All language subtitles for Love.and.Hip.Hop.Atlanta.S02E12.Turnt.Up.1080p.AMZN.WEB-DL.DDP2.0.x264-NTb_track3_[eng]

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Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA...

CHECK THIS OUT.

IS THIS THE CAR?

YEAH.

YOU GIVE ME THIS,

THIS SHOULD BE MINE

WITH NO STRINGS ATTACHED.

YEAH, NO--NO STRINGS.

IT'S ALL YOURS.

WE NEED TO BE COMMITTED

TO EACH OTHER.

WHAT YOU WANT ME TO DO?

DON'T YOU THINK WE NEED TO,

LIKE, GET ENGAGED OR SOMETHING?

CAN YOU GIVE ME SOME TIME?

I CAN'T GIVE YOU 15 YEARS.

YOU'LL HAVE SOME.

WE GOOD.

SEAN IS MY BOO.

[bleep] YOU MEAN,

SEAN IS YOUR BOO?

NOW IT'S TIME FOR ME

TO BE HAPPY.

OH!

YOU KNOW, I GOT A DATE

WHEN I GOT TO TURN MYSELF IN.

I DON'T KNOW WHAT'S GONNA HAPPEN

AFTER THAT.

AFTER I GO IN, THAT'S IT.

DO THEY HAVE TO HANDCUFF HIM?

WHY?

I'M DONE.

WHAT DOES THAT MEAN,

LIKE, WHO?

IT MEANS EXACTLY

WHAT IT MEANS.

YOU DO YOU, I DO ME.

YEP.

THIS RIGHT HERE,

I COULD GET USED TO.

YOU KNOW, I MISS THIS [bleep].

OH, MAN.

DOUBLE OR NOTHING.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

[light hip-hop music]

* VIP ENTRY

♪ BOTTLES

♪ YOU KNOW WHAT I'M INTO ♪

♪ MODELS

♪ SHE CAME WITH HER FRIENDS

♪ BUT SHE WANNA COME ROLL

♪ AND THAT'S ALL GOOD ♪

♪ 'CAUSE SHE WANNA ♪

♪ COME HOME WITH ME

♪ COME WITH ME

♪ SHE WANNA COME HOME WITH ME

♪ COME WITH ME

♪ SHE WANNA COME HOME WITH ME

♪ BABY GIRL

♪ WANNA GET TO KNOW ME

♪ WE CAN TAKE IT TO THE CRIB

♪ ENJOY A LITTLE P.E.

♪ AFTER I PEAK

♪ SHE BAD, SHE A PROBLEM

♪ PERFECT FOR EACH OTHER

♪ I'M A BEAST ♪

♪ I'M A MONSTER ♪

♪ ENJOYING THE FINER THINGS

♪ OYSTER AND LOBSTERS

♪ TOP QUALITY

♪ BOB MARLEY HELICOPTER

♪ COME WITH ME

♪ SHE WANNA COME HOME WITH ME

[kettle whistles]

SO LAST NIGHT I HAD THE TIME

OF MY LIFE.

I'M WAKING UP THIS MORNING.

MY HEAD IS HURTING.

I'M FEELING LIKE,

"WHAT DID I DO?"

I KNOW THERE'S A LOT OF STUFF

I GOT TO FIX WHEN I GET HOME.

BUT RIGHT NOW,

I JUST DON'T EVEN WANT TO LEAVE.

KIRK MOTHER[bleep] FROST.

NO, YOU NEVER CEASE TO AMAZE ME,

MAN, LIKE...

I'M JUST RELAXING,

ENJOYING IT,

ENJOYING THE MOMENT.

PUT A WHOLE NEW MEANING

TO RELAXING.

THAT LAST NIGHT WAS, LIKE--

IT WASN'T TURNED UP, KIRK.

YOU BROKE THE KNOB.

I ENJOYED MYSELF.

JUST FEELING, LIKE, OLD-SCHOOL

AND JUST RELAXING.

AND YOUR GIRL WASN'T BAD

EITHER, HUH?

SHE WAS DOPE.

CHILLING.

DOES SHE COME WITH THE CABIN?

YOU KNOW WHAT I'M SAYING?

MAN.

LISTEN, AS MUCH FUN AS WE HAD

LAST NIGHT, YOU GOT TO REMEMBER:

I'M THE SINGLE MAN.

I KNOW HE'S TRYING TO FIGURE OUT

SOME [bleep] WITH RASHEEDA.

BUT LIKE THIS?

NAH, THIS AIN'T THE WAY.

EVEN WITH YOU SAYING COMING OUT

HERE AND BEING FREE AND

WHATEVER, AT THE END OF THE DAY,

LIKE, YOU'RE STILL A MARRIED

MAN, AND THOUGH YOU SAID

RASHEEDA GAVE YOU A PASS--

BUT, I MEAN, YOU THINK THIS WAS

THE TYPE OF PASS

SHE WAS TALKING ABOUT?

[scoffs]

THAT RIGHT THERE, AH,

THAT'S GONNA BE A STICKY ONE.

I DON'T KNOW.

MY PASS IS MY PASS.

I UTILIZE IT THE WAY I WANT TO.

STICKY ONE, YEAH.

A STICKY ONE.

LITERALLY.

[laughs]

FOR REAL.

YOU TAKING A BIG STANCE

RIGHT NOW, KIRK FROST.

I DON'T KNOW IF YOU KNOW WHAT

YOU'RE REALLY DOING.

WE CLEARLY BEEN GOING THROUGH

IT, AND TRUST ME.

SHE WAS, LIKE, DAMN NEAR

"GET THE [bleep] OUT.

DO YOU."

YOU KNOW WHAT I'M SAYING?

A'IGHT, KIRK.

LISTEN, I GOT ROOM,

AND I MEAN THAT SINCERELY.

I GOT ROOM AT THE CRIB

IF IT GETS CRAZY, YOU KNOW WHAT

I'M SAYING, BECAUSE YOU'RE GOING

HOME TO A TSUNAMI, EARTHQUAKE,

HURRICANE, ICE STORM--

YOU GOT ALL THE ELEMENTS, KIRK.

SO LOOK FOR, YOU KNOW,

A REAL SITUATION, MAN.

YOU KNOW WHAT I MEAN?

I MEAN,

WE DID HAVE A GREAT NIGHT LAST

NIGHT, BUT, YOU KNOW, IS IT

WORTH THROWING IT ALL AWAY?

YOU KNOW WHAT I MEAN?

BECAUSE SOMETIMES ONE NIGHT'S

NOT WORTH THROWING AWAY

A LIFETIME

OF A GREAT RELATIONSHIP.

I DEFINITELY AGREE WITH THAT.

BUT WHATEVER IT IS, IT IS.

I'MA BE HONEST.

IT IS WHAT IT IS, YOU KNOW,

AND...

KIRK, YOU WENT FROM

THE PULL-OUT ASSASSIN TO MY HERO

LAST NIGHT WITH THE CHICKS IN

THE JACUZZI, AND JUST,

I WAS LIKE, "THIS [bleep]'S,

LIKE--HE'S REALLY

A SUPER-[bleep]-HERO RIGHT NOW."

LIKE, I DON'T SEE HOW RASHEEDA'S

GONNA GO FOR THAT.

I MEAN...

I'VE BEEN HERE THIS LONG.

