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PREVIOUSLY ON LOVE AND
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HIP-HOP: ATLANTA:
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THE REUNION...
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YOU [bleep] TRIFLING,
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DISGUSTING SLUT MONKEY.
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ALL RIGHT--
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NO, NO, NO, NO, NO, NO!
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YOU'RE GETTING EMOTIONAL
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ABOUT IT.
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YOU STILL CARE A LOT.
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I'M GONNA BE HONEST WITH YOU.
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SOMETIMES SHE WASN'T THERE.
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I'M NOT A GOOD GUY?
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YOU'RE ONLY GREAT WHEN IT
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COME DOWN TO BUSINESS AND MONEY,
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AND YOUR BEEFCAKE IS GREAT,
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BUT THAT'S IT.
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I CAN POP OUT, 'CAUSE I WILL
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JUMP OUT.
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JUMP THEN, BITCH.
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IF IT DOESN'T WORK OUT WITH
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STEVIE, I GOT [bleep] AROUND.
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SHE'S A YOUNG GIRL, AND HE'S
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[bleep] HER MIND UP.
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AND TONIGHT ON THE CONCLUSION
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OF LOVE AND HIP-HOP: ATLANTA:
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THE REUNION...
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WHAT KIND OF HUSBAND TELLS HIS
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WIFE TO HAVE AN ABORTION?
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WHAT ARE YOU LAUGHING AT?
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RATCHET DIRTY
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[bleep] BITCHES.
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[audience jeering]
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ALL RIGHT.
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WHERE YOU GOING, NIKKO?
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WERE YOU CHEATING ON ERICA
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AFTER YOU GUYS GOT ENGAGED?
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NO.
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THE TRUTH WILL SPEAK
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FOR ITSELF.
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I WANT YOU TO UNDERSTAND
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AND HEAR WHAT THE [bleep]
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I'M SAYING.
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ALL RIGHT.
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HOLD UP.
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I GOT A TEXT RIGHT HERE THAT YOU
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JUST SENT ME RIGHT NOW, THOUGH.
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WHAT'D SHE SAY?
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LET'S GET TO THE BOTTOM OF THIS
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ONCE AND FOR ALL.
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OH, MY GOD.
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BREAST LIFT, BITCH.
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FIX YOUR FACE, BITCH.
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SO THEN THAT ANSWERS
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THE QUESTION ON WHY I TALKED
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TO A LAWYER.
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ARE YOU MOVING FORWARD
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WITH THIS?
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HERE WE GO.
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TALK TO ME.
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[cheers and applause]
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GIVE IT UP FOR YOUR HOST AND
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EXECUTIVE PRODUCER
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MONA SCOTT YOUNG!
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[cheers and applause]
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GIVE IT UP FOR ZO HARRIS
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AND THE REUNION SHOW BAND,
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Y'ALL.
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[cheers and applause]
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WELCOME BACK TO PART TWO OF
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LOVE AND HIP-HOP: ATLANTA:
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THE REUNION.
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PART ONE STARTED OFF WITH
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A BANG.
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I CAN'T EVEN IMAGINE WHAT PART
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TWO HOLDS FOR US.
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BUT I AM SITTING HERE WITH KIRK
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AND RASHEEDA.
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WELL, WE LEARNED EARLY ON THIS
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SEASON THAT RASHEEDA WAS
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EXPECTING, BUT WHAT WE DIDN'T
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EXPECT WAS KIRK'S REACTION
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TO THE PREGNANCY.
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LET'S TAKE A LOOK.
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I'M PREGNANT.
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I HAVE MILLION OTHER THINGS
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ON MY MIND LIKE,
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"THIS IS NOT JOY.
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THIS IS NOT PLEASURE.
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THIS IS--THIS IS A SETBACK
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TO ME."
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I'VE BEEN TAKING IT OUT.
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MAN, TAKING OUT WAS IN
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THE '80s.
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LET'S TOAST TO THE PULL-OUT
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ASSASSIN, KIRK FROST.
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[both laugh]
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YOU BASICALLY TRYING TO SAY
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TO ME, "YOU NEED TO GET RID
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OF THE BABY."
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YEAH, YOU NEED TO GET
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AN ABORTION.
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AND YOU'RE MAKING ME THINK
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THERE'S SOMETHING WRONG
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WITH YOU.
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WELL, I SAID IT.
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I THINK YOU NEED TO LEAVE.
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THAT'S WHAT I THINK.
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NO AUDIENCE REACTION ON
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THAT ONE.
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THEY'RE STUNNED.
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I MEAN...
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WHAT KIND OF A HUSBAND TELLS
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HIS WIFE TO HAVE AN ABORTION?
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IT WAS THE TIMING.
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IT WAS--RASHEEDA WAS ON
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THE ROAD.
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RASHEEDA WAS WORKING ON
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THE MUSIC.
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MY SON WAS GOING TO TRIAL.
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I WAS--IT--
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I HEAR YOU, BUT YOU DO
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REALIZE IT TAKES TWO TO
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GET PREGNANT.
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I MEAN, DID YOU REALLY THINK,
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AS A GROWN MAN, THAT PULLING OUT
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WAS AN ACCEPTABLE FORM OF
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BIRTH CONTROL?
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I DEFINITELY DID.
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YEAH, I THOUGHT I--
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OKAY, THAT'S CRAZY.
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THAT'S WHAT I'M TALKING ABOUT.
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IT'S CRAZY.
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NUMBER ONE, FOR YOU TO SIT THERE
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AS MY HUSBAND AND JUST BE LIKE,
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"IT'S BAD TIMING," LIKE, THAT
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[bleep], IT'S REALLY, REALLY
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HURTFUL 'CAUSE AT THE END OF
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THE DAY, IT'S LIKE, "COME ON.
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THIS IS A BLESSING."
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AND YOU SHOULD BE HAPPY
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REGARDLESS IF YOU FEEL "REALLY,
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REALLY GREAT ABOUT IT AT THAT
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VERY MOMENT."
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IT'S LIKE [bleep] THINGS DON'T
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ALWAYS FALL INTO PLACE LIKE
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YOU WANT THEM TO, BUT IN
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A MARRIAGE, YOU DEAL, AND YOU
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COMPROMISE WITH IT.
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[applause]
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OKAY, LISTEN.
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MIDLIFE CRISIS OR NOT, KIRK'S
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BEHAVIOR CERTAINLY CREATED
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A REAL LIFE CRISIS IN
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THEIR MARRIAGE.
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LET'S WATCH THE TAPE.
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I WANT TO GO BACK TO THINGS
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I DID WHEN I WAS 21.
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THAT'S JUST WHAT'S ON MY MIND:
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"JUST DO WHAT'S GONNA MAKE
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KIRK HAPPY."
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HOW FAR YOU WANT TO GO
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WITH THIS?
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I GOT A PASS.
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LIKE, I CAN LEAVE; I CAN DO
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MY THING.
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LET'S GET TO THE JACUZZI.
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LET'S HAVE SOME FUN.
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RIGHT NOW, THE BACHELOR LIFE,
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I'M REALLY FEELING IT.
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KIRK MOTHER[bleep] FROST.
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DOUBLE OR NOTHING.
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KIRK, YOU WENT FROM
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THE PULL-OUT ASSASSIN TO
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MY HERO LAST NIGHT.
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CHICKS IN THE JACUZZI.
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MAN, YOU'RE GOING HOME TO
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A TSUNAMI, EARTHQUAKE.
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YOU GOT ALL THE ELEMENTS, KIRK,
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FOR A REAL SITUATION.
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[audience jeers]
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KIRK, YOU'RE SITTING HERE
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LAUGHING.
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THERE'S NOTHING FUNNY
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ABOUT THAT.
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WHAT ARE YOU LAUGHING AT?
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ESPECIALLY SITTING RIGHT HERE
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IN RASHEEDA'S FACE.
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WELL, NO, IT'S NOT--
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IT'S BAD ENOUGH THAT YOU DID
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IT WHEN SHE WASN'T AROUND, BUT
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NOW YOU'RE SITTING IN HER FACE.
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FIRST OF ALL, THAT SITUATION
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HAPPENED WHEN RASHEEDA--ME AND
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RASHEEDA HAVING MULTIPLE
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ARGUMENTS THAT Y'ALL DIDN'T
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COVER, AND THE ONES THAT YOU DID
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SEE, SHE WAS LIKE,
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"GET THE EFF OUT.
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GET THE [bleep] OUT.
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GET AWAY FROM ME.
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DO YOU."
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SO THAT WAS A PASS TO GO OUT
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AND CHEAT ON YOUR WIFE.
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DEFINITELY.
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NO.
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SHE SAID, "DO WHAT YOU WANT
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TO DO."
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REALLY?
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AND THAT'S WHAT YOU WANTED
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TO DO.
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IS THAT WHAT YOU'RE SAYING?
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THAT'S WHAT YOU WANTED TO DO?
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NO, THAT'S NOT WHAT I WANTED
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TO DO, BUT I FOUND MYSELF RIDING
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BIKES, HANGING WITH BENZINO,
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CLEARING MY MIND.
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IT KEPT ME FROM THINKING ABOUT
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THE NEGATIVE THINGS THAT WAS
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GOING ON IN MY LIFE.
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IT WAS A WAY FOR ME TO FREE
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MY MIND.
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ALL RIGHT, WELL, HOLD ON
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TO THAT THOUGHT, 'CAUSE,
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RASHEEDA, HOW HARD WAS IT FOR
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YOU TO WATCH THAT?
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REAL HARD.
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I MEAN, COME ON, LET'S BE REAL.
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LIKE, OKAY--
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YOU GUYS HAVE BEEN TOGETHER
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HOW LONG?
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WE'VE BEEN TOGETHER
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17 1/2 YEARS.
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WOW.
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WHOO!
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WE'VE BEEN MARRIED
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FOR 13 YEARS.
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AND TO SEE ANOTHER WOMAN
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KISSING ON HIM AND TO SEE--
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I MEAN, OF COURSE YOU FEEL--
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I FELT DISGUSTED, DISRESPECTED,
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READY TO KILL HIS ASS, AND
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I JUST--EMBARRASED, AND THEN,
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YOU KNOW, I'M SITTING HERE
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TRYING TO BE LIKE, "OKAY,
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RASHEEDA, YOU KNOW, COMPOSE
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YOURSELF BECAUSE YOU PREGNANT
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AS HELL."
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AND I'M SITTING HERE THINKING
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THAT MY FRIEND, MY HUSBAND
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WOULDN'T EVEN GO OUT AND DO NO
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CRAZY [bleep] LIKE THAT,
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NUMBER ONE, BUT THEN IT'S LIKE,
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"DAMN, YOU CAN'T PUT [bleep]
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PAST NOBODY."
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YOU KNOW WHAT I'M SAYING?
257
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IT'S LIKE--
258
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[cheers and applause]
259
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AND IT'S UNFORTUNATE THAT IT'S
260
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LIKE THAT, AND, I MEAN, I JUST
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LOOK AT IT LIKE, YOU KNOW,
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IF YOU FELT LIKE THE "DO YOU"
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WAS A PASS FOR YOU TO GO AND DO
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[bleep] LIKE YOU'RE 21
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WITH BENZINO--
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YOU'RE GUILTY BY ASSOCIATION AS
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FAR AS I'M CONCERNED.
268
00:05:27,828 --> 00:05:28,896
I HAVE A QUESTION FOR YOU,
269
00:05:28,896 --> 00:05:31,264
BENZINO, BECAUSE YOU, YOU KNOW,
270
00:05:31,264 --> 00:05:32,566
LED HIM TO WATER OR, SHOULD I
271
00:05:32,566 --> 00:05:34,502
SAY, THE JACUZZI HOT TUB,
272
00:05:34,502 --> 00:05:35,403
YOU KNOW, AND I KNOW YOU'RE
273
00:05:35,403 --> 00:05:36,203
GONNA SAY, "WELL, I DIDN'T MAKE
274
00:05:36,203 --> 00:05:37,438
HIM DRINK IT," BUT HOW MUCH
275
00:05:37,438 --> 00:05:38,906
RESPONSIBILITY DO YOU TAKE FOR
276
00:05:38,906 --> 00:05:40,641
YOUR ROLE IN THIS SITUATION?
277
00:05:40,641 --> 00:05:42,042
YOU KNOW, WATCHING THE--
278
00:05:42,042 --> 00:05:43,043
WATCHING THE EPISODE, YOU KNOW
279
00:05:43,043 --> 00:05:44,144
WHAT I'M SAYING, HURT ME.
280
00:05:44,144 --> 00:05:45,513
YOU KNOW, LIKE, WHEN I WATCHED
281
00:05:45,513 --> 00:05:46,580
RASHEEDA CRY IN THERE, I MEAN,
282
00:05:46,580 --> 00:05:47,314
IT DID.
283
00:05:47,314 --> 00:05:48,048
BUT AT THE END OF THE DAY,
284
00:05:48,048 --> 00:05:49,282
IT'S LIKE WHEN WE WENT UP THERE
285
00:05:49,282 --> 00:05:50,283
TO THE CABIN, I DIDN'T KNOW
286
00:05:50,283 --> 00:05:51,051
THERE WAS GONNA BE A BUNCH OF
287
00:05:51,051 --> 00:05:51,852
FEMALES IN THERE.
288
00:05:51,852 --> 00:05:53,153
BOBBY HAD FEMALES IN THERE.
289
00:05:53,153 --> 00:05:54,254
A BUNCH OF HOS.
290
00:05:54,254 --> 00:05:55,288
[audience jabbering]
291
00:05:55,288 --> 00:05:56,890
POPCORN HOS.
292
00:05:56,890 --> 00:05:58,692
RATCHET DIRTY [bleep] BITCHES.
293
00:05:58,692 --> 00:06:00,227
OKAY, OKAY.
294
00:06:00,227 --> 00:06:01,562
HOLLER.
295
00:06:01,562 --> 00:06:02,295
[chuckles]
296
00:06:02,295 --> 00:06:03,230
DO YOU FEEL IN SOME
297
00:06:03,230 --> 00:06:04,231
WAY RESPONSIBLE?
298
00:06:04,231 --> 00:06:04,998
YES.
299
00:06:04,998 --> 00:06:05,766
OKAY.
300
00:06:05,766 --> 00:06:06,700
ALL RIGHT, THAT'S GOOD.
301
00:06:06,700 --> 00:06:07,601
BUT ON A REALISTIC NOTE,
302
00:06:07,601 --> 00:06:09,937
IT'S REALLY NOT HIS FAULT.
303
00:06:09,937 --> 00:06:10,604
RIGHT.
304
00:06:10,604 --> 00:06:11,271
YOU KNOW?
305
00:06:11,271 --> 00:06:12,005
IT'S KIRK'S FAULT.
306
00:06:12,005 --> 00:06:12,840
I SAID IT WASN'T HIS FAULT.
307
00:06:12,840 --> 00:06:13,607
YOU KNOW WHAT I'M SAYING,
308
00:06:13,607 --> 00:06:15,308
BECAUSE REGARDLESS TO THE FACT
309
00:06:15,308 --> 00:06:17,310
OF WHATEVER THE CASE WAS, WHEN
310
00:06:17,310 --> 00:06:19,647
A HUSBAND AND A WIFE HAVE
311
00:06:19,647 --> 00:06:20,948
A BIG-TIME BLOWOUT IN THEIR
312
00:06:20,948 --> 00:06:22,450
RELATIONSHIP, WHICH PEOPLE DO
313
00:06:22,450 --> 00:06:23,584
ALL THE TIME--BUT YOU DON'T SIT
314
00:06:23,584 --> 00:06:25,285
THERE, AND YOU DON'T SAY, "OKAY,
315
00:06:25,285 --> 00:06:27,354
SHE SAID 'DO YOU,' SO I FINNA
316
00:06:27,354 --> 00:06:28,522
GO AND LAY AROUND WITH ANY
317
00:06:28,522 --> 00:06:29,957
RANDOM BITCH I SEE."
318
00:06:29,957 --> 00:06:31,024
AND THAT SHOW ME THAT YOU AIN'T
319
00:06:31,024 --> 00:06:31,859
ABOUT [bleep].
320
00:06:31,859 --> 00:06:32,793
HOW DO YOU EXPLAIN THAT
321
00:06:32,793 --> 00:06:33,894
TO RASHEEDA?
322
00:06:33,894 --> 00:06:35,362
I TOLD RASHEEDA, "LISTEN,
323
00:06:35,362 --> 00:06:37,364
NOBODY'S LOOKING AT
324
00:06:37,364 --> 00:06:38,231
MY SITUATION."
325
00:06:38,231 --> 00:06:39,967
WHAT--WHAT IS YOUR SITUATION?
326
00:06:39,967 --> 00:06:41,034
LOOK, ME AND YOU ARE FRIENDS.
327
00:06:41,034 --> 00:06:42,035
WE GOT A FRIENDSHIP.
328
00:06:42,035 --> 00:06:43,236
I KNOW WE MARRIED, AND I KNOW
329
00:06:43,236 --> 00:06:43,971
WE WORK TOGETHER.
330
00:06:43,971 --> 00:06:44,772
WE GOT A FRIENDSHIP.
331
00:06:44,772 --> 00:06:46,173
IF I TELL YOU, "LOOK, I'M IN
332
00:06:46,173 --> 00:06:47,741
A LOST PLACE, AND I NEED YOUR
333
00:06:47,741 --> 00:06:49,342
SUPPORT"--AND I'M TELLING HER
334
00:06:49,342 --> 00:06:50,744
THIS LIKE, "YO, I'M FINDING
335
00:06:50,744 --> 00:06:52,480
MYSELF IN A WEIRD-ASS PLACE,"
336
00:06:52,480 --> 00:06:54,247
AND I'M BEING HONEST ABOUT IT.
337
00:06:54,247 --> 00:06:55,248
SHE AIN'T GOT TIME.
338
00:06:55,248 --> 00:06:56,349
SHE GOT TO DO HER INTERVIEWS.
339
00:06:56,349 --> 00:06:57,250
SHE GOT TO GO ON THE ROAD.
340
00:06:57,250 --> 00:06:58,251
SHE GOT TO DO THIS; SHE GOT TO
341
00:06:58,251 --> 00:06:59,152
GO DO THAT.
342
00:06:59,152 --> 00:07:00,187
SO YOU'RE SAYING YOU NEEDED
343
00:07:00,187 --> 00:07:01,489
YOUR WIFE, AND SHE WASN'T THERE
344
00:07:01,489 --> 00:07:02,155
FOR YOU?
345
00:07:02,155 --> 00:07:03,023
AND SHE WASN'T REALLY THERE.
346
00:07:03,023 --> 00:07:03,957
AND THEN YOU WENT OUT AND GOT
347
00:07:03,957 --> 00:07:05,493
WITH THE NEXT ONE.
348
00:07:05,493 --> 00:07:06,527
CLASSIC STORY.
349
00:07:06,527 --> 00:07:07,628
[both talking at once]
350
00:07:07,628 --> 00:07:08,328
YOU THINK THAT ANSWERS
351
00:07:08,328 --> 00:07:09,096
THE QUESTION, THE PROBLEM.
352
00:07:09,096 --> 00:07:09,930
I'M NOT SAYING THAT--
353
00:07:09,930 --> 00:07:10,598
THAT I WENT AND GOT WITH
354
00:07:10,598 --> 00:07:11,264
THE NEXT ONE.
355
00:07:11,264 --> 00:07:12,165
I'M JUST TELLING YOU THAT WAS
356
00:07:12,165 --> 00:07:13,233
ONE OF THE ISSUES.
357
00:07:13,233 --> 00:07:15,268
SO HOW WOULD YOU FEEL IF
358
00:07:15,268 --> 00:07:16,904
THE SHOE WAS ON THE OTHER FOOT?
359
00:07:16,904 --> 00:07:18,305
LET'S JUST PLAY THE GAME AND
360
00:07:18,305 --> 00:07:19,573
REVERSE IT AND SEE HOW YOU
361
00:07:19,573 --> 00:07:22,510
WOULD FEEL.
362
00:07:22,510 --> 00:07:23,410
I MEAN, WE PROBABLY WOULDN'T
363
00:07:23,410 --> 00:07:24,077
BE TOGETHER.
364
00:07:24,077 --> 00:07:24,812
OF COURSE WE WOULDN'T.
365
00:07:24,812 --> 00:07:25,713
SO THEN THAT ANSWERS
366
00:07:25,713 --> 00:07:26,747
THE QUESTION ON WHY I TALKED
367
00:07:26,747 --> 00:07:27,748
TO A LAWYER.
368
00:07:27,748 --> 00:07:29,683
all: OOH.
369
00:07:29,683 --> 00:07:30,618
ARE YOU MOVING FORWARD
370
00:07:30,618 --> 00:07:31,351
WITH THIS?
