Original subtitles

[Siren Wailing]

[ Young Man Narrating] The first time I saw a movie at the Cin�math�que Fran�aise...

I thought, "Only the French--

Only the French would house a cinema inside a palace. "

The movie was Sam Fuller's Shock Corridor.

Its images were so powerful, it was like being hypnotized.

I was 20years old. It was the late '60s...

and I'd come to Paris for a year to study French.

But it was here that I got my real education.

[ Scream i ng ]

I became a member ofwhat in those days was kind ofa free masonry.

A free masonry ofcinephiles...

what we'd call "film buffs. "

I was one ofthe insatiables...

the ones you'd always find sitting closest to the screen.

Why do we sit so close?

Maybe it was because we wanted to receive the images first...

when they were still new, still fresh...

before they cleared the hurdles ofthe rows behind us...

before they'd been relayed back from row to row, spectator to spectator...

until worn-out, secondhand, the size ofa postage stamp...

it returned to the projectionist's cabin.

Doctor, I 'm not nuts! I 'm here from the paper! I 'm a plant!

Maybe, too, the screen really was a screen.

It screened us... from the world.

But there was one evening in the spring of 1 968...

when the world finally burst through the screen.

[ Man # 1 Speaking French ] The pawn ofan obscure coalition...

ofdubious interests...

the Mi nister Mal raux has driven...

Henri Langlois out ofthe French Cinematheque.

[ Speaking French ] ...if offered us all a free and fair conception...

of French film culture.

[Man #1 Speaking French ] Now, forbureaucratic reasons, culture's arch-enemies...

have seized this bastion ofliberty.

Resist them!

- Liberty isn't given! - [ Man # 1 ] It's taken!

[ Man #2 ] All those who love film...

- [ Man # 1 ] In France... - [ Man #2 ]And abroad.

[ Man # 1 ] ...are with you.

And with Henry Langlois!

[ Young Man ] It was Henri Langlois, who created the Cin�math�que...

and it was because he liked to show movies...

instead ofletting them rot in some underground vault...

to show any movies-- good, bad, old, new...

silents, Westerns, thrillers--

that all the New Wave filmmakers came here to learn their craft.

This was where modern cinema was born.

[ Man #2 ] What lies behind it?

The pol ice!

[ Young Man ] Langlois had been sacked by the government...

and it seemed like every film buff in Paris had turned out in protest.

It was our very own cultural revolution.

It was our very own cultural revolution.

[ Speaki ng French ] Excuse me.

[ Speaki ng French ] Can you remove this?

It's stuck to my lips.

Can you remove my cigarette? It's stuck.

[ Speaking French ] Yes, yes...

of course.

Sorry.

- [ Speaking English ] What areyou, English? - No. I'm American.

You can put it out now.

- What'syourname? - Matthew.

You're here a lot, aren't you? Butyou never talk to anyone.

We've been wondering whyyou're always alone.

I don't really know anybody.

How comeyou're chained to the gates?

I'm not chained to the gates.

- You're awfully clean. - What?

For someone who likes the cinema so much.

- Doyou knowJacques? -Jacques?

"Ifshit could shit, itwould smell just likeJacques."

My brother's gone to talk to him.

When he gets back,you'll be able to smell Jacques on him.

It's like being around pigs.

- You speak English reallywell. - What?

- You speak English reallywell. - My mother's English.

- Here's Theo. When I introduce you,just give him a sniff. - Come on.

[ Speaking French ] Truffaut, Godard, Charbol, Rivette...

and Renoir,Jean Rouch, Rohmerare here.

Signoret,Jean Marais and God knows who else.

Marcel Carne too.

Whyis Carne here?

What should we do? Stay or leave?

I don't know.

[ Speaking English ] Theo, this is Matthew.

- You were right. He's American. - Hi.

I've seen you around. You've been coming to all the Nicholas Rays.

Yeah. I really like his movies.

- What? TheyLive ByNight? - Mm-mm. More like...

JohnnyGuitar and Rebel Without a Cause.

- You know what Godard wrote about him? - No. What?

"Nicholas Ray is cinema."

- [ Chuckles ] - [ French ] What's up with you? - [ Sniffing ] Me?

[ Speaking French ] Come on, stickwith me!

[ Speaking French ] Fascists!

- Bastards! - Assholes!

[Police Siren Wailing]

[Matthew Narrating] And that was how I first met Theo and Isabelle.

I could hear myheart pounding.

I don't know ifit was because I'djust been chased by the police...

or because I was already in love with my new friends.

