Original subtitles

(crickets chirping)

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(dog barking)

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(speaking in foreign language)

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(car horn honking)

(birds chirping)

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(horse neighing)

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(speaking in foreign language)

- There he is, this is him.

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(singing in foreign language)

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(audience applauding)

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(door slams)

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(grunting)

(screaming)

(crashing)

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(baby crying)

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(baby crying)

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(speaking in foreign language)

(baby crying)

(speaking in foreign language)

- I bet you don't know what happened.

(speaking in foreign language)

A few guys from over on Ninth Street grabbed Fonucci.

They cut his throat from ear to ear.

(speaking in foreign language)

They make him look bad, you know?

(speaking in foreign language)

(footsteps)

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- How can you kill a man like Fonucci?

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(speaking in foreign language)

(gentle music)

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(footsteps)

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(footsteps)

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(birds chirping)

(door opening)

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(speaking in foreign language)

(laughing)

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(door closing)

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(footsteps)

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(door closing)

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(door closing)

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(door opening)

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(birds chirping)

(people chattering)

(speaking in foreign language)

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(speaking in foreign language)

- You put in so many hours of hard work, and for what?

You're just like my father.

That poor man used to work over 12 hours a day in a subway.

And in the end, he never even got to take a ride.

(speaking in foreign language)

(speaking in foreign language)

(gentle music)

(sipping)

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(sipping)

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(buzzer buzzing)

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(door slams)

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(door slams)

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(metal clanging)

(knocking)

(speaking in foreign language)

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(metal clanging)

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(footsteps)

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(train rumbling)

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(train rumbling)

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(speaking in foreign language)

(baby crying)

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(baby crying)

(footsteps)

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(gunshots)

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- Hey Garmin, come here, go to get your flute.

(footsteps)

(footsteps)

(footsteps)

(footsteps)

(footsteps)

(footsteps)

- Hey, play something for my friends.

- Okay.

- This song, a canzuna that I like.

What's it called?

- A canzuna, (speaking in foreign language)

(flute music)

(flute music)

(flute music)

(flute music)

(flute music)

(flute music)

(footsteps)

(flute music)

(speaking in foreign language)

- I got these dresses here for $5 a piece.

You'd have to pay at least $15 or $20 for them in any one of the stores.

(speaking in foreign language)

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(car horn honking)

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(upbeat music)

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(speaking in foreign language)

- Tito, here's my $50, one for two.

(upbeat music)

(speaking in foreign language)

- He's gonna die.

I'm making off, he don't refuse.

Don't worry.

(upbeat music)

(upbeat music)

(upbeat music)

(speaking in foreign language)

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(speaking in foreign language)

(speaking in foreign language)

(laughing)

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(laughing)

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(upbeat music)

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(applauding)

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(cheering)

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(speaking in foreign language)

(singing in foreign language)

(gun firing)

(soft music)

(speaking in foreign language)

(soft music)

(speaking in foreign language)

(soft music)

(speaking in foreign language)

She wants to talk to you.

(soft music)

(speaking in foreign language)

The senora wants to ask you a favor.

(speaking in foreign language)

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(train rumbling)

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(upbeat music)

(train rumbling)

(speaking in foreign language)

- Vito, that landlord's here.

Roberto, the one who owns the Redhalls.

(upbeat music)

Been asking all around the neighborhood about you.

(upbeat music)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

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(speaking in foreign language)

The rent stays like before.

(speaking in foreign language)

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(speaking in foreign language)

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- I just found this kid here on the street in this real group of cars.

He looked at the truck and he says he thinks he can fix it.

(speaking in foreign language)

- Hey, what's your name?

- Suchowski, Hyman Suchowski.

- Yeah, but we're gonna dump that.

I call him Johnny Lips.

- Well, we give him a better name.

Who's the greatest man to you in the whole world?

- Hey, come on, Hyman, answer Mr. Corleone when he talks.

Yeah, who is it?

Is it Columbus, Marconi, Garibaldi?

- Arnold Rothstein.

- Arnold Rothstein.

- Rothstein, I like that.

Hello, and we call you Hyman Rothstein.

(speaking in foreign language)

(dramatic music)

- Hey, what do you think?

God bless America.

We're gonna make a big business.

(screaming)

(speaking in foreign language)

(dramatic music)

(explosion)

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(speaking in foreign language)

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(speaking in foreign language)

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(sirens blaring)

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(explosion)

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(speaking in foreign language)

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- Give this to Gretchen.

(speaking in foreign language)

- Hey, son, what are you doing?

You're on fire.

(dramatic music)

(dramatic music)

(snoring)

(snoring)

(speaking in foreign language)

(screaming)

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(sirens blaring)

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(laughing)

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(sirens blaring)

(snoring)

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(birds chirping)

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(thudding)

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(birds chirping)

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(gun firing)

(engine rumbling)

(speaking in foreign language)

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(grunting)

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(engine rumbling)

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(speaking in foreign language)

(speaking in foreign language)

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- Michael, say goodbye.

(dramatic music)

(dramatic music)

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(birds cawing)

- I believe in America.

America has made my fortune.

And I raised my daughter in American fashion.

I gave her freedom, but I taught her never to dishonor her family.

She found a boyfriend, not an Italian.

She went to the movies with him.

She stayed out late.

I didn't protest.

Two months ago, he took her for a drive with another boyfriend.

They made her drink whiskey.

And then they tried to take advantage of her.

She resisted.

She kept her honor.

So they beat her like an animal.

When I went to the hospital, her nose was broken.

Her jaw was shattered, held together by wire.

She couldn't even weep because of the pain.

But I wept.

Why did I weep?

She was the life of my life.

Beautiful girl.

Now she will never be beautiful again.

- Sorry.

- I went to the police like a good American.

These two boys were brought to trial.

The judge sentenced them to three years in prison and suspended the sentence.

Suspended the sentence.

They went free that very day.

I stood in the courtroom like a fool.

And those two bastards, they smiled at me.

Then I said to my wife for justice.

We must go to Don Corleone.

- Why didn't you go to the police?

Why didn't you come to me first?

- What do you want from me?

Tell me anything.

But do what I beg you to do.

- What is that?

(door opens)

Don't I come up, though?

- I'll give you anything you ask.

- We've known each other many years, but this is the

first time you ever came to me for counsel, for help.

I can't remember the last time that you invited me to your house for a cup of coffee.

Even though my wife is godmother to your only child.

But let's be frank here.

You never wanted my friendship.

And you were afraid to be in my debt.

- I didn't want to get into trouble.

- I understand.

You found paradise in America.

Had a good trade, made a good living.

Police protected you and there were courts of law.

You didn't need a friend like me.

But now you come to me and you say,

"Don Corleone, give me justice.

" But you don't ask with respect.

You don't offer friendship.

You don't even think to call me godfather.

Instead you come into my house on the day my daughter's

to be married and you ask me to do murder for money.

- I ask you for justice.

- That is not justice.

Your daughter is still alive.

- You're going to suffer then.

- If she suffers, how much shall I pay you?

- Buenos Aires.

Buenos Aires.

Whatever I have done to make you treat me so disrespectfully.

If you'd come to me in friendship, then the scum that

ruined your daughter would be suffering this very day.

And if by chance an honest man like yourself

should make enemies, then he would become my enemies.

And then they would fear you.

- Be my friend?

- Yes.

- Godfather.

- Good.

Someday, and that day may never come, I'll call upon you to do a service for me.

But until that day, accept this justice as a gift on my daughter's wedding day.

- Gracias.

- Gracias, my love.

- Venga.

- Give this to Clemenza.

I want reliable people, people that aren't going to be carried away.

I mean, we're not murdering, in spite of what this undertaker says.

- What?

- Did you pay attention?

- Of course, Dad, what are you?

- Where's Michael?

- Don't worry, he's over here.

- We're not taking a picture without Michael.

I thought you'd be happy to do that.

- What's the matter?

- Where's Michael?

