Original subtitles

There-there is nothing like Nipsey's on a Friday night.

Um, I ain't seen this many fine honeys

since, uh, I took big Shirley's daughter to the prom.

Yeah, old Martin don't know what he's missin'.

I know, man.

He's trippin' just because

Gina's still living with Pam.

Yeah.

Yo, let's go check him out, make sure he's still cool.

That's a good idea. A real good idea.

Then again, everybody needs time alone.

Excuse me, Tracy.

Hey, Tr-Tracy. Tracy.

Tra...cy.

Tracy, girl. Mm!

You sure got it goin' on tonight.

Well, baby, tell me something I don't know, huh?

- Sassy. - How you fellas doin'?

Keep on movin', people, let's just keep on movin' now, people.

Put your money up, boy, before somebody gets you

for your tip music money de-fi. Put it all up.

Oh, my goodness. That Tracy, how you doing there, girl?

- I'm fine, and you, Mr. Otis? - Alright, girl.

Girl, you look so good, you make me wanna drink you up

like a strawberry slurpee.

Slip, slurp, girl, gotta slurp it up.

- Missed me a little, baby. - Oh, did I, did I..

- Did I dribble a little bit? - You dribbled a little bit.

Girl, you're gonna have me dribblin' all night then.

Go on, get on outta here, lady.

You make me come after you down south.

Have me dribblin' in places I don't wanna dribble.

Yo, you're alright.

Nipsey, what you up there for with your no no good FYI.

Everything in shape for my birthday party

tomorrow night, deaf boy?

Sure, you're right.

Yo, you're right.

So, what's the matter, Mr. Otis?

Ne-need to see an ID?

What you over here laughin' for, boy, lookin' like

a broke-ass Michael Jordan?

With that eight-ball on the top of your neck, boy

you look a little older than old Otis there, boy.

Tell me a lil' somethin', boy.

Did you used to pitch in them Negro Leagues there, boy?

Why don't you walk straight down the pike on 'em there, boy?

Straight down the pike on that one.

Whoa. Turn back.

Wait a minute, girl. Look at you.

I'm sorry, missy-poo. What do you do? How do you do?

Missy, what's happenin'?

Girl, you look so fine, you'd make

a weak-eyed man go blind. I can't see nothin'.

Where you at? Where you at? Lemme bom bom girl, huh?

Am I talking to you? Am I talking to you, girl, there?

What can I get for you, Mr. Otis?

Nothin', just don't come around me

naked on payday. That's all, girl.

Otis'll go broke

messin' with you girl.

So how are things at work?

Work? Oh, work is cool, girl.

Oh, but look, now that we on this job thing, Gina

I know you called Ms. Rodriquez to give me that interview.

Wassup? Word done leaked out.

Baby, you're not upset, are you?

Look, o-okay, yes, I did get you to the interview

but you got the job yourself.

- Right, right. - Right.

I did. I did.

Listen, baby, I appreciate what you did for me

but, Gina, I'm a man, sometime you gotta let

a man find his own way.

I don't need to be babied, if I wanna be babied

I'll call my mama, Gina.

Martin, are you sayin' that you don't want the job?

Hell, no.

Associate producer. I ain't crazy.

I was born at night, not last night.

- Man.. - Ugh!

Now that I got that off my chest

I done dropped that off.

Uh, ahem, what you doin' tomorrow, girl?

Oh, baby, I'm workin' on this big presentation

that's due by Monday.

How about we get a lil' grub

get somethin' to eat this weekend?

I'mma have to get back to you.

My bad. My bad.

You-you want to get back to me? Oh, okay.

Well, why don't you just call me when you got time?

Sure, that's, that'd be.. Psych! I'm just kidding!

- I'm kidding! - Now, get off me..

- Get off me, Gina. - I'm kidding with you.

'Cause you're gonna make my heart stop.

Oh, baby, I'm sorry.

I'm goin' to talk to you later though, okay?

- Alright, look. Hold on, Gina. - What?

Alright, I've been thinkin', right.

I know we said let's give each other space

and all that, but, nah, girl, let's kill that noise.

I want you to move back in with me, I want you home.

