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THIS SEASON ON LOVE &
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HIP-HOP: ATLANTA...
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BEING IN LOVE CAN FEEL LIKE
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A DREAM...
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BABE, ARE YOU READY TO MARRY
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ME NOW?
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I REALLY JUST WANT EVERYBODY
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TO BE AS HAPPY AS WE ARE.
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NOBODY'S GONNA BE AS HAPPY AS
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WE ARE.
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WHETHER IT'S REKINDLING
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A ROMANCE...
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TOAST TO NEW BEGINNINGS.
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OR DISCOVERING SOMETHING NEW.
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I'M GLAD THIS FINALLY
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HAPPENED.
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BUT THAT DREAM...
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I'M PREGNANT.
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CAN QUICKLY TURN
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INTO A NIGHTMARE.
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YOU'RE STILL AT A STAGE WHERE
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YOU CAN "X" THAT RIGHT THERE
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OUT THE PICTURE.
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YOU THINK THAT'S FUNNY?
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YOU THINK THAT'S [bleep] FUNNY?
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DOES IT SEEM LIKE
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I'M BEING FUNNY?
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HOW MANY TIMES HAS SHE CALLED
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ME A BITCH?
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HUH?
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HOW MANY TIMES?
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[yelling indistinctly]
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LINES ARE CROSSED...
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DO YOU WANT TO START A FIRE?
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GET OUT OF MY FACE.
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AND ALLEGIANCES BROKEN...
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I'M A LIAR?
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YOU GONNA CHECK THIS [bleep]
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OR WHAT?
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WE GOT A HISTORY.
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WHAT ARE YOU DOING, MAN?
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IT AIN'T GOT NOTHING TO DO
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WITH HER.
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SO THEN WE AIN'T BROTHERS
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NO MORE THEN, I GUESS.
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I'M COOL WITH THAT.
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AS FRIENDS BECOME ENEMIES
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IN THE BLINK OF AN EYE.
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IF IT'S NOT ABOUT K.MICHELLE,
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SHE HAS TO MAKE IT ABOUT HER.
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YOU CAN RUN YOUR MOUTH...
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BUT IF THAT'S WHAT YOU WANT.
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YOU DON'T EVEN HAVE
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A [bleep] MAN.
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BRING IT.
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WHEN THE ONES YOU LOVE
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BETRAY YOUR TRUST,
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IT CUTS DEEP.
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YOU BEEN TOUCHING
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OTHER BITCHES.
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I DON'T WANT YOU TOUCHING ME.
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AS A MATTER OF FACT,
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GET THE [bleep] OUT.
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BUT FOR EVERY ACTION,
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THERE IS A REACTION.
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I PAWNED THE RING.
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IN THIS GAME, THERE ARE NO
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EASY CHOICES.
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JUST REALLY CONSIDER GETTING
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MARRIED AGAIN.
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I WANT TO MAKE IT OFFICIAL.
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ARE WE ENGAGED?
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IS THAT OUR BOND?
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THIS IS JUST, LIKE, SOME
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SMALL TOKEN OF MY APPRECIATION
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TO YOU TOO.
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YOU BITCH!
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'CAUSE WHEN IT'S ALL SAID
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AND DONE, YOU'LL HAVE NO PLACE
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LEFT TO HIDE.
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WHERE DO YOU LIVE?
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I LIVE IN ATLANTA.
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AND TONIGHT, ON LOVE &
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HIP-HOP: ATLANTA: THE
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REUNION...
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YOU [bleep] TRIFLIN',
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DISGUSTING SLUT MONKEY.
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BUT I'M A SLUT MONKEY FOR
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YOUR BABY DADDY, BITCH,
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AND YOU HATE IT.
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I CAN POP OFF 'CAUSE I WILL
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JUMP OFF.
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JUMP, THEN, BITCH.
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I'M NOT A GOOD GUY?
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YOU'RE ONLY GREAT WHEN IT
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COME DOWN TO BUSINESS AND MONEY
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AND YOUR BEEF CAKE IS GREAT,
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BUT THAT'S IT.
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WHAT KIND OF A HUSBAND TELLS
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HIS WIFE TO HAVE AN ABORTION?
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I SAY EXACTLY WHAT I FEEL.
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EITHER YOU LIKE IT OR YOU DON'T.
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SO I GUESS THAT'S WHERE
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WE STAND.
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OHH.
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ARE YOU AND JOSELINE ENGAGED?
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SHUT THE [bleep] UP.
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YOU DON'T OPEN YOUR MOUTH.
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YOU DON'T SPEAK.
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YOU DON'T HANDLE THESE HOS.
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GETTING EMOTIONAL ABOUT IT.
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YOU STILL CARE A LOT.
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YOU LOOK LIKE SOMEBODY SUCKED
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THEIR ASS OUT WITH A STRAW.
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YOU SHUT THE [bleep] UP!
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ALL RIGHT, NOW, DON'T--
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NO, NO, NO, NO!
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SECURITY!
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[cheers and applause]
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GIVE IT UP FOR YOUR HOST
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AND EXECUTIVE PRODUCER
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MONA SCOTT-YOUNG!
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[cheers and applause]
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[upbeat funky music]
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♪
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PLEASE GIVE IT UP
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FOR ZO HARRIS AND THE REUNION
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SHOW BAND, Y'ALL.
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[cheers and applause]
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WELCOME TO LOVE & HIP-HOP:
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ATLANTA: THE REUNION.
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IT'S HARD TO BELIEVE THAT THIS
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SEASON OF LOVE & HIP-HOP:
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ATLANTA WAS EVEN MORE EXPLOSIVE
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THAN THE FIRST.
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EVERY WEEK, MILLIONS TUNED IN TO
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THIS REAL-LIFE HIP-HOPERA AND
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HAD A FRONT ROW SEAT AS THE
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INTIMATE DETAILS OF OUR CAST
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MEMBERS' LIVES UNFOLDED.
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TONIGHT, THE CAST HAS REUNITED
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AS THEY SET THE RECORD STRAIGHT,
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FACE SOME UNRESOLVED ISSUES,
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AND HOPEFULLY CLEAR THE AIR.
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AND WE'RE TAKING THE BEST
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QUESTIONS FROM YOU, THE FANS,
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SO MAKE SURE YOU JOIN
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THE CONVERSATION ON TWITTER.
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TWEET US @LOVEHIPHOPVH1
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USING #LHHATLREUNION.
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AND GET READY TO CAST YOUR VOTE,
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'CAUSE WE HAVE A SPECIAL REUNION
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HASHTAG BATTLE COMING UP.
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NOW PLEASE HELP ME WELCOME
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THE LADIES OF LOVE & HIP-HOP:
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ATLANTA:
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SHAY,
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ARIANE,
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MISS JOSELINE, BABY...
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[cheers and applause]
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K.MICHELLE,
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ERICA,
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TRACI,
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KARLIE REDD,
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AND MIMI.
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[cheers and applause]
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AND SEATED UP FRONT,
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WE HAVE OUR MAN ZINO...
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[cheers and applause]
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STEVIE J...
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BABEYDREW...
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RASHEEDA...
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KIRK...
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[audience boos]
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KIRK, YOU KNEW YOU HAD
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THAT COMING.
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[laughs]
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BUT WE GOT OUR MAN SCRAP
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DIRTY BACK!
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[cheers and applause]
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RASHEEDA, YOU LOOK ABSOLUTELY
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BEAUTIFUL.
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CONGRATULATIONS ON
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THE PREGNANCY.
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THANK YOU.
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OH, MY GOD, YOU ARE GLOWING,
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AND I SHOULD SAY, GROWING.
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YES.
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WE WANTED TO GIVE YOU
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A FRONT ROW SEAT.
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YOU'RE GONNA BE NICE AND COMFY.
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YOU'RE HAVING A BOY, WE HEARD?
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YES, IT'S A BOY.
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AND DO WE HAVE--YEAH, GIVE
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HER A ROUND OF APPLAUSE.
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[cheers and applause]
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WHAT ARE WE NAMING
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OUR BABY BOY?
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UH, OUR BABY BOY'S NAME IS
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GONNA BE CARTER FROST.
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CARTER.
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WE LOVE THAT.
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IS THAT AN EXCLUSIVE?
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YOU HEARD IT HERE FIRST?
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YES, THERE IT IS.
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CARTER FROST.
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CONGRATULATIONS, GUYS.
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THANK YOU.
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SPEAKING OF NEW ADDITIONS,
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MIMI, YOU HAD BREAST
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AUGMENTATION, RIGHT?
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I DID.
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HOW DID THAT GO?
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AMAZING.
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EVERYTHING GOOD?
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WHAT DO YOU GUYS THINK?
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SHE LOOKS GREAT?
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[cheers and applause]
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JOSELINE, WHAT DO YOU THINK?
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CONSIDERING THE FACT THAT YOU
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LOOK LIKE SOMEBODY SUCKED THEIR
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ASS OUT WITH A STRAW
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AND SHE WANTS TO LOOK LIKE
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JOSELINE HERNANDEZ, I WOULD'VE
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WENT AND DID THAT TOO.
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I DON'T WANT TO LOOK LIKE
227
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YOU, YOU [bleep] PROSTITUTE.
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BITCH, YOU WANT TO BE ME.
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THAT'S WHY YOU GOT THEM TITTIES
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DONE, HO.
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WHAT YOU DO BEST IS SUCK.
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I DON'T WANT TO BE YOU.
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YOU'RE A THROWBACK,
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AND YOU'RE OLD.
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YOU THROWBACK AND YOU OLD,
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BITCH.
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I NEVER WANTED TO BE YOU.
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GOOD-BYE, OLD BITCH,
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GOOD-BYE.
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YOU [bleep] TRIFLIN',
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DISGUSTING SLUT MONKEY.
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AND GUESS WHAT.
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I'M A SLUT MONKEY FOR YOUR
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BABY DADDY, BITCH,
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AND YOU HATE IT.
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AND YOU CAN HAVE HIM.
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AIN'T NOBODY FIGHTING OVER YOU.
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DON'T GET IT TWISTED, OKAY.
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WELL, DON'T STAND UP LIKE YOU
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DOING SOME GREAT [bleep]
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AROUND HERE.
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SIT DOWN.
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[cheers and applause]
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ALL RIGHT, WHY WOULD SHE GIVE
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A [bleep] ABOUT MY BREASTS?
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[bleep] HER.
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I THOUGHT YOU WAS--I THOUGHT
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YOU WAS THE BOSS AND YOU COULD--
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DON'T THINK BEFORE I WHUP
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YOUR ASS AGAIN, HO.
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DON'T THINK BEFORE I WHUP YOUR
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ASS AGAIN, BITCH.
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YEAH, BITCH, SHUT UP.
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CHECK YOUR DADDY, MAMA.
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YOU'RE JUST MAD 'CAUSE I TOOK
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YOUR BABY DADDY.
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SHUT THE [bleep] UP, HO.
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OKAY.
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RIGHT.
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I'M GONNA NEED YOU TO SIT
271
00:06:23,651 --> 00:06:24,351
DOWN, PLEASE.
272
00:06:24,351 --> 00:06:25,285
REALLY, RELAX.
273
00:06:25,285 --> 00:06:26,386
COME ON, LET'S CALM DOWN.
274
00:06:26,386 --> 00:06:27,254
WELL, YOU MIGHT NEED TO GET
275
00:06:27,254 --> 00:06:28,155
HER OFFSTAGE, 'CAUSE EVERYBODY
276
00:06:28,155 --> 00:06:28,889
ELSE READY.
277
00:06:28,889 --> 00:06:29,690
WE WAITING ON HER.
278
00:06:29,690 --> 00:06:30,758
BITCH, [bleep] YOU.
279
00:06:30,758 --> 00:06:31,459
DON'T GET IN HER FACE,
280
00:06:31,459 --> 00:06:32,125
THOUGH.
281
00:06:32,125 --> 00:06:32,826
ALL RIGHT, NO!
282
00:06:32,826 --> 00:06:33,561
NO, NO, NO, NO, NO!
283
00:06:33,561 --> 00:06:34,728
[bleep] HO, BITCH.
284
00:06:34,728 --> 00:06:36,029
JOSELINE, JOSELINE.
285
00:06:36,029 --> 00:06:37,164
WE'RE NOT DOING THAT HERE.
286
00:06:37,164 --> 00:06:38,566
DON'T TOUCH ME.
287
00:06:38,566 --> 00:06:39,232
LISTEN, LISTEN.
288
00:06:39,232 --> 00:06:40,568
YOU A PROSTITUTE.
289
00:06:40,568 --> 00:06:42,069
YOU HEINOUS BITCH!
290
00:06:42,069 --> 00:06:44,171
PLEASE, PLEASE.
291
00:06:44,171 --> 00:06:45,806
ALL RIGHT, YOU GUYS, CALM DOWN,
292
00:06:45,806 --> 00:06:46,474
PLEASE.
293
00:06:46,474 --> 00:06:47,140
JUST SIT.
294
00:06:47,140 --> 00:06:48,108
LET'S JUST CALM DOWN AND LET'S
295
00:06:48,108 --> 00:06:49,710
GET BACK INTO THE SHOW.
296
00:06:49,710 --> 00:06:51,244
ALL RIGHTY.
297
00:06:51,244 --> 00:06:52,780
ALREADY.
298
00:06:52,780 --> 00:06:53,647
WHILE YOU MAY HAVE THOUGHT IT
299
00:06:53,647 --> 00:06:55,949
WAS ALL LOVE IN LOVE & HIP-HOP,
300
00:06:55,949 --> 00:06:56,850
ALTHOUGH YOU WOULDN'T HAVE BEEN
301
00:06:56,850 --> 00:06:57,918
ABLE TO TELL BY WHAT JUST WENT
302
00:06:57,918 --> 00:06:59,386
DOWN ON THIS STAGE,
303
00:06:59,386 --> 00:07:01,021
THAT OBVIOUSLY WASN'T ALWAYS
304
00:07:01,021 --> 00:07:01,889
THE CASE.
305
00:07:01,889 --> 00:07:03,390
THE NOT-SO-FRIENDLY FIRE THESE
306
00:07:03,390 --> 00:07:05,125
LADIES UNLEASHED ON ONE ANOTHER
307
00:07:05,125 --> 00:07:07,094
WAS SO RAPID, IN SOME CASES,
308
00:07:07,094 --> 00:07:08,462
IT WAS HARD FOR EVEN US
309
00:07:08,462 --> 00:07:09,563
TO KEEP UP.
310
00:07:09,563 --> 00:07:11,131
THESE LADIES WENT FROM FRIENDS
311
00:07:11,131 --> 00:07:12,700
TO ENEMIES AND BACK AGAIN
312
00:07:12,700 --> 00:07:14,201
SO QUICKLY, YOU WOULD'VE THOUGHT
313
00:07:14,201 --> 00:07:15,335
THEY COINED THE PHRASE
314
00:07:15,335 --> 00:07:16,403
"FRENEMIES."
315
00:07:16,403 --> 00:07:17,905
LET'S TAKE A LOOK.
316
00:07:17,905 --> 00:07:19,172
I THINK PEOPLE USE THE TERM
317
00:07:19,172 --> 00:07:20,641
"FRIEND" A LITTLE TOO LIGHTLY.
318
00:07:20,641 --> 00:07:22,876
[bell dings]
319
00:07:22,876 --> 00:07:23,744
YOU LOOK GOOD, BITCH.
320
00:07:23,744 --> 00:07:24,845
WELL, THANK YOU.
321
00:07:24,845 --> 00:07:25,613
JOSS, YOU--LOOK AT YOU.
322
00:07:25,613 --> 00:07:26,947
LOOK AT YOU.
323
00:07:26,947 --> 00:07:27,715
I'M SICK OF YOU, HO.
324
00:07:27,715 --> 00:07:28,482
LET ME TELL YOU SOMETHING,
325
00:07:28,482 --> 00:07:29,282
OLD BITCH, I'M NOT THE BITCH
326
00:07:29,282 --> 00:07:29,950
TO [bleep] WITH...
327
00:07:29,950 --> 00:07:30,618
I'M NOT WORRIED.
328
00:07:30,618 --> 00:07:31,485
'CAUSE I'LL KNOCK YOUR BITCH
329
00:07:31,485 --> 00:07:32,219
ASS OUT, HO.
330
00:07:32,219 --> 00:07:32,986
WHAT YOU WANT?
331
00:07:32,986 --> 00:07:34,454
HEY, HEY, HEY, HEY.
332
00:07:34,454 --> 00:07:37,424
[bell dings]
333
00:07:37,424 --> 00:07:38,659
TRACI HAS BEEN IN MY CIRCLE
334
00:07:38,659 --> 00:07:40,494
FOR YEARS, BUT WE KIND OF LOST
335
00:07:40,494 --> 00:07:41,995
CONTACT FOR A MINUTE.
336
00:07:41,995 --> 00:07:42,963
SO MY FRIENDSHIP DON'T MEAN
337
00:07:42,963 --> 00:07:43,697
[bleep] TO YOU THEN?
338
00:07:43,697 --> 00:07:44,464
I'M GOOD.
339
00:07:44,464 --> 00:07:45,298
CAN YOU CALM DOWN, PLEASE?
340
00:07:45,298 --> 00:07:45,966
I'M GOOD!
341
00:07:45,966 --> 00:07:47,535
BUT WHY YOU YELLING AT ME?
342
00:07:47,535 --> 00:07:48,736
RIGHT NOW I DON'T THINK YOU GOT
343
00:07:48,736 --> 00:07:50,037
IT TOGETHER, AND I CAN'T BE
344
00:07:50,037 --> 00:07:51,471
FRIENDS WITH NOBODY LIKE THAT.
345
00:07:51,471 --> 00:07:52,139
BUT YOU KNOW WHAT?
346
00:07:52,139 --> 00:07:52,906
IT'S LIKE, WHAT KIND OF
347
00:07:52,906 --> 00:07:53,807
FRIENDSHIP DO WE GOT, ANYWAY?
348
00:07:53,807 --> 00:07:54,842
YOU'RE NOT WORTH IT.
349
00:07:54,842 --> 00:07:55,743
BYE.
350
00:07:55,743 --> 00:07:56,677
[bell dings]
351
00:07:56,677 --> 00:07:58,078
PLEASE, K.MICHELLE, BE ON
352
00:07:58,078 --> 00:07:59,513
YOUR--GIRL, CAN YOU BE ON YOUR
353
00:07:59,513 --> 00:08:01,181
BEST BEHAVIOR?
354
00:08:01,181 --> 00:08:01,915
BRING IT.
355
00:08:01,915 --> 00:08:02,883
STOP!
356
00:08:02,883 --> 00:08:04,852
'CAUSE YOU A WHACK-ASS BITCH.
357
00:08:04,852 --> 00:08:06,386
THAT'S YOUR FRIEND.
358
00:08:06,386 --> 00:08:07,054
KARLIE REDD,
359
00:08:07,054 --> 00:08:07,821
I DON'T HATE YOU.
360
00:08:07,821 --> 00:08:09,022
I HONESTLY DON'T.
361
00:08:09,022 --> 00:08:09,690
YOU KNOW, THAT'S
362
00:08:09,690 --> 00:08:10,490
A DISS RECORD.
363
00:08:10,490 --> 00:08:11,659
WHAT DO YOU THINK--WHAT YOU
364
00:08:11,659 --> 00:08:12,726
GIVING ME THIS DISS RECORD FOR
365
00:08:12,726 --> 00:08:13,661
MY BIRTHDAY?
366
00:08:13,661 --> 00:08:14,695
WHAT THE HELL WAS WRONG
367
00:08:14,695 --> 00:08:16,697
WITH KARLIE?
368
00:08:19,366 --> 00:08:20,500
RIGHT IN YOUR FACE.
369
00:08:20,500 --> 00:08:21,334
SAY HI TO EACH OTHER,
370
00:08:21,334 --> 00:08:22,570
[bleep].
371
00:08:22,570 --> 00:08:23,370
[scoffs]
372
00:08:23,370 --> 00:08:24,638
YEAH, I BE READY TO HIT A BITCH.
373
00:08:24,638 --> 00:08:25,839
TELL KIRK AND HIS THREE
374
00:08:25,839 --> 00:08:27,040
EARRINGS I SAID HELLO.
375
00:08:27,040 --> 00:08:27,708
WHAT YOU SAY?
