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1
00:00:03,003 --> 00:00:04,704
Alright! Hold on. Hold on!
2
00:00:05,805 --> 00:00:07,540
- Damn!
- Hey, hey! Whoo!
3
00:00:07,640 --> 00:00:09,809
- Hey! Whoo!
- Hey! Oh-ho!
4
00:00:09,876 --> 00:00:11,411
Hey, hey, hey, hey Pam.
5
00:00:12,746 --> 00:00:13,913
You're not dressed yet?
6
00:00:14,014 --> 00:00:15,415
Cover up, girl. Come on, man.
7
00:00:15,515 --> 00:00:17,684
You'll make us late
for the Super Bowl.
8
00:00:17,751 --> 00:00:19,586
That's Super Fess, fool.
9
00:00:21,354 --> 00:00:25,325
Super Bowl, Super Fess,
Super Glue, it don't matter.
10
00:00:25,392 --> 00:00:26,659
I ain't going.
11
00:00:26,726 --> 00:00:28,495
Okay, oh, okay, okay.
Come on, come on, Pam.
12
00:00:28,561 --> 00:00:31,264
Look, companies downsize
all the time.
13
00:00:31,364 --> 00:00:33,199
Sweetheart, you are not
the first person
14
00:00:33,266 --> 00:00:35,668
to ever lose their job.
15
00:00:35,735 --> 00:00:37,270
Tommy ain't even got a job.
16
00:00:37,370 --> 00:00:39,272
You don't see him bugging.
17
00:00:39,372 --> 00:00:40,874
You know what?
You're supposed to be helpful.
18
00:00:40,940 --> 00:00:42,675
Not make it seem worse.
19
00:00:42,742 --> 00:00:43,943
Pam, Come on, come on, girl.
20
00:00:44,044 --> 00:00:46,346
You know you wanna go
to that Super Fess.
21
00:00:46,413 --> 00:00:49,883
Hey...I bet baby face
make you feel better.
22
00:00:50,884 --> 00:00:52,952
Hell, he may even pay your rent.
23
00:00:56,723 --> 00:00:58,191
I'm gonna get it.
24
00:00:59,526 --> 00:01:00,427
Oh!
25
00:01:00,527 --> 00:01:02,562
What's happening,
Climp Eastwood?
26
00:01:04,764 --> 00:01:07,400
I'm gonna let that one
slide 'cause we got company.
27
00:01:09,102 --> 00:01:12,038
Kevin Jane Bryce.
28
00:01:12,105 --> 00:01:13,540
Whatever. Just get out.
29
00:01:13,606 --> 00:01:14,808
- Hey.
- Hey.
30
00:01:14,908 --> 00:01:18,078
- How you doin'? Um...Pam.
- Right.
31
00:01:18,144 --> 00:01:19,279
Sorry about that door thing.
32
00:01:19,379 --> 00:01:20,814
Oh, don't even sweat it, sister.
33
00:01:20,914 --> 00:01:23,083
I'm Trey Foster, I went to
high school with the fellas.
34
00:01:23,149 --> 00:01:24,918
Yeah, yeah. Trey is the
one who hooked us up
35
00:01:24,984 --> 00:01:26,319
with Super Fess tickets.
36
00:01:26,419 --> 00:01:28,988
And the back stage passes
but you know that ain't no
37
00:01:29,089 --> 00:01:32,325
thang for the top man on man at
Keep It Real Records.
38
00:01:32,425 --> 00:01:35,495
Hold up, hold up, hold up. You
work for Keep It Real Records?
39
00:01:35,595 --> 00:01:36,596
That's always been
a dream of mine
40
00:01:36,663 --> 00:01:38,164
to work for a record company.
41
00:01:38,264 --> 00:01:40,400
I can't believe this.
So, you really Italian, huh?
42
00:01:41,234 --> 00:01:43,002
Eh, you know, huh?
43
00:01:43,103 --> 00:01:45,138
Y'all make root beer
and records.
44
00:01:47,140 --> 00:01:48,675
You know what?
It is, it's real funny
45
00:01:48,775 --> 00:01:50,677
running into you because
currently I'm looking
46
00:01:50,777 --> 00:01:53,179
for a more challenging career
opportunity 'cause--
47
00:01:53,279 --> 00:01:56,950
Trey, Trey, in other words she's
unemployed to Halloween.
48
00:01:57,016 --> 00:02:01,187
Aha. The goobs and the goblins
come out on Halloween.
49
00:02:06,826 --> 00:02:09,529
- Now is not the time.
- Okay.
50
00:02:09,629 --> 00:02:12,599
So, uh, how can I be down
with this record thing, man?
51
00:02:12,665 --> 00:02:14,868
No problem. Just drop
by my office any time.
52
00:02:14,968 --> 00:02:17,370
- I'll try to look out for you.
