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When I was making Hedwig, I realized
there was a lot of films coming out of
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Europe that were using real sex.
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But all of them were really negative. I
wanted to use sex the way that I used
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music and Hedwig.
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So we had an audition website. We called
the project the Sex Film Project.
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We realized for the actress to feel
safe, they really should help create the
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film. So we cast the actress first, and
then through workshop, improv, we
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created the story.
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It's a beautiful day today.
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Woke up this morning with sunshine on my
face.
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And since dawn clouds have lifted.
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I keep drifting back to you. Yeah, you.
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You alone have the power to redeem me. I
was lost and I'm still lost.
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But I can't deny the feeling.
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It'll be okay.
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There's no return out here.
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What do I feel like we're going to get?
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That's right. And correct.
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Well, I got an email from this one
couple who said they want to
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tape their thing today to generate
enough orgasmic energy to save off the
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Tomorrow's the big anti -war protest.
Yeah.
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So this guy's really interesting.
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He's really ironic.
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He's really pretty.
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He's feminine.
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He's, uh...
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He sang the song and it was kind of
unselfconscious.
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But he cheated.
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So, my name's Jay and I'm an alcoholic.
Oops, wrong video.
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My friend suggested that I send in a
tape for this because I'm a whore.
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I don't know, the website, it made it
sound like that was sort of a plus.
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Sam, I'm an equity actor.
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I am an equity actor.
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And I'm left?
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No. Do you have anything else?
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What's that?
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Pam.
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So, tell me about...
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Can you name the best sex you've ever
had?
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No. No? No.
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Some of? One of?
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Oh, God.
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It'd be hard for us to name the sex I
had last night.
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I lost my virginity in the back of a
blue van.
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I was 14 years old, and the person that
I was having sex with, Paul, was 27.
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I remember after we had sex, I got out
of the car, was parked two blocks away
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from my house, pouring rain outside.
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The pain between my legs was so huge, I
couldn't bend my legs, so there I was
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walking very stiffly home.
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My name is Peter.
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I am 26 years old. I live here in
Manhattan.
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This whole city is running out of sex.
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Everyone wants to have it. Everyone's
having it.
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And I want to see.
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I want to be involved in that. I really
want to be involved in everyone having
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sex right now. Whoever's having it, I
want to be there.
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and take it in and fucking appreciate
it, you know what I mean? I just want to
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be part of this project in any way I
can. It just seems like it's so perfect
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me.
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00:03:59,860 --> 00:04:04,140
What's happening today is we're all
going to have little seats and kind of
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00:04:04,140 --> 00:04:09,540
gauge our initial impressions about sort
of attraction.
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Well, it won't be this or this. It'll be
this, this, this, and this.
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00:04:14,020 --> 00:04:16,240
There'll be four categories.
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00:04:16,860 --> 00:04:23,340
or never, like, couldn't possibly think
about it, then curious, possibly,
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need to know more.
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Then, I think so.
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And then, definitely.
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Okay, next.
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Raphael Barker.
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Right here, everyone, ladies and
gentlemen, from Boulder, Colorado.
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And when my dad told me about the birds
and the bees, it was like...
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Like I felt like some moisture behind my
testicles. I thought that was cum or
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something.
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00:04:51,460 --> 00:04:52,980
So your nuts were sweating?
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Yeah. Yeah, I was like, that's it?
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00:04:59,340 --> 00:05:00,340
That's it?
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00:05:00,380 --> 00:05:06,260
Yay. All right, this is Jonathan Coette,
who's made tapes of himself since he
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was like 10. He used to bait me.
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00:05:09,460 --> 00:05:11,520
So why don't you give your agent the
tape, man?
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I mean, uh...
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I mean, didn't anybody ever give you a
helping hand when you were starting out?
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00:05:20,030 --> 00:05:23,350
We have this big chart of sexual
attraction.
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00:05:23,650 --> 00:05:26,950
I think we'll try to put the people who
are most attracted to each other
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00:05:26,950 --> 00:05:29,210
together first. This is Jay Brannan.
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00:05:30,270 --> 00:05:34,510
It was a four for Raphael. Film or no
film, straight or not, I will have
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Raphael. Am I here okay?
