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Downloaded from
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Official YIFY movies site:
YTS.MX
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>> Announcer: TELEVISION...
THE MOST POWERFUL MEDIUM EVER
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00:00:18,251 --> 00:00:19,953
CREATED.
WATCHED BY BILLIONS IN EVERY
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00:00:20,019 --> 00:00:24,391
CORNER OF THE EARTH.
BUT IT WOULD NOT EXIST WITHOUT A
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00:00:24,457 --> 00:00:30,630
VISIONARY GENIUS WHO, NEARLY
100 YEARS AGO, SAW THE FUTURE.
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00:00:30,697 --> 00:00:41,274
PHILO T. FARNSWORTH, THE
INVENTOR OF TELEVISION.
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>> OKAY, READY?
I'M TURNING ON THE POWER.
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00:00:44,778 --> 00:00:48,148
>> UGH, THE CATHODE TUBE
OVERHEATED, AGAIN!
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00:00:48,214 --> 00:00:50,850
>> I'M BEGINNING TO THINK
MR. FARNSWORTH'S IDEA FOR
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00:00:50,917 --> 00:00:52,986
TELEVISION WILL NEVER WORK.
>> PERHAPS WE SHOULD JUST GIVE
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00:00:53,052 --> 00:01:00,994
UP.
>> WE CANNOT GIVE UP.
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00:01:01,060 --> 00:01:04,230
[APPLAUSE]
>> MR. FARNSWORTH!
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00:01:04,297 --> 00:01:08,635
>> DO NOT GET DISCOURAGED.
WHAT WE CREATE HERE WILL ONE DAY
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00:01:08,701 --> 00:01:11,604
BRING THE WORLD SHOWS THAT
INFORM AND EDUCATE.
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00:01:11,671 --> 00:01:14,774
>> YES!
>> GOD WILLING.
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>> SHOWS THAT MAKE US LAUGH, AND
CRY!
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>> YES, WELL SAID!
>> AND SHOWS ABOUT PEOPLE WHO,
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00:01:19,612 --> 00:01:21,948
WHEN THEY GO TO WORK, THEY
SWITCH TO DIFFERENT PEOPLE IN
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00:01:22,015 --> 00:01:24,584
THEIR BRAINS WHO ONLY REMEMBER
WHAT HAPPENS AT WORK.
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[LAUGHTER]
>> UM...
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I DON'T UNDERSTAND THAT, SIR.
>> MANY PEOPLE WHO WATCH IT
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00:01:38,164 --> 00:01:43,002
WON'T, EITHER, BUT BY GOD, IT
WILL BE ON TV.
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I DREAM THAT, ONE DAY, THERE
WILL BE A CHANNEL FOR EVERY
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00:01:44,504 --> 00:01:49,108
INTEREST.
THE TRAVEL CHANNEL, FOR TRAVEL.
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00:01:49,175 --> 00:01:52,745
THE FOOD NETWORK, FOR FOOD.
AND THE HISTORY CHANNEL.
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>> FOR HISTORY.
>> NO.
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ALIENS.
[LAUGHTER]
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00:01:58,318 --> 00:02:03,923
>> THERE WON'T BE HISTORY ON THE
HISTORY CHANNEL, SIR?
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00:02:03,990 --> 00:02:05,925
>> NO.
JUST AS THERE WILL BE NO
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00:02:05,992 --> 00:02:07,627
LEARNING ON THE LEARNING
CHANNEL.
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00:02:07,694 --> 00:02:12,932
>> THEN WHAT WILL BE ON THE
LEARNING CHANNEL?
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00:02:12,999 --> 00:02:15,802
>> HOARDERS.
PEOPLE WHO EAT COUCH CUSHIONS.
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00:02:15,869 --> 00:02:19,305
DR. PIMPLE POPPER.
ALL OF OUR FUN STUFF.
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00:02:19,372 --> 00:02:24,143
>> WHO WILL MAKE ALL THIS, SIR?
>> ACTORS, WRITERS, DIRECTORS.
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AND, MOST IMPORTANTLY:
PRODUCERS.
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>> AND WHAT DOES A PRODUCER DO,
SIR?
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>> NOBODY KNOWS.
[LAUGHTER]
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>> AH, OKAY, SO TELEVISION WILL
HAVE SOMETHING FOR EVERYONE?
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>> YES, FOR PEOPLE OF EVERY
CULTURE.
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NETWORKS LIKE TELEMUNDO, FOR
SPANISH SPEAKERS.
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00:02:46,933 --> 00:02:50,737
AND B.E.T. -- BLACK
ENTERTAINMENT TELEVISION.
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00:02:50,803 --> 00:02:55,308
>> WILL THERE BE A NETWORK FOR
WHITE PEOPLE, SIR?
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00:02:55,375 --> 00:02:59,712
>> WHY, CBS, OF COURSE.
[LAUGHTER]
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00:02:59,779 --> 00:03:02,615
>> YES, THE CAUCASIAN BROADCAST
SYSTEM!
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00:03:02,682 --> 00:03:08,321
[LAUGHTER]
>> YEAH, I GUESS SO.
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00:03:08,388 --> 00:03:13,159
>> AND WILL THERE BE A NETWORK
FOR ASIAN PEOPLE, SIR?
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00:03:13,226 --> 00:03:14,594
>> WHAT'S THAT, YOU ASKED ABOUT
STREAMING?
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00:03:14,661 --> 00:03:18,831
[LAUGHTER]
>> NO.
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00:03:18,898 --> 00:03:24,137
>> ONE DAY, I DREAM THERE WILL
BE SO MANY SHOWS, WE WILL HAVE
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00:03:24,203 --> 00:03:25,905
TO INVENT ANOTHER TYPE OF TV
CALLED "STREAMING."
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00:03:25,972 --> 00:03:28,141
>> WHAT IS STREAMING, SIR?
>> A NEW WAY FOR COMPANIES TO
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LOSE MONEY.
[LAUGHTER]
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00:03:32,145 --> 00:03:34,147
THESE STREAMERS WILL MAKE THEIR
OWN SHOWS, AND CREATE THEIR OWN
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STARS.
>> WHO WILL THESE STARS BE?
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>> MURDERERS.
REAL LIFE MURDERERS, MOSTLY.
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[LAUGHTER]
>> WHO WOULD WATCH SHOWS ABOUT
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MURDERERS FOR ENTERTAINMENT?
>> YOUR WIFE, MY WIFE,
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EVERYONE'S WIFE.
[LAUGHTER]
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00:03:55,401 --> 00:03:59,072
AND THAT IS WHY WE WILL PAY THE
STREAMING SUBSCRIPTION FEES.
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00:03:59,138 --> 00:04:03,042
>> AH, I SEE.
WITH STREAMING, THE VIEWER PAYS
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A FEE, SO THERE ARE NO ADS.
>> IF IT ONLY WERE SO SIMPLE.
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00:04:11,317 --> 00:04:13,953
YOU PAY THE FEE AND THERE ARE
ADS.
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00:04:14,020 --> 00:04:17,657
>> BUT THAT SEEMS UNFAIR TO THE
CUSTOMER.
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>> ALL RIGHT, GET OUT.
[LAUGHTER]
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>> REALLY?
>> YEAH, WE DON'T SAY THAT OUT
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LOUD.
GET OUT.
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GO SIT IN THE BACK WITH THE
PEOPLE WHO ARE PROBABLY GONNA
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LOSE ANYWAY.
[LAUGHTER]
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00:04:29,836 --> 00:04:33,806
>> LOSE WHAT, SIR?
>> AN EMMY.
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00:04:33,873 --> 00:04:36,042
THAT IS WHAT THE AWARD
CELEBRATING EXCELLENCE IN
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00:04:36,109 --> 00:04:38,945
TELEVISION WILL BE CALLED.
AND WINNING ONE WILL BE VERY
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00:04:39,012 --> 00:04:49,555
PRESTIGIOUS.
>> HMM, LIKE AN OSCAR!
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00:04:49,622 --> 00:04:55,428
>> ALL RIGHT, DON'T --
[LAUGHTER]
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IT'S A GOOD ONE.
AND THERE WILL BE AWARDS FOR ALL
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TYPES OF SHOWS.
GRIPPING DRAMAS, LIKE
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00:05:02,335 --> 00:05:06,739
"THE PITT," A HEARTBREAKING LOOK
AT THE EMOTIONAL TOLL OF TRAUMA.
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00:05:06,806 --> 00:05:12,578
AND LAUGH-OUT-LOUD COMEDIES LIKE
"THE BEAR," A HEARTBREAKING LOOK
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00:05:12,645 --> 00:05:16,783
AT THE EMOTIONAL TOLL OF TRAUMA.
[LAUGHTER]
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00:05:16,849 --> 00:05:19,018
>> THAT SOUNDS LIKE A DRAMA,
SIR.
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00:05:19,085 --> 00:05:24,891
>> AND YET IT IS NOT.
BUT THE SHOWS THAT WIN AN EMMY
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HAVE ACHIEVED THE HIGHEST LEVEL
OF ARTISTRY.
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00:05:28,428 --> 00:05:35,301
>> AND WILL HAVE THE MOST
VIEWERS.
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00:05:35,368 --> 00:05:38,638
>> I MEAN, NOT EVEN CLOSE.
[LAUGHTER]
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00:05:38,705 --> 00:05:41,541
MOST PEOPLE WILL WATCH FOOTBALL
AND "YELLOWSTONE."
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00:05:41,607 --> 00:05:44,210
BUT NONE OF THAT MATTERS IF WE
GIVE UP NOW.
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00:05:44,277 --> 00:05:48,581
BY INVENTING TV, WE CREATE A
WORLD WHERE A WOMAN WILL HOST
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00:05:48,648 --> 00:05:52,752
HER OWN POPULAR LATE-NIGHT TALK
SHOW.
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00:05:52,819 --> 00:05:57,156
>> A WOMAN, SIR?!
>> NOT IN REAL LIFE, BUT ON A
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FICTIONAL SHOW CALLED "HACKS."
[APPLAUSE]
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00:06:04,564 --> 00:06:08,534
WE CREATE A WORLD WHERE AN ACTOR
NAMED STANLEY TUCCI WILL GET NOT
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00:06:08,601 --> 00:06:12,972
ONE, BUT TWO SHOWS WHERE HE GOES
TO ITALY AND EATS FOOD.
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00:06:13,039 --> 00:06:19,879
>> TWO SHOWS, SIR?
>> TWO, SO FAR.
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00:06:19,946 --> 00:06:23,449
WE CREATE A WORLD WHERE THE
FINEST ARTISTS CRAFT STORIES OF
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00:06:23,516 --> 00:06:26,486
STAGGERING BEAUTY THAT MILLIONS
OF PEOPLE WILL WATCH...
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00:06:26,552 --> 00:06:30,156
ON THEIR PHONES, WHILE THEY'RE
SITTING ON THE TOILET.
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THAT IS TELEVISION.
AND THIS IS THE EMMYS.
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[APPLAUSE]
♪ ♪
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00:06:39,599 --> 00:06:42,001
♪ ♪
>> Announcer: PLEASE WELCOME
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00:06:42,068 --> 00:06:44,637
TEN-TIME EMMY WINNER
STEPHEN COLBERT.
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00:06:44,704 --> 00:06:59,585
[APPLAUSE]
♪ ♪
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00:06:59,652 --> 00:07:00,253
[APPLAUSE]
♪ ♪
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00:07:00,319 --> 00:07:11,164
♪ ♪
[APPLAUSE CONTINUES]
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00:07:11,230 --> 00:07:16,769
>> THANK YOU VERY MUCH.
YOU ARE VERY KIND.
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00:07:16,836 --> 00:07:19,038
THANK YOU!
SIT DOWN!
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00:07:19,105 --> 00:07:26,179
THANK YOU VERY MUCH.
WE'VE GOT TO GO!
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00:07:26,245 --> 00:07:30,016
WHILE I HAVE YOUR ATTENTION, IS
ANYONE HIRING?
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00:07:30,082 --> 00:07:31,250
[LAUGHTER]
BECAUSE I'VE GOT 200 VERY
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00:07:31,317 --> 00:07:36,489
QUALIFIED CANDIDATES WITH ME
HERE TONIGHT.
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00:07:36,556 --> 00:07:46,332
WHO WILL BE AVAILABLE IN JUNE.
I ALSO BROUGHT MY OWN RESUME
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00:07:46,399 --> 00:07:49,902
HERE TONIGHT.
I HAVEN'T HAD A CHANCE TO UPDATE
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00:07:49,969 --> 00:07:56,108
MY HEADHSOT IN A BIT, BUT I
THINK IT STILL WORKS.
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00:07:56,175 --> 00:08:00,346
[LAUGHTER]
I AM IN THERE SOMEWHERE.
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00:08:00,413 --> 00:08:04,717
AFTER I GET BACK FROM ISTANBUL,
I'M SURE.
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00:08:04,784 --> 00:08:09,555
I ONLY HAVE THE ONE, SO
HARRISON FORD, COULD YOU GET
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00:08:09,622 --> 00:08:16,128
THIS TO SPIELBERG?
WOULD YOU?
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00:08:16,195 --> 00:08:25,371
[APPLAUSE]
AND THE NOMINEES FOR LEAD ACTOR
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00:08:25,438 --> 00:08:28,741
IN A COMEDY SERIES ARE...
>> ADAM BRODY.
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00:08:28,808 --> 00:08:31,611
"NOBODY WANTS THIS."
SETH ROGEN.
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00:08:31,677 --> 00:08:34,347
"THE STUDIO."
JASON SEGEL.
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"SHRINKING."
MARTIN SHORT.
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00:08:36,949 --> 00:08:40,219
"ONLY MURDERS IN THE BUILDING."
JEREMY ALLEN WHITE.
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"THE BEAR."
>> AND NOW, THE EMMY FOR LEAD
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ACTOR IN A COMEDY SERIES GOES
TO...
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00:08:51,030 --> 00:08:53,266
SETH ROGEN.
"THE STUDIO."
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[CHEERS AND APPLAUSE]
♪ ♪
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>> Announcer: THIS IS THE
FIRST EMMY WIN AND NINTH
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00:09:03,109 --> 00:09:06,112
NOMINATION FOR SETH ROGEN, ALSO
NOMINATED FOR DIRECTING,
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00:09:06,178 --> 00:09:10,516
PRODUCING, AND WRITING "THE
STUDIO."
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00:09:10,583 --> 00:09:12,218
>> THANK YOU, STEPHEN.
THANK YOU.
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00:09:12,285 --> 00:09:16,222
WOW, THIS IS AMAZING.
I SO COULD NOT WRAP MY HEAD
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AROUND THIS HAPPENING THAT I
LITERALLY PREPARED NOTHING.
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00:09:18,758 --> 00:09:20,826
I'VE NEVER WON ANYTHING IN MY
LIFE.
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00:09:20,893 --> 00:09:22,028
WHEN I WAS A KID I BOUGHT A USED
BOWLING TROPHY AT AN ESTATE
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00:09:22,094 --> 00:09:26,065
SALE, AND MY PARENTS WERE LIKE,
YEAH, THAT'S A GOOD IDEA.
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00:09:26,132 --> 00:09:29,635
YOU SHOULD PROBABLY BUY THAT.
THANK YOU TO MY WIFE, MY MOTHER,
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00:09:29,702 --> 00:09:33,572
EVERYONE WHO WORKS ON THE SHOW,
MY AGENT, MY MANAGERS, THE
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00:09:33,639 --> 00:09:35,708
WRITERS, IF YOU AND YOU GET
STARTED ON THE SHOW, THANK YOU
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00:09:35,775 --> 00:09:41,447
SO MUCH.
THIS IS SO LOVELY.
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00:09:41,514 --> 00:09:43,149
I FEEL LIKE I SHOULD -- I DON'T
KNOW.
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00:09:43,215 --> 00:09:45,418
I DON'T KNOW WHAT TO SAY.
THIS IS SO NICE!
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00:09:45,484 --> 00:09:46,719
THANK YOU.
I APPRECIATE YOU ALL.
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00:09:46,786 --> 00:09:49,221
HAVE A GOOD ONE.
[APPLAUSE]
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00:09:49,288 --> 00:09:55,361
♪ ♪
>> Announcer: PLEASE WELCOME
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YOUR HOST, NATE BARGATZE.
[APPLAUSE]
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00:10:00,399 --> 00:10:09,008
♪ ♪
>> Nate: ALL RIGHT, ALL RIGHT.
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00:10:09,075 --> 00:10:14,981
THANK YOU.
LOOK AT US, WE'RE DOING IT.
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00:10:15,047 --> 00:10:18,451
ALL RIGHT?
WELCOME TO THE 77TH EMMY AWARDS.
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00:10:18,517 --> 00:10:26,892
IT'S NOT A BIG ONE LIKE THE 75TH
OR THE 80TH, BUT IT'S THE ONE
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00:10:26,959 --> 00:10:28,394
THEY GAVE ME.
IT'S AN HONOR TO BE HERE
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00:10:28,461 --> 00:10:32,631
TONIGHT.
I'M EXCITED TO BE HERE.
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00:10:32,698 --> 00:10:34,867
ALL OF YOU HAVE WORKED SO HARD
TO BE HERE.
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IT'S CONFUSING, TOO.
REBA McENTIRE, I FEEL LIKE I'M
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00:10:38,838 --> 00:10:40,973
AT THE GRAMMYS.
CATE BLANCHETT, I FEEL LIKE I'M
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00:10:41,040 --> 00:10:45,511
AT THE OSCARS, IT'S CRAZY.
TINA FEY, I THOUGHT, THEY
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00:10:45,578 --> 00:10:48,814
SHOULD'VE HAD HER HOST, YOU
KNOW?
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00:10:48,881 --> 00:10:54,186
A LOT OF PEOPLE ARE WONDERING,
WHY AM I HOSTING?
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00:10:54,253 --> 00:11:01,193
I DON'T KNOW WHAT THAT WAS.
[LAUGHTER]
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00:11:01,260 --> 00:11:10,836
ALL RIGHT, IT COUNTS AS A LAUGH.
[LAUGHTER]
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00:11:10,903 --> 00:11:13,939
PEOPLE HAVE ASKED.
FOR MY CAREER -- I'M A STAND-UP
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00:11:14,006 --> 00:11:17,143
COMEDIAN, I HAVE NOT HAD A TON
OF SUCCESS IN HOLLYWOOD, BUT LET
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00:11:17,209 --> 00:11:21,614
ME TELL YOU, BOY, IS IT GOING
GOOD EVERYWHERE ELSE.
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00:11:21,680 --> 00:11:25,184
[APPLAUSE]
YOU MIGHT KNOW IF YOU HAVEN'T
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00:11:25,251 --> 00:11:28,220
HEARD, AS A HOST THEY ASKED ME,
WHEN YOU GIVE YOUR THANK YOU
165
00:11:28,287 --> 00:11:29,922
SPEECHES, THEY SAID YOU HAVE TO
KEEP THEM ON TIME.
166
00:11:29,989 --> 00:11:32,892
SO THEY WANTED ME TO COME UP
WITH A WAY TO DO THAT.
167
00:11:32,958 --> 00:11:39,231
WHAT I CAME UP WITH IS THIS WAY.
EVERYBODY GETS 45 SECONDS.
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00:11:39,298 --> 00:11:41,667
HONESTLY, GIVE YOUR SPEECH.
I KNOW HOW HARD YOU HAVE ALL
169
00:11:41,734 --> 00:11:44,403
WORKED TO GET HERE.
I'M NOT TRYING TO TAKE ANYTHING
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00:11:44,470 --> 00:11:46,572
AWAY.
45 SECONDS, THAT'S WHAT YOU GOT.
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00:11:46,639 --> 00:11:49,875
IF YOU WANT TO DO MORE THAN
THAT, DO IT ON SOCIAL MEDIA
172
00:11:49,942 --> 00:11:51,444
LATER.
WHEN PEOPLE ARE GOING TO SEE IT
173
00:11:51,510 --> 00:11:54,513
THERE ANYWAY.
[LAUGHTER]
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00:11:54,580 --> 00:12:00,953
TO START THE SHOW, I'M GOING TO
DONATE $100,000 TO THE BOYS AND
175
00:12:01,020 --> 00:12:03,556
A GIRLS OF AMERICA.
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00:12:03,622 --> 00:12:09,829
[APPLAUSE]
YEAH.
177
00:12:09,895 --> 00:12:12,698
REMEMBER THAT.
REMEMBER HOW FUN THAT WAS,
178
00:12:12,765 --> 00:12:17,570
BECAUSE THIS PART IS HARD TO SA
SAY.
179
00:12:17,636 --> 00:12:25,377
IF YOU STAY AT 45 SECONDS, IT
STAYS AT $100,000.
180
00:12:25,444 --> 00:12:28,881
[LAUGHTER]
ALL RIGHT, I KNOW.
181
00:12:28,948 --> 00:12:36,455
[LAUGHS]
EVERY SECOND YOU GO UNDER -- OR
182
00:12:36,522 --> 00:12:40,493
OVER, I'M SORRY.
EVERY SECOND YOU GO OVER 45
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00:12:40,559 --> 00:12:44,463
SECONDS, WE WILL DEDUCT $1,000
AWAY FROM THE BOYS AD GIRLS
184
00:12:44,530 --> 00:12:49,368
CLUB.
I KNOW, I KNOW.
185
00:12:49,435 --> 00:12:50,736
THAT'S TOUGH.
IT'S HARD.
186
00:12:50,803 --> 00:12:53,038
THAT IS TOUGH.
IT IS BRUTAL.
187
00:12:53,105 --> 00:12:56,509
WHAT ARE YOU GOING TO DO,
THOUGH, YOU KNOW?
188
00:12:56,575 --> 00:12:59,111
I CAN'T CHANGE IT.
THIS IS THE GAME I MADE UP, AND
189
00:12:59,178 --> 00:13:03,215
THESE ARE THE RULES.
[LAUGHTER]
190
00:13:03,282 --> 00:13:09,088
HERE'S THE THING, IF YOU GO
UNDER, WE WILL PUT $1,000 A
191
00:13:09,155 --> 00:13:16,662
SECOND BACK ON FOR THE BOYS AND
GIRLS CLUB OF AMERICA.
192
00:13:16,729 --> 00:13:18,864
[APPLAUSE]
RELAX, LET'S HAVE FUN,
193
00:13:18,931 --> 00:13:20,699
ALL RIGHT?
BY THE WAY, WE ALREADY GOT
194
00:13:20,766 --> 00:13:24,103
STARTED.
SETH, CONGRATS.
195
00:13:24,170 --> 00:13:28,474
I FEEL BAD, HE DIDN'T EVEN KNOW
ABOUT THIS AT ALL.
196
00:13:28,541 --> 00:13:30,910
[LAUGHTER]
WHAT DID HE DO?
197
00:13:30,976 --> 00:13:36,282
WAS HE OVER, UNDER?
UNDER?
198
00:13:36,348 --> 00:13:39,718
ALL RIGHT!
[APPLAUSE]
199
00:13:39,785 --> 00:13:48,027
HE WAS UNDER!
DON'T GO CRAZY, THOUGH.
200
00:13:48,093 --> 00:13:52,431
BECAUSE I'M PAYING FOR THIS, SO
DON'T -- LIKE, SOME OF YOU GO
201
00:13:52,498 --> 00:13:57,136
OVER A LITTLE, SOME GO UNDER, DO
THE RIGHT THING.
202
00:13:57,203 --> 00:14:01,407
[LAUGHTER]
NOW YOU KNOW THE RULES.
203
00:14:01,473 --> 00:14:05,911
THOSE ARE IT.
NOW THAT EVERYBODY KNOWS, LET'S
204
00:14:05,978 --> 00:14:08,113
KEEP THIS SHOW GOING.
PLEASE WELCOME TWO-TIME EMMY
205
00:14:08,180 --> 00:14:10,349
WINNER JENNIFER COOLIDGE.
[APPLAUSE]
206
00:14:10,416 --> 00:14:25,297
♪ ♪
♪ ♪
207
00:14:25,364 --> 00:14:33,939
♪ ♪
♪ ♪
208
00:14:34,006 --> 00:14:38,944
♪ ♪
>> I MADE IT!
209
00:14:39,011 --> 00:14:43,082
[LAUGHTER]
WOW, YOU KNOW, I AM SO HONORED
210
00:14:43,148 --> 00:14:45,951
TO BE HERE PRESENTING THE EMMY
FOR LEAD ACTRESS IN A COMEDY
211
00:14:46,018 --> 00:14:52,891
SERIES.
I JUST WANT TO SAY TO THE
212
00:14:52,958 --> 00:14:57,963
NOMINEES, YOU ARE ALL INCREDIBLE
TALENTS.
213
00:14:58,030 --> 00:15:02,134
YOU REALLY ARE.
REALLY, TRULY.
214
00:15:02,201 --> 00:15:06,338
I'M NOT JOKING.
[APPLAUSE]
215
00:15:06,405 --> 00:15:12,244
BETWEEN US, I WAS ACTUALLY
HOPING TO BE NOMINATED ALONGSIDE
216
00:15:12,311 --> 00:15:18,951
YOU TONIGHT FOR MY WORK ON THIS
SEASON OF "THE PITT."
217
00:15:19,018 --> 00:15:21,053
[LAUGHTER]
I PLAYED A HORNY GRANDMOTHER
218
00:15:21,120 --> 00:15:25,190
HAVING A COLONOSCOPY DURING A
POWER OUTAGE.
219
00:15:25,257 --> 00:15:28,661
YEAH.
[LAUGHTER]
220
00:15:28,727 --> 00:15:32,231
I HAD TO PLAY A LOT OF LEVELS,
YOU KNOW.
221
00:15:32,298 --> 00:15:38,604
I EVEN HAD TO DO MY OWN PREP!
GIRLS, I JUST WANNA SAY, BEING
222
00:15:38,671 --> 00:15:44,943
NOMINATED IS SUCH A HUGE DEAL.
I TALKED TO THE GUYS AT THE
223
00:15:45,010 --> 00:15:47,646
ACADEMY TONIGHT AND I ASKED THEM
HOW MANY ACTRESSES ARE ELIGIBLE
224
00:15:47,713 --> 00:15:50,549
IN THIS CATEGORY.
THEY THOUGHT IT WAS AROUND
225
00:15:50,616 --> 00:15:59,892
25,000.
I THOUGHT ABOUT IT AND THAT JUST
226
00:15:59,958 --> 00:16:05,130
DOESN'T SEEM RIGHT.
I THINK IT'S GOTTA BE AROUND
227
00:16:05,197 --> 00:16:11,070
25 MILLION.
AND THEN I GUESS IT'S JUST
228
00:16:11,136 --> 00:16:21,413
NARROWED DOWN TO YOU FIVE.
GIRLS, I WON LAST YEAR,
229
00:16:21,480 --> 00:16:24,616
AND -- MAYBE IT WAS LIKE TWO
YEARS AGO.
230
00:16:24,683 --> 00:16:30,222
[LAUGHTER]
ANYWAY, I JUST WANT TO SAY THIS,
231
00:16:30,289 --> 00:16:34,026
I CAN TELL YOU FROM EXPERIENCING
WINNING, IT'S NOT ALL IT'S
232
00:16:34,093 --> 00:16:37,696
CRACKED UP TO BE.
IT'S REALLY NOT.
233
00:16:37,763 --> 00:16:42,668
I THOUGHT I HAD GOTTEN REALLY
CLOSE WITH MY FELLOW NOMINEES,
234
00:16:42,735 --> 00:16:45,738
ESPECIALLY AFTER I WON.
I'M PRETTY SURE THEY REMOVED ME
235
00:16:45,804 --> 00:16:49,641
FROM THE GROUP CHAT.
[LAUGHTER]
236
00:16:49,708 --> 00:16:57,683
WE WERE ALL SUPPOSED TO GO ON A
TRIP TO IBIZA.
237
00:16:57,750 --> 00:17:05,090
I FOUND OUT I WASN'T INCLUDED,
AND THE ONLY REASON I KNEW THAT
238
00:17:05,157 --> 00:17:07,626
WAS BECAUSE
ELIZABETH DEBICKI AND I HAVE THE
239
00:17:07,693 --> 00:17:12,564
SAME OZEMPIC DEALER.
AT LEAST HERS IS WORKING.
240
00:17:12,631 --> 00:17:15,501
[LAUGHTER]
NOW THAT I THINK ABOUT IT,
241
00:17:15,567 --> 00:17:17,503
WINNING THE EMMY MIGHT HAVE BEEN
THE WORST THING TO EVER HAPPEN
242
00:17:17,569 --> 00:17:26,078
TO ME.
AND THE NOMINEES FOR LEAD
243
00:17:26,145 --> 00:17:31,917
ACTRESS IN A COMEDY SERIES
ARE...
244
00:17:31,984 --> 00:17:34,386
>> UZO ADUBA.
"THE RESIDENCE."
245
00:17:34,453 --> 00:17:37,256
KRISTEN BELL.
"NOBODY WANTS THIS."
246
00:17:37,322 --> 00:17:39,892
QUINTA BRUNSON.
"ABBOTT ELEMENTARY."
247
00:17:39,958 --> 00:17:42,094
AYO EDEBIRI.
"THE BEAR."
248
00:17:42,161 --> 00:17:49,101
JEAN SMART.
"HACKS."
