Original subtitles

[upbeat music]

[indistinct chatter]

[Nina] No matter how painful this is,

in two and a half minutes,

it will be over.

[indistinct chatter]

[cheering]

[phone ringing]

[Alice] Hello.

Hello. Uh, it's Nina Proudman here.

Look, uh, thank you so much

for your invitation to meet.

I'm, uh--I'm just--I'm just a little bit uncomfortable

about it on couple of levels.

[Alice] Nina, I am so sorry.

I don't know what I was thinking.

Please, forget I ever asked.

[crowd] Oh.

[cheering]

[phone ringing]

[Alice] Hello?

Hello. It's Nina Proudman here.

Uh, about this meeting,

actually, I don't think it's a good idea.

[Alice] Wow.

Chris said you were neurotic

but he never mentioned spineless.

[crowd] Oh.

[cheering]

[phone ringing]

Hello. It's Nina Proudman here.

Nina. Hi.

Hi. Thank you so much for getting back to me.

I am...

I didn't know whether my message would've seemed

-a bit, um... -Oh.

-No, no. It's--it-- -[Alice] Hey, are you, um,

are you free at all tomorrow?

I was thinking there's a, um, place just off

Johnston Street, Madame Sousou's.

-Do you know it? -Uh, yes.

Uh, I do--I do, but I--but I'm--

Yeah, maybe around, um, 10:00?

-Well, uh, I think, uh-- -[Alice] Uh, and, um,

I should just say I haven't

actually mention this to Chris,

not that I'm trying to keep it a secret,

but I--

he just had a lot on his mind,

-so... -Right. Uh, sure.

Okay.

Um, thank you.

I really-- I really appreciate this.

And I'll see you 10:00.

Sorry?

[crowd booing]

[sighs]

[woman] ♪ Oh why, oh why ♪

♪ Oh why ♪

♪ Won't you sing, bring your hips to me ♪

♪ Oh, bring your hips, oh, oh ♪

♪ Bring your hips to me, to me ♪

♪ Oh, bring your hips to me ♪

♪ Oh, bring your hips, oh, oh ♪

♪ Bring your hips to me ♪

♪ To me ♪

♪ To me ♪

♪ Oh, why, oh why ♪

♪ Oh why ♪

♪ Won't you sing ♪

[phone ringing]

Billie.

[phone ringing]

Darcy Proudman Real Estate.

Yes.

Cotton Street.

Cotton.

Like cotton?

Cotton.

Cotton Clothing, Cotton.

C-O-T--

I'm with a client, okay? Look it up on the website.

You all right, love?

Stop harassing me!

[upbeat music playing]

Hey, Billie.

How are you?

I'm terrible.

I still haven't told fireman Sam,

and I'm meeting him today.

Uh, I've got lunch with him.

And it's gonna be so painful,

and my throat has gone all weird.

Cherie,

life is pain.

Just deal with it.

[Cherie] You okay?

Don't worry. She gets like that.

[engine revving]

[Jimmy] No. Mom, that stays.

All of the stuff from upstairs stays.

Oh, I thought you were moving out.

-It's storage. -Oh, excuse me.

When did I agree to become your storage facility?

[Jimmy] Oh, when you had me.

When you got pregnant. When dad said, "Come on, Geri,

-let's finish off the bottle." -[Geraldine] Oh, as I recall,

I was blessed with a son,

not 500 issues of MAD magazine.

[phone ringing]

Oh.

[phone ringing]

-Hey. -Where are you?

-[Mick] I'm at your mom's. -What?

-Why? -I'm helping Jimmy move his--

[Billie] Will you meet at the front, please?

Right now.

[tire screeching]

[Billie] Get in.

-It's locked. -[Billie] Get--

-now. -Uh, let go of it

-then I'll put-- -[Billie] No--wait.

-[Mick] What? -[Billie] Wait, wait.

I mean-- I think it might be...

-[Billie] Wait. Do it now. -[Mick] ...jammed.

[Billie] Open it. Now.

[Mick] Whoa.

Whoa. Uh, should you be driving?

-Stay there. -Billie.

Oh, this...

Don't move.

Stay!

I love you.

And I wanna be a mom.

It's got to be you.

And you're so--

you're so--

you're so poor. You're so poor.

God, and you've got this weird water smell

coming out of your house, and you've got fat genes,

we'd have fat children,

but the thought of having kids with anyone else...

