Original subtitles

(film reel clicking)

Downloaded from YTS.MX

(tense music)

Official YIFY movies site: YTS.MX

(eerie music)

(phone ringing)

- Yeah, what happened? - He probably felt that.

- [Matt] What happened?

Yeah, yeah, what happened?

- [Mike] We had a legit possession in the blue room.

- [Matt] In the blue room?

- Yeah. - Holy shit.

- It's Matt. - It's trying

to take her over again.

- [Deb] Fucking stop them.

- [Melissa] No! No!

Come on.

- No! - Deb.

- [Melissa] Come on.

Come on, Father in heaven,

please get him, take it, come pray on her.

Come on, dear God.

- I'm holding the door shut. - Please take over.

- She can't open it. - Please take over.

- We need Your help now.

(tense dramatic music)

(tense eerie music)

(tense eerie music continues)

(Deb screaming and shouting indistinctly)

(tense dramatic music)

- [Matt] You guys should leave the building

for right now. - Help, God.

Please help her. - I'm trying.

We're trying to get them out now.

Just, everybody get out.

(tense music)

- [Deb] Fucking hate you!

(intense music)

(people speaking indistinctly)

(intense music)

Fucking touching me! (panting)

- [Scott] I got you, I got you.

(dark tense music)

(dark tense music continues)

(dark tense music continues)

(dark tense music continues) (clock ticking)

(dark tense music continues)

- My name is Matt Benton.

I am a veteran paranormal investigator

with over a decade of experience.

On March 11th, 2017, I came across a case

unlike any I had ever encountered before.

It all started during the filming

of another documentary called "MAN vs PARANORMAL,"

where I am stuck in a haunted building for three days

with no communication from the outside world.

It was a psychological experiment

I wanted to try for myself,

but little did I know

that this was going to branch off

into something way bigger.

(tense foreboding music)

There it is.

(tense music)

(tense music continues)

Wow.

(tense music)

(dark foreboding music)

(dark foreboding music ends)

(door creaks)

So right now, I'm here to talk to the owner.

His name's Eddie.

(knuckles rapping)

- Hey, man, come on in.

- Hey. - Good to see you, man.

- [Matt] It's nice to meet you, man.

- Come on in.

(tense music)

- My greeting is a pentagram

that says "The Monroe House."

- I'm so sorry about that. - 666.

- I apologize.

Yeah, that's not good, is it?

- Mm, depends on how it was used.

- This one's a tough one over here.

(Matt chuckles)

Um... - It's already

looking like homey to me.

- Oh God.

I can't believe you're gonna be in here

by yourself that long,

which I don't know if it's a good idea.

- And actually, I'm curious,

why do you think it's not a good idea

for me to be locked in here for three days?

- I've never done it, but I can tell you,

just a few hours at a time of work in this place,

the stuff that happens is really strange.

The people that have stayed in here had problems.

- And that's with a group, too?

- Yeah.

- Yeah. - And the longer they stay...

That's why I shut it down last year.

- Really? - Yeah.

- I didn't know you shut it down.

- Yeah, I did, 'cause they were getting hurt.

They were getting bit. - People were getting hurt?

- Yeah. - And bit?

Scratched also? - So I said, "That's it."

Yeah. (dramatic music)

And yeah, broken arms.

- Broken arms? - Yeah.

That's a liability issue for me.

- Broken arms, how are...

Okay.

Whoa.

Whoa.

Let's back this up.

How did this happen with the broken arm thing?

- Don't know for sure,

but it occurred in this room right here,

if I'm not mistaken, and he said something pulled him.

- Pulled him? - And he was not

prepared for it.

(tense music)

(footsteps clomping)

- [Investigator] Something grabbed his arm.

- Oh, that fucking hurt. - That hurt him really bad.

- Oh. - What is it?

- Dude,

I fucking just went in there,

like to fucking...

Oh.

- [Investigator] Can you move it?

- Oh, I think it broke my fucking arm.

- Oh, my God - I'm not even joking.

(indistinct) I'm not even fucking joking.

I just fucking grabbed my EVP recorder back there, and-

- [Investigator] Something injuring Tim?

- Fuck, my fucking arm.

They fucking...

I heard like a woman's voice, or something.

- A woman? - Yeah,

and I thought it was fucking Kristen,

like, standing right there.

As I turned around, something yanked my fucking arm

almost out of my fucking socket.

All I can say is that I've never, ever in my life

felt something that forceful.

I literally felt like the tips of my-

- Yeah. - My shoes

drag me across the porch.

- Jesus.

- [Tim] Yeah, it happened at...

Like, I almost...

Like, I am not fucking joking.

- [Investigator] What the fuck?

(tense dramatic music)

(tape clicks)

- And I'm gonna be locked in here

for three days and three nights,

when people are being physically hurt

to where they're breaking bones.

(tense eerie music)

There's been a lot of reports

of, like, noises from back there.

Right? - Yeah, yeah.

- And also, something was caught on footage

of this weird thing crawling in the back.

- [Eddie] Yeah.

(tense music)

(tense music continues)

(dramatic music)

(tense music)

- You've found bones in the back, right?

- Yes. - Or someone did.

- Yeah.

- Okay, and the police,

I talked to the police about the bones.

'cause they called the police department.

And when I talked to them,

they told me that they're chicken bones.

- [Officer] There was a call down there

about that time you're talking about,

and they did find some, I believe they were chicken bones

or something like that, that they found.

- Chicken bones? Okay.

- [Officer] Yeah, but it wasn't anything,

I don't think anything was ever found after that.

- Chickens are a very big sacrificial animal

in multiple cultures and also satanism.

So, I'm wondering- - So that's why-

- If that's what that is meant for,

if that was meant for a sacrifice,

those chicken bones that were in the back.

- I really wish you wouldn't have brought that part up.

- Really? - Yeah.

I thought we could leave it at it's just animal bones,

and go from there.

- Hmm. - But the bones

were oddly configured, 'cause I tell the workers,

it's just an animal drug in there years ago.

- Mm-hmm. - But some of them

were tied together and, I don't know-

- Tied together?

- Yeah, they're still in there.

I tried throwing as much of that stuff away as I could

because I don't want this voodoo stuff going on in here.

It's just...

- Yes. - Yeah.

But there's still some back in there.

(dramatic music)

- [Matt] Tied-up chicken bones

were not the only ritualistic items

found in the crawl space.

They also found a bag of human hair,

a necklace and pottery.

Personal items like the hair and necklace

are commonly used in witchcraft and other rituals.

Amongst these items, they found a pair of shorts

that appears to have bloodstains,

evoking more questions.

- Okay, up here is the bathroom

that I was working 11 years ago on.

- [Matt] Uh-huh.

- And this is the first time I might have seen something.

This, there was a big fire in here.

Took the whole floor out and this wall.

I was doing this edged tile right here.

- Yeah. - Had the radio on,

the floodlight, and it had gotten dark.

I lost track of time.

And I just, out of the corner of my eye,

thought my brother had come in.

- Mm-hmm. - Through the hallway,

up the stairs, and went into that room.

But it was pitch black.

- Pitch black, okay. - Yeah,

and there's some residual light,

moonlight, streetlight coming through.

- Mm-hmm. - And it's just a figure.

- Okay. - But I didn't hear

the footsteps, 'cause the radio's blaring.

So I thought, "Why would he go into the dark room?"

So seconds later I got up, walked in there,

he wasn't there.

- Hmm. - That's when

I went out the window.

- 'Cause it was that.

- Yeah, instead of going down the stairs.

Yeah, I kinda backed into there,

grabbed the extension cord,

worked my way out to the window

and pulled the cord to kill the light.

And I just went out.

- Hmm.

What I'm gonna do is give up all communication,

my cellphone, my personal cellphone,

and my car keys to get out of here.

This is going to Marcus.

Marcus will give this to DeWaine later.

And DeWaine'll come on Wednesday,

which is three days from now.

So, it's time for me to get locked in, Marcus.

- Good luck.

I'll be seeing you soon, bud.

- Hopefully.

(tense music)

(lock clicking)

(eerie music)

(eerie music continues)

(rumbling ambience)

(rumbling ambience continues)

(rumbling ambience continues)

(door opening)

(light switch clicks)

(rumbling ambience continues)

(objects thumping)

(rumbling ambience continues)

(light switch clicks)

(rumbling ambience continues)

Hmm.

This door's still open.

Cabinets are still closed.

(footsteps rustling)

(footsteps continue rustling)

(rumbling ambience continues)

(rumbling ambience continues)

Anyone here?

(rumbling ambience continues)

(rumbling ambience continues)

(footsteps rustling)

(door creaks)

(footsteps rustling)

(footsteps clomping)

(footsteps continue clomping)

(footsteps rustling)

(staircase creaking)

(voice squeaks)

(rumbling ambience)

Hello?

(rumbling ambience continues)

Thought I heard a disembodied voice.

Testing to see if that was a squeak of the tripod.

It's not.

Okay, I just heard a disembodied voice.

Is that the kid?

(rumbling ambience)

Is there a boy here?

(dramatic music)

An unusual sound caught my attention,

but despite my efforts, I could not recreate it

with the tripod I was holding.

Notably, there was no working plumbing

at the time in the house,

so I could not find a source of the sound.

(voice squeaks)

(voice squeaks)

Hello?

(rumbling ambience)

Thought I heard a disembodied voice

Testing to see if that was a squeak of the tripod.

It's not.

Okay, I just heard a disembodied voice.

Is that the kid?

(tense foreboding music)

(soft eerie music)

(soft eerie music continues)

(soft eerie music continues)

(soft eerie music continues)

(tense dramatic music)

(tense music)

(foreboding music)

(tense eerie music)

(dramatic music)

(tense eerie music)

(foreboding music)

(tense eerie music)

(tape clicking)

(eerie music)

(eerie music continues)

(door opens)

(eerie music continues)

What the hell?

(eerie music continues)

Oh, my God, guys.

I have a door opened.

(equipment clacking)

(eerie music continues)

(footsteps rustling)

(eerie music continues)

(footsteps clomping)

(eerie music continues)

(footsteps clomping)

(eerie music continues)

I know this door was shut.

(door clicking)

It's not hard to shut this door.

I even locked it.

I have to review this.

(eerie music)

(door opens)

(dramatic music)

(tense music)

(low tense music)

(low tense music continues)

Caught it on video.

The door opened up by itself.

I don't know when it unlocked

because it didn't sound like it unlocked,

but I know for a fact I locked that door.

That's pretty amazing what just happened there.

(low tense music)

I've been trying to capture something like this for years.

It's been six years now

since I've been trying to capture something just like this,

and now it was caught on camera.

(dramatic music)

(tense eerie music)

What makes this footage more incredible

is that 21 hours before this capture,

you see me close the door,

hear the door latch shut,

(lock clicking)

and lock the door,

which rules out the possibility of wind,

it being the cause of the door opening.

After reviewing the static camera footage in the kitchen,

that was the last time I touched the door

before it opened up on its own.

(dramatic music)

(tense music)

(tape clicking)

(tense eerie music)

(door opening)

(tense eerie music continues)

Let's go debunk this some more, shall we?

(tense music)

Dogs.

(tense music continues)

(footsteps rustling)

Okay, here's the door.

Look, it's all the way shut right now.

(rumbling ambience)

Okay.

It's all the way shut right now, we're gonna pull it.

(doorknob rattling)

Nothing.

This shows the locking mechanism and latch

is working properly.

That is all the unexplained footage I collected

during my first three nights in the house.

(tense music)

(dramatic music)

(tense foreboding music)

(dramatic music)

Later I showed Pam and Eddie the footage that was captured.

(tense music)

- Oh, wow. - What?

- Oh, wow.

- That happened when I was sleeping.

- Oh, that gave me chills.

- I told you we've heard, like, doors-

- Opening. - Opening upstairs.

It sounds like they're closing,

but I don't know what was left open or closed,

so I'm not for sure what door moved.

But then you're on alert.

- Yeah. - Uh-oh.

- What everybody- - There you go.

- Yeah, and everybody says they hear doors slamming.

- Yep. - But nobody knows...

Nobody has.. - Yeah.

First time. - No one has ever got it

on video. - That's creepy.

- Never- - In 11 years.

- So no one's ever caught this on video?

- Never, ever, ever. - Never.