376
00:08:27,708 --> 00:08:29,442
NUH-UH, NO FIGHTING IN HERE.
377
00:08:29,442 --> 00:08:30,143
WHAT?
378
00:08:30,143 --> 00:08:30,944
GET OUT OF MY FACE.
379
00:08:30,944 --> 00:08:31,679
GET OUT OF--
380
00:08:31,679 --> 00:08:32,546
[bleep]!
381
00:08:32,546 --> 00:08:33,647
GAH!
382
00:08:33,647 --> 00:08:34,447
LET ME GET AHOLD OF THIS
383
00:08:34,447 --> 00:08:35,916
BITCH.
384
00:08:35,916 --> 00:08:38,218
MIMI, I'M SORRY, BUT SHE [bleep]
385
00:08:38,218 --> 00:08:39,653
WITH THE WRONG BITCH.
386
00:08:39,653 --> 00:08:40,487
BUT YOU CAN'T TELL ME HOW TO
387
00:08:40,487 --> 00:08:41,254
TALK, K.
388
00:08:41,254 --> 00:08:42,690
THAT INTERVIEW ABOUT ME WAS
389
00:08:42,690 --> 00:08:43,957
NOT APPROPRIATE, AND YOU--
390
00:08:43,957 --> 00:08:44,925
AND YOU HURT ME.
391
00:08:44,925 --> 00:08:45,859
YOU HAD SEX WITH HIM,
392
00:08:45,859 --> 00:08:46,627
AND YOU DIDN'T TELL ME.
393
00:08:46,627 --> 00:08:48,095
I WON'T HURT YOU AGAIN.
394
00:08:48,095 --> 00:08:49,029
DONE.
395
00:08:49,029 --> 00:08:51,031
MAYBE ONE DAY WE CAN ALL SING
396
00:08:51,031 --> 00:08:52,566
KUMBAYA AND JUST FINALLY
397
00:08:52,566 --> 00:08:53,701
GET ALONG.
398
00:08:53,701 --> 00:08:54,902
GIVE ME A KISS.
399
00:08:54,902 --> 00:08:55,736
MWAH!
400
00:08:55,736 --> 00:08:57,838
both: OHH.
401
00:08:57,838 --> 00:09:00,540
ARIANE, THAT WAS, LIKE, ONE
402
00:09:00,540 --> 00:09:01,975
OF THE BEST EXAMPLES OF FRIENDS
403
00:09:01,975 --> 00:09:03,510
WORKING THINGS OUT QUICKLY.
404
00:09:03,510 --> 00:09:04,411
WHY DO YOU THINK YOU GUYS WERE
405
00:09:04,411 --> 00:09:05,345
ABLE TO GET PAST IT?
406
00:09:05,345 --> 00:09:06,880
I JUST BELIEVE IN GIRL POWER.
407
00:09:06,880 --> 00:09:08,348
AND IT WAS IGNORANT,
408
00:09:08,348 --> 00:09:10,117
AND THAT'S WHAT THAT WAS.
409
00:09:10,117 --> 00:09:11,118
SO YOU GUYS WERE JUST ABLE TO
410
00:09:11,118 --> 00:09:12,085
KISS AND MAKE UP.
411
00:09:12,085 --> 00:09:13,787
THAT'S WHAT YOU'RE SUPPOSED
412
00:09:13,787 --> 00:09:14,521
TO DO, [bleep].
413
00:09:14,521 --> 00:09:15,188
I LOVE IT.
414
00:09:15,188 --> 00:09:16,256
NO, THAT WAS SWEET.
415
00:09:16,256 --> 00:09:17,658
BUT IT SEEMS, K., THAT YOU HAD
416
00:09:17,658 --> 00:09:19,092
A PROBLEM WITH ALMOST EVERYONE
417
00:09:19,092 --> 00:09:20,027
ELSE ON THE CAST...
418
00:09:20,027 --> 00:09:20,928
[laughs]
419
00:09:20,928 --> 00:09:22,262
THIS SEASON.
420
00:09:22,262 --> 00:09:23,330
WHY DID YOU HAVE SUCH A HARD
421
00:09:23,330 --> 00:09:23,997
TIME GETTING ALONG
422
00:09:23,997 --> 00:09:24,698
WITH EVERYONE?
423
00:09:24,698 --> 00:09:25,465
I'M JUST AN INTERESTING
424
00:09:25,465 --> 00:09:27,635
CHARACTER, YOU KNOW?
425
00:09:27,635 --> 00:09:29,436
I SAY EXACTLY WHAT I FEEL,
426
00:09:29,436 --> 00:09:31,204
AND EITHER YOU LIKE IT
427
00:09:31,204 --> 00:09:32,372
OR YOU DON'T.
428
00:09:32,372 --> 00:09:34,307
AND I'M GONNA SAY IT REGARDLESS,
429
00:09:34,307 --> 00:09:35,275
AND, YOU KNOW, IT TAKES A
430
00:09:35,275 --> 00:09:36,343
SPECIAL KIND OF PERSON TO BE
431
00:09:36,343 --> 00:09:37,611
ABLE TO ACCEPT THEIR TRUTH.
432
00:09:37,611 --> 00:09:38,646
RIGHT.
433
00:09:38,646 --> 00:09:40,180
WELL, MIMI, THE DRAMA WITH YOU
434
00:09:40,180 --> 00:09:41,314
AND K.MICHELLE, IT HEATED UP
435
00:09:41,314 --> 00:09:42,816
BACKSTAGE AT HER SHOW.
436
00:09:42,816 --> 00:09:43,784
SO WHERE ARE YOU GUYS NOW?
437
00:09:43,784 --> 00:09:45,318
WHERE DO YOU STAND NOW?
438
00:09:45,318 --> 00:09:46,286
ASK HER.
439
00:09:46,286 --> 00:09:47,554
ALL RIGHT.
440
00:09:47,554 --> 00:09:48,989
OH, I'M FINE.
441
00:09:48,989 --> 00:09:50,824
UM, I LIKE YOUR ORANGE DRESS.
442
00:09:50,824 --> 00:09:51,759
I'M GOOD.
443
00:09:51,759 --> 00:09:52,793
[laughter]
444
00:09:52,793 --> 00:09:53,661
SO I GUESS THAT'S WHERE
445
00:09:53,661 --> 00:09:54,527
WE STAND.
446
00:09:54,527 --> 00:09:55,428
OKAY.
447
00:09:55,428 --> 00:09:56,563
ALL RIGHT, WELL, LET'S TAKE
448
00:09:56,563 --> 00:09:57,364
A FAN QUESTION.
449
00:09:57,364 --> 00:09:59,332
THIS ONE'S FROM VANESSA C.
450
00:09:59,332 --> 00:10:02,235
"TRACI, WHY DID YOU GET INVOLVED
451
00:10:02,235 --> 00:10:04,404
IN SHAY AND ERICA'S BEEF?"
452
00:10:04,404 --> 00:10:05,572
I WAS FRIENDS WITH SHAY,
453
00:10:05,572 --> 00:10:07,307
AND I THOUGHT ERICA WAS REALLY
454
00:10:07,307 --> 00:10:09,376
COOL, AND I DIDN'T--EVERY TIME
455
00:10:09,376 --> 00:10:10,577
WE WENT SOMEWHERE AND THEY WERE
456
00:10:10,577 --> 00:10:11,879
IN THE SAME BUILDING, I MEAN,
457
00:10:11,879 --> 00:10:13,480
THE TENSION WAS SO THICK.
458
00:10:13,480 --> 00:10:14,447
BUT I WANTED THEM--I WANTED TO
459
00:10:14,447 --> 00:10:15,615
PUT THEM TOGETHER SO THEY COULD
460
00:10:15,615 --> 00:10:17,550
JUST GET EVERYTHING OUT AND THEN
461
00:10:17,550 --> 00:10:18,218
LET IT BE.
462
00:10:18,218 --> 00:10:19,219
YOU COULD GO YOUR SEPARATE WAYS.
463
00:10:19,219 --> 00:10:20,520
THAT'S ALL IT WAS.
464
00:10:20,520 --> 00:10:21,454
SHAY, DID YOU TAKE IT
465
00:10:21,454 --> 00:10:22,155
THAT WAY?
466
00:10:22,155 --> 00:10:23,724
DID YOU FEEL LIKE TRACI HAD KIND
467
00:10:23,724 --> 00:10:25,325
OF SET YOU UP IN THE SITUATION?
468
00:10:25,325 --> 00:10:26,894
UM, I DON'T THINK THAT WAS
469
00:10:26,894 --> 00:10:27,928
HER INTENTIONS.
470
00:10:27,928 --> 00:10:29,396
IT JUST CAME OUT THAT WAY.
471
00:10:29,396 --> 00:10:30,798
MY INTENTIONS WAS TO TALK TO
472
00:10:30,798 --> 00:10:32,099
ERICA AND FIGURE OUT WHAT WAS
473
00:10:32,099 --> 00:10:34,101
GOING ON, BUT HER APPROACH OF,
474
00:10:34,101 --> 00:10:35,035
"WHY YOU GOT MY NAME IN YOUR
475
00:10:35,035 --> 00:10:37,504
MOUTH" THREW ME OFF.
476
00:10:37,504 --> 00:10:38,605
I CAN'T UNDERSTAND IGNORANCE
477
00:10:38,605 --> 00:10:39,372
NONE.
478
00:10:39,372 --> 00:10:40,640
AND YOU THE MOST
479
00:10:40,640 --> 00:10:41,408
IGNORANT ONE.
480
00:10:41,408 --> 00:10:42,575
I CAN'T.
481
00:10:42,575 --> 00:10:43,977
I THINK ERICA FEEL LIKE SHAY
482
00:10:43,977 --> 00:10:46,013
WAS A SIDEKICK OR THE SIDE HO
483
00:10:46,013 --> 00:10:47,848
OR THE POPCORN GROUPIE BITCH.
484
00:10:47,848 --> 00:10:48,648
I WASN'T NOBODY'S SIDE
485
00:10:48,648 --> 00:10:49,316
ANYTHING.
486
00:10:49,316 --> 00:10:50,583
HE LIED TO THE BOTH OF US.
487
00:10:50,583 --> 00:10:51,719
THAT'S JUST HOW IT WAS.
488
00:10:51,719 --> 00:10:52,986
AND FOR WHATEVER REASON,
489
00:10:52,986 --> 00:10:54,154
SHE MORE MAD AT ME THAN SHE IS
490
00:10:54,154 --> 00:10:55,188
AT HER BABY DADDY.
491
00:10:55,188 --> 00:10:56,189
IT AIN'T MY FAULT YOUR BABY
492
00:10:56,189 --> 00:10:57,490
DADDY WAS STILL HERE AND HE
493
00:10:57,490 --> 00:10:58,258
WASN'T LEAVING.
494
00:10:58,258 --> 00:10:59,827
HE--I MEAN, IT'S NOT MY FAULT
495
00:10:59,827 --> 00:11:00,560
AT ALL.
496
00:11:00,560 --> 00:11:01,261
I DIDN'T KNOW THAT HE WAS
497
00:11:01,261 --> 00:11:01,995
DEALING WITH HER.
498
00:11:01,995 --> 00:11:02,863
THIS SEASON TWO, RIGHT?
499
00:11:02,863 --> 00:11:03,731
RIGHT, OKAY.
500
00:11:03,731 --> 00:11:04,798
I JUST MAKING SURE WE AIN'T
501
00:11:04,798 --> 00:11:05,498
SEASON ONE.
502
00:11:05,498 --> 00:11:06,266
SEASON TWO AND YOU STILL
503
00:11:06,266 --> 00:11:06,967
AIN'T MARRIED, HUH?
504
00:11:06,967 --> 00:11:07,735
OKAY, RIGHT, SEASON TWO.
505
00:11:07,735 --> 00:11:08,501
YOU STILL AIN'T MARRIED.
506
00:11:08,501 --> 00:11:09,169
AND GUESS WHAT.
507
00:11:09,169 --> 00:11:10,103
YOU STILL A CAST "B" MEMBER,
508
00:11:10,103 --> 00:11:10,838
BOO.
509
00:11:10,838 --> 00:11:11,638
AND I'M UP HERE RIGHT WITH
510
00:11:11,638 --> 00:11:13,273
YOU, BABY, LIVING BETTER THAN
511
00:11:13,273 --> 00:11:14,174
YOU, THOUGH.
512
00:11:14,174 --> 00:11:15,475
SHUT UP, TRICK.
513
00:11:15,475 --> 00:11:17,044
OKAY, LADIES, LET'S GET ON
514
00:11:17,044 --> 00:11:17,845
WITH IT ONSTAGE.
515
00:11:17,845 --> 00:11:18,611
GET YOUR WEIGHT UP, HO,
516
00:11:18,611 --> 00:11:19,412
BEFORE YOU COME AT ME.
517
00:11:19,412 --> 00:11:20,080
DON'T MAKE ME.
518
00:11:20,080 --> 00:11:20,981
COME OVER HERE AND DO SOMETHING.
519
00:11:20,981 --> 00:11:21,849
...JOSELINE, SHAY, SHAY--
520
00:11:21,849 --> 00:11:22,983
YOU DON'T WANT NONE.
521
00:11:22,983 --> 00:11:24,584
GIRLS, PLEASE--
522
00:11:24,584 --> 00:11:25,418
I CAN POP OFF 'CAUSE I WILL
523
00:11:25,418 --> 00:11:26,219
JUMP OFF.
524
00:11:26,219 --> 00:11:27,187
JUMP, THEN, BITCH.
525
00:11:27,187 --> 00:11:28,021
ALL RIGHT--
526
00:11:28,021 --> 00:11:28,856
DON'T YOU EVER GET IT
527
00:11:28,856 --> 00:11:29,522
TWISTED.
528
00:11:29,522 --> 00:11:30,924
DON'T YOU EVER GET IT TWISTED.
529
00:11:30,924 --> 00:11:33,160
WE ARE GOING TO GET TO THAT
530
00:11:33,160 --> 00:11:35,295
LATER, SHAY, ERICA.
531
00:11:35,295 --> 00:11:36,897
I GOT A QUESTION FOR JOSELINE.
532
00:11:36,897 --> 00:11:39,099
JOSELINE, YOU AND KARLIE.
533
00:11:39,099 --> 00:11:40,000
YOU GUYS WERE ON AGAIN,
534
00:11:40,000 --> 00:11:41,101
OFF AGAIN, ON AGAIN
535
00:11:41,101 --> 00:11:41,769
WITH YOUR FRIENDSHIP.
536
00:11:41,769 --> 00:11:42,569
WHERE ARE YOU GUYS TODAY?
537
00:11:42,569 --> 00:11:43,570
WHERE DO YOU STAND?
538
00:11:43,570 --> 00:11:44,437
I DON'T [bleep] WITH THAT OLD
539
00:11:44,437 --> 00:11:45,705
TIRED-ASS BITCH.
540
00:11:45,705 --> 00:11:48,108
THAT HO IS MESSY.
541
00:11:48,108 --> 00:11:49,676
I TRY TO BE FRIENDS WITH HER
542
00:11:49,676 --> 00:11:51,244
'CAUSE SHE AIN'T GOT NO FRIENDS.
543
00:11:51,244 --> 00:11:52,746
SHE TRY TO BE IN THE INDUSTRY.
544
00:11:52,746 --> 00:11:53,914
SHE TRY TO--SHE TRY TO--
545
00:11:53,914 --> 00:11:54,948
DOES ANYBODY UNDERSTAND WHAT
546
00:11:54,948 --> 00:11:55,849
SHE'S SAYING, 'CAUSE I NEED TO
547
00:11:55,849 --> 00:11:56,716
TRANSLATE IT.
548
00:11:56,716 --> 00:11:58,551
BITCH, WELL, TRANSLATE, HO,
549
00:11:58,551 --> 00:11:59,953
SINCE YOU SPEAK SPANISH.
550
00:11:59,953 --> 00:12:03,190
[speaking Spanish]
551
00:12:03,190 --> 00:12:05,092
OKAY, TRANS-I-LATE THAT, BITCH.
552
00:12:05,092 --> 00:12:06,126
LET ME KNOW WHEN YOUR VISA'S
553
00:12:06,126 --> 00:12:07,294
UP, 'CAUSE YOU GOT TO GET
554
00:12:07,294 --> 00:12:08,228
OFFSTAGE SOON.
555
00:12:08,228 --> 00:12:09,029
IN OTHER WORDS, YOU GUYS
556
00:12:09,029 --> 00:12:09,897
DON'T MESS WITH EACH OTHER.
557
00:12:09,897 --> 00:12:10,563
YOU KNOW WHY?
558
00:12:10,563 --> 00:12:11,364
BECAUSE I TRY TO BE COOL WITH
559
00:12:11,364 --> 00:12:13,200
PEOPLE, AND THEY SEEM TO TAKE MY
560
00:12:13,200 --> 00:12:14,467
KINDNESS FOR WEAKNESS, AND I'M
561
00:12:14,467 --> 00:12:15,668
NOT--GUESS WHAT I'M NOT DOING.
562
00:12:15,668 --> 00:12:16,469
I'M NOT COMPROMISING
563
00:12:16,469 --> 00:12:17,170
WITH NOBODY.
564
00:12:17,170 --> 00:12:18,605
IF YOU WILL BE A [bleep] BITCH
565
00:12:18,605 --> 00:12:19,606
AND AN [bleep] TO ME, THAT'S
566
00:12:19,606 --> 00:12:20,407
WHAT THE [bleep] YOU GET BACK
567
00:12:20,407 --> 00:12:21,074
OUT OF ME.
568
00:12:21,074 --> 00:12:22,209
I'M TIRED OF BEING [bleep] NICE.
569
00:12:22,209 --> 00:12:23,243
AND I'M NOT DOING IT NO MORE.
570
00:12:23,243 --> 00:12:24,344
AND IF THEY DON'T LIKE IT,
571
00:12:24,344 --> 00:12:25,212
I DON'T GIVE A [bleep].
572
00:12:25,212 --> 00:12:26,513
ALL RIGHT, I HEAR YOU.
573
00:12:26,513 --> 00:12:27,915
KARLIE, K.MICHELLE,
574
00:12:27,915 --> 00:12:29,282
YOU GAVE HER A DISS RECORD
575
00:12:29,282 --> 00:12:30,851
FOR HER BIRTHDAY PRESENT?
576
00:12:30,851 --> 00:12:32,319
WHAT DID YOU THINK THE REACTION
577
00:12:32,319 --> 00:12:33,253
WAS GONNA BE?
578
00:12:33,253 --> 00:12:34,554
IT WAS JUST LIKE, OKAY,
579
00:12:34,554 --> 00:12:35,288
YOU KNOW WHAT?
580
00:12:35,288 --> 00:12:36,223
I DON'T WANT YOU TO HEAR IT
581
00:12:36,223 --> 00:12:38,025
IN THE STREETS, SO YOU HEARD IT
582
00:12:38,025 --> 00:12:38,926
HERE FIRST.
583
00:12:38,926 --> 00:12:40,427
AND WHERE OUR RELATIONSHIP IS,
584
00:12:40,427 --> 00:12:41,428
WE'RE GOOD.
585
00:12:41,428 --> 00:12:42,495
YOU GUYS ARE GOOD?
586
00:12:42,495 --> 00:12:43,463
I'M GOOD.
587
00:12:43,463 --> 00:12:44,697
I AIN'T GONNA FIGHT WITH KARLIE
588
00:12:44,697 --> 00:12:45,866
ABOUT NO DISS RECORD, 'CAUSE IT
589
00:12:45,866 --> 00:12:46,699
DIDN'T GET PLAYED ON NOT
590
00:12:46,699 --> 00:12:47,734
ONE STATION.
591
00:12:47,734 --> 00:12:48,802
ALL RIGHT.
592
00:12:48,802 --> 00:12:51,204
WELL, HERE WE GO.
593
00:12:51,204 --> 00:12:52,806
SO, RASHEEDA, AT ONE POINT,
594
00:12:52,806 --> 00:12:54,007
YOU AND K.MICHELLE--LAST SEASON,
595
00:12:54,007 --> 00:12:55,042
WE SAW THAT GUYS WERE TRYING TO
596
00:12:55,042 --> 00:12:56,776
DEVELOP A FRIENDSHIP, AND THEN
597
00:12:56,776 --> 00:12:57,577
EVERYTHING JUST KIND OF
598
00:12:57,577 --> 00:12:58,511
FELL APART.
