Original subtitles

Thank you.

Carl Christie.

Isn't she glorious?

She's everything I told you, isn't she? Come on, speak up.

Don't be shy. She's going to be your star, right?

She's going to be your star. You've got to have confidence. You've got to have

energy. You've got to talk to her. He's the one I told you about. Bakersfield

Film Festival.

Best Short Feature.

This is Carl.

He's brilliant. He's fantastic. Isn't she?

What do you think?

You've got to connect with her. You've got to connect. If you are going to have

a psychosomatic connection with your actress to create fine, beautiful art,

you've got to dial in. You've got to see her eyes. You've got to see this.

spirit dwelling within those eyes. Let's see it. Let's see if there's a

connection. What do you think?

Hello?

Does your boy know how to give good toe?

Give good toe?

Oh, he's from Bakersfield. That's all they do in Bakersfield is give good toe.

They've got nothing else to do. It's just desert and oil fields and a bunch

cows and dairies.

They're the best toe givers you can possibly imagine. Right, Carl?

Toe? Well, show her.

See what you can do.

Look, sometimes you have to sacrifice for your art.

Okay? I had a sacrifice when I was young. I had a sacrifice a lot. There

things I will never tell you about.

It's important.

It's very important because from that sacrifice builds character. The symbol

that you devise from those, the mythological symbol.

Excuse me.

Can you just rub my toes?

You horrible. Rub a toe.

Just rub your toes.

Yeah. Now.

Alright.

Carla, you have to admit they're glorious toes.

Well, I mean, she's great.

But, I mean, rubber toes?

I'm training him. I'm training him. And the man, the boy obviously gives great

toe.

Beautiful toe.

Come on. Come on. Let's see the work. Let's see the work.

World -renowned.

Deep, deep, deep.

Very sore.

I was out late last night. I had to entertain.

So many directors, and everybody wants me.

I'm just so tired. I'm just so exhausted.

The rubbish is good, but... The rubbish. I really would like his... If he would

wipe my ass.

Of course, what was I thinking? You've got to wipe her ass.

There's no doubt about you. Absolutely, you've got to wipe her ass.

Carl, what's the hesitation here?

You're getting an opportunity to wipe this ass.

Not just any ass, this ass.

Hold it. Let me wipe your ass.

Here.

Here. Here we go. Right here.

There we go.

There it is.

That is wonderful.

He'll wipe his ass.

She'll sign the contract.

I'm a star.

And when I tell you to wipe my ass, you wipe my ass.

Okay? Come on.

Wait.

This is the sacrifice that I've spoken of so many times in my lectures that

that they just don't listen.

Beautiful. Oh, wonderful, wonderful.

Well, what do you think?

I... I've wiped your ass.

I think I need to take a shower.

I'm a little tired.

I need to be rejuvenated.

I'm going to go take a shower.

And I'd like little director boy to come with me.

Come on, little director boy. Let's go.

Carl, what's that hesitation?

Was that not the finest thing you've ever seen?

Was that, was it, was it... Carl, I want to make the film.

Come on. I'll show you how to make your film. Come on.

Follow me. Follow me. Let's do this.

I love you.

This is really important for the project.

Really, really. Look, I know you're kind of freaking out. You're wondering

what's going on.

We have a little problem.

Not a big deal. Not a big deal.

Christy is in Cancun right now.

And she's not coming back.

She's not coming back. So we're going to have to get you a new lead.

We're not coming back.

Well, she's, I don't know.

She's got some sort of past things, some sort of emotional things,

psychosomatically. She's just not there. We know she's not there anyway. Let's

do it next week. We knew going into this. Are you getting short with me?

look, man. I know this is your film, but this is my money. I've got a million

dollars in this thing. I believe in you.

Don't get hostile with me. I'm telling you, man. Just don't get hostile with

What are we going to do? We've got to get into the group. What are we going to

do? The reason we're here is you'll just let me speak.

is I have some girls for you to see.

We're going to do a little casting thing. I want you to read some new

Give them a shot. Look, look, don't. You're tensing up.

Don't do that. When you're on the set, man, you've got to be a pillar of

strength. You've got to be the wise man, the sage. You have to be the Obi -Wan

Kenobi. You have to be Yoda.

Be Yoda. Be reserved.

passionate, and having a great drink, okay?

So keep that in your mind. Keep that in your mind, okay? Don't freak out. You're

freaking out. You can't do this. How? I'm freaking out? This is your shot.

