All language subtitles for Anne Bailey_ Horseback Heroine _ Into the Wild Frontier _ Season 3 _ Episode 2

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These are the user uploaded subtitles that are being translated: 1 00:00:01,533 --> 00:00:03,569 ♪ ♪ 2 00:00:03,703 --> 00:00:05,605 NARRATOR: FOR THE RUGGED PIONEERS ON AMERICA'S 3 00:00:05,772 --> 00:00:08,908 FIRST FRONTIER, LIVING IN FORTS DOTTED THROUGHOUT 4 00:00:09,075 --> 00:00:11,644 THE WILDS OF WESTERN VIRGINIA, 5 00:00:11,777 --> 00:00:16,149 A BRAVE COURIER, WITH A SWIFT HORSE, IS THEIR ONLY LIFELINE. 6 00:00:16,282 --> 00:00:18,718 AND THERE ARE FEW BRAVER OR FASTER 7 00:00:18,885 --> 00:00:20,253 THAN ANNE BAILEY. 8 00:00:20,419 --> 00:00:22,389 ♪ ♪ 9 00:00:22,555 --> 00:00:23,923 NOW, SHE IS ON THE MOST 10 00:00:24,090 --> 00:00:25,892 IMPORTANT MISSION OF HER LIFE. 11 00:00:26,058 --> 00:00:27,627 [SHAWNEE WARRIORS WAR CRIES] 12 00:00:27,760 --> 00:00:30,263 [GUNFIRE] 13 00:00:30,430 --> 00:00:34,433 THE FATE OF THE ENTIRE SETTLEMENT OF CHARLESTON 14 00:00:34,600 --> 00:00:39,471 AND HER OWN FAMILY, IS ENTIRELY IN HER HANDS. 15 00:00:39,638 --> 00:00:41,207 [GUNFIRE] 16 00:00:41,341 --> 00:00:43,543 SHE MUST BREAK THROUGH THE SHAWNEE WARRIORS 17 00:00:43,710 --> 00:00:45,111 BESIEGING THE FORT TO DELIVER 18 00:00:45,244 --> 00:00:47,414 GUNPOWDER AND AMMUNITION 19 00:00:47,580 --> 00:00:48,981 BEFORE IT'S TOO LATE. 20 00:00:49,148 --> 00:00:51,551 [GUNFIRE] 21 00:00:51,684 --> 00:01:01,561 ♪ ♪ 22 00:01:01,694 --> 00:01:11,471 ♪ ♪ 23 00:01:14,840 --> 00:01:18,377 ♪ ♪ 24 00:01:18,544 --> 00:01:21,480 ANNE BAILEY'S EXPLOITS ON THE EARLY AMERICAN FRONTIER 25 00:01:21,647 --> 00:01:24,483 HAVE EARNED HER THE NICKNAME "MAD ANNE", 26 00:01:24,617 --> 00:01:28,020 BUT SHE IS MUCH MORE THAN THAT. 27 00:01:28,187 --> 00:01:31,123 BRADY CRYTZER: THERE ARE FEW PEOPLE WHO EMBODY 28 00:01:31,290 --> 00:01:34,327 THE SPIRIT, THE TENACITY, THE STICK-TO-ITIVENESS 29 00:01:34,460 --> 00:01:35,962 AND THE GUMPTION THAT IT TAKES 30 00:01:36,095 --> 00:01:40,066 TO SURVIVE ON THE FRONTIER THAN ANNE BAILEY. 31 00:01:40,233 --> 00:01:43,335 TO CALL HER MAD DOESN'T DO THE WOMAN JUSTICE. 32 00:01:43,502 --> 00:01:46,171 SHE WAS THE EMBODIMENT OF THAT SPIRIT, 33 00:01:46,338 --> 00:01:49,842 TO SURVIVE AND FIGHT AT ALL COSTS. 34 00:01:49,976 --> 00:01:52,345 CHERYL VAN DEUSEN: IT IS AMAZING HOW SHE LIVED HER LIFE, 35 00:01:52,478 --> 00:01:54,914 AND WHAT A PATRIOT SHE WAS. 36 00:01:55,081 --> 00:01:59,051 SHE WAS THE VERY FIRST TRULY 100-MILE 37 00:01:59,218 --> 00:02:02,221 ENDURANCE RIDER IN THE UNITED STATES. 38 00:02:02,388 --> 00:02:06,358 AND MOST OF US ARE UNAWARE THAT SHE EVEN EXISTED. 39 00:02:06,525 --> 00:02:07,994 LAURA KAMOIE: A PERSON ON THE FRONTIER 40 00:02:08,161 --> 00:02:10,596 COULD SEIZE THE OPPORTUNITY TO 41 00:02:10,763 --> 00:02:14,033 REINVENT THEMSELVES, AND TO PROVE THEMSELVES, 42 00:02:14,200 --> 00:02:17,503 AND ANNE BAILEY DID ALL OF THAT. 43 00:02:17,636 --> 00:02:26,178 ♪ ♪ 44 00:02:26,345 --> 00:02:28,414 NARRATOR: BORN ANNE HENNIS IN LIVERPOOL, ENGLAND, 45 00:02:28,581 --> 00:02:31,517 SHE JOURNEYS TO AMERICA FOR A FRESH START. 46 00:02:31,683 --> 00:02:35,421 ♪ ♪ 47 00:02:35,554 --> 00:02:37,924 AND MAKES HER WAY TO THE KANAWHA VALLEY, 48 00:02:38,091 --> 00:02:42,361 ON THE WESTERN FRONTIER OF VIRGINIA, 49 00:02:42,528 --> 00:02:46,299 A LAND POPULATED BY VETERANS OF THE FRENCH AND INDIAN WAR, 50 00:02:46,465 --> 00:02:48,268 LIKE RICHARD TROTTER. 51 00:02:48,434 --> 00:02:51,871 ♪ ♪ 52 00:02:52,004 --> 00:02:53,740 CAN I GET YOUR BAGS, MA'AM? 53 00:02:53,907 --> 00:02:56,375 OH, THANK YOU. 54 00:02:56,542 --> 00:02:57,943 WHERE ARE YOU TRAVELING FROM? 55 00:02:58,110 --> 00:03:00,813 VIRGINIA, BY WAY OF LIVERPOOL. 56 00:03:00,947 --> 00:03:03,115 LIVERPOOL. 57 00:03:03,249 --> 00:03:04,550 NOT MUCH OF AN ACCENT ON YA. 58 00:03:04,717 --> 00:03:07,720 WELL, MUST BE MY TIME ON THE FRONTIER. 59 00:03:07,887 --> 00:03:09,789 YOU'VE MADE QUITE A JOURNEY. 60 00:03:10,723 --> 00:03:12,191 KANAWHA RIVER VALLEY 61 00:03:12,357 --> 00:03:14,226 IS AN AREA WHERE THERE IS GREAT ABUNDANCE. 62 00:03:14,393 --> 00:03:16,029 WHEN YOU'RE BORN IN, YOU KNOW, 63 00:03:16,195 --> 00:03:18,097 THE SLUMS OF LIVERPOOL, 64 00:03:18,231 --> 00:03:20,766 IT'S AN EPIPHANY FOR THEM TO COME TO A PLACE 65 00:03:20,933 --> 00:03:22,735 THAT SEEMS PRISTINE 66 00:03:22,902 --> 00:03:25,571 AND UNSOILED BY HUMANKIND. 67 00:03:25,738 --> 00:03:30,309 IT WAS, IN EVERY SENSE, THE TRUE GARDEN OF EDEN. 68 00:03:30,442 --> 00:03:34,246 IT SURE IS A WONDER OUT HERE, 69 00:03:34,413 --> 00:03:36,082 BUT NOT WITHOUT ITS CHALLENGES. 70 00:03:36,248 --> 00:03:38,751 OH, I LIVE FOR CHALLENGES. 71 00:03:38,918 --> 00:03:41,087 WELL, RIGHT THIS WAY THEN. 72 00:03:41,253 --> 00:03:44,189 ♪ ♪ 73 00:03:44,356 --> 00:03:46,458 NARRATOR: IN THIS NEW, UNTAMED LAND, 74 00:03:46,625 --> 00:03:49,862 ANNE FINDS A HOME AND A HUSBAND. 75 00:03:49,995 --> 00:03:51,964 ♪ ♪ 76 00:03:52,098 --> 00:03:53,566 I DO. 77 00:03:53,732 --> 00:03:58,504 ♪ ♪ 78 00:03:58,671 --> 00:04:00,472 NARRATOR: THE NEWLY MARRIED ANNE TROTTER 79 00:04:00,639 --> 00:04:03,576 SETS ABOUT MAKING A LIFE ON THE FRONTIER. 80 00:04:03,743 --> 00:04:06,312 BUT EVEN IN THE WILDERNESS, ANNE HAS TO FIGHT 81 00:04:06,479 --> 00:04:09,015 AGAINST WHAT SOCIETY EXPECTS OF HER. 82 00:04:09,182 --> 00:04:11,317 VAN DEUSEN: IN ENGLAND, THE AFFLUENT 83 00:04:11,483 --> 00:04:13,953 STARTED RIDING SIDESADDLE. 84 00:04:14,120 --> 00:04:17,723 AND SO, AMERICANS BEGAN TO EMULATE THAT. 85 00:04:17,890 --> 00:04:20,926 IT WAS LIKE, "WE'RE SUPPOSED TO BE LADIES. 86 00:04:21,060 --> 00:04:23,929 WE DON'T RIDE ASTRIDE HORSES." 87 00:04:24,096 --> 00:04:26,933 WHOA. 88 00:04:27,100 --> 00:04:28,768 I CAN'T KEEP UP. 89 00:04:28,901 --> 00:04:30,536 I'LL GO A BIT SLOWER. 90 00:04:32,404 --> 00:04:34,741 I HAVE A BETTER IDEA. 91 00:04:34,874 --> 00:04:38,978 VAN DEUSEN: SHE WAS ONE OF THE FIRST PIONEERS TO SAY, 92 00:04:39,145 --> 00:04:41,814 "I CAN'T DO WHAT NEEDS TO BE DONE, 93 00:04:41,981 --> 00:04:47,452 IF I PAY ATTENTION TO THIS SOCIETAL NORM." 94 00:04:47,619 --> 00:04:49,755 FIRST TIME I SEEN ANYTHING LIKE THAT. 95 00:04:49,922 --> 00:04:51,390 MY FATHER WAS A SOLDIER. 96 00:04:51,524 --> 00:04:52,992 YOU LEARN THINGS IN A MILITARY FAMILY. 97 00:04:53,159 --> 00:04:55,161 [PROMPTING HORSE] 98 00:04:55,328 --> 00:04:56,829 [HOOFBEATS] 99 00:04:56,996 --> 00:04:58,664 [LAUGHTER] 100 00:04:58,830 --> 00:05:03,769 ♪ ♪ 101 00:05:03,936 --> 00:05:05,972 NARRATOR: AS THE YEARS PASS, ANNE AND RICHARD 102 00:05:06,138 --> 00:05:09,675 HAVE A SON AND SETTLE INTO A LIFE OF DOMESTIC TRANQUILITY. 103 00:05:09,841 --> 00:05:12,444 ♪ ♪ 104 00:05:12,611 --> 00:05:15,815 BUT WAR SOON COMES TO THEIR PEACEFUL VALLEY. 