I'MA DEAL WITH WHAT

I GOT TO DEAL WITH, YOU KNOW?

THIS HERE IS LIKE TINA TURNER

MEETS K.MICHELLE

20/20

DROP IT LIKE IT'S HOT,

AND YOUR HAIR STILL DON'T STICK

TO YOUR FOREHEAD.

WHAT YOU DOING?

HELLO.

I AM HEADLINING

MY VERY FIRST TOUR.

WE'RE TRYING TO GET READY TO

MAKE SURE EVERYTHING IS READY

WITH MY HAIR.

SO I INVITED MY BOO ARIANE OUT

'CAUSE, YOU KNOW,

I WANTED SOME ADVICE.

I WANTED TO MAKE SURE

I WAS ON POINT.

IT HAS TO BE PERFECT.

LIKE, THE LABEL IS ALLOWING ME

TO JUST DO ME

UNTIL ME MESSES UP.

GOOD.

DON'T PUT ON THAT WIG.

NOT ONLY DO I HAVE TO DO THIS.

I HAVE TO DO BACKGROUND SINGER,

LIKE, OPEN CALL.

SO I'M GONNA HAVE EVERYBODY

COME OUT--

REALLY?

AND DO THIS AUDITION,

BECAUSE I JUST--

WHO IS EVERYBODY?

EVERYBODY.

SO...

I HAD AN IDEA.

NO, ARIANE, WHAT I DO--

I CAN'T EVEN LISTEN TO YOUR IDEA

WITH THAT WIG ON YOUR HEAD.

ME AND MY WIG WAS THINKING

MAYBE I WOULD COME AND SING

FOR YOU BACKGROUND A LITTLE BIT

AND, YOU KNOW, POSSIBLY MAYBE...

I'VE BEEN SINGING SINCE I WAS

A LITTLE GIRL, AND SINGING

IS THE WORLD TO ME.

THIS IS THE PERFECT TIME FOR ME

TO EMBARK ON EVERYTHING THAT I

LOVE--EVEN IF THAT MEANS

SINGING BACKGROUND FOR ANYBODY.

THIS IS NO, NO JOKE.

I KNOW THAT.

WHEN YOU GOT THESE PEOPLE

RUNNING AROUND HERE PUTTING

ALL THIS MONEY ON YOU,

THERE IS NO ROOM FOR ERROR.

TRUST ME.

AND PEOPLE DEPENDING ON YOU

TO DELIVER.

I GOT TO START OFF DAY ONE

WITH EVERYTHING BEING...

PERFECT.

AND YOU'RE SERIOUS?

VERY.

CAN YOU LOOK AT MY EYES?

I'VE BEEN IN THIS INDUSTRY

A LONG TIME, AND IT'S NO JOKE.

YOU CAN'T JUST POP UP ONE DAY

AND SAY YOU WANT TO BE A SINGER.

SO IF ARIANE WANTS TO COME AND

AUDITION AND HOP INTO THIS,

SHE BETTER HAVE SOME TOUGH SKIN,

AND THE CHICK BETTER KNOW

HOW TO SING.

I AIN'T PLAYING NO GAMES.

I'M NOT SHOWING NO FAVORITISM,

ARIANE.

WHO IN THE [bleep] IS ASKING

YOU TO SHOW ANY FAVORITISM?

NO, I KNOW MY FRIENDS.

I DIDN'T ASK YOU TO SHOW ME

NO FAVORITISM.

WHY WOULD I DO THAT?

IT'S A JOB.

IT'S A JOB, AND IT'S WORK,

AND I WORK HARD AT WHAT I

BELIEVE IN AND WHAT

I WANT TO DO.

I HAVE TO DO IT.

YOU ARE MORE THAN WELCOME.

I WILL GET YOU THE DATE,

TIME, AND PLACE.

GET READY TO SING.

I WILL.

YOU KNOW, ATL, THEY GOT

A LOT OF CHICKEN AND CORN BREAD

AND MACARONI.

THAT MAKES YOU KNOW

HOW TO SING.

I MEAN, YOU KNOW,

MISS SKIPPY ATTITUDE BITCH.

YOU KNOW THIS [bleep].

SO STEVIE'S BEEN ACTING

REALLY NICE LATELY.

FIRST HE SHOWS UP WITH THIS CAR,

AND THEN HE WANTS TO SPEND TIME

WITH EVA AND I AT THE PARK.

I'M NOT MAD RIGHT NOW.

HELLO.

HI.

HOW ARE YOU?

FINE.

LOOK AMAZING AS USUAL.

THANK YOU.

LET ME GET THIS CHAIR

FOR YOU.

SO WHEN HE CALLED ME UP

TO HAVE LUNCH, I KNEW SOMETHING

HAD TO BE UP.

I JUST CAN'T WAIT TO FIGURE OUT

WHAT THIS IS.

I JUST WANT TO LET YOU KNOW,

DEALIN' WITH ME, THERE'S A LOT

OF PERKS.

WHAT COMES ALONG WITH THESE

"PERKS"?

IT DEPENDS ON WHAT YOU WANT.

N-N-NO.

THE GOLD PACKAGE,

DIAMOND PACKAGE,

PLATINUM PACKAGE...

EXPLAIN THE PACKAGE.

I'M NOT UNDERSTANDING THIS

"PACKAGE" TERMINOLOGY.

LIKE, YOU SPEAK IN THESE RIDDLES

AND LUCKY CHARMS AND [bleep].

YOU KNOW WHAT IT MEANS.

DON'T SAY I KNOW.

I WANT IT OUT OF YOUR MOUTH

TO ME--

YOU CAME TO ME, AND YOU SAID

YOU WANTED TO GO SHOPPING.

I GAVE YOU SOME BANDS.

NO, NO, I DIDN'T

COME TO YOU AND SAY I WANTED

TO DO ANYTHING.

[laughs]

YOU CALLED ME AND SAID,

"MA, YOU WANT TO GO TO THE MALL?

YOU WANT TO GET YOURSELF

SOMETHING NICE?"

ALL RIGHT, YOU GOT THE BREAD.

BUT WHAT DID I GET?

WHAT DID YOU EXPECT?

YOU KNOW.

NO, I DON'T.

WHAT SHOULD I WANT?

SAY IT.

A LITTLE BIT OF LETTUCE.

HE ASKED ME FOR SOME

LETTUCE.

HEAD OF LETTUCE.

REALLY?

I MEAN...

[laughs]

YOU'RE SERIOUS?

DIDN'T I GET YOU A CAR?

WHEN YOU GAVE ME THAT CAR,

I HAD A CONVERSATION WITH YOU.

DID I NOT?

SOMETHING ABOUT STRINGS.

ATTACHED.

AND WHAT DID YOU SAY?

I THOUGHT WE JUST DO

NICE THINGS FOR EACH OTHER.

[laughs]

SO I CAN'T GET A MEAL?

CAN YOU MAKE ME A STEAK?

WE CAN GO TO HOUSTON'S.

HOUSTON'S?

I WANT YOU TO GET

IN THE KITCHEN--

[laughs]

AND MAKE ME A STEAK.

YOU WANT ME TO GET

IN THE KITCHEN?

YEAH.

AND COOK A STEAK?

YES, CAN YOU COOK ME A STEAK?

YOU WANT ME TO COOK YOU

A STEAK, [bleep]?

