All language subtitles for Martin.S03E10.Get.a.Job.1080p.HMAX.WEB-DL.DD2.0.H.264-FLUX_track3_[eng]

Ah! Black Jack, I win.

Seven times in a row, I'm out.

Hey, I guess some people got it
and some people don't.

Yeah, but that ain't fair, Pam.

I mean, you got advantage.

You had all 'em
lucky horse shoes.

Now, isn't that a coincidence?
You're little like a jockey.

Hey, hey, hey, hey.
I'm sorry, I'm late.

- Hi, Tommy.
- Hey, baby.

Just got off work.

- Tommy, off work?
- Yeah.

Man, please, I ain't good
with all that job stuff.

Damn, I'm sure you got
better excuses

swimming around up there,
you're super dumb.

Yeah, yeah, whatever.
Just deal me in.

Alright, I'll deal you in.

With your no job,
however that is.

See, Tommy, you done
got him started.

Why you always get him
into that job stuff?

That's okay, baby.
He's just jealous.

- Thank you, babe.
- Jealous of what?

Please. Okay? I know
where the hell I work.

- Hmm, somebody at the door.
- Just get the door.

I'll get it. Well, Tommy
should be getting the door.

He ain't done nothing all day.

- Yeah.
- Say, brother.

I got your pizza here.

You ain't got my pizza.
I ain't order no damn pizza.

Oh, hey, hey. Hold up.
Now this still hot.

I'm letting it go
at a discount rate.

I don't do that for everybody.

First of all, who are you?
Okay?

A-a-and second of all, okay

where, uh, where-where
did you get the pizza?

You know something?
You ask a lot of questions.

I'm just trying to help you out.

- You tryin' to help me out?
- Oh, hey, Martin.

Okay, okay. Hold, hold, hold,
hold. I know. I know. I know.

- You know, he don't even..
- Okay, I know, Martin.

But you see, I've always wanted
to help a brother out.

You know?
Besides, I'm a little hungry.

- How much for the pizza, bro?
- For you?

- $15.
- Fifteen..

- Fifteen..
- Whoa, whoa, whoa, whoa, whoa.

Ah, that-that's a hell of a
notch you got there, Tommy.

- Yeah.
- Where did you get it?

Oh, come on, Martin.
You know how I do.

Here you go, bro,
you keep the change.

You know, man, you're cool

but we go back
like spinals cords in car seats.

But your man right here
got a bad attitude, chief.

Here. Enjoy your meal.

Yeah, well, uh,
Malcolm's Chop-shop.

No, no. This ain't no Clarence.

Yeah, does Tommy Strawn
work there?

No, no. You don't,
you don't have one, huh?

Okay. Well, thank you.

What's up, baby?
What're you doing?

Baby, I'm trying to find out
where Tommy works.

Why are you all up
in Tommy's business?

Because, Gina, we should know
what all our friends are into.

Huh, I got your back.
I'm watching our back.

So, me and you don't get
caught in, in nothing out there.

I don't think you should
jump to conclusions

unless you have some facts.

Facts?
Oh, I got the facts, Gina.

That wad of money
Tommy had the other day..

What is all that?
Where is he getting that?

The expensive clothes he wears.

Where is he getting
all this cream, Gina?

Where is he getting
that dollar-dollar bill?

Are you up in here with it?

Why don't you just ask
his mother what he does?

I did. She don't know.
She asked me.

Martin, my best friend has
finally found somebody special

now you're seeing he's a crook.
That's your boy. That's wrong.

Look, baby, I just call it
how I see it. Okay?

All I'm saying, if he walk like
a duck and quack like a duck

he's a damn duck.

See, Gina, when the truth comes,
falsehood vanishes.

And falsehood is forever
vanishing things, baby.

What?

I don't know, I'm on a roll.

Just flow with it. When..

Back up. Come forward.

Martin, what are you doing now?

Gina, I'm just studying
body language.