(upbeat music)

(crowd cheering)

(crowd cheering)

(crowd cheering)

(crowd cheering)

(crowd cheering)

(speaking in foreign language)

(upbeat music)

(crowd cheering)

- Hey, Paulie, let me have some wine.

Paulie, more wine.

- Music, please.

- Ah, you look terrific on the floor.

- Party with dance judges, son?

(speaking in foreign language)

Take a walk around the neighborhood, do your job.

(upbeat music)

(crowd cheering)

- Hey, son, come on, do me a fair watch, just don't let 'em run wild, all right?

- Well, you watch yourself, all right?

(upbeat music)

(speaking in foreign language)

(upbeat music) - 20, 30 grand.

And small bills, cash.

In that little silk purse.

- Marrone, if this was somebody else's wedding, (speaking in foreign language)

- Hey, Paulie, I got two gabagool.

Gabagool.

- Ah, take your silk.

- Stupid jerk.

(upbeat music)

- Hey, what's the matter?

- I have to go back to work.

- Oh, Tom.

- It's part of the wedding.

No Sicilian can refuse any request on his daughter's wedding day.

(upbeat music)

(speaking in foreign language)

- I am honored and grateful that you have invited me to your home.

- Hey, get out of here.

It's a private party, go on.

What is it?

- Hey, it's my sister's wedding.

(birds chirping)

- God damn FBI, I don't respect nothing.

(upbeat music)

- Come here, come here, come here, come here.

Come here, come here.

(upbeat music)

- He was captured by the American army.

Then he was sent to New Jersey.

He was a prisoner of war.

But towards the end, he was paroled to help with the American war effort.

So over the last six months, he's been working at my pastry shop.

- Azarin, my friend, what can I do for you?

- Not that the war is over.

This boy Enzo, they want to repatriate him back to Italy.

Godfather, I have a daughter.

She and Enzo.

- You want Enzo to stay in this country and you want your daughter to be married?

You understand everything.

- Thank you.

- Thank you.

- Mr. Hagan, thank you.

- Thanks.

- And wait till you see the beautiful wedding

cake I made for your daughter, oof, like this.

The bride and the groom with the angel in the head.

Very nice.

(gentle music)

- Who should I give this job to?

- Not to our peasant.

You look to a jail congressman in another district.

- Well, this is on the list.

(dramatic music)

(people chattering) - Mike.

(dramatic music)

- What do they look like?

- He's not on the list, but Luca Brasi wants to see you.

- Is this, is this necessary?

- He didn't expect to be invited to the wedding, so he wanted to thank you.

- Oh.

- Don Carlo, I am honored and grateful that you have

invited me to your home on the wedding day of your daughter.

And may that first child be a masculine child.

- Michael.

That man over there is talking to himself.

See that scary guy over there?

- He's a very scary guy.

- Well, who is he, what's his name?

- His name is Luca Brasi.

He helps my father out sometimes.

- Oh, Michael, wait a minute, he's coming over here.

- Michael, oh, hey.

Hey.

- Tom.

- You look terrific.

- My brother Tom Hagen, this is Kay Adams.

- How do you do?

- How do you do?

- Your father's been asking for you.

- Very nice to meet you.

- Nice to meet you.

- Okay, Tom.

- If he's your brother, why does he have a different name?

- Oh, when my brother Sonny was a kid,

he found Tom Hagen in the street and he had no home.

And so my father took him in.

And he's been with us ever since.

He's a good lawyer.

Not a Sicilian, but I think he's gonna be consigliere.

- What's that?

- That's like a counselor, an advisor.

Very important to the family.

You like your lasagna?

- Don Colleone.

I am honored and grateful that you have invited me to your daughter's wedding.

On the day of your daughter's wedding, and I hope that their first child

be a masculine child, I pledge my ever-ending loyalty.

for your daughter's bridal purse.

- Thank you, Lucas.

My most valued friend.

- Don Colleone, I'm gonna leave you now because I know you are busy.

- Thank you.

(upbeat music)

(audience applauding)

(upbeat music)

(upbeat music)

(upbeat music)

(audience applauding)

(upbeat music)

(upbeat music)

(upbeat music)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

(upbeat music)

- The senator called.

He apologized for not coming personally.

- But said you'd understand.

- Also some of the judges, they've all sent gifts.

(sirens blaring)

- What is that loud sound?

(sirens blaring)

- It's Johnny Fontaine, it's Johnny Fontaine.

Hey man, it's Johnny Fontaine.

(sirens blaring)

Johnny, Johnny, Johnny.

(audience applauding)

(audience applauding)

(audience applauding)

(audience applauding)

- He came all the way from California to come to the war.

I told you he was going to come.

- It's been two years, he's probably in trouble again.

- He's a good guy, son.

Johnny, Johnny, (speaking in foreign language) Sing a song.

(audience applauding)

(audience applauding)

(audience applauding)

(audience applauding)

(audience applauding)

- Michael, you never told me you knew Johnny Fontaine.

- Sure, you wanna meet him?

- Huh, oh, sure.

- My father helped him in his career.

- He did?

How?

♪ I haven't walked alone ♪

- Let's listen to the song.

- No, Michael.

♪ This heart I bring you ♪

♪ I have but one heart ♪

♪ To share with you ♪

♪ I have but one dream ♪

♪ That I can cling to ♪

♪ You are the one dream ♪

♪ I pray comes true ♪.

- Please, Michael, tell me.

♪ My darling until I saw you ♪

- Well, when Johnny was first starting out,

he was signed to this personal service contract with a big band leader.

♪ Nobody else ♪

And as his career got better and better, he wanted to get out of it.

♪ Never answered me ♪

Now, Johnny is my father's godson, and my father went to see this band leader,

and he offered him $10,000 to let Johnny go.

♪ I lie by my bed ♪

But the band leader said no.

♪ For you ♪

So the next day, my father went to see him, only this time with Luca Brazzi.

♪ I'm so afraid ♪

And within an hour, he signed a release ♪ It's seen ♪

For a certified check of $1,000.

♪ But still ♪

- How'd he do that?

- My father made him an offer he couldn't refuse.

♪ My darling ♪

- What was that?

- Luca Brazzi held a gun to his head,

and my father assured him that either his brains

or his signature would be on the contract.

♪ And see your head ♪

That's a true story.

♪ My father ♪

♪ Said ♪

♪ Stunga muri ♪

That's my family, kid.

It's not me.

(crowd cheering) - Get back!

(crowd cheering)

(crowd chattering)

- Pause the fight.

I'll take over.

Tom, what's it if I sent in?

Tell him to come to the office.

(crowd chattering)

- How are you, Fredo?

- Fredo?

My brother Fredo, this is Kay Adams.

- Hi.

- Hi.

- How are you doing?

- Hello.

- This is my brother Mike.

Are you having a good time?

- Yeah.

- Yeah, this is your friend, huh?

- I don't know what to do.

My voice is weak.

It's weak.

Anyway, if I had this part in the picture,

you know, it puts me right back up on top again.

But this, this man out there, he won't give it to me.

The head of the studio.

- What's his name?

- Waltz, Waltz.

He won't give it to me.

And he says there's no chance, no chance.

- Sonny?

Sonny?

(panting) Sonny?

Sonny, you in there?

- What?

- The old man wants to see you.

- Yeah, one minute.

- Oh, Sonny.

(singing in foreign language)

- A month ago, he bought the movie rights to this book, the best seller.

And the main character is a guy just like me.

I wouldn't even have to act, just be myself.

Oh, Godfather, I don't know what to do.

I don't know what to do.

- You can act like a man!

What's the matter with you?

Is this how you turn down a Hollywood Pinocchio that cries like a woman?

(sobbing)

- What can I do, what can I do?

What is that noise?

Ridiculous.

You spend time with your family?

- Sure I do.

- Good.

Because a man who doesn't spend time with his family can never be a real man.

Come here.

You look terrible.

I want you to eat.

I want you to rest well, and a month from now

this Hollywood big shot's gonna give you what you want.

- It's too late, they start shooting in a week.

- I'm gonna make him an offer he can't refuse.

Now just go outside, enjoy yourself, and forget about all this nonsense.

