Original subtitles

PREVIOUSLY ON LOVE AND

HIP-HOP: ATLANTA:

THE REUNION...

YOU [bleep] TRIFLING,

DISGUSTING SLUT MONKEY.

ALL RIGHT--

NO, NO, NO, NO, NO, NO!

YOU'RE GETTING EMOTIONAL

ABOUT IT.

YOU STILL CARE A LOT.

I'M GONNA BE HONEST WITH YOU.

SOMETIMES SHE WASN'T THERE.

I'M NOT A GOOD GUY?

YOU'RE ONLY GREAT WHEN IT

COME DOWN TO BUSINESS AND MONEY,

AND YOUR BEEFCAKE IS GREAT,

BUT THAT'S IT.

I CAN POP OUT, 'CAUSE I WILL

JUMP OUT.

JUMP THEN, BITCH.

IF IT DOESN'T WORK OUT WITH

STEVIE, I GOT [bleep] AROUND.

SHE'S A YOUNG GIRL, AND HE'S

[bleep] HER MIND UP.

AND TONIGHT ON THE CONCLUSION

OF LOVE AND HIP-HOP: ATLANTA:

THE REUNION...

WHAT KIND OF HUSBAND TELLS HIS

WIFE TO HAVE AN ABORTION?

WHAT ARE YOU LAUGHING AT?

RATCHET DIRTY

[bleep] BITCHES.

[audience jeering]

ALL RIGHT.

WHERE YOU GOING, NIKKO?

WERE YOU CHEATING ON ERICA

AFTER YOU GUYS GOT ENGAGED?

NO.

THE TRUTH WILL SPEAK

FOR ITSELF.

I WANT YOU TO UNDERSTAND

AND HEAR WHAT THE [bleep]

I'M SAYING.

ALL RIGHT.

HOLD UP.

I GOT A TEXT RIGHT HERE THAT YOU

JUST SENT ME RIGHT NOW, THOUGH.

WHAT'D SHE SAY?

LET'S GET TO THE BOTTOM OF THIS

ONCE AND FOR ALL.

OH, MY GOD.

BREAST LIFT, BITCH.

FIX YOUR FACE, BITCH.

SO THEN THAT ANSWERS

THE QUESTION ON WHY I TALKED

TO A LAWYER.

ARE YOU MOVING FORWARD

WITH THIS?

HERE WE GO.

TALK TO ME.

[cheers and applause]

GIVE IT UP FOR YOUR HOST AND

EXECUTIVE PRODUCER

MONA SCOTT YOUNG!

[cheers and applause]

GIVE IT UP FOR ZO HARRIS

AND THE REUNION SHOW BAND,

Y'ALL.

[cheers and applause]

WELCOME BACK TO PART TWO OF

LOVE AND HIP-HOP: ATLANTA:

THE REUNION.

PART ONE STARTED OFF WITH

A BANG.

I CAN'T EVEN IMAGINE WHAT PART

TWO HOLDS FOR US.

BUT I AM SITTING HERE WITH KIRK

AND RASHEEDA.

WELL, WE LEARNED EARLY ON THIS

SEASON THAT RASHEEDA WAS

EXPECTING, BUT WHAT WE DIDN'T

EXPECT WAS KIRK'S REACTION

TO THE PREGNANCY.

LET'S TAKE A LOOK.

I'M PREGNANT.

I HAVE MILLION OTHER THINGS

ON MY MIND LIKE,

"THIS IS NOT JOY.

THIS IS NOT PLEASURE.

THIS IS--THIS IS A SETBACK

TO ME."

I'VE BEEN TAKING IT OUT.

MAN, TAKING OUT WAS IN

THE '80s.

LET'S TOAST TO THE PULL-OUT

ASSASSIN, KIRK FROST.

[both laugh]

YOU BASICALLY TRYING TO SAY

TO ME, "YOU NEED TO GET RID

OF THE BABY."

YEAH, YOU NEED TO GET

AN ABORTION.

AND YOU'RE MAKING ME THINK

THERE'S SOMETHING WRONG

WITH YOU.

WELL, I SAID IT.

I THINK YOU NEED TO LEAVE.

THAT'S WHAT I THINK.

NO AUDIENCE REACTION ON

THAT ONE.

THEY'RE STUNNED.

I MEAN...

WHAT KIND OF A HUSBAND TELLS

HIS WIFE TO HAVE AN ABORTION?

IT WAS THE TIMING.

IT WAS--RASHEEDA WAS ON

THE ROAD.

RASHEEDA WAS WORKING ON

THE MUSIC.

MY SON WAS GOING TO TRIAL.

I WAS--IT--

I HEAR YOU, BUT YOU DO

REALIZE IT TAKES TWO TO

GET PREGNANT.

I MEAN, DID YOU REALLY THINK,

AS A GROWN MAN, THAT PULLING OUT

WAS AN ACCEPTABLE FORM OF

BIRTH CONTROL?

I DEFINITELY DID.

YEAH, I THOUGHT I--

OKAY, THAT'S CRAZY.

THAT'S WHAT I'M TALKING ABOUT.

IT'S CRAZY.

NUMBER ONE, FOR YOU TO SIT THERE

AS MY HUSBAND AND JUST BE LIKE,

"IT'S BAD TIMING," LIKE, THAT

[bleep], IT'S REALLY, REALLY

HURTFUL 'CAUSE AT THE END OF

THE DAY, IT'S LIKE, "COME ON.

THIS IS A BLESSING."

AND YOU SHOULD BE HAPPY

REGARDLESS IF YOU FEEL "REALLY,

REALLY GREAT ABOUT IT AT THAT

VERY MOMENT."

IT'S LIKE [bleep] THINGS DON'T

ALWAYS FALL INTO PLACE LIKE

YOU WANT THEM TO, BUT IN

A MARRIAGE, YOU DEAL, AND YOU

COMPROMISE WITH IT.

[applause]

OKAY, LISTEN.

MIDLIFE CRISIS OR NOT, KIRK'S

BEHAVIOR CERTAINLY CREATED

A REAL LIFE CRISIS IN

THEIR MARRIAGE.

LET'S WATCH THE TAPE.

I WANT TO GO BACK TO THINGS

I DID WHEN I WAS 21.

THAT'S JUST WHAT'S ON MY MIND:

"JUST DO WHAT'S GONNA MAKE

KIRK HAPPY."

HOW FAR YOU WANT TO GO

WITH THIS?

I GOT A PASS.

LIKE, I CAN LEAVE; I CAN DO

MY THING.

LET'S GET TO THE JACUZZI.

LET'S HAVE SOME FUN.

RIGHT NOW, THE BACHELOR LIFE,

I'M REALLY FEELING IT.

KIRK MOTHER[bleep] FROST.

DOUBLE OR NOTHING.

KIRK, YOU WENT FROM

THE PULL-OUT ASSASSIN TO

MY HERO LAST NIGHT.

CHICKS IN THE JACUZZI.

MAN, YOU'RE GOING HOME TO

A TSUNAMI, EARTHQUAKE.

YOU GOT ALL THE ELEMENTS, KIRK,

FOR A REAL SITUATION.

[audience jeers]

KIRK, YOU'RE SITTING HERE

LAUGHING.

THERE'S NOTHING FUNNY

ABOUT THAT.

WHAT ARE YOU LAUGHING AT?

ESPECIALLY SITTING RIGHT HERE

IN RASHEEDA'S FACE.

WELL, NO, IT'S NOT--

IT'S BAD ENOUGH THAT YOU DID

IT WHEN SHE WASN'T AROUND, BUT

NOW YOU'RE SITTING IN HER FACE.

FIRST OF ALL, THAT SITUATION

HAPPENED WHEN RASHEEDA--ME AND

RASHEEDA HAVING MULTIPLE

ARGUMENTS THAT Y'ALL DIDN'T

COVER, AND THE ONES THAT YOU DID

SEE, SHE WAS LIKE,

"GET THE EFF OUT.

GET THE [bleep] OUT.

GET AWAY FROM ME.

DO YOU."

SO THAT WAS A PASS TO GO OUT

AND CHEAT ON YOUR WIFE.

DEFINITELY.

NO.

SHE SAID, "DO WHAT YOU WANT

TO DO."

REALLY?

AND THAT'S WHAT YOU WANTED

TO DO.

IS THAT WHAT YOU'RE SAYING?

THAT'S WHAT YOU WANTED TO DO?

NO, THAT'S NOT WHAT I WANTED

TO DO, BUT I FOUND MYSELF RIDING

BIKES, HANGING WITH BENZINO,

CLEARING MY MIND.

IT KEPT ME FROM THINKING ABOUT

THE NEGATIVE THINGS THAT WAS

GOING ON IN MY LIFE.

IT WAS A WAY FOR ME TO FREE

MY MIND.

ALL RIGHT, WELL, HOLD ON

TO THAT THOUGHT, 'CAUSE,

RASHEEDA, HOW HARD WAS IT FOR

YOU TO WATCH THAT?

REAL HARD.

I MEAN, COME ON, LET'S BE REAL.

LIKE, OKAY--

YOU GUYS HAVE BEEN TOGETHER

HOW LONG?

WE'VE BEEN TOGETHER

17 1/2 YEARS.

WOW.

WHOO!

WE'VE BEEN MARRIED

FOR 13 YEARS.

AND TO SEE ANOTHER WOMAN

KISSING ON HIM AND TO SEE--

I MEAN, OF COURSE YOU FEEL--

I FELT DISGUSTED, DISRESPECTED,

READY TO KILL HIS ASS, AND

I JUST--EMBARRASED, AND THEN,

YOU KNOW, I'M SITTING HERE

TRYING TO BE LIKE, "OKAY,

RASHEEDA, YOU KNOW, COMPOSE

YOURSELF BECAUSE YOU PREGNANT

AS HELL."