(tense eerie music)

So right now I'm here with someone

that is gonna be completely disguised.

He doesn't wanna reveal himself,

but he has some information about the Monroe House

that I really need to know for my investigation here.

What exactly have you heard about this location?

Like, I heard something involving bones.

The long bones, is what I heard.

- [Informant] There's...

Everybody knows about the small bones,

a lot of them.

But there's also some long bones in the crawl space,

and they're not animal bones.

And why they're there, I don't know.

But they're definitely there.

- So the long bones that were found here,

do you think that correlates with the cemetery

that used to be in this area?

This is the information I got in the past.

- [Informant] I believe the stories

are that they were used in rituals,

but what I've seen and what I've heard

from other people that are more experts on that,

that they were not.

They looked to be out of the cemetery

and it looks like they were dug out of the basement

by accident.

- Who are these experts that you're talking about?

- [Informant] I can say this much.

They are the experts in that field.

- Okay. - They know exactly

what they are.

And as far as I know, there's no crime committed.

It's just an accidental body dug out of an unmarked grave,

which there may be a few on this property.

(dark tense music)

- [Matt] Given this new information,

I requested access to the crawl space and Eddie granted it.

I was one of the very few

allowed access to this area of the house.

(dark tense music)

So right now we are suiting up,

going under into the crawl space.

This is to move a little bit of debris.

- [DeWaine] I gotta say,

this is the most interesting thing I've filmed lately.

- [Matt] Well, thank you.

(DeWaine chuckling)

Take that as a compliment.

- Yeah, (indistinct). - Yeah, it's tough.

(tense music)

How deep are we going?

Are we going back there?

- [Eddie] Yeah, a long way.

- [Matt] You won't be able to get this shot.

- [DeWaine] Okay.

- [Matt] Just record us going in.

- [DeWaine] Okay.

(tense foreboding music)

- [Matt] Is my light blinking red?

- [Eddie] Yes, you got a red light.

- [Matt] Okay, cool.

- [Eddie] And I see the screen glowing.

Okay, we want this off, right?

Well, I gotta- - Which way are we going?

No, that's the fine.

The light's fine.

It's an IR, they can't really tell.

- [Eddie] Here's some of the wood stuff.

(tense music)

- [Matt] Whoa, whoa, whoa, whoa.

Hold on, hold on.

What is that?

- [Eddie] It's just some kind of a wood thing.

- [Matt] No, no, that's voodoo.

- [Eddie] Is that what that is?

- [Matt] Holy shit, dude.

- [Eddie] It's really old, they said.

- Okay. - Yeah.

- [Matt] Oh, my God.

- [Eddie] Yeah, we crawled over some

that were disintegrated.

- [Matt] Dude, this is crazy.

(tense eerie music)

This is interesting.

- [Eddie] Very fragile.

- [Matt] This looks like a voodoo

type of structure right here.

It's sticks binded.

This is amazing.

I have never seen this in real life in a real location.

- [Eddie] Very, very old.

- [Matt] Is that one of the bones?

- [Eddie] No, that's one of the wires we kicked up.

- Okay. - That was one of the...

Here's some of the material.

- [Matt] Oh, so this is the fabric.

- [Eddie] It's some that was found wrapped, you know,

the bones were wrapped, and the others were...

- That was me. - Oh, okay.

The others were hair, it looked to be hair.

- Uh-huh. - But...

- [Matt] That's interesting.

- [Eddie] Yeah, and you can see still remnants

of the small bones to your right.

- [Matt] Dude, this is-

- [Eddie] Yeah, I think that's a-

- [Matt] Definitely probably human.

- [Eddie] Yeah, I know.

That was the issue.

And there's something I gotta tell you too,

that I don't know how you're gonna integrate into your show.

You can't say anything.

- [Matt] Okay.

- [Eddie] But, yeah, they think 95%,

there's graves in the yard now.

- Oh, really? - Yeah.

A specialist came out.

- [Matt] This makes a lot of sense.

- [Eddie] Yeah, well, now it's looking like these aren't.

I mean, who knows?

Who knows? (tense music)

- [Matt] I'm just trying to get that recorded.

- [Eddie] And Nick paid that guy.

He brought a $27,000 ground penetrating radar,

and did the yard.

- Really? - Yeah.

Yeah, there's a skull.

- Looks like it. - Yep.

- [Matt] But the only problem is we can't identify

exactly what skull it's from.

- [Eddie] Nope, cannot.

- [Matt] But this one's definitely interesting.

- [Eddie] Yep.

(dramatic music)

(eerie music)

- [Matt] We just now found a official bone

that probably is human, maybe.

- [Eddie] Yeah.

- [Matt] And also we found artifacts that were voodoo like,

so it seems like the rumors are not really rumors anymore.

This seems legit.

And...

Wow!

I don't know what bone that could be.

It should be tested by a professional,

but that's amazing, and I have video of that now.

It's right there, with us right here,

right in front of us.

- [Eddie] And I think you're the first

that actually spotted the voodoo stuff.

- Oh, really? - Yeah, I don't know.

I mean, others have seen parts and pieces of it,

but you actually honed in on some of that stuff, so.

- [Matt] That's something I definitely think

we should take out and film.

- Okay.

Yeah, we'll be real careful with it.

It's super old.

- Awesome. - Probably 100 years plus,

I bet you. - Yes,

we'll have to be very delicate

with it. - Yeah,

I'll be real careful with it.

- [Matt] I want you to go back.

- [Eddie] Okay.

- [Matt] With that light.

I won't have a light, and-

- [Eddie] I gotta leave this light with you.

- [Matt] No, that's fine.

- [Eddie] How about if you get in trouble?

- No, I can crawl. - Okay.

- And I can see over there.

- Okay. - That's the entrance.

So what you guys will do-

- Okay. - Whenever I'm saying

I'm coming out, you shine the light through

from your end. - Okay.

- [Matt] So I can make it out.

- [Eddie] And you're gonna stay in here by yourself?

- [Matt] Yes.

- [Eddie] Oh, my God.

You sure you wanna do that?

- [Matt] Yeah, I'm 100%.

- [Eddie] Okay.

(tense foreboding music)

- [Matt] Ladies and gentlemen,

what this is,

it's definitely voodoo related, it looks like.

Amazing. Very interesting.

I am in the crawl space by myself in the Monroe House.

If you don't like me down here,

if you do not like me down here,

can you please do something about it.

(dark tense music)

Who's attacking the people?

Scratching and breaking someone's arm?

I want to know.

Tell me in this device right here.

(tense eerie music)

(tense eerie music continues)

Who...

I know we're not supposed to touch this,

but I'm doing it,

out of straight curiosity.

Don't do this at home, guys.

If you see a voodoo object, don't touch it.

(dark tense music)

I'm gonna touch it.

(dark tense music continues)

(dark tense music continues)

This...

Absolutely

amazing.

Haven't seen one of these in real life.

Tied together as a human.

As a human, guys.

(dark tense music continues)

I am gonna bring this out

and record.

(dramatic music)

DeWaine!

- Yeah? - You good?

- [DeWaine] I'm here.

- [Matt] You gonna start recording?

- [DeWaine] Huh?

- [Matt] I'm ready to come out.

- [DeWaine] Alright.

- [Matt] I have an object for you

that's frickin' weird and phenomenal, dude.

- [DeWaine] Can't wait.

- [Matt] Okay.

Gonna bring it.

I have to be delicate with it.

(dark tense music)

You're gonna be amazed, dude.

This is something that you see from the fuckin' movies.

(dark tense music)

(Matt grunting)

(dark tense music continues)

Do you see me?

- Yeah. - Alright, cool.

See this?

- [DeWaine] Yep.

- [Matt] Look at this shit.

- [DeWaine] Looks like "Blair Witch" stuff.

- [Matt] Exactly.

(tense music)

(Matt grunting)

This is like some "Blair Witch Project" shit

happening in the Monroe House.

(Matt grunting)

(dark eerie music)

Thank you. - You're welcome.

- Keep it as good as you possibly can.

(eerie music)

Can you grab this recorder?

- [DeWaine] Man.

Let me, I'll grab it, and I'll set this down.

One second here.

(dark tense music) What the hell was that?

(dark tense music continues)

- [Matt] This is one of the creepiest,

disembodied voices we have ever captured.

And DeWaine is the only one that heard it at the time.

From this voice,

we believe the entity wants me to stay in the crawl space

or put the ritualistic object back where it was found.

(dark tense music)

- [DeWaine] One second here.

(voice murmuring)

What the hell was that?

(voice murmuring)

What the hell was that?

(voice murmuring)

What the hell was that?

(dark tense music)

- Ladies and gentlemen, we got to see this right here.

Come over here.

This voodoo-like object that you see

from like the movie, "Blair Witch Project."

I have to do more research about this.

This is interesting.

- [Eddie] That is really old.

- [Matt] Oh yes.

- [Eddie] What was the purpose of it?

- [Matt] I'll give you those answers later,

so I wanna give you the exact reasons.

- [Eddie] That looks creepier now

sitting on the floor there.

And we could really look at it.

- Yeah.

You said that I'm the first person to find this.

- [Eddie] Yeah.

- Okay.

- [Eddie] Yeah.

- So right now, this is the first time

this has been captured or shown.

Actually I should be a little bit more delicate.

It's falling apart.

- [Eddie] Yeah, they're extraordinarily old.

- It's tied up.

This is definitely manmade.

(dark tense music)

(dark tense music continues)

Throughout the years,

we collected pieces of unexplained video and audio

from multiple sources.

Heart City Paranormal captured a baby cry

on their voice recorder left near the kitchen

when they were upstairs.

No baby was in the house at the time.

(baby crying)

(baby continues crying)

(dark tense music)

What is interesting about this capture

is that back on August 2nd, 2001,

a baby did pass away in the house from SIDS,

sudden infant death syndrome.

We believe this was a residual manifestation

or the entity there could be mimicking the baby

because of its history.

Demonic hauntings are known for mimicking kids, women,

or someone that you know, just to manipulate you.

(dark foreboding music)

- Pretty damn good, huh?

- Yeah. - Hey, it's going off.

Just went off. - Yeah, it is.

That is weird. - Ain't nobody in there.

- Yeah.

Whoa, whoa.

Did they move that?

Where's channel two then?

- [Gavin] No, they're in the living room.

Oh.

- Are you guys moving the camera right now?

(radio pings)

- [Gavin] That's my radio.

I have it on me.

- Oh, shit.

Let's go.

- Let's go check on them

- [Paula] Actually, I'm gonna go...

Actually, what we need to do first

before we do anything- - Are you guys (indistinct)?

There's a camera movement.

You guys were right here? - Yeah, yeah.

- Yes. - The whole time?

- Holy shit.

DVR cameras.

- Oh. - Yes, this one.

You guys were in there, right?

- Yeah. - Yeah.

- [Gavin] Where was that big ball at?

- This was moving by itself,

this camera right here. - The big ball is right here.

- [Gavin] Okay, hold on.

Wait a minute.

Yeah, Matt and I both saw this camera move by itself,

and the REMs are going off.

- In the same area.

The REM is going off over there.

- Yeah. - And then this-

- The REM was going off while me and Joe

was sitting and standing-

- [Gavin] Well, see, where were you guys?

- We were in that room. - We were in that room.

- [Gavin] That's what I thought, that's like I said.

- Okay, I wanna try and debunk this,

'cause I do see cords going up here.

You guys were in here?

- Yeah, they were in there.

- Let's see. - I was...

(tense music)

- No,

that's not moving the camera. - No, that wasn't it.

It doesn't move the camera at all.

- [Matt] Okay, here, and I want you to-

- It's also wrapped.

We have it wrapped. - Yeah, it's wrapped

around the pole, so.

- Yeah. - Holy shit.

That was moving.

- [Gavin] It was moving, we saw it.

It's on video.

- Good. - Hey.

- Yeah?

- [Joe] When it moved,

did I just walk past it?

Because I was behind everybody.

- [Gavin] No, there was nobody there.

- No, no one was there, we were...

Actually, when I walked in,

it was happening, like, pretty much right when I came in,

it was happening about.

And you guys were just sitting in the living room.

How long were you guys in that living room?

- Well- - Just like for a few seconds.

until we kept hearing the REM pod kept going off

and we would fix it and go back in there

and investigate- - So when the REM pod

was going off... - When you guys came in

the door. - When the REM pod

was going off, were you guys in the living room?