- Oh, cool. How about tomorrow?
53
00:02:17,470 --> 00:02:20,840
Eh, look, look. Pam, you all
could talk about all that later.
54
00:02:20,940 --> 00:02:22,208
Right now, why don't
you go shave
55
00:02:22,308 --> 00:02:24,444
so we won't be late
for the concert.
56
00:02:24,511 --> 00:02:26,779
And lose our seats.
Now, go, please!
57
00:02:52,739 --> 00:02:54,040
They don't know me up in here.
58
00:03:02,582 --> 00:03:04,017
Keep It Real Records.
59
00:03:04,083 --> 00:03:06,920
Hi, Madonna, what's up, girl?
60
00:03:07,020 --> 00:03:09,088
Thank you so much
for the baby pictures.
61
00:03:09,189 --> 00:03:10,890
Yeah, it's the first time
I've ever seen
62
00:03:10,990 --> 00:03:12,992
an infant wearing a push up bra.
63
00:03:14,527 --> 00:03:16,162
Hello, this is Sweets.
64
00:03:17,096 --> 00:03:18,731
Do you wanna remake that?
65
00:03:18,831 --> 00:03:21,568
Ah, well, hold on.
Let me check with my computer.
66
00:03:21,668 --> 00:03:23,236
Donna, who recorded
67
00:03:23,336 --> 00:03:25,438
" Ain't Gonna Bump No More
With No Big Fat Woman?"
68
00:03:26,873 --> 00:03:29,342
Joe Tex, 1977, Epic Records.
69
00:03:29,409 --> 00:03:31,277
It made it to number 17
on the charts.
70
00:03:31,377 --> 00:03:33,613
Oh, yeah, we can do that.
71
00:03:33,713 --> 00:03:35,949
Trey was supposed to handle
this two weeks ago.
72
00:03:36,049 --> 00:03:37,617
Hey, don't worry about it.
I'll handle him.
73
00:03:37,717 --> 00:03:39,752
Yeah. Ciao bella. Alright.
74
00:03:39,852 --> 00:03:43,189
Listen. When Trey gets here send
him my office right away.
75
00:03:43,256 --> 00:03:44,424
Right, boss.
76
00:03:45,892 --> 00:03:48,194
I was just on the elevator
with Chaka Khan.
77
00:03:50,063 --> 00:03:52,298
I was just on the elevator
with Chaka Khan.
78
00:03:53,600 --> 00:03:55,101
Great! And you are?
79
00:03:55,902 --> 00:03:57,237
Uh, Pamela James.
80
00:03:59,038 --> 00:04:02,442
Are you here to interview
for the A&R job?
81
00:04:02,542 --> 00:04:07,981
A&R job? Am I here to
interview for the A&R job?
82
00:04:08,081 --> 00:04:10,450
It's not an essay question.
83
00:04:10,550 --> 00:04:11,918
Right, right, right, um..
84
00:04:11,985 --> 00:04:15,488
Of course I'm here to
interview for the A&R job.
85
00:04:15,588 --> 00:04:17,724
They're not gonna ask for any
references, are they?
86
00:04:19,626 --> 00:04:22,762
We spend a half a mil
on this music video.
87
00:04:22,829 --> 00:04:24,998
I'm the Creative Director.
88
00:04:25,098 --> 00:04:28,835
When I say I want a guy
floating down the space ship
89
00:04:28,935 --> 00:04:31,170
I want a real freaking
space ship.
90
00:04:32,438 --> 00:04:34,440
Go take your shoes for walk.
91
00:04:36,676 --> 00:04:39,612
Oh, you must be here
for the video.
92
00:04:39,679 --> 00:04:41,347
Hey, go throw your
bikini on, honey.
93
00:04:41,447 --> 00:04:43,349
We'll do the audition
in the back.
94
00:04:44,484 --> 00:04:46,786
First of all,
I'm not your honey.
95
00:04:46,853 --> 00:04:49,689
And secondly, I only work
with my clothes on.
96
00:04:49,789 --> 00:04:50,790
Thank you.
97
00:04:50,857 --> 00:04:52,525
Well, that's too bad.
98
00:04:55,962 --> 00:04:57,630
Don't mind Tony.
He acts like a hit man.
99
00:04:57,697 --> 00:04:59,699
But he cried like a baby during
"The Little Mermaid."
100
00:04:59,799 --> 00:05:01,534
- Got you.
- I'm Donna.
101
00:05:01,634 --> 00:05:05,204
- Hey, Donna. Is Trey Foster in?
- No, he's late as usual.
102
00:05:05,305 --> 00:05:07,273
But you can have a seat
and wait for him if you want.
103
00:05:07,340 --> 00:05:09,108
- Chillin in the cut.
- Okay.
104
00:05:14,013 --> 00:05:16,783
What's up, Donna? The man
of the hour is here, baby.
