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♪ ♪
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NARRATOR: FOR THE
RUGGED PIONEERS ON AMERICA'S
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FIRST FRONTIER, LIVING IN FORTS
DOTTED THROUGHOUT
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THE WILDS OF WESTERN VIRGINIA,
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A BRAVE COURIER, WITH A SWIFT
HORSE, IS THEIR ONLY LIFELINE.
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AND THERE ARE FEW BRAVER
OR FASTER
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THAN ANNE BAILEY.
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♪ ♪
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NOW, SHE IS ON THE MOST
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IMPORTANT MISSION OF HER LIFE.
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[SHAWNEE WARRIORS WAR CRIES]
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[GUNFIRE]
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THE FATE OF THE ENTIRE
SETTLEMENT OF CHARLESTON
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AND HER OWN FAMILY,
IS ENTIRELY IN HER HANDS.
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[GUNFIRE]
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SHE MUST BREAK THROUGH THE
SHAWNEE WARRIORS
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BESIEGING THE FORT TO DELIVER
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GUNPOWDER AND AMMUNITION
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BEFORE IT'S TOO LATE.
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[GUNFIRE]
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♪ ♪
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♪ ♪
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♪ ♪
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ANNE BAILEY'S EXPLOITS ON THE
EARLY AMERICAN FRONTIER
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HAVE EARNED HER THE NICKNAME
"MAD ANNE",
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BUT SHE IS MUCH MORE
THAN THAT.
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BRADY CRYTZER: THERE ARE FEW
PEOPLE WHO EMBODY
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THE SPIRIT, THE TENACITY,
THE STICK-TO-ITIVENESS
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AND THE GUMPTION THAT IT TAKES
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TO SURVIVE ON THE FRONTIER
THAN ANNE BAILEY.
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TO CALL HER MAD DOESN'T
DO THE WOMAN JUSTICE.
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SHE WAS THE EMBODIMENT
OF THAT SPIRIT,
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TO SURVIVE AND FIGHT
AT ALL COSTS.
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CHERYL VAN DEUSEN: IT IS
AMAZING HOW SHE LIVED HER LIFE,
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AND WHAT A PATRIOT SHE WAS.
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SHE WAS THE VERY FIRST TRULY
100-MILE
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ENDURANCE RIDER
IN THE UNITED STATES.
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AND MOST OF US ARE UNAWARE
THAT SHE EVEN EXISTED.
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LAURA KAMOIE: A PERSON ON THE
FRONTIER
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COULD SEIZE THE OPPORTUNITY TO
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REINVENT THEMSELVES,
AND TO PROVE THEMSELVES,
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AND ANNE BAILEY DID
ALL OF THAT.
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♪ ♪
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NARRATOR: BORN ANNE HENNIS
IN LIVERPOOL, ENGLAND,
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SHE JOURNEYS TO AMERICA
FOR A FRESH START.
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♪ ♪
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AND MAKES HER WAY TO THE
KANAWHA VALLEY,
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ON THE WESTERN FRONTIER
OF VIRGINIA,
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A LAND POPULATED BY VETERANS
OF THE FRENCH AND INDIAN WAR,
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LIKE RICHARD TROTTER.
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♪ ♪
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CAN I GET YOUR BAGS,
MA'AM?
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OH, THANK YOU.
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WHERE ARE YOU
TRAVELING FROM?
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VIRGINIA, BY WAY
OF LIVERPOOL.
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LIVERPOOL.
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NOT MUCH OF AN ACCENT
ON YA.
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WELL, MUST BE MY
TIME ON THE FRONTIER.
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YOU'VE MADE QUITE
A JOURNEY.
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KANAWHA RIVER VALLEY
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IS AN AREA WHERE THERE
IS GREAT ABUNDANCE.
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WHEN YOU'RE BORN IN,
YOU KNOW,
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THE SLUMS OF LIVERPOOL,
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IT'S AN EPIPHANY FOR THEM
TO COME TO A PLACE
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THAT SEEMS PRISTINE
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AND UNSOILED BY HUMANKIND.
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IT WAS, IN EVERY SENSE,
THE TRUE GARDEN OF EDEN.
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IT SURE IS A WONDER
OUT HERE,
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BUT NOT WITHOUT
ITS CHALLENGES.
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OH, I LIVE FOR
CHALLENGES.
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WELL, RIGHT THIS
WAY THEN.
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♪ ♪
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NARRATOR: IN THIS NEW,
UNTAMED LAND,
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ANNE FINDS A HOME
AND A HUSBAND.
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♪ ♪
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I DO.
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♪ ♪
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NARRATOR: THE NEWLY MARRIED
ANNE TROTTER
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SETS ABOUT MAKING A LIFE
ON THE FRONTIER.
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BUT EVEN IN THE WILDERNESS,
ANNE HAS TO FIGHT
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AGAINST WHAT SOCIETY EXPECTS
OF HER.
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VAN DEUSEN: IN ENGLAND, THE
AFFLUENT
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STARTED RIDING
SIDESADDLE.
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AND SO, AMERICANS
BEGAN TO EMULATE THAT.
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IT WAS LIKE, "WE'RE SUPPOSED
TO BE LADIES.
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WE DON'T RIDE ASTRIDE HORSES."
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WHOA.
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I CAN'T KEEP UP.
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I'LL GO A BIT SLOWER.
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I HAVE A BETTER IDEA.
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VAN DEUSEN: SHE WAS ONE OF
THE FIRST PIONEERS TO SAY,
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"I CAN'T DO WHAT
NEEDS TO BE DONE,
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IF I PAY ATTENTION
TO THIS SOCIETAL NORM."
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FIRST TIME I SEEN
ANYTHING LIKE THAT.
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MY FATHER WAS A SOLDIER.
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YOU LEARN THINGS IN
A MILITARY FAMILY.
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[PROMPTING HORSE]
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[HOOFBEATS]
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[LAUGHTER]
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♪ ♪
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00:05:03,936 --> 00:05:05,972
NARRATOR: AS THE YEARS PASS,
ANNE AND RICHARD
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HAVE A SON AND SETTLE INTO
A LIFE OF DOMESTIC TRANQUILITY.
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♪ ♪
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BUT WAR SOON COMES TO THEIR
PEACEFUL VALLEY.
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♪ ♪
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CRYTZER: THE SHAWNEE HAD
RECENTLY RELOCATED
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TO THAT AREA, PUSHED OUT OF
THEIR ANCESTRAL
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HOMELAND IN THE AMERICAN SOUTH,
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AND THEY WERE DESPERATE
TO DEFEND IT.
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ALL OF WESTERN VIRGINIA SOON
CAME UNDER
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THE WRATH OF SHAWNEE RAIDS.
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A LOT OF PEOPLE SAY THAT
THE SHAWNEE
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WERE A WARLIKE TRIBE.
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BUT THE REALITY IS THEY WERE
JUST TRYING
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TO FIND A PLACE FOR THEMSELVES
IN THIS NEW WORLD.
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WAR WAS REALLY THEIR
ONLY OPTION, IN MANY CASES.
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♪ ♪
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NARRATOR: SETTLERS LIKE RICHARD
TROTTER
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HAVE NO CHOICE BUT TO
GO TO WAR AS WELL
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TO DEFEND THEIR HOMES
AND FAMILIES.
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I'LL BE BACK
SOON ENOUGH.
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♪ ♪
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NARRATOR: BUT NOT ALL
OF THEM WILL COME BACK.
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♪ ♪
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MORGAN: THE SHAWNEE REALIZE
THESE WHITE PEOPLE
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ARE NEVER GOING TO STOP
COMING.
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AND UNLESS WE DO SOMETHING
TO STOP THEM,
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THEY'RE GOING TO TAKE AWAY
OUR WAY OF LIFE.
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AND THAT WILL EVENTUALLY
LEAD US TO
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THE BATTLE
OF POINT PLEASANT.
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[GUNFIRE]
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THERE WAS NEVER A
BATTLE LIKE IT
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IN THE HISTORY
OF NORTH AMERICA.
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AND IN THE END...
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THE SHAWNEE BACK IS
BROKEN IN THE BATTLE.
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[GUNFIRE]
[YELLING]
137
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[GUNFIRE]
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MORGAN: BUT ONE OF THE
CONSEQUENCES OF THIS BATTLE
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IS THAT TROTTER IS
KILLED IN ACTION.
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LEAVING ANNE WITHOUT
A HUSBAND.
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♪ ♪
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KAMOIE: MANY WOMEN PROBABLY
WOULD HAVE
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ASSESSED THE SITUATION,
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REALIZED THEIR VULNERABILITY,
145
00:07:02,521 --> 00:07:06,558
AND THEN GONE BACK
EAST TO THEIR FAMILIES.
146
00:07:06,725 --> 00:07:08,994
CRYTZER: BUT ANNE BAILEY WAS NOT
IN A POSITION
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00:07:09,161 --> 00:07:14,300
TO JUST SHRINK LIKE A VIOLET
AND MOVE BACK EAST.
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HER HOME, HER FAMILY,
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EVERYTHING THAT SHE MADE WITH
HER BARE HANDS
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WAS ON THE FRONTIER AND
SHE WASN'T ABOUT TO LEAVE IT.
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ANNE: THE FIGHT CAN'T
END HERE.
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I WILL FIND JUSTICE
FOR THEM.
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I'M GONNA NEED
YOUR HELP.
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VAN DEUSEN: SHE FELT THE CALLING
THAT IT WAS SO IMPORTANT
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TO CONTINUE THE WORK
THAT HER HUSBAND BELIEVED IN.
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NARRATOR: TO PROTECT THE ONES
SHE LOVES,
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ANNE WILL HAVE TO GIVE UP
THE LIFE SHE KNOWS
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AND REINVENT HERSELF.
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♪ ♪
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♪ ♪
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STAN BUMGARDNER:
SHE WENT ROGUE.
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SHE WORE MEN'S CLOTHING
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AND SHE WAS KIND OF
CALAMITY JANE
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BEFORE CALAMITY JANE.
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VAN DEUSEN: ANNE WAS A MOTHER.
166
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AND YET, SHE SET ASIDE
HER FAMILY NEEDS
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00:08:15,928 --> 00:08:19,498
AND LEFT WILLIAM WITH A
NEIGHBOR THAT SHE TRUSTED.
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00:08:19,665 --> 00:08:21,500
NOW, YOU BE GOOD
TO MRS. MANN, OKAY?
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SHE'S GOING TO TAKE
CARE OF YOU WHILE I'M GONE.
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♪ ♪
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I LOVE YOU.
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I'LL BE BACK SOON.