- Yes. - Yes.

- [Gavin] See?

(dark tense music)

- [Matt] The darker reputation of this house

is earned due to the numerous accounts from others

who have experienced negative effects from within.

People have encountered being oppressed in the house,

including myself.

(heartbeat thumping)

(heartbeat continues thumping)

Okay.

One sec.

Stay here.

(tense music)

- Well. - Matt's just gonna go

get something (indistinct).

- [Investigator] Matt?

(fist thumping)

I just gotten my daughter over (indistinct).

- Thanks for telling me.

(tense eerie music)

This place is affecting me.

- [Investigator] How?

- It's making me angry.

- [Joe] That's not good.

(dark tense music) (crickets chirping)

You okay?

- Just need to chill.

- [Joe] What did you feel?

- Like,

fear.

Like, straight fear.

And it was like...

It was comparable for me

and I think that's why-

- It's got you so...

It hits you on a very intimate level.

(dark tense music)

- [Madi] It was a fear of abuse.

It was definitely a fear of abuse.

(dark foreboding music)

- [Matt] Through our research,

we discovered a former resident, Ulysses G. Miars,

was allegedly abusive to his wife.

(dark tense music)

The Hartford City Telegram from 1907

quotes, "That the defendant has been guilty

of cruel and inhuman treatment;

that he possesses a violent and uncontrollable temper

and at various times became enraged without cause."

(dark tense music)

Ulysses Miars also accused Mary Miars

of being abusive to their children.

Another article from the Hartford City Telegram

quotes, "That she had a cruel disposition

and frequently chastised their children with a buggy whip."

(eerie music)

This is intriguing because investigators

have reported emotions of rage without cause

while in the Monroe House.

We believe Madi could be experiencing oppression

for moments of past abuse.

(tense eerie music)

On September 7th, 2019,

my friends from Interface Death

had one of their investigators, Darrick Schreiner,

have a possible attack by the entity in the house.

Simultaneously, Joe Vitale and another individual

reported a noticeable rise in room temperature,

while Justin Brown's Rode shotgun mic and MagCheck-95 sensor

was detecting anomalous EMF fields on his RVPR EVP setup.

The MagCheck-95 sensor records audio with EMF frequencies,

and his Rode shotgun mic

is very susceptible to EMF interference.

This occurs right before and during Darrick's experience.

(dark foreboding music)

- [Investigator] Mm-hmm.

(no audio)

(no audio)

- [Justin] There's a field there.

(equipment clacking)

(light switch clicking)

It's right in the doorway.

- Feel like there was something in the doorway?

- [Justin] Yeah, something got my attention,

and nothing,

field.

As I move past that spot, it goes away.

- So is it almost like something there is blocking the-

- [Justin] Let me see, Darrick.

- Like it's put up a- - It's right here.

- [Darrick] Like it's put up a barrier

at the door? - I don't know.

- Whew.

Damn, bro, I'm just getting chest pains.

- Are you? - Yeah.

- I just felt the temperature rise.

- [Justin] It does feel like it got warmer in here.

I'm starting to sweat.

- Yeah. - Oh, that's bad.

That's really bad, dude.

(tense eerie music)

- [Justin] There's a field right in the middle

of the doorway.

- Mm.

Oh.

Oh.

- [Justin] You all right?

- That's bad.

- Okay. - That's hurting.

- Oh.

- [Justin] You need to sit down?

- I need to take this off.

- [Justin] I'm getting something on my leg.

(Darrick groaning)

- [Justin] He's connected. (Darrick panting)

- [Darrick] Ooh, fuck, I don't know what the hell that was.

Feels a little bit better.

- [Justin] Take a breather.

- [Darrick] That was crazy.

Ugh.

(Darrick groans)

It's almost like...

It was like somebody punched me in the chest.

That type of chest pain.

(Darrick panting)

- [Matt] When I questioned Darrick, he confirmed to me

he has never experienced any prior medical issues

with chest pains, both before and after this event.

While researching the history of deaths

that may have occurred in this house, we found five deaths.

Adding to the baby's death in 2001,

two more have died on the property.

William R. Jones passed away

from acute dilation of the heart in 1929.

(eerie music)

And Harry B. Myers, whose cause of death

was an unknown illness, in 1951.

The fourth death was Sidney Faulkner,

who died away from the property in a car accident in 1940.

Emma J. Meyers, who also lived in the Monroe House,

died by a heart attack

in the Blackford County Hospital in 1967.

(dark tense music)

While researching the Monroe House,

I befriended Mike Ditty Jr.,

the initial investigator of the property.

During a phone call, he revealed to me

that he had direct contact

with the man who conducted rituals in the house.

(dark tense music)

Unfortunately, this person did not want to be interviewed,

so we turned to Mike for more insight

regarding the information that was told to him personally.

- I personally got ahold of the individual

who buried the stick figures in the crawl space.

The purpose of the stick figures

were, in his life, at this period and point in time

when he lived in the Monroe House upstairs,

he was having a lot of bad issues

a lot of personal issues,

family members being mean to him,

just a lot of bad things happening in his life.

And as a hobby, he got into what they call black art,

black magic, satanic type rituals.

As he went on with it, he started doing more and more

what we call demonic summoning.

He originally intended to bring these demons

to do harm to the people who did harm to him.

Now, what happened was, once he summoned these demons,

according to what he said to me, it backfired on him

and it went against him and the people that lived here,

and the other people that lived here.

And it got to the point where it was so bad it scared him

and he didn't know how to control it no more.

So what he did was he bound sticks and, like, wire

and made his own stick figures,

kind of like what you'd see like in the "Blair Witch" movie,

but it's his own version.

And he buried one, for each corner of the house,

he buried a small one

and then he buried a big one in the middle of the house.

And each small one represented each small demon

that he had summoned.

And the big one was the major demonic entity

he called Beelzebub.

(dark tense music)

- [Matt] According to Michelle Belanger's book

named "The Dictionary of Demons: Names of the Damned,"

the passage in Matthew 12:24 describes Beelzebub

as the Prince of Demons,

and this cinches Beelzebub's place

in the infernal hierarchy.

(dark tense music)

In "The Sacred Magic of Abra-Melin the Mage,"

Beelzebub is said to have the power

to transform men into animals

(voice screaming and growling)

and animals into men.

He is a sower of discord

and helps to cast curses and cause harm.

He is named as one of the eight sub princes

who rule over all other demons.

In an 1821 work by French Charles Berbiguier,

Beelzebub supplants Satan as the ruler of Hell.

He is given the very colorful title

of Supreme Chief of the Infernal Empire

in the 1863 edition of Collin de Plancy

and "Dictionnaire Infernal."

The demon Beelzebub is depicted directly as the infernal fly

with a skull and crossbones motif on its wings.

(dark tense music)

The significance of these rituals

didn't fully manifest until October 20th, 2018,

when this pivotal phone call changed everything.

(phone ringing)

- Yeah, what happened? - He probably felt that.

- [Matt] What happened?

Yeah, yeah, what happened?

- [Mike] We had a legit possession in the blue room.

- [Matt] In the blue room?

- Yeah. - Holy shit.

- It's Matt. - It's trying

to take her over again.

- [Deb] Fucking stop them.

- [Melissa] No! No!

Come on.

- No! - Deb.

- [Melissa] Come on.

Come on, Father in heaven,

please get him, take it, come pray on her.

Come on, dear God.

- I'm holding the door shut. - Please take over.

- She can't open it. - Please take over.

We need your help now.

- [Matt] You guys should leave the building

for right now. - Help, God.

Please help her. - I'm trying.

We're trying to get them out now.

Just, everybody get out.

- [Matt] Because anyone that's getting affected right now

should leave. - She just passed out.

- She just passed out. - She just passed out?

- Yes. - Yes, I've got her.

Get off her.

You good?

- We tried to- - You good?

- [Mike] Now it's trying to fight me at the door.

- [Melissa] It's okay.

- [Mike] Whatever this is, Matt, it's not a joke, dude.

- [Melissa] Stay here.

- [Matt] I know.

I was understanding that when- - And you know,

there was no provoking, no nothing here tonight.

It felt like she had the strength of, like, 10 fucking men.

Her face, her eyes were rolled back.

Her face was pale.

She drooled on the floor.

- No. - No.

- (indistinct) with water. - It's being recorded?

- [Mike] Dude, I'm holding the door.

I can't record nothing right now.

- [Matt] No, I know, I know, I know.

I was just wondering if someone else was.

- [Mike] We can.

- [Melissa] My recorder is right there on the table.

- [Mike] We probably need to record some of this

- [Matt] Documentary purposes.

- [Mike] Dude, this is...

I was afraid this was gonna happen eventually.

- [Melissa] My recorder's running all the time.

(dark foreboding music)

- You gotta- - Back off.

Back off now.

In God's name, back off.

- [Mike] You go back to your bathroom.

You stay back there.

- [Melissa] Deb, I got you, I got you, I got you.

- [Deb] Don't fucking touch me!

Fuck! - Okay, okay.

- [Deb] Leave me the fuck alone!

- [Melissa] It's okay, sweetie.

Okay. (Deb panting)

Open the door, get the door.

Open the door, let's get her out of here.

- [Mike] It's open.

(Deb shouting indistinctly)

- [Deb] (indistinct) leave me alone!

Leave me alone!

(indistinct) leave me alone, (indistinct).

- [Mike] Get out of here.

- [Deb] I can't move my feet.

I can't move... - Go.

I can't move my feet.

- [Melissa] Let God take outta here now.

Do you hear me?

- [Mike] (indistinct) you can go back to-

- [Melissa] You are not welcome in here right now.

Go! - Go back to the portal

where you came from.

You're not to mess with any of us no more!

- You was told- - Scott!

Scott. Scott.

- [Mike] You get in there right now.

- [Melissa] Get her outta here, Scott.

- [Mike] Get in there.

- [Melissa] Go!

- [Mike] Get in there right now.

- Now let's- - You gotta get her-

- [Deb] Scott, get me out of here!

- [Mike] Now, get her outta here.

Get her outta here. - Get her outta here.

Go. - Get her outta here now.

- Come one, come on. - Come on.

- [Mike] Get her (indistinct).

- [Melissa] You gotta check.

- [Deb] Give me my, (indistinct) give me my...

- [Melissa] Go.

Take her this one.

Take her this one. - You stay here with us.

You still have to go back (indistinct).

(Deb panting)

- [Deb] God.

I fucking hate you. (panting)

- Come on. - Fuck! (panting)

- Come on. - Fucking touching me.

- Come on, come on. - He's touching me.

He's touching me. - I got you, I got you.

- [Deb] He's touching me.

He's touching me. - I got you.

- No, no, no. - No, I'm touching you.

I've got you.

- No, he's inside. - He's touching me.

- I've got you. - She thought

it was something else.

- I've got you. - She got touched again.

- [Scott] Come on. (door squeaking)

- It was me touching you too. - He's touching me.

No, no, no, no, no, no, no, no, no, no, no.

- Stay back. Leave her alone. - No.

- Come on, come on. - No, no, no, no, no.

No, no, no. - Come on.

- No. - Go outside.

We're going outside.

We're going outside. (door creaking)

- [Melissa] Take her out.

- Come on. - Get back.

- [Scott] Step down. Step down.

Step down.

- Get back. - Step down.

(Deb panting) Come on.

Take a breath, you're outside.

Take a breath, you're outside. (Deb moaning)

(door creaking)

Take a breath.

(tense music)

- [Melissa] Let me take your stuff.

(Deb moaning)

I got you.

- [Investigator] I'll help you.

- [Melissa] Okay.

(tense music)

Oh.

The sewage smell got so bad

and I said, "That wasn't there when we was there earlier."

And it just got her and it kept touching her.

It kept touching her,

taking it's hand go across her hair like this.

He got her good.

Got her good.

(dark tense music)

- [Mike] You were the first person I thought,

and so was Scott, there's no other.

- [Matt] I'm gonna be coming back and-

- [Mike] There's no other two people.

There's no other person I trust with this issue.

(tense eerie music)

(dramatic music)

- [Matt] Due to this event, I decide to bring my team,

the Paranormal Research Unit,

along with a few fellow investigators

to conduct a three day investigation

to potentially uncover more about this house.