371
00:07:31,351 --> 00:07:32,586
I MEAN, IT'S NOT A FINALIZED
372
00:07:32,586 --> 00:07:34,522
SITUATION, BUT IT'S SOMETHING
373
00:07:34,522 --> 00:07:35,122
THAT I'M DEFINITELY--
374
00:07:35,122 --> 00:07:35,923
YOU'RE CONSIDERING IT.
375
00:07:35,923 --> 00:07:36,890
THAT I'VE CONSIDERED.
376
00:07:36,890 --> 00:07:38,191
OKAY, THIS IS SOME--THIS IS
377
00:07:38,191 --> 00:07:39,927
SOME VERY REAL STUFF, AND WE
378
00:07:39,927 --> 00:07:41,294
ACTUALLY HAD A QUESTION THAT
379
00:07:41,294 --> 00:07:43,063
I WANTED TO ASK BECAUSE I KNOW
380
00:07:43,063 --> 00:07:44,064
THAT I'VE HEARD OVER AND
381
00:07:44,064 --> 00:07:45,132
OVER AGAIN.
382
00:07:45,132 --> 00:07:46,433
THE NAME IS "STELLA WILL NEVER
383
00:07:46,433 --> 00:07:47,968
LOSE HER GROOVE THING," BUT SHE
384
00:07:47,968 --> 00:07:49,369
WANTS TO KNOW WHETHER KIRK AND
385
00:07:49,369 --> 00:07:50,804
RASHEEDA WERE FAKING THIS WHOLE
386
00:07:50,804 --> 00:07:51,805
"HAVING PROBLEMS IN THEIR
387
00:07:51,805 --> 00:07:52,973
RELATIONSHIP THING" FOR
388
00:07:52,973 --> 00:07:54,542
THE SHOW, 'CAUSE THAT WAS
389
00:07:54,542 --> 00:07:55,876
SOMETHING THAT PEOPLE THOUGHT.
390
00:07:55,876 --> 00:07:56,777
YOU GUYS WERE JUST TRYING TO
391
00:07:56,777 --> 00:07:58,311
TURN IT UP FOR THE CAMERAS.
392
00:07:58,311 --> 00:07:59,547
SO I'M ASKING YOU RIGHT HERE
393
00:07:59,547 --> 00:08:01,081
ON THIS STAGE: WERE YOU GUYS
394
00:08:01,081 --> 00:08:02,049
FAKING THIS?
395
00:08:02,049 --> 00:08:03,016
YOU DON'T FAKE NOTHING
396
00:08:03,016 --> 00:08:03,684
LIKE THIS.
397
00:08:03,684 --> 00:08:05,619
I--I'M PREGNANT AS HELL, AND YOU
398
00:08:05,619 --> 00:08:06,954
DON'T FAKE THAT WHILE YOUR KIDS
399
00:08:06,954 --> 00:08:08,656
GODDAMN WATCHING.
400
00:08:08,656 --> 00:08:09,590
[bleep].
401
00:08:09,590 --> 00:08:10,290
I'M--FOR ME--
402
00:08:10,290 --> 00:08:11,725
[laughter]
403
00:08:11,725 --> 00:08:13,627
I MEAN, YEAH, I--I CLEARLY
404
00:08:13,627 --> 00:08:14,294
TOLD RASHEEDA--
405
00:08:14,294 --> 00:08:15,328
I MEAN, [bleep], I'M SHOCKED.
406
00:08:15,328 --> 00:08:16,463
I WAS SHOCKED WHEN HE SAID HE
407
00:08:16,463 --> 00:08:17,565
DIDN'T WANT TO HAVE NO BABY.
408
00:08:17,565 --> 00:08:18,398
I'M LIKE, "WHAT THE HELL
409
00:08:18,398 --> 00:08:20,167
YOU MEAN?"
410
00:08:20,167 --> 00:08:21,935
I HAVE A 22-YEAR-OLD,
411
00:08:21,935 --> 00:08:22,903
21-YEAR-OLD.
412
00:08:22,903 --> 00:08:24,104
[audience jeering]
413
00:08:24,104 --> 00:08:25,338
OKAY, LET ME SAY THIS.
414
00:08:25,338 --> 00:08:27,775
I SAID SOME THINGS, BUT, YEAH,
415
00:08:27,775 --> 00:08:28,576
IT'S WRONG.
416
00:08:28,576 --> 00:08:30,043
I SAID I KNOW I'M WRONG.
417
00:08:30,043 --> 00:08:31,111
IS THIS THE MAN THAT YOU
418
00:08:31,111 --> 00:08:32,045
KNOW, THE MAN THAT YOU'VE BEEN
419
00:08:32,045 --> 00:08:33,080
WITH FOR 17 YEARS?
420
00:08:33,080 --> 00:08:34,114
NO.
421
00:08:34,114 --> 00:08:34,915
ALL RIGHT, WELL, THEN YOU
422
00:08:34,915 --> 00:08:36,483
SOMEBODY ELSE RIGHT NOW, KIRK.
423
00:08:36,483 --> 00:08:38,318
BUT LET ME ASK YOU A QUESTION.
424
00:08:38,318 --> 00:08:39,419
WHERE DOES THE RELATIONSHIP
425
00:08:39,419 --> 00:08:40,187
STAND RIGHT NOW?
426
00:08:40,187 --> 00:08:42,289
DO YOU FEEL LIKE KIRK IS SORRY,
427
00:08:42,289 --> 00:08:43,156
HE UNDERSTANDS HOW MUCH
428
00:08:43,156 --> 00:08:43,991
HE HURT YOU?
429
00:08:43,991 --> 00:08:46,960
I MEAN, HE'S BEEN TRYING TO
430
00:08:46,960 --> 00:08:50,297
TOTALLY BE THERE, BE AROUND,
431
00:08:50,297 --> 00:08:51,431
GET BACK INTO THE HOUSE THAT
432
00:08:51,431 --> 00:08:53,033
HE'S NOT IN.
433
00:08:53,033 --> 00:08:53,834
OH, YOU'RE NOT IN THE HOUSE
434
00:08:53,834 --> 00:08:54,501
RIGHT NOW?
435
00:08:54,501 --> 00:08:55,235
BACK INTO MY LIFE.
436
00:08:55,235 --> 00:08:55,903
NO?
437
00:08:55,903 --> 00:08:56,604
OKAY.
438
00:08:56,604 --> 00:08:57,237
WHERE ARE YOU AT,
439
00:08:57,237 --> 00:08:58,505
BENZINO'S CRIB?
440
00:08:58,505 --> 00:08:59,372
ALL RIGHT, JUST CHECKING.
441
00:08:59,372 --> 00:09:00,373
HE DEFINITELY DON'T NEED
442
00:09:00,373 --> 00:09:01,274
TO BE OVER THERE.
443
00:09:01,274 --> 00:09:02,610
MY MAIN CONCERN IS GETTING READY
444
00:09:02,610 --> 00:09:04,444
FOR THIS BABY, AND, YOU KNOW,
445
00:09:04,444 --> 00:09:05,613
WE'RE AT A LIGHTWEIGHT
446
00:09:05,613 --> 00:09:06,780
FRIENDSHIP LEVEL.
447
00:09:06,780 --> 00:09:08,616
ANY TYPE OF PERSONAL
448
00:09:08,616 --> 00:09:10,851
RELATIONSHIP, LOVE, INTIMACY,
449
00:09:10,851 --> 00:09:11,985
ANY OF THAT, THAT'S
450
00:09:11,985 --> 00:09:12,720
NOT HAPPENING.
451
00:09:12,720 --> 00:09:13,386
LET ME ASK YOU THIS.
452
00:09:13,386 --> 00:09:14,387
DO YOU WANT TO TAKE THIS MOMENT
453
00:09:14,387 --> 00:09:16,023
NOW ON THIS STAGE IN FRONT OF
454
00:09:16,023 --> 00:09:16,957
EVERYBODY TO APOLOGIZE
455
00:09:16,957 --> 00:09:17,958
TO RASHEEDA?
456
00:09:17,958 --> 00:09:18,992
I SAID, "I'M SORRY.
457
00:09:18,992 --> 00:09:20,527
I DIDN'T MEAN TO HURT YOU."
458
00:09:20,527 --> 00:09:21,428
LOOK AT HER.
459
00:09:21,428 --> 00:09:22,730
LOOK AT HER, KIRK.
460
00:09:22,730 --> 00:09:23,897
YOU KNOW I LOVE YOU,
461
00:09:23,897 --> 00:09:24,632
RIGHT OR WRONG.
462
00:09:24,632 --> 00:09:26,333
YOU DO KNOW I LOVE YOU.
463
00:09:26,333 --> 00:09:27,167
I MEAN--
464
00:09:27,167 --> 00:09:28,301
GO OVER NEXT TO HER, KIRK.
465
00:09:28,301 --> 00:09:29,002
GET OVER THERE NEXT TO
466
00:09:29,002 --> 00:09:29,670
HER, KIRK.
467
00:09:29,670 --> 00:09:30,337
BENZINO...
468
00:09:30,337 --> 00:09:31,004
COME ON, MAN.
469
00:09:31,004 --> 00:09:34,642
[all talking at once]
470
00:09:34,642 --> 00:09:35,843
ALL RIGHT.
471
00:09:35,843 --> 00:09:37,510
WE TRYING TO SAVE KIRK HERE,
472
00:09:37,510 --> 00:09:39,112
BUT WE'VE GOT TO GO TO BREAK.
473
00:09:39,112 --> 00:09:40,681
WHEN WE RETURN, WE'LL HEAR MORE
474
00:09:40,681 --> 00:09:41,782
FROM THE CAST OF LOVE AND
475
00:09:41,782 --> 00:09:43,751
HIP-HOP: ATLANTA, AND COMING UP
476
00:09:43,751 --> 00:09:45,719
LATER IN THE SHOW, A SPECIAL
477
00:09:45,719 --> 00:09:47,454
MUSICAL PERFORMANCE BY
478
00:09:47,454 --> 00:09:48,488
K MICHELLE.
479
00:09:48,488 --> 00:09:50,023
ALL OF THIS AND MORE ON LOVE AND
480
00:09:50,023 --> 00:09:52,459
HIP-HOP: ATLANTA: THE REUNION.
481
00:09:52,459 --> 00:09:53,460
[percussive music]
482
00:09:53,460 --> 00:09:57,564
♪
483
00:09:57,564 --> 00:09:58,666
YOU SEEM REAL NERVOUS RIGHT
484
00:09:58,666 --> 00:09:59,332
NOW 'CAUSE I'M HERE.
485
00:09:59,332 --> 00:10:01,434
ALL RIGHT, HOLD UP A SECOND.
486
00:10:01,434 --> 00:10:02,135
HERE WE GO.
487
00:10:02,135 --> 00:10:02,803
TALK TO ME.
488
00:10:02,803 --> 00:10:05,806
[cheers and applause]
489
00:10:11,044 --> 00:10:12,545
* THIS IS THE LIFE
490
00:10:12,545 --> 00:10:15,548
[cheers and applause]
491
00:10:16,449 --> 00:10:17,718
WHOO, WELCOME BACK TO PART
492
00:10:17,718 --> 00:10:18,719
TWO OF LOVE AND HIP-HOP:
493
00:10:18,719 --> 00:10:20,387
ATLANTA: THE REUNION.
494
00:10:20,387 --> 00:10:22,055
THIS SEASON, MIMI TRIED TO PUT
495
00:10:22,055 --> 00:10:23,824
ON A HAPPY FACE, BUT WHEN SHE
496
00:10:23,824 --> 00:10:24,892
CAME FACE-TO-FACE WITH
497
00:10:24,892 --> 00:10:26,626
ADVERSITY, SHE DIDN'T HESITATE
498
00:10:26,626 --> 00:10:28,228
TO GET IN YOUR FACE.
499
00:10:28,228 --> 00:10:29,863
TAKE A LOOK.
500
00:10:29,863 --> 00:10:31,264
YOU HAVE TO LET GO OF
501
00:10:31,264 --> 00:10:32,132
THE ANGER.
502
00:10:32,132 --> 00:10:34,334
I'M NOT ANGRY.
503
00:10:34,334 --> 00:10:35,002
YOU GONNA TELL ME THAT
504
00:10:35,002 --> 00:10:36,603
BITCH IS JOKING?
505
00:10:36,603 --> 00:10:39,339
[bleep].
506
00:10:39,339 --> 00:10:40,607
EVERY TIME I HAVE A [bleep]
507
00:10:40,607 --> 00:10:41,608
SCENE, IT'S GOT TO BE RUINED
508
00:10:41,608 --> 00:10:43,076
BY SOME BULL[bleep].
509
00:10:43,076 --> 00:10:44,344
CAN'T SOME [bleep] BE ABOUT ME
510
00:10:44,344 --> 00:10:46,013
SOME GODDAMN TIME?
511
00:10:46,013 --> 00:10:47,147
THAT BITCH'LL TURN ON YOU IN
512
00:10:47,147 --> 00:10:48,381
A [bleep] SECOND.
513
00:10:48,381 --> 00:10:49,950
I NEVER SAID SHE WOULDN'T.
514
00:10:49,950 --> 00:10:50,984
YOU WANT TO BEFRIEND THIS
515
00:10:50,984 --> 00:10:53,453
[bleep] WHACK-ASS BITCH?
516
00:10:53,453 --> 00:10:54,154
BITCH, YOU COULD'VE
517
00:10:54,154 --> 00:10:54,822
WALKED AWAY.
518
00:10:54,822 --> 00:10:55,789
WALK AWAY?
519
00:10:55,789 --> 00:10:56,890
BITCH, I AIN'T NEVER THE ONE
520
00:10:56,890 --> 00:10:58,625
TO WALK THE [bleep] AWAY!
521
00:10:58,625 --> 00:10:59,492
BITCH, I AIN'T NO
522
00:10:59,492 --> 00:11:00,761
WALK-AWAY-ASS BITCH.
523
00:11:00,761 --> 00:11:01,862
MIMI.
524
00:11:01,862 --> 00:11:03,196
EVERYBODY THINKS I'M ANGRY.
525
00:11:03,196 --> 00:11:05,799
I'M A VERY HAPPY KIND OF BITCH.
526
00:11:05,799 --> 00:11:07,100
[laughter]
527
00:11:07,100 --> 00:11:07,901
MIMI.
528
00:11:07,901 --> 00:11:10,738
[applause]
529
00:11:10,738 --> 00:11:12,172
CRAZY.
530
00:11:12,172 --> 00:11:13,106
ARE YOU A VERY HAPPY KIND
531
00:11:13,106 --> 00:11:13,774
OF BITCH?
532
00:11:13,774 --> 00:11:14,507
YES.
533
00:11:14,507 --> 00:11:15,375
'CAUSE AFTER WATCHING THAT,
534
00:11:15,375 --> 00:11:16,043
CAN YOU REALLY SAY YOU
535
00:11:16,043 --> 00:11:16,744
WEREN'T ANGRY?
536
00:11:16,744 --> 00:11:17,878
I HAD REASON TO BE ANGRY.
537
00:11:17,878 --> 00:11:18,746
WHEN YOU GOT A REASON TO BE
538
00:11:18,746 --> 00:11:19,880
ANGRY, YOU ANGRY, BUT OTHER THAN
539
00:11:19,880 --> 00:11:20,948
THAT, I'M A REAL HAPPY KIND
540
00:11:20,948 --> 00:11:21,849
OF BITCH.
541
00:11:21,849 --> 00:11:22,916
ALL RIGHT.
542
00:11:22,916 --> 00:11:24,217
BUT, ARIANE, SHE PRETTY MUCH GOT
543
00:11:24,217 --> 00:11:26,820
UPSET HALF THE SEASON HERE.
544
00:11:26,820 --> 00:11:27,755
both: SHE DID.
545
00:11:27,755 --> 00:11:28,555
AND RIGHTFULLY SO.
546
00:11:28,555 --> 00:11:29,289
HAVE YOU EVER SEEN HER
547
00:11:29,289 --> 00:11:29,957
THAT WAY?
548
00:11:29,957 --> 00:11:30,858
ALL THE TIME.
549
00:11:30,858 --> 00:11:32,760
I FEEL THE WRATH OF EVERYTHING.
550
00:11:32,760 --> 00:11:34,061
SO SHE KNOWS I'MA BE RIGHT HERE,
551
00:11:34,061 --> 00:11:34,762
AND I'M THE ONE.
552
00:11:34,762 --> 00:11:35,495
OH, YOU WERE RIGHT THERE.
553
00:11:35,495 --> 00:11:36,496
AND I'M GONNA BE THERE.
554
00:11:36,496 --> 00:11:37,164
SHE WAS RIGHT UP IN
555
00:11:37,164 --> 00:11:37,965
YOUR FACE; YOU DID NOT MOVE.
556
00:11:37,965 --> 00:11:38,766
ALWAYS, ALWAYS.
557
00:11:38,766 --> 00:11:39,767
BUT, MIMI, WHAT'S UP WITH
558
00:11:39,767 --> 00:11:40,768
THE TALKING UP IN THE FACE?
559
00:11:40,768 --> 00:11:42,235
I--I WANT YOU TO UNDERSTAND
560
00:11:42,235 --> 00:11:42,936
AND HEAR WHAT THE [bleep]
561
00:11:42,936 --> 00:11:43,771
I'M SAYING.
562
00:11:43,771 --> 00:11:44,504
ALL RIGHT.
563
00:11:44,504 --> 00:11:45,839
DO YOU FEEL LIKE YOU PLAY
564
00:11:45,839 --> 00:11:47,007
A PART IN WHY MIMI'S ALWAYS
565
00:11:47,007 --> 00:11:47,674
SO ANGRY?
566
00:11:47,674 --> 00:11:48,408
I DO, AND I WANTED TO TALK
567
00:11:48,408 --> 00:11:49,076
TO HER.
568
00:11:49,076 --> 00:11:49,877
OH, YOU WANT TO TALK TO HER?
569
00:11:49,877 --> 00:11:50,543
YEAH.
570
00:11:50,543 --> 00:11:51,211
WHAT DO YOU WANT TO
571
00:11:51,211 --> 00:11:51,879
SAY, STEVIE?
572
00:11:51,879 --> 00:11:52,579
I'D LIKE TO APOLOGIZE.
573
00:11:52,579 --> 00:11:53,246
ALL RIGHT.
574
00:11:53,246 --> 00:11:54,114
YOU KNOW WHAT I'M SAYING, AND
575
00:11:54,114 --> 00:11:54,882
I'D LIKE TO ASK WHAT I CAN DO
576
00:11:54,882 --> 00:11:56,016
TO MAKE IT EASIER SO WE CAN
577
00:11:56,016 --> 00:11:56,984
RAISE OUR DAUGHTER IN
578
00:11:56,984 --> 00:11:59,152
A PEACEFUL LIGHT.
579
00:11:59,152 --> 00:11:59,987
OH, MY GOD.
580
00:11:59,987 --> 00:12:03,623
[applause]
581
00:12:03,623 --> 00:12:05,458
JUST BE HONEST.
582
00:12:05,458 --> 00:12:06,126
BE REAL.
583
00:12:06,126 --> 00:12:07,227
TELL THE [bleep] TRUTH.
584
00:12:07,227 --> 00:12:08,295
STOP LYING.
585
00:12:08,295 --> 00:12:09,329
THAT'S WHAT I'VE BEEN DOING.
586
00:12:09,329 --> 00:12:10,263
NO, YOU HAVEN'T.
587
00:12:10,263 --> 00:12:11,231
[sighs]
588
00:12:11,231 --> 00:12:12,432
YOU REALLY HAVEN'T.
589
00:12:12,432 --> 00:12:13,433
DON'T SAY YOU'RE GONNA DO
590
00:12:13,433 --> 00:12:14,501
SOMETHING AND TURN AROUND AND DO
591
00:12:14,501 --> 00:12:15,235
SOMETHING ELSE.
592
00:12:15,235 --> 00:12:16,169
I DO EVERYTHING I SAID I WAS
593
00:12:16,169 --> 00:12:16,837
GONNA DO.
594
00:12:16,837 --> 00:12:18,271
NO, YOU DON'T.
595
00:12:18,271 --> 00:12:19,206
YOU DO EVERYTHING YOU SAY
596
00:12:19,206 --> 00:12:20,073
YOU'RE GONNA DO, BUT THEN YOU DO
597
00:12:20,073 --> 00:12:20,808
A WHOLE LOT MORE--
598
00:12:20,808 --> 00:12:22,109
THEN YOU THROW IT IN MY FACE,
599
00:12:22,109 --> 00:12:23,176
AND YOU DO THIS AND THAT
600
00:12:23,176 --> 00:12:23,844
AND THE THIRD.