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♪ ♪
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VAN DEUSEN: SHE WENT FORWARD.
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AND SHE DIDN'T LET HER
GENDER STOP HER,
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SHE DIDN'T LET STEREOTYPES
STOP HER.
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SHE DIDN'T DO IT TO
PROVE ANYONE WRONG.
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SHE DID IT BECAUSE IT WAS
THE RIGHT THING TO DO.
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♪ ♪
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♪ ♪
181
00:09:06,412 --> 00:09:08,747
NARRATOR: ANNE KNOWS SHE CAN
BEST SERVE HER COUNTRY
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AS A COURIER, DELIVERING
VITAL NEWS AND INTELLIGENCE
183
00:09:12,151 --> 00:09:14,654
BETWEEN THE FAR-FLUNG
SETTLEMENTS ON THE FRONTIER.
184
00:09:14,820 --> 00:09:16,956
♪ ♪
185
00:09:17,089 --> 00:09:19,491
VAN DEUSEN: SHE HAD HER
OWN TRUE GOALS,
186
00:09:19,658 --> 00:09:22,194
SO SHE WENT OUT AND STARTED
LEARNING THOSE TRAILS.
187
00:09:22,360 --> 00:09:31,203
♪ ♪
188
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♪ ♪
189
00:09:33,239 --> 00:09:35,007
NARRATOR: BUT SHE STILL HAS TO
GET ACCUSTOMED
190
00:09:35,140 --> 00:09:39,745
TO THE BRUTAL PHYSICAL
DEMANDS OF THE JOB.
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00:09:39,878 --> 00:09:40,947
VAN DEUSEN: WHEN YOU'RE DOING
THAT KIND OF
192
00:09:41,113 --> 00:09:43,015
LONG DISTANCE RIDING,
193
00:09:43,182 --> 00:09:45,150
IT WOULD BE SIMILAR TO
MARATHON RUNNING.
194
00:09:45,317 --> 00:09:48,687
AT SOME POINT, YOU RUN INTO A
WALL AND A LOT OF PEOPLE
195
00:09:48,854 --> 00:09:50,956
GIVE UP AND THEY JUST SAY,
"OKAY, I CAN'T DO THIS."
196
00:09:51,089 --> 00:09:54,393
♪ ♪
197
00:09:54,560 --> 00:09:56,828
BUT THE REALLY EXCEPTIONAL
RIDERS GO,
198
00:09:56,995 --> 00:09:59,832
"OKAY, I CAN PUSH THROUGH THIS
AND I CAN GET IT DONE."
199
00:09:59,998 --> 00:10:03,168
♪ ♪
200
00:10:03,335 --> 00:10:06,872
NARRATOR: MILE AFTER MILE,
THE UNFORGIVING KANAWHA VALLEY
201
00:10:07,039 --> 00:10:10,109
FORGES ANNE INTO A BOLD,
CAPABLE HORSEWOMAN.
202
00:10:10,275 --> 00:10:16,915
♪ ♪
203
00:10:17,082 --> 00:10:22,387
BUT THE DANGERS OF THE WILD
ARE EVER-PRESENT...
204
00:10:22,554 --> 00:10:24,723
[HORSE WHINNIES]
205
00:10:24,890 --> 00:10:27,760
AND NOT ALL OF THEM ARE
IN HUMAN FORM.
206
00:10:30,696 --> 00:10:32,297
NARRATOR: AFTER THE DEATH
OF HER HUSBAND,
207
00:10:32,464 --> 00:10:33,865
FRONTIERSWOMAN ANNE BAILEY
208
00:10:34,032 --> 00:10:37,869
HAS REINVENTED HERSELF
AS A COURIER.
209
00:10:38,003 --> 00:10:40,472
BUT NOW, SHE HAS COME FACE TO
FACE
210
00:10:40,639 --> 00:10:43,642
WITH THE DANGERS
OF THE WILDERNESS.
211
00:10:43,775 --> 00:10:45,211
HEATHER WEBB: WOLVES WERE VERY
COMMON
212
00:10:45,344 --> 00:10:47,546
AT THIS TIME IN THE U.S.,
213
00:10:47,679 --> 00:10:49,548
SO, IF YOU ARE RIDING
THROUGH THE FOREST,
214
00:10:49,714 --> 00:10:51,750
ESPECIALLY BY YOURSELF,
215
00:10:51,884 --> 00:10:53,752
YOU'RE IN A LOT OF DANGER.
216
00:10:53,885 --> 00:10:55,788
NARRATOR: ANNE HAS TWO CHOICES,
217
00:10:55,954 --> 00:10:58,758
RUN OR STAND HER GROUND.
218
00:10:58,924 --> 00:11:00,626
♪ ♪
219
00:11:00,793 --> 00:11:01,927
[WOLF WHIMPERS]
220
00:11:02,795 --> 00:11:04,664
[WOLF WHIMPERS]
221
00:11:06,298 --> 00:11:07,999
E.J. SNYDER: YOU'RE FACED WITH
A WOLF PACK,
222
00:11:08,166 --> 00:11:09,802
YOU DON'T WANT TO RUN.
WHAT YOU WANT TO DO
223
00:11:09,968 --> 00:11:11,970
IS STAND UP AND LOOK LARGER.
224
00:11:12,104 --> 00:11:14,839
YOU WANT TO MAKE NOISE,
POSSIBLY THROW ROCKS AT THEM
225
00:11:15,006 --> 00:11:16,508
TO TRY TO MAKE THEM
UNDERSTAND
226
00:11:16,642 --> 00:11:18,510
YOU'RE NOT THE MEAL
THEY'RE LOOKING FOR.
227
00:11:18,677 --> 00:11:20,546
[GALLOPING]
228
00:11:20,680 --> 00:11:22,114
VAN DEUSEN: SHE HAD DEVELOPED
THE EXPERTISE,
229
00:11:22,281 --> 00:11:23,582
SHE KNEW THE BEST ROUTES,
230
00:11:23,749 --> 00:11:25,951
AND HOW TO AVOID
THE TWO-LEGGED
231
00:11:26,118 --> 00:11:28,720
AND FOUR-LEGGED PREDATORS
THAT WERE IN THE WOODS.
232
00:11:28,854 --> 00:11:32,057
SHE ENDED UP BEING THE
PERFECT PERSON FOR THE JOB.
233
00:11:32,191 --> 00:11:35,428
[GALLOPING]
234
00:11:35,561 --> 00:11:38,163
NARRATOR: NOW, ONE OF THE BEST
RIDERS ON THE FRONTIER,
235
00:11:38,297 --> 00:11:41,934
ANNE GETS A CHANCE TO DELIVER
A WORLD-CHANGING MESSAGE.
236
00:11:42,067 --> 00:11:44,202
♪ ♪
237
00:11:44,369 --> 00:11:46,939
ON JULY 4, 1776,
238
00:11:47,106 --> 00:11:49,074
THE CONTINENTAL CONGRESS
RATIFIES
239
00:11:49,241 --> 00:11:51,210
THE DECLARATION OF
INDEPENDENCE.
240
00:11:51,376 --> 00:11:54,012
♪ ♪
241
00:11:54,179 --> 00:11:55,714
AND IT'S UP TO COURIERS
LIKE ANNE
242
00:11:55,881 --> 00:11:57,416
TO SPREAD THE NEWS THROUGHOUT
243
00:11:57,550 --> 00:12:01,020
THE NEW UNITED STATES
OF AMERICA.
244
00:12:01,187 --> 00:12:03,621
KAMOIE: PAUL REVERE IS ONLY
THE MOST FAMOUS EXAMPLE
245
00:12:03,788 --> 00:12:05,757
OF THE SIGNIFICANCE
OF HORSE RIDERS
246
00:12:05,924 --> 00:12:07,659
DURING THE
REVOLUTIONARY WAR.
247
00:12:07,792 --> 00:12:09,995
HORSEBACK RIDERS WERE
248
00:12:10,128 --> 00:12:12,297
THE MOST INSTANT FORM OF
COMMUNICATION
249
00:12:12,464 --> 00:12:13,765
THAT WERE AVAILABLE
250
00:12:13,932 --> 00:12:15,734
AND SO, THEY PLAYED
A CRITICAL ROLE
251
00:12:15,867 --> 00:12:19,170
IN DELIVERING THE
LATEST INTELLIGENCE,
252
00:12:19,337 --> 00:12:22,374
TROOP MOVEMENTS AND
OTHER FORMS OF INFORMATION.
253
00:12:22,540 --> 00:12:32,551
♪ ♪
254
00:12:32,718 --> 00:12:34,820
ANDREW NELSON: ONCE YOU GET
THAT INFORMATION
255
00:12:34,987 --> 00:12:37,055
TO ITS DESTINATION, YOU NEED
TO DISSEMINATE IT.
256
00:12:37,188 --> 00:12:39,457
THIS LED TO THE DEVELOPMENT OF
SOMETHING CALLED THE BROADSHEET,
257
00:12:39,624 --> 00:12:41,159
WHICH WERE RUDIMENTARY POSTERS
258
00:12:41,326 --> 00:12:43,896
THAT COULD BE PLACED
SOMEWHERE PROMINENT
259
00:12:44,062 --> 00:12:45,531
WHERE PEOPLE COULD READ IT.
260
00:12:45,697 --> 00:12:54,973
♪ ♪
261
00:12:55,140 --> 00:12:57,409
NARRATOR: ANNE RIDES ALL ACROSS
VIRGINIA
262
00:12:57,576 --> 00:13:00,012
SPREADING THE WORD
OF INDEPENDENCE.
263
00:13:00,178 --> 00:13:09,087
♪ ♪
264
00:13:09,254 --> 00:13:11,556
"WE HOLD THESE TRUTHS TO
BE SELF-EVIDENT,
265
00:13:11,723 --> 00:13:15,060
THAT ALL MEN ARE CREATED EQUAL,
266
00:13:15,193 --> 00:13:17,496
THAT THEY ARE ENDOWED BY
THEIR CREATOR
267
00:13:17,629 --> 00:13:21,166
WITH CERTAIN UNALIENABLE RIGHTS.
268
00:13:21,333 --> 00:13:24,436
THAT AMONG THESE ARE LIFE,
LIBERTY
269
00:13:24,603 --> 00:13:28,140
AND THE PURSUIT OF
HAPPINESS.
270
00:13:28,307 --> 00:13:30,909
VAN DEUSEN: ANNE AND OTHER
MESSENGERS LIKE HER
271
00:13:31,076 --> 00:13:34,513
WERE THE FIRST RECRUITERS
TO GO OUT THERE AND SAY,
272
00:13:34,647 --> 00:13:37,716
"HEY, WE NEED PEOPLE TO
JOIN THE MILITIA
273
00:13:37,882 --> 00:13:40,653
AND AMERICA IS AT RISK.