105
00:05:16,849 --> 00:05:18,184
Oh, well that's good.
106
00:05:18,284 --> 00:05:19,986
'Cause the man in the office
wants to see you.
107
00:05:20,053 --> 00:05:23,156
Oh, damn. He must have found out
about the Mariah Carey thing.
108
00:05:23,222 --> 00:05:25,658
Alright, look. Just tell him
I called in sick, alright?
109
00:05:25,725 --> 00:05:26,726
Yo, Trey! What's up?
110
00:05:26,826 --> 00:05:28,895
Hey, Pams. What are you
doing here?
111
00:05:28,995 --> 00:05:30,863
Oh, you told me to drop by.
112
00:05:30,963 --> 00:05:33,066
I'm dropped!
Come here for a minute.
113
00:05:33,166 --> 00:05:36,402
Um, I heard there's like
a job opening around here.
114
00:05:36,502 --> 00:05:38,237
- Yeah, that's true.
- That job is for me.
115
00:05:38,338 --> 00:05:40,740
I mean I love music.
I know every last song
116
00:05:40,840 --> 00:05:42,241
that Gladys Knight
ever recorded.
117
00:05:42,342 --> 00:05:43,743
I know all The Pips moves.
118
00:05:43,843 --> 00:05:45,878
You know they were smooth.
They took it.
119
00:05:45,978 --> 00:05:47,647
You know they took it.
120
00:05:49,549 --> 00:05:51,150
They rock it.
121
00:05:51,217 --> 00:05:53,252
That's-that's good. Look here,
I'll call Don Cornelius
122
00:05:53,353 --> 00:05:55,254
to get you on the "Soul Train"
Now, right now I gotta go.
123
00:05:55,355 --> 00:05:58,057
Go on, I'll go with you. Trey,
I'm telling you I'm perfect
124
00:05:58,157 --> 00:06:01,361
for this job, man. Hey,
I come from a musical family.
125
00:06:01,427 --> 00:06:02,695
- You know "Black Street?"
- Yeah.
126
00:06:02,762 --> 00:06:04,764
Yup. I used to live
on that street.
127
00:06:07,166 --> 00:06:08,935
Clyde, take this package
over to the recording
128
00:06:09,035 --> 00:06:10,603
session at sound works.
129
00:06:10,703 --> 00:06:12,438
Oh, now I'm supposed to just
run out over there like I'm
130
00:06:12,538 --> 00:06:14,407
some type of hand boy, huh?
131
00:06:15,675 --> 00:06:18,077
You are the messenger.
132
00:06:18,177 --> 00:06:19,779
Sure that.
133
00:06:19,879 --> 00:06:24,117
But I won't be for long
see 'cause my Uncle Sweets.
134
00:06:24,217 --> 00:06:26,352
Oh he gonna hook me up
with this A&R job.
135
00:06:26,419 --> 00:06:28,721
Clyde, I don't even want that
job and I have a better chance
136
00:06:28,788 --> 00:06:30,423
of getting it than you.
137
00:06:30,523 --> 00:06:33,626
You don't believe me?
You don't know a damn!
138
00:06:36,896 --> 00:06:40,099
Excuse me.
Um, but who do you sing with?
139
00:06:40,199 --> 00:06:41,868
"Booty and the Blowfish?"
140
00:06:44,637 --> 00:06:46,973
Hey, listen. Tony, we need
to get Sweets a birthday gift.
141
00:06:47,073 --> 00:06:50,276
I was thinking we could all
chip in and buy him golf clubs.
142
00:06:50,376 --> 00:06:52,445
What are you? Made of money?
143
00:06:52,545 --> 00:06:53,646
Okay, what do you suggest?
144
00:06:53,746 --> 00:06:56,048
Why don't you just
buy him a box of balls?
145
00:06:57,450 --> 00:07:00,486
So anyway, I get Stevie Wonder's
home telephone number
146
00:07:00,586 --> 00:07:03,122
and he actually answered the
phone. I get so nervous.
147
00:07:03,222 --> 00:07:06,726
All I could do was,
say "Yo, Stevie!"
148
00:07:06,793 --> 00:07:10,630
I just called to say
I love you, man!
149
00:07:10,730 --> 00:07:13,099
Maybe I can get you a little
receptionist gig, okay?
150
00:07:13,166 --> 00:07:15,802
No, no, no, sweetie.
I'm talking about the A&R job.
151
00:07:15,902 --> 00:07:17,336
A&R, Pam, you're tripping.
152
00:07:17,437 --> 00:07:19,505
Come on, you can't just walk in
here and get a job like that.
153
00:07:19,605 --> 00:07:21,808
Uh, Trey, I hate to interrupt,
but if you don't see Sweets
154
00:07:21,908 --> 00:07:23,810
right now, there's gonna be
two A&R jobs open.