(intense music)

(intense music continues)

(intense music continues)

(tense music)

(eerie music)

(eerie music continues)

(eerie music continues)

- Okay, right now,

a lot of people already know

about the para helmet design I made back in 2021.

Well, my good friend Josh from Deadlite

made a brand new version,

the 2.0 version for me.

This one is definitely upgraded.

This is the only IR light

that I've had this entire time for this camera.

Not bright enough in certain situations.

So we got the best IR lights in the business,

Deadlite, to make a custom

para helmet 2.0.

This is my first time seeing it.

He's never showed me the finished product before.

You can take it out.

(vehicles whooshing)

Holy shit.

That is sick.

I love that it's red.

The red logo for Devil's Hour.

With this on it...

I think it'll look better with this on it definitely.

- [Josh] Well, take it off.

- I'll do that right now.

- [Helena] Actually, I think it looks better

than the other one.

- Yeah, actually it really does.

It looks really good.

Now... - It's more aesthetic.

- I just need to put these on here.

The PRU logo.

- And just watch when you set it down.

Because when you set it down it'll set it down

on there too, but these are-

- That's so cool. - These are removable.

I wouldn't use 'em without it,

but they are removable.

- That is so cool.

- You can show the camera

that there's two infrared LEDs in each light.

- I can't wait to see the quality of the video

with these IR lights.

- And then back here, these are your switches.

- Oh, dude, check this out, check this out.

The switches right here he added.

- Yeah, I saw (indistinct). - That's pretty sweet.

- [Josh] And the wiring is pretty much hidden on the inside.

You can see some of it in there, but-

- But it looks better. - That's awesome.

Now this is top notch.

Deadlite's setting the bar.

Yeah, I'm excited for this.

So for the very first time

it's gonna be used in an investigation

is at the Monroe house.

So, can't wait to try it out

and see how much better the quality is on the camera,

just with way better IR lights.

Yeah.

Thank you very much, Josh. - Put it on.

- You're right. - Shake my hand first.

- Josh.

- [Josh] That's cool.

Doo-doo-doo.

(all laughing)

- [DeWaine] He has been knighted Dark Helmet.

- [Matt] The new improved helmet.

- Oh, really?

- Yes.

- It looks good. - From Deadlite.

- It looks really good.

- It's just (indistinct). - I like that. I like that.

(dark eerie music)

(dark eerie music continues)

- On this location,

we have over a decade of evidence collecting on this house.

And what we uncover

is dark, mysterious

and something I don't think any of us expected.

This investigation has been years in the making.

This entity or whatever is here

seems to be affecting specific individuals,

and one of those individuals was Deb Schneider.

Deb Schneider was here a bit ago in 2018.

It was when Mike was with them investigating,

and I got a phone call one day

and Mike was telling me

that things were going crazy in the house.

And apparently Deb was possessed in the house.

Creepy audio to listen to.

I have like a small snippet you could listen to here.

- Yeah, let me hear it.

I never knew about this until now

that there was a potential possession that took place here.

- So that's weird.

And so you have audio-

- Yes. - Of during this possession?

- Yeah, let me hear it.

- There's just a small clip of it.

- [Melissa] I got, I got you, I got you.

- [Deb] Don't fucking touch me!

Fuck! - Okay, okay.

- [Deb] Leave me the fuck alone!

- [Melissa] It's okay, sweetie.

Okay. (Deb panting)

Open the door, get the door.

Open the door, let's get her out of here.

- [Mike] It's open.

(Deb shouting indistinctly)

- [Deb] (indistinct) leave me alone!

Leave me alone!

(indistinct) leave me alone, (indistinct).

- Get her outta here.

- Out! - I can't move my feet.

I can't move... - Go!

I can't move my feet. (panting)

- [Melissa] Let God take outta here now.

(dark tense music)

- That's a small (indistinct). - Holy shit.

- It got worse than that.

That's just a sample.

Theo was also scratched with by threes.

This is on video.

I have the video. - I was there for that, yep.

- Holy shit. - He was there for that too.

- Yes.

(dark tense music)

- Here's one. - Oh, my God.

- It comes down and then- - Oh, my God.

- [Melissa] This one clear over here

is the one that burns the worst.

And then here's this one.

- Are you kidding me? - No.

- [Deb] Can I have surgery on the shoulder.

- So she can't- - I can't reach back.

- [Mike] No, no you can't.

There's no way, I've been studying this for years.

You cannot, someone would have to do that.

(dark tense music)

- I hate this place.

Like, the only reason I've come back here

is because of what you told me

of the evidence that you all captured,

the documentary you wanna do,

like an end-all be-all documentary about this place.

Dude, otherwise I would never come back here.

I'm not gonna come back here

to livestream or investigate after this.

I'm not gonna do...

I turned down multiple collaboration invites.

Dude, I hate this place,

but I'm coming back for this documentary.

(dark foreboding music)

This place is truly dark, nasty, and evil.

And it may not show itself to you while you're in the house,

but it'll sure as hell make itself known to you

when you leave this place.

It will try and wreck everything

that you've done in your life.

It'll try and make you feel miserable

to the point of giving up on everything,

including your own life.

This place makes me feel unlike any other,

and I hate being here.

The only reason I'm here doing this documentary

is to try and shed light on this case once and for all,

for what's truly haunting the Monroe House.

The evidence that Matt talked about,

the evidence that the whole team's gathered,

the evidence that Mike captured years and years ago

when this place was first being investigated,

all that stuff, all of those things,

plus what we're doing here tonight,

that's the reason I'm here.

- I think what people need to realize

with what we're doing with this film is this place is real.

This is the truest haunting ever that I've ever experienced.

I think people watching this film need to realize

this house can hurt you

outside of the house, inside, when you leave.

It affects your dreams.

It affects your mental thinking.

It can physically harm you.

- I did go back in the house

and yeah, I did not feel welcomed.

I honestly felt like...

I felt hatred.

Absolute hatred.

Like something wanted to kill me.

No joke.

And I'm not afraid of any location.

I've been to so many fricking locations

and have experienced a lot of crazy stuff.

This was different.

Very different.

(tense foreboding music)

(tense eerie music)

(dark eerie music)

(equipment beeps)

(rumbling ambience)

(rumbling ambience continues)

(person crying)

(footsteps clomping)

(footsteps continue clomping)

(rumbling ambience)

(footsteps clomping)

(investigators chattering softly)

(investigators continue chattering softly)

(footsteps clomping)

(investigators chattering softly)

(helmet clacking)

(footsteps clomping)

- [Investigator] All right, are you ready?

- That's why I'm in here.

- [Investigator] Okay, so he's waiting on everyone else.

- Where is he? - He's back here.

He'll come here with the flashlight, alright?

(investigators chattering softly)

- [Investigator] Here's my favorite flashlight.

- [Helena] I'll try not to (indistinct).

- [Investigator] Take good care of it.

- [Matt] Eric.

Calling you right now. - Dude,

this room is awful bad.

I can feel it already.

I think I'm still on airplane mode.

- Okay. - Well, it feels heavy here.

- [Matt] Yeah, it does.

- Like, it's hard to break. - Oh, no.

I'm not on airplane mode, it shoulda went through.

Also I'm gonna wipe this lens down.

It looks clean though.

- [Helena] It feels so different than out here.

- [Matt] Yeah, it does feel different.

- Like, you step out and it goes away.

- Yeah.

If there's someone in here, can you please

make that ball move on the floor.

Just push it.

Or try to scare me.

If you're supposed to be evil and bad.

If you're so-called demonic,

what do you feel about this being in my hand right now?

Do you believe in it?

- Alright, so during their investigation,

we're gonna be taking notes of anything that is noteworthy.

- You know, I hear a lot of people don't like this room.

Why is that?

(no audio)

Are you hiding in the distance?

If you're somewhere else,

can you make a bang to tell us where you're at?

We'll try and find you.

Eric is gonna be here later.

And can you do something for me?

(dark tense music)

Can you try and scare him?

(thudding)

Three knocks.

Just heard three knocks.

(dark tense music)

After I asked for a bang

and for the entity to scare Eric,

we got a direct response with four unexplainable knocks.

Can you try and scare him?

(thudding)

Three knocks.

Just heard three knocks.

Scare him?

(thudding)

Scare him?

(thudding)

Scare him?

(thudding)

Three knocks.

Just heard three knocks.

(dark tense music)

- What if it's...

Did you hear those three knocks?

- Yeah.

I thought (indistinct).

- [Matt] This is what the others were doing

during the unexplained knocks.

- Eric is going to be here later.

- Oh, no.

- And- - He's starting already.

- Can you do something for me?

Can you try and scare him?

Three knocks.

Just heard three knocks.

Damn chills, dude.

Is that you, Eric?

- No. - Here,

we'll move around like we were

and see if it sounds like what you heard.

- Okay. - So, dude-

- Sit down again, like coming in.

(chair creaking)

- Was it anything like that?

- [Matt] Nope, didn't hear anything.

- [Eric] Here, we'll around like we were

and see if it sounds like what you heard.

- Okay.

- That scared me.

- [Eric] Was it anything like that?

- Nope, didn't hear anything.

That was three knocks.

I even asked for knocks.

It is the number of three, too.

(tense music)

It sounded like near the basement.

That was weird.

You in the basement?

(light switch clicking) (dark eerie music)

EVP session, Monroe House, night one.

12:51 in the morning.

(dark tense music)

We just heard three knocks.

(dark tense music continues)

(dark tense music continues)

(footsteps rustling)

Are you down here?

Can you knock again, please?

(dark tense music)

- So that's why I'm like, (indistinct).

- Is there anything related to this corner?

- Hey, Dante. - What up?

- You wanna stay here with her

and I'm gonna go in that crawl space?

- Yeah, I'll stay right here.

- Okay. - Okay.

- Here's this.

A recorder, it's already recording.

- Okay.

- Matt's about to go in that crawl space.

If there's any spirits in this room,

let yourselves be known in there.

(tense music)

(tense music continues)

(equipment clattering)

(ladder creaks)

(tense music)

He's getting (indistinct) now.

- Yeah.

- [Matt] If there's anyone down here,

try your best to scare me.

- I was just about to say like, "Scare Matt."

(tense music)

- It's very hard to scare me.

I should be your biggest challenge.

You prey on people that are weaker.

You know that's very cowardly of you.

Why don't you prey on people like me?

(dark eerie music)

If you only prey on people that are afraid of you,

like, you know, Eric,

you should really try

and do that later for us.

(investigators chuckling)

He's afraid.

And you know I'm not.

(dark tense music)

I'm just waiting for you to do something,

like, you know, I'm back here.

It's gonna take me a little bit of time to get out of here.

So right now is the perfect time for you to attack.

- My God, I just heard like a click on my ear.

(hissing)

- [Dante] Yeah, there's something back down here

messing with her, for sure.

- Did you make a hiss or a sigh sound?

- [Dante] Uh-uh.

- I just heard a hiss.

At this moment, we catch what sounds like a hiss.

We just don't know for sure if it is Dante

or an animal hiss somewhere in the crawl space.

So we're leaving this up to you to decide.

- My God, I just heard like a click on my ear.

(hissing)

- [Dante] Yeah, there's something back down here

messing with her, for sure.

- My God, I just heard like a click on my ear.

(hissing)

- [Dante] Yeah, there's something back down here

messing with her, for sure.

- My God, I just heard like a click on my ear.

(hissing)

- [Dante] Yeah, there's something back down here

messing with her, for sure.

- Did you make a hiss or a sigh sound?

- [Dante] Uh-uh.

- I just heard a hiss.

(dark tense music)

If there's a female down here,

are you the one that was buried in the back?

Can you tell us what happened to you?

Let us tell your story.

(rumbling ambience)

(rumbling ambience continues)

- We feel that you're down here.

(rumbling ambience continues)

(dark tense music)

- That was all the evidence collected on night one.

(dark foreboding music)

(dark foreboding music continues)

(dark foreboding music continues)

(dark foreboding music continues)

If you ready. - Alright, Matt,

do a little intro about what we're about to do here.

- Okay, right now we're gonna be doing something

that's very known as the Estes Method

or sensory deprivation experiment.

What I'm gonna be doing is putting on this mask,

it's gonna have a little bit of more claustrophobia

and also, I blacked out the eyes on this mask.