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00:05:36,550 --> 00:05:37,489
Yeah, fine.
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What did Raphael say? Nothing.
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It's not happening, baby.
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00:05:43,130 --> 00:05:44,170
Jay Brannan.
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00:05:45,110 --> 00:05:47,370
He said he was energetic.
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Sookie and Lee.
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I mean, adorable, right?
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00:06:01,450 --> 00:06:02,750
Great to look at. Right?
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00:06:03,410 --> 00:06:04,410
Emotionally available.
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00:06:14,480 --> 00:06:15,480
Does he know yet?
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No, we're calling him today. And
remember I cast him thinking he was gay?
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We call him back and I'm saying
something about other guys and he's
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know, I'm straight.
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He really clinched it for me when he did
that one thing with Du Bois, the phone
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sex thing with Du Bois, where he just
burst into tears like Goldie Hawn in
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I just want to look into your eyes.
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00:06:58,440 --> 00:07:00,480
Yeah, I want to kiss you really slowly.
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I want to taste your lips.
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00:07:03,800 --> 00:07:05,360
But I don't want a whole lot of tongue.
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00:07:06,460 --> 00:07:07,980
I like lips.
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00:07:09,440 --> 00:07:11,120
I got big lips, yeah.
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Yeah.
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Are you kind of like a thick guy?
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Yeah. I fucking love thick guys.
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00:07:19,100 --> 00:07:23,060
Yeah. I'd like for someone to be a
little more built to me, you know? Yeah.
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need something to hold on to.
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You can hold on to me.
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Yeah? Yeah.
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Thank you.
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00:07:32,160 --> 00:07:34,120
Stop. I'm so sorry.
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I'm so good.
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I'm back.
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He's done everything.
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00:07:52,740 --> 00:07:54,700
He's been a literary agent.
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I mean, he makes old films where he
plays Gwyneth Paltrow accepting her
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00:07:59,240 --> 00:08:03,200
I'm wearing a wig, not because of
Hedwig, but more.
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00:08:04,060 --> 00:08:07,400
I don't know, I just like to wear the
wig. I think because I'm balding, I'm
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00:08:07,400 --> 00:08:09,780
starting to bald, which I should
probably show you.
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00:08:10,500 --> 00:08:17,120
And when I'm wearing a band -aid, I wear
the band -aid because I'm Chinese.
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00:08:17,880 --> 00:08:20,260
Lying in these bags is my job right now.
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00:08:23,940 --> 00:08:28,060
Peter Sickles was someone that, when he
first came in, I thought, okay, he's
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00:08:28,060 --> 00:08:34,059
like a very, he's like a regular actor.
He's probably uptight. No, no, you're
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00:08:34,059 --> 00:08:36,360
fucking with something very pivotal to
them and to me.
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00:08:36,620 --> 00:08:41,539
Like a lot of the actors that we have
seen that are more professional. And,
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00:08:41,539 --> 00:08:43,460
know, as we saw, many of them dropped
out.
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00:08:44,179 --> 00:08:45,860
Remember, we called them back.
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Three of them dropped out because of the
sex part and the fear of their careers.
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I'm here, bitch. What are you on?
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00:08:57,730 --> 00:08:58,730
Hi.
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00:09:00,630 --> 00:09:01,630
Sebastian.
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00:09:02,430 --> 00:09:04,050
From the beginning, we've all loved her.
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00:09:04,770 --> 00:09:06,190
There's no reason not to love her.
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00:09:06,950 --> 00:09:09,670
She keeps delivering more and more every
time we saw her, right?
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00:09:10,310 --> 00:09:15,110
Anthony. Because he and Sebastian, I
think, out of all the, most of the...
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00:09:15,780 --> 00:09:20,100
auditions elicited the most sort of
sympathy. Like people wanted to be
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00:09:20,100 --> 00:09:21,560
out to individuals.
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00:09:22,500 --> 00:09:25,700
And it's interesting because they're
also the two youngest, I think, of our
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00:09:25,700 --> 00:09:31,580
bunch. The two Pauls are kind of a
couple now.
