All language subtitles for Martin.S02E06.Workin.Day.and.Night.1080p.HMAX.WEB-DL.DD2.0.H.264-FLUX_track3_[eng]

Hi. Hi officers,
what seems to be the problem?

Ma'am, we have your child.

I don't have a child.

Why would you wanna say
a thing like that, mama?

Roscoe!

Why, officer..

...my mama may be a drinker

but my mama is all I have.

- Why, mama, why?
- What? Get off me!

- No, why, ma? Officer.
- Get off me.

Okay, no, I'm sorry.

Uh, very sorry
for the inconvenience

but we'll be fine, okay?

It's cool, well,
you know 'cause sh-sh-she

know that y'all recognize her

so she not gonna do
nothin' stupid.

Okay? So, I mean I got your
pager number, right?

Okay, alright. My man.

- Thank you, thank you so much.
- Thank you. Thank you. Thanks.

- Hey, officer.
- Thank you.

Thank you. No, we'll be fine.

Thanks a lot. Bye bye.

Little boy, what are you doin'?

I needed a ride home.

I got stuck at the bar.

My mother asked me not to go

but hell, I'm Roscoe.

You are a bad little boy.

You're the baddest little boy
I've ever met.

Come on, I'm taking you
to your mom.

Come on, I'm taking you to
your--

No, you go to your mother.

I'll stay right here.

I wanna watch cable.

You've got them comedy day.

'Roscoe, open this door!'

- 'Roscoe!'
- No.

- No, no.
- Roscoe, please.

- No.
- I'm telling your mother.

- No. No.
- 'Roscoe, I'm going.'

- Imma count to five.'
- You can count all you want.

'Five, four, three, two..'

Yo, wassup!
How y'all feelin'?

Yo, wassup!
How y'all feelin'?

Ow!

Ahh!

- Ahh!
- Martin!

Would you stop flinchin'
and be still?

I'm just tryin'
to give you a line.

I used to give my daddy
a line all the time.

But Gina, tha-that's
what I'm worried about, okay?

You're the reason your father
got a sunroof in his afro.

Get outta here!

You just make sure you get

your hair cut by Friday, okay?

- Friday?
- Honey, I told you.

We're having dinner
with these new clients.

They're very big fans of
yours and it would really

help me get the account.

- Oh, I-I didn't tell you?
- Uh-uh.

Uh, well, Stan fired
the choir storm DJ and uh..

Guess who's takin' over?

Martin, you're quitting
the morning show

to work the midnight show?

- No, girl. I ain't stupid.
- Oh, okay.

Imma work both shifts.

Martin, Stan is paying you
double the money, isn't he?

Girl, you know what
it's wild, right?

'Cause I've always wanted
to work the night shift.

I mean like,
it's a great opportunity.

Uh-huh. So you're getting
nothing, right?

- Nice as hell, huh?
- No, no, no.

Nothin' but opportunity, Gina.

And when opportunity
comes knockin'

imma be at the door like this..

Wassup?

Come on in here, opportunity.

You want somethin' to drink?

Martin, baby.
That sounds like Stan talkin'.

Come on! He's using you.

Martin, besides, I mean

we never get to see
each other anymore.

There'd be no more uh,
late night cuddlin'.

Oh, shoot!

- I'd miss that.
- Yes.

And there'd be no more
sneakin' away at lunch time.

- What?
- Mm-mmm.

We couldn't sneak away a taste?

No.

I mean, what about
behind the thing?

- Nothin' behind the thing.
- But that's your spot.

- You like to go--
- What's you-- Yeah, Martin.

Okay, alright.

- Martin?
- Yeah.

I might as well throw away
my Victoria's Secret catalogue.

In fact, imma do that right now.

No, no, no, no, no.

You, you don't wanna do that.

Okay, fine,
I'll tell you what, alright.

I'll do the show tonight,
then I'll quit.

- Just one night?
- Yeah, yeah.

- Just one night.
- Yaay!

Alright, it'll be fun, okay?

But, baby, tell me this
doesn't sound fly, alright?

You're on a love train
with Martin Payne.

- Ooh.
- Woo, woo.

Uh-huh.

Our destination...is love.

With stops along the way
of passion..

- ...ecstasy..
- Well.

Hop aboard, Gina.

Were making an express
stop in the bedroom.

- Alright.
- Woo, woo.

'I gotta get ready
to get outta here.'

But before I go..

Here's somethin'
for the love in you.

A little somethin'
in the mornin'

to make you rise.

- Ah.
- Mornin', mornin', mornin'.

Martin, Martin, Martin.

You are doin' a hell
of a job, man.