AND I'M SITTING HERE THINKING

THAT MY FRIEND, MY HUSBAND

WOULDN'T EVEN GO OUT AND DO NO

CRAZY [bleep] LIKE THAT,

NUMBER ONE, BUT THEN IT'S LIKE,

"DAMN, YOU CAN'T PUT [bleep]

PAST NOBODY."

YOU KNOW WHAT I'M SAYING?

IT'S LIKE--

[cheers and applause]

AND IT'S UNFORTUNATE THAT IT'S

LIKE THAT, AND, I MEAN, I JUST

LOOK AT IT LIKE, YOU KNOW,

IF YOU FELT LIKE THE "DO YOU"

WAS A PASS FOR YOU TO GO AND DO

[bleep] LIKE YOU'RE 21

WITH BENZINO--

YOU'RE GUILTY BY ASSOCIATION AS

FAR AS I'M CONCERNED.

I HAVE A QUESTION FOR YOU,

BENZINO, BECAUSE YOU, YOU KNOW,

LED HIM TO WATER OR, SHOULD I

SAY, THE JACUZZI HOT TUB,

YOU KNOW, AND I KNOW YOU'RE

GONNA SAY, "WELL, I DIDN'T MAKE

HIM DRINK IT," BUT HOW MUCH

RESPONSIBILITY DO YOU TAKE FOR

YOUR ROLE IN THIS SITUATION?

YOU KNOW, WATCHING THE--

WATCHING THE EPISODE, YOU KNOW

WHAT I'M SAYING, HURT ME.

YOU KNOW, LIKE, WHEN I WATCHED

RASHEEDA CRY IN THERE, I MEAN,

IT DID.

BUT AT THE END OF THE DAY,

IT'S LIKE WHEN WE WENT UP THERE

TO THE CABIN, I DIDN'T KNOW

THERE WAS GONNA BE A BUNCH OF

FEMALES IN THERE.

BOBBY HAD FEMALES IN THERE.

A BUNCH OF HOS.

[audience jabbering]

POPCORN HOS.

RATCHET DIRTY [bleep] BITCHES.

OKAY, OKAY.

HOLLER.

[chuckles]

DO YOU FEEL IN SOME

WAY RESPONSIBLE?

YES.

OKAY.

ALL RIGHT, THAT'S GOOD.

BUT ON A REALISTIC NOTE,

IT'S REALLY NOT HIS FAULT.

RIGHT.

YOU KNOW?

IT'S KIRK'S FAULT.

I SAID IT WASN'T HIS FAULT.

YOU KNOW WHAT I'M SAYING,

BECAUSE REGARDLESS TO THE FACT

OF WHATEVER THE CASE WAS, WHEN

A HUSBAND AND A WIFE HAVE

A BIG-TIME BLOWOUT IN THEIR

RELATIONSHIP, WHICH PEOPLE DO

ALL THE TIME--BUT YOU DON'T SIT

THERE, AND YOU DON'T SAY, "OKAY,

SHE SAID 'DO YOU,' SO I FINNA

GO AND LAY AROUND WITH ANY

RANDOM BITCH I SEE."

AND THAT SHOW ME THAT YOU AIN'T

ABOUT [bleep].

HOW DO YOU EXPLAIN THAT

TO RASHEEDA?

I TOLD RASHEEDA, "LISTEN,

NOBODY'S LOOKING AT

MY SITUATION."

WHAT--WHAT IS YOUR SITUATION?

LOOK, ME AND YOU ARE FRIENDS.

WE GOT A FRIENDSHIP.

I KNOW WE MARRIED, AND I KNOW

WE WORK TOGETHER.

WE GOT A FRIENDSHIP.

IF I TELL YOU, "LOOK, I'M IN

A LOST PLACE, AND I NEED YOUR

SUPPORT"--AND I'M TELLING HER

THIS LIKE, "YO, I'M FINDING

MYSELF IN A WEIRD-ASS PLACE,"

AND I'M BEING HONEST ABOUT IT.

SHE AIN'T GOT TIME.

SHE GOT TO DO HER INTERVIEWS.

SHE GOT TO GO ON THE ROAD.

SHE GOT TO DO THIS; SHE GOT TO

GO DO THAT.

SO YOU'RE SAYING YOU NEEDED

YOUR WIFE, AND SHE WASN'T THERE

FOR YOU?

AND SHE WASN'T REALLY THERE.

AND THEN YOU WENT OUT AND GOT

WITH THE NEXT ONE.

CLASSIC STORY.

[both talking at once]

YOU THINK THAT ANSWERS

THE QUESTION, THE PROBLEM.

I'M NOT SAYING THAT--

THAT I WENT AND GOT WITH

THE NEXT ONE.

I'M JUST TELLING YOU THAT WAS

ONE OF THE ISSUES.

SO HOW WOULD YOU FEEL IF

THE SHOE WAS ON THE OTHER FOOT?

LET'S JUST PLAY THE GAME AND

REVERSE IT AND SEE HOW YOU

WOULD FEEL.

I MEAN, WE PROBABLY WOULDN'T

BE TOGETHER.

OF COURSE WE WOULDN'T.

SO THEN THAT ANSWERS

THE QUESTION ON WHY I TALKED

TO A LAWYER.

all: OOH.

ARE YOU MOVING FORWARD

WITH THIS?

I MEAN, IT'S NOT A FINALIZED

SITUATION, BUT IT'S SOMETHING

THAT I'M DEFINITELY--

YOU'RE CONSIDERING IT.

THAT I'VE CONSIDERED.

OKAY, THIS IS SOME--THIS IS

SOME VERY REAL STUFF, AND WE

ACTUALLY HAD A QUESTION THAT

I WANTED TO ASK BECAUSE I KNOW

THAT I'VE HEARD OVER AND

OVER AGAIN.

THE NAME IS "STELLA WILL NEVER

LOSE HER GROOVE THING," BUT SHE

WANTS TO KNOW WHETHER KIRK AND

RASHEEDA WERE FAKING THIS WHOLE

"HAVING PROBLEMS IN THEIR

RELATIONSHIP THING" FOR

THE SHOW, 'CAUSE THAT WAS

SOMETHING THAT PEOPLE THOUGHT.

YOU GUYS WERE JUST TRYING TO

TURN IT UP FOR THE CAMERAS.

SO I'M ASKING YOU RIGHT HERE

ON THIS STAGE: WERE YOU GUYS

FAKING THIS?

YOU DON'T FAKE NOTHING

LIKE THIS.

I--I'M PREGNANT AS HELL, AND YOU

DON'T FAKE THAT WHILE YOUR KIDS

GODDAMN WATCHING.

[bleep].

I'M--FOR ME--

[laughter]

I MEAN, YEAH, I--I CLEARLY

TOLD RASHEEDA--

I MEAN, [bleep], I'M SHOCKED.

I WAS SHOCKED WHEN HE SAID HE

DIDN'T WANT TO HAVE NO BABY.

I'M LIKE, "WHAT THE HELL

YOU MEAN?"

I HAVE A 22-YEAR-OLD,

21-YEAR-OLD.

[audience jeering]

OKAY, LET ME SAY THIS.

I SAID SOME THINGS, BUT, YEAH,

IT'S WRONG.

I SAID I KNOW I'M WRONG.

IS THIS THE MAN THAT YOU

KNOW, THE MAN THAT YOU'VE BEEN

WITH FOR 17 YEARS?

NO.

ALL RIGHT, WELL, THEN YOU

SOMEBODY ELSE RIGHT NOW, KIRK.

BUT LET ME ASK YOU A QUESTION.

WHERE DOES THE RELATIONSHIP

STAND RIGHT NOW?

DO YOU FEEL LIKE KIRK IS SORRY,

HE UNDERSTANDS HOW MUCH

HE HURT YOU?

I MEAN, HE'S BEEN TRYING TO

TOTALLY BE THERE, BE AROUND,

GET BACK INTO THE HOUSE THAT

HE'S NOT IN.

OH, YOU'RE NOT IN THE HOUSE

RIGHT NOW?

BACK INTO MY LIFE.

NO?

OKAY.

WHERE ARE YOU AT,

BENZINO'S CRIB?

ALL RIGHT, JUST CHECKING.

HE DEFINITELY DON'T NEED

TO BE OVER THERE.

MY MAIN CONCERN IS GETTING READY

FOR THIS BABY, AND, YOU KNOW,

WE'RE AT A LIGHTWEIGHT

FRIENDSHIP LEVEL.

ANY TYPE OF PERSONAL

RELATIONSHIP, LOVE, INTIMACY,

ANY OF THAT, THAT'S

NOT HAPPENING.

LET ME ASK YOU THIS.

DO YOU WANT TO TAKE THIS MOMENT

NOW ON THIS STAGE IN FRONT OF

EVERYBODY TO APOLOGIZE

TO RASHEEDA?

I SAID, "I'M SORRY.

I DIDN'T MEAN TO HURT YOU."

LOOK AT HER.

LOOK AT HER, KIRK.

YOU KNOW I LOVE YOU,

RIGHT OR WRONG.

YOU DO KNOW I LOVE YOU.

I MEAN--

GO OVER NEXT TO HER, KIRK.

GET OVER THERE NEXT TO

HER, KIRK.

BENZINO...

COME ON, MAN.

[all talking at once]

ALL RIGHT.

WE TRYING TO SAVE KIRK HERE,

BUT WE'VE GOT TO GO TO BREAK.

WHEN WE RETURN, WE'LL HEAR MORE

FROM THE CAST OF LOVE AND

HIP-HOP: ATLANTA, AND COMING UP

LATER IN THE SHOW, A SPECIAL

MUSICAL PERFORMANCE BY

K MICHELLE.