I'm trying to get to the bottom
of all this Tommy stuff.

Well, whatever you do tonight,
don't start asking Tommy

a whole bunch of
crazy questions, please.

Oh, no, no, don't worry,
Tommy is going to

tell me everything
I want to know

without opening his mouth.

- Your body never lies.
- Martin, that is crazy.

- Did you just roll your eyes?
- Mm-hmm.

Let me go to
the eye roll chapter. Hold on.

According to
the eye roll chapter..

...you're trying
to disregard me, huh?

Whatever.

Is that a little finger
tibity tap-tap-tap?

Let me-let me-let me
go over there. Let's see.

Well, according
to the finger chapter..

...I'm getting on
your damn nerves, huh.

You know somethin',
there might be

something to this book
after all.

Alright, whatever, Gina,
you ain't

got to believe me, but look

just watch Tommy. Okay?

When he folds his arms

that means he's
on the defensive.

He don't want to be messed with.

Okay, when he-when he sticks
his finger in his ear..

Argh, argh.

Girl, it means
he's straight up lying.

Hey! You all ready yet?

- Setting up his lie already.
- Give me this.

Well, well, well,
what's happening, Tommy?

What-what-what's going down,
Donkey Kong?

Ah, nothing much,
short doggy dog.

- You want a dog, do you?
- Okay, okay.

- I'll rip you out.
- Martin.

- Down, down, boy. Down.
- What's up?

Sorry I'm late, man.
Got held up at work.

- Held up?
- Mm-hmm.

- At work?
- Yes.

Again?

Look, we all playing
pool or not?

Come on.
I mean, what's the rush?

We could play pool anytime.

Well, you know, we don't sit
and talk anymore.

I mean, can we get a rap?

Can we yigitty-yagaty-yak
for a minute? Huh?

M-Martin, can-can we talk
while we play pool, man?

No, Tommy, I want your
undivided attention.

Sit on down here. Talk to me.

Oh! So-so..

What you've been doing
all day, Tommy?

Huh, you know man, uh..

Uh...working. You know,
doing what I do.

Uh..

Uh...he's straight up lying.

Uh-huh, so, Tommy.

You mean to tell me..

...you got a regular job
like the rest of us?

Hell, yes, Martin. Alright?

I have a job from- 00 to- 00,
just like all of you.

- Oh, snap.
- Foldin' of the arms.

You see how he's folding
the arm like this?

Keep it on the down, babe.
Keep it on the down, down.

Ah, Tommy,
on this normal job.,

Tell us what you do? Quick.
Come on, Tommy, spit it out.

- What you do?
- Whoa, w-wait a minute, Martin.

I don't have to prove to you

that I've a damn job. Alright?

Scratching the head.
That's a new one.

Let's check the book.
Let's check the book.

What is it, babe?
What is it?

Uh, Hold on, hold on.

We'll find it. Okay. Um..

According to the scratching
at the head chapter..

Look, look.
Look w-what does that say?

"Bold-headed lies."

"Bold-headed lies."

Excuse me, what is all this

sneaky little whispering about?

I mean, that's rude,
that's very, very rude.

I'll tell you
what's it about, Pam.

I'm sick and tired
of your man Tommy lying

about having a job.

Y-you know what, hold on, babe.

Hold on, I'll get it.

I'm getting little sick
and tired of you

telling me that I don't.

Ooh! Did he jump
through the space?

Hold it, Gina, hold it right--

I got you, I got you.

Now, that's my boy. That's
my boy. I grew up with him.

I grew up with him.

First of all, Tommy, okay?

All I'm saying to you
is what do you do, man?

Who, who-who-who-who
you're talking to?

Mm-hmm.

- You!
- Me?

- You.
- Probably me.

Well, no, bro. No, no.

See, you can't be talking to me.

'Cause I'm a grown ass man.

Well, I'm a grown man too, Tom--

I'm a grown man, too. What's up?