They love you out there.

Well, thank you, Stan.
Thank you, man.

- But I got a little bad news.
- What?

Uh, I ain't gonna be able to do
the show after tonight, brother.

- What's the problem?
- Don't take this personal.

But sometimes I feel

uh, you use people, Stan.

Use people, Martin?

That's not comin' from you

that's woman talk.

Lemme guess, it's Gina,
ain't it?

No, it is not Gina, man.

I just decided that my
relationship was more important.

Ah, ah, ah, ah, ah.

Martin, hold on a minute.

Did I hear you use
the word "relationship"?

Martin, that's a punk word.

You know what, this is stupid,
Stan, alright?

- Oh, is it?
- Yes.

Observe, Martin.

Oh, Shawn, come in here.

Yeah. What is it, money?

Shawn, yesterday I heard you
use the word..

...relationship.

Wh-what?!

Are you callin' me a punk?

Oh, no, no, no.

Someone done told you wrong,
pimp man.

It's time, you and me
to get it on right now.

Now! Come on, come on.

Slow your roll, Shawn.

Slow your roll.

I must have misunderstood.

Alright.

Just watch your mouth.

'Cause I ain't no punk.

See, man, even Shawn knows.

Martin, I hate to say it

but you were whipped.

Brother, you got the wrong man.

- I ain't whipped.
- No, brother.

I don't have the wrong man
and imma prove it to you

with the Stan Winter's
Are you whipped test.

Pfft. Whatever, Stan.

Question one.

Do you hold her
after makin' love to her?

Yes.

I think any
decent brother would.

Mm, mm, mm, mm, mm.

Well, after holdin' her, you do
ask her to leave, don't you?

Stan, man,
you are buggin', bro.

Martin, this ain't
lookin' too good.

Last question.

When she talks to you

do you ever find
yourself listenin'?

Go ahead, Stan.

Martin, I don't need
to go no further

you're so whipped, I could
spread you on my sandwich.

Martin, Martin, Martin.

Gina is controllin' you

and pretty soon, man,
she's gonna be dressin' you.

Yeah, well, maybe she needs
to dress your ass, alright?

Stan, let me tell you somethin'
man, okay?

I'm going home,
to my woman Gina, okay?

Whooped. Man, please.

Whipped. Ha-ha-ha.

Tell me I'm whipped.

Hey, honey. Right on time.

You must be tired
from workin' all night.

You just come on in here
and sit down

'cause I made you
some breakfast.

- You made me breakfast, huh?
- Uh-huh.

I know you did, 'cause I'm in
control up in here.

Right.

Uh, Martin,
I bought you somethin.

Yeah, you bought me somethin'?
What you buy your man?

- What you buy me?
- I bought you this shirt.

'Cause I thought you might
like to wear it Friday night.

- That's a nice color.
- Is that right?

Is tha-is that right, Gina?

You thought I might
like to wear this Friday night?

What, so you dressin' me, Gina?

You dressin' me now, huh?

Martin, I always do. I picked
out that shirt you have on, now.

Oh, damn, that's right.

This is kinda fly.

That was then this is now.

Okay.

Don't be buyin' me nothin.

Check with me before you start
buyin' stuff, alright?

- Check with me.
- Martin.

Look, I don't know
what this is all about.

You've been up all night
and you're over tired

so why don't you just catch
yourself some shut eye

and we'll talk about this
later, okay?

No, no, no, no.
We can talk now, Gina, okay?

Because I'm wide awake.
My eyes are wide open.

Open like a smoker, Gina.

I could see clear, now.

And for the first time
in my life

I don't like what I'm seein'.

You're playin' me.

What?

Martin, I am so glad

you're not taking this job on
permanently

because you act insane
when you don't get any sleep.

Correction.

I'm takin' the job permanently.

Don't look startled.

Fine, fine, Martin,
you take that job

but you know we're gonna
hardly see each other anymore.

Oh, come on with the seein'
of each other, alright?

Please, okay?

And let me tell you
somethin', Gina.

I can work ten jobs, baby

and come home and still have you
climbing the walls.

That's right,
climbing the walls, Gina.

Spiderman.

Girl..

Girl, I will have you
screamin' so loud

the whole neighborhood
will know my name.

Oh, yeah. You mean jackass?

Jackass! Oh, jackass.

Gina!

- Yeah. Yeah.
- You ain't got to--

- Yeah. Yeah.
- Y-y-yeah.

- Yeah. Yeah.
- Yeah.

Listen, Martin,
since you have so much energy

I'll just expect you
at dinner Friday

before your night shift, okay?

Hey, hey, hey.

I'm, baby, I'm a man of my word.