ALL OF THIS AND MORE ON LOVE AND

HIP-HOP: ATLANTA: THE REUNION.

[percussive music]

♪

YOU SEEM REAL NERVOUS RIGHT

NOW 'CAUSE I'M HERE.

ALL RIGHT, HOLD UP A SECOND.

HERE WE GO.

TALK TO ME.

[cheers and applause]

* THIS IS THE LIFE

[cheers and applause]

WHOO, WELCOME BACK TO PART

TWO OF LOVE AND HIP-HOP:

ATLANTA: THE REUNION.

THIS SEASON, MIMI TRIED TO PUT

ON A HAPPY FACE, BUT WHEN SHE

CAME FACE-TO-FACE WITH

ADVERSITY, SHE DIDN'T HESITATE

TO GET IN YOUR FACE.

TAKE A LOOK.

YOU HAVE TO LET GO OF

THE ANGER.

I'M NOT ANGRY.

YOU GONNA TELL ME THAT

BITCH IS JOKING?

[bleep].

EVERY TIME I HAVE A [bleep]

SCENE, IT'S GOT TO BE RUINED

BY SOME BULL[bleep].

CAN'T SOME [bleep] BE ABOUT ME

SOME GODDAMN TIME?

THAT BITCH'LL TURN ON YOU IN

A [bleep] SECOND.

I NEVER SAID SHE WOULDN'T.

YOU WANT TO BEFRIEND THIS

[bleep] WHACK-ASS BITCH?

BITCH, YOU COULD'VE

WALKED AWAY.

WALK AWAY?

BITCH, I AIN'T NEVER THE ONE

TO WALK THE [bleep] AWAY!

BITCH, I AIN'T NO

WALK-AWAY-ASS BITCH.

MIMI.

EVERYBODY THINKS I'M ANGRY.

I'M A VERY HAPPY KIND OF BITCH.

[laughter]

MIMI.

[applause]

CRAZY.

ARE YOU A VERY HAPPY KIND

OF BITCH?

YES.

'CAUSE AFTER WATCHING THAT,

CAN YOU REALLY SAY YOU

WEREN'T ANGRY?

I HAD REASON TO BE ANGRY.

WHEN YOU GOT A REASON TO BE

ANGRY, YOU ANGRY, BUT OTHER THAN

THAT, I'M A REAL HAPPY KIND

OF BITCH.

ALL RIGHT.

BUT, ARIANE, SHE PRETTY MUCH GOT

UPSET HALF THE SEASON HERE.

both: SHE DID.

AND RIGHTFULLY SO.

HAVE YOU EVER SEEN HER

THAT WAY?

ALL THE TIME.

I FEEL THE WRATH OF EVERYTHING.

SO SHE KNOWS I'MA BE RIGHT HERE,

AND I'M THE ONE.

OH, YOU WERE RIGHT THERE.

AND I'M GONNA BE THERE.

SHE WAS RIGHT UP IN

YOUR FACE; YOU DID NOT MOVE.

ALWAYS, ALWAYS.

BUT, MIMI, WHAT'S UP WITH

THE TALKING UP IN THE FACE?

I--I WANT YOU TO UNDERSTAND

AND HEAR WHAT THE [bleep]

I'M SAYING.

ALL RIGHT.

DO YOU FEEL LIKE YOU PLAY

A PART IN WHY MIMI'S ALWAYS

SO ANGRY?

I DO, AND I WANTED TO TALK

TO HER.

OH, YOU WANT TO TALK TO HER?

YEAH.

WHAT DO YOU WANT TO

SAY, STEVIE?

I'D LIKE TO APOLOGIZE.

ALL RIGHT.

YOU KNOW WHAT I'M SAYING, AND

I'D LIKE TO ASK WHAT I CAN DO

TO MAKE IT EASIER SO WE CAN

RAISE OUR DAUGHTER IN

A PEACEFUL LIGHT.

OH, MY GOD.

[applause]

JUST BE HONEST.

BE REAL.

TELL THE [bleep] TRUTH.

STOP LYING.

THAT'S WHAT I'VE BEEN DOING.

NO, YOU HAVEN'T.

[sighs]

YOU REALLY HAVEN'T.

DON'T SAY YOU'RE GONNA DO

SOMETHING AND TURN AROUND AND DO

SOMETHING ELSE.

I DO EVERYTHING I SAID I WAS

GONNA DO.

NO, YOU DON'T.

YOU DO EVERYTHING YOU SAY

YOU'RE GONNA DO, BUT THEN YOU DO

A WHOLE LOT MORE--

THEN YOU THROW IT IN MY FACE,

AND YOU DO THIS AND THAT

AND THE THIRD.

THANKS, MONA, YEAH.

SORRY.

I ALSO WANT TO SAY SOMETHING

TO YOU.

OKAY, COOL.

YOU AND I ARE NO LONGER.

YOU ARE IN ANOTHER RELATIONSHIP,

AND I RESPECT THAT.

I JUST WANT WHAT--YOU AND YOUR

RELATIONSHIP TO UNDERSTAND

AND RESPECT WHAT WE HAVE.

I'M YOUR DAUGHTER'S MOTHER.

I'M ALWAYS GONNA BE YOUR

DAUGHTER'S MOTHER.

YOU'RE--AND YOU'RE MY FRIEND

TOO, SO--YOU KNOW WHAT

I'M SAYING?

AND I'M YOUR FRIEND TOO.

AND I WANT THAT--I WANT MY

FRIEND BACK TOO.

YOUR FRIEND HAS ALWAYS

BEEN HERE.

I'VE NEVER LEFT.

YOUR FRIEND'S NEVER LEFT.

DO YOU ACCEPT HIS

APOLOGY, MIMI?

NO, I DON'T.

I DON'T FEEL IT'S SINCERE, ONE,

AND HE'S APOLOGIZED TIME AND

TIME AGAIN, BUT IT'S THE SAME

OLD BULL[bleep] TIME AND TIME

AGAIN, SO...

WHOO!

[applause]

I KNOW.

WELL, JOSELINE, IT SOUNDS

LIKE MIMI IS TRYING TO RESPECT

THE RELATIONSHIP THAT YOU AND

STEVIE HAVE, AND SHE'S ASKING

FOR THE SAME IN RETURN.

DO YOU THINK THAT THAT'S

SOMETHING THAT YOU CAN GIVE HER?

I WOULD HAVE--I HAVEN'T

THE CHOICE BUT TO RESPECT HER,

JUST LIKE I HAVE TO RESPECT ALL

THE OTHER BABY MOM, AND I WANT

HER TO GIVE IT IN RETURN.

AND LIKE SHE SAID, HE NEEDS TO

JUST KEEP IT REAL, AND EVERYBODY

KNOWS STEVIE'S A [bleep] LIAR.

HE LIES FOR NO REASON.

I USED TO BE.

OH, WHATEVER, STEVIE.

HE ALWAYS LIE.

WELL, STEVIE, YOU ARE

THE OLD MAN IN MIMI'S LIFE...

YEAH.

BUT WE ALSO MET THE NEW MAN

IN MIMI'S LIFE THIS SEASON.

[laughs]

A BLAST FROM HER PAST

NAMED NIKKO.

BUT THEIR RELATIONSHIP TOOK

A LICKING WHEN THE WATCH NIKKO

GAVE MIMI KEPT A-TICKING.

WHOO!

THAT WAS HARD!

WHOO!

THAT WAS HARD.

A REAL ROLLIE DON'T TICKTOCK.

TAKE A LOOK.

THAT WAS HARD.

AN OLD FRIEND, NIKKO, CAME

BACK INTO MY LIFE.

WE STARTED DATING A FEW

MONTHS AGO, AND I'M LOVING IT

RIGHT NOW.

I TOLD MIMI THE OTHER NIGHT,

LIKE, I FEEL LIKE SHE HAS

A TYPE.

WORD ON THE STREET IS, MIMI'S

RUNNING AROUND WITH A KNOCK-OFF

STEVIE J.

I'M SHOOTING A VIDEO, RIGHT?

I'M MAKING YOU THE STAR

OF THE VIDEO.

THANK YOU, BABY.

DON'T BE MAD BECAUSE YOUR

CO-PILOT IS GAY.

NO, I JUST WANT YOU TO

LEAVE, THOUGH.

YOU HAVE A ROOMMATE

IN ATLANTA.

THIS IS NOT NEW YORK.

$1,000 RENT AND YOU SPLIT IT?

GET THE [bleep] OUT OF HERE.

WHEN NIKKO ASKED ME TO DO

THIS VIDEO, HE SAID I WOULD BE

THE LEADING LADY, BUT LEADING

LADIES GET MORE THAN TWO SECONDS

ON THE SCREEN.

WHAT DO YOU FEEL, AS MY FRIEND,

ABOUT MY RELATIONSHIP?

I FEEL LIKE HE'S

UNAUTHENTIC SOMETIMES.

THIS IS WHAT I GOT FOR YOU.

SEE, IT MATCHES.

MATCHING MINE, SEE?

YOURS HAS DIAMONDS.

I LIKE IT, THOUGH, WITHOUT

DIAMONDS FOR YOU.

IT'S TICKING, THOUGH.

A REAL ROLLIE DON'T TICKTOCK,

YOU KNOW?

ONLY A FAKE CAT WILL GIVE

A FAKE ROLLIE.

I REALLY TRIED TO MAKE THIS

WORK, BUT AT THIS POINT, I'M

COMPLETELY OVER THIS DUDE.

I'M LEAVING YOU BECAUSE YOU'RE

AN ASS[bleep].

SO...

YES, YOU WOULD WANT TO CLAP FOR

THAT, WOULDN'T YOU, STEVIE?