155
00:07:23,910 --> 00:07:25,745
Pam, look. I gotta go.
If I hear about anything.
156
00:07:25,812 --> 00:07:27,246
- I'll let you know, alright.
- But, Trey, I just want--
157
00:07:27,313 --> 00:07:29,348
- Peace!
- Hey, Trey!
158
00:07:29,449 --> 00:07:31,617
Now would be a good time to kick
in for Sweets' birthday gift.
159
00:07:31,684 --> 00:07:33,152
Donna, please,
I'm broke, alright.
160
00:07:33,252 --> 00:07:34,520
I got bills,
we're in a recession.
161
00:07:34,620 --> 00:07:36,522
Oh, look here.
Eh, Donna, you know what?
162
00:07:36,622 --> 00:07:38,825
Here's a 100 for my man Sweets'
birthday present alright.
163
00:07:38,925 --> 00:07:40,993
I wish it could be more
but you know how it is.
164
00:07:43,863 --> 00:07:44,931
Gimme that.
165
00:07:49,168 --> 00:07:50,369
What about all the good things
166
00:07:50,470 --> 00:07:51,871
I've done for
the company, Sweets?
167
00:07:51,971 --> 00:07:53,773
I mean, I got Taylor Reed
to leave her label
168
00:07:53,840 --> 00:07:54,974
and she won Platinum for us.
169
00:07:55,041 --> 00:07:56,476
That was last year, Trey.
170
00:07:56,542 --> 00:07:58,611
But like Janet Jackson said
171
00:07:58,678 --> 00:08:00,813
now "What Have You Done
For Me Lately?"
172
00:08:07,487 --> 00:08:09,622
Okay, girl. Alright.
173
00:08:09,689 --> 00:08:13,226
Ah-halo. Alright, bye.
174
00:08:13,326 --> 00:08:14,727
Are you still here, Pam?
175
00:08:14,827 --> 00:08:17,897
Hey! Hey, Trey. I just got
off the phone with TLC.
176
00:08:17,997 --> 00:08:19,532
Well, actually,
I don't know if it's TNL
177
00:08:19,632 --> 00:08:21,367
but Miya Siya have
the same hair dresser.
178
00:08:21,467 --> 00:08:24,070
I get he might be changing
labels. Here's the number.
179
00:08:24,170 --> 00:08:26,172
So, what's up
with the job, Trey?
180
00:08:26,239 --> 00:08:27,740
What's up with the job?
181
00:08:27,840 --> 00:08:31,043
For the last time,
I told you what I do is an art.
182
00:08:31,143 --> 00:08:34,146
Well, I'm not just making deals
here, I'm guiding careers.
183
00:08:34,213 --> 00:08:35,982
Every one of my artists
loves me.
184
00:08:36,048 --> 00:08:37,216
- Yo, Trey.
- Yeah.
185
00:08:37,316 --> 00:08:38,484
I got Iceberg on the phone.
186
00:08:38,551 --> 00:08:40,887
He said something about
whopping your ass
187
00:08:40,987 --> 00:08:43,389
because he don't like
his album cover.
188
00:08:43,489 --> 00:08:45,558
Tony, just tell him
I'm not here, man.
189
00:08:45,658 --> 00:08:47,560
Oh, why don't you
tell him yourself?
190
00:08:47,660 --> 00:08:49,996
- He's on the speaker phone.
- Tony!
191
00:08:51,030 --> 00:08:52,431
Yo, Berg! What's up, man?
192
00:08:52,532 --> 00:08:54,333
'Wassup is, I hate
my album cover.'
193
00:08:54,400 --> 00:08:56,235
'I'm a gangster rapper, man.
How is my cover that have'
194
00:08:56,335 --> 00:08:58,404
'two white people
chilling on the beach?'
195
00:08:59,906 --> 00:09:01,274
'What's wrong with you, man?'
196
00:09:01,374 --> 00:09:03,009
Berg, come on, man,
that's cross over.
197
00:09:03,075 --> 00:09:05,111
Trust me, baby.
White folks are loving you.
198
00:09:05,211 --> 00:09:08,180
'Man, look. Change the cover
or I'm changing labels.'
199
00:09:10,883 --> 00:09:13,119
Okay. Trey,
check this idea out. Okay.
200
00:09:13,219 --> 00:09:15,454
Iceberg is a
gangster rapper, right?
201
00:09:15,555 --> 00:09:17,523
You give him a blank album cover
202
00:09:17,590 --> 00:09:20,259
with the word "Sinster"
stamped all on it.
203
00:09:20,359 --> 00:09:22,562
Everybody and their mom
will buy that album.
204
00:09:25,565 --> 00:09:29,402
Sister, with all due respect,
that's whack.
205
00:09:29,468 --> 00:09:31,470
Trey! Tony tells me
Iceberg is upset about
206
00:09:31,571 --> 00:09:33,272
his album cover again.