105 00:05:15,981 --> 00:05:18,884 ♪ ♪ 106 00:05:19,018 --> 00:05:21,653 CRYTZER: THE SHAWNEE HAD RECENTLY RELOCATED 107 00:05:21,820 --> 00:05:24,056 TO THAT AREA, PUSHED OUT OF THEIR ANCESTRAL 108 00:05:24,222 --> 00:05:26,058 HOMELAND IN THE AMERICAN SOUTH, 109 00:05:26,192 --> 00:05:28,261 AND THEY WERE DESPERATE TO DEFEND IT. 110 00:05:28,427 --> 00:05:31,063 ALL OF WESTERN VIRGINIA SOON CAME UNDER 111 00:05:31,229 --> 00:05:33,165 THE WRATH OF SHAWNEE RAIDS. 112 00:05:33,332 --> 00:05:35,034 A LOT OF PEOPLE SAY THAT THE SHAWNEE 113 00:05:35,201 --> 00:05:36,902 WERE A WARLIKE TRIBE. 114 00:05:37,036 --> 00:05:38,938 BUT THE REALITY IS THEY WERE JUST TRYING 115 00:05:39,071 --> 00:05:42,774 TO FIND A PLACE FOR THEMSELVES IN THIS NEW WORLD. 116 00:05:42,908 --> 00:05:47,079 WAR WAS REALLY THEIR ONLY OPTION, IN MANY CASES. 117 00:05:47,245 --> 00:05:49,115 ♪ ♪ 118 00:05:49,282 --> 00:05:50,749 NARRATOR: SETTLERS LIKE RICHARD TROTTER 119 00:05:50,916 --> 00:05:53,318 HAVE NO CHOICE BUT TO GO TO WAR AS WELL 120 00:05:53,485 --> 00:05:56,756 TO DEFEND THEIR HOMES AND FAMILIES. 121 00:05:56,889 --> 00:05:58,458 I'LL BE BACK SOON ENOUGH. 122 00:05:58,624 --> 00:06:02,228 ♪ ♪ 123 00:06:02,362 --> 00:06:04,464 NARRATOR: BUT NOT ALL OF THEM WILL COME BACK. 124 00:06:04,630 --> 00:06:10,669 ♪ ♪ 125 00:06:10,803 --> 00:06:12,939 MORGAN: THE SHAWNEE REALIZE THESE WHITE PEOPLE 126 00:06:13,106 --> 00:06:14,473 ARE NEVER GOING TO STOP COMING. 127 00:06:14,640 --> 00:06:17,076 AND UNLESS WE DO SOMETHING TO STOP THEM, 128 00:06:17,243 --> 00:06:19,979 THEY'RE GOING TO TAKE AWAY OUR WAY OF LIFE. 129 00:06:20,113 --> 00:06:21,280 AND THAT WILL EVENTUALLY LEAD US TO 130 00:06:21,447 --> 00:06:22,781 THE BATTLE OF POINT PLEASANT. 131 00:06:22,948 --> 00:06:25,517 [GUNFIRE] 132 00:06:25,684 --> 00:06:27,052 THERE WAS NEVER A BATTLE LIKE IT 133 00:06:27,186 --> 00:06:29,221 IN THE HISTORY OF NORTH AMERICA. 134 00:06:29,388 --> 00:06:30,689 AND IN THE END... 135 00:06:30,856 --> 00:06:33,091 THE SHAWNEE BACK IS BROKEN IN THE BATTLE. 136 00:06:33,258 --> 00:06:35,595 [GUNFIRE] [YELLING] 137 00:06:35,728 --> 00:06:38,731 [GUNFIRE] 138 00:06:38,898 --> 00:06:41,300 MORGAN: BUT ONE OF THE CONSEQUENCES OF THIS BATTLE 139 00:06:41,467 --> 00:06:45,037 IS THAT TROTTER IS KILLED IN ACTION. 140 00:06:45,204 --> 00:06:47,940 LEAVING ANNE WITHOUT A HUSBAND. 141 00:06:48,641 --> 00:06:55,815 ♪ ♪ 142 00:06:55,981 --> 00:06:57,850 KAMOIE: MANY WOMEN PROBABLY WOULD HAVE 143 00:06:58,016 --> 00:06:59,552 ASSESSED THE SITUATION, 144 00:06:59,718 --> 00:07:02,355 REALIZED THEIR VULNERABILITY, 145 00:07:02,521 --> 00:07:06,558 AND THEN GONE BACK EAST TO THEIR FAMILIES. 146 00:07:06,725 --> 00:07:08,994 CRYTZER: BUT ANNE BAILEY WAS NOT IN A POSITION 147 00:07:09,161 --> 00:07:14,300 TO JUST SHRINK LIKE A VIOLET AND MOVE BACK EAST. 148 00:07:14,466 --> 00:07:16,302 HER HOME, HER FAMILY, 149 00:07:16,436 --> 00:07:18,804 EVERYTHING THAT SHE MADE WITH HER BARE HANDS 150 00:07:18,971 --> 00:07:23,309 WAS ON THE FRONTIER AND SHE WASN'T ABOUT TO LEAVE IT. 151 00:07:23,476 --> 00:07:26,045 ANNE: THE FIGHT CAN'T END HERE. 152 00:07:26,211 --> 00:07:28,714 I WILL FIND JUSTICE FOR THEM. 153 00:07:29,648 --> 00:07:31,217 I'M GONNA NEED YOUR HELP. 154 00:07:33,819 --> 00:07:36,689 VAN DEUSEN: SHE FELT THE CALLING THAT IT WAS SO IMPORTANT 155 00:07:36,856 --> 00:07:43,229 TO CONTINUE THE WORK THAT HER HUSBAND BELIEVED IN. 156 00:07:43,396 --> 00:07:45,564 NARRATOR: TO PROTECT THE ONES SHE LOVES, 157 00:07:45,731 --> 00:07:48,534 ANNE WILL HAVE TO GIVE UP THE LIFE SHE KNOWS 158 00:07:48,667 --> 00:07:50,336 AND REINVENT HERSELF. 159 00:07:50,502 --> 00:08:00,246 ♪ ♪ 160 00:08:00,412 --> 00:08:02,048 ♪ ♪ 161 00:08:02,215 --> 00:08:04,350 STAN BUMGARDNER: SHE WENT ROGUE. 162 00:08:04,516 --> 00:08:06,451 SHE WORE MEN'S CLOTHING 163 00:08:06,585 --> 00:08:08,387 AND SHE WAS KIND OF CALAMITY JANE 164 00:08:08,553 --> 00:08:11,690 BEFORE CALAMITY JANE. 165 00:08:11,824 --> 00:08:13,325 VAN DEUSEN: ANNE WAS A MOTHER. 166 00:08:13,492 --> 00:08:15,761 AND YET, SHE SET ASIDE HER FAMILY NEEDS 167 00:08:15,928 --> 00:08:19,498 AND LEFT WILLIAM WITH A NEIGHBOR THAT SHE TRUSTED. 168 00:08:19,665 --> 00:08:21,500 NOW, YOU BE GOOD TO MRS. MANN, OKAY? 169 00:08:21,634 --> 00:08:23,235 SHE'S GOING TO TAKE CARE OF YOU WHILE I'M GONE. 170 00:08:23,401 --> 00:08:26,204 ♪ ♪ 171 00:08:26,371 --> 00:08:29,307 I LOVE YOU. 172 00:08:29,474 --> 00:08:30,743 I'LL BE BACK SOON. 173 00:08:30,909 --> 00:08:35,014 ♪ ♪ 174 00:08:35,181 --> 00:08:36,582 VAN DEUSEN: SHE WENT FORWARD. 175 00:08:36,749 --> 00:08:39,518 AND SHE DIDN'T LET HER GENDER STOP HER, 176 00:08:39,651 --> 00:08:42,955 SHE DIDN'T LET STEREOTYPES STOP HER. 177 00:08:43,122 --> 00:08:47,026 SHE DIDN'T DO IT TO PROVE ANYONE WRONG. 178 00:08:47,193 --> 00:08:49,762 SHE DID IT BECAUSE IT WAS THE RIGHT THING TO DO. 179 00:08:49,895 --> 00:08:59,772 ♪ ♪ 180 00:08:59,905 --> 00:09:06,278 ♪ ♪ 181 00:09:06,412 --> 00:09:08,747 NARRATOR: ANNE KNOWS SHE CAN BEST SERVE HER COUNTRY 182 00:09:08,914 --> 00:09:11,984 AS A COURIER, DELIVERING VITAL NEWS AND INTELLIGENCE 183 00:09:12,151 --> 00:09:14,654 BETWEEN THE FAR-FLUNG SETTLEMENTS ON THE FRONTIER. 184 00:09:14,820 --> 00:09:16,956 ♪ ♪ 185 00:09:17,089 --> 00:09:19,491 VAN DEUSEN: SHE HAD HER OWN TRUE GOALS, 186 00:09:19,658 --> 00:09:22,194 SO SHE WENT OUT AND STARTED LEARNING THOSE TRAILS. 187 00:09:22,360 --> 00:09:31,203 ♪ ♪ 188 00:09:31,369 --> 00:09:33,072 ♪ ♪ 189 00:09:33,239 --> 00:09:35,007 NARRATOR: BUT SHE STILL HAS TO GET ACCUSTOMED 190 00:09:35,140 --> 00:09:39,745 TO THE BRUTAL PHYSICAL DEMANDS OF THE JOB. 191 00:09:39,878 --> 00:09:40,947 VAN DEUSEN: WHEN YOU'RE DOING THAT KIND OF 192 00:09:41,113 --> 00:09:43,015 LONG DISTANCE RIDING, 193 00:09:43,182 --> 00:09:45,150 IT WOULD BE SIMILAR TO MARATHON RUNNING. 194 00:09:45,317 --> 00:09:48,687 AT SOME POINT, YOU RUN INTO A WALL AND A LOT OF PEOPLE 195 00:09:48,854 --> 00:09:50,956 GIVE UP AND THEY JUST SAY, "OKAY, I CAN'T DO THIS." 196 00:09:51,089 --> 00:09:54,393 ♪ ♪ 197 00:09:54,560 --> 00:09:56,828 BUT THE REALLY EXCEPTIONAL RIDERS GO, 198 00:09:56,995 --> 00:09:59,832 "OKAY, I CAN PUSH THROUGH THIS AND I CAN GET IT DONE." 199 00:09:59,998 --> 00:10:03,168 ♪ ♪ 200 00:10:03,335 --> 00:10:06,872 NARRATOR: MILE AFTER MILE, THE UNFORGIVING KANAWHA VALLEY 201 00:10:07,039 --> 00:10:10,109 FORGES ANNE INTO A BOLD, CAPABLE HORSEWOMAN. 202 00:10:10,275 --> 00:10:16,915 ♪ ♪ 203 00:10:17,082 --> 00:10:22,387 BUT THE DANGERS OF THE WILD ARE EVER-PRESENT... 204 00:10:22,554 --> 00:10:24,723 [HORSE WHINNIES] 205 00:10:24,890 --> 00:10:27,760 AND NOT ALL OF THEM ARE IN HUMAN FORM. 206 00:10:30,696 --> 00:10:32,297 NARRATOR: AFTER THE DEATH OF HER HUSBAND, 207 00:10:32,464 --> 00:10:33,865 FRONTIERSWOMAN ANNE BAILEY 208 00:10:34,032 --> 00:10:37,869 HAS REINVENTED HERSELF AS A COURIER. 209 00:10:38,003 --> 00:10:40,472 BUT NOW, SHE HAS COME FACE TO FACE 210 00:10:40,639 --> 00:10:43,642 WITH THE DANGERS OF THE WILDERNESS. 