WELL, I KNOW HOW MUCH YOU GUYS

LOVE SURPRISES, SO WE HAVE ONE

FOR YOU NOW.

WHY DON'T WE WELCOME NIKKO

TO THE STAGE?

COME ON OUT, NIKKO.

BOO, BOO.

[audience jeering]

ALL RIGHT, K MICHELLE,

WHERE YOU GOING?

WHERE YOU GOING, NIKKO?

NIKKO, HAVE A SEAT.

NIKKO--

DON'T TOUCH ME.

NIKKO, SIT DOWN.

SIT DOWN.

SIT--SIT DOWN RIGHT THERE.

BENZINO!

SIT DOWN, STEVIE.

WHAT YOU GONNA DO, BENZINO?

[laughter]

SIT DOWN, STEVIE.

ALL RIGHT.

WHAT'S GOING ON?

OKAY, NIKKO, WE BROUGHT YOU

ON 'CAUSE WE WANTED TO GIVE YOU

AN OPPORTUNITY TO HEAR YOUR

SIDE OF THE STORY.

YOU KNOW, MIMI IS MIMI, MAN.

WE SHARE--WE SHARED GREAT

MOMENTS TOGETHER, AND WE STILL

SHARE GREAT MOMENTS TOGETHER,

SO...

YOU GUYS ARE STILL DATING?

YES.

ABSOLUTELY.

OH, YOU GUYS ARE SOMETHING.

OKAY.

WHAT ARE YOU TALKING ABOUT?

ALL RIGHT.

SO WHAT ARE YOU SAYING?

THAT THE BREAKUP--YOU GUYS

DIDN'T REALLY BREAK UP?

WE BROKE UP, BUT THAT'S

NORMAL RELATIONSHIPS.

LIKE, YOU GOT TO UNDERSTAND

SOMETHING.

LIKE, HIM AND HER IS LOCKED

TOGETHER FOR LIFE.

THEY GOT A BABY TOGETHER.

SO WHEN WE IN THE BED DOING WHAT

WE DOING, HE CALL ON THE PHONE.

all: OH!

GOING BACK TO THE SHOW,

STEVIE J. CALLED YOU A KNOCK-OFF

STEVIE J.

RIGHT.

I MEAN, I HAVE TO SAY YOU

GUYS DO FAVOR EACH OTHER

A LITTLE BIT.

THERE'S A LOT OF

SIMILARITY THERE.

THERE'S NO SIMILARITIES.

[all talking at once]

FOUR GRAMMYS.

LISTEN.

LET HER TALK.

WHO IS THIS GUY?

[laughter and applause]

STEVIE J., LISTEN.

HE ALSO ACCUSED YOU OF GIVING

MIMI A FAKE ROLEX.

WHAT WAS THE DEAL WITH THAT?

WAS THE ROLEX REAL?

LET'S GET TO THE BOTTOM OF THAT.

IF I TELL YOU, MONA, RIGHT

NOW THAT THE WATCH IS REAL AND

I PAID THIS FOR IT, YOU AIN'T

GONNA BELIEVE ME ANYWAY, SO--

I'M ASKING YOU TO TELL ME.

I DON'T KNOW.

I NEVER EVEN SAW THE DAMN WATCH.

I'M TELLING YOU--

I'M TELLING YOU OF COURSE

IT WAS.

I DON'T DO NOTHING FUGAZI.

YOU CAN CHECK MY HISTORY.

OKAY, ALL RIGHT.

SO WE'LL TAKE YOUR WORD FOR IT.

I HAVE NO WAY OF KNOWING.

THERE YOU GO.

I CAN LET YOU KNOW.

LET'S GO.

THAT THING WAS NOT RIGHT.

[audience murmuring]

WHERE YOUR BREAD AT?

YOUSE A--YOUSE A BUM--

WHERE'S YOUR BREAD?

YOUSE A BUM--

LISTEN.

ALL RIGHT, HOLD ON A SECOND.

THIS IS MY THURSDAY--

THIS IS MY THURSDAY POCKET.

THIS IS MY THURSDAY--

ALL RIGHT, HERE WE GO.

TALK TO ME.

[cheers and applause]

THAT'S $1s.

HE'S GOT $1s.

[clapping and shouting]

HE JUST MADE IT RAIN ON HERE.

THESE ARE $1s RIGHT HERE.

YOU SEE WHAT THIS IS?

THIS IS MY--HOLD UP.

THIS IS MY THURSDAY NIGHT.

IF YOU GONNA THROW THAT

THURSDAY WAD, THROW IT UP

THIS WAY.

I SEE A BUNCH OF $100s

OVER THERE.

MONA, THAT'S RENTED,

JUST LIKE THE ROLLIE, YOU KNOW

WHAT I'M SAYING?

I AIN'T GONNA RENT MONEY,

YOU IDIOT.

ALL RIGHT, I SEE IT.

THERE'S A WHOLE LOT OF BREAD

ON THE STAGE.

I GET IT; YOU GUYS GOT PAPER.

WE ALL GOT PAPER.

WELL, HE BROUGHT IT UP.

ARIANE.

YES.

YOU CALLED NIKKO UNAUTHENTIC.

I DID SAY I FELT HE

WAS UNAUTHENTIC.

OKAY, CAN YOU TALK TO US

ABOUT WHY YOU FELT THAT WAY,

WHY YOU SAID THAT?

I JUST FELT LIKE HE WAS

AN OPPORTUNIST, AND MIMI IS IN

A PLACE RIGHT NOW WHERE SHE WAS

VERY VULNERABLE, AND HE TOOK

ADVANTAGE OF THE SITUATION.

WHAT DO YOU SAY ABOUT

THAT, MIMI?

I DON'T.

YOU DON'T FEEL THAT WAY?

YOUR EYES--WIDE OPEN.

ALL RIGHT.

NIKKO, DO YOU WANT TO

ADDRESS THAT?

LISTEN, MAN, AM I

AN OPPORTUNIST?

ABSOLUTELY I AM.

WHY WOULDN'T I BE?

I'LL GET MONEY.

THAT'S WHAT I'M GETTING.

THAT'S FINE, BUT YOU CALLED

HER DAMAGED GOODS ON--

ON NATIONAL TV.

BUT THAT'S BESIDES

THE POINT, THOUGH.

WHAT I'M SAYING TO YOU IS THIS.

WHAT?

NO, NO, LISTEN, LISTEN.

[audience murmuring]

I'M SIX MONTHS INTO MIMI.

THEY STILL HAD A LOT GOING ON.

THEY STILL GOT THE SITUATION

GOING ON.

AND SIX MONTHS--AND YOU

SHOULD'VE BEEN MORE--

LISTEN, LISTEN.

YOU SHOULD'VE BEEN MORE--

YOU SHOULD'VE BEEN MORE

THOUGHTFUL THAN TO BUY HER

FAKE ROLLIES.

[applause]

AND BEEN MORE NURTURING

AND BEEN A MAN, LIKE, OKAY.

BUT THEN HER BEING DAMAGED

GOODS--KNOWING WHAT

SHE HAD GONE THROUGH?

AT THE END OF THE DAY, SHE

CAN TELL YOU WHAT I DO FOR HER,

AND SHE CAN TELL YOU HOW

I CONSOLE HER, AND SHE CAN TELL

YOU I'M THERE FOR HER.

LET ME HEAR FROM YOU, MIMI.

YOUR RELATIONSHIP WITH NIKKO--

THIS IS A GOOD RELATIONSHIP

FOR YOU.

WELL, IT JUST--IT IS WHAT

IT IS.

I'VE KNOWN NIKKO FOR MANY YEARS.

EVERYTHING ISN'T PERFECT.

YEAH, WE GO THROUGH

BULL[bleep].

WE TALK ABOUT IT.

WE GET OVER IT.

IT'S LIKE ANYBODY ELSE.

EVERYBODY GOES--

BUT, NIKKO, I JUST WANT MIMI

TO SPEAK ON YOUR BEHALF FOR

A QUICK SECOND, BECAUSE YOU'RE

SAYING THAT YOU GUYS HAVE

CONVERSATIONS; YOU TAKE GOOD

CARE OF HER.

YOU SEEM REAL NERVOUS RIGHT

NOW 'CAUSE I'M HERE.

NERVOUS?

MY FEET IS UP, KICKED UP.

THIS IS MY HOUSE.

YOU A GUEST, YOU KNOW WHAT I'M

SAYING, WITH THEM LONG JOHN

PANTS ON YOU GOT OVER THERE.

[cheers and applause]

HOLD UP, BUS DRIVER.

GIVE ME TWO MINUTES, MAN.

YEAH, YEAH, YOU--

YOU RIDING MY BUS TOO.

DON'T ACT LIKE YOU KNOW.

YOU KNOW WHAT I MEAN?

[cheers and applause]

HOLD ON, HOLD ON.

HOLD ON, BUS DRIVER.

ALL RIGHT, WELL, WE'VE GOT TO

GO TO BREAK, BUT COMING UP,

WE'VE GOT MORE LOVE AND HIP-HOP:

ATLANTA: THE REUNION,

SO DON'T MOVE.

[cheers and applause]

SO YOU THINK KARLIE WAS LYING?

KARLIE'S KNOWN TO BE MESSY.

HOLD UP, I GOT A TEXT RIGHT

HERE THAT YOU JUST SENT ME

RIGHT NOW, THOUGH.

WHAT'D SHE SAY?

LET'S GET TO THE BOTTOM OF THIS

ONCE AND FOR ALL.

OH, MY GOD.

* THIS IS THE LIFE

[applause]

WELCOME BACK TO LOVE AND

HIP-HOP: ATLANTA: THE REUNION.

INTERESTINGLY ENOUGH,

THE BIGGEST BREAKUP TO MAKEUP

OF THE SEASON DIDN'T COME

COURTESY OF ONE OF OUR COUPLES.

