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Waitin' on my baby all night long.
Yeah.
Whoo! Mm-mm-mm.
Look at you, girl. Mm-mm.
Hm.
Huh! You want to impress Marty Mart, huh?
Well, as you can see
Marty Mart wants to impress you too.
Hey, get in here
and let's get this party started right.
Girl.
Oh, boy!
I'm gettin' ready to tear you up.
Gina, what the hell that you're screaming for?
I don't know. You started it.
Oh, my bad.
Ha-ha, girl, I had a craziest dream.
It scared me half to death, Gina.
Well, what was it about, Martin?
I dreamt of Pa..
What?
I dreamt that I was at a party..
...and-and-and you on the microphone
freestyling, Gina.
Tommy had an afro
and Cole was break-dancing, Gina.
Damn near broke his neck.
And where was Pam?
No, no! No!
Pam wasn't there.
Why-why you bring Pam up?
I don't know, Martin, I'm trying to help you out
'cause your dream doesn't sound too scary to me.
Oh, it was scary, Gina. Okay?
Because you were on the microphone freestyling
but you had no rhymes.
I mean, and frankly, baby
I was embarrassed by your non-rhyming skills.
- Just stop it, Martin. - Yeah.
And go on back to sleep.
You want me to leave the nightlight on for you
you little baby?
Oh, I-I don't need no nightlight.
You-you light enough.
I heard you. You better leave it on.
So, uh..
...how long you've been checking me out?
Marty Mart.
I've been checking you out since I first laid eyes on you.
I mean, that's the only reason why I've been
hanging out with Gina.
Ah-ha, figured as much.
I mean, really, Martin, all this talk
about how I can't get a man?
Please.
You know, Martin..
Do I look like I can't get a man
with all this wagon I'm dragging?
Choo-choo!
Can I hitch a ride?
Can I hitch a ride?
I don't think so.
I mean, you have been coming down
on me pretty hard lately.
Oh, no, no! Baby!
Now I-I-I was just playing
when I talk about the buckshots, the beady-bees.
Girl, as a matter of fact
I want to go on the edge
right now by saying
"You're sticking knots.
Sticky, sticky."
They turning me on.
Well, you know what they say, Martin?
There's a thin line between love and hate.
Come to beady-bees.
Come over here.
I'm coming over.
I'm coming over.
Martin! Martin!
What is wrong with you?
Oh, Gina!
I keep having these nightmares
over and over again.
Why don't you go dream 'em out on the couch?
- You know? - Maybe I will, Gina.
Yeah, yeah, do that.
Do that.
Fine, you know, I'm trying to help you.
To tell you what's going on in my mind, but I'm fine.
I'm gonna go sleep on the couch, Gina.
Because I'm volunteering to sleep on the couch
but don't think you punking me, okay?
'Cause don't nobody pumped me in my own house.
I pay for everything up in here
including that bed you sleeping in, Gina.
Everything!
You ain't got to make no speech, man.
Just-just go!
Shoo!
Always, you know, you're all up in here.
Oh, man.
Keep having these nightmares about Pam.
There's somebody trying to tell me something bad.
Oh!
What's up, Brother Man?
What's up?
Oh!
Brother Man!
It's00 in the morning, man.
What are you doing here?
Alright, just--
Just chilling.
What you doing up?
I usually have the place to myself around this time.
Oh, I can't get no sleep, man.
I keep having these nightmares, bruh.
You ever have nightmares?
Yeah.
I had a dream one time
I was climbing this fire escape..
...and I couldn't make it to the top.
So I climbed through the window
of this fly-ass crib
with a big see-through refrigerator.
It was...full of sandwiches.
But-but..
...I couldn't open the door, Mart.
So I stood there..
...and cried, man.
Oh, yeah. Oh, yeah.
Brother Man cried.
Man!
That's deep, Brother Man.
You know, Freud said that dreams--
Oh, woah, woah, woah, woah. Ho-ho-hold, Brother Man.
Who is Freud Nim?
Who Freud Nim?
You know, the white philosopher.
Well, he said that "Dreams are like
"repressed desires
"or the things that
we wish we could have."