599
00:12:58,511 --> 00:12:59,779
WHERE ARE YOU GUYS NOW?
600
00:12:59,779 --> 00:13:00,981
DO YOU THINK YOU GUYS COULD EVER
601
00:13:00,981 --> 00:13:01,882
REPAIR THE FRIENDSHIP?
602
00:13:01,882 --> 00:13:03,984
I THINK, YOU KNOW, K. AND I
603
00:13:03,984 --> 00:13:05,218
CAN BE CORDIAL, YOU KNOW?
604
00:13:05,218 --> 00:13:06,353
WE DON'T HAVE TO BE FRIENDS AND
605
00:13:06,353 --> 00:13:08,155
HANG OUT AND ALL OF THAT,
606
00:13:08,155 --> 00:13:09,957
BUT WE GROWN WOMEN, AND, YOU
607
00:13:09,957 --> 00:13:10,958
KNOW, I WISH HER THE BEST,
608
00:13:10,958 --> 00:13:12,359
AND LET'S KEEP IT MOVING.
609
00:13:12,359 --> 00:13:13,593
AND THAT'S HOW I FEEL.
610
00:13:13,593 --> 00:13:15,062
LIKE, I FEEL LIKE THAT
611
00:13:15,062 --> 00:13:16,997
SITUATION, YOU HAVE TO SEE WHERE
612
00:13:16,997 --> 00:13:17,931
YOU AT, AND, LIKE, IN THAT
613
00:13:17,931 --> 00:13:19,732
SITUATION WITH RASHEEDA, I THINK
614
00:13:19,732 --> 00:13:21,068
I WAS--I DIDN'T HATE HER.
615
00:13:21,068 --> 00:13:21,935
I THINK I WAS MORE HURT
616
00:13:21,935 --> 00:13:22,970
THAN ANYTHING.
617
00:13:22,970 --> 00:13:24,905
AND I HAVE--WHEN I'M HURT, I ACT
618
00:13:24,905 --> 00:13:26,239
A DIFFERENT KIND OF WAY.
619
00:13:26,239 --> 00:13:27,174
I DON'T LIKE TO CRY.
620
00:13:27,174 --> 00:13:28,441
I LASH OUT.
621
00:13:28,441 --> 00:13:30,210
I WILL JUST TRY TO CUT DEEP
622
00:13:30,210 --> 00:13:31,011
WITH MY WORDS.
623
00:13:31,011 --> 00:13:32,045
AND I WAS HURT.
624
00:13:32,045 --> 00:13:33,246
WE DISCUSSED IT.
625
00:13:33,246 --> 00:13:35,182
AND, YOU KNOW, WHATEVER SHE GOT
626
00:13:35,182 --> 00:13:36,616
GOING ON, I WISH YOU THE BEST.
627
00:13:36,616 --> 00:13:38,551
CONGRATULATIONS AND GOOD LUCK TO
628
00:13:38,551 --> 00:13:39,586
HER AND KIRK.
629
00:13:39,586 --> 00:13:40,653
ALL RIGHT, WONDERFUL.
630
00:13:40,653 --> 00:13:41,788
WELL, WHEN WE COME BACK,
631
00:13:41,788 --> 00:13:42,856
WE'LL HEAR FROM THE MEN
632
00:13:42,856 --> 00:13:44,491
OF LOVE & HIP-HOP: ATLANTA.
633
00:13:44,491 --> 00:13:45,993
DOES STEVIE J LOVE JOSELINE AS
634
00:13:45,993 --> 00:13:47,160
MUCH AS FAT GIRLS LOVE
635
00:13:47,160 --> 00:13:49,229
CHOCOLATE CAKE, OR IS MIMI
636
00:13:49,229 --> 00:13:50,263
MORE HIS FLAVOR?
637
00:13:50,263 --> 00:13:51,431
STAY TUNED.
638
00:13:51,431 --> 00:13:53,433
[cheers and applause]
639
00:13:56,336 --> 00:13:57,337
HOLD THE [bleep] ON.
640
00:13:57,337 --> 00:13:58,105
ALL RIGHT.
641
00:13:58,105 --> 00:13:59,539
SO YOU HAD A [bleep] PROBLEM
642
00:13:59,539 --> 00:14:00,640
WITH ME.
643
00:14:00,640 --> 00:14:01,541
HOLD ON, WAIT A MINUTE.
644
00:14:01,541 --> 00:14:02,409
I DON'T HAVE--LISTEN TO ME--
645
00:14:02,409 --> 00:14:03,176
SHUT UP!
646
00:14:03,176 --> 00:14:04,011
NO, CHILL, RELAX.
647
00:14:04,011 --> 00:14:04,878
YOU SHUT THE [bleep] UP.
648
00:14:04,878 --> 00:14:05,612
SECURITY!
649
00:14:10,450 --> 00:14:11,451
* THIS IS THE LIFE
650
00:14:11,451 --> 00:14:12,886
[cheers and applause]
651
00:14:12,886 --> 00:14:13,887
[cool funky music]
652
00:14:13,887 --> 00:14:15,722
♪
653
00:14:15,722 --> 00:14:17,090
WELCOME BACK TO PART ONE
654
00:14:17,090 --> 00:14:18,158
OF LOVE & HIP-HOP: ATLANTA:
655
00:14:18,158 --> 00:14:19,526
THE REUNION.
656
00:14:19,526 --> 00:14:21,228
HIP-HOP'S FAVORITE LOVE TRIANGLE
657
00:14:21,228 --> 00:14:22,562
GOT EVEN MORE OUTRAGEOUS AS
658
00:14:22,562 --> 00:14:24,831
STEVIE J PROVED THAT HE WAS NOT
659
00:14:24,831 --> 00:14:26,033
JUST THE RINGMASTER;
660
00:14:26,033 --> 00:14:28,235
HE WAS ALSO A MASTER JUGGLER.
661
00:14:28,235 --> 00:14:29,569
LET'S TAKE A LOOK AT STEVIE J'S
662
00:14:29,569 --> 00:14:31,871
THREE-RING CIRCUS.
663
00:14:31,871 --> 00:14:33,706
CAN WE BE THE BEAR
664
00:14:33,706 --> 00:14:37,077
AND THE PIG?
665
00:14:37,077 --> 00:14:38,078
IF THE GORILLA IS NOT IN THE
666
00:14:38,078 --> 00:14:39,046
MIDDLE, THEN MAYBE WE COULD
667
00:14:39,046 --> 00:14:40,247
DO THAT.
668
00:14:40,247 --> 00:14:41,348
HEY, MAID.
669
00:14:41,348 --> 00:14:42,349
I SEE YOU GOT ON YOUR MAID
670
00:14:42,349 --> 00:14:43,951
OUTFIT LIKE YOU ALWAYS DO.
671
00:14:43,951 --> 00:14:45,418
I GOT MIMI OVER HERE WILIN',
672
00:14:45,418 --> 00:14:47,387
JOSELINE OVER HERE WILIN'.
673
00:14:47,387 --> 00:14:48,421
GET THIS HO OUT THE HOUSE.
674
00:14:48,421 --> 00:14:50,657
GET THIS BITCH OUT THE HOUSE.
675
00:14:50,657 --> 00:14:51,891
BOTH OF YOU [bleep] GET THE
676
00:14:51,891 --> 00:14:52,892
[bleep] OUT OF THE HOUSE.
677
00:14:52,892 --> 00:14:54,294
MIMI'S A HARD NUT TO CRACK,
678
00:14:54,294 --> 00:14:56,296
BUT JOSELINE ON THE OTHER HAND,
679
00:14:56,296 --> 00:14:59,132
SHE'S LIKE PUTTY IN MY HANDS.
680
00:14:59,132 --> 00:14:59,967
DO YOU MISS ME?
681
00:14:59,967 --> 00:15:02,569
YOU KNOW I DO.
682
00:15:02,569 --> 00:15:03,536
I KNOW YOU GOT A LOT GOING
683
00:15:03,536 --> 00:15:05,872
ON, AND I MISS YOU.
684
00:15:05,872 --> 00:15:07,340
AND I WANT TO SEE MY BABY.
685
00:15:07,340 --> 00:15:08,041
YOU KNOW I LOVE YOU.
686
00:15:08,041 --> 00:15:08,708
I'MA ALWAYS LOVE YOU,
687
00:15:08,708 --> 00:15:09,542
YOU KNOW WHAT I'M SAYING?
688
00:15:09,542 --> 00:15:10,710
PEOPLE THINK I'M THE SIDE
689
00:15:10,710 --> 00:15:12,079
BITCH, AND I'M NOT.
690
00:15:12,079 --> 00:15:14,247
YOU LOVE ME?
691
00:15:14,247 --> 00:15:15,115
DO FAT GIRLS LOVE
692
00:15:15,115 --> 00:15:16,049
CHOCOLATE CAKE?
693
00:15:16,049 --> 00:15:16,849
I THINK THAT WE SHOULD MAKE
694
00:15:16,849 --> 00:15:18,385
THINGS HAPPEN.
695
00:15:18,385 --> 00:15:19,186
BABE, ARE YOU READY TO MARRY
696
00:15:19,186 --> 00:15:19,852
ME NOW?
697
00:15:19,852 --> 00:15:22,455
THIS...
698
00:15:22,455 --> 00:15:24,091
LIFE PARTNER SCENARIO,
699
00:15:24,091 --> 00:15:26,159
I WANT TO MAKE IT OFFICIAL.
700
00:15:26,159 --> 00:15:27,827
THIS IS JUST, LIKE, SOME,
701
00:15:27,827 --> 00:15:28,695
YOU KNOW WHAT I'M SAYING,
702
00:15:28,695 --> 00:15:30,397
SMALL TOKEN OF MY APPRECIATION
703
00:15:30,397 --> 00:15:31,598
TO YOU TOO.
704
00:15:31,598 --> 00:15:34,134
CLASSIC STEVIE J.
705
00:15:34,134 --> 00:15:34,934
LOOK AT THAT.
706
00:15:34,934 --> 00:15:36,036
JOSELINE, WHERE ARE YOU GOING?
707
00:15:36,036 --> 00:15:37,037
SHE'S LEAVING.
708
00:15:37,037 --> 00:15:37,837
JOSELINE.
709
00:15:37,837 --> 00:15:39,906
YOU BITCH!
710
00:15:39,906 --> 00:15:41,441
YOU [bleep] BITCH!
711
00:15:41,441 --> 00:15:42,642
YOU BITCH!
712
00:15:42,642 --> 00:15:43,743
LET HER GO! LET HER GO!
713
00:15:43,743 --> 00:15:44,677
LET GO OF ME!
714
00:15:44,677 --> 00:15:45,712
YOU BITCH!
715
00:15:45,712 --> 00:15:48,148
LET GO OF ME!
716
00:15:48,148 --> 00:15:49,582
YOU [bleep]!
717
00:15:49,582 --> 00:15:51,918
AFTER ALL I DO FOR YOU!
718
00:15:51,918 --> 00:15:53,686
[chuckles]
719
00:15:53,686 --> 00:15:54,954
JOSELINE HAPPY,
720
00:15:54,954 --> 00:15:56,323
MIMI HAPPY.
721
00:15:56,323 --> 00:15:57,924
THIS WAY, WE ONE BIG HAPPY
722
00:15:57,924 --> 00:15:59,426
FAMILY.
723
00:15:59,426 --> 00:16:01,394
OH, GOD, STEVIE.
724
00:16:01,394 --> 00:16:03,630
"ONE BIG HAPPY FAMILY"?
725
00:16:03,630 --> 00:16:05,898
YOU KNOW.
726
00:16:05,898 --> 00:16:07,734
I DID MY BEST.
727
00:16:07,734 --> 00:16:09,002
WELL, YOUR BEST WASN'T
728
00:16:09,002 --> 00:16:10,270
GOOD ENOUGH, 'CAUSE DID YOU
729
00:16:10,270 --> 00:16:11,904
THINK THAT GIVING MIMI A RING
730
00:16:11,904 --> 00:16:13,040
WAS A GOOD IDEA?
731
00:16:13,040 --> 00:16:14,174
I JUST WANTED TO GIVE THEM
732
00:16:14,174 --> 00:16:15,908
BOTH LIFE PARTNER RINGS.
733
00:16:15,908 --> 00:16:17,110
A LIFE PARTNER RING.
734
00:16:17,110 --> 00:16:17,944
IS THAT WHAT THAT WAS, MIMI?
735
00:16:17,944 --> 00:16:19,346
I WANT TO ASK HIM
736
00:16:19,346 --> 00:16:20,113
A QUESTION.
737
00:16:20,113 --> 00:16:21,148
SURE, GO AHEAD.
738
00:16:21,148 --> 00:16:22,682
JOSELINE PROPOSED TO YOU.
739
00:16:22,682 --> 00:16:24,751
I'VE HEARD YOU SAY ON THIS SHOW
740
00:16:24,751 --> 00:16:25,618
YOU LOVE HER.
741
00:16:25,618 --> 00:16:26,586
CORRECT?
742
00:16:26,586 --> 00:16:27,954
YEAH.
743
00:16:27,954 --> 00:16:31,624
SO WHY IN THE WORLD DID YOU
744
00:16:31,624 --> 00:16:33,593
THINK IT WAS A GOOD OR SMART
745
00:16:33,593 --> 00:16:35,795
IDEA TO GIVE ME A RING?
746
00:16:35,795 --> 00:16:36,763
WHY WOULD YOU DO THAT?
747
00:16:36,763 --> 00:16:37,597
I JUST WANTED TO LET YOU KNOW
748
00:16:37,597 --> 00:16:38,565
THAT I'M GONNA BE HERE FOR YOU
749
00:16:38,565 --> 00:16:39,399
REGARDLESS.
750
00:16:39,399 --> 00:16:40,367
I'LL TAKE CARE OF YOU.
751
00:16:40,367 --> 00:16:41,368
I'M GONNA MAKE SURE YOU AND THE
752
00:16:41,368 --> 00:16:42,269
BABY GOOD.
753
00:16:42,269 --> 00:16:42,935
RRR.
754
00:16:42,935 --> 00:16:44,037
HOLD ON, LET ME FINISH.
755
00:16:44,037 --> 00:16:44,804
NO, NO, NO, YOU HOLD ON.
756
00:16:44,804 --> 00:16:45,638
YOU HOLD ON.
757
00:16:45,638 --> 00:16:46,606
CAN I ANSWER THE FIRST ONE,
758
00:16:46,606 --> 00:16:48,408
THEN YOU CAN GET RIGHT BACK?
759
00:16:48,408 --> 00:16:50,677
I JUST WANT TO LET YOU KNOW THAT
760
00:16:50,677 --> 00:16:52,812
I'M HERE FOR AN EAR TO LISTEN,
761
00:16:52,812 --> 00:16:54,281
A SHOULDER TO CRY ON,
762
00:16:54,281 --> 00:16:55,582
YOU KNOW WHAT I'M SAYING?
763
00:16:55,582 --> 00:16:57,384
♪ THE BANK OF THE ATL
764
00:16:57,384 --> 00:16:58,151
[laughs]
765
00:16:58,151 --> 00:16:59,452
AS LONG AS I GIVE YOU [bleep]
766
00:16:59,452 --> 00:17:00,853
OR [bleep] YOU, YOU'RE THE BANK
767
00:17:00,853 --> 00:17:01,688
OF THE ATL.
768
00:17:01,688 --> 00:17:02,355
WOW.
769
00:17:02,355 --> 00:17:03,022
WHEN WAS THE LAST TIME
770
00:17:03,022 --> 00:17:03,790
I GOT SOME?
771
00:17:03,790 --> 00:17:04,891
I DON'T GIVE IT TO YOU.
772
00:17:04,891 --> 00:17:05,925
BUT WHEN IS THE LAST TIME YOU
773
00:17:05,925 --> 00:17:07,194
ASKED ME FOR SOME?
774
00:17:07,194 --> 00:17:08,428
UM, I--
775
00:17:08,428 --> 00:17:09,196
RIGHT, I CAN PULL OUT MY
776
00:17:09,196 --> 00:17:09,862
PHONE.
777
00:17:09,862 --> 00:17:10,697
DON'T [bleep] PLAY WITH ME.
778
00:17:10,697 --> 00:17:11,331
LET ME SEE.
779
00:17:11,331 --> 00:17:11,998
PULL OUT YOUR PHONE.
780
00:17:11,998 --> 00:17:12,832
MIMI, WHEN WAS THE LAST TIME
781
00:17:12,832 --> 00:17:14,134
YOU GUYS SLEPT TOGETHER?
782
00:17:14,134 --> 00:17:15,034
SHOW ME.
783
00:17:15,034 --> 00:17:16,336
SINCE HE WAS [bleep] WITH
784
00:17:16,336 --> 00:17:17,070
HER.
785
00:17:17,070 --> 00:17:18,037
SHOW ME THE TEXTS.
786
00:17:18,037 --> 00:17:18,771
SO YOU GUYS HAVE NOT BEEN
787
00:17:18,771 --> 00:17:20,006
SLEEPING TOGETHER AT ALL?
788
00:17:20,006 --> 00:17:21,141
BUT HE'S STILL COMING AROUND
789
00:17:21,141 --> 00:17:21,941
LOOKING FOR IT?
790
00:17:21,941 --> 00:17:22,875
HE'S STILL ASKING ME TO
791
00:17:22,875 --> 00:17:24,577
[bleep] HIS [bleep].
792
00:17:24,577 --> 00:17:25,545
DO YOU THINK I WANT TO [bleep]
793
00:17:25,545 --> 00:17:26,279
HIS [bleep]?
794
00:17:26,279 --> 00:17:29,282
THAT AIN'T WHAT I SAID.
795
00:17:29,282 --> 00:17:30,550
YOU KNOW, I SAID SOMETHING
796
00:17:30,550 --> 00:17:31,651
ABOUT LETTUCE.
797
00:17:31,651 --> 00:17:32,385
WHAT IS THAT?
798
00:17:32,385 --> 00:17:33,186
THAT'S [bleep].
799
00:17:33,186 --> 00:17:34,787
[laughter]
800
00:17:34,787 --> 00:17:35,722
NOW, LET ME ASK YOU THIS,
801
00:17:35,722 --> 00:17:36,389
JOSELINE.
802
00:17:36,389 --> 00:17:37,857
DO YOU BELIEVE THE FACT THAT
803
00:17:37,857 --> 00:17:39,058
THEY DID NOT SLEEP TOGETHER?
804
00:17:39,058 --> 00:17:40,627
YOU KNOW WHAT, IF HE DOES
805
00:17:40,627 --> 00:17:42,195
TEXT HER TO GET A LITTLE LETTUCE
806
00:17:42,195 --> 00:17:43,430
OR WHATEVER IT IS, I'M PRETTY
807
00:17:43,430 --> 00:17:44,631
SURE SHE AIN'T THE ONLY ONE,
808
00:17:44,631 --> 00:17:46,866
SO I TRY--I'M TRYING TO CHANGE
809
00:17:46,866 --> 00:17:48,335
HIM AND MAKE HIM BECOME A BETTER
810
00:17:48,335 --> 00:17:50,203
MAN, BECAUSE I LOVE HIM,
811
00:17:50,203 --> 00:17:51,538
AND HE'S A GREAT GUY.
812
00:17:51,538 --> 00:17:52,872
HE'S NEVER HAD A WOMAN LIKE ME
813
00:17:52,872 --> 00:17:54,141
THAT PUT IT DOWN LIKE THEY
814
00:17:54,141 --> 00:17:55,442
SUPPOSED TO.
815
00:17:55,442 --> 00:17:58,044
AND AS FAR AS, LIKE, HIM GIVING
816
00:17:58,044 --> 00:17:59,712
MIMI A FRIENDSHIP RING ON THE
817
00:17:59,712 --> 00:18:01,714
SAME DAY HE GAVE ME A RING,
818
00:18:01,714 --> 00:18:03,049
I THOUGHT THAT IT WAS TYPICAL
819
00:18:03,049 --> 00:18:04,384
STEVIE, BUT IT GOT ME SO UPSET
820
00:18:04,384 --> 00:18:05,152
THAT I HAD TO PUT MY HANDS
821
00:18:05,152 --> 00:18:05,818
IN THE AIR.