Can't you solve this?
207
00:09:33,372 --> 00:09:35,641
Yeah, yeah, yeah. Oh, Sweets.
I-I already got this solved.
208
00:09:35,741 --> 00:09:37,777
Look here, I was gonna say, um..
209
00:09:38,811 --> 00:09:40,246
Let me talk to you for a sec.
210
00:09:40,313 --> 00:09:43,749
Um...we gonna do a blank
album cover, right.
211
00:09:43,816 --> 00:09:45,818
With the word " Sinster"
stamped all over it.
212
00:09:45,918 --> 00:09:47,820
Man, everybody and their mom
will buy that album.
213
00:09:47,920 --> 00:09:50,823
Mm-hmm.
Now that's feeling better.
214
00:09:50,923 --> 00:09:53,826
But now, don't forget,
you're still on thin ice.
215
00:09:53,926 --> 00:09:55,428
I know about that Mariah thing.
216
00:09:55,494 --> 00:09:58,464
Sweets, I wasn't stalking,
I was just trying to sign her.
217
00:09:58,564 --> 00:09:59,999
In the Jacuzzi?
218
00:10:01,400 --> 00:10:03,402
Trey, you always got an excuse.
219
00:10:03,469 --> 00:10:05,671
All I know is you better
bring me some talent.
220
00:10:05,771 --> 00:10:07,139
Sweets, I'm on it.
221
00:10:07,239 --> 00:10:09,008
I...I'm going to a club
222
00:10:09,108 --> 00:10:10,843
tomorrow night to
check out some new talent.
223
00:10:10,943 --> 00:10:13,813
Good, because if you don't
bring me somebody soon..
224
00:10:13,913 --> 00:10:15,748
...you're not gonna
be working in A&R.
225
00:10:15,815 --> 00:10:17,650
You'll be working in KFC.
226
00:10:20,853 --> 00:10:24,090
So, I see you like my idea
for the album cover, huh?
227
00:10:24,156 --> 00:10:26,993
Girl, that's just how we do in
the business. You understand?
228
00:10:27,093 --> 00:10:28,661
We probably won't even use that.
229
00:10:28,761 --> 00:10:31,464
Cut the bull, Trey.
I heard what your boss said!
230
00:10:31,530 --> 00:10:33,499
You got problems, man!
231
00:10:35,801 --> 00:10:37,303
- You're right.
- Hah.
232
00:10:37,370 --> 00:10:39,105
Man, I'm falling off.
233
00:10:39,171 --> 00:10:42,708
I used to sign people left and
right. I was a talent magnet.
234
00:10:42,808 --> 00:10:44,877
Now, where am I gonna
find another singer?
235
00:10:46,512 --> 00:10:49,148
Singer? I got a great singer.
236
00:10:49,215 --> 00:10:51,851
Yeah, right. Pam, what do you
know about finding talent?
237
00:10:51,951 --> 00:10:54,487
Well, all I know is
that I got a girl.
238
00:10:54,553 --> 00:10:58,391
I got a girl that sings
way better than Tony Braxton.
239
00:10:58,491 --> 00:11:00,126
Mm-hmm.
240
00:11:00,192 --> 00:11:01,527
Fine, Trey. Fine.
241
00:11:01,627 --> 00:11:04,230
You don't wanna hear my idea,
I'll just walk across the
242
00:11:04,330 --> 00:11:07,233
street and talk to Mocktown cos
I'm sure they'll hear me out.
243
00:11:07,333 --> 00:11:09,702
Wa-wa-wait! Wait. Wait. Wait!
244
00:11:12,538 --> 00:11:14,173
Who is she?
245
00:11:14,240 --> 00:11:17,643
You help me get that A&R job
and I'll get you the girl.
246
00:11:20,680 --> 00:11:22,081
- Alright. You got a deal.
- See!
247
00:11:22,181 --> 00:11:25,217
That's what I'm
talking about, Trey.
248
00:11:25,317 --> 00:11:27,553
All I need is a foot
in the door.
249
00:11:27,653 --> 00:11:29,488
Damn it! Give me a toe.
250
00:11:35,194 --> 00:11:37,263
Now, where am I gonna
find a singer?
251
00:11:45,705 --> 00:11:47,907
- Hey, Dante! What's up?
- Hey, Pam. What's up?
252
00:11:48,007 --> 00:11:49,942
Thank you so much for bringing
that stuff from the office.
253
00:11:50,042 --> 00:11:52,178
No problem. How are
the auditions going?
254
00:11:52,244 --> 00:11:54,513
Uhh, I've screened over
a 100 people so far
255
00:11:54,580 --> 00:11:57,883
and the one with the best voice
was Scruffy The Shih Tzu.