601
00:12:23,844 --> 00:12:24,577
THANKS, MONA, YEAH.
602
00:12:24,577 --> 00:12:25,245
SORRY.
603
00:12:25,245 --> 00:12:26,213
I ALSO WANT TO SAY SOMETHING
604
00:12:26,213 --> 00:12:26,880
TO YOU.
605
00:12:26,880 --> 00:12:27,680
OKAY, COOL.
606
00:12:27,680 --> 00:12:30,483
YOU AND I ARE NO LONGER.
607
00:12:30,483 --> 00:12:31,684
YOU ARE IN ANOTHER RELATIONSHIP,
608
00:12:31,684 --> 00:12:33,120
AND I RESPECT THAT.
609
00:12:33,120 --> 00:12:35,422
I JUST WANT WHAT--YOU AND YOUR
610
00:12:35,422 --> 00:12:37,624
RELATIONSHIP TO UNDERSTAND
611
00:12:37,624 --> 00:12:39,392
AND RESPECT WHAT WE HAVE.
612
00:12:39,392 --> 00:12:40,293
I'M YOUR DAUGHTER'S MOTHER.
613
00:12:40,293 --> 00:12:40,961
I'M ALWAYS GONNA BE YOUR
614
00:12:40,961 --> 00:12:41,628
DAUGHTER'S MOTHER.
615
00:12:41,628 --> 00:12:42,529
YOU'RE--AND YOU'RE MY FRIEND
616
00:12:42,529 --> 00:12:43,363
TOO, SO--YOU KNOW WHAT
617
00:12:43,363 --> 00:12:44,031
I'M SAYING?
618
00:12:44,031 --> 00:12:44,832
AND I'M YOUR FRIEND TOO.
619
00:12:44,832 --> 00:12:45,565
AND I WANT THAT--I WANT MY
620
00:12:45,565 --> 00:12:46,233
FRIEND BACK TOO.
621
00:12:46,233 --> 00:12:47,167
YOUR FRIEND HAS ALWAYS
622
00:12:47,167 --> 00:12:47,835
BEEN HERE.
623
00:12:47,835 --> 00:12:49,136
I'VE NEVER LEFT.
624
00:12:49,136 --> 00:12:50,838
YOUR FRIEND'S NEVER LEFT.
625
00:12:50,838 --> 00:12:51,504
DO YOU ACCEPT HIS
626
00:12:51,504 --> 00:12:54,842
APOLOGY, MIMI?
627
00:12:54,842 --> 00:12:55,843
NO, I DON'T.
628
00:12:55,843 --> 00:12:58,145
I DON'T FEEL IT'S SINCERE, ONE,
629
00:12:58,145 --> 00:12:59,446
AND HE'S APOLOGIZED TIME AND
630
00:12:59,446 --> 00:13:00,848
TIME AGAIN, BUT IT'S THE SAME
631
00:13:00,848 --> 00:13:01,882
OLD BULL[bleep] TIME AND TIME
632
00:13:01,882 --> 00:13:02,950
AGAIN, SO...
633
00:13:02,950 --> 00:13:03,650
WHOO!
634
00:13:03,650 --> 00:13:04,551
[applause]
635
00:13:04,551 --> 00:13:07,354
I KNOW.
636
00:13:07,354 --> 00:13:08,455
WELL, JOSELINE, IT SOUNDS
637
00:13:08,455 --> 00:13:10,023
LIKE MIMI IS TRYING TO RESPECT
638
00:13:10,023 --> 00:13:11,024
THE RELATIONSHIP THAT YOU AND
639
00:13:11,024 --> 00:13:12,425
STEVIE HAVE, AND SHE'S ASKING
640
00:13:12,425 --> 00:13:13,626
FOR THE SAME IN RETURN.
641
00:13:13,626 --> 00:13:14,627
DO YOU THINK THAT THAT'S
642
00:13:14,627 --> 00:13:15,762
SOMETHING THAT YOU CAN GIVE HER?
643
00:13:15,762 --> 00:13:16,663
I WOULD HAVE--I HAVEN'T
644
00:13:16,663 --> 00:13:17,898
THE CHOICE BUT TO RESPECT HER,
645
00:13:17,898 --> 00:13:18,866
JUST LIKE I HAVE TO RESPECT ALL
646
00:13:18,866 --> 00:13:20,367
THE OTHER BABY MOM, AND I WANT
647
00:13:20,367 --> 00:13:21,634
HER TO GIVE IT IN RETURN.
648
00:13:21,634 --> 00:13:22,936
AND LIKE SHE SAID, HE NEEDS TO
649
00:13:22,936 --> 00:13:24,304
JUST KEEP IT REAL, AND EVERYBODY
650
00:13:24,304 --> 00:13:26,539
KNOWS STEVIE'S A [bleep] LIAR.
651
00:13:26,539 --> 00:13:27,274
HE LIES FOR NO REASON.
652
00:13:27,274 --> 00:13:28,141
I USED TO BE.
653
00:13:28,141 --> 00:13:29,209
OH, WHATEVER, STEVIE.
654
00:13:29,209 --> 00:13:30,510
HE ALWAYS LIE.
655
00:13:30,510 --> 00:13:31,778
WELL, STEVIE, YOU ARE
656
00:13:31,778 --> 00:13:33,446
THE OLD MAN IN MIMI'S LIFE...
657
00:13:33,446 --> 00:13:34,147
YEAH.
658
00:13:34,147 --> 00:13:35,382
BUT WE ALSO MET THE NEW MAN
659
00:13:35,382 --> 00:13:36,383
IN MIMI'S LIFE THIS SEASON.
660
00:13:36,383 --> 00:13:37,117
[laughs]
661
00:13:37,117 --> 00:13:38,218
A BLAST FROM HER PAST
662
00:13:38,218 --> 00:13:39,452
NAMED NIKKO.
663
00:13:39,452 --> 00:13:40,520
BUT THEIR RELATIONSHIP TOOK
664
00:13:40,520 --> 00:13:42,189
A LICKING WHEN THE WATCH NIKKO
665
00:13:42,189 --> 00:13:44,024
GAVE MIMI KEPT A-TICKING.
666
00:13:44,024 --> 00:13:45,558
WHOO!
667
00:13:45,558 --> 00:13:47,227
THAT WAS HARD!
668
00:13:47,227 --> 00:13:47,895
WHOO!
669
00:13:47,895 --> 00:13:50,230
THAT WAS HARD.
670
00:13:50,230 --> 00:13:52,532
A REAL ROLLIE DON'T TICKTOCK.
671
00:13:52,532 --> 00:13:53,233
TAKE A LOOK.
672
00:13:53,233 --> 00:13:55,168
THAT WAS HARD.
673
00:13:55,168 --> 00:13:56,904
AN OLD FRIEND, NIKKO, CAME
674
00:13:56,904 --> 00:13:58,038
BACK INTO MY LIFE.
675
00:13:58,038 --> 00:13:59,206
WE STARTED DATING A FEW
676
00:13:59,206 --> 00:14:02,709
MONTHS AGO, AND I'M LOVING IT
677
00:14:02,709 --> 00:14:03,543
RIGHT NOW.
678
00:14:03,543 --> 00:14:04,912
I TOLD MIMI THE OTHER NIGHT,
679
00:14:04,912 --> 00:14:05,645
LIKE, I FEEL LIKE SHE HAS
680
00:14:05,645 --> 00:14:06,313
A TYPE.
681
00:14:06,313 --> 00:14:07,580
WORD ON THE STREET IS, MIMI'S
682
00:14:07,580 --> 00:14:08,748
RUNNING AROUND WITH A KNOCK-OFF
683
00:14:08,748 --> 00:14:10,250
STEVIE J.
684
00:14:10,250 --> 00:14:11,919
I'M SHOOTING A VIDEO, RIGHT?
685
00:14:11,919 --> 00:14:12,619
I'M MAKING YOU THE STAR
686
00:14:12,619 --> 00:14:13,286
OF THE VIDEO.
687
00:14:13,286 --> 00:14:14,054
THANK YOU, BABY.
688
00:14:14,054 --> 00:14:15,022
DON'T BE MAD BECAUSE YOUR
689
00:14:15,022 --> 00:14:15,923
CO-PILOT IS GAY.
690
00:14:15,923 --> 00:14:16,723
NO, I JUST WANT YOU TO
691
00:14:16,723 --> 00:14:17,390
LEAVE, THOUGH.
692
00:14:17,390 --> 00:14:18,091
YOU HAVE A ROOMMATE
693
00:14:18,091 --> 00:14:18,758
IN ATLANTA.
694
00:14:18,758 --> 00:14:19,659
THIS IS NOT NEW YORK.
695
00:14:19,659 --> 00:14:21,761
$1,000 RENT AND YOU SPLIT IT?
696
00:14:21,761 --> 00:14:23,296
GET THE [bleep] OUT OF HERE.
697
00:14:23,296 --> 00:14:24,797
WHEN NIKKO ASKED ME TO DO
698
00:14:24,797 --> 00:14:26,433
THIS VIDEO, HE SAID I WOULD BE
699
00:14:26,433 --> 00:14:28,035
THE LEADING LADY, BUT LEADING
700
00:14:28,035 --> 00:14:30,003
LADIES GET MORE THAN TWO SECONDS
701
00:14:30,003 --> 00:14:30,971
ON THE SCREEN.
702
00:14:30,971 --> 00:14:32,973
WHAT DO YOU FEEL, AS MY FRIEND,
703
00:14:32,973 --> 00:14:34,341
ABOUT MY RELATIONSHIP?
704
00:14:34,341 --> 00:14:36,409
I FEEL LIKE HE'S
705
00:14:36,409 --> 00:14:38,445
UNAUTHENTIC SOMETIMES.
706
00:14:38,445 --> 00:14:40,847
THIS IS WHAT I GOT FOR YOU.
707
00:14:40,847 --> 00:14:42,249
SEE, IT MATCHES.
708
00:14:42,249 --> 00:14:44,184
MATCHING MINE, SEE?
709
00:14:44,184 --> 00:14:45,485
YOURS HAS DIAMONDS.
710
00:14:45,485 --> 00:14:46,286
I LIKE IT, THOUGH, WITHOUT
711
00:14:46,286 --> 00:14:47,154
DIAMONDS FOR YOU.
712
00:14:47,154 --> 00:14:48,788
IT'S TICKING, THOUGH.
713
00:14:48,788 --> 00:14:50,823
A REAL ROLLIE DON'T TICKTOCK,
714
00:14:50,823 --> 00:14:51,491
YOU KNOW?
715
00:14:51,491 --> 00:14:52,659
ONLY A FAKE CAT WILL GIVE
716
00:14:52,659 --> 00:14:53,760
A FAKE ROLLIE.
717
00:14:53,760 --> 00:14:54,761
I REALLY TRIED TO MAKE THIS
718
00:14:54,761 --> 00:14:56,096
WORK, BUT AT THIS POINT, I'M
719
00:14:56,096 --> 00:14:57,965
COMPLETELY OVER THIS DUDE.
720
00:14:57,965 --> 00:14:58,966
I'M LEAVING YOU BECAUSE YOU'RE
721
00:14:58,966 --> 00:15:01,101
AN ASS[bleep].
722
00:15:01,101 --> 00:15:02,335
SO...
723
00:15:02,335 --> 00:15:03,436
YES, YOU WOULD WANT TO CLAP FOR
724
00:15:03,436 --> 00:15:05,372
THAT, WOULDN'T YOU, STEVIE?
725
00:15:05,372 --> 00:15:06,406
WELL, I KNOW HOW MUCH YOU GUYS
726
00:15:06,406 --> 00:15:09,276
LOVE SURPRISES, SO WE HAVE ONE
727
00:15:09,276 --> 00:15:10,377
FOR YOU NOW.
728
00:15:10,377 --> 00:15:11,644
WHY DON'T WE WELCOME NIKKO
729
00:15:11,644 --> 00:15:13,080
TO THE STAGE?
730
00:15:13,080 --> 00:15:14,747
COME ON OUT, NIKKO.
731
00:15:14,747 --> 00:15:17,450
BOO, BOO.
732
00:15:17,450 --> 00:15:20,453
[audience jeering]
733
00:15:22,455 --> 00:15:24,391
ALL RIGHT, K MICHELLE,
734
00:15:24,391 --> 00:15:25,558
WHERE YOU GOING?
735
00:15:25,558 --> 00:15:27,227
WHERE YOU GOING, NIKKO?
736
00:15:27,227 --> 00:15:29,896
NIKKO, HAVE A SEAT.
737
00:15:29,896 --> 00:15:30,697
NIKKO--
738
00:15:30,697 --> 00:15:32,032
DON'T TOUCH ME.
739
00:15:32,032 --> 00:15:32,699
NIKKO, SIT DOWN.
740
00:15:32,699 --> 00:15:33,833
SIT DOWN.
741
00:15:33,833 --> 00:15:37,437
SIT--SIT DOWN RIGHT THERE.
742
00:15:37,437 --> 00:15:38,338
BENZINO!
743
00:15:38,338 --> 00:15:39,172
SIT DOWN, STEVIE.
744
00:15:39,172 --> 00:15:41,108
WHAT YOU GONNA DO, BENZINO?
745
00:15:41,108 --> 00:15:43,610
[laughter]
746
00:15:43,610 --> 00:15:45,412
SIT DOWN, STEVIE.
747
00:15:45,412 --> 00:15:49,582
ALL RIGHT.
748
00:15:49,582 --> 00:15:51,751
WHAT'S GOING ON?
749
00:15:51,751 --> 00:15:52,752
OKAY, NIKKO, WE BROUGHT YOU
750
00:15:52,752 --> 00:15:54,021
ON 'CAUSE WE WANTED TO GIVE YOU
751
00:15:54,021 --> 00:15:55,355
AN OPPORTUNITY TO HEAR YOUR
752
00:15:55,355 --> 00:15:56,856
SIDE OF THE STORY.
753
00:15:56,856 --> 00:15:58,258
YOU KNOW, MIMI IS MIMI, MAN.
754
00:15:58,258 --> 00:15:59,426
WE SHARE--WE SHARED GREAT
755
00:15:59,426 --> 00:16:00,460
MOMENTS TOGETHER, AND WE STILL
756
00:16:00,460 --> 00:16:01,694
SHARE GREAT MOMENTS TOGETHER,
757
00:16:01,694 --> 00:16:02,462
SO...
758
00:16:02,462 --> 00:16:03,763
YOU GUYS ARE STILL DATING?
759
00:16:03,763 --> 00:16:04,431
YES.
760
00:16:04,431 --> 00:16:05,098
ABSOLUTELY.
761
00:16:05,098 --> 00:16:05,932
OH, YOU GUYS ARE SOMETHING.
762
00:16:05,932 --> 00:16:06,599
OKAY.
763
00:16:06,599 --> 00:16:07,434
WHAT ARE YOU TALKING ABOUT?
764
00:16:07,434 --> 00:16:08,101
ALL RIGHT.
765
00:16:08,101 --> 00:16:08,768
SO WHAT ARE YOU SAYING?
766
00:16:08,768 --> 00:16:09,569
THAT THE BREAKUP--YOU GUYS
767
00:16:09,569 --> 00:16:10,537
DIDN'T REALLY BREAK UP?
768
00:16:10,537 --> 00:16:11,438
WE BROKE UP, BUT THAT'S
769
00:16:11,438 --> 00:16:13,573
NORMAL RELATIONSHIPS.
770
00:16:13,573 --> 00:16:14,507
LIKE, YOU GOT TO UNDERSTAND
771
00:16:14,507 --> 00:16:15,175
SOMETHING.
772
00:16:15,175 --> 00:16:16,109
LIKE, HIM AND HER IS LOCKED
773
00:16:16,109 --> 00:16:16,943
TOGETHER FOR LIFE.
774
00:16:16,943 --> 00:16:17,910
THEY GOT A BABY TOGETHER.
775
00:16:17,910 --> 00:16:19,379
SO WHEN WE IN THE BED DOING WHAT
776
00:16:19,379 --> 00:16:20,780
WE DOING, HE CALL ON THE PHONE.
777
00:16:20,780 --> 00:16:23,616
all: OH!
778
00:16:23,616 --> 00:16:24,551
GOING BACK TO THE SHOW,
779
00:16:24,551 --> 00:16:26,053
STEVIE J. CALLED YOU A KNOCK-OFF
780
00:16:26,053 --> 00:16:26,653
STEVIE J.
781
00:16:26,653 --> 00:16:27,354
RIGHT.
782
00:16:27,354 --> 00:16:28,055
I MEAN, I HAVE TO SAY YOU
783
00:16:28,055 --> 00:16:29,289
GUYS DO FAVOR EACH OTHER
784
00:16:29,289 --> 00:16:30,057
A LITTLE BIT.
785
00:16:30,057 --> 00:16:30,657
THERE'S A LOT OF
786
00:16:30,657 --> 00:16:31,324
SIMILARITY THERE.
787
00:16:31,324 --> 00:16:32,492
THERE'S NO SIMILARITIES.
788
00:16:32,492 --> 00:16:34,327
[all talking at once]
789
00:16:34,327 --> 00:16:35,062
FOUR GRAMMYS.
790
00:16:35,062 --> 00:16:35,662
LISTEN.
791
00:16:35,662 --> 00:16:36,329
LET HER TALK.
792
00:16:36,329 --> 00:16:37,064
WHO IS THIS GUY?
793
00:16:37,064 --> 00:16:39,432
[laughter and applause]
794
00:16:39,432 --> 00:16:41,768
STEVIE J., LISTEN.
795
00:16:41,768 --> 00:16:43,070
HE ALSO ACCUSED YOU OF GIVING
796
00:16:43,070 --> 00:16:44,471
MIMI A FAKE ROLEX.
797
00:16:44,471 --> 00:16:45,372
WHAT WAS THE DEAL WITH THAT?
798
00:16:45,372 --> 00:16:46,273
WAS THE ROLEX REAL?
799
00:16:46,273 --> 00:16:47,274
LET'S GET TO THE BOTTOM OF THAT.
800
00:16:47,274 --> 00:16:48,308
IF I TELL YOU, MONA, RIGHT
801
00:16:48,308 --> 00:16:50,243
NOW THAT THE WATCH IS REAL AND
802
00:16:50,243 --> 00:16:51,678
I PAID THIS FOR IT, YOU AIN'T
803
00:16:51,678 --> 00:16:53,146
GONNA BELIEVE ME ANYWAY, SO--
804
00:16:53,146 --> 00:16:54,314
I'M ASKING YOU TO TELL ME.
805
00:16:54,314 --> 00:16:54,981
I DON'T KNOW.
806
00:16:54,981 --> 00:16:56,449
I NEVER EVEN SAW THE DAMN WATCH.
807
00:16:56,449 --> 00:16:57,584
I'M TELLING YOU--
808
00:16:57,584 --> 00:16:58,385
I'M TELLING YOU OF COURSE
809
00:16:58,385 --> 00:16:59,086
IT WAS.
810
00:16:59,086 --> 00:16:59,952
I DON'T DO NOTHING FUGAZI.
811
00:16:59,952 --> 00:17:01,188
YOU CAN CHECK MY HISTORY.
812
00:17:01,188 --> 00:17:02,122
OKAY, ALL RIGHT.
813
00:17:02,122 --> 00:17:03,090
SO WE'LL TAKE YOUR WORD FOR IT.
814
00:17:03,090 --> 00:17:03,690
I HAVE NO WAY OF KNOWING.
815
00:17:03,690 --> 00:17:04,357
THERE YOU GO.
816
00:17:04,357 --> 00:17:05,158
I CAN LET YOU KNOW.
817
00:17:05,158 --> 00:17:05,825
LET'S GO.
818
00:17:05,825 --> 00:17:07,160
THAT THING WAS NOT RIGHT.
819
00:17:07,160 --> 00:17:08,961
[audience murmuring]
820
00:17:08,961 --> 00:17:09,762
WHERE YOUR BREAD AT?
821
00:17:09,762 --> 00:17:10,797
YOUSE A--YOUSE A BUM--
822
00:17:10,797 --> 00:17:11,831
WHERE'S YOUR BREAD?
823
00:17:11,831 --> 00:17:12,499
YOUSE A BUM--
824
00:17:12,499 --> 00:17:13,366
LISTEN.
825
00:17:13,366 --> 00:17:15,268
ALL RIGHT, HOLD ON A SECOND.
826
00:17:15,268 --> 00:17:16,103
THIS IS MY THURSDAY--
827
00:17:16,103 --> 00:17:17,137
THIS IS MY THURSDAY POCKET.
828
00:17:17,137 --> 00:17:17,804
THIS IS MY THURSDAY--
829
00:17:17,804 --> 00:17:18,638
ALL RIGHT, HERE WE GO.