- Baby, hold me on the balance.
- I got you, baby. I got you.

- Martin, please, man.
- What's up?

- Come on, baby, let's go.
- What's up?

You know you done messed up
right, Tommy?

No, no, you're messed up.

No, you done the messed up.

Pam, Pam, look.

We're just trying
to find out the truth. Okay?

No, Gina, the truth is,
you're being influenced

by inch-high private eye.

Aarf! Aarf! Aarf!

'You know what,
Pam, stop playing.'

No, Gina, I don't
even want to hear it.

I came to apologize.

That's not good enough.

Alright, alright. I brought
the $20, I owe you. Okay?

Alright, alright.
Back the head up. Back the ball.

- Hey, Pam, look, look, look..
- Where is the 20?

- You really did--
- Uh, the 20?

I can't...but that's just a

ploy to get you open the door.

Here you go.

Look. I'm sorry about the way
me and Martin acted. Okay?

Look, Gina,
sorry doesn't get it.

You got a lot of nerve.

Look, Martin is so obsessed

with finding out what
Tommy does for a living

I guess I just
got caught up in it.

I expected Martin
to do something

trifling like that, but you..

You-you should know
better than that, Gina.

I do. You know I do.

As long as you know
what Tommy does for a living

that's all that matters.

- As long as you know.
- Mm-hmm.

You do know, don't you?

I'm not going there
with you, Gina.

Hey, Pam, I'm just

concerned for you, that's all.

I mean, if there was
anything wrong

if there was something
shady going on

you would tell me, right?

Gina, we're girls, remember?

Okay? I would always come to
you. Tommy has nothing to hide.

And neither do I. Alright?

Alright, girl.

Oh, hey. How are you all doing?

- Who is she?
- She is just a friend.

- She involved in this?
- Oh, no, no, mm-mm.

Well, Tommy is still
down with us, right?

No question. No question.

- You owe me cash.
- Yeah.

How about you guys
take it to the kitchen

and I'll be in there
to talk details. Okay?

Hi, uh, hi, hi. How you doing?

Hi-hi. How-how you doing?

So, girl, what was I saying?

I don't know.

I told you something
was up with Tommy.

You know what? I didn't believe
until I saw those two gangsters.

Keep it down. Keep it down.

Okay.

No! You don't slam
the door, Gina. No!

- Shh, shh, shh.
- Shh.

Damn, they could have been
in the back.

You're making me
nervous, Martin. See.

This is my first cat burglary.

Alright, look, shh, hush.

Alright, now, just-just-just
cover me.

Cover you with what?

Detective stuff like

Barnaby Jones and 'em do.

- Okay?
- Oh, okay.

- Alright. Alright.
- I'mma go look over there.

Fine. Alright.

No! No. No.

Cut, cut, cut!

What're you doing?

- I can't see.
- No!

Baby, we're cat burglars.
Use your cat eye.

Use the cat eye.

Man, you're making me so nervous

I don't even know what am I
supposed to be looking for.

Okay, okay, okay. Calm down.
I don't want to upset you.

Just look around.
Slowly and nicely.

Whoa.

- Damn, I got something, Martin.
- What-what-what is it?

Pam went behind my back
and bought that sweater

I wanted, I can't believe her.

Oh, that girl,
wait till I see you.

Gina, we're cat burglars,
I ain't trying to

hear nothing about
no damn sweater right now.

- What?
- Look, just come on, Gina.

I am serious, Martin,
do you know how

hard it is to find
a sweater in this color?

And I'm serious, too, Gina.

We're looking for clues.

- Okay? Now let's go.
- Alright, you're so nasty.

Search around.

Look, I'mma ask Pam's sisters
what's happening.

Three the Hard Way, y'all
don't know nothin', do you?

'Hey, Tommy, Pam.'

'This is Big Tony.'

'Be at 117, South Main Street
at00 tonight.'

'And don't forget what I said.'