822
00:18:05,818 --> 00:18:06,653
YEAH, 'CAUSE WE DEFINITELY
823
00:18:06,653 --> 00:18:07,354
SAW THAT.
824
00:18:07,354 --> 00:18:08,988
IT WAS VERY UPSETTING FOR YOU.
825
00:18:08,988 --> 00:18:10,089
BUT, ONCE AGAIN, WE TALKING
826
00:18:10,089 --> 00:18:11,958
ABOUT [bleep] CLEVER STEVIE.
827
00:18:11,958 --> 00:18:13,560
SO YOU KNOW, HE'S NOT
828
00:18:13,560 --> 00:18:14,394
THAT CLEVER.
829
00:18:14,394 --> 00:18:15,295
HAVE YOU FORGIVEN HIM FOR
830
00:18:15,295 --> 00:18:16,095
THAT, JOSELINE?
831
00:18:16,095 --> 00:18:17,096
I--YOU KNOW WHAT, I'MA TELL
832
00:18:17,096 --> 00:18:17,764
YOU LIKE THIS--
833
00:18:17,764 --> 00:18:18,531
WHAT DID I DO?
834
00:18:18,531 --> 00:18:19,799
WHAT DID YOU DO?
835
00:18:19,799 --> 00:18:20,833
I FORGIVE STEVIE.
836
00:18:20,833 --> 00:18:23,136
LIKE HE SAY, I'M LIKE A PIECE OF
837
00:18:23,136 --> 00:18:24,070
CAKE WITH HIM, BECAUSE IT'S
838
00:18:24,070 --> 00:18:26,005
LIKE, THERE IS NOT ONE DAY THAT
839
00:18:26,005 --> 00:18:27,140
I DON'T SLEEP WITH THIS MAN.
840
00:18:27,140 --> 00:18:28,107
THERE IS NOT ONE DAY THAT I
841
00:18:28,107 --> 00:18:29,108
DON'T SEE THIS MAN.
842
00:18:29,108 --> 00:18:30,109
AND THAT'S WHY I WON'T
843
00:18:30,109 --> 00:18:31,811
[bleep] WITH HIM EVER AGAIN
844
00:18:31,811 --> 00:18:32,779
IN MY LIFE.
845
00:18:32,779 --> 00:18:34,181
LET ME ASK YOU THIS, MIMI,
846
00:18:34,181 --> 00:18:35,515
BECAUSE IF THEY DID EVER IN A
847
00:18:35,515 --> 00:18:36,683
MILLION YEARS GET MARRIED,
848
00:18:36,683 --> 00:18:38,651
BECAUSE STEVIE J STEPPED UP AND
849
00:18:38,651 --> 00:18:39,852
DID THE RIGHT THING, DO YOU
850
00:18:39,852 --> 00:18:40,887
THINK YOU AND JOSELINE COULD
851
00:18:40,887 --> 00:18:42,054
HAVE A RELATIONSHIP?
852
00:18:42,054 --> 00:18:43,690
THAT DEPENDS ON JOSELINE.
853
00:18:43,690 --> 00:18:44,891
I DON'T HAVE A PROBLEM WITH THEM
854
00:18:44,891 --> 00:18:45,592
BEING TOGETHER.
855
00:18:45,592 --> 00:18:46,593
SHE OBVIOUSLY HAS A PROBLEM WITH
856
00:18:46,593 --> 00:18:47,560
ME, SO...
857
00:18:47,560 --> 00:18:49,229
THERE SHOULD BE NO PROBLEM.
858
00:18:49,229 --> 00:18:50,897
I'M NOT TALKING TO YOU.
859
00:18:50,897 --> 00:18:53,700
THE PROBLEM IS, YOU ARE--YOU
860
00:18:53,700 --> 00:18:55,735
FEEL SOME TYPE OF WAY ABOUT ME.
861
00:18:55,735 --> 00:18:57,036
I DON'T HAVE AN ISSUE WITH YOU
862
00:18:57,036 --> 00:18:57,937
AND STEVIE J BEING TOGETHER.
863
00:18:57,937 --> 00:18:59,906
STEVIE AND I ARE NOT TOGETHER.
864
00:18:59,906 --> 00:19:01,040
I DON'T WANT STEVIE.
865
00:19:01,040 --> 00:19:02,175
YOU GOT HIM, HANDS DOWN,
866
00:19:02,175 --> 00:19:02,875
GIRLFRIEND.
867
00:19:02,875 --> 00:19:03,743
I DON'T--LISTEN, LET ME TELL
868
00:19:03,743 --> 00:19:04,544
YOU SOMETHING, MIMI.
869
00:19:04,544 --> 00:19:05,412
I HAVE A PROBLEM WITH YOU
870
00:19:05,412 --> 00:19:06,246
BECAUSE YOU COME TO THE HOUSE
871
00:19:06,246 --> 00:19:07,046
AND YOU BRING THE BABY AND YOU
872
00:19:07,046 --> 00:19:08,080
ACT LIKE YOU'RE NOT SUPPOSED TO
873
00:19:08,080 --> 00:19:08,881
SPEAK TO ME.
874
00:19:08,881 --> 00:19:10,183
WE COULD SPEAK WITH EACH OTHER.
875
00:19:10,183 --> 00:19:10,983
WE COULD TALK TO EACH OTHER.
876
00:19:10,983 --> 00:19:11,818
WELL, YOU GUYS HAVE STARTED
877
00:19:11,818 --> 00:19:12,519
TALKING NOW.
878
00:19:12,519 --> 00:19:13,386
YOU GUYS CAN CONTINUE TALKING.
879
00:19:13,386 --> 00:19:14,053
WHAT?
880
00:19:14,053 --> 00:19:14,721
THIS IS A START.
881
00:19:14,721 --> 00:19:15,555
WE NEED TO GO ON A COMMERCIAL
882
00:19:15,555 --> 00:19:16,223
BREAK.
883
00:19:16,223 --> 00:19:17,023
WE'RE GONNA TAKE A BREAK--
884
00:19:17,023 --> 00:19:17,757
IF I BRING MY DAUGHTER TO
885
00:19:17,757 --> 00:19:18,425
THE HOUSE--
886
00:19:18,425 --> 00:19:19,158
LET'S TAKE A COMMERCIAL
887
00:19:19,158 --> 00:19:19,826
BREAK.
888
00:19:19,826 --> 00:19:20,493
WE'LL BE RIGHT BACK.
889
00:19:20,493 --> 00:19:21,261
GO TO A COMMERCIAL BREAK
890
00:19:21,261 --> 00:19:22,229
'CAUSE YOU DON'T WANT TO TALK
891
00:19:22,229 --> 00:19:22,929
ABOUT THIS [bleep].
892
00:19:22,929 --> 00:19:23,896
HOLD THE [bleep] ON.
893
00:19:23,896 --> 00:19:25,698
ALL RIGHT, MIMI, COME ON.
894
00:19:25,698 --> 00:19:26,999
SECURITY!
895
00:19:26,999 --> 00:19:28,568
MONA, LET ME FINISH.
896
00:19:28,568 --> 00:19:29,469
GO ON.
897
00:19:29,469 --> 00:19:30,637
IF I COME TO THE HOUSE TO
898
00:19:30,637 --> 00:19:32,839
BRING MY DAUGHTER TO SEE HER
899
00:19:32,839 --> 00:19:35,074
FATHER, AND YOU GOT A PROBLEM
900
00:19:35,074 --> 00:19:36,108
WITH THAT AND I DON'T--
901
00:19:36,108 --> 00:19:38,378
I--I ACTUALLY NEVER HAD
902
00:19:38,378 --> 00:19:39,111
A PROBLEM--
903
00:19:39,111 --> 00:19:39,912
YEAH, YOU DID.
904
00:19:39,912 --> 00:19:41,414
MIMI, THIS IS THE FIRST TIME
905
00:19:41,414 --> 00:19:42,382
WE'VE TALKED IN GOD KNOWS
906
00:19:42,382 --> 00:19:43,182
HOW LONG.
907
00:19:43,182 --> 00:19:43,983
YOU'RE GODDAMN RIGHT.
908
00:19:43,983 --> 00:19:45,151
SO YOU CAN'T NEVER SAY...
909
00:19:45,151 --> 00:19:46,118
NO, I'MA TELL YOU, YOU HAD
910
00:19:46,118 --> 00:19:46,986
A PROBLEM.
911
00:19:46,986 --> 00:19:47,854
HOLD ON, WAIT A MINUTE.
912
00:19:47,854 --> 00:19:48,755
I DON'T HAVE--LISTEN, MIMI--
913
00:19:48,755 --> 00:19:49,856
SHUT UP!
914
00:19:49,856 --> 00:19:51,724
NO, YOU SHUT THE [bleep] UP!
915
00:19:51,724 --> 00:19:52,592
CHILL, CHILL.
916
00:19:52,592 --> 00:19:53,826
THIS IS GOING IN A DIFFERENT
917
00:19:53,826 --> 00:19:54,927
DIRECTION.
918
00:19:54,927 --> 00:19:55,695
HOLD ON, MIMI.
919
00:19:55,695 --> 00:19:57,196
LISTEN, WE GOT TO CALM DOWN
920
00:19:57,196 --> 00:19:57,897
RIGHT NOW.
921
00:19:57,897 --> 00:19:58,631
YOU DON'T GO THERE.
922
00:19:58,631 --> 00:19:59,299
LET'S TAKE A BREAK.
923
00:19:59,299 --> 00:20:01,368
DON'T GO AWAY.
924
00:20:01,368 --> 00:20:04,136
[cheers and applause]
925
00:20:04,136 --> 00:20:05,572
I CAN'T DWELL ON EVERYTHING
926
00:20:05,572 --> 00:20:06,273
THAT HE DOES.
927
00:20:06,273 --> 00:20:07,173
I GOT TO [bleep] MOVE ON.
928
00:20:07,173 --> 00:20:07,940
YOU GOT TO MOVE ON.
929
00:20:07,940 --> 00:20:09,442
RIGHT NOW, IN FRONT OF ME,
930
00:20:09,442 --> 00:20:10,543
IN FRONT OF MIMI, AND IN FRONT
931
00:20:10,543 --> 00:20:11,878
OF THE VIEWING WORLD,
932
00:20:11,878 --> 00:20:13,280
IS THIS THE WOMAN THAT YOU'RE
933
00:20:13,280 --> 00:20:14,447
GOING TO SPEND YOUR LIFE WITH?
934
00:20:20,219 --> 00:20:20,920
* THIS IS THE LIFE
935
00:20:20,920 --> 00:20:24,557
♪ THIS IS THE LIFE
936
00:20:24,557 --> 00:20:25,558
[cool funky music]
937
00:20:25,558 --> 00:20:28,795
♪
938
00:20:28,795 --> 00:20:30,062
WELCOME BACK TO LOVE &
939
00:20:30,062 --> 00:20:31,598
HIP-HOP: ATLANTA: THE REUNION.
940
00:20:31,598 --> 00:20:33,266
I'M STILL HERE WITH STEVIE,
941
00:20:33,266 --> 00:20:34,934
MIMI, AND JOSELINE.
942
00:20:34,934 --> 00:20:36,269
LET ME ASK YOU THIS, MIMI.
943
00:20:36,269 --> 00:20:37,537
WHEN STEVIE GAVE YOU THE RING,
944
00:20:37,537 --> 00:20:38,938
RIGHT, AND WE SAW HER WHOLE
945
00:20:38,938 --> 00:20:40,206
BREAKDOWN, YOU WERE THERE
946
00:20:40,206 --> 00:20:40,873
FOR THAT?
947
00:20:40,873 --> 00:20:42,275
DID YOU FEEL VINDICATED
948
00:20:42,275 --> 00:20:43,443
IN SOME WAY?
949
00:20:43,443 --> 00:20:44,644
IT WASN'T A VINDICATION.
950
00:20:44,644 --> 00:20:46,479
IT WAS TYPICAL STEVIE J.
951
00:20:46,479 --> 00:20:47,780
THAT'S THE DIFFERENCE BETWEEN ME
952
00:20:47,780 --> 00:20:49,416
KNOWING HIM AS LONG AS I HAVE
953
00:20:49,416 --> 00:20:51,150
AND JOSELINE KNOWING HIM ONLY
954
00:20:51,150 --> 00:20:52,452
A YEAR AND SOME CHANGE.
955
00:20:52,452 --> 00:20:53,920
THAT'S WHY I COULD LAUGH AT IT,
956
00:20:53,920 --> 00:20:54,754
'CAUSE I DONE SEEN
957
00:20:54,754 --> 00:20:55,655
THIS [bleep] BEFORE.
958
00:20:55,655 --> 00:20:56,523
WELL, I COULDN'T LAUGH
959
00:20:56,523 --> 00:20:57,324
AT IT, MONA.
960
00:20:57,324 --> 00:20:58,090
I KNOW.
961
00:20:58,090 --> 00:20:58,925
WE SAW THAT FOR SURE.
962
00:20:58,925 --> 00:20:59,659
I KNOW IT'S TYPICAL.
963
00:20:59,659 --> 00:21:00,760
I KNOW IT'S TYPICAL STEVIE J AND
964
00:21:00,760 --> 00:21:01,994
THAT'S NOT THE ONLY--OH, MY GOD,
965
00:21:01,994 --> 00:21:02,862
SHE'S--LISTEN.
966
00:21:02,862 --> 00:21:03,630
THAT WAS NOTHING.
967
00:21:03,630 --> 00:21:04,397
THAT WAS A PIECE OF CAKE.
968
00:21:04,397 --> 00:21:05,532
TRUST ME AND BELIEVE, THERE'S
969
00:21:05,532 --> 00:21:07,166
MORE THING THAT HE'S DONE WORSE
970
00:21:07,166 --> 00:21:08,034
THAN THAT.
971
00:21:08,034 --> 00:21:09,101
IT'S JUST THAT YOU TELL ME,
972
00:21:09,101 --> 00:21:10,136
"OH, I WANT TO BE YOUR LIFE
973
00:21:10,136 --> 00:21:10,837
PARTNER."
974
00:21:10,837 --> 00:21:11,638
YOU PUT THE RING ON MY WEDDING
975
00:21:11,638 --> 00:21:12,439
FINGER.
976
00:21:12,439 --> 00:21:13,172
BUT THEN YOU GIVE YOUR BABY
977
00:21:13,172 --> 00:21:14,307
MOTHER A FRIENDSHIP RING.
978
00:21:14,307 --> 00:21:15,542
AND I DIDN'T FEEL LIKE IT WAS
979
00:21:15,542 --> 00:21:17,176
THE MOMENT.
980
00:21:17,176 --> 00:21:17,977
WELL, THAT'S A VERY GOOD
981
00:21:17,977 --> 00:21:18,811
POINT.
982
00:21:18,811 --> 00:21:19,646
I MEAN, STEVIE, NONE OF THAT
983
00:21:19,646 --> 00:21:20,547
RESONATES FOR YOU?
984
00:21:20,547 --> 00:21:21,948
THE FACT THAT THAT WAS JUST
985
00:21:21,948 --> 00:21:22,682
HORRIBLE TIMING.
986
00:21:22,682 --> 00:21:24,183
HE DOESN'T GIVE A [bleep].
987
00:21:24,183 --> 00:21:24,851
HE DOESN'T CARE.
988
00:21:24,851 --> 00:21:25,585
YOU KNOW, NOT THAT MIMI
989
00:21:25,585 --> 00:21:26,753
DIDN'T DESERVE THAT RING AND
990
00:21:26,753 --> 00:21:27,687
DESERVE THE COMMITMENT THAT CAME
991
00:21:27,687 --> 00:21:28,388
WITH THAT RING.
992
00:21:28,388 --> 00:21:29,088
IT'S JUST THAT--
993
00:21:29,088 --> 00:21:29,756
MONA, MONA.
994
00:21:29,756 --> 00:21:30,423
WHAT IS UP WITH YOUR
995
00:21:30,423 --> 00:21:31,090
JUDGMENT?
996
00:21:31,090 --> 00:21:32,058
I DON'T--MONA.
997
00:21:32,058 --> 00:21:32,759
SHE ASKED ME.
998
00:21:32,759 --> 00:21:33,693
MONA, I DON'T DESERVE
999
00:21:33,693 --> 00:21:34,661
THE RING.
1000
00:21:34,661 --> 00:21:35,828
I DIDN'T WANT THE RING.
1001
00:21:35,828 --> 00:21:36,563
I'LL GET IT BACK.
1002
00:21:36,563 --> 00:21:37,697
THE RING--NO, I'M NOT GONNA
1003
00:21:37,697 --> 00:21:38,765
GIVE YOU [bleep] BACK.
1004
00:21:38,765 --> 00:21:39,499
GUESS WHAT I'M GONNA DO
1005
00:21:39,499 --> 00:21:40,299
WITH IT.
1006
00:21:40,299 --> 00:21:41,468
I'M GONNA PAWN THE RING,
1007
00:21:41,468 --> 00:21:42,301
AND I WILL PUT IT IN THE BANK
1008
00:21:42,301 --> 00:21:43,135
ACCOUNT FOR OUR DAUGHTER.
1009
00:21:43,135 --> 00:21:43,803
THAT'S DOPE.
1010
00:21:43,803 --> 00:21:46,038
I WAS GONNA DO THAT.
1011
00:21:46,038 --> 00:21:46,939
WELL, YOU SHOULDN'T HAVE GAVE
1012
00:21:46,939 --> 00:21:47,674
IT TO ME.
1013
00:21:47,674 --> 00:21:48,508
YOU SHOULD'VE DID THAT IN THE
1014
00:21:48,508 --> 00:21:49,342
FIRST PLACE IF THAT'S WHAT YOU
1015
00:21:49,342 --> 00:21:50,543
WERE GONNA DO INSTEAD OF PISSING
1016
00:21:50,543 --> 00:21:51,511
OFF YOUR GIRLFRIEND.
1017
00:21:51,511 --> 00:21:52,379
IT'S ALL GOOD.
1018
00:21:52,379 --> 00:21:53,145
WHY WOULD YOU PISS OFF
1019
00:21:53,145 --> 00:21:53,946
YOUR GIRLFRIEND LIKE THAT?
1020
00:21:53,946 --> 00:21:54,714
LET'S TALK ABOUT THIS--
1021
00:21:54,714 --> 00:21:56,082
THAT'S SOME [bleep] [bleep].
1022
00:21:56,082 --> 00:21:57,350
IF YOU WITH HER, BE WITH HER.
1023
00:21:57,350 --> 00:21:58,851
STOP DISRESPECTING HER.
1024
00:21:58,851 --> 00:21:59,586
EVERYBODY'S AN [...]
1025
00:21:59,586 --> 00:22:00,252
SOMETIMES.
1026
00:22:00,252 --> 00:22:01,621
BE A BETTER--BE A BETTER MAN.
1027
00:22:01,621 --> 00:22:02,989
BE--NO, NO.
1028
00:22:02,989 --> 00:22:04,857
BE A BETTER MAN TO HER THAN YOU
1029
00:22:04,857 --> 00:22:06,192
HAVE BEEN TO ANYONE ELSE.
1030
00:22:06,192 --> 00:22:07,927
STOP DISRESPECTING HER.
1031
00:22:07,927 --> 00:22:09,161
I'M NOT A GOOD GUY?
1032
00:22:09,161 --> 00:22:09,962
YOU'RE ONLY GREAT WHEN IT
1033
00:22:09,962 --> 00:22:11,130
COME DOWN TO BUSINESS AND MONEY,
1034
00:22:11,130 --> 00:22:12,064
AND YOUR BEEF CAKE IS GREAT,
1035
00:22:12,064 --> 00:22:12,832
BUT THAT'S IT.
1036
00:22:12,832 --> 00:22:14,066
SO NOW--HOLD ON, HOLD ON,
1037
00:22:14,066 --> 00:22:15,735
HOLD ON, HOLD UP.
1038
00:22:15,735 --> 00:22:16,669
IT AIN'T THAT GREAT.
1039
00:22:16,669 --> 00:22:17,404
BUSINESS--
1040
00:22:17,404 --> 00:22:18,905
MIMI, DON'T LIE.
1041
00:22:18,905 --> 00:22:19,806
IT AIN'T THAT GREAT, 'CAUSE
1042
00:22:19,806 --> 00:22:20,873
IF IT WAS, I'D STILL BE [bleep]
1043
00:22:20,873 --> 00:22:22,208
HIM TOO, AND I'M NOT.