830
00:17:18,638 --> 00:17:19,406
TALK TO ME.
831
00:17:19,406 --> 00:17:21,808
[cheers and applause]
832
00:17:21,808 --> 00:17:23,009
THAT'S $1s.
833
00:17:23,009 --> 00:17:24,111
HE'S GOT $1s.
834
00:17:24,111 --> 00:17:27,114
[clapping and shouting]
835
00:17:31,251 --> 00:17:32,419
HE JUST MADE IT RAIN ON HERE.
836
00:17:32,419 --> 00:17:33,653
THESE ARE $1s RIGHT HERE.
837
00:17:33,653 --> 00:17:35,122
YOU SEE WHAT THIS IS?
838
00:17:35,122 --> 00:17:35,955
THIS IS MY--HOLD UP.
839
00:17:35,955 --> 00:17:37,357
THIS IS MY THURSDAY NIGHT.
840
00:17:37,357 --> 00:17:38,225
IF YOU GONNA THROW THAT
841
00:17:38,225 --> 00:17:38,925
THURSDAY WAD, THROW IT UP
842
00:17:38,925 --> 00:17:39,592
THIS WAY.
843
00:17:39,592 --> 00:17:40,293
I SEE A BUNCH OF $100s
844
00:17:40,293 --> 00:17:40,960
OVER THERE.
845
00:17:40,960 --> 00:17:41,628
MONA, THAT'S RENTED,
846
00:17:41,628 --> 00:17:42,829
JUST LIKE THE ROLLIE, YOU KNOW
847
00:17:42,829 --> 00:17:43,496
WHAT I'M SAYING?
848
00:17:43,496 --> 00:17:44,264
I AIN'T GONNA RENT MONEY,
849
00:17:44,264 --> 00:17:44,931
YOU IDIOT.
850
00:17:44,931 --> 00:17:45,632
ALL RIGHT, I SEE IT.
851
00:17:45,632 --> 00:17:46,633
THERE'S A WHOLE LOT OF BREAD
852
00:17:46,633 --> 00:17:47,300
ON THE STAGE.
853
00:17:47,300 --> 00:17:48,835
I GET IT; YOU GUYS GOT PAPER.
854
00:17:48,835 --> 00:17:49,502
WE ALL GOT PAPER.
855
00:17:49,502 --> 00:17:50,537
WELL, HE BROUGHT IT UP.
856
00:17:50,537 --> 00:17:51,304
ARIANE.
857
00:17:51,304 --> 00:17:51,971
YES.
858
00:17:51,971 --> 00:17:53,340
YOU CALLED NIKKO UNAUTHENTIC.
859
00:17:53,340 --> 00:17:54,241
I DID SAY I FELT HE
860
00:17:54,241 --> 00:17:54,941
WAS UNAUTHENTIC.
861
00:17:54,941 --> 00:17:55,875
OKAY, CAN YOU TALK TO US
862
00:17:55,875 --> 00:17:57,244
ABOUT WHY YOU FELT THAT WAY,
863
00:17:57,244 --> 00:17:57,977
WHY YOU SAID THAT?
864
00:17:57,977 --> 00:18:00,747
I JUST FELT LIKE HE WAS
865
00:18:00,747 --> 00:18:03,950
AN OPPORTUNIST, AND MIMI IS IN
866
00:18:03,950 --> 00:18:06,353
A PLACE RIGHT NOW WHERE SHE WAS
867
00:18:06,353 --> 00:18:07,820
VERY VULNERABLE, AND HE TOOK
868
00:18:07,820 --> 00:18:09,055
ADVANTAGE OF THE SITUATION.
869
00:18:09,055 --> 00:18:09,722
WHAT DO YOU SAY ABOUT
870
00:18:09,722 --> 00:18:10,623
THAT, MIMI?
871
00:18:10,623 --> 00:18:11,291
I DON'T.
872
00:18:11,291 --> 00:18:13,526
YOU DON'T FEEL THAT WAY?
873
00:18:13,526 --> 00:18:16,062
YOUR EYES--WIDE OPEN.
874
00:18:16,062 --> 00:18:16,763
ALL RIGHT.
875
00:18:16,763 --> 00:18:17,497
NIKKO, DO YOU WANT TO
876
00:18:17,497 --> 00:18:18,165
ADDRESS THAT?
877
00:18:18,165 --> 00:18:19,031
LISTEN, MAN, AM I
878
00:18:19,031 --> 00:18:19,699
AN OPPORTUNIST?
879
00:18:19,699 --> 00:18:20,900
ABSOLUTELY I AM.
880
00:18:20,900 --> 00:18:21,568
WHY WOULDN'T I BE?
881
00:18:21,568 --> 00:18:22,269
I'LL GET MONEY.
882
00:18:22,269 --> 00:18:23,035
THAT'S WHAT I'M GETTING.
883
00:18:23,035 --> 00:18:23,870
THAT'S FINE, BUT YOU CALLED
884
00:18:23,870 --> 00:18:24,637
HER DAMAGED GOODS ON--
885
00:18:24,637 --> 00:18:25,872
ON NATIONAL TV.
886
00:18:25,872 --> 00:18:26,939
BUT THAT'S BESIDES
887
00:18:26,939 --> 00:18:27,607
THE POINT, THOUGH.
888
00:18:27,607 --> 00:18:28,441
WHAT I'M SAYING TO YOU IS THIS.
889
00:18:28,441 --> 00:18:29,209
WHAT?
890
00:18:29,209 --> 00:18:30,076
NO, NO, LISTEN, LISTEN.
891
00:18:30,076 --> 00:18:31,178
[audience murmuring]
892
00:18:31,178 --> 00:18:32,712
I'M SIX MONTHS INTO MIMI.
893
00:18:32,712 --> 00:18:34,214
THEY STILL HAD A LOT GOING ON.
894
00:18:34,214 --> 00:18:35,182
THEY STILL GOT THE SITUATION
895
00:18:35,182 --> 00:18:35,915
GOING ON.
896
00:18:35,915 --> 00:18:36,983
AND SIX MONTHS--AND YOU
897
00:18:36,983 --> 00:18:37,817
SHOULD'VE BEEN MORE--
898
00:18:37,817 --> 00:18:38,485
LISTEN, LISTEN.
899
00:18:38,485 --> 00:18:39,319
YOU SHOULD'VE BEEN MORE--
900
00:18:39,319 --> 00:18:40,187
YOU SHOULD'VE BEEN MORE
901
00:18:40,187 --> 00:18:40,920
THOUGHTFUL THAN TO BUY HER
902
00:18:40,920 --> 00:18:41,854
FAKE ROLLIES.
903
00:18:41,854 --> 00:18:44,524
[applause]
904
00:18:44,524 --> 00:18:45,692
AND BEEN MORE NURTURING
905
00:18:45,692 --> 00:18:47,660
AND BEEN A MAN, LIKE, OKAY.
906
00:18:47,660 --> 00:18:48,528
BUT THEN HER BEING DAMAGED
907
00:18:48,528 --> 00:18:49,462
GOODS--KNOWING WHAT
908
00:18:49,462 --> 00:18:50,330
SHE HAD GONE THROUGH?
909
00:18:50,330 --> 00:18:51,063
AT THE END OF THE DAY, SHE
910
00:18:51,063 --> 00:18:52,199
CAN TELL YOU WHAT I DO FOR HER,
911
00:18:52,199 --> 00:18:53,032
AND SHE CAN TELL YOU HOW
912
00:18:53,032 --> 00:18:54,033
I CONSOLE HER, AND SHE CAN TELL
913
00:18:54,033 --> 00:18:55,402
YOU I'M THERE FOR HER.
914
00:18:55,402 --> 00:18:56,403
LET ME HEAR FROM YOU, MIMI.
915
00:18:56,403 --> 00:18:58,070
YOUR RELATIONSHIP WITH NIKKO--
916
00:18:58,070 --> 00:18:59,005
THIS IS A GOOD RELATIONSHIP
917
00:18:59,005 --> 00:18:59,672
FOR YOU.
918
00:18:59,672 --> 00:19:00,673
WELL, IT JUST--IT IS WHAT
919
00:19:00,673 --> 00:19:01,408
IT IS.
920
00:19:01,408 --> 00:19:03,243
I'VE KNOWN NIKKO FOR MANY YEARS.
921
00:19:03,243 --> 00:19:04,511
EVERYTHING ISN'T PERFECT.
922
00:19:04,511 --> 00:19:05,278
YEAH, WE GO THROUGH
923
00:19:05,278 --> 00:19:06,213
BULL[bleep].
924
00:19:06,213 --> 00:19:07,046
WE TALK ABOUT IT.
925
00:19:07,046 --> 00:19:09,081
WE GET OVER IT.
926
00:19:09,081 --> 00:19:10,350
IT'S LIKE ANYBODY ELSE.
927
00:19:10,350 --> 00:19:11,251
EVERYBODY GOES--
928
00:19:11,251 --> 00:19:12,352
BUT, NIKKO, I JUST WANT MIMI
929
00:19:12,352 --> 00:19:13,786
TO SPEAK ON YOUR BEHALF FOR
930
00:19:13,786 --> 00:19:14,654
A QUICK SECOND, BECAUSE YOU'RE
931
00:19:14,654 --> 00:19:15,455
SAYING THAT YOU GUYS HAVE
932
00:19:15,455 --> 00:19:16,389
CONVERSATIONS; YOU TAKE GOOD
933
00:19:16,389 --> 00:19:17,089
CARE OF HER.
934
00:19:17,089 --> 00:19:17,924
YOU SEEM REAL NERVOUS RIGHT
935
00:19:17,924 --> 00:19:18,691
NOW 'CAUSE I'M HERE.
936
00:19:18,691 --> 00:19:19,726
NERVOUS?
937
00:19:19,726 --> 00:19:21,361
MY FEET IS UP, KICKED UP.
938
00:19:21,361 --> 00:19:22,229
THIS IS MY HOUSE.
939
00:19:22,229 --> 00:19:23,563
YOU A GUEST, YOU KNOW WHAT I'M
940
00:19:23,563 --> 00:19:24,497
SAYING, WITH THEM LONG JOHN
941
00:19:24,497 --> 00:19:25,732
PANTS ON YOU GOT OVER THERE.
942
00:19:25,732 --> 00:19:29,469
[cheers and applause]
943
00:19:29,469 --> 00:19:30,737
HOLD UP, BUS DRIVER.
944
00:19:30,737 --> 00:19:31,638
GIVE ME TWO MINUTES, MAN.
945
00:19:31,638 --> 00:19:32,339
YEAH, YEAH, YOU--
946
00:19:32,339 --> 00:19:33,306
YOU RIDING MY BUS TOO.
947
00:19:33,306 --> 00:19:34,541
DON'T ACT LIKE YOU KNOW.
948
00:19:34,541 --> 00:19:35,275
YOU KNOW WHAT I MEAN?
949
00:19:35,275 --> 00:19:35,975
[cheers and applause]
950
00:19:35,975 --> 00:19:37,109
HOLD ON, HOLD ON.
951
00:19:37,109 --> 00:19:37,910
HOLD ON, BUS DRIVER.
952
00:19:37,910 --> 00:19:38,845
ALL RIGHT, WELL, WE'VE GOT TO
953
00:19:38,845 --> 00:19:40,247
GO TO BREAK, BUT COMING UP,
954
00:19:40,247 --> 00:19:41,614
WE'VE GOT MORE LOVE AND HIP-HOP:
955
00:19:41,614 --> 00:19:42,715
ATLANTA: THE REUNION,
956
00:19:42,715 --> 00:19:44,451
SO DON'T MOVE.
957
00:19:44,451 --> 00:19:47,454
[cheers and applause]
958
00:19:48,455 --> 00:19:50,156
SO YOU THINK KARLIE WAS LYING?
959
00:19:50,156 --> 00:19:51,724
KARLIE'S KNOWN TO BE MESSY.
960
00:19:51,724 --> 00:19:52,925
HOLD UP, I GOT A TEXT RIGHT
961
00:19:52,925 --> 00:19:53,926
HERE THAT YOU JUST SENT ME
962
00:19:53,926 --> 00:19:54,627
RIGHT NOW, THOUGH.
963
00:19:54,627 --> 00:19:55,462
WHAT'D SHE SAY?
964
00:19:55,462 --> 00:19:56,296
LET'S GET TO THE BOTTOM OF THIS
965
00:19:56,296 --> 00:19:56,963
ONCE AND FOR ALL.
966
00:19:56,963 --> 00:19:57,664
OH, MY GOD.
967
00:20:01,968 --> 00:20:03,135
* THIS IS THE LIFE
968
00:20:03,135 --> 00:20:06,105
[applause]
969
00:20:06,105 --> 00:20:07,307
WELCOME BACK TO LOVE AND
970
00:20:07,307 --> 00:20:09,309
HIP-HOP: ATLANTA: THE REUNION.
971
00:20:09,309 --> 00:20:10,543
INTERESTINGLY ENOUGH,
972
00:20:10,543 --> 00:20:11,878
THE BIGGEST BREAKUP TO MAKEUP
973
00:20:11,878 --> 00:20:12,979
OF THE SEASON DIDN'T COME
974
00:20:12,979 --> 00:20:15,047
COURTESY OF ONE OF OUR COUPLES.
975
00:20:15,047 --> 00:20:16,549
INSTEAD, IT HAPPENED BETWEEN OUR
976
00:20:16,549 --> 00:20:18,918
RESIDENT B.F.F.s STEVIE J.
977
00:20:18,918 --> 00:20:20,920
AND BENZINO, WHO FELL OUT OVER
978
00:20:20,920 --> 00:20:22,522
ONE OF THE GUY CODE'S MOST
979
00:20:22,522 --> 00:20:24,624
COVETED RULES, AND STILL
980
00:20:24,624 --> 00:20:26,225
THE QUESTION LINGERS.
981
00:20:26,225 --> 00:20:28,761
DID JOSELINE SMASH THE HOMIE?
982
00:20:28,761 --> 00:20:29,696
LET'S TRY TO GET TO THE BOTTOM
983
00:20:29,696 --> 00:20:32,265
OF THE RUMORS WITH THIS CLIP.
984
00:20:32,265 --> 00:20:33,800
WHAT'S GOING ON WITH BENZINO?
985
00:20:33,800 --> 00:20:34,467
YOU KNOW HE TOLD ME
986
00:20:34,467 --> 00:20:35,134
HE [bleep] YOU.
987
00:20:35,134 --> 00:20:36,135
THAT'S A LIE.
988
00:20:36,135 --> 00:20:36,803
I DON'T KNOW WHO WAS
989
00:20:36,803 --> 00:20:37,504
TELLING YOU--
990
00:20:37,504 --> 00:20:38,271
LET'S JUST FIGURE IT OUT.
991
00:20:38,271 --> 00:20:39,038
LET'S JUST GET TO THE BOTTOM
992
00:20:39,038 --> 00:20:39,706
OF IT.
993
00:20:39,706 --> 00:20:40,473
SHE OVER HERE SAYING THAT
994
00:20:40,473 --> 00:20:41,841
KARLIE REDD TOLD HER THAT YOU
995
00:20:41,841 --> 00:20:42,842
SMASHED HER.
996
00:20:42,842 --> 00:20:43,510
WORD?
997
00:20:43,510 --> 00:20:44,311
WHY WOULD YOU EVEN SAY THAT
998
00:20:44,311 --> 00:20:44,977
ABOUT ME?
999
00:20:44,977 --> 00:20:46,178
I'M NOT GONNA SIT HERE AND
1000
00:20:46,178 --> 00:20:48,315
ENTERTAIN NO DUMB [bleep].
1001
00:20:48,315 --> 00:20:49,549
HE HIT ME UP THE OTHER DAY ON
1002
00:20:49,549 --> 00:20:51,584
TWITTER, D.M., AT 6:00 IN
1003
00:20:51,584 --> 00:20:53,286
THE MORNING TWICE TRYING
1004
00:20:53,286 --> 00:20:54,120
TO [bleep].
1005
00:20:54,120 --> 00:20:55,422
YOU COME HERE WITH HER,
1006
00:20:55,422 --> 00:20:56,889
RIGHT, AT MY PLACE OF BUSINESS
1007
00:20:56,889 --> 00:20:57,590
TO TALK ABOUT WHAT KARLIE
1008
00:20:57,590 --> 00:20:58,257
REDD SAID.
1009
00:20:58,257 --> 00:20:59,025
IT AIN'T GOT NOTHING TO DO
1010
00:20:59,025 --> 00:20:59,726
WITH HER.
1011
00:20:59,726 --> 00:21:00,493
REALLY?
1012
00:21:00,493 --> 00:21:01,328
SO THEN WE AIN'T BROTHERS NO
1013
00:21:01,328 --> 00:21:02,094
MORE, THEN, I GUESS, RIGHT?
1014
00:21:02,094 --> 00:21:02,829
I'M COOL WITH THAT.
1015
00:21:02,829 --> 00:21:03,896
YOU SHOWED ME JOSELINE'S
1016
00:21:03,896 --> 00:21:04,597
PORN TAPE.
1017
00:21:04,597 --> 00:21:05,332
ACTUALLY, I DIDN'T.
1018
00:21:05,332 --> 00:21:06,132
YOU SHOWED IT TO ME!
1019
00:21:06,132 --> 00:21:09,035
YOU'RE A [bleep] LIAR!
1020
00:21:09,035 --> 00:21:09,802
I HAD TO DO A LITTLE
1021
00:21:09,802 --> 00:21:10,603
INVESTIGATION.
1022
00:21:10,603 --> 00:21:11,338
RIGHT.
1023
00:21:11,338 --> 00:21:12,038
YOU KNOW WHAT I'M SAYING?
1024
00:21:12,038 --> 00:21:14,407
SO I HAD TO GO SEE KARLIE AGAIN,
1025
00:21:14,407 --> 00:21:15,241
YOU KNOW WHAT I'M SAYING?
1026
00:21:15,241 --> 00:21:16,343
[groans]
1027
00:21:16,343 --> 00:21:17,810
WHAT I FOUND OUT WHAT I
1028
00:21:17,810 --> 00:21:19,111
ALREADY KNEW, YOU KNOW WHAT
1029
00:21:19,111 --> 00:21:19,779
I'M SAYING?
1030
00:21:19,779 --> 00:21:20,780
RIGHT.
1031
00:21:20,780 --> 00:21:22,114
SHE'S A LIAR.
1032
00:21:22,114 --> 00:21:23,015
IS THAT JOSELINE?
1033
00:21:23,015 --> 00:21:23,750
WHAT IS THIS?
1034
00:21:23,750 --> 00:21:24,817
THAT'S MY NEW VIDEO.
1035
00:21:24,817 --> 00:21:25,785
FOR WHAT?
1036
00:21:25,785 --> 00:21:27,086
FOR SMASHED DA HOMIE.
1037
00:21:27,086 --> 00:21:28,054
♪ SHE SAID SHE WANT
1038
00:21:28,054 --> 00:21:30,723
♪ TO GET TO KNOW ME
1039
00:21:30,723 --> 00:21:31,424
♪ EVEN THOUGH
1040
00:21:31,424 --> 00:21:33,693
♪ SHE SMASHED THE HOMIE
1041
00:21:33,693 --> 00:21:34,461
LOOK LIKE YOU?
1042
00:21:34,461 --> 00:21:35,362
* SHE WANT TO DO IT
1043
00:21:35,362 --> 00:21:36,596
♪ LIKE SOME ANIMALS
1044
00:21:36,596 --> 00:21:37,530
I REALLY DON'T GIVE A [bleep]
1045
00:21:37,530 --> 00:21:38,731
WHAT HE TALKING ABOUT BECAUSE
1046
00:21:38,731 --> 00:21:41,701
THE SONG IS NOT EVEN HOT.
1047
00:21:41,701 --> 00:21:43,370
[applause]
1048
00:21:43,370 --> 00:21:46,038
BENZINO, IF WHAT KARLIE WAS
1049
00:21:46,038 --> 00:21:47,907
SAYING WAS A LIE AND YOU NEVER
1050
00:21:47,907 --> 00:21:50,276
SAID THAT JOSELINE AND YOU
1051
00:21:50,276 --> 00:21:52,712
SMASHED, WHY DO A VIDEO AND CAST
1052
00:21:52,712 --> 00:21:54,614
A JOSELINE LOOK-ALIKE AND SAY
1053
00:21:54,614 --> 00:21:55,648
SHE SMASHED THE HOMIE?
1054
00:21:55,648 --> 00:21:56,616
WELL, I MEAN, I HAD ALREADY
1055
00:21:56,616 --> 00:21:57,484
DID THE SONG.