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I think they're ready to go.
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I'm ready for my close -up. That's the
nine people.
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Should we call them? Yeah, call them.
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We're calling, honey, to invite you to
the workshop.
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Oh, my God.
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Thank you. You're welcome.
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That's so exciting.
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It was kind of like, oh, well, this is
official then.
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00:10:00,030 --> 00:10:04,290
You're going to be having sex with these
people, and there's a chance that you
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00:10:04,290 --> 00:10:07,050
could be having the kind of sex where
you'll be transmitting diseases to each
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other. Like, this was getting pretty
intense.
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Thinking back now, I remember being very
nervous.
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and seeing all these people that I had
no idea who they were and thinking, who
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am I going to have sex with in any
minute now?
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00:10:20,480 --> 00:10:24,460
But then after a while, like, oh, wait a
minute, we're just hanging out and
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we're just kind of making something.
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Today really will be like a press
conference about someone's life.
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So anyone can ask any question, but I'd
like it to be more fact -based rather
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than...
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How do you feel, or, you know, what are
your dreams, or... We are hot people.
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What's your name?
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00:10:51,520 --> 00:10:52,800
James Michael Basden.
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Robert Epstein.
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00:10:54,820 --> 00:10:58,020
I'm not sure, I might change it to
Schnell. My name is Caleb Richardson.
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00:10:58,400 --> 00:11:00,000
My name is Jamie Barnett.
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00:11:00,400 --> 00:11:01,880
My name is Sophia Lin.
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00:11:02,180 --> 00:11:03,520
Um, Blythe.
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Siddhartha. That's what you see. I'm
seeking to put away things that make me
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happy. and welcoming things that I hate
for personal growth.
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00:11:12,120 --> 00:11:14,640
At the end of 650, it's supposed to find
me a husband.
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I own a pair of night vision goggles.
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I model because I hate it.
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I avoid sex because I love it.
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And you'll need my permission to touch
me.
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I get upset. I am upset.
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00:11:27,080 --> 00:11:29,080
Did I help you? No.
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Period. Find out. He's avoiding.
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Yeah. It seemed stupid. It seemed
unfair.
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It seemed selfish.
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00:11:37,610 --> 00:11:40,750
I really don't sort of need that from
you.
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I really feel that I've been given the
opportunity to share whether it's a
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idea or whether it's a fear. I had the
opportunity to bounce it off of John and
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the other actors.
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00:12:23,630 --> 00:12:28,850
I also realize I'm kind of trying to
create a process, even more than a
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So how can we do a theme and do it over
and refine it, do it over and refine it?
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Thank you.
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00:12:38,690 --> 00:12:44,610
Well, honey, thank you for not needing
to have a hard -on with me. Oh, God,
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was incredible.
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Definitely.
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I'm sorry.
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00:12:59,280 --> 00:13:01,620
That is so disgusting.
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00:13:26,500 --> 00:13:32,080
Michael Geith, Moby, Adam Magoyan. Then
it got front page news in Canada because
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00:13:32,080 --> 00:13:34,600
he was well known and they ultimately
backed him.
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00:13:35,260 --> 00:13:39,000
And actually right before it, Sukina was
starting to feel getting a little cold
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00:13:39,000 --> 00:13:40,000
feet about the sex.
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00:13:41,220 --> 00:13:44,500
So I think now that the sex is actually
approved by the Canadian government,
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00:13:44,860 --> 00:13:47,280
yeah, it probably feels more
comfortable.
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00:13:47,860 --> 00:13:50,680
Or feels like she has to do it now for
her country.
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00:14:20,290 --> 00:14:21,490
You know,
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00:14:22,770 --> 00:14:25,910
I don't know what the fuck's going on.
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00:14:27,020 --> 00:14:31,580
Sebastian and Anthony have dropped out
independently almost on the same day.
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00:14:32,120 --> 00:14:33,620
On the same day we get an offer.
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00:14:36,220 --> 00:14:41,200
I was at first all scared to tell you
guys because I thought you would all be
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00:14:41,200 --> 00:14:48,000
demoralized. But I've just been really
happy that you guys have made me feel
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00:14:48,000 --> 00:14:50,540
better. But you know what, it's part of
the process.