1044
00:22:22,208 --> 00:22:23,075
I'M GLAD YOU GUYS CAN HAVE
1045
00:22:23,075 --> 00:22:25,011
A CONVERSATION ABOUT SOMETHING.
1046
00:22:25,011 --> 00:22:25,878
I'M GLAD YOU GUYS CAN HAVE
1047
00:22:25,878 --> 00:22:27,179
A CONVERSATION ABOUT SOMETHING.
1048
00:22:27,179 --> 00:22:27,947
LISTEN, LET ME TELL YOU
1049
00:22:27,947 --> 00:22:28,615
SOMETHING.
1050
00:22:28,615 --> 00:22:29,348
LISTEN, LISTEN.
1051
00:22:29,348 --> 00:22:30,049
I CAN'T GET NO WORDS
1052
00:22:30,049 --> 00:22:30,717
IN THIS HOUSE.
1053
00:22:30,717 --> 00:22:31,418
BELIEVE IT OR NOT,
1054
00:22:31,418 --> 00:22:32,251
WOULD I WANT TO HAVE A BABY
1055
00:22:32,251 --> 00:22:32,985
FROM STEVIE?
1056
00:22:32,985 --> 00:22:33,753
YES, I WOULD.
1057
00:22:33,753 --> 00:22:34,821
WOULD I LIKE TO SPEND THE REST
1058
00:22:34,821 --> 00:22:35,888
OF MY LIFE WITH STEVIE?
1059
00:22:35,888 --> 00:22:36,556
YES, I WOULD.
1060
00:22:36,556 --> 00:22:38,090
AND I ALWAYS SAY THIS: STEVIE
1061
00:22:38,090 --> 00:22:39,325
DOESN'T KNOW HOW TO TREAT A
1062
00:22:39,325 --> 00:22:40,593
WOMAN BECAUSE HE DIDN'T HAVE
1063
00:22:40,593 --> 00:22:42,094
A MOTHER, OKAY?
1064
00:22:42,094 --> 00:22:43,663
OH, WAIT A MINUTE.
1065
00:22:43,663 --> 00:22:44,564
YOU DON'T.
1066
00:22:44,564 --> 00:22:45,498
LET ME SPEAK.
1067
00:22:45,498 --> 00:22:46,766
WHEN YOU DON'T HAVE A MOTHER--
1068
00:22:46,766 --> 00:22:48,034
EVEN WITH ME, I HAVE A MOTHER,
1069
00:22:48,034 --> 00:22:48,901
BUT SHE DIDN'T REALLY TEACH ME
1070
00:22:48,901 --> 00:22:50,002
ANYTHING, SO IT'S LIKE,
1071
00:22:50,002 --> 00:22:51,370
EVERYTHING THAT I GO, ANYTHING
1072
00:22:51,370 --> 00:22:52,639
THAT I DO IN LIFE, I HAVE TO
1073
00:22:52,639 --> 00:22:53,473
LEARN ON MY OWN.
1074
00:22:53,473 --> 00:22:54,741
AND THEN THAT HURTS ME TOO.
1075
00:22:54,741 --> 00:22:56,175
THAT HURTS ME, BECAUSE I DON'T
1076
00:22:56,175 --> 00:22:58,645
HAVE NOBODY TO TEACH ME
1077
00:22:58,645 --> 00:22:59,479
ANYTHING.
1078
00:22:59,479 --> 00:23:00,647
AND HE KNOWS THAT.
1079
00:23:00,647 --> 00:23:01,881
I TEACH YOU.
1080
00:23:01,881 --> 00:23:03,850
YOU KNOW, I--HE GETS ME.
1081
00:23:03,850 --> 00:23:04,984
YOU CANNOT TEACH A WOMAN
1082
00:23:04,984 --> 00:23:05,752
ANYTHING.
1083
00:23:05,752 --> 00:23:06,453
STOP IT.
1084
00:23:06,453 --> 00:23:07,386
HOLD ON, I TEACH HER A LOT.
1085
00:23:07,386 --> 00:23:08,387
I TEACH HER A LOT.
1086
00:23:08,387 --> 00:23:09,088
STOP IT.
1087
00:23:09,088 --> 00:23:09,789
I TAUGHT YOU A LOT TOO.
1088
00:23:09,789 --> 00:23:10,657
YOU DIDN'T TEACH ME [bleep].
1089
00:23:10,657 --> 00:23:11,390
I'M OLDER THAN YOU.
1090
00:23:11,390 --> 00:23:12,358
IT DON'T MATTER.
1091
00:23:12,358 --> 00:23:13,392
SHUT YOUR ASS UP.
1092
00:23:13,392 --> 00:23:15,094
YOU DIDN'T TAKE ME FROM NOWHERE.
1093
00:23:15,094 --> 00:23:15,762
STOP SCREAMING.
1094
00:23:15,762 --> 00:23:16,429
I HAVE MY OWN BUSINESS
1095
00:23:16,429 --> 00:23:17,430
AND BEEN MY OWN WOMAN.
1096
00:23:17,430 --> 00:23:18,498
YOU DIDN'T TEACH ME ANYTHING.
1097
00:23:18,498 --> 00:23:19,532
WE GOT SOMEBODY CRYING.
1098
00:23:19,532 --> 00:23:20,567
STOP SCREAMING.
1099
00:23:20,567 --> 00:23:21,468
YOU MIGHT TEACH HER
1100
00:23:21,468 --> 00:23:22,168
SOMETHING.
1101
00:23:22,168 --> 00:23:23,002
YOU DIDN'T TEACH ME [bleep].
1102
00:23:23,002 --> 00:23:24,036
THAT HE DOES THAT.
1103
00:23:24,036 --> 00:23:25,337
I EVEN HATE THE FACT
1104
00:23:25,337 --> 00:23:26,272
THAT HE DOES THAT.
1105
00:23:26,272 --> 00:23:27,206
I MEAN, IT'S INTERESTING TO
1106
00:23:27,206 --> 00:23:29,141
SEE--IT'S INTERESTING TO SEE
1107
00:23:29,141 --> 00:23:30,577
HERE THAT YOU GUYS HAVE BEEN AT
1108
00:23:30,577 --> 00:23:32,378
SUCH ODDS BUT HERE IN THIS
1109
00:23:32,378 --> 00:23:33,680
MOMENT, YOU KNOW WHAT I'M
1110
00:23:33,680 --> 00:23:34,647
SAYING, YOU GUYS--YOU CAN
1111
00:23:34,647 --> 00:23:35,748
ACTUALLY EMPATHIZE WITH WHAT
1112
00:23:35,748 --> 00:23:36,449
SHE'S GOING THROUGH.
1113
00:23:36,449 --> 00:23:37,283
I CAN EMPATHIZE WITH HER.
1114
00:23:37,283 --> 00:23:37,984
YOU KNOW WHY?
1115
00:23:37,984 --> 00:23:38,685
BECAUSE I CAME FROM
1116
00:23:38,685 --> 00:23:39,852
THE SAME THING.
1117
00:23:39,852 --> 00:23:40,753
I DIDN'T HAVE A MOTHER, EITHER.
1118
00:23:40,753 --> 00:23:42,622
MY MOTHER GAVE ME UP TO A
1119
00:23:42,622 --> 00:23:43,823
RELIGION WHEN I WAS 13 YEARS
1120
00:23:43,823 --> 00:23:44,991
OLD, AND I WAS OUT ON MY OWN.
1121
00:23:44,991 --> 00:23:45,858
WE HEARD ABOUT THAT, YEAH.
1122
00:23:45,858 --> 00:23:47,426
I GET--I GET IT.
1123
00:23:47,426 --> 00:23:49,328
I TOTALLY EMPATHIZE WITH HER AND
1124
00:23:49,328 --> 00:23:50,262
WHAT SHE'S GOING THROUGH.
1125
00:23:50,262 --> 00:23:53,032
WHAT IT IS, IS SHE'S A YOUNG
1126
00:23:53,032 --> 00:23:54,467
GIRL, AND HE'S MANIPULATING HER
1127
00:23:54,467 --> 00:23:55,735
AND [bleep] HER MIND.
1128
00:23:55,735 --> 00:23:57,336
HE DOES.
1129
00:23:57,336 --> 00:23:58,638
HE DOES, AND YOU KNOW WHAT?
1130
00:23:58,638 --> 00:24:00,507
HE DOES, MIMI, BUT I ALSO--I
1131
00:24:00,507 --> 00:24:03,209
ALSO UNDERSTAND THAT I CAN'T
1132
00:24:03,209 --> 00:24:04,110
DWELL ON EVERYTHING
1133
00:24:04,110 --> 00:24:04,977
THAT HE DOES.
1134
00:24:04,977 --> 00:24:05,778
I GOT TO [bleep] MOVE ON.
1135
00:24:05,778 --> 00:24:06,579
YOU GOT TO MOVE ON.
1136
00:24:06,579 --> 00:24:07,547
AND IF IT DOESN'T WORK OUT
1137
00:24:07,547 --> 00:24:08,781
WITH STEVIE, I STILL HAVE MY
1138
00:24:08,781 --> 00:24:10,382
CAREER, AND I STILL HAVE--
1139
00:24:10,382 --> 00:24:11,551
NO, I'M NOT LETTING HER--I'M NOT
1140
00:24:11,551 --> 00:24:13,319
LETTING HER--I'M NOT LETTING HER
1141
00:24:13,319 --> 00:24:14,120
DO ANYTHING.
1142
00:24:14,120 --> 00:24:15,354
THIS IS NOT ABOUT MIMI.
1143
00:24:15,354 --> 00:24:16,222
DO YOU SEE THE MANIPULATION?
1144
00:24:16,222 --> 00:24:17,356
"DON'T LET HER GET TO YOU."
1145
00:24:17,356 --> 00:24:18,525
I'M NOT TRYING TO GET TO HER.
1146
00:24:18,525 --> 00:24:20,126
MIMI, LISTEN--MIMI, LET ME
1147
00:24:20,126 --> 00:24:20,793
TELL YOU SOMETHING.
1148
00:24:20,793 --> 00:24:21,460
YOU KNOW ME.
1149
00:24:21,460 --> 00:24:22,128
I'M THE HARDEST BITCH
1150
00:24:22,128 --> 00:24:23,062
YOU PROBABLY KNOW, AND EVERYBODY
1151
00:24:23,062 --> 00:24:23,863
KNOW THAT.
1152
00:24:23,863 --> 00:24:25,197
AND I KNOW THAT HE MAKES THIS
1153
00:24:25,197 --> 00:24:26,933
SITUATION WORSE A LOT OF TIMES,
1154
00:24:26,933 --> 00:24:28,768
BUT IT DOES NOT MATTER, BECAUSE
1155
00:24:28,768 --> 00:24:29,802
I'M NOT DWELLING ON WHAT
1156
00:24:29,802 --> 00:24:30,770
STEVIE'S DOING.
1157
00:24:30,770 --> 00:24:32,705
I CAN'T--I DON'T THINK ABOUT THE
1158
00:24:32,705 --> 00:24:33,606
NEGATIVE [bleep].
1159
00:24:33,606 --> 00:24:34,440
I'M THINKING ABOUT WHERE I'M
1160
00:24:34,440 --> 00:24:35,975
GOING, SO I'M NOT EVEN THINKING
1161
00:24:35,975 --> 00:24:37,677
ABOUT STEVIE OR ANYTHING ELSE.
1162
00:24:37,677 --> 00:24:39,579
BUT YOU DO LOVE STEVIE.
1163
00:24:39,579 --> 00:24:41,548
YES, I DO, I DO, I DO LOVE
1164
00:24:41,548 --> 00:24:42,348
STEVIE.
1165
00:24:42,348 --> 00:24:43,149
SO THEN, STEVIE, I'M GONNA
1166
00:24:43,149 --> 00:24:44,416
GIVE YOU A MOMENT HERE TO DO THE
1167
00:24:44,416 --> 00:24:45,117
RIGHT THING.
1168
00:24:45,117 --> 00:24:45,885
I JUST WANT TO HEAR FROM YOU
1169
00:24:45,885 --> 00:24:46,586
FOR A MINUTE.
1170
00:24:46,586 --> 00:24:47,920
RIGHT NOW, IN FRONT OF ME,
1171
00:24:47,920 --> 00:24:49,021
IN FRONT OF MIMI, IN FRONT OF
1172
00:24:49,021 --> 00:24:50,189
THE AUDIENCE, AND IN FRONT OF
1173
00:24:50,189 --> 00:24:52,458
THE VIEWING WORLD, ARE YOU AND
1174
00:24:52,458 --> 00:24:54,627
JOSELINE ENGAGED?
1175
00:24:54,627 --> 00:24:55,595
IS THIS THE WOMAN THAT YOU'RE
1176
00:24:55,595 --> 00:24:58,430
GOING TO SPEND YOUR LIFE WITH?
1177
00:24:58,430 --> 00:24:59,532
I LIKE THE WAY YOU HANDLED
1178
00:24:59,532 --> 00:25:00,633
THAT, THE WAY YOU WANT TO TRY TO
1179
00:25:00,633 --> 00:25:03,870
PUT ME...
1180
00:25:03,870 --> 00:25:05,371
HOLD ON, HOLD ON, HOLD ON.
1181
00:25:05,371 --> 00:25:06,072
GIVE ME A SECOND.
1182
00:25:06,072 --> 00:25:06,806
IT'S A SIMPLE
1183
00:25:06,806 --> 00:25:09,208
YES-OR-NO QUESTION, STEVIE.
1184
00:25:09,208 --> 00:25:10,677
ARE YOU--AND LOOK AT THIS WOMAN
1185
00:25:10,677 --> 00:25:12,411
RIGHT HERE--ARE YOU GUYS ENGAGED
1186
00:25:12,411 --> 00:25:13,680
OR NOT?
1187
00:25:13,680 --> 00:25:14,681
[laughs]
1188
00:25:14,681 --> 00:25:15,381
YOU KNOW, I'M ROCKING
1189
00:25:15,381 --> 00:25:16,382
MY RING, YOU KNOW WHAT
1190
00:25:16,382 --> 00:25:17,416
I'M SAYING?
1191
00:25:17,416 --> 00:25:18,517
YOU'RE ROCKING YOUR RING
1192
00:25:18,517 --> 00:25:19,852
BECAUSE IT'S A CARTIER RING.
1193
00:25:19,852 --> 00:25:20,653
ARE YOU ENGAGED?
1194
00:25:20,653 --> 00:25:21,520
I GOT MY OWN DIAMONDS,
1195
00:25:21,520 --> 00:25:22,855
SUE-ME DOOBY-DOO.
1196
00:25:22,855 --> 00:25:23,790
NO, NO, DON'T GO LEFT.
1197
00:25:23,790 --> 00:25:24,557
DON'T LET HIM GO LEFT.
1198
00:25:24,557 --> 00:25:25,391
HE'S GONNA GO LEFT.
1199
00:25:25,391 --> 00:25:26,125
PLEASE DON'T GO LEFT.
1200
00:25:26,125 --> 00:25:27,026
DON'T GO LEFT.
1201
00:25:27,026 --> 00:25:27,827
I KNOW WHY YOU'RE ROCKING
1202
00:25:27,827 --> 00:25:28,527
THE RING.
1203
00:25:28,527 --> 00:25:29,562
WELL, JOSELINE, DO YOU WANT
1204
00:25:29,562 --> 00:25:30,763
TO KNOW ONCE AND FOR ALL?
1205
00:25:30,763 --> 00:25:31,998
I MEAN, I'M SURE HE SAYS ONE
1206
00:25:31,998 --> 00:25:33,199
THING TO YOU IN PRIVATE.
1207
00:25:33,199 --> 00:25:34,266
WE GOT WHAT WE GOT.
1208
00:25:34,266 --> 00:25:35,702
WE GOOD OVER HERE.
1209
00:25:35,702 --> 00:25:36,569
BULL[...].
1210
00:25:36,569 --> 00:25:37,236
DO YOU WANT TO KNOW
1211
00:25:37,236 --> 00:25:38,170
ONCE AND FOR ALL?
1212
00:25:38,170 --> 00:25:39,606
STRAIGHT BULL[bleep].
1213
00:25:39,606 --> 00:25:40,339
YEAH, I DO WANT TO HEAR YOU
1214
00:25:40,339 --> 00:25:41,641
SAY IT.
1215
00:25:41,641 --> 00:25:43,375
I DO, BECAUSE YOU TELL ME,
1216
00:25:43,375 --> 00:25:45,044
"I CAN'T LIVE WITHOUT JOSELINE.
1217
00:25:45,044 --> 00:25:46,445
I CAN'T LIVE WITHOUT JOSELINE."
1218
00:25:46,445 --> 00:25:47,146
THAT WASN'T ME.
1219
00:25:47,146 --> 00:25:47,980
YOU CRY--YES, YOU DO.
1220
00:25:47,980 --> 00:25:48,715
YES, YOU DO.
1221
00:25:48,715 --> 00:25:50,583
AND YOU ALWAYS TELL ME THAT YOU
1222
00:25:50,583 --> 00:25:51,483
WANT TO SPEND THE REST OF YOUR
1223
00:25:51,483 --> 00:25:52,418
LIFE WITH ME.
1224
00:25:52,418 --> 00:25:53,686
AND HE SAID THE SAME [bleep]
1225
00:25:53,686 --> 00:25:54,386
TO ME, GIRL.
1226
00:25:54,386 --> 00:25:55,054
I BELIEVE IT.
1227
00:25:55,054 --> 00:25:55,855
I DIDN'T SAY--WHEN WAS THE
1228
00:25:55,855 --> 00:25:56,522
LAST TIME...
1229
00:25:56,522 --> 00:25:57,189
YOU SAY THE SAME--
1230
00:25:57,189 --> 00:25:58,124
"I MISS YOU.
1231
00:25:58,124 --> 00:25:59,626
I MISS MY MIMI AND MY EVA."
1232
00:25:59,626 --> 00:26:00,693
I MISS MIMI AND EVA, YES,
1233
00:26:00,693 --> 00:26:01,393
YES, YES.
1234
00:26:01,393 --> 00:26:02,128
YOU SAY THE SAME [bleep]
1235
00:26:02,128 --> 00:26:02,795
[bleep] TO ME.
1236
00:26:02,795 --> 00:26:03,562
DO I SAY I WANT TO SPEND THE
1237
00:26:03,562 --> 00:26:04,463
REST OF MY LIFE WITH YOU?
1238
00:26:04,463 --> 00:26:05,197
YES, YOU DO.
1239
00:26:05,197 --> 00:26:05,898
HUH?
1240
00:26:05,898 --> 00:26:06,833
YEAH, YOU DO.
1241
00:26:06,833 --> 00:26:07,834
I PROBABLY DID IT A COUPLE
1242
00:26:07,834 --> 00:26:09,201
YEARS AGO, RIGHT?
1243
00:26:09,201 --> 00:26:10,302
NO, NO.
1244
00:26:10,302 --> 00:26:11,303
SO I'M GONNA SET IT UP FOR
1245
00:26:11,303 --> 00:26:11,971
YOU ONE MORE TIME.
1246
00:26:11,971 --> 00:26:12,639
HERE WE GO.
1247
00:26:12,639 --> 00:26:13,305
ALL RIGHT.
1248
00:26:13,305 --> 00:26:14,874
STEVIE J, ON THIS STAGE
1249
00:26:14,874 --> 00:26:15,574
RIGHT NOW...
1250
00:26:15,574 --> 00:26:16,275
RIGHT, RIGHT.
1251
00:26:16,275 --> 00:26:18,377
IN FRONT OF JOSELINE,
1252
00:26:18,377 --> 00:26:20,046
MYSELF, MIMI...
1253
00:26:20,046 --> 00:26:21,147
AND THE WHOLE WORLD.
1254
00:26:21,147 --> 00:26:22,949
THE VIEWING AUDIENCE,
1255
00:26:22,949 --> 00:26:24,817
AND THE VIEWING WORLD,
1256
00:26:24,817 --> 00:26:27,453
ARE YOU AND JOSELINE HERNANDEZ
1257
00:26:27,453 --> 00:26:30,089
ENGAGED TO BE MARRIED?