So, I will be in a chair listening to audio,

won't see or hear anything,

and I will say whatever I hear through this Hackshack.

So, maybe we get some correlations

to whatever they're asking.

Maybe get some answers around here.

- That'd be awesome.

And even if you open your eyes,

you won't be able to see.

- Yeah. - 'Cause you have those

blacked out. - Completely blacked out.

- [Eric] Look at that.

That's sick. That's sick, bro.

Alright, let's do this.

Let's go. - Red light.

(dark tense music)

- [Eric] Alright, Matt, can you hear me?

- [Matt] Okay, you definitely can't hear anything.

- Matt, can you hear me?

Matt, can you hear me?

Matt, can you hear me?

Damn, so I just checked multiple levels

and he couldn't- - Tap me.

Tap me when you guys start the questions.

- [Eric] Okay.

Alright, so right now, because he's deprived of his senses,

he can't hear or see us

so we do have to give him physical touches

in order to tell him when we're starting and stopping.

- [DeWaine] Alright.

- Can you hear us?

My name's Eric, this is Helena.

That's Matt.

- [DeWaine] I'm DeWaine.

- Please focus your messages onto Matt

and he'll speak what he hears.

That way we can hear you.

We told you who we are.

Who is this that we're speaking to right now?

Can you give us a name?

- [Matt] Ghost.

- Okay, so you're the ghost.

Do you see yourself as alive or dead?

The person sitting

in the chair- - To die.

- Deny? To die?

The person sitting in the chair,

do you see him as alive?

- [Matt] Benton?

It just said Benton.

- I said the person sitting in the chair

and it said Benton.

Oh, my God.

- Oh. - That was insane.

That's right.

That's Matt Benton.

So you know who that is

and you can see him.

Focus your message on him and we'll hear you, okay?

Just like you did today. - It just said Matt.

- That's right.

Focus your message on Matt.

That is super loud.

There's no way he can hear us. - Yeah, there's no way

he can hear us.

- Yeah, for real.

Is this your home?

Do you live here?

Tell Matt as loud as you can.

- [Matt] Demon.

- Demon. Interesting.

We ask about the home and we get demon.

Is there a demon trying to talk to Matt right now?

(tense music)

Is there a demon here?

- [Matt] Message.

- Okay. - What is its message?

- What is your message?

- [Matt] 'Cause you're dead.

- Wow.

- [DeWaine] That's creepy.

- I was asking about if they're alive or dead.

It says 'cause we're dead.

- [Helena] Oh yeah.

- Do you see us as spirits?

Are we- - Yes.

- [DeWaine] No fucking way.

- Holy crap.

- [DeWaine] No fucking way.

- That was insane.

Okay.

How many of us do you see in the room right now?

- [DeWaine] What the fuck is he doing?

- [Eric] I don't know.

This is weird.

- [Helena] Yeah.

- [Eric] How many of us do you see in the room?

Give us a number.

- [Matt] Victim.

- [DeWaine] I could hear numbers

coming out of his headphones.

- Yeah. - Who was the victim?

(tense music)

Here, I'm gonna change a setting on that

to see if it helps him.

And then I'm gonna also...

Alright, here.

We're just gonna...

Hey, I'm gonna change a setting on this.

- Okay. - Also,

be sure to say whatever you're hearing.

(dark tense music)

- [DeWaine] Sounds like Darth Vader.

- I'm gonna check to see if you can hear me.

Matt, can you hear me now that it's quieter?

Matt, can you hear me?

- [Helena] I was shaking

- Matt?

Alright, we're good.

Here, speak through him.

Did him giving you permission help?

Can you speak through him more easily now?

- [Matt] For Eric.

- [DeWaine] Oh shit.

(Helena chuckles)

- [Eric] This is Eric, did you wanna say something to me?

- Message.

- Message. - Again, it said that earlier.

What's the message?

- We're the ones asking questions.

What's the message?

- [Matt] Here now.

- Oh, my God.

What?

- [Helena] It's like, demanding.

- Tell us, here and now, what is the message?

Is there something bad here?

Something evil

that scares you?

(tense music)

- [Matt] For fun.

- For fun.

Something evil here that scares you for fun.

- [Helena] Yeah.

- So, this is an entity that scares for fun.

Is it feeding off your fear?

Is it feeding off our fear?

Alright, so I thought

cleaning up the signal a little bit would help.

- [Matt] Prayer cannot help.

- [DeWaine] What?

- What? - Dangerous.

- What? - Who can't help?

What? - And indeed,

we were talking about the entity, the evil entity.

- Yeah. - Die.

- Die? Oh, my God.

Is it being...

- [Matt] You will.

- Well, yeah. - No.

- [DeWaine] One of these days we may.

- So you're saying, you're claiming prayer won't help.

- [Matt] You're all dead.

- And you're threatening our lives.

To me, that's- - It ain't normal.

- You're scared.

This is the entity, this is the man,

this is the spirit

they call a demon. - Respond.

- It's fun.

(dark tense music)

Do you like torturing people?

Do you enjoy that?

Were you the one that tortured the families that lived here?

- [Matt] Christians.

- [Eric] Is that who you hate?

Is that why you tortured them?

Is that why you try to scare them?

- [Matt] Faith.

(dark tense music)

- You're scared of their faith, aren't you?

(dark tense music)

Do you believe in God?

- [DeWaine] What does the number seven mean to you?

- [Matt] Careful.

- Oh. - What?

- Right when he asked about seven.

- [DeWaine] That just gave me a fucking (indistinct).

- [Matt] You lost it.

(dark foreboding music)

- I am Seven.

(dark foreboding music)

You are nothing.

(intense music)

(intense music continues)

- [Matt] I cannot die.

- [DeWaine] What the...

- [Matt] Pray for me.

- Oh, my God.

- What the hell? - He was looking right at me

when he said that.

This is the woman.

This is the other spirit. - Danger.

- This is the other spirit.

Do you want to get out of here?

- [Matt] He's responsible.

- [DeWaine] That makes sense.

- [Eric] I will pray for you.

I would love to say a prayer for you.

I just got like a pulse, like a pressure in my head.

- [Matt] He helped them.

- [Eric] That's what I'm gonna try to do is help.

You don't deserve to be stuck here.

- [Matt] Stab them.

- [Eric] Or to be trapped here.

You deserve to be set free.

You've experienced hell long enough.

- [Matt] Noted.

- Wow. - Noted.

- [DeWaine] No fucking way.

- [Eric] Alright, I'm gonna say a prayer for you, okay?

Focus on my voice and try and raise your head up

and look for the light.

- [DeWaine] Okay, that's just creepy.

- [Helena] That is so creepy. (DeWaine laughing)

- That was messed up. - That was creepy.

How he leaned over, just like looking-

- Right when I said it. - Yeah,

like just straight looking at you. I

- Ready. - I swear to God,

he (indistinct) his head- - Ready, it just said ready.

- Alright. - You ready?

- [Eric] Take a step towards that light

and listen to our prayers.

You're safe with us here, okay?

- [Matt] Deadly.

- Let's pray right now.

Our Father who art in Heaven,

hallowed be Thy name.

Thy kingdom come, Thy will be done

on Earth as it is in Heaven.

Give us this day

our daily bread- - Number.

- And forgive us our trespasses

as we forgive those who trespass against us.

And lead us not into temptation, but deliver us from evil.

For Thine is the kingdom, the power, and the glory,

forever and ever.

Amen.

- [DeWaine] Amen.

- Amen. - Please accept our prayers.

Please let them heal you

and lift you up as you step towards the light.

Step away from this house.

Step away from this darkness.

- [Matt] Afraid.

- [DeWaine] You're afraid?

- Don't be afraid to go. - Killed me.

- Killed me. Afraid.

Killed me.

Don't be afraid to go.

- [Entity] My children died.

- My children died.

I could hear that through his headphones.

- [Helena] Yeah.

- Look, if your children died,

you can be with them again.

- [Matt] Satan.

I heard Satan.

- [Eric] So this makes sense.

We're trying to help the spirits

and they're trying to throw anything they can at us.

- [Matt] Playtime.

- Yeah, here we go.

Let's pray again.

Let's pray one more time.

Father, please help us guide these souls back to You,

back to Your love, light and grace.

And if it is Your choice, Lord,

please accept them back into Your house.

- [Matt] You heard it.

- [Eric] Father, in this Your name we pray.

Amen.

Please accept our prayers.

And if you see your family, your loved ones-

- [Matt] Any minute.

- [Eric] If you see the angels reaching out to you,

then reach back to them and go to the light.

Alright, let's pray the- - Better.

- Lord's Prayer one more time.

Better. There we go.

Let us know when you get into the light, okay?

Let us know if you choose to leave.

Our Father who art in Heaven,

hallowed be Thy name, Thy kingdom come,

Thy will be done on Earth as it is in Heaven.

Give us this day our daily bread

and forgive us our trespasses

as we forgive those- - Yes.

- Who trespass against us.

And lead us not into temptation, but deliver us from evil.

For Thine is the kingdom, the power and the glory,

forever and ever.

Amen.

(tense music)

Could you hear our prayers?

- [Matt] Their plan.

(tense music)

- What is their plan? - They're looking at me.

- [Eric] He turned and looked right at you.

- Mm. - Said the plan.

- [Matt] 30.

- [Eric] Do you have a plan for Helena?

- [Matt] Enjoy.

- [Eric] Oh, my God.

- What? - Do you have a plan

for Helena?

Enjoy.

Is that your plan?

Did any spirits choose to go to the light?

Were any spirits able to go to the light?

Did any spirits make it out of here?

- [Matt] Fight.

- [Eric] Are you fighting that entity to leave?

Fight, and then he looks over at you.

- [Helena] Mm-hmm.

(Helena speaking indistinctly)

- [Eric] Is that evil entity here now with us.

Are you in this session?

Right as I said that, my head started hurting.

- [Helena] Oh, my God, why are you looking at me?

- [Matt] Can't wait.

- [Helena] Can't wait. (laughing)

- Oh, my God.

That is messed up.

- Oh no. - Here, film her for a second.

- I mean, I'm laughing but I'm scared.

- [Eric] That's for your laughing.

- Yeah, yeah. - Yeah.

- I laugh and smile often when I'm scared.

- [Eric] That is super creepy.

- Oh, my God. - You can't harm her.

- [Matt] Play with me.

- Oh, my God. - Oh.

What?

- [Eric] Who do want to play with you?

Give us a name.

Who do you want to play with you?

- [DeWaine] I swear to God, if he says her name...

- [Eric] That would be insane.

(DeWaine laughing)

We'd probably close it down right there.

(DeWaine laughing)

- [Helena] Yeah.

- [Eric] Alright, who is it that you want to play with you?

Can you give us a name?

- [DeWaine] Matt, can you hear us?

(tense music)

- That was creepy. - Don't look at me like that.

(Helena laughs)

- [Eric] That was super creepy.

- [DeWaine] What the...

- [Eric] So you said you want to play with Helena.

What do you want to do to DeWaine?

(no audio)

Are you still there?

It sounded like it just screamed Helena.

- Oh no, no. - It did.

(dark tense music) - [Helena] Whoa, check that.

Fucking scary.

- Oh, my God.

And he looks over.

- [Helena] Fucking scary.

- Oh, my God.

- Alright, let's pull him out.

It's been long enough.

- Yeah. - Uh-uh.

Yeah.

- [Eric] Alright, we're done, we're done.

- [Matt] This house is known to be a psychological haunt.

By playing with others fears

or causing people to become angry,

this is also very common with demonic cases.

One of the stages of demonic hauntings

is known as oppression.

And external harassment influence emotional distress,

confusion or pressure exerted by demonic forces on a person.

It seemed like something was channeling through me

to freak out Helena

after she started showing fear from the session.

Keep in mind that Helena had moved

to a different spot of the room

where I couldn't see or hear anything

that was happening in the moment,

but I was still guided to target her.

- [Eric] It sounded like it just screamed Helena.

- Oh no, no. - It did.

(dark tense music) - [Helena] Whoa, check that.

Fucking scary.

- Oh, my God.

And he looks over.

- [Helena] Fucking scary.

(tense foreboding music)

- [Eric] So I can't wait for you to review some of that.

- [DeWaine] That means it was insane, dude.

- Oh, really? - Yeah.

- There was a handful of moments...