As we walked and talked and talked and talked...

about politics, about movies...

and why the French could never come close to producing a good rock band--

- I 'm starvi ng. - I forgot the sandwiches.

I didn't want that night ever to end.

- Merci. - Didn't you bring anything?

No. I'm okay. Please eat.

Don't mind me.

- No. I'm really not hungry. - I've broken it now. Take it.

- You're very kind, but I don't-- - For goodness sake, take it when you're offered it.

Thankyou.

- Theo, don'tyou have something for Matthew? - This is fine.

- I gave him a third of mine. - Okay.

[ Chuckles ]

- Really, I didn't come here to eatyour sandwiches. - He doesn't want it.

Yes, he does! He's just too polite to say he does.

- Aren'tyou, Matthew? - You're very kind.

- So where areyou from exactly? - San Diego.

What aboutyou two? Wereyou both born in Paris?

I entered this world on the Champs Elys�es, 1 959.

[ Speaking French ] The pavement ofthe Champs-Elysees.

[ Speaking English ] And you know what myvery first words were?

No. What?

"New York Herald Tribune!"

New York Herald Tribune!

- New York Herald Tribune! - New York Herald Tribune!

[ Speaking French ] Willyou come to Rome with me?

Here! Ri ght here! Here!

[ Speaking French ] No, there!

- [ Speaking English ] Good night, Matthew! - Night.

?? [MatthewSinging]

?? [ Humming ]

[ Matthew ] "Dear Mom...

"I've gotsome realnews this time.

I just met my first French friends."

[Telephone Ringing]

[Ringing Continues ]

- Hello. - Matthew?

Who is this?

- Don't be suspicious. It's me. - Theo?

- Don't tell me I woke you up. - No, I--

- I've been up for ages. - You don't sound as if you've been up for ages.

I always sound like this in the morning.

Sorry. I had to call you early because I go to class at 9:00.

- Right. - Listen, you want to have dinner tomorrow night?

Um, you mean like a real dinner in a nice restaurant?

No, not in a restaurant. Here at home.

Yeah, I'd-- Sure, that'd be great.

Yes? Okay, why don't you--

Theo, please get offthe phone. It's 9:00.

Yes,yes. Whydon'tyou meet us fora drink first at Le Raspail, 6:00?

You know where it is?

- Boulevard Saint-Germain? - Be there are 6:00.

Hey!

- [ Speaking French ] Third floor! - [ Repeats In French ]

You know, there's room in here forall ofus.

- [ Speaking French ] Theo and I are contagious! - [ Speaking French ] What?

- We're very contagious! - Contagious?

[ Speaking French ] You mustn't catch us.

- [ Speaking French ] It's beautiful. - You think so?

[ Speaking French ] Good luck.

[ Panting ]

[ Speaking French ] Evening, Maman.

[Speaking French ] What areyou doinghere?

- We're here for dinner. - What?

With Matthew.

- Didn't Isabelle say? - Which Matthew?

[Speaking English ] This Matthew.

He's our new friend. Matthew, this is my mother.

- Hi. - Very pleased to meet you, Matthew.

- Likewise. - Oh, you're American, are you?

- Yeah. I'm from California. - Oh.

Matthew lives in that nasty student Hotel Malebranche...

- so we invited him to dinner. - Oh.

[ Speaking French ] What's wrong?

What can I say, Isabelle? I'm cooking for two...

and now there are five of us.

Didn't Theo tell you?

No, he didn't. And neither did you.

Haveyou got mashed potatoes for brains orwhat?

You were supposed to tell her!

You're crazy! [ Squealing ]

Bitch, cow, slut--

[ Speaking English ] Oh, for God's sake! Put a sock in it, you two!

I must apologize for my children's behavior, Matthew.

No. I'm the one who should be apologizing.

Please don't putyourself out on account ofme.

That's very sweet ofyou, seeing as you're completely blameless.

Let me look atyou.

Okay. I wantyou to make a good impression on Papa.

[Speaking French ] Papa, it's me.

We're eating in.

And the cinematheque?

Closed until further notice.

[ Speaking English ] Papa, can't you see we have a guest?

- This is Matthew. - Oh.

- Sir. - Matthew.

Matthew's dining with us tonight.

Myyoung Matthew, inspiration is like a baby.

It does not choose a nice, seemly hour to enter the world.

It has no consideration for the poor poets. I know.

But when it does come...

when it deigns to come, then you know it's--

Young man, I was speaking toyou. I imagineyou were listening.