274
00:13:40,820 --> 00:13:43,855
AND WE NEED PEOPLE TO
STEP UP AND HELP US."
275
00:13:43,989 --> 00:13:45,990
ANNE: WITHOUT YOUR SUPPORT,
THE BRITISH
276
00:13:46,157 --> 00:13:49,160
WILL SUPPRESS AND
MURDER US ALL.
277
00:13:49,294 --> 00:13:52,597
NARRATOR: BUT NOT EVERYONE
WANTS TO JOIN THE REVOLUTION.
278
00:13:52,764 --> 00:13:54,099
KAMOIE: THE REVOLUTIONARY WAR
279
00:13:54,266 --> 00:13:57,002
COMPLETELY UNSETTLED
THE BACKCOUNTRY
280
00:13:57,135 --> 00:14:01,172
BY SPLIT LOYALTIES
ON THE COLONISTS' SIDE,
281
00:14:01,339 --> 00:14:04,142
WITH SOME BEING LOYALISTS
OR TORIES
282
00:14:04,309 --> 00:14:08,313
AND OTHERS BEING AMERICANS,
OR PATRIOTS.
283
00:14:08,480 --> 00:14:11,617
ANNE: WE NEED EVERY FIGHTER
THAT WE CAN GET.
284
00:14:11,750 --> 00:14:13,385
BOO.
285
00:14:13,519 --> 00:14:14,619
THERE WERE A LOT OF PEOPLE WHO
286
00:14:14,786 --> 00:14:16,955
ENTERTAINED LOYALIST
SENTIMENTS
287
00:14:17,122 --> 00:14:18,723
EARLY IN THE CONFLICT.
288
00:14:18,890 --> 00:14:20,492
BECAUSE EARLY
IN THE CONFLICT
289
00:14:20,659 --> 00:14:22,928
IT LOOKED LIKE
THE KING'S GOING TO WIN.
290
00:14:23,061 --> 00:14:27,366
AND PEOPLE LEANED TOWARDS
ENGLAND AS A RESULT OF IT.
291
00:14:27,499 --> 00:14:29,934
♪ ♪
292
00:14:30,101 --> 00:14:32,504
THANK YOU.
STILL CRISPY.
293
00:14:34,039 --> 00:14:38,610
KAMOIE: AND SO, ALL OF THIS
GAVE RISE TO MORE VIOLENCE,
294
00:14:38,777 --> 00:14:41,046
HOSTILITY AND CONFLICT
IN A REGION
295
00:14:41,213 --> 00:14:43,582
THAT WAS ALREADY
RIFE WITH ALL OF THOSE.
296
00:14:43,716 --> 00:14:45,450
NARRATOR: THE LOYALISTS MAY SEE
A WOMAN
297
00:14:45,584 --> 00:14:48,687
ALONE ON THE FRONTIER
AS AN EASY TARGET,
298
00:14:48,854 --> 00:14:50,622
BUT ANNE IS ANYTHING BUT.
299
00:14:50,755 --> 00:14:52,857
[FIGHTING]
300
00:14:52,991 --> 00:14:55,060
WEBB: SHE WAS A VERY
STRONG WOMAN.
301
00:14:55,193 --> 00:15:00,132
AND SHE COULD FIGHT
JUST AS WELL AS A MAN.
302
00:15:00,299 --> 00:15:02,367
NARRATOR: FOR TWO YEARS,
ANNE HAS CRISSCROSSED
303
00:15:02,534 --> 00:15:05,003
THE WILDERNESS, CONNECTING
FRONTIER OUTPOSTS
304
00:15:05,170 --> 00:15:07,506
WITH NEWS AND INFORMATION.
305
00:15:07,673 --> 00:15:09,274
MOST IMPRESSIVE.
306
00:15:09,441 --> 00:15:11,076
NARRATOR: AND OFFICERS
IN THE COLONIAL MILITIA
307
00:15:11,209 --> 00:15:14,279
HAVE NOTICED HER
FEARLESSNESS AND DEDICATION.
308
00:15:14,446 --> 00:15:17,182
I WAS JUST PROTECTING
MYSELF, SIR.
309
00:15:17,349 --> 00:15:21,453
NOW IT IS TIME FOR YOU
TO DEFEND YOUR PEOPLE.
310
00:15:21,620 --> 00:15:25,157
DO YOU THINK YOU'RE
UP FOR THE TASK, MA'AM?
311
00:15:25,290 --> 00:15:28,160
♪ ♪
312
00:15:28,293 --> 00:15:29,461
YEAH, YES.
313
00:15:29,627 --> 00:15:31,229
I'VE BEEN PREPARING
FOR THIS.
314
00:15:31,396 --> 00:15:32,997
NARRATOR: ANNE'S SKILLS AND
BRAVERY
315
00:15:33,164 --> 00:15:34,700
MAKE HER A PERFECT RECRUIT
316
00:15:34,866 --> 00:15:36,535
TO BE A MILITIA COURIER.
317
00:15:36,701 --> 00:15:40,305
♪ ♪
318
00:15:40,472 --> 00:15:42,140
NOW, INSTEAD OF JUST
DELIVERING
319
00:15:42,307 --> 00:15:44,042
THE NEWS OF INDEPENDENCE,
320
00:15:44,209 --> 00:15:47,046
SHE IS ACTIVELY FIGHTING
FOR IT.
321
00:15:47,212 --> 00:15:50,816
MESSENGERS PLAYED AN IMPORTANT
ROLE DURING THE REVOLUTION.
322
00:15:50,950 --> 00:15:53,084
THERE WAS NO WAY TO GET
MESSAGES FROM ONE PLACE
323
00:15:53,251 --> 00:15:56,488
TO THE OTHER UNLESS YOU HAD
SOMEBODY WHO WAS
324
00:15:56,655 --> 00:15:59,691
REALLY DEDICATED TO CARRYING
THESE MESSAGES.
325
00:15:59,825 --> 00:16:02,094
THIS BECAME THE MISSION
OF HER LIFE.
326
00:16:02,227 --> 00:16:04,896
NARRATOR: IN 1777, ANNE
IS DISPATCHED
327
00:16:05,063 --> 00:16:07,131
WITH URGENT MESSAGES TO
FORT RANDOLPH,
328
00:16:07,298 --> 00:16:12,904
AT THE JUNCTION OF THE OHIO
AND KANAWHA RIVERS.
329
00:16:13,071 --> 00:16:14,807
THE FORT WAS BUILT NEAR THE SITE
OF THE
330
00:16:14,940 --> 00:16:16,975
BATTLE OF POINT PLEASANT,
331
00:16:17,142 --> 00:16:20,312
THE VERY BATTLE THAT TOOK
HER HUSBAND'S LIFE.
332
00:16:20,478 --> 00:16:23,248
♪ ♪
333
00:16:23,415 --> 00:16:26,218
NELSON: THIS, OF COURSE,
STIRRED MEMORIES OF
334
00:16:26,385 --> 00:16:28,052
NOT ONLY THE LOSS OF HER
HUSBAND,
335
00:16:28,219 --> 00:16:30,788
BUT THE MOST PIVOTAL MOMENT
OF ANNE'S LIFE.
336
00:16:30,955 --> 00:16:32,224
WHEN SHE MADE
THE FATEFUL DECISION
337
00:16:32,391 --> 00:16:35,227
TO BECOME THE ANNE
BAILEY OF LEGEND.
338
00:16:35,393 --> 00:16:43,101
♪ ♪
339
00:16:43,268 --> 00:16:45,203
CRYTZER: I THINK ANNE BAILEY
REALLY THAT MOMENT,
340
00:16:45,337 --> 00:16:48,172
REALIZES THAT THERE'S REALLY
NO GOING BACK FOR HER.
341
00:16:48,339 --> 00:16:51,243
SHE HAS GIVEN HERSELF
COMPLETELY TO THIS CAUSE.
342
00:16:51,376 --> 00:16:52,877
THIS IS GOING TO DRIVE
HER FORWARD.
343
00:16:53,011 --> 00:16:54,513
THIS IS THE POINT OF
NO RETURN FOR HER
344
00:16:54,680 --> 00:16:55,781
AND I THINK THAT'S
A BIG MOMENT.
345
00:16:55,947 --> 00:17:02,021
♪ ♪
346
00:17:05,157 --> 00:17:07,125
NARRATOR: BUT WHEN ANNE
REACHES FORT RANDOLPH,
347
00:17:07,259 --> 00:17:09,361
SHE LEARNS THAT THE
ONGOING CONFLICT
348
00:17:09,527 --> 00:17:11,697
BETWEEN THE COLONISTS AND
THE SHAWNEE
349
00:17:11,863 --> 00:17:13,766
HAS CLAIMED ANOTHER VICTIM.
350
00:17:13,899 --> 00:17:16,234
ONE OF THE MOST PROMINENT
CHIEFS AND LEADERS
351
00:17:16,401 --> 00:17:19,004
OF THE SHAWNEE
WAS CORNSTALK.
352
00:17:19,171 --> 00:17:22,841
HE UNDERSTOOD AND VALUED
PEACE.
353
00:17:23,008 --> 00:17:24,476
WHEN HE TRAVELED TO
FORT RANDOLPH,
354
00:17:24,609 --> 00:17:26,745
AT THE BEGINNING OF
THE AMERICAN REVOLUTION,
355
00:17:26,912 --> 00:17:29,915
HE WAS THROWN INTO
A JAIL BY PATRIOTS
356
00:17:30,081 --> 00:17:31,550
AND THEN SENSELESSLY
MURDERED.
357
00:17:31,683 --> 00:17:34,719
♪ ♪
358
00:17:34,886 --> 00:17:37,322
CORNSTALK HAS JUST
BEEN KILLED.
359
00:17:39,057 --> 00:17:40,124
WHEN THE SHAWNEE HEAR
ABOUT THIS,
360
00:17:40,258 --> 00:17:42,060
NO ONE IS GOING
TO BE SAFE.
361
00:17:42,227 --> 00:17:44,295
FOR MANY OF THE SHAWNEE,
WHEN THEY SAW
362
00:17:44,462 --> 00:17:46,365
CORNSTALK TREATED IN
SUCH A TERRIBLE WAY,
363
00:17:46,532 --> 00:17:48,600
THEY WERE CONVINCED THAT
WAR WAS THE
364
00:17:48,733 --> 00:17:50,301
ONLY WAY TO SEEK REVENGE.