GET THE [bleep] OUT OF HERE.

HE GIVES ME SOMETHING,

HE EXPECTS ME

TO HAVE SEX WITH HIM.

I'M NOT [bleep] YOU ANYMORE.

YOU MADE YOUR CHOICE.

YOU WANT TO SLEEP

WITH PROSTITUTES.

YOU GO DO THAT.

[imitates tires screeching]

NO MORE.

HERE.

MM-KAY.

TAKE THAT CAR.

I WILL GET MY OWN CAR,

AND I DON'T NEED YOU TO GET ME

SOMETHING IF YOU'RE GONNA

HOLD IT OVER MY HEAD.

I DO WHAT I WANT.

CLEARLY.

I GOT TO GO.

I'M THE BANK OF THE ATL.

BANKS DON'T OFFER. YOU OFFER.

SO YOU DECIDE--

THEY OFFER LOANS.

IT'S PERCENT ON THAT MONEY.

WELL, THAT WASN'T A LOAN.

I WANT MY PLATINUM PACKAGE

MONEY BACK.

GET THE [bleep] OUT OF HERE.

I WANT THAT PLATINUM PACKAGE

BREAD BACK.

OKAY.

YEAH.

LOOKING GOOD, BABY.

YES, I NEED A TAXI.

ONE MINUTE, THERE'S NO OTHER

PERSON--JUST ME, YOU, AND DREW--

AND THE NEXT MINUTE--

ONE MINUTE?

SEVEN YEARS.

THAT'S NOT ONE MINUTE.

YOU--YOU LIVE IN A WORLD

OF DOUBLE STANDARDS.

NO, I DON'T. I DON'T.

AND THIS IS BULL[bleep].

SHE SOUNDED LIKE A CAT

DYING IN HEAT.

I KNOW WHAT YOU'RE

TRYING TO DO--IT'S FINE.

I'M NOT TRYING

TO DO ANYTHING.

STOP.

IT'S NOT EVEN--IT'S NOT EVEN--

FOR REAL, THOUGH.

MY SON CAME TO ME,

AND HE SAID, "MA,

YOU AND ERICA COME TOGETHER

AND MANAGE THE FINANCES

SO YOU BOTH CAN TAKE CARE

OF PRINCESS EMANI."

HEY.

HEY, PRETTY GIRL.

HOW ARE YOU?

YOU LOOK GOOD.

THANK YOU.

AND WHAT'S THE QUEEN TO DO,

IS TO HONOR THE REQUEST

OF THE PRINCE.

WE'VE HAD SOME ISSUES,

AND WE'RE WORKING THROUGH 'EM.

WE'RE A WORK IN PROGRESS.

BUT, UM...

I GOT TO GIVE IT TO YOU.

YOU WERE THERE.

LIKE, I WAS SURPRISED

BECAUSE OF THE THINGS

Y'ALL BEEN GOING THROUGH.

BUT AT THE END OF THE DAY,

IT'S ALL ABOUT YOUR DAUGHTER

AND MY GRANDDAUGHTER.

IT'S ALL ABOUT EMANI BECAUSE--

IT IS.

'CAUSE WE HERE TO MAKE

EMANI HAPPY.

SO WHAT--WHAT DO YOU WANT?

I THINK YOU TWO WOULD BE

BETTER JUST PARENTING EMANI.

GUESS WHAT.

MM-HMM?

YOU WON.

YOU CAN HAVE YOUR SON.

I DON'T WANT HIM.

I DO WANT ONE THING FROM HIM,

THOUGH:

FINANCIAL STABILITY,

ESPECIALLY WHEN IT COMES

TO EMANI.

SCRAPPY AND I HAD AN AGREEMENT

WHEN IT CAME TO THE FINANCES.

I WILL TAKE HIM OFF

CHILD SUPPORT AS LONG AS

WHEN IT CAME TO EMANI

FINANCIALLY, WHATEVER I ASK FOR,

HE WOULD GIVE IT TO ME.

BUT NOW THAT HE'S IN JAIL,

THE AGREEMENT IS FINITO.

WHAT I WAS SAYING IS,

NOW HE'S IN JAIL--

MM-HMM.

BUT FINANCIALLY, HE NEEDS TO

DO SOMETHING WITH HIS MONEY

EVERY MONTH.

SO I FEEL...

THAT I NEED TO STEP IN ON HIS

BEHALF SO THAT AS A GRANDMOTHER

AND AS A MOTHER--

MOMMA DEE, YOU AIN'T NEVER

DID ANYTHING BEFORE,

SO IT'S KIND OF LIKE, WHY NOW?

I HAVE.

WHY DENY ME MY RIGHT?

I'LL BE DAMNED IF I LET

MOMMA DEE'S RATCHET-ASS HELP ME

IN ANY WAY, SHAPE, OR FORM

WHEN IT COMES TO EMANI.

BITCH, YOU AIN'T DID IT BEFORE,

AND YOU AIN'T GON' DO IT NOW.

I DON'T WANT YOUR MONEY 'CAUSE--

WOW.

BUT HE'S LOCKED UP.

I'LL PAWN THE DAMN RING.

Y'ALL PAY--YOU'VE SEEN

THE APPRAISALS FOR THAT.

I'LL JUST PAWN THE DAMN RING.

GO AHEAD AND PAWN IT.

UNLESS IT MEANS SOMETHING

TO YOU.

OH, I WILL.

I DEFINITELY WILL.

DON'T GET IT TWISTED.

DONE.

DIDN'T I JUST TELL YOU

YOU CAN HAVE YOUR SON?

YOU WON.

SO WHAT'S THE POINT OF EVEN

KEEPING THE DAMN RING?

IT IS WHAT IT IS.

I'LL LEAVE.

THERE WAS A POINT WHEN I THOUGHT

THAT ERICA--HMM--

WAS NEAR THE THRONE.

NOW THAT THE ENGAGEMENT

IS FINALLY OVER, ALL THEY CAN DO

IS CO-PARENT.

SO GO AHEAD AND PAWN THE RING,

AND GET THE HELL OUT

OF MY PALACE.

BACK TO THE BARN BEFORE

I CALL THE GUARDS.

DON'T TRIP.

HMM.

LAST WEEK THREW ME

OFF BALANCE.

I WAS A BIT CONFLICTED.

I'M NOT GONNA LIE.

I'M THROWN OFF BY THIS NEW

SITUATION WITH TRACI

AND THIS DUDE.

IT'S NOT LIKE ME TO LOSE MY COOL

IN PUBLIC AND DECLARE MY LOVE

FOR A WOMAN.

EVEN IF I DO LOVE THEM,

JAMAICAN BAD MAN

DON'T LOSE THEM COOL.

RAH.

I CAME OVER HERE TO APOLOGIZE

TO YOU.

YEAH, 'CAUSE YOU WAS ACTING

CRAZY.

YOU WERE TRYING TO KISS ME.

WHERE'S ALL THIS COMIN' FROM?

SO ABOUT THAT...

LIKE, I JUST KNEW

YOU WAS GONNA KISS ME.

I DIDN'T THINK YOU WERE GONNA

PULL BACK.

BECAUSE WHAT?

'CAUSE I WAS ALWAYS THAT GUY.

LIKE, I WAS THERE.

LIKE, I ALREADY KNEW, LIKE--

BUT HOW--

IF I WANTED TO,

I COULD KIND OF.