I was. I'm-- I'm sorry.

What?

Nothing. I was just, um--

You seemed to be mesmerized by this tin lighter.

I'd like to know why.

- Well? - George, please.

- Matthew's our guest. - No, no. I'm genuinely curious.

I'd like to know why.

I was just-- I was fidgeting with Isabelle's lighter...

and... I wasn't really realizing it...

then I noticed, and I thought it was rude...

so I put it down on the table.

But I put it diagonally across one ofthese squares.

Doyou see?

Look.

That's when I noticed that the lighter's length...

is exactly the same length as the diagonal itself.

So I put it lengthwise, along the outside edge.

- Look. It fits there too. - Yeah.

But it fits there.

And it fits like this and like this...

and this way too.

And I betyou if Ijustsplit it in half...

you know, it's got to fitsomewhere.

I mean, it really fits anywhere. Look.

See?

I was noticing that the more you look at everything--

this table, the objects on it, the refrigerator, this room...

-your nose, the world-- - [Isabelle Chuckles ]

suddenly...

you realize that there's some sort ofcosmic harmony...

of shapes and sizes.

I was just wondering why. I don't know why that is.

I know that it is.

You have an interesting friend here.

More interesting, I suspect, than you know.

I mean, when we look around us, what is it we see?

[ French ] Complete chaos.

Yet viewed from above...

viewed, as it were, by God...

everything suddenly fits together.

My children believe that their demonstrations and sit-ins...

and happenings...

what, they believe that these possess the capacity...

not only to provoke society, but also to transform it.

What is ityou're saying? If Langlois is dismissed, we shouldn't do anything?

Ifimmigrants are deported, ifstudents are beaten up, we shouldn't do anything?

What I'm saying is that a little luciditywould not go amiss.

So, uh, everyone's wrongbutyou?

In France, in Italy, Germany, America?

Listen to me, Theo. Beforeyou can change the world...

you must realize you yourself are part ofit.

You cannot stand outside looking in.

You're the one who stands outside.

You're the onewho refused to sign a petition against theVietnam War.

Poets don't sign petitions. They sign poems.

A petition is apoem.

Yes! And a poem is a petition. Thankyou, but I'm not gaga yet.

I don't need you to remind me of my own work!

- Hmm? - That's right.

[ Speaking French ] A petition is a poem, a poem is a petition.

- [ English ] Yes. - Those are the most famous lines you everwrote.

And now look atyou.

[ Speaking French ] I hope I'll never be like him.

Theo.

[Speaking English ] Weshouldsaygoodnight, darling.

We got a long day ahead ofus tomorrow.

George.

[ Speaking French ] Yes, sorry. You were saying?

[Speaking French ] We should go to bed.

You had something to tell the children, didn't you?

Yes, of course.

I'm sorry.

The cheques are on the mantelpiece.

Don't cash them until you need them, all right?

[ Speaking English ] Good night, everybody.

[ Speaking French ] Good night, Papa. Have a safe journey.

Good night, dear. Theo.

[ Speaking English ] A very good night toyou, Matthew.

It was a pleasure meeting you, sir. A pleasure.

- Very nice meeting you, Matthew. - You too.

- Thankyou so much for dinner. - It's my pleasure.

Why don'tyou invite Matthew to spend the night?

I'm not sure I like the sound of Hotel Malebranche. [ Chuckles ]

[ Speaking French ] Good night.

[Clicks Lighter]

Why haven'tyou dazzled us with these philosophical speculations ofyours?

- I didn't know I was being philosophical. - Papa was awfully impressed.

- Papa's full ofshit. - [Matthew] I thinkyou're lucky.

I-- I wish my parents were that nice.

Otherpeople's parents are always nicerthan our own.

And yet for some reason, our own grandparents...

are always nicer than other people's.

You know, that's true. That's-- That's absolutely true.

I never thought about it before, but it's-- it's true.

Matthew,yousweet--

This...

is double the length of--

Well, I'm for bed.

Areyou staying?

- Are you okay? - Yeah, I'm okay.

Good night, Matthew.

Everybody's got a father.

Yes.

But the fact that God doesn't exist...

doesn't mean he can take his place.

- [ Sighs ] - [ Laughs ]

?? [Rock Guitar]

Okay?

- [ Chuckles ] - That's fine.

- Good night. - Good night.

- Seeyou in the morning. - Seeyou.

- Thank-- - [DoorCloses ]

Thankyou.