Listen, I want you to leave all to me.

- All right.

- Yeah?

- Yeah.

(upbeat music)

- What time does my daughter leave with the bridegroom?

- In a few minutes right after they cut the cake.

- Now your new son-in-law, will you give him something important?

- Never.

Give him a living, we've never discussed a family business before.

What else?

- Virgil Sollozzo called.

Now we're gonna have to give him a day sometime next week.

- We'll discuss him when you come back from California.

- When am I going to California?

- I want you to go tonight, I want you to talk to this

movie big shot and settle this business for Johnny.

Now if there's nothing else, I'd like to go to my daughter's wedding.

- The hospital called.

Conciliary Genco, he's not gonna last out the night.

- Santino, go tell your brothers that I want them to

come with me to visit Genco and pay their respects.

Tell Fede to drive the big car and ask Johnny to come.

- And pop Michael?

- All my sons.

- Carlo, we're gonna take the picture.

- Wait a minute.

- No, Michael, not me.

- Okay, just a little closer.

Okay, that's it, just like that now.

Hold it.

(audience applauding)

(orchestral music)

(audience applauding)

(orchestral music)

- Will your American girlfriend get back to the city all right?

- Tom said he'd take her in.

(children chattering)

(door opening)

- What are all these Christmas ribbons for?

- For bravery.

- What miracles you do for strangers.

Just a minute, Michael, I wanna talk to you.

What are your plans when you get out?

- Finish school.

- That's fine, I approve of that.

Michael, you never come to me as a son should.

You know that, don't you?

When you finish school, I want you to come and talk

to me because I have plans for you, understand?

- I see.

- Dr. Kennedy.

- Genco.

Genco.

I brought all my boys to pay their respects.

Even Johnny from Hollywood.

- Godfather, Godfather.

It is your daughter's wedding day.

You cannot refuse me.

Cure me, you have the power.

- Genco, I have no such power.

Don't be afraid of that.

- It has been arranged then?

- It was fate.

It was angels.

- But you need your old consigliere who will replace me.

Stay, stay with me, Godfather.

Help me to meet death.

If he sees you, he'll be frightened and leave me in peace.

You can say a word, pull a few strings, eh?

Stay with me, Godfather.

Don't betray me.

- I'm coming.

(wind howling)

(upbeat music)

(tires screeching)

(upbeat music)

(upbeat music)

(tires screeching)

(upbeat music)

(upbeat music)

(upbeat music)

(bell ringing)

- Unaccustomed as I am to public drinking, (laughing)

I mean speaking.

Janie, seriously, we took some time off from the picture

because we all want to wish you a happy birthday.

(cheering)

Now, Janie and everybody, we have a big surprise for you.

In order to show how much Welsk International thinks of you,

we have brought you a special birthday present.

(cheering)

- Isn't that nice?

(chattering)

- You need a little more heat out of that, Doc.

- All right, start talking.

- I was sent by a friend of Johnny Fontaine.

- Isn't he darling?

- His friend is Mike Klein.

He would give his undying friendship to Mr. Welsk.

If Mr. Welsk would grant us a small favor.

- Wasn't that nice of Mr.

Welsk to give you such a lovely present?

- Welsk is listening.

- Give Johnny the part in that new war film you're starting next week.

(chuckles)

- And, uh, what favor would your friend grant Mr. Welsk?

- You're gonna have some union problems.

My client could make them disappear.

Also, one of your top stars has just moved from marijuana to heroin.

- Are you trying to muscle me? - Absolutely not.

- Now, to me, you're a moot-talking son of a bitch.

Let me lay it on the line for you and your boss,

whoever he is, Johnny Fontaine will never get that movie.

I don't care how many Dago-Guinea-whop-greaseball-goombas come out of the woodwork.

- I'm German-Irish.

- Well, let me tell you something, my kraut Mick friend.

I'm gonna make so much trouble for you, you won't know what hit you.

- Mr. Welsk, I'm a lawyer. I have not threatened you.

- I know almost every big lawyer in New York.

Who the hell are you?

- I have a special practice. I handle one client.

Now, you have my number. I'll wait for your call.

By the way, I admire your pictures very much.

- Check 'em out.

- This is really nice.

- This is really beautiful.

- Well, look at this.

Used to decorate the palace of a king.

- Oh, yeah. Very nice.

- Why don't you say you work for Corleone, Tom?

I thought you were just some cheap, two-bit

hustler Johnny was running in, trying to bluff me.

- I don't like to use his name unless it's really necessary.

- How's your drink, Tom?

- Fine.

- Hey, come on over here with me.

I want to show you something really beautiful.

You do appreciate beauty, don't you?

- There you are. $600,000 on four hooks.

I'll bet Russian designers never paid that kind of dough for a single horse.

Cartoon.

Cartoon.

I'm not gonna erase 'em, though.

I'm gonna put 'em out the stud.

Thanks, Tony.

- You're welcome.

- Let's get something to eat, huh?

- Corleone.

Johnny's godfather.

To the Italian people, that's a very religious, sacred, close relationship.

I respect that.

- Just tell him he should ask me anything else.

But this is one favor I can't give him.

- He never asks a second favor when he's been refused the first.

Understood?

- You don't understand.

Johnny Fontaine never gets that movie.

That part is perfect for him.

It'll make him a big star.

I'm gonna run him out of the business.

And let me tell you why.

Johnny Fontaine Rune, one of Walt's International's most valuable protégés.

For five years, we had her under training.

Singing lessons, acting lessons, dancing lessons.

I spent hundreds of thousands of dollars on her.

I was gonna make her a big star.

And let me be even more frank.

Just to show you that I'm not a hard-hearted

man, that it's not all dollars and cents.

She was beautiful.

She was young.

She was innocent.

She was the greatest piece of ass I've ever had and I've had 'em all over the world.

And then Johnny Fontaine comes along with his olive oil voice and giddy charm.

And she runs off.

She'd throw it all away just to make me look ridiculous.

And a man in my position can't afford to be made to look ridiculous.

Now you get the hell out of here.

And if that goomba tries any rough stuff, you tell him I ain't no band leader.

Yeah, I heard that stuff.

Thank you for the dinner and a very pleasant evening.

Maybe your car could take me to the airport.

Mr. Corleone is a man who insists on hearing bad news immediately.

(footsteps)

What are you doing out here?

I told you never to go out of the room.

Come on.

I won't let you do this to me, little lady.

I'll try to do what I want.

You're not ready to keep your mind mind.

Try doing your breath.

Go ahead and do your breath.

Connie, what's wrong?

(grunting)

They're arguing again.

Connie and Carlo are constantly arguing.

Who would have found Layla?

I'm gonna talk to this brother of mine.

Sit down.

You never interfere between a man and a woman.

Sit down.

Your business is here with Tom and me.

All right.

Is this loss so tough?

Well, he'd risk a union slowdown.

He'd let that star actor be exposed as a junkie.

What I mean is, is he really tough?

Would he risk his honor for this, uh-- No, he's a Sicilian.

Forget about it.

And this little actress is child.

Is that true?

Yeah.

Then you find me out.

All right, send Luca Brasi to me.

I think we're gonna find a way to reason with this Mr. Jack Wolf.

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(phone ringing)

(screaming)

You're not too tired, are you, Tom?

No, no, I slept on the plane.

I have the Sollozzo notes here.

Now... Sollozzo is known as the Turk.

He's supposed to be very good with a knife,

but only in matters of business with some sort of reasonable complaint.

His business is narcotics.

He has fields in Turkey where they grow the poppy.

In Sicily, he has the plants to process them into heroin.

Now he needs cash, and he needs protection from the

police, for which he gives a piece of the action.

I couldn't find out how much.

The Tattaglia family is behind him here in New York.

Now they have to be in it for something.

Santino, call you.

How about his prison record?

Two terms, one in Italy, one here.

He's known as a top narcotics man.

Santino, what do you think?

There's a lot of money in that white powder.

No.

Well, I say yes.

There's more money potential in narcotics than anything else we're looking at.

Now, if we don't get into it, somebody else will.