I'll be there,
but I won't be wearin'

that shirt you bought me.

Whatever, Martin,
just eat your breakfast.

What? Pfft, pfft.

You don't tell me
what to eat, Gina.

I don't want this,
you know what I'm sayin'?

I was plannin' on goin' to
the Ihop, I want some pancakes.

Okay? You know,
how you like me now?

You know, women gonna
tell you hat to eat

when to eat and how to eat it.

You must be out
of your damn mind.

I'll tell you this.

And I-I'll tell you this.

Imma little short right now

you got a $5 I could borrow?

'Yo, man.'

'I ain't slept in five days.'

Martin, brother.

You are killin' yourself
and it doesn't make any sense.

You're workin' two jobs, right?

No extra pay,
no extra exposure, and why?

Y-you wanna know why, Tommy,
you wanna know why?

Because Gina told me
not to, brother.

You follow me?

If I-if I start listenin'
to her now

when will it end?

I'd be whipped
for the rest of my life.

Uh, I don't wanna get
in your business, right?

But uh..

You've been whipped
for a little while now, Martin.

You know that?

No, no, no
for real, for real, man.

Man, no, Gina got
your nose open, boy.

She got it open so wide,
you look like

you've been sniffin'
bowlin' balls, okay?

Straight up?

Yo, Tom..

Well, then break it
down for me, man.

I gotta know what's happenin'.
What's goin' on.

Hold on, Martin, now,
look there's nothin' like

you know, there ain't any
big changes

or anything, you know.

Right, right. Just little
by little, you know.

She just keep
chippin' away at you.

- Straight up?
- Mm-hmm.

I mean like your pad, right?

Used to smell like
a man's pad, you know?

See?

You know what I'm sayin'?

Uh..

Corn chips and stuff like that,
you know, you know.

But now it just smell like
potpourri up in here, man.

Yo, man, Gina put that in here.

Um, Martin y-your
toilet paper, man.

You see, the roll of toilet
paper in your bathroom

used to be white.

Now I believe it's pink
and lavender.

Oh, yeah.

So, wait, wait, wait.

You-you think I'm
whipped too, Tommy?

Hold on, n-not that I think
you're whipped, okay.

It's just, you know compared
to the way that you used to be..

Yeah, you're whipped.

I... G-G-G-G-God.

Where's the old
Martin now, oh, God.

W-we miss him big time.

Could you bring him
back to us, God?

- Yo, man. Yo, man.
- Please.

Yo, man, I'm right here, yo.

Come on, man.

That's right. That's okay.

Yeah, that's right, Gina.

The old Martin is back, Gina.

And guess who's comin' to
dinner, baby.

Robert, use a glass.

See now, why are you
gonna start that?

Men.

Martin should be here
any moment.

He's probably stuck in traffic
or something.

You know, I can't wait
to meet him.

I am his biggest fan.

- 'Oh, yeah, you told me.'
- Yo, Gina!

Where you at?

Oh, I'll be there. Hold up.

Yo, wassup?

Oh, damn. I got on my shoes
and everything.

You ain't 'bout to wear
shoes up in here.

Yo, somebody get those.

Get, oh there it is. See.

Thank you. Thank you very much.

- Martin, Martin.
- What? Yeah.

Remember those very important
clients of mine

who were very big fans of yours?

This is-this is Kimberly
and-and Robert Douglas.

Okay, cool, wassup y'all?

Let me pull up a little
pad or somethin'.

Sit on down here.

What's happenin'?
Wassup?

Wassup?

Robert, shh.

W-w-wait a minute, sister.

I mean you ain't got to be
shuhin' a brother.

I mean if the brother
wants to wassup me

he can wassup me.

Yo, Robert, wassup?

- Wassup?
- Wassup!

Wassup?

Wassup!

That's what I'm talkin' about.

- Yeah!
- Yeah.

That is what I'm talkin'
about, girl.

Give me one of those biscuits

you ain't gonna eat it anyway.

That's a tuna roll.

You see, you see
what I'm sayin'?

Robert, I know I just met you,
right?

And I just met your lady here,
right?

I don't even know her
and she's correctin' me.

Now, why do woman gotta be

correctin' us all the time,
right?

Now, if I say this is a biscuit,
this is a biscuit.

Brother, g-grab you one here,
man. G-gr-yeah, no, grab it.

- The biscuit?
- She ain't gonna eat it, right.

Let me sow you
how you work that.

Okay, now take it. Do like your
mother told you, alright?

You know women, how they worry
about their weight?

Okay, sop it up.

Okay, get a little
gravy on there.

Sop it, now you've got
to sop it.

Okay, now bring it,
l-let the juice roll.

Let the juice roll, go!

Oh, man.

- Now, that's good.
- No, this is fun.

- This is fun.
- That's what I'm talkin' about.

What are you doin', you're
embarrassing me

and what are you wearin'?

It's formal.

Gina, why are you whisperin',
Gina, huh?

We ain't got no secrets.

Oh, yeah, don't look
surprised on your face

the old Martin is back, okay?

And I'm not whopped
no matter what Stan says.

Stan?

Oh, God!

- You know--
- Robert, you are makin' a mess.

Handle your business, man.

Woman, you better check yourself
before you wreck yourself.

Whoo-hoo-hoo-hoo.

That's all I'm sayin'.

'That's all I'm sayin'.'

How you feelin'?

- I feel strong.
- How you feelin'?

I feel free.

That's what I'm talkin' about.

Fellas, I got to know.

No, girl, you girl no.

Not now, not now.

Fellas, I got to know
how many of y'all

rather be at home watchin' TV

scratchin' your ass?

Uh, uh, uh, uh.

Look at yourself. You can come.

See, I'm a free man.

I-I-I'm free to make
my own decisions.

You know what I'm sayin'? I bet
all y'all got on somethin'

your woman bought for you,
I bet you do.

Does she?
Show me, point to her.

Come on, y'all. Free yourself.

If you're gonna be a man,
free yourself.

'That's what I'm talkin' about.'

You know what, man damn!

Yeah!

Yeah! Yeah!

Yeah! Yeah!

Aha-ha!

Yeah! Yeah!

Yo, fellas, fellas.

We gotta get ready to get up
out of here. Let's roll.

- Wait, Martin!
- Alright.

- H-hold on, fellas, hold on.
- There we go.

- Watch how I handle this. Yeah.
- Yeah.

Yeah, what, what, wassup?

Martin, I will see you at home.

Yeah, when I get there.

Yo, fellas, let's be out!

Men rule!

I don't know about the rest
of y'all but, I miss my woman.

I'm tired, I want to go home.

But I cannot because of Martin.

No, man. Don't blame me, man.

You act like a bunch of punks

y'all ran out of there.

Oh, Gina, Gina.

Gina, what are you doin'?

Well, me and the ladies were
havin' a little chat with Stan

and he has somethin' he wants
to say to you, right?

Yeah, uh, Martin, uh

I have been checkin' your test
scores, man, and dig it.

You were not whipped,
it was a computer error.

A-as a matter of fact, uh, you

you have your woman in check.

- What?
- I-I mean, I mean, I mean..

You have a good relationship.

Thank you, Stan.
You can go now.

Okay, I'm gonna go.
I'm gonna go.

But you woman,
all of y'all are gonna pay

for bustin' up my Cadillac.

Ladies, round them up
and get them out of here.

And you, let's go.

Alright, girlfriend,
I'll talk to you later.

I got your number, okay?
We'll talk.

Gina, that was wild,
'cause everybody came in.

It was like walkin' tall,
the iron stick.

'Oh, um, baby.'

You remember when, um, you said

that I act insane
when I don't get no sleep?

Girl, it turns out,
you were right.

You know, 'cause
the doctor just called

I got to pick up a prescription.

- Come on, let's--
- No, uh-uh. Uh-uh.

Okay, look, look, Gina, okay,
you weren't playin' me, babe.

Stan was.
Come on baby, let's get out--

No, no, no, Martin.

- I have somethin' to say.
- G-Gina.

Wait, I do not
wanna control you.

That is not what we're about.

Okay, boo.
Okay, alright, I am sorry.

Alright, I'm sorry I made you
miss the account, okay?

I was acting crazy.

Actually, Martin,
I got the account.

Kimberly liked the way
I handled Stan's car.

No you did not get the account.

- Yes, I did.
- Girl.

You come give me
some of the wet mouth.

- Not now. No, no, no.
- Just a little taste--

Just a little taste
of the wet mouth.

No, no.

- Martin. Martin.
- I'm ha-

- Martin.
- I'm happy for you.

We may be partners and all,
but I'm still mad at you.

- And um, you know what?
- Yeah?

You don't have to worry about
being whipped anymore, Martin

because um, for the next month

you gonna be whippin' yourself.

Gonna tell me not to tell me

when to eat and not to eat
and how not to eat.

You know, you must be
out of your mind.

I wanna watch the show.

I wanna watch them comedy day.

I wanna watch them comedy day.

'Roscoe, open the door!'

You got them comedy day.

'Roscoe,
I'm telling you bugger.'

'Roscoe!'

'Roscoe!'