'Now that's what I'm talkin' about!'

Wh-wh-wh-what's Pam doin' back there?

Sleeping upside down in her cave?

'I heard that!'

Martin. Martin!

Baby.

Man, I go back there and go to war with her.

Honey, let's not rush into things, okay?

I mean, I gotta know that you're totally committed.

But I still think we need some time apart.

That's fine for you.

You're not the one livin' alone, Gina.

You got a pet.

Tell me I ain't got nothin' to do.

Once I finish polishing these CDs

I'm probably goin' to clean out my fish tank..

...in case I get any fish.

- Wassup? - Hey.

- Wassup, y'all? - Hey, Martin.

Mr. Otis is having his birthday party over at Nipsey's, man.

So why don't you get dressed a-and come on with us?

Can't do it, Tommy.

- I'm busy. - Busy?

What you-you.. Busy doin', doin' what, man?

- Th-thinkin' about Gina? - Gina who?

Gina Waters, your girlfriend. Duh.

Martin, we are your boys, okay?

We're not gonna let you sit here and do this to yourself.

Oh, okay.

I know what it is.

Hey, Martin..

...uh, you and Gina, y'all ain't stirred the coffee

since you left that Naji Ramba place, have you?

Cole, get your mind up out of there, okay? Please.

Alright, my relationship with Gina is based on

more than just bumpin' and grindin'.

Look, Martin, you need to get out.

Cole, get his coat. You're goin' with us, man.

- Not gonna happen. - Come on.

I don't believe it's gonna happen.

Yo, come on, man.

Martin, look, you can't lose

touch with the honeys, man

just in case Gina don't come back.

Gina's comin' back, Cole, okay?

She's moving in as soon as we can work things out.

- Okay. It's cool. - Isn't it cool?

- It's cool. - Alright.

All we want to do, brother

is let you know that we are here for you.

- Alright? - Alright.

Okay, so if you need us, we'll be over at Nipsey's

gettin' our freak on.

Catch you later.

We out.

I don't need no Nipsey, man.

Shoot. All I need is me somethin' to eat.

I saw a brother hungry up in this camp.

What?

"Lonely man dinner."

Shoot.

- Hi, Martin. - Hey.

Hey.

Thought I get, you know, open the door, girl.

Y-you don't know who I could've been at this door.

Just openin' it up and running off like that.

Well, look, I'm not gonna bother you.

Uh, I know you're busy, know you're busy

so I just came by to see how you were doin', huh.

- Oh, I'm fine, Martin. - Cool. Girl, I'm tired.

'Cause I, all runnin' up them steps and stuff to check on you.

Let me grab me a little seat.

Martin, you're sitting on my stuff.

Oh, I'm.. Uh, is it under, wait.

Snatch it up. Okay, you got everything?

Alright. Whoo!

Let me get me a little breather, girl.

Whoo!

I'm so glad you're keepin' busy, baby

because I have so much work to do.

- Get it? - Oh! Oh, oh, okay.

- Hey, girl, don't even mind me. - Thank you, honey.

You know act like I ain't even here.

Gina, I'm chillin' over here, in the cut

you don't even see me.

You know, that's all there is, for this.

Mm-hmm..

...I like your little computer you got there.

Go ahead, girl.

Clickety-clack, bangedy-bang. Heh-heh.

The ol' clickety-clack thang.

Yep.

You line your fingers up like this when you go

right here, like that on the K and the J--

Martin, I really wish we could spend

some time together, a quality time.

I really, really do, but, honey, I got so much work to do.

I have to turn this presentation in by Monday.

Girl, you don't need to be under that kinda pressure.

Go on. Go on. Finish that.

Oh, you ain't need to be under that kinda pressure.

That's what you're here for.

To get the job done..

...for real. I'mma zip it, lock it. I'mma boot it away.

Boom, it's out. It's outta there.

Sure enough out of there.

Like what you and Pam doin' with your place, hook it up.

Ooh.

When Pam's sisters get in town?

Sure enough on the get down.

Sure enough on the get down.

Honey. Honey, come on. Come on.

Martin, if you keep.. Stop.