Maybe one of the five families, maybe all of them.

Now, with the money they earn, they can buy more police and political power.

Then they come after us.

Now we have the unions, we have the gambling, and they're the

best things to have, but narcotics is a thing of the future.

If we don't get a piece of that action, we risk everything we have.

I mean, not now, but ten years from now.

So?

What's your answer going to be, Pop?

There. Don Corleone.

I need a man who has powerful friends.

I need a million dollars in cash.

I need Don Corleone, those politicians that you

carry in your pocket, like so many nickels and dimes.

What are the answers for my family?

Thirty percent.

In the first year, your rent should be three, four million dollars.

And then it would go up.

And what are the answers for the D'Italia family?

My compliments.

I'll take care of the D'Italias.

How do my share?

So, I receive 30 percent for finance, political influence and legal protection.

That's what you're telling me.

That's right.

Why do you come to me?

Why do I deserve this generosity?

If you consider a million dollars in cash, just finance.

Disallou, Don Corleone.

I said that I would see you because I heard that

you were a serious man, to be treated with respect.

But I must say no to you.

And I'll give you my reasons.

I'm not going to be a good friend to you.

I'm not going to be a good friend to you.

I'll give you my reasons.

It's true, I have a lot of friends in politics.

But they wouldn't be friendly very long if they

knew my business was drugs instead of gambling, which they regard as a harmless vice.

But drugs is a dirty business.

Don Corleone.

It doesn't make any difference to me what a man does for a living, I understand.

But your business is a little dangerous.

If you're worried about security for your money, the Tattaglias will guarantee it.

Are you telling me that the Tattaglias guarantee our investment?

I have a sentimental weakness for my children and I spoil them as you can see.

They talk when they should listen.

Anyway, Senor Salazar, my no is final.

And I wish to congratulate you on your new business.

I know you do very well and good luck to you.

As best as it's your interest, don't conflict with mine.

Thank you.

[Door opening] Santino.

Come in.

What's the matter with you?

I think your brain is going soft.

From all that comedy you're playing with that young girl.

Never tell anybody outside the family what you're thinking again.

Go on.

Doc, what... What is this nonsense?

It's from Johnny, starring in that new film.

Ah.

Take it away.

Take it away.

And...

Tell little Cabrazi to come in.

I'm a little worried about this Salazar fellow.

I want you to find out what he's got under his fingernails, you know.

Go to the Tattaglias and make them think that you're not too happy with our family.

And find out what you can.

Find out what you can.

I got something for your mother and for Sonny.

And a tie for Freddie and Tom Hagen got the Reynolds pen.

And what do you want for Christmas?

Oh, just you.

Just you.

♪ Christmas, make the new tide begin ♪

♪ From now on our troubles will be miles away ♪

♪ Here we are as in olden days ♪

♪ Happy golden days of yore ♪.

♪ Faithful friends who are near to us ♪

♪ Gather near to us ♪ Hello?

Good afternoon. It's three o'clock.

Thank you.

Michael, it's three o'clock.

What?

It's three o'clock. We have to get up.

Because we have to go to your father's house.

Why do we have to?

Because we have to.

You know, if we go to my father's house, we can't push the beds together.

Why not?

Because they're in separate rooms.

Well, all right then. Then we won't go. We won't tell your father.

Okay.

Yeah, we'll get married first and we'll tell him later.

I can't do that.

Then, Michael, get out of bed.

Let's go tomorrow.

Michael, they're expecting us.

Okay. Get the phone.

What are you going to do?

Just get the phone.

Hello?

Yes? May I help you?

Hello, may I please have Orchard 9, 9539, please?

What are you doing? What are you doing?

You're going to be the long distance operator for New Hampshire.

Come on.

Come on.

Come on.

Hello?

Hello? This is long distance calling.

I have a collect phone call from Mr. Michael Corleone.

Will you accept the charges?

Yes.

One moment, please.

Hello?

Hello?

Hello, Tom. I'm Mike. How are you?

Listen, we're up in New Hampshire still. We're going to drive down tomorrow morning.

Is there anything I can do for you?

No, we're fine. Now I'm going to see you at Christmas.

Everyone's going out to the mall?

Right.

Okay.

Right, Mikey. Bye-bye.

It's fine, Tom.

I'm afraid I'll have to get the car.

Okay, Pop. I'll have to get it myself, Pop. Paulie called in sick this morning.

Paulie's a good kid. I don't mind getting a car.

On the double, Donald. What do I do?

I don't know. What do I do?

[footsteps]

[footsteps]

[phone vibrates]

[footsteps] Okay.

I'm Bruno Tattaglia.

I know.

The Bocchiere di Scotch. Pre-war.

In a big.

You know who I am?

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[speaking Italian]

[sighs]

[speaking Italian] Right.

[screams]

[screams]

[grunts]

[grunts]

[grunts]

[grunts]

[grunts]

[car engine] Oh, Tom Hagen.

Merry Christmas.

Hey, I'm glad I run into you.

I want to talk to you.

Well, I haven't got time.

Oh, make time, conciliare.

Get in the car.

What are you worried about?

If I wanted a kitty, you'd be dead already.

Get in.

[music playing on radio]

Eh, aspetta Fredo.

I'm going to buy some fruit.

Okay, Papa.

Ah, Merry Christmas.

Oh, it's the phone number.

What is this?

I don't know.

[screams]

[gunshots]

[glass shatters]

[sobs]

[sobs]

[phone rings] Yeah?

Do you recognize my voice?

Yeah, I think so.

Detective squad, right?

Don't say my name, just listen.

Somebody shot your father outside this place 15 minutes ago.

What?

Is he dead?

We can't get close enough to find out.

There's blood all over the place.

Look, I'll see what I can do.

You find out what you can.

You got a grant coming, all right?

[music playing] [sighs] Hello?

Theresa?

Yeah?

Let me talk to Tom, will you?

He's not home yet.

Oh, not yet.

Have him call me in a minute, he gets in.

[car door opens]

Mike, would you like me better if I were a nun?

You know, in the story, you know?

No.

Well, then would you like me better if I were Ingrid Bergman?

Now, that's a thought.

Michael.

No, I would not like you better if you were Ingrid Bergman.

Michael.

What's the matter?

Come here.

They don't say if he's dead or alive.

[music playing] Sonny, Michael.

Michael, where you been?

Is he all right?

We don't know yet.

There's all kinds of stories.

You said bad, Mikey.

Are you there?

Yeah, I'm here.

Well, where you been?

I was worried.

Didn't Tom tell you I called?

Huh?

Well, come home, kid.

You should be with Mom in your head.

All right.

[music playing]

Go back to the hotel.

Oh, my god.

[gunshots] [gasps] Sonny!

[knocking] Hello, honey.

[knocking] Where is it?

Open up.

It's Gomez.

Fine.

There's more news about your old man.

Word is out on the street he's already dead.

Shut him up.

What's the matter?

Jesus Christ, Sonny.

Take it easy.

Take it easy.

Where was Paulie?

Paulie was out sick.

He been a little sick all winter.

How many times has he been sick?

Only maybe three, four times.

I mean, I asked Freddy.

He wants me to get a different bodyguard.

He said no.

Give me a feather.

Pick him up right now.

I don't care how sick he is.

I want you to bring him to my father's house now.

You understand?

Now.

Yeah, you want me sending people over here?

No, no, no, just you and him.

Go ahead.

All right.

[baby crying]

[door slams]

Look, um, we have a couple people come over to the hospital, our people.

[phone ringing]

Oh.

[baby crying] Hello?

Santino Corleone?

Yeah.

We have Tom Hagen.

[baby crying]

About three hours, he'll be released with a proposition.

Listen to everything he has to say before you do anything.

What's done is done.

And don't lose that famous time for views, huh, sonny?

No, I'll wait.

[phone ringing]

[door slams]

[dog barking]

[door slams]

[door slams]

Ma?

Ma, where are you?

Santino, soon you'll catch.

[speaking italian]

[phone ringing]

Ma, I, uh, just got a phone call, and the cop's been hurt, and I don't know how bad.