You told me Christy's not going to be here. I mean, it's a little weird. I

our first girl is here, okay? I'm going to bring her in. Her name is Brittany,

okay? She's a little shy.

I want you to read her. We'll put her in something nice to wear.

Read her.

We'll have a new lead, and your film will be fine.

Okay? Don't worry. Don't worry.

Trust me. Trust me. Your film will be beautiful. It'll be fine. Okay?

Okay? I'm going to get Brittany.

I'm going to get... Relax.

Relax. Okay?

Okay? Remember, Obi -Wan Kenobi.

Fuck! Brittany?

Brittany? This is Carl.

Hi, Carl. Hello, Brittany. Okay?

Carl is the director.

and we brought you in to do a little read. We have a little casting issue,

it's okay, right?

It's great. We're going to find somebody. Our casting issue is just

Yes, we're going to be fine. Well, I hope I can help.

Did your agent tell you what this is about, what the movie is about?

No, you know, I just really got a last -minute call. So you have no idea.

Did you bring sides for her to read?

No?

Carl,

come on, come on. You've got to be thinking ahead here. You've got to be

step ahead in the ballgame here. Oh, okay. You've got to bring thigh to the

session if you're going to read for the new lead. Look at her. She's gorgeous.

She needs paper. She needs words. She needs ink.

We've got to leave. The girl's got to have ink. I don't know what we're going

do. So there's no script? Oh, you know what?

Here.

We're going to pick a page out of here and you can read this, but I think we

have a problem here.

I think we have a problem we need to deal with.

She's beautiful, but we've got to send this tape to the studio for approval,

she might be a little bit too done up, so we need to get her in some different

wardrobe. Here, I'll take this. Let me have the script, and we'll choose a page

later. We don't need that. Now, would you stand in control? Just relax.

Okay, relax.

It'll all be good.

Let's pick something out for her to wear, and we'll put her on tape in

special.

Someone should have told me specific things to bring. I mean, I could have

brought my own stuff.

Carl. Carl, help her out.

This will work.

How about this? Okay. What do you think?

I don't know. What kind of part is this? It's a little see -through.

Well, I mean, there might be.

Okay. That's fine.

Let's see. Let's see this. Let's stand up.

Back there, Carl, so we can see.

I think this is good, don't you?

This is good. Look, it's flowery. It's floral.

The roll is very Midwestern. And they like that. They like flowers. They like

texture and flowers and things.

This will be perfect for that. Don't you think? Sure. I think it'll be

wonderful. I think it'll work. Okay, listen. We have a lot to talk about.

Carl's having a panic attack today. He's fucking out of control.

I've got to calm him down, okay? This is not a bad situation.

We'll work this out. Look, look. We know she's not coming back from Cancun, but

don't stress it, dude. It'll be cool.

Who knows? Brittany might work out. She might work out. She's going to change

into this thing. You change into this darling, honey. You look wonderful. We

love what you came in, but we think this might feel a bit better for our

Midwestern audience.

So you put that on, and you and I go talk, and then we'll come back and we'll

put her on tape, okay? I need to calm down.

She's got to be done. Now this outfit's got to be done.

Oh, look it. She's done.

Yeah, I'm ready.

How's that? What do you think, Carl?

Fabulous. Carl, speak up. It's your fucking show for Christ's sakes. What do

think? She looks fabulous.

Okay. All right.

I think this will work.

You like the hair up? The hair up feels good?

Does the hair up feel good?

Feels good. You want it down or you want it up? Up is good. Up is good? Let's

keep it up. Okay. All right. Do a little turn for us. Let's see.

Okay. All right. All right. Hold that for just a second. Let's see. Let's turn

to page 52.

52. Let's have her read. She needs to read from page 52.

52 is the page. Let's see what we got there.

Let's hear a few lines before we take you in the room.

Kyla, you're going to have to work with her here.

We're going to put her on tape.

If you want her to be your lead, you're going to have to work with her. What do

we have on 52?

A conversation between.

Peter and Sabrina?

Peter and Sabrina?

Read a few lines. Let's hear a Sabrina line. What does Sabrina say?

Okay.

Your friend is mine, Peter.

Well, Carl, what do you think?

What do you mean?

Come on, man. You're the director. You're like the executive. You're like

CEO of a major corporation here, except it's my million fucking dollars you're

spending to live here. What do you think?

She had a good line.

Yeah. Okay,

the page is wrong.

The page is completely wrong.

Go to page 94.