SO YOU RUN IN THE STREETS

WITH EVERYBODY ELSE,

AND YOU'RE LIKE, "BUT TRACI'S

SITTING HOME FOR ME."

YOU KNOW, IT'S KIND OF--

"WHENEVER I WANT IT."

I JUST THOUGHT IF THAT OPTION

WAS AVAILABLE, OR IF I WANTED

THAT TO BE AN OPTION,

IT WOULD ALWAYS BE AN OPTION,

AND IT WASN'T UNTIL I SEEN YOU

WITH--WHAT'S HIS NAME?

SEAN.

I JUST DIDN'T SEE THIS--

I DIDN'T SEE THIS THING

HAPPENING.

WHEN DREW SEES ME AND ONLY

ME, HE'LL ACT LIKE THIS.

BUT NOW THAT HE SEES A NEW DUDE

IN THE PICTURE, HE ACTIN' CRAZY.

WHY ARE YOU JEALOUS?

I HAVE TO SIT BACK AND SEE

A NEW POPCORN CHICK EVERY WEEK.

WHAT, YOU WANT ME, BOO?

IT'S NOT EVEN THAT I HAVE

A PROBLEM WITH IT.

IT'S A SHOCK.

IT'S OUT OF NOWHERE.

IT'S, LIKE, ONE MINUTE,

WE JUST COOL.

IT'S LIKE THERE'S

NO OTHER PERSON--JUST ME, YOU,

AND DREW--AND THE NEXT MINUTE--

ONE MINUTE?

SEVEN YEARS.

THAT'S NOT ONE MINUTE.

YOU LIVE IN A WORLD

OF DOUBLE STANDARDS.

NO, I DON'T. I DON'T.

AND THIS IS BULL[bleep].

YES, YOU DO.

YOU CAN DO WHATEVER

YOU WANT TO DO--

APOLOGIZE TO YOU.

I CAME OVER HERE TO TELL YOU

THAT I WAS SORRY

FOR HOW I ACTED.

SO I WANT YOU

TO ACCEPT MY APOLOGY.

I WANT YOU TO TELL ME, "LOOK,

WE CAN START OVER."

NOW I KNOW THAT YOU'RE A RELA--

[laughs]

SAY IT!

NOW THAT I KNOW YOU'RE IN

A RELATIONSHIP--

WITH?

SEAN, RIGHT?

THAT'S HIS NAME?

THAT IS HIS NAME.

ALL RIGHT.

SEE, I DIDN'T SAY NOTHING CRAZY.

SO WHAT I'M THINKING IS,

I WANT TO TAKE BOTH OF YOU GUYS

OUT FOR DINNER AND JUST GET

TO KNOW THE GUY.

IF HE'S IN YOUR LIFE,

HE'S GONNA BE IN MY LIFE.

HE'S GONNA BE

IN DREW'S LIFE POSSIBLY.

I NEED TO KNOW.

ALL RIGHT, I'LL TALK TO HIM.

SO I WANT TO TAKE YOU BOTH

OUT TO DINNER ON ME, MY TREAT,

AND...

I'LL TALK TO HIM.

I WANT TO MEET THIS GUY.

I DON'T CARE IF TRACI THINKS

IT'S A DOUBLE STANDARD.

MATTER OF FACT,

IT IS A DOUBLE STANDARD.

SO WHAT?

I'M NOT COMFORTABLE WITH SOME

RANDOM DUDE HANGING AROUND

MY KID, FEEDING HIM STEROID

JUICE ON THE SIDE.

I DON'T KNOW WHAT HE'S DOING.

SO IF WE GET A MEAL TOGETHER,

I CAN APOLOGIZE.

BUT AT THE SAME TIME,

I CAN SEE IF I TRUST HIM

AROUND MY SON.

AT THE END OF THE DAY,

I WANT TO SEE YOU HAPPY.

[laughs]

SO...

CAN I HAVE A HUG?

NOT WITH THAT--

B--DREWSY--

YOUR DADDY WANTS A HUG--

COME GIVE ME A HUG!

YOUR DADDY WANTS A HUG,

DREWSY.

WHOO!

YEAH!

HELLO!

HEY!

THANK ALL OF YOU GUYS

FOR COMING.

SO TODAY I'M HOLDING AUDITIONS

FOR BACKGROUND SINGERS

FOR MY VERY FIRST TOUR

ON ATLANTIC RECORDS.

I WANTED TO OPEN UP

THE AUDITIONS TO EVERYBODY

'CAUSE I KNOW WHAT IT'S LIKE

TO REALLY WANT TO SING,

AND I GET THERE,

AND THE LINE IS WRAPPED AROUND

THE BUILDING.

I WAS OVERWHELMED WITH JOY,

AND IT MADE ME FEEL LIKE

FINALLY WHAT I'VE BEEN WORKING

FOR SO HARD WAS COMING TRUE.

GOOD LUCK.

GET TO SINGING.

GOD BLESS Y'ALL.

[cheers and applause]

* PLEASE SOMEONE TELL ME

♪ I'M DREAMING ♪

* EYES OPEN WIDE

* IN THE DEAD OF THE NIGHT

♪ OH, I

* I FOUND SOMETHING

♪ I COULD BELIEVE IN

* ALL AFTER A WHILE

* YOU LET ME DOWN

* THEY SAY THAT ALL WOUNDS

♪ HEAL OVER TIME

I'M SORRY.

I JUST LEARNED THE LITTLE--

THE HOOK IN THE LINE OUT THERE,

SO...

THANK YOU.

HELLO.

HEY.

I'M NOT FEELING TOO GOOD,

OKAY, BUT I'M HERE.

A'IGHT.

[sighs]

READY?

YEAH.

* THEY SAY THAT ALL WOUNDS

♪ HEAL OVER TIME

♪ BURY MY HEART

♪ SO I WON'T HURT AGAIN ♪

I'M SO SORRY.

OKAY, AND WHAT ARE YOU...

THINKING?

SHE SOUNDED LIKE A CAT

DYING IN HEAT.

I MEAN, WHAT ARE YOU TRYING

TO DO?

I'M TRYING TO LET YOU SEE--

BUT IT'S COOL.

FOR REAL.

I CAN TELL WHEN ARIANE WALKED IN

THAT SHE WAS OFF HER GAME.

SOMETHING WASN'T RIGHT.

SHE LOOKED A LITTLE

FUNNY-LOOKING, AND WHEN SHE

SANG, SHE SOUNDED

JUST LIKE SHE LOOKED.

I'M HAPPY YOU EVEN CAME

BEING SICK.

BUT I JUST WANT--

BEYONCE BE SICK ALL THE TIME,

AND SHE STILL ROLLING

ON THE GROUND IN HER LEOTARD

AND THE KITTEN EARS.

SO I'M CONFUSED.

THAT'S AN EXCUSE?

COME ON, MIKE, LET ME TALK.

I KNOW MIKE IS TRYING TO HELP

ME FIND THE BEST

BACKGROUND SINGERS.

BUT HE KNOWS ARIANE'S MY GIRL.

HE TOOK IT A LITTLE BIT TOO FAR.

EVEN THOUGH SHE DIDN'T SOUND

HER BEST, I STILL DON'T WANT

MY GIRL'S FEELINGS HURT.

I KNOW WHAT YOU'RE TRYING

TO DO.