[speaking italian]

[speaking italian] Yeah.

I'm going to go change in case we can see him.

[door slams]

[music playing]

[music playing]

[music playing]

[music playing]

[music playing]

[speaking italian] Hello?

Santino call you.

I want 50 good men on here right away.

All right, sonny, but what about Clemenza's regime?

No, no, I don't want to use Clemenza's people right now, all right?

All right.

All right.

[music playing]

[scraping]

[music playing]

[phone ringing] Come on, Luca.

[phone ringing]

Your boss is dead.

I know you're not in the muscle end of the

family, Tom, so I don't want you to be scared.

I want you to help the Corleones, and I want you to help me.

Yeah, we got him outside his office just about an hour after we picked you up.

Drink it.

So now it's up to you to make the peace between me and Sonny.

Sonny was hot for my deal, wasn't he?

And you knew it was the right thing to do.

Sonny will come after you with everything he's got.

That'll be his first reaction, sure.

That's why you got to talk some sense to him.

The Tattaglia family is behind me with all their people.

The other New York families will go along with

anything that'll prevent a full-scale war.

Let's face it, Tom, I'm all due respect.

The Don, rest in peace, was slipping.

Ten years ago, could I have gotten to him?

Well, now he's dead.

He's dead, Tom, and nothing can bring him back.

So you got to talk to Sonny.

You got to talk to the copper regimes, that Tessio, that fat Clemenza.

It's good business, Tom.

I'll try.

But even Sonny won't be able to call off Luca Brasi.

Yeah, well...

Let me worry about Luca.

You just talk to Sonny, and the other two kids.

I'll do my best, Tom.

Good.

Now, you can go.

You can go.

I don't like violence, Tom.

I'm a businessman.

Blood is a big expense.

(HONKING)

He's still alive.

They hit him with five shots, and he's still alive.

Well, that's bad luck for me, and bad luck for you if you don't make that deal.

Who are you?

It's the Don's kid.

You take the car, I'll bring him inside.

(FOOTSTEPS)

(FOOTSTEPS)

(CREAKING)

(INDISTINCT CHATTER)

(INDISTINCT CHATTER)

Your mother's over in the hospital with your father.

Looks like he's gonna pull through, thank God.

Teresa, you hear from Tom yet?

Sonny inside?

Come on.

Could be any one of these.

Hey, Teresa.

Look, sweetheart, don't worry.

They're gonna turn Tom loose the minute they get the proposition.

I love Macco.

Where were you at?

In case you had me worried when I couldn't get in touch with you.

How's Ma taking it?

She's good. You know she's been through it before.

Me too, you know.

(PHONE RINGING) Yeah?

Hello, Santino?

This is Sam from the company.

I'm being gave me. You can check that.

Hey, listen, thank you very much.

You're gonna have a very... very extra Merry Christmas, all right?

Okay, thanks a lot.

Thank you.

Listen, you two wanna wait outside?

I got some business I gotta finish with Tessio.

Thanks.

What are you doing?

Huh?

Hey, you hang around here, you're gonna hear things you don't wanna hear.

Maybe I can help you out.

No, no, you can't.

Marrone, the old man, I'd have my neck if I let you get mixed up in this.

Come on.

He's my father too, Sonny.

You wanna hear?

Whose head do we blow off, Clemenza's or Paulie?

What do you mean?

What do I mean? One of them set up the old man.

Yeah.

Not Clemenza.

I don't believe it.

See?

College boy is right.

It was Paulie.

That was the contact in the phone company on the three days that Paulie was home.

Sick.

He got these phone calls from the pay phone across from the old man's building.

So it was Paulie.

Hey, thank God it was Paulie.

That skinny punk.

We need Clemenza back.

Is it gonna be an all out war like the last time?

Yeah, until the old man tells me different.

Wait, Sonny.

Talk to Pop.

Wait, come on.

Salazzo's a dead man.

What did I mean?

I don't care what it costs.

I mean, we're gonna go after all them families.

The Tataglias are gonna eat dirt.

That's not how Pop would play it.

Listen, I'm gonna tell you something, he'd tell you too.

When it comes to the action, I'm as good as anybody and don't forget it.

Tom!

Hey, boy, if I argue against the Supreme Court, I'll

never do better than I did against that Turk tonight.

Give me a minute, will you?

What do you think?

Huh?

It's too far.

I think it's too personal.

Donald considered his own vote.

He's gonna kill all those guys.

Hey, stay out of it, Mickey. Do me a favor.

Salazzo's the key. You get rid of him, everything falls into line.

What about Lucas? Salazzo didn't seem worried about Lucas.

You got a guy's look up?

Yeah, he comes to me.

I don't know if Lucas sold out. We're in a lot of trouble, please.

A lot of trouble.

Has anyone been able to get in touch with Lucas?

We've been trying all night. He might be shacked up.

Hey, Mickey, do me a favor.

When it comes over with the broad, he always goes home when he's treated.

You know I'm a loose man.

What?

Oh, okay.

Well, Tom, your consigliere.

What do we do if the old man dies? God forbid.

If we lose the old man, we lose our political contacts and half our strength.

The other New York families might wind up supporting

Salazzo just to avoid a long, destructive war.

This is almost 1946.

Nobody wants bloodshed anymore.

If your father dies, you make the deal, Sonny.

You know, it's easy for you to say, Tom. He's not your father.

I was as much a son to him as you are, Mike.

What is it?

Hey, Paulie, I thought I told you to stay put.

Well, the guy at the gates, they said they got a package.

Yeah? Well, Tess, you go see what it is.

You want me to hang around?

Yeah, hang around. You all right?

Yeah, I'm fine.

Yeah?

There's some food in the icebox. You hungry or anything?

No, it's all right.

How about a drink? Have a little brandy. That's good. It'll sweat it out.

All right, sure.

Go ahead, baby.

That might be a good idea.

Yeah, right.

I want you to take care of that son of a bitch right away.

Paulie, so lot the old man, not schtrutz.

I don't want to see him again.

Make that first thing on your list, understand?

Understood.

Hey, Mickey, tomorrow, you get a couple of guys,

you go over to Luca's apartment, hang around, wait for him to show up.

Maybe we shouldn't get Mike mixed up in this too directly.

Yeah.

Listen, uh, hang around the house on the phone would be a big help, huh?

Try Luca again. Go ahead.

What the hell is this?

That's a Sicilian message.

It means Luca Brasi sleeps with the fishes.

(music) Beautiful car.

Yeah, beautiful car.

Stupid Detroit sensor with wooden bumpers.

They're going to deliver the chromium bubbles in a couple of months.

Because of the war.

Hey, the war is over.

I had to wait for over two years for the car to come with stupid wooden bumpers.

22, soft nose load.

Accurate up to five foot.

Today you make your bones on Paulie.

You understand everything?

Understood, Mr. Clemenza.

(music) I'm going now.

What time are you going to be home tonight?

I don't know, probably late.

Don't forget the cannoli.

Yeah, yeah, yeah, yeah.

Rocco, sit on the other side.

You block the rear view mirror.

That son of his is running wild.

He's thinking of going to the mattresses already.

We got to find a spot over on the west side.

Detroit 309, West 43rd Street.

You know any good spots on the west side?

Yeah, I think about it.

Well, think about it while you're driving, will you?

I want to hit New York sometime this month.

And watch out for the kids when you're backing out.

He's coming.

About time.

Yeah, it's good for ten men.

All right, go over to the neighborhood.

I got to call in to Sonny.

You wait here. I call Sonny.

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[music] Leave the gun.

Take the cannoli.

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What's with all the new faces?

We'll need them now.

After the hospital thing, Sonny got mad.

We hit Bruno Tattaglia four o'clock this morning.

Jesus Christ.

Looks like a fortress around here.

Tomanouch!

Hey!

A hundred button men on the street, 24 hours a day.

That Turk shows one hair on his ass, he's dead.

Believe me.

Hey, Michael, come here. Let me look at you.

You look beautiful. It's beautiful.

You're gorgeous.