365
00:17:50,468 --> 00:17:52,103
NARRATOR: NO COLONIST IS
NOW SAFE FROM
366
00:17:52,270 --> 00:17:55,139
RETALIATION BY
VENGEFUL SHAWNEE WARRIORS
367
00:17:55,306 --> 00:17:59,177
AND ANNE MUST NOW MAKE A
150 MILE RETURN RIDE
368
00:17:59,344 --> 00:18:01,446
THROUGH HOSTILE SHAWNEE
TERRITORY.
369
00:18:01,612 --> 00:18:11,456
♪ ♪
370
00:18:11,622 --> 00:18:13,458
♪ ♪
371
00:18:13,625 --> 00:18:16,328
ANNE RIDES THROUGH THE KANAWHA
VALLEY TOWARD HOME...
372
00:18:16,494 --> 00:18:22,567
♪ ♪
373
00:18:22,734 --> 00:18:25,604
AND FINDS HERSELF IN THE SIGHTS
OF THE SHAWNEE.
374
00:18:25,770 --> 00:18:30,408
♪ ♪
375
00:18:30,541 --> 00:18:32,410
VAN DEUSEN: THEY OBVIOUSLY
CHASED HER.
376
00:18:32,544 --> 00:18:34,512
AND SHE KNEW THOSE TRAILS
AND HER HORSE
377
00:18:34,679 --> 00:18:37,216
WELL ENOUGH THAT SHE WAS
ABLE TO EVADE THEM.
378
00:18:37,382 --> 00:18:43,088
♪ ♪
379
00:18:43,255 --> 00:18:44,556
SNYDER: WHEN YOU'RE IN A
SITUATION WHERE YOU'RE
380
00:18:44,723 --> 00:18:47,726
FACED WITH UNSURVIVABLE NUMBERS
AGAINST YOU,
381
00:18:47,892 --> 00:18:49,027
IT'S BETTER TO RUN AND HIDE
382
00:18:49,194 --> 00:18:51,029
AND LIVE TO FIGHT ANOTHER
DAY.
383
00:18:51,163 --> 00:18:53,231
FOR ANNE, YOU KNOW, SHE'S
SMALLER IN STATURE.
384
00:18:53,398 --> 00:18:55,767
IT'S EASIER TO GET INTO
CERTAIN PLACES,
385
00:18:55,934 --> 00:18:57,335
USE THE SHADOWS TO YOUR
ADVANTAGE.
386
00:18:57,502 --> 00:18:58,837
IT'S GOING TO BE A LOT
EASIER FOR HER
387
00:18:59,003 --> 00:19:01,340
TO AVOID BEING DETECTED.
388
00:19:01,473 --> 00:19:04,343
NARRATOR: HIDING IN PLAIN
SIGHT, ANNE CAN ONLY PRAY
389
00:19:04,509 --> 00:19:06,577
THAT THE SHAWNEE DON'T FIND HER.
390
00:19:06,744 --> 00:19:10,415
BECAUSE IF THEY DO,
IT WILL MEAN CERTAIN DEATH.
391
00:19:15,319 --> 00:19:17,022
NARRATOR: FRONTIER COURIER
ANNE BAILEY
392
00:19:17,155 --> 00:19:18,690
HAS ENCOUNTERED A BAND
OF SHAWNEE
393
00:19:18,824 --> 00:19:21,926
ON THE WARPATH AFTER THE
MURDER OF THEIR CHIEF.
394
00:19:22,059 --> 00:19:24,997
♪ ♪
395
00:19:25,164 --> 00:19:28,199
SHE HAS ALREADY LOST HER
HUSBAND TO THE SHAWNEE
396
00:19:28,366 --> 00:19:31,370
AND IF THEY FIND HER,
SHE WILL BE NEXT.
397
00:19:31,536 --> 00:19:33,205
♪ ♪
398
00:19:33,372 --> 00:19:36,908
SHE HID AND LEFT HER
HORSE NEARBY.
399
00:19:37,074 --> 00:19:40,712
♪ ♪
400
00:19:40,879 --> 00:19:43,515
THEY LOOKED ALL AROUND FOR HER,
COULDN'T FIND HER.
401
00:19:43,681 --> 00:19:46,118
♪ ♪
402
00:19:46,285 --> 00:19:49,688
SO THEY TOOK HER HORSE
AND WENT BACK TO THEIR CAMP.
403
00:19:49,821 --> 00:19:52,390
♪ ♪
404
00:19:52,523 --> 00:19:55,359
NARRATOR: ANNE HAS SURVIVED
BUT NOW SHE IS ALONE
405
00:19:55,493 --> 00:20:00,332
IN THE DEEP WOODS WITH NO HORSE
AND NO PROVISIONS.
406
00:20:00,498 --> 00:20:01,866
THEY LEFT HER OUT THERE.
407
00:20:02,033 --> 00:20:03,434
AND OF COURSE,
SHE DIDN'T HAVE
408
00:20:03,601 --> 00:20:05,437
ANYTHING TO EAT OR DRINK
BECAUSE EVERYTHING
409
00:20:05,604 --> 00:20:06,571
WAS ON HER HORSE.
410
00:20:06,737 --> 00:20:16,581
♪ ♪
411
00:20:16,747 --> 00:20:26,591
♪ ♪
412
00:20:26,757 --> 00:20:34,799
♪ ♪
413
00:20:34,966 --> 00:20:40,238
BEFORE LONG, SHE FIGURED OUT,
"OH, I SEE TRACKS."
414
00:20:40,371 --> 00:20:42,540
SO SHE FOLLOWED THOSE
HORSE TRACKS,
415
00:20:42,673 --> 00:20:45,844
AND SHE EVENTUALLY GOT TO
WHERE THE INDIANS WERE RESTING.
416
00:20:46,010 --> 00:20:55,586
♪ ♪
417
00:20:55,753 --> 00:20:58,857
NARRATOR: THE SHAWNEE NEVER
EXPECTED ANNE TO FOLLOW THEM.
418
00:20:59,023 --> 00:21:06,865
♪ ♪
419
00:21:07,031 --> 00:21:09,067
♪ ♪
420
00:21:09,234 --> 00:21:10,802
VAN DEUSEN: SHE SNUCK UP
TO HER HORSE
421
00:21:10,935 --> 00:21:13,939
AND SHE KEPT IT QUIET.
422
00:21:14,105 --> 00:21:16,074
BUT THEN IT WHINNIED BECAUSE
423
00:21:16,240 --> 00:21:17,442
IT WAS SO HAPPY TO SEE HER.
424
00:21:17,609 --> 00:21:19,710
[WHOOPING]
425
00:21:19,877 --> 00:21:21,313
[GUNSHOT]
426
00:21:21,480 --> 00:21:23,615
NELSON: THE BOLDNESS
OF SNEAKING INTO
427
00:21:23,748 --> 00:21:26,717
A SHAWNEE ENCAMPMENT AND
STEALING BACK YOUR HORSE,
428
00:21:26,884 --> 00:21:29,354
THAT'S SOMETHING THE SHAWNEE
HAVEN'T SEEN BEFORE.
429
00:21:29,488 --> 00:21:32,190
IT'S PART OF WHY ANNE HAS
THE REPUTATION THAT SHE DOES.
430
00:21:32,357 --> 00:21:36,527
IT'S NOT JUST BEING CRAZY,
BUT IT'S THE SHEER
431
00:21:36,694 --> 00:21:39,764
AUDACITY OF DOING SOMETHING
THAT NOBODY WOULD EXPECT.
432
00:21:39,931 --> 00:21:42,200
TED BELUE: THEY REALLY FELT
LIKE PERHAPS SHE WAS,
433
00:21:42,334 --> 00:21:44,102
YOU MIGHT SAY TOUCHED
IN THE HEAD, AND MAYBE
434
00:21:44,269 --> 00:21:46,071
GUIDED BY THE GREAT SPIRIT.
435
00:21:46,238 --> 00:21:49,140
NARRATOR: THE SHAWNEE NEVER
FORGET THEIR ENCOUNTER WITH
436
00:21:49,307 --> 00:21:51,276
THE WOMAN THEY CALL
"MAD ANNE",
437
00:21:51,409 --> 00:21:53,845
BUT IT WON'T BE THEIR LAST.
438
00:21:55,980 --> 00:22:02,721
♪ ♪
439
00:22:04,555 --> 00:22:06,791
ANNE MAKES HER HOME
BASE AT FORT LEE,
440
00:22:06,924 --> 00:22:09,627
A FRONTIER OUTPOST MANNED
BY THE ELITE VIRGINIA
441
00:22:09,760 --> 00:22:13,598
RANGERS UNDER THE COMMAND
OF COLONEL GEORGE CLENDENIN.
442
00:22:15,500 --> 00:22:17,568
GUARDING THE GROWING TOWN
OF CHARLESTON,
443
00:22:17,735 --> 00:22:19,938
THE FORT IS A
CRUCIAL POINT OF DEFENSE
444
00:22:20,104 --> 00:22:21,873
AGAINST NATIVE ATTACKS.
445
00:22:23,741 --> 00:22:25,143
CLENDENIN: NEAR RECORD
TIME, AS ALWAYS.
446
00:22:25,310 --> 00:22:27,012
ANNE: I AIM TO DO MY PART.
447
00:22:29,881 --> 00:22:32,751
I HOPE MY SON'S BEEN DOIN'
HIS PART WHILE I'VE BEEN GONE.
448
00:22:34,085 --> 00:22:35,620
HEY!
449
00:22:38,556 --> 00:22:39,991
WE'RE LUCKY
TO HAVE YOU BOTH.
450
00:22:40,157 --> 00:22:41,893
[LAUGHS]
451
00:22:43,394 --> 00:22:46,331
♪ ♪
452
00:22:46,498 --> 00:22:49,000
NARRATOR: ANNE'S SON WILLIAM,
NOW A YOUNG MAN,
453
00:22:49,167 --> 00:22:51,168
HAS REJOINED HER AT THE FORT.
454
00:22:51,335 --> 00:22:52,904
[GUNSHOT]
455
00:22:54,072 --> 00:22:56,507
HERE, ANNE HAS FOUND A NEW HOME,
456
00:22:56,674 --> 00:22:59,378
AND PERHAPS EVEN A NEW FAMILY.
457
00:23:01,846 --> 00:23:03,448
[GUNSHOT]
458
00:23:03,582 --> 00:23:05,150
WILLIAM: [LAUGHS]
459
00:23:05,316 --> 00:23:06,617
WELL, DON'T FEEL TOO BAD.