1056
00:21:57,484 --> 00:21:59,218
WHEN I WENT TO MIAMI FOR
1057
00:21:59,218 --> 00:22:02,188
MEMORIAL WEEKEND, THAT'S WHEN
1058
00:22:02,188 --> 00:22:03,222
ARIEL HAD CAME UP, WAS LIKE,
1059
00:22:03,222 --> 00:22:04,156
"I WANT TO TAKE A PICTURE
1060
00:22:04,156 --> 00:22:04,824
WITH YOU.
1061
00:22:04,824 --> 00:22:05,892
THEY CALL ME THE FAKE JOSELINE."
1062
00:22:05,892 --> 00:22:06,926
AND THAT'S ARIEL, THE PERSON
1063
00:22:06,926 --> 00:22:07,594
WHO SAYS--
1064
00:22:07,594 --> 00:22:08,260
YEAH, THAT'S HER.
1065
00:22:08,260 --> 00:22:08,928
OH, THEY CALL HER
1066
00:22:08,928 --> 00:22:09,629
THE FAKE JOSELINE?
1067
00:22:09,629 --> 00:22:10,296
THAT'S WHAT SHE SAID.
1068
00:22:10,296 --> 00:22:11,163
WHAT DO YOU THINK, JOSELINE?
1069
00:22:11,163 --> 00:22:11,864
DOES SHE LOOK LIKE YOU?
1070
00:22:11,864 --> 00:22:12,532
HELL [bleep] NO.
1071
00:22:12,532 --> 00:22:13,265
THERE WAS A LITTLE BIT--
1072
00:22:13,265 --> 00:22:13,933
NOTHING?
1073
00:22:13,933 --> 00:22:14,601
NO.
1074
00:22:14,601 --> 00:22:15,267
THE BUTT CHEEKS--
1075
00:22:15,267 --> 00:22:16,035
SHE HAD THE SAME WIG I BE
1076
00:22:16,035 --> 00:22:17,303
HAVING ON, BUT SHE'S STILL LOOK
1077
00:22:17,303 --> 00:22:18,137
A [bleep] MESS.
1078
00:22:18,137 --> 00:22:19,305
ALL RIGHT, THAT WAS IT.
1079
00:22:19,305 --> 00:22:20,407
SO LET ME ASK YOU THIS, STEVIE.
1080
00:22:20,407 --> 00:22:21,441
WHEN YOU FIRST HEARD ABOUT ALL
1081
00:22:21,441 --> 00:22:22,575
OF THIS--THIS WAS--LIKE, YOU
1082
00:22:22,575 --> 00:22:23,776
GUYS CALLED EACH OTHER BROTHERS.
1083
00:22:23,776 --> 00:22:25,277
DID YOU BELIEVE THAT BENZINO WAS
1084
00:22:25,277 --> 00:22:26,579
EVEN CAPABLE OF THIS?
1085
00:22:26,579 --> 00:22:28,047
I MEAN, YOU KNOW, I DIDN'T
1086
00:22:28,047 --> 00:22:29,315
REALLY THINK TOO MUCH OF IT,
1087
00:22:29,315 --> 00:22:30,116
YOU KNOW WHAT I MEAN?
1088
00:22:30,116 --> 00:22:30,983
PEOPLE LIE.
1089
00:22:30,983 --> 00:22:32,318
EVERYBODY WANTS TO, YOU KNOW,
1090
00:22:32,318 --> 00:22:35,455
CAUSE HAVOC AND MAYHEM.
1091
00:22:35,455 --> 00:22:37,223
SO YOU THINK KARLIE WAS LYING
1092
00:22:37,223 --> 00:22:38,825
WHEN SHE TOLD THIS TO JOSELINE?
1093
00:22:38,825 --> 00:22:40,960
KARLIE'S KNOWN TO BE MESSY.
1094
00:22:40,960 --> 00:22:42,194
SO, KARLIE, DID HE SHOW YOU
1095
00:22:42,194 --> 00:22:42,995
A TAPE OR NOT?
1096
00:22:42,995 --> 00:22:43,963
LIKE, LET'S GET TO THE BOTTOM OF
1097
00:22:43,963 --> 00:22:44,897
THIS ONCE AND FOR ALL.
1098
00:22:44,897 --> 00:22:46,265
YES, HE DID SHOW ME A TAPE,
1099
00:22:46,265 --> 00:22:46,933
NUMBER ONE.
1100
00:22:46,933 --> 00:22:49,902
NUMBER TWO, IF I WAS SO-CALLED
1101
00:22:49,902 --> 00:22:51,337
MESSY, HE WOULDN'T DO A VIDEO
1102
00:22:51,337 --> 00:22:52,304
CALLED SMASHED DA HOMIE
1103
00:22:52,304 --> 00:22:52,972
WITH HER...
1104
00:22:52,972 --> 00:22:53,640
both: LOOK-ALIKE.
1105
00:22:53,640 --> 00:22:54,306
YEAH.
1106
00:22:54,306 --> 00:22:55,074
WELL, HE'S SAYING HE WAS
1107
00:22:55,074 --> 00:22:56,275
INSPIRED BY THE LIE THAT
1108
00:22:56,275 --> 00:22:56,943
YOU TOLD.
1109
00:22:56,943 --> 00:22:58,445
WAS SHE LYING, BENZINO?
1110
00:22:58,445 --> 00:22:59,479
I MEAN, I'VE NEVER SEEN NO
1111
00:22:59,479 --> 00:23:01,280
TAPE OF JOSELINE, AND I DAMN
1112
00:23:01,280 --> 00:23:02,114
SURE DIDN'T--
1113
00:23:02,114 --> 00:23:03,249
HE SHOWED IT TO ME.
1114
00:23:03,249 --> 00:23:04,551
KNOCK IT OFF.
1115
00:23:04,551 --> 00:23:05,217
KARLIE.
1116
00:23:05,217 --> 00:23:06,352
YES, HE SHOWED IT TO ME.
1117
00:23:06,352 --> 00:23:07,019
KNOCK IT OFF.
1118
00:23:07,019 --> 00:23:08,087
AND IF THAT'S THE CASE, YOU
1119
00:23:08,087 --> 00:23:08,821
WOULDN'T EVEN MAKE
1120
00:23:08,821 --> 00:23:09,656
A [bleep] VIDEO.
1121
00:23:09,656 --> 00:23:10,490
NO, THAT'S NOT TRUE.
1122
00:23:10,490 --> 00:23:11,524
YOU WOULDN'T MAKE A VIDEO
1123
00:23:11,524 --> 00:23:13,460
WITH JOSELINE CALLED SMASHED
1124
00:23:13,460 --> 00:23:14,060
DA HOMIE.
1125
00:23:14,060 --> 00:23:14,794
YOU JUST WOULDN'T DO IT.
1126
00:23:14,794 --> 00:23:15,462
NO, NO, NO.
1127
00:23:15,462 --> 00:23:16,228
WAIT A MINUTE, HE DIDN'T
1128
00:23:16,228 --> 00:23:17,163
SMASH THE HOMIE.
1129
00:23:17,163 --> 00:23:18,097
I DIDN'T SAY I SMASHED
1130
00:23:18,097 --> 00:23:18,865
THE HOMIE.
1131
00:23:18,865 --> 00:23:19,799
I DIDN'T SAY I SMASHED
1132
00:23:19,799 --> 00:23:20,500
THE HOMIE.
1133
00:23:20,500 --> 00:23:21,801
I SAID--
1134
00:23:21,801 --> 00:23:23,670
I SAID THAT'S WHAT THEY TOLD ME.
1135
00:23:23,670 --> 00:23:25,872
[laughter]
1136
00:23:25,872 --> 00:23:27,073
OH, THAT'S WHAT HE SAID.
1137
00:23:27,073 --> 00:23:28,040
ALL RIGHT, LISTEN, WE'RE NOT
1138
00:23:28,040 --> 00:23:28,875
GONNA GET TO THE BOTTOM OF
1139
00:23:28,875 --> 00:23:29,576
THIS HERE.
1140
00:23:29,576 --> 00:23:30,877
IT'S ONE PERSON'S WORD AGAINST
1141
00:23:30,877 --> 00:23:31,944
ANOTHER WHEN IT COMES TO
1142
00:23:31,944 --> 00:23:33,780
SMASHING THE HOMIE.
1143
00:23:33,780 --> 00:23:34,814
BUT ACCORDING TO MORE THAN ONE
1144
00:23:34,814 --> 00:23:36,483
CAST MEMBER, JOSELINE WASN'T
1145
00:23:36,483 --> 00:23:38,184
THE ONLY ONE BENZINO WAS TRYING
1146
00:23:38,184 --> 00:23:39,351
TO SMASH.
1147
00:23:39,351 --> 00:23:40,487
WATCH THIS CLIP OF SOME OF
1148
00:23:40,487 --> 00:23:41,488
THE OTHER LADIES WHO CLAIM TO
1149
00:23:41,488 --> 00:23:43,122
HAVE GOTTEN HIT UP BY ZINO
1150
00:23:43,122 --> 00:23:43,923
AFTER DARK.
1151
00:23:43,923 --> 00:23:44,757
OH, [bleep].
1152
00:23:44,757 --> 00:23:45,792
THANK YOU.
1153
00:23:45,792 --> 00:23:46,726
LIKE I TOLD STEVIE, YOU DON'T
1154
00:23:46,726 --> 00:23:47,560
NEED TO BE--TRY TO BE FRIENDS
1155
00:23:47,560 --> 00:23:48,528
WITH NOBODY THAT'S TRYING TO
1156
00:23:48,528 --> 00:23:49,829
[bleep] YOUR BITCH, 'CAUSE YOU
1157
00:23:49,829 --> 00:23:51,498
D.M. ME AT 6:00 IN THE MORNING--
1158
00:23:51,498 --> 00:23:53,500
YOU TOO?
1159
00:23:53,500 --> 00:23:54,501
OH!
1160
00:23:54,501 --> 00:23:55,502
I GOT--HE CALLED ME AT 4:00
1161
00:23:55,502 --> 00:23:56,503
IN THE MORNING.
1162
00:23:56,503 --> 00:23:57,870
I SAID, "WHO IS THIS?"
1163
00:23:57,870 --> 00:23:59,806
AND HE SAID, "THIS BENZINO.
1164
00:23:59,806 --> 00:24:00,573
I WANT TO"--
1165
00:24:00,573 --> 00:24:01,240
ARE YOU SERIOUS?
1166
00:24:01,240 --> 00:24:02,108
I SWEAR TO GOD.
1167
00:24:02,108 --> 00:24:03,510
HE WANTED TO--HE KEPT SAYING,
1168
00:24:03,510 --> 00:24:04,410
"SO YOU AND SCRAPPY
1169
00:24:04,410 --> 00:24:05,411
STILL TOGETHER?"
1170
00:24:05,411 --> 00:24:06,278
HE TRIED TO HOLLER THAT NIGHT
1171
00:24:06,278 --> 00:24:06,946
AT AURUMS, THOUGH.
1172
00:24:06,946 --> 00:24:08,180
SO THAT'S WHAT I WOULD SAY--
1173
00:24:08,180 --> 00:24:09,048
HE TRIED TO HOLLER AT YOU
1174
00:24:09,048 --> 00:24:10,983
AT AURUMS--OH, MY--
1175
00:24:10,983 --> 00:24:12,752
HE HIT YOU.
1176
00:24:12,752 --> 00:24:13,419
HE HIT ME TWICE.
1177
00:24:13,419 --> 00:24:14,654
AND HE HIT YOU.
1178
00:24:14,654 --> 00:24:15,922
WHAT THE HELL?
1179
00:24:15,922 --> 00:24:17,156
HE TRYING TO [bleep] EVERYBODY
1180
00:24:17,156 --> 00:24:18,625
IN THE CREW.
1181
00:24:18,625 --> 00:24:20,359
[applause]
1182
00:24:20,359 --> 00:24:21,528
THIS MOTHER[bleep] TRYING TO
1183
00:24:21,528 --> 00:24:22,995
LOVE AND HIP-HOP EVERYBODY.
1184
00:24:22,995 --> 00:24:24,096
WELL, GUESS WHAT, THOUGH.
1185
00:24:24,096 --> 00:24:25,131
I DON'T EXPECT ANYTHING FROM
1186
00:24:25,131 --> 00:24:26,398
BENZINO OR STEVIE, 'CAUSE STEVIE
1187
00:24:26,398 --> 00:24:28,034
AND BENZINO--THEY LAY TOGETHER,
1188
00:24:28,034 --> 00:24:28,901
THEY HANG TOGETHER,
1189
00:24:28,901 --> 00:24:30,002
THEY [bleep] BITCHES TOGETHER,
1190
00:24:30,002 --> 00:24:31,103
AND THAT'S JUST WHAT DIRTY
1191
00:24:31,103 --> 00:24:32,104
[...] DO.
1192
00:24:32,104 --> 00:24:32,972
DON'T DO THAT.
1193
00:24:32,972 --> 00:24:33,973
THIS ONE OVER HERE TALKING
1194
00:24:33,973 --> 00:24:35,007
ABOUT HE WANT TO COME TO MY
1195
00:24:35,007 --> 00:24:36,042
DRESSING ROOM.
1196
00:24:36,042 --> 00:24:36,709
HOLD UP.
1197
00:24:36,709 --> 00:24:37,644
I GOT A TEXT RIGHT HERE THAT YOU
1198
00:24:37,644 --> 00:24:38,911
JUST SENT ME RIGHT NOW, THOUGH.
1199
00:24:38,911 --> 00:24:39,879
WHAT'D SHE SAY?
1200
00:24:39,879 --> 00:24:40,613
HOLD ON.
1201
00:24:40,613 --> 00:24:42,048
[laughs]
1202
00:24:42,048 --> 00:24:43,550
SHE SAID, "I THOUGHT YOU WAS
1203
00:24:43,550 --> 00:24:44,951
COMING TO MY DRESSING ROOM."
1204
00:24:44,951 --> 00:24:45,785
THAT WAS JUST, LIKE, TEN
1205
00:24:45,785 --> 00:24:46,986
MINUTES AGO.
1206
00:24:46,986 --> 00:24:47,954
all: OH.
1207
00:24:47,954 --> 00:24:49,355
WHAT'S UP WITH THAT, KARLIE?
1208
00:24:49,355 --> 00:24:50,857
I MEAN, ZINO--YOU KNOW
1209
00:24:50,857 --> 00:24:51,591
HOW WE DO.
1210
00:24:51,591 --> 00:24:52,559
YOU'RE ON; YOU'RE OFF.
1211
00:24:52,559 --> 00:24:54,260
WE'RE ON; WE'RE OFF.
1212
00:24:54,260 --> 00:24:56,062
OH, MY GOSH, THIS IS
1213
00:24:56,062 --> 00:24:56,796
EMBARRASSING.
1214
00:24:56,796 --> 00:24:57,564
ALL RIGHT, ARE YOU JUST
1215
00:24:57,564 --> 00:24:58,565
LOOKING FOR LOVE WHEREVER YOU
1216
00:24:58,565 --> 00:24:59,599
CAN GET IT, BENZINO?
1217
00:24:59,599 --> 00:25:00,833
HAS ANYBODY ELSE OUT THERE BEEN
1218
00:25:00,833 --> 00:25:02,001
D.M.'D BY ZINO?
1219
00:25:02,001 --> 00:25:02,669
THANK YOU!
1220
00:25:02,669 --> 00:25:03,335
OH!
1221
00:25:03,335 --> 00:25:05,037
OH, OH, OH, OH, OH!
1222
00:25:05,037 --> 00:25:06,005
AND, AH, AH.
1223
00:25:06,005 --> 00:25:07,707
LISTEN, DON'T ANSWER THAT.
1224
00:25:07,707 --> 00:25:09,976
ACTUALLY, YOU CAN ANSWER THIS.
1225
00:25:09,976 --> 00:25:11,811
[laughs]
1226
00:25:11,811 --> 00:25:13,680
[laughter]
1227
00:25:13,680 --> 00:25:15,014
SIT DOWN.
1228
00:25:15,014 --> 00:25:16,348
SIT DOWN, ZINO.
1229
00:25:16,348 --> 00:25:17,049
[bleep].
1230
00:25:17,049 --> 00:25:18,184
GUYS, IT'S TIME FOR OUR
1231
00:25:18,184 --> 00:25:20,987
HASHTAG BATTLE OF THE NIGHT.
1232
00:25:20,987 --> 00:25:22,689
THIS IS OUR BIG SMASH
1233
00:25:22,689 --> 00:25:25,057
THE HOMIE HASHTAG BATTLE.
1234
00:25:25,057 --> 00:25:26,693
IF YOU BELIEVE THAT JOSELINE AND
1235
00:25:26,693 --> 00:25:28,861
BENZINO DID SMASH, TWEET
1236
00:25:28,861 --> 00:25:31,463
@LOVEHIPHIPVH1 WITH
1237
00:25:31,463 --> 00:25:33,499
THE HASHTAG "JOZINO."
1238
00:25:33,499 --> 00:25:34,767
Y'ALL AIN'T [bleep].
1239
00:25:34,767 --> 00:25:35,635
[laughter]
1240
00:25:35,635 --> 00:25:37,103
[laughing] IF YOU BELIEVE--
1241
00:25:37,103 --> 00:25:38,971
IF YOU BELIEVE IT WAS SCRAPPY
1242
00:25:38,971 --> 00:25:41,440
AND SHAY THAT DID THE SMASHING,
1243
00:25:41,440 --> 00:25:42,742
TWEET USING THE HASHTAG
1244
00:25:42,742 --> 00:25:45,377
"SCRAPSHAY," OR IF YOU THINK
1245
00:25:45,377 --> 00:25:47,013
THAT STEVIE J. AND MIMI ARE
1246
00:25:47,013 --> 00:25:48,748
SMASHING STILL...
1247
00:25:48,748 --> 00:25:49,649
HE BETTER NOT, 'CAUSE I WILL
1248
00:25:49,649 --> 00:25:50,316
SMASH HIM.
1249
00:25:50,316 --> 00:25:52,151
NO MATTER WHAT THEY SAY,
1250
00:25:52,151 --> 00:25:54,353
TWEET @LOVEHIPHOPVH1 WITH
1251
00:25:54,353 --> 00:25:56,322
THE HASHTAG "MIMIJ."
1252
00:25:56,322 --> 00:25:57,957
SO GO ONLINE RIGHT NOW, GET YOUR
1253
00:25:57,957 --> 00:25:59,191
VOTES IN, AND WE'LL REVEAL
1254
00:25:59,191 --> 00:26:00,627
THE RESULTS LATER ON IN
1255
00:26:00,627 --> 00:26:01,628
THE SHOW.
1256
00:26:01,628 --> 00:26:02,862
WE'VE GOT TO GO TO BREAK.
1257
00:26:02,862 --> 00:26:04,130
MORE TO COME ON LOVE AND
1258
00:26:04,130 --> 00:26:05,998
HIP-HOP: ATLANTA: THE REUNION.
1259
00:26:05,998 --> 00:26:07,399
STAY TUNED.
1260
00:26:07,399 --> 00:26:09,636
[cheers and applause]
1261
00:26:09,636 --> 00:26:11,403
YOU'RE A HO.
1262
00:26:11,403 --> 00:26:12,504
FIX YOUR FACE, BITCH.
1263
00:26:12,504 --> 00:26:13,940
BREAST LIFT, BITCH.
1264
00:26:13,940 --> 00:26:15,074
WITH THEM SAGGY-ASS TITTIES.
1265
00:26:15,074 --> 00:26:15,742
YOU THE FAMILY PET.
1266
00:26:15,742 --> 00:26:16,408
DON'T YOU EVER FORGET.
1267
00:26:16,408 --> 00:26:17,076
BREAST LIFT.
1268
00:26:21,413 --> 00:26:22,649
* THIS IS THE LIFE
1269
00:26:22,649 --> 00:26:25,517
[cheers and applause]
1270
00:26:25,517 --> 00:26:26,385
WELCOME BACK TO LOVE AND
1271
00:26:26,385 --> 00:26:28,120
HIP-HOP: ATLANTA: THE REUNION.
1272
00:26:28,120 --> 00:26:29,889
OKAY, I'M JOINED BY SCRAPPY,
1273
00:26:29,889 --> 00:26:32,158
ERICA, AND BOTH OF THEIR MOMS,
1274
00:26:32,158 --> 00:26:33,826
MIGNON AND MOMMA DEE.
1275
00:26:33,826 --> 00:26:35,361
THESE LADIES WEREN'T SURPRISED
1276
00:26:35,361 --> 00:26:36,395
WHEN SCRAPPY AND ERICA'S
1277
00:26:36,395 --> 00:26:37,664
ENGAGEMENT DIDN'T LAST.
1278
00:26:37,664 --> 00:26:39,531
DID THE MAMAS REALLY KNOW BEST?