256
00:11:57,950 --> 00:12:00,019
I gotta find somebody by
tomorrow night, man.
257
00:12:01,220 --> 00:12:02,188
Excuse me.
258
00:12:03,756 --> 00:12:05,458
Hello.
259
00:12:05,558 --> 00:12:07,026
I have the club
for my show case?
260
00:12:07,093 --> 00:12:08,461
No! That's great, that's great.
261
00:12:08,561 --> 00:12:10,629
No, I'll bring my deposit
down there right away!
262
00:12:10,730 --> 00:12:11,731
Thank you.
263
00:12:11,797 --> 00:12:13,199
This is good.
264
00:12:13,265 --> 00:12:15,801
Well, Pam. Good luck on your
show case. I'll see you around.
265
00:12:15,901 --> 00:12:17,303
Ooh. Hold up. I'm leaving too.
266
00:12:17,403 --> 00:12:19,371
Just give me a chance
to grab my coat.
267
00:12:50,102 --> 00:12:51,070
Boy!
268
00:12:52,404 --> 00:12:54,473
I didn't know you
could sing like that!
269
00:12:54,573 --> 00:12:56,442
Yo. I-I saw the piano.
I-I, you know.
270
00:12:56,509 --> 00:12:59,011
No! No, no, no, no.
You got skills.
271
00:12:59,111 --> 00:13:01,514
Now, now when you do that one,
just put it like a
272
00:13:03,149 --> 00:13:05,251
Just like gospel it up.
273
00:13:05,317 --> 00:13:06,852
I didn't know you could
blow like that.
274
00:13:06,952 --> 00:13:08,521
Oh, I don't know I can blow.
275
00:13:08,621 --> 00:13:10,689
It's just that I'm trying
to be behind the scenes.
276
00:13:10,790 --> 00:13:14,026
That's why I'm trying to make
this A&R thing happen.
277
00:13:14,126 --> 00:13:16,529
Come here.
Come here for a minute.
278
00:13:16,629 --> 00:13:20,199
Now, let me see if you really
got what it takes.
279
00:13:20,299 --> 00:13:21,801
See if you can follow my lead.
280
00:13:34,814 --> 00:13:35,815
Yeah!
281
00:13:37,449 --> 00:13:41,320
Dante! You are just the one
I've been looking for.
282
00:13:41,387 --> 00:13:44,690
Pam, I'm sorry.
I already have a girl.
283
00:13:44,790 --> 00:13:46,892
No, no. No. Not that.
284
00:13:46,992 --> 00:13:49,728
I think you might have
what it takes to be a star.
285
00:13:50,830 --> 00:13:51,797
For real?
286
00:13:51,864 --> 00:13:53,299
I'll show you how real I am.
287
00:13:53,365 --> 00:13:56,235
Cancel all your plans
for tonight, brother.
288
00:13:59,138 --> 00:14:00,139
Serenade me.
289
00:14:07,379 --> 00:14:08,814
Ready to do this, Pam?
290
00:14:08,881 --> 00:14:11,317
Oh, hey, hey, hey, Trey.
No doubt, no doubt, no doubt.
291
00:14:11,383 --> 00:14:14,153
Um, it's just been a slight
change in the program, yeah, um.
292
00:14:14,220 --> 00:14:16,255
- This sista I told you about.
- Mm-hmm.
293
00:14:16,355 --> 00:14:18,557
Is a brother.
294
00:14:18,657 --> 00:14:19,925
So, what is this?
295
00:14:20,025 --> 00:14:22,595
Like a Rupaul,
Dennis Rodman kind of act?
296
00:14:22,695 --> 00:14:26,665
No, no. Actually he was
my assistant slash typist.
297
00:14:26,732 --> 00:14:28,934
- And--
- Whoa, whoa, whoa, wait.
298
00:14:29,034 --> 00:14:30,436
He's a typist?
299
00:14:30,536 --> 00:14:34,340
I'm risking my whole career
on a damn cross-dressing typist?
300
00:14:34,406 --> 00:14:37,610
I'm pretty sure he doesn't
cross-dress but, but, Trey.
301
00:14:37,710 --> 00:14:40,012
He can blow.
The boy can definitely blow.
302
00:14:40,079 --> 00:14:41,847
I hope you're right sister
'cause I gotta show
303
00:14:41,914 --> 00:14:43,449
somebody to Sweets tomorrow.
304
00:14:43,549 --> 00:14:46,252
You might not have to wait
till tomorrow.
305
00:14:46,352 --> 00:14:47,720
What are you talking--
306
00:14:47,786 --> 00:14:49,788
What the hell is Sweets
doing here?
307
00:14:49,889 --> 00:14:52,625
I don't know. He's your boss.
308
00:14:52,725 --> 00:14:55,127
Okay. Whatever. Just get the
singer up on stage, alright.
309
00:14:55,227 --> 00:14:56,695
Small problem, bruh.