[sobs]

Come on.

Go on.

Oh, God, this is kitchen towel.

-Yeah. -[Billie] What--

why don't you buy some tissues.

Do you still love me?

Because if you're gonna stop--

if you're thinking of stopping, you have to tell me now.

-You have to lock it down now. -Billie.

[indistinct]

I'm never gonna stop.

Really, this is on, on?

Like no turning back, okay?

I understand.

[upbeat music playing]

I love you.

I love you, too.

[upbeat music playing]

I'm sorry about the honesty vomit.

-It's okay. -I had to.

I know.

Is there anything you wanna tell me?

[Nina] It's looking great.

Baby is moving normally.

That's a good size, Kim.

The cord looks fine.

I've officially turned into nightmare patient,

-haven't I? -No.

[Kim] Remember clingy, pimple woman?

I'm clingy, pimple woman.

Oh, you are not.

I just keep trying to remember

one normal healthy labor, just one.

All I keep thinking about is severe perineal test,

fatal distress, preeclampsia.

-Remember preeclampsia woman? -Which one?

The one that had a fit and bit of a chunk

-of her own tongue. -Oh. It's just--

oh, I--I've got to go

and deal with something.

Sorry.

Oh, come on, Kim, you know how normal it is

to be anxious.

My wife had four sonographs

in the last month of her pregnancy.

She's basically paralyzed with nerves.

[Kim] The wife that went crazy

and abandoned everyone?

Yeah, that one.

Okay. Thanks.

Hi.

[Sam] If I get a bottle, will you go with me halves?

I, um-- I might just stick with...

That's why she glows.

Uh, I might just have a second water, thanks.

-All good? -Uh-hmm.

-Sam-- -Do you mind if--

Oh, sorry. You go ahead.

Um...

look, I've been wanting to say something

to you for a while,

um, a confession, I guess.

I, um...

Cherie,

in the late '90s,

I was a member of a male strip review

called Man Up.

We, uh, spent three years

touring Eastern Europe and parts of Scandinavia.

And, um...

there's still some pictures online,

and some press about a steroid scandal

hit us in Belarus, but I had no part in that.

Look, it's a chapter in my life

that's over.

Long over.

Sam,

that's fine.

[Sam] Do you need a moment?

No, no, no, no.

Actually, uh, I'm glad.

Cherie, I promise you,

it has zero impact on my life today.

Honestly, there are plenty of things in my life--

[Sam] I promise you that I would never ever omit

to tell you, um, anything that would affect us

here and now. I promise you that.

Sorry.

[Sam] Again?

Oh. I've only got half an hour.

-Can we go in there? -No.

-The cafe. -It'd look like

we're having an affair.

-Park? -Affair.

Oh, yeah. This looks nothing like an affair.

Shut up.

Why do you have seatbelt on?

I--

look, uh, Mick, we agreed,

never, never, never, never--

You already broke that agreement.

With Chris. I would never with Billie.

-I-- -Oh, cut the blurt reflex, Nina.

You know you do.

I think it's--

I think it's great that you're feeling

this spark of guilt.

I would--I do.

It makes me think you're a decent, honest man,

but I think it probably feels a little more intense today

because you're back together with Billie,

and maybe it will subside.

It's not gonna subside.

If you just slept on it--

She's moving in. She's talking kids.

[phone ringing]

Oh, God.

She's in the car park.

Take it.

No.

Just take it.

Hello?

I'm back on with Mick.

-Oh. Oh. -[Billie] Yeah.

Like, on, on.

Like if he doesn't propose to me in the next month on,

I'm gonna chop up his man bits.

Oh, Billie, that's great.

-Do you think? -[Nina] Yeah.

I mean, our combined income

will only be greater than 90 grand.

That's okay.

It is.

It's ridiculous.

Oh.

I don't mind it.

[Billie] And his nipples giggle

when he brushes his teeth,

and I've seen that.

Billie, he's... great.

[Billie] Yeah, he is, isn't he?

The love of my life.

[phone ringing]

What's that?

Oh, it's just the-- it's car radio.

I'm in the car.

-[Mick] Hello? -[Jimmy] Billie has just assumed

total control of your entire life.

-Huh? -She's forbidding me

from moving in with you. She's all like,

"I'm not gonna have your pasty ass

strutting through my house."

[Mick] Shit.