460
00:23:06,784 --> 00:23:08,520
I HAVE MANY YEARS
OF PRACTICE ON YOU.
461
00:23:10,488 --> 00:23:12,791
[CLEARS THROAT]
MIND IF I TAKE A SHOT?
462
00:23:14,760 --> 00:23:16,661
BY ALL MEANS.
463
00:23:17,762 --> 00:23:20,731
♪ ♪
464
00:23:20,898 --> 00:23:24,135
WEBB: JOHN BAILEY WAS
A RANGER AND HE RODE
465
00:23:24,302 --> 00:23:25,804
WITH JOHN CROCKETT,
466
00:23:25,937 --> 00:23:27,606
DAVY CROCKETT'S FATHER.
467
00:23:27,739 --> 00:23:29,674
[GUNSHOT]
468
00:23:31,810 --> 00:23:33,912
THERE, BEAT THAT.
469
00:23:34,079 --> 00:23:36,948
WEBB: YOU CAN SEE THAT
ANNE CLEARLY HAS A TYPE;
470
00:23:38,616 --> 00:23:41,352
FRONTIERSMEN THAT ARE
FIGHTING HAND, TOOTH,
471
00:23:41,519 --> 00:23:43,422
AND NAIL JUST LIKE SHE IS.
472
00:23:44,956 --> 00:23:46,758
[BLOWS WHISTLE]
473
00:23:46,925 --> 00:23:49,828
NELSON: OFFICERS IN
THE REVOLUTIONARY WAR USED
474
00:23:49,994 --> 00:23:54,099
WHISTLES TO DRILL TROOPS,
SEND SIGNALS, SOUND ALARMS.
475
00:23:54,266 --> 00:23:55,700
BAILEY USES
476
00:23:55,867 --> 00:23:58,436
HIS OFFICER'S
WHISTLE TO PLAYFULLY
477
00:23:58,602 --> 00:24:01,440
DISTRACT ANNE JUST AS
SHE'S ABOUT TO FIRE.
478
00:24:02,140 --> 00:24:03,708
[GUNSHOT]
479
00:24:08,613 --> 00:24:10,882
I'LL WAGER YOU CAN'T HIT
THE SAME MARK IF WE MOVE
480
00:24:11,049 --> 00:24:12,984
THE TARGET FIVE PACES BACK.
481
00:24:14,586 --> 00:24:16,720
I'LL WAGER I CAN AT
10 PACES BACK.
482
00:24:16,854 --> 00:24:18,956
AND IF I WIN,
I GET THAT WHISTLE,
483
00:24:19,123 --> 00:24:23,028
AND YOU SHALL NOT EVER
WHISTLE AT ME IN THAT WAY AGAIN.
484
00:24:23,195 --> 00:24:25,464
YOU HEARD,
MOVE THAT TARGET BACK!
485
00:24:29,100 --> 00:24:38,743
♪ ♪
486
00:24:41,345 --> 00:24:43,114
[GUNSHOT]
487
00:24:45,750 --> 00:24:48,487
WELL, I DARE
SAY AIM IS IMPORTANT.
488
00:24:51,756 --> 00:24:53,958
♪ ♪
489
00:24:54,091 --> 00:24:55,861
[GUNSHOT]
490
00:24:57,762 --> 00:24:59,731
CLENDENIN: LOOKS LIKE
WE GOT A VICTOR.
491
00:25:04,269 --> 00:25:06,037
JOHN: YOU WON, FAIR AND SQUARE.
492
00:25:07,939 --> 00:25:12,043
BUT PERHAPS I'LL WIN
THE BIGGEST PRIZE OF ALL.
493
00:25:15,913 --> 00:25:18,716
NARRATOR: AFTER OVER A DECADE
AS A WIDOW AND SINGLE MOTHER,
494
00:25:18,883 --> 00:25:21,152
ANNE MARRIES JOHN BAILEY.
495
00:25:22,320 --> 00:25:25,657
THE COUPLE FINDS HAPPINESS
AT FORT LEE FOR A WHILE,
496
00:25:27,224 --> 00:25:31,429
BUT ON THE FRONTIER, FORTUNES
CAN CHANGE AT ANY MOMENT.
497
00:25:31,562 --> 00:25:33,765
♪ ♪
498
00:25:33,931 --> 00:25:37,269
CRYTZER: THE YEAR 1791 WAS
A PARTICULARLY TERRIBLE YEAR
499
00:25:37,435 --> 00:25:39,237
FOR THE NEW UNITED STATES
OF AMERICA.
500
00:25:39,404 --> 00:25:41,706
[INDIANS WHOOPING]
501
00:25:41,840 --> 00:25:44,542
THEY'RE NOW FACING A
GENERAL INDIAN UPRISING
502
00:25:44,709 --> 00:25:46,811
ON THEIR
WESTERN FRONTIER.
503
00:25:49,547 --> 00:25:51,182
NELSON: IN RESPONSE TO THE
504
00:25:51,349 --> 00:25:55,419
REPEATED VIOLATIONS OF TREATIES
AND BROKEN PROMISES
505
00:25:55,553 --> 00:25:58,156
BY THE AMERICANS,
A LOOSE NORTHWEST
506
00:25:58,323 --> 00:25:59,490
CONFEDERACY OF
AMERICAN INDIANS
507
00:25:59,624 --> 00:26:01,693
BEGINS TO FORM.
508
00:26:02,560 --> 00:26:04,729
[GUNSHOT]
509
00:26:04,896 --> 00:26:08,265
KAMOIE: AND ALL OF THIS
CULMINATES IN
510
00:26:08,432 --> 00:26:09,868
THE NORTHWEST INDIAN WAR.
511
00:26:10,035 --> 00:26:11,836
IT'S SORT OF
THE NATIVE AMERICANS'
512
00:26:11,969 --> 00:26:14,573
REVOLUTIONARY WAR FOR
INDEPENDENCE.
513
00:26:16,441 --> 00:26:19,644
NARRATOR: AS WAR RAGES ACROSS
THE FRONTIER, SHAWNEE
514
00:26:19,811 --> 00:26:22,147
LEADERS LAUNCH AN ATTACK
ON FORT LEE.
515
00:26:22,314 --> 00:26:23,380
MAN: TAKE COVER!
516
00:26:23,547 --> 00:26:25,216
GO, GO, GO!
517
00:26:25,382 --> 00:26:33,391
♪ ♪
518
00:26:33,558 --> 00:26:37,728
NARRATOR: AND IF THE FORT FALLS,
NO ONE IN CHARLESTON IS SAFE.
519
00:26:37,862 --> 00:26:40,598
ONE OF THE WAYS
THAT NATIVE WARRIORS FOUND THAT
520
00:26:40,764 --> 00:26:42,767
THEY COULD CONQUER AN ENTIRE
REGION, WOULD BE
521
00:26:42,934 --> 00:26:44,836
TO RID THAT REGION OF SETTLERS.
522
00:26:45,003 --> 00:26:49,674
AND THEIR PREFERRED TACTIC WAS
TO BESIEGE A FORT.
523
00:26:49,807 --> 00:26:51,476
THEY WOULD SURROUND IT.
524
00:26:51,642 --> 00:26:53,345
THEY WOULD CHOKE IT OFF.
525
00:26:53,478 --> 00:26:55,614
NOTHING GETS IN,
AND NOTHING GETS OUT.
526
00:26:56,647 --> 00:26:59,517
INSIDE FORT LEE, THE DEFENSE
527
00:26:59,684 --> 00:27:02,320
OF THAT POSITION WAS WHOLLY
DEPENDENT ON GUNPOWDER.
528
00:27:03,554 --> 00:27:08,092
NARRATOR: FORT LEE'S SUPPLY OF
GUNPOWDER IS DANGEROUSLY LOW.
529
00:27:08,259 --> 00:27:11,662
AND WITHOUT IT, ANNE
AND HER FAMILY WILL SOON
530
00:27:11,829 --> 00:27:13,698
HAVE NO WAY TO DEFEND
THEMSELVES FROM
531
00:27:13,831 --> 00:27:15,634
THE SHAWNEE ONSLAUGHT.
532
00:27:18,069 --> 00:27:20,972
OF FORT LEE IS UNDER SIEGEYE
533
00:27:21,139 --> 00:27:22,640
BY SHAWNEE WARRIORS.
534
00:27:22,806 --> 00:27:24,942
AND NOW, ANNE HAS DISCOVERED
535
00:27:25,109 --> 00:27:27,712
THE FORT IS ALMOST OUT OF
GUNPOWDER.
536
00:27:28,946 --> 00:27:31,816
IF THE FORT'S DEFENDERS CAN'T
REPLENISH THEIR SUPPLY OF
537
00:27:31,950 --> 00:27:34,852
POWDER AND AMMUNITION,
THEY WON'T BE ABLE
538
00:27:35,019 --> 00:27:37,789
TO WITHSTAND THE ASSAULT
FOR MUCH LONGER.
539
00:27:38,722 --> 00:27:41,292
[INDIANS WHOOP, GUNFIRE]
540
00:27:43,227 --> 00:27:46,031
SOMEBODY'S GOTTA GO TO LEWISBURG
TO REPLENISH OUR MUNITIONS.
541
00:27:46,964 --> 00:27:51,068
IT'S A DANGEROUS, 120 MILE
TREK EACH WAY.
542
00:27:51,902 --> 00:27:54,939
AND WHOEVER GOES MIGHT
NOT RETURN, BUT IF NO ONE
543
00:27:55,105 --> 00:27:57,975
TAKES THIS JOURNEY,
NONE OF US WILL SURVIVE.
544
00:27:58,142 --> 00:28:01,146
CLENDENIN ASKS FOR
VOLUNTEERS TO RIDE
545
00:28:01,312 --> 00:28:03,648
TO FORT SAVANNAH AT LEWISBURG.
546
00:28:03,815 --> 00:28:08,753
THAT'S NEARLY 120 MILES AWAY,
240 MILES ROUND TRIP,
547
00:28:08,886 --> 00:28:12,090
THROUGH HOSTILE TERRITORY
AS QUICKLY AS POSSIBLE.
548
00:28:13,190 --> 00:28:14,325
I'LL GO.
549
00:28:14,458 --> 00:28:16,293
I CAN RIDE THE DISTANCE.
550
00:28:17,294 --> 00:28:20,464
PLEASE, I CAN'T LOSE
ANOTHER HUSBAND TO THE SHAWNEE.
551
00:28:20,598 --> 00:28:22,133
I- I BEG YOU.
552
00:28:22,300 --> 00:28:24,102
IT'S MY DUTY.