There was a handful of moments that were really intense.

- Really, I didn't even...

I literally couldn't hear shit.

What's some of the moments like?

- [DeWaine] At the beginning of the session?

- Yeah?

- When you were saying your name,

some of the shit he was asking,

and then when you started saying your name-

- I was like, I said, "Who's in the chair?"

You said, "Benton."

- That was fucking wild. - And then he said Matt

right after it.

- Yeah. - And then (indistinct).

- The thing is, Matt's popular

but Benton is not popular.

- Right. - So,

like, that's just fucking weird.

- That's very weird.

That's very, very strange.

So, yeah, you'll have to review it.

There was just so much that happened.

We started trying to pray for the spirits

'cause they were asking for help, but it-

- Oh, my God.

Is that when I was saying like, it won't work or whatever.

- Yeah. - Are you serious?

- Yeah. - It would What?

- You said prayer won't work.

And then we started praying after that.

We started praying after that.

But also it was trying to distract us when we were praying

and it started focusing on her.

It was so creepy, dude.

And you started looking at her when it started happening.

- [Helena] Yeah, you looked directly at me.

- Oh, really? - That was so creepy.

- It was very strange.

It was very strange.

'Cause you didn't know she had moved over here.

- No, I didn't. - She had moved over here

and then you looked,

you had no idea she moved.

You could have never guessed where she was in the room.

And you looked right at her.

- I think I felt her. - You had no idea

with none of us.

- 'Cause we were like, "Are you trying to mess with Helena?"

And then you looked right at where she was.

- What the fuck?

- Dude, I just got chills saying it.

It was super creepy.

Weird... - Can't wait to review that.

- [Helena] Yeah, that, oh, that was just terrifying.

- Everything about what just happened

was very, very disturbing.

(dark tense music)

It's on the super low setting.

Alright, we're back in the room.

They were talking about an object that I have not seen.

So there's objects.

So there's multiple things

that were brought into the building today

that I'm not aware of yet.

And so I'm about to find out for the first time

what you all have been referring to.

- So, these objects.

(tense music)

- Oh no.

- Yeah. - Holy crap.

- Yeah, that's one of the original bones

I found in the crawl space.

Here is the ritual necklace

with the original bags in the burlap.

- [Eric] Oh, my God.

- [Mike] As you see.

- Well, that's- - And I'm not afraid

to touch 'em 'cause I've touched 'em already.

So if it's gonna affect me, it's already going to do that.

- [DeWaine] Pretty wild, isn't it?

- [Mike] This was the original necklace.

When I talked to him,

this is one of the rituals he did

to pretty much do a curse on-

- On someone. - On someone.

It's actually, that's her own hair.

- [Eric] Oh, my God, he got her hair?

- He got her hair

and wrapped it around the necklace

that he had gave to her.

- That's so messed up. - To do a ritual.

- That's pure evil intent right there.

- And it came in this burlap bag,

this necklace with the red hair and then this bag.

It was in this bag, thrown in the basement.

- [Eric] That's crazy.

- This was also found.

- Yeah, what is that? - The same location.

And this is something we, is very unidentifiable.

We have no idea.

But it was found in the same area.

- Could it have, I mean, I'm just speculating here,

but could it be maybe,

no, maybe not.

I was gonna say of, like, used,

as like a cauldron or something?

- [Eric] It looks like that.

It does look like some witchcraft kind of thing.

- [Joe] I mean, I'm just throwing it out there.

Pure speculation, I don't know.

- I had no idea these were in the house today.

And that necklace alone with the hair,

that has some evil energy, some evil intent,

'cause the intention that that was made with

was hatred and pure evil.

- I'm curious to see how that man, that entity responds

knowing that these artifacts are back in this building,

back in his realm.

He can see these. - Right.

- Do you want these items back in the basement?

The necklace and the bone?

The church bells are ringing.

(no audio)

- Are you mad that this necklace is back in the house?

You tried to get rid of it before, but now it's back.

(no audio)

- Playback.

- [Mike] Enter this run of recordings.

I want to go to the basement with this.

- Okay.

(tense music)

- [Eric] The church bells are ringing.

- [Entity] bring the necklace.

- The necklace, it says the necklace.

- Necklace.

- [Entity] bring the necklace.

- The necklace. Oh, my God.

Hold up. Hold up.

- [Joe] And that sounds like the interference

I was getting too. - Yep, yep.

- Oh, I have the chills. - Me too.

- The necklace, right there.

That's crazy.

- (indistinct) play that again.

I gotta hear that again.

- [Entity] Bring the necklace.

- It says, "Bring the necklace."

- Hey, did you hear the female though?

In the background?

- What do you hear?

- It's the lady saying-

- The lady's saying, she's like, "It's the necklace."

She's like excited, "It's the necklace."

- Yeah, that's what I'm hearing.

It sounds like, "Bring the necklace"

- But...

- [Entity] Bring the necklace.

- [All] Bring the necklace.

- That's crazy.

Oh, my gosh. - Oh, that's awesome.

- Awesome.

(dramatic music)

(rumbling ambience)

- Do you want these items back in the basement?

The necklace and the bone?

The church bells are ringing.

- [Entity] bring the necklace.

- The church bells are ringing.

- [Entity] bring the necklace.

- The church bells are ringing.

- [Entity] Bring the necklace.

(tense music)

- [Mike] It's trying to give us answers.

We're coming down.

(dark tense music)

Oh, it feels nice down here.

- [Joe] Yeah, it does.

- [Mike] Hello?

(Joe speaking indistinctly)

- I have to go-

Whoa.

(tense music)

- Can we put some lights on for DeWaine over here?

- [Mike] I don't have a light.

- [DeWaine] Thank you.

- [Eric] I don't want nothing to happen to DeWaine.

He's kind of important.

- [DeWaine] I'm kind of fragile.

- We brought the necklace to the basement.

This is what you were talking about.

(dark tense music)

- Bring the recorder out and play that again.

- I have some blessed religious stuff on me.

I'm wondering how they might feel.

- Wait, don't put it there yet.

Let me record, and then put it there.

- [Joe] Yeah.

- [Mike] You can't hurt us, by the way.

I can feel your anger building up.

(dark tense music)

- Right, camera is on. - What the fuck was that?

- [Eric] What happened?

- It's like a gust of fucking cold air.

- Really? - Yeah.

- [DeWaine] Alright, I think you're recording.

- [Eric] Here, focus your energy and your message

on the device in my right hand.

Who just came in here with us?

Ma'am, we brought the necklace back.

Here, Joe, set those medals down on the chair.

- [Joe] Let me take this off of my head.

- There was the beep again.

- [Joe] It was not from me, I don't think.

- Was it that camera? - It shouldn't beep.

- [Eric] Alright, we're setting 'em down.

- Maybe it is this. - It just turned off.

- It just turned off, alright,

so the battery died.

- Alright, did you like that we set these medals

here for you, these necklaces?

- [DeWaine] We are to the last of this battery.

- Okay, alright, stopping this.

- [Mike] There was the beep again.

- [Joe] It was not from me, I don't think.

- Was it that camera? - It shouldn't beep.

- [Entity] You're fucking dead.

- Whoa.

- Wow. Yeah.

- Oh, my God, that's the God voice.

That's a deep voice. - Yep.

- You're effing different or something?

- Or you're fucking dead.

- You say you're, oh, my God.

- [Entity] You're fucking dead.

- Your phone.

Then it says you're effing dead.

It says you're effing dead.

Alright.

Wait, wait, hold on, lemme rewind it back.

- [Entity] You're fucking dead.

- Oh, my God.

That's messed up.

You hearing it? - Yeah.

- [Joe] It shouldn't beep.

- [Entity] You're fucking dead.

- That's crazy.

We're setting 'em down.

(dark tense music)

- There was the beep again.

- [Joe] It was not from me, I don't think.

- Was it that camera? - It shouldn't be.

- [Entity] You're fucking dead.

- [Eric] Alright, we're setting 'em down.

- [Entity] You're fucking dead.

- [Eric] Alright, we're setting 'em down.

- [Entity] You're fucking dead.

- [Eric] Alright.

(dark tense music)

- [Matt] It is important to note

that Eric's Olympus 7200 recorder is set to long play mode,

which produces lower quality audio.

This can lead to noise pollution

and increase the chances of pareidolia.

That being said, out of all the recordings from this device,

these in particular sounded more like human voices to us.

We'll leave this up to you to decide.

Also, this makes you wonder

if the entity was threatening Joe

because the threat was captured

right before he placed his blessed rosary

and St. Benedict medal on the ritualistic items.

(dark tense music)

(dramatic music)

(dark tense music)

- Alright, so, are we rolling on everything?

- Yep.

- Alright. - Ready to rock and roll.

- So, right now we're about to begin.

I'm gonna get the box rolling.

- [Matt] Tap me when you're ready to go.

- Okay.

Ooh, I just felt cold.

- [DeWaine] Yeah. Yeah.

It's quite chilly over there.

Felt good.

- Can you say something to Matt right now

to let us know you're here.

- [Matt] Dig.

- Yep.

That was a clear direct response.

Are you worried that something bad will happen to us?

I'm talking to you.

Devil, it said devil.

And it said- - Your death.

- Are you scared?

Are there spirits here that want prayer?

- [Matt] You're gonna die.

- That was super creepy.

- [DeWaine] Fuck. (chuckles)

- Who are you talking to?

Who's gonna die?

(solemn music)

- Sacrificial.

(dark eerie music)

- That's very creepy.

Was there a sacrifice made in the basement?

I wish we, yeah,

it sounded screaming right there, didn't it?

- [Matt] Look behind you.

- [DeWaine] What?

(dark eerie music)

- [Helena] Who?

Behind who?

- [Eric] Behind who?

(dark eerie music)

Do you know the name- - Oh, my God.

- [Eric] Do you know the name of the person

sitting in that chair? - Pain.

- [Entity] Matt.

- I just heard Matt in like a screaming voice.

- [DeWaine] Yeah, we heard it too.

- We did hear that.

First to be killed, Matt.

That's what it said just now.

First to be killed, Matt.

- This sounds a very fucked up horror movie.

- Doesn't it?

It does, and with the red light and the mask.

(DeWaine laughing)

Are you saying you want to kill Matt?

- Evil.

- What's evil?

- [Matt] Help the weak.

- We would love to.

- Good people.

Gifted.

- We would love to help as many people as we can here.

- [Entity] Watch out.

- [Eric] Watch out, it just said watch out

through his headphones.

- [DeWaine] I'm not sure if it was...

I don't know. - I almost trick.

- I don't know if it was- - It said watch out.

- [Helena] Oh, my God. Oh, my God.

Look under his hand

- [DeWaine] I don't know if it was joking around here.

Reaching out.

- [Matt] Pray.

- They want us to pray?

We will try.

We will pray.

- [Matt] These spirits.

- We're gonna try and help the spirits out of here.

- [Matt] Found.

- And if there's anyone against that,

you can't keep them here forever.

(solemn music)

They're bound to continue their journey

at some point or another.

- [Matt] Faith.

- [Eric] That's right.

- [Matt] Is good.

- [Eric] Faith is good, that's exactly right.

We're gonna pray for you now

and if there's something here that doesn't like it,

then you tell us.

You say stop, through that device,

if you don't like us praying.

Father, please help guide any of these souls

back to Your love, back to Your arms, back to Your grace.

- [Matt] Thank you for that.

- You're welcome.

To the spirits here who are with us,

please try and open your eyes and lift your heads.

Try and find the light.

It might be behind you, above you,

to your left, to your right.

Try and find it.

Sounds like it said pray

As you're looking for that light, step towards it.

Walk towards it and hear our prayers.

Know that you are safe and protected.

And if you see your family members, your loved ones,

if you see the angels reaching out to you-

- [Matt] We believe.

- [Eric] Reach back to them.

We believe.

Do you believe? - The power.

- Alright, let's pray.

Our Father who art in Heaven, hallowed be Thy name.

Thy kingdom come, Thy will be done

on Earth as it is in Heaven.

- People. - Give us this day

our daily bread

and forgive us our trespasses

as we forgive those who trespass against us.

And lead us not into temptation, but deliver us from evil.

For Thine is the kingdom, the power and the glory,

forever and ever.

Amen.

- [DeWaine] Amen.