IT'S FINE.

I'M NOT GONNA CALL YOU OUT.

OKAY, WAIT--

FOR REAL, THOUGH, FOR REAL?

THIS WAS FOR HER.

IT'S FOR ME.

IT IS FOR YOU, AND YOU

NEED THE BEST OF THE BEST.

'KAY, THANK YOU.

DON'T WORRY.

DON'T--FOR REAL, THOUGH.

THANK YOU.

DON'T YOU GET ME SICK.

mwah!

I LOVE YOU.

I LOVE YOU TOO.

STOP.

IT'S NOT EVEN--

THANK YOU SO MUCH.

IT'S NOT EVEN COOL.

SO WHOEVER THIS FAT [bleep]

WAS WAS A COMPLETE ASS[bleep],

AND I REALLY APPRECIATED K.

FOR BEING AS PROFESSIONAL

AS SHE WAS.

I AUDITIONED.

IT WASN'T A GREAT AUDITION.

DONE.

I'M STILL GONNA KEEP MOVING

WITH MY MUSIC, PERIOD.

AND SHE WANTED TO BE

IN THE MUSIC INDUSTRY?

I MEAN, IT'S DEFINITELY--

IT IS SINK OR SWIM,

BUT, YOU KNOW--

YOU'RE DAMN RIGHT,

AND IT SUNK.

YOU NEED TO GO AHEAD

AND GET THIS CRIB

AND STOP FLEXING.

I WANT IT.

WHAT ABOUT MY COMMITMENT?

I WANT IT.

DON'T LIE TO ME, BABE.

I WANT EVERYTHING.

DON'T YOU LIE TO ME.

SMOKE A STRAIGHT SHOOTER,

BITCH, 'CAUSE THAT'S WHAT

YOU'RE GONNA GET FROM ME.

DON'T GET IT TWISTED.

[bleep]!

[all yelling]

thud!

YOU GOING TO JAIL!

LET ME GO!

[bleep] THAT BITCH, MAN.

NOT ONLY DID MOMMA DEE

COSIGN ON THE IDEA OF ME PAWNING

THE RING, BUT SHE CALLED ME UP

AND ASKED TO TAG ALONG.

I DON'T KNOW WHAT THIS MANIAC'S

INTENTIONS ARE.

BUT JUST AS LONG

AS SHE DOESN'T START STUFFING

JEWELS IN HER PURSE,

I'M COOL WITH HER COMING ALONG.

SO WHAT'S GOING ON?

I'M TRYING TO SEE IF I CAN

ACTUALLY SELL BACK THE RING.

OH.

AND I'M TRYING TO SEE

WHAT MY OPTIONS MAY BE,

THE WHAT--YOU KNOW.

OKAY, WELL, ONE OPTION IS,

I CAN ACTUALLY

BUY BACK THE RING.

MM-HMM.

YOU WON'T GET TO GET IT BACK,

THOUGH.

SO IF I BUY IT,

IT'S GONE FOREVER.

BUT ANOTHER OPTION I DO HAVE IS,

DO CONSIGNMENT.

MM.

ON CONSIGNMENT, THERE IS

A CHANCE THAT, YOU KNOW,

IF YOU COME BACK, AND YOU WANT

TO GET IT, AND IT HASN'T BEEN

SOLD, THEN YOU COULD GET

YOUR RING BACK.

I MEAN, 'CAUSE IF YOU SELL IT

TO ME, AND IT'S GONE--

IT'S GONE.

OKAY.

GIVE ME A MINUTE.

OKAY.

LET ME DISCUSS IT WITH HER.

SURE, ABSOLUTELY.

LET ME KNOW.

WHAT ARE YOU THINKING?

IF YOU REALLY MEAN IT,

AND TRUE TO YOURSELF AND TRUE

TO YOUR HEART, SELL IT.

DO WHAT YOU GOT TO DO,

AND LET IT DO

WHAT YOU GONNA TO DO.

LET'S SHUT THIS CHAPTER DOWN.

LET'S BE CLEAR.

ERICA DIDN'T DESERVE THE CROWN

JEWELS ANYWAY.

SO GET THAT RING OFF THAT BITCH

HAND.

GET 'EM OFF THAT HAND.

OPEN, OPEN, OPEN,

OPEN, OPEN, OPEN.

I'M THINKING I REALLY JUST

WANT TO SELL IT, JUST BE DONE

WITH IT, JUST, YOU KNOW,

MOVE ON WITH MY LIFE,

GET IT OUT OF MY SYSTEM.

OKAY.

BUT HOW MUCH DO YOU THINK

I WOULD GET IT IF I SOLD IT

VERSUS CONSIGNMENT?

YOU'RE GONNA GET RIGHT ABOUT

$10,000 FOR IT.

AND IF I PUT IT ON

CONSIGNMENT...

IN CONSIGNMENT, IT WILL GET

ABOUT $15,000.

I'M GONNA DO THE CONSIGNMENT.

OKAY.

I KNOW PUTTING A RING ON

CONSIGNMENT MAY SEEM LIKE

I'M LEAVING THAT DOOR OPEN

FOR ME AND SCRAPPY TO GET

BACK TOGETHER.

BUT IF AND WHEN HE GETS

OUT OF JAIL, NOT HAPPENING.

I'M ALL ABOUT THE MONEY.

WITH CONSIGNMENT,

THE JEWELRY STORE IS GONNA SELL

THE RING FOR ME

INSTEAD OF ME TRYING TO FIND

A BUYER, AND THAT EXTRA

5 GRAND IS GON' LOOK GOOD

IN MY BANK ACCOUNT

FOR ME AND EMANI.

THANKS AGAIN.

WELL, IT'S GOOD TO SEE

YOU GUYS.

GOOD.

IT'S A PLEASURE TO MEET YOU.

MAYBE ONE DAY I'LL BE BACK.

MAYBE I'LL FIND A MAN

TO PUT A RING ON IT.

WE'RE GONNA DO THAT.

OKAY.

OKAY? ALL RIGHT, Y'ALL.

THANKS SO MUCH.

HAVE A GREAT EVENING.

AFTER I LEFT THE STUDIO

FROM TALKING TO STEVIE

THE OTHER DAY, I REALIZE THAT

SOMEBODY HAD TO START MAKING

MOVES ABOUT THIS ENGAGEMENT,

AND I REALLY THINK THE FIRST

STEP IS US MOVING IN TOGETHER.

HELLO, MISS HERNANDEZ.

WELCOME BACK.

NICE TO SEE YOU AGAIN.

YOU LOOK GREAT.

WHAT'S GOING ON AROUND HERE?

HEY, I'M JEREMY SMITH

WITH ATLANTA INTOWN.

I WANT THE WHOLE PACKAGE.

I WANT THE RING,

AND I WANT THE HOUSE.

I WANT IT ALL.

ALL RIGHT, WELL,

YOU GUYS TAKE YOUR TIME.

THANKS, JEREMY.

IT WAS NICE MEETING YOU,

AND IT WAS GOOD

SEEING YOU AGAIN.

THANK YOU.

ALL RIGHT, SEE YOU.

HERE'S THE LIVING ROOM.

IT'S NICE, RIGHT?

FIREPLACE...

WHAT?

SO--BUT LOOK, THOUGH.

HERE'S THE TABLE.