1279
00:26:39,531 --> 00:26:41,701
LET'S TAKE A LOOK.
1280
00:26:41,701 --> 00:26:42,568
I MEAN, AT THE END OF
1281
00:26:42,568 --> 00:26:43,936
THE DAY, IT'S OUR RELATIONSHIP.
1282
00:26:43,936 --> 00:26:46,372
EVERYBODY MAMAS IS OVERSTEPPING
1283
00:26:46,372 --> 00:26:48,274
THEY BOUNDARIES.
1284
00:26:48,274 --> 00:26:50,943
ARE YOU HAPPY FOR THE WHOLE
1285
00:26:50,943 --> 00:26:51,744
SITUATION WITH ERICA
1286
00:26:51,744 --> 00:26:52,444
AND SCRAPPY?
1287
00:26:52,444 --> 00:26:53,379
I'M CONTENT.
1288
00:26:53,379 --> 00:26:54,246
I'LL BE HAPPY AFTER
1289
00:26:54,246 --> 00:26:55,715
THE MARRIAGE.
1290
00:26:55,715 --> 00:26:56,548
NOTHING'S EVER ENOUGH
1291
00:26:56,548 --> 00:26:57,216
FOR HER.
1292
00:26:57,216 --> 00:26:58,150
I'M GONNA MARRY THIS LADY
1293
00:26:58,150 --> 00:27:00,452
RIGHT HERE, AND I JUST SEE
1294
00:27:00,452 --> 00:27:01,888
A LOT OF NEGATIVITY, YOU KNOW
1295
00:27:01,888 --> 00:27:03,589
WHAT I'M SAYING?
1296
00:27:03,589 --> 00:27:05,825
BY PROPOSING TO ERICA, MY SON
1297
00:27:05,825 --> 00:27:07,694
IS MAKING THE BIGGEST MISTAKE
1298
00:27:07,694 --> 00:27:08,560
OF HIS LIFE.
1299
00:27:08,560 --> 00:27:10,262
SHE DON'T KNOW HER PLACE,
1300
00:27:10,262 --> 00:27:11,163
AND THAT'S WHERE THE ERROR IS
1301
00:27:11,163 --> 00:27:11,998
RIGHT NOW.
1302
00:27:11,998 --> 00:27:12,799
OH, WHOA, WHOA.
1303
00:27:12,799 --> 00:27:15,802
[all shouting]
1304
00:27:15,802 --> 00:27:18,805
[both yelling indistinctly]
1305
00:27:19,471 --> 00:27:20,139
GO GET IN THE CAR.
1306
00:27:20,139 --> 00:27:20,807
GO GET IN THE--
1307
00:27:20,807 --> 00:27:21,473
GO GET IN THE CAR.
1308
00:27:21,473 --> 00:27:22,541
GET THE [bleep] OUT MY HOUSE!
1309
00:27:22,541 --> 00:27:24,043
TAKE HER OUT MY HOUSE!
1310
00:27:24,043 --> 00:27:26,012
[bleep] DISRESPECTFUL.
1311
00:27:26,012 --> 00:27:27,046
YOU FEEL ME?
1312
00:27:27,046 --> 00:27:27,947
STOP, STOP, STOP!
1313
00:27:27,947 --> 00:27:28,948
AND SHE HIT MY--
1314
00:27:28,948 --> 00:27:30,416
STOP, STOP!
1315
00:27:30,416 --> 00:27:31,751
MOMMA, GET IN THE CAR.
1316
00:27:31,751 --> 00:27:33,720
LET THE [bleep] RIDE.
1317
00:27:33,720 --> 00:27:34,854
THAT INSENSITIVE BITCH,
1318
00:27:34,854 --> 00:27:36,522
ERICA, HAD TO STRIKE AGAIN,
1319
00:27:36,522 --> 00:27:37,724
HER AND HER MAMA.
1320
00:27:37,724 --> 00:27:39,926
SMOKE A STRAIGHT SHOOTER, BITCH.
1321
00:27:39,926 --> 00:27:40,793
HEY, MAN.
1322
00:27:40,793 --> 00:27:41,560
YOU BETTER GET YOUR HANDS
1323
00:27:41,560 --> 00:27:42,261
OFF ME, SCRAP.
1324
00:27:42,261 --> 00:27:43,129
DON'T TOUCH MY MAMA.
1325
00:27:43,129 --> 00:27:43,930
THAT MOTHER[bleep]
1326
00:27:43,930 --> 00:27:45,331
GODDAMN BITCH.
1327
00:27:45,331 --> 00:27:48,334
[all yelling indistinctly]
1328
00:27:53,239 --> 00:27:54,406
TALKING ABOUT YOU IS A PIMP.
1329
00:27:54,406 --> 00:27:55,141
THAT'S A HO.
1330
00:27:55,141 --> 00:27:56,508
BITCH, I'LL KICK YOUR ASS.
1331
00:27:56,508 --> 00:27:58,410
HE A PUNK LIKE HIS PUNK MAMA.
1332
00:27:58,410 --> 00:28:00,112
DIE, BITCHES, DIE!
1333
00:28:00,112 --> 00:28:01,480
HE GOING TO HELL.
1334
00:28:01,480 --> 00:28:03,515
OH, MY GOD, ALL RIGHT.
1335
00:28:03,515 --> 00:28:04,884
LET'S START WITH A FAN QUESTION.
1336
00:28:04,884 --> 00:28:06,552
THIS ONE'S TO YOU, ERICA.
1337
00:28:06,552 --> 00:28:08,054
"DO YOU FEEL LIKE YOU WERE WRONG
1338
00:28:08,054 --> 00:28:09,388
FOR GOING OFF ON MOMMA DEE
1339
00:28:09,388 --> 00:28:10,189
AT THE FAMILY DINNER?"
1340
00:28:10,189 --> 00:28:11,523
ABSOLUTELY NOT, 'CAUSE WHAT
1341
00:28:11,523 --> 00:28:13,525
YOU DIDN'T SEE WAS ERICA BEING
1342
00:28:13,525 --> 00:28:15,828
CALLED A BITCH AGAIN.
1343
00:28:15,828 --> 00:28:16,796
IT DIDN'T FULLY COME OUT,
1344
00:28:16,796 --> 00:28:17,663
BECAUSE SCRAP SAID,
1345
00:28:17,663 --> 00:28:18,397
"MA, HOLD ON."
1346
00:28:18,397 --> 00:28:19,065
MOMMA DEE.
1347
00:28:19,065 --> 00:28:19,766
THAT'S NOT TRUE.
1348
00:28:19,766 --> 00:28:20,399
OKAY.
1349
00:28:20,399 --> 00:28:22,168
I NEVER CALLED HER A BITCH.
1350
00:28:22,168 --> 00:28:23,836
HE CHECKED IT, AND THEN ALL OF
1351
00:28:23,836 --> 00:28:24,771
A SUDDEN, SHE JUST CAME FROM
1352
00:28:24,771 --> 00:28:25,772
NOWHERE AND--
1353
00:28:25,772 --> 00:28:26,773
SO YOU WERE JUST AT THE TABLE
1354
00:28:26,773 --> 00:28:27,473
ALL CALM.
1355
00:28:27,473 --> 00:28:28,674
YOU DIDN'T DO ANYTHING.
1356
00:28:28,674 --> 00:28:29,475
NO, I DIDN'T DO ANYTHING
1357
00:28:29,475 --> 00:28:30,542
AT FIRST.
1358
00:28:30,542 --> 00:28:31,210
OKAY.
1359
00:28:31,210 --> 00:28:32,378
AT FIRST, I DIDN'T.
1360
00:28:32,378 --> 00:28:33,312
BUT AT THIS POINT,
1361
00:28:33,312 --> 00:28:34,280
THEY WERE ENGAGED.
1362
00:28:34,280 --> 00:28:35,647
SCRAPPY HAD MADE HIS DECISION.
1363
00:28:35,647 --> 00:28:36,883
WHY NOT JUST ACCEPT IT?
1364
00:28:36,883 --> 00:28:37,784
I DON'T HAVE TO ACCEPT
1365
00:28:37,784 --> 00:28:39,118
ANYTHING I DON'T LIKE.
1366
00:28:39,118 --> 00:28:41,087
I WOULD NEVER DO THAT.
1367
00:28:41,087 --> 00:28:42,321
ALL RIGHT, WELL...
1368
00:28:42,321 --> 00:28:43,089
[scattered laughter]
1369
00:28:43,089 --> 00:28:45,892
MIGNON, YOU ACTUALLY CALLED IT
1370
00:28:45,892 --> 00:28:46,558
EARLY ON.
1371
00:28:46,558 --> 00:28:47,626
DID YOU EVER ACTUALLY THINK
1372
00:28:47,626 --> 00:28:48,694
THESE TWO WOULD GET MARRIED
1373
00:28:48,694 --> 00:28:49,361
FOR REAL?
1374
00:28:49,361 --> 00:28:51,831
AT FIRST, I DIDN'T, AND THEN
1375
00:28:51,831 --> 00:28:53,365
THE MORE RELATIONSHIP WENT ON,
1376
00:28:53,365 --> 00:28:55,234
THE MORE I SEEN THEM TOGETHER,
1377
00:28:55,234 --> 00:28:56,668
I FELT THAT IT WOULD HAVE
1378
00:28:56,668 --> 00:28:58,204
HAPPENED IF MOMMA DEE WOULD STAY
1379
00:28:58,204 --> 00:28:59,305
IN MOMMA DEE'S PLACE.
1380
00:28:59,305 --> 00:29:00,306
SO SHE NEEDS TO UNDERSTAND SHE
1381
00:29:00,306 --> 00:29:01,640
NOT GONNA DISRESPECT US.
1382
00:29:01,640 --> 00:29:02,909
I'M NOT GONNA GO FOR IT.
1383
00:29:02,909 --> 00:29:04,143
I SAID THAT FOR A LONG TIME.
1384
00:29:04,143 --> 00:29:04,811
[cheers and applause]
1385
00:29:04,811 --> 00:29:07,013
[speaking indistinctly]
1386
00:29:07,013 --> 00:29:08,714
I SAID THAT FOR A LONG TIME.
1387
00:29:08,714 --> 00:29:09,882
IF YOU CALL YOURSELF A QUEEN,
1388
00:29:09,882 --> 00:29:10,883
ACT LIKE A QUEEN.
1389
00:29:10,883 --> 00:29:13,853
[both speaking indistinctly]
1390
00:29:13,853 --> 00:29:14,887
YOU ACT LIKE TRASH, YOU GONNA
1391
00:29:14,887 --> 00:29:16,588
BE KNOWN AS TRASH.
1392
00:29:16,588 --> 00:29:17,890
YOU'RE A PROBLEM TO US,
1393
00:29:17,890 --> 00:29:19,225
AND YOU'RE A PROBLEM TO ME,
1394
00:29:19,225 --> 00:29:20,192
AND I'D LIKE FOR YOU TO
1395
00:29:20,192 --> 00:29:21,393
KNOW WHY.
1396
00:29:21,393 --> 00:29:22,361
SOLVE IT.
1397
00:29:22,361 --> 00:29:23,963
ALL RIGHT, SO, MOMMA DEE,
1398
00:29:23,963 --> 00:29:24,696
THIS QUESTION'S ACTUALLY
1399
00:29:24,696 --> 00:29:25,364
FOR YOU.
1400
00:29:25,364 --> 00:29:26,332
IT'S A FAN QUESTION FROM CHERYL
1401
00:29:26,332 --> 00:29:27,934
D., WHO WANTS TO KNOW, "DO YOU
1402
00:29:27,934 --> 00:29:29,301
THINK YOU WENT TOO FAR WHEN YOU
1403
00:29:29,301 --> 00:29:31,103
TOLD MIGNON TO SMOKE
1404
00:29:31,103 --> 00:29:32,471
A STRAIGHT SHOOTER?"
1405
00:29:32,471 --> 00:29:34,306
I THINK I DID.
1406
00:29:34,306 --> 00:29:35,407
WHAT DOES THAT MEAN EXACTLY?
1407
00:29:35,407 --> 00:29:36,475
IT'S A CRACK PIPE.
1408
00:29:36,475 --> 00:29:37,209
OKAY.
1409
00:29:37,209 --> 00:29:38,077
AND WE ALL KNOW THAT
1410
00:29:38,077 --> 00:29:38,744
MIGNON HAS--
1411
00:29:38,744 --> 00:29:39,545
MIGNON IS A RECOVERING
1412
00:29:39,545 --> 00:29:40,212
ADDICT.
1413
00:29:40,212 --> 00:29:41,580
I GOT 11 YEARS CLEAN.
1414
00:29:41,580 --> 00:29:42,448
HOW ABOUT HER?
1415
00:29:42,448 --> 00:29:44,050
[cheers and applause]
1416
00:29:44,050 --> 00:29:45,417
MM-HMM, MM-HMM.
1417
00:29:45,417 --> 00:29:46,318
WHATEVER.
1418
00:29:46,318 --> 00:29:49,021
I CAN'T--I CAN'T--
1419
00:29:49,021 --> 00:29:50,022
ALL RIGHT, WELL, SCRAPPY,
1420
00:29:50,022 --> 00:29:50,857
THE MOTHERS MAY HAVE PLAYED
1421
00:29:50,857 --> 00:29:51,924
A ROLE, BUT ERICA SAID THAT
1422
00:29:51,924 --> 00:29:52,724
THERE WERE TEXTS FROM
1423
00:29:52,724 --> 00:29:53,559
OTHER WOMEN.
1424
00:29:53,559 --> 00:29:54,460
MM-HMM.
1425
00:29:54,460 --> 00:29:55,527
TELL THE TRUTH.
1426
00:29:55,527 --> 00:29:56,695
WERE YOU CHEATING ON ERICA AFTER
1427
00:29:56,695 --> 00:29:57,396
YOU GUYS GOT ENGAGED?
1428
00:29:57,396 --> 00:29:58,064
NO.
1429
00:29:58,064 --> 00:29:59,031
ERICA, DO YOU BELIEVE HIM?
1430
00:29:59,031 --> 00:29:59,866
NO, NO, NOT AT ALL.
1431
00:29:59,866 --> 00:30:00,632
SHE NEVER BELIEVED ME.
1432
00:30:00,632 --> 00:30:01,567
WHY WOULD YOU ASK SOMEBODY--
1433
00:30:01,567 --> 00:30:02,501
HAVE YOU EVER HEARD OF ANY
1434
00:30:02,501 --> 00:30:03,235
OF THESE WOMEN THAT WERE
1435
00:30:03,235 --> 00:30:03,903
TEXTING HIM?
1436
00:30:03,903 --> 00:30:04,703
DID YOU KNOW WHO THEY WERE?
1437
00:30:04,703 --> 00:30:05,504
YUP, IT WAS ONE OF HIS EXES
1438
00:30:05,504 --> 00:30:06,973
HE HAD JUST SEEN.
1439
00:30:06,973 --> 00:30:08,040
DANA WAS ONE OF HIS HOMEBOY'S
1440
00:30:08,040 --> 00:30:09,241
BABY MAMA.
1441
00:30:09,241 --> 00:30:09,909
all: OOH.
1442
00:30:09,909 --> 00:30:10,776
SO...
1443
00:30:10,776 --> 00:30:11,443
DOES THAT RING
1444
00:30:11,443 --> 00:30:12,211
A BELL, SCRAPPY?
1445
00:30:12,211 --> 00:30:13,345
OKAY, SINCE WE GONNA DO IT
1446
00:30:13,345 --> 00:30:14,580
LIKE THAT, ERICA'S NOT
1447
00:30:14,580 --> 00:30:15,747
A PERFECT PERSON.
1448
00:30:15,747 --> 00:30:16,748
I NEVER SAID I WAS.
1449
00:30:16,748 --> 00:30:18,450
NO, BUT SCRAPPY NEVER AIRS
1450
00:30:18,450 --> 00:30:19,351
OUT ERICA.
1451
00:30:19,351 --> 00:30:20,486
SCRAPPY NEVER AIRS OUT ERICA
1452
00:30:20,486 --> 00:30:22,088
DYSFUNCTIONAL SITUATION.
1453
00:30:22,088 --> 00:30:23,055
WHAT'S MY DYSFUNCTIONAL
1454
00:30:23,055 --> 00:30:24,523
SITUATION?
1455
00:30:24,523 --> 00:30:25,391
DON'T DO THAT, SCRAPPY.
1456
00:30:25,391 --> 00:30:26,158
PLEASE DON'T.
1457
00:30:26,158 --> 00:30:26,926
SOMEBODY HUSBAND SHE WAS
1458
00:30:26,926 --> 00:30:27,593
DEALING WITH.
1459
00:30:27,593 --> 00:30:28,527
ARE YOU SAYING--YOU AIN'T--
1460
00:30:28,527 --> 00:30:29,761
REALLY?
1461
00:30:29,761 --> 00:30:30,529
I WAS MESSING WITH
1462
00:30:30,529 --> 00:30:31,530
SOMEBODY'S HUSBAND?
1463
00:30:31,530 --> 00:30:32,798
IS THAT WHAT YOU GONNA DO?
1464
00:30:32,798 --> 00:30:33,465
COME ON, GIRL.
1465
00:30:33,465 --> 00:30:34,133
IS THAT WHAT YOU--
1466
00:30:34,133 --> 00:30:34,800
OKAY, YOU RIGHT.
1467
00:30:34,800 --> 00:30:36,268
THE TRUTH WILL SPEAK FOR ITSELF.
1468
00:30:36,268 --> 00:30:37,336
HEY, YOU GONNA WHIP ME?
1469
00:30:37,336 --> 00:30:38,137
YOU GONNA WHIP ME?
1470
00:30:38,137 --> 00:30:38,971
IT SOUNDS LIKE YOU--
1471
00:30:38,971 --> 00:30:39,838
YOU'RE THROWING UP SMOKE
1472
00:30:39,838 --> 00:30:41,340
SCREENS RIGHT NOW, SCRAPPY.
1473
00:30:41,340 --> 00:30:42,508
WELL, THERE IS ANOTHER WOMAN
1474
00:30:42,508 --> 00:30:44,010
BESIDES MOMMA DEE WHO DIDN'T
1475
00:30:44,010 --> 00:30:45,244
BELIEVE ERICA WAS THE RIGHT ONE
1476
00:30:45,244 --> 00:30:46,678
FOR SCRAPPY, AND THAT WAS
1477
00:30:46,678 --> 00:30:48,180
SHAY JOHNSON.
1478
00:30:48,180 --> 00:30:49,348
LET'S BRING HER UP.
1479
00:30:49,348 --> 00:30:50,182
COME HERE, BABY.
1480
00:30:50,182 --> 00:30:51,450
[audience jeers]
1481
00:30:51,450 --> 00:30:54,053
[scattered applause]
1482
00:30:54,053 --> 00:30:54,720
HEY, BABY.
1483
00:30:54,720 --> 00:30:57,156
HI.
1484
00:30:57,156 --> 00:30:58,324
SO, SHAY--
1485
00:30:58,324 --> 00:30:59,926
I'M NOT A PART OF THAT.
1486
00:30:59,926 --> 00:31:01,961
YES, YOU ARE.
1487
00:31:01,961 --> 00:31:02,661
DON'T DO THAT.
1488
00:31:02,661 --> 00:31:03,996
I JUST WANT TO--LIKE, 'CAUSE
1489
00:31:03,996 --> 00:31:04,931
WHERE I'M AT RIGHT NOW, I'M IN
1490
00:31:04,931 --> 00:31:06,165
A GOOD SPACE IN MY LIFE.
1491
00:31:06,165 --> 00:31:06,933
YOU FEEL ME?
1492
00:31:06,933 --> 00:31:07,733
QUIT TEXTING ME.
1493
00:31:07,733 --> 00:31:09,001
LEAVE ME ALONE.
1494
00:31:09,001 --> 00:31:10,002
ARE YOU STILL TEXTING ERICA?
1495
00:31:10,002 --> 00:31:11,170
HELL YEAH.
1496
00:31:11,170 --> 00:31:11,938
YOU STILL TRYING TO GET
1497
00:31:11,938 --> 00:31:12,538
WITH ERICA.
1498
00:31:12,538 --> 00:31:13,205
THAT MY LOVE.
1499
00:31:13,205 --> 00:31:14,206
I LOVE HER, YOU FEEL ME?
1500
00:31:14,206 --> 00:31:15,007
NO, I'M MESSING WITH
1501
00:31:15,007 --> 00:31:15,674
A MARRIED MAN.
1502
00:31:15,674 --> 00:31:16,408
SEE?
1503
00:31:16,408 --> 00:31:17,376
SEE, THAT'S REAL, THOUGH.
1504
00:31:17,376 --> 00:31:18,244
SEE, THAT'S REAL.