553
00:28:24,268 --> 00:28:26,738
NARRATOR: ANNE BAILEY HAS
ALREADY SENT OFF ONE HUSBAND
554
00:28:26,871 --> 00:28:28,439
WHO NEVER RETURNED.
555
00:28:28,605 --> 00:28:29,941
NOW THAT SHE'S FOUND A HOME AND
556
00:28:30,074 --> 00:28:32,777
A FAMILY, SHE WON'T DO IT AGAIN.
557
00:28:32,944 --> 00:28:35,213
IF ANYONE'S GONNA MAKE THAT
RIDE, IT'S GOING TO BE ME!
558
00:28:36,613 --> 00:28:38,049
I AM THE MOST LIKELY TO SUCCEED.
559
00:28:38,216 --> 00:28:39,984
DON'T BE RASH.
560
00:28:40,151 --> 00:28:41,285
MARTIN MORGAN: ANNE BAILEY
VOLUNTEERS TO DO IT
561
00:28:41,452 --> 00:28:42,519
HERSELF BECAUSE
562
00:28:42,653 --> 00:28:44,189
SHE DIDN'T WANT TO LOSE ANOTHER
563
00:28:44,355 --> 00:28:46,091
HUSBAND TO THE SHAWNEE.
564
00:28:46,257 --> 00:28:48,993
NO ONE KNOWS THE TERRAIN OR
THE TRAILS THE WAY THAT I DO.
565
00:28:50,561 --> 00:28:53,630
I AM THE FASTEST, LIGHTEST,
566
00:28:53,797 --> 00:28:57,235
MOST EXPERIENCED RIDER OF
ANYONE HERE.
567
00:28:58,402 --> 00:29:00,004
I AM THE ONE MEANT TO GO.
568
00:29:00,171 --> 00:29:01,972
ALL OF YOUR LIVES DEPEND ON IT.
569
00:29:02,106 --> 00:29:03,508
BUMGARDNER:
AND WITHOUT QUESTION,
570
00:29:03,674 --> 00:29:04,776
ANNE BAILEY WAS PROBABLY
571
00:29:04,942 --> 00:29:06,877
TOUGHER AND MORE RELIABLE
572
00:29:07,011 --> 00:29:09,180
THAN MOST OF THE MEN
AT FORT LEE.
573
00:29:09,347 --> 00:29:13,350
WEBB: ANNE HAD BEEN
RIDING FOR ABOUT 15 YEARS, SO
574
00:29:13,517 --> 00:29:15,219
SHE'S AN EXPERT RIDER.
575
00:29:15,386 --> 00:29:18,856
AND THIS IS SIGNIFICANT BECAUSE
RIDING ON HORSEBACK AT
576
00:29:19,023 --> 00:29:22,226
THIS TIME, WITH THIS KIND OF
TERRAIN, IS NO EASY FEAT.
577
00:29:22,393 --> 00:29:24,529
NARRATOR: BUT ANNE'S HUSBAND,
JOHN, DOESN'T
578
00:29:24,695 --> 00:29:26,397
WANT TO LOSE HER EITHER.
579
00:29:26,564 --> 00:29:29,768
IF ANYBODY'S GONNA RISK THEIR
LIFE, IT'S GOING TO BE ME.
580
00:29:32,136 --> 00:29:36,741
♪ ♪
581
00:29:36,908 --> 00:29:37,975
[KNIFE CUTS]
582
00:29:38,142 --> 00:29:39,811
YOU GOTTA
ADMIRE A WOMAN.
583
00:29:39,944 --> 00:29:41,979
SHE JUST TOOK A KNIFE AND SHE
CUT HIS SADDLE,
584
00:29:42,146 --> 00:29:44,649
SO SHE KNEW HOW TO END
THE ARGUMENT RIGHT THERE.
585
00:29:44,815 --> 00:29:47,184
NARRATOR: JOHN BAILEY DOESN'T
HAVE THE EXPERIENCE THAT ANNE
586
00:29:47,351 --> 00:29:50,255
DOES, THERE'S NO WAY
HE COULD RIDE OVER TWO
587
00:29:50,421 --> 00:29:52,090
HUNDRED MILES WITHOUT A SADDLE.
588
00:29:52,257 --> 00:29:54,259
THIS IS MADNESS.
589
00:29:54,425 --> 00:29:56,794
PEOPLE CALL ME MAD FOR A REASON.
590
00:29:56,961 --> 00:29:58,496
BUT IN THIS CASE, YOU
591
00:29:58,629 --> 00:30:01,065
WOULD ALL BE MAD
NOT TO LET ME GO.
592
00:30:02,266 --> 00:30:03,902
SHE'S RIGHT.
593
00:30:05,202 --> 00:30:07,539
ANNE'S THE BEST ONE
FOR THIS RIDE.
594
00:30:07,705 --> 00:30:10,107
BUT NOT ON THAT OLD MARE.
595
00:30:10,274 --> 00:30:12,577
IT'S THE BEST HORSE WE HAVE,
MAYBE IN ALL OF VIRGINIA.
596
00:30:12,744 --> 00:30:15,246
NARRATOR: COLONEL CLENDENIN
KNOWS THAT TO BE SUCCESSFUL,
597
00:30:15,413 --> 00:30:18,349
ANNE WILL NEED ALL
THE SPEED SHE CAN GET.
598
00:30:22,620 --> 00:30:24,455
HE'S BEAUTIFUL.
599
00:30:26,457 --> 00:30:29,794
NARRATOR: SHE SETS OUT ON HER
MISSION, KNOWING THAT SHE MAY
600
00:30:29,927 --> 00:30:32,396
NEVER SEE HER FAMILY AGAIN.
601
00:30:32,563 --> 00:30:33,998
VAN DEUSEN: SO MANY TIMES
602
00:30:34,165 --> 00:30:37,502
SHE WOULD MAKE CHOICES ABOUT
WHAT WAS GOOD FOR
603
00:30:37,668 --> 00:30:41,606
THE COUNTRY, RATHER THAN WHAT
WAS GOOD FOR HER PERSONALLY.
604
00:30:41,773 --> 00:30:44,209
THAT WAS HER HIGHER CALLING
THAT SHE FACED.
605
00:30:45,642 --> 00:30:46,844
♪ ♪
606
00:30:47,011 --> 00:30:49,347
IF YOU NEED ME, WHISTLE.
607
00:30:49,513 --> 00:30:55,620
♪ ♪
608
00:30:55,786 --> 00:30:58,022
MORGAN: THE CALCULUS THAT
WENT THROUGH HER MIND BEFORE
609
00:30:58,189 --> 00:31:01,225
DEPARTING HAD TO INCLUDE THIS:
610
00:31:01,359 --> 00:31:03,961
YOU HAVE TO GO OUTSIDE
OF YOUR STOCKADE,
611
00:31:04,128 --> 00:31:05,763
YOUR PROTECTIVE WALLS.
612
00:31:05,896 --> 00:31:08,266
YOU HAVE TO VENTURE OUT INTO
TERRITORY THAT
613
00:31:08,433 --> 00:31:10,601
IS INHABITED BY PEOPLE WHO
614
00:31:10,734 --> 00:31:12,236
ARE HOSTILE TO YOU
AND WILL KILL YOU.
615
00:31:12,402 --> 00:31:16,140
♪ ♪
616
00:31:16,306 --> 00:31:19,076
NARRATOR: AS SOON AS ANNE LEAVES
THE FORT, THE SHAWNEE SPOT
617
00:31:19,243 --> 00:31:23,114
HER, AND THEY NOW HAVE
A CHANCE TO TAKE OUT "MAD ANNE."
618
00:31:23,280 --> 00:31:25,883
♪ ♪
619
00:31:26,016 --> 00:31:27,785
WEBB: ONCE SHE GOT
GOING, THEY DID
620
00:31:27,919 --> 00:31:29,687
PURSUE HER AND SHE COULD HEAR
THEM BEHIND HER,
621
00:31:29,821 --> 00:31:31,623
BUT SHE OUTRAN THEM.
622
00:31:31,756 --> 00:31:34,825
NARRATOR: ON HER SWIFT NEW
HORSE, ANNE MAY BE ABLE TO
623
00:31:34,992 --> 00:31:37,928
OUTRUN THE EXPERT SHAWNEE
HORSEMEN.
624
00:31:38,095 --> 00:31:41,900
BUT EVEN ANNE BAILEY CAN'T
OUTRUN A BULLET.
625
00:31:45,169 --> 00:31:48,272
BAILEY IS ON A MISSIONR AE
626
00:31:48,406 --> 00:31:51,376
TO ACQUIRE MUCH-NEEDED
GUNPOWDER AND AMMUNITION
627
00:31:51,509 --> 00:31:53,277
FOR THE BESIEGED FORT LEE.
628
00:31:53,410 --> 00:31:55,746
♪ ♪
629
00:31:55,880 --> 00:31:58,716
BUT A SHAWNEE BULLET MAY
END HER RIDE
630
00:31:58,883 --> 00:32:00,618
BEFORE
IT EVEN BEGINS.
631
00:32:00,751 --> 00:32:02,987
[GUNSHOT]
632
00:32:04,288 --> 00:32:06,356
♪ ♪
633
00:32:06,490 --> 00:32:09,093
VAN DEUSEN: SHE HAD
THIS TRADEMARKED HAT, AND
634
00:32:09,226 --> 00:32:11,895
WHAT WAS ACTUALLY SHOT WAS
THE HAT, NOT HER.
635
00:32:12,029 --> 00:32:15,433
NARRATOR: ANNE ESCAPES DEATH
BY LITERAL INCHES,
636
00:32:16,567 --> 00:32:20,404
BUT NOW COMES THE HARD PART
- MAKING THE LONG,
637
00:32:20,537 --> 00:32:23,574
TREACHEROUS JOURNEY TO RETRIEVE
THE AMMUNITION.
638
00:32:23,708 --> 00:32:26,610
MORGAN: FROM FORT LEE TO
LEWISBURG, THAT'S A JOURNEY
639
00:32:26,777 --> 00:32:28,946
OF OVER 100 MILES ONE WAY.
640
00:32:29,079 --> 00:32:31,983
NOW TODAY, WE COULD COMPLETE
A JOURNEY
641
00:32:32,150 --> 00:32:34,852
LIKE THAT IN A COUPLE OF HOURS,
AND IT WOULD BE NO BIG DEAL.
642
00:32:34,986 --> 00:32:38,122
THEN, IT WAS A LIFE OR DEATH
TYPE OF SCENARIO.
643
00:32:38,289 --> 00:32:42,426
NARRATOR: FOR HOURS, ANNE HAS
RIDDEN AS FAST AS SHE CAN,
644
00:32:42,559 --> 00:32:45,329
PUSHING HER HORSE TO
THE BRINK OF EXHAUSTION.
645
00:32:45,463 --> 00:32:48,933
AND THOUGH SHE WANTS TO KEEP
GOING, THEY BOTH NEED
646
00:32:49,066 --> 00:32:51,502
TO TAKE A REST AND RECHARGE.
647
00:32:54,138 --> 00:32:56,006
SNYDER: BEIN' OUT IN
THE WILDERNESS, GOING OVER
648
00:32:56,140 --> 00:32:57,775
LONG DISTANCES, YOU HAVE
TO RECOVER.
649
00:32:57,909 --> 00:32:59,210
YOU HAVE TO TAKE
BREAKS, YOU HAVE TO REST.
650
00:32:59,343 --> 00:33:00,678
BEIN' IN HOSTILE TERRITORY,
651
00:33:00,811 --> 00:33:02,213
YOU HAVE TO BE ON
HEIGHTENED SENSE
652
00:33:02,346 --> 00:33:03,747
OF ALERTNESS AND AWARENESS.
653
00:33:03,880 --> 00:33:05,917
I CAN'T IMAGINE THE STRESS LEVEL
654
00:33:06,083 --> 00:33:07,618
SHE HAD MAKING THESE STOPS.
655
00:33:11,222 --> 00:33:14,359
NARRATOR: TO HER SHOCK, ANNE
DISCOVERS A SHAWNEE BOY
656
00:33:14,525 --> 00:33:16,293
STRUGGLING IN THE WATER.
657
00:33:16,426 --> 00:33:18,929
IT COULD BE A TRAP,
BUT SHE WON'T LET
658
00:33:19,063 --> 00:33:21,766
THIS CHILD DIE,
NO MATTER THE RISKS.
659
00:33:23,634 --> 00:33:24,801
COME ON!
660
00:33:24,935 --> 00:33:26,804
THAT'S IT!
661
00:33:26,970 --> 00:33:28,673
OH, YOU GAVE ME QUITE A SCARE.
662
00:33:31,909 --> 00:33:36,814
NARRATOR: ANNE SAVES THE BOY,
BUT NOW HIS MOTHER APPEARS,
663
00:33:36,947 --> 00:33:39,016
READY TO FIRE ON ANNE.
664
00:33:39,149 --> 00:33:40,151
NELSON: THIS IS A PRECARIOUS
665
00:33:40,284 --> 00:33:41,952
SITUATION, TO SAY THE LEAST.
666
00:33:42,085 --> 00:33:43,921
ANNE IS COMPLETELY
667
00:33:44,055 --> 00:33:46,123
HELPLESS AT THE MERCY
OF A MOTHER.
668
00:33:46,256 --> 00:33:48,626
IS THIS THE END OF ANNE BAILEY?
669
00:33:49,826 --> 00:33:51,763
♪ ♪
670
00:33:51,896 --> 00:33:54,331
NARRATOR: BUT THE SHAWNEE
MOTHER RECOGNIZES THAT SHE
671
00:33:54,498 --> 00:33:58,669
OWES HER SON'S LIFE TO ANNE,
AND SHE SPARES HERS.
672
00:34:02,173 --> 00:34:05,175
AND NOW, TO SAVE THE LIVES
OF HER OWN SON AND
673
00:34:05,309 --> 00:34:08,279
HUSBAND, ANNE NEEDS TO
COMPLETE HER MISSION.
674
00:34:10,781 --> 00:34:15,519
AFTER AN EXHAUSTING JOURNEY
OF NEARLY 120 MILES,
675
00:34:15,652 --> 00:34:19,190
ANNE FINALLY REACHES FORT
SAVANNAH IN LEWISBURG.
676
00:34:19,357 --> 00:34:21,959
BUT THE SOLDIERS AT THE OUTPOST
ARE ON ALERT
677
00:34:22,125 --> 00:34:24,195
FOR ATTACK THEMSELVES.
678
00:34:25,629 --> 00:34:28,599
WITH THE LIVES OF HER HUSBAND
AND SON AT RISK,
679
00:34:28,766 --> 00:34:31,235
ANNE HAS NO TIME TO WASTE.
680
00:34:31,369 --> 00:34:32,970
STEP AWAY!
681
00:34:33,104 --> 00:34:34,838
YOU CAN'T JUST TAKE
MILITARY PROPERTY.
682
00:34:34,972 --> 00:34:37,075
THE LIVES OF
THE RANGERS, THEY NEED IT!
683
00:34:38,508 --> 00:34:40,844
MIGHTY SUSPECT THAT
THE RANGERS WOULD SEND
684
00:34:40,977 --> 00:34:43,147
A WOMAN OUT TO FETCH AMMUNITION.
685
00:34:44,148 --> 00:34:45,983
IT'S A MAN'S JOB.
686
00:34:46,116 --> 00:34:47,985
I JUST RODE 120 MILES!
687
00:34:48,152 --> 00:34:49,687
MY FAMILY IS THERE!
688
00:34:49,821 --> 00:34:53,024
WE CANNOT BE HANDING OUT
AMMUNITION TO JUST ANYONE.
689
00:34:53,157 --> 00:34:56,561
WELL, THEN, I'LL JUST
HAVE TO TAKE WHAT I NEED.
690
00:34:57,761 --> 00:34:58,829
[GUNS COCKING]
691
00:34:58,996 --> 00:35:00,898
[COCKS GUN]
692
00:35:01,598 --> 00:35:05,502
CRYTZER: AT THIS STAGE IN
THE EXPEDITION FOR ANNE BAILEY,
693
00:35:05,669 --> 00:35:07,738
SHE COULD DO ANYTHING
TO SAVE HER FAMILY.
694
00:35:07,905 --> 00:35:09,740
SHE WASN'T GOING TO BE STOPPED.
695
00:35:11,809 --> 00:35:15,979
JUST LEAVE PEACEFULLY,
AND FORGET THIS WHOLE
696
00:35:16,146 --> 00:35:17,881
THING EVER TRANSPIRED.
697
00:35:18,015 --> 00:35:20,651
I CAN'T DO THAT.
698
00:35:20,785 --> 00:35:23,821
I WOULD BE SENTENCING THOSE MEN
699
00:35:23,954 --> 00:35:28,126
MY OWN HUSBAND AND SON
TO DEATH.
700
00:35:29,593 --> 00:35:31,896
VETERAN SOLDIER: SIR,
WITH ALL DUE RESPECT,
701
00:35:32,062 --> 00:35:34,131
I RECOGNIZE THIS WOMAN.
702
00:35:34,265 --> 00:35:36,166
THAT'S ANNE BAILEY!
703
00:35:36,299 --> 00:35:38,536
I SERVED WITH HER HUSBAND, JOHN.
704
00:35:39,337 --> 00:35:41,838
SHE SPEAKS THE TRUTH.
705
00:35:42,005 --> 00:35:44,142
SHE CAN RIDE AS FAST
AS ANYONE HERE,
706
00:35:45,575 --> 00:35:49,413
SHE KNOWS THESE WOODS, AND SHE
CAN SHOOT THE TICK OFF A DEER.
707
00:35:50,948 --> 00:35:53,951
ARMY OFFICER: WELL,
IF THIS IS TRUE,
708
00:35:54,118 --> 00:35:55,920
YOU SHOULD HAVE NO PROBLEM
709
00:35:56,053 --> 00:35:58,356
HITTIN' THAT FLASK UP
ON THAT THERE LEDGE.
710
00:36:02,193 --> 00:36:04,228
FROM BACK THERE.
711
00:36:07,498 --> 00:36:08,899
I SHOOT THAT FLASK
FROM BACK THERE, AND YOU GIVE
712
00:36:09,033 --> 00:36:10,701
ME WHAT I CAME FOR.
713
00:36:13,904 --> 00:36:16,907
WEBB: WOMEN ALONG THE
FRONTIER HAD TO DEFEND THEIR
714
00:36:17,040 --> 00:36:19,109
HOMES AND THEIR
CHILDREN, SO THEY
715
00:36:19,276 --> 00:36:20,411
DID KNOW HOW TO USE A GUN.
716
00:36:20,544 --> 00:36:22,746
BUT SHE TRULY EXCELLED AT IT.
717
00:36:22,880 --> 00:36:26,750
AND THERE WERE TIMES THAT
SHE WOULD BE THE BEST SHOT
718
00:36:26,883 --> 00:36:28,953
OUT OF ALL THE PEOPLE PRESENT.
719
00:36:30,554 --> 00:36:34,191
♪ ♪
720
00:36:34,324 --> 00:36:36,194
[GUNFIRE, GLASS SHATTERS]
721
00:36:38,228 --> 00:36:43,033
♪ ♪
722
00:36:43,167 --> 00:36:45,202
VERY WELL.
723
00:36:45,335 --> 00:36:47,271
YOU'LL HAVE YOUR MUNITIONS.
724
00:36:50,574 --> 00:36:55,579
♪ ♪
725
00:36:55,713 --> 00:36:57,582
THANK YOU.
726
00:37:00,017 --> 00:37:02,686
NARRATOR: THE UNWIELDY POWDER
KEGS WILL MAKE FOR AN EVEN
727
00:37:02,820 --> 00:37:07,390
MORE DIFFICULT RIDE, SO ANNE
REPACKS THE POWDER IN
728
00:37:07,524 --> 00:37:10,695
BAGS AND POWDER HORNS THAT
ARE EASIER TO CARRY.
729
00:37:14,832 --> 00:37:17,300
ANNE HAS SECURED THE
GUNPOWDER AND MUSKET
730
00:37:17,434 --> 00:37:19,770
BALLS THAT HER PEOPLE
DESPERATELY NEED,
731
00:37:21,438 --> 00:37:24,475
BUT HER HORSE IS SPENT FROM
THE JOURNEY, AND THERE'S
732
00:37:24,642 --> 00:37:29,847
NO WAY IT CAN CARRY IT ALL
BACK TO FORT LEE.
733
00:37:29,980 --> 00:37:32,483
VAN DEUSEN: IT HAD
ALREADY MADE THE TRIP ONE WAY,
734
00:37:32,617 --> 00:37:35,419
SO TO GET BACK SAFELY,
AND CARRY THAT WEIGHT,
735
00:37:35,552 --> 00:37:37,754
THEY LOADED UP THE
SECOND PACK HORSE.