- [Eric] Take a step towards that light.

- I just wanna say something.

During some of that,

like, it just felt like something positive happened

during part of it.

It was kind of weird.

- [DeWaine] Yeah, we were hearing a lot of positive stuff.

- Yeah, like it didn't...

Like...

I don't know, that was kind of weird.

It was like, almost like a spirit guy type of energy.

I don't not say that's what it was,

but it just felt like-

- Hey, guys. - something positive came.

- Yeah. - No, bro-

- I didn't expect to have a positive experience

in the basement.

- It started dark, dude.

It started real dark. - It did.

It did, and then something came over.

- Yeah.

- [Joe] You guys had a positive experience

in the basement.

Ours was a little weird and dark.

- Yeah. - But it was strange.

It's like something came over.

It like, either stopped whatever that was

and then was giving me like some kind of message.

- You know what it was?

Here, let's do this.

So you've talked to multiple psychics

and people that say you have a shield.

It's probably your shield activating

in such a dark and scary place.

'Cause it felt totally different.

- Yeah, it wasn't me that said that.

It's a couple, yeah, a couple mediums, you're right.

That's strange.

That was so strange.

Like, I just felt a completely different vibe

this take over.

It was like, it went from, like, dark stuff

to this complete, like, positive energy.

It was, like, so weird.

- Well- - That's incredible.

- [DeWaine] Eric did start a prayer.

- You did?

(vocalists humming)

(fire whooshing)

(vocalists continue humming)

(vocalists continue humming)

(vocalists continue humming)

(solemn music)

(vocalists continue humming)

(vocalists continue humming)

(solemn music)

(vocalists continue humming)

(dark tense music)

- On night three,

we invited Deb Schneider back to the Monroe House

after her traumatic experience

involving a possible demonic possession during 2018.

She is the one that was in distress

during the phone call audio I presented earlier.

She agreed to share her experience

she had at the Monroe House.

So Deb, I've heard from the phone call

that Mike gave me on the day in 2018

when you had a personal experience at this location.

Do you want to go in depth

with what you've experienced that day?

- It was just a normal investigation

and we were going into the blue room

and something, some entity jumped me

is how I can explain it.

And it felt like it had wrapped itself around my back

and it was holding on.

(voices speaking indistinctly)

I have a lot of memory loss from some of it.

I remember not being able to move my feet

(voices speaking indistinctly)

and I kept feeling like I was screaming for Scott

but I couldn't get it to come out of my mouth.

And then I remember Scott dragging me out of the room

and outside and getting ill.

I threw up.

I remember leaving the property, going to the gas station

and I just kept having this draw that I had to get back.

I mean, they wouldn't let me have my car keys.

I mean, they wouldn't let me do anything.

They just took me off the property

and when I did come back,

they wouldn't allow me in the house

because the house started vibrating

when I stepped back on the property.

When they did leave

and take me off the property,

I had three scratches on my back.

As we were leaving the...

I mean, we were in the alley, is when it happened.

So I mean, it was...

We get into the street

and all of a sudden my back was on fire

and they're like turning me to the street light

and trying to lift my shirt to see

and it just started whelping up.

So,

yeah.

- Do you remember you pushing away

any of the other investigators or anything like that?

- Nothing. Nothing.

So at what point did you black out

when it comes to memory wise?

- Well, we had walked in the room and that-

- Which room? - The blue room.

- The blue room. - The front blue room.

- Okay.

- It had this, just putrid smell

and we hadn't smelled it before.

And I remember saying something to Melissa,

like, "Melissa."

And I tried to say her name the second time

and I remember Melissa and Mike Ditty

telling it to get back.

And then it was just nothing.

Just me screaming inside my head like I couldn't get out.

I mean, I couldn't move.

It was like a sleep paralysis standing.

So it was pretty traumatic, you know?

Yeah, that was...

Makes my heart race just talking about it.

Took me about a year and a half

before I even listened to the EVP.

I quit doing all my mediumship.

I quit doing all my paranormal stuff.

I started going to a spiritual church

with a lot of like-minded people

and found peace of what happened,

if there's finding peace,

but accepting that it happened.

'Cause I mean, I was determined to come back.

I'm like, after a while away

and trying to analyze what happened,

and I came back and faced my fears.

It's like the house knows when I'm coming.

It always knows when I'm coming.

- You're also...

You came back, back in 2020 I believe,

where you got scratched again,

with Justin Brown and Joe

and- - Yeah.

- You think that when you come here every time

that something wants to interact with you?

- Yes.

Yeah, either that or tag me.

Last time I was here I didn't get scratched.

That's like rare.

So I was happy 'cause I don't like being scratched.

- What do you think is in this house?

What resides here, do you think?

- I believe a lot of evil has been done here

and I believe a lot of people

that come and go doing investigations and so forth,

bring things with them and kind of drop 'em off.

Kinda like a depot, a way station or something.

I believe there's a portal here.

I know there's a portal, like, I know there is,

'cause when that entity came through that portal,

it came at me.

(dark tense music)

Fucking hate you!

Fuck! (panting)

(Deb speaking indistinctly)

(dark tense music)

- [Matt] For our last night at the house,

Deb took part in the investigation.

Our hope is that her presence

will trigger more paranormal activity.

During the following hours of investigating,

one of Deb's claims begins to manifest

while she was back in the blue room

where her possession took place.

- [Deb] What's his name?

- I was looking, I thought I had seen something

but I'm not sure.

Plus, it's making my back hurt again.

- Mm-hmm, me too.

Mine's kind of burning on the right side of my spine.

(dark tense music)

- The door, I swear to God

I thought you were trying to mess (indistinct).

- I need you to look at my back.

- So I looked over and I seen-

Are you burning? - Things like this.

- It's burning- - I was like-

- on my right side. - I stepped...

If you watch the the IR,

I stepped forward to be like, "Huh, I got you, man.

I see you." - I'll hold that.

- Thanks.

(investigators chattering)

Look.

(investigators chattering)

Do you need a light?

- [DeWaine] Lower the camera point.

- It's like it burns on the right side of my spine.

- Look at that.

Hey, she has a scratch right here.

- Whoa. - Whoa.

(Dante speaking indistinctly)

Yeah, on that side.

- Yeah. - Remember I told you

my back was hurt?

- Yeah. - It felt like it was burning.

- That's what mine was doing too.

- Oh, it does.

(tense music)

- [Matt] Got scratches.

- [Investigator] Burn here.

- Right there. - I see 'em.

- [Matt] It's one.

- Yeah. - Did you feel burning?

- I felt burning in there. - Yeah.

It was messing with us when we were in there.

- Hold on, hold on. - (indistinct) stuck.

- [Matt] Stick it back up.

- [Deb] Go ahead.

- Okay.

Is it still burning, outta curiosity

'cause the thing is- - It is.

- Did we catch this on camera.

Here, I need a a light, some kinda light.

- [Deb] It kind of burns to the right of my spine

but it feels...

- I don't know. - Yeah, that's a good light.

That's a good light.

- Well, you didn't feel yourself get scratched.

That's the thing, you never told me.

- [Deb] Well, no, we were standing there

and then I said my back hurts.

And I said it feels like it's burning.

- [Mike] Right, and then we switched spots.

- [Deb] I moved, I was moving

because the energy was kind of moving around the room.

- Yeah. - So I was-

- [Matt] I need this in 4K, guys.

- It's from about right here around to-

- Guys, hurry up. - That's where it burns

the most. - Guys,

she got scratched. - Oh shit, I see it.

- [Deb] Where it stings the most is the top.

- [Matt] On the top?

- [Deb] Where she touched it.

- Up here. - Oh.

- [Deb] So at the top part.

- [Matt] Can you...

Upper back or is it like just top part of the scratch?

- [Deb] Well, she touched my back.

- [Investigator] Eric, that's when my back was hurt.

- Right. - In here.

- [Deb] That area.

- Okay. - That's right.

That's the same spot. - Somewhere in that area.

That's where it burn the most,

it's- - It's all there

- [Eric] This is insane.

I did not expect to come down here to this.

This is crazy.

- That's one of the reasons why I switched spots with her

because it got so negative and heavy in there.

- [Eric] Really?

(eerie music)

- [Matt] During the investigation

when I was with Eric and Dante,

I saw a sudden flash of light in the red room

next to the window,

which could have been something natural.

But soon after Eric asked, "Is there someone over here?"

We receive a direct response.

- Focus your message on the device

I'm holding right now in my right hand.

You'll see the orange light.

Focus right here.

Did you want us up here?

- [Matt] There's just flashing.

- [Eric] You just saw something flash?

- Yeah, didn't you?

- No I didn't. - Didn't see it, oh.

It was probably outside because that's wide open.

- [Eric] Was that wide open before?

- [Matt] Yeah.

- Is there someone over here?

- Hm. - Alright, stopping,

so let's play that back.

It's gonna be a lot of us talking

but maybe there's something in between.

- [Matt] Yeah.

- [Eric] Is there someone over here?

- [Entity] The demon.

- [Mike] What the fuck was that?

- Whoa. - Did you hear it?

- [Matt] Yeah.

- [Eric] Is there someone over here?

- [Entity] The demon.

- "The demon." - I hear what you're hearing.

- Fucking weird.

- [Eric] Is there someone over here?

- [Entity] The demon.

- [Matt] Holy shit.

- Okay, think about this. - That was a deep voice ass,

dude. - Well, think about that too.

- It was like, "The demon."

- Earlier you asked, "Who scratched Deb?

And it goes, "A demon."

And then we come up here

and this thing says there's been a demon in here

and then it goes, "Demon," real-

- [Matt] That one's the most impressive one

out of all of 'em.

Just because it like it's

- The creepy tone.

- Yeah, it doesn't sound like the background noise at all.

This one sounds like a totally different tone.

So it's like, "The demon."

- Mm-hmm. - That's crazy.

That is nuts.

Hear it one more time.

- [Matt] Yeah.

- [Eric] Is there someone over here?

- [Entity] The demon.

- [Investigators] "The demon."

- And it's right after I asked,

"Is there someone over here?"

It goes, "The demon." - That's a good one.

- And it sounds like the spirit's telling us

that that's what's here.

- Yeah. - It's not the demon.

Yeah, the spirit is like, "The demon's here."

- Yeah. - That was cool.

- [Mike] How many times have we heard?

But that's a perfect, like, EVP right there.

- [Matt] Yeah, that was a good one.

- You just saw something flash?

- Yeah, didn't you?

- No, I didn't. - Didn't see it, oh.

It was probably outside 'cause that's wide open.

- [Eric] Was that wide open before?

- [Matt] Yeah.

- Is there someone over here?

- [Entity] The demon.

- Is there someone over here?

- [Entity] The demon.

- Is there someone over here?

- [Entity] The demon.

(dark tense music)

(footsteps clomping)

(rumbling ambience)

(rumbling ambience fading)

(equipment beeps)

(solemn music)

- And with that, our three-night investigation

came to a close.

The research here left a lasting impression on the team

that we will remember for the rest of our lives.

Our main question which prompted this investigation

was what is the source of the paranormal activity here?

Using the evidence in question

collected by the Paranormal Research Unit and Eric Connor,

we came to the conclusion

that the rituals performed at the Monroe House

are most likely connected to the paranormal activity

that has been witnessed here.

Our countless days of studying the history of the house

combined with the interviews we conducted,

have helped us better understand what makes this house tick.

However, we still had lingering questions

regarding the black magic that was performed here.

To provide us with more insight,

we contacted author and a cult expert, Michelle Belanger.

Hello, Michelle.

Thank you for taking some time to speak with us.

This is something I've been looking for

is a individual that is an expert in the occult field

and you're actually the first person that came to mind.

Can you let everyone know

what your credentials are in the occult?

- Okay, so I have a degree in comparative religious studies

with a concentration in psychology of religion.

I am one of the only, if not the only person

who's active in the paranormal currently

who took demonology from Jesuits in college

as an academic course.

And I have been writing and researching paranormal occult,

ceremonial magic, demonology, angelology

for going on 30 years now.

- Yeah, so you definitely have the credentials

and what we're looking for.

What was your take when you stepped foot

into the Monroe House yourself?

What did you feel there exactly,

if you're going by just memory?

- I've been there three times with three different crews.

Every time the place has a very heavy atmosphere.

Oppressive, is the best way I would describe it.