INSTEAD, IT HAPPENED BETWEEN OUR

RESIDENT B.F.F.s STEVIE J.

AND BENZINO, WHO FELL OUT OVER

ONE OF THE GUY CODE'S MOST

COVETED RULES, AND STILL

THE QUESTION LINGERS.

DID JOSELINE SMASH THE HOMIE?

LET'S TRY TO GET TO THE BOTTOM

OF THE RUMORS WITH THIS CLIP.

WHAT'S GOING ON WITH BENZINO?

YOU KNOW HE TOLD ME

HE [bleep] YOU.

THAT'S A LIE.

I DON'T KNOW WHO WAS

TELLING YOU--

LET'S JUST FIGURE IT OUT.

LET'S JUST GET TO THE BOTTOM

OF IT.

SHE OVER HERE SAYING THAT

KARLIE REDD TOLD HER THAT YOU

SMASHED HER.

WORD?

WHY WOULD YOU EVEN SAY THAT

ABOUT ME?

I'M NOT GONNA SIT HERE AND

ENTERTAIN NO DUMB [bleep].

HE HIT ME UP THE OTHER DAY ON

TWITTER, D.M., AT 6:00 IN

THE MORNING TWICE TRYING

TO [bleep].

YOU COME HERE WITH HER,

RIGHT, AT MY PLACE OF BUSINESS

TO TALK ABOUT WHAT KARLIE

REDD SAID.

IT AIN'T GOT NOTHING TO DO

WITH HER.

REALLY?

SO THEN WE AIN'T BROTHERS NO

MORE, THEN, I GUESS, RIGHT?

I'M COOL WITH THAT.

YOU SHOWED ME JOSELINE'S

PORN TAPE.

ACTUALLY, I DIDN'T.

YOU SHOWED IT TO ME!

YOU'RE A [bleep] LIAR!

I HAD TO DO A LITTLE

INVESTIGATION.

RIGHT.

YOU KNOW WHAT I'M SAYING?

SO I HAD TO GO SEE KARLIE AGAIN,

YOU KNOW WHAT I'M SAYING?

[groans]

WHAT I FOUND OUT WHAT I

ALREADY KNEW, YOU KNOW WHAT

I'M SAYING?

RIGHT.

SHE'S A LIAR.

IS THAT JOSELINE?

WHAT IS THIS?

THAT'S MY NEW VIDEO.

FOR WHAT?

FOR SMASHED DA HOMIE.

♪ SHE SAID SHE WANT

♪ TO GET TO KNOW ME

♪ EVEN THOUGH

♪ SHE SMASHED THE HOMIE

LOOK LIKE YOU?

* SHE WANT TO DO IT

♪ LIKE SOME ANIMALS

I REALLY DON'T GIVE A [bleep]

WHAT HE TALKING ABOUT BECAUSE

THE SONG IS NOT EVEN HOT.

[applause]

BENZINO, IF WHAT KARLIE WAS

SAYING WAS A LIE AND YOU NEVER

SAID THAT JOSELINE AND YOU

SMASHED, WHY DO A VIDEO AND CAST

A JOSELINE LOOK-ALIKE AND SAY

SHE SMASHED THE HOMIE?

WELL, I MEAN, I HAD ALREADY

DID THE SONG.

WHEN I WENT TO MIAMI FOR

MEMORIAL WEEKEND, THAT'S WHEN

ARIEL HAD CAME UP, WAS LIKE,

"I WANT TO TAKE A PICTURE

WITH YOU.

THEY CALL ME THE FAKE JOSELINE."

AND THAT'S ARIEL, THE PERSON

WHO SAYS--

YEAH, THAT'S HER.

OH, THEY CALL HER

THE FAKE JOSELINE?

THAT'S WHAT SHE SAID.

WHAT DO YOU THINK, JOSELINE?

DOES SHE LOOK LIKE YOU?

HELL [bleep] NO.

THERE WAS A LITTLE BIT--

NOTHING?

NO.

THE BUTT CHEEKS--

SHE HAD THE SAME WIG I BE

HAVING ON, BUT SHE'S STILL LOOK

A [bleep] MESS.

ALL RIGHT, THAT WAS IT.

SO LET ME ASK YOU THIS, STEVIE.

WHEN YOU FIRST HEARD ABOUT ALL

OF THIS--THIS WAS--LIKE, YOU

GUYS CALLED EACH OTHER BROTHERS.

DID YOU BELIEVE THAT BENZINO WAS

EVEN CAPABLE OF THIS?

I MEAN, YOU KNOW, I DIDN'T

REALLY THINK TOO MUCH OF IT,

YOU KNOW WHAT I MEAN?

PEOPLE LIE.

EVERYBODY WANTS TO, YOU KNOW,

CAUSE HAVOC AND MAYHEM.

SO YOU THINK KARLIE WAS LYING

WHEN SHE TOLD THIS TO JOSELINE?

KARLIE'S KNOWN TO BE MESSY.

SO, KARLIE, DID HE SHOW YOU

A TAPE OR NOT?

LIKE, LET'S GET TO THE BOTTOM OF

THIS ONCE AND FOR ALL.

YES, HE DID SHOW ME A TAPE,

NUMBER ONE.

NUMBER TWO, IF I WAS SO-CALLED

MESSY, HE WOULDN'T DO A VIDEO

CALLED SMASHED DA HOMIE

WITH HER...

both: LOOK-ALIKE.

YEAH.

WELL, HE'S SAYING HE WAS

INSPIRED BY THE LIE THAT

YOU TOLD.

WAS SHE LYING, BENZINO?

I MEAN, I'VE NEVER SEEN NO

TAPE OF JOSELINE, AND I DAMN

SURE DIDN'T--

HE SHOWED IT TO ME.

KNOCK IT OFF.

KARLIE.

YES, HE SHOWED IT TO ME.

KNOCK IT OFF.

AND IF THAT'S THE CASE, YOU

WOULDN'T EVEN MAKE

A [bleep] VIDEO.

NO, THAT'S NOT TRUE.

YOU WOULDN'T MAKE A VIDEO

WITH JOSELINE CALLED SMASHED

DA HOMIE.

YOU JUST WOULDN'T DO IT.

NO, NO, NO.

WAIT A MINUTE, HE DIDN'T

SMASH THE HOMIE.

I DIDN'T SAY I SMASHED

THE HOMIE.

I DIDN'T SAY I SMASHED

THE HOMIE.

I SAID--

I SAID THAT'S WHAT THEY TOLD ME.

[laughter]

OH, THAT'S WHAT HE SAID.

ALL RIGHT, LISTEN, WE'RE NOT

GONNA GET TO THE BOTTOM OF

THIS HERE.

IT'S ONE PERSON'S WORD AGAINST

ANOTHER WHEN IT COMES TO

SMASHING THE HOMIE.

BUT ACCORDING TO MORE THAN ONE

CAST MEMBER, JOSELINE WASN'T

THE ONLY ONE BENZINO WAS TRYING

TO SMASH.

WATCH THIS CLIP OF SOME OF

THE OTHER LADIES WHO CLAIM TO

HAVE GOTTEN HIT UP BY ZINO

AFTER DARK.

OH, [bleep].

THANK YOU.

LIKE I TOLD STEVIE, YOU DON'T

NEED TO BE--TRY TO BE FRIENDS

WITH NOBODY THAT'S TRYING TO

[bleep] YOUR BITCH, 'CAUSE YOU

D.M. ME AT 6:00 IN THE MORNING--

YOU TOO?

OH!

I GOT--HE CALLED ME AT 4:00

IN THE MORNING.

I SAID, "WHO IS THIS?"

AND HE SAID, "THIS BENZINO.

I WANT TO"--

ARE YOU SERIOUS?

I SWEAR TO GOD.

HE WANTED TO--HE KEPT SAYING,

"SO YOU AND SCRAPPY

STILL TOGETHER?"

HE TRIED TO HOLLER THAT NIGHT

AT AURUMS, THOUGH.

SO THAT'S WHAT I WOULD SAY--

HE TRIED TO HOLLER AT YOU

AT AURUMS--OH, MY--

HE HIT YOU.

HE HIT ME TWICE.

AND HE HIT YOU.

WHAT THE HELL?

HE TRYING TO [bleep] EVERYBODY

IN THE CREW.

[applause]

THIS MOTHER[bleep] TRYING TO

LOVE AND HIP-HOP EVERYBODY.

WELL, GUESS WHAT, THOUGH.

I DON'T EXPECT ANYTHING FROM

BENZINO OR STEVIE, 'CAUSE STEVIE

AND BENZINO--THEY LAY TOGETHER,

THEY HANG TOGETHER,

THEY [bleep] BITCHES TOGETHER,

AND THAT'S JUST WHAT DIRTY

[...] DO.

DON'T DO THAT.

THIS ONE OVER HERE TALKING

ABOUT HE WANT TO COME TO MY

DRESSING ROOM.

HOLD UP.

I GOT A TEXT RIGHT HERE THAT YOU

JUST SENT ME RIGHT NOW, THOUGH.

WHAT'D SHE SAY?

HOLD ON.

[laughs]

SHE SAID, "I THOUGHT YOU WAS

COMING TO MY DRESSING ROOM."

THAT WAS JUST, LIKE, TEN

MINUTES AGO.

all: OH.

WHAT'S UP WITH THAT, KARLIE?

I MEAN, ZINO--YOU KNOW

HOW WE DO.

YOU'RE ON; YOU'RE OFF.

WE'RE ON; WE'RE OFF.

OH, MY GOSH, THIS IS

EMBARRASSING.

ALL RIGHT, ARE YOU JUST

LOOKING FOR LOVE WHEREVER YOU

CAN GET IT, BENZINO?