It's got to be page 94. It's just the wrong page.

I mean, 94.

It wasn't 52.

It's got to be 94. What is that script?

That's Return of the Man. It's a great script for Reed. It's really wonderful.

I'd never make the fucking film. But for Reed, it's really good. It's got snappy

dialogue, very quirky.

It's a period scene. The bell and bug.

Bug. Bug. What do you think? What do you think? It'll show range.

Have her read bug.

Okay.

Yes.

He had tiara.

What the fuck are you doing?

Well, that's the line for bug. It's like Indian or something.

What did you think of that?

Carl, this is like Navajo.

Look, ah, here we go. House of the Lunatic.

House of the Lunatic.

All right, look, look, look. I can't do everything. Okay, Carl, I can't.

You choose a page for her, okay? You choose a page, and I want to see you on

set. Bobby, you got that camera ready? I want to see you on the set in about ten

minutes. Do a little rehearsal with her. Pick a page. Ten minutes, we're on the

set, and we shoot this thing, okay?

We understand?

Okay?

Yeah. All right, okay.

It seems a little unorganized around here.

Well, I mean, the guy's out of control.

You've got the money.

The film's going to be great.

Okay. It's kind of making me a little uncomfortable. It's not the script. That

wasn't the script.

Where's the script?

Well, we'll pick a theme from here. We'll get you on tape. We'll get it to

studio. Okay.

Yeah, I guess that's really important, right? Yeah.

Okay.

They're going to pick the girl. Of course, I'm the director, so I'll be

help out. But we'll just get something on camera.

Okay.

And hopefully avoid that nutcase.

I don't have all day, you know. Let's pick it up, guys. Come on.

We should probably hurry, right?

Are you familiar with the script at all? Yeah, there's a great scene here

between Heidi and Paul.

Starts right here.

Yeah, I'll do this one.

I need to read it over a couple times.

So, ready to read something?

Sir, would you like me to do that same line that I did a little earlier?

Yeah, just try a little bit of the Sabrina.

I'll play the other two parts, right?

Yeah, well, yeah.

That's what you do, right? Why don't you... No, no, no, no. You read the

other parts, right?

Right, and she'll read Sabrina, and then you give her direction.

You get her energized, and we'll do it a couple different ways. And then what

we'll do is we'll choose.

We'll choose which one, two, three. We'll choose which one of those three,

that's the one that we'll send to the studio, okay?

Oh, right. Okay, so let's see it. Let's see it. Bobby, roll camera, okay?

And when we're done with this, turn the camera off.

God. Jesus.

Okay. All right. Okay. Okay. And, and, you know, I'm not the director. You're

the, you have to call action. I'm not going to call it from back there, man.

let's, let's, let's, let's hear it. Whenever you're ready.

Go ahead.

Action.

I wonder what Peter and Ben are doing right now.

Working, like you said.

No, I mean right now.

You want some grapes?

What's going on there? I want some.

Your read's horrible.

Thank God you're the actress and this guy's just like some lowly director

He probably wishes he was an actor. All actors just want to be directors anyway,

don't they? And then actors want to be directors. Nobody wants to do what they

really should be doing. It's a clusterfuck, I'm telling you.

Listen, have her do it a different way. You've got to change.

Well, we didn't even finish.

Try it with a Midwestern accent.

And I'll try... You know.

Go ahead.

Okay.

Bobby, are you wrong? Okay, good. All right. When you two are ready.

Okay.

Um... We don't have all day here.

I mean... Can I, like, get my thoughts together? All right, go, go, just go,

just go. All right. I got people lining up outside. Let's go, let's go.

Okay, you guys called me, so don't forget that, okay?

Have I told you how beautiful you are?

You're gorgeous.

Isn't she beautiful? Give her a second.

Flowers and champagne when you're done.

Okay.

I wonder what Peter and Ben are doing right now.

Working, like you said.

No, I mean right now.

You want some grapes?

God, she's good, don't you think?

What do you think?

The Midwestern accent was dead on. Yeah, well, you've got to give her another.

She's got to do something else, but we've got to have a choice.

Right? Right?

He's brilliant.

I'm telling you. He's brilliant.

He's brilliant.

Have her do it another way.

Forget the Midwest.

Okay.

Try... Your mom just died right before this scene. Go ahead. Try

it.

Um...

Do you know what Peter and Ben are doing right now?

Working, like you said.

No.

I mean, I mean right now.

You want some grapes?

I want some.

Oh, God.