Hey, listen to this. The Turk, he wants to talk.

You got to imagine the nerve on this son of a bitch, eh?

Crap's out last night, he wants a meeting today.

What did he say? What did he say?

He wants us to send Michael to hear the proposition.

And the promise is that the deal is so good that we can't refuse.

Hey, what about Bruno Tattaglia?

He's part of the deal.

Bruno cancels out what they did to my father.

Sonny, we ought to hear what they have to say.

No. No. No. No more.

Not this time, consigliere. No more meetings.

No more discussions. No more Salazzo tricks.

You give him one message, "I want Salazzo.

" Now that it's all out war, we go to the battle.

Some of the other families won't sit still for the war.

They had me, Salazzo! Your father wouldn't want to hear this.

This is business, not personal.

My father has business in the land.

Even the shooting of your father was business, not personal, Sonny.

Well, in business, we'll have to suffer, all right?

Hey, listen, do me a favor, Tom.

No more advice on how to patch things up.

Just help me win, please, all right?

I found out about this Captain McCluskey who broke Mike's jaw.

What about him?

Now, he's definitely on Salazzo's payroll and for big money.

See?

He's agreed to be the Turks' bodyguard.

What you have to understand, Sonny, is that while

Salazzo is being guarded like this, he is invulnerable.

Now, nobody has ever gunned down a New York police captain, never.

It would be disastrous.

All the five families would come after you, Sonny.

The Corleone family would be outcast.

Even the old man's political protection would run for cover.

So do me a favor.

Take this into consideration.

All right, I'll wait.

You can't wait.

Huh?

You can't wait.

I don't care what Salazzo says about a deal.

He's gonna kill Pop. That's it.

That's the key for him.

You gotta get Salazzo.

Mike is right.

I want to ask you something, Professor.

What do you know about this McCluskey?

Huh?

What do we do with this copy?

They want to have a meeting with me, right?

It will be me, McCluskey, and Salazzo.

Let's set the meeting.

Get our informers to find out where it's going to be held.

Now, we insist it's a public place, a bar, a restaurant,

someplace where there's people so I feel safe.

They're gonna search me when I first meet them, right?

So I can't have a weapon on me then.

But if Clemenza can figure a way to have a weapon planted there for me...

If she can have a weapon planted there for me... then I'll kill them both.

Hey, what are you gonna do?

Nice college boy, huh?

Didn't want to get mixed up in the family business?

Now you want to gun down a police captain?

You want to get him in the face a little bit, huh?

What do you think, this is the army where you shoot him a mile away?

You gotta get up close like this, and bada-bing!

You blow their brains all over your nice cyber-league suit.

Come here.

You're taking this very personally.

Tom, this is business, and this man is taking it very, very personally.

Where does it say that you can't kill a cop?

Come on, Mikey.

Tom, wait a minute.

I'm talking about a cop that's mixed up in drugs.

I'm talking about a dishonest cop, a crooked cop who got

mixed up in the rackets and thought what was coming to him.

That's a terrific story.

And we have newspaper people on the payroll, don't we, Tom?

They might like a story like that.

They might. They just might.

It's not personal, Sonny.

It's strictly business.

It's as cold as they come.

Impossible to trace, so you don't worry about prints, Mike.

I've got special tape on the trigger and a butt.

Here, try it.

What's the matter? The trigger too tight?

Not on my ears.

Yeah, I left it noisy.

That way it scares any painter in the air, citizen bystanders away.

All right, you shot him both. Now what do you do?

Sit down, finish my dinner.

Come on, kid, don't fool around.

Just let your hands drop to your side and let the gun slip out.

Everybody will still think you got it.

They're gonna be staring at your face, Mike, so

walk out of the place real fast, but you don't run.

Don't look nobody directly in the eye, but you don't look away either.

Hey, they're gonna be scared stiff of you, believe me, so don't worry about nothing.

You know, you're gonna turn out all right.

You take a long vacation, nobody knows where, and we're gonna catch the hell.

How bad do you think it's gonna be?

Pretty goddamn bad.

Probably all the other families will line up against us.

That's all right.

This ain't gotta happen every five years or so.

Ten years.

Helps to get rid of the bad blood.

Been ten years since the last one.

You know, you gotta stop 'em at the beginning,

like they should've stopped Hitler at Munich.

They should never let 'em get away with that.

They was just the answer for big trouble.

You know, Mike, we was all proud of you, being a hero and all.

Your father, too.

Your father, too.

(sighs)

(sighs) Nothing.

Not a hint.

Absolutely nothing.

Even so, lots of people don't know where the meeting's gonna be held.

How much time do we have?

I'll pick you up in front of Jack Dempsey's joint in an hour and a half.

Exactly an hour and a half.

We could put a tail on him, it turns out.

Salazzo'll lose our ass going around the block.

What about the negotiator?

He's over at my place, playing pinocchio with a couple of my men.

He's happy there, letting them win.

There's too much of a risk for Mike.

Maybe we ought to call it off, Sonny.

Negotiator keeps on playing cards until Mike comes back safe and sound.

Why doesn't he just blast who's ever in the goddamn cards?

It's dangerous. They'll be looking for that.

Salazzo might not even be in the car, Sonny.

I get it.

[telephone ringing]

Louie's Restaurant in the Bronx.

Well, is it reliable?

It's my man in McCluskey's precinct.

Police captain's got to be on call 24 hours a day.

He signed out at that number between 8 and 10.

Anybody know this joint?

Yeah, sure, I do.

It's perfect for us.

A small family place, good food, everyone minds his business.

It's perfect.

Pete, they got an old-fashioned toilet.

You know, the box and then the chain thing.

We might be able to take the gun behind it.

All right, Mike.

You go to the restaurant, you eat, you talk for a while, you relax.

You make them relax.

Then you get up and you go take a leak.

Now, better still, you ask for permission to go.

Then when you come back, you come out blasting.

And don't take any chances.

Two shots in the head apiece.

Now, listen, I want somebody good, and I mean very good, to plant that gun.

I don't want my brother coming out of that toilet

with just his dick in his hands, all right?

The gun'll be there.

You drive him, and you pick him up after the job.

Come on, let's move.

All right, you do it.

Did he, uh, tell you to drop the gun right away?

Yeah, a million times.

Now, you don't forget.

Two shots apiece in the head as soon as you come out the door, all right?

Let's go.

How long do you think it'll be before I can come back?

At least a year, Mike.

Listen, I'll square it with Mom.

You know, you're not seeing her before you leave,

and, uh, I'll get a message to that girlfriend when I think the time is right.

Take care, huh?

See you, Mike.

See you, Mike.

[♪♪♪]

[♪♪♪]

I'm glad you came, Mike.

I hope we can straighten everything out.

I mean, this is terrible.

It's not the way I wanted things to go at all.

It should have never happened.

I'm gonna straighten everything out tonight.

I don't want my father bothered anymore.

You won't be, Mike.

I swear on my children and everything.

But you gotta keep an open mind when we talk.

I mean, I hope you're not a hothead like your brother Sonny.

You can't talk business with him.

[Speaking foreign language]

He's a good kid.

I'm sorry about the other night, Mike.

I gotta frisk you, so turn around, huh?

On your knees, facing me.

I guess I'm getting too old for my job.

Too grouchy.

Can't stand the aggravation.

You know how it is.

He's clean.

You know who the jersey?

Maybe.

[Horn honking] Nice work, Lou.

[Horn honking]

[Horn honking]

[Horn honking]

[Horn honking]

How's the Italian food in this restaurant?

Good. Try the veal. It's the best in the city.

I'll have it.

[Speaking foreign language]

[Whistling] All right.

I'm gonna speak Italian to Mike.

Go ahead.

[Speaking foreign language]

[Speaking foreign language]

[Speaking foreign language]

[Speaking foreign language]

[Speaking foreign language]

[Speaking foreign language]

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[Speaking foreign language]

[Speaking foreign language]

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[Speaking foreign language]

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[Speaking foreign language]

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[Speaking foreign language]

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[Speaking foreign language]

[Speaking foreign language]

[Speaking foreign language]

[Speaking foreign language]

What I want, what's most important to me... is that I have a guarantee.