1505
00:31:18,244 --> 00:31:19,245
THAT'S REAL.
1506
00:31:19,245 --> 00:31:20,812
I'M GONNA BE REAL.
1507
00:31:20,812 --> 00:31:21,747
I MEAN, WE TEXT, BUT WE
1508
00:31:21,747 --> 00:31:23,115
ARE FRIENDS.
1509
00:31:23,115 --> 00:31:24,350
HE WAS JUST--HE WANTED TO KNOW,
1510
00:31:24,350 --> 00:31:25,717
WHEN HE WAS IN REHAB, IF I WAS
1511
00:31:25,717 --> 00:31:26,518
DEALING WITH ANYBODY.
1512
00:31:26,518 --> 00:31:27,819
HE TELLS ME HE MISS ME, LET ME--
1513
00:31:27,819 --> 00:31:28,955
HE--HE--WHILE HE WAS
1514
00:31:28,955 --> 00:31:29,655
IN REHAB--
1515
00:31:29,655 --> 00:31:30,589
AND THAT'S A LIE.
1516
00:31:30,589 --> 00:31:31,390
YOU FEEL ME?
1517
00:31:31,390 --> 00:31:32,124
THAT'S A LIE.
1518
00:31:32,124 --> 00:31:35,127
[all talking at once]
1519
00:31:36,495 --> 00:31:37,163
I DO THAT.
1520
00:31:37,163 --> 00:31:38,497
AND THAT'S REAL.
1521
00:31:38,497 --> 00:31:39,298
AND THEN YOU TEXTING HER?
1522
00:31:39,298 --> 00:31:40,332
YES, HE WAS.
1523
00:31:40,332 --> 00:31:41,133
AND THAT'S REAL.
1524
00:31:41,133 --> 00:31:42,268
LET'S HEAR THE FACTS HERE
1525
00:31:42,268 --> 00:31:43,069
OF THE SITUATION.
1526
00:31:43,069 --> 00:31:44,170
WERE YOU AND SCRAPPY TOGETHER AT
1527
00:31:44,170 --> 00:31:45,204
ALL THIS SEASON WHILE THESE TWO
1528
00:31:45,204 --> 00:31:46,538
WERE ENGAGED?
1529
00:31:46,538 --> 00:31:47,706
WELL, HE WAS TELLING ME THEY
1530
00:31:47,706 --> 00:31:48,975
WEREN'T ENGAGED ANYMORE, SO
1531
00:31:48,975 --> 00:31:50,509
SCRAPPY AND I DID DO A COUPLE
1532
00:31:50,509 --> 00:31:51,843
THINGS, YES, BUT THEY WEREN'T
1533
00:31:51,843 --> 00:31:52,611
TOGETHER ANYMORE.
1534
00:31:52,611 --> 00:31:53,445
IS THAT THE NEW WAY OF SAYING
1535
00:31:53,445 --> 00:31:54,313
YOU SLEPT TOGETHER, "YOU DID
1536
00:31:54,313 --> 00:31:55,314
A COUPLE THINGS"?
1537
00:31:55,314 --> 00:31:56,048
I MEAN, BECAUSE IT'S
1538
00:31:56,048 --> 00:31:56,782
NOTHING NOW.
1539
00:31:56,782 --> 00:31:57,616
IT'S ABSOLUTELY NOTHING NOW.
1540
00:31:57,616 --> 00:31:59,818
LIKE, AT THE END OF THE DAY,
1541
00:31:59,818 --> 00:32:00,752
I MESS WITH PEOPLE THAT MESS
1542
00:32:00,752 --> 00:32:01,487
WITH ME.
1543
00:32:01,487 --> 00:32:03,322
I DONE BEEN THERE WITH ERICA,
1544
00:32:03,322 --> 00:32:04,223
AND, YEAH, I DONE DID A LOT OF
1545
00:32:04,223 --> 00:32:05,324
WRONG, YOU KNOW WHAT I'M--
1546
00:32:05,324 --> 00:32:06,158
LIKE, SHOOT, I DON'T EVEN KNOW
1547
00:32:06,158 --> 00:32:07,526
WHY SHE TOOK ME BACK SOMETIME,
1548
00:32:07,526 --> 00:32:08,860
BUT AT THE END OF THE DAY, WHEN
1549
00:32:08,860 --> 00:32:11,097
YOU GET IT RIGHT AND YOU TRY,
1550
00:32:11,097 --> 00:32:11,797
YOU KNOW WHAT I'M SAYING,
1551
00:32:11,797 --> 00:32:12,864
AND THAT'S STILL NOT ENOUGH,
1552
00:32:12,864 --> 00:32:14,533
AND YOU BE LIKE--I MEAN, WHAT
1553
00:32:14,533 --> 00:32:16,535
ELSE AM I SUPPOSED TO DO?
1554
00:32:16,535 --> 00:32:17,669
WELL, WHAT YOU SHOULD DO IS
1555
00:32:17,669 --> 00:32:18,737
BREAK UP WITH HER BEFORE YOU
1556
00:32:18,737 --> 00:32:19,405
SLEEP WITH HER.
1557
00:32:19,405 --> 00:32:20,072
I DID DO THAT.
1558
00:32:20,072 --> 00:32:21,007
OH, YOU DID.
1559
00:32:21,007 --> 00:32:21,640
NO, SHE DID THAT.
1560
00:32:21,640 --> 00:32:23,009
ALL RIGHT, WELL, THIS SEASON,
1561
00:32:23,009 --> 00:32:24,076
ERICA AND SHAY FINALLY GOT
1562
00:32:24,076 --> 00:32:25,344
A CHANCE TO TALK ONE-ON-ONE,
1563
00:32:25,344 --> 00:32:27,046
BUT THERE WASN'T MUCH TALKING
1564
00:32:27,046 --> 00:32:28,014
ONCE THE TWO OF THEM CAME
1565
00:32:28,014 --> 00:32:29,181
FACE-TO-FACE.
1566
00:32:29,181 --> 00:32:30,416
LET'S TAKE A LOOK AT WHAT WENT
1567
00:32:30,416 --> 00:32:32,584
DOWN AT KARLIE'S LAUNCH PARTY.
1568
00:32:32,584 --> 00:32:33,385
LET ME BE THE FIRST ONE
1569
00:32:33,385 --> 00:32:34,053
TO START.
1570
00:32:34,053 --> 00:32:36,188
MY ISSUE WITH YOU IS, WHY MY
1571
00:32:36,188 --> 00:32:37,189
NAME KEEP BEING IN YOUR MOUTH?
1572
00:32:37,189 --> 00:32:38,324
I CAME TO THE SCENE WITH
1573
00:32:38,324 --> 00:32:39,591
RESPECT, BUT SOON AS THIS BUM
1574
00:32:39,591 --> 00:32:40,826
BITCH CAME TALKING [bleep] ABOUT
1575
00:32:40,826 --> 00:32:41,927
ME, HAVING HER NAME IN HER
1576
00:32:41,927 --> 00:32:43,195
MOUTH, BITCH, I DON'T GIVE A
1577
00:32:43,195 --> 00:32:44,096
[bleep] WITH WHAT WE SUPPOSED TO
1578
00:32:44,096 --> 00:32:44,763
BE TALKING ABOUT.
1579
00:32:44,763 --> 00:32:45,597
IT'S ON NOW BECAUSE
1580
00:32:45,597 --> 00:32:46,598
YOU DISRESPECTED.
1581
00:32:46,598 --> 00:32:47,433
ERICA.
1582
00:32:47,433 --> 00:32:49,735
WHAT YOU GONNA DO?
1583
00:32:49,735 --> 00:32:51,237
SHUT THE [bleep] UP!
1584
00:32:51,237 --> 00:32:52,104
WHAT YOU WANT TO DO?
1585
00:32:52,104 --> 00:32:52,771
WHAT THE [bleep]?
1586
00:32:52,771 --> 00:32:53,439
BITCH.
1587
00:32:53,439 --> 00:32:55,607
[shouting indistinctly]
1588
00:32:55,607 --> 00:32:56,275
[glass bangs]
1589
00:32:56,275 --> 00:32:57,643
WHEN I SEE YOUR ASS, HO.
1590
00:32:57,643 --> 00:33:00,646
[all shouting indistinctly]
1591
00:33:03,482 --> 00:33:05,051
COME ON, WHAT YOU WANT TO DO?
1592
00:33:05,051 --> 00:33:06,452
BRING YOUR ASS OUT!
1593
00:33:06,452 --> 00:33:09,921
BRING YOUR ASS OUT, BITCH!
1594
00:33:09,921 --> 00:33:11,223
SHAY, I KNOW YOU'VE EXPRESSED
1595
00:33:11,223 --> 00:33:12,491
WANTING TO SAY CERTAIN THINGS.
1596
00:33:12,491 --> 00:33:13,259
YOU FEEL LIKE YOU'VE GOTTEN
1597
00:33:13,259 --> 00:33:14,493
ALL--IT ALL OFF YOUR CHEST.
1598
00:33:14,493 --> 00:33:15,494
I'M--SHE'S NOT GONNA
1599
00:33:15,494 --> 00:33:16,362
EVER LISTEN.
1600
00:33:16,362 --> 00:33:17,063
WE NOT GONNA BE FRIENDS.
1601
00:33:17,063 --> 00:33:17,696
THERE'S NOTHING ELSE TO
1602
00:33:17,696 --> 00:33:18,464
TALK ABOUT.
1603
00:33:18,464 --> 00:33:19,165
I'M NOT WITH HIM.
1604
00:33:19,165 --> 00:33:20,332
SHE'S NOT WITH HIM.
1605
00:33:20,332 --> 00:33:21,267
IT DOESN'T REALLY MATTER IF THEY
1606
00:33:21,267 --> 00:33:22,234
GOT BACK TOGETHER OR NOT.
1607
00:33:22,234 --> 00:33:23,369
THAT'S NOT MY BUSINESS ANYMORE.
1608
00:33:23,369 --> 00:33:24,436
I'VE MOVED FORWARD.
1609
00:33:24,436 --> 00:33:25,904
I'M DATING SOMEBODY ELSE.
1610
00:33:25,904 --> 00:33:26,805
SO IT JUST IS WHAT IT IS.
1611
00:33:26,805 --> 00:33:27,473
GOOD FOR YOU.
1612
00:33:27,473 --> 00:33:28,507
[chortles]
1613
00:33:28,507 --> 00:33:29,241
'CAUSE SHE COULDN'T
1614
00:33:29,241 --> 00:33:29,908
KEEP HERS.
1615
00:33:29,908 --> 00:33:31,777
[laughs mockingly]
1616
00:33:31,777 --> 00:33:32,744
GIRL, I TAKE YOURS.
1617
00:33:32,744 --> 00:33:33,412
[laughs mockingly]
1618
00:33:33,412 --> 00:33:34,546
YOU WISH YOU COULD WITH THEM
1619
00:33:34,546 --> 00:33:36,282
SAGGY-ASS TITTIES.
1620
00:33:36,282 --> 00:33:37,249
BREAST LIFT, BITCH.
1621
00:33:37,249 --> 00:33:38,617
FIX YOUR FACE, BITCH.
1622
00:33:38,617 --> 00:33:40,352
YOU UGLY AS [bleep].
1623
00:33:40,352 --> 00:33:41,887
BREAST LIFT.
1624
00:33:41,887 --> 00:33:42,921
YOUR MAN GONNA PAY FOR IT.
1625
00:33:42,921 --> 00:33:43,755
WHY YOU TALKING [bleep]?
1626
00:33:43,755 --> 00:33:45,091
YEAH, AND I GOT YOURS ANYTIME
1627
00:33:45,091 --> 00:33:45,924
I WANT HIM.
1628
00:33:45,924 --> 00:33:46,658
GIRL, BYE, HE GOT--
1629
00:33:46,658 --> 00:33:48,260
YES, YES.
1630
00:33:48,260 --> 00:33:49,861
YES, I GOT--ANYTIME.
1631
00:33:49,861 --> 00:33:51,363
ANYTIME, BABY.
1632
00:33:51,363 --> 00:33:52,698
[both talking at once]
1633
00:33:52,698 --> 00:33:54,100
YOU NEVER HAD HIM.
1634
00:33:54,100 --> 00:33:55,301
NEXT, WE'VE GOT A SPECIAL
1635
00:33:55,301 --> 00:33:56,835
PERFORMANCE FROM K MICHELLE.
1636
00:33:56,835 --> 00:33:58,104
WE'LL BE BACK WITH MORE LOVE AND
1637
00:33:58,104 --> 00:34:01,707
HIP-HOP: ATLANTA: THE REUNION.
1638
00:34:01,707 --> 00:34:02,774
[percussive music]
1639
00:34:02,774 --> 00:34:04,743
♪
1640
00:34:04,743 --> 00:34:06,678
* WHATEVER YOU LIKE
1641
00:34:06,678 --> 00:34:08,514
♪ YEAH, YEAH
1642
00:34:08,514 --> 00:34:10,516
*THIS IS THE LIFE ♪
1643
00:34:12,951 --> 00:34:14,220
* THIS IS THE LIFE
1644
00:34:14,220 --> 00:34:17,223
[cheers and applause]
1645
00:34:18,324 --> 00:34:20,025
WELCOME BACK TO PART TWO
1646
00:34:20,025 --> 00:34:21,327
OF LOVE AND HIP-HOP: ATLANTA:
1647
00:34:21,327 --> 00:34:22,628
THE REUNION.
1648
00:34:22,628 --> 00:34:24,263
AS SOME OF YOU MAY HAVE ALREADY
1649
00:34:24,263 --> 00:34:25,997
HEARD, ONE OF OUR CAST MEMBERS
1650
00:34:25,997 --> 00:34:27,133
IS MOVING ON FROM OUR
1651
00:34:27,133 --> 00:34:28,334
ATLANTA SHOW.
1652
00:34:28,334 --> 00:34:30,136
K MICHELLE WILL NOT BE RETURNING
1653
00:34:30,136 --> 00:34:31,137
NEXT SEASON.
1654
00:34:31,137 --> 00:34:31,937
[audience groans]
1655
00:34:31,937 --> 00:34:33,572
YEAH, AND WHILE THE BAD NEWS IS
1656
00:34:33,572 --> 00:34:34,806
THAT K MICHELLE IS LEAVING
1657
00:34:34,806 --> 00:34:36,942
ATLANTA, SHE IS RELOCATING TO
1658
00:34:36,942 --> 00:34:38,144
NEW YORK, WHERE SHE WILL BE
1659
00:34:38,144 --> 00:34:39,645
JOINING THE CAST OF LOVE AND
1660
00:34:39,645 --> 00:34:41,347
HIP-HOP: NEW YORK.
1661
00:34:41,347 --> 00:34:43,849
[cheers and applause]
1662
00:34:43,849 --> 00:34:45,417
YUP, BUT BEFORE SHE GOES, WE
1663
00:34:45,417 --> 00:34:47,519
HAVE A VERY SPECIAL PERFORMANCE
1664
00:34:47,519 --> 00:34:48,654
FROM HER TONIGHT.
1665
00:34:48,654 --> 00:34:49,821
FROM HERATLANTIC RECORDS
1666
00:34:49,821 --> 00:34:51,923
RELEASE, REBELLIOUS SOUL, IN
1667
00:34:51,923 --> 00:34:54,193
STORES NOW, GIVE IT UP FOR OUR
1668
00:34:54,193 --> 00:34:56,528
VERY OWN K MICHELLE, PERFORMING
1669
00:34:56,528 --> 00:34:59,165
HER HIT SINGLE V.S.O.P.
1670
00:34:59,165 --> 00:35:02,168
[cheers and applause]
1671
00:35:05,271 --> 00:35:06,172
* WE GONNA LIGHT
1672
00:35:06,172 --> 00:35:08,674
♪ SOME CANDLES, BABY
1673
00:35:08,674 --> 00:35:12,244
♪ POUR SOME HENNEY
1674
00:35:12,244 --> 00:35:15,181
♪ YEAH
1675
00:35:15,181 --> 00:35:16,982
♪ SING MY SONG
1676
00:35:16,982 --> 00:35:18,417
♪ OH, OH
1677
00:35:18,417 --> 00:35:22,754
♪ OH, YEAH
1678
00:35:22,754 --> 00:35:24,656
♪ HIT THE LIGHTS
1679
00:35:24,656 --> 00:35:26,825
♪ CAN'T LET NO ONE SEE ME ♪
1680
00:35:26,825 --> 00:35:28,860
♪ GET DOWN
1681
00:35:28,860 --> 00:35:30,296
♪ IT'S ALL RIGHT ♪
1682
00:35:30,296 --> 00:35:31,563
♪ I KNOW THEY THINK
1683
00:35:31,563 --> 00:35:34,233
♪ I GET AROUND
1684
00:35:34,233 --> 00:35:36,001
♪ YOU AND I
1685
00:35:36,001 --> 00:35:37,068
♪ GOT SOMETHING
1686
00:35:37,068 --> 00:35:40,206
♪ THEY CAN'T KNOW ABOUT ♪
1687
00:35:40,206 --> 00:35:42,608
♪ REALLY ONLY HEAVEN KNOWS
1688
00:35:42,608 --> 00:35:43,842
♪ MY HEART
1689
00:35:43,842 --> 00:35:44,910
♪ 'CAUSE YOU KNOW ♪
1690
00:35:44,910 --> 00:35:48,680
♪ THIS AIN'T AN ORDINARY LOVE ♪
1691
00:35:48,680 --> 00:35:50,816
♪ WE GOT SO MUCH HISTORY
1692
00:35:50,816 --> 00:35:53,852
♪ IN THE STORIES ABOUT US
1693
00:35:53,852 --> 00:35:56,222
♪ SO COME ON OVER, BABY
1694
00:35:56,222 --> 00:35:56,955
* WE GONNA LIGHT
1695
00:35:56,955 --> 00:35:59,525
♪ SOME CANDLES TONIGHT
1696
00:35:59,525 --> 00:36:00,326
* WE GONNA LIGHT
1697
00:36:00,326 --> 00:36:03,595
♪ SOME CANDLES, YEAH
1698
00:36:03,595 --> 00:36:05,964
♪WHATEVER YOU LIKE ♪
1699
00:36:05,964 --> 00:36:07,433
* VERY SPECIAL
1700
00:36:07,433 --> 00:36:08,700
♪ GOT SOME HENNEY
1701
00:36:08,700 --> 00:36:09,635
♪ CHILLIN' ON ICE ♪
1702
00:36:09,635 --> 00:36:10,502
* GOT SOME HENNEY
1703
00:36:10,502 --> 00:36:11,837
♪ CHILLIN' ON ICE ♪
1704
00:36:11,837 --> 00:36:14,740
* VERY SPECIAL
1705
00:36:14,740 --> 00:36:15,641
* HOPE YOU MAKE THE REST
1706
00:36:15,641 --> 00:36:17,476
♪ OF MY LIFE
1707
00:36:17,476 --> 00:36:23,114
♪ VERY SPECIAL
1708
00:36:23,114 --> 00:36:25,684
♪ ALL NIGHT
1709
00:36:25,684 --> 00:36:27,553
♪ WARM MY BED
1710
00:36:27,553 --> 00:36:29,255
♪ IT'S A LITTLE COLD ♪
1711
00:36:29,255 --> 00:36:31,423
♪ ON YOUR SHOULDER
1712
00:36:31,423 --> 00:36:33,158
♪ MAMA SAID, YEAH
1713
00:36:33,158 --> 00:36:35,026
♪ I WOULD UNDERSTAND
1714
00:36:35,026 --> 00:36:37,128
♪ WHEN I'M OLDER ♪
1715
00:36:37,128 --> 00:36:38,930
♪ IN MY HEAD
1716
00:36:38,930 --> 00:36:40,966
♪ EVEN IF YOU TELL ME
1717
00:36:40,966 --> 00:36:43,101
♪ IT'S OVER ♪
1718
00:36:43,101 --> 00:36:45,170
♪ I'LL PRETEND YOU TOLD ME ♪
1719
00:36:45,170 --> 00:36:46,638
♪ I'M YOUR ALL ♪
1720
00:36:46,638 --> 00:36:47,839
♪ 'CAUSE YOU KNOW ♪
1721
00:36:47,839 --> 00:36:51,743
♪ THIS AIN'T AN ORDINARY LOVE ♪
1722
00:36:51,743 --> 00:36:53,745
♪ WE GOT SO MUCH HISTORY
1723
00:36:53,745 --> 00:36:56,582
♪ IN THE STORIES ABOUT US
1724
00:36:56,582 --> 00:36:59,285
♪ SO COME ON OVER
1725
00:36:59,285 --> 00:37:00,852
* GONNA LIGHT SOME CANDLES
1726
00:37:00,852 --> 00:37:02,821
* WE GONNA LIGHT
1727
00:37:02,821 --> 00:37:06,525
♪ SOME CANDLES, BABY
1728
00:37:06,525 --> 00:37:08,460
♪ WHATEVER YOU LIKE
1729
00:37:08,460 --> 00:37:10,462
♪ YEAH, BABY
1730
00:37:10,462 --> 00:37:12,498
♪ YEAH
1731
00:37:12,498 --> 00:37:13,565
♪ GOT SOME HENNEY
1732
00:37:13,565 --> 00:37:14,633
♪ CHILLIN' ON ICE ♪
1733
00:37:14,633 --> 00:37:15,801
* VERY SPECIAL
1734
00:37:15,801 --> 00:37:17,369
* OH
1735
00:37:17,369 --> 00:37:18,570
♪ I HOPE YOU MAKE THE REST
1736
00:37:18,570 --> 00:37:20,372
♪ OF MY LIFE
1737
00:37:20,372 --> 00:37:26,011
♪ VERY SPECIAL
1738
00:37:26,011 --> 00:37:27,212
♪ ALL NIGHT
1739
00:37:27,212 --> 00:37:27,979
*HE SUPPOSED TO BE ♪
1740
00:37:27,979 --> 00:37:28,647
♪ WITH YOU
1741
00:37:28,647 --> 00:37:29,515
♪ THAT WHAT EVERYBODY
1742
00:37:29,515 --> 00:37:30,181
♪ GONNA TELL ME
1743
00:37:30,181 --> 00:37:31,317
♪ BUT I CAN'T REALLY COUNT ♪
1744
00:37:31,317 --> 00:37:32,318
♪ ON WHAT EVERYBODY GONNA
1745
00:37:32,318 --> 00:37:33,118
♪ TELL ME
1746
00:37:33,118 --> 00:37:34,320
♪ SHE AIN'T SEEN HER BABY ♪
1747
00:37:34,320 --> 00:37:35,186
♪ IN A COUPLE DAYS
1748
00:37:35,186 --> 00:37:36,221
* A COUPLE DAYS
1749
00:37:36,221 --> 00:37:37,155
* I'M LOOKING AT MY BABY ♪
1750
00:37:37,155 --> 00:37:37,956
♪ RIGHT UP IN HIS FACE
1751
00:37:37,956 --> 00:37:38,890
* IN HIS FACE
1752
00:37:38,890 --> 00:37:40,326
♪ FLOWERS AND GIFTS
1753
00:37:40,326 --> 00:37:41,827
♪ RESTAURANTS
1754
00:37:41,827 --> 00:37:42,928
♪ I SWEAR HE BUY ME
1755
00:37:42,928 --> 00:37:44,663
♪ ANYTHING I WANT
1756
00:37:44,663 --> 00:37:46,798
♪ THAT'S WHY I'M SO QUICK ♪
1757
00:37:46,798 --> 00:37:48,834
♪ TO PUT THAT MUSIC ON FOR HIM
1758
00:37:48,834 --> 00:37:50,068
♪ LISTEN TO
1759
00:37:50,068 --> 00:37:53,939
♪ BABY
1760
00:37:53,939 --> 00:37:54,840
♪ WE GONNA LIGHT
1761
00:37:54,840 --> 00:37:58,143
* VERY SPECIAL
1762
00:37:58,143 --> 00:37:59,978
* WHATEVER YOU LIKE
1763
00:37:59,978 --> 00:38:03,214
♪ YEAH, YEAH
1764
00:38:03,214 --> 00:38:07,185
* VERY SPECIAL
1765
00:38:07,185 --> 00:38:11,923
* OH, OH, OH, YEAH
1766
00:38:11,923 --> 00:38:15,594
♪ALL NIGHT ♪
1767
00:38:15,594 --> 00:38:16,261
♪ YEAH
1768
00:38:16,261 --> 00:38:18,497
[cheers and applause]
1769
00:38:18,497 --> 00:38:20,031
THANK YOU.