That was brilliant.

You made the perfect... Would you have sex with her?

I was back here thinking, you know, I was thinking, if I'm a guy 18 to 35,

that's our demographic, 18 to 35 males Midwest, remember.

If I'm back there and I'm watching this, I'm thinking, I want to have sex with

this woman.

So I think that your direction was brilliant.

I think that you pulled the sensuality.

She was dry.

No, she was bad.

But that time.

at that time. You see, that's the magic between you as the director, and she is

a wonderful actress. You pulled that out.

You pulled that out, right? I mean, I do know what I'm doing. I think that you

should give her a little more direction, and we'll do another read. I've got to

run. I think that we've got a few more girls outside. I'm going to go talk to

them. You two discuss it. We'll put one more on tape, and then we'll see the

others, and we'll move on from there. All right? Okay. Okay,

so are you frightened yet?

A little.

But I don't mind.

And there's some good people involved in this film.

Yeah,

I can tell you're definitely one of them. You'll get paid. That's what I'm

saying. And you won't get hurt in the process.

So what do you do for fun? I mean, besides.

For fun?

I don't know.

Stuff. Really?

Yeah.

You know.

Yeah, you think I'm doing a good job. Yeah, I think you're doing great. The

draft looks...

Perfect. You like it on me?

Yeah, I love it.

How does it look on my breasts?

Um, I knew it would fit perfect when I saw it hanging there, so it looks great.

Is there any topless parts in here? I mean, maybe you need to have a better

at them.

Well, there's, yeah, there's probably, yeah, there's a couple left and we're

probably going to need to, you know, eventually.

What do you think?

Perfect. I mean, they're... What about from the side?

Well, I mean... Do you like my nipples?

Do you want me to get them hard for you?

I bet you could make them really hard.

Well,

I... Why don't you feel them for me? Tell me what you think.

Well, they... They feel real, don't they?

They feel really great.

Wow.

We're not going to need a body double, I can tell. No.

No.

Yeah.

You want to see more?

I mean... I'd really like to show you more.

Whatever you'd like. You're in control here.

What?

Um, so what do you think?

I... Yeah.

Yeah? You passed the body check.

How does my body feel?

So far, no complaint.

You look great.

Did Jerry play with it this morning?

Well, maybe.

Yeah.

um um um

What's taking you so long? I've got other people waiting out there. Honey,

were great. I don't think you're going to make it.

Maybe you can do B -movies or something, okay? What? There's a girl in here

you've got to see. I think you're going to want to make it. I haven't made our

decision yet. Come on, come on, come on, come on.

Okay, so I don't get the part now?

We haven't made our decision yet.

What did I do? He hasn't even seen the tape. You were great on it. All right.

Believe me, we'll be in touch.

Amanda, wonderful, wonderful. I'm glad you could make it on such short minutes.

Notice we have a little bit of a situation. We need you to read for this

the lead in the film.

Okay. In the film. It's a great film. It's awesome. You'll absolutely love it.

Carl. Carl.

Carl.

Come on in.

Amanda. Amanda. Carl.

Hi. Carl. The director, phenomenal young talent, great short, almost won first

place, fantasy genre, Bakersfield Film Festival. I was there.

You know.

Yeah.

Oh, no, no.

Oh, it looks so great. What do you think? I think she's the one. Don't you

think? She's absolutely gorgeous.

Well, it looks great. Yeah.

Probably have to have you read something. Carl, are you talking back?

I mean, she's from... Look at this. She's... Oh, gosh.

Look at her eyes. Wait. Look right into his eyes. Look, look, look, look, look.

Okay? See sparkles?

Like flames. They're like flames of sensual things. They're wonderful. Don't

think? You're like the shmarmy nightclub guy who walks up to a girl and says,

hey, you'd be great. What?

Let's have her read.

Yeah. I don't mind.

Yeah, Carl, that's a great idea, Carl.

All right, let's have her read. Here, have her read something out of this.

What's this? Page 59.

59, the man says. Page 59.

Let's have her take a look and see what's on 59.

Let's have her read that.

It'll be good. She's going to be phenomenal.

I've heard great things about you. Weren't you in that film, Attack of the

Killer?

What was it? Never mind. It doesn't matter.

She's been in great films.

Her films are phenomenal.

She has a great persona on stage.

Incredible magnetism.

What do you think, Carl?

Come on. And I need something from you here. Look, I'm throwing a lot of money

in the line here. I really need something from you here.

I'm on board with you. Are you inspired?