No more attempts on my father's life.

What guarantees can I give you, Mike?

I am the hunted one.

I missed my chance.

You think too much of me, kid.

I'm not that clever.

All I want is a truce.

I have to go to the bathroom.

Is that all right?

You're gonna go, you're gonna go.

I freshed him. He's clean.

Don't take too long.

I've raised a thousand young bums.

[Truck rumbling]

[Truck rumbling]

[Truck rumbling]

[Water running]

[Water running]

[Water running]

[Water running]

[Truck rumbling]

[Clicks tongue]

[Clicks tongue]

[Clicks tongue]

[Speaking Italian]

[Whirring]

[Gunshot]

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[Car Engine]

[Siren]

[Siren]

[Baby Crying]

[Baby Crying]

[Baby Crying]

[Baby Crying]

I love you, Grandpa.

I'm sorry, Pa. He doesn't know you yet.

Here you are, big guy. Give it to Grandpa.

I hope you get wed, Grandpa.

And I wish I would see you soon. Love, your grandson Frank.

Oh, thank you, Ben.

Go ahead. Go with your boy.

Go ahead. Take him downstairs.

[Baby Crying] Come on.

Go on, Carlo. You too.

Go on.

You want a lot of your chickens without your turkeys?

[Indistinct Chatter]

How much can he eat?

What's the matter with you, Carlo?

Shut up and sit down.

[Thunder Rumbling]

Since McClusky's killing,

the police have been cracking down on most of our operations.

And also the other families.

There's been a lot of bad blood.

They hit us, so we hit them back.

Through our contacts in the newspapers, we've been able to put out a lot of material

about McClusky being linked with Sollozzo and the drug rackets.

You see, things are starting to loosen up.

Then I, uh, sent a freighter to, uh, to Las Vegas

under the protection of Don Francesco of L.A.

I want him to rest.

-He's in Las Vegas? -Yeah.

Where's Michael?

It was Michael who killed Sollozzo.

He's safe. We're starting to work to bring him back now.

[Birds Chirping]

[Sighs]

I want you to find out what a little pimp Tattaglia's hiding -on his ass now, right now.

-Hey, Sonny.

Things are starting to loosen up a little bit.

If you go after Tattaglia, all hell's gonna break loose.

Let the smoke clear. Pop can negotiate.

No, Pop can't do nothing till he's better.

I'm gonna decide what's gonna go down.

Your war's costing us a lot of money.

-Nothing's coming in. We can't do business. -Nita can aide.

-They don't have our overhead. -Don't worry about it.

-We can't afford a stalebit. -There ain't no more stalebit.

I'm gonna end it by killing that old bastard.

-I hope you're enjoying it. -You just do what I tell you to do!

Goddamn it, if I had a wartime consigliere or a signior, I wouldn't be in his shape!

Pop that janko. Look what I got.

[Sighs] I'm sorry.

I didn't mean that.

Mom made a little dinner. It's Sunday.

Hold it.

You know, niggers are having a good time with, uh--

with our policy banks up there in Harlem, grabbing

them new Cadillacs, really, and paying 50% on a bet.

I knew that was gonna happen as soon as they started making big money.

Well, Papa never talked business at the table in front of the kids.

Hey, shut up, Connie Winslow.

-Don't you ever tell her to shut up. -Hey, that'll be enough.

Don't interfere.

You know, Sonny and Tom, I'd like to talk to you maybe after dinner.

I could be doing a lot more for the family.

We don't discuss business at the table.

[Door closes]

[♪♪♪]

[Dog barks]

[♪♪♪]

[Horn honks]

[Speaking Spanish]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[♪♪♪]

[♪♪♪]

[Speaking Italian]

[Speaking Italian]

[♪♪♪]

[♪♪♪]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

[Speaking Italian]

Hey, take me to the America.

Thank you.

If you need a good lawyer in America, take me.

I'll be the best man you can get.

[Singing]

[Singing]

[Speaking Italian]

[♪♪♪]

[Speaking Italian]

[♪♪♪]

[♪♪♪]

[♪♪♪]

[Speaking Italian]

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Hey, I'm gonna knock you, busy.

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Save it for the library.

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Come on, we gotta go pick up my sister. Let's go.

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[door opens]

What's the matter?

Huh?

What's the matter?

It was my fault!

-What reason? -Sonny, please, it was my fault.

Sonny, it was my fault. I hit him. I started a fight with him.

Please, Sonny, I hit him, so he hit me.

[sobs]

Okay, I'm just gonna give the doctor to come and take a look at you.

Sonny, please don't do anything. Please don't do it.

Okay.

What's the matter with you? What am I gonna do?

I'm gonna make that baby an orphan before he's born.

[sobs] Huh?

Hmm?

All right.

These fat slobs still betting Yankees pretty heavy?

It's time to start taking action, all right?

We lost enough money last week on the deal.

[tires screech]

Oh, come here, come here, come here, come here!

[crash]

[tires screech]

[crash]

[crowd shouting]

[grunts]

[screams]

[crowd shouting]

If I see you ever again, I'll kill you.

[thud]

[praying in Latin]

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[applause]

When I meet with the Tattaglia people, should I insist

that all these drug middlemen have clean records?

Mention it. Don't insist.

Bartini's the man who'll know that without being told.

You mean Tattaglia?

Tattaglia's a pimp.

He never could have out-fought Santino.

But I didn't know until this day that it was... Bartini all along.

[speaking Italian]

Pop, what about Sonny?

What about Cicely?

I swore that I would never break the peace.

But won't they take that as a sign of weakness?

It is a sign of weakness.

You gave your word that you wouldn't break the peace. I didn't give mine.

You don't have to have any part in it.

I take all responsibility.

[sighs]

Man, we have a lot of time to talk about it now.

Come on, Nancy.

Keep together, everyone.

Ryan.

[children playing]

How long have you been back?

I've been back a year.

Longer than that, I think.

It's good to see you, Kate.

[birds chirping]

[dog barking]

[child shouting]

[bell ringing]

[dog barking]

I'm working for my father now, Kate.

He's been sick. Very sick.

But you're not like him, Michael.

I thought you weren't going to become a man like your father. That's what you told me.

My father's no different than any other powerful man.

Any man who's responsible for other people.

Like a senator or a president.

You know how naive you sound.

Why?

Senators and presidents don't have men killed.

Oh.

Who's being naive, Kate?

Kate, my father's way of doing things is over. It's finished.

Even he knows that.

I mean, in five years, the Corleone family is going to be completely legitimate.

Trust me. That's all I can tell you about my business.

Kate.

Michael, why did you come here?

Why?

What do you want from me after all this time without even calling or writing?

I came here because I need you.

Because I care for you.

Please stop it, Michael.

Because I want you to marry me.

I want you to marry me.

It's too late. It's too late.

Please, Kate.

I'll do anything you ask. Anything to make up for what's happened to us.

Because that's important, Kate.

Because what's important is that we have each other.

That we have a life together.

That we have children. Our children.

Kate, I need you.

And I love you.

Barzini's people chisel my territory and we do nothing about it.

Pretty soon there won't be one place in Brooklyn I can hang my hat.

Just be patient.

I'm not asking you for help, Mike. Just take off the handcuffs.

Be patient.

We gotta protect ourselves.

Give me a chance to recruit some new men.

No.

I don't want to give Barzini an excuse to start fighting.

Mike, you're wrong.

Don Corleone.

You once said that the day would come when Tessio and me could form our own family.

Till today I would never think of it.

I must ask your permission.

Well, Michael is now head of the family and if he

gives his permission then you have my blessing.

After we make the move to Nevada, you can break

off from the Corleone family and go on your own.

After we make the move to Nevada.

How long will that be?

Six months.

Forgive me, Godfather, but with you gone,

me and Pete will come under Barzini's thumb sooner or later.

I hate that goddamn Barzini.

In six months time there won't be nothing left to build on.

You have faith in my judgment?