310
00:14:56,762 --> 00:14:59,265
He ain't here.
311
00:14:59,365 --> 00:15:01,367
- Well, where the hell is he?
- I don't know.
312
00:15:01,433 --> 00:15:02,801
I don't know.
But you're stressing me out.
313
00:15:02,902 --> 00:15:05,137
I can't think.
Just let me think.
314
00:15:05,237 --> 00:15:06,572
Look, look, come on.
315
00:15:06,639 --> 00:15:07,907
We gotta be cool about this.
316
00:15:07,973 --> 00:15:09,375
- Alright. Alright, sure.
- Alright.
317
00:15:09,441 --> 00:15:11,043
We got to be cool.
318
00:15:11,110 --> 00:15:12,378
So, what are we gonna do?
319
00:15:12,444 --> 00:15:14,580
You find the singer
and I'll stall Sweets.
320
00:15:14,647 --> 00:15:15,714
- Okay.
- Alright.
321
00:15:17,383 --> 00:15:20,753
Hey, Sweets! What's goin', what
are you all doing here, man?
322
00:15:20,819 --> 00:15:22,454
Well, you said you had
the bomb talent.
323
00:15:22,554 --> 00:15:23,923
I came to check it up
for myself.
324
00:15:23,989 --> 00:15:27,059
Oh! No doubt, no doubt.
He'll definitely bomb.
325
00:15:27,126 --> 00:15:29,161
Now, I'll be the judge of that.
326
00:15:29,261 --> 00:15:30,996
When's the show gonna
get started?
327
00:15:31,764 --> 00:15:32,965
Right now.
328
00:15:33,065 --> 00:15:35,234
Come on, Dante,
answer the phone.
329
00:15:35,301 --> 00:15:36,835
Pam, come on.
We gotta get this thing started.
330
00:15:36,936 --> 00:15:38,103
He's getting impatient.
331
00:15:38,170 --> 00:15:40,339
I, you burned my neck.
You burned my neck.
332
00:15:43,075 --> 00:15:45,077
Alright. I got it together.
333
00:15:46,145 --> 00:15:48,180
Oh! Hey!
334
00:15:50,950 --> 00:15:52,751
Thank you. Alright.
335
00:15:52,818 --> 00:15:54,687
Okay, you all know
why you're here.
336
00:15:54,787 --> 00:15:57,489
I'm giving this little showcase
for Keep It Real Records
337
00:15:57,589 --> 00:16:00,826
and um, I'd just like to take
this time to, to recognize
338
00:16:00,926 --> 00:16:02,928
the CEO, Mr. Sterling Sweets.
339
00:16:04,630 --> 00:16:07,333
Yo, don't forget
about the crazy Clydes, ha.
340
00:16:07,433 --> 00:16:10,202
Chillin up in the hills and
quite out of diss up.
341
00:16:11,804 --> 00:16:14,540
Boy, seize it, disown.
342
00:16:18,877 --> 00:16:24,883
Um, so, uh, be uh, before we go
on, um, uh, I just like to know
343
00:16:24,984 --> 00:16:26,685
is Brooklyn in the house?
344
00:16:27,453 --> 00:16:28,387
Yo.
345
00:16:32,324 --> 00:16:34,660
We, we'll be right back!
346
00:16:34,727 --> 00:16:36,528
Oh, God. You're here.
347
00:16:36,628 --> 00:16:38,364
Pam, sorry I'm late.
348
00:16:38,464 --> 00:16:40,032
That's okay. That's okay.
Just save your voice.
349
00:16:40,132 --> 00:16:41,233
I'm just happy you're here.
350
00:16:41,333 --> 00:16:44,136
Yeah, yeah, but I can't,
I came to tell ya
351
00:16:44,203 --> 00:16:47,006
I can't sing in front
of all these people.
352
00:16:47,072 --> 00:16:48,974
And I hope you understand that.
353
00:16:50,175 --> 00:16:53,345
Oh...of course, I understand.
354
00:16:53,412 --> 00:16:57,416
Ladies and gentlemen,
give it up for Dante!
355
00:17:02,254 --> 00:17:05,858
Come on, Dante. Please, just do
it like we rehearsed. Remember?
356
00:17:05,924 --> 00:17:07,226
Come on, come on.
357
00:18:26,839 --> 00:18:29,074
That's it. Now,
I've heard enough.
358
00:18:29,141 --> 00:18:31,143
Trey, meet me in my office.
359
00:18:31,243 --> 00:18:34,279
- Now?
- No. Right now.
360
00:18:34,346 --> 00:18:36,315
Let's roll.
361
00:18:48,594 --> 00:18:51,530
Hey, Sweets, look, I can explain
if you just give me the chance.
362
00:18:51,630 --> 00:18:53,699
- What's she doing here?