1258
00:26:30,089 --> 00:26:31,390
STAY TUNED FOR LOVE &
1259
00:26:31,390 --> 00:26:32,659
HIP-HOP: ATLANTA.
1260
00:26:32,659 --> 00:26:33,660
[people exclaiming]
1261
00:26:33,660 --> 00:26:35,928
GOTTA WATCH THE WHOLE--
1262
00:26:35,928 --> 00:26:37,630
THE WHOLE JOINT.
1263
00:26:37,630 --> 00:26:39,365
I CAN'T, I CAN'T.
1264
00:26:39,365 --> 00:26:41,000
OKAY, WELL, COMING UP,
1265
00:26:41,000 --> 00:26:42,468
WE'VE GOT MORE LOVE & HIP-HOP:
1266
00:26:42,468 --> 00:26:43,535
ATLANTA: THE REUNION,
1267
00:26:43,535 --> 00:26:45,237
SO DON'T MOVE.
1268
00:26:45,237 --> 00:26:46,906
WE'VE BEEN THROUGH A LOT.
1269
00:26:46,906 --> 00:26:47,940
A WHOLE LOT.
1270
00:26:47,940 --> 00:26:50,242
DO YOU FEEL LIKE IT'S OVER
1271
00:26:50,242 --> 00:26:53,212
FOR REAL THIS TIME?
1272
00:26:53,212 --> 00:26:55,514
[crying]
1273
00:26:55,514 --> 00:26:56,582
* THIS IS THE LIFE
1274
00:26:56,582 --> 00:26:59,551
♪ THIS IS THE LIFE
1275
00:27:02,421 --> 00:27:03,255
* THIS IS THE LIFE
1276
00:27:03,255 --> 00:27:06,158
♪ THIS IS THE LIFE
1277
00:27:06,158 --> 00:27:07,159
[upbeat funky music]
1278
00:27:07,159 --> 00:27:08,327
♪
1279
00:27:08,327 --> 00:27:09,495
WE'RE BACK WITH LOVE &
1280
00:27:09,495 --> 00:27:11,130
HIP-HOP: ATLANTA: THE REUNION.
1281
00:27:11,130 --> 00:27:12,031
JOIN THE CONVERSATION ON
1282
00:27:12,031 --> 00:27:12,765
TWITTER.
1283
00:27:12,765 --> 00:27:15,167
TWEET US @LOVEHIPHOPVH1
1284
00:27:15,167 --> 00:27:19,772
AND USE THE #LHHATLREUNION.
1285
00:27:19,772 --> 00:27:22,709
OKAY, I'M JOINED NOW BY SCRAPPY,
1286
00:27:22,709 --> 00:27:24,276
ERICA, AND BOTH OF THEIR MOMS,
1287
00:27:24,276 --> 00:27:26,713
MIGNON AND MOMMA DEE.
1288
00:27:26,713 --> 00:27:27,714
WE MISSED SCRAPPY.
1289
00:27:27,714 --> 00:27:28,748
HE'S BEEN AWAY FOR A LITTLE BIT.
1290
00:27:28,748 --> 00:27:29,481
AREN'T WE HAPPY TO HAVE HIM
1291
00:27:29,481 --> 00:27:30,149
BACK?
1292
00:27:30,149 --> 00:27:32,451
[cheers and applause]
1293
00:27:32,451 --> 00:27:33,853
LAST TIME WE SAW YOU,
1294
00:27:33,853 --> 00:27:34,687
YOU WERE IN REHAB.
1295
00:27:34,687 --> 00:27:35,421
MM-HMM.
1296
00:27:35,421 --> 00:27:36,122
HOW'S EVERYTHING BEEN
1297
00:27:36,122 --> 00:27:36,923
COMING ALONG?
1298
00:27:36,923 --> 00:27:37,690
OH, I'M BLESSED.
1299
00:27:37,690 --> 00:27:38,725
YEAH? YOU FEELING GOOD?
1300
00:27:38,725 --> 00:27:39,792
HIGHLY FAVORED, YEAH.
1301
00:27:39,792 --> 00:27:40,827
THAT'S WHAT WE WANT TO HEAR.
1302
00:27:40,827 --> 00:27:42,561
WELL, WE HAVE A LOT TO CATCH UP
1303
00:27:42,561 --> 00:27:43,896
ON TONIGHT, SO LET'S GET RIGHT
1304
00:27:43,896 --> 00:27:44,764
INTO IT.
1305
00:27:44,764 --> 00:27:46,365
ERICA AND SCRAPPY ENDED LAST
1306
00:27:46,365 --> 00:27:48,034
SEASON ON A HIGH NOTE WITH THE
1307
00:27:48,034 --> 00:27:49,568
COUPLE FINALLY GETTING ENGAGED
1308
00:27:49,568 --> 00:27:51,570
RIGHT HERE ON OUR REUNION STAGE.
1309
00:27:51,570 --> 00:27:52,972
BUT IT WASN'T LONG BEFORE IT WAS
1310
00:27:52,972 --> 00:27:55,374
DECLARED AN E.O.E.--END OF
1311
00:27:55,374 --> 00:27:56,542
ENGAGEMENT.
1312
00:27:56,542 --> 00:27:58,845
THIS IS WHAT WENT DOWN.
1313
00:27:58,845 --> 00:28:01,180
HOW'S IT FEEL TO BE ENGAGED?
1314
00:28:01,180 --> 00:28:02,648
IT FEELS GREAT.
1315
00:28:02,648 --> 00:28:04,416
WITH THIS GO-AROUND, I FEEL LIKE
1316
00:28:04,416 --> 00:28:06,352
HE IS VERY SINCERE.
1317
00:28:06,352 --> 00:28:07,686
I'M MISSING WITH ERICA.
1318
00:28:07,686 --> 00:28:08,620
YOU KNOW, THAT'S MY LADY,
1319
00:28:08,620 --> 00:28:10,156
THAT'S MY LOVELY, MY SEXY LADY,
1320
00:28:10,156 --> 00:28:11,657
AND THAT'S WHAT I'M DOING.
1321
00:28:11,657 --> 00:28:13,525
MOMMA DEE IS JUST ALWAYS
1322
00:28:13,525 --> 00:28:14,393
AGAINST ME.
1323
00:28:14,393 --> 00:28:15,161
HOW MANY TIMES HAS SHE
1324
00:28:15,161 --> 00:28:16,328
DISRESPECTED ME?
1325
00:28:16,328 --> 00:28:17,329
[yelling indistinctly]
1326
00:28:17,329 --> 00:28:18,664
BABY, COME ON--
1327
00:28:18,664 --> 00:28:19,598
ERICA, STOP!
1328
00:28:19,598 --> 00:28:20,299
ERICA!
1329
00:28:20,299 --> 00:28:21,000
[bleep]!
1330
00:28:21,000 --> 00:28:21,901
SHUT THE [bleep] UP.
1331
00:28:21,901 --> 00:28:22,668
TAKE THAT RING AND GO.
1332
00:28:22,668 --> 00:28:23,702
AT THIS POINT, LIKE, I'M
1333
00:28:23,702 --> 00:28:25,337
GONNA BE RESPECTED, PERIOD.
1334
00:28:25,337 --> 00:28:26,438
THIS WHOLE ENGAGEMENT,
1335
00:28:26,438 --> 00:28:28,007
MARRIED THING IS DONE WITH.
1336
00:28:28,007 --> 00:28:28,941
I'M FOOLING WITH IT,
1337
00:28:28,941 --> 00:28:29,708
YOU FEEL ME?
1338
00:28:29,708 --> 00:28:31,443
I'M NOT LEAVING THIS HOUSE TILL
1339
00:28:31,443 --> 00:28:32,745
I GET MY RING.
1340
00:28:32,745 --> 00:28:33,746
WE SUPPOSED TO BE A TEAM.
1341
00:28:33,746 --> 00:28:34,546
WE SUPPOSED TO BE ONE.
1342
00:28:34,546 --> 00:28:35,647
AND YOU SUPPOSED TO HAVE
1343
00:28:35,647 --> 00:28:36,348
MY BACK.
1344
00:28:36,348 --> 00:28:37,349
AND I DON'T FEEL LIKE YOU DID
1345
00:28:37,349 --> 00:28:38,150
AT ALL.
1346
00:28:38,150 --> 00:28:39,986
WOW.
1347
00:28:39,986 --> 00:28:40,853
I WAS JUST THINKING THIS WAS
1348
00:28:40,853 --> 00:28:42,755
ANOTHER BUMP IN THE ROAD.
1349
00:28:42,755 --> 00:28:44,757
AND I'M REALIZING IT'S NOT.
1350
00:28:44,757 --> 00:28:46,158
I WENT THROUGH YOUR PHONE,
1351
00:28:46,158 --> 00:28:47,894
SEEN YOU'RE TEXTING, TALKING TO
1352
00:28:47,894 --> 00:28:49,428
FEMALES OR WHATNOT.
1353
00:28:49,428 --> 00:28:50,229
ONCE YOU GO LOOKING FOR
1354
00:28:50,229 --> 00:28:51,497
SOMETHING, YOU'RE GONNA FIND IT.
1355
00:28:51,497 --> 00:28:52,531
I'VE TAKEN IT OFF, AND I
1356
00:28:52,531 --> 00:28:53,665
HAVEN'T PUT IT BACK ON.
1357
00:28:53,665 --> 00:28:54,600
I'VE HAD ENOUGH.
1358
00:28:54,600 --> 00:28:55,902
ENGAGEMENT OFF.
1359
00:28:55,902 --> 00:28:58,404
RELATIONSHIP NULL AND VOID.
1360
00:28:58,404 --> 00:29:02,308
I PAWNED THE ENGAGEMENT RING.
1361
00:29:02,308 --> 00:29:03,175
IT WAS LOCKED UP.
1362
00:29:03,175 --> 00:29:04,043
I DIDN'T KNOW WHAT THE
1363
00:29:04,043 --> 00:29:05,344
CIRCUMSTANCES WOULD BE, DIDN'T
1364
00:29:05,344 --> 00:29:06,745
KNOW WHEN YOU WOULD GET OUT,
1365
00:29:06,745 --> 00:29:08,047
SO I HAD TO MAKE SURE
1366
00:29:08,047 --> 00:29:09,882
FINANCIALLY THAT ME AND EMANI
1367
00:29:09,882 --> 00:29:10,682
WERE GONNA BE STRAIGHT.
1368
00:29:10,682 --> 00:29:11,517
THE RING DON'T MEAN NOTHING
1369
00:29:11,517 --> 00:29:12,318
TO YOU?
1370
00:29:12,318 --> 00:29:14,821
I REALLY LOVE YOU.
1371
00:29:14,821 --> 00:29:18,424
REALLY CONSIDER AND THINK ABOUT
1372
00:29:18,424 --> 00:29:21,393
GETTING MARRIED AGAIN.
1373
00:29:21,393 --> 00:29:22,829
LAST TIME I SEEN YOU, I SAY,
1374
00:29:22,829 --> 00:29:24,196
YOU KNOW, LIKE, YOU KNOW, JUST
1375
00:29:24,196 --> 00:29:26,598
THINK ABOUT BEING MARRIED AGAIN.
1376
00:29:26,598 --> 00:29:27,499
JUST THINK ABOUT IT
1377
00:29:27,499 --> 00:29:29,468
WHILE I'M IN HERE, 'CAUSE I
1378
00:29:29,468 --> 00:29:30,970
REALLY LOVE YOU AND I REALLY
1379
00:29:30,970 --> 00:29:33,305
THOUGHT, YOU KNOW, LIKE, SOMEHOW
1380
00:29:33,305 --> 00:29:36,408
WE CAN MAKE IT HAPPEN.
1381
00:29:36,408 --> 00:29:37,443
WHAT'S THAT?
1382
00:29:37,443 --> 00:29:40,312
THE RING.
1383
00:29:40,312 --> 00:29:41,547
WE SAY WE MOVING FORWARD OR WE
1384
00:29:41,547 --> 00:29:42,915
TRYING TO MOVE FORWARD, BUT...
1385
00:29:42,915 --> 00:29:43,715
IT'S HARD.
1386
00:29:43,715 --> 00:29:45,717
IN REALITY, WE NOT.
1387
00:29:49,321 --> 00:29:50,289
WOW.
1388
00:29:50,289 --> 00:29:51,991
all: AWW.
1389
00:29:51,991 --> 00:29:53,292
SCRAPPY.
1390
00:29:53,292 --> 00:29:54,493
WHAT'S HAPPENING?
1391
00:29:54,493 --> 00:29:55,627
HOW DID THAT FEEL WHEN ERICA
1392
00:29:55,627 --> 00:29:58,130
GAVE YOU THE RING BACK?
1393
00:29:58,130 --> 00:29:59,465
I FELT TWO WAYS.
1394
00:29:59,465 --> 00:30:00,199
YOU KNOW WHAT I'M SAYING?
1395
00:30:00,199 --> 00:30:03,035
I FELT LIKE, WOW, LIKE, SHE--
1396
00:30:03,035 --> 00:30:05,938
IT MUST MEAN SOMETHING TO HER/
1397
00:30:05,938 --> 00:30:08,474
I FELT LIKE SHE WAS PLAYING WITH
1398
00:30:08,474 --> 00:30:09,876
MY EMOTIONS, YOU KNOW, WANTED TO
1399
00:30:09,876 --> 00:30:12,111
SEE ME HURT OR WHATEVER.
1400
00:30:12,111 --> 00:30:14,013
BUT IT WAS--IT WAS REAL, THOUGH.
1401
00:30:14,013 --> 00:30:15,081
YEAH?
1402
00:30:15,081 --> 00:30:15,915
FOR REAL, YEAH.
1403
00:30:15,915 --> 00:30:17,316
ERICA, HOW ARE YOU FEELING
1404
00:30:17,316 --> 00:30:18,550
THESE DAYS ABOUT IT?
1405
00:30:18,550 --> 00:30:19,651
IT'S JUST KIND OF LIKE
1406
00:30:19,651 --> 00:30:20,819
A PEACE OFFERING.
1407
00:30:20,819 --> 00:30:22,754
TIRED OF THE BACK-AND-FORTH,
1408
00:30:22,754 --> 00:30:23,622
BICKERING, YOU KNOW WHAT
1409
00:30:23,622 --> 00:30:24,290
I'M SAYING?
1410
00:30:24,290 --> 00:30:25,024
WE GOT A CHILD.
1411
00:30:25,024 --> 00:30:25,925
YOU'RE GETTING EMOTIONAL
1412
00:30:25,925 --> 00:30:26,658
ABOUT IT.
1413
00:30:26,658 --> 00:30:28,294
YOU STILL CARE A LOT.
1414
00:30:28,294 --> 00:30:30,897
all: AWW.
1415
00:30:30,897 --> 00:30:32,498
BUT NO MATTER WHAT, YOU KNOW,
1416
00:30:32,498 --> 00:30:33,866
I DO WANT THE BEST FOR YOU.
1417
00:30:33,866 --> 00:30:34,934
I WANT THE BEST FOR YOU.
1418
00:30:34,934 --> 00:30:36,335
LIKE, PERIOD, YOU KNOW WHAT
1419
00:30:36,335 --> 00:30:37,003
I'M SAYING?
1420
00:30:37,003 --> 00:30:39,138
WE JUST BEEN THROUGH A LOT.
1421
00:30:39,138 --> 00:30:40,139
A WHOLE LOT.
1422
00:30:40,139 --> 00:30:41,107
IT'S OKAY.
1423
00:30:41,107 --> 00:30:42,041
I MEAN, YOU GUYS HAVE GONE
1424
00:30:42,041 --> 00:30:43,409
BACK AND FORTH A LOT.
1425
00:30:43,409 --> 00:30:44,443
DO YOU THINK THERE'S ANY CHANCE
1426
00:30:44,443 --> 00:30:45,211
AT ALL?
1427
00:30:45,211 --> 00:30:46,678
MAYBE WITH TIME,
1428
00:30:46,678 --> 00:30:49,015
WITH HEALING, YOU GUYS MIGHT--
1429
00:30:49,015 --> 00:30:50,649
WE'RE JUST REALLY TRYING TO
1430
00:30:50,649 --> 00:30:52,018
WORK ON BEING FRIENDS RIGHT NOW.
1431
00:30:52,018 --> 00:30:53,485
THAT'S JUST WHAT OUR FOCUS IS,
1432
00:30:53,485 --> 00:30:54,420
IS JUST TRYING TO BE FRIENDS,
1433
00:30:54,420 --> 00:30:55,187
YOU KNOW?
1434
00:30:55,187 --> 00:30:56,588
AND AS MUCH AS, YOU KNOW,
1435
00:30:56,588 --> 00:30:57,756
I WANT TO HATE HIM AND JUST BE
1436
00:30:57,756 --> 00:30:58,958
SO MAD AT HIM BECAUSE OF
1437
00:30:58,958 --> 00:31:00,092
EVERYTHING, I CAN'T.
1438
00:31:00,092 --> 00:31:00,993
TOO MUCH HISTORY.
1439
00:31:00,993 --> 00:31:01,894
RIGHT.
1440
00:31:01,894 --> 00:31:03,329
SCRAPPY, IT SEEMS LIKE EVERY
1441
00:31:03,329 --> 00:31:04,230
TIME YOU WENT THROUGH HARD
1442
00:31:04,230 --> 00:31:06,532
TIMES, WHETHER IT WAS REHAB OR,
1443
00:31:06,532 --> 00:31:08,500
YOU KNOW, JAIL, ERICA WAS RIGHT
1444
00:31:08,500 --> 00:31:09,735
THERE BY YOUR SIDE.
1445
00:31:09,735 --> 00:31:11,070
AND NOW YOU CAN SEE
1446
00:31:11,070 --> 00:31:11,770
THE PAIN THERE.
1447
00:31:11,770 --> 00:31:12,871
HOW DO YOU FEEL?
1448
00:31:12,871 --> 00:31:13,539
WELL, I'MA BE HONEST
1449
00:31:13,539 --> 00:31:14,740
WITH YOU.
1450
00:31:14,740 --> 00:31:17,409
I'MA BE VERY HONEST WITH YOU.
1451
00:31:17,409 --> 00:31:19,345
IT WAS SOME TIMES WHERE SHE
1452
00:31:19,345 --> 00:31:20,312
WASN'T THERE, YOU KNOW WHAT
1453
00:31:20,312 --> 00:31:21,013
I'M SAYING?
1454
00:31:21,013 --> 00:31:21,813
AND THERE WAS SOME TIMES THAT
1455
00:31:21,813 --> 00:31:22,581
SHE WAS THERE.
1456
00:31:22,581 --> 00:31:25,484
AND I FEEL LIKE, YOU KNOW,
1457
00:31:25,484 --> 00:31:26,552
WHEN SOMEBODY LOVE YOU,
1458
00:31:26,552 --> 00:31:27,353
YOU KNOW WHAT I'M SAYING,
1459
00:31:27,353 --> 00:31:28,154
NO MATTER WHAT, IF THEY LOVE
1460
00:31:28,154 --> 00:31:29,088
YOU, THEY GONNA BE IN THAT
1461
00:31:29,088 --> 00:31:30,089
COURTROOM WITH YOU,
1462
00:31:30,089 --> 00:31:31,057
YOU KNOW WHAT I'M SAYING?
1463
00:31:31,057 --> 00:31:32,858
AND SOMETIMES SHE WASN'T THERE.
1464
00:31:32,858 --> 00:31:35,594
BUT WHAT I RESPECT, THOUGH,
1465
00:31:35,594 --> 00:31:37,063
IS ALL THE TIME
1466
00:31:37,063 --> 00:31:37,863
THAT SHE WAS THERE.
1467
00:31:37,863 --> 00:31:38,564
MM-HMM.
1468
00:31:38,564 --> 00:31:39,365
YOU KNOW WHAT I'M SAYING?
1469
00:31:39,365 --> 00:31:40,032
WHEN SHE WAS THERE,
1470
00:31:40,032 --> 00:31:41,133
SHE MADE ME FEEL LOVED.
1471
00:31:41,133 --> 00:31:41,968
YOU KNOW WHAT I'M SAYING?
1472
00:31:41,968 --> 00:31:43,669
SO I--THAT'S WHAT I LOOK AT.
1473
00:31:43,669 --> 00:31:44,603
I LOOK AT THE POSITIVE ABOUT
1474
00:31:44,603 --> 00:31:45,471
THE SITUATION.