See?

I'm inspired. Thank you.

He sees it. He sees your beauty. He sees the glory.

But you know what? She's going to have to. We've got to get her into a

outfit first. So let me take the script away from you. You can't have that.

Okay, we've got to get her. She used to be in something different. You know her

demographic. We've talked about this before, Carl. What do you think, man?

I think she's the one. I think she's absolutely the one.

I thought those were pretty good.

This might work.

That's great. She has phenomenal taste. I love her taste.

In fact, that's why that film that you did.

It's escaping me right now, but it was magnificent.

It was great. I can't remember the title because I was so overwhelmed with her

beauty. It was like, you know, it was like Welch in that movie Million Years B

.C. You know, cave woman running around in bikinis that were like all low cut.

You know, I'm talking about like 72 -ish or something like that. It was a great

film. She was just like that.

Absolutely just like that, yeah. So, what we're going to do is, Carl, come

What is she going to do?

Well, I guess try those pants on and...

We're going to let you go.

We're going to walk away.

You change into the pants.

When you're ready, we'll come right back in. We're going to get you to read for

the camera.

Come on, come on.

Let's talk about this rewrite you're doing tonight.

You've got about 40 pages you've got to rewrite.

She's got to be ready now.

Oh, you're almost there.

You're going to get the roll. You're going to get the roll. And it's sexy.

got to see anyway so it doesn't really matter. What do you think, Carl?

Is that going to work? I think it's going to work.

She's got the figure for it.

Okay, so what do we say? 59?

Let's get 59.

59.

59.

59. Okay, 59.

Alright, there you go.

What? You know the theme?

How the fuck would I know the theme?

I got 8 ,000 scripts on my fucking desk. How am I going to know what page 59 of

this? How am I going to know what that is?

I mean, if you're sort of in charge, you might know the theme.

Let's just read the thing. It says I'm hiding and I look sleepy.

Okay, she's hiding and she looks sleepy.

You're brilliant. Take control.

Why didn't you return my letters?

Letters?

I've been quite busy.

That is no excuse.

I'm sorry.

Okay, this is great.

I'm overwhelmed.

I'm so inspired. I want to go out and I just want to buy tissues because I'm

going to cry a lot. That's what I want to do. I want to buy tissues because I'm

going to cry a lot because I'm so inspired.

But you need to bring it up some, okay? Remember our demographic. We've got boys

18 to 35 that really want to watch this film and certainly want to watch her.

And I don't want to be crying. I don't want to be crying. So why don't you give

her something else? Give her some direction.

Look, I saw the film in Bakersfield. It was phenomenal.

He's brilliant. He's brilliant. Show us some of that. All right. All right.

Yeah.

All right. So 59?

You're 59.

Let me ask you something.

Have you ever... Did you go to college?

No. No?

No.

That's not going to work then. Carl.

Carl.

Look.

Carl, did you go to college, Carl?

Carl? It's not going to work. You know, I'm really... You know, I love you.

You're like my son. You're like my son I never had. I love you to death.

You're fucking off. You're way off. You're way off.

I'm going to go get a power drink or a coffee or something. You guys just work

this shit out. You work this shit out.

The guy's out of control.

I don't even know what the fuck this is.

He has some money. That's about all.

He wants to hire you. We're going to make a good film. I just have to bite my

tongue when I'm around this jackass.

I really did love your film.

Well, this is going to be quite a bit bigger production.

Really? Oh, I'd really like to be in it.

Um, we do have to get you on camera for something, but, um, we'll worry about

that later. I mean, what do you, like, what do you do for fun?

What kind of person are you?

Um, I don't know, like, so what can resist, like, being in your film?

Well, I mean, I, I like you.

you're perfect but you know what when i pictured the lead role i pictured you

and you mean you know so far i don't see any reason why you couldn't be you know

that girl okay yay thank you thank you maybe

It would normally happen.

Is it?

Yeah.

I feel the energy. I feel like there's hope.

We can pull. We don't need Christie.

We don't need... Come on.

Come on. Come on. Carl. Carl. Carl. This is Kelly.

Kelly. Carl.

Carl is the director. Me too.

I'm Kelly.

She's the one. Yeah. She's the one. This is after the one. Yeah. Kara is... No.

Kelly.

Kelly. Kelly. Yeah. Kelly. Kelly was the number by the agency. She...