1770
00:38:20,031 --> 00:38:21,700
GIVE IT UP FOR K MICHELLE.
1771
00:38:21,700 --> 00:38:24,436
[cheers and applause]
1772
00:38:24,436 --> 00:38:25,404
WE LOVE YOU.
1773
00:38:25,404 --> 00:38:26,237
WE GONNA MISS YOU.
1774
00:38:26,237 --> 00:38:26,972
THANK Y'ALL FOR THE
1775
00:38:26,972 --> 00:38:29,475
OPPORTUNITY, AND I WISH ALL OF
1776
00:38:29,475 --> 00:38:30,976
Y'ALL THE BEST, AND--
1777
00:38:30,976 --> 00:38:32,143
I'M SO EMOTIONAL.
1778
00:38:32,143 --> 00:38:33,745
YOU KNOW I BE CRYING AND CRAZY.
1779
00:38:33,745 --> 00:38:34,413
BUT...
1780
00:38:34,413 --> 00:38:35,180
[laughs]
1781
00:38:35,180 --> 00:38:36,247
THANK Y'ALL FOR DEALING WITH ME
1782
00:38:36,247 --> 00:38:37,649
AND THIS BIG-ASS MOUTH.
1783
00:38:37,649 --> 00:38:38,617
[laughter]
1784
00:38:38,617 --> 00:38:39,284
ALL RIGHT.
1785
00:38:39,284 --> 00:38:39,951
I LOVE Y'ALL.
1786
00:38:39,951 --> 00:38:41,119
DON'T GO ANYWHERE.
1787
00:38:41,119 --> 00:38:42,287
WE HAVE GOT MORE LOVE AND
1788
00:38:42,287 --> 00:38:44,122
HIP-HIP: ATLANTA: THE REUNION
1789
00:38:44,122 --> 00:38:45,190
COMING UP.
1790
00:38:45,190 --> 00:38:47,959
[cheers and applause]
1791
00:38:47,959 --> 00:38:49,561
IS JOSELINE'S MOUTH SOMETHING
1792
00:38:49,561 --> 00:38:50,796
YOU LOVE ABOUT HER?
1793
00:38:50,796 --> 00:38:51,463
YEAH, SOMETIMES.
1794
00:38:51,463 --> 00:38:52,898
HER MOUTHING OFF.
1795
00:38:52,898 --> 00:38:54,400
IS JOSELINE'S MOUTHING OFF
1796
00:38:54,400 --> 00:38:55,200
SOMETHING YOU LOVE ABOUT HER?
1797
00:38:55,200 --> 00:38:57,202
*THIS IS THE LIFE ♪
1798
00:38:59,571 --> 00:39:00,639
* THIS IS THE LIFE
1799
00:39:00,639 --> 00:39:03,709
[cheers and applause]
1800
00:39:05,276 --> 00:39:06,412
WE ARE BACK WITH LOVE AND
1801
00:39:06,412 --> 00:39:08,113
HIP-HOP: ATLANTA: THE REUNION,
1802
00:39:08,113 --> 00:39:09,515
AND SCRAPPY AND ERICA ARE NOT
1803
00:39:09,515 --> 00:39:10,181
WITH US.
1804
00:39:10,181 --> 00:39:11,016
UNFORTUNATELY, THEY HAD TO
1805
00:39:11,016 --> 00:39:13,251
LEAVE DUE TO A FAMILY EMERGENCY.
1806
00:39:13,251 --> 00:39:14,052
WE HOPE EVERYTHING'S OKAY
1807
00:39:14,052 --> 00:39:14,953
WITH THEM.
1808
00:39:14,953 --> 00:39:16,455
SO THE SELF-PROCLAIMED BADDEST
1809
00:39:16,455 --> 00:39:18,557
BOOSH OF ATLANTA HAD A LOT TO
1810
00:39:18,557 --> 00:39:19,791
SAY THIS SEASON.
1811
00:39:19,791 --> 00:39:21,259
SOMETIMES SHE WAS FUNNY.
1812
00:39:21,259 --> 00:39:22,561
OTHER TIMES, SHE WAS RAW AND
1813
00:39:22,561 --> 00:39:24,430
UNCENSORED, BUT ALL THE TIME,
1814
00:39:24,430 --> 00:39:25,997
SHE WAS DOWNRIGHT ENTERTAINING.
1815
00:39:25,997 --> 00:39:27,065
LET'S TAKE A LOOK AT SOME
1816
00:39:27,065 --> 00:39:28,567
CLASSIC CLIPS FROM
1817
00:39:28,567 --> 00:39:31,202
JOSELINE HERNANDEZ, BABY.
1818
00:39:31,202 --> 00:39:32,337
DON'T BE TOUCHING UP ON ME.
1819
00:39:32,337 --> 00:39:33,238
YOU WANT ME TO SIT UP HERE AND
1820
00:39:33,238 --> 00:39:34,740
WASTE MY TIME WITH YOUR MAID.
1821
00:39:34,740 --> 00:39:35,474
SHE NEED TO COME CLEAN MY
1822
00:39:35,474 --> 00:39:36,141
CAR, THOUGH.
1823
00:39:36,141 --> 00:39:37,042
THAT WHAT SHE NEED TO DO.
1824
00:39:37,042 --> 00:39:38,176
WHY WOULD I SMASH SOMEBODY
1825
00:39:38,176 --> 00:39:39,177
THAT AIN'T GOT NO NAME?
1826
00:39:39,177 --> 00:39:40,078
I NEED A NECK.
1827
00:39:40,078 --> 00:39:41,713
I NEED TO LICK ON YOUR NECK.
1828
00:39:41,713 --> 00:39:42,748
LISTEN, I DON'T TALK TO
1829
00:39:42,748 --> 00:39:43,649
THE HELP.
1830
00:39:43,649 --> 00:39:44,716
YOU NEVER GONNA DO A SONG
1831
00:39:44,716 --> 00:39:45,651
WITH ME, JOSELINE...
1832
00:39:45,651 --> 00:39:46,952
BITCH, YOU WOULD DIE, BE BORN
1833
00:39:46,952 --> 00:39:48,219
AGAIN, DIE AGAIN, AND BE BORN
1834
00:39:48,219 --> 00:39:49,655
AGAIN BEFORE I DO A SONG WITH
1835
00:39:49,655 --> 00:39:50,722
YOU, BITCH.
1836
00:39:50,722 --> 00:39:52,223
I'M NOT GONNA BE ANYWHERE FROM
1837
00:39:52,223 --> 00:39:53,792
10 YEARS TO 50 YEARS.
1838
00:39:53,792 --> 00:39:55,226
I'M GONNA BE A OLD LADY WITHOUT
1839
00:39:55,226 --> 00:39:56,595
NO HAIR, GRAY HAIRS ON MY
1840
00:39:56,595 --> 00:39:58,063
[bleep] BEFORE YOU GIVE ME
1841
00:39:58,063 --> 00:39:58,730
A COMMITMENT.
1842
00:39:58,730 --> 00:39:59,765
I LIKE [bleep] TOO, BUT
1843
00:39:59,765 --> 00:40:00,999
STILL, DAMN.
1844
00:40:00,999 --> 00:40:01,933
I NEED [bleep].
1845
00:40:01,933 --> 00:40:02,868
[laughter]
1846
00:40:02,868 --> 00:40:03,569
AIN'T NO WAY.
1847
00:40:03,569 --> 00:40:04,636
BITCH, I CAN'T GO TWO DAYS
1848
00:40:04,636 --> 00:40:06,304
WITH NO [bleep].
1849
00:40:06,304 --> 00:40:08,173
I GETS BEEFCAKE EVERY DAY.
1850
00:40:08,173 --> 00:40:09,407
BYE, BITCH.
1851
00:40:09,407 --> 00:40:10,208
[laughs]
1852
00:40:10,208 --> 00:40:12,343
JOSELINE, YOU WILL SAY
1853
00:40:12,343 --> 00:40:13,845
ANYTHING TO ANYBODY.
1854
00:40:13,845 --> 00:40:14,946
LET ME TELL YOU.
1855
00:40:14,946 --> 00:40:16,948
MY MOUTH IS A LETHAL WEAPON.
1856
00:40:16,948 --> 00:40:18,517
LIKE, I HAVE TO BE VERY CAREFUL
1857
00:40:18,517 --> 00:40:19,451
OF WHAT I SAY.
1858
00:40:19,451 --> 00:40:20,819
AND I DON'T MEAN NO HARM.
1859
00:40:20,819 --> 00:40:21,553
REALLY?
1860
00:40:21,553 --> 00:40:22,654
STEVIE, SHE DON'T MEAN NO HARM?
1861
00:40:22,654 --> 00:40:24,255
'CAUSE SHE BE GOING AT YOU.
1862
00:40:24,255 --> 00:40:25,423
I MEAN NO HARM.
1863
00:40:25,423 --> 00:40:26,357
I MEAN, I GOT THAT RHINOCEROS
1864
00:40:26,357 --> 00:40:27,158
SKIN, YOU KNOW?
1865
00:40:27,158 --> 00:40:29,094
ALL RIGHT, BUT IS JOSELINE'S
1866
00:40:29,094 --> 00:40:30,028
MOUTH SOMETHING YOU LOVE
1867
00:40:30,028 --> 00:40:30,762
ABOUT HER?
1868
00:40:30,762 --> 00:40:31,429
YEAH, SOMETIMES.
1869
00:40:31,429 --> 00:40:32,964
HER MOUTHING OFF.
1870
00:40:32,964 --> 00:40:35,200
IS JOSELINE'S MOUTHING OFF
1871
00:40:35,200 --> 00:40:36,668
SOMETHING YOU LOVE ABOUT HER?
1872
00:40:36,668 --> 00:40:39,204
JUST--BY THE WAY,
1873
00:40:39,204 --> 00:40:40,839
I HATE [bleep].
1874
00:40:40,839 --> 00:40:41,707
OH.
1875
00:40:41,707 --> 00:40:42,373
TRUST ME.
1876
00:40:42,373 --> 00:40:43,441
T.M.I.
1877
00:40:43,441 --> 00:40:44,375
THAT'S TOO MUCH INFORMATION.
1878
00:40:44,375 --> 00:40:45,977
OKAY, IT'S BEEN A HECK OF A RIDE
1879
00:40:45,977 --> 00:40:47,178
FOR ALL OF US THIS SEASON ON
1880
00:40:47,178 --> 00:40:48,680
LOVE AND HIP-HOP: ATLANTA.
1881
00:40:48,680 --> 00:40:50,015
I WANT TO THANK ZO HARRIS
1882
00:40:50,015 --> 00:40:51,750
AND THE REUNION SHOW BAND.
1883
00:40:51,750 --> 00:40:53,084
[cheers and applause]
1884
00:40:53,084 --> 00:40:54,452
I WANT TO THANK THE CAST.
1885
00:40:54,452 --> 00:40:55,987
THANK YOU SO MUCH, GUYS.
1886
00:40:55,987 --> 00:40:57,489
BUT I ESPECIALLY WANT TO THANK
1887
00:40:57,489 --> 00:40:58,524
YOU GUYS, THE FANS, FOR
1888
00:40:58,524 --> 00:41:00,592
CONTINUING TO TUNE IN EVERY WEEK
1889
00:41:00,592 --> 00:41:01,627
AND SUPPORTING US.
1890
00:41:01,627 --> 00:41:03,595
PLEASE JOIN US THIS FALL WHEN
1891
00:41:03,595 --> 00:41:05,196
LOVE AND HIP-HOP RETURNS
1892
00:41:05,196 --> 00:41:06,064
TO NEW YORK.
1893
00:41:06,064 --> 00:41:07,533
I'M YOUR HOST AND EXECUTIVE
1894
00:41:07,533 --> 00:41:09,768
PRODUCER, MONA SCOTT YOUNG,
1895
00:41:09,768 --> 00:41:11,402
AND I'LL SEE YOU NEXT TIME.
1896
00:41:11,402 --> 00:41:14,405
[cheers and applause]
1897
00:41:14,405 --> 00:41:15,406
[percussive music]
1898
00:41:15,406 --> 00:41:21,913
♪
1899
00:41:23,882 --> 00:41:24,616
BENZINO SAID THAT HE HAD
1900
00:41:24,616 --> 00:41:25,751
NEVER SHOWN YOU THE VIDEO.
1901
00:41:25,751 --> 00:41:27,018
AND I WANT TO TELL YOU.
1902
00:41:27,018 --> 00:41:28,554
I DON'T HAVE--I DON'T HAVE
1903
00:41:28,554 --> 00:41:29,688
A PORN VIDEO, 'CAUSE I'VE
1904
00:41:29,688 --> 00:41:30,388
NEVER GOT--
1905
00:41:30,388 --> 00:41:31,590
EVERYBODY KNOW I WAS A STRIPPER,
1906
00:41:31,590 --> 00:41:32,558
BUT I NEVER GOT TO THE POINT
1907
00:41:32,558 --> 00:41:33,692
TO DO PORN.
1908
00:41:33,692 --> 00:41:35,426
I DO PORN ONLY FOR ONE PERSON,
1909
00:41:35,426 --> 00:41:36,728
AND THAT WOULD BE STEVIE.
1910
00:41:36,728 --> 00:41:38,196
THANK YOU FOR SHARING.
1911
00:41:38,196 --> 00:41:39,364
BUT I HAD--IT WASN'T A PORN
1912
00:41:39,364 --> 00:41:40,599
TAPE, SO LET'S GET THAT CLEAR,
1913
00:41:40,599 --> 00:41:41,700
EVERYBODY, OKAY?
1914
00:41:41,700 --> 00:41:43,234
I WAS YOUNGER, I WAS 17,
1915
00:41:43,234 --> 00:41:44,670
AND I DID A LITTLE VIDEO PLAYING
1916
00:41:44,670 --> 00:41:45,436
WITH MY KITTY CAT, BUT THAT
1917
00:41:45,436 --> 00:41:46,237
WAS IT.
1918
00:41:46,237 --> 00:41:47,773
AND WE ALL MAKE MISTAKES, AND
1919
00:41:47,773 --> 00:41:48,640
I AM ABLE TO MAKE A MISTAKE
1920
00:41:48,640 --> 00:41:49,307
WHEN I'M 17 YEARS OLD.
1921
00:41:49,307 --> 00:41:50,075
I DIDN'T HAVE ANY GUIDANCE,
1922
00:41:50,075 --> 00:41:51,009
AND I DID THAT, BUT IT WAS NOT
1923
00:41:51,009 --> 00:41:53,011
A PORN TAPE.
1924
00:41:55,013 --> 00:41:55,747
BENZINO SAID THAT HE HAD
1925
00:41:55,747 --> 00:41:56,882
NEVER SHOWN YOU THE VIDEO.
1926
00:41:56,882 --> 00:41:58,149
AND I WANT TO TELL YOU.
1927
00:41:58,149 --> 00:41:59,651
I DON'T HAVE--I DON'T HAVE
1928
00:41:59,651 --> 00:42:00,819
A PORN VIDEO, 'CAUSE I'VE
1929
00:42:00,819 --> 00:42:01,587
NEVER GOT--
1930
00:42:01,587 --> 00:42:02,788
EVERYBODY KNOW I WAS A STRIPPER,
1931
00:42:02,788 --> 00:42:03,755
BUT I NEVER GOT TO THE POINT
1932
00:42:03,755 --> 00:42:04,890
TO DO PORN.
1933
00:42:04,890 --> 00:42:06,625
I DO PORN ONLY FOR ONE PERSON,
1934
00:42:06,625 --> 00:42:07,926
AND THAT WOULD BE STEVIE.
1935
00:42:07,926 --> 00:42:09,394
THANK YOU FOR SHARING.
1936
00:42:09,394 --> 00:42:10,596
BUT I HAD--IT WASN'T A PORN
1937
00:42:10,596 --> 00:42:11,797
TAPE, SO LET'S GET THAT CLEAR,
1938
00:42:11,797 --> 00:42:12,898
EVERYBODY, OKAY?
1939
00:42:12,898 --> 00:42:14,432
I WAS YOUNGER, I WAS 17,
1940
00:42:14,432 --> 00:42:15,867
AND I DID A LITTLE VIDEO PLAYING
1941
00:42:15,867 --> 00:42:16,635
WITH MY KITTY CAT, BUT THAT
1942
00:42:16,635 --> 00:42:17,435
WAS IT.
1943
00:42:17,435 --> 00:42:18,970
AND WE ALL MAKE MISTAKES, AND
1944
00:42:18,970 --> 00:42:19,838
I AM ABLE TO MAKE A MISTAKE
1945
00:42:19,838 --> 00:42:20,505
WHEN I'M 17 YEARS OLD.
1946
00:42:20,505 --> 00:42:21,272
I DIDN'T HAVE ANY GUIDANCE,
1947
00:42:21,272 --> 00:42:22,207
AND I DID THAT, BUT IT WAS NOT
1948
00:42:22,207 --> 00:42:24,209
A PORN TAPE.
119806
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