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00:14:51,500 --> 00:14:55,840
We know what we have and it's going to
make it better in the end.
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00:15:09,099 --> 00:15:14,300
Some of the actors that we cast
originally couldn't separate themselves
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00:15:14,300 --> 00:15:15,300
character.
213
00:15:15,520 --> 00:15:21,360
In fact, one actor called the character
by his own name,
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00:15:21,600 --> 00:15:25,860
which I begged him not to do. You know,
it's like...
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00:15:26,920 --> 00:15:31,940
Just like I thought, he had major
problems with how the character was
216
00:15:31,940 --> 00:15:34,220
because he couldn't separate himself
from it.
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00:15:39,440 --> 00:15:45,500
I mean, are you, is like part of the
thing that you're subverting, does that
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00:15:45,500 --> 00:15:49,500
make it so that you're sort of using the
like, I don't know how to put it, like
219
00:15:49,500 --> 00:15:50,500
filmic...
220
00:15:50,870 --> 00:15:52,110
tropes or whatever of pornography?
221
00:15:52,390 --> 00:15:54,270
Is there a close -up of my pussy?
222
00:15:55,770 --> 00:16:00,130
Pornography is something that there's no
connection to in this film.
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00:16:00,850 --> 00:16:06,930
The way it's shot, the purpose of it,
the repeating of it, it's not
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00:16:06,930 --> 00:16:09,310
anything to do with what we're doing.
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00:16:10,090 --> 00:16:14,450
Which is hard for people to understand
because that's the only example of
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00:16:14,450 --> 00:16:16,350
American made language on film.
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00:16:19,699 --> 00:16:24,340
Hypothetically, does every woman need to
experience an orgasm or... In there,
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00:16:24,340 --> 00:16:28,740
yeah. What is this place? This place. Is
this like a women's club or a support
229
00:16:28,740 --> 00:16:31,800
group? I was just going to say, like,
when you come, do you feel like it's
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00:16:31,800 --> 00:16:34,940
hugely important thing that's happening,
you know, in terms of you and the
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00:16:34,940 --> 00:16:35,940
universe?
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00:16:37,220 --> 00:16:41,900
Ah, it feels a little bit, ah, kind of
like, um, like, uh, like somebody's
233
00:16:41,900 --> 00:16:43,580
to kill me. I'm pre -orgasmic.
234
00:16:45,120 --> 00:16:47,140
I've never met anyone like this. I don't
know.
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00:16:49,200 --> 00:16:51,620
I'm actually post -orgasmic, just to
clarify.
236
00:16:53,100 --> 00:16:58,980
But in the first audition tape, you
know, we all submitted personal stories
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00:16:58,980 --> 00:17:04,440
order to even be counted as a possible
actor in this movie. And the one that I
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00:17:04,440 --> 00:17:09,480
was interested in telling was the, you
know, sort of coming -of -age story of
239
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myself and how I finally was able to
have an orgasm.
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I finally learned to orgasm, not with
another man.
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00:17:17,849 --> 00:17:22,050
Not with a woman, but by myself with my
beaver.
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This is a mama beaver and a baby beaver
and God.
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And when you use the remote control, the
mama beaver's tongue stimulates the
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clit.
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00:17:33,730 --> 00:17:37,810
And when you do the other side, the God
begins to move.
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00:17:39,270 --> 00:17:43,650
There are parts of me that I think is
like with Sophia, not overt.
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Things are the same, but what I do share
with her is a sort of like battle
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between following instinct and emotional
instinct and then over -analysis and
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neuroses. This is a battle that Sophia
has that is waged during the movie, and
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00:18:00,080 --> 00:18:03,280
am constantly doing that in my own life,
so it was very easy to draw upon.
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Sidewalk is rushing at my head again.
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00:18:15,420 --> 00:18:19,000
I'm lying on the street in the rain and
wind.
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I'm doing forward rolls down Avenue A
with my guitar.
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00:18:28,060 --> 00:18:34,520
The National
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00:18:34,520 --> 00:18:37,300
Anthem, we're taking the piss a little
bit there.