Oh, damn!
Is that right, Brother Man?
You, uh..
You just dropped a bomb on me, man.
You need to get yourself some sleep, man.
You look beat down.
Repressed desires?
Pam is my repressed desire?
Oh, no, man!
But I love Gina.
I love my baby, Gina.
Hey, Martin, I don't know if this is right.
Well, girl, if this is wrong, I don't wanna be right.
Ooh, we ain't no good.
But together, we're worse.
Turn around.
Kiss 'em.
For them Black Eyed Peas!
I'm in heaven!
- Hey! - Oh, man!
Tommy, Cole.
Oh, man, I'm glad you're here.
Now, see, man? That's what I call friends.
Yeah? Why don't you tell your friends
what was so damn important that we had to rush up here
00 in the morning?
Yeah, man, it was a struggle getting one of
Big Shirley's stars off me, man.
You know, once she throw that log on me
I'm usually on lockdown till the morning.
Well, uh, look, man..
Y'all need to sit down.
I'm-I'm about to drop a bomb on you.
Okay, well, just get to the point
because I got to be at work in the morning.
Tommy you ain't got no job.
Anyway, go ahead, Martin.
Uh..
Well, brace yourselves, man.
I keep having these nightmares
I've been trying to sleep with Pam.
You-you and Pam?
Man! Come on, man.
Shut up. Shut up, man.
Shut up! Gina's in the other room.
Shut up! Alright?
Now, Tommy, this is not funny, man.
I'm serious.
No, it ain't that funny. It ain't that funny at all.
- What? - No, that ain't funny, man.
That ain't nothing but greed.
You got yourself a woman.
You just trying to quench
your-your sexual desires with Pam.
Shame on you! Shame on you!
Shame on you!
Martin, you called us
over here 'cause you had a bad dream?
Tommy, not once, man.
Look, the dream keeps coming back.
Look, I dreamt..
...I was kissing them buckshots.
Damn!
You alright? It's alright. Okay.
Come on. Come on now.
You see, it's just a dream. It's just a dream.
Calm down. It's alright.
Tommy, you say it's just a dream
but you don't understand, man.
Look, suppose in my subconscious mind..
...Pam is really the woman that I want.
Martin, brother, we all have crazy dreams
man, they don't mean anything.
What, do you ever have dreams about women
that are off limits to you?
Right, man, all the time, like Gina.
What?
Huh?
No, you see, nothing happened.
You know, I was just..
I was using her as an example.
You-you see, huh?
Because I-I..
You know I never had no dream
about your Gina.
- Let's go, Cole. - I'm way ahead of you, man.
Come on. Come on..
Let's go. Let's go. Come on.
Hey!
Pam, what are you doing here?
Relax, Martin. Okay?
I just came from a party and my car broke down.
Can I stay here for the night?
Ugh, no!
Aren't the buses running?
I ain't taking no bus, boy.
Look, I don't have no time for this right now, okay?
I'm very tired.
Well, can I at least get a blanket?
You know what, Pam?
What?
- I'm glad you're here. - 'Hm-hm.'
Because...I've been having some
wild dreams about you.
Say what?
Yeah, that's right.
I got to confront what I'm feeling.
I love my baby Gina
and I hate you.
I hate you too, Martin.
No, you don't understand. I hate you more.
Hate me, Martin.
- You want me to hate you? - Hate me till it hurts.
- You wanna hate? - Hate me.
You wanna hate?
See, I told you they was doing it.
I'm telling Gina. I'm telling.
That's it, I'm going home.
No, Gina, no, no. Wait. Wait.
Don't go, baby. Don't leave alone.
- Oh, Gina. - What?
There's some are some bad things going on in my head, Gina.
Bad things.
Martin, maybe I can help.
What is it?
- Nothing. Okay, fine.. - See, I'm..
Fine, fine. Okay, I'll tell you.
- Listen. Okay, listen. - You gonna tell me.
Baby, did you ever have a dream..
...that was so awful
so harmful, so evil..
...that you didn't want to go back to sleep?
I mean, you-you-you knew
you would never do it in real life..
...but you feel guilty
because the dreams
seems so real.
- Gina, wake up! - Ah, what?
- Gina, wake up! - No, Martin.
You don't know what I'm going through.
You don't know my plight.
I do, I do know your plight.
Martin, sure.
Because tonight, I've been having a horrible dream too.
Oh, baby, that's what I am here for.
Yeah, see-see, is this-this strange
maniac boyfriend, right
he won't let me get any sleep.
- Gina? - What?
My only sin
is that I love you too much.
Oh! Martin!
Martin, could you, please, just go to sleep?
Go to sleep and face up to your dreams.
That's the only way to make it go away.
If you see it through to the end.
- Please. - Alright, Gina.
- Pray for me. - Alright.
Back to sleep I go.
Go to sleep, I'm back.
Back to sleep I go.
Go to sleep, I'm back.
Welcome to the love room, girl.
Well, aren't you gonna carry me over the threshold?
Oh, no, no, no, no, baby.
Then, I wouldn't get to see you walk that walk.
Walk it! Walk it.
Yeah, that's what I'm telling.
Walk it, girl. Stalk it and walk it.
Walk it, then stalk it, then walk it
and scoot it and stalk it.
Whoo, whoo, whoo!
Girl, let me get those shoes..
...so I can massage your feet.
Huh?
- What? - Oh, oh, ah, your corn.
Your corn. A little sharp, baby.
Baby, I'm sorry.
- Ooh. - Are you okay?
Ooh, girl. That corn hurt so good.
Marty Mart love the corn thing.
- Oh! - Come here.
Hm, girl. No, you know what?
- Something's still missing. - What?
Uh-uh, something's missing.
Why don't you..
...slide over six inches to the left
you sweet sexy thing, you?
Anything for you, baby.
But your left or my left?
Girl, get on over to that left.
Get over!
Get to that left.
Perfect.
Now get ready.
I'm about to give you
what I've been dreaming about
all night long.
Oh, yes!
Was it good for you?
'Cause it was great for me.
Yeah.
Phew.
Why don't you..
...slide over six inches to the left
you sweet, sexy thing, you.
Anything for you, baby.
But your left or my left?
Girl, get on over to that left.
Get over.
Get to that left.
Perfect!
Now get ready.
I'm about to give you
what I've been dreaming about
all night long.
Oh, yes!
Would the bailiff bring out
the defendant for sentencing?
Come on. Walk.
Let's go. Come on, man. You act like a man and walk. Okay?
Man, you can't get along
if you can act like a man.
And a hut! Now you're going down this time, boy. You gon..
Boy, leave the sister alone, she don't want you.
Boy, you ain't got nothing to do with her.
Now, that girl's a working class women.
She don't want no hoodlum boy.
You ain't doin' nothin' with yourself
that's why you in court.
What you're looking over, trying to get a crack on.
Hey, baby. How are you doing?
You know, you're going down this time, bro.
This is the fourth time you've been here
for robbing an old lady's purses.
Yeah, a young punk
ought to be ashamed of yourself.
Have some respect, boy
and take off your hat up in the courtroom.
Boy, I said, take off your dilly-dally up
up in the courtroom.
What, did I not say to take off your dilly-dally, boy?
Huh? Yeah, that's right, well, you
you thinking you are 40
and then you go around and you're disrespect old people.
Well, you ain't getting away with it this time, young punk.
You're going down to Davao.
They've all gone down to Davao.
He gonna go-go to down to the ground.
To the ground. To the ground.
Down to Davao.
Alright, judge, do your thing, girl.
Unfortunately, due to a misspelling
in the search warrant
we have to let you go.
But you better behave yourself.
- What? - Next!
Hold on. Well, judge, what the hell..
You, you behave himself.
Man, forget it all that. I got to go. Peace.
Hey, hold on there, you young hoodlum.
What's up, man?
You think you just can go around
disrespecting old folks?
Huh-huh? You think you gon' get away
unpunished, unscathed?
I'm walking. What's up?
Uh-huh. Well, boy, they didn't get you electric chair
but I'm going to, boy.
I'm sorry, judge.
Order! Order!
I'm sorry, judge.
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