249
00:17:49,168 --> 00:17:56,208
[APPLAUSE]
>> AND THE EMMY GOES TO --
250
00:17:56,275 --> 00:17:59,511
GOD HELP ME.
JEAN SMART.
251
00:17:59,578 --> 00:18:02,414
"HACKS."
[CHEERS AND APPLAUSE]
252
00:18:02,481 --> 00:18:09,988
♪ ♪
>> Announcer: THIS IS THE
253
00:18:10,055 --> 00:18:13,992
SEVENTH EMMY WIN AND 14TH
NOMINATION FOR JEAN SMART, AND
254
00:18:14,059 --> 00:18:19,898
HER FOURTH WIN FOR HER PORTRAYAL
OF DEBORAH VANCE ON "HACKS."
255
00:18:19,965 --> 00:18:30,909
♪ ♪
♪ ♪
256
00:18:30,976 --> 00:18:32,878
>> THANK YOU.
THANK YOU SO MUCH.
257
00:18:32,945 --> 00:18:36,281
YOU HONOR ME SO MUCH.
IF I WAS WALKING LIKE
258
00:18:36,348 --> 00:18:39,751
JOHN WAYNE, IT'S BECAUSE I BROKE
MY KNEE THIS SUMMER AND IT'S NOT
259
00:18:39,818 --> 00:18:42,087
QUITE REPAIRED.
ONE OF THE BEST THINGS ABOUT
260
00:18:42,154 --> 00:18:44,823
WINNING SOMETHING LIKE THIS IS
THAT YOU ACTUALLY GET TO
261
00:18:44,890 --> 00:18:46,058
PUBLICLY THANK THE PEOPLE YOU
WORK WITH, OUR UNBELIEVABLE
262
00:18:46,125 --> 00:18:50,729
CREW, MY INCREDIBLE CAST MATES,
LED BY THE INCOMPARABLE HANNAH
263
00:18:50,796 --> 00:19:00,873
EINBINDER.
[APPLAUSE]
264
00:19:00,939 --> 00:19:05,344
AND OUR SHOW RUNNERS, OH, MY
GOD, BEYOND BRILLIANT.
265
00:19:05,410 --> 00:19:08,280
THERE ARE SO MANY.
EVERYBODY AT HBO MAX AND
266
00:19:08,347 --> 00:19:10,916
UNIVERSAL TELEVISION TV AND THE
TELEVISION ACADEMY, THANK YOU SO
267
00:19:10,983 --> 00:19:12,150
MUCH, AND MY CHILDREN YOU ARE MY
ANCHOR.
268
00:19:12,217 --> 00:19:14,520
JOE, MY CHEERLEADER, EVERYBODY.
LET'S BE GOOD TO EACH OTHER.
269
00:19:14,586 --> 00:19:17,523
LET'S JUST BE GOOD TO EACH
OTHER.
270
00:19:17,589 --> 00:19:25,898
THANK YOU.
[APPLAUSE]
271
00:19:25,964 --> 00:19:27,032
♪ ♪
>> Announcer: COMING UP NEXT,
272
00:19:27,099 --> 00:19:29,768
CATHERINE ZETA-JONES AND
JENNA ORTEGA, AND JUDE LAW TEAMS
273
00:19:29,835 --> 00:19:32,905
UP WITH JASON BATEMAN.
THEN LATER, REBA McENTIRE AND
274
00:19:32,971 --> 00:19:35,574
THE LADIES OF LITTLE BIG TOWN
PAY TRIBUTE TO A LEGENDARY
275
00:19:35,641 --> 00:19:38,877
SITCOM.
ALL THAT AND MORE, HERE AT THE
276
00:19:38,944 --> 00:19:40,946
PEACOCK THEATER IN DOWNTOWN L.A.
THIS IS CBS.
277
00:19:49,988 --> 00:19:50,989
>> Announcer: PLEASE WELCOME
OSCAR WINNER
278
00:19:51,056 --> 00:19:52,891
CATHERINE ZETA-JONES AND EMMY
NOMINEE JENNA ORTEGA.
279
00:19:52,958 --> 00:20:00,699
[APPLAUSE]
♪ ♪
280
00:20:00,766 --> 00:20:07,940
>> GOOD EVENING.
TONIGHT WE CELEBRATE WOMEN
281
00:20:08,006 --> 00:20:11,944
WHO DON'T JUST PLAY ROLES, THEY
TRANSFORM INTO THEM.
282
00:20:12,010 --> 00:20:13,478
>> EACH OF THESE WOMEN'S
PERFORMANCES HAS SPARKED
283
00:20:13,545 --> 00:20:15,447
CONVERSATION AND HAS REMINDED US
OF THEIR DEMANDING, POWERFUL
284
00:20:15,514 --> 00:20:19,217
PRESENCE ON SCREEN.
THEIR IMPACT IS UNDENIABLE.
285
00:20:19,284 --> 00:20:21,386
>> THEY CONTINUE TO RAISE THE
BAR AND WIDEN THE LENS ON HOW WE
286
00:20:21,453 --> 00:20:24,022
SEE THE WORLD.
>> HERE ARE THE NOMINEES FOR
287
00:20:24,089 --> 00:20:27,159
SUPPORTING ACTRESS IN A DRAMA
SERIES.
288
00:20:27,225 --> 00:20:29,828
>> PATRICIA ARQUETTE.
"SEVERANCE."
289
00:20:29,895 --> 00:20:33,365
CARRIE COON.
"THE WHITE LOTUS."
290
00:20:33,432 --> 00:20:35,200
KATHERINE LaNASA.
"THE PITT."
291
00:20:35,267 --> 00:20:37,402
JULIANNE NICHOLSON.
"PARADISE."
292
00:20:37,469 --> 00:20:40,038
PARKER POSEY.
"THE WHITE LOTUS."
293
00:20:40,105 --> 00:20:43,208
NATASHA ROTHWELL.
"THE WHITE LOTUS."
294
00:20:43,275 --> 00:20:48,380
AIMEE LOU WOOD.
"THE WHITE LOTUS."
295
00:20:48,447 --> 00:20:55,187
[APPLAUSE]
>> AND THE EMMY GOES TO...
296
00:20:55,253 --> 00:20:58,790
KATHERINE LaNASA.
"THE PITT."
297
00:20:58,857 --> 00:21:04,596
[CHEERS AND APPLAUSE]
>> Announcer: THIS IS THE
298
00:21:04,663 --> 00:21:10,802
FIRST EMMY WIN AND NOMINATION
FOR CATHERINE ONE ASSET.
299
00:21:10,869 --> 00:21:23,015
FOR KATHERINE LaNASA.
300
00:21:23,081 --> 00:21:24,650
[APPLAUSE]
>> OH MY GOODNESS!
301
00:21:24,716 --> 00:21:28,320
I AM SO PROUD AND HONORED TO
RECEIVE THIS AWARD FROM THE
302
00:21:28,387 --> 00:21:29,454
ACADEMY.
MY WHOLE CAREER I WANTED TO WORK
303
00:21:29,521 --> 00:21:32,658
FOR JOHN WELLS, AND HE ELEVATES
EVERYTHING IN HIS WAKE.
304
00:21:32,724 --> 00:21:35,761
JOHN, I AM SO MUCH BETTER WHEN
YOU ARE AROUND.
305
00:21:35,827 --> 00:21:39,998
MOSTLY BECAUSE I DON'T WANT TO
GET FIRED.
306
00:21:40,065 --> 00:21:44,069
THANK YOU, THE WRITERS, ALL THE
NURSES THAT INSPIRED DANA.
307
00:21:44,136 --> 00:21:52,310
NO A NOAH WYLE AND THE INCOMPARE
"THE PITT" FAMILY.
308
00:21:52,377 --> 00:21:57,582
[LISTING NAMES]
WITHOUT YOU I'M NOTHING.
309
00:21:57,649 --> 00:22:02,621
WARNERS, HBO MAX, AND LASTLY MY
CHILDREN FOR MAKING ME REAL, AND
310
00:22:02,688 --> 00:22:06,525
MY BEAUTIFUL HUSBAND FOR HELPING
ME ALWAYS WITH EVERYTHING.
311
00:22:06,591 --> 00:22:20,439
[APPLAUSE]
♪ ♪
312
00:22:20,505 --> 00:22:32,818
♪ ♪
>> Nate: THAT WAS AN EXPENSIVE
313
00:22:32,884 --> 00:22:35,587
WAVE.
[LAUGHTER]
314
00:22:35,654 --> 00:22:40,125
A LOT OF PEOPLE AT HOME WERE
ASKING, ARE WE PENALIZING THE
315
00:22:40,192 --> 00:22:42,527
PRESENTERS IF THEY GO ALONG OR
SOMETHING?
316
00:22:42,594 --> 00:22:45,163
I JUST WANT TO GET IT STRAIGHT,
WE ARE NOT.
317
00:22:45,230 --> 00:22:49,367
ONLY THE PEOPLE THAT HAVE WORKED
THE HARDEST TO GET HERE.
318
00:22:49,434 --> 00:22:51,937
[LAUGHTER]
I'M BUSY HOSTING, SO I CAN'T
319
00:22:52,003 --> 00:22:53,905
KEEP TRACK OF ALL THE MONEY
STUFF.
320
00:22:53,972 --> 00:22:56,041
SO, TO HELP US TONIGHT, WE HAVE
AN ACTOR, COMEDIAN, AND PROUD
321
00:22:56,108 --> 00:22:58,443
ALUM OF THE BOYS AND GIRLS CLUB
OF AMERICA -- JB SMOOVE.
322
00:22:58,510 --> 00:23:06,017
[APPLAUSE]
>> HEY, MAN, LET'S NOT MAKE THIS
323
00:23:06,084 --> 00:23:10,355
ABOUT ME.
THIS IS ABOUT THE BOYS AND GIRLS
324
00:23:10,422 --> 00:23:11,523
CLUB OF AMERICA, EVERYBODY!
[APPLAUSE]
325
00:23:11,590 --> 00:23:15,227
I WANT TO SAY HELLO TO MY NEW
FRIENDS HERE, TO PAUL AND
326
00:23:15,293 --> 00:23:19,765
KELSEY.
SAY HELLO TO EVERYBODY.
327
00:23:19,831 --> 00:23:22,601
[APPLAUSE]
TAKE THAT JOB ONE DAY, OKAY?
328
00:23:22,667 --> 00:23:25,570
YOU'RE GOING TO TAKE THAT JOB
ONE DAY, RIGHT?
329
00:23:25,637 --> 00:23:30,609
SIT ON DOWN NOW.
[LAUGHTER]
330
00:23:30,675 --> 00:23:34,312
NATE, THIS IS THE MOST AMAZING
IDEA I'VE EVER SEEN.
331
00:23:34,379 --> 00:23:39,384
YOU ARE TRULY AN AMAZING,
AMAZING, AMAZING HOST TONIGHT.
332
00:23:39,451 --> 00:23:42,454
THIS 45 SECONDS, I LOVE IT.
GREAT IDEA, MAN.
333
00:23:42,521 --> 00:23:45,524
WHEN YOU GET UP THERE,
EVERYBODY, PLEASE STICK TO YOUR
334
00:23:45,590 --> 00:23:47,159
TIME.
THIS IS VERY IMPORTANT FOR THESE
335
00:23:47,225 --> 00:23:48,593
YOUNG PEOPLE.
PLEASE.
336
00:23:48,660 --> 00:23:52,130
IF YOU FEEL YOURSELF GOING OVER,
ZIPPED IT!
337
00:23:52,197 --> 00:23:57,135
ZIP IT!
"THERE'S SOMETHING ABOUT MARY,"
338
00:23:57,202 --> 00:24:02,140
YOU HAD TO ZIP IT UP, RIGHT?
YEAH.
339
00:24:02,207 --> 00:24:06,178
[LAUGHTER]
THIS IS GOING TO BE AN AMAZING
340
00:24:06,244 --> 00:24:08,880
NIGHT.
EVERYBODY, PLEASE, I AM A TRUE
341
00:24:08,947 --> 00:24:10,415
ALUM.
I'VE GOT MY JACKET ON.
342
00:24:10,482 --> 00:24:14,152
THIS IS LIKE THE MASTERS JACKET,
BUT BLUE, AND BETTER.
343
00:24:14,219 --> 00:24:20,725
YOU KNOW WHAT I'M SAYING?
NATE, LET'S GO, BABY, BEFORE YOU
344
00:24:20,792 --> 00:24:23,995
START TALKING TO ME, TOO.
>> Nate: WE ARE THREE AWARDS
345
00:24:24,062 --> 00:24:25,964
IN.
WHAT WAS THE NUMBER?
346
00:24:26,031 --> 00:24:28,200
I WANTED TO SEE WHERE WE ARE AT.
WE ARE DOWN.
347
00:24:28,266 --> 00:24:34,272
I'M SORRY.
THIS IS SERIOUS!
348
00:24:34,339 --> 00:24:37,342
THAT'S GOOD FOR ME.
[LAUGHTER]
349
00:24:37,409 --> 00:24:40,846
I WAS BACKSTAGE WITH THESE NEXT
PRESENTERS, AND I'VE SEEN THEM
350
00:24:40,912 --> 00:24:45,951
IN SO MUCH, YOU KNOW?
I COULDN'T REMEMBER THEIR NAMES,
351
00:24:46,017 --> 00:24:48,620
BUT IT WAS -- JUDE LAW, DAD GUM
IT, AND EMMY WINNER
352
00:24:48,687 --> 00:24:52,157
JASON BATEMAN.
I KNEW IT WAS THEM!
353
00:24:52,224 --> 00:25:03,902
[APPLAUSE]
♪ ♪
354
00:25:03,969 --> 00:25:06,571
>> I'M GOING TO GO FIRST.
JASON AND I ARE HERE TO
355
00:25:06,638 --> 00:25:12,611
PRESENT THE EMMY FOR SUPPORTING
ACTOR IN A DRAMA SERIES.
356
00:25:12,677 --> 00:25:14,880
>> THAT'S TRUE, JUDE.
THE ARTISTS WE HONOR TONIGHT
357
00:25:14,946 --> 00:25:16,581
ELEVATED EVERY SCENE THEY
TOUCHED.
358
00:25:16,648 --> 00:25:18,316
THEY DEEPENED THE EMOTIONAL ARCS
OF EVERY EPISODE, AND IGNITED
359
00:25:18,383 --> 00:25:22,220
INCREDIBLE CONFLICT.
>> SIMPLY PUT, THEY MAKE EVERY
360
00:25:22,287 --> 00:25:24,289
SCENE THEY ARE IN UNDENIABLY
MEMORABLE, AND WITHOUT THEM THE
361
00:25:24,356 --> 00:25:28,260
STORY IS INCOMPLETE.
HERE ARE THE NOMINEES.
362
00:25:28,326 --> 00:25:30,662
>> ZACH CHERRY.
"SEVERANCE."
363
00:25:30,729 --> 00:25:33,732
WALTON GOGGINS.
"THE WHITE LOTUS."
364
00:25:33,798 --> 00:25:36,768
JASON ISAACS.
"THE WHITE LOTUS."
365
00:25:36,835 --> 00:25:39,304
JAMES MARSDEN.
"PARADISE."
366
00:25:39,371 --> 00:25:42,207
SAM ROCKWELL.
"THE WHITE LOTUS."
367
00:25:42,274 --> 00:25:45,043
TRAMELL TILLMAN.
"SEVERANCE."
368
00:25:45,110 --> 00:25:51,816
JOHN TURTURRO.
"SEVERANCE."
369
00:25:51,883 --> 00:25:56,621
>> OKAY, THE EMMY GOES TO...
I REALLY HOPE YOU WIN.
370
00:25:56,688 --> 00:26:00,258
TRAMELL TILLMAN.
"SEVERANCE."
371
00:26:00,325 --> 00:26:06,998
[CHEERS AND APPLAUSE]
♪ ♪
372
00:26:07,065 --> 00:26:16,207
>> THIS IS THE FIRST EMMY WIN
AND NOMINATION FOR TRAMELL
373
00:26:16,274 --> 00:26:29,921
TILLMAN.
[APPLAUSE]
374
00:26:29,988 --> 00:26:32,557
♪ ♪
>> YOU REMEMBER WHAT YOU WANT TO
375
00:26:32,624 --> 00:26:34,960
REMEMBER.
YOU MAKE TIME FOR WHAT YOU WANT
376
00:26:35,026 --> 00:26:38,663
TO MAKE TIME FOR.
DO THE WORK, SHOW UP, AND MOST
377
00:26:38,730 --> 00:26:42,701
IMPORTANTLY, FOR THE LOVE OF
GOD, DON'T EMBARRASS ME IN
378
00:26:42,767 --> 00:26:45,070
PUBLIC.
[LAUGHTER]
379
00:26:45,136 --> 00:26:49,274
MY FIRST ACTING COACH WAS TOUGH,
Y'ALL, BUT ALL GREAT MOTHERS
380
00:26:49,341 --> 00:26:56,081
ARE.
[LAUGHTER AND APPLAUSE]
381
00:26:56,147 --> 00:26:58,817
MAMA, YOU ARE THERE FOR ME WHEN
NO ONE ELSE WAS, AND NO ONE ELS
382
00:26:58,883 --> 00:27:04,222
WOULD SHOW UP.
YOUR LOVING-KINDNESS STAYS WITH
383
00:27:04,289 --> 00:27:08,693
ME.
AND THIS IS FOR YOU.
384
00:27:08,760 --> 00:27:12,364
THANK YOU TO THE ACADEMY.
I AM FULL, I AM HUMBLED, I AM
385
00:27:12,430 --> 00:27:17,669
HONORED, AND AS MY MAMA WOULD
SAY, OOH, LOOK AT GOD!
386
00:27:17,736 --> 00:27:25,910
[APPLAUSE]
♪ ♪
387
00:27:25,977 --> 00:27:29,214
>> Announcer: COMING UP,
REBA McENTIRE AND THE LADIES OF
388
00:27:29,280 --> 00:27:32,917
LITTLE BIG TOWN, KAREN FAIRCHILD
AND KIMBERLY SCHLAPMAN, TOAST
389
00:27:32,984 --> 00:27:36,688
"THE GOLDEN GIRLS."
PLUS ANGELA BASSETT PRESENTS THE
390
00:27:36,755 --> 00:27:39,524
AWARD FOR LEAD ACTRESS IN A
DRAMA.
391
00:27:39,591 --> 00:27:40,592
THIS IS CBS.
♪ ♪
392
00:27:55,006 --> 00:27:55,940
>> Announcer: PLEASE WELCOME
393
00:27:56,007 --> 00:27:58,943
EMMY WINNER ANGELA BASSETT.
[APPLAUSE]
394
00:27:59,010 --> 00:28:12,757
♪ ♪
♪ ♪
395
00:28:12,824 --> 00:28:16,161
>> THE LEAD ACTRESS IN A DRAMA
DOESN'T JUST SHOW UP TO WORK
396
00:28:16,227 --> 00:28:20,265
EACH DAY TO "ACT."
THEY MUST TRANSFORM.
397
00:28:20,331 --> 00:28:24,102
THEY MUST COMMAND OUR SCREENS
WITH A PRESENCE SO CAPTIVATING
398
00:28:24,169 --> 00:28:26,871
THAT WE REMEMBER THEIR
PERFORMANCES LONG AFTER THE
399
00:28:26,938 --> 00:28:32,177
FINAL CREDIT FADES TO BLACK.
THIS YEAR'S NOMINEES FOR LEAD
400
00:28:32,243 --> 00:28:37,082
ACTRESS IN A DRAMA SERIES DIDN'T
JUST PLAY CHARACTERS, THEY GAVE
401
00:28:37,148 --> 00:28:42,187
US A MASTERCLASS IN ACTING THAT
WAS JUST ELECTRIFYING.
402
00:28:42,253 --> 00:28:45,290
>> KATHY BATES.
"MATLOCK."
403
00:28:45,356 --> 00:28:48,393
SHARON HORGAN.
"BAD SISTERS."
404
00:28:48,460 --> 00:28:50,995
BRITT LOWER.
"SEVERANCE."
405
00:28:51,062 --> 00:28:54,132
BELLA RAMSEY.
"THE LAST OF US."
406
00:28:54,199 --> 00:29:01,506
KERI RUSSELL.
"THE DIPLOMAT."
407
00:29:01,573 --> 00:29:08,646
>> AND THE EMMY GOES TO...
BRITT LOWER.
408
00:29:08,713 --> 00:29:13,985
[CHEERS AND APPLAUSE]
♪ ♪
409
00:29:14,052 --> 00:29:16,454
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
410
00:29:16,521 --> 00:29:24,496
FOR BRITT LOWER.
♪ ♪
411
00:29:24,562 --> 00:29:38,243
♪ ♪
>> FIRST, IT IS A PRIVILEGE EVEN
412
00:29:38,309 --> 00:29:41,045
BE MENTIONED ALONGSIDE SUCH AN
INCREDIBLE GROUP OF ARTISTS.
413
00:29:41,112 --> 00:29:43,114
WOW.
I SHARE THIS AWARD WITH MY
414
00:29:43,181 --> 00:29:47,418
HEROIC CAST AND CREW WHOSE WORK
CATALYZES MINE.
415
00:29:47,485 --> 00:29:51,589
I AM FOREVER GRATEFUL TO THE
VISIONARY HEARTS OF DAN,
416
00:29:51,656 --> 00:29:58,963
JESSICA, ADAM, AND THEN.
THANK YOU TO THE ACADEMY,
417
00:29:59,030 --> 00:30:04,002
APPLE TV+, AND TO MY FANS, OUR
FANS, TO MY TEAM --
418
00:30:04,068 --> 00:30:07,071
[LISTING NAMES]
MY TEACHERS, MY MOM AND MY DAD,
419
00:30:07,138 --> 00:30:10,775
MY BROTHER, MY HUSBAND, OUR
KIDS, OUR COPARENTS, OUR CHOSEN
420
00:30:10,842 --> 00:30:12,644
FAMILY.
I LOVE YOU SO MUCH.
421
00:30:12,710 --> 00:30:19,384
THANK YOU FOR THIS, AND
THANK YOU FOR CHOOSING ME.
422
00:30:19,450 --> 00:30:28,092
[APPLAUSE]
♪ ♪
423
00:30:28,159 --> 00:30:37,402
♪ ♪
>> Nate: 40 YEARS AGO TONIGHT,
424
00:30:37,468 --> 00:30:43,775
"THE GOLDEN GIRLS" PREMIERED ON
NBC.
425
00:30:43,841 --> 00:30:49,747
[APPLAUSE]
IT WAS AN INSTANT CLASSIC.
426
00:30:49,814 --> 00:30:52,183
IT WAS A LITTLE EDGIER THAN
PEOPLE REMEMBER.
427
00:30:52,250 --> 00:30:53,885
GROWING UP, I WAS NOT ALLOWED TO
WATCH THE BLANCHE PARTS.
428
00:30:53,952 --> 00:30:56,821
[LAUGHTER]
HERE TO CELEBRATE THE 40TH
429
00:30:56,888 --> 00:30:59,624
ANNIVERSARY OF THE SHOW, AND TO
PRESENT THE AWARD FOR BEST
430
00:30:59,691 --> 00:31:03,861
SUPPORTING ACTRESS IN A COMEDY
SERIES, PLEASE WELCOME
431
00:31:03,928 --> 00:31:07,966
REBA McENTIRE AND LITTLE BIG
TOWN'S KAREN FAIRCHILD AND
432
00:31:08,032 --> 00:31:14,973
KIMBERLY SCHLAPMAN.
[APPLAUSE]
433
00:31:15,039 --> 00:31:18,710
♪ ♪
>> SINGING IT FOR THE GIRLS!
434
00:31:18,776 --> 00:31:20,945
>> ♪ THANK YOU FOR BEING A
FRIEND ♪
435
00:31:21,012 --> 00:31:23,748
♪ TRAVELED DOWN A ROAD AND BACK
AGAIN ♪
436
00:31:23,815 --> 00:31:31,022
♪ YOUR HEART IS TRUE ♪
♪ YOU'RE A PAL AND A CONFIDANT ♪
437
00:31:31,089 --> 00:31:34,459
♪ ♪
>> ♪ AND IF YOU THREW A PARTY ♪
438
00:31:34,525 --> 00:31:39,831
♪ INVITED EVERYONE YOU KNEW ♪
>> ♪ YOU WOULD SEE THE BIGGEST
439
00:31:39,897 --> 00:31:43,568
GIFT WOULD BE FROM ME ♪
♪ AND THE CARD ATTACHED WOULD
440
00:31:43,635 --> 00:31:46,237
SAY ♪
>> ♪ THANK YOU FOR BEING A
441
00:31:46,304 --> 00:31:54,145
FRIEND ♪
>> ♪ AND IF YOU THREW A PARTY ♪
442
00:31:54,212 --> 00:32:00,551
♪ INVITED EVERYONE YOU KNEW ♪
>> ♪ YOU WOULD SEE THE BIGGEST
443
00:32:00,618 --> 00:32:04,589
GIFT WOULD BE FROM ME ♪
♪ AND THE CARD ATTACHED WOULD
444
00:32:04,656 --> 00:32:07,725
SAY ♪
>> ♪ THANK YOU FOR BEING A
445
00:32:07,792 --> 00:32:11,596
FRIEND ♪
>> ♪ THANK YOU FOR BEING A
446
00:32:11,663 --> 00:32:15,933
FRIEND ♪
>> ♪ THANK YOU FOR BEING A
447
00:32:16,000 --> 00:32:20,171
FRIEND ♪
>> ♪ THANK YOU FOR BEING A
448
00:32:20,238 --> 00:32:29,747
FRIEND ♪
♪ ♪
449
00:32:29,814 --> 00:32:44,696
[APPLAUSE]
>> HERE IT COMES.
450
00:32:44,762 --> 00:32:46,931
[APPLAUSE]
>> HERE IT COMES.
451
00:32:46,998 --> 00:32:49,867
BLANCHE, DOROTHY, SOPHIA, AND
ROSE -- ICONIC CHARACTERS WHO WE
452
00:32:49,934 --> 00:32:52,203
CONTINUE TO LOVE 40 YEARS AFTER
THEY FIRST GRACED OUR TELEVISION
453
00:32:52,270 --> 00:32:56,341
SCREENS.
>> TO THE CHARACTERS AND THE
454
00:32:56,407 --> 00:33:00,111
LEGENDS WHO BROUGHT THEM TO
LIFE, THANK YOU FOR BEING OUR
455
00:33:00,178 --> 00:33:03,981
FRIENDS.
>> HERE ARE THE NOMINEES FOR
456
00:33:04,048 --> 00:33:08,086
SUPPORTING ACTRESS IN A COMEDY
SERIES.
457
00:33:08,152 --> 00:33:10,154
>> LIZA COLÓN-ZAYAS.
"THE BEAR."
458
00:33:10,221 --> 00:33:11,923
HANNAH EINBINDER.
"HACKS."
459
00:33:11,989 --> 00:33:14,492
KATHRYN HAHN.
"THE STUDIO."
460
00:33:14,559 --> 00:33:16,761
JANELLE JAMES.
"ABBOTT ELEMENTARY."
461
00:33:16,828 --> 00:33:19,364
CATHERINE O'HARA.
"THE STUDIO."
462
00:33:19,430 --> 00:33:21,733
SHERYL LEE RALPH.
"ABBOTT ELEMENTARY."
463
00:33:21,799 --> 00:33:28,773
JESSICA WILLIAMS.
"SHRINKING."
464
00:33:28,840 --> 00:33:32,377
>> AND THE EMMY GOES TO...
HANNAH EINBINDER.
465
00:33:32,443 --> 00:33:40,785
"HACKS."
[CHEERS AND APPLAUSE]
466
00:33:40,852 --> 00:33:44,422
>> Announcer: THIS IS THE
FIRST EMMY WIN AND FOURTH
467
00:33:44,489 --> 00:33:51,529
NOMINATION IN THIS CATEGORY FOR
HANNAH EINBINDER FOR HER PORTRAY
468
00:33:51,596 --> 00:33:59,804
PORTRAYAL ON "HACKS."
♪ ♪
469
00:33:59,871 --> 00:34:03,775
>> CONGRATULATIONS!
>> WOW.
470
00:34:03,841 --> 00:34:08,479
THANK YOU SO MUCH!
THANK YOU.
471
00:34:08,546 --> 00:34:12,550
WOW.
YEAH, SORRY, I'M THINKING OUT
472
00:34:12,617 --> 00:34:15,052
LOUD HERE.
I WAS JUST REALLY COMMITTED TO
473
00:34:15,119 --> 00:34:17,855
THE PERSONAL NARRATIVE I HAD
THAT IT'S ACTUALLY COOLER TO
474
00:34:17,922 --> 00:34:20,958
CONTINUE TO LOSE.
I WAS PRETTY COMMITTED TO THAT.
475
00:34:21,025 --> 00:34:24,829
HAD TO BE, RIGHT?
BUT THIS IS COOL, TOO.
476
00:34:24,896 --> 00:34:27,298
THIS IS ALSO A PUNK ROCK.
[LAUGHTER]
477
00:34:27,365 --> 00:34:31,369
I WANT TO THANK THE CREATORS OF
"HACKS."
478
00:34:31,436 --> 00:34:34,439
[LISTING NAMES]
FOR CHANGING MY LIFE IN EVERY
479
00:34:34,505 --> 00:34:37,175
CONCEIVABLE WAY.