If you keep messin' with me, you're gonna

get somethin' started, and you know I got work to do.

Honey, I can't tonight.

Well, why don't I just back up off you?

I'm on your back. My fault.

I don't want you to think I was tryin' to kiss you or nothin'.

Oh, you wasn't tryin' to kiss me?

No. I was just checking out your mouth.

Your lips look a little chapped. It's alright.

Do you want me to go in and get you a little drinky-drink

while you do that?

Baby, I'm not thirsty.

Fine, then I'll get you somethin' to eat

'cause you can put somethin' in the tummy-tum.

I'mma get you some Cheerios.

Honey, baby, you know what I need?

The only thing I need right now, don't, watch your step..

...is that, um, I finish this report.

That's all. That's what I need.

Oh! Oh, I understand, Gina. I get it.

Well, well then, I got a better idea. Why don't I just go?

That.. Okay. That'd be..

You didn't have to agree with me.

Oh, honey, I didn't mean it that way.

Baby, don't take it like that, personal.

Dance, daddy...dance.

Shake your mo-o-o-ney maker.

Yo, you're right. Watch me now. Oh, girl. Oh, watch me now.

Watch me. Get it. Watch me, girl.

Oh, bring it a lil' down, girl.

Oh, bring it a lil down' girl.

Ohh. Perfect. Get up out of there.

Oh, bring it around here now.

Bring it around here now.

Bring it around here. Bring it around here now.

Oh, bring it on down.

Bring it on down. Bring it on down.

Bring it on down, girl.

Whoo!

Alright.

Alright. Alright.

Alright there, girl.

Whoo! Thank you.

Hey, Sharice. Girl, you lookin' kinda fly.

How about breakin' me off a piece of that sweet potato pie?

Sorry, Cole. We're all out of pie. We got pound cake.

Oh, damn, partner.

Angry man, what you doin' here?

Man, sit your ass down.

- Hey. - What's up?

What's up, man?

Hey, glad to see you decided to come out, man.

Yeah, what-what-what happened? Man, you...get lonely?

Not at all, Tommy.

I don't even know why you brought Gina up.

Okay, it ain't about that.

Uh, M-Martin, nobody said nothing about Gina.

I know, okay, so I don't even know

why-why-why, why you're on that subject, talkin' about Gina.

My lips can't even form the word Gi-heh. Okay? What's up?

You still talking about Gina.

I know, man. Ohh!

Oh, y'all want to know, y'all want to know what happened, man?

Gina don't want me no more, man.

I blame Pam.

Wait, no, why you go and blame Pam

what she have to do with it?

Tommy, Gina's been stayin' with Pam so long

she learned how to live without a man.

They don't need us.

Do y'all hear what I'm sayin' to you?

Alright, alright, okay, okay.

They don't need us.

Oh, man.

Would you look at that over there, dear woman?

Now that's a sorry sight to see up in my eyes, dear woman.

Well, which one?

The one with the hat, or the one with the head?

All of 'em, woman. All of 'em.

On my birthday. It-it, it is so sad.

Let me, let me, let me go over here

and talk to these young mushmouths.

Let 'em know what's goin' on.

You hold my seat, woman. I'll be back here with you, my man.

Say there, boys, say, you young whippersnappers

what is the problem with you young ones today?

You don't know how to court a woman now, boys.

I hear what you're talkin' over here.

Well, talk to me, Mr. Otis, what's up?

You see, well, a good woman is hard to find at first.

You see that, and once you find a good woman

you better know something there, boys.

It's cheaper to keep her. Do you hear what I say to you boys?

I say it's cheaper to keep her there, boys.

How do you keep her, Mr. Otis? I mean, I wanna know that.

You got to make her feel special, knucklehead.

That's what you got to do there, boy.

Let me tell you somethin'. Guess what they call me there, boy.

They call me ol' Otis Supreme, boy.

I'm a rich woman's lover and a poor woman's dream.

You better ask somebody there, boys.

Otis.. Hurry up, daddy.

See the way she bite the side of that tongue, boy, huh?

That means I got her sprung, boys.

Ol' Otis got her sprung there, boys.

