.
571
00:20:08,833 --> 00:20:10,633
- GOOD JOB.
- THANK YOU.
572
00:20:10,667 --> 00:20:13,900
- UM, SO THE ROBOT
573
00:20:13,933 --> 00:20:16,333
PULLED HIS PANTS DOWN.
574
00:20:16,367 --> 00:20:17,533
BUT HE WON.
575
00:20:17,567 --> 00:20:18,667
[giggles]
SO--
576
00:20:18,700 --> 00:20:19,833
- IT WAS REALLY FUNNY.
577
00:20:19,867 --> 00:20:21,567
I REALLY WANTED HIS PANTS
TO FALL DOWN
578
00:20:21,600 --> 00:20:23,333
'CAUSE IT'S HILARIOUS.
579
00:20:23,367 --> 00:20:25,600
- I WOULD HAVE BEEN
SORT OF OFFENDED
580
00:20:25,633 --> 00:20:29,233
IF IT--IF HIS UNDERWEAR
FELL DOWN,
581
00:20:29,267 --> 00:20:31,000
BUT NOT THAT MUCH.
582
00:20:31,033 --> 00:20:33,733
- HE PRESSED THE BUTTON,
AND THEN IT DIDN'T FALL DOWN.
583
00:20:33,767 --> 00:20:35,867
I WAS LIKE, "YES!"
584
00:20:35,900 --> 00:20:37,167
I WAS LIKE, "HALLELUJAH."
585
00:20:37,200 --> 00:20:41,533
*
586
00:20:41,567 --> 00:20:44,433
- OKAY, BEFORE YOU GUYS--
BEFORE YOU GUYS LEAVE,
587
00:20:44,467 --> 00:20:48,167
REMEMBER TO ALWAYS TAKE
BIG RISKS
588
00:20:48,200 --> 00:20:49,800
AND BELIEVE IN YOURSELF
589
00:20:49,833 --> 00:20:54,433
AND FOLLOW YOUR DREAMS,
JUST LIKE I DID.
590
00:20:54,467 --> 00:20:55,900
I DRE--WELL, YEAH, I DID.
591
00:20:55,933 --> 00:20:57,100
IT WAS--
IT WAS A DREAM OF--
592
00:20:57,133 --> 00:21:01,800
[all laughing,
chattering at once]
593
00:21:01,833 --> 00:21:03,867
YOU KIND OF TALKED
OVER MY SPEECH.
594
00:21:03,900 --> 00:21:05,433
OKAY. FINE.
- LET'S GO. LET'S GO.
595
00:21:12,900 --> 00:21:15,133
- I MADE SO MANY
NEW FRIENDS UP THERE.
596
00:21:15,167 --> 00:21:17,933
HOWEVER, I THINK ABOUT YOU
ALL THE TIME.
597
00:21:17,967 --> 00:21:20,767
GOOD-BYE.
I LOVE YOU.
598
00:21:20,800 --> 00:21:23,700
I WISH I COULD DO MORE
FOR YOU.
43994
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