Look, she's gorgeous. She's absolutely gorgeous. I will play the part three,

I'm ready to learn my script and everything. Did they send you sides?

didn't send me anything yet, so I don't really have an idea. I just know it's a

romance written about a novel.

You're going to have to dial in. You're going to have to get in. You're going to

have to dial in, okay, because she hasn't seen anything yet, all right? So

get into her head, and we'll feed her something great, and we'll do her screen

test. We'll do it on the gel set.

The jail.

The jail.

Wow.

Imprisoned female form needs to be liberated.

What do you think, man?

Look, no, no, no. It's your show. You tell me.

No, Ruger, I'm tired.

She has to be the one. I told you. I'm it. I told you.

We'll make it work.

He's brilliant. He's absolutely brilliant. Wow. In a long day.

What's your problem? You got bugs in your hair?

I thought I saw a fly.

Bobby?

The pest control people been here yet?

The medication healing.

All right, okay, okay.

Are you feeling okay? No, I'm feeling completely fine. In fact, I'm inspired

right now. He is such an inspirational person. I'm completely inspired. I know

he's going to do great.

Listen, I've got a bunch of people waiting out there. I've got to go talk

them. I've got to get them dialed into what we're doing, okay?

Right? Right? What?

What? What?

Okay, yeah. Teach me. Now, so what I want you to do. I want to learn. We know

the routine, Carl.

You're the man.

Pick out a nice outfit for her. Get her in the outfit.

We'll take some scripts with us. We'll feed her some lines in the jail set. Put

her on tape. Send her to the executives.

And we'll have our movie.

Look, look. We don't need Christy.

We don't need Christy. You need me.

Christy's in Cancun.

Oh, well, I'm right here. She's drinking margaritas.

Very well.

She's looking at my imperative.

She's getting blitzed right now. She's watching Seagull.

Margaritaville. She's a bitch. Yeah, she's out. She's out now.

She's a bitch.

Yes. Yes. Right? Yes. She's out because we have you.

We have me. You.

Yes. You. You. Yes. Okay. Bobby. Bobby. You pick an outfit. You pick an outfit

and I'll be back in, you know, 10. I'll put it right on. Right? Okay.

Okay. Bye. Great. Yeah.

Hopefully you're not thrown off by the... Am I going to be dressed like a

beautiful woman?

Or a young girl?

How comfortable are you with... Can I be sexy?

Maybe lingerie?

Lingerie? That's sexy.

There's going to be a lot of nudity. Some in the movie.

Okay.

Carl!

Yeah?

Looks great, doesn't it?

I've been bad.

First time this guy's been silent. Probably, I don't know, the last three

I've known him. Oh my gosh.

Finally, I shut him up.

Thank God he came to rescue me.

Take me out of this prison.

He's crazy his whole life.

One time I did something.

Just let me out of here.

You're amazed by the brilliance, aren't you?

Huh?

Have you chosen the theme?

Um, yeah, you did.

23.

Remember, uh... Yeah, quick, hurry up, yeah. How about we do this, and, uh...

We'll put you on camera, and then, uh... Okay.

Okay.

Remember? 23.

She's in a jail cell.

Okay.

That's good.

Carl?

Good. Gel. Gel cell.

I have to put this big orange thing on?

Apparently. I'm in high security now?

Oh my god.

What have I done wrong?

I've been a good girl. Where?

I'll tell you what, Carl.

Brugger?

Let's hear the read.

What?

Now I look ugly. I'm not sexy anymore.

So zip it all the way up, too.

And button it.

Carl? Grover?

Yeah? I guess, let's just read.

It's been there a long time. My grandfather says before.

Even his grandfather.

What does it mean?

Everything. The man with the fire in his face.

And your thoughts.

That's Matt's all.

He knows about this.

What is the purpose of the carving? Carl.

I was trying to piss him off. It didn't work.

We're going to get this picture made. It's going to be great.

The script is great.

Not this.

Everything will be great.

Absolutely.

You're okay with working with somebody who's a little off?

Oh yeah, that's okay. I don't mind.

No problem.

I already know him already.

As long as he lets me out of here.

Get over here. I know you didn't want to just read that script to me.

Sit down.

So, what do you think? What I think is, I want to get down to the real business

that I came for.

That's what I think it's time for right now.

See, this is what I really can't watch.

Chrissy, Ruger sent me over.

You know, sitting on the beach in fans' rooms drinking margaritas all day felt

really, really boring.

So, I've decided to do your movie.

Great. It's a new brand, isn't it?

It is. It's going to be great.

Goodbye.