NOT JUST BY GIVING ME A GREAT
480
00:34:37,241 --> 00:34:41,312
GIG, BUT BY BEING MY FRIENDS AND
BEING MY FAMILY.
481
00:34:41,379 --> 00:34:44,982
OH, HERE I GO.
[VOICE BREAKING]
482
00:34:45,049 --> 00:34:49,687
AND I WANT TO THANK JEAN SMART,
WHO IS LIKE THE SUN AND I GET TO
483
00:34:49,754 --> 00:34:53,624
STAND IN HER WARMTH.
I ALSO WANT TO THANK THE CAST
484
00:34:53,691 --> 00:34:56,360
AND CREW OF "HACKS."
FINALLY -- I WILL BE THE
485
00:34:56,427 --> 00:34:59,230
DIFFERENCE, SORRY.
[LAUGHTER]
486
00:34:59,297 --> 00:35:07,205
FINALLY, I JUST WANT TO SAY GO
BIRDS.
487
00:35:07,271 --> 00:35:11,542
AND FREE PALESTINE.
THANK YOU.
488
00:35:11,609 --> 00:35:19,917
[APPLAUSE]
♪ ♪
489
00:35:19,984 --> 00:35:20,918
♪ ♪
>> Announcer: COMING UP, AN
490
00:35:20,985 --> 00:35:24,055
APPEARANCE BY LEANNE MORGAN.
THEN, JAMES MARSDEN,
491
00:35:24,121 --> 00:35:28,192
STERLING K. BROWN, AND
JULIANNE NICHOLSON PRESENT THE
492
00:35:28,259 --> 00:35:33,264
AWARD FOR SUPPORTING ACTOR IN A
COMEDY SERIES.
493
00:35:47,011 --> 00:35:49,947
♪ ♪
>> Nate: WELCOME BACK TO THE
494
00:35:50,014 --> 00:35:52,950
EMMYS.
CONGRATULATIONS, HANNAH.
495
00:35:53,017 --> 00:35:56,554
I BELIEVE SHE SAID SHE WAS GOING
TO PAY FOR IT.
496
00:35:56,621 --> 00:36:00,591
I JUST WANT TO MAKE SURE THEY
SEPARATE THAT FROM THE AMOUNT I
497
00:36:00,658 --> 00:36:01,726
SAID.
[LAUGHTER]
498
00:36:01,792 --> 00:36:06,063
I WILL FIND HER LATER.
SHE ALSO CURSED, AND LET ME TELL
499
00:36:06,130 --> 00:36:10,334
YOU, I WILL START A SWEAR JAR
WHEELS ASKED IF Y'ALL DON'T --
500
00:36:10,401 --> 00:36:14,105
[LAUGHTER]
WHAT IS THE MONEY AT?
501
00:36:14,171 --> 00:36:17,174
I KNOW.
IT'S TOUGH WHEN YOU SEE IT ON
502
00:36:17,241 --> 00:36:21,145
TV.
[LAUGHTER]
503
00:36:21,212 --> 00:36:26,918
$80,000.
IT IS ALL GOING TO WORK OUT.
504
00:36:26,984 --> 00:36:29,320
JUST WHEN EVERYBODY THOUGHT THEY
CAN'T UNDERSTAND WHAT I'M
505
00:36:29,387 --> 00:36:32,423
SAYING, I THOUGHT, LET'S BRING
OUT SOMEONE WITH A THICKER
506
00:36:32,490 --> 00:36:35,226
TENNESSEE ACCENT THAN MINE.
FROM THE NETFLIX SITCOM
507
00:36:35,293 --> 00:36:39,330
"LEANNE," PLEASE WELCOME MY
DEAR FRIEND LEANNE MORGAN.
508
00:36:39,397 --> 00:36:44,302
[APPLAUSE]
♪ ♪
509
00:36:44,368 --> 00:36:56,080
♪ ♪
>> OH, MY GOSH, I'M SO TICKLED
510
00:36:56,147 --> 00:36:57,949
TO BE HERE!
THIS HAS BEEN A DREAM OF MINE
511
00:36:58,015 --> 00:37:03,888
SINCE I WAS A LITTLE BITTY GIRL,
AND Y'ALL ARE JUST AS BEAUTIFUL
512
00:37:03,955 --> 00:37:06,991
AS I THOUGHT Y'ALL WERE GOING TO
BE.
513
00:37:07,058 --> 00:37:10,995
PEDRO PASCAL, LOOK AT YOU!
MY DARLING!
514
00:37:11,062 --> 00:37:13,798
[LAUGHTER]
HONEY!
515
00:37:13,864 --> 00:37:20,538
OH, MY GOSH, EVERYBODY IS SO
DISCIPLINED AND TINY.
516
00:37:20,605 --> 00:37:25,209
WALTON GOGGINS, I COULD NOT GET
MY TOE IN HIS PANTS.
517
00:37:25,276 --> 00:37:26,944
Y'ALL ARE ALL BEAUTIFUL.
OH, MY GOSH.
518
00:37:27,011 --> 00:37:34,318
I KNOW, I'VE GOT TO GET ON THIS.
OH, NOT THAT YET.
519
00:37:34,385 --> 00:37:36,887
[LAUGHTER]
CAN Y'ALL TELL I'M SO EXCITED?
520
00:37:36,954 --> 00:37:40,725
OKAY.
CAN I PULL YOU IN FOR A CHAT?
521
00:37:40,791 --> 00:37:44,695
THAT'S WHAT ALL THOSE YOUNG
PEOPLE SAY ON "LOVE ISLAND," AND
522
00:37:44,762 --> 00:37:47,465
I'M SO OBSESSED WITH THAT SHOW!
IN FACT, AS SOMEONE WHO'S
523
00:37:47,531 --> 00:37:49,133
MARRIED AND A MOM, I AM OBSESSED
WITH EVERY NOMINEE IN THE
524
00:37:49,200 --> 00:37:51,469
REALITY COMPETITION SERIES
CATEGORY.
525
00:37:51,535 --> 00:37:57,274
Y'ALL STAY WITH ME ON THIS.
PEDRO.
526
00:37:57,341 --> 00:37:58,442
[LAUGHTER]
"THE AMAZING RACE" DESCRIBES ME
527
00:37:58,509 --> 00:38:03,047
GETTING TO THE AIRPORT.
[APPLAUSE]
528
00:38:03,114 --> 00:38:05,149
MY MAKEUP WILL NEVER BE AS GOOD
AS ALL THOSE BEAUTIES ON
529
00:38:05,216 --> 00:38:10,988
"RuPAUL'S DRAG RACE."
[CHEERS AND APPLAUSE]
530
00:38:11,055 --> 00:38:18,229
"SURVIVOR."
[APPLAUSE]
531
00:38:18,295 --> 00:38:21,399
I'M A SURVIVOR.
I'VE BEEN MARRIED FOR 33 YEARS.
532
00:38:21,465 --> 00:38:27,638
I'M THE "TOP CHEF" IN MY HOUSE.
"TOP CHEF!"
533
00:38:27,705 --> 00:38:29,840
ANY MOM WHO PLAYS MAHJONG CAN
RELATE TO THE TREACHERY,
534
00:38:29,907 --> 00:38:38,916
GOSSIP, AND BACKSTABBING ON
"THE TRAITORS."
535
00:38:38,983 --> 00:38:41,585
[APPLAUSE]
I DON'T PLAY MAHJONG.
536
00:38:41,652 --> 00:38:44,955
I DON'T HAVE IT IN ME TO LEARN
NEW THINGS.
537
00:38:45,022 --> 00:38:48,759
AND THOSE ARE THE NOMINEES FOR
THE REALITY COMPETITION PROGRAM.
538
00:38:48,826 --> 00:38:56,434
AND THE EMMY GOES TO...
"THE TRAITORS."
539
00:38:56,500 --> 00:39:05,543
[CHEERS AND APPLAUSE]
♪ ♪
540
00:39:05,609 --> 00:39:08,279
>> Announcer: "THE TRAITORS"
HAS WON ALL FIVE OF THEIR
541
00:39:08,345 --> 00:39:12,116
NOMINATIONS THIS YEAR.
THIS IS THE SECOND CONSECUTIVE
542
00:39:12,183 --> 00:39:14,351
WINS CATEGORY.
ACCEPTING THE EMMY ON THEIR
543
00:39:14,418 --> 00:39:17,855
BEHALF IS TO BE 26.
>> QUICK, EVERYONE, THE CLOCK IS
544
00:39:17,922 --> 00:39:21,592
TICKING AND WE HAVE A SHIELD!
THANK YOU TO THE ACADEMY, THE
545
00:39:21,659 --> 00:39:22,960
SPORT IS A LOVELY.
WE APPRECIATE IT.
546
00:39:23,027 --> 00:39:27,231
THANKS EVERYONE HE WATCHES THE
SHOW AND ALL THE PEOPLE WHO HAVE
547
00:39:27,298 --> 00:39:28,432
"TRAITORS" PARTIES AND DRESS UP
AS ME.
548
00:39:28,499 --> 00:39:30,901
WE SEE YOU AND WE LOVE YOU.
THANK YOU TO PEACOCK, THE BEST
549
00:39:30,968 --> 00:39:35,606
COLLABORATORS.
THANK YOU TO STUDIO LAMBERT TO
550
00:39:35,673 --> 00:39:41,746
BE SO FECUND.
THANK YOU TO OUR CRAZY CAST AT
551
00:39:41,812 --> 00:39:43,914
OUR CREW AND SCOTLAND WHO HAD TO
UNDERSTAND THE CONCEPT OF THE
552
00:39:43,981 --> 00:39:45,583
SCOTTISH SUMMER AS SOMETIMES
OXYMORONIC.
553
00:39:45,649 --> 00:39:47,952
IT'S A DIFFICULT TIM WE LIVE IN
BUT IT IS SO GREAT THAT OUR SHOW
554
00:39:48,018 --> 00:39:50,821
BRINGS A LITTLE BIT OF JOY INTO
THIS LIFE.
555
00:39:50,888 --> 00:39:54,658
TALKING OF JOY, THANK YOU, GRANT
SCHAEFER, WHO BRINGS JOY INTO MY
556
00:39:54,725 --> 00:39:57,361
LIFE EVERY SINGLE DAY.
THANK YOU SO MUCH.
557
00:39:57,428 --> 00:40:06,403
[APPLAUSE]
♪ ♪
558
00:40:06,470 --> 00:40:15,746
♪ ♪
>> Announcer: PLEASE WELCOME
559
00:40:15,813 --> 00:40:18,582
TWO-TIME EMMY NOMINEE
JAMES MARSDEN, EMMY
560
00:40:18,649 --> 00:40:20,518
WINNER JULIANNE NICHOLSON, AND
THREE-TIME EMMY WINNER
561
00:40:20,584 --> 00:40:22,253
STERLING K. BROWN.
[APPLAUSE]
562
00:40:22,319 --> 00:40:31,028
♪ ♪
>> DON'T WORRY ABOUT US!
563
00:40:31,095 --> 00:40:32,429
GREAT TO SHARE THE EMMYS
STAGE WITH TWO OF MY ALL-TIME
564
00:40:32,496 --> 00:40:33,964
FAVORITE SCENE PARTNERS.
>> COME ON, JAMES.
565
00:40:34,031 --> 00:40:35,666
YOU KNOW YOU'RE THE MAN.
I LOVE WORKING WITH YOU BOTH ON
566
00:40:35,733 --> 00:40:37,868
"PARADISE."
>> AND THANK YOU ALL FOR THE
567
00:40:37,935 --> 00:40:41,338
LOVE YOU'VE SHOWN TO OUR SHOW.
>> BUT WE ARE A LITTLE BIT
568
00:40:41,405 --> 00:40:45,309
MIFFED ABOUT OUR SHOW NOT BEING
VIEWED AS A COMEDY.
569
00:40:45,376 --> 00:40:47,545
>> AFTER ALL, JULIANNE WON AN
EMMY FOR HER COMEDIC PERFORMANCE
570
00:40:47,611 --> 00:40:51,415
ON "HACKS."
[APPLAUSE]
571
00:40:51,482 --> 00:40:53,484
>> AND, STERLING, YOU'VE BEEN
NOMINATED FOR YOUR COMEDIC
572
00:40:53,551 --> 00:40:55,553
PERFORMANCES IN
"BROOKLYN NINE-NINE" AND
573
00:40:55,619 --> 00:40:59,957
"THE MARVELOUS MRS. MAISEL."
>> THANK YOU VERY MUCH.
574
00:41:00,024 --> 00:41:04,595
AND, JAMES, YOU WERE
NOMINATED FOR "JURY DUTY."
575
00:41:04,662 --> 00:41:09,900
AND THAT'S FUNNY STUFF.
>> THANK YOU.
576
00:41:09,967 --> 00:41:11,435
SO I JUST DON'T GET HOW THREE
COMEDIC POWERHOUSES WERE
577
00:41:11,502 --> 00:41:14,705
OVERLOOKED FOR OUR WORK IN
"PARADISE."
578
00:41:14,772 --> 00:41:16,640
>> WHAT'S FUNNIER THAN 25,000
PEOPLE EVADING THE END OF THE
579
00:41:16,707 --> 00:41:18,209
WORLD BY MOVING INTO A BUNKER?
COMPARED TO HEADLINES THESE
580
00:41:18,275 --> 00:41:23,948
DAYS, THAT'S POSITIVELY
FEEL-GOOD TV.
581
00:41:24,014 --> 00:41:26,717
>> AND IT'S EVEN FUNNIER HOW
YOUR WIFE IN THE SHOW MISSED THE
582
00:41:26,784 --> 00:41:31,856
PLANE THAT TOOK US TO THE
BUNKER, BUT YOUR BARBER DIDN'T.
583
00:41:31,922 --> 00:41:36,460
BECAUSE YOUR FADE WAS TIGHT
EVERY EPISODE.
584
00:41:36,527 --> 00:41:42,366
>> I'VE GOT TO KEEP THIS TIGHT,
BABY, YOU KNOW WHAT I'M SAYING.
585
00:41:42,433 --> 00:41:44,501
>> SO, EMMY VOTERS, KEEP US IN
MIND FOR NEXT YEAR.
586
00:41:44,568 --> 00:41:46,804
>> NOW, HERE ARE THE NOMINEES
FOR SUPPORTING ACTOR IN A COMEDY
587
00:41:46,871 --> 00:41:48,706
SERIES.
>> IKE BARINHOLTZ.
588
00:41:48,772 --> 00:41:50,741
"THE STUDIO."
COLMAN DOMINGO.
589
00:41:50,808 --> 00:41:52,409
"THE FOUR SEASONS."
HARRISON FORD.
590
00:41:52,476 --> 00:41:54,178
"SHRINKING."
JEFF HILLER.
591
00:41:54,245 --> 00:41:56,614
"SOMEBODY SOMEWHERE."
EBON MOSS-BACHRACH.
592
00:41:56,680 --> 00:41:58,782
"THE BEAR."
MICHAEL URIE.
593
00:41:58,849 --> 00:42:01,285
"SHRINKING."
BOWEN YANG.
594
00:42:01,352 --> 00:42:09,927
"SATURDAY NIGHT LIVE."
>> OKAY, AND THE EMMY GOES TO...
595
00:42:09,994 --> 00:42:14,765
JEFF HILLER.
"SOMEBODY SOMEWHERE."
596
00:42:14,832 --> 00:42:19,803
[CHEERS AND APPLAUSE]
♪ ♪
597
00:42:19,870 --> 00:42:22,706
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
598
00:42:22,773 --> 00:42:26,877
FOR JEFF HILLER.
[APPLAUSE]
599
00:42:26,944 --> 00:42:35,219
♪ ♪
♪ ♪
600
00:42:35,286 --> 00:42:41,792
>> CONGRATS!
>> I FEEL LIKE I'M GOING TO CRY,
601
00:42:41,859 --> 00:42:46,063
BECAUSE FOR THE PAST 25 YEARS I
HAVE BEEN LIKE, WORLD, I WANT TO
602
00:42:46,130 --> 00:42:48,699
BE AN ACTOR!
IN THE WORLD WAS LIKE, MAYBE
603
00:42:48,766 --> 00:42:50,935
COMPUTERS.
[LAUGHTER]
604
00:42:51,001 --> 00:42:55,439
I JUST WANT TO SAY THANK YOU TO
HBO FOR PUTTING A SHOW ABOUT
605
00:42:55,506 --> 00:43:01,979
SWEATY MIDDLE-AGE PEOPLE ON THE
SAME NETWORK AS THE SEXY TEENS
606
00:43:02,046 --> 00:43:04,748
OF "EUPHORIA."
[LAUGHTER]
607
00:43:04,815 --> 00:43:09,620
THANK YOU TO THE DUPLASS
BROTHERS.
608
00:43:09,687 --> 00:43:12,756
[LISTING NAMES]
FOR WRITING A SHOW THAT
609
00:43:12,823 --> 00:43:16,827
CONNECTING AND LOVE IN THIS TIME
WHEN COMPASSION IS SEEN AS A
610
00:43:16,894 --> 00:43:18,595
WEAKNESS.
THANK YOU TO MY SWEET HUSBAND
611
00:43:18,662 --> 00:43:20,931
AND MY FAMILY FOR NEVER LAUGHING
AT ME, AND MOST OF ALL,
612
00:43:20,998 --> 00:43:24,301
THANK YOU, BRIDGET EVERETT.
YOU CHANGED MY LIFE AND YOU TOLD
613
00:43:24,368 --> 00:43:28,339
SO MANY PEOPLE TO BELIEVE IN
THEMSELVES, AND THEY DO.
614
00:43:28,405 --> 00:43:35,946
THANK YOU.
[APPLAUSE]
615
00:43:36,013 --> 00:43:37,114
♪ ♪
>> Announcer: COMING UP NEXT,
616
00:43:37,181 --> 00:43:39,049
WALTON GOGGINS, PARKER POSEY,
AND ELIZABETH BANKS TAKE THE
617
00:43:39,116 --> 00:43:42,252
STAGE.
LATER, WE CELEBRATE 35 YEARS OF
618
00:43:42,319 --> 00:43:46,023
"LAW & ORDER."
AND STILL AHEAD, LAINEY WILSON
619
00:43:46,090 --> 00:43:51,228
AND VINCE GILL SALUTE THE
LEGENDS WE LOST THIS YEAR.
620
00:43:51,295 --> 00:43:52,296
THIS IS CBS.
♪ ♪
621
00:44:11,982 --> 00:44:16,353
>> Nate: WELCOME BACK TO THE
EMMYS.
622
00:44:16,420 --> 00:44:20,924
BEFORE I BRING UP THE NEXT
PRESENTERS, JUST SO YOU KNOW,
623
00:44:20,991 --> 00:44:25,195
THE MONEY -- I THINK WE ARE
AT -- I DON'T KNOW, IS A GOOD?
624
00:44:25,262 --> 00:44:29,800
OH, GOOD NIGHT.
ALL RIGHT.
625
00:44:29,867 --> 00:44:32,770
IT'S GOING GOOD FOR ME.
[LAUGHTER]
626
00:44:32,836 --> 00:44:35,272
BEFORE I MET OUR NEXT
PRESENTERS, I THOUGHT THEY WERE
627
00:44:35,339 --> 00:44:37,841
GOING TO BE A LOT.
BUT THEY WERE ACTUALLY QUITE
628
00:44:37,908 --> 00:44:40,377
LOVELY.
PLEASE WELCOME EMMY NOMINEES
629
00:44:40,444 --> 00:44:43,614
WALTON GOGGINS AND PARKER POSEY.
[APPLAUSE]
630
00:44:43,680 --> 00:44:56,260
♪ ♪
♪ ♪
631
00:44:56,326 --> 00:44:59,496
>> WE SPENT EIGHT MONTHS IN
THAILAND SHOOTING THE THIRD
632
00:44:59,563 --> 00:45:07,771
SEASON OF "THE WHITE LOTUS."
>> YES, IT WAS SO BEAUTIFUL
633
00:45:07,838 --> 00:45:09,840
THERE!
AND THE FOOD WAS DELICIOUS.
634
00:45:09,907 --> 00:45:13,944
JUST DIVINE.
>> IT WAS, WASN'T IT?
635
00:45:14,011 --> 00:45:15,546
I WISH I HAD SOME RIGHT NOW.
>> THAI THAI FOOD, OR AMERICAN
636
00:45:15,612 --> 00:45:19,917
THAI FOOD?
>> THAI THAI FOOD.
637
00:45:19,983 --> 00:45:22,019
>> YOU ARE TIRED?
>> I'M NOT TIRED.
638
00:45:22,086 --> 00:45:24,922
I JUST WANT SOME THAI FOOD THAT
YOU ONLY GET IN THAILAND.
639
00:45:24,988 --> 00:45:29,927
>> THIS IS MAKING ME HUNGRY.
>> OKAY, BUT FIRST WE HAVE TO
640
00:45:29,993 --> 00:45:31,495
SHOW THE NOMINEES FOR
OUTSTANDING DIRECTING FOR A
641
00:45:31,562 --> 00:45:33,564
COMEDY SERIES.
>> AYO EDEBIRI.
642
00:45:33,630 --> 00:45:37,935
"THE BEAR."
LUCIA ANIELLO.
643
00:45:38,001 --> 00:45:40,003
"HACKS."
JAMES BURROWS.
644
00:45:40,070 --> 00:45:42,506
"MID-CENTURY MODERN."
NATHAN FIELDER.
645
00:45:42,573 --> 00:45:44,908
"THE REHEARSAL."
SETH ROGEN AND EVAN GOLDBERG.
646
00:45:44,975 --> 00:45:57,855
"THE STUDIO."
>> AND THE EMMY GOES TO...
647
00:45:57,921 --> 00:46:02,426
SETH ROGEN!
[CHEERS AND APPLAUSE]
648
00:46:02,493 --> 00:46:13,871
♪ ♪
♪ ♪
649
00:46:13,937 --> 00:46:17,474
>> I THINK WE SHARE THIS, WHICH
IS PRETTY COOL.
650
00:46:17,541 --> 00:46:20,110
>> I CALL THE TOP.
>> OKAY, THANKS.
651
00:46:20,177 --> 00:46:22,746
THANK YOU AGAIN, THIS IS SO
LOVELY.
652
00:46:22,813 --> 00:46:25,149
THANK YOU TO OUR CAST AND CREW
WITHOUT HIM OBVIOUSLY THIS WOULD
653
00:46:25,215 --> 00:46:29,186
NOT BE POSSIBLE.
[LISTING NAMES]
654
00:46:29,253 --> 00:46:32,923
ALL OF YOU.
THE WAY THAT WE MAKE THIS SHOW,
655
00:46:32,990 --> 00:46:35,926
EVERYONE REALLY HAS TO COME
TOGETHER IN SORT OF A GLORIOUS
656
00:46:35,993 --> 00:46:36,927
PASSION, SO THANK YOU ALL FOR
YOUR HARD WORK.
657
00:46:36,994 --> 00:46:40,931
THIS WOULD NOT BE POSSIBLE
WITHOUT ALL OF YOU.
658
00:46:40,998 --> 00:46:43,734
>> THOSE ARE THOSE PEOPLE, AND I
JUST WANT TO THANK MY FAMILY, MY
659
00:46:43,800 --> 00:46:47,104
KIDS, DUSTY AND BOOMER, AND MY
WIFE, LISA.
660
00:46:47,171 --> 00:46:51,708
>> I LOVE MY WIFE!
HE SAID YOU WOULDN'T DO THIS!
661
00:46:51,775 --> 00:46:53,911
>> AND MILLIE, I WANT TO THANK
HER.
662
00:46:53,977 --> 00:46:57,214
>> WE ARE UNDER!
THANK YOU!
663
00:46:57,281 --> 00:46:59,049
[APPLAUSE]
♪ ♪
664
00:46:59,116 --> 00:47:00,584
>> Announcer: PLEASE WELCOME
FOUR-TIME EMMY NOMINEE
665
00:47:00,651 --> 00:47:03,987
ELIZABETH BANKS.
[APPLAUSE]
666
00:47:04,054 --> 00:47:14,898
♪ ♪
♪ ♪
667
00:47:14,965 --> 00:47:18,635
>> GOOD EVENING.
IF YOU'RE UNFAMILIAR WITH MY
668
00:47:18,702 --> 00:47:23,807
WORK, I'M AN ACTRESS, A DIRECTOR
A PRODUCER, A SPOKESWOMAN, A
669
00:47:23,874 --> 00:47:30,280
LEGO HEROINE, AND THE HOST OF
THE GAME SHOW "PRESS YOUR LUCK."
670
00:47:30,347 --> 00:47:32,983
[APPLAUSE]
THANKS.
671
00:47:33,050 --> 00:47:34,751
IF YOU'RE UNFAMILIAR WITH MY
WORK, WHY ARE YOU HERE, AND HOW
672
00:47:34,818 --> 00:47:37,554
DID YOU GET IN?
[LAUGHTER]
673
00:47:37,621 --> 00:47:41,725
I'M PRESENTING THE AWARD FOR
DIRECTING FOR A LIMITED OR
674
00:47:41,792 --> 00:47:50,033
ANTHOLOGY SERIES OR MOVIE, WHICH
IS A LOT OF STUFF, RIGHT?
675
00:47:50,100 --> 00:47:52,069
THIS IS THE CATEGORY, TO
SIMPLIFY, WHERE MOVIE
676
00:47:52,135 --> 00:47:54,104
STARS DABBLE IN TV WITHOUT
HAVING TO COMMIT TO PLAYING THE
677
00:47:54,171 --> 00:47:55,973
SAME ROLE FOR EIGHT YEARS.
WHEN WAS THE LAST TIME A
678
00:47:56,039 --> 00:48:01,845
DIRECTING CATEGORY HAD FIVE
WOMEN AND ONE MAN?
679
00:48:01,912 --> 00:48:03,113
[CHEERS AND APPLAUSE]
YEAH.
680
00:48:03,180 --> 00:48:05,616
I DID NOT BOTHER TO LOOK THAT
UP, BUT I THINK WE ALL AGREE IT
681
00:48:05,682 --> 00:48:06,883
WAS NEVER.
IN THIS YEAR'S NOMINEES ARE
682
00:48:06,950 --> 00:48:12,889
HELEN SHAVER FOR "THE PENGUIN."
SHANNON MURPHY FOR
683
00:48:12,956 --> 00:48:21,498
"DYING FOR SEX."
NICOLE KASSELL FOR "SIRENS."
684
00:48:21,565 --> 00:48:26,236
JENNIFER GETZINGER FOR
"THE PENGUIN."
685
00:48:26,303 --> 00:48:33,277
LESLI LINKA GLATTER FOR
"ZERO DAY."
686
00:48:33,343 --> 00:48:44,988
AND PHILIP BARANTINI FOR
"ADOLESCENCE," WHICH IS KIND OF
687
00:48:45,055 --> 00:48:47,958
POETIC, IF YOU THINK ABOUT IT,
BECAUSE PHILIP, YOU'RE THE
688
00:48:48,025 --> 00:48:54,798
"ONER."
IF YOU KNOW, YOU KNOW.
689
00:48:54,865 --> 00:48:59,736
AND THE EMMY GOES TO...
PHILIP BARANTINI.
690
00:48:59,803 --> 00:49:03,206
>> Announcer: THIS IS THE
FIRST EMMY WIN AND SECOND
691
00:49:03,273 --> 00:49:06,476
NOMINATION THIS YEAR FOR PHILIP
BARANTINI, WHO WAS ALSO
692
00:49:06,543 --> 00:49:10,914
NOMINATED AS PART OF THE
PRODUCING TEAM FOR "ADOLE
693
00:49:10,981 --> 00:49:11,982
"ADOLESCENCE."
♪ ♪
694
00:49:23,827 --> 00:49:26,897
>> OH, MY GOSH.
THANK YOU SO MUCH.
695
00:49:26,963 --> 00:49:31,068
I'LL BE VERY QUICK.
THANK YOU SO MUCH TO THE
696
00:49:31,134 --> 00:49:33,470
ACADEMY, TO ALL OF MY AMAZING
CAST.
697
00:49:33,537 --> 00:49:39,843
[LISTING NAMES]
THE WHOLE ENSEMBLE, ALL OF YOU.
698
00:49:39,910 --> 00:49:43,113
TO ALL THE CREW, THIS AWARD IS
FOR THEM AS MUCH AS IT IS FOR
699
00:49:43,180 --> 00:49:45,115
ME.
TO JACK AND STEVEN, THANK YOU
700
00:49:45,182 --> 00:49:49,920
FOR WRITING SOMETHING SO RAW, SO
URGENT, AND SO ABSOLUTELY
701
00:49:49,986 --> 00:49:53,457
MATT LEWIS, MY INCREDIBLE
EMMY-WINNING CINEMATOGRAPHER, I
702
00:49:53,523 --> 00:49:58,195
LOVE YOU.
TO THE PRODUCERS --
703
00:49:58,261 --> 00:50:00,797
[LISTING NAMES]
YOU ARE MY RIGHT AND LEFT ARM ON
704
00:50:00,864 --> 00:50:03,967
THIS, I LOVE YOU TO BITS.
TO NETFLIX, THANK YOU FOR
705
00:50:04,034 --> 00:50:09,072
TRUSTING US WITH THIS MAD IDEA.
TO MY WIFE, MY BEAUTIFUL
706
00:50:09,139 --> 00:50:13,110
DAUGHTER, ALL OF MY FAMILY.