[Billie] Professional cleaning twice a week,

-I mean, that's a given. -Billie, I, uh,

I've got to go back in to the ward.

-Are you home tonight? -Well, yeah.

I was hoping that Mick might dazzle me

with some romantic surprise,

but, yeah, looks like I'm home.

Uh, well, I'll be home about 6:30-ish.

Oh, Nins, by the way,

uh, Jimmy is moving in with you.

What?

[phone beeping]

Oh.

We got to rip the band aid off, Nina.

What?

It's not about ripping a band aid off, Mick.

I'm just gonna over there. I'm just gonna say to her--

Oh, how could anyone

possibly gain from this?

Today,

she was just so vulnerable

more than ever.

Look, I was lost,

because now there's this thing between us

and it's just--

it's just getting worse.

[cell phone ringing]

I have to get back to work.

Okay.

Maybe we should make

-a list of pros and cons-- -[Mick] No.

Uh, and make a--at least--

at least draft an--

Oh, Nina.

Don't you say anything, okay?

If it's gonna be anyone, it got to be me.

[Mick] Fine.

You can tell her,

but only if you tell her tonight.

Tonight?

Cherie, it's not a race.

Uh, sorry, sorry.

Uh, can we sit for a second?

Actually, let's walk.

Cherie, what's wrong?

Oh, Sam.

I need you to know, you're such a lovely person.

And these afternoons we've had,

they've been some of the nicest times of my life.

Is this about the stripping?

No.

Look, Cherie,

it was a very tepid strip shot...

-It's got nothing to-- -...with no penis.

-Sam. -I mean, some of the other guys

might, you know, inside jobs, cash in hand

but not me.

[baby crying]

Cherie, what?

-Come on. Are you in pain? -Uh-uh.

What's wrong?

Sam, I'm breastfeeding.

You have a baby?

I have an eight-month-old son.

His name is Ray.

[Nina] Billie, maybe we should sit down

or do you--do you--

do you feel like a walk?

No.

Billie, I slept with--no.

I fooled around.

Billie, once,

when you weren't together with Mick...

[phone message beeps]

[indistinct chatter]

[Sam] Oh, uh, my-- my mate, David,

had exactly the same thing happen to him.

His, um, his uncle was younger than him.

He's, like, two years ahead of him.

[Cherie] No, uh, Ray--uh, Billie is Ray's sister

-not his aunt. -[Billie] Oh, his sister

and godmother, so it's double duty.

Nina, this is Sam.

Uh, Nina is Ray's other sister.

We might need a chart or something.

[laughs]

[Billie] The godmother gig, it's not like a duty

it's more like, um...

[Mick] Only if you tell her tonight.

[Jimmy] I mean, it's not about whether or not

I can find another place to live,

I will find another place to live.

It's the place that it sits in the relationship.

I mean, did she consult you on this?

No. Did she--did she speak on your behalf? Yes.

[phone ringing]

[Mick] Hello.

[woman] Do you think this fragile earth

deserves a voice?

No.

Yes--no.

[woman] For the past eight years at Conservation--

[Mick] Look--uh, sorry. It isn't--

it's not a good time.

I'm sorry. I'm sorry.

[Jimmy] What's up with you?

You look like dogs look like

when they hear distant thunder.

You know, like...

[knocking on door]

Whoa.

Okay.

Jimmy,

-get in the kitchen. -[Jimmy] You in trouble

-with the mafia, Mick? -[Mick] Jimmy, just do it.

Just get in the kitchen.

Uh, is Jimmy Proudman here?

[Jimmy] Chloe.

What are you doing here?

[Chloe] I got your address.

Turns out it was your mom's address.

She sent me here,

plus she gave me 200 MAD magazines,

and a message that, "If you don't go and pick up

your PlayStation tomorrow, it's going out in her rubbish."

Um, Mick, this is, um, umbrella girl.

Parasol girl. Hi.

I didn't think I'd see you again.

I know.

So, um...

what--why are you here?

[thudding]

[Jimmy] Chloe, just wait.

What do you mean you don't want to?

I'm just not that into swapping numbers,

-that's all. -[Jimmy] I don't--

Was that not the time of your life?

Solid seven maybe.

-It's not about that. -[Jimmy] Seven?

Four separate sessions and it's a seven?

-[Chloe] Solid seven. -Oh.

I could take your email address if you want.

But then you'll be holding all the cards.