WHAT DO YOU THINK

ABOUT THE TABLE?

I LOVE THIS TABLE, HONEY,

'CAUSE I COULD JUST BE LIKE,

"UH, GET DOWN HERE.

STEVIE, DADDY,

COME GET ME."

I LOVE THIS TABLE.

WITH SOME FRUITS, UM,

EVERYWHERE AND JUST, YOU KNOW...

WAIT, WE'RE NOT FINISHED.

COME ON, LET'S KEEP LOOKING.

I WANT TO LOOK AT SOME MORE,

SEE WHAT'S GOING ON

IN THIS JOINT.

IT'S EVEN A STUDIO

IN HERE TOO.

NO, IT'S NOT.

WHEN I WALKED IN THE JOINT,

I'M LIKE...[scoffs]

"HEATED FLOORS?"

YOU KNOW, I TAKE OFF MY SOCKS

SO SHE CAN GET A LOOK

AT MY PEDICURE.

BUT JOSELINE MAKING MOVES

FASTER THAN A ROADRUNNER

RIGHT NOW.

COME ON, MA, PUMP YOUR BRAKES.

SO I'D LIKE YOU TO, YOU KNOW,

BE HAPPY WITH ME.

YOU NEED TO GO AHEAD

AND GET THIS CRIB

AND STOP FLEXING.

STOP PUSHING ME.

PUSHING YOU WHERE?

MAMI, LISTEN.

YOU MAKE A LOT OF MONEY WITH ME.

YOU--HOLD ON.

NOT EVEN JUST THE MONEY

WITH YOUR MUSIC,

WITH YOUR PRODUCTS...

YOU JUST GOT

TO MAKE SURE YOU GIVE ME

THE RIGHT AMOUNT OF TIME.

DON'T PUSH ME, ALL RIGHT?

I'M NOT PUSHING YOU.

I LOVE YOU.

DON'T PUSH ME.

I LOVE YOU.

NO, YOU ALWAYS TALKING THIS.

YOU KNOW, IF YOU DON'T DO THIS,

AND YOU DON'T DO THIS,

SOMEBODY ELSE WILL.

'CAUSE YOUR TIMELINE COULD BE

ANYWHERE FROM

10 YEARS THROUGH 50 YEARS.

I'M GONNA BE AN OLD LADY

WITHOUT NO HAIR--

GRAY HAIRS ON MY [bleep]--

BEFORE YOU GIVE ME A COMMITMENT.

ALL RIGHT, LISTEN.

IT'S NOT FAIR.

ALL RIGHT, SO CAN--

HOW MANY DAYS I GOT

TO THINK ABOUT IT?

NOT THAT LONG.

I NEED YOU TO TELL ME NOW.

I WANT IT.

WHAT ABOUT MY COMMITMENT?

I WANT IT.

YOU WANT WHAT?

I WANT EVERYTHING.

DO YOU REALLY?

YEAH.

DON'T LIE TO ME, BABY.

I WANT EVERYTHING.

DON'T LIE TO ME.

DON'T BE LYING TO ME.

I AIN'T GON' LIE.

I GOT FEELINGS FOR JOSELINE,

AND I WANT HER CLOSE TO ME.

WITH MIMI ACTING ALL CRAZY

ON ME, JOSELINE GOT THE CROWN.

I'M JUST HOPING I AIN'T DIGGING

A HOLE TOO DEEP RIGHT NOW.

[sighs]

YOU SHOULD'VE BEEN WITH US

THE OTHER NIGHT, THOUGH.

IT WAS TURNED UP.

WE WERE PARTYING.

TURNED UP TO THE MAX.

SO YOU JUST FREE TO BE

TURNED UP?

DEFINITELY.

THE HELL GOIN' ON

AROUND HERE?

OKAY, GUYS.

MY NAME IS DJ TRACI STEELE

WITH HOT 107.9,

AND I WANT TO WELCOME EVERYONE

OUT TO PRETTY GIRLS ROCK.

[cheers and applause]

SO TONIGHT I'M HOSTING MY EVENT,

PRETTY GIRLS ROCK,

AND IT'S AN EVENT THAT BENEFITS

WOMEN AND CHILDREN WHO ARE

A VICTIM OF ABUSE THAT STAY

AT THE ATLANTA DAY SHELTER.

I INVITED ALL MY FRIENDS,

AND I EVEN GOT ONE OF MY GOOD

FRIENDS, BAMBI, TO MODEL

ONE OF THE DESIGNER'S LINES.

WE ARE DEFINITELY GONNA

HAVE A GOOD TIME TONIGHT.

WE HAVE PERFORMANCES.

WE HAVE THE FASHION PORTION.

SO DEFINITELY STICK AROUND.

THANK YOU AGAIN.

[cheers and applause]

[dance music]

* FEELING GOOD

♪ SEE YOU ON THE DANCE FLOOR

♪ TURN IT UP

♪ I WANNA HEAR

♪ THE MUSIC IS RIGHT

♪ I WANNA HEAR IT ALL NIGHT

AFTER I MEET BAMBI

AT THE CABIN,

SHE INVITES ME

TO THIS LITTLE SOIREE

THAT SHE'S GONNA BE MODELING AT.

I DECIDED TO SEE IF KIRK

WANTS TO GO.

WE SHOW UP, AND WHO'S THERE?

THE OTHER GIRL FROM THE CABIN,

MARY JANE.

SO NOW I'M LIKE, "YO, KIRK,

I DON'T KNOW IF THIS IS A REAL

GOOD IDEA FOR YOU TO BE SEEN

IN PUBLIC LIKE THIS ONE."

DR. LOVE DON'T HAVE

THE EXPLANATION FOR THIS

RIGHT HERE.

[laughs]

HEY.

TRACI!

THANK YOU FOR COMING OUT

AND PERFORMING.

I APPRECIATE IT.

YOU LOOK SO CUTE.

THIS IS ZINO.

HI, WHAT'S UP, TRACI?

NICE TO MEET YOU.

KIRK.

RASHEEDA'S HUSBAND, RIGHT?

UH, YEAH.

AND THIS MY FRIEND--

HI. M.J.

NICE TO MEET YOU.

WE NEED TO GET

TO THE BAR A.S.A.P.

YOU NEED A DRINK?

I'M STILL--I'M STILL--

NO, YOU NEED A DRINK.

AHA, YEAH.

YEAH.

WELL, I'M GLAD THAT YOU GUYS

CAME.

THANKS FOR HAVING US.

I'M GLAD TO BE HERE.

NICE EVENT.

GLAD TO BE HERE TOO.

THANK YOU.

YOU SHOULD'VE BEEN WITH US

THE OTHER NIGHT, THOUGH.

WE WAS AT THE LAKE.

IT WAS TURNED UP.

WE WERE PARTYING.

WHAT?

WOW.

I DID NOT GET AN INVITE.

NEXT TIME YOU'LL GET

AN INVITE, BECAUSE IT WAS, LIKE,

THIS NICE CABIN AND...

TURNED UP TO THE MAX.

IT TURNED UP--I FORGOT--

TURNED UP TO THE MAX.

OKAY.

[laughs]

HAVE WE MET BEFORE?

NO, HUH?

NO.

OKAY. OKAY.

THE HELL GOING ON

AROUND HERE?

I DON'T KNOW WHAT'S GOING ON

WITH THIS "TURN UP" BUSINESS.