OH, NO.
707
00:50:13,176 --> 00:50:19,449
[LAUGHTR]
LASTLY, MUM, I SAID I WOULD MAKE
708
00:50:19,516 --> 00:50:22,386
YOU PROUD AND I WILL CONTINUE TO
DO SO.
709
00:50:22,452 --> 00:50:23,120
THANK YOU.
[APPLAUSE]
710
00:50:23,186 --> 00:50:27,090
♪ ♪
>> Announcer: COMING UP,
711
00:50:27,157 --> 00:50:30,961
JESSE WILLIAMS.
AND, THE EMMYS CELEBRATE
712
00:50:31,027 --> 00:50:32,929
25 YEARS OF "SURVIVOR" WITH
JEFF PROBST.
713
00:50:32,996 --> 00:50:35,632
THEN LATER, SYDNEY SWEENEY TAKES
THE STAGE.
714
00:50:35,699 --> 00:50:38,201
PLUS, ALEXIS BLEDEL AND
LAUREN GRAHAM TEAM UP FOR A
715
00:50:38,268 --> 00:50:40,270
"GILMORE GIRLS" REUNION.
THIS IS CBS.
716
00:51:02,192 --> 00:51:03,126
♪ ♪
>> PLEASE WELCOME ACTOR AND
717
00:51:03,193 --> 00:51:05,195
PRODUCER JESSE WILLIAMS.
[APPLAUSE]
718
00:51:10,200 --> 00:51:11,234
♪ ♪
>> GOOD EVENING.
719
00:51:11,301 --> 00:51:14,471
THE JOB OF A TELEVISION
DIRECTOR REQUIRES LEADERSHIP
720
00:51:14,538 --> 00:51:21,645
SKILLS, TECHNICAL EXPERTISE, AND
THE ABILITY OF TRANSLATING
721
00:51:21,711 --> 00:51:23,313
A SCRIPT INTO COMPELLING VISUALS
BY GUIDING BOTH THE ACTORS AND
722
00:51:23,380 --> 00:51:27,617
THE CAMERA TO TELL A COHESIVE
STORY.
723
00:51:27,684 --> 00:51:29,586
PREFERABLY WITHOUT MEAL
PENALTIES.
724
00:51:29,653 --> 00:51:33,590
THAT PERFECTLY DESCRIBES THESE
DIRECTORS TONIGHT.
725
00:51:33,657 --> 00:51:35,292
HERE ARE THE NOMINEES FOR
DIRECTING FOR A DRAMA SERIES.
726
00:51:35,358 --> 00:51:37,093
>> JANUS METZ.
"ANDOR."
727
00:51:37,160 --> 00:51:39,563
AMANDA MARSALIS.
"THE PITT."
728
00:51:39,629 --> 00:51:41,765
JOHN WELLS.
"THE PITT."
729
00:51:41,832 --> 00:51:43,800
JESSICA LEE GAGNE.
"SEVERANCE."
730
00:51:43,867 --> 00:51:46,236
BEN STILLER.
"SEVERANCE."
731
00:51:46,303 --> 00:51:49,239
ADAM RANDALL.
"SLOW HORSES."
732
00:51:49,306 --> 00:51:58,215
MIKE WHITE.
"THE WHITE LOTUS."
733
00:51:58,281 --> 00:52:02,519
>> AND THE EMMY GOES TO...
ADAM RANDALL.
734
00:52:02,586 --> 00:52:07,858
"SLOW HORSES."
[CHEERS AND APPLAUSE]
735
00:52:07,924 --> 00:52:14,631
♪ ♪
>> Announcer: THIS IS THE
736
00:52:14,698 --> 00:52:17,901
FIRST EMMY WIN AND NOMINATION
FOR ADAM RANDALL.
737
00:52:17,968 --> 00:52:32,782
♪ ♪
♪ ♪
738
00:52:32,849 --> 00:52:34,417
>> THANK YOU.
WOW, THAT IS UNEXPECTED.
739
00:52:34,484 --> 00:52:37,254
THANK YOU VERY MUCH.
FIRST AND FOREMOST I WANT TO
740
00:52:37,320 --> 00:52:40,857
THANK MY WIFE, NATALIE, WHO'S
BEEN ON THIS JOURNEY SINCE THE
741
00:52:40,924 --> 00:52:43,260
VERY BEGINNING, WITHOUT WHOSE
LOVE AND BELIEF I WOULDN'T BE
742
00:52:43,326 --> 00:52:46,496
STANDING HERE TODAY.
THIS IS AS MUCH YOURS AS IT IS
743
00:52:46,563 --> 00:52:50,066
MINE.
I WANT TO THANK MY KIDS, MY
744
00:52:50,133 --> 00:52:52,035
TEAM --
[LISTING NAMES]
745
00:52:52,102 --> 00:52:58,708
HUGE THANK YOU TO APPLE TV.
TO MY AMAZING COLLABORATORS, TO
746
00:52:58,775 --> 00:53:05,048
GARY OLDMAN, THE LEGENDARY GARY
OLDMAN, DOUG URBANSKI, EVERYONE
747
00:53:05,115 --> 00:53:11,855
AT 60/40, EVERYONE AT SEESAW --
[LISTING NAMES]
748
00:53:11,922 --> 00:53:13,256
AND THE MOST INCREDIBLE CAST AND
CREW.
749
00:53:13,323 --> 00:53:14,491
IT'S A PRIVILEGE WORKING WITH
YOU.
750
00:53:14,558 --> 00:53:17,360
THANKS SO MUCH.
THIS IS AN HONOR.
751
00:53:17,427 --> 00:53:30,140
[APPLAUSE]
♪ ♪
752
00:53:30,206 --> 00:53:31,341
♪ ♪
>> Nate: ALL RIGHT, WE'RE
753
00:53:31,408 --> 00:53:35,512
MOVING ALONG PRETTY WELL.
I'VE GOT A BACKUP PLAN FOR THIS
754
00:53:35,579 --> 00:53:38,748
SPEECH THING.
I'M NOT TRYING TO BRAG, BUT I'VE
755
00:53:38,815 --> 00:53:42,285
ACTUALLY BEEN NOMINATED TWICE,
AND IF I WIN I PROMISE TO GIVE
756
00:53:42,352 --> 00:53:45,755
MY SPEECH IS SHORT.
>> Announcer: YOU ALREADY LOST.
757
00:53:45,822 --> 00:53:47,223
>> Nate: LOST?
WHEN?
758
00:53:47,290 --> 00:53:53,263
>> Announcer: LAST WEEKEND, AT
THE CREATIVE ARTS EMMYS.
759
00:53:53,330 --> 00:53:55,665
>> Nate: SO THESE ARE THE
NON-CREATIVE EMMYS?
760
00:53:55,732 --> 00:53:59,135
WHO DID I LOSE TO?
>> Announcer: THE MARK TWAIN
761
00:53:59,202 --> 00:54:00,971
PRIZE --
>> Nate: MARK TWAIN?
762
00:54:01,037 --> 00:54:11,181
HE'S STILL ALIVE?
HOW OLD IS HE?
763
00:54:11,247 --> 00:54:16,252
I THOUGHT WHEN YOU HOST THEY
HAVE TO GIVE IT TO YOU.
764
00:54:16,319 --> 00:54:17,787
ALL RIGHT, NOT EVERYBODY CAN BE
A WINNER.
765
00:54:17,854 --> 00:54:22,626
PLEASE WELCOME FIVE-TIME EMMY
WINNER -- FIVE?!
766
00:54:22,692 --> 00:54:24,961
GOLLY, THAT'S A LOT.
THE HOST OF "SURVIVOR,"
767
00:54:25,028 --> 00:54:26,029
JEFF PROBST.
[APPLAUSE]
768
00:54:38,274 --> 00:54:42,212
♪ ♪
>> DURING "SURVIVOR'S" 25 YEARS
769
00:54:42,278 --> 00:54:48,151
ON CBS, 50 SEASONS OF OUR SHOW,
WITH THE WORLD WATCHING,
770
00:54:48,218 --> 00:54:51,354
CONTESTANTS MUST OUTWIT,
OUTPLAY, AND OUTLAST THE
771
00:54:51,421 --> 00:54:55,859
COMPETITION UNTIL ONE TAKES HOME
THE PRIZE.
772
00:54:55,925 --> 00:55:00,664
TONIGHT IS NO DIFFERENT, WITH
TWO TRIBES THAT BOTH HAVE DUG
773
00:55:00,730 --> 00:55:05,869
DEEP IN THEIR QUEST.
AND HERE THERE IS NO IMMUNITY TO
774
00:55:05,935 --> 00:55:09,572
PROTECT THEM.
[LAUGHTER]
775
00:55:09,639 --> 00:55:19,282
"LAST WEEK TONIGHT WITH
JOHN OLIVER.
776
00:55:19,349 --> 00:55:22,585
AND "SATURDAY NIGHT LIVE" -- DO
YOU BOTH KNOW THE PRIZE YOU ARE
777
00:55:22,652 --> 00:55:25,321
PLAYING FOR?
ALL RIGHT, THE VOTES HAVE BEEN
778
00:55:25,388 --> 00:55:28,625
TALLIED.
THE SOLE SURVIVOR FOR THE
779
00:55:28,692 --> 00:55:35,832
SCRIPTED VARIETY SERIES TROPHY
IN EMMYS' 77TH SEASON IS...
780
00:55:35,899 --> 00:55:39,936
"LAST WEEK TONIGHT WITH
JOHN OLIVER."
781
00:55:40,003 --> 00:55:47,177
[CHEERS AND APPLAUSE]
♪ ♪
782
00:55:47,243 --> 00:55:49,579
>> Announcer: "LAST WEEK
TONIGHT WITH JOHN OLIVER" HAS
783
00:55:49,646 --> 00:55:52,348
RECEIVED SIX NOMINATIONS THIS
YEAR AND A TOTAL OVERALL OF 69.
784
00:55:52,415 --> 00:55:59,222
THIS YEAR'S NOMINATION INCLUDED
PRODUCTION DESIGN, WRITING,
785
00:55:59,289 --> 00:56:02,158
DIRECTING, AND SCRIPTED VARIETY
SERIES.
786
00:56:02,225 --> 00:56:07,997
ACCEPTING THE EMMY ON BEHALF OF
THE TEAM IS JOHN OLIVER.
787
00:56:08,064 --> 00:56:14,237
>> THANK YOU TO HBO, THANK YOU
TO OUR STAFF, ESPECIALLY LIZ
788
00:56:14,304 --> 00:56:16,172
STANTON AND JIM CARVILLE.
THANK YOU TO MY WIFE, I LOVE YOU
789
00:56:16,239 --> 00:56:19,509
VERY MUCH.
THANK YOU TO OUR CHILDREN,
790
00:56:19,576 --> 00:56:27,550
THAT'S GOT TO BE ENOUGH.
THAT'S A LOT OF MONEY FOR YOU.
791
00:56:27,617 --> 00:56:28,284
THANK YOU, GOODBYE!
[APPLAUSE]
792
00:56:28,351 --> 00:56:31,654
♪ ♪
>> Announcer: COMING UP,
793
00:56:31,721 --> 00:56:33,723
HIROYUKI SANADA, ANNA SAWAI, AND
SYDNEY SWEENEY.
794
00:56:33,790 --> 00:56:35,892
THEN LATER, LAINEY WILSON AND
VINCE GILL PAY TRIBUTE TO THOSE
795
00:56:35,959 --> 00:56:40,497
WE LOST THIS YEAR.
PLUS, WHICH OF THESE SHOWS WILL
796
00:56:40,563 --> 00:56:44,267
TAKE HOME THE AWARD FOR
OUTSTANDING DRAMA SERIES?
797
00:56:44,334 --> 00:56:51,808
WE'LL FIND OUT WHEN WE RETURN.
798
00:56:51,875 --> 00:56:54,878
THE 77TH EMMY AWARDS ON CBS,
SPONSORED BY VOLKSWAGEN.
799
00:56:54,944 --> 00:56:56,946
NOW ANYBODY CAN DRIVE LIKE
SOMEBODY.
800
00:57:07,223 --> 00:57:08,158
♪ ♪
>> Announcer: PLEASE WELCOME
801
00:57:08,224 --> 00:57:09,692
EMMY WINNERS HIROYUKI SANADA AND
ANNA SAWAI.
802
00:57:09,759 --> 00:57:19,169
[APPLAUSE]
♪ ♪
803
00:57:19,235 --> 00:57:21,471
>> IT HAS BEEN SAID THAT THE KEY
TO WRITING A GREAT DRAMA IS FOR
804
00:57:21,538 --> 00:57:24,908
THE WRITER TO CRAFT EVERY SCENE
WITH A PERFECT BLEND AND BALANCE
805
00:57:24,974 --> 00:57:29,045
TO THE ACTION, THE DIALOGUE, AND
THE NARRATIVE.
806
00:57:29,112 --> 00:57:33,082
>> AND, IN DOING JUST THAT, THIS
YEAR'S NOMINEES FOR WRITING FOR
807
00:57:33,149 --> 00:57:39,389
A DRAMA SERIES GAVE US SOME OF
THE MOST MEMORABLE AND POWERFUL
808
00:57:39,455 --> 00:57:43,426
TELEVISION OF THIS YEAR, OR ANY
YEAR.
809
00:57:43,493 --> 00:57:46,162
HERE ARE THE NOMINEES.
>> DAN GILROY.
810
00:57:46,229 --> 00:57:48,865
"ANDOR."
JOE SACHS.
811
00:57:48,932 --> 00:57:51,668
"THE PITT."
R. SCOTT GEMMILL.
812
00:57:51,734 --> 00:57:54,037
"THE PITT."
DAN ERICKSON.
813
00:57:54,103 --> 00:57:56,439
"SEVERANCE."
WILL SMITH.
814
00:57:56,506 --> 00:57:59,375
"SLOW HORSES."
MIKE WHITE.
815
00:57:59,442 --> 00:58:10,954
"THE WHITE LOTUS."
>> AND THE EMMY GOES TO...
816
00:58:11,020 --> 00:58:17,660
DAN GILROY.
"ANDOR."
817
00:58:17,727 --> 00:58:18,828
[CHEERS AND APPLAUSE]
♪ ♪
818
00:58:18,895 --> 00:58:22,999
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
819
00:58:23,066 --> 00:58:24,067
FOR DAN GILROY.
♪ ♪
820
00:58:32,609 --> 00:58:47,490
♪ ♪
821
00:58:47,557 --> 00:58:50,860
♪ ♪
822
00:58:50,927 --> 00:58:53,296
>> THANK YOU, EVERYONE.
I THINK A LOT OF PEOPLE ARE
823
00:58:53,363 --> 00:58:55,131
SURPRISED.
IT WAS UNEXPECTED.
824
00:58:55,198 --> 00:59:00,036
OBVIOUSLY WE HAVE FRIENDS
EVERYWHERE.
825
00:59:00,103 --> 00:59:03,606
[APPLAUSE]
I WANT TO THANK THE FANS, WHO
826
00:59:03,673 --> 00:59:08,478
DID MORE THAN WATCH THE SHOW.
THEY LISTENED, THEY CARED, AND
827
00:59:08,544 --> 00:59:12,248
THEY MADE A STORY ABOUT ORDINARY
PEOPLE CITING IMPOSSIBLE ODDS
828
00:59:12,315 --> 00:59:14,317
POSSIBLE.
THIS WAS VERY SPECIAL BECAUSE I
829
00:59:14,384 --> 00:59:17,353
GOT TO WORK WITH BOTH MY
BROTHERS ON THE SHOW, TONY
830
00:59:17,420 --> 00:59:19,522
GILROY, THE SHOWRUNNER AND THE
CREATOR.
831
00:59:19,589 --> 00:59:23,993
IT IS ALL YOU, TONY.
AND MY BROTHER, EDITOR AND
832
00:59:24,060 --> 00:59:27,297
PRODUCER.
I VERY MUCH WANT TO THANK
833
00:59:27,363 --> 00:59:30,633
BOB IGER FOR HIS VISION, KATHY
KENNEDY FOR SUPPORTING THE SHOW
834
00:59:30,700 --> 00:59:40,343
FROM ITS INCEPTION, THE
PRODUCER, THE AMAZING CAST, AND
835
00:59:40,410 --> 00:59:44,280
TO GENEVIEVE O'REILLY, WHO IS
INCOMPARABLE TALENT AND HEART
836
00:59:44,347 --> 00:59:51,621
BROUGHT THE EPISODE TO LIFE.
THANK YOU TO MY WIFE AND MY
837
00:59:51,688 --> 00:59:53,656
DAUGHTER.
I DON'T HAVE WORDS TO DESCRIBE
838
00:59:53,723 --> 00:59:56,359
HOW MUCH I LOVE THEM.
THANK YOU.
839
00:59:56,426 --> 00:59:59,829
[APPLAUSE]
♪ ♪
840
00:59:59,896 --> 01:00:08,504
♪ ♪
>> Nate: THANK YOU, DAN, FOR
841
01:00:08,571 --> 01:00:11,708
HELPING ME OUT AFTER WHAT JOHN
DID.
842
01:00:11,774 --> 01:00:14,811
[LAUGHTER]
HE'S THE WORST!
843
01:00:14,877 --> 01:00:21,384
AND I GUESS YOU ARE ALLOWED TO
CURSE ON TV NOW, WHOM I?
844
01:00:21,451 --> 01:00:25,455
IT MESSED ME UP.
I FORGOT.
845
01:00:25,521 --> 01:00:27,991
I HAVE A BLUE JEAN TUXEDO AND
FOR SOME REASON.
846
01:00:28,057 --> 01:00:29,726
WE HAD A JOKE.
THERE'S A CUMMERBUND.
847
01:00:29,792 --> 01:00:32,595
I FORGOT.
I DON'T KNOW.
848
01:00:32,662 --> 01:00:39,002
PLEASE WELCOME TO TIME EMMY
NOMINEE SYDNEY SWEENEY.
849
01:00:39,068 --> 01:00:49,679
[APPLAUSE]
♪ ♪
850
01:00:49,746 --> 01:00:51,714
>> HELLO, HELLO.
"MONSTERS: THE LYLE AND ERIK
851
01:00:51,781 --> 01:00:53,449
MENENDEZ STORY."
"ADOLESCENCE."
852
01:00:53,516 --> 01:00:56,619
"PRESUMED INNOCENT."
"DYING FOR SEX."
853
01:00:56,686 --> 01:00:58,621
FOUR GREAT SERIES WITH SIX
INCREDIBLE NOMINEES FOR
854
01:00:58,688 --> 01:01:00,523
SUPPORTING ACTOR IN A LIMITED OR
ANTHOLOGY SERIES OR MOVIE.
855
01:01:00,590 --> 01:01:03,659
HERE THEY ARE...
>> JAVIER BARDEM.
856
01:01:03,726 --> 01:01:06,496
"MONSTERS: THE LYLE AND ERIK
MENENDEZ STORY."
857
01:01:06,562 --> 01:01:09,365
BILL CAMP.
"PRESUMED INNOCENT."
858
01:01:09,432 --> 01:01:11,434
OWEN COOPER.
"ADOLESCENCE."
859
01:01:15,204 --> 01:01:19,042
ROB DELANEY.
"DYING FOR SEX."
860
01:01:19,108 --> 01:01:21,444
PETER SARSGAARD.
"PRESUMED INNOCENT."
861
01:01:21,511 --> 01:01:26,416
ASHLEY WALTERS.
"ADOLESCENCE."
862
01:01:26,482 --> 01:01:30,787
>> THE EMMY GOES TO...
OWEN COOPER.
863
01:01:30,853 --> 01:01:41,864
"ADOLESCENCE."
[CHEERS AND APPLAUSE]
864
01:01:41,931 --> 01:01:46,602
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
865
01:01:46,669 --> 01:01:51,007
FOR OWEN COOPER, WHO MADE HIS
DEBUT IN THE SERIES
866
01:01:51,074 --> 01:01:54,577
"ADOLESCENCE," WHICH WAS FILMED
IN ONE CONTINUOUS TAKE.
867
01:01:54,644 --> 01:02:09,325
[APPLAUSE]
♪ ♪
868
01:02:09,392 --> 01:02:16,132
>> OH, MY GOD.
[CHEERS AND APPLAUSE]
869
01:02:16,199 --> 01:02:21,904
STANDING UP HERE, WOW, IT IS SO
SURREAL.
870
01:02:21,971 --> 01:02:24,974
HONESTLY, WHEN I STARTED THESE
DRAMA CLASSES A COUPLE YEARS
871
01:02:25,041 --> 01:02:29,145
BACK, I DIDN'T EXPECT TO BE EVEN
IN THE UNITED STATES, NEVER MIND
872
01:02:29,212 --> 01:02:33,249
HERE.
I THINK TONIGHT PROVES THAT, IF
873
01:02:33,316 --> 01:02:36,452
YOU LISTEN AND YOU FOCUS AND YOU
STEP OUT OF YOUR COMFORT ZONE,
874
01:02:36,519 --> 01:02:38,354
YOU CAN ACHIEVE ANYTHING IN
LIFE.
875
01:02:38,421 --> 01:02:40,957
I WAS NOTHING ABOUT THREE YEARS
AGO.
876
01:02:41,023 --> 01:02:46,762
I'M HERE NOW.
IF YOU ARE LISTENING, YOU ARE
877
01:02:46,829 --> 01:02:49,632
FOCUSING, YOU STEP OUT OF YOUR
COMFORT ZONE A LITTLE BIT, WHO
878
01:02:49,699 --> 01:02:52,034
CARES IF YOU GET EMBARRASSED?
ANYTHING IS POSSIBLE.
879
01:02:52,101 --> 01:02:56,105
A BIG THANKS TO MY PARENTS, MY
MUM AND MY DAD AND MY FAMILY,
880
01:02:56,172 --> 01:02:59,475
THE ONES WHO LOVE ME AND THE
ONES WHO I LOVED.
881
01:02:59,542 --> 01:03:05,381
STEPHEN, AARON, ASHLEY, PHILIP
BARANTINI, JACK THORNE, JOE
882
01:03:05,448 --> 01:03:07,016
JOHNSON.
SORRY.
883
01:03:07,083 --> 01:03:09,218
IS IT GOING DOWN?
NO.
884
01:03:09,285 --> 01:03:13,189
[LAUGHTER]
NETFLIX, PLAN B.
885
01:03:13,256 --> 01:03:16,559
OH, MY GOD, I COULD GO ON
FOREVER.
886
01:03:16,626 --> 01:03:20,296
IT MAY HAVE MY NAME ON IT BUT IT
REALLY BELONGS TO THE PEOPLE
887
01:03:20,363 --> 01:03:22,598
BEHIND THE CAMERA.
STEPHEN AND ALL THE CAST.
888
01:03:22,665 --> 01:03:26,402
I HOPE YOU ALL HAVE AN AMAZING
NIGHT, AND GOOD NIGHT.
889
01:03:26,469 --> 01:03:30,506
[CHEERS AND APPLAUSE]
♪ ♪
890
01:03:30,573 --> 01:03:32,475
♪ ♪
>> Announcer: STILL TO COME,
891
01:03:32,542 --> 01:03:35,645
APPEARANCES BY IKE BARINHOLTZ,
KATHRYN HAHN, ALEXIS BLEDEL,
892
01:03:35,711 --> 01:03:40,049
LAUREN GRAHAM, TINA FEY,
KATHY BATES, AND ALAN CUMMING.
893
01:03:40,116 --> 01:03:43,586
PLUS, TED DANSON AND
MARY STEENBURGEN RECEIVE THE
894
01:03:43,653 --> 01:03:45,655
BOB HOPE HUMANITARIAN AWARD.
THIS IS CBS.
895
01:04:03,239 --> 01:04:04,707
>> Announcer: PLEASE WELCOME
EMMY NOMINEE IKE BARINHOLTZ AND
896
01:04:04,774 --> 01:04:06,576
FOUR-TIME EMMY NOMINEE
KATHRYN HAHN.
897
01:04:06,642 --> 01:04:20,189
[APPLAUSE]
♪ ♪
898
01:04:20,256 --> 01:04:22,191
♪ ♪
>> WE ARE HERE TO PRESENT AN
899
01:04:22,258 --> 01:04:24,527
AWARD FOR WRITING.
>> SOME SAY WRITING IS THE MOST
900
01:04:24,594 --> 01:04:30,199
IMPORTANT PART OF A TV SHOW, BUT
WE ACTUALLY THINK IT'S THE LEAST
901
01:04:30,266 --> 01:04:33,202
IMPORTANT.
[LAUGHTER]
902
01:04:33,269 --> 01:04:34,470
>> JUST BECAUSE WE DON'T HAVE
SOME LITTLE TROPHY DOESN'T MEAN
903
01:04:34,537 --> 01:04:36,939
WE ARE NOT GREAT ACTORS, OKAY?
WE ARE TRAINED ACTORS.
904
01:04:37,006 --> 01:04:39,909
WE ARE IMPROVISED.
WE DON'T NEED SOME HARVARD NERD
905
01:04:39,976 --> 01:04:44,447
EATING PRINGLES TO TELL US WHAT
TO SAY.
906
01:04:44,513 --> 01:04:48,417
TO PROVE THIS, YOU KNOW WHAT?
LETS TURN OFF THE TELEPROMPTER.
907
01:04:48,484 --> 01:04:52,188
>> YEAH, WE'RE GONNA GO WITH OUR
GUTS ON THIS ONE.
908
01:04:52,255 --> 01:05:01,897
TURN IT OFF.
[LAUGHTER]
909
01:05:01,964 --> 01:05:07,003
>> YES.
>> SO...
910
01:05:07,069 --> 01:05:09,639
TV SHOWS ARE WHY WE ARE HERE
TONIGHT.
911
01:05:09,705 --> 01:05:18,781
SOME GET A WORD HAVE AND KEEP.
>> SHOWS...
912
01:05:18,848 --> 01:05:21,250
THAT'S WHAT WE CELEBRATE ON THE
EMMYS AWARDS NIGHT.
913
01:05:21,317 --> 01:05:27,790
WE LOVE --
>> "CHEERS," AND "SEINFELD."
914
01:05:27,857 --> 01:05:31,460
THEY ARE NOT HERE TONIGHT.
>> THEY WERE GREAT.
915
01:05:31,527 --> 01:05:34,463
PEOPLE ARE SMILING AT US.
SOME PEOPLE ARE NOT.
916
01:05:34,530 --> 01:05:38,301
EVERYBODY IS SO PRETTY AND
GLAMOROUS.
917
01:05:38,367 --> 01:05:40,770
>> NOAH WYLE.
>> NOAH WYLE, SO GOOD ON
918
01:05:40,836 --> 01:05:43,906
"SCRUBS."
[LAUGHTER]
919
01:05:43,973 --> 01:05:47,977
>> WE ARE GOING TO -- TURN THE
PROMPTER BACK ON, WE PROVED OUR
920
01:05:48,044 --> 01:05:50,646
POINT.
>> MAYBE WRITERS ARE IMPORTANT.
921
01:05:50,713 --> 01:05:52,581
WE'RE SORRY ABOUT WHAT WE SAID
EARLIER.
922
01:05:52,648 --> 01:05:54,483
>> YES, WE'RE LEARNING.
AND THE NOMINEES FOR WRITING FOR
923
01:05:54,550 --> 01:05:56,185
A LIMITED OR ANTHOLOGY SERIES OR
MOVIE ARE...
924
01:05:56,252 --> 01:05:57,787
>> JACK THORNE AND
STEPHEN GRAHAM.
925
01:05:57,853 --> 01:06:01,624
"ADOLESCENCE."
CHARLIE BROOKER AND BISHA K.
926
01:06:01,691 --> 01:06:03,592
ALI.
"BLACK MIRROR."
927
01:06:03,659 --> 01:06:05,628
KIM ROSENSTOCK AND ELIZABETH
MERIWETHER.
928
01:06:05,695 --> 01:06:08,664
"DYING FOR SEX."
LAUREN LeFRANC.
929
01:06:08,731 --> 01:06:10,900
"THE PENGUIN."
JOSHUA ZETUMER.
930
01:06:10,966 --> 01:06:19,208
"SAY NOTHING."
>> AND THE EMMY GOES TO...
931
01:06:19,275 --> 01:06:21,043
>> JACK THORNE AND
STEPHEN GRAHAM.
932
01:06:21,110 --> 01:06:23,612
"ADOLESCENCE."
[CHEERS AND APPLAUSE]
933
01:06:23,679 --> 01:06:29,919
♪ ♪
>> Announcer: THIS IS THE
934
01:06:29,985 --> 01:06:31,587
FIRST EMMY WIN FOR JACK THORNE
AND STEPHEN GRAHAM.
935
01:06:31,654 --> 01:06:35,257
BOTH ARE ALSO NOMINATED AS PART
OF THE PRODUCING TEAM.
936
01:06:35,324 --> 01:06:38,894
AND STEPHEN GRAHAM IS ALSO
NOMINATED FOR HIS LEADIN ROLE
937
01:06:38,961 --> 01:06:40,963
IN "ADOLESCENCE."
♪ ♪
938
01:06:58,214 --> 01:07:03,319
>> THANK YOU.
WE ARE NOT DOING A REMAKE OF
939
01:07:03,386 --> 01:07:05,621
"LITTLE AND LARGE."
JUST A QUICK ONE.