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But at the same time, we truly are
talking about The optimism of the U .S.,
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00:18:42,260 --> 00:18:46,800
ingenuity, I mean, even the positions
that the three of them are in is rather
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00:18:46,800 --> 00:18:49,800
ingenious. There's a resonance of the
pursuit of happiness.
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00:18:52,020 --> 00:18:58,080
Working with Polly has been
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00:18:58,080 --> 00:19:04,220
a palette of emotions, you know? It's,
like, beautiful and
261
00:19:04,220 --> 00:19:07,960
lovely and challenging and rewarding.
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She loved me.
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You don't love me anymore.
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What I became interested in exploring
with this character was this
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00:19:20,980 --> 00:19:27,800
deep -seated feeling that a lot of gay
people have that what they are is
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wrong or bad.
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00:19:29,280 --> 00:19:35,280
You know, even in the most, you know, in
the face of, you know, great love and
268
00:19:35,280 --> 00:19:39,280
great beauty, that, you know, they can't
feel the love.
269
00:19:39,480 --> 00:19:40,920
Don't you say I don't...
270
00:19:50,350 --> 00:19:53,270
Make a wish. Make a good wish. Make a
good wish, John. Big wish.
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00:19:55,130 --> 00:19:56,130
Something selfish.
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00:19:57,310 --> 00:19:58,330
For everybody.
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00:20:00,010 --> 00:20:01,010
Yay!
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00:20:08,490 --> 00:20:11,850
It's a salon for the gifted and
challenged.
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Hiya!
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00:20:16,550 --> 00:20:19,150
I don't think I'm going to have trouble
getting through. I've been getting
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through crowds and bars my entire life.
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00:20:21,390 --> 00:20:25,250
We're trying to find a condom to look as
close to not wearing a condom as
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00:20:25,250 --> 00:20:28,310
possible. Because here's the thing, John
wants to see something.
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00:20:28,650 --> 00:20:33,370
Yeah. When he gets here. When's he
supposed to be here, by the way? He's
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00:20:33,370 --> 00:20:34,370
from 3.
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00:20:34,670 --> 00:20:36,270
The building itself is...
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00:20:37,630 --> 00:20:42,210
I mean, in tone, it's almost like a
really good Woody Allen movie from the
284
00:20:42,210 --> 00:20:45,590
70s. How many people are going to be
there? Are they going to be, how close,
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00:20:45,590 --> 00:20:47,830
up close? What if, you know, I'm put on
the spot?
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00:20:48,870 --> 00:20:49,809
Yeah, yeah.
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00:20:49,810 --> 00:20:50,810
Yeah,
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00:20:51,450 --> 00:20:52,450
I was thinking about that.
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00:20:53,310 --> 00:20:54,570
Then we met John.
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00:20:55,070 --> 00:20:59,330
His energy is so laid back and cool. It
makes us feel really, really
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00:20:59,330 --> 00:21:06,050
comfortable. I've seen multisexual
things going on just to make my
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00:21:06,050 --> 00:21:07,050
actors.
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00:21:07,710 --> 00:21:11,490
Realize that I'm not a hypocrite. So
Keenan's like, well, if we're going to
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00:21:11,490 --> 00:21:14,690
it, you have to do it. So I'm probably
going to be a sex journalist scene too.
295
00:21:15,510 --> 00:21:16,510
Yeah.
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00:21:16,690 --> 00:21:19,830
I may even have sex with a woman for the
first time in my life.
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00:21:21,610 --> 00:21:24,150
Either get it up in the air or you eat
her out.
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00:21:24,410 --> 00:21:27,750
Well, I don't know. I might eat her out
or something.
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00:21:27,970 --> 00:21:29,570
Oh, you don't want to start with that.
300
00:21:30,350 --> 00:21:31,209
Why not?
301
00:21:31,210 --> 00:21:33,470
Should I? I'll just tell him I'm a
little nervous right now.
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00:21:34,510 --> 00:21:35,510
All right.
303
00:21:37,200 --> 00:21:39,220
See how that, like, wrinkles up?
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00:21:39,420 --> 00:21:40,420
Right, totally.