Yes.

You're gonna have a long day?

Yes, always, Godfather.

You'll be a friend to Michael.

Do as he says.

There are things being negotiated now that are gonna

solve all your problems and answer all your questions.

That's all I can tell you now.

Carlo, you grew up in Nevada.

When we make our move there, you're gonna be my right-hand man.

Tom Hagen's no longer consigliere.

He's gonna be our lawyer in Vegas.

There's no reflection on Tom, but that's the way I want it.

Besides, if I ever need help, who's a better consigliere than my father?

Now that's it.

(door opens) All right.

Thank you, Papa.

I'm happy for you, Carlo.

Michael, why are you cutting me out of the action?

We're gonna be legitimate all the way, Tom. You're the legal man.

What's more important than that?

I'm not talking about that.

I'm talking about Rocco Lampone building a secret regime.

And why does Neary report directly to you instead of through me or the capo regimes?

How'd you find that out?

Rocco's men are a little too good for their jobs.

I mean, they're getting more money than the job's worth.

I told you this wasn't an escape as I... Mike, uh... Why am I out?

You're not a wartime consigliere, Tom.

Things may get rough with the move we're trying.

Tom.

I advise Michael.

I never thought you were a bad consigliere.

I thought Santino was a bad Don. Rest in peace.

Michael has all my confidence, as you do.

But, uh... There are reasons why he must have no part in what is going to happen.

Maybe I could help.

You're out, Tom.

I want to be alone with my father.

I think he'll find you Luca Brasi.

I'll need him.

Come.

Let's go outside and talk.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

[music]

[music]

[music]

I can't get over the way your face looks.

It really looks good.

This doctor did some job.

Let's talk to him, okay?

Hey, hey, hey, hey, wait, hey.

Leave him out here. We'll deal with him later.

He's tired. He wants to clean up.

All right now, let me open the door, all right?

[music] Hello, Mike.

Welcome to Las Vegas.

All for you, too.

You called his idea, right?

Your brother, Freddy.

Yes.

I'll be right back.

You keep them occupied.

Anything you want, kid, anything.

Who are the girls?

That's for you to find out.

Get rid of them, Fredo.

Hey, Mike.

Fredo, I'm here on business.

I leave tomorrow and I get rid of them.

I'm tired.

Get rid of the band, too.

[music]

Hey, let's take off.

Come on, take off.

Let's go.

Hey, that's it.

Hey, come on.

Scram.

Come on, honey, let's go.

I don't know, Johnny.

What the hell's the matter with him?

Sorry, Freddy.

Come on, honey.

I don't know.

He's tired.

[sighs]

What happened to Moe Green?

He said he had some business.

He said give him a call when the party started.

We'll give him a call.

Johnny, how are you?

Hello, Mike.

Nice to see you again.

We're all proud of you.

Thanks, Mike.

Sit down, Johnny.

I want to talk to you.

Don's proud of you, too, Johnny.

Well, I owe it all to him.

Mike, what can I do?

The Corleone family is thinking of giving up

all its interest in the olive oil business, settling out here.

Now, Moe Green will sell us his share of the casino and the hotel

so it can be completely owned by the family.

Tom?

Hey, Mike, are you sure about that?

Moe loves the business.

He never said nothing to me about selling.

I'll make him an offer he can't refuse.

See, Johnny, see, we figure that entertainment.

will be a big factor in drawing gamblers to the casino,

and we hope you'll sign a contract to appear five times a year.

Perhaps, uh, convince some of your friends in the movies to do the same.

We're counting on you.

Sure, Mike.

I'll do anything for my godfather, you know that.

Good.

Hey, Mike.

How are you?

How are you?

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

I'm doing great.

The Corleone family wants to buy me out.

No, I buy you out.

You don't buy me out.

Your casino loses money.

Maybe we can do better.

You think I'm skimming off the top, Mike?

You're unlucky.

You goddamn guineas really make me laugh.

I do you a favor and take Freddy in when you're

having a bad time, and then you try to push me out.

Wait a minute.

You took Freddy in because the Corleone family wanted him out of the casino

because the Molinari family on the coast guaranteed his safety.

Now we're talking business.

Let's talk business.

Yeah, let's talk business, Mike.

First of all, you're all done.

The Corleone family don't even have that kind of muscle anymore.

The godfather is sick, right?

You're getting chased out of New York by Barzini and the other families.

What do you think is going on here?

You think you can come to my hotel and take over?

I talked to Barzini.

That was nothing, Mike.

Now, Moe didn't mean nothing by that.

Sure, he flies off the handle once in a while,

but Moe and me were good friends, right, Moe?

I got a business to run.

I gotta kick asses sometimes to make it run right.

We had a little argument, Freddy and I, so I had to straighten him out.

You straightened my brother out?

He was banging cocktail waitresses two at a time.

Players couldn't get a drink at the table.

What's wrong with you?

I leave for New York tomorrow.

Think about a price.

Son of a bitch.

Do you know who I am?

I'm Moe Green.

I made my bones when you were going out with cheerleaders.

Wait a minute, Moe.

Moe, I got an idea.

Tom, Tom, you're the conciliary, and you can talk to the Don, you can explain--

Just a minute, now.

Don is semi-retired, and Mike is in charge of the family business now.

If you have anything to say, say it to Mike.

Mike!

You don't come to Las Vegas and talk to a man like Moe Green like that!

Fredo, you're my older brother, and I love you.

But don't ever take sides with anyone against the family again.

Ever.

I have to see my father and his people.

I still haven't been without them.

Oh, Michael.

This weekend, we'll go out.

We'll go to the city, we'll see a show, and I'll fit in the front.

Oh, Michael, Michael, your sister wants to ask you something.

What?

Michael, your sister wants to ask you something.

Let her ask.

I know she's afraid to.

Connie and Carla want you to be godfather to their little boy.

We'll see.

Let me think about it. We'll see. Come on.

So, Martini won't move against you first.

He'll set up a meeting with someone that you

absolutely trust, guaranteeing your safety.

And at that meeting, you'll be assassinated.

I like to drink wine more than I used to.

Anyway, I'm drinking more.

It's good for you, Pop.

I don't know.

Your wife and children, are you happy with them?

Very happy.

That's good.

I hope you don't mind the way I keep going over this Marcini business.

No, not at all.

It's an old habit.

I spend my life trying not to be careless.

Women and children can be careless, but not men.

How's your boy?

He's good.

You know, he looks more like you every day.

He's smarter than I am.

Three years old, he can read the funny papers.

Read the funny papers.

I want you to arrange to have a telephone man

check all the calls that go in and out of here.

I did it already, Pop.

I took care of that.

Oh, that's right. I forgot.

What's the matter?

What's bothering you?

I'll handle it.

I told you I can handle it. I'll handle it.

I'll handle it.

I knew that Santino was going to have to go through all this.

And Fredo... Fredo was... I never... I never wanted this for you.

I worked my whole life.

I don't apologize to take care of my family.

And I refused to be a fool, dancing on a string held by all those big shots.

I don't apologize. That's my life.

But I thought that... But when it was your time,

that you would be the one to hold the strings.

Senator Corleone.

Governor Corleone. Something.

I'm not a patron of ant.

This wasn't enough time, Michael.

Wasn't enough time.

We'll get there, Pop.

We'll get there.

Now, listen.

Whoever comes here with this Barzini meeting, he's a traitor.

Don't forget that.

We're over the tree.

Yeah, how about...

Yeah, how about... We're over the tree.

We're over the tree.

Yeah, this is fine.

Over here.

Over here.

Be careful, you're spilling, you're spilling.

Come here.

Anthony.

Come here, come here.

Come here.

That's right.

Put him right here.

I'll show you something.

Are you standing?

Come here.

Come here.

Oh, no.

That's a new trick.

Move over here.

Come here.

Come here.

Stay squirted.

Where are you?

Get down.

[laughing]

I love you, Anthony.

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This one time... This one time, I'll let you ask me about my affairs.

Is it true?

No.

I guess we both need a drink, huh?

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

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I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.

I'll call you.