940
01:07:05,688 --> 01:07:08,257
WE NEVER EXPECTED OUR LITTLE
PROGRAM TO HAVE SUCH A BIG
941
01:07:08,324 --> 01:07:09,925
IMPACT BUT WE ARE REALLY
GRATEFUL THAT IT DID.
942
01:07:09,992 --> 01:07:12,094
WE WOULD LIKE TO THANK
EVERYBODY.
943
01:07:12,161 --> 01:07:16,031
JUST FROM THE BOTTOM OF OUR
HEARTS, THANKS TO EVERYONE AT
944
01:07:16,098 --> 01:07:20,302
NETFLIX, EVERYONE AT WARP,
EVERYONE AT MATRIARCH, AND A
945
01:07:20,369 --> 01:07:22,671
SPECIAL THANK YOU TO JOE
JOHNSON, HANNAH WALTERS, AND
946
01:07:22,738 --> 01:07:27,076
EMILY FOR BEING THE GLUE THAT
HELD THIS THING TOGETHER.
947
01:07:27,143 --> 01:07:29,945
>> IT'S IMPOSSIBLE TO SINGLE OUT
ANYONE IN THE CAST, BUT WE JUST
948
01:07:30,012 --> 01:07:39,789
WANTED TO SAY --
[LISTING NAMES]
949
01:07:39,855 --> 01:07:44,527
>> YOU'VE DONE THE WRONG BIT.
>> WE HAVEN'T.
950
01:07:44,593 --> 01:07:46,495
IT'S ALL RIGHT.
>> THIS IS HOW WE WORKED IN THE
951
01:07:46,562 --> 01:07:48,731
ROOM, BY THE WAY.
THIS IS WHAT IS HAPPENING ALL
952
01:07:48,798 --> 01:07:51,033
THE TIME.
>> YOU ARE THE YOUNG PEOPLE, THE
953
01:07:51,100 --> 01:07:53,969
FLAME THAT PROVE YOUNG PEOPLE
ARE GOING TO BE OKAY AND WE ARE
954
01:07:54,036 --> 01:07:56,906
FOREVER GRATEFUL FOR YOU.
THANK YOU.
955
01:07:56,972 --> 01:07:59,341
>> THANK YOU VERY MUCH.
HAVE A LOVELY EVENING.
956
01:07:59,408 --> 01:08:05,815
[APPLAUSE]
♪ ♪
957
01:08:05,881 --> 01:08:10,519
♪ ♪
>> Nate: ALL RIGHT, HERE WE
958
01:08:10,586 --> 01:08:12,922
GO.
THAT'S TOUGH.
959
01:08:12,988 --> 01:08:14,890
THAT WAS A SHOW CALLED
"ADOLESCENCE" THAT DID THAT.
960
01:08:14,957 --> 01:08:23,265
TWO ADOLESCENTS.
[LAUGHTER]
961
01:08:23,332 --> 01:08:26,535
CONGRATS.
I WOULD LIKE TO SAY, BECAUSE --
962
01:08:26,602 --> 01:08:28,804
OWE INCOME I WILL PICK UP HIS
TAB.
963
01:08:28,871 --> 01:08:34,743
PUT -- WHATEVER HE HAD, I WANT
TO COVER OWEN.
964
01:08:34,810 --> 01:08:36,812
HE'S THE BEST.
WHATEVER IT IS -- IS THAT WHAT%
965
01:08:36,879 --> 01:08:38,447
IT IS AT?
GOOD NIGHT!
966
01:08:38,514 --> 01:08:42,918
WHAT IS WRONG?
25 YEARS AGO, OUR NEXT
967
01:08:42,985 --> 01:08:48,357
PRESENTERS STARRED IN THE
WARNER BROTHERS TELEVISION
968
01:08:48,424 --> 01:08:51,126
SHOW "GILMORE GIRLS."
NOW, CONTRACTUALLY I HAVE TO SAY
969
01:08:51,193 --> 01:08:54,830
"WARNER BROTHERS" -- FOR NOW.
PLEASE WELCOME LAUREN GRAHAM AND
970
01:08:54,897 --> 01:08:59,969
EMMY WINNER ALEXIS BLEDEL.
[APPLAUSE]
971
01:09:00,035 --> 01:09:08,711
["GILMORE GIRLS" THEME PLAYING]
♪ ♪
972
01:09:08,777 --> 01:09:15,150
>> 25 YEARS AGO A SHOW CALLED
"GILMORE GIRLS" PREMIERED, AND
973
01:09:15,217 --> 01:09:19,989
APPARENTLY TOOK THE SEASON OF
FALL HOSTAGE.
974
01:09:20,055 --> 01:09:22,825
>> IN SPITE OF OUR AUTUMNAL
DOMINANCE, "GILMORE" WAS
975
01:09:22,892 --> 01:09:24,660
ACTUALLY A VERY SMALL SHOW.
>> MEANING, WE HAD NO MONEY.
976
01:09:24,727 --> 01:09:27,129
>> NOTHING.
>> IF THERE WAS A BIRTHDAY AT
977
01:09:27,196 --> 01:09:29,532
"THE DREW CAREY SHOW" NEXT DOOR,
THEY WOULD SEND US THEIR
978
01:09:29,598 --> 01:09:32,535
LEFTOVER SHEET CAKE.
>> WE LOOKED HUNGRY.
979
01:09:32,601 --> 01:09:35,237
>> WE WALKED IN CIRCLES IN
BURBANK SAYING "HEY, LOOK HOW
980
01:09:35,304 --> 01:09:40,042
CONNECTICUT IT IS HERE TODAY!"
>> WE SAVED UP ALL YEAR LONG TO
981
01:09:40,109 --> 01:09:44,246
HAVE ONE SNOW EPISODE.
>> AND THEN "E.R." WOULD WET
982
01:09:44,313 --> 01:09:47,082
DOWN THEIR STREET AND WASH IT
ALL AWAY.
983
01:09:47,149 --> 01:09:49,118
>> YOU GOTTA LET THAT GO.
>> THEY HAD CLOONEY.
984
01:09:49,184 --> 01:09:52,821
THEY COULD'VE LET US HAVE THE
DAMN SNOW.
985
01:09:52,888 --> 01:09:54,590
[LAUGHTER]
>> BASICALLY, WE WERE BULLIED
986
01:09:54,657 --> 01:09:56,859
AND STARVING.
>> BUT THE ONE THING WE DID
987
01:09:56,926 --> 01:09:58,594
HAVE -- WE HAD SCRIPTS.
>> GREAT SCRIPTS.
988
01:09:58,661 --> 01:10:02,031
>> BIG SCRIPTS.
>> TERRIFYING SCRIPTS.
989
01:10:02,097 --> 01:10:05,267
>> WITHOUT SCRIPTS, WE WOULD NOT
HAVE THE WONDERFUL WORDS TO SAY.
990
01:10:05,334 --> 01:10:06,835
>> WE WOULDN'T KNOW IF IT'S DAY
OR NIGHT.
991
01:10:06,902 --> 01:10:09,038
>> WHETHER WE'RE INSIDE OR
OUTSIDE.
992
01:10:09,104 --> 01:10:13,609
>> SO, IN THE SPIRIT OF
HAVING INFORMATION AND JOKES...
993
01:10:13,676 --> 01:10:15,144
>> HERE ARE THE NOMINEES FOR
OUTSTANDING WRITING FOR A COMEDY
994
01:10:15,210 --> 01:10:17,780
SERIES.
>> QUINTA BRUNSON.
995
01:10:17,846 --> 01:10:21,383
"ABBOTT ELEMENTARY."
LUCIA ANIELLO, PAUL W. DOWNS
996
01:10:21,450 --> 01:10:26,055
AND JEN STATSKY.
"HACKS."
997
01:10:26,121 --> 01:10:28,223
NATHAN FIELDER, CARRIE KEMPER,
ADAM LOCKE-NORTON, AND
998
01:10:28,290 --> 01:10:32,328
ERIC NOTARNICOLA.
"THE REHEARSAL."
999
01:10:32,394 --> 01:10:34,229
HANNAH BOS, PAUL THUREEN, AND
BRIDGET EVERETT.
1000
01:10:34,296 --> 01:10:38,767
"SOMEBODY SOMEWHERE."
SETH ROGEN, EVAN GOLDBERG,
1001
01:10:38,834 --> 01:10:40,736
PETER HUYCK, ALEX GREGORY, AND
FRIDA PEREZ.
1002
01:10:40,803 --> 01:10:44,039
"THE STUDIO."
SAM JOHNSON, SARAH NAFTALIS, AND
1003
01:10:44,106 --> 01:10:50,913
PAUL SIMMS.
"WHAT WE DO IN THE SHADOWS."
1004
01:10:50,980 --> 01:10:54,316
[APPLAUSE]
>> AND THE EMMY GOES TO...
1005
01:10:54,383 --> 01:10:56,385
THE TEAM FROM "THE STUDIO."
[CHEERS AND APPLAUSE]
1006
01:10:59,555 --> 01:11:01,123
♪ ♪
>> Announcer: THIS IS THE
1007
01:11:01,190 --> 01:11:04,960
THIRD EMMY WIN AND NINES
NOMINATION FOR SETH ROGEN, THE
1008
01:11:05,027 --> 01:11:10,132
SECOND AND SEVENTH WIN FOR EVAN
GOLDBERG, THE THIRD EMMY WIN
1009
01:11:10,199 --> 01:11:18,774
411-TIME NOMINEES PETER HUYCK
AND ALEX GREGORY, AND THE THIRD
1010
01:11:18,841 --> 01:11:23,545
FOR FRIDA PEREZ.
>> WE WOULD LIKE TO THANK SETH
1011
01:11:23,612 --> 01:11:28,684
AND EVAN.
>> AAND R AMAZING CAST AND CREW.
1012
01:11:28,751 --> 01:11:31,887
>> APPLE AND LIONSGATE.
PAY UP.
1013
01:11:31,954 --> 01:11:34,223
>> THANK YOU!
[APPLAUSE]
1014
01:11:34,289 --> 01:11:35,724
♪ ♪
>> Announcer: COMING UP NEXT,
1015
01:11:35,791 --> 01:11:40,963
TINA FEY, ALAN CUMMING, AND
KATHY BATES.
1016
01:11:41,030 --> 01:11:43,732
THEN LATER, A PERFORMANCE BY
LAINEY WILSON AND VINCE GILL.
1017
01:11:43,799 --> 01:11:44,800
IT'S HE EMMYS ON CBS.
1018
01:11:56,445 --> 01:11:57,980
♪ ♪
>> Nate: ALL RIGHT.
1019
01:11:58,047 --> 01:12:02,217
SETH ROGEN, LIKE JOHN OLIVER, IS
THE WORST, AND ADDED MONEY TO
1020
01:12:02,284 --> 01:12:07,523
IT.
SO WHAT IS IT?
1021
01:12:07,589 --> 01:12:10,693
ALL RIGHT, WE ARE BACK UP!
$99,000.
1022
01:12:10,759 --> 01:12:13,829
[APPLAUSE]
DON'T FORGET TO DO YOUR
1023
01:12:13,896 --> 01:12:18,734
THANK YOUS LONG, EVERYBODY.
THIS NEXT CATEGORY IS LIVE
1024
01:12:18,801 --> 01:12:22,004
VARIETY SPECIAL.
GOOD LUCK TO "SNL," KENDRICK,
1025
01:12:22,071 --> 01:12:23,806
AND THE OSCARS, BUT JUST KNOW,
IF YOU BEAT BEYONCE, THE BEYHIVE
1026
01:12:23,872 --> 01:12:27,710
WILL COME FOR YOU.
YOUR NEXT PRESENTER HAS WON TEN
1027
01:12:27,776 --> 01:12:29,778
EMMY AWARDS.
SHE'S ALSO BEEN NOMINATED 46
1028
01:12:29,845 --> 01:12:33,348
TIMES.
PLEASE WELCOME 36-TIME LOSER
1029
01:12:33,415 --> 01:12:36,185
TINA FEY.
[APPLAUSE]
1030
01:12:36,251 --> 01:12:51,133
♪ ♪
♪ ♪
1031
01:12:51,200 --> 01:12:54,203
>> WELL, GOOD EVENING.
I'M IN AN AWKWARD POSITION
1032
01:12:54,269 --> 01:12:59,808
TONIGHT, GIVEN MY PERSONAL
RELATIONSHIPS TO THE NOMINEES
1033
01:12:59,875 --> 01:13:01,343
FOR OUTSTANDING LIVE VARIETY
SPECIAL.
1034
01:13:01,410 --> 01:13:03,212
TWO OF THE NOMINEES INVOLVE
"SNL," WHERE I WORKED FOR NINE
1035
01:13:03,278 --> 01:13:09,418
YEARS.
[APPLAUSE]
1036
01:13:09,485 --> 01:13:11,787
YEAH.
SO IF THEY WIN, PEOPLE MIGHT
1037
01:13:11,854 --> 01:13:14,056
THINK I JUST OPENED THE ENVELOPE
AND SAID "SNL" OUT OF HABIT,
1038
01:13:14,123 --> 01:13:16,992
LIKE THAT TIME I ACCIDENTALLY
GAVE A MARK TWAIN PRIZE TO
1039
01:13:17,059 --> 01:13:26,301
"ALEXA, PLAY RAIN SOUNDS."
[LAUGHTER]
1040
01:13:26,368 --> 01:13:29,538
NATE, I WILL PAY FOR THE TIME WE
TOOK FOR THAT JOKE.
1041
01:13:29,605 --> 01:13:30,739
[LAUGHTER]
BUT IF THE 97TH ANNUAL ACADEMY
1042
01:13:30,806 --> 01:13:34,710
AWARDS HOSTED BY CONAN O'BRIEN
WINS, PEOPLE MIGHT WONDER IF
1043
01:13:34,777 --> 01:13:38,614
THAT'S TRUE, OR IF I'M JUST
PRANKING CONAN, WHICH COULD
1044
01:13:38,680 --> 01:13:42,184
HAPPEN, BECAUSE WE ARE NEMESES.
I MIGHT SAY CONAN WON, LET HIM
1045
01:13:42,251 --> 01:13:43,786
TAKE THE AWARD HOME, AND THEN
CALL THE POLICE AND SAY HE STOLE
1046
01:13:43,852 --> 01:13:47,556
IT.
WE DON'T KNOW.
1047
01:13:47,623 --> 01:13:57,065
WE DON'T KNOW WHAT I'LL DO.
IF KENDRICK LAMAR'S SUPER BOWL
1048
01:13:57,132 --> 01:14:02,638
WHEW, I'M REALLY GOING TO HEAR
IT FROM DRAKE.
1049
01:14:02,704 --> 01:14:03,939
[LAUGHTER]
AND DRAKE AND I ARE SUPPOSED TO
1050
01:14:04,006 --> 01:14:09,478
PLAY PICKLEBALL TOMORROW, SO...
REALLY THE ONLY SAFE OUTCOME FOR
1051
01:14:09,545 --> 01:14:13,882
ME WOULD BE THE BEYONCE BOWL.
[APPLAUSE]
1052
01:14:13,949 --> 01:14:17,653
AS ALWAYS, THANK YOU, BEYONCE.
WHOEVER WINS, FOR THE LOVE OF
1053
01:14:17,719 --> 01:14:22,391
GOD, DON'T COME UP HERE AND KISS
MY STOMACH, BECAUSE I AM NOT
1054
01:14:22,457 --> 01:14:26,528
PREGNANT.
[LAUGHTER]
1055
01:14:26,595 --> 01:14:28,931
HERE ARE THE NOMINEES FOR
OUTSTANDING LIVE VARIETY
1056
01:14:28,997 --> 01:14:33,402
SPECIAL, AND GOD HELP ME.
>> THE "APPLE MUSIC
1057
01:14:33,468 --> 01:14:37,072
SUPER BOWL LIX HALFTIME SHOW
STARRING KENDRICK LAMAR."
1058
01:14:37,139 --> 01:14:43,478
"BEYONCE BOWL."
"THE OSCARS."
1059
01:14:43,545 --> 01:14:48,483
"SNL50: THE ANNIVERSARY
SPECIAL."
1060
01:14:48,550 --> 01:14:55,557
"SNL50: THE HOMECOMING CONCERT."
[APPLAUSE]
1061
01:14:55,624 --> 01:15:01,263
>> AND THE EMMY GOES TO...
"SNL50: THE ANNIVERSARY
1062
01:15:01,330 --> 01:15:03,365
SPECIAL."
[CHEERS AND APPLAUSE]
1063
01:15:03,432 --> 01:15:14,343
♪ ♪
>> Announcer: THEY RECEIVE 12
1064
01:15:14,409 --> 01:15:17,980
NOMINATIONS THIS YEAR.
THEY HAVE WON EMMYS IN
1065
01:15:18,046 --> 01:15:21,683
DIRECTING, WRITING, PICTURE
EDITING, MAKEUP, HAIR STYLING,
1066
01:15:21,750 --> 01:15:25,988
SOUND MIXING, TECHNICAL
DIRECTION, AND CAMERAWORK
1067
01:15:26,054 --> 01:15:27,155
CATEGORIES.
ACCEPTING ON BEHALF OF THE TEAM
1068
01:15:27,222 --> 01:15:30,158
IS LORNE MICHAELS.
[APPLAUSE]
1069
01:15:30,225 --> 01:15:42,704
♪ ♪
♪ ♪
1070
01:15:42,771 --> 01:15:48,110
>> BECAUSE OF THE MONEY I'M
GOING TO START TALKING QUICKLY.
1071
01:15:48,176 --> 01:15:56,084
I WON THIS AWARD FOR THE FIRST
TIME 50 YEARS AGO, IN 1975.
1072
01:15:56,151 --> 01:16:01,924
[APPLAUSE]
I WAS YOUNGER AND I HAD A LOT OF
1073
01:16:01,990 --> 01:16:07,129
DREAMS ABOUT WHAT WOULD HAPPEN,
AND ONE OF THOSE DREAMS WAS THAT
1074
01:16:07,195 --> 01:16:11,867
I WOULD STILL BE DOING THE SAME
SHOW FOR THE NEXT 50 YEARS.
1075
01:16:11,934 --> 01:16:16,238
[LAUGHTE]
HOWEVER, HERE WE ARE.
1076
01:16:16,305 --> 01:16:21,076
I WANT TO THANK NBC AND COMCAST
FOR THEIR SUPPORT.
1077
01:16:21,143 --> 01:16:26,515
THE SHOW WAS TWO YEARS IN THE
PLANNING, AND THEY SAID, WE
1078
01:16:26,581 --> 01:16:31,586
DON'T CARE WHAT IT COSTS, AS
LONG AS IT'S GOOD.
1079
01:16:31,653 --> 01:16:34,089
MAYBE THEY DIDN'T SAY THAT,
MAYBE THAT'S JUST THE WAY I
1080
01:16:34,156 --> 01:16:37,559
HEARD IT.
[LAUGHTER]
1081
01:16:37,626 --> 01:16:43,498
ANYWAY, I ALSO WANT TO THANK THE
ACADEMY FOR CONTINUING TO KEEP
1082
01:16:43,565 --> 01:16:47,169
THE WORD "TELEVISION" IN THEIR
NAME, AS LONG AS IT IS IN THERE
1083
01:16:47,235 --> 01:16:51,873
WE WILL KEEP SHOWING UP.
THANK YOU.
1084
01:16:51,940 --> 01:16:58,947
[APPLAUSE]
♪ ♪
1085
01:16:59,014 --> 01:17:13,895
♪ ♪
♪ ♪
1086
01:17:13,962 --> 01:17:16,665
♪ ♪
♪ ♪
1087
01:17:16,732 --> 01:17:19,634
>> Announcer: PLEASE WELCOME
THREE-TIME EMMY WINNER
1088
01:17:19,701 --> 01:17:22,237
ALAN CUMMING, AND TWO-TIME EMMY
WINNER KATHY BATES.
1089
01:17:22,304 --> 01:17:28,610
[APPLAUSE]
♪ ♪
1090
01:17:28,677 --> 01:17:40,689
♪ ♪
>> IN 1999, KATHY AND I STARRED
1091
01:17:40,756 --> 01:17:44,793
IN A TV MOVIE ADAPTATION OF
"ANNIE."
1092
01:17:44,860 --> 01:17:47,596
>> THAT'S RIGHT.
I PLAYED MISS HANNIGAN, AND ALAN
1093
01:17:47,662 --> 01:17:50,565
PLAYED MY SCHEMING YOUNGER
BROTHER, ROOSTER.
1094
01:17:50,632 --> 01:17:53,535
>> KATHY RECEIVED AN EMMY
NOMINATION FOR HER WORK.
1095
01:17:53,602 --> 01:18:01,176
>> ALAN DID NOT.
[LAUGHTER]
1096
01:18:01,243 --> 01:18:03,745
>> THANK YOU FOR REMINDING ME,
KATHY.
1097
01:18:03,812 --> 01:18:06,548
BUT YOU ARE NOMINATED AGAIN
TONIGHT, WEREN'T YOU?
1098
01:18:06,615 --> 01:18:13,155
DID YOU WIN?
>> NO, I DID NOT.
1099
01:18:13,221 --> 01:18:15,557
THANK YOU FOR REMINDING ME,
ALAN.
1100
01:18:15,624 --> 01:18:18,760
>> I WON TONIGHT AND LAST WEEK.
ANYWAY --
1101
01:18:18,827 --> 01:18:20,228
[LAUGHTER]
THE NOMINEES FOR WRITING FOR A
1102
01:18:20,295 --> 01:18:24,399
VARIETY SERIES ARE...
>> "THE DAILY SHOW."
1103
01:18:24,466 --> 01:18:26,134
"LAST WEEK TONIGHT WITH
JOHN OLIVER."
1104
01:18:26,201 --> 01:18:31,373
"SATURDAY NIGHT LIVE."
[APPLAUSE]
1105
01:18:31,440 --> 01:18:37,145
>> THE EMMY GOES TO...
THE TEAM OF "LAST WEEK TONIGHT
1106
01:18:37,212 --> 01:18:39,081
WITH JOHN OLIVER."
[CHEERS AND APPLAUSE]
1107
01:18:39,147 --> 01:18:44,953
♪ ♪
>> Announcer: THIS IS THE
1108
01:18:45,020 --> 01:18:48,790
EIGHTH CONSECUTIVE EMMY WIN IN
THIS CATEGORY FOR "LAST WEEK
1109
01:18:48,857 --> 01:18:54,663
TONIGHT WITH JOHN OLIVER," WHICH
HAS A TOTAL OVERALL OF 69
1110
01:18:54,729 --> 01:18:57,199
NOMINATIONS.
HBO'S "LAST WEEK TONIGHT WITH
1111
01:18:57,265 --> 01:19:00,135
JOHN OLIVER" HAS WON THE
CATEGORY EVERY YEAR SINCE 2016.
1112
01:19:00,202 --> 01:19:09,311
♪ ♪
♪ ♪
1113
01:19:09,377 --> 01:19:12,280
>> HELLO, THANK YOU SO MUCH.
WE SHARE THIS CATEGORY, WE ARE
1114
01:19:12,347 --> 01:19:15,550
HONORED TO SHARE IT WITH ALL
WRITERS OF LATE-NIGHT POLITICAL
1115
01:19:15,617 --> 01:19:18,386
COMEDY, WHILE THAT IS STILL A
TYPE OF SHOW THAT'S ALLOWED TO
1116
01:19:18,453 --> 01:19:23,325
EXIST.
[CHEERS AND APPLAUSE]
1117
01:19:23,391 --> 01:19:27,629
>> THIS SHOW DOES NOT GET MADE
WITHOUT OUR RESEARCHERS, FOOTAGE
1118
01:19:27,696 --> 01:19:30,132
APARTMENT, P.A., AP,
TRANSCRIBER, GRAPHICS
1119
01:19:30,198 --> 01:19:34,836
DEPARTMENT, INTERNS, CREW.
NINA AND CASEY AT EACH BMX.
1120
01:19:34,903 --> 01:19:37,472
[LISTING NAMES]
1121
01:19:37,539 --> 01:19:41,443
IF I FORGOT YOU, IT MIGHT NOT BE
THAT IMPORTANT.
1122
01:19:41,510 --> 01:19:45,147
JOHN OLIVER!
THAT'S IT.
1123
01:19:45,213 --> 01:19:47,682
GO, BOYS AND GIRLS CLUB OF
AMERICA, GO!
1124
01:19:47,749 --> 01:19:55,056
[APPLAUSE]
♪ ♪
1125
01:19:55,123 --> 01:20:01,329
>> Announcer: STILL TO COME,
HUNTER SCHAFER, YOUNG MAZINO,
1126
01:20:01,396 --> 01:20:03,298
AND CHARLIE HUNNAM.
AND LATER, TED DANSON AND
1127
01:20:03,365 --> 01:20:06,201
MARY STEENBURGEN RECEIVE THE
BOB HOPE HUMANITARIAN AWARD.
1128
01:20:06,268 --> 01:20:07,269
THIS IS CBS.
1129
01:20:24,019 --> 01:20:25,420
>> Announcer: PLEASE WELCOME
HUNTER SCHAFER, AND EMMY NOMINEE
1130
01:20:25,487 --> 01:20:26,488
YOUNG MAZINO.
[APPLAUSE]
1131
01:20:37,032 --> 01:20:38,133
♪ ♪
>> YOUNG, IT IS SO GREAT TO BE
1132
01:20:38,200 --> 01:20:41,203
HERE WITH YOU TO PRESENT
SUPPORTING ACTRESS IN A LIMITED
1133
01:20:41,269 --> 01:20:44,272
OR ANTHOLOGY SERIES OR MOVIE.
>> I COULDN'T AGREE MORE,
1134
01:20:44,339 --> 01:20:46,641
HUNTER.
BACKSTAGE, YOU AND I WERE
1135
01:20:46,708 --> 01:20:49,177
TALKING ABOUT WHAT IT REALLY
MEANS TO DELIVER A SUPPORTING
1136
01:20:49,244 --> 01:20:52,214
PERFORMANCE.
TO ME IT MEANS LISTENING,
1137
01:20:52,280 --> 01:20:55,951
RESPONDING, ELEVATING, AND YOU
SAID --
1138
01:20:56,017 --> 01:20:59,421
>> WALKING INTO A SCENE,
DROPPING A PERFECTLY EXECUTED
1139
01:20:59,487 --> 01:21:02,557
MONOLOGUE, SHEDDING A SINGLE
TEAR, AND THEN DISAPPEARING
1140
01:21:02,624 --> 01:21:04,759
BEFORE EVERYONE REALIZES YOU'RE
THE REASON THEY'LL KEEP
1141
01:21:04,826 --> 01:21:08,697
WATCHING.
>> AND THESE SIX WOMEN
1142
01:21:08,763 --> 01:21:10,665
DEFINITELY KEPT US WATCHING
THEIR INDELIBLE PERFORMANCES
1143
01:21:10,732 --> 01:21:13,635
THIS YEAR.
>> ERIN DOHERTY.
1144
01:21:13,702 --> 01:21:16,638
"ADOLESCENCE."
RUTH NEGGA.
1145
01:21:16,705 --> 01:21:19,107
"PRESUMED INNOCENT."
DEIRDRE O'CONNELL.
1146
01:21:19,174 --> 01:21:22,377
"THE PENGUIN."
CHLOE SEVIGNY.
1147
01:21:22,444 --> 01:21:25,180
"MONSTERS: THE LYLE AND ERIK
MENENDEZ STORY."
1148
01:21:25,247 --> 01:21:27,983
JENNY SLATE.
"DYING FOR SEX."
1149
01:21:28,049 --> 01:21:34,389
CHRISTINE TREMARCO.
"ADOLESCENCE."
1150
01:21:34,456 --> 01:21:42,264
>> THE EMMY GOES TO...
ERIN DOHERTY.
1151
01:21:42,330 --> 01:21:49,137
[CHEERS AND APPLAUSE]
♪ ♪
1152
01:21:49,204 --> 01:21:51,640
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
1153
01:21:51,706 --> 01:21:59,714
FOR ERIN DOHERTY.
♪ ♪
1154
01:21:59,781 --> 01:22:14,663
♪ ♪
>> CONGRATULATIONS!
1155
01:22:14,729 --> 01:22:15,497
♪ ♪
>> CONGRATULATIONS!
1156
01:22:15,563 --> 01:22:17,999
SPEAK IT LOOKS LIKE I'M GOING TO
BE
1157
01:22:18,066 --> 01:22:19,567
BANGING ON ABOUT "ADOLESCENCE"
1158
01:22:19,634 --> 01:22:21,770
THE REST OF MY LIFE, AND THERE
WERE THINGS.
1159
01:22:21,836 --> 01:22:25,807
I'D LOVE TO MENTION EVERYTHING A
PERSON INVOLVED IN MAKING THIS,
1160
01:22:25,874 --> 01:22:28,777
BECAUSE IT WAS THE DEFINITION OF
A TEAM EFFORT, BUT I CAN'T GET
1161
01:22:28,843 --> 01:22:31,946
UP HERE WITHOUT TALKING ABOUT
STEPHEN GRAHAM AND HANNAH
1162
01:22:32,013 --> 01:22:34,249
WALTERS.
YOU ARE GENEROSITY PERSONIFIED.
1163
01:22:34,316 --> 01:22:38,520
EVEN THOUGH STEPHEN CALLED ME A
TEA COZY TODAY.