736
00:37:37,888 --> 00:37:40,224
NARRATOR: ANNE AND HER HORSE
ARE BOTH ON THE BRINK OF
737
00:37:40,391 --> 00:37:42,860
EXHAUSTION, BUT THEY HAVE
TO TURN AROUND AND
738
00:37:42,993 --> 00:37:45,362
MAKE THE NEARLY 120 MILE
739
00:37:45,529 --> 00:37:48,933
JOURNEY BACK TO FORT LEE
THROUGH THE FORBIDDING
740
00:37:49,099 --> 00:37:51,502
WOODS OF THE KANAWHA VALLEY.
741
00:37:53,904 --> 00:37:56,540
WEBB: ANNE RODE THROUGH
THE NIGHT THROUGH THAT FOREST
742
00:37:56,673 --> 00:37:59,510
THAT WAS SO DENSE AND-
AND DANGEROUS.
743
00:37:59,677 --> 00:38:02,079
SHE WAS UPRIGHT
ON THIS HORSE
744
00:38:02,213 --> 00:38:04,915
READY TO FALL ASLEEP,
READY TO FALL OFF.
745
00:38:05,049 --> 00:38:06,784
BEING ON THIS HORSE
AT THIS POINT
746
00:38:06,917 --> 00:38:09,286
WITH GUNPOWDER AND AMMUNITION,
747
00:38:09,453 --> 00:38:12,790
COMPLETELY EXHAUSTED, WAS
EXTREMELY DANGEROUS,
748
00:38:12,957 --> 00:38:14,558
EXTREMELY
BRAVE OF HER.
749
00:38:14,692 --> 00:38:16,494
AND SHE DID IT.
750
00:38:18,328 --> 00:38:20,597
♪ ♪
751
00:38:20,764 --> 00:38:23,300
NARRATOR: AFTER RIDING
ALL NIGHT, ANNE ARRIVES IN
752
00:38:23,434 --> 00:38:25,703
THE WOODS OUTSIDE OF FORT LEE.
753
00:38:28,405 --> 00:38:30,707
BUT THE SHAWNEE HAVE THE FORT
SURROUNDED,
754
00:38:30,874 --> 00:38:34,645
AND IT MAY BE IMPOSSIBLE
TO GET BACK INSIDE.
755
00:38:37,148 --> 00:38:39,984
NEARLY
756
00:38:40,117 --> 00:38:43,287
240 MILES IN
TWENTY-FOUR HOURS TO
757
00:38:43,421 --> 00:38:46,556
RETRIEVE AMMUNITION FOR
THE BESIEGED FORT LEE.
758
00:38:46,690 --> 00:38:50,127
BUT THERE'S NO WAY TO GET PAST
THE SHAWNEE WARRIORS
759
00:38:50,260 --> 00:38:52,529
SURROUNDING THE FORT.
760
00:38:52,663 --> 00:38:53,930
VAN DEUSEN: SHE'S ALMOST HOME,
761
00:38:54,097 --> 00:38:55,466
ALMOST SAVING THE DAY.
762
00:38:55,599 --> 00:38:57,535
AND YET THE INDIANS
ARE EVERYWHERE.
763
00:38:57,668 --> 00:39:00,237
NARRATOR: NOTHING IS MORE
IMPORTANT THAN DELIVERING
764
00:39:00,404 --> 00:39:02,439
THE GUNPOWDER AND MUSKET BALLS
TO HER HUSBAND AND
765
00:39:02,573 --> 00:39:05,376
THE OTHER DEFENDERS
INSIDE THE FORT.
766
00:39:05,509 --> 00:39:07,144
THE RANGERS ARE BEGINNING TO RUN
LOW ON
767
00:39:07,278 --> 00:39:09,480
THIS ONE COMMODITY THAT IS
LIFESAVING.
768
00:39:09,647 --> 00:39:11,582
AND THAT IS THE POWDER
FOR THEIR WEAPONS.
769
00:39:11,715 --> 00:39:13,950
NARRATOR: WITHOUT THE POWDER,
THE RANGERS WON'T BE ABLE TO
770
00:39:14,117 --> 00:39:18,489
FIGHT BACK AGAINST THE SHAWNEE,
SO ANNE COMES UP WITH A PLAN.
771
00:39:19,923 --> 00:39:22,292
SHE LOADS
HERSELF AND HER HORSE
772
00:39:22,426 --> 00:39:25,262
DOWN WITH ALL THE POWDER
HORNS THEY CAN CARRY.
773
00:39:25,396 --> 00:39:28,131
THERE'S A LONG HISTORY IN
AMERICAN WARFARE OF
774
00:39:28,265 --> 00:39:31,101
EMPLOYING DECOYS AND
OTHER DECEPTION.
775
00:39:31,235 --> 00:39:35,872
ALL BAILEY NEEDS IS A SECOND,
A SPLIT SECOND, WHERE HER
776
00:39:36,006 --> 00:39:39,710
OPPONENT'S ATTENTION IS
DIVERTED AND SHE CAN SLIP PAST.
777
00:39:39,876 --> 00:39:44,314
♪ ♪
778
00:39:44,448 --> 00:39:49,787
[BLOWS WHISTLE]
779
00:39:52,789 --> 00:40:01,031
♪ ♪
780
00:40:01,164 --> 00:40:02,899
HYAH!
781
00:40:03,033 --> 00:40:05,769
NARRATOR: ANNE CAN ONLY HOPE
THAT HER RUSE WILL WORK,
782
00:40:05,936 --> 00:40:08,805
BECAUSE SHE WON'T GET
A SECOND CHANCE.
783
00:40:08,938 --> 00:40:17,548
♪ ♪
784
00:40:17,681 --> 00:40:20,918
JOHN BAILEY SEES THAT HIS WIFE
IS CLOSE, AND HE JUMPS
785
00:40:21,051 --> 00:40:24,221
INTO ACTION TO HELP HER
AS THE SHAWNEE RIDE
786
00:40:24,354 --> 00:40:26,657
DOWN THE DECOY HORSE.
787
00:40:35,098 --> 00:40:38,969
ANNE'S DECOY HAS DECEIVED
THE SHAWNEE, FOR A MOMENT,
788
00:40:39,102 --> 00:40:41,672
♪ ♪
789
00:40:41,805 --> 00:40:44,975
BUT IT MAY NOT BE ENOUGH TIME
FOR HER TO REACH SAFETY.
790
00:40:45,108 --> 00:40:47,745
♪ ♪
791
00:40:47,878 --> 00:40:50,113
[GUNFIRE]
792
00:40:50,247 --> 00:40:53,884
[INDIANS WHOOPING]
793
00:40:54,017 --> 00:40:57,321
[GUNFIRE]
794
00:40:57,487 --> 00:41:02,926
♪ ♪
795
00:41:03,059 --> 00:41:07,064
ANNE BAILEY GETS THE POWDER,
COMES BACK AGAIN SAFELY
796
00:41:07,198 --> 00:41:10,234
AND UNSCATHED, AND SAVES THE
DAY.
797
00:41:10,401 --> 00:41:11,068
IT'S A GREAT MOMENT.
798
00:41:11,201 --> 00:41:13,103
[CHEERING]
799
00:41:13,236 --> 00:41:14,872
NARRATOR: THE GUNPOWDER WILL
ALLOW THE RANGERS TO HOLD
800
00:41:15,038 --> 00:41:17,475
THE FORT AND OUTLAST
THE SHAWNEE SIEGE.
801
00:41:21,010 --> 00:41:28,886
♪ ♪
802
00:41:30,420 --> 00:41:32,289
YOU HAVE SAVED US.
803
00:41:32,456 --> 00:41:34,858
NEEDLESS TO SAY, HE'S YOURS.
804
00:41:34,992 --> 00:41:37,294
LEAST WE CAN DO.
805
00:41:37,428 --> 00:41:39,763
HEY, YOU KNOW WHAT
I'M GONNA NAME HIM?
806
00:41:42,665 --> 00:41:44,401
I'M GONNA CALL HIM LIVERPOOL.
807
00:41:44,534 --> 00:41:51,007
♪ ♪
808
00:41:51,141 --> 00:41:55,112
NARRATOR: ANNE BAILEY'S HISTORIC
RIDE MAKES HER A LEGEND.
809
00:41:55,245 --> 00:41:58,582
AND FOR DECADES SHE CONTINUES
TO LIVE LIFE ON HER OWN
810
00:41:58,716 --> 00:42:03,553
TERMS, RIDING FREE AND
WILD ON THE FRONTIER.
811
00:42:03,686 --> 00:42:06,123
ANNE BAILEY IS THE EPITOME OF
812
00:42:06,256 --> 00:42:08,158
THE AMERICAN WOMAN PIONEER.
813
00:42:09,993 --> 00:42:12,963
VAN DEUSEN: SHE LIVED HER
LIFE AS SHE FELT SHE NEEDED TO.
814
00:42:13,130 --> 00:42:15,999
AND SHE GAVE OTHER WOMEN
THE COURAGE TO DO THE SAME.
815
00:42:16,133 --> 00:42:19,136
NO ONE CAME CLOSE TO THE DEGREE
OF THE BARRIERS
816
00:42:19,269 --> 00:42:20,804
THAT SHE WAS BREAKING.
817
00:42:21,872 --> 00:42:26,576
WEBB: HER LEGACY IS
ABOUT PAVING THE WAY FOR WOMEN
818
00:42:26,710 --> 00:42:30,880
TO RIDE ASTRIDE, CARRY A GUN,
819
00:42:31,014 --> 00:42:35,385
DEFEND THEMSELVES,
NOT BE SEEN AS SOFT PEOPLE
820
00:42:35,518 --> 00:42:37,287
THAT DON'T HAVE A LOT TO OFFER
821
00:42:37,420 --> 00:42:39,723
TO THE FIGHT, TO THE HUNT,
822
00:42:39,857 --> 00:42:42,792
TO A HUGE CAUSE LIKE
THE REVOLUTION.
823
00:42:43,760 --> 00:42:46,196
KAMOIE: HAD SHE BEEN A
MAN, WE MIGHT'VE KNOWN HER AS
824
00:42:46,363 --> 00:42:48,565
DANIEL BOONE OR DAVY CROCKETT
825
00:42:48,732 --> 00:42:51,067
OR MANY OF THESE OTHER
826
00:42:51,201 --> 00:42:54,604
FRONTIERSMEN WHOSE NAMES HAVE
COME DOWN TO US.
827
00:42:54,737 --> 00:42:56,473
I THINK ANNE BAILEY DESERVES
THAT TOO.
828
00:42:56,606 --> 00:42:58,642
♪ ♪
61700
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