305
00:21:40,620 --> 00:21:42,580
I mean, there's nothing I can do with
makeup.
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00:21:43,340 --> 00:21:44,420
Nothing you can do. I know.
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00:21:44,760 --> 00:21:47,080
So when she does that and you react, you
go... Karen?
308
00:21:47,340 --> 00:21:50,820
Yeah, and then you look at her. You put
it right there. Right, that's it.
309
00:21:51,680 --> 00:21:52,680
Action. Ow!
310
00:21:53,820 --> 00:21:54,820
Sorry!
311
00:21:56,200 --> 00:21:58,060
Something's in there. Something's in the
bottom there.
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00:21:59,460 --> 00:22:03,540
Do you like it lower, way down, or do
you like it... I like it kind of
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00:22:03,540 --> 00:22:04,540
a little down.
314
00:22:04,780 --> 00:22:05,780
Here you go!
315
00:22:11,280 --> 00:22:12,280
Help me!
316
00:22:12,640 --> 00:22:13,640
Can you help me?
317
00:22:16,720 --> 00:22:20,040
I feel like Justin's happy, but I don't
know.
318
00:22:20,240 --> 00:22:23,580
I feel like I should be pleasing you.
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00:22:26,000 --> 00:22:27,000
Okay,
320
00:22:28,760 --> 00:22:33,550
well, you know what? As my friend Lotus
Weinstock used to say, I used to want to
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00:22:33,550 --> 00:22:38,130
change the world. Now I just want to
leave the room with a little dignity.
322
00:22:38,910 --> 00:22:40,930
Excuse me while I crawl out of here.
323
00:22:41,670 --> 00:22:42,890
You are a genius.
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00:22:43,450 --> 00:22:45,230
Louis, shall I pay you the big bucks?
325
00:22:45,510 --> 00:22:50,030
Hi, yeah, I wanted to inquire about the
female condom. I just want to know, how
326
00:22:50,030 --> 00:22:54,170
does that work and when do you actually
put it on? So what happens, like, do you
327
00:22:54,170 --> 00:22:57,490
know how this scene's going to be shot?
Because it says that she shouldn't stand
328
00:22:57,490 --> 00:23:02,530
up. to avoid the semen spilling out so
she can't stand up. He's not going to
329
00:23:02,530 --> 00:23:05,530
come. I thought about that last night,
though. I was like, what if I actually
330
00:23:05,530 --> 00:23:06,530
do? Yeah,
331
00:23:07,230 --> 00:23:08,810
what if we're having sex? I'm like, oh,
God.
332
00:23:09,390 --> 00:23:10,390
Hold a second.
333
00:23:12,590 --> 00:23:13,590
Whoa!
334
00:23:15,190 --> 00:23:18,590
Got an orgasm. Sorry about that, folks.
335
00:23:19,850 --> 00:23:25,350
I think that the sex, and particularly
in my character's case, being
336
00:23:25,370 --> 00:23:27,530
it's a moment of...
337
00:23:27,960 --> 00:23:30,740
existential submission for James, if not
divine.
338
00:23:31,040 --> 00:23:36,980
His existence truly depends on it,
because the character needs to access
339
00:23:36,980 --> 00:23:43,080
this core of his strength that has been
buried.
340
00:23:43,600 --> 00:23:47,600
All the characters manifest this. You
know, they all are trying to feel
341
00:23:47,600 --> 00:23:48,600
something.
342
00:23:49,260 --> 00:23:51,860
The hope is, of course, that they would
feel love.
343
00:24:02,620 --> 00:24:08,480
This is so multi -layered. It's not
even... It's not... I might have been
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00:24:08,480 --> 00:24:13,180
excited by the prospect of having sex on
film, like, as some sort of fetish for
345
00:24:13,180 --> 00:24:18,980
me, but, like, this is so not about
getting off at all.
346
00:24:19,940 --> 00:24:22,980
Like, after a while, we realized it
wasn't really about having sex with each
347
00:24:22,980 --> 00:24:26,140
other. It was about, you know... It
was...
348
00:24:26,750 --> 00:24:30,490
Dispects became a metaphor for other
stuff that our characters are doing.