BUT KIRK IS WAY TOO COMFORTABLE

FLIRTIN' WITH THIS BROAD

AT MY EVENT,

AND YOU A MARRIED MAN.

I DON'T KNOW WHAT THIS IS.

I WAS ACTUALLY LOOKING FORWARD

TO MEETING YOU AT THE BABY

SHOWER.

I WASN'T THERE.

YEAH.

HOW WAS IT?

IT WAS--IT WAS GREAT.

I'M ON MY--I'M DOING MY--

I DON'T EVEN KNOW

WHAT TO CALL IT.

WHAT AM I CALLIN' THIS, "Z"?

THE FREE PASS THAT SHE GAVE

YOU?

HIS WIFE GAVE HIM A PASS.

I DON'T KNOW NOTHING ABOUT

THE PASS, BUT HE SAID

HE GOT A PASS.

A FREE PASS?

YEAH, FREE PASS.

I TOOK IT.

I DON'T KNOW WHAT THE PASS

MEANS--

SO YOU--SO YOU JUST FREE

TO BE TURNED UP?

HEY, BOO.

DEFINITELY.

HOW YOU DOING?

GOOD. GOOD.

OH, WOW.

I KNOW FOR A FACT RASHEEDA

WOULD NOT BE HAPPY IF SHE KNEW

KIRK WAS UP IN HERE

WITH THE POPCORN HO THAT HE WAS

HANGING OUT WITH AT THEY

LAKESIDE VACATION.

RASHEEDA BEEN MARRIED TO KIRK

FOREVER.

I KNOW THAT.

EVERYBODY KNOW THAT.

WE SEE YOU, KIRK!

YOU IN THE OPEN!

SO YOU KNOW WHAT?

I'MA GET MY BOO,

AND WE GON' ROLL OUT.

WE GON' GO GET SOME DRINKS.

WE'LL SEE YOU GUYS LATER.

ALL RIGHT, DO YOUR THING.

IT WAS NICE MEETING YOU.

ALL RIGHT.

LADIES AND GENTLEMEN,

THE JUDICIAL SYSTEM

HAS ONCE AGAIN STAGED A COUP.

BUT THE SCALES OF JUSTICE--

UNFORTUNATELY, IT'S GOT

THE WORLD OFF ITS AXIS.

THEY'RE TRYING TO TAKE MY SON

FROM ME FOR NO APPARENT REASON

AT ALL.

SO MOMMA DEE CALLS EVERYONE

TOGETHER FOR SOME ANNOUNCEMENT

ABOUT SCRAPPY.

I HAVEN'T SPOKEN TO SCRAPPY

SINCE HE WENT TO JAIL,

SO I'M HOPING EVERYTHING'S OKAY.

BUT THIS ROYAL SPEECH?

YEAH, THIS PSYCHO LADY'S

DEFINITELY TOPPED IT

WITH THAT ONE.

AND WITH THAT BEING SAID,

I INTRODUCE TO SOME

AND PRESENT TO OTHERS

THE PRINCE OF THE SOUTH,

MY SON, SCRAPPY.

ERICA.

[laughs]

MAN, THE BOY FREE.

I'M OUT.

YOU KNOW WHAT I'M SAYING?

NO MORE BOLOGNA SANDWICHES.

YOU FEEL ME?

EVERYTHING WENT OKAY, MAN.

I DODGED A BULLET.

YOU FEEL ME?

BUT I STILL ON PROBATION.

IN A COUPLE DAYS, I'M SUPPOSED

TO HEAR OFFICIALLY WHETHER

THEY'RE GONNA CLOSE MY CASE

OR NOT.

BUT, MAN, [bleep] ALL THAT, MAN.

TONIGHT, MAN, I'M FEENIN' TO

DRIZ-NAH-EE AND HAVE A GOOD

TIME, MAN.

WHAT ABOUT YOU CALLIN' ME?

OKAY.

EXCUSE ME, Y'ALL.

AM I HAPPY THAT SCRAPPY'S

OUT OF JAIL?

FOR THE SAKE OF EMANI, YES,

AND I THANK GOD FOR THAT.

BUT ME AND SCRAPPY NEED TO TALK,

'CAUSE HE NEEDS TO HEAR IT FROM

ME--NOT HIS RAGGEDY-ASS MAMA--

THAT I DECIDED TO PAWN THE RING.

WITH YOUR SITUATION AND ALL,

I JUST WANTED TO LET YOU KNOW

THAT I PAWNED THE RING,

THE ENGAGEMENT RING.

YOU SAY WHAT?

I PAWNED THE ENGAGEMENT RING.

YOU WAS LOCKED UP.

I DIDN'T KNOW WHAT

THE CIRCUMSTANCES WOULD BE,

DIDN'T KNOW WHEN YOU WOULD

GET OUT, SO I HAD TO MAKE SURE

FINANCIALLY THAT ME AND EMANI

WERE GONNA BE STRAIGHT.

SO YOU PAWNED THE RING?

LIKE, THE RING DON'T MEAN

NOTHING?

I MEAN, LIKE, YOU SAID A LOT

OF STUFF WHEN YOU

PROPOSED TO ME.

YOU CAN'T TAKE THREE STEPS

FORWARD AND THEN PRETEND TO TAKE

THOSE OR FOUR STEPS BACKWARDS.

THAT'S NOT PROGRESSING

IN A RELATIONSHIP.

I AIN'T GONNA EVEN LIE,

IT HURT.

YOU KNOW WHAT I'M SAYING?

IT HURT, 'CAUSE YOU PAWN TVs.

YOU KNOW WHAT I'M SAYING?

YOU PAWN STUFF THAT YOU CAN GET

BACK REAL QUICK.

YOU FEEL ME?

MM-HMM.

THE RING, THOUGH?

SOMETHING YOU CAN PROBABLY

WORK OUT?

YOU CAN'T WORK NOTHING OUT

WHEN THIS IS A CONTINUOUS THING.

SO WHAT'S THE POINT OF ME

KEEPING A RING OR HOLDING ON TO

SOMETHING THAT DOESN'T WANT TO

BE HELD ONTO?

I AIN'T WITH THAT [bleep].

NOW, WHEN I BOUGHT THAT RING,

I COULDN'T WAIT TO PUT THAT

ON HER FINGER.

YOU KNOW WHAT I'M SAYING?

I WAS MORE...

EXCITED ABOUT MAKING US

A FAMILY,

YOU KNOW WHAT I'M SAYING,

AND MAKING US WHOLE, YOU KNOW.

BY HER SELLING THE RING,

IT JUST MAKE ME KNOW

THAT SHE IS AN UNGRATEFUL

PERSON, SO I SAY, "HEY,

I'M NOT EVEN MESSING

WITH THE WHOLE CONVERSATION.

I'M DONE WITH IT,"

YOU KNOW, "'CAUSE YOU TRYING TO

CHUMP ME OFF."

I'M DONE WITH THAT [bleep], MAN.

UH-UH.

TRYING TO MAKE--

[bleep].

PUNK 'EM OUT WE'RE NOT

DOING, 'CAUSE MAMA DIDN'T RAISE

NO [bleep] PUNKS.

HEY, LET ME GET A SHOT.

SO WHERE'S MY--HEY.

LET ME GET A SHOT.

WHAT'S HE TALKING ABOUT?