211 00:10:43,775 --> 00:10:45,211 HEATHER WEBB: WOLVES WERE VERY COMMON 212 00:10:45,344 --> 00:10:47,546 AT THIS TIME IN THE U.S., 213 00:10:47,679 --> 00:10:49,548 SO, IF YOU ARE RIDING THROUGH THE FOREST, 214 00:10:49,714 --> 00:10:51,750 ESPECIALLY BY YOURSELF, 215 00:10:51,884 --> 00:10:53,752 YOU'RE IN A LOT OF DANGER. 216 00:10:53,885 --> 00:10:55,788 NARRATOR: ANNE HAS TWO CHOICES, 217 00:10:55,954 --> 00:10:58,758 RUN OR STAND HER GROUND. 218 00:10:58,924 --> 00:11:00,626 ♪ ♪ 219 00:11:00,793 --> 00:11:01,927 [WOLF WHIMPERS] 220 00:11:02,795 --> 00:11:04,664 [WOLF WHIMPERS] 221 00:11:06,298 --> 00:11:07,999 E.J. SNYDER: YOU'RE FACED WITH A WOLF PACK, 222 00:11:08,166 --> 00:11:09,802 YOU DON'T WANT TO RUN. WHAT YOU WANT TO DO 223 00:11:09,968 --> 00:11:11,970 IS STAND UP AND LOOK LARGER. 224 00:11:12,104 --> 00:11:14,839 YOU WANT TO MAKE NOISE, POSSIBLY THROW ROCKS AT THEM 225 00:11:15,006 --> 00:11:16,508 TO TRY TO MAKE THEM UNDERSTAND 226 00:11:16,642 --> 00:11:18,510 YOU'RE NOT THE MEAL THEY'RE LOOKING FOR. 227 00:11:18,677 --> 00:11:20,546 [GALLOPING] 228 00:11:20,680 --> 00:11:22,114 VAN DEUSEN: SHE HAD DEVELOPED THE EXPERTISE, 229 00:11:22,281 --> 00:11:23,582 SHE KNEW THE BEST ROUTES, 230 00:11:23,749 --> 00:11:25,951 AND HOW TO AVOID THE TWO-LEGGED 231 00:11:26,118 --> 00:11:28,720 AND FOUR-LEGGED PREDATORS THAT WERE IN THE WOODS. 232 00:11:28,854 --> 00:11:32,057 SHE ENDED UP BEING THE PERFECT PERSON FOR THE JOB. 233 00:11:32,191 --> 00:11:35,428 [GALLOPING] 234 00:11:35,561 --> 00:11:38,163 NARRATOR: NOW, ONE OF THE BEST RIDERS ON THE FRONTIER, 235 00:11:38,297 --> 00:11:41,934 ANNE GETS A CHANCE TO DELIVER A WORLD-CHANGING MESSAGE. 236 00:11:42,067 --> 00:11:44,202 ♪ ♪ 237 00:11:44,369 --> 00:11:46,939 ON JULY 4, 1776, 238 00:11:47,106 --> 00:11:49,074 THE CONTINENTAL CONGRESS RATIFIES 239 00:11:49,241 --> 00:11:51,210 THE DECLARATION OF INDEPENDENCE. 240 00:11:51,376 --> 00:11:54,012 ♪ ♪ 241 00:11:54,179 --> 00:11:55,714 AND IT'S UP TO COURIERS LIKE ANNE 242 00:11:55,881 --> 00:11:57,416 TO SPREAD THE NEWS THROUGHOUT 243 00:11:57,550 --> 00:12:01,020 THE NEW UNITED STATES OF AMERICA. 244 00:12:01,187 --> 00:12:03,621 KAMOIE: PAUL REVERE IS ONLY THE MOST FAMOUS EXAMPLE 245 00:12:03,788 --> 00:12:05,757 OF THE SIGNIFICANCE OF HORSE RIDERS 246 00:12:05,924 --> 00:12:07,659 DURING THE REVOLUTIONARY WAR. 247 00:12:07,792 --> 00:12:09,995 HORSEBACK RIDERS WERE 248 00:12:10,128 --> 00:12:12,297 THE MOST INSTANT FORM OF COMMUNICATION 249 00:12:12,464 --> 00:12:13,765 THAT WERE AVAILABLE 250 00:12:13,932 --> 00:12:15,734 AND SO, THEY PLAYED A CRITICAL ROLE 251 00:12:15,867 --> 00:12:19,170 IN DELIVERING THE LATEST INTELLIGENCE, 252 00:12:19,337 --> 00:12:22,374 TROOP MOVEMENTS AND OTHER FORMS OF INFORMATION. 253 00:12:22,540 --> 00:12:32,551 ♪ ♪ 254 00:12:32,718 --> 00:12:34,820 ANDREW NELSON: ONCE YOU GET THAT INFORMATION 255 00:12:34,987 --> 00:12:37,055 TO ITS DESTINATION, YOU NEED TO DISSEMINATE IT. 256 00:12:37,188 --> 00:12:39,457 THIS LED TO THE DEVELOPMENT OF SOMETHING CALLED THE BROADSHEET, 257 00:12:39,624 --> 00:12:41,159 WHICH WERE RUDIMENTARY POSTERS 258 00:12:41,326 --> 00:12:43,896 THAT COULD BE PLACED SOMEWHERE PROMINENT 259 00:12:44,062 --> 00:12:45,531 WHERE PEOPLE COULD READ IT. 260 00:12:45,697 --> 00:12:54,973 ♪ ♪ 261 00:12:55,140 --> 00:12:57,409 NARRATOR: ANNE RIDES ALL ACROSS VIRGINIA 262 00:12:57,576 --> 00:13:00,012 SPREADING THE WORD OF INDEPENDENCE. 263 00:13:00,178 --> 00:13:09,087 ♪ ♪ 264 00:13:09,254 --> 00:13:11,556 "WE HOLD THESE TRUTHS TO BE SELF-EVIDENT, 265 00:13:11,723 --> 00:13:15,060 THAT ALL MEN ARE CREATED EQUAL, 266 00:13:15,193 --> 00:13:17,496 THAT THEY ARE ENDOWED BY THEIR CREATOR 267 00:13:17,629 --> 00:13:21,166 WITH CERTAIN UNALIENABLE RIGHTS. 268 00:13:21,333 --> 00:13:24,436 THAT AMONG THESE ARE LIFE, LIBERTY 269 00:13:24,603 --> 00:13:28,140 AND THE PURSUIT OF HAPPINESS. 270 00:13:28,307 --> 00:13:30,909 VAN DEUSEN: ANNE AND OTHER MESSENGERS LIKE HER 271 00:13:31,076 --> 00:13:34,513 WERE THE FIRST RECRUITERS TO GO OUT THERE AND SAY, 272 00:13:34,647 --> 00:13:37,716 "HEY, WE NEED PEOPLE TO JOIN THE MILITIA 273 00:13:37,882 --> 00:13:40,653 AND AMERICA IS AT RISK. 274 00:13:40,820 --> 00:13:43,855 AND WE NEED PEOPLE TO STEP UP AND HELP US." 275 00:13:43,989 --> 00:13:45,990 ANNE: WITHOUT YOUR SUPPORT, THE BRITISH 276 00:13:46,157 --> 00:13:49,160 WILL SUPPRESS AND MURDER US ALL. 277 00:13:49,294 --> 00:13:52,597 NARRATOR: BUT NOT EVERYONE WANTS TO JOIN THE REVOLUTION. 278 00:13:52,764 --> 00:13:54,099 KAMOIE: THE REVOLUTIONARY WAR 279 00:13:54,266 --> 00:13:57,002 COMPLETELY UNSETTLED THE BACKCOUNTRY 280 00:13:57,135 --> 00:14:01,172 BY SPLIT LOYALTIES ON THE COLONISTS' SIDE, 281 00:14:01,339 --> 00:14:04,142 WITH SOME BEING LOYALISTS OR TORIES 282 00:14:04,309 --> 00:14:08,313 AND OTHERS BEING AMERICANS, OR PATRIOTS. 283 00:14:08,480 --> 00:14:11,617 ANNE: WE NEED EVERY FIGHTER THAT WE CAN GET. 284 00:14:11,750 --> 00:14:13,385 BOO. 285 00:14:13,519 --> 00:14:14,619 THERE WERE A LOT OF PEOPLE WHO 286 00:14:14,786 --> 00:14:16,955 ENTERTAINED LOYALIST SENTIMENTS 287 00:14:17,122 --> 00:14:18,723 EARLY IN THE CONFLICT. 288 00:14:18,890 --> 00:14:20,492 BECAUSE EARLY IN THE CONFLICT 289 00:14:20,659 --> 00:14:22,928 IT LOOKED LIKE THE KING'S GOING TO WIN. 290 00:14:23,061 --> 00:14:27,366 AND PEOPLE LEANED TOWARDS ENGLAND AS A RESULT OF IT. 291 00:14:27,499 --> 00:14:29,934 ♪ ♪ 292 00:14:30,101 --> 00:14:32,504 THANK YOU. STILL CRISPY. 293 00:14:34,039 --> 00:14:38,610 KAMOIE: AND SO, ALL OF THIS GAVE RISE TO MORE VIOLENCE, 294 00:14:38,777 --> 00:14:41,046 HOSTILITY AND CONFLICT IN A REGION 295 00:14:41,213 --> 00:14:43,582 THAT WAS ALREADY RIFE WITH ALL OF THOSE. 296 00:14:43,716 --> 00:14:45,450 NARRATOR: THE LOYALISTS MAY SEE A WOMAN 297 00:14:45,584 --> 00:14:48,687 ALONE ON THE FRONTIER AS AN EASY TARGET, 298 00:14:48,854 --> 00:14:50,622 BUT ANNE IS ANYTHING BUT. 299 00:14:50,755 --> 00:14:52,857 [FIGHTING] 300 00:14:52,991 --> 00:14:55,060 WEBB: SHE WAS A VERY STRONG WOMAN. 301 00:14:55,193 --> 00:15:00,132 AND SHE COULD FIGHT JUST AS WELL AS A MAN. 302 00:15:00,299 --> 00:15:02,367 NARRATOR: FOR TWO YEARS, ANNE HAS CRISSCROSSED 303 00:15:02,534 --> 00:15:05,003 THE WILDERNESS, CONNECTING FRONTIER OUTPOSTS 304 00:15:05,170 --> 00:15:07,506 WITH NEWS AND INFORMATION. 305 00:15:07,673 --> 00:15:09,274 MOST IMPRESSIVE. 306 00:15:09,441 --> 00:15:11,076 NARRATOR: AND OFFICERS IN THE COLONIAL MILITIA 307 00:15:11,209 --> 00:15:14,279 HAVE NOTICED HER FEARLESSNESS AND DEDICATION. 308 00:15:14,446 --> 00:15:17,182 I WAS JUST PROTECTING MYSELF, SIR. 309 00:15:17,349 --> 00:15:21,453 NOW IT IS TIME FOR YOU TO DEFEND YOUR PEOPLE. 310 00:15:21,620 --> 00:15:25,157 DO YOU THINK YOU'RE UP FOR THE TASK, MA'AM? 311 00:15:25,290 --> 00:15:28,160 ♪ ♪ 312 00:15:28,293 --> 00:15:29,461 YEAH, YES. 313 00:15:29,627 --> 00:15:31,229 I'VE BEEN PREPARING FOR THIS. 314 00:15:31,396 --> 00:15:32,997 NARRATOR: ANNE'S SKILLS AND BRAVERY 315 00:15:33,164 --> 00:15:34,700 MAKE HER A PERFECT RECRUIT 316 00:15:34,866 --> 00:15:36,535 TO BE A MILITIA COURIER. 317 00:15:36,701 --> 00:15:40,305 ♪ ♪ 318 00:15:40,472 --> 00:15:42,140 NOW, INSTEAD OF JUST DELIVERING 319 00:15:42,307 --> 00:15:44,042 THE NEWS OF INDEPENDENCE, 320 00:15:44,209 --> 00:15:47,046 SHE IS ACTIVELY FIGHTING FOR IT. 321 00:15:47,212 --> 00:15:50,816 MESSENGERS PLAYED AN IMPORTANT ROLE DURING THE REVOLUTION. 322 00:15:50,950 --> 00:15:53,084 THERE WAS NO WAY TO GET MESSAGES FROM ONE PLACE 323 00:15:53,251 --> 00:15:56,488 TO THE OTHER UNLESS YOU HAD SOMEBODY WHO WAS 324 00:15:56,655 --> 00:15:59,691 REALLY DEDICATED TO CARRYING THESE MESSAGES. 325 00:15:59,825 --> 00:16:02,094 THIS BECAME THE MISSION OF HER LIFE. 326 00:16:02,227 --> 00:16:04,896 NARRATOR: IN 1777, ANNE IS DISPATCHED 327 00:16:05,063 --> 00:16:07,131 WITH URGENT MESSAGES TO FORT RANDOLPH, 328 00:16:07,298 --> 00:16:12,904 AT THE JUNCTION OF THE OHIO AND KANAWHA RIVERS. 329 00:16:13,071 --> 00:16:14,807 THE FORT WAS BUILT NEAR THE SITE OF THE 330 00:16:14,940 --> 00:16:16,975 BATTLE OF POINT PLEASANT, 331 00:16:17,142 --> 00:16:20,312 THE VERY BATTLE THAT TOOK HER HUSBAND'S LIFE. 332 00:16:20,478 --> 00:16:23,248 ♪ ♪ 333 00:16:23,415 --> 00:16:26,218 NELSON: THIS, OF COURSE, STIRRED MEMORIES OF 334 00:16:26,385 --> 00:16:28,052 NOT ONLY THE LOSS OF HER HUSBAND, 335 00:16:28,219 --> 00:16:30,788 BUT THE MOST PIVOTAL MOMENT OF ANNE'S LIFE. 336 00:16:30,955 --> 00:16:32,224 WHEN SHE MADE THE FATEFUL DECISION 337 00:16:32,391 --> 00:16:35,227 TO BECOME THE ANNE BAILEY OF LEGEND. 338 00:16:35,393 --> 00:16:43,101 ♪ ♪ 339 00:16:43,268 --> 00:16:45,203 CRYTZER: I THINK ANNE BAILEY REALLY THAT MOMENT, 340 00:16:45,337 --> 00:16:48,172 REALIZES THAT THERE'S REALLY NO GOING BACK FOR HER. 341 00:16:48,339 --> 00:16:51,243 SHE HAS GIVEN HERSELF COMPLETELY TO THIS CAUSE. 342 00:16:51,376 --> 00:16:52,877 THIS IS GOING TO DRIVE HER FORWARD. 343 00:16:53,011 --> 00:16:54,513 THIS IS THE POINT OF NO RETURN FOR HER 344 00:16:54,680 --> 00:16:55,781 AND I THINK THAT'S A BIG MOMENT. 345 00:16:55,947 --> 00:17:02,021 ♪ ♪ 346 00:17:05,157 --> 00:17:07,125 NARRATOR: BUT WHEN ANNE REACHES FORT RANDOLPH, 347 00:17:07,259 --> 00:17:09,361 SHE LEARNS THAT THE ONGOING CONFLICT 348 00:17:09,527 --> 00:17:11,697 BETWEEN THE COLONISTS AND THE SHAWNEE 349 00:17:11,863 --> 00:17:13,766 HAS CLAIMED ANOTHER VICTIM. 350 00:17:13,899 --> 00:17:16,234 ONE OF THE MOST PROMINENT CHIEFS AND LEADERS 351 00:17:16,401 --> 00:17:19,004 OF THE SHAWNEE WAS CORNSTALK. 352 00:17:19,171 --> 00:17:22,841 HE UNDERSTOOD AND VALUED PEACE. 353 00:17:23,008 --> 00:17:24,476 WHEN HE TRAVELED TO FORT RANDOLPH, 354 00:17:24,609 --> 00:17:26,745 AT THE BEGINNING OF THE AMERICAN REVOLUTION, 355 00:17:26,912 --> 00:17:29,915 HE WAS THROWN INTO A JAIL BY PATRIOTS 356 00:17:30,081 --> 00:17:31,550 AND THEN SENSELESSLY MURDERED. 357 00:17:31,683 --> 00:17:34,719 ♪ ♪ 358 00:17:34,886 --> 00:17:37,322 CORNSTALK HAS JUST BEEN KILLED. 359 00:17:39,057 --> 00:17:40,124 WHEN THE SHAWNEE HEAR ABOUT THIS, 360 00:17:40,258 --> 00:17:42,060 NO ONE IS GOING TO BE SAFE. 361 00:17:42,227 --> 00:17:44,295 FOR MANY OF THE SHAWNEE, WHEN THEY SAW 362 00:17:44,462 --> 00:17:46,365 CORNSTALK TREATED IN SUCH A TERRIBLE WAY, 363 00:17:46,532 --> 00:17:48,600 THEY WERE CONVINCED THAT WAR WAS THE 364 00:17:48,733 --> 00:17:50,301 ONLY WAY TO SEEK REVENGE. 365 00:17:50,468 --> 00:17:52,103 NARRATOR: NO COLONIST IS NOW SAFE FROM 366 00:17:52,270 --> 00:17:55,139 RETALIATION BY VENGEFUL SHAWNEE WARRIORS 367 00:17:55,306 --> 00:17:59,177 AND ANNE MUST NOW MAKE A 150 MILE RETURN RIDE 368 00:17:59,344 --> 00:18:01,446 THROUGH HOSTILE SHAWNEE TERRITORY. 369 00:18:01,612 --> 00:18:11,456 ♪ ♪ 370 00:18:11,622 --> 00:18:13,458 ♪ ♪ 371 00:18:13,625 --> 00:18:16,328 ANNE RIDES THROUGH THE KANAWHA VALLEY TOWARD HOME... 372 00:18:16,494 --> 00:18:22,567 ♪ ♪ 373 00:18:22,734 --> 00:18:25,604 AND FINDS HERSELF IN THE SIGHTS OF THE SHAWNEE. 374 00:18:25,770 --> 00:18:30,408 ♪ ♪ 375 00:18:30,541 --> 00:18:32,410 VAN DEUSEN: THEY OBVIOUSLY CHASED HER. 376 00:18:32,544 --> 00:18:34,512 AND SHE KNEW THOSE TRAILS AND HER HORSE 377 00:18:34,679 --> 00:18:37,216 WELL ENOUGH THAT SHE WAS ABLE TO EVADE THEM. 378 00:18:37,382 --> 00:18:43,088 ♪ ♪ 379 00:18:43,255 --> 00:18:44,556 SNYDER: WHEN YOU'RE IN A SITUATION WHERE YOU'RE 380 00:18:44,723 --> 00:18:47,726 FACED WITH UNSURVIVABLE NUMBERS AGAINST YOU, 381 00:18:47,892 --> 00:18:49,027 IT'S BETTER TO RUN AND HIDE 382 00:18:49,194 --> 00:18:51,029 AND LIVE TO FIGHT ANOTHER DAY. 383 00:18:51,163 --> 00:18:53,231 FOR ANNE, YOU KNOW, SHE'S SMALLER IN STATURE. 384 00:18:53,398 --> 00:18:55,767 IT'S EASIER TO GET INTO CERTAIN PLACES, 385 00:18:55,934 --> 00:18:57,335 USE THE SHADOWS TO YOUR ADVANTAGE. 386 00:18:57,502 --> 00:18:58,837 IT'S GOING TO BE A LOT EASIER FOR HER 387 00:18:59,003 --> 00:19:01,340 TO AVOID BEING DETECTED. 388 00:19:01,473 --> 00:19:04,343 NARRATOR: HIDING IN PLAIN SIGHT, ANNE CAN ONLY PRAY 389 00:19:04,509 --> 00:19:06,577 THAT THE SHAWNEE DON'T FIND HER. 390 00:19:06,744 --> 00:19:10,415 BECAUSE IF THEY DO, IT WILL MEAN CERTAIN DEATH. 391 00:19:15,319 --> 00:19:17,022 NARRATOR: FRONTIER COURIER ANNE BAILEY 392 00:19:17,155 --> 00:19:18,690 HAS ENCOUNTERED A BAND OF SHAWNEE 393 00:19:18,824 --> 00:19:21,926 ON THE WARPATH AFTER THE MURDER OF THEIR CHIEF. 394 00:19:22,059 --> 00:19:24,997 ♪ ♪ 395 00:19:25,164 --> 00:19:28,199 SHE HAS ALREADY LOST HER HUSBAND TO THE SHAWNEE 396 00:19:28,366 --> 00:19:31,370 AND IF THEY FIND HER, SHE WILL BE NEXT. 397 00:19:31,536 --> 00:19:33,205 ♪ ♪ 398 00:19:33,372 --> 00:19:36,908 SHE HID AND LEFT HER HORSE NEARBY. 399 00:19:37,074 --> 00:19:40,712 ♪ ♪ 400 00:19:40,879 --> 00:19:43,515 THEY LOOKED ALL AROUND FOR HER, COULDN'T FIND HER. 401 00:19:43,681 --> 00:19:46,118 ♪ ♪ 402 00:19:46,285 --> 00:19:49,688 SO THEY TOOK HER HORSE AND WENT BACK TO THEIR CAMP. 403 00:19:49,821 --> 00:19:52,390 ♪ ♪ 404 00:19:52,523 --> 00:19:55,359 NARRATOR: ANNE HAS SURVIVED BUT NOW SHE IS ALONE 405 00:19:55,493 --> 00:20:00,332 IN THE DEEP WOODS WITH NO HORSE AND NO PROVISIONS. 406 00:20:00,498 --> 00:20:01,866 THEY LEFT HER OUT THERE. 407 00:20:02,033 --> 00:20:03,434 AND OF COURSE, SHE DIDN'T HAVE 408 00:20:03,601 --> 00:20:05,437 ANYTHING TO EAT OR DRINK BECAUSE EVERYTHING 409 00:20:05,604 --> 00:20:06,571 WAS ON HER HORSE. 410 00:20:06,737 --> 00:20:16,581 ♪ ♪ 411 00:20:16,747 --> 00:20:26,591 ♪ ♪ 412 00:20:26,757 --> 00:20:34,799 ♪ ♪ 413 00:20:34,966 --> 00:20:40,238 BEFORE LONG, SHE FIGURED OUT, "OH, I SEE TRACKS." 414 00:20:40,371 --> 00:20:42,540 SO SHE FOLLOWED THOSE HORSE TRACKS, 415 00:20:42,673 --> 00:20:45,844 AND SHE EVENTUALLY GOT TO WHERE THE INDIANS WERE RESTING. 416 00:20:46,010 --> 00:20:55,586 ♪ ♪ 417 00:20:55,753 --> 00:20:58,857 NARRATOR: THE SHAWNEE NEVER EXPECTED ANNE TO FOLLOW THEM. 418 00:20:59,023 --> 00:21:06,865 ♪ ♪ 419 00:21:07,031 --> 00:21:09,067 ♪ ♪ 420 00:21:09,234 --> 00:21:10,802 VAN DEUSEN: SHE SNUCK UP TO HER HORSE 421 00:21:10,935 --> 00:21:13,939 AND SHE KEPT IT QUIET. 422 00:21:14,105 --> 00:21:16,074 BUT THEN IT WHINNIED BECAUSE 423 00:21:16,240 --> 00:21:17,442 IT WAS SO HAPPY TO SEE HER. 424 00:21:17,609 --> 00:21:19,710 [WHOOPING] 425 00:21:19,877 --> 00:21:21,313 [GUNSHOT] 426 00:21:21,480 --> 00:21:23,615 NELSON: THE BOLDNESS OF SNEAKING INTO 427 00:21:23,748 --> 00:21:26,717 A SHAWNEE ENCAMPMENT AND STEALING BACK YOUR HORSE, 428 00:21:26,884 --> 00:21:29,354 THAT'S SOMETHING THE SHAWNEE HAVEN'T SEEN BEFORE. 429 00:21:29,488 --> 00:21:32,190 IT'S PART OF WHY ANNE HAS THE REPUTATION THAT SHE DOES. 430 00:21:32,357 --> 00:21:36,527 IT'S NOT JUST BEING CRAZY, BUT IT'S THE SHEER 431 00:21:36,694 --> 00:21:39,764 AUDACITY OF DOING SOMETHING THAT NOBODY WOULD EXPECT. 432 00:21:39,931 --> 00:21:42,200 TED BELUE: THEY REALLY FELT LIKE PERHAPS SHE WAS, 433 00:21:42,334 --> 00:21:44,102 YOU MIGHT SAY TOUCHED IN THE HEAD, AND MAYBE 434 00:21:44,269 --> 00:21:46,071 GUIDED BY THE GREAT SPIRIT. 435 00:21:46,238 --> 00:21:49,140 NARRATOR: THE SHAWNEE NEVER FORGET THEIR ENCOUNTER WITH 436 00:21:49,307 --> 00:21:51,276 THE WOMAN THEY CALL "MAD ANNE", 437 00:21:51,409 --> 00:21:53,845 BUT IT WON'T BE THEIR LAST. 438 00:21:55,980 --> 00:22:02,721 ♪ ♪ 439 00:22:04,555 --> 00:22:06,791 ANNE MAKES HER HOME BASE AT FORT LEE, 440 00:22:06,924 --> 00:22:09,627 A FRONTIER OUTPOST MANNED BY THE ELITE VIRGINIA 441 00:22:09,760 --> 00:22:13,598 RANGERS UNDER THE COMMAND OF COLONEL GEORGE CLENDENIN. 442 00:22:15,500 --> 00:22:17,568 GUARDING THE GROWING TOWN OF CHARLESTON, 443 00:22:17,735 --> 00:22:19,938 THE FORT IS A CRUCIAL POINT OF DEFENSE 444 00:22:20,104 --> 00:22:21,873 AGAINST NATIVE ATTACKS. 445 00:22:23,741 --> 00:22:25,143 CLENDENIN: NEAR RECORD TIME, AS ALWAYS. 446 00:22:25,310 --> 00:22:27,012 ANNE: I AIM TO DO MY PART. 447 00:22:29,881 --> 00:22:32,751 I HOPE MY SON'S BEEN DOIN' HIS PART WHILE I'VE BEEN GONE. 448 00:22:34,085 --> 00:22:35,620 HEY! 449 00:22:38,556 --> 00:22:39,991 WE'RE LUCKY TO HAVE YOU BOTH. 450 00:22:40,157 --> 00:22:41,893 [LAUGHS] 451 00:22:43,394 --> 00:22:46,331 ♪ ♪ 452 00:22:46,498 --> 00:22:49,000 NARRATOR: ANNE'S SON WILLIAM, NOW A YOUNG MAN, 453 00:22:49,167 --> 00:22:51,168 HAS REJOINED HER AT THE FORT. 454 00:22:51,335 --> 00:22:52,904 [GUNSHOT] 455 00:22:54,072 --> 00:22:56,507 HERE, ANNE HAS FOUND A NEW HOME, 456 00:22:56,674 --> 00:22:59,378 AND PERHAPS EVEN A NEW FAMILY. 457 00:23:01,846 --> 00:23:03,448 [GUNSHOT] 458 00:23:03,582 --> 00:23:05,150 WILLIAM: [LAUGHS] 459 00:23:05,316 --> 00:23:06,617 WELL, DON'T FEEL TOO BAD. 460 00:23:06,784 --> 00:23:08,520 I HAVE MANY YEARS OF PRACTICE ON YOU. 461 00:23:10,488 --> 00:23:12,791 [CLEARS THROAT] MIND IF I TAKE A SHOT? 462 00:23:14,760 --> 00:23:16,661 BY ALL MEANS. 463 00:23:17,762 --> 00:23:20,731 ♪ ♪ 464 00:23:20,898 --> 00:23:24,135 WEBB: JOHN BAILEY WAS A RANGER AND HE RODE 465 00:23:24,302 --> 00:23:25,804 WITH JOHN CROCKETT, 466 00:23:25,937 --> 00:23:27,606 DAVY CROCKETT'S FATHER. 467 00:23:27,739 --> 00:23:29,674 [GUNSHOT] 468 00:23:31,810 --> 00:23:33,912 THERE, BEAT THAT. 469 00:23:34,079 --> 00:23:36,948 WEBB: YOU CAN SEE THAT ANNE CLEARLY HAS A TYPE; 470 00:23:38,616 --> 00:23:41,352 FRONTIERSMEN THAT ARE FIGHTING HAND, TOOTH, 471 00:23:41,519 --> 00:23:43,422 AND NAIL JUST LIKE SHE IS. 472 00:23:44,956 --> 00:23:46,758 [BLOWS WHISTLE] 473 00:23:46,925 --> 00:23:49,828 NELSON: OFFICERS IN THE REVOLUTIONARY WAR USED 474 00:23:49,994 --> 00:23:54,099 WHISTLES TO DRILL TROOPS, SEND SIGNALS, SOUND ALARMS. 475 00:23:54,266 --> 00:23:55,700 BAILEY USES 476 00:23:55,867 --> 00:23:58,436 HIS OFFICER'S WHISTLE TO PLAYFULLY 477 00:23:58,602 --> 00:24:01,440 DISTRACT ANNE JUST AS SHE'S ABOUT TO FIRE. 478 00:24:02,140 --> 00:24:03,708 [GUNSHOT] 479 00:24:08,613 --> 00:24:10,882 I'LL WAGER YOU CAN'T HIT THE SAME MARK IF WE MOVE 480 00:24:11,049 --> 00:24:12,984 THE TARGET FIVE PACES BACK. 481 00:24:14,586 --> 00:24:16,720 I'LL WAGER I CAN AT 10 PACES BACK. 482 00:24:16,854 --> 00:24:18,956 AND IF I WIN, I GET THAT WHISTLE, 483 00:24:19,123 --> 00:24:23,028 AND YOU SHALL NOT EVER WHISTLE AT ME IN THAT WAY AGAIN. 484 00:24:23,195 --> 00:24:25,464 YOU HEARD, MOVE THAT TARGET BACK! 485 00:24:29,100 --> 00:24:38,743 ♪ ♪ 486 00:24:41,345 --> 00:24:43,114 [GUNSHOT] 487 00:24:45,750 --> 00:24:48,487 WELL, I DARE SAY AIM IS IMPORTANT. 488 00:24:51,756 --> 00:24:53,958 ♪ ♪ 489 00:24:54,091 --> 00:24:55,861 [GUNSHOT] 490 00:24:57,762 --> 00:24:59,731 CLENDENIN: LOOKS LIKE WE GOT A VICTOR. 491 00:25:04,269 --> 00:25:06,037 JOHN: YOU WON, FAIR AND SQUARE. 492 00:25:07,939 --> 00:25:12,043 BUT PERHAPS I'LL WIN THE BIGGEST PRIZE OF ALL. 493 00:25:15,913 --> 00:25:18,716 NARRATOR: AFTER OVER A DECADE AS A WIDOW AND SINGLE MOTHER, 494 00:25:18,883 --> 00:25:21,152 ANNE MARRIES JOHN BAILEY. 495 00:25:22,320 --> 00:25:25,657 THE COUPLE FINDS HAPPINESS AT FORT LEE FOR A WHILE, 496 00:25:27,224 --> 00:25:31,429 BUT ON THE FRONTIER, FORTUNES CAN CHANGE AT ANY MOMENT. 497 00:25:31,562 --> 00:25:33,765 ♪ ♪ 498 00:25:33,931 --> 00:25:37,269 CRYTZER: THE YEAR 1791 WAS A PARTICULARLY TERRIBLE YEAR 499 00:25:37,435 --> 00:25:39,237 FOR THE NEW UNITED STATES OF AMERICA. 500 00:25:39,404 --> 00:25:41,706 [INDIANS WHOOPING] 501 00:25:41,840 --> 00:25:44,542 THEY'RE NOW FACING A GENERAL INDIAN UPRISING 502 00:25:44,709 --> 00:25:46,811 ON THEIR WESTERN FRONTIER. 503 00:25:49,547 --> 00:25:51,182 NELSON: IN RESPONSE TO THE 504 00:25:51,349 --> 00:25:55,419 REPEATED VIOLATIONS OF TREATIES AND BROKEN PROMISES 505 00:25:55,553 --> 00:25:58,156 BY THE AMERICANS, A LOOSE NORTHWEST 506 00:25:58,323 --> 00:25:59,490 CONFEDERACY OF AMERICAN INDIANS 507 00:25:59,624 --> 00:26:01,693 BEGINS TO FORM. 508 00:26:02,560 --> 00:26:04,729 [GUNSHOT] 509 00:26:04,896 --> 00:26:08,265 KAMOIE: AND ALL OF THIS CULMINATES IN 510 00:26:08,432 --> 00:26:09,868 THE NORTHWEST INDIAN WAR. 511 00:26:10,035 --> 00:26:11,836 IT'S SORT OF THE NATIVE AMERICANS' 512 00:26:11,969 --> 00:26:14,573 REVOLUTIONARY WAR FOR INDEPENDENCE. 513 00:26:16,441 --> 00:26:19,644 NARRATOR: AS WAR RAGES ACROSS THE FRONTIER, SHAWNEE 514 00:26:19,811 --> 00:26:22,147 LEADERS LAUNCH AN ATTACK ON FORT LEE. 515 00:26:22,314 --> 00:26:23,380 MAN: TAKE COVER! 516 00:26:23,547 --> 00:26:25,216 GO, GO, GO! 517 00:26:25,382 --> 00:26:33,391 ♪ ♪ 518 00:26:33,558 --> 00:26:37,728 NARRATOR: AND IF THE FORT FALLS, NO ONE IN CHARLESTON IS SAFE. 519 00:26:37,862 --> 00:26:40,598 ONE OF THE WAYS THAT NATIVE WARRIORS FOUND THAT 520 00:26:40,764 --> 00:26:42,767 THEY COULD CONQUER AN ENTIRE REGION, WOULD BE 521 00:26:42,934 --> 00:26:44,836 TO RID THAT REGION OF SETTLERS. 522 00:26:45,003 --> 00:26:49,674 AND THEIR PREFERRED TACTIC WAS TO BESIEGE A FORT. 523 00:26:49,807 --> 00:26:51,476 THEY WOULD SURROUND IT. 524 00:26:51,642 --> 00:26:53,345 THEY WOULD CHOKE IT OFF. 525 00:26:53,478 --> 00:26:55,614 NOTHING GETS IN, AND NOTHING GETS OUT. 526 00:26:56,647 --> 00:26:59,517 INSIDE FORT LEE, THE DEFENSE 527 00:26:59,684 --> 00:27:02,320 OF THAT POSITION WAS WHOLLY DEPENDENT ON GUNPOWDER. 528 00:27:03,554 --> 00:27:08,092 NARRATOR: FORT LEE'S SUPPLY OF GUNPOWDER IS DANGEROUSLY LOW. 529 00:27:08,259 --> 00:27:11,662 AND WITHOUT IT, ANNE AND HER FAMILY WILL SOON 530 00:27:11,829 --> 00:27:13,698 HAVE NO WAY TO DEFEND THEMSELVES FROM 531 00:27:13,831 --> 00:27:15,634 THE SHAWNEE ONSLAUGHT. 532 00:27:18,069 --> 00:27:20,972 OF FORT LEE IS UNDER SIEGEYE 533 00:27:21,139 --> 00:27:22,640 BY SHAWNEE WARRIORS. 534 00:27:22,806 --> 00:27:24,942 AND NOW, ANNE HAS DISCOVERED 535 00:27:25,109 --> 00:27:27,712 THE FORT IS ALMOST OUT OF GUNPOWDER. 536 00:27:28,946 --> 00:27:31,816 IF THE FORT'S DEFENDERS CAN'T REPLENISH THEIR SUPPLY OF 537 00:27:31,950 --> 00:27:34,852 POWDER AND AMMUNITION, THEY WON'T BE ABLE 538 00:27:35,019 --> 00:27:37,789 TO WITHSTAND THE ASSAULT FOR MUCH LONGER. 539 00:27:38,722 --> 00:27:41,292 [INDIANS WHOOP, GUNFIRE] 540 00:27:43,227 --> 00:27:46,031 SOMEBODY'S GOTTA GO TO LEWISBURG TO REPLENISH OUR MUNITIONS. 541 00:27:46,964 --> 00:27:51,068 IT'S A DANGEROUS, 120 MILE TREK EACH WAY. 542 00:27:51,902 --> 00:27:54,939 AND WHOEVER GOES MIGHT NOT RETURN, BUT IF NO ONE 543 00:27:55,105 --> 00:27:57,975 TAKES THIS JOURNEY, NONE OF US WILL SURVIVE. 544 00:27:58,142 --> 00:28:01,146 CLENDENIN ASKS FOR VOLUNTEERS TO RIDE 545 00:28:01,312 --> 00:28:03,648 TO FORT SAVANNAH AT LEWISBURG. 546 00:28:03,815 --> 00:28:08,753 THAT'S NEARLY 120 MILES AWAY, 240 MILES ROUND TRIP, 547 00:28:08,886 --> 00:28:12,090 THROUGH HOSTILE TERRITORY AS QUICKLY AS POSSIBLE. 548 00:28:13,190 --> 00:28:14,325 I'LL GO. 549 00:28:14,458 --> 00:28:16,293 I CAN RIDE THE DISTANCE. 550 00:28:17,294 --> 00:28:20,464 PLEASE, I CAN'T LOSE ANOTHER HUSBAND TO THE SHAWNEE. 551 00:28:20,598 --> 00:28:22,133 I- I BEG YOU. 552 00:28:22,300 --> 00:28:24,102 IT'S MY DUTY. 553 00:28:24,268 --> 00:28:26,738 NARRATOR: ANNE BAILEY HAS ALREADY SENT OFF ONE HUSBAND 554 00:28:26,871 --> 00:28:28,439 WHO NEVER RETURNED. 555 00:28:28,605 --> 00:28:29,941 NOW THAT SHE'S FOUND A HOME AND 556 00:28:30,074 --> 00:28:32,777 A FAMILY, SHE WON'T DO IT AGAIN. 557 00:28:32,944 --> 00:28:35,213 IF ANYONE'S GONNA MAKE THAT RIDE, IT'S GOING TO BE ME! 558 00:28:36,613 --> 00:28:38,049 I AM THE MOST LIKELY TO SUCCEED. 559 00:28:38,216 --> 00:28:39,984 DON'T BE RASH. 560 00:28:40,151 --> 00:28:41,285 MARTIN MORGAN: ANNE BAILEY VOLUNTEERS TO DO IT 561 00:28:41,452 --> 00:28:42,519 HERSELF BECAUSE 562 00:28:42,653 --> 00:28:44,189 SHE DIDN'T WANT TO LOSE ANOTHER 563 00:28:44,355 --> 00:28:46,091 HUSBAND TO THE SHAWNEE. 564 00:28:46,257 --> 00:28:48,993 NO ONE KNOWS THE TERRAIN OR THE TRAILS THE WAY THAT I DO. 565 00:28:50,561 --> 00:28:53,630 I AM THE FASTEST, LIGHTEST, 566 00:28:53,797 --> 00:28:57,235 MOST EXPERIENCED RIDER OF ANYONE HERE. 567 00:28:58,402 --> 00:29:00,004 I AM THE ONE MEANT TO GO. 568 00:29:00,171 --> 00:29:01,972 ALL OF YOUR LIVES DEPEND ON IT. 569 00:29:02,106 --> 00:29:03,508 BUMGARDNER: AND WITHOUT QUESTION, 570 00:29:03,674 --> 00:29:04,776 ANNE BAILEY WAS PROBABLY 571 00:29:04,942 --> 00:29:06,877 TOUGHER AND MORE RELIABLE 572 00:29:07,011 --> 00:29:09,180 THAN MOST OF THE MEN AT FORT LEE. 573 00:29:09,347 --> 00:29:13,350 WEBB: ANNE HAD BEEN RIDING FOR ABOUT 15 YEARS, SO 574 00:29:13,517 --> 00:29:15,219 SHE'S AN EXPERT RIDER. 575 00:29:15,386 --> 00:29:18,856 AND THIS IS SIGNIFICANT BECAUSE RIDING ON HORSEBACK AT 576 00:29:19,023 --> 00:29:22,226 THIS TIME, WITH THIS KIND OF TERRAIN, IS NO EASY FEAT. 577 00:29:22,393 --> 00:29:24,529 NARRATOR: BUT ANNE'S HUSBAND, JOHN, DOESN'T 578 00:29:24,695 --> 00:29:26,397 WANT TO LOSE HER EITHER. 579 00:29:26,564 --> 00:29:29,768 IF ANYBODY'S GONNA RISK THEIR LIFE, IT'S GOING TO BE ME. 580 00:29:32,136 --> 00:29:36,741 ♪ ♪ 581 00:29:36,908 --> 00:29:37,975 [KNIFE CUTS] 582 00:29:38,142 --> 00:29:39,811 YOU GOTTA ADMIRE A WOMAN. 583 00:29:39,944 --> 00:29:41,979 SHE JUST TOOK A KNIFE AND SHE CUT HIS SADDLE, 584 00:29:42,146 --> 00:29:44,649 SO SHE KNEW HOW TO END THE ARGUMENT RIGHT THERE. 585 00:29:44,815 --> 00:29:47,184 NARRATOR: JOHN BAILEY DOESN'T HAVE THE EXPERIENCE THAT ANNE 586 00:29:47,351 --> 00:29:50,255 DOES, THERE'S NO WAY HE COULD RIDE OVER TWO 587 00:29:50,421 --> 00:29:52,090 HUNDRED MILES WITHOUT A SADDLE. 588 00:29:52,257 --> 00:29:54,259 THIS IS MADNESS. 589 00:29:54,425 --> 00:29:56,794 PEOPLE CALL ME MAD FOR A REASON. 590 00:29:56,961 --> 00:29:58,496 BUT IN THIS CASE, YOU 591 00:29:58,629 --> 00:30:01,065 WOULD ALL BE MAD NOT TO LET ME GO. 592 00:30:02,266 --> 00:30:03,902 SHE'S RIGHT. 593 00:30:05,202 --> 00:30:07,539 ANNE'S THE BEST ONE FOR THIS RIDE. 594 00:30:07,705 --> 00:30:10,107 BUT NOT ON THAT OLD MARE. 595 00:30:10,274 --> 00:30:12,577 IT'S THE BEST HORSE WE HAVE, MAYBE IN ALL OF VIRGINIA. 596 00:30:12,744 --> 00:30:15,246 NARRATOR: COLONEL CLENDENIN KNOWS THAT TO BE SUCCESSFUL, 597 00:30:15,413 --> 00:30:18,349 ANNE WILL NEED ALL THE SPEED SHE CAN GET. 598 00:30:22,620 --> 00:30:24,455 HE'S BEAUTIFUL. 599 00:30:26,457 --> 00:30:29,794 NARRATOR: SHE SETS OUT ON HER MISSION, KNOWING THAT SHE MAY 600 00:30:29,927 --> 00:30:32,396 NEVER SEE HER FAMILY AGAIN. 601 00:30:32,563 --> 00:30:33,998 VAN DEUSEN: SO MANY TIMES 602 00:30:34,165 --> 00:30:37,502 SHE WOULD MAKE CHOICES ABOUT WHAT WAS GOOD FOR 603 00:30:37,668 --> 00:30:41,606 THE COUNTRY, RATHER THAN WHAT WAS GOOD FOR HER PERSONALLY. 604 00:30:41,773 --> 00:30:44,209 THAT WAS HER HIGHER CALLING THAT SHE FACED. 605 00:30:45,642 --> 00:30:46,844 ♪ ♪ 606 00:30:47,011 --> 00:30:49,347 IF YOU NEED ME, WHISTLE. 607 00:30:49,513 --> 00:30:55,620 ♪ ♪ 608 00:30:55,786 --> 00:30:58,022 MORGAN: THE CALCULUS THAT WENT THROUGH HER MIND BEFORE 609 00:30:58,189 --> 00:31:01,225 DEPARTING HAD TO INCLUDE THIS: 610 00:31:01,359 --> 00:31:03,961 YOU HAVE TO GO OUTSIDE OF YOUR STOCKADE, 611 00:31:04,128 --> 00:31:05,763 YOUR PROTECTIVE WALLS. 612 00:31:05,896 --> 00:31:08,266 YOU HAVE TO VENTURE OUT INTO TERRITORY THAT 613 00:31:08,433 --> 00:31:10,601 IS INHABITED BY PEOPLE WHO 614 00:31:10,734 --> 00:31:12,236 ARE HOSTILE TO YOU AND WILL KILL YOU. 615 00:31:12,402 --> 00:31:16,140 ♪ ♪ 616 00:31:16,306 --> 00:31:19,076 NARRATOR: AS SOON AS ANNE LEAVES THE FORT, THE SHAWNEE SPOT 617 00:31:19,243 --> 00:31:23,114 HER, AND THEY NOW HAVE A CHANCE TO TAKE OUT "MAD ANNE." 618 00:31:23,280 --> 00:31:25,883 ♪ ♪ 619 00:31:26,016 --> 00:31:27,785 WEBB: ONCE SHE GOT GOING, THEY DID 620 00:31:27,919 --> 00:31:29,687 PURSUE HER AND SHE COULD HEAR THEM BEHIND HER, 621 00:31:29,821 --> 00:31:31,623 BUT SHE OUTRAN THEM. 622 00:31:31,756 --> 00:31:34,825 NARRATOR: ON HER SWIFT NEW HORSE, ANNE MAY BE ABLE TO 623 00:31:34,992 --> 00:31:37,928 OUTRUN THE EXPERT SHAWNEE HORSEMEN. 624 00:31:38,095 --> 00:31:41,900 BUT EVEN ANNE BAILEY CAN'T OUTRUN A BULLET. 625 00:31:45,169 --> 00:31:48,272 BAILEY IS ON A MISSIONR AE 626 00:31:48,406 --> 00:31:51,376 TO ACQUIRE MUCH-NEEDED GUNPOWDER AND AMMUNITION 627 00:31:51,509 --> 00:31:53,277 FOR THE BESIEGED FORT LEE. 628 00:31:53,410 --> 00:31:55,746 ♪ ♪ 629 00:31:55,880 --> 00:31:58,716 BUT A SHAWNEE BULLET MAY END HER RIDE 630 00:31:58,883 --> 00:32:00,618 BEFORE IT EVEN BEGINS. 631 00:32:00,751 --> 00:32:02,987 [GUNSHOT] 632 00:32:04,288 --> 00:32:06,356 ♪ ♪ 633 00:32:06,490 --> 00:32:09,093 VAN DEUSEN: SHE HAD THIS TRADEMARKED HAT, AND 634 00:32:09,226 --> 00:32:11,895 WHAT WAS ACTUALLY SHOT WAS THE HAT, NOT HER. 635 00:32:12,029 --> 00:32:15,433 NARRATOR: ANNE ESCAPES DEATH BY LITERAL INCHES, 636 00:32:16,567 --> 00:32:20,404 BUT NOW COMES THE HARD PART - MAKING THE LONG, 637 00:32:20,537 --> 00:32:23,574 TREACHEROUS JOURNEY TO RETRIEVE THE AMMUNITION. 638 00:32:23,708 --> 00:32:26,610 MORGAN: FROM FORT LEE TO LEWISBURG, THAT'S A JOURNEY 639 00:32:26,777 --> 00:32:28,946 OF OVER 100 MILES ONE WAY. 640 00:32:29,079 --> 00:32:31,983 NOW TODAY, WE COULD COMPLETE A JOURNEY 641 00:32:32,150 --> 00:32:34,852 LIKE THAT IN A COUPLE OF HOURS, AND IT WOULD BE NO BIG DEAL. 642 00:32:34,986 --> 00:32:38,122 THEN, IT WAS A LIFE OR DEATH TYPE OF SCENARIO. 643 00:32:38,289 --> 00:32:42,426 NARRATOR: FOR HOURS, ANNE HAS RIDDEN AS FAST AS SHE CAN, 644 00:32:42,559 --> 00:32:45,329 PUSHING HER HORSE TO THE BRINK OF EXHAUSTION. 645 00:32:45,463 --> 00:32:48,933 AND THOUGH SHE WANTS TO KEEP GOING, THEY BOTH NEED 646 00:32:49,066 --> 00:32:51,502 TO TAKE A REST AND RECHARGE. 647 00:32:54,138 --> 00:32:56,006 SNYDER: BEIN' OUT IN THE WILDERNESS, GOING OVER 648 00:32:56,140 --> 00:32:57,775 LONG DISTANCES, YOU HAVE TO RECOVER. 649 00:32:57,909 --> 00:32:59,210 YOU HAVE TO TAKE BREAKS, YOU HAVE TO REST. 650 00:32:59,343 --> 00:33:00,678 BEIN' IN HOSTILE TERRITORY, 651 00:33:00,811 --> 00:33:02,213 YOU HAVE TO BE ON HEIGHTENED SENSE 652 00:33:02,346 --> 00:33:03,747 OF ALERTNESS AND AWARENESS. 653 00:33:03,880 --> 00:33:05,917 I CAN'T IMAGINE THE STRESS LEVEL 654 00:33:06,083 --> 00:33:07,618 SHE HAD MAKING THESE STOPS. 655 00:33:11,222 --> 00:33:14,359 NARRATOR: TO HER SHOCK, ANNE DISCOVERS A SHAWNEE BOY 656 00:33:14,525 --> 00:33:16,293 STRUGGLING IN THE WATER. 657 00:33:16,426 --> 00:33:18,929 IT COULD BE A TRAP, BUT SHE WON'T LET 658 00:33:19,063 --> 00:33:21,766 THIS CHILD DIE, NO MATTER THE RISKS. 659 00:33:23,634 --> 00:33:24,801 COME ON! 660 00:33:24,935 --> 00:33:26,804 THAT'S IT! 661 00:33:26,970 --> 00:33:28,673 OH, YOU GAVE ME QUITE A SCARE. 662 00:33:31,909 --> 00:33:36,814 NARRATOR: ANNE SAVES THE BOY, BUT NOW HIS MOTHER APPEARS, 663 00:33:36,947 --> 00:33:39,016 READY TO FIRE ON ANNE. 664 00:33:39,149 --> 00:33:40,151 NELSON: THIS IS A PRECARIOUS 665 00:33:40,284 --> 00:33:41,952 SITUATION, TO SAY THE LEAST. 666 00:33:42,085 --> 00:33:43,921 ANNE IS COMPLETELY 667 00:33:44,055 --> 00:33:46,123 HELPLESS AT THE MERCY OF A MOTHER. 668 00:33:46,256 --> 00:33:48,626 IS THIS THE END OF ANNE BAILEY? 669 00:33:49,826 --> 00:33:51,763 ♪ ♪ 670 00:33:51,896 --> 00:33:54,331 NARRATOR: BUT THE SHAWNEE MOTHER RECOGNIZES THAT SHE 671 00:33:54,498 --> 00:33:58,669 OWES HER SON'S LIFE TO ANNE, AND SHE SPARES HERS. 672 00:34:02,173 --> 00:34:05,175 AND NOW, TO SAVE THE LIVES OF HER OWN SON AND 673 00:34:05,309 --> 00:34:08,279 HUSBAND, ANNE NEEDS TO COMPLETE HER MISSION. 674 00:34:10,781 --> 00:34:15,519 AFTER AN EXHAUSTING JOURNEY OF NEARLY 120 MILES, 675 00:34:15,652 --> 00:34:19,190 ANNE FINALLY REACHES FORT SAVANNAH IN LEWISBURG. 676 00:34:19,357 --> 00:34:21,959 BUT THE SOLDIERS AT THE OUTPOST ARE ON ALERT 677 00:34:22,125 --> 00:34:24,195 FOR ATTACK THEMSELVES. 678 00:34:25,629 --> 00:34:28,599 WITH THE LIVES OF HER HUSBAND AND SON AT RISK, 679 00:34:28,766 --> 00:34:31,235 ANNE HAS NO TIME TO WASTE. 680 00:34:31,369 --> 00:34:32,970 STEP AWAY! 681 00:34:33,104 --> 00:34:34,838 YOU CAN'T JUST TAKE MILITARY PROPERTY. 682 00:34:34,972 --> 00:34:37,075 THE LIVES OF THE RANGERS, THEY NEED IT! 683 00:34:38,508 --> 00:34:40,844 MIGHTY SUSPECT THAT THE RANGERS WOULD SEND 684 00:34:40,977 --> 00:34:43,147 A WOMAN OUT TO FETCH AMMUNITION. 685 00:34:44,148 --> 00:34:45,983 IT'S A MAN'S JOB. 686 00:34:46,116 --> 00:34:47,985 I JUST RODE 120 MILES! 687 00:34:48,152 --> 00:34:49,687 MY FAMILY IS THERE! 688 00:34:49,821 --> 00:34:53,024 WE CANNOT BE HANDING OUT AMMUNITION TO JUST ANYONE. 689 00:34:53,157 --> 00:34:56,561 WELL, THEN, I'LL JUST HAVE TO TAKE WHAT I NEED. 690 00:34:57,761 --> 00:34:58,829 [GUNS COCKING] 691 00:34:58,996 --> 00:35:00,898 [COCKS GUN] 692 00:35:01,598 --> 00:35:05,502 CRYTZER: AT THIS STAGE IN THE EXPEDITION FOR ANNE BAILEY, 693 00:35:05,669 --> 00:35:07,738 SHE COULD DO ANYTHING TO SAVE HER FAMILY. 694 00:35:07,905 --> 00:35:09,740 SHE WASN'T GOING TO BE STOPPED. 695 00:35:11,809 --> 00:35:15,979 JUST LEAVE PEACEFULLY, AND FORGET THIS WHOLE 696 00:35:16,146 --> 00:35:17,881 THING EVER TRANSPIRED. 697 00:35:18,015 --> 00:35:20,651 I CAN'T DO THAT. 698 00:35:20,785 --> 00:35:23,821 I WOULD BE SENTENCING THOSE MEN 699 00:35:23,954 --> 00:35:28,126 MY OWN HUSBAND AND SON TO DEATH. 700 00:35:29,593 --> 00:35:31,896 VETERAN SOLDIER: SIR, WITH ALL DUE RESPECT, 701 00:35:32,062 --> 00:35:34,131 I RECOGNIZE THIS WOMAN. 702 00:35:34,265 --> 00:35:36,166 THAT'S ANNE BAILEY! 703 00:35:36,299 --> 00:35:38,536 I SERVED WITH HER HUSBAND, JOHN. 704 00:35:39,337 --> 00:35:41,838 SHE SPEAKS THE TRUTH. 705 00:35:42,005 --> 00:35:44,142 SHE CAN RIDE AS FAST AS ANYONE HERE, 706 00:35:45,575 --> 00:35:49,413 SHE KNOWS THESE WOODS, AND SHE CAN SHOOT THE TICK OFF A DEER. 707 00:35:50,948 --> 00:35:53,951 ARMY OFFICER: WELL, IF THIS IS TRUE, 708 00:35:54,118 --> 00:35:55,920 YOU SHOULD HAVE NO PROBLEM 709 00:35:56,053 --> 00:35:58,356 HITTIN' THAT FLASK UP ON THAT THERE LEDGE. 710 00:36:02,193 --> 00:36:04,228 FROM BACK THERE. 711 00:36:07,498 --> 00:36:08,899 I SHOOT THAT FLASK FROM BACK THERE, AND YOU GIVE 712 00:36:09,033 --> 00:36:10,701 ME WHAT I CAME FOR. 713 00:36:13,904 --> 00:36:16,907 WEBB: WOMEN ALONG THE FRONTIER HAD TO DEFEND THEIR 714 00:36:17,040 --> 00:36:19,109 HOMES AND THEIR CHILDREN, SO THEY 715 00:36:19,276 --> 00:36:20,411 DID KNOW HOW TO USE A GUN. 716 00:36:20,544 --> 00:36:22,746 BUT SHE TRULY EXCELLED AT IT. 717 00:36:22,880 --> 00:36:26,750 AND THERE WERE TIMES THAT SHE WOULD BE THE BEST SHOT 718 00:36:26,883 --> 00:36:28,953 OUT OF ALL THE PEOPLE PRESENT. 719 00:36:30,554 --> 00:36:34,191 ♪ ♪ 720 00:36:34,324 --> 00:36:36,194 [GUNFIRE, GLASS SHATTERS] 721 00:36:38,228 --> 00:36:43,033 ♪ ♪ 722 00:36:43,167 --> 00:36:45,202 VERY WELL. 723 00:36:45,335 --> 00:36:47,271 YOU'LL HAVE YOUR MUNITIONS. 724 00:36:50,574 --> 00:36:55,579 ♪ ♪ 725 00:36:55,713 --> 00:36:57,582 THANK YOU. 726 00:37:00,017 --> 00:37:02,686 NARRATOR: THE UNWIELDY POWDER KEGS WILL MAKE FOR AN EVEN 727 00:37:02,820 --> 00:37:07,390 MORE DIFFICULT RIDE, SO ANNE REPACKS THE POWDER IN 728 00:37:07,524 --> 00:37:10,695 BAGS AND POWDER HORNS THAT ARE EASIER TO CARRY. 729 00:37:14,832 --> 00:37:17,300 ANNE HAS SECURED THE GUNPOWDER AND MUSKET 730 00:37:17,434 --> 00:37:19,770 BALLS THAT HER PEOPLE DESPERATELY NEED, 731 00:37:21,438 --> 00:37:24,475 BUT HER HORSE IS SPENT FROM THE JOURNEY, AND THERE'S 732 00:37:24,642 --> 00:37:29,847 NO WAY IT CAN CARRY IT ALL BACK TO FORT LEE. 733 00:37:29,980 --> 00:37:32,483 VAN DEUSEN: IT HAD ALREADY MADE THE TRIP ONE WAY, 734 00:37:32,617 --> 00:37:35,419 SO TO GET BACK SAFELY, AND CARRY THAT WEIGHT, 735 00:37:35,552 --> 00:37:37,754 THEY LOADED UP THE SECOND PACK HORSE. 736 00:37:37,888 --> 00:37:40,224 NARRATOR: ANNE AND HER HORSE ARE BOTH ON THE BRINK OF 737 00:37:40,391 --> 00:37:42,860 EXHAUSTION, BUT THEY HAVE TO TURN AROUND AND 738 00:37:42,993 --> 00:37:45,362 MAKE THE NEARLY 120 MILE 739 00:37:45,529 --> 00:37:48,933 JOURNEY BACK TO FORT LEE THROUGH THE FORBIDDING 740 00:37:49,099 --> 00:37:51,502 WOODS OF THE KANAWHA VALLEY. 741 00:37:53,904 --> 00:37:56,540 WEBB: ANNE RODE THROUGH THE NIGHT THROUGH THAT FOREST 742 00:37:56,673 --> 00:37:59,510 THAT WAS SO DENSE AND- AND DANGEROUS. 743 00:37:59,677 --> 00:38:02,079 SHE WAS UPRIGHT ON THIS HORSE 744 00:38:02,213 --> 00:38:04,915 READY TO FALL ASLEEP, READY TO FALL OFF. 745 00:38:05,049 --> 00:38:06,784 BEING ON THIS HORSE AT THIS POINT 746 00:38:06,917 --> 00:38:09,286 WITH GUNPOWDER AND AMMUNITION, 747 00:38:09,453 --> 00:38:12,790 COMPLETELY EXHAUSTED, WAS EXTREMELY DANGEROUS, 748 00:38:12,957 --> 00:38:14,558 EXTREMELY BRAVE OF HER. 749 00:38:14,692 --> 00:38:16,494 AND SHE DID IT. 750 00:38:18,328 --> 00:38:20,597 ♪ ♪ 751 00:38:20,764 --> 00:38:23,300 NARRATOR: AFTER RIDING ALL NIGHT, ANNE ARRIVES IN 752 00:38:23,434 --> 00:38:25,703 THE WOODS OUTSIDE OF FORT LEE. 753 00:38:28,405 --> 00:38:30,707 BUT THE SHAWNEE HAVE THE FORT SURROUNDED, 754 00:38:30,874 --> 00:38:34,645 AND IT MAY BE IMPOSSIBLE TO GET BACK INSIDE. 755 00:38:37,148 --> 00:38:39,984 NEARLY 756 00:38:40,117 --> 00:38:43,287 240 MILES IN TWENTY-FOUR HOURS TO 757 00:38:43,421 --> 00:38:46,556 RETRIEVE AMMUNITION FOR THE BESIEGED FORT LEE. 758 00:38:46,690 --> 00:38:50,127 BUT THERE'S NO WAY TO GET PAST THE SHAWNEE WARRIORS 759 00:38:50,260 --> 00:38:52,529 SURROUNDING THE FORT. 760 00:38:52,663 --> 00:38:53,930 VAN DEUSEN: SHE'S ALMOST HOME, 761 00:38:54,097 --> 00:38:55,466 ALMOST SAVING THE DAY. 762 00:38:55,599 --> 00:38:57,535 AND YET THE INDIANS ARE EVERYWHERE. 763 00:38:57,668 --> 00:39:00,237 NARRATOR: NOTHING IS MORE IMPORTANT THAN DELIVERING 764 00:39:00,404 --> 00:39:02,439 THE GUNPOWDER AND MUSKET BALLS TO HER HUSBAND AND 765 00:39:02,573 --> 00:39:05,376 THE OTHER DEFENDERS INSIDE THE FORT. 766 00:39:05,509 --> 00:39:07,144 THE RANGERS ARE BEGINNING TO RUN LOW ON 767 00:39:07,278 --> 00:39:09,480 THIS ONE COMMODITY THAT IS LIFESAVING. 768 00:39:09,647 --> 00:39:11,582 AND THAT IS THE POWDER FOR THEIR WEAPONS. 769 00:39:11,715 --> 00:39:13,950 NARRATOR: WITHOUT THE POWDER, THE RANGERS WON'T BE ABLE TO 770 00:39:14,117 --> 00:39:18,489 FIGHT BACK AGAINST THE SHAWNEE, SO ANNE COMES UP WITH A PLAN. 771 00:39:19,923 --> 00:39:22,292 SHE LOADS HERSELF AND HER HORSE 772 00:39:22,426 --> 00:39:25,262 DOWN WITH ALL THE POWDER HORNS THEY CAN CARRY. 773 00:39:25,396 --> 00:39:28,131 THERE'S A LONG HISTORY IN AMERICAN WARFARE OF 774 00:39:28,265 --> 00:39:31,101 EMPLOYING DECOYS AND OTHER DECEPTION. 775 00:39:31,235 --> 00:39:35,872 ALL BAILEY NEEDS IS A SECOND, A SPLIT SECOND, WHERE HER 776 00:39:36,006 --> 00:39:39,710 OPPONENT'S ATTENTION IS DIVERTED AND SHE CAN SLIP PAST. 777 00:39:39,876 --> 00:39:44,314 ♪ ♪ 778 00:39:44,448 --> 00:39:49,787 [BLOWS WHISTLE] 779 00:39:52,789 --> 00:40:01,031 ♪ ♪ 780 00:40:01,164 --> 00:40:02,899 HYAH! 781 00:40:03,033 --> 00:40:05,769 NARRATOR: ANNE CAN ONLY HOPE THAT HER RUSE WILL WORK, 782 00:40:05,936 --> 00:40:08,805 BECAUSE SHE WON'T GET A SECOND CHANCE. 783 00:40:08,938 --> 00:40:17,548 ♪ ♪ 784 00:40:17,681 --> 00:40:20,918 JOHN BAILEY SEES THAT HIS WIFE IS CLOSE, AND HE JUMPS 785 00:40:21,051 --> 00:40:24,221 INTO ACTION TO HELP HER AS THE SHAWNEE RIDE 786 00:40:24,354 --> 00:40:26,657 DOWN THE DECOY HORSE. 787 00:40:35,098 --> 00:40:38,969 ANNE'S DECOY HAS DECEIVED THE SHAWNEE, FOR A MOMENT, 788 00:40:39,102 --> 00:40:41,672 ♪ ♪ 789 00:40:41,805 --> 00:40:44,975 BUT IT MAY NOT BE ENOUGH TIME FOR HER TO REACH SAFETY. 790 00:40:45,108 --> 00:40:47,745 ♪ ♪ 791 00:40:47,878 --> 00:40:50,113 [GUNFIRE] 792 00:40:50,247 --> 00:40:53,884 [INDIANS WHOOPING] 793 00:40:54,017 --> 00:40:57,321 [GUNFIRE] 794 00:40:57,487 --> 00:41:02,926 ♪ ♪ 795 00:41:03,059 --> 00:41:07,064 ANNE BAILEY GETS THE POWDER, COMES BACK AGAIN SAFELY 796 00:41:07,198 --> 00:41:10,234 AND UNSCATHED, AND SAVES THE DAY. 797 00:41:10,401 --> 00:41:11,068 IT'S A GREAT MOMENT. 798 00:41:11,201 --> 00:41:13,103 [CHEERING] 799 00:41:13,236 --> 00:41:14,872 NARRATOR: THE GUNPOWDER WILL ALLOW THE RANGERS TO HOLD 800 00:41:15,038 --> 00:41:17,475 THE FORT AND OUTLAST THE SHAWNEE SIEGE. 801 00:41:21,010 --> 00:41:28,886 ♪ ♪ 802 00:41:30,420 --> 00:41:32,289 YOU HAVE SAVED US. 803 00:41:32,456 --> 00:41:34,858 NEEDLESS TO SAY, HE'S YOURS. 804 00:41:34,992 --> 00:41:37,294 LEAST WE CAN DO. 805 00:41:37,428 --> 00:41:39,763 HEY, YOU KNOW WHAT I'M GONNA NAME HIM? 806 00:41:42,665 --> 00:41:44,401 I'M GONNA CALL HIM LIVERPOOL. 807 00:41:44,534 --> 00:41:51,007 ♪ ♪ 808 00:41:51,141 --> 00:41:55,112 NARRATOR: ANNE BAILEY'S HISTORIC RIDE MAKES HER A LEGEND. 809 00:41:55,245 --> 00:41:58,582 AND FOR DECADES SHE CONTINUES TO LIVE LIFE ON HER OWN 810 00:41:58,716 --> 00:42:03,553 TERMS, RIDING FREE AND WILD ON THE FRONTIER. 811 00:42:03,686 --> 00:42:06,123 ANNE BAILEY IS THE EPITOME OF 812 00:42:06,256 --> 00:42:08,158 THE AMERICAN WOMAN PIONEER. 813 00:42:09,993 --> 00:42:12,963 VAN DEUSEN: SHE LIVED HER LIFE AS SHE FELT SHE NEEDED TO. 814 00:42:13,130 --> 00:42:15,999 AND SHE GAVE OTHER WOMEN THE COURAGE TO DO THE SAME. 815 00:42:16,133 --> 00:42:19,136 NO ONE CAME CLOSE TO THE DEGREE OF THE BARRIERS 816 00:42:19,269 --> 00:42:20,804 THAT SHE WAS BREAKING. 817 00:42:21,872 --> 00:42:26,576 WEBB: HER LEGACY IS ABOUT PAVING THE WAY FOR WOMEN 818 00:42:26,710 --> 00:42:30,880 TO RIDE ASTRIDE, CARRY A GUN, 819 00:42:31,014 --> 00:42:35,385 DEFEND THEMSELVES, NOT BE SEEN AS SOFT PEOPLE 820 00:42:35,518 --> 00:42:37,287 THAT DON'T HAVE A LOT TO OFFER 821 00:42:37,420 --> 00:42:39,723 TO THE FIGHT, TO THE HUNT, 822 00:42:39,857 --> 00:42:42,792 TO A HUGE CAUSE LIKE THE REVOLUTION. 823 00:42:43,760 --> 00:42:46,196 KAMOIE: HAD SHE BEEN A MAN, WE MIGHT'VE KNOWN HER AS 824 00:42:46,363 --> 00:42:48,565 DANIEL BOONE OR DAVY CROCKETT 825 00:42:48,732 --> 00:42:51,067 OR MANY OF THESE OTHER 826 00:42:51,201 --> 00:42:54,604 FRONTIERSMEN WHOSE NAMES HAVE COME DOWN TO US. 827 00:42:54,737 --> 00:42:56,473 I THINK ANNE BAILEY DESERVES THAT TOO. 828 00:42:56,606 --> 00:42:58,642 ♪ ♪ 61700

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