'There's a price on your head.'

'And that's real.'

No, no, no. No. Come on now.

Come on. Okay, come on, girl.

Girl, it's going
to be alright, okay?

He said, he's got
a price on his head.

Damn, a price on Tommy's
head is a big price. Okay?

Oh, look, look, baby.
Let's just get out of here.

Girl, you heard
what he said, it's real.

Let's just go, alright?

Martin, Tommy should
have been here hours ago.

Gina, we're on a stake out,
baby, you got to be patient.

Okay? Now where's the rest
of my Sloppy Joe?

I'm hungry, baby,
come on, come on.

How can you eat
at a time like this?

Tommy is in trouble, something
horrible could happen to Pam.

Girl, please,
if they get in trouble

Tommy could just
hop on Pam's back

and ride off into the sunset.

Okay? And now hand me
the hot sauce.

Hand me the hot sauce.
I like the hot sauce.

Say, brother. I got some nice
roses for your fine lady.

Don't I know you from somewhere?

Man, you sure ask
a lot of questions.

Man, you want these roses
or not?

Do I look like
I want some damn flowers?

No. But it look
you all are on a stake out.

Help. These two right here
is on a stake out.

Okay?
Now much are the flowers?

Give me $8.

- $8?
- $8.

- $8?
- Yes.

- You're trying to help me out?
- Yes, I am.

- Here you go, darling.
- Thank you.

- Okay, baby.
- Thank you, honey, oh..

Can I have the yellow ones

flower man, this one
looks a little--

Sure, you can pudding.

You know the trick
to healthy flowers

is you got to put Aspirin
in the water.

- Are you serious?
- Yeah.

No, but I was always told,
use sugar.

- Uh-hmm, well, you know su--
- Hey, hey, hey.

Hey, hey, hey, hey, hey. Flower
Man, if you don't get your

tulip selling ass
on the away from here..

Come on, man, step.

You ain't got to give
no attitude to nobody.

Thank you for the flowers, baby.

Gina this ain't no game. You
can't be messing around, baby.

- No mistakes allowed.
- Alright, Martin.

You never give me
flowers anymore.

Gina, some-something
ain't right, baby.

We have been out here
about, what, two hours?

Huh? I ain't seeing Tommy.
No sign of Tommy.

I can do you one better. I
know he's not going to show up.

You know he's not
going to show up? Why?

Because we're
at the wrong address.

'What?'

- The wrong address, Gina?
- Yes.

We were supposed to be
at 117 South Main.

This is 171 South Main.

- Let-let-let me see that.
- Alright.

"117 South..'

Gina, why don't you take off
the sunglasses?

They are dark sunglasses,
and we can't see through them.

Oh, oh.
Don't be coming down on me.

Tommy is your friend
and I'm trying to help you out.

Say, brother.

Didn't I just tell you to leave?

No, man. That was
my brother, Bobby.

You don't know me, man.
I'm from Texas, kid.

I'm just trying
to get my hustle on.

Dig this here, you wanna buy
some tires?

No, hustle man, I don't want
to buy no tires.

Why would I want
to buy some tires?

I'm just trying
to help you out, kid.

I'm trying to watch
your back out here, chief.

Yeah, you w-w-watch my back
and watch my dust

from over there, chief.

Watch my dust. Watch my dust.

I say watch the dust.

I say watch the dust.

- Hey, baby.
- I'm lockin'.

Why are we not moving?

- Oh, baby!
- What?

We better run.

"Strippendales?"

Wait a minute.
This is a strip joint, Gina.

- This ain't the right place.
- Uh-huh.

Come on, let's get up
out of here.

Martin, it's them.
It's the hitman.

- Hide.
- Okay, whoa, whoa, roll away.

You know, man, Tommy is cool.

But we might have to get rid of
Pam, 'cause she talks too much.

Oh, no. They're going
to get rid of Pam.

No, no, baby. No, listen to me,
you don't..

Don't you pass out.

Okay, now, you listen to me.

All stray cats
got nine lives.

Okay? Pam's cool.

Okay? Let's get in.
Let's get in there.

Come on, baby. Shake something.

Anything. Your feet,
your booty. Anything.

Make me want to give you
my money.

Alright, you get out of here.
You good for nothing.

Just don't shake here
like they used to.

Alright, you ladies
having a good time?

- 'Well, yeah.'
- Alright.

Well, you like what you see, get
your check books out. Alright?

Uh-huh.
It ain't just about no ladies.

Uh-huh.
See, that's discrimination.

Alright, I'mma bring
the next bachelor to the stage.

Okay, I want you all
to give it up

for Chocolate Thunder!

Mm, now if that's
"Chocolate Thunder"

then I'm "Greased Lightning".

What do you think you doin'?
Huh? Huh? Huh?

You ain't doin' nothin'.
Come on!

Lose the clothes like you lost
that hair, cue ball!

Alright, don't put it in my face

unless you're ready
to go to the place!

Gina, I can't take this no more.

Girl, the closet door

done flew open
and the bones done fell out.

We goin' up in there.
I want to, we have to..

Tommy. You ain't got to do this!

Look at y'all, ladies!
Move, move it!

Giving away all your
hard-earned money, huh?

You should be home with
your husbands, your men!

Tommy, the party is over.

I'll get your happy-ass
down off stage. Let's go.

Martin, hold on, man.
What the hell are you doing?

You should all be ashamed
of yourselves, all of you.

That's right. Especially you.

Bride of Stankenstein!

And look at you,
lady, you're drunk.

It's disgusting! You are drunk!

I ain't drunk.
I'm on medication!

What are you doin' man?
Ladies!

I'm sorry, you guys
have a good evening. Okay?

Alright, everybody.
Just enjoy yourselves.

- I'm not gonna let you do this!
- Are you out of your mind?

- I'm not out of my mind--
- I can't believe this!

- Are you out of your mind?
- I can't believe it.

I can't believe it either,
Tommy.

How long have you been
doing this, man?

How long have you been
shaking your ass for cash?

- Huh?
- Does your momma know, Tommy?

Gina, Tommy is not
dancing for money.

This is a charity fashion show

for the Feed the Young'uns
Foundation. Read it.

W-why do you got me
on stake outs

followin' Tommy and stuff, Gina?

What? Me? What about you?

You should have seen this
coming with your cat eye.

- Hey, hey, uh, Gina.
- Don't do it, don't stop me..

Okay, okay, okay, okay.
We're in this together.

Tommy.

Brother.

I thought we were boys, man.

Why-why-why didn't you tell me?

Because I didn't want you
clowning me, man.

I didn't tell anybody.

Hell, I didn't even tell
the people on my job.

- Oh, damn!
- Tommy, don't go to the job!

That's exactly
what I'm talking about.

You're lying, man.

About having a damn job, Tommy.

You know what's funny, baby?

We done went through all this

and I still don't know

what he does for a living.

It isn't anything illegal?
Is it, Tommy?

No, Gina. No, no. Alright?

I have a simple- 00 to- 00,
just like the next man.

Baby, I'm sorry
Martin and Gina

stressed you out.

That's alright, baby.
It's all over now.

Mm. I mean, you know,
your job shouldn't concern them.

You know as long as we know what
you do, that's all that matters.

- That's right, baby.
- Tommy, what do you do?

Come on, baby.
Oh, you know what I do.

But I was thinking--

Oh, baby. That's, that's my job,
I got to go, okay?

- I'll call you later, alright.
- But...Tommy.

- Okay. Miss me.
- Heck no.

I'm going to find this.

You won't be running out

without me not knowing
what's going on here.

Okay.

Malcolm's Chop-shop?

Is Tommy Strawn working there?

Damn.

That's-that's called getting the
out before you take.

Ooh!