HAS ANYBODY ELSE OUT THERE BEEN

D.M.'D BY ZINO?

THANK YOU!

OH!

OH, OH, OH, OH, OH!

AND, AH, AH.

LISTEN, DON'T ANSWER THAT.

ACTUALLY, YOU CAN ANSWER THIS.

[laughs]

[laughter]

SIT DOWN.

SIT DOWN, ZINO.

[bleep].

GUYS, IT'S TIME FOR OUR

HASHTAG BATTLE OF THE NIGHT.

THIS IS OUR BIG SMASH

THE HOMIE HASHTAG BATTLE.

IF YOU BELIEVE THAT JOSELINE AND

BENZINO DID SMASH, TWEET

@LOVEHIPHIPVH1 WITH

THE HASHTAG "JOZINO."

Y'ALL AIN'T [bleep].

[laughter]

[laughing] IF YOU BELIEVE--

IF YOU BELIEVE IT WAS SCRAPPY

AND SHAY THAT DID THE SMASHING,

TWEET USING THE HASHTAG

"SCRAPSHAY," OR IF YOU THINK

THAT STEVIE J. AND MIMI ARE

SMASHING STILL...

HE BETTER NOT, 'CAUSE I WILL

SMASH HIM.

NO MATTER WHAT THEY SAY,

TWEET @LOVEHIPHOPVH1 WITH

THE HASHTAG "MIMIJ."

SO GO ONLINE RIGHT NOW, GET YOUR

VOTES IN, AND WE'LL REVEAL

THE RESULTS LATER ON IN

THE SHOW.

WE'VE GOT TO GO TO BREAK.

MORE TO COME ON LOVE AND

HIP-HOP: ATLANTA: THE REUNION.

STAY TUNED.

[cheers and applause]

YOU'RE A HO.

FIX YOUR FACE, BITCH.

BREAST LIFT, BITCH.

WITH THEM SAGGY-ASS TITTIES.

YOU THE FAMILY PET.

DON'T YOU EVER FORGET.

BREAST LIFT.

* THIS IS THE LIFE

[cheers and applause]

WELCOME BACK TO LOVE AND

HIP-HOP: ATLANTA: THE REUNION.

OKAY, I'M JOINED BY SCRAPPY,

ERICA, AND BOTH OF THEIR MOMS,

MIGNON AND MOMMA DEE.

THESE LADIES WEREN'T SURPRISED

WHEN SCRAPPY AND ERICA'S

ENGAGEMENT DIDN'T LAST.

DID THE MAMAS REALLY KNOW BEST?

LET'S TAKE A LOOK.

I MEAN, AT THE END OF

THE DAY, IT'S OUR RELATIONSHIP.

EVERYBODY MAMAS IS OVERSTEPPING

THEY BOUNDARIES.

ARE YOU HAPPY FOR THE WHOLE

SITUATION WITH ERICA

AND SCRAPPY?

I'M CONTENT.

I'LL BE HAPPY AFTER

THE MARRIAGE.

NOTHING'S EVER ENOUGH

FOR HER.

I'M GONNA MARRY THIS LADY

RIGHT HERE, AND I JUST SEE

A LOT OF NEGATIVITY, YOU KNOW

WHAT I'M SAYING?

BY PROPOSING TO ERICA, MY SON

IS MAKING THE BIGGEST MISTAKE

OF HIS LIFE.

SHE DON'T KNOW HER PLACE,

AND THAT'S WHERE THE ERROR IS

RIGHT NOW.

OH, WHOA, WHOA.

[all shouting]

[both yelling indistinctly]

GO GET IN THE CAR.

GO GET IN THE--

GO GET IN THE CAR.

GET THE [bleep] OUT MY HOUSE!

TAKE HER OUT MY HOUSE!

[bleep] DISRESPECTFUL.

YOU FEEL ME?

STOP, STOP, STOP!

AND SHE HIT MY--

STOP, STOP!

MOMMA, GET IN THE CAR.

LET THE [bleep] RIDE.

THAT INSENSITIVE BITCH,

ERICA, HAD TO STRIKE AGAIN,

HER AND HER MAMA.

SMOKE A STRAIGHT SHOOTER, BITCH.

HEY, MAN.

YOU BETTER GET YOUR HANDS

OFF ME, SCRAP.

DON'T TOUCH MY MAMA.

THAT MOTHER[bleep]

GODDAMN BITCH.

[all yelling indistinctly]

TALKING ABOUT YOU IS A PIMP.

THAT'S A HO.

BITCH, I'LL KICK YOUR ASS.

HE A PUNK LIKE HIS PUNK MAMA.

DIE, BITCHES, DIE!

HE GOING TO HELL.

OH, MY GOD, ALL RIGHT.

LET'S START WITH A FAN QUESTION.

THIS ONE'S TO YOU, ERICA.

"DO YOU FEEL LIKE YOU WERE WRONG

FOR GOING OFF ON MOMMA DEE

AT THE FAMILY DINNER?"

ABSOLUTELY NOT, 'CAUSE WHAT

YOU DIDN'T SEE WAS ERICA BEING

CALLED A BITCH AGAIN.

IT DIDN'T FULLY COME OUT,

BECAUSE SCRAP SAID,

"MA, HOLD ON."

MOMMA DEE.

THAT'S NOT TRUE.

OKAY.

I NEVER CALLED HER A BITCH.

HE CHECKED IT, AND THEN ALL OF

A SUDDEN, SHE JUST CAME FROM

NOWHERE AND--

SO YOU WERE JUST AT THE TABLE

ALL CALM.

YOU DIDN'T DO ANYTHING.

NO, I DIDN'T DO ANYTHING

AT FIRST.

OKAY.

AT FIRST, I DIDN'T.

BUT AT THIS POINT,

THEY WERE ENGAGED.

SCRAPPY HAD MADE HIS DECISION.

WHY NOT JUST ACCEPT IT?

I DON'T HAVE TO ACCEPT

ANYTHING I DON'T LIKE.

I WOULD NEVER DO THAT.

ALL RIGHT, WELL...

[scattered laughter]

MIGNON, YOU ACTUALLY CALLED IT

EARLY ON.

DID YOU EVER ACTUALLY THINK

THESE TWO WOULD GET MARRIED

FOR REAL?

AT FIRST, I DIDN'T, AND THEN

THE MORE RELATIONSHIP WENT ON,

THE MORE I SEEN THEM TOGETHER,

I FELT THAT IT WOULD HAVE

HAPPENED IF MOMMA DEE WOULD STAY

IN MOMMA DEE'S PLACE.

SO SHE NEEDS TO UNDERSTAND SHE

NOT GONNA DISRESPECT US.

I'M NOT GONNA GO FOR IT.

I SAID THAT FOR A LONG TIME.

[cheers and applause]

[speaking indistinctly]

I SAID THAT FOR A LONG TIME.

IF YOU CALL YOURSELF A QUEEN,

ACT LIKE A QUEEN.

[both speaking indistinctly]

YOU ACT LIKE TRASH, YOU GONNA

BE KNOWN AS TRASH.

YOU'RE A PROBLEM TO US,

AND YOU'RE A PROBLEM TO ME,

AND I'D LIKE FOR YOU TO

KNOW WHY.

SOLVE IT.

ALL RIGHT, SO, MOMMA DEE,

THIS QUESTION'S ACTUALLY

FOR YOU.

IT'S A FAN QUESTION FROM CHERYL

D., WHO WANTS TO KNOW, "DO YOU

THINK YOU WENT TOO FAR WHEN YOU

TOLD MIGNON TO SMOKE

A STRAIGHT SHOOTER?"

I THINK I DID.

WHAT DOES THAT MEAN EXACTLY?

IT'S A CRACK PIPE.

OKAY.

AND WE ALL KNOW THAT

MIGNON HAS--

MIGNON IS A RECOVERING

ADDICT.

I GOT 11 YEARS CLEAN.

HOW ABOUT HER?

[cheers and applause]

MM-HMM, MM-HMM.

WHATEVER.

I CAN'T--I CAN'T--

ALL RIGHT, WELL, SCRAPPY,

THE MOTHERS MAY HAVE PLAYED

A ROLE, BUT ERICA SAID THAT

THERE WERE TEXTS FROM

OTHER WOMEN.

MM-HMM.

TELL THE TRUTH.

WERE YOU CHEATING ON ERICA AFTER

YOU GUYS GOT ENGAGED?

NO.

ERICA, DO YOU BELIEVE HIM?

NO, NO, NOT AT ALL.

SHE NEVER BELIEVED ME.

WHY WOULD YOU ASK SOMEBODY--

HAVE YOU EVER HEARD OF ANY

OF THESE WOMEN THAT WERE

TEXTING HIM?

DID YOU KNOW WHO THEY WERE?

YUP, IT WAS ONE OF HIS EXES

HE HAD JUST SEEN.

DANA WAS ONE OF HIS HOMEBOY'S

BABY MAMA.

all: OOH.

SO...

DOES THAT RING

A BELL, SCRAPPY?

OKAY, SINCE WE GONNA DO IT

LIKE THAT, ERICA'S NOT

A PERFECT PERSON.

I NEVER SAID I WAS.

NO, BUT SCRAPPY NEVER AIRS

OUT ERICA.

SCRAPPY NEVER AIRS OUT ERICA

DYSFUNCTIONAL SITUATION.

WHAT'S MY DYSFUNCTIONAL

SITUATION?

DON'T DO THAT, SCRAPPY.

PLEASE DON'T.

SOMEBODY HUSBAND SHE WAS

DEALING WITH.

ARE YOU SAYING--YOU AIN'T--

REALLY?

I WAS MESSING WITH

SOMEBODY'S HUSBAND?