NOTHING, BECAUSE AIN'T NOBODY

FEENIN' TO PUNK HIM OUT.

NO, SHE AIN'T TALKING ABOUT

NOTHING.

SEE, THAT'S

WHAT I'M TALKING 'BOUT.

THAT'S WHAT I'M TALKING ABOUT.

SHE AIN'T TALKING

ABOUT NOTHING.

I AM TALKING ABOUT SOMETHING.

SHE AIN'T TALKING NOTHING.

IF Y'ALL GONNA TRY

TO PUNK HIM OUT,

SCRAPPY AIN'T GIVE YOU NOTHING.

SHE AIN'T TALKING

ABOUT NOTHING.

THAT INSENSITIVE BITCH ERICA

HAD TO STRIKE AGAIN,

HER AND HER MAMA.

DO YOU REALLY THINK

I'M FEENIN' TO LET HER

STAGE A COUP?

AWAY WITH THEM BITCHES.

AWAY WITH THEM BITCHES!

SMOKE A STRAIGHT SHOOTER,

BITCH, 'CAUSE THAT'S WHAT YOU'RE

GONNA GET FROM ME.

[indistinct yelling]

GET YOUR HANDS OFF ME,

SCRAPPY.

DON'T TOUCH MY MAMA.

WHOA, WHOA, WHOA, WHOA!

thud!

YOU GOIN' TO JAIL!

LET ME GO!

[bleep] THAT BITCH, MAN.

MAN, HE BETTER GO TO JAIL

TOMORROW.

HE BETTER GO TO JAIL TOMORROW.

MAN, WHAT THE HELL IS YOU

THINKING 'BOUT ME, YO?

I KNOW Y'ALL DON'T THINK I'MA

LET YOU HIT MOM DUKES, RIGHT?

SO I JUST HELD HER BACK.

AND THEN ERICA TRY TO FALL

FOR ME?

MAN, WHAT IS YOU DOING?

SO I HAD TO GET HER

UP OFF OF ME,

YOU KNOW WHAT I'M SAYING?

I AIN'T NO PUNCHING BAG.

AND THEN WITH HER CRAZY ASS

HEELS, YOU FEEL ME, SHE GON'

FALL DOWN OUT OF NOWHERE.

YOU KNOW WHAT I'M SAYING?

SHOOT ACROSS THE ROOM,

YOU KNOW, LIKE I DID SOMETHING.

I AIN'T DID NOTHING.

SHE TRYING TO PUNK HIM OUT,

BUT YOU AIN'T GONNA HOLD MY

THRONE, BITCH.

WHAT SCRAPPY NEEDS TO DO

IS STAY CLOSER TO THE WOMAN THAT

ALWAYS HAVE HIS BACK FOREVER.

MIRROR, MIRROR ON THE WALL,

WHO IS THE FAIREST OF THEM ALL?

THAT WOULD BE ME:

QUEEN MOMMA DEE.

I'M THAT RIDE OR DIE

MOTHER[bleep].

I'MA HOLD THIS [bleep] KINGDOM

AND PALACE TOGETHER, YOU HEARD?

THAT MOTHER[bleep] GODDAMN

BITCH.

LET HER GO!

OH, LIKE THAT?

BITCH, YOU'LL BREAK.

KIRK AND A GIRL

WERE SAYING

HOW THEY WAS TURNED UP.

IF HE'S SAYING,

"WE TURNED UP," AND SHE SAYING,

"WE TURNED UP,"

THEY WAS TURNED UP.

YOUR MARRIED ASS DON'T NEED TO

BE TURNED NOWHERE.

I'M JUST SAYING, MOMMA DEE.

TALKIN' 'BOUT SHE THE QUEEN

OF THE SOUTH.

SHE THE QUEEN OF [bleep].

THAT MOTHER[bleep] GODDAMN

BITCH.

LET HER GO!

OH, LIKE THAT?

LET HER GO.

OH.

BITCH, YOU'LL BREAK.

[bleep] [bleep]--

I'LL THROW YOU, BITCH.

[screams]

TALKIN' ABOUT YOU WAS A PIMP.

THAT'S A HO.

THAT BITCH.

I'M GONNA KICK YO' ASS.

AND THEN SCRAPPY WAS SMART.

HE DONE PIMPED YOU AND YOUR

DAUGHTER'S BIG ASSES.

WHAT I DO?

HE A PUNK LIKE HIS PUNK MAMA.

DIE, BITCHES, DIE!

HE GON' THIS--

HE GOIN' TO HELL.

YOUR MAMA WAS POPPIN' OFF.

POP OFF, JUMP OFF.

LIKE MY MAMA SAID, I'MA COME

DOWN TO YOUR LEVEL.

WHY YOU POPPIN' OFF AND WALKIN'

AWAY, PIMP?

HE FEENIN' TO GO TO JAIL.

DON'T FORGET TO CALL THE POLICE.

[bleep] THAT.

YOU CAN BETRAY ME,

THE WORLD CAN BETRAY ME.

THAT'S ANYTHING.

BUT YOU WILL NEVER

COME AGAINST ME AND MY SON.

[bleep] THAT.

[dog barks]

AFTER I SAW KIRK

WITH HIS POPCORN HO BITCH

AT MY PRETTY GIRLS ROCK EVENT,

I DECIDED I HAD TO CALL

RASHEEDA.

HI.

HELLO.

WELCOME TO THE COUNTRY.

HOW YOU DOING?

I'M GOOD, BOO.

IF I WAS IN HER POSITION,

I WOULD WANT MY FRIENDS TO GIVE

ME THE REAL ON IF MY MAN

WAS CHEATING ON ME.

SO I'MA TELL HER WHAT I SAW.

LAST NIGHT, YOU KNOW, I WAS AT

MY PRETTY GIRLS ROCK EVENT,

AND KIRK HAD SOMEBODY WITH HIM,

AND IT JUST LOOKED LIKE THEY WAS

COUPLED UP, I MEAN, THE WAY SHE

WAS HUG--YOU KNOW, HOLDING ON

TO HIM AND LAUGHING, AND--

[giggles]

AND KIRK AND THE GIRL WERE

SAYING HOW THEY WENT TO THE

LAKE, AND THEY WAS TURNED UP.

THESE [bleep] WAS REALLY ACTING

LIKE, "WE WAS ON TEN.

WE WAS DRUNK AND ABOUT--

WE WAS GETTIN' TO"--

AND I'M LIKE...

THAT [bleep] MAKES ME SICK.

"[bleep],

I'M STANDING RIGHT HERE."

THEN HOMEGIRL WAS SAYING,

"WELL, HE HAS A PASS, THOUGH,

TO DO WHAT HE WANT TO DO."

REALLY?

IS THAT WHAT HE REALLY THINKS

IN A MARRIAGE?

SO HE TOOK THAT

AND RAN WITH IT.

BUT YOU DON'T TAKE THAT AND

RUN WITH IT AS A MARRIED MAN.

YOU GO SOMEWHERE, AND YOU GET

SOME [bleep] SENSE ABOUT

YOURSELF.

YOU DON'T GO MESSIN' WITH

RATCHET HOS OFF THE CORNER.

BUT I GOT TO BE HONEST WITH

YOU.

I DON'T KNOW GUARANTEED CONCRETE

FOR SURE THAT HE [bleep]

WITