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It's the i nspector.
- Wb ich floor is it? - At the second one .
- Any other exit? - The fi re escape .
It m ig ht've been a brutal experience ...
to provoke a shock l i ke th is .
When do you th in k we can i nterrogate her?
I don't know. N o one does .
At these moments, all her instincts ...
are concentrated on forgetti ng ...
and deleti ng of her m ind what happened .
Maybe it's better l i ke th is .
Come i n .
HYP N OS
Calm down.
Just a fraction of a second, one millimeter away.
This short is the way that keeps her away from death.
Sometimes, she feels the temptation of giving a step forward to prove.
Itrs so easy to die...
- You look very d ifferent. - l g uarantee you it's me .
- Beatriz, isn't it? - Yes . Beatriz Vargas .
I 'm E lena , the cb ief n u rse .
D r. Sรกnchez Blanch apolog ized . H e's very busy.
H e'l l see you tomorrow at h is office . Come on , l'll get th is .
N o, don 't worry. Than k you .
The docu ment tbat was sent to D r. Vargas .
They're some of tbe cases Snchez is worki ng i n .
Try and bave a look before you r meeting with h i m .
H e's very demand i ng , but he's the best.
You've been l ucky to get i n a place l i ke th is so you ng .
Don't worry, you 've came to tbe rig ht place to have phobias .
I 'l l wait for you u p there .
Second floor.
Beatriz, tb is way.
- You see the ocean? - Yeah .
You sbou ld go out someti mes .
It's not good to stay at tbe sanatori u m the whole day.
N o TV, no rad io, neither a coverage for you r mobi le phone ...
you end u p goi ng crazy.
Wou ld you l i ke to see the rest or take a rest?
The most patients are on the 2 nd floor.
The neu ropsycholog ical test are taken down here ...
and the TAC scan ners .
What about th is bu ild i ng?
It's reserved to tbe most d ifficu lt cases .
U sual ly they came i n from other sanatori u ms .
D r. Snchez looks after the patients there .
The on ly one that remai ns i n there has been there for about 1 2 years .
It's a very com plex case .
It's the ocean , rig ht?
I l ike the ocean as wel l .
They fou nd her alone , beside her m u rdered mother...
but the pol ice doesn't know if she was i nvolved .
Si nce they i nterned her, th is has been the 1 st sig n of affection .
H ere we are agai n .
Come , th is way.
The mon itor room .
H ere al l the sessions are recorded on video .
Then we can fol low thei r prog ress ...
and observe their best reactions .
- You r tberapy is about to beg i n . - Wbo is be?
N o one knows . We don't even know how he's got i n bere .
- Am nesia? - Total .
We named b i m "M " , the letter that was on b is sh irt.
Let's go?
The nightmare of being alive and not being able to recognize yourself.
Forgetting who you are...
Without your memory you are nothing.
Calm down.
You've gotten u p from bed .
Everyth ing is dark.
You're shoeless at you r home's restroom .
What's bappen i ng?
It's cold .
- Gets ang ry. - Wbo gets ang ry? You r mother?
Mom . . . And be . D iscuss .
H e?
Is there anyone else with you?
Who?
H e's here with me .
Real ly, l d id n't want, l d id n't want!
Cal m down . Cal m down .
You're i n tbe bath tu be , su rrou nded by scu m .
You extend you r arm and slowly with a razor...
you d raw a fu rrow i n you r wrist...
a perfect blood rose ...
where you r l ife van ishes , desorientated .
The on ly th i ng that lasts is to em brace death .
And you fi nally...
rest.
What are you doi ng bere? What is you cell?
N o, you're m istaken .
I am Beatriz Vargas , the new doctor.
What are you doi ng arou nd bere at tb is ti me ...
naked ?
Well , l was taki ng a shower and ...
Always wear the wh ite u n iform .
It's what wi l l d isti ng u ish you from tbe patients .
Don't forget it.
We rre all addicted to something, to forgetfulness...
to remembrance, to mistake, you just need to find the substance...
the emotion that canalizes our addiction.
You are here .
D r. Snchez Blanch awaits for you i n h is office .
Than k you .
Do you l i ke garden i ng , D r. Vargas?
It's a cu rious art.
We abstai n the plants from l ig ht so they can overg row...
we attach some stakes to stra ig bten them ...
we pru ne them ...
You cou ld say we man i pu late them for thei r own good .
Psycb iatry does exactly the same with people , don't you th in k?
I 'm happy you are here with us .
I 'm sorry l cou ld n't welcome you yesterday.
- E lena was adorable . - As usual .
She told me you hel ped on the prog ress of ou r you ngest patient.
- That was l uck. - lt doesn't exist.
I know you r potential . That's wby you're here .
U nfortu nately, she had an anxiety crisis th is morn i ng ...
and we had to transfer her to tbe adjacent pavi l l ion .
I hope l can work i n th is case .
O b , yes , of cou rse .
It's a com plex case .
My hypnosis sessions are not worki ng .
A cb i ld's u nconsciousness can be ...
a real landscape of broken g lasses .
I su ppose th is is what makes us wish to hel p them .
N o?
The ch i ld hood is su pposed to be a happy age .
Su re . Su re .
Anyway, on the first days ...
l 'd l ike you to stay with D r. Zabala , at tbe consu ltations .
H e'l l hel p you to become fam il iar with the center.
Than k you .
UIloa, for example. His childhood is marked...
by the loss and by the pain...
they pushed him to a tragic destiny.
Why not offering him one alternative ?
I am alone.
But she 's with me.
And you 're happy. You r friend makes you happy.
Every ti me you th i n k about her, you feel good ...
- comforting . - N o .
She's al ready gone .
I know, U l loa .
B ut ber recordation fol lows you .
She loves me , but he ...
he ...
Cal m down , U l loa . Cal m down .
The other doesn't exist.
The other doesn't exist. lt doesn't exist.
It's not l i ke th is .
It's not l i ke th is .
U l loa . . . Tel l us about that.
We're l isten i ng .
It h u rts .
It h u rts me .
B ut you want it, don't you? You don't want to forget...
because if you do you'l l be forgetting a part of ber.
E noug h , doctor.
H er motber d ied .
She tel ls me secrets .
H ers .
We share th i ngs .
Ti l l he shows u p ...
- Tel l us about b i m . - N o! E noug h .
N ow, U l loa ...
you're gon na fal l i n a deep sleep .
And you won't th i n k about anyth ing .
You d id n't u nderstand anyth i ng , absolutely notb i ng .
You don't overcome a trau ma with a l ie , it's not eth ic.
I 'm not aski ng for you opi n ion , lady.
I don't know wbat cred its you got to get here ...
but you never i nterru pt me agai n .
N ever agai n .
D id you hear b i m?
- I 'm sorry. - For what?
Psycb iatry is l i ke tb is .
N o one has the absol ute trutb .
Each patient and eacb doctor have to fi nd ...
- their own way. - H ave you fou nd it?
Are you sti l l i nterested at tbe g i rl's case?
Yes .
Repass you r description .
Tomorrow at 8 , wait for me in the garden .
She 's witnessed the presumptuous homicide...
shock state.
At the garden .
You rre in the bath tube, surrounded by scum.
You extend your arm and slowly with a razor...
you draw a furrow in your wrist...
You never know how someone...
could ask for help. During all her Iife...
she 's done it with each one of her acts.
I have so many tb i ngs to tell you .
Itrs so easy to die.
- What are you showing now, Dr?. . - A girlrs testimony...
was fundamental to solve the case.
- Irm not talking about that. - We have to be strong...
learn with our mistakes, and keep working.
You can 't accept a suicide.
A suicide is a failure. Failure to the institution...
and a failure to the doctors.
- The g i rl d id n't get attention . - Don't worry, Beatriz.
Th is wi l l also be considered ...
and we'l l do what has to be done .
Can l ?
O b , U l loa .
N ow we need to take care of tbe sensitive patients .
I 'l l tal k to h i m .
I n tbe meantime , we bave other patients to attend .
Th is case let me booked si nce the beg i n n i ng .
The patient has nullified the senses of anxiety and fear.
His anger is explosive and uncontrolled.
And it happens with no reason at all.
He rs attacked one of our nurses.
Did the exams show any brain damage ?
No.
None.
U ntil we can fi nd out the causes of h is pertu rbation ...
and research about h is past...
there won't be m uch we can do for h i m .
Does he seem d isposed?
I don't know wbat to say, Beatriz.
H e doesn't remem ber because he's afraid of remem beri ng .
Wh i le we don't fig u re out the reason of h is fears ...
we won't know how to face the situation .
For the ti me bei ng , we can't foresee g reat prog resses .
Good morn i ng .
Today D r. Vargas wi ll accom pany us .
- H ow are you ? - Wby do you wan na tal k to me?
Do l know you?
N o . You don't know me .
Well , let's beg i n .
Everyth ing has a beg in n i ng .
N ow, tell me .
H ow d id you end u p i n bere?
H ow d id you end u p i n bere?
N u rse ! N u rse !
Carefu l , Beatriz, it wasn't a su icide .
It wasn't a su icide .
B ring hel p . Obviously he's tried to attract my attention .
What l've seen was an ag ression of a patient with del usions .
I 'm not gon na al low you to take risks anymore .
You said we needed to find out the causes ...
of h is d istu rbs , and know about h is past.
Let me take care of h i m .
You knew her wel l , rig ht?
Yes , very wel l .
I 'm sorry for wbat happenend .
I wish l cou ld ...
- l wish l cou ld know. . . - ls tbat wbat you want, Beatriz?
To know?
I 'm g lad you're here .
So?
Are you com i ng?
U l loa !
Living is getting away slowly from happiness.
Only the painful umbilical cord of memory...
keeps us attached to it.
U l loa ! U lloa !
H i .
Come on , lean on me .
Than k you .
Than k you , pretty.
Who d id that to you?
- Tel l me . - N o one .
You can't have sex with the patients .
Do you hear me? That's not good .
Besides , th is g uy is very dangerous .
H e's tried to strang le me .
I shou ld relate that to D r. Snchez B lanch .
N o, please . N o . No .
I can't bel p it.
H e ...
l prom ise it won't happen agai n .
I swear.
I swear.
Sleep .
Stay with me , please .
Beatriz.
What happened ?
N o . Noth i ng .
I cou ld n 't sleep and ...
l went to get some pi l ls .
And wbat's that?
A l ittle accident.
- Is it deep? - N o .
J ust i m pressi ng .
Beatriz.
What happened ?
N o, noth ing .
And wbat's that?
A l ittle accident.
- Is it deep? - N o, j ust i m pressi ng .
I th in k l 'l l take a shower and get ready to work.
Al l rig ht, Beatriz.
I see you soon .
It wasn 't a suicide.
- You draw a furrow... - I think it was murder.
Calm down.
It's just us?
That haircut su its you .
Than k you .
- Is it necessary? - l bope not.
Everyth ing depends on you r behaviou r.
Yes .
H ow are you today?
Better than the other day?
Better.
Do you remem ber what happened?
Vaguely.
Do you remem ber what you told me about the g irl ...
that hasn't com itted su icide?
- N o . - Al l rig ht.
Th is wi l l hel p you to relax. Are you ready?
Th is is the day before you entered the sanatoriu m .
- Wbere are we? - l don't know.
Do you see the streets or tbe noises of a city?
It's n ig ht. lt's ra in ing outside . Everyth ing is cal m .
- Wbo are you with? - l don't know. lt's soft, it's sweet.
Whatrs happening? What happens ?
I hear screams, someone screams. Calls me.
- What name do they scream ? - Miguel! Miguel!
M ig uel? Tel l me , what's goi ng on?
There 's a screw-driver... and she wants to kill.
- Who, Miguel? - Not her. Not her.
A screw-driver, Miguel?
A screw-driver. She wants to kill.
She 's jealous, she wants to kill.
U l loa , wbat are you doing bere?
Someth i ng is about to bappen .
What is it?
- Someth i ng bad . . . Bad . - N o, it's not.
N otb i ng is gon na bappen .
She's back. S he's here .
Who?
U l loa , wbo's back?
She's back to get you away from me !
Cal m down , please .
Don't move , U l loa . U l loa !
Good morn i ng .
- Leave us, please . - l 'l l be outside .
- H ow are you today? - l don't know, you tel l me .
U nfortu nately we can't renou nce that yet.
B ut we're making prog ress , M ig uel .
M ig uel . Yes .
I 'm relaxed , doctor.
- The g i rl d id n't com m it su icide . - You 've told me that.
Th i ngs are not what tbey look l ike , Beatriz.
H aven't you real ized what happens i n bere?
What happens i n here?
They make you bel ieve they com m ited su icide ...
when they were kil led , ind uced bom icides .
Don't you bel ieve it? l 'm a cop , Beatriz.
Th is sanatori u m is bei ng investigated for a long ti me .
Many deaths , many secrets and no resu lts .
That's wby. . . N o, no , no .
I 've confi ned myself as a patient, to find evidences ...
that cou ld allow me to stop tb is mad ness .
You've just arrived .
You're not u nder thei r infl uence yet.
You m ust bel ieve me ...
before any other death .
I need you r hel p , Beatriz.
You've said about a woman yesterday.
You don't know what you've got you rself i nto .
A woman with a screw-d river.
I knew that g i rl . l also know she d id n't want to d ie .
Al l rig ht. Al l rig bt, don't bel ieve me .
B ut, please , search the truth for you rself.
Do it soon !
Before ...
it's too late .
It's n ig ht.
It's n ig ht and it's ra in ing outside .
M ig uel , who are you with?
The fi les are available on ly u nti l 8 pm .
I just need to review a set of exped ient.
Qu iet!
What are you doi ng bere? Let me out.
I 'm not gon na b u rt you , Beatriz.
I knew you wou ld n't fai l .
Do you bel ieve me now?
There was notb i ng .
The fi les of the last 3 years were em pty.
They know it. They know they're bei ng watched .
Please , M ig uel ...
What else do you need to bel ieve me?
You're i n jeopardy.
Soon there'l l be more deatbs .
Be carefu l , Beatriz.
Beatriz...
what about you r pbobia?
- H e shou ld be in h is cel l . - They're looki ng for h im .
What d id he do to you? Are you OK?
The memory is constantly invaded...
by the imagination and by the dreams.
We always end up changing the truth into our Iie.
What are you doi ng bere?
What does that mean?
I 've fou nd it on the beach .
It's you rs .
It can 't be mine.
Mine is here.
U l loa?
D r. Vargas ...
cou ld l know wbere you bave been?
D r. Snchez Blanch has asked for you .
- I 'm looki ng for U l loa . - H e's witb h i m .
S U l C l D E
S U l C l D E
Doctor?
U l loa's exped ient.
Than k you .
- Beatriz, l 'm g lad to see you . - The door was open and ...
Don't worry. l was with U l loa .
H is therapy with D r. Zabala wasn't bri ng ing resu lts .
Then , l've d ism issed h im from tbe case .
H e's m uch more peacefu l .
I see you've got tbe fi les .
I 've prepared them so you can take a look.
Al l the su icides that happened in the sanatori u m .
They're many, however...
we can consider it as a success .
You also th i n k that what happened to tbe g i rl was a success?
The n ig ht before ...
the su icide , l heard how you persuaded her to kill herself.
N o ...
that's not what you heard .
Let's take a wal k.
We al l accept that tbe past marks ou r present...
inspi res ou r futu re , althoug h , there're occasions that ou r futu re ...
ou r idea of what's gon na happen ...
that pushes us to change it into real ity.
Do you u nderstand ?
You mean we can assi m ilate ...
ou r futu re as part of ou r past?
We can convi nce ou r u nconscious ...
of what happened . With no trau ma , no pai n .
If a man knows he's al ready real ized certai n tb i ngs ...
he won't look for them anymore , he'll d isdai n them .
Of cou rse it doens't work.
Absol utely.
N one of these cases were m i ne ...
ti l l the other day.
The death of tb is g i rl shou ld not have happened .
After all , doctor...
tel l how tbe therapy of M is goi ng .
Paranoiac personal ity...
del i ri u ms , bal l ucinations ...
man ia of persecution ...
d issociation .
I know you'l l do a good job , Beatriz.
You're already doi ng .
H i .
Do you get i nvolved with you r patients l i ke that?
- I don't wbat you're tal ki ng about. - Always the same .
The ones that play fool are the worst.
You've been with Snchez Blanch .
M ig uel , l need you r cooperation .
I need you to let me hel p you .
I don't want th is ki nd of hel p .
M ig uel , the evol ution to a d issociation level ...
is normal i n cases of am nesia .
I don't have am nesia .
I know very wel l why l am here . l 'm a cop .
My badge and my pistol ...
are bu ried u nderneath the pi ne trees, beside the tu n nel .
Don't you bel ieve me?
You don't bel ieve anyth i ng l say.
Prove you rself. lt's very easy.
My badge and my pistol ...
lt's absu rd .
- I 'l l be back wben you get better. - You have notb i ng to lose .
And if you don't fi nd what l say, you get a patient.
I 'l l do wbat you ask. l swear.
- Chavi . - Beatriz!
Someone is interferi ng in you r l ife ...
chang i ng you r feel ings ...
you r ti me perception ...
but you don't know wbo .
Chavi !
Someone is interfering in your Iife...
changing your feelings...
your time perception...
but you don 't know who.
I need to see the patient.
At th is ti me?
U nder my com plete responsabi l ity.
Please .
I 've fou nd you r badge and you r pistol .
And . . . They killed U l loa .
- It was my fau lt. - You d id n't ki ll anyone .
Snchez Blanch told me that...
H ow cou ld l have been so stu pid ?
There was no sense , but l bel ieved h im .
Th is is b is power.
To make you bel ieve in the i m possi ble .
- You can't blame you rself. - And why? . .
Why does he do that?
Come on .
Come on .
Come on . l don't wan na see h i m agai n .
- I don't wan na see b i m agai n . - You have to go alone .
Cal m down . You have to go alone .
I have to watcb Snchez Blanch .
- You 're i n jeopardy, go . - l don't wan na go alone .
- Don't worry about me . - l don't wan na go alone .
Take my badge to tbe nearest pol ice station .
- They'l l know what to do . - M ig uel , please ...
lt'l l be al l rig ht.
It'l l be al l rig ht.
I prom ise .
N o one's gon na h u rt you .
I 'm sorry, but you can't get out.
What do you mean l can get out?
I 'l l have to tal k to D r. Snchez Blanch .
N o, l don't have to tal k to anyone .
D r. Snchez Blanch can't stop me from getting out.
Wait a moment.
Police station.
- Doctor. . . - Do you need bel p?
It's not necessary.
I su ppose l 'l l take the doctor to her room .
- S he's a l ittle bit nervous . - Get off.
I tal k to D r. Snchez B lanch by myself...
about th is m isu nderstand ing .
We rre not only connected by the past...
but also by the future.
Yours has been written a Iong time ago.
It grows like a cancer...
outward. . . Slowly...
You can 't escape from it.
U l loa?
U l loa?
U l loa ...
Beatriz.
What's goi ng on?
- Wbat's goi ng on? - Don't worry, Beatriz.
You'l l be fi ne i n a few days .
- Wbat's goi ng on with me? - You 've had a nervous crisis ...
and you've taken some pi l ls i n excess .
What about M ig uel?
M ig uel attacked you agai n .
H e cou ld've ki l led you if the n u rse weren't there .
- Th is is bu llsh it. - You 're tbe one who i nsisted ...
- for you transference . - You l ie .
I 've been witb h im last n ig ht.
I 'm tel l i ng you wbat happened .
You're crazy.
N o .
I wan na get out of here .
I 'm sorry, Beatriz.
Bel ieve me , th is is for you r own good .
Let me out.
I wan na get out. Please .
I wan na get out. Please .
Why do we tend to repeat what theyrve done to us...
to repeat the same mistakes...
to perpetuate our experiences ?
Feel i ng better?
At last...
l 'm sorry you deny to col laborate
N o, l don't wan na d ie .
Please .
Be cal m .
I don't need you r sessions .
Why do you strugg le , Beatriz?
Why do you strugg le?
The future shows up dark, voluble.
When yours changes into yesterday...
you 'll be immobile forever.
You don 't attach yourself to anything, Beatriz.
Madness is an irruption of the dreams in reality.
Bad is not distinguish them.
G ive me the pi l ls , please .
I want my pi lls . Do you hear me?
- E lena . . . - H ow are you , pretty?
Snchez Blanch is crazy.
H e wants to ki l l me .
I know l 'm the next.
You m ust hel p me .
Al l rig ht, Beatriz.
Cal m down . l 'l l hel p you .
You were rig ht, E lena , you'l l bave to strengtben the treatment.
E lena , why are you doing th is?
Why? ls it for M ig uel?
Don't go away, bitch !
You're old !
He wants to destroy me.
You can't with me , doctor.
I wan na l ive .
To l ive?
Look to you r futu re , Beatriz.
It's written i n it, you r su icide .
You're goi ng to meet you r desti ny.
It's useless to try to fig ht back.
- Absorb it. - Li ke U l loa?
Li ke tbe g i rl?
You're crazy, doctor.
Crazy?
I d id n't do th is .
Beatriz, l 'l l hel p you .
H ow are you?
I 'm better.
I 'm happy, Beatriz. l n a few weeks ...
Beatriz, let yourself go for a moment...
and stop asking yourself who speaks.
Beatriz.
What is it, honey?
Are you OK?
Do you wan na say someth i ng?
Let's see . Let's see .
What is it, my l ittle g i rl?
Beatriz...
What are you doi ng?
What's goi ng on i n here?
Don't, Elena , no . Don't touch ber.
Bastard !
What are you doi ng with my daug hter?
Mom my.
What have l done , Beatriz?
What have we done , Beatriz?
It mightrve been a brutal experience...
to provoke a shock like this.
When do you th in k we can i nterrogate her?
I don't know. N o one does .
At these moments, all her instincts ...
are concentrated on forgetti ng ...
and deleti ng of her m ind what happened .
Maybe it's better l i ke th is .
- Yes . - Come in .
What is it?
What happened ?
Beatriz.
Cal m down . Be cal m . Beatriz.
Cal m down . Awake .
Awa ke . Awake .
Very good .
B reathe . B reathe , Beatriz.
Deep .
It's gone . lt's gone .
Breathe...
Breathe...
Breathe...
Certainly, Beatriz begins to awake.
Her attitude is changing.
She struggles, but l know she 'II remember what happened.
At the moment, she just insisted to someone come pick her up.
It wasn 't easy to deal with you in here.
But l believe that at this moment a change could help her...
in many senses.
When will they be back?
In a few days. Don rt worry. Irll take care of her.
Yes , l hope she doesn't make a m istake .
I wish you the best.
Than ks, doctor.
Let's go?
Good bye , Beatriz.
Good l uck.
Just a fraction of a second, one millimeter away.
This short is the way that keeps her away from death.
Sometimes, she feels the temptation of giving a step forward to prove.
Itrs so easy to die...
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