349
00:24:32,970 --> 00:24:34,510
A lot of pain there, Sean.
350
00:24:37,670 --> 00:24:38,970
You were there once yourself.
351
00:24:43,830 --> 00:24:48,190
I feel really kind of raw, you know, I
feel kind of a little embarrassed and
352
00:24:48,190 --> 00:24:52,410
like, you know, kind of almost whorish.
353
00:24:52,850 --> 00:24:54,770
So it's kind of a mixed bag.
354
00:24:55,660 --> 00:24:59,200
I know that there's, for me, karmically,
I know that I'm in for this, for some
355
00:24:59,200 --> 00:25:00,280
sort of healing for myself.
356
00:25:02,300 --> 00:25:04,040
That I've tried.
357
00:25:06,200 --> 00:25:09,980
And as your last breath begins.
358
00:25:12,680 --> 00:25:16,880
I jumped into the thick of my bones from
the pains. It's just your solidarity.
359
00:25:17,220 --> 00:25:18,380
And I felt nothing.
360
00:25:19,620 --> 00:25:23,500
But I was feeling really emotional like
I couldn't really be part of the world
361
00:25:23,500 --> 00:25:28,100
that I was creating so I just lay back
and I Looked up and I saw all these
362
00:25:28,100 --> 00:25:33,860
people having sex around me and then I
thought Aaron and he saw me and he saw
363
00:25:33,860 --> 00:25:36,740
look on my face and he reached out his
hand and he held on to my hand for the
364
00:25:36,740 --> 00:25:37,740
rest of the shot
365
00:26:35,050 --> 00:26:36,330
Thank you, guys. Thank you, everybody.
366
00:27:02,480 --> 00:27:04,840
Did you guys sleep on the plane? We
slept on the beach.
367
00:27:05,180 --> 00:27:06,180
Have you been?
368
00:27:06,400 --> 00:27:07,400
It's crazy.
369
00:27:07,660 --> 00:27:09,320
Yeah. Really? Why? What's going on?
370
00:27:09,580 --> 00:27:10,580
It's just everything's starting.
371
00:27:10,860 --> 00:27:11,719
It is.
372
00:27:11,720 --> 00:27:12,760
Yeah. Yeah.
373
00:27:13,680 --> 00:27:15,360
It's just like everyone's getting ready.
374
00:27:15,760 --> 00:27:16,760
Angry.
375
00:27:17,120 --> 00:27:18,120
Yeah.
376
00:27:19,900 --> 00:27:25,520
Okay. John said that we should call him
once we have a plan.
377
00:27:30,120 --> 00:27:31,120
Oh, look at this.
378
00:27:31,180 --> 00:27:32,180
It's like me.
379
00:27:40,709 --> 00:27:41,709
Cloud position.
380
00:27:42,390 --> 00:27:46,830
That's why they call it the cloud
position. Wait, if I had to feed him?
381
00:27:46,830 --> 00:27:47,729
you go.
382
00:27:47,730 --> 00:27:49,170
Yeah, I could definitely do it.
383
00:27:49,410 --> 00:27:51,930
Then I'd be like crying.
384
00:27:54,870 --> 00:27:55,870
Crying.
385
00:29:09,160 --> 00:29:11,820
When we started the process, none of us
really knew what kind of film we were
386
00:29:11,820 --> 00:29:16,620
making. And none of us really knew where
we were headed.
387
00:29:17,080 --> 00:29:21,740
Personally, I think everything's about
love or the absence of love. And my
388
00:29:21,780 --> 00:29:26,460
specifically Hedwig and Short Bus, are
about the question we have to ask is
389
00:29:26,460 --> 00:29:28,800
whether we're going to be alone or not
alone.
390
00:29:29,080 --> 00:29:32,360
And that can mean sexually and
romantically, or it can mean
391
00:29:32,860 --> 00:29:36,080
I felt less alone making this film.
392
00:29:36,280 --> 00:29:38,720
The group that worked on Short Bus
together are...
393
00:29:38,960 --> 00:29:40,900
I think, probably bonded a lot.
31092
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