1164
01:22:38,586 --> 01:22:40,488
[LAUGHTER]
THIS IS DEDICATED TO MY BIG
1165
01:22:40,555 --> 01:22:42,090
SISTER, GRACE.
I WOULDN'T BE HERE WITHOUT YOU.
1166
01:22:42,157 --> 01:22:47,195
I LOVE YOU WITH ALL MY HEART.
AND SINEAD, THANK YOU FOR MAKING
1167
01:22:47,262 --> 01:22:49,197
ME THE HAPPIEST PERSON THE
WORLD.
1168
01:22:49,264 --> 01:22:52,167
I LOVE YOU WITH EVERYTHING I'VE
GOT.
1169
01:22:52,233 --> 01:22:54,536
THANK YOU TO THE ACADEMY, AND
YOU ARE ALL --
1170
01:22:54,602 --> 01:22:57,005
[INAUDIBLE]
[APPLAUSE]
1171
01:22:57,072 --> 01:23:03,978
♪ ♪
>> Nate: ALL RIGHT.
1172
01:23:04,045 --> 01:23:05,280
JOHN OLIVER, BY THE WAY, ADDED
SOME TIME AGAIN.
1173
01:23:05,347 --> 01:23:10,552
I THINK THEY HAVE WON ENOUGH.
[LAUGHTER]
1174
01:23:10,618 --> 01:23:14,389
LORNE MICHAELS, YOU KNOW IT?
TO BE HONEST, CONGRATS ON 50,
1175
01:23:14,456 --> 01:23:16,624
MAN.
I HONESTLY PROBABLY WOULDN'T BE
1176
01:23:16,691 --> 01:23:20,128
HERE HOSTING IT WASN'T FOR YOU.
SO THANK YOU VERY MUCH FOR THAT
1177
01:23:20,195 --> 01:23:22,230
FROM ME.
[APPLAUSE]
1178
01:23:22,297 --> 01:23:27,402
WHAT ELSE CAN I SAY?
YOU COST THE BOYS AND GIRLS CLUB
1179
01:23:27,469 --> 01:23:30,538
A LOT OF MONEY.
[LAUGHTER]
1180
01:23:30,605 --> 01:23:33,908
IN CASE YOU ARE SITTING THERE
THINKING, MAN, I COULD REALLY
1181
01:23:33,975 --> 01:23:37,112
USE ANOTHER SHOW ABOUT A
PSYCHOPATH, OUR NEXT PRESENTER
1182
01:23:37,178 --> 01:23:41,216
HAS GOT YOU COVERED.
HE'LL BE IN THE UPCOMING SEASON
1183
01:23:41,282 --> 01:23:43,251
OF "MONSTER."
PLEASE WELCOME CHARLIE HUNNAM.
1184
01:24:00,268 --> 01:24:02,670
>> PICASSO SAID ART IS A LIE
THAT REVEALS THE TRUTH.
1185
01:24:02,737 --> 01:24:06,841
A GREAT PERFORMANCE CAN HELP US
TO UNDERSTAND OURSELVES,
1186
01:24:06,908 --> 01:24:08,910
SHEDDING LIGHT AND CLARITY ON
THE CORNERS OF LIFE THAT CAN
1187
01:24:08,977 --> 01:24:14,349
FEEL DARK AND CONFUSING.
THROUGH ART WE CAN TRANSMUTE
1188
01:24:14,416 --> 01:24:15,583
PAINFUL TRUTH INTO SOMETHING
BEAUTIFUL.
1189
01:24:15,650 --> 01:24:20,555
THESE TALENTED ARTISTS HAVE ALL
DONE JUST THAT.
1190
01:24:20,622 --> 01:24:22,457
THE NOMINEES FOR LEAD ACTRESS IN
A LIMITED OR ANTHOLOGY SERIES OR
1191
01:24:22,524 --> 01:24:23,858
MOVIE ARE...
>> CATE BLANCHETT.
1192
01:24:23,925 --> 01:24:26,094
"DISCLAIMER."
MEGHANN FAHY.
1193
01:24:26,161 --> 01:24:27,962
"SIRENS."
RASHIDA JONES.
1194
01:24:28,029 --> 01:24:32,233
"BLACK MIRROR."
CRISTIN MILIOTI.
1195
01:24:32,300 --> 01:24:34,002
"THE PENGUIN."
MICHELLE WILLIAMS.
1196
01:24:34,068 --> 01:24:41,609
"DYING FOR SEX."
>> AND THE EMMY GOES TO...
1197
01:24:41,676 --> 01:24:45,547
CRISTIN MILIOTI.
[CHEERS AND APPLAUSE]
1198
01:24:45,613 --> 01:24:53,922
♪ ♪
♪ ♪
1199
01:24:53,988 --> 01:24:56,891
>> Announcer: THIS IS THE
FIRST EMMY WIN AND NOMINATION
1200
01:24:56,958 --> 01:25:09,070
FOR CRISTIN MILIOTI.
♪ ♪
1201
01:25:09,137 --> 01:25:18,012
♪ ♪
>> WANT ME TO HOLD THIS?
1202
01:25:18,079 --> 01:25:20,949
>> SURE.
I'LL HOLD IT.
1203
01:25:21,015 --> 01:25:23,151
THANK YOU!
THANK YOU SO MUCH.
1204
01:25:23,218 --> 01:25:28,056
I AM SO PROFOUNDLY GRATEFUL.
SORRY, I WROTE THIS ON THE BACK
1205
01:25:28,122 --> 01:25:31,626
OF NOTES I TOOK IN THERAPY THE
OTHER DAY.
1206
01:25:31,693 --> 01:25:35,997
[LAUGHTER]
SO DON'T LOOK AT THE BACK.
1207
01:25:36,064 --> 01:25:40,435
I LOVED MAKING THIS SHOW AND I
LOVED PLAYING SOFIA SO MUCH.
1208
01:25:40,502 --> 01:25:43,972
IT'S VERY HARD TO MAKE SENSE OF
BEING ALIVE RIGHT NOW IN THIS
1209
01:25:44,038 --> 01:25:47,675
WORLD SO I'M DEEPLY GRATEFUL FOR
THE BRIGHT SPOTS AND MAKING THIS
1210
01:25:47,742 --> 01:25:51,079
SHOW WITH OUR INCREDIBLE CAST
AND CREW, AND GETTING TO INHABIT
1211
01:25:51,145 --> 01:25:53,915
THIS WOMAN WAS A BRIGHT SPOT FOR
ME.
1212
01:25:53,982 --> 01:25:59,420
DESPITE IT BEING VERY GRISLY.
PLAYING HER FELT LIKE FLYING.
1213
01:25:59,487 --> 01:26:02,390
OH, MY GOD, ARE YOU KIDDING?
WOW, THIS REALLY SPEEDS.
1214
01:26:02,457 --> 01:26:04,592
I WANT TO THANK MY KETTLE
FAMILY.
1215
01:26:04,659 --> 01:26:07,262
THEY ARE HERE TONIGHT WITH ME.
THANK YOU FOR SUPPORTING YOUR
1216
01:26:07,328 --> 01:26:09,797
STRANGE KID AND SHOWING THE
MOVIES THAT WERE VERY
1217
01:26:09,864 --> 01:26:12,433
INAPPROPRIATE FOR MY AGE.
I WANT TO THANK OU, I WANT TO
1218
01:26:12,500 --> 01:26:14,202
THANK MY FRIENDS.
I HAD THE BEST FRIENDS IN THE
1219
01:26:14,269 --> 01:26:16,437
WORLD.
YOU ARE THE REASON I'M STANDING.
1220
01:26:16,504 --> 01:26:20,008
YOU ARE THE WHOLE REASON I'VE
GOTTEN THROUGH LIFE.
1221
01:26:20,074 --> 01:26:23,912
I WANT TO THANK LAUREN, WHOSE
BRAIN I WANT TO FREEBASE.
1222
01:26:23,978 --> 01:26:26,848
SHE'S THE REASON OUR SHOW WAS SO
SPECIAL.
1223
01:26:26,915 --> 01:26:37,058
ALL RIGHT, I WANT TO THANK OUR
INCREDIBLE COLIN, CREW, AGENTS,.
1224
01:26:37,125 --> 01:26:39,827
[LISTING NAMES]
AND EVERYONE AT D.C.
1225
01:26:39,894 --> 01:26:42,530
THANK YOU SO MUCH.
I LOVE YOU AND I LOVE ACTING SO
1226
01:26:42,597 --> 01:26:45,300
MUCH!
[CHEERS AND APPLAUSE]
1227
01:26:45,366 --> 01:26:54,943
♪ ♪
♪ ♪
1228
01:26:55,009 --> 01:26:57,178
>> Announcer: COMING UP,
MICHAEL SCHUR AND KRISTEN BELL
1229
01:26:57,245 --> 01:27:00,014
PRESENT THE BOB HOPE
HUMANITARIAN AWARD TO TELEVISION
1230
01:27:00,081 --> 01:27:03,685
LEGENDS TED DANSON AND
MARY STEENBURGEN.
1231
01:27:03,751 --> 01:27:06,454
PLUS, BRYAN CRANSTON PRESENTS
THE EMMY FOR OUTSTANDING TALK
1232
01:27:06,521 --> 01:27:09,958
SERIES.
AND JUST AHEAD, LAINEY WILSON
1233
01:27:10,024 --> 01:27:12,026
AND VINCE GILL PAY TRIBUTE TO
THOSE WE LOST THIS YEAR.
1234
01:27:21,970 --> 01:27:22,904
♪ ♪
>> Announcer: PLEASE WELCOME
1235
01:27:22,971 --> 01:27:23,972
JUSTIN HARTLEY.
[APPLAUSE]
1236
01:27:31,980 --> 01:27:36,918
IT'S MY HONOR TO INTRODUCE
OUR NEXT SPEAKER.
1237
01:27:36,985 --> 01:27:38,886
HE'S AN ACCOMPLISHED TELEVISION
EXECUTIVE, ENTREPRENEUR,
1238
01:27:38,953 --> 01:27:42,924
AWARD-WINNING PRODUCER.
WHAT'S MORE, HE IS A LEADER
1239
01:27:42,991 --> 01:27:45,493
DEEPLY COMMITTED TO HUMANITARIAN
CAUSES AND TO THE POWER OF
1240
01:27:45,560 --> 01:27:49,564
STORYTELLING.
PLEASE WELCOME OUR TELEVISION
1241
01:27:49,631 --> 01:27:53,201
ACADEMY CHAIRMAN, CRIS ABREGO.
[APPLAUSE]
1242
01:27:53,267 --> 01:28:08,149
♪ ♪
♪ ♪
1243
01:28:08,216 --> 01:28:09,150
♪ ♪
♪ ♪
1244
01:28:09,217 --> 01:28:11,919
>> HELLO, HELLO.
LAST SUNDAY, AT THE CREATIVE
1245
01:28:11,986 --> 01:28:14,589
ARTS EMMYS, I HAD THE HONOR OF
HELPING PRESENT THE GOVERNOR'S
1246
01:28:14,656 --> 01:28:21,095
AWARD TO THE CORPORATION FOR
PUBLIC BROADCASTING.
1247
01:28:21,162 --> 01:28:26,000
[APPLAUSE]
FOR MORE THAN 50 YEARS, THE CPB
1248
01:28:26,067 --> 01:28:29,771
HAS BEEN THE BACKBONE OF
AMERICAN PUBLIC MEDIA, BRINGING
1249
01:28:29,837 --> 01:28:32,540
US EVERYTHING FROM
"SESAME STREET" TO
1250
01:28:32,607 --> 01:28:35,643
"MR. ROGERS' NEIGHBORHOOD" TO
"FINDING YOUR ROOTS," AND
1251
01:28:35,710 --> 01:28:41,115
KEEPING FREE LOCAL STATIONS
ALIVE ACROSS THE NATION.
1252
01:28:41,182 --> 01:28:47,822
[APPLAUSE]
AND, IN MANY SMALL TOWNS, THOSE
1253
01:28:47,889 --> 01:28:50,792
STATIONS WEREN'T JUST CULTURAL
LIFELINES, THEY WERE THE ONLY
1254
01:28:50,858 --> 01:28:55,129
EMERGENCY ALERT SYSTEM FAMILIES
COULD COUNT ON.
1255
01:28:55,196 --> 01:28:57,932
BUT, AT THE END OF THIS YEAR,
CPB WILL CLOSE ITS DOORS BECAUSE
1256
01:28:57,999 --> 01:29:03,738
CONGRESS HAS VOTED TO DEFUND IT.
[AUDIENCE REACTS]
1257
01:29:03,805 --> 01:29:08,943
AND SILENCE YET ANOTHER CULTURAL
INSTITUTION.
1258
01:29:09,010 --> 01:29:11,079
AND THAT'S A REMINDER OF JUST
HOW MUCH OUR WORK HERE MATTERS,
1259
01:29:11,145 --> 01:29:21,389
ESPECIALLY RIGHT NOW.
IN A TIME WHEN DIVISION
1260
01:29:21,456 --> 01:29:22,757
[APPLAUSE]
IN A TIME WHEN DIVISION
1261
01:29:22,824 --> 01:29:24,592
DOMINATES THE HEADLINES,
STORYTELLING STILL HAS THE POWER
1262
01:29:24,659 --> 01:29:29,430
TO UNITE US.
TELEVISION, AND THE ARTISTS WHO
1263
01:29:29,497 --> 01:29:32,133
MAKE IT, DO MORE THAN REFLECT
SOCIETY.
1264
01:29:32,200 --> 01:29:34,102
THEY SHAPE OUR CULTURE.
AND IN TIMES OF CULTURAL
1265
01:29:34,168 --> 01:29:36,337
REGRESSION, THEY REMIND US
WHAT'S AT STAKE AND WHAT CAN
1266
01:29:36,404 --> 01:29:38,439
STILL BE ACHIEVED.
"M*A*S*H."
1267
01:29:38,506 --> 01:29:41,642
"ROOTS."
THE LATE, GREAT NORMAN LEAR'S
1268
01:29:41,709 --> 01:29:46,848
ENTIRE BODY OF WORK.
"WILL AND GRACE."
1269
01:29:46,914 --> 01:29:50,518
"THE HANDMAID'S TALE."
"SOUTH PARK."
1270
01:29:50,585 --> 01:29:56,724
THE LEGACY OF LATE NIGHT.
FOR GENERATIONS, ARTISTS HAVE
1271
01:29:56,791 --> 01:30:01,062
SEIZED THE POWER OF TV TO
BROADEN HORIZONS, CHALLENGE THE
1272
01:30:01,129 --> 01:30:08,069
STATUS QUO, AND BEND THAT ARC OF
HISTORY TOWARDS JUSTICE.
1273
01:30:08,136 --> 01:30:13,107
[APPLAUSE]
THE TELEVISION ACADEMY, AND ALL
1274
01:30:13,174 --> 01:30:15,476
OF US IN THIS ROOM, MUST
CONTINUE TO CHAMPION THAT POWER
1275
01:30:15,543 --> 01:30:18,679
AND WIELD IT RESPONSIBLY.
IN MOMENTS LIKE THIS, NEUTRALITY
1276
01:30:18,746 --> 01:30:23,117
IS NOT ENOUGH.
WE MUST BE VOICES FOR
1277
01:30:23,184 --> 01:30:30,558
CONNECTION, INCLUSION, EMPATHY,
YES.
1278
01:30:30,625 --> 01:30:33,694
[APPLAUSE]
BECAUSE WE KNOW THAT CULTURE
1279
01:30:33,761 --> 01:30:42,236
DOESN'T COME FROM THE TOP DOWN.
IT RISES FROM THE BOTTOM UP.
1280
01:30:42,303 --> 01:30:45,139
CULTURE BELONGS TO THE PEOPLE.
SO, IF OUR INDUSTRY IS TO
1281
01:30:45,206 --> 01:30:47,441
THRIVE, WE NEED TO MAKE ROOM FOR
MORE VOICES, NOT FEWER.
1282
01:30:47,508 --> 01:30:50,978
THAT'S THE WORK OF THE
TELEVISION ACADEMY.
1283
01:30:51,045 --> 01:30:54,515
TODAY WE ARE ALMOST 30,000
STRONG -- THE LARGEST, YOUNGEST,
1284
01:30:54,582 --> 01:30:57,852
AND MOST DIVERSE BODY IN OUR
HISTORY.
1285
01:30:57,919 --> 01:31:00,655
AND WITH THAT DIVERSITY COMES
THE STRENGTH, IMAGINATION, AND
1286
01:31:00,721 --> 01:31:04,358
COURAGE OUR INDUSTRY NEEDS TO
MOVE FORWARD.
1287
01:31:04,425 --> 01:31:08,362
SO LET'S DO THAT, TOGETHER.
LET'S KEEP TELLING STORIES, AND
1288
01:31:08,429 --> 01:31:11,566
LET'S MAKE SURE THAT CULTURE IS
NOT A PLATFORM FOR THE
1289
01:31:11,632 --> 01:31:15,002
PRIVILEGED, BUT A PUBLIC GOOD
FOR ALL.
1290
01:31:15,069 --> 01:31:26,614
[CHEERS AND APPLAUSE]
AND NOW, TO PRESENT ONE OF THE
1291
01:31:26,681 --> 01:31:30,251
TELEVISION ACADEMY'S MOST
PRESTIGIOUS HONORS, THE BOB HOPE
1292
01:31:30,318 --> 01:31:33,054
HUMANITARIAN AWARD, PLEASE
WELCOME EMMY NOMINEE
1293
01:31:33,120 --> 01:31:35,756
KRISTEN BELL AND EMMY WINNER
MICHAEL SCHUR.
1294
01:31:35,823 --> 01:31:50,705
[APPLAUSE]
♪ ♪
1295
01:31:50,771 --> 01:31:55,977
[APPLAUSE]
♪ ♪
1296
01:31:56,043 --> 01:31:57,178
♪ ♪
>> MIKE AND I ARE HERE TO
1297
01:31:57,245 --> 01:32:02,984
CELEBRATE OUR GOOD FRIEND
MARY STEENBURGEN, WHO IS BOTH A
1298
01:32:03,050 --> 01:32:06,320
BRILLIANT ACTOR AND A DEVOTED
PHILANTHROPIST.
1299
01:32:06,387 --> 01:32:14,295
>> WE'RE ALSO HERE TO CELEBRATE
TED DANSON.
1300
01:32:14,362 --> 01:32:16,030
[APPLAUSE]
WHO IS BOTH TALL AND FROM
1301
01:32:16,097 --> 01:32:20,501
SAN DIEGO.
[LAUGHTER]
1302
01:32:20,568 --> 01:32:23,237
THAT'S ACCORDING TO A BIO HIS
PUBLICIST SENT OVER, AS NEITHER
1303
01:32:23,304 --> 01:32:27,975
OF US IS FAMILIAR WITH HIS
ACTING WORK.
1304
01:32:28,042 --> 01:32:30,611
>> YEAH, I DON'T KNOW.
TOGETHER, TED AND MARY ARE AN
1305
01:32:30,678 --> 01:32:32,580
UNSTOPPABLE FORCE, ON SCREEN AND
OFF, AND TONIGHT THEY ARE
1306
01:32:32,647 --> 01:32:35,116
RECEIVING THE BOB HOPE
HUMANITARIAN AWARD.
1307
01:32:35,182 --> 01:32:37,952
>> CREATED IN 2002 BY THE
TELEVISION ACADEMY'S BOARD OF
1308
01:32:38,019 --> 01:32:41,255
GOVERNORS, THIS AWARD IS GIVEN
TO ARTISTS WHOSE PHILANTHROPY
1309
01:32:41,322 --> 01:32:50,131
EXEMPLIFIES BOB HOPE'S ALTRUISM
AND POSITIVE IMPACT ON SOCIETY.
1310
01:32:50,197 --> 01:32:52,900
>> PLEASE JOIN US AS WE SALUTE
THESE TWO WONDERFUL ACTORS AND,
1311
01:32:52,967 --> 01:32:54,101
MORE IMPORTANTLY, WONDERFUL
PEOPLE.
1312
01:32:54,168 --> 01:32:57,438
♪ ♪
>> Announcer: THEIR PERFORMANCES
1313
01:32:57,505 --> 01:33:00,708
ON CAMERA HAVE EARNED THEM THE
ADORATION OF VIEWERS FROM AROUND
1314
01:33:00,775 --> 01:33:03,544
THE GLOBE, BUT TONIGHT WE HONOR
TED DANSON AND MARY STEENBURGEN
1315
01:33:03,611 --> 01:33:07,081
FOR AN EVEN MORE MEANINGFUL
CONTRIBUTION TO OUR WORLD --
1316
01:33:07,148 --> 01:33:11,953
THEIR DEDICATION TO THE CAUSES
THEY SO DEEPLY BELIEVE IN.
1317
01:33:12,019 --> 01:33:19,293
THEY'VE WORKED WITH OCEANA TO
PROTECT AND PRESERVE THE WORLD'S
1318
01:33:19,360 --> 01:33:21,262
OCEANS.
>> WE WANT TO MAKE SURE WE ARE
1319
01:33:21,329 --> 01:33:23,698
NOT OVER POLLUTING OUR WATERS.
THERE IS A TICKING CLOCK,
1320
01:33:23,764 --> 01:33:25,833
THERE'S A REAL PROBLEM.
WE CAN FIX THIS.
1321
01:33:25,900 --> 01:33:27,835
>> AND USED THEIR PASSIONATE AND
POWERFUL VOICES TO INCREASE ARTS
1322
01:33:27,902 --> 01:33:31,005
FUNDING IN SCHOOLS.
THEY ARE OUTSPOKEN ALLIES OF THE
1323
01:33:31,072 --> 01:33:33,374
LGBTQ COMMUNITY, AND HAVE
PROUDLY STOOD UP FOR INDIVIDUALS
1324
01:33:33,441 --> 01:33:37,144
AND THEIR RIGHTS.
LAST YEAR THEY WERE RECOGNIZED
1325
01:33:37,211 --> 01:33:40,982
WITH THE NANCY PELOSI EQUALITY
ALLY AWARD AT THE 2024 EQUALITY
1326
01:33:41,048 --> 01:33:47,154
PAC NATIONAL PRIDE GALA IN
WASHINGTON D.C.
1327
01:33:47,221 --> 01:33:53,494
>> THERE ARE ONLY REALLY TWO
EMOTIONS, LOVE AND FEAR.
1328
01:33:53,561 --> 01:33:55,930
EVERYTHING WE DO BOILS DOWN TO
ONE OR THE OTHER.
1329
01:33:55,997 --> 01:33:57,965
>> THEY'VE SUPPORTED THE
MISSIONS OF NUMEROUS
1330
01:33:58,032 --> 01:34:00,201
ORGANIZATIONS SUCH AS THE
ELIZABETH GLASER PEDIATRIC AIDS
1331
01:34:00,267 --> 01:34:03,371
FOUNDATION, NO KID HUNGRY,
HEIFER INTERNATIONAL,
1332
01:34:03,437 --> 01:34:07,241
PROGERIA RESEARCH FOUNDATION,
ANDPATHWAY TO KINSHIP, WORKING
1333
01:34:07,308 --> 01:34:11,912
WITH CURRENTLY AND FORMERLY
INCARCERATED CITIZENS, AND
1334
01:34:11,979 --> 01:34:14,482
TOGETHER THEY HELPED CO-FOUND
ANGELS AT RISK, A NON-PROFIT
1335
01:34:14,548 --> 01:34:17,385
ORGANIZATION THAT ADDRESSES THE
CRISIS OF DRUG AND ALCOHOL ABUSE
1336
01:34:17,451 --> 01:34:20,988
IN TEENS AND FAMILIES BY
CREATING EDUCATIONAL PROGRAMS
1337
01:34:21,055 --> 01:34:23,891
AND SERVICES TO RAISE AWARENESS
FOR ADDICTION PREVENTION,
1338
01:34:23,958 --> 01:34:29,563
INTERVENTION, AND TREATMENT.
WITH GRACE, INTEGRITY, AND
1339
01:34:29,630 --> 01:34:33,300
UNWAVERING COMMITMENT,
TED DANSON AND MARY STEENBURGEN
1340
01:34:33,367 --> 01:34:36,270
HAVE BUILT AN EXTRAORDINARY
LEGACY OF SERVICE TO OUR PEOPLE
1341
01:34:36,337 --> 01:34:40,241
AND OUR PLANET.
♪ ♪
1342
01:34:40,307 --> 01:34:49,917
[APPLAUSE]
>> TED AND MARY -- ON BEHALF OF
1343
01:34:49,984 --> 01:34:53,354
THE TELEVISION ACADEMY, WE ARE
HONORED TO PRESENT YOU WITH THE
1344
01:34:53,421 --> 01:34:56,190
2025 BOB HOPE HUMANITARIAN
AWARD.
1345
01:34:56,257 --> 01:35:01,195
[CHEERS AND APPLAUSE]
♪ ♪
1346
01:35:01,262 --> 01:35:13,574
♪ ♪
♪ ♪
1347
01:35:13,641 --> 01:35:28,522
♪ ♪
1348
01:35:28,589 --> 01:35:32,660
♪ ♪
1349
01:35:32,726 --> 01:35:35,830
>> THANK YOU VERY MUCH.
>> THANK YOU, GUYS, GUYS.
1350
01:35:35,896 --> 01:35:38,099
>> BEST FRIENDS.
THANK YOU TO THE TELEVISION
1351
01:35:38,165 --> 01:35:40,000
ACADEMY AND ITS BOARD OF
GOVERNORS FOR THIS AWARD.
1352
01:35:40,067 --> 01:35:43,070
IT'S NAMED AFTER A MAN WHOSE
VERY NAME WAS "HOPE," AND THAT
1353
01:35:43,137 --> 01:35:45,372
IS WHAT BOB HOPE BROUGHT TO
PEOPLE FOR 50 YEARS AS HE
1354
01:35:45,439 --> 01:35:52,780
TRAVELED THE WORLD ENTERTAINING
OUR TROOPS.
1355
01:35:52,847 --> 01:35:54,548
WE SEND OUR LOVE TO HIS FAMILY
ALONG WITH OUR DEEPEST THANKS
1356
01:35:54,615 --> 01:35:57,818
FOR THIS.
THERE IS NO HONOR THAT WOULD
1357
01:35:57,885 --> 01:36:03,891
MEAN MORE TO MARY AND ME THAN
THIS ONE.
1358
01:36:03,958 --> 01:36:17,371
THE FACT THAT IT HAS BEEN GIVEN
TO BOTH OF US MEANS THE WORLD
1359
01:36:17,438 --> 01:36:19,773
[APPLAUSE]
>> AND THIS HONOR WOULD HAVE
1360
01:36:19,840 --> 01:36:22,009
MEANT THE WORLD TO OUR PARENTS,
BECAUSE, IN A WAY, IT'S ABOUT
1361
01:36:22,076 --> 01:36:24,078
LIVING THE LIVES THEY, BY
EXAMPLE, TAUGHT US TO LIVE.
1362
01:36:24,145 --> 01:36:26,180
MY DAD, AN ARKANSAS FREIGHT
TRAIN CONDUCTOR, PLAYED BY ALL
1363
01:36:26,247 --> 01:36:34,054
OF THE RULES AT WORK, SAVE ONE.
WHEN HE CAME ACROSS A MAN DOWN
1364
01:36:34,121 --> 01:36:36,423
BOXCAR, HE DIDN'T PUT THEM OFF
THE TRAIN.
1365
01:36:36,490 --> 01:36:40,628
HE LET THEM RIDE.
AND, EVEN THOUGH I WAS A CHILD,
1366
01:36:40,694 --> 01:36:45,232
I UNDERSTOOD WELL THE BEAUTY OF
THAT ACT OF KINDNESS.
1367
01:36:45,299 --> 01:36:47,902
>> MY FATHER WAS AN
ARCHEOLOGIST, AND SPENT MOST OF
1368
01:36:47,968 --> 01:36:51,005
HIS LIFE DIGGING UP AND
CATALOGING THE REMNANTS OF PAST
1369
01:36:51,071 --> 01:36:56,944
CULTURES.
HE TAUGHT ME, "THIS LIFE IS NOT
1370
01:36:57,011 --> 01:37:00,548
JUST ABOUT US.
A LOT OF PEOPLE HAVE COME BEFORE
1371
01:37:00,614 --> 01:37:03,384
US, AND A LOT OF PEOPLE WILL
COME AFTER US.
1372
01:37:03,450 --> 01:37:11,258
IT'S ABOUT OUR STEWARDSHIP OF
WHAT WE HAVE BEEN GIVEN."
1373
01:37:11,325 --> 01:37:13,794
>> IF IT'S TRUE THAT LIFE IS
MADE UP OF TWO EMOTIONS, LOVE
1374
01:37:13,861 --> 01:37:17,565
AND FEAR, THE WORLD IS A LITTLE
OUT OF BALANCE RIGHT NOW.
1375
01:37:17,631 --> 01:37:22,136
WE DON'T WANT TO LIVE IN FEAR,
SO WE MAKE OURSELVES USEFUL,
1376
01:37:22,203 --> 01:37:25,206
WORKING FOR ORGANIZATIONS THAT
MOVE THE SCALE AWAY FROM FEAR
1377
01:37:25,272 --> 01:37:28,709
AND PUT US SMACK IN THE MIDDLE
OF LOVE.