?? [Woman Singing Blues Rock]

No!

?? [Ends ]

[ Engine Starts ]

Good morning.

What was that all about?

I was removing the sleep from your eyes.

Theo lets me do his every morning.

That's the strangest thing to want to do.

Didn'tyou enjoy it?

- Was I supposed to? - Naturally.

Up, up, up, up, up! What areyou waiting for?

Isabelle, I'm not dressed.

- What areyou doing? - What areyou doing?

I've been memorizing this room.

In the future, in my memory...

[Both ] Ishalllive a great dealin this room.

Queen Christina...

where Greta Garbo bids farewell to the room...

where she spent the night with John Gilbert.

Bravo! [Applauds ]

Alors. We have a private wing to ourselves.

The bathroom's at the end ofthe corridor.

Ifyou aren't there in one minute, we're coming back to getyou!

[Theo Speaking French ] Come in.

[ Speaking French ] Good morning.

- [ Speaking English ] Areyou going to church? - [ Chuckles ]

Oh, sorry. You want to use my toothbrush?

- Uh, no. - Sure?

I'll use my finger.

[Brushing]

- Sleep well? - Yeah.

- I mean, fine. - Good.

- You know, Matthew? - Hmm.

You really do have the most beautiful pair oflips.

Can I touch them?

- You-- You wanna touch my lips? - Uh-huh.

Okay.

So red... and ripe and luscious.

So sullen, brutal.

Let's see what you look like with lipstick.

- I really should be going. - You'd make such a pretty girl.

Ignore her, Matthew. She sucks in all the airaroundher.

No, I-- I really have to, um, be getting back to my hotel.

No. Why? You have been invited to stay.

- Really? - Sure.

You know ourparents have left.

They're going to be introuv�s for a month.

We thoughtyou might like to moveyour things here.

- R-Really? - Sure.

But you just met me two days ago. You barely even know me.

This way we get to know you. You don't have to stay in a hotel, do you?

- No. - Then we'll go and pick up whatyou need...

with myMobilette, okay?

- Come on. - But... what about you?

It was my idea.

[ Matthew ] Whoa! You're scaring me right now!

[ Theo Laughs ]

Jesus.

I'm going to check out the Cin�math�que,just in case.

- Okay. - Don't take too long.

Don't worry, I won't. I don't have much stuff.

With us, you're not going to need much.

Okay.

Oh,just don't forget your toothbrush!

Okay.

[Matthew] "DearMom, I guessyou're surprised to be hearing from me...

"so soon after my last letter.

"But I've just moved out of my hotel and into an apartment...

"belonging to a famous French author...

"whose children are the same age as me and have the same interests.

"I knowhowpleasedyou'llbe to hearI'm getting in with the right kindofpeople.

Sayhello to Father. I hope he's not still mad at me. "

Listen to this, Matthew.

Listen to this, Matthew.

"The difference between Keaton and Chaplin...

"is the difference between prose and poetry...

"between the aristocrat and the tramp...

"between eccentricity and mysticism...

between man as a machine and man as animal."

[ Speaking French ] Not bad, huh?

That's good. Except for me, there's no comparison.

Why? 'Cause Chaplin's incomparable?

No. Because Keaton is incomparable.

Keaton? You think Keaton's greater than Chaplin?

- Absolutely I do. - Oh,you're notserious.

- Of course I am. - You're crazy.

Come on. In the firstplace, you can't denythat Keaton's funnierthan Chaplin.

- Yes, I can. - You don't think that Keaton is funnier than Chaplin?

- I don't think anyone's funnier than Chaplin. - Keaton is!

Even when he's not doing anything, he's funny. Andhe looks like Godard.

Keaton is a real filmmaker. Chaplin, all he cares about is his own performance...

- his own ego. - That's bul lshit.

- I t's not bullshit. - Yes, it is.

YouAmericans understand fuck-all aboutyour own culture.

- No wonderyou never got the point ofJerry Lewis. - Don't even get me started!

Listen, when Chaplin wanted to have a beautiful shot, he knew how.

Better than Keaton, better than anybody.

You remember the last shot of CityLights?

He looks at the flower girl, she looks at him...

anddon't forget, she'dbeen blind...

so she was seeing him forthe veryfirst time.

It's as if, through her eyes, we also see him for the very first time.

Charlie Chaplin, Charlot, the most famous man in the world...

and it's as ifwe've never really seen him before.

[ Resetting Turntable ]

I sa, ifyou play that fucki ng record again, I 'll break it in two, okay?

But you like Janis Joplin.

?? [ Continues ]

Stop it!

- I said stop it, Isabelle! - [ Yelps ]

[ Speaking French ] Stop!

- [ Speaking English ] Tell me, what film? - Wha-What?

Name a film-- Let go!

Name a film where someone tap dancing drives someone else crazy!

- Oh, I know this! - Come on! Quick! Quick!

Top Hat! Top Hat! Fred Astaire's dancing over Ginger Rogers's room.

[Matthew]Andshe's mad because he wakes her up.

[Stomping Continues ]

I'm right.

[ Speaking French ] He's good.

[ Speaking French ] You know what I'm thinking?

What?

"Bande � part. "

[Theo ] You're right.

[ Speaking English ] Why areyou two looking at me like that?

Well,yousee, mylittle Matthew...

there's something Theo and I have been meaning to do for a long time...

but we've been waiting for the right person to do it with.

- And I thinkyou're finally it! - To do what?

Tryto be the record ofBande � part.

- What record? - You've seen Bande � part, haven't you?

- Yeah. - Remember the scene where the three race through the Louvre?

- Uh, vaguely. Remind me. - Theytryto beat the world record...

- of 9 minutes and 45 seconds. - Oh, yeah! Of course.

We're going to beat their record.

Uh, oh.

- What? - What's the matter?

- Nothing, really, I'm-- - Not afraid, areyou?

- No. I'm not afraid. - What, then?

It's easy foryou two. I'm an American, whatyou French call an alien.

- So? - So ifl get caught, I get deported.

Well, don't worry, little man, we're not going to get caught.

- Yeah,you don't knowthat. - Theyweren't caught in Bande � part.

- And ifwe beat their record-- - It's a movie!

- Go get Papa's stopwatch. - It's a great idea, but--

Matthew, this is a test.

Areyou going to pass it or fail it?

Be careful. A lot depends on howyou answer.

H�! Non!Arr�tez!

[ Shouting ]

[ Laughing ]

Nine minutes and 28 seconds.

We beat the record by 1 7 seconds!

[ Laughing ]

Matthew! My little Matthew!

You were wonderful!

- We accept him. One ofus! - One of us!

[ Isabelle And Theo ] We accept him, one of us!

We accept him, one of us!

We accept her, we accept her.

Gooble, gobble. Gooble, gobble.

- We accept him, one of us! - One of us!

[Thunderclap ]

?? [Folk Rock]

Hey!

Theo. Isabelle.

Theo.

?? [ Continues ]

Hey!

- We accept you, one of us! One of us! One of us! - ?? [Ends ]

One of us! One of us!

[ Ringing ]

[ Speaking French ] That's Mama.

I'm too wet to answer.

[ Speaking English ] Isa's smart, but she doesn't know how to deal with parents.

- What doyou mean? - I mean, it's not enough to ignore them.

They should all be arrested...

put on trial, confess their crimes...

sent to the country for self-criticism...

and reeducation!

- They're already in the country. - They are at the seaside.

[ Speaking French ] That's different.

All�. All�?

[ Speaking French ] Too bad.

[Matthew] Myparents nevergo anywhere.

At least you have the house to yourselves.

Where are you going?

Uh, I gotta get out ofthese clothes.

It'll be cold in your room. Come into mine.

- Okay. - ?? [Big Band]

You can wearthis.

Thanks.

I'm going to get a Coca. You want one?

Okay.

?? [ Continues ]

?? [ Continues ]

- [Knocking] - Matthew! - Yeah!

- Just open the door. My hands are full. -J ust a second.

- Why didn't you open the door? - I was--

I was dressing.

?? [ Isabelle Humming]

What film?

I n what film does a chorus line dance like this...

with a singer in a fur coat?

- I've seen this film? - We saw it together.

- We did? Give me a clue. - Certainly not.

- Come on. Be a sport. Director's name. - No.

Number ofwords in the title.

- I said no. Non! - Isabelle!

- The first letter ofthe first word. - God! You're pathetic.

Isn't he pathetic, Matthew? Don't you think he's pathetic?

- Matthew, I bet you know. - Don't you dare help him.

Did the Sphinx give Oedipus a clue?

- Fuckyou. - ?? [ Hums ]

Give up?

Yeah.

- Blonde Venus. Marlene Dietrich. 1 932. - [ Speaking French ] Shit.

I knewthat.

- Forfeit. - Ifyou insist.

I dareyou to do now...

in front of us...

what I've watched you do... in front ofher.

Who?

I don't know whatyou're talking about.

Oh, yes, you do, my pet.

- [ Chuckles ] - Forfeit.

What a bitchyou are.

A bitch and a sadist.

Are you going to pay the forfeit or not?

Verywell.

Mm-mm-mm. I wantyou to do it the wayyou did it...

when you thought no one was watching.

[Grunts]

[Theo Grunts ]

[ Grunts ]

[Grunting]

[Panting]

Let's have a drink. I'll meetyou downstairs.

- Matthew. - Yes?

Yes.

[Theo ] Whydon'tyou admit you were thrilled?

Come on. You can tell me.

What?

Weren't you just a tiny bit excited?

- What is it exactly you're trying to get me to say? - I asked you a question.

Well, I suppose you know who you sound like.

- Who? - Isabelle.

Why not? She's my twin sister.

- You two are twins? - Yes.

She'd be me if she were a man.

- That's crap. You're not identical. - Yes, we are.

We're Siamese twins, joined here.

You're a strange one, Theo.

Half an hour ago, I sawyou look at her as though you wanted to strangle her.

I did.

I don't understand you.

- Don'tyou have any brothers or sisters? - I have two older sisters.

Didn'tyou ever want to strangle them?

Of course I did! But I never masturbated in front ofthem, and I never--

They never forced me to do anything I neverwanted to do.

You think Isabelle forced me, doyou?

[Matthew Narrating] Deep down I knew things couldn't go on as before.

Now the stakes had been raised.

But for a while, at least, there did seem to be a kind oftruce between Theo and Isabelle.

And then one evening--

- [ Wheezi ng ] - Theo!

[ Wheezi ng Conti nues ]

[ Coughing, Gasping]

- What film? - [ Isabelle ] "What film?"

Name a film where a cross marks the spot of a murder, or pay the forfeit.

- You too, Matthew. - Me?

What-- What have I done?

Name a film or pay the forfeit.

- Uh, um-- - Time's up.

- Time's up? You didn't even give me a chance. - The film?

Scarface. Howard Hawks, 1 932.

And the forfeit?

Well, now...

as you know, Isabelle, I'm not a sadist.

I just want to see everyone happy, no one left out.

So I'd likeyou...

and Matthew...

to make love in front of me.

But not in here.

I don't fancy sleeping in someone else's revolting sweat.

- No offense, Matthew. - Where?

In the spare room...

in front of the Delacroix.

Maybe one reproduction will inspire another.

- Um, um-- - I won't do it.

- Won't do it? - You wouldn't.

Matthew isn't my type.

Okay.

?? [ Man Singing In French ]

??[Continues]

I gotta go to the bathroom.

??[Continues, Indistinct]

Matthew! Matthew.

?? [ Continues, Indistinct ]

Matthew.

Matthew.

Yes?

This is silly. Come out of there.

Okay.

[ Yells ]

- [ Yells ] - Okay. All right.

Look. Wait. Look. You're hurting me!

I'm not violent. I'm-- I'm against violence.

- I'm not gonna resist. Look. - So shut up. Okay?

- Okay. - Now, Matthew, you aren't being very gallant.

Is the prospect of making love to me so hateful?

I've seen you. I sawyou in bed together.

Oh. Our guest has been spying on us.

Hmm. Now, that wasn't a friendly thing to do, Matthew.

Especiallywhen we've been so hospitable.

Okay, okay. Look--

- Shh, shh. - I'm not resisting! I'm not resisting!

[ Gasps, Laughs ]

Oh, how sweet ofyou, Matthew...

to keep myimage next toyourheart.

- I didn't mean-- - [Isabelle Laughing]

Good. [ Laughs ]

Oh, Matthew. Oh, come on. Oh, wake up. Oh.

Come on, wake up.

Isabelle?

[ Laughs ] No. I'm Theo.

[ Chuckles ] Where is Isabelle?

[Matthew] You have to help me.

[ Loud Moaning ]

Sorry.

[ Moaning Continues ]

[Siren Wailing]

[Moaning Continues ]

[ Moaning Intensifies ]

[ People Shouting, Whistles Blowing ]

[ Siren Wailing ]

[ Isabelle Sobbing ]

[ Grunting, Moaning ]

[ Sighs, Chuckles ]

Oh, thatwas the best one.

What aboutyesterday?

- Where? - In Papa's study.

You thought thatwas better?

Mm-hmm. Please, please, please, please.

- What? - Stay inside.

Matthew.