Let me get on over there and handle my minutes

and see if I can get her down to a Motel 6

do what she want me to do.

Otis, gotta go get ready. Take care, boys.

What you say there, woman?

Oh, what you say? Ooh!

Got you a ride home.

Got her sprung there, boys.

You know Otis is right. I got to make Gina feel special.

I got to go back to my romance thing. I need a favor.

- Whatever. Anything. - What's up?

What's Pam's number?

- Hey! Hey! - Yeah, whatever.

Look, I got your page. Say what you gotta say.

Make it snap because I gotta go to beauty shop.

Well, what time they putting you on the rack?

- I'm out. - Alright, Alright, alright--

- Alright, alright, don't push. - Okay, then bring it back.

Then hold on. I ain't, I ain't tryin' to put the hand you.

That's not what you want. Alright, now, hold on..

As you know, I would not call you unless I was desperate.

Now, I need you to get Gina over here tonight.

I'm ready to convince my baby this is where she belongs.

I want her back home with her man.

I want her move in with me.

I'm touched. What's in it for me?

What do you want me to do? Shave your teeth down?

Sand off your back? What? What can I do for you?

First of all, I don't want no more insults, Martin.

I'm tired of hearin' it, alright?

Repeat after me, no more insults to Pam.

Um...no, that.. What are you talkin' about?

I don't, I don't insult you, Pam.

Oh, come on, Martin. Who's a horse? Who's a camel?

No, no.

Not to...not-not-not you.

There-there no animals around here.

What about my hair?

Ohh!

Your-your-your-your hair is, um..

...dy-dy-dynamic.

It's, uh ...it's a culture clash.

It's, uh...uh..

...beautiful.

Alright. Who's the most finest woman in the whole wide world?

Ohh. Um...next to Gina..

...I had to say that would be, uh...you.

You're doing good, Martin. I'll have her here at 8 o'clock.

Alright. Good. Then it's done. Get out. Get out.

Hey-hey-hey, Martin, Martin, Martin. Look, man, look.

You ain't got to do all that if you want to impress her, okay?

Man, do it like I do with big Shirley.

Leave a trail of hot wings from the street to the bedroom.

Alright, that's Gina. Y'all have to go.

Thank you for all your help.

Uh, be gone.

- Hi, Martin. - Hey, uh...wh-what's up?

My baby gonna come in and make a grand entrance?

Oh, okay, okay, um, she got on the dress?

I know she got on the, she got on the black-ka-ka.

Oh, she got it on! Ooh, I know she gonna look good.

I know she look good. What's happenin'?

Well, see, Martin, I tried my best to get her here

but I don't think she's gonna be able to make it.

Maybe you can try her again next week.

What'd you do, Pam?

Kick her when she was trying to file down one of your hooves?

Okay, alright, Martin, Martin. Look, look.

There's no need to insult Pam, okay?

Now, I'm sure Gina made up her own mind.

What? Why you takin' her side, man?

Look, I'm, I'm not taking anybody's side.

Oh, Tommy, forget him. Come on, let's go. Move.

Yeah, yeah. That probably would be best.

Why don't y'all just go..

...since I don't have no friends around here?

Look, if you need me, brother, just call me, alright.

Man, please.

- Alright. - 'Word?'

Man, please, quit lyin'. We know you lyin'.

Cole...wh-wh-what you doin', man?

Hold on.

Uh...see I was figuring you-you ain't got nobody

coming over, so you really won't be needin' these.

Take-take-take, take it that way.

Take-take it right out this way. Cut it, that corner.

I'll get back with you later.

Cut the corner, man.

Cut the corner.

Straight up. Cut the corner. Cut the corner.

Oh, Gina.

Don't you hear the song, baby?

That's all we do. Break up and make up, girl.

That's a game for fools, Gina. We can't be doin' this.

But you know what, Gina?

Even though we've been apart..

...and, uh, things are a little shaky right now

deep down in my heart, Gina, I still feel that..

...that fire, that desire.

Oh, baby.

Ohh.

Whoo.

Gina..

...you really love me, don't you, girl?

I'll always love you, baby.