1378
01:37:28,776 --> 01:37:33,080
>> THANK YOU TO JACOB FENTON,
KEITH ADDIS, ERIC KRANZLER,
1379
01:37:33,147 --> 01:37:41,422
JO YAO, AND ANNETT WOLF, BECAUSE
FOR A LONG TIME THAT TEAM OF
1380
01:37:41,488 --> 01:37:43,390
PEOPLE HAS ALSO CONTRIBUTED
THEIR OWN TIME AND CARING TO
1381
01:37:43,457 --> 01:37:49,930
THESE CAUSES AND MORE.
>> THANK YOU TO OUR SISTERS,
1382
01:37:49,997 --> 01:37:52,800
OUR CHILDREN, AND GRANDCHILDREN,
WHO OF COURSE ARE THE BEST
1383
01:37:52,866 --> 01:37:53,934
TEACHERS WE HAVE EVER HAD.
MOST OF ALL, THANK YOU TO YOU,
1384
01:37:54,001 --> 01:37:58,939
OUR BELOVED COMMUNITY.
TOGETHER WE HAVE A SACRED
1385
01:37:59,006 --> 01:38:06,213
ASSIGNMENT TO REMIND THE WORLD
OF ITS DREAMS, ITS FAILURES, ITS
1386
01:38:06,280 --> 01:38:08,916
LAUGHTER, ITS COURAGE, AND, MOST
ESPECIALLY, ITS HOPE.
1387
01:38:08,983 --> 01:38:11,852
>> THE TWO OF US FEEL VERY
BLESSED TO SPEND OUR LIVES DOING
1388
01:38:11,919 --> 01:38:18,692
JUST THAT WITH YOU.
THANK YOU FOR THIS HONOR.
1389
01:38:18,759 --> 01:38:21,195
>> THANK YOU.
[APPLAUSE]
1390
01:38:21,262 --> 01:38:30,971
♪ ♪
♪ ♪
1391
01:38:31,038 --> 01:38:34,408
>> Announcer: HERE ARE TONIGHT'S
ACCOUNTANTS FROM ERNST & YOUNG,
1392
01:38:34,475 --> 01:38:38,846
GRETA CASAGRANDE, JADE DAVIS,
AND SUZANNE DeJONG.
1393
01:38:38,912 --> 01:38:46,220
♪ ♪
♪ ♪
1394
01:38:46,287 --> 01:38:49,690
PLEASE WELCOME SIX-TIME EMMY
NOMINEE PHYLICIA RASHAD.
1395
01:38:49,757 --> 01:38:55,562
[APPLAUSE]
♪ ♪
1396
01:38:55,629 --> 01:39:00,434
>> HE WAS A BELOVED TEENAGER
IN AN ICONIC TELEVISION SERIES
1397
01:39:00,501 --> 01:39:04,038
WHO THE WORLD WATCHED GROW INTO
MANHOOD, AND LIKE ALL OUR
1398
01:39:04,104 --> 01:39:08,575
FRIENDS AND COLLEAGUES WHO
TRANSITIONED THIS PAST YEAR,
1399
01:39:08,642 --> 01:39:15,182
MALCOLM JAMAL-WARNER REMAINS IN
OUR HEARTS.
1400
01:39:15,249 --> 01:39:20,988
[APPLAUSE]
TONIGHT, AS IS TRADITION AT THE
1401
01:39:21,055 --> 01:39:25,292
EMMYS, WE REMEMBER THEM NOT JUST
FOR THEIR IMMENSE TALENT, BUT
1402
01:39:25,359 --> 01:39:31,899
ALSO FOR THE WAY THEY MADE US
BELIEVE IN SOMETHING BIGGER.
1403
01:39:31,965 --> 01:39:34,735
THE BEST THAT IS WITHIN US.
EVEN THOUGH THEY MAY NO LONGER
1404
01:39:34,802 --> 01:39:38,272
BE WITH US, WE CAN ALL SMILE
KNOWING THAT THEIR IMPACT WILL
1405
01:39:38,339 --> 01:39:41,308
REMAIN, KNOWING THAT THEIR
LASTING IMPRESSIONS WILL
1406
01:39:41,375 --> 01:39:45,245
CONTINUE TO LIVE ON THROUGH
STORY, KNOWING THAT THEY TOUCHED
1407
01:39:45,312 --> 01:39:50,250
OUR LIVES.
WHETHER YOU GREW UP WATCHING
1408
01:39:50,317 --> 01:39:53,654
THEM OR HAVE JUST NOW DISCOVERED
THEIR BRILLIANCE, THEIR LIGHT
1409
01:39:53,721 --> 01:39:57,725
REMAINS IN THE VERY FABRIC OF
OUR INDUSTRY.
1410
01:39:57,791 --> 01:40:01,862
PERFORMING A SONG OF REMEMBRANCE
FOR ALL THE MEMBERS OF ALL OUR
1411
01:40:01,929 --> 01:40:06,233
TELEVISION FAMILIES WHO HAVE
PASSED ON, HERE ARE VINCE GILL
1412
01:40:06,300 --> 01:40:09,236
AND LAINEY WILSON.
[APPLAUSE]
1413
01:40:09,303 --> 01:40:19,313
♪ ♪
♪ ♪
1414
01:40:19,380 --> 01:40:27,388
>> ♪ I KNOW YOUR LIFE ON EARTH
WAS TROUBLED ♪
1415
01:40:27,454 --> 01:40:35,362
♪ AND ONLY YOU COULD KNOW THE
PAIN ♪
1416
01:40:35,429 --> 01:40:43,570
♪ YOU WEREN'T AFRAID TO FACE THE
DEVIL ♪
1417
01:40:43,637 --> 01:40:54,748
♪ YOU WERE NO STRANGER TO THE
RAIN ♪
1418
01:40:54,815 --> 01:41:04,024
>> ♪ GO REST HIGH ON THAT
MOUNTAIN ♪
1419
01:41:04,091 --> 01:41:11,465
♪ SON, YOUR WORK ON EARTH IS
DONE ♪
1420
01:41:11,532 --> 01:41:21,341
♪ GO TO HEAVEN A-SHOUTIN' ♪
♪ LOVE FOR THE FATHER AND THE
1421
01:41:21,408 --> 01:41:31,051
SON ♪
>> ♪ OH, HOW WE CRIED THE DAY
1422
01:41:31,118 --> 01:41:39,760
YOU LEFT US ♪
♪ WE GATHERED 'ROUND YOUR GRAVE
1423
01:41:39,827 --> 01:41:47,100
TO GRIEVE ♪
♪ WISH I COULD SEE THE ANGELS'
1424
01:41:47,167 --> 01:41:56,443
FACES ♪
♪ WHEN THEY HEAR YOUR SWEET
1425
01:41:56,510 --> 01:42:05,853
VOICE SING ♪
♪ ♪
1426
01:42:05,919 --> 01:42:14,828
[VIOLIN SOLO]
♪ ♪
1427
01:42:14,895 --> 01:42:23,670
♪ ♪
♪ ♪
1428
01:42:23,737 --> 01:42:33,680
♪ ♪
♪ ♪
1429
01:42:33,747 --> 01:42:40,420
♪ ♪
>> ♪ GO REST HIGH ON THAT
1430
01:42:40,487 --> 01:42:49,463
MOUNTAIN ♪
♪ SON, YOUR WORK ON EARTH IS
1431
01:42:49,530 --> 01:43:03,143
DONE ♪
♪ GO TO HEAVEN A-SHOUTIN' ♪
1432
01:43:03,210 --> 01:43:09,650
♪ LOVE FOR THE FATHER AND THE
SON ♪
1433
01:43:09,716 --> 01:43:16,123
♪ ♪
[GUITAR SOLO]
1434
01:43:16,189 --> 01:43:24,665
♪ ♪
♪ ♪
1435
01:43:24,731 --> 01:43:32,739
♪ ♪
♪ ♪
1436
01:43:32,806 --> 01:43:41,448
♪ ♪
♪ ♪
1437
01:43:41,515 --> 01:43:50,557
♪ ♪
>> ♪ YOU'RE SAFELY HOME IN THE
1438
01:43:50,624 --> 01:43:58,599
ARMS OF JESUS ♪
♪ ETERNAL LIFE, MY BROTHER'S
1439
01:43:58,665 --> 01:44:07,074
FOUND ♪
♪ THE DAY WILL COME, I KNOW I'LL
1440
01:44:07,140 --> 01:44:15,215
SEE HIM ♪
♪ IN THAT SACRED PLACE ON THAT
1441
01:44:15,282 --> 01:44:23,557
HOLY GROUND ♪
>> ♪ GO REST HIGH ON THAT
1442
01:44:23,624 --> 01:44:32,733
MOUNTAIN ♪
♪ SON, YOUR WORK ON EARTH IS
1443
01:44:32,799 --> 01:44:47,547
DONE ♪
♪ GO TO HEAVEN A-SHOUTIN' ♪
1444
01:44:47,614 --> 01:44:58,358
♪ LOVE FOR THE FATHER AND THE
SON ♪
1445
01:44:58,425 --> 01:45:07,267
♪ GO TO HEAVEN A-SHOUTIN' ♪
♪ LOVE FOR THE FATHER AND THE
1446
01:45:07,334 --> 01:45:08,335
SON ♪
♪ ♪%
1447
01:45:50,010 --> 01:45:55,148
♪ ♪
>> Nate: WELCOME BACK TO THE
1448
01:45:55,215 --> 01:45:56,950
EMMYS.
THE IN MEMORIAM WENT A LITTLE
1449
01:45:57,017 --> 01:45:57,818
LONG.
[LAUGHTER]
1450
01:45:57,884 --> 01:46:00,954
I'M JOKING, SORRY, I DIDN'T MEAN
THAT.
1451
01:46:01,021 --> 01:46:09,963
THE NUMBER IS DOWN.
IT'S CRAZY, JB.
1452
01:46:10,030 --> 01:46:12,766
IT'S LIKE THEY DON'T THINK IT'S
A REAL.
1453
01:46:12,833 --> 01:46:14,901
>> THEY DON'T BELIEVE IT, MAN.
THIS IS A REAL THING.
1454
01:46:14,968 --> 01:46:18,772
THESE YOUNG PEOPLE ARE REAL, YOU
HEAR ME?
1455
01:46:18,839 --> 01:46:23,810
CARTER AND MOLLY, THERE BLADDERS
ARE SMALL, THEY HAD TWO BOTTLES
1456
01:46:23,877 --> 01:46:26,613
OF WATER AND WE HAVE TO GET THIS
MONEY UP, MAN.
1457
01:46:26,680 --> 01:46:31,084
>> Nate: I AGREE.
PLEASE WELCOME YOUR NEXT
1458
01:46:31,151 --> 01:46:38,992
PRESENTER'S, MA MALIN AKERMAN AD
BRITTANY SNOW.
1459
01:46:50,003 --> 01:46:51,972
>> WOW, THAT TOOK ME A WHILE TO
GET HERE.
1460
01:46:52,572 --> 01:46:54,307
SORRY, I WAS REALLY SLOW TO COME
OUT.
1461
01:46:54,374 --> 01:46:58,612
>> I DON'T MIND WAITING FOR YOU
TO COME OUT.
1462
01:46:58,678 --> 01:47:03,950
[CHEERS AND APPLAUSE]
>> THANK YOU FOR THE HELP.
1463
01:47:04,017 --> 01:47:06,386
>> THE FEELING A LEAD ACTOR
BRINGS FORTH IN A CHARACTER
1464
01:47:06,453 --> 01:47:11,091
OFTEN RESONATES DEEPLY WITH THE
AUDIENCE CREATING MEMORABLE
1465
01:47:11,158 --> 01:47:13,126
EXPERIENCES.
>> THIS YEAR WE HAVE BEEN
1466
01:47:13,193 --> 01:47:16,196
CAPTIVATED BY PERFORMANCES OF
CHARACTERS BOTH CHARISMATIC AND
1467
01:47:16,263 --> 01:47:20,400
FLAWED WHO WORKED THROUGH THEIR
PERSONAL DEMONS ALL WHILE TRYING
1468
01:47:20,467 --> 01:47:21,902
TO NAVIGATE COMPLEX
RELATIONSHIPS.
1469
01:47:21,968 --> 01:47:25,238
>> HERE ARE THE NOMINEES FOR
OUTSTANDING LEAD ACTOR IN A
1470
01:47:25,305 --> 01:47:27,174
LIMITED OR ANTHOLOGY SERIES OR
MOVIE.
1471
01:47:27,240 --> 01:47:29,342
>> COLIN FARRELL.
"THE PENGUIN."
1472
01:47:29,409 --> 01:47:31,144
STEPHEN GRAHAM.
"ADOLESCENCE."
1473
01:47:31,211 --> 01:47:33,613
JAKE GYLLENHAAL.
"PRESUMED INNOCENT."
1474
01:47:33,680 --> 01:47:36,416
BRIAN TYREE HENRY.
"DOPE THIEF."
1475
01:47:36,483 --> 01:47:38,752
COOPER KOCH.
"MONSTERS: THE LYLE AND ERIK
1476
01:47:38,819 --> 01:47:47,127
MENENDEZ STORY."
>> AND THE EMMY GOES TO...
1477
01:47:47,194 --> 01:47:49,262
STEPHEN GRAHAM.
"ADOLESCENCE."
1478
01:47:49,329 --> 01:47:57,871
[CHEERS AND APPLAUSE]
♪ ♪
1479
01:47:57,938 --> 01:48:01,641
>> Announcer: THIS IS THE
SECOND EMMY WIN AND THIRD
1480
01:48:01,708 --> 01:48:04,211
NOMINATION THIS YEAR FOR STEPHEN
GRAHAM.
1481
01:48:04,277 --> 01:48:12,385
HE'S ALSO NOMINATED FOR WRITING
AND PRODUCING "ADOLESCENCE."
1482
01:48:12,452 --> 01:48:27,334
[APPLAUSE]
♪ ♪
1483
01:48:27,400 --> 01:48:28,735
[APPLAUSE]
♪ ♪
1484
01:48:28,802 --> 01:48:40,847
♪ ♪
1485
01:48:40,914 --> 01:48:46,753
[APPLAUSE]
>> THIS KIND OF THING DOESN'T
1486
01:48:46,820 --> 01:48:49,022
NORMALLY HAPPEN TO A KID LIKE
ME.
1487
01:48:49,089 --> 01:48:54,828
I'M JUST A MIXED-RACE KID FROM A
BLOCK OF FLATS IN A PLACE CALLED
1488
01:48:54,895 --> 01:49:02,369
KIRK KIRKBY.
THIS IS THE MOST HUMBLING THING
1489
01:49:02,435 --> 01:49:04,638
I COULD IMAGINE MY LIFE AND IT
SHOWS ANYTHING IS POSSIBLE.
1490
01:49:04,704 --> 01:49:07,641
THERE ARE TOO MANY PEOPLE TO
THINK BUT I WANT TO THANK MY
1491
01:49:07,707 --> 01:49:09,109
FRIENDS AND FAMILY.
WITHOUT YOU NONE OF THIS IS
1492
01:49:09,175 --> 01:49:11,278
POSSIBLE.
THANK YOU FOR HELPING ME.
1493
01:49:11,344 --> 01:49:17,517
SOMETHING I CAN'T DO ON MY OWN.
JACK, EVERYONE, I WANT TO BRING
1494
01:49:17,584 --> 01:49:20,720
IT TO MY DAD FOR TAKING ME TO
VIDEO SHOP WHEN I WAS A KID AND
1495
01:49:20,787 --> 01:49:27,894
STARTING MY EDUCATION.
MY KIDS, GRACE AND ELSIE, AND MY
1496
01:49:27,961 --> 01:49:30,764
ADORABLE WIFE, WHO I LIVE
WITH EVERY OUNCE OF MY BEING.
1497
01:49:30,830 --> 01:49:34,801
YOU ARE MY ROCK, YOU ARE MY
SOULMATE, AND YOU KNOW AND I
1498
01:49:34,868 --> 01:49:37,804
KNOW THAT WITHOUT YOU I WOULD BE
DEAD.
1499
01:49:37,871 --> 01:49:41,107
SO FROM THE BOTTOM OF MY HEART,
I LOVE YOU WITH EVERYTHING I
1500
01:49:41,174 --> 01:49:46,579
HAVE, AND NAMASTE, EVERYONE.
THANKS VERY MUCH.
1501
01:49:46,646 --> 01:49:51,117
[APPLAUSE]
♪ ♪
1502
01:49:51,184 --> 01:49:52,852
>> Announcer: PLEASE WELCOME
SEVEN-TIME EMMY WINNER
1503
01:49:52,919 --> 01:49:56,022
BRYAN CRANSTON.
[APPLAUSE]
1504
01:49:56,089 --> 01:50:06,499
♪ ♪
♪ ♪
1505
01:50:06,566 --> 01:50:09,703
>> THE HALLMARK OF AN
EXCEPTIONAL TALK SHOW, LIKE OUR
1506
01:50:09,769 --> 01:50:12,939
NOMINEES TONIGHT, IS TO
ENTERTAIN THE AUDIENCE THROUGH
1507
01:50:13,006 --> 01:50:15,976
WITTY AND INTELLIGENT
CONVERSATIONS WITH A WIDE RANGE
1508
01:50:16,042 --> 01:50:19,713
OF GUESTS.
FROM THE LEARNED AND
1509
01:50:19,779 --> 01:50:24,551
INSPIRATIONAL GUESTS LIKE
NEIL DeGRASSE TYSON, TO THE
1510
01:50:24,617 --> 01:50:26,953
DESTRUCTIVE AND WOKE
DEGENERATES, LIKE TOM HANKS --
1511
01:50:27,020 --> 01:50:41,134
[LAUGHTER]
A TALK SHOW MUST BRING OUT THEIR
1512
01:50:41,201 --> 01:50:44,337
VERY BEST, EVERY SINGLE NIGHT.
EXCEPT FRIDAYS, AND WEEKENDS.
1513
01:50:44,404 --> 01:50:48,208
AND JOHN OLIVER.
[LAUGHTER]
1514
01:50:48,274 --> 01:50:54,714
THE NOMINEES FOR OUTSTANDING
TALK SHOW ARE...
1515
01:50:54,781 --> 01:50:58,018
>> "THE DAILY SHOW."
"JIMMY KIMMEL LIVE."
1516
01:50:58,084 --> 01:51:06,960
"THE LATE SHOW WITH
STEPHEN COLBERT."
1517
01:51:07,027 --> 01:51:16,102
[APPLAUSE]
[NOVATION CONTINUES]
1518
01:51:16,169 --> 01:51:28,281
>> AND THE EMMY GOES TO...
1519
01:51:28,348 --> 01:51:29,549
"THE LATE SHOW WITH
STEPHEN COLBERT!"
1520
01:51:29,616 --> 01:51:34,054
[CHEERS AND APPLAUSE]
♪ ♪
1521
01:51:34,120 --> 01:51:35,922
>> Announcer: "THE LATE SHOW
WITH STEPHEN COLBERT" RECEIVED
1522
01:51:35,989 --> 01:51:38,958
TWO NOMINATIONS THIS YEAR.
ACCEPTING THE EMMY ON BEHALF OF
1523
01:51:39,025 --> 01:51:39,826
THE TEAM IS STEPHEN COLBERT.
[APPLAUSE]
1524
01:51:39,893 --> 01:51:54,774
♪ ♪
♪ ♪
1525
01:51:54,841 --> 01:51:59,479
♪ ♪
♪ ♪
1526
01:51:59,546 --> 01:52:14,427
>> THANKS!
[CHANTING "STEPHEN"]
1527
01:52:14,494 --> 01:52:15,528
>> THANKS!
[CHANTING "STEPHEN"]
1528
01:52:15,595 --> 01:52:18,398
>> THINK OF THE CHILDREN!
THANK YOU FOR THIS HONOR.
1529
01:52:18,465 --> 01:52:21,734
I WANT TO THANK CBS WERE GIVING
US THE PRIVILEGE TO BE PART OF
1530
01:52:21,801 --> 01:52:25,805
THE LATE-NIGHT TRADITION, WHICH
I HOPE CONTINUES LONG AFTER WE
1531
01:52:25,872 --> 01:52:31,277
ARE NO LONGER DOING THIS SHOW.
I'VE GOT TO THANK THESE PEOPLE,
1532
01:52:31,344 --> 01:52:36,015
THOSE PEOPLE UP THERE, THE 200
INCREDIBLE PROFESSIONALS.
1533
01:52:36,082 --> 01:52:44,958
YOU ARE THE PROS FROM DOVER AND
I AM SO PROUD TO BE ONE OF YOU.
1534
01:52:45,024 --> 01:52:48,394
WE HAVE GOT TO THANK THE PEOPLE
WHO HAVE SUPPORTED US FOR THE
1535
01:52:48,461 --> 01:52:53,166
LAST 20 YEARS.
[LISTING NAMES]
1536
01:52:53,233 --> 01:52:56,803
PERSONALLY I WANT TO THANK MY
BEAUTIFUL, BRILLIANT WIFE, WHO
1537
01:52:56,870 --> 01:52:58,705
IS THE REAL BRAINS OF THE
OUTFIT.
1538
01:52:58,771 --> 01:53:02,809
MY THREE CHILDREN.
I WANT TO DEDICATE THIS TO MY
1539
01:53:02,876 --> 01:53:06,246
MOM AND DAD, HER MOM AND DAD,
AND A YOUNG WOMAN WHO SHOULD BE
1540
01:53:06,312 --> 01:53:15,889
HERE TONIGHT, AMY COLE.
TEN YEARS AGO IN SEPTEMBER OF
1541
01:53:15,955 --> 01:53:18,925
2015, SPIKE JONZE STOPPED BY MY
OFFICE AND SAID, WHAT DO YOU
1542
01:53:18,992 --> 01:53:21,194
WANT THIS SHOW TO BE ABOUT?
I SAID, I DON'T KNOW HOW YOU
1543
01:53:21,261 --> 01:53:24,330
COULD DO IT, BUT I'D LIKE TO DO
A LATE NIGHT COMEDY SHOW THAT
1544
01:53:24,397 --> 01:53:27,967
WAS ABOUT LOVE.
I DON'T KNOW IF I EVER FIGURED
1545
01:53:28,034 --> 01:53:31,404
THAT OUT, BUT AT A CERTAIN
POINT, AND YOU CAN GUESS WHAT
1546
01:53:31,471 --> 01:53:34,374
THAT POINT WAS, I REALIZED THAT
IN SOME WAYS WE WERE DOING A
1547
01:53:34,440 --> 01:53:36,576
LATE NIGHT COMEDY SHOW ABOUT
LOSS.
1548
01:53:36,643 --> 01:53:38,711
AND THAT'S RELATED TO LOVE
BECAUSE SOMETIMES THE ONLY TRULY
1549
01:53:38,778 --> 01:53:42,949
KNOW HOW MUCH YOU LOVE SOMETHINU
MIGHT BE LOSING IT.
1550
01:53:43,016 --> 01:53:48,721
TEN YEARS LATER, IN SEPTEMBER OF
2025, MY FRIENDS, I HAVE NEVER
1551
01:53:48,788 --> 01:53:51,157
LOVED MY COUNTRY MORE
DESPERATELY.
1552
01:53:51,224 --> 01:53:55,828
GOD BLESS AMERICA.
STAY STRONG, BE BRAVE, AND IF
1553
01:53:55,895 --> 01:53:59,132
THE ELEVATOR TRIES TO BRING YOU
DOWN, GO CRAZY AND PUNCH A
1554
01:53:59,199 --> 01:54:02,802
HIGHER FLOOR!
WHOO!
1555
01:54:02,869 --> 01:54:17,016
[CHEERS AND APPLAUSE]
♪ ♪
1556
01:54:17,083 --> 01:54:18,651
♪ ♪
>> Announcer: AFTER THE BREAK,
1557
01:54:18,718 --> 01:54:20,853
SARAH PAULSON AND EVAN PETERS.
PLUS, RAY ROMANO AND
1558
01:54:20,920 --> 01:54:24,157
BRAD GARRETT PRESENT THE EMMY
FOR OUTSTANDING COMEDY SERIES,
1559
01:54:24,224 --> 01:54:27,827
AND COLMAN DOMINGO PRESENTS LEAD
ACTOR IN A DRAMA SERIES.
1560
01:54:27,894 --> 01:54:28,895
THIS IS CBS.
♪ ♪
1561
01:54:38,004 --> 01:54:39,639
>> Announcer: PLEASE WELCOME
EMMY WINNERS SARAH PAULSON AND
1562
01:54:39,706 --> 01:54:41,574
EVAN PETERS.
[APPLAUSE]
1563
01:54:41,641 --> 01:54:55,521
♪ ♪
♪ ♪
1564
01:54:55,588 --> 01:54:57,857
>> HI!
I'M REALLY EXCITED TO BE HERE
1565
01:54:57,924 --> 01:55:00,126
WITH YOU TONIGHT.
>> YOU, TOO.
1566
01:55:00,193 --> 01:55:05,331
I MEAN, ME, IS ALSO.
WE HAVEN'T REALLY WORKED
1567
01:55:05,398 --> 01:55:07,567
TOGETHER SINCE
""AMERICAN HORROR STORY" CLOSE
1568
01:55:07,634 --> 01:55:11,838
TO SEASON 10 PET I MISS YOU.
1569
01:55:11,904 --> 01:55:13,906
IF YOU REALLY MISSED ME, YOU
WOULD CALL YOUR AGENT TO
1570
01:55:13,973 --> 01:55:16,276
MR. MURPHY AND GET STARTED ON
SEASON 13.
1571
01:55:16,342 --> 01:55:19,178
THAT'S NOT WHY WE'RE HERE.
>> WE ARE HERE TO PRESENT THE
1572
01:55:19,245 --> 01:55:22,315
EMMY FOR OUTSTANDING LIMITED OR
ANTHOLOGY SERIES.
1573
01:55:22,382 --> 01:55:27,720
>> WHAT A GREAT CATEGORY.
WOULDN'T YOU LIKE TO BE IN A
1574
01:55:27,787 --> 01:55:30,323
SHOW THAT WAS ABLE TO BE
NOMINATED IN A CATEGORY LIKE
1575
01:55:30,390 --> 01:55:32,725
THAT?
>> I WOULD.
1576
01:55:32,792 --> 01:55:36,129
I REALLY, REALLY WOULD.
>> WHAT ARE YOU GOING TO DO
1577
01:55:36,195 --> 01:55:37,363
ABOUT IT?
>> I'LL GET ON THE PHONE
1578
01:55:37,430 --> 01:55:38,531
>> HERE ARE THE NOMINEES FOR
OUTSTANDING LIMITED OR ANTHOLOGY
1579
01:55:38,598 --> 01:55:41,267
SERIES.
>> "ADOLESCENCE."
1580
01:55:41,334 --> 01:55:43,870
"BLACK MIRROR."
"DYING FOR SEX."
1581
01:55:43,936 --> 01:55:47,073
"MONSTERS: THE LYLE AND ERIK
MENENDEZ STORY."
1582
01:55:47,140 --> 01:56:00,720
"THE PENGUIN."
>> AND THE EMMY GOES TO...
1583
01:56:00,787 --> 01:56:04,524
"ADOLESCENCE."
[CHEERS AND APPLAUSE]
1584
01:56:04,590 --> 01:56:12,365
♪ ♪
>> Announcer: "ADOLESCENCE"
1585
01:56:12,432 --> 01:56:14,600
RECEIVED 13 NOMINATIONS THIS
YEAR.
1586
01:56:14,667 --> 01:56:18,071
ACCEPTING THE EMMY ON BEHALF OF
THE TEAM'S THREE-TIME EMMY
1587
01:56:18,137 --> 01:56:33,019
WINNER STEPHEN GRAHAM.
[APPLAUSE]
1588
01:56:33,086 --> 01:56:37,924
WINNER STEPHEN GRAHAM.
[APPLAUSE]
1589
01:56:37,990 --> 01:56:38,925
♪ ♪
>> DON'T START THE CLOCK YET.
1590
01:56:38,991 --> 01:56:40,660
WANT TO MAKE SURE EVERYONE IS
IN.
1591
01:56:40,727 --> 01:56:43,463
THERE'S A LOT OF US.
COME ON.
1592
01:56:43,529 --> 01:56:47,500
THANK YOU.
FIRST OF ALL, LET ME SAY
1593
01:56:47,567 --> 01:56:49,702
THANK YOU MY AGENTS AND MY
MANAGER WHO HAVE BEEN WITH ME
1594
01:56:49,769 --> 01:56:55,308
FOR OVER 20 YEARS.
I LOVE YOUS DEARLY PRAYED I'M
1595
01:56:55,375 --> 01:56:58,678
SORRY FORGOT.
THIS IS NOT A GAME OF FOOTY, YOU
1596
01:56:58,745 --> 01:57:01,647
KNOW WHAT I MEAN?
IS NO WINNERS AND NO LOSERS.
1597
01:57:01,714 --> 01:57:05,318
IT'S ALL SUBJECTIVE.
WHAT WE MANAGED TO CREATE WAS A
1598
01:57:05,385 --> 01:57:08,054
BEAUTIFUL FAMILY.