There is something that almost like pushes down on you,

especially in some of the upstairs rooms.

The piece of land that it is on,

where it is situated,

has this almost sort of striating sense of, I don't know,

connecting roots of darkness.

I think I described it like that

in the first second walkthrough I did.

There's just a sense of something

that is deep and tangled,

shadowy, sentient and uncomfortable.

- So you're very aware of all the rituals

that took place there,

at least some of them.

Actually, I have something I wanna send to you.

This is something that I found in the crawl space

before it was closed up

and I want your take on this and-

- Yeah 'cause I remember the first time I was there

was when they had unearthed bones

that they had yet to confirm were human.

It is my understanding that after that,

they did confirm that they were human bones,

and a necklace that was curiously plated

with some hair in a way that seemed intentional

rather than just tangled.

And there were a couple of other things

to suggest that this had been part of,

if not a formal ritual,

at least sort of homegrown conjure.

- Yeah, it's definitely interesting.

The conjuring is what I would say, probably the source

of why it's maybe so active there, I would say.

But here, this is what we found in the crawl space.

This has not been released to the public yet.

- Oh, heck.

Alright.

Well, that's got a folk horror vibe to it, huh?

- Yes, I literally found it in the crawl space

next to the pillar and under the house

and it was very intriguing.

I first spotted that and I was like, "Okay,

that has a ritualistic vibe to it,

literally straight out of 'The Blair Witch' almost."

So what is your take on this specific item that was found?

- Okay, so this...

First of all, with the necklace, there was some question

about whether the hair was accidental.

This is very clearly intentionally shaped.

Someone took these twigs and branches

and bent them into a human shape.

So that shows intent.

Secreting it under the crawl space

is usually, like you hide things, you bury things,

you drop them down wells or you put them in tombs.

It's a way of taking a magical intention

and passing it along to cathartic powers,

to the powers of the underworld,

to convey it to spirits that could take that magic,

that intention and then work it, whatever your purpose is.

To create a human shaped effigy in magic,

you are typically targeting a person.

It may be people in general,

but usually it's a specific person in mind.

- And what happens if someone like myself discovered it

and took it out of the building?

- At the very least, it interferes with the spell,

whatever the intention is.

If you were to to burn it

or if you were to deconstruct it,

by the nature of this sort of magic,

that would be unwinding the power, releasing the power.

In general, you are interfering with the spell.

But the fact that it is a human shaped item,

handcrafted, and then hidden in a dark place

suggests gainful magic.

- What I found very interesting

is that earlier you mentioned

the stick figure thing that was found

most likely was something that didn't want to,

should not be leaving or it unbinds the spell

or whatever it is.

It's interesting that you mention that

because literally when I'm crawling out of the crawl space

with that stick figure in my hand,

we get a DVP saying, "Stay in that hole."

- Ooh, okay. - Yeah.

- Somebody didn't want you taking that out.

- Yeah, it was very intriguing.

Actually, DeWaine is the only one that heard it at the time.

He heard something being said

and he just didn't hear what it said until after review,

I listened back and it was a whispery, creepy voice

saying, "Stay in that hole."

- [Entity] Stay in that hole.

- [DeWaine] What the hell was that?

- What do you think,

like something attached to that kind of item like that,

that's actually able to say something to us

in the moment, what kind of entity you think

would be attached to something like the stick figure?

- When you do magic, depending on the system,

and multiple systems do this,

it is not uncommon to call upon,

invite or even compel spirits to be part of that magic,

to either tie them to the object

or tie them to the intent of the spell itself.

There's multiple examples of this

and enough examples that even somebody

who is throwing together their own homegrown spell

may be inspired to try to call up a spirit of the location,

something that is identified as a demon,

an astrological spirit,

a whole number of different things, an ancestor,

and basically make the object as a focus

that serves as an anchor for that spirit to be the being

that actually carries out the purpose of the spell.

Now that's not how every spell works,

but it is definitely a way in which some do.

So, the question for me would be,

the person who put this together,

what did they call up to carry out their magic?

When I was first there with "Paranormal Lockdown"

and Katrina Weidman and Nick Groff,

someone had raised the name of a very specific occult group

known for being a left-hand path occult group.

We weren't allowed to say it on camera.

I'm gonna just err on the side of not bringing it up

because they are well established.

They've been around since the '70s.

And there was some concern

that a person who was involved in that group

was behind this magic.

- [Matt] The left-hand path is a branch of esoteric

and mystical traditions that emphasize individualism,

self-deification, impersonal empowerment, breaking taboos

and exploring the darker aspects of spirituality.

It is associated with traditions such as luciferian,

satanism, chaos magic, and some forms of Thelema,

often challenging conventional morality in social norms

in pursuit of enlightenment and mastery.

The left-hand path also had a big influence

on Anton LaVey founding the church of Satan

and inspired his teachings in "The Satanic Bible."

- They turned him up.

They wanted me to, like, outline everything about this group

and then they cut all of it out

because they, like, went digging around.

They're like, "Oh, we don't really

feel like messing around with that."

- So they're like, "We're going to redact

basically those individuals

or that individual and that group."

Well, we're different

so we don't mind putting that out there.

- But the allegations were definitely

that there was at least one individual

who had involvement in a left-hand path,

magical tradition,

practiced some form of ceremonial or ritual magic

or at least experimented with it during his residency

when he lived upstairs at the Monroe House,

and may have been tied to this whole, like, weird sense

of kind of a negative male figure

and a woman who is being bullied.

- Interesting.

Outta curiosity, do you think

that there's anything through the rituals

or anything else that has been done there

since the building's been opened,

do you think that there's anything demonic there?

- Full disclosure, my definition of demonic

is much more narrow than most people in the paranormal,

partly because of my background in Demonology.

So I will state that for many people,

a negative entity that seems like it is not human

or was never human, that is dark or violent,

most people will classify that as a demon as a default.

And if that is the criteria

that there is something non-human there

that seems violent or at least malevolent,

there's something like that

definitely tied to that property.

There's something that doesn't seem like it's human,

it does have a dark feel to it

and it can have a negative effect on the people it targets.

- The bones that were found,

you said that was confirmed to be human,

was this confirmed by the "Paranormal Lockdown" crew?

- That is what I was told after the fact

that there were some bones that were confirmed to be human

and they had the sheriff out

to, like, kind of assess whether or not

that was something that was seriously a problem.

But I would also, like, try to track down

a verification for that

because just, like, one person from the crew

mentioning it to me

doesn't necessarily fill me with confidence

that it was, like, confirmed in a super public way.

(dark tense music)

- Another important question that needed answering

had to do with the origin of the bones

found in the crawl space.

Were they truly human remains?

According to Michelle and Eddie,

the bones had previously been identified as human.

However, because we hold the Paranormal Research Unit

to a high standard of being an authentic

and trustworthy paranormal team,

we decided to have the bones examined by another expert.

This became a challenge, since the owner, Eddie,

wanted the bones to remain undisturbed,

therefore we had to rely on photographs of the bones

to be analyzed.

So I scheduled an interview

with Richard and Christy Malan-Cerreto

who are archeologists and anthropologists

at Analytic Archeology LLC;

as well as anthropologist, Mandy Mazzei.

So right now I'm here with three anthropologists

that are gonna go over the photos

of the possible human remains or animal bones.

We want to verify this

and uncover some of the mystery of the Monroe house

and these are the individuals that are perfect

to hopefully shed some light on this location.

So here.

(solemn music)

(solemn music continues)

- Fibula?

- Probably.

- Yeah, I was thinking...

First, I was thinking this might be part of a wave.

- Yeah, I was thinking fibula.

- Yeah, this is too-

- Distal, no, no. - It's too thin to be bone.

- Richard, what is that?

That doesn't look...

- Is this a part?

- That looks like a skull piece to me.

- That's all it could be, as big as it is.

- So yeah, that's a fibula.

- That is a fibula. - Yeah.

- So that is a fibula?

So we're-

- Even or not, don't know for sure.

I mean, looking at the photos is one thing.

Looking at the actual bone

would be a different story.

- So it is around 10 and a half inches long.

So maybe a younger individual?

- Most likely, but...

- It's also, is that broken?

- Yeah, the head's gone.

- Mm-hmm. - So.

- But that could have been from an animal, right?

- Get to the marrow. - Could just be broken.

- Or just broken. - Same thing down here.

This looks like it's broken more than anything else.

But it is definitely a humerus.

Looks like it's been in the ground for a while

because of the coloration.

- So your professional opinion is that it is a fibula.

- This is.

- Okay.

- This is the humerus.

- And the humerus.

- I don't know- - The shape

does look, for the humerus,

the shape does look more human

than it does anything I've seen animal.

The same thing with the fibula,

and especially as we get to the top here.

- Yeah, those groups right there.

- Yeah.

- [Matt] Their professional opinion

leaned them more towards the bones being human.

(solemn music)

This house lured me in

and became a seven-year long project of mine.

I made it my personal mission

to uncover the mysteries of the Monroe House.

The fascination of this place

draws in investigators like us,

leaving us with appreciation and awe.

Just as I did, Mike and Joe

became personally invested in the house for years.

By working together,

we were able to unearth the stick figure,

black magic relics and bones.

We captured a possible disembodied voice.

- [Entity] Stay in that hole.

- [Dwaine] What the hell was that?

- [Matt] And direct EVPs.

- [Entity] Bring the necklace.

- Is there someone over here?

- [Entity] The demon.

- [Matt] Including the door opening on its own.

(tense music)

And Deb being scratched again at this house.

We also brought to light the history

of past abuse that had occurred,

which correlated with some of the past oppression cases

that had taken place here.

The mystery of the Monroe House is slowly being unveiled

and will forever be a part of our lives

and we are now a part of its history.

I know the Monroe House

will continue to live on.

- Okay.

Look, I mean, there are times where this place-

- Yeah, I know.

- Is no fun,

but we still do our thing.

Oh.

(footsteps clomping)

- [Dawn] You hear that?

(dramatic music)

(dark tense music)

(dark tense music continues)

(Deb shouting indistinctly)

(dark tense music continues)

- [Deb] Fucking hate you!

(dark tense music continues)

Fuck!

(dark tense music continues)

(Deb shouting indistinctly)

(dark tense music continues)

(dark tense music continues)

(dark tense music ends)

(solemn music)

(solemn music continues)

(solemn music continues)

(eerie music)

(intense music)

(intense music continues)

(intense music continues)

♪ I'm wondering why I feel so cold ♪

♪ Visions of evil from the other side ♪

♪ Shatter my eyes, I'm so cold ♪

♪ To bury the restless is so honestly ♪

♪ Trapped in the darkness, now I'm too far gone ♪

♪ Erasing the memories, now I'm falling apart ♪

♪ When the darkness makes you change ♪

♪ Makes you change ♪

♪ You'll never be the same ♪

♪ You'll never be the same ♪

♪ When you feel the evil rise ♪

♪ The evil rise ♪

♪ Let me see it in your eyes ♪

♪ It's evil unearthed ♪

♪ And I ♪

♪ Wanna feel again ♪

♪ Wanna be whole and wrapped and scared ♪

♪ Trapped in a hole I can't reach out ♪

♪ Alone ♪

♪ Trapped in the darkness, now I'm too far gone ♪

♪ Erasing the memories, now I'm falling apart ♪

♪ When your darkness makes you change ♪

♪ Makes you change ♪

♪ You'll never be the same ♪

♪ You'll never be the same ♪

♪ When you feel the evil rise ♪

♪ The evil rise ♪

♪ Let me see it in your eyes ♪

♪ It's evil unearthed ♪

♪ Make this go away ♪

♪ Evil will come to pass ♪

♪ Evil go away ♪

♪ And evil will come to pass ♪

♪ Make this go away ♪

♪ And evil will come to pass ♪

♪ Evil go away ♪

(eerie music)

(intense music)

♪ When your darkness makes you change ♪

♪ Makes you change ♪

♪ You'll never be the same ♪

♪ You'll never be the same ♪

♪ When you feel the evil rise ♪

♪ The evil rise ♪

♪ Let me see it in your eyes ♪

♪ It's evil unearthed ♪

♪ Evil unearthed ♪

♪ It's evil unearthed ♪

♪ Evil unearthed ♪

♪ It's evil unearthed ♪

(eerie music)

(no audio)