IS THAT WHAT YOU GONNA DO?

COME ON, GIRL.

IS THAT WHAT YOU--

OKAY, YOU RIGHT.

THE TRUTH WILL SPEAK FOR ITSELF.

HEY, YOU GONNA WHIP ME?

YOU GONNA WHIP ME?

IT SOUNDS LIKE YOU--

YOU'RE THROWING UP SMOKE

SCREENS RIGHT NOW, SCRAPPY.

WELL, THERE IS ANOTHER WOMAN

BESIDES MOMMA DEE WHO DIDN'T

BELIEVE ERICA WAS THE RIGHT ONE

FOR SCRAPPY, AND THAT WAS

SHAY JOHNSON.

LET'S BRING HER UP.

COME HERE, BABY.

[audience jeers]

[scattered applause]

HEY, BABY.

HI.

SO, SHAY--

I'M NOT A PART OF THAT.

YES, YOU ARE.

DON'T DO THAT.

I JUST WANT TO--LIKE, 'CAUSE

WHERE I'M AT RIGHT NOW, I'M IN

A GOOD SPACE IN MY LIFE.

YOU FEEL ME?

QUIT TEXTING ME.

LEAVE ME ALONE.

ARE YOU STILL TEXTING ERICA?

HELL YEAH.

YOU STILL TRYING TO GET

WITH ERICA.

THAT MY LOVE.

I LOVE HER, YOU FEEL ME?

NO, I'M MESSING WITH

A MARRIED MAN.

SEE?

SEE, THAT'S REAL, THOUGH.

SEE, THAT'S REAL.

THAT'S REAL.

I'M GONNA BE REAL.

I MEAN, WE TEXT, BUT WE

ARE FRIENDS.

HE WAS JUST--HE WANTED TO KNOW,

WHEN HE WAS IN REHAB, IF I WAS

DEALING WITH ANYBODY.

HE TELLS ME HE MISS ME, LET ME--

HE--HE--WHILE HE WAS

IN REHAB--

AND THAT'S A LIE.

YOU FEEL ME?

THAT'S A LIE.

[all talking at once]

I DO THAT.

AND THAT'S REAL.

AND THEN YOU TEXTING HER?

YES, HE WAS.

AND THAT'S REAL.

LET'S HEAR THE FACTS HERE

OF THE SITUATION.

WERE YOU AND SCRAPPY TOGETHER AT

ALL THIS SEASON WHILE THESE TWO

WERE ENGAGED?

WELL, HE WAS TELLING ME THEY

WEREN'T ENGAGED ANYMORE, SO

SCRAPPY AND I DID DO A COUPLE

THINGS, YES, BUT THEY WEREN'T

TOGETHER ANYMORE.

IS THAT THE NEW WAY OF SAYING

YOU SLEPT TOGETHER, "YOU DID

A COUPLE THINGS"?

I MEAN, BECAUSE IT'S

NOTHING NOW.

IT'S ABSOLUTELY NOTHING NOW.

LIKE, AT THE END OF THE DAY,

I MESS WITH PEOPLE THAT MESS

WITH ME.

I DONE BEEN THERE WITH ERICA,

AND, YEAH, I DONE DID A LOT OF

WRONG, YOU KNOW WHAT I'M--

LIKE, SHOOT, I DON'T EVEN KNOW

WHY SHE TOOK ME BACK SOMETIME,

BUT AT THE END OF THE DAY, WHEN

YOU GET IT RIGHT AND YOU TRY,

YOU KNOW WHAT I'M SAYING,

AND THAT'S STILL NOT ENOUGH,

AND YOU BE LIKE--I MEAN, WHAT

ELSE AM I SUPPOSED TO DO?

WELL, WHAT YOU SHOULD DO IS

BREAK UP WITH HER BEFORE YOU

SLEEP WITH HER.

I DID DO THAT.

OH, YOU DID.

NO, SHE DID THAT.

ALL RIGHT, WELL, THIS SEASON,

ERICA AND SHAY FINALLY GOT

A CHANCE TO TALK ONE-ON-ONE,

BUT THERE WASN'T MUCH TALKING

ONCE THE TWO OF THEM CAME

FACE-TO-FACE.

LET'S TAKE A LOOK AT WHAT WENT

DOWN AT KARLIE'S LAUNCH PARTY.

LET ME BE THE FIRST ONE

TO START.

MY ISSUE WITH YOU IS, WHY MY

NAME KEEP BEING IN YOUR MOUTH?

I CAME TO THE SCENE WITH

RESPECT, BUT SOON AS THIS BUM

BITCH CAME TALKING [bleep] ABOUT

ME, HAVING HER NAME IN HER

MOUTH, BITCH, I DON'T GIVE A

[bleep] WITH WHAT WE SUPPOSED TO

BE TALKING ABOUT.

IT'S ON NOW BECAUSE

YOU DISRESPECTED.

ERICA.

WHAT YOU GONNA DO?

SHUT THE [bleep] UP!

WHAT YOU WANT TO DO?

WHAT THE [bleep]?

BITCH.

[shouting indistinctly]

[glass bangs]

WHEN I SEE YOUR ASS, HO.

[all shouting indistinctly]

COME ON, WHAT YOU WANT TO DO?

BRING YOUR ASS OUT!

BRING YOUR ASS OUT, BITCH!

SHAY, I KNOW YOU'VE EXPRESSED

WANTING TO SAY CERTAIN THINGS.

YOU FEEL LIKE YOU'VE GOTTEN

ALL--IT ALL OFF YOUR CHEST.

I'M--SHE'S NOT GONNA

EVER LISTEN.

WE NOT GONNA BE FRIENDS.

THERE'S NOTHING ELSE TO

TALK ABOUT.

I'M NOT WITH HIM.

SHE'S NOT WITH HIM.

IT DOESN'T REALLY MATTER IF THEY

GOT BACK TOGETHER OR NOT.

THAT'S NOT MY BUSINESS ANYMORE.

I'VE MOVED FORWARD.

I'M DATING SOMEBODY ELSE.

SO IT JUST IS WHAT IT IS.

GOOD FOR YOU.

[chortles]

'CAUSE SHE COULDN'T

KEEP HERS.

[laughs mockingly]

GIRL, I TAKE YOURS.

[laughs mockingly]

YOU WISH YOU COULD WITH THEM

SAGGY-ASS TITTIES.

BREAST LIFT, BITCH.

FIX YOUR FACE, BITCH.

YOU UGLY AS [bleep].

BREAST LIFT.

YOUR MAN GONNA PAY FOR IT.

WHY YOU TALKING [bleep]?

YEAH, AND I GOT YOURS ANYTIME

I WANT HIM.

GIRL, BYE, HE GOT--

YES, YES.

YES, I GOT--ANYTIME.

ANYTIME, BABY.

[both talking at once]

YOU NEVER HAD HIM.

NEXT, WE'VE GOT A SPECIAL

PERFORMANCE FROM K MICHELLE.

WE'LL BE BACK WITH MORE LOVE AND

HIP-HOP: ATLANTA: THE REUNION.

[percussive music]

♪

* WHATEVER YOU LIKE

♪ YEAH, YEAH

*THIS IS THE LIFE ♪

* THIS IS THE LIFE

[cheers and applause]

WELCOME BACK TO PART TWO

OF LOVE AND HIP-HOP: ATLANTA:

THE REUNION.

AS SOME OF YOU MAY HAVE ALREADY

HEARD, ONE OF OUR CAST MEMBERS

IS MOVING ON FROM OUR

ATLANTA SHOW.

K MICHELLE WILL NOT BE RETURNING

NEXT SEASON.

[audience groans]

YEAH, AND WHILE THE BAD NEWS IS

THAT K MICHELLE IS LEAVING

ATLANTA, SHE IS RELOCATING TO

NEW YORK, WHERE SHE WILL BE

JOINING THE CAST OF LOVE AND

HIP-HOP: NEW YORK.

[cheers and applause]

YUP, BUT BEFORE SHE GOES, WE

HAVE A VERY SPECIAL PERFORMANCE

FROM HER TONIGHT.

FROM HERATLANTIC RECORDS

RELEASE, REBELLIOUS SOUL, IN

STORES NOW, GIVE IT UP FOR OUR

VERY OWN K MICHELLE, PERFORMING

HER HIT SINGLE V.S.O.P.