- I can explain that too.
363
00:18:53,799 --> 00:18:57,369
Look, that brother that you saw
singing, that was Pam's idea.
364
00:18:57,469 --> 00:18:59,204
Whoa, whoa, hold up.
365
00:19:00,439 --> 00:19:01,707
You're the one responsible
for that singer?
366
00:19:01,807 --> 00:19:03,609
I tried to tell her
the kid was whack.
367
00:19:03,675 --> 00:19:05,677
Whack? That brother was bang.
368
00:19:05,777 --> 00:19:08,213
That boy was bad.
369
00:19:08,313 --> 00:19:09,515
I'm gonna sign him to a deal.
370
00:19:09,615 --> 00:19:11,316
What are you talking
about whack?
371
00:19:11,383 --> 00:19:13,719
Whack. No, no, no, no.
I said black.
372
00:19:13,819 --> 00:19:15,888
The brother was young,
gifted and black.
373
00:19:19,892 --> 00:19:21,460
So you discovered Dante, huh?
374
00:19:21,527 --> 00:19:23,695
I sure did.
I worked with him on the song.
375
00:19:23,795 --> 00:19:25,063
I picked out his gear
and everything.
376
00:19:25,164 --> 00:19:27,866
Well, technically she discovered
Dante but you know
377
00:19:27,966 --> 00:19:30,736
I discovered Pam, so if you
really want to get technical
378
00:19:30,836 --> 00:19:32,671
I discovered Dante too.
379
00:19:33,805 --> 00:19:34,740
No?
380
00:19:36,508 --> 00:19:40,245
Look, Mr. Sweets, you might hire
somebody else for this A&R job
381
00:19:40,345 --> 00:19:42,581
with more experience
than I have.
382
00:19:42,681 --> 00:19:46,585
But, I'm telling you, nobody has
music in their heart like I do.
383
00:19:46,685 --> 00:19:49,154
I can recognize talent.
384
00:19:49,221 --> 00:19:50,889
I was born to do this.
385
00:19:52,224 --> 00:19:53,559
Pam.
386
00:19:53,659 --> 00:19:57,162
If I gave you that A&R job,
when could you start?
387
00:19:57,229 --> 00:19:58,230
Yesterday.
388
00:20:00,365 --> 00:20:01,767
I like that.
389
00:20:01,867 --> 00:20:04,736
Whoa, whoa, okay, hold, hold up,
Sweets. I mean, you know.
390
00:20:04,836 --> 00:20:07,339
For her brother's hard work
and everything, you know.
391
00:20:07,406 --> 00:20:09,441
What did brother
get out of all this?
392
00:20:09,541 --> 00:20:11,543
Her brother get to keep his job.
393
00:20:12,911 --> 00:20:15,280
That's cool too. I hear you.
394
00:20:15,380 --> 00:20:18,717
Pam, Monday mornin', 8 o'clock.
395
00:20:18,784 --> 00:20:19,918
I'll be here.
396
00:20:20,018 --> 00:20:21,553
Congratulations, Pam!
Welcome to--
397
00:20:21,620 --> 00:20:24,256
Thank you so much, Donna!
398
00:20:24,356 --> 00:20:26,391
Oh, I wasn't listening.
No, I ju--
399
00:20:27,392 --> 00:20:28,527
Come in, guys!
400
00:20:28,594 --> 00:20:31,296
Happy Birthday, Sweets!
401
00:20:33,031 --> 00:20:35,267
Hey, hey, now! A golf club.
402
00:20:35,367 --> 00:20:37,569
Uh, where's the rest of them?
403
00:20:39,037 --> 00:20:41,206
There ain't no rest of them.
That's it.
404
00:20:44,776 --> 00:20:46,812
See, we-we-we peg
it like this here.
405
00:20:46,912 --> 00:20:50,382
And we work for you
another 12 years..
406
00:20:50,449 --> 00:20:52,150
...you'll have a whole set.
407
00:20:54,486 --> 00:20:56,555
Ah, welcome to
Keep It Real, Pam.
408
00:20:56,622 --> 00:20:57,889
And, hey, don't worry
about a thing, baby.
409
00:20:57,956 --> 00:20:59,491
I will take you into my wing.
410
00:20:59,591 --> 00:21:00,959
- Hey, Trey.
- Mm-hmm.
411
00:21:01,059 --> 00:21:04,096
If you don't get your ashy
arm off my shoulder
412
00:21:04,162 --> 00:21:06,164
you'll have a broken wing.
413
00:21:08,100 --> 00:21:12,337
Oh yeah, this little combination
is going to be very interesting.
414
00:21:12,437 --> 00:21:16,074
So...I guess I'll see
you all Monday.
415
00:21:16,141 --> 00:21:17,242
8 o'clock.
416
00:21:25,183 --> 00:21:26,084
Yes!
31711
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