1475
00:31:45,471 --> 00:31:47,873
DO YOU FEEL LIKE IT'S OVER
1476
00:31:47,873 --> 00:31:48,907
FOR REAL THIS TIME,
1477
00:31:48,907 --> 00:31:50,609
LIKE, YOU GUYS ARE DONE?
1478
00:31:50,609 --> 00:31:52,344
MAN, I LOVE THAT GIRL,
1479
00:31:52,344 --> 00:31:53,279
YOU KNOW WHAT I'M SAYING?
1480
00:31:53,279 --> 00:31:55,014
I LOVE THAT GIRL, BUT...
1481
00:31:55,014 --> 00:31:56,983
[applause]
1482
00:31:56,983 --> 00:31:58,017
ERICA, WHAT DO YOU THINK?
1483
00:31:58,017 --> 00:31:58,985
I MEAN, YEAH, IT'S NOT GONNA
1484
00:31:58,985 --> 00:31:59,818
HAPPEN OVERNIGHT.
1485
00:31:59,818 --> 00:32:01,420
YOU KNOW, WHEN YOU LOVE
1486
00:32:01,420 --> 00:32:02,554
SOMEBODY AND YOU DONE BEEN
1487
00:32:02,554 --> 00:32:03,722
THROUGH STUFF LIKE THAT, YOU GOT
1488
00:32:03,722 --> 00:32:05,124
TO, LIKE, KIND OF JUST FALL
1489
00:32:05,124 --> 00:32:06,358
BACK, TAKE A BREAK A LITTLE
1490
00:32:06,358 --> 00:32:07,793
MINUTE, 'CAUSE EVERY TIME WE
1491
00:32:07,793 --> 00:32:08,961
TRY, WE JUST CLASH.
1492
00:32:08,961 --> 00:32:09,761
YOU KNOW WHAT I'M SAYING?
1493
00:32:09,761 --> 00:32:10,862
JUST CLASH.
1494
00:32:10,862 --> 00:32:11,730
WELL, YOU'RE IN A MUCH BETTER
1495
00:32:11,730 --> 00:32:12,965
PLACE NOW, SO WE'LL SEE
1496
00:32:12,965 --> 00:32:13,732
WHAT HAPPENS.
1497
00:32:13,732 --> 00:32:14,700
I NEED TO STOP YOU GUYS RIGHT
1498
00:32:14,700 --> 00:32:15,467
HERE 'CAUSE WE NEED TO TAKE
1499
00:32:15,467 --> 00:32:16,135
A BREAK.
1500
00:32:16,135 --> 00:32:17,169
MORE LOVE & HIP-HOP: THE REUNION
1501
00:32:17,169 --> 00:32:18,070
COMING UP.
1502
00:32:18,070 --> 00:32:21,073
[applause]
1503
00:32:22,741 --> 00:32:24,176
I'M MAD AT YOU BECAUSE YOU
1504
00:32:24,176 --> 00:32:25,177
DON'T HANDLE THESE HOS.
1505
00:32:25,177 --> 00:32:26,078
THESE MICROWAVABLE BITCHES--
1506
00:32:26,078 --> 00:32:27,046
WHY WERE YOU AT MY HOUSE?
1507
00:32:27,046 --> 00:32:27,713
YOU DON'T SHOW UP AT
1508
00:32:27,713 --> 00:32:28,747
SOMEBODY'S HOUSE--
1509
00:32:28,747 --> 00:32:30,482
I HAD $25,000!
1510
00:32:30,482 --> 00:32:31,917
WHO WOULD OPEN THE DOOR
1511
00:32:31,917 --> 00:32:33,352
FOR $25,000?
1512
00:32:33,352 --> 00:32:34,853
[cheers and applause]
1513
00:32:34,853 --> 00:32:35,887
* THIS IS THE LIFE
1514
00:32:35,887 --> 00:32:38,957
♪ THIS IS THE LIFE
1515
00:32:41,627 --> 00:32:42,328
* THIS IS THE LIFE
1516
00:32:42,328 --> 00:32:45,964
♪ THIS IS THE LIFE
1517
00:32:45,964 --> 00:32:48,234
[cheers and applause]
1518
00:32:48,234 --> 00:32:49,301
WELCOME BACK TO LOVE &
1519
00:32:49,301 --> 00:32:51,603
HIP-HOP: ATLANTA: THE REUNION.
1520
00:32:51,603 --> 00:32:53,439
THIS SEASON, WE MET A NEW
1521
00:32:53,439 --> 00:32:55,741
COUPLE, TRACI AND DREW,
1522
00:32:55,741 --> 00:32:57,443
TWO DJs FROM ATLANTA TRYING TO
1523
00:32:57,443 --> 00:32:58,810
RAISE A CHILD TOGETHER AFTER THE
1524
00:32:58,810 --> 00:33:00,079
CREDITS HAD ROLLED ON THEIR
1525
00:33:00,079 --> 00:33:01,447
RELATIONSHIP.
1526
00:33:01,447 --> 00:33:03,182
BUT WHEN THE POPCORN HO SURFACED
1527
00:33:03,182 --> 00:33:05,684
IN DREW'S LIFE, TRACI DECIDED TO
1528
00:33:05,684 --> 00:33:07,586
STAR IN HER OWN ROMANCE.
1529
00:33:07,586 --> 00:33:08,920
TAKE A LOOK.
1530
00:33:08,920 --> 00:33:10,022
I WAS IN A RELATIONSHIP WITH
1531
00:33:10,022 --> 00:33:12,191
DJ BABEYDREW, CHRIS BROWN'S DJ.
1532
00:33:12,191 --> 00:33:13,359
WE'RE NOT TOGETHER ANYMORE,
1533
00:33:13,359 --> 00:33:14,293
BUT WE HAVE A SIX-YEAR-OLD
1534
00:33:14,293 --> 00:33:15,927
HANDSOME SON, LITTLE DREW.
1535
00:33:15,927 --> 00:33:17,196
IT'S THE "THAH."
1536
00:33:17,196 --> 00:33:17,996
THE WHO?
1537
00:33:17,996 --> 00:33:19,198
"THESE [bleep] ARE [bleep]
1538
00:33:19,198 --> 00:33:20,232
ALWAYS."
1539
00:33:20,232 --> 00:33:21,033
THESE BITCHES ARE
1540
00:33:21,033 --> 00:33:22,068
MICROWAVABLE BITCHES.
1541
00:33:22,068 --> 00:33:23,635
YOU POP THEM AND YOU KEEP 'EM
1542
00:33:23,635 --> 00:33:25,437
MOVING.
1543
00:33:25,437 --> 00:33:26,338
WHY YOU WON'T LET ME IN?
1544
00:33:26,338 --> 00:33:27,306
WHAT'S HAPPENING?
1545
00:33:27,306 --> 00:33:28,707
WE NEED TO HANDLE BUSINESS,
1546
00:33:28,707 --> 00:33:29,741
AND WE CAN'T HANDLE BUSINESS,
1547
00:33:29,741 --> 00:33:31,310
BECAUSE YOU GOT SOME RANDOM IN
1548
00:33:31,310 --> 00:33:32,244
THE FREAKING HOUSE.
1549
00:33:32,244 --> 00:33:33,145
NO, I'M--
1550
00:33:33,145 --> 00:33:34,046
SHUT THE [bleep] UP.
1551
00:33:34,046 --> 00:33:35,314
YOU TRAIN THESE [bleep] THEY
1552
00:33:35,314 --> 00:33:36,348
DON'T OPEN THEIR [bleep] MOUTH!
1553
00:33:36,348 --> 00:33:37,316
DO YOU THINK I WANT TO BE
1554
00:33:37,316 --> 00:33:38,384
A BABY MAMA?
1555
00:33:38,384 --> 00:33:39,418
YOU THINK I WANT TO LIVE
1556
00:33:39,418 --> 00:33:40,419
THIS LIFE?
1557
00:33:40,419 --> 00:33:41,220
LISTEN, I DIDN'T CHOOSE
1558
00:33:41,220 --> 00:33:41,987
THIS [bleep].
1559
00:33:41,987 --> 00:33:42,788
YOU KNOW WE HAVEN'T BEEN
1560
00:33:42,788 --> 00:33:43,822
TOGETHER IN SEVEN YEARS, RIGHT?
1561
00:33:43,822 --> 00:33:44,656
I KNOW THAT.
1562
00:33:44,656 --> 00:33:45,357
YOU KNOW WHAT?
1563
00:33:45,357 --> 00:33:46,358
I'VE HAD A CRUSH ON SOMEBODY FOR
1564
00:33:46,358 --> 00:33:47,559
A WHILE, LIKE, A COUPLE YEARS,
1565
00:33:47,559 --> 00:33:48,794
BUT WE'VE JUST BEEN FRIENDS.
1566
00:33:48,794 --> 00:33:50,829
BUT HE FINALLY ASKED ME OUT.
1567
00:33:50,829 --> 00:33:53,265
I WANT TO TRUST AGAIN, AND I
1568
00:33:53,265 --> 00:33:54,533
THINK THAT A RIGHT MAN WILL
1569
00:33:54,533 --> 00:33:55,801
BRING THAT OUT OF ME.
1570
00:33:55,801 --> 00:33:56,735
ANYTHING YOU WANT TO KNOW
1571
00:33:56,735 --> 00:33:57,769
ABOUT ME, I'LL TELL YOU.
1572
00:33:57,769 --> 00:33:58,704
I HAVE DONE EVERYTHING I'M
1573
00:33:58,704 --> 00:34:00,272
SUPPOSED TO DO AS A MOTHER,
1574
00:34:00,272 --> 00:34:01,207
AND NOW IT'S TIME FOR ME
1575
00:34:01,207 --> 00:34:02,040
TO BE HAPPY.
1576
00:34:02,040 --> 00:34:02,908
I DON'T WANT YOU TO BE HAPPY
1577
00:34:02,908 --> 00:34:03,575
WITH THAT GUY.
1578
00:34:03,575 --> 00:34:04,610
WOW.
1579
00:34:04,610 --> 00:34:06,445
DREW IS CRAZY TO THINK THAT I'M
1580
00:34:06,445 --> 00:34:08,614
GONNA GO BACK WITH HIM.
1581
00:34:08,614 --> 00:34:09,681
OH!
1582
00:34:09,681 --> 00:34:10,782
[laughs]
1583
00:34:10,782 --> 00:34:11,850
RIGHT NOW, I'M HAPPY WITH WHO
1584
00:34:11,850 --> 00:34:13,185
I'M WITH, AND I DON'T WANT YOU
1585
00:34:13,185 --> 00:34:14,586
TO TRY TO COME BETWEEN US.
1586
00:34:14,586 --> 00:34:16,088
I GOOGLED A LITTLE BIT,
1587
00:34:16,088 --> 00:34:17,589
AND HE DON'T LOOK TOO HAPPY
1588
00:34:17,589 --> 00:34:18,524
IN THIS MUG SHOT THAT I'M
1589
00:34:18,524 --> 00:34:21,427
FINDING IN 2006.
1590
00:34:21,427 --> 00:34:22,294
WAIT. HOLD ON, HOLD ON.
1591
00:34:22,294 --> 00:34:23,129
IS THIS REAL?
1592
00:34:23,129 --> 00:34:24,096
YES, OF COURSE IT IS.
1593
00:34:24,096 --> 00:34:24,896
I ASKED YOU,
1594
00:34:24,896 --> 00:34:26,298
"SHOULD I TRUST YOU?"
1595
00:34:26,298 --> 00:34:27,433
AND THEN YOU SAT AT THE TABLE
1596
00:34:27,433 --> 00:34:29,101
AND YOU LIED!
1597
00:34:29,101 --> 00:34:30,369
SO YOU'RE--YOU'RE JUST, LIKE,
1598
00:34:30,369 --> 00:34:31,270
DONE WITH THIS GUY.
1599
00:34:31,270 --> 00:34:32,238
I'M DONE.
1600
00:34:32,238 --> 00:34:33,639
I WANT TO SEE YOU MOVE ON AND
1601
00:34:33,639 --> 00:34:34,306
BE HAPPY.
1602
00:34:34,306 --> 00:34:35,607
SO YOU DON'T THINK I'VE MOVED
1603
00:34:35,607 --> 00:34:36,275
ON FROM YOU?
1604
00:34:36,275 --> 00:34:37,609
NO, IF WE WERE TO EVER CROSS
1605
00:34:37,609 --> 00:34:38,410
THAT LINE AGAIN,
1606
00:34:38,410 --> 00:34:39,378
IT WOULD NOT BE GOOD.
1607
00:34:39,378 --> 00:34:41,713
I KNOW THAT.
1608
00:34:41,713 --> 00:34:42,648
OH, MY GOD.
1609
00:34:42,648 --> 00:34:43,749
ALL RIGHT, WELL, TRACI,
1610
00:34:43,749 --> 00:34:44,750
YOU SAY YOU DON'T WANT TO BE
1611
00:34:44,750 --> 00:34:46,318
WITH DREW, BUT EVERY TIME
1612
00:34:46,318 --> 00:34:47,186
THERE'S ANOTHER WOMAN AROUND,
1613
00:34:47,186 --> 00:34:48,554
YOU LOSE IT.
1614
00:34:48,554 --> 00:34:49,688
EVERY TIME THERE'S A WOMAN
1615
00:34:49,688 --> 00:34:52,324
AROUND AND WE'RE DOING BUSINESS,
1616
00:34:52,324 --> 00:34:53,425
IT'S SOME TYPE OF DISRESPECT.
1617
00:34:53,425 --> 00:34:54,360
LIKE, THAT CHICK DON'T NEED TO
1618
00:34:54,360 --> 00:34:55,694
OPEN HER MOUTH IF I'M GIVING YOU
1619
00:34:55,694 --> 00:34:57,129
A $25,000 CHECK.
1620
00:34:57,129 --> 00:34:58,597
SHUT THE [bleep] UP.
1621
00:34:58,597 --> 00:34:59,565
YOU DON'T OPEN YOUR MOUTH.
1622
00:34:59,565 --> 00:35:00,266
YOU DON'T SPEAK.
1623
00:35:00,266 --> 00:35:01,367
IF YOU NOT INVESTING,
1624
00:35:01,367 --> 00:35:02,401
SHUT THE [bleep] UP.
1625
00:35:02,401 --> 00:35:03,469
AND I'M MAD AT YOU BECAUSE YOU
1626
00:35:03,469 --> 00:35:04,836
DON'T HANDLE THESE HOS.
1627
00:35:04,836 --> 00:35:05,704
THESE MICROWAVABLE BITCHES--
1628
00:35:05,704 --> 00:35:06,572
WHY WERE YOU AT MY HOUSE?
1629
00:35:06,572 --> 00:35:08,440
THESE WERE--TO DROP OFF MONEY
1630
00:35:08,440 --> 00:35:09,175
TO YOU!
1631
00:35:09,175 --> 00:35:10,809
YOU SHOULD HANDLE THESE BITCHES.
1632
00:35:10,809 --> 00:35:12,711
THESE MICROWAVABLE BITCHES NEED
1633
00:35:12,711 --> 00:35:14,213
TO KNOW IF THEY NOT DROPPING
1634
00:35:14,213 --> 00:35:15,614
MONEY, YOU DON'T OPEN YOUR
1635
00:35:15,614 --> 00:35:16,515
[bleep] MOUTH.
1636
00:35:16,515 --> 00:35:17,783
EX-COUPLE 101: YOU DON'T SHOW
1637
00:35:17,783 --> 00:35:19,285
UP AT SOMEBODY'S HOUSE.
1638
00:35:19,285 --> 00:35:21,253
I HAD $25,000!
1639
00:35:21,253 --> 00:35:22,388
WHO WOULD OPEN THE DOOR
1640
00:35:22,388 --> 00:35:23,855
FOR $25,000?
1641
00:35:23,855 --> 00:35:25,891
[cheers and applause]
1642
00:35:25,891 --> 00:35:27,193
ALL RIGHT, WELL, LISTEN,
1643
00:35:27,193 --> 00:35:29,161
DREW, TELL ME HONESTLY.
1644
00:35:29,161 --> 00:35:30,196
DO YOU THINK THAT TRACI STILL
1645
00:35:30,196 --> 00:35:30,862
HAS FEELINGS FOR YOU?
1646
00:35:30,862 --> 00:35:31,663
OF COURSE SHE HAS FEELINGS
1647
00:35:31,663 --> 00:35:32,364
FOR ME.
1648
00:35:32,364 --> 00:35:33,165
DO YOU THINK SHE'S STILL IN
1649
00:35:33,165 --> 00:35:34,466
LOVE WITH YOU?
1650
00:35:34,466 --> 00:35:35,401
I SHOULD REACH OVER TO YOUR
1651
00:35:35,401 --> 00:35:36,067
FACE AND SLAP.
1652
00:35:36,067 --> 00:35:37,403
SIT DOWN.
1653
00:35:37,403 --> 00:35:38,204
HOW ARE YOU GONNA SAY SOME
1654
00:35:38,204 --> 00:35:38,870
[bleep] LIKE THAT?
1655
00:35:38,870 --> 00:35:39,838
BUT IT'S OBVIOUS.
1656
00:35:39,838 --> 00:35:40,639
IT'S NOT OBVIOUS.
1657
00:35:40,639 --> 00:35:41,507
IT'S NOT OBVIOUS?
1658
00:35:41,507 --> 00:35:42,174
NO, IT'S NOT.
1659
00:35:42,174 --> 00:35:42,874
WHAT DO YOU GUYS THINK?
1660
00:35:42,874 --> 00:35:43,575
IS IT OBVIOUS?
1661
00:35:43,575 --> 00:35:44,643
[cheers and applause]
1662
00:35:44,643 --> 00:35:46,278
IT'S OBVIOUS.
1663
00:35:46,278 --> 00:35:47,246
Y'ALL SHOULD BE TOGETHER.
1664
00:35:47,246 --> 00:35:48,280
YOU MAKE A GOOD COUPLE.
1665
00:35:48,280 --> 00:35:50,048
BECAUSE--NO, BUT, DREW, YOU
1666
00:35:50,048 --> 00:35:51,250
ALSO CONFESSED THAT YOU STILL
1667
00:35:51,250 --> 00:35:52,251
HAD FEELINGS FOR TRACI.
1668
00:35:52,251 --> 00:35:53,252
I DID.
1669
00:35:53,252 --> 00:35:54,353
SO WHY DID YOU WAIT UNTIL
1670
00:35:54,353 --> 00:35:55,554
AFTER SHE HAD STARTED DATING
1671
00:35:55,554 --> 00:35:56,688
DESHAUN TO CONFESS THAT?
1672
00:35:56,688 --> 00:35:58,123
SOMETIMES YOU DON'T REALIZE
1673
00:35:58,123 --> 00:35:59,391
WHAT YOU HAVE UNTIL YOU SEE
1674
00:35:59,391 --> 00:36:00,125
SOMEBODY ELSE WITH IT.
1675
00:36:00,125 --> 00:36:00,859
OH.
1676
00:36:00,859 --> 00:36:02,060
AND WHAT ABOUT FOR YOU?
1677
00:36:02,060 --> 00:36:02,928
I'M GOOD.
1678
00:36:02,928 --> 00:36:03,762
I'LL PASS.
1679
00:36:03,762 --> 00:36:04,696
OKAY, WE HAVE A FAN
1680
00:36:04,696 --> 00:36:05,364
QUESTION IN.
1681
00:36:05,364 --> 00:36:06,232
I THINK IT'S VERY INTERESTING.
1682
00:36:06,232 --> 00:36:07,566
LEE WANTS TO KNOW, "TRACI, YOU
1683
00:36:07,566 --> 00:36:08,434
DIDN'T SEEM THAT INTO THAT NEW
1684
00:36:08,434 --> 00:36:09,167
GUY DESHAUN."
1685
00:36:09,167 --> 00:36:09,901
OH, MY GOD.
1686
00:36:09,901 --> 00:36:10,769
"WERE YOU JUST TRYING TO MAKE
1687
00:36:10,769 --> 00:36:11,437
DREW JEALOUS?"
1688
00:36:11,437 --> 00:36:12,838
SHE WASN'T.
1689
00:36:12,838 --> 00:36:13,539
I DON'T KNOW.
