All language subtitles for TWDDDixon S03E04

The town offers up
one of your daughters,

and in return,
you get a truck full of guns?

Fede calls it security.

I call it extortion.

Alba.

Surviving six ofrendas--

such luck.

I have to do something.

Justina?

Don't make me say it.

He will makes things worse.

It's not our fight.

She loves me.
She would never leave.

She wouldn't.

You are why we came back.
And now she's gone.

You think
we'll ever stop moving?

Sure.
As soon as we make it back.

The solar panel is outside.

Take anything useful?

Yeah, actually, I think
we're pretty well stocked.

Sticky Fingers Dixon there.

I'll return these
when we leave.

Oh.

And when do you think
that will be?

Um, once we fix the boat.

If the weather holds up,
maybe, uh, maybe a week.

Oh.

I didn't know--
I just wanted to say...

Please.

I just wanted to say
I'm sorry.

I feel like us
being here has, well,

caused a lot
of trouble.

No.

Justina and Roberto...

that was a problem
before you came.

Why don't you want
them to be together?

Um, she's a sweet girl,
she is.

But it's no good, um,
the two of them together.

I don't even know
how to explain.

Where I come from,

you can just say
it's complicated.

Yes, it's complicated.

Come on. We're gonna put on
that rudder today.

You don't need my help.

We wouldn't even have
that thing if it wasn't for you.

It doesn't matter now.

What? You don't want to come
with us anymore?

I can't live without her.

You ready?

Yeah, let's go.

Perfect, Carol.

You need to reinforce this.
Okay.

Cross it over
to the right like this.
Yup.

Bring that first end
back around...

Yup.
...and then pop it
through the hole.

So once the two suns are
just right on top of each other.

Boom!

Oh, here it comes,
here it comes, here it comes.
Yes.

I see it.

Help me with that.
Thank you.

Pass me that hammer.

Carol.

Can you pass me
that hammer?

Sorry.

You okay?

It's my fault.
It's my fault Justina's gone.

I was trying
to reassure her last night.

I think I put the idea
in her head.

Stop it.

Don't say hot dogs.

We're finally going home.

You gotta let that shit go.

When I first saw him
in the creek,

they look so innocent,
so in love.

It was like a mirage.

It's an endangered thing
in this fucked up world.

It made me kind of want
to root for 'em.

Yeah, well.
That was your first mistake.

I don't think
you believe that.

That shit that
you're thinking is a mistake.

The same mistake
I made back in France.

It's the same mistake
we're always making.

It's not a mistake.

We're always fighting
everyone's fights.

Sometimes we have
to fight for ourselves.

If anything's worth
fighting for, isn't it

two young people
that just want to be together?

How can you not even care?

What makes you think
I don't care?

Well, stop acting
like there's nothing we can do.

Justina's gone.

There's nothing
we can do about it.

She ain't coming back.

Hell, none of them
coming back.

Fuck.

85 degrees
and 12.3 minutes.

I think I'm getting
the hang of this, Daryl.

Letting people have space
when they need it is a skill.

One I never mastered.

Me neither.

So I live alone.

Yeah, I tried being on my own
a few times.

Thought it was the answer.
It wasn't.

I'm coming up on 10 years now
in el faro.

The lighthouse is the longest
I've ever lived anywhere.

- Really?
- On land.

Most of my adult life
I spent at sea.

Sounds nauseating.

Ah, the ocean is home
to some of my greatest memories.

Not me.

Although I do love
a blanket of stars.

Mm.

I feel the world is hard.

No reason
not to have companionship.

Of course
you understand that.

Alright, so, the rabbit
runs out the hole,

runs around the tree,

and then hops right back
into its hole like so.

Uh, great work, bro.

Now you got to do it
with your eyes closed.
Daryl!

Yeah. Yeah, yeah. We can just
finish this up later, I guess.

Yeah.

How is it going with Cooper?

He's got a lot to say.

It's charming,
isn't it?

Yeah.

But he knows a lot
about sailing,

and you could use
an experienced hand.

I told her
Roberto's not coming.

Cooper grew up
on the California coast.

He's been wanting to get back
for a while,

see who he can find.

Nah, we'll be fine.

Will you?

I fixed the rudder,
didn't I?

Even if you were
proficient sailors,

which, no offense,
you are not,

crossing the Atlantic
is a totally different story.

Nah, we'll be alright.

We didn't do so great
last time.

You think Cooper would have
gotten us through that storm?