WHETHER YOU WAS NUMBER ONE OR
1599
01:57:08,121 --> 01:57:10,556
NUMBER 101 ON THE CALL SHEET, WE
WERE TREATED EQUALLY AND
1600
01:57:10,623 --> 01:57:12,725
EVERYONE WAS RESPECTED AND
TREATED WITH THE UTMOST OF
1601
01:57:12,792 --> 01:57:14,761
RESPECT.
WE ARE ALL THE SAME.
1602
01:57:14,827 --> 01:57:18,364
I THINK THAT'S HOW YOU GET THE
BEST WORK AND HOW YOU GET THE
1603
01:57:18,431 --> 01:57:20,633
BEST OUT OF YOUR PEOPLE, DO YOU
KNOW WHAT I MEAN?
1604
01:57:20,700 --> 01:57:23,302
IF YOU FILL THEM WITH LOVE AND
GIVE THEM THAT OPPORTUNITY.
1605
01:57:23,369 --> 01:57:26,072
SO WHETHER OR NOT YOU ARE AN
EXECUTIVE PRODUCER FROM PLAN B
1606
01:57:26,139 --> 01:57:30,510
OR YOU ARE THE FELLOW THAT WAS
CLEANING THE TOILETS IN OUR
1607
01:57:30,576 --> 01:57:34,046
WINNEBAGOS, WE WERE ALL EQUAL.
JUST LOOK AFTER EACH OTHER AND
1608
01:57:34,113 --> 01:57:36,382
GIVE YOUR MATE A CUDDLE OR A
KISS AND TELL THEM YOU LOVE
1609
01:57:36,449 --> 01:57:38,584
THEM.
GOOD NIGHT, GOD BLESS.
1610
01:57:38,651 --> 01:57:53,533
[APPLAUSE]
♪ ♪
1611
01:57:53,599 --> 01:57:57,937
[APPLAUSE]
♪ ♪
1612
01:57:58,004 --> 01:57:58,938
♪ ♪
>> Nate: ALL RIGHT.
1613
01:57:59,005 --> 01:58:00,773
THIS NIGHT HAS BEEN GREAT FOR
ME.
1614
01:58:00,840 --> 01:58:04,377
HONESTLY, I THINK I HAVE MADE
MONEY.
1615
01:58:04,444 --> 01:58:08,948
[LAUGHTER]
WHAT IS IT AT?
1616
01:58:09,015 --> 01:58:12,652
YEAH, THAT IS TOUGH, AND THE
KIDS ARE GOING TO TAKE IT.
1617
01:58:12,718 --> 01:58:14,387
IT'S BRUTAL.
STEPHEN COLBERT IS HAPPY THAT HE
1618
01:58:14,454 --> 01:58:21,027
DOESN'T HAVE A JOB, IT IS JUST
TOUGH.
1619
01:58:21,093 --> 01:58:24,397
ALL RIGHT.
WHAT A NIGHT!
1620
01:58:24,464 --> 01:58:26,899
ARE NEXT TWO PRESENTERS
PLAYED BROTHERS IN THE '90s WHO
1621
01:58:26,966 --> 01:58:28,734
REALLY WANTED TO KILL THEIR
MOM...
1622
01:58:28,801 --> 01:58:31,170
BUT THEY DIDN'T!
PLEASE WELCOME EMMY WINNERS
1623
01:58:31,237 --> 01:58:33,539
RAY ROMANO AND BRAD GARRETT.
[APPLAUSE]
1624
01:58:33,606 --> 01:58:47,553
♪ ♪
♪ ♪
1625
01:58:47,620 --> 01:58:51,390
>> HEY, EVERYBODY.
THANK YOU VERY MUCH.
1626
01:58:51,457 --> 01:58:56,729
IT'S AN HONOR TO BE HERE.
FOR BRAD AND I, IT'S AN HONOR TO
1627
01:58:56,796 --> 01:59:00,333
PRESENT FOR BEST COMEDY SERIES.
WE WERE LUCKY ENOUGH TO BE ON A
1628
01:59:00,399 --> 01:59:05,972
SHOW THAT WON THIS AWARD 20
YEARS AGO THIS MONTH.
1629
01:59:06,038 --> 01:59:10,576
[APPLAUSE]
BEAUTIFUL.
1630
01:59:10,643 --> 01:59:14,514
>> A LONG TIME AGO, BOY.
>> IT FEELS A LITTLE DIFFERENT
1631
01:59:14,580 --> 01:59:18,384
TO BE ON THE EMMYS STAGE TONIGHT
THAN IT DID THEN.
1632
01:59:18,451 --> 01:59:22,955
I DON'T THINK WE WERE WEARING
COMPRESSION SOCKS BACK THEN.
1633
01:59:23,022 --> 01:59:24,957
[LAUGHTER]
>> OR HEARING AIDS.
1634
01:59:25,024 --> 01:59:29,095
>> YES.
I DON'T HAVE ONE OF THOSE YET.
1635
01:59:29,161 --> 01:59:30,796
>> I'VE GOT TWO.
>> YOU KNOW WHAT ELSE I REMEMBER
1636
01:59:30,863 --> 01:59:36,235
FROM THAT NIGHT, NOT ONLY DID WE
WIN FOR THE SHOW, BUT MY FRIEND
1637
01:59:36,302 --> 01:59:40,907
BRAD HERE ALSO WON FOR BEST
SUPPORTING ACTOR.
1638
01:59:40,973 --> 01:59:43,309
>> THANK YOU.
THAT'S VERY NICE.
1639
01:59:43,376 --> 01:59:48,714
[APPLAUSE]
AND YOU LOST TO TONY SHALHOUB.
1640
01:59:48,781 --> 01:59:49,849
>> YES, I DID.
[LAUGHTER]
1641
01:59:49,916 --> 01:59:53,986
I DON'T KNOW WHY WE NEEDED TO
KNOW THAT FACT, BUT YES.
1642
01:59:54,053 --> 01:59:56,756
>> YOU WANT TO KNOW SOMETHING,
RAY?
1643
01:59:56,822 --> 02:00:01,193
I JUST THOUGHT THAT I WOULD HAVE
BEEN BACK HERE SOONER, YOU KNOW?
1644
02:00:01,260 --> 02:00:05,531
IN SOME CAPACITY.
>> WHAT DO YOU MEAN?
1645
02:00:05,598 --> 02:00:10,903
>> I JUST THOUGHT FOR WINNING
THE EMMY I WOULD HAVE WORKED
1646
02:00:10,970 --> 02:00:13,773
MORE, THAT'S ALL.
DON'T YOU THINK, IF YOU WIN
1647
02:00:13,839 --> 02:00:16,876
TONIGHT, YOUR LIFE IS GOING TO
CHANGE?
1648
02:00:16,943 --> 02:00:23,716
IT'S NOT GOING TO CHANGE!
>> STOP.
1649
02:00:23,783 --> 02:00:26,552
YOU'RE DOING FINE.
YOU ARE.
1650
02:00:26,619 --> 02:00:29,755
>> AM I, RAY?
>> YES.
1651
02:00:29,822 --> 02:00:33,025
>> YOU'RE KIND OF SIGN?
YOU STARTED IN A
1652
02:00:33,092 --> 02:00:39,131
SCORSESE FILM WITH DE NIRO.
I'M DOING A GUEST JOB ON "THE
1653
02:00:39,198 --> 02:00:41,300
DOG WHISPERER."
>> YOU'RE OUT THERE!
1654
02:00:41,367 --> 02:00:45,771
YOU ARE STILL OUT THERE!
THAT'S ALL THAT MATTERS.
1655
02:00:45,838 --> 02:00:48,174
COME ON.
>> LET'S BE HONEST, I THINK THE
1656
02:00:48,240 --> 02:00:54,947
NEXT TIME I'M ON THE EMMYS IT
WILL BE IN MEMORIAM.
1657
02:00:55,014 --> 02:00:55,815
>> NO!
[LAUGHTER]
1658
02:00:55,881 --> 02:00:57,917
NO, NO.
WE ARE GOING TO STOP THIS RIGHT
1659
02:00:57,984 --> 02:01:00,686
IN THE BUD.
YOU ARE BRINGING THE ROOM DOWN.
1660
02:01:00,753 --> 02:01:08,961
>> JUST BE HONEST WITH ME, OKAY?
AM I GOING TO MAKE THE CUT?
1661
02:01:09,028 --> 02:01:13,165
>> WHAT CUT?
>> IN MEMORIAM.
1662
02:01:13,232 --> 02:01:20,172
[LAUGHTER]
>> I'VE GOT TO READ THIS.
1663
02:01:20,239 --> 02:01:21,841
>> JUST TELL ME!
JUST SAY IT!
1664
02:01:21,907 --> 02:01:29,181
>> I MEAN...
IF IT'S A SLOW YEAR, NO DOUBT.
1665
02:01:29,248 --> 02:01:29,949
NO DOUBT.
[LAUGHTER]
1666
02:01:30,016 --> 02:01:32,151
NO QUESTION.
>> OKAY.
1667
02:01:32,218 --> 02:01:33,352
THANK YOU.
>> ALL RIGHT?
1668
02:01:33,419 --> 02:01:35,354
>> YOU ARE A GOOD FRIEND.
>> THANK YOU.
1669
02:01:35,421 --> 02:01:39,925
BY THE WAY, YOU ARE DOING FINE.
HE HAS HIS OWN COMEDY CLUB IN
1670
02:01:39,992 --> 02:01:41,661
LAS VEGAS.
OKAY?
1671
02:01:41,727 --> 02:01:49,969
[APPLAUSE]
>> IT'S IN THE FOOD COURT!
1672
02:01:50,036 --> 02:01:50,970
[LAUGHTER]
>> IF YOU ARE THIS MONEY BACK
1673
02:01:51,037 --> 02:01:52,171
THEN, WE COULD HAVE WON A COUPLE
MORE.
1674
02:01:52,238 --> 02:01:57,143
[LAUGHTER AND APPLAUSE]
ALL RIGHT, SOMEBODY IS GOING TO
1675
02:01:57,209 --> 02:02:01,213
ENACT.
HERE ARE THE NOMINEES.
1676
02:02:01,280 --> 02:02:02,782
>> "ABBOTT ELEMENTARY."
"THE BEAR."
1677
02:02:02,848 --> 02:02:05,618
"HACKS."
"NOBODY WANTS THIS."
1678
02:02:05,685 --> 02:02:14,894
"ONLY MURDERS IN THE BUILDING."
"THE STUDIO."
1679
02:02:14,960 --> 02:02:25,604
"WHAT WE DO IN THE SHADOWS."
[APPLAUSE]
1680
02:02:25,671 --> 02:02:29,775
>> AND THE EMMY -- WAIT A
MINUTE, YOU DO IT.
1681
02:02:29,842 --> 02:02:32,745
>> SERIOUSLY?
>> YEAH, DO SOMETHING.
1682
02:02:32,812 --> 02:02:37,383
[LAUGHTER]
>> AND THE EMMY GOES TO "THE
1683
02:02:37,450 --> 02:02:38,084
STUDIO!"
[CHEERS AND APPLAUSE]
1684
02:02:38,150 --> 02:02:44,390
♪ ♪
♪ ♪
1685
02:02:44,457 --> 02:02:49,428
>> Announcer: FOR ITS FIRST
ELIGIBLE YEAR, "THE STUDIO" HAS
1686
02:02:49,495 --> 02:02:53,165
RECEIVED 23 NOMINATIONS, WHICH
HAS TIED THE RECORD FOR THE MOST
1687
02:02:53,232 --> 02:02:56,535
NOMINATIONS IN A SINGLE YEAR FOR
A COMEDY.
1688
02:02:56,602 --> 02:03:01,040
[APPLAUSE]
♪ ♪
1689
02:03:01,107 --> 02:03:04,643
>> THANK YOU.
IT'S GETTING EMBARRASSING.
1690
02:03:04,710 --> 02:03:08,047
I REALLY APPRECIATE IT.
IN ALL HONESTY, TO
1691
02:03:08,114 --> 02:03:10,883
EVERYONE -- I'M GOING TO DO MY
BEST ATTEMPT AT SINCERITY HERE.
1692
02:03:10,950 --> 02:03:14,620
IF YOU'VE WATCHED OUR SHOW, HE'S
APPRECIATED OUR SHOW, VOTED FOR
1693
02:03:14,687 --> 02:03:16,822
OUR SHOW ESPECIALLY, THANK YOU
VERY MUCH.
1694
02:03:16,889 --> 02:03:19,992
I AM LEGITIMATELY EMBARRASSED BY
HOW HAPPY THIS MAKES ME.
1695
02:03:20,059 --> 02:03:22,428
TO BE STANDING UP HERE WITH ALL
THESE PEOPLE.
1696
02:03:22,495 --> 02:03:25,131
THESE ARE THE BEST PEOPLE I%
KNOW, AND TO HAVE THEM SPEND
1697
02:03:25,197 --> 02:03:29,235
THEIR DAYS WITH ME WORKING WITH
ME IS TRULY LIKE ONE OF THE
1698
02:03:29,301 --> 02:03:31,604
GREAT HONORS OF MY LIFE.
SO THANK YOU TO ALL THESE PEOPLE
1699
02:03:31,670 --> 02:03:33,639
SO MUCH.
IF ANYONE ELSE WANT TO SAY
1700
02:03:33,706 --> 02:03:40,579
SOMETHING, WE ARE ALREADY --
[INAUDIBLE]
1701
02:03:40,646 --> 02:03:44,250
ANYONE YOU'D LIKE TO THANK?
>> YOU MADE A MOVIE ABOUT
1702
02:03:44,316 --> 02:03:47,787
EXECUTIVES.
[LISTING NAMES]
1703
02:03:47,853 --> 02:03:52,958
ALL THE PEOPLE AT APPLE AND
LIONSGATE.
1704
02:03:53,025 --> 02:03:54,226
>> TIM COOK.
HE IS HERE.
1705
02:03:54,293 --> 02:03:59,064
THANK YOU.
>> THE FIRST LATINA TO EVER WIN
1706
02:03:59,131 --> 02:04:01,433
IN THIS CATEGORY, FRIDA PEREZ.
>> THANK YOU TO HER.
1707
02:04:01,500 --> 02:04:07,206
SAY SOMETHING!
>> WE WANT TO THANK LANDSCAPE,
1708
02:04:07,273 --> 02:04:11,210
AND MY FIANCE, NICK, I LOVE YOU.
>> THANK YOU SO MUCH.
1709
02:04:11,277 --> 02:04:12,278
IN ALL HONESTY, THANK YOU SO
MUCH.
1710
02:04:12,344 --> 02:04:14,013
HE COULDN'T APPRECIATE THIS
MORE.
1711
02:04:14,079 --> 02:04:17,416
THANK YOU TO YOU ALL FOR REAL.
THANKS TO EVERY EXECUTIVE OUT
1712
02:04:17,483 --> 02:04:19,819
THERE.
THANK YOU TO THE EXECUTIVES.
1713
02:04:19,885 --> 02:04:26,225
THANK YOUR EXECUTIVES.
BYE, EVERYBODY.
1714
02:04:26,292 --> 02:04:31,931
[APPLAUSE]
♪ ♪
1715
02:04:31,997 --> 02:04:33,899
>> Announcer: UP NEXT,
COLMAN DOMINGO PRESENTS THE EMMY
1716
02:04:33,966 --> 02:04:36,368
FOR LEAD ACTOR IN A DRAMA
SERIES.
1717
02:04:36,435 --> 02:04:37,303
THEN, MARISKA HARGITAY,
CHRISTOPHER MELONI,
1718
02:04:37,369 --> 02:04:39,004
TONY GOLDWYN,
S. EPATHA MERKERSON, AND ICE-T
1719
02:04:55,020 --> 02:04:57,022
>> Announcer: PLEASE WELCOME
EMMY WINNER COLMAN DOMINGO.
1720
02:05:09,034 --> 02:05:11,403
>> TONIGHT WE CELEBRATE MORE
THAN PERFORMANCES.
1721
02:05:11,470 --> 02:05:13,839
WE CELEBRATE THE SPIRIT OF MEN
WHO CARRY ENTIRE WORLDS WITHIN
1722
02:05:13,906 --> 02:05:18,577
THEIR CRAFT.
MEN WHO DO NOT SIMPLY PLAY A
1723
02:05:18,644 --> 02:05:23,015
ROLE, BUT TRANSFORM -- BODY,
VOICE, AND SOUL -- UNTIL WE THE
1724
02:05:23,082 --> 02:05:27,186
AUDIENCE FORGET WHERE THE ACTOR
ENDS AND THE CHARACTER BEGINS.
1725
02:05:27,253 --> 02:05:29,221
TO WITNESS THEIR WORK IS TO BE
REMINDED OF THE POWER OF
1726
02:05:29,288 --> 02:05:32,925
STORYTELLING.
THE WAY IT CAN CRACK US OPEN,
1727
02:05:32,992 --> 02:05:37,296
HOLD US IN SILENCE, AND DEMAND
WE FEEL SOMETHING TRUE.
1728
02:05:37,363 --> 02:05:43,469
THEY REMIND US THAT ART IS NOT
JUST ENTERTAINMENT -- IT IS
1729
02:05:43,535 --> 02:05:46,538
REVELATION.
HERE ARE THE NOMINEES FOR LEAD
1730
02:05:46,605 --> 02:05:50,442
ACTOR IN A DRAMA SERIES.
>> STERLING K. BROWN.
1731
02:05:50,509 --> 02:05:53,245
"PARADISE."
GARY OLDMAN.
1732
02:05:53,312 --> 02:05:58,417
"SLOW HORSES."
PEDRO PASCAL.
1733
02:05:58,484 --> 02:06:00,486
"THE LAST OF US."
ADAM SCOTT.
1734
02:06:00,552 --> 02:06:02,554
"SEVERANCE."
NOAH WYLE.
1735
02:06:02,621 --> 02:06:09,895
"THE PITT."
[APPLAUSE]
1736
02:06:09,962 --> 02:06:17,336
>> AND THE EMMY GOES TO...
NOAH WYLE.
1737
02:06:17,403 --> 02:06:19,638
"THE PITT."
[CHEERS AND APPLAUSE]
1738
02:06:19,705 --> 02:06:29,682
♪ ♪
>> Announcer: THIS IS THE
1739
02:06:29,748 --> 02:06:32,918
FIRST EMMY WIN AND SEVENTH
NOMINATION FOR NOAH WYLE, HE
1740
02:06:32,985 --> 02:06:33,919
RECEIVED FIVE NOMINATIONS FOR
HIS SUPPORTING ROLE ON "ER" AS
1741
02:06:33,986 --> 02:06:39,725
DR. JOHN CARTER.
[APPLAUSE]
1742
02:06:39,792 --> 02:06:51,937
>> WOW!
WHAT A DREAM THIS HAS BEEN.
1743
02:06:52,004 --> 02:06:54,673
OH, MY GOODNESS.
FIRST OF ALL, TO MY FELLOW
1744
02:06:54,740 --> 02:06:57,710
NOMINEES, JUST HAVING MY NAME
INCLUDED IN YOUR COMPANY IS THE
1745
02:06:57,776 --> 02:07:02,982
HONOR OF A LIFETIME.
THANK YOU TO EVERYBODY AT "HBO
1746
02:07:03,048 --> 02:07:04,350
LIGHTNING TO STRIKE IN MY LIFE
TWICE.
1747
02:07:04,416 --> 02:07:07,553
THANK YOU FOR BEING THAT
LIGHTNING.
1748
02:07:07,619 --> 02:07:11,156
TO MY CREATIVE PARTNER IN THIS
ENDEAVOR, SCOTT, UNTIL THE
1749
02:07:11,223 --> 02:07:14,526
WHEELS COME OFF, BROTHER, AND
ALL THE AMAZING ARTISTS WHO MEET
1750
02:07:14,593 --> 02:07:19,331
US EVERY MORNING ON STAGE 22.
THE CAST, CREW, BACKGROUND,
1751
02:07:19,398 --> 02:07:21,567
TECHNICAL ADVISORS, WRITERS,
DIRECTORS.
1752
02:07:21,633 --> 02:07:24,536
YOU BRING YOUR A-GAME EVERY DAY
WHICH INSPIRES ME TO BRING MINE.
1753
02:07:24,603 --> 02:07:28,574
AND TO MY CHILDREN, TO MY
PARENTS, MY STEP-PARENTS AND MY
1754
02:07:28,640 --> 02:07:32,578
BEAUTIFUL WIFE, SARAH, WHO OWNS
HALF OF THIS, NOT JUST BECAUSE
1755
02:07:32,644 --> 02:07:39,918
IT'S CALIFORNIA LAW BUT BECAUSE
SHE EARNED IT.
1756
02:07:39,985 --> 02:07:41,754
[LAUGHTER]
AND MOSTLY COME IF ANYBODY IS
1757
02:07:41,820 --> 02:07:44,957
GOING ON SHIFT TONIGHT WERE
COMING OFF SHIFT TONIGHT,
1758
02:07:45,024 --> 02:07:48,761
THANK YOU FOR BEING IN THAT JOB.
THIS IS FOR YOU.
1759
02:07:48,827 --> 02:07:52,164
[APPLAUSE]
♪ ♪
1760
02:07:52,231 --> 02:08:01,940
♪ ♪
["LAW & ORDER" THEME]
1761
02:08:02,007 --> 02:08:04,343
>> Announcer: CELEBRATING 35
YEARS ON TELEVISION, FROM THE
1762
02:08:04,410 --> 02:08:08,914
"LAW & ORDER" FRANCHISE, PLEASE
WELCOME CHRISTOPHER MELONI,
1763
02:08:08,981 --> 02:08:13,452
ICE-T, TONY GOLDWYN, EMMY WINNER
S. EPATHA MERKERSON, AND EMMY
1764
02:08:13,519 --> 02:08:17,089
WINNER MARISKA HARGITAY.
[APPLAUSE]
1765
02:08:17,156 --> 02:08:22,561
♪ ♪
["LAW & ORDER" "DUN-DUN" SOUND]
1766
02:08:22,628 --> 02:08:27,466
>> THAT SOUND?
THAT'S THE NOISE MY PHONE MAKES
1767
02:08:27,533 --> 02:08:29,101
WHEN MARISKA CALLS ME.
>> WE ARE YOUR "LAW & ORDER"
1768
02:08:29,168 --> 02:08:31,503
DREAM TEAM.
ICONS, VETERANS, SURVIVORS OF SO
1769
02:08:31,570 --> 02:08:34,907
MANY ROOFTOP CHASE SCENES.
>> AND WE'RE ALL HERE TONIGHT
1770
02:08:34,973 --> 02:08:38,043
WITH ONE CLEAR MISSION...
>> TO REMIND YOU THAT
1771
02:08:38,110 --> 02:08:41,447
MARISKA HARGITAY HAS LITERALLY
SOLVED MORE FICTIONAL CRIMES
1772
02:08:41,513 --> 02:08:45,951
THAN MOST ACTUAL PRECINCTS.
[APPLAUSE]
1773
02:08:46,018 --> 02:08:52,291
>> SHE'S BEEN ON "SVU" FOR
27 YEARS.
1774
02:08:52,357 --> 02:08:56,028
[CHEERS AND APPLAUSE]
THAT'S LONGER THAN SOME OF YOU
1775
02:08:56,095 --> 02:08:59,698
HAVE BEEN IN THERAPY BECAUSE OF
"SVU."
1776
02:08:59,765 --> 02:09:00,632
[LAUGHTER]
>> AND DON'T LET THE COMPASSION
1777
02:09:00,699 --> 02:09:05,871
FOOL YOU.
OLIVIA BENSON WILL HUG A VICTIM
1778
02:09:05,938 --> 02:09:11,543
AND KNOCK OUT A PERP, ALL BEFORE
LUNCH.
1779
02:09:11,610 --> 02:09:12,978
>> EVERYONE SETTLED, THAT'S
ENOUGH.
1780
02:09:13,045 --> 02:09:20,385
I LOVE YOU ALL, THIS IS TRUE,
BUT THIS ISN'T THE "MARISKA
1781
02:09:20,452 --> 02:09:24,189
LIFETIME ACHIEVEMENT ROAST."
>> THIS ISN'T THE "MARISKA
1782
02:09:24,256 --> 02:09:27,593
LIFETIME ACHIEVEMENT ROAST?"
>> HE'S ALWAYS IN CHARACTER.
1783
02:09:27,659 --> 02:09:29,228
>> AND NOW, LET'S GIVE SOME LOVE
TO THE SHOWS THAT ARE CARRYING
1784
02:09:29,294 --> 02:09:31,230
THE TORCH, PUSHING BOUNDARIES,
AND REMINDING US WHY TV DRAMA
1785
02:09:31,296 --> 02:09:36,668
STILL MATTERS.
>> HERE ARE THE NOMINEES FOR
1786
02:09:36,735 --> 02:09:39,938
OUTSTANDING DRAMA SERIES.
>> "ANDOR."
1787
02:09:40,005 --> 02:09:42,608
"THE DIPLOMAT."
"THE LAST OF US."
1788
02:09:42,674 --> 02:09:46,945
"PARADISE."
"THE PITT."
1789
02:09:47,012 --> 02:09:51,450
"SEVERANCE."
"SLOW HORSES."
1790
02:09:51,517 --> 02:10:04,963
"THE WHITE LOTUS."
>> THE EMMY GOES TO...
1791
02:10:05,030 --> 02:10:11,270
"THE PITT."
[APPLAUSE]
1792
02:10:11,336 --> 02:10:13,639
♪ ♪
>> Announcer: "THE PITT" HAS
1793
02:10:13,705 --> 02:10:17,776
30 NOMINATIONS INCLUDING
CAPTAIN, DIRECTING, CONTEMPORARY
1794
02:10:17,843 --> 02:10:21,780
MAKEUP NONPROSTHETIC, PROSTHETIC
MAKEUP, LEAD ACTOR, SUPPORTING
1795
02:10:21,847 --> 02:10:26,351
ACTRESS, GUEST ACTOR, SOUND
EDITING, SOUND MIXING, WRITING,
1796
02:10:26,418 --> 02:10:31,823
AND DRAMA SERIES.
[APPLAUSE]
1797
02:10:31,890 --> 02:10:46,772
♪ ♪
>> THIS IS INSANE.
1798
02:10:46,838 --> 02:10:47,673
♪ ♪
>> THIS IS INSANE.
1799
02:10:47,739 --> 02:10:49,775
THANK YOU SO MUCH TO THE
ACADEMY.
1800
02:10:49,841 --> 02:10:52,511
I WANT TO THANK EVERYBODY AT
WARNER BROS., FOR BELIEVING IN
1801
02:10:52,578 --> 02:11:00,986
THIS SHOW FROM THE GET-GO,.
[LISTING NAMES]
1802
02:11:01,053 --> 02:11:04,323
HBO MAX FOR NURTURING AND
SUPPORTING OUR SHOW, OUR AMAZING
1803
02:11:04,389 --> 02:11:05,924
CAST AND CREW, WRITERSAND
DIRECTORS.
1804
02:11:05,991 --> 02:11:08,126
WE WOULDN'T BE OUT HERE WITHOUT
YOU GUYS.
1805
02:11:08,193 --> 02:11:12,030
I HAVE THE BEST PRODUCING
PARTNERS AND FRIENDS IN THE
1806
02:11:12,097 --> 02:11:13,699
WORLD.
JOHN WELLS.
1807
02:11:13,765 --> 02:11:15,968
AND NOAH WYLE, I DON'T KNOW
WHERE HE IS.
1808
02:11:16,034 --> 02:11:22,107
MY SECRET WEAPON, DR. JOE SACHS.
OUR FRIENDS, OUR FAMILIES, AND A
1809
02:11:22,174 --> 02:11:25,444
BIG SHOT UP.
I WANT TO DEDICATE THIS ON
1810
02:11:25,510 --> 02:11:29,848
BEHALF OF EVERYONE, TO ALL THE
HEALTH CARE WORKERS, FRONTLINE,
1811
02:11:29,915 --> 02:11:33,018
FIRST RESPONDERS.
RESPECT THEM, PROTECT THEM,
1812
02:11:33,085 --> 02:11:35,621
TRUST THEM.
THANK YOU.
1813
02:11:35,687 --> 02:11:42,794
[APPLAUSE]
>> Nate: ALL RIGHT.
1814
02:11:42,861 --> 02:11:46,598
THANKS TO EVERYONE HERE.
THE NUMBERS -- I'LL BE HONEST
1815
02:11:46,665 --> 02:11:50,569
WITH YOU, IT WAS EMBARRASSING.
IT WENT WAY DOWN.
1816
02:11:50,636 --> 02:11:54,973
I DON'T KNOW, I CAN'T IMAGINE
EVERY DOING THIS AGAIN, SO I'M
1817
02:11:55,040 --> 02:11:58,043
GOING TO -- CBS IS GOING TO ADD
$100,000.
1818
02:11:58,110 --> 02:12:03,415
I WILL GIVE $250,000.
THAT TAKES US TO $350,000 FOR
1819
02:12:03,482 --> 02:12:05,951
THE BOYS AND GIRLS CLUB.
THANK YOU SO MUCH FOR BEING OUT
1820
02:12:06,018 --> 02:12:08,754
HERE.
THANK YOU, JB.
1821
02:12:08,820 --> 02:12:14,393
THANK YOU TO ALL THE WINNERS.
GOOD NIGHT'S!
1822
02:12:14,459 --> 02:12:16,461
>> AMERICA NEEDS CLUB KIDS AND
CLUB KIDS NEED YOU!
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