Uh-hmm.

It's jimmyblues67@netspace.com.eu.

Ta. Can I have my scarf, please?

Chloe, wait.

Wait.

Uh, I've got your registration.

Red Barina

VTN.

Hey.

You haven't been to bed?

I just went through an entire relationship cycle

and you haven't even gotten off the couch.

Jimmy, I'm in the middle of a--

[phone ringing]

-Hello. -It was physically impossible

for me to tell Billie anything.

I got home and Cherie was here and her new boyfriend.

You know, it was kind of a celebration

because she'd lactated and he being fine with it.

-What? -But the point is

that the house was full.

-All night? -[Nina] Uh, no.

No, she--no, no, no, the boyfriend left,

but Cherie didn't.

-I'll give you a call. -Yeah.

-See you, Sam. -[Sam] See you.

Okay.

About a decade ago,

Sam was...

a stripper.

-What? -What?

[Nina] And then this led to about two and a half hours

of Billie doing Google image searches.

[Cherie] Oh.

[Billie] He's right there.

[Cherie] Oh.

[Billie] I'm not stopping

until I see penis.

No, no. Oh!

[chatter]

Which somehow morphed into a workshop

for my love life.

Nins, what you need--

you need a shag.

A good, clean transitional shag.

What about that ultrasound guy

you slept with last year, Jeff?

You said he looked like Margaret Thatcher.

-Yeah, he did. -That's why I ended it.

You didn't give that reason though, did you?

No.

So the window is still open.

So Cherie never left,

is that what you're telling me?

No, no, she left.

I just--

we were sitting on the couch,

watching music videos.

Gay.

Gay.

Drama gay.

And then just out of nowhere.

Nins?

Hmm?

Don't stress about men.

You're too brilliant.

And if it happens, you'll just look back

on all the stressing and think,

"What a waste of brain space that was."

If it doesn't happen,

you still got your brilliance.

[Nina] And then I realized,

this was Billie at peace.

Have you ever seen Billie at peace?

Gay.

Gay after four beers.

And the thought of breaking that,

of hurting her,

just seemed so wrong

and unnecessary.

I'm gonna go see her.

Now.

And I'm gonna tell her.

[cell phone beeps]

What? Mick.

[phone ringing]

[Nina] Go there. Beat him.

No, no, just call.

[phone ringing]

Hey, Nin.

[Nina] No.

No, just, just, just...

[phone ringing]

-Hello? -[Alice] Hi, Nina.

It's Alice Havel.

Oh, hi.

I just wanted to check. I have the right time and place.

I'm at Madame Sousou's.

-Yes, yes, yes, I'm just--I'm... -Okay.

[Nina] ...I'm just-- I'm on my way right now.

-Great. Thanks. -[Nina] Me too.

Mick. [laughs]

Hey, Mick.

Billie told us, the two of you.

Mate, thrilled.

Oh, thanks. Uh, is Billie around?

And you know what I'm thinking, don't you?

Since you're back together again, and you me,

bit of a family jam session, maybe a gig or two.

-Hah, maybe. -Yeah.

[Billie] Oh, perfect timing.

What are you doing right now?

-Um... -[Billie] You're coming with me.

There's an open house on Carlisle, Mick.

If I believed in God,

I would say she's conjured up our dream home

and set it at 480.

[tire screeching]

[Nina] What are you doing? Just call and cancel.

No, she's been waiting 20 minutes.

Twenty minutes.

That means half an hour since Mick called.

Uh, that means Billie would have--no.

Oh, shit.

Oh, bloody.

Okay.

[Alice] Nina.

Hi.

[Nina] Is this a handshake situation?

No. No, no, that's too formal

but I can hug the woman.

-Hi. -Hi.

Fantastic, Nina.

Japanese bow.

Nice choice.

-I'm sorry I'm late. -[Alice] No, please. Thank you.

God. Thank you so much for coming, really,

I didn't--

I didn't know whether the whole thing

would make you terribly uncomfortable

-or... -No, no.

[laughing] No.

And what can I get you ladies to drink?

Uh, I'll just have a, uh...

[Nina] Focus, Nina. One crisis at a time.

[woman] Hey, you, that horrible bitch's cheating.

Oh, sorry.

Uh, just a coffee for me, please.

Uh...

a flat white.

Sure.

Is everything all right?

Yes. Yeah, everything's fine.

I just-- I had a nightmare morning.

Oh, she thinks you're psychotic.

She thinks you're disturbed.

So, uh, I'm not--

uh, thank you again.

Uh, I'm not sure how much Chris

has told you about--

I still don't know what to call it.

The situation.

[Nina] Yeah. Answer. An answer would be good.

Oh, not much.

No, none.

A bit.

Look, um, you know...

it's so strange coming back.

I was so petrified

about people's reactions,

what they might say to me, but--

in fact, the hardest thing by far

has been when it's all unspoken,

you know, I found myself--

when people who've been...

[Billie] Nins,

don't stress about men.

You're too brilliant.

And if it doesn't happen,

you still got your brilliance.

[Alice] ...and I know that you have been affected

by this too and that's why I thought,

um...

Sorry, what did you just say?

[indistinct chatter]

Oh.

Oh, God, God. What do they call this room?

Study?

It says a work space.

God, what kind of work is anyone gonna get done in a--

in a room like this? Honestly.

You know, store meat?

Develop antibiotic cultures?

Oh, yeah.

That's a zero insulation.

God is that rot?

Can you smell it? Is that rot?

Kina think that's in-grain rot.

Shallow breaths, honey.

Don't wanna trigger the Scully Meyer syndrome.

What's Scully Meyer syndrome?

I don't know. But I think they're wavering.

She hasn't said a word in, like, three rooms.

Mick, this is a Fitzroy,

three-bedroom with a rehearsal space.

We have to play hardball.

Look, I don't need a rehearsal space.

I'd like lounge room.

Yeah, it's not gonna happen.

Forget it. Okay. Go downstairs

and pretend to get a phone call.

Pretend that someone's told you there's something terrible

about night noise in the area.

Um, send me trailers, bottle bins, trash bins.

What?

Okay. Watch me.

And every time I tried to articulate it,

it just seemed so enormous

and so crushing and...

[phone ringing]

Do you need to get that?

[phone ringing]

Sorry.

-[phone message beeps] -[utensils clang]

Uh, it's just a-- it's a family situation

-and I should have realized... -You should.

Do you need a hand or anything?

No, no, no. It's--that's not--

just--okay. Can I--can I give you a call

-in a couple of days? -Yeah, whenever, please.

-Whenever you're not... -Thank you.

Sorry. Sorry.

[woman] You have one new message.

[Billie] Lizzie, yeah, hi, we're here.

It's just doesn't sound that bad.

Bit of traffic noise, maybe.

Oh, really? On what--on what day

is it a semi-trailer roof?

Oh, my God.

[car engine revving]

Nina.

Nina, you left your bag.

Ooh, Nina.

-Get off my foot. -What?

Get off--you're on my foot.

-Get off my foot. -Oh, oh, oh.

-I'm sorry. -Ow.

Sorry, sorry.

[phone ringing]

[Chris] Nina?

Hi, Chris. It's me.

Uh, I'm with Alice.

We've--I mean,

-we've had a bit of an accident. -I'm all right.

[Nina] She's all right.

-What happened? -[Nina] Um...

we were having coffee and...

I ran over her foot.

Accidentally, obviously.

-What? -I've examined her,

-I think it's just her toes. -I'm all right.

[Nina] Uh, we're about-- we're about five minutes away

from the hospital, I think.

Chris?

You were having coffee?

I'll explain later. It...

Do you think perhaps you could meet us down

in the emergency, just T up an x-ray.

-[Chris] Oh gosh. -[Alice] No, it's fine.

Thanks, thanks.

-Ow. -Sorry, sorry.

No, it's fine. It's okay.

-[Chris] Okay. -[Alice] Thank you.

Take her to the emergency.

Chris, I'm sorry.

I'm really sorry about this.

It's just--

What are you doing, Nina? Let the man go

to his pulverized wife.

You go, not now.

Okay.

Okay. I'll, um,

I'll just-- I'll go and park the car.

Good decision, Nina.

Oh, I'm sorry, sir.

I'm sorry. Excuse me.

Excuse me?

Are you all right?

[Nina] Yeah.

Alice Havel.

-[woman] I'm sorry? -With the foot.

[woman] Oh yeah, she's gone through to casualty.

Excuse me, can you just...

Thank you.

Oh sorry.

[indistinct chatter]

[Alice] I thought I could make the whole situation just easier.

I just seem to make everything...

[Chris] Don't apologize everything to me, Alice.

[Alice] You should go.

[Chris] Uh, I need to make some arrangements,

-all right? -[Alice] Yeah. Uh-hmm.

-[Chris] All right. -Uh-hmm.

[curtain rattling]

-[Nina] Hi. I parked the car. -Hey.

How is she?

She's okay, but I think it's a couple fractured toes.

Still waiting on x-rays.

You go, I'll wait--

I'll stay here.

Is that weird?

[Chris] It is a bit.

[both chuckle]

Well, that's my weirdness problem.

Sorry.

Uh, I wanna stay.

Thanks.

-[Nina] You go. -Okay.

-[Nina] Hi. -[Alice] Hi.

-How are you? -[Alice] Okay.

[Nina] Yeah. They gave me good drugs.

-[Nina] Alice, I'm so sorry. -[Alice] It's fine.

I think it's just a couple of fractured toes.

So I was really very lucky.

Well, as lucky as you can be

when you're being run over by a madwoman.

-[Alice] Oh that's... -Sorry.

Is your, um, family situation okay?

Oh, uh, the--yup.

No--um, sort of.

-If you need to go... -No, no, no.

No, it's--uh, it's not really a situation

where I can, um--all right,

I had sex with my sister's boyfriend

and he's telling her about it right now.

Why Nina, why?

[Billie] The real estate industry, huh?

Sickening, what they can get away with.

Pen's in the car. Fill in the form.

-I'm on references. -[Mick] Wait, wait, can we just

-talk about something for a sec? -[Billie] No time, no time.

[Mick] I really--I really need to have a word with you.

Billie, there's something I really need to tell--

Dad, dad. I need you to write me

the world's best rental reference

using a different surname.

Yeah, Mick and I found the best house in the world.

Yeah. Okay.

Sorry, this is-- this is the last thing

you wanna be here hearing with your...

critical injuries.

[Alice] No, I'm fine.

Sorry.

I should just hope that my sister

and the partner weren't together

on the--on the night.

And it was only once.

-Sorry. -Yeah.

Sorry. It's really--sorry.

There was a black out and there was so much alcohol.

I was so--I--it was...

[Alice] Nina,

I walked out on my one-year old.

Now in terms of family,

perhaps, you got nothing on me.

[phone ringing]

[Alice] Her?

Him.

Go, go, go, go.

Where's my bag? Okay.

Hello.

No.

I couldn't do it.

She found a place for us to rent

with, like, a studio for me to rehearse in

and she was so--

I couldn't--I couldn't do it.

[man on PA, indistinct]

Where are you?

Oh, in emergency.

[Mick] You all right?

I ran over someone's foot.

[Mick] Whose foot?

Chris's wife's foot.

Hey now, Nina.

Accidentally. She's fine.

It's fine.

Hey look, I'm sorry if I was...

tense with you before.

That's all right.

I should've told her.

[upbeat music playing]

Nins, we got a house.

Come, look, behold.

Now the pictures are a bit shit,

but it's a corner block,

opposite the park,

there's an attic,

see, for Mick's band to rehearse in,

and there's a front veranda,

hallway,

and an ornamental fish pond.

Oh,

internet keeps breaking up.

Hang on, oh.

You all right?

Billie, I slept with Mick.

I'm so sorry.

We were both drunk and upset.

It just happened once.

There's nothing going on between us.

We both agree it was a horrible mistake.

When?

Remember the black out?

You came home after, but...

we just changed the clock on the oven.

It was here.

Yes.

And the only reason that we didn't tell you straight away

is because it just--

it felt so meaningless.

Who else knows?

No one, no one except me and him.

And Chris.

I blurted it out to him.

And Alice.

-Alice? -[Nina] His wife.

It--today, she--

it was a very intense situation.

I'd run her over,

just her foot,

accident--accidentally.

She's fine and it's not important to this.

I promise you, there's no attraction between us,

there never has been.

The only reason that it happened

was because--

Billie?

[zipper zips]

[Nina] Billie.

You okay?

Oh Nin, it's fine.

Good--it's funny.

Let's go over and tease Mick.

We need to give him ratings out of ten.

It'll be hysterical.

[Nina] Billie?

Are you okay?

Where are you going?

[Billie] To mom's, I don't know.

[Nina] Can we just...

[Billie] I can't look at you right now.

[door closes]