[cheers and applause]

* WE GONNA LIGHT

♪ SOME CANDLES, BABY

♪ POUR SOME HENNEY

♪ YEAH

♪ SING MY SONG

♪ OH, OH

♪ OH, YEAH

♪ HIT THE LIGHTS

♪ CAN'T LET NO ONE SEE ME ♪

♪ GET DOWN

♪ IT'S ALL RIGHT ♪

♪ I KNOW THEY THINK

♪ I GET AROUND

♪ YOU AND I

♪ GOT SOMETHING

♪ THEY CAN'T KNOW ABOUT ♪

♪ REALLY ONLY HEAVEN KNOWS

♪ MY HEART

♪ 'CAUSE YOU KNOW ♪

♪ THIS AIN'T AN ORDINARY LOVE ♪

♪ WE GOT SO MUCH HISTORY

♪ IN THE STORIES ABOUT US

♪ SO COME ON OVER, BABY

* WE GONNA LIGHT

♪ SOME CANDLES TONIGHT

* WE GONNA LIGHT

♪ SOME CANDLES, YEAH

♪WHATEVER YOU LIKE ♪

* VERY SPECIAL

♪ GOT SOME HENNEY

♪ CHILLIN' ON ICE ♪

* GOT SOME HENNEY

♪ CHILLIN' ON ICE ♪

* VERY SPECIAL

* HOPE YOU MAKE THE REST

♪ OF MY LIFE

♪ VERY SPECIAL

♪ ALL NIGHT

♪ WARM MY BED

♪ IT'S A LITTLE COLD ♪

♪ ON YOUR SHOULDER

♪ MAMA SAID, YEAH

♪ I WOULD UNDERSTAND

♪ WHEN I'M OLDER ♪

♪ IN MY HEAD

♪ EVEN IF YOU TELL ME

♪ IT'S OVER ♪

♪ I'LL PRETEND YOU TOLD ME ♪

♪ I'M YOUR ALL ♪

♪ 'CAUSE YOU KNOW ♪

♪ THIS AIN'T AN ORDINARY LOVE ♪

♪ WE GOT SO MUCH HISTORY

♪ IN THE STORIES ABOUT US

♪ SO COME ON OVER

* GONNA LIGHT SOME CANDLES

* WE GONNA LIGHT

♪ SOME CANDLES, BABY

♪ WHATEVER YOU LIKE

♪ YEAH, BABY

♪ YEAH

♪ GOT SOME HENNEY

♪ CHILLIN' ON ICE ♪

* VERY SPECIAL

* OH

♪ I HOPE YOU MAKE THE REST

♪ OF MY LIFE

♪ VERY SPECIAL

♪ ALL NIGHT

*HE SUPPOSED TO BE ♪

♪ WITH YOU

♪ THAT WHAT EVERYBODY

♪ GONNA TELL ME

♪ BUT I CAN'T REALLY COUNT ♪

♪ ON WHAT EVERYBODY GONNA

♪ TELL ME

♪ SHE AIN'T SEEN HER BABY ♪

♪ IN A COUPLE DAYS

* A COUPLE DAYS

* I'M LOOKING AT MY BABY ♪

♪ RIGHT UP IN HIS FACE

* IN HIS FACE

♪ FLOWERS AND GIFTS

♪ RESTAURANTS

♪ I SWEAR HE BUY ME

♪ ANYTHING I WANT

♪ THAT'S WHY I'M SO QUICK ♪

♪ TO PUT THAT MUSIC ON FOR HIM

♪ LISTEN TO

♪ BABY

♪ WE GONNA LIGHT

* VERY SPECIAL

* WHATEVER YOU LIKE

♪ YEAH, YEAH

* VERY SPECIAL

* OH, OH, OH, YEAH

♪ALL NIGHT ♪

♪ YEAH

[cheers and applause]

THANK YOU.

GIVE IT UP FOR K MICHELLE.

[cheers and applause]

WE LOVE YOU.

WE GONNA MISS YOU.

THANK Y'ALL FOR THE

OPPORTUNITY, AND I WISH ALL OF

Y'ALL THE BEST, AND--

I'M SO EMOTIONAL.

YOU KNOW I BE CRYING AND CRAZY.

BUT...

[laughs]

THANK Y'ALL FOR DEALING WITH ME

AND THIS BIG-ASS MOUTH.

[laughter]

ALL RIGHT.

I LOVE Y'ALL.

DON'T GO ANYWHERE.

WE HAVE GOT MORE LOVE AND

HIP-HIP: ATLANTA: THE REUNION

COMING UP.

[cheers and applause]

IS JOSELINE'S MOUTH SOMETHING

YOU LOVE ABOUT HER?

YEAH, SOMETIMES.

HER MOUTHING OFF.

IS JOSELINE'S MOUTHING OFF

SOMETHING YOU LOVE ABOUT HER?

*THIS IS THE LIFE ♪

* THIS IS THE LIFE

[cheers and applause]

WE ARE BACK WITH LOVE AND

HIP-HOP: ATLANTA: THE REUNION,

AND SCRAPPY AND ERICA ARE NOT

WITH US.

UNFORTUNATELY, THEY HAD TO

LEAVE DUE TO A FAMILY EMERGENCY.

WE HOPE EVERYTHING'S OKAY

WITH THEM.

SO THE SELF-PROCLAIMED BADDEST

BOOSH OF ATLANTA HAD A LOT TO

SAY THIS SEASON.

SOMETIMES SHE WAS FUNNY.

OTHER TIMES, SHE WAS RAW AND

UNCENSORED, BUT ALL THE TIME,

SHE WAS DOWNRIGHT ENTERTAINING.

LET'S TAKE A LOOK AT SOME

CLASSIC CLIPS FROM

JOSELINE HERNANDEZ, BABY.

DON'T BE TOUCHING UP ON ME.

YOU WANT ME TO SIT UP HERE AND

WASTE MY TIME WITH YOUR MAID.

SHE NEED TO COME CLEAN MY

CAR, THOUGH.

THAT WHAT SHE NEED TO DO.

WHY WOULD I SMASH SOMEBODY

THAT AIN'T GOT NO NAME?

I NEED A NECK.

I NEED TO LICK ON YOUR NECK.

LISTEN, I DON'T TALK TO

THE HELP.

YOU NEVER GONNA DO A SONG

WITH ME, JOSELINE...

BITCH, YOU WOULD DIE, BE BORN

AGAIN, DIE AGAIN, AND BE BORN

AGAIN BEFORE I DO A SONG WITH

YOU, BITCH.

I'M NOT GONNA BE ANYWHERE FROM

10 YEARS TO 50 YEARS.

I'M GONNA BE A OLD LADY WITHOUT

NO HAIR, GRAY HAIRS ON MY

[bleep] BEFORE YOU GIVE ME

A COMMITMENT.

I LIKE [bleep] TOO, BUT

STILL, DAMN.

I NEED [bleep].

[laughter]

AIN'T NO WAY.

BITCH, I CAN'T GO TWO DAYS

WITH NO [bleep].

I GETS BEEFCAKE EVERY DAY.

BYE, BITCH.

[laughs]

JOSELINE, YOU WILL SAY

ANYTHING TO ANYBODY.

LET ME TELL YOU.

MY MOUTH IS A LETHAL WEAPON.

LIKE, I HAVE TO BE VERY CAREFUL

OF WHAT I SAY.

AND I DON'T MEAN NO HARM.

REALLY?

STEVIE, SHE DON'T MEAN NO HARM?

'CAUSE SHE BE GOING AT YOU.

I MEAN NO HARM.

I MEAN, I GOT THAT RHINOCEROS

SKIN, YOU KNOW?

ALL RIGHT, BUT IS JOSELINE'S

MOUTH SOMETHING YOU LOVE

ABOUT HER?

YEAH, SOMETIMES.

HER MOUTHING OFF.

IS JOSELINE'S MOUTHING OFF

SOMETHING YOU LOVE ABOUT HER?

JUST--BY THE WAY,

I HATE [bleep].

OH.

TRUST ME.

T.M.I.

THAT'S TOO MUCH INFORMATION.

OKAY, IT'S BEEN A HECK OF A RIDE

FOR ALL OF US THIS SEASON ON

LOVE AND HIP-HOP: ATLANTA.

I WANT TO THANK ZO HARRIS

AND THE REUNION SHOW BAND.

[cheers and applause]

I WANT TO THANK THE CAST.

THANK YOU SO MUCH, GUYS.

BUT I ESPECIALLY WANT TO THANK

YOU GUYS, THE FANS, FOR

CONTINUING TO TUNE IN EVERY WEEK

AND SUPPORTING US.

PLEASE JOIN US THIS FALL WHEN

LOVE AND HIP-HOP RETURNS

TO NEW YORK.

I'M YOUR HOST AND EXECUTIVE

PRODUCER, MONA SCOTT YOUNG,

AND I'LL SEE YOU NEXT TIME.

[cheers and applause]

[percussive music]

♪

BENZINO SAID THAT HE HAD

NEVER SHOWN YOU THE VIDEO.

AND I WANT TO TELL YOU.

I DON'T HAVE--I DON'T HAVE

A PORN VIDEO, 'CAUSE I'VE

NEVER GOT--

EVERYBODY KNOW I WAS A STRIPPER,

BUT I NEVER GOT TO THE POINT

TO DO PORN.

I DO PORN ONLY FOR ONE PERSON,

AND THAT WOULD BE STEVIE.

THANK YOU FOR SHARING.

BUT I HAD--IT WASN'T A PORN

TAPE, SO LET'S GET THAT CLEAR,

EVERYBODY, OKAY?

I WAS YOUNGER, I WAS 17,

AND I DID A LITTLE VIDEO PLAYING

WITH MY KITTY CAT, BUT THAT

WAS IT.

AND WE ALL MAKE MISTAKES, AND

I AM ABLE TO MAKE A MISTAKE

WHEN I'M 17 YEARS OLD.

I DIDN'T HAVE ANY GUIDANCE,

AND I DID THAT, BUT IT WAS NOT

A PORN TAPE.

BENZINO SAID THAT HE HAD

NEVER SHOWN YOU THE VIDEO.

AND I WANT TO TELL YOU.

I DON'T HAVE--I DON'T HAVE

A PORN VIDEO, 'CAUSE I'VE

NEVER GOT--

EVERYBODY KNOW I WAS A STRIPPER,

BUT I NEVER GOT TO THE POINT

TO DO PORN.

I DO PORN ONLY FOR ONE PERSON,

AND THAT WOULD BE STEVIE.

THANK YOU FOR SHARING.

BUT I HAD--IT WASN'T A PORN

TAPE, SO LET'S GET THAT CLEAR,

EVERYBODY, OKAY?

I WAS YOUNGER, I WAS 17,

AND I DID A LITTLE VIDEO PLAYING

WITH MY KITTY CAT, BUT THAT

WAS IT.

AND WE ALL MAKE MISTAKES, AND

I AM ABLE TO MAKE A MISTAKE

WHEN I'M 17 YEARS OLD.

I DIDN'T HAVE ANY GUIDANCE,

AND I DID THAT, BUT IT WAS NOT

A PORN TAPE.