1690
00:36:13,539 --> 00:36:14,206
LET'S TAKE A POLL OF THE
1691
00:36:14,206 --> 00:36:14,940
AUDIENCE BY APPLAUSE.
1692
00:36:14,940 --> 00:36:15,607
WAS SHE TRYING TO MAKE
1693
00:36:15,607 --> 00:36:16,275
DREW JEALOUS?
1694
00:36:16,275 --> 00:36:19,010
[cheers and applause]
1695
00:36:19,010 --> 00:36:19,878
IT WORKED.
1696
00:36:19,878 --> 00:36:21,179
IT WORKED?
1697
00:36:21,179 --> 00:36:22,013
IT WORKED A LITTLE BIT.
1698
00:36:22,013 --> 00:36:23,048
WOULD YOU BE WILLING TO GIVE
1699
00:36:23,048 --> 00:36:24,015
IT ANOTHER SHOT, DREW?
1700
00:36:24,015 --> 00:36:25,851
UM, YOU NEVER KNOW.
1701
00:36:25,851 --> 00:36:26,585
OKAY.
1702
00:36:26,585 --> 00:36:27,486
AND THAT'S WHAT PEOPLE DON'T
1703
00:36:27,486 --> 00:36:28,186
UNDERSTAND.
1704
00:36:28,186 --> 00:36:29,555
LIKE, YEAH, WE'VE BEEN--WE'VE
1705
00:36:29,555 --> 00:36:30,822
KNOWN EACH OTHER FOR 11 YEARS,
1706
00:36:30,822 --> 00:36:31,990
AND I HAVE LOVE FOR HIM.
1707
00:36:31,990 --> 00:36:33,959
BUT I'VE SEEN SO MANY RAT-HO
1708
00:36:33,959 --> 00:36:34,926
BITCHES.
1709
00:36:34,926 --> 00:36:36,628
I COULD POST A PICTURE OF MY
1710
00:36:36,628 --> 00:36:37,829
AUNT, AND YOU'D BE LIKE,
1711
00:36:37,829 --> 00:36:38,797
"OH, SHE'S A GROUPIE HO."
1712
00:36:38,797 --> 00:36:39,865
BULL[bleep]!
1713
00:36:39,865 --> 00:36:40,932
BULL[bleep].
1714
00:36:40,932 --> 00:36:42,434
YOU'RE FULL OF [bleep].
1715
00:36:42,434 --> 00:36:43,134
DREW, ARE YOU DATING
1716
00:36:43,134 --> 00:36:43,802
ANYBODY NOW?
1717
00:36:43,802 --> 00:36:44,470
I'M SINGLE.
1718
00:36:44,470 --> 00:36:45,271
I WOULD LOVE FOR YOU--
1719
00:36:45,271 --> 00:36:46,438
DREW, IS THAT--ARE YOU DATING
1720
00:36:46,438 --> 00:36:47,172
ANYBODY NOW?
1721
00:36:47,172 --> 00:36:48,173
NO, I'M SINGLE.
1722
00:36:48,173 --> 00:36:49,308
YOU'RE BOTH SINGLE?
1723
00:36:49,308 --> 00:36:50,676
YEAH!
1724
00:36:50,676 --> 00:36:52,311
I DON'T KNOW.
1725
00:36:52,311 --> 00:36:52,978
[laughs]
1726
00:36:52,978 --> 00:36:54,580
ALL RIGHT, NOW IT'S TIME FOR
1727
00:36:54,580 --> 00:36:56,515
OUR HASHTAG BATTLE OF THE NIGHT.
1728
00:36:56,515 --> 00:36:57,849
IF THERE'S ONE THING WE KNOW OUR
1729
00:36:57,849 --> 00:36:59,451
CAST IS GOOD AT, IT'S CREATING
1730
00:36:59,451 --> 00:37:00,686
A CATCHPHRASE.
1731
00:37:00,686 --> 00:37:01,620
WE'RE CALLING THEM OUR
1732
00:37:01,620 --> 00:37:03,789
LOVE-AND-HIP-HOPISMS.
1733
00:37:03,789 --> 00:37:05,156
VOTE FOR YOUR FAVORITE SAYING
1734
00:37:05,156 --> 00:37:08,360
BY TWEETING US @LOVEHIPHOPVH1.
1735
00:37:08,360 --> 00:37:09,928
SO HERE ARE YOUR CHOICES NOW.
1736
00:37:09,928 --> 00:37:13,532
WAS IT JOSELINE'S, "HEY, MAID,"
1737
00:37:13,532 --> 00:37:15,601
MOMMA DEE'S, "AND IN THAT
1738
00:37:15,601 --> 00:37:17,803
ORDER," OR WAS IT TRACI'S
1739
00:37:17,803 --> 00:37:19,104
"POPCORN HOS"?
1740
00:37:19,104 --> 00:37:20,839
POPCORN HOS!
1741
00:37:20,839 --> 00:37:22,308
[laughter]
1742
00:37:22,308 --> 00:37:24,109
ALL RIGHT, SO GO ONLINE RIGHT
1743
00:37:24,109 --> 00:37:25,744
NOW AND VOTE FOR YOUR FAVORITE.
1744
00:37:25,744 --> 00:37:27,813
IT'S THE HIP-HOP HASHTAG BATTLE.
1745
00:37:27,813 --> 00:37:29,915
COMING UP, KIRK WAS TURNT UP,
1746
00:37:29,915 --> 00:37:31,350
RASHEEDA WAS TURNED OFF,
1747
00:37:31,350 --> 00:37:32,618
AND WE'LL HEAR FROM THE BOTH OF
1748
00:37:32,618 --> 00:37:33,952
THEM WHEN WE RETURN.
1749
00:37:33,952 --> 00:37:35,186
IT'S LOVE & HIP-HOP: ATLANTA:
1750
00:37:35,186 --> 00:37:36,522
THE REUNION.
1751
00:37:36,522 --> 00:37:37,523
[cool funky music]
1752
00:37:37,523 --> 00:37:40,426
♪
1753
00:37:40,426 --> 00:37:41,727
WHAT KIND OF A HUSBAND TELLS HIS
1754
00:37:41,727 --> 00:37:43,729
WIFE TO HAVE AN ABORTION?
1755
00:37:43,729 --> 00:37:44,496
THERE'S NOTHING FUNNY
1756
00:37:44,496 --> 00:37:45,163
ABOUT THAT.
1757
00:37:45,163 --> 00:37:45,931
WHAT ARE YOU LAUGHING AT?
1758
00:37:45,931 --> 00:37:46,632
* THIS IS THE LIFE
1759
00:37:46,632 --> 00:37:48,667
♪ THIS IS THE LIFE
1760
00:37:51,202 --> 00:37:51,903
* THIS IS THE LIFE
1761
00:37:51,903 --> 00:37:54,906
♪ THIS IS THE LIFE
1762
00:37:54,906 --> 00:37:58,744
[cheers and applause]
1763
00:37:58,744 --> 00:38:00,011
WE ARE BACK WITH LOVE &
1764
00:38:00,011 --> 00:38:01,580
HIP-HOP: ATLANTA: THE REUNION.
1765
00:38:01,580 --> 00:38:03,682
LET'S WELCOME THE SHOW'S ONLY--
1766
00:38:03,682 --> 00:38:05,283
AND WE HOPE STILL--MARRIED
1767
00:38:05,283 --> 00:38:07,252
COUPLE, KIRK AND RASHEEDA.
1768
00:38:07,252 --> 00:38:10,856
[cheers and applause]
1769
00:38:10,856 --> 00:38:12,391
THESE TWO FACED OBSTACLES THAT
1770
00:38:12,391 --> 00:38:13,559
TESTED THE STRENGTH OF
1771
00:38:13,559 --> 00:38:14,660
THEIR BOND.
1772
00:38:14,660 --> 00:38:16,194
FOR KIRK, RASHEEDA'S PREGNANCY
1773
00:38:16,194 --> 00:38:17,563
WAS A WAKE-UP CALL THAT HE DID
1774
00:38:17,563 --> 00:38:19,064
NOT WANT TO ANSWER.
1775
00:38:19,064 --> 00:38:21,232
LET'S TAKE A LOOK AT THIS MAMA'S
1776
00:38:21,232 --> 00:38:23,902
BABY DRAMA.
1777
00:38:23,902 --> 00:38:25,036
I HAD WENT TO THE DOCTOR
1778
00:38:25,036 --> 00:38:27,272
YESTERDAY.
1779
00:38:27,272 --> 00:38:30,041
AND, UM...
1780
00:38:30,041 --> 00:38:31,176
I'M PREGNANT.
1781
00:38:31,176 --> 00:38:32,043
I'M TELLING YOU
1782
00:38:32,043 --> 00:38:33,311
IT'S BAD TIMING.
1783
00:38:33,311 --> 00:38:35,080
IT'S TOO MUCH ON OUR PLATE.
1784
00:38:35,080 --> 00:38:36,882
THAT IS NOT GONNA FLY RIGHT NOW.
1785
00:38:36,882 --> 00:38:38,584
WELL, I APOLOGIZE THAT ME AND
1786
00:38:38,584 --> 00:38:40,318
ME HAVING A BABY'S NOT A PART OF
1787
00:38:40,318 --> 00:38:41,353
YOUR LIFE PLAN.
1788
00:38:41,353 --> 00:38:42,354
I HAVE A MILLION OTHER THINGS
1789
00:38:42,354 --> 00:38:43,288
ON MY MIND.
1790
00:38:43,288 --> 00:38:44,255
LIKE, THIS IS NOT JOY.
1791
00:38:44,255 --> 00:38:45,256
THIS IS NOT PLEASURE.
1792
00:38:45,256 --> 00:38:46,425
THIS IS--THIS IS A SETBACK
1793
00:38:46,425 --> 00:38:47,359
TO ME.
1794
00:38:47,359 --> 00:38:48,427
I'M MOVING FORWARD, AND I'M
1795
00:38:48,427 --> 00:38:49,561
DOING IT WITH OR WITHOUT
1796
00:38:49,561 --> 00:38:50,328
HIS SUPPORT.
1797
00:38:50,328 --> 00:38:51,597
THE MINUTE HE SAYS "NO" TO ME IS
1798
00:38:51,597 --> 00:38:53,198
WHEN I SAY "HELL YEAH."
1799
00:38:53,198 --> 00:38:54,099
THAT RIGHT THERE, WE WILL
1800
00:38:54,099 --> 00:38:55,166
NEED A BLOOD TEST.
1801
00:38:55,166 --> 00:38:56,034
BE A BETTER HUSBAND.
1802
00:38:56,034 --> 00:38:56,835
BE SUPPORTIVE.
1803
00:38:56,835 --> 00:38:57,936
I DON'T WANT TO BE YOUR
1804
00:38:57,936 --> 00:38:59,204
[bleep] HUSBAND RIGHT NOW.
1805
00:38:59,204 --> 00:39:00,105
OH, YOU DON'T?
1806
00:39:00,105 --> 00:39:01,006
NO, I DON'T.
1807
00:39:01,006 --> 00:39:02,474
YOU BASICALLY TRYING TO SAY
1808
00:39:02,474 --> 00:39:04,576
TO ME, "YOU NEED TO GET RID
1809
00:39:04,576 --> 00:39:05,377
OF THE BABY."
1810
00:39:05,377 --> 00:39:06,545
AND I FEEL LIKE, YOU KNOW WHAT?
1811
00:39:06,545 --> 00:39:08,514
THAT'S SOME [bleep] BULL[bleep].
1812
00:39:08,514 --> 00:39:09,381
YEAH, YOU NEED TO GET
1813
00:39:09,381 --> 00:39:10,315
AN ABORTION.
1814
00:39:10,315 --> 00:39:11,182
IT MAKES ME THINK THERE'S
1815
00:39:11,182 --> 00:39:12,050
SOMETHING WRONG WITH YOU.
1816
00:39:12,050 --> 00:39:12,751
WELL, I SAID IT.
1817
00:39:12,751 --> 00:39:13,752
I THINK YOU NEED TO LEAVE.
1818
00:39:13,752 --> 00:39:16,488
THAT'S WHAT I THINK.
1819
00:39:16,488 --> 00:39:19,224
OH, MY GOD.
1820
00:39:19,224 --> 00:39:20,959
THERE IS SO MUCH TO TALK ABOUT
1821
00:39:20,959 --> 00:39:22,428
WITH YOU TWO, WE CAN'T EVEN
1822
00:39:22,428 --> 00:39:24,029
BEGIN TO GET INTO IT NOW.
1823
00:39:24,029 --> 00:39:25,497
WE'RE GONNA PICK THIS UP NEXT
1824
00:39:25,497 --> 00:39:26,532
WEEK ON PART TWO OF
1825
00:39:26,532 --> 00:39:27,699
THE REUNION SHOW.
1826
00:39:27,699 --> 00:39:29,501
WE'LL ALSO HAVE A SPECIAL
1827
00:39:29,501 --> 00:39:31,169
PERFORMANCE BY K.MICHELLE.
1828
00:39:31,169 --> 00:39:32,003
YOU DON'T WANT TO MISS
1829
00:39:32,003 --> 00:39:33,639
ANY OF THIS.
1830
00:39:33,639 --> 00:39:34,773
THANKS SO MUCH FOR JOINING US.
1831
00:39:34,773 --> 00:39:35,907
I'M MONA SCOTT-YOUNG,
1832
00:39:35,907 --> 00:39:38,176
AND WE WILL SEE YOU NEXT WEEK.
1833
00:39:38,176 --> 00:39:41,179
[cheers and applause]
1834
00:39:46,918 --> 00:39:48,019
* WHATEVER YOU LIKE
1835
00:39:48,019 --> 00:39:49,421
♪ YEAH, YEAH
1836
00:39:49,421 --> 00:39:50,722
I FELT DISGUSTED,
1837
00:39:50,722 --> 00:39:52,190
DISRESPECTED, READY TO KILL
1838
00:39:52,190 --> 00:39:53,425
HIS ASS.
1839
00:39:53,425 --> 00:39:54,926
POPCORN HO,
1840
00:39:54,926 --> 00:39:56,995
RATCHET DIRTY [bleep] BITCHES.
1841
00:39:56,995 --> 00:39:57,963
[audience booing]
1842
00:39:57,963 --> 00:39:59,831
ALL RIGHT, K.MICHELLE,
1843
00:39:59,831 --> 00:40:00,832
WHERE ARE YOU GOING?
1844
00:40:00,832 --> 00:40:02,501
WHERE ARE YOU GOING, NIKKO?
1845
00:40:02,501 --> 00:40:03,902
NIKKO, HAVE A SEAT.
1846
00:40:03,902 --> 00:40:05,136
YOU'RE A PROBLEM TO ME,
1847
00:40:05,136 --> 00:40:05,804
AND I WOULD LIKE FOR YOU
1848
00:40:05,804 --> 00:40:06,705
TO KNOW WHY.
1849
00:40:06,705 --> 00:40:07,473
SHE IS NOT GONNA
1850
00:40:07,473 --> 00:40:08,239
DISRESPECT US.
1851
00:40:08,239 --> 00:40:09,074
I'M NOT GONNA GO FOR IT.
1852
00:40:09,074 --> 00:40:09,908
SO YOU THINK KARLIE
1853
00:40:09,908 --> 00:40:10,876
WAS LYING?
1854
00:40:10,876 --> 00:40:12,343
KARLIE'S KNOWN TO BE MESSY.
1855
00:40:12,343 --> 00:40:13,011
HOLD UP.
1856
00:40:13,011 --> 00:40:14,045
I GOT A TEXT RIGHT HERE THAT YOU
1857
00:40:14,045 --> 00:40:15,080
JUST SENT ME RIGHT NOW, THOUGH.
1858
00:40:15,080 --> 00:40:15,781
WHAT DID SHE SAY?
1859
00:40:15,781 --> 00:40:16,648
LET'S GET TO THE BOTTOM OF THIS
1860
00:40:16,648 --> 00:40:17,348
ONCE AND FOR ALL.
1861
00:40:17,348 --> 00:40:18,216
OH, MY GOD.
1862
00:40:18,216 --> 00:40:19,250
I WAS SHOCKED WHEN HE SAID HE
1863
00:40:19,250 --> 00:40:20,318
DIDN'T WANT TO HAVE NO BABY.
1864
00:40:20,318 --> 00:40:21,252
I'M LIKE, "WHAT THE HELL
1865
00:40:21,252 --> 00:40:22,053
YOU MEAN?"
1866
00:40:22,053 --> 00:40:23,121
I'D LIKE TO APOLOGIZE.
1867
00:40:23,121 --> 00:40:24,055
GOD, HERE WE GO.
1868
00:40:24,055 --> 00:40:25,090
EVERYBODY KNOWS STEVIE'S
1869
00:40:25,090 --> 00:40:26,157
A [bleep] LITTLE LIAR.
1870
00:40:26,157 --> 00:40:27,325
WHAT ABOUT THE HUSBAND
1871
00:40:27,325 --> 00:40:28,460
SHE HAS?
1872
00:40:28,460 --> 00:40:29,427
I WAS MESSING WITH SOMEBODY'S
1873
00:40:29,427 --> 00:40:30,095
HUSBAND...
1874
00:40:30,095 --> 00:40:30,762
AND YOU WERE PREGNANT
1875
00:40:30,762 --> 00:40:31,429
BY HIM.
1876
00:40:31,429 --> 00:40:32,263
COME ON.
1877
00:40:32,263 --> 00:40:34,132
HERE WE GO.
1878
00:40:34,132 --> 00:40:36,167
[cheers and applause]
1879
00:40:38,036 --> 00:40:39,571
THEM SAGGY-ASS TITTIES.
1880
00:40:39,571 --> 00:40:40,639
BREAST LIFT, BITCH.
1881
00:40:40,639 --> 00:40:41,973
FIX YOUR FACE, BITCH.
1882
00:40:41,973 --> 00:40:43,074
SO THEN THAT ANSWERS THE
1883
00:40:43,074 --> 00:40:44,109
QUESTION ON WHY I TALKED
1884
00:40:44,109 --> 00:40:45,143
TO A LAWYER.
1885
00:40:45,143 --> 00:40:45,977
ARE YOU MOVING FORWARD
1886
00:40:45,977 --> 00:40:48,113
WITH THIS?
1887
00:40:54,886 --> 00:40:55,721
ALL RIGHT, K.MICHELLE, IS
1888
00:40:55,721 --> 00:40:56,788
YOUR WHOO-HA WORKING NOW?
1889
00:40:56,788 --> 00:40:58,023
I DID TRY TO HAVE SEX.
1890
00:40:58,023 --> 00:40:59,691
I HADN'T HAD IT IN NINE MONTHS.
1891
00:40:59,691 --> 00:41:00,859
OOH.
1892
00:41:00,859 --> 00:41:04,262
AND, OKAY, OKAY, SPARE ME.
1893
00:41:04,262 --> 00:41:05,797
NINE MONTHS, BECAUSE IT JUST
1894
00:41:05,797 --> 00:41:06,898
HASN'T BEEN FEELING RIGHT.
1895
00:41:06,898 --> 00:41:08,166
WELL, MIMI, K.MICHELLE HAD
1896
00:41:08,166 --> 00:41:09,134
SOME VERY INTERESTING ADVICE:
1897
00:41:09,134 --> 00:41:10,401
PUT SALT AROUND THE BED.
1898
00:41:10,401 --> 00:41:11,269
HAVE YOU TRIED ANY OF
1899
00:41:11,269 --> 00:41:12,037
THE SEX ADVICE?
1900
00:41:12,037 --> 00:41:12,904
NO.
1901
00:41:12,904 --> 00:41:13,772
NO?
1902
00:41:13,772 --> 00:41:14,806
NOT AT ALL?
1903
00:41:14,806 --> 00:41:15,841
[laughter]
1904
00:41:15,841 --> 00:41:17,108
YES, K. HAD SOME VERY
1905
00:41:17,108 --> 00:41:17,776
INTERESTING ADVICE,
1906
00:41:17,776 --> 00:41:18,443
AND WE TALKED ABOUT IT--
1907
00:41:18,443 --> 00:41:19,377
BUT YOU'RE NOT TRYING NONE OF
1908
00:41:19,377 --> 00:41:20,045
THAT STUFF.
1909
00:41:20,045 --> 00:41:20,712
NO.
1910
00:41:20,712 --> 00:41:22,881
[laughter]
117568
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