Oh, he might have.

Why don't you come?

You know everything
there is to know.

I know you really miss
being on the ocean.

That's a really nice
invitation.

You and Cooper both.
We'll have a full crew.

There's a lot I miss
about my old life.

But things have changed.
I've changed.

I'm content here.

But my point stands.
Take Cooper.

No, we'll be fine. We just had
a little bit of bad weather,

bad luck.

Your boyfriend sure doesn't
like taking advice, does he?

No. It's-- He's--
We're not--

Really?
Really.

You've never...

Never.

Nope.

How's it looking?

Okay. Anyway...

...think about it.

Valentina said you guys
want me to sail with you.

Can I just say?

I'm honored, bro.

Truly.

I've always dreamed of dipping
my toes in Monterey Bay again.

Yeah, I'm a banana slug.

A what?

Through and through.

See if my mom
made it through.

But how the hell
was I gonna do that?

I had no idea.

And then you showed up.

With this beauty.

Talk about dumb luck.

Super dumb.

You think you can help us
get there, though?

Yeah-- Yeah.
Sure thing.

How long will that take?

Two weeks, three, maybe,

depending on the weather.

Alright, let it out.

How's it look?
Looks good.

Tie it down.

Aah!

Move!

Everybody okay?

Cooper. Where is Cooper?

What is that?
I don't know.

Solaz.

It's under attack.

Try not to do anything stupid
when we get there.

Can't make any promises.

Check on Roberto
and Antonio,

and we get the hell out, alright?

- I get it. We're leaving.
- Alright.

Come on.

The hell is that?

Alonzo, no.

Alonzo.

Alonzo.

It was his nephew.

I need to check on Roberto.
Which way do I go?

This way.
I'm with you.

Okay.

I'll meet you at the square.

Alright.

Roberto!

Antonio!

Let's load up on ammo
and get back down there.

I'll see you there.

We need
to get you inside.

No, I'm okay.
We need to fight.

No. No.
Come on. Inside.

We're gonna get it
fixed up.

Shit. Shit!

It's quiet.

Yeah.
Something ain't right.

What the hell was that?

Dios...

Cover!

Quick mission, huh?

Yeah.

Carol, come with me.

Daryl!

Daryl. Hurry!

Si.

Hey, caught one!

What did he say?

They know of El Alcazar,

and the gifts
they bring us.

But why destroy everything?
What-- What's the point?

The fuck do they want?

To burn it all down.

Someone is escaping.

It's Roberto.

Hey!

Hey!
You interfered with him.

He was going to stop Roberto.

Well, he was gonna
shoot him.

He was going to shoot
the tires.

You're a fucking liar.
Hey, hey, hey.

Listen to me.
You have made a huge problem.

You should not
have come--

What happened?

Roberto took a truck,
got away.

Well, we got to
go after him.

We need every person we have
to keep the village protected.

If Roberto gets to El Alcazar...
I'll get him.

...he could destroy
our alliance.

I'll go.
Unless he gets himself
killed first.

He is less able to survive
out there than Roberto.

Actually,

when was the last time
you even left the village?

Hmm?

I'll go with him.

We'll bring him back.

Okay. Suit yourself.

You don't have to do this.

Your kid is missing.

When that happens,
having help is a good thing.

Do you have children?

No.

Not anymore.

I'll, uh, grab the ethanol
from the shed.

Meet you outside?

Mm-hmm.

You gonna say
what's on your mind?

I think you should
let Roberto go.

Even if it
gets him killed?

He was gonna
run off with Justina.

You were alright with that.

What's the difference?

They were together, at least.
And he wasn't acting crazy.

He ain't gonna stop.

He comes back here,
nothing changes.

Suddenly you're
Roberto's champion?

I just think he's old enough
to make up his own mind.

That's it.

And if he dies?

Are you ready?

Guess I'll see you
when we get back.

Hey! Wait up.

If you're going, I'm going.

Do you think
he'll find Justina?

He won't stop till he does.

There's tracks
down both roads.

Can you tell
which way he went?

That way.

Roberto!
Shh!

There might be
somebody nearby.

What is that?

Compass.

Roberto gave that to her
before we left.

So they're together.

But where?

What about Justina?

Where's that convoy go next?

Barcelona.

Bad men,
they take our water.

I'll go get your water.

We have to fight them.

Your boyfriend
sure doesn't like

taking advice, does he?

No.

We're not...

Really?

Nope!

David Zabel: When we wrote the
scene

where Valentina assumes that
Daryl and Carol are a couple,

I thought
that Norman and Melissa

would have a lot
to say about it.

They did not.

They seemed
to appreciate the humor

and seem to recognize that
it's a reasonable assumption.

And at the moment, you know,
I think works very charmingly.

Ooh, fun. She's spunky.

I like the camaraderie
between Valentina and Carol,

just kind of, eh, beginning
friendship there.

David Zabel: In this season,
we were trying to move Carol

a little bit more
towards a place of peace.

So we thought having
a model of that was good

and would be
a good relationship,

which I think
it turned out to be.

Irina, who plays Valentina,
was fantastic.

You hope things
will play out well.

If you're lucky,
then things play out

even better than you expected.

How's it look?

Looks good.
Tie it down.

Episode four--
the title is "Frontier Justice."

It really is an episode

that centers around an attack
on the town of Solaz del Mar.

And so it involves a story
about a frontier town

that's trying to defend itself
from marauders,

these primitivos.

Yeah.
They see Primitivos coming.

Of course
they have to go to battle.

3...2...1. Action!

David Zabel:
The Primitivos was an idea
that we had in the writers room

that we had a lot of fun with.

We just wanted a group
that was completely amoral,

that had almost no intent
except destruction.

Jason Richman:
Here's kind of a hopeless army.

So it's kind of like
a psycho criminal on the loose.

David Zabel: We thought
that would be really scary

and it would be true
to an apocalypse,

especially some years
down the road.

And so out of that
came this kind of idea

of these wild primitivos,

which obviously means
primitive people.

We gave the primitives
a very primal visual.

They're dressed in animal
skins, and they have horns.

And it took quite a while
to come up with a look

that felt real
and not too fantastical.

Sebastien Fouassier:
Today, I got really excited,

'cause we have like 60 stunt
people working on this scene.

Eduardo Noriega: You need so
many people to be coordinated,

just to be able to shoot
a scene like this

all together at the same time,
doing the same specific shot.

Norman Reedus:
It's a lot of chaotic movement.

There's a lot of action
and adrenaline.

Melissa McBride: It was, like,
the longest action sequence

maybe that I can remember.

There were so many setups
for that.

Sebastien Fouassier:
We have, you know, vehicles.

One is crashing through
the gate.

We have primitivos
fighting everywhere.

We have Daryl and Carol

also making their way
through the gate.

Brawl.
Yeah. So-- Exactly.

And then...

There's a fighting style

that I've tried to sort of adapt
and grow along the years.

I choose to have fluid weapons
to duck under arms and swing.

And, you know, it's always

how do I get from this point
to that point

with the least amount of effort
in the smoothest way?

Because we're always
running through.

I try to tell the story
with the stunts.

And our stunt team
is really, really good.

I love this choreography.

Paz is so physical
and has a lot of weapons,

and she uses everything
for the fight.

So this is the most exciting
part for me.

Melissa McBride:
Really, it was one of the
most difficult action sequences

that I've ever shot.

It was complex for the director
to put together.

Paco did a really good job.

Cut, cut, cut!

Something ain't right.

David Zabel: In our constant
attempt to find new ways to use
walkers,

we talked about these catapults
that are used

to project the flaming walkers
into the town.

That was an idea
of a medieval attack on a town.

Norman Reedus:
They do it with a light effect.

So there's a crane
and a giant ball,

sort of lantern
that flies through the sky.

You know,
that's what that looks like.

They hit,
and then they spread out.

And they show up,
and they're already out.

Now we're gonna roll

for the last piece of the fight.

We're gonna be shooting now
in that direction, okay?

We had a lot of people
on fire.

Paco Cabezas: And fire, burning.

We had nine zombies on fire
at the same time,

which was pretty good.

Paco Cabezas: Ready, ready.

Norman Reedus:
They coat themselves in this
gel, and the gel is freezing.

It's a bunch of big stunt guys,

like, you know,
looking really scary,

and they're freezing.

We did a few tests with Greg
and his team and my team

where we kind of mix
all this energy

and experience together
to make it look cooler.

Time-out, time-out!

Sebastien Touassier:
The most challenging thing?

Everything is a challenge.

Eduardo Noriega: In this town,
there are some people

who are against El Alcazar
and La Ofrenda.

But there are some of us

who think that it's a price
we have to pay,

because they protect us.

But after this massacre,

there are lots of doubts
about the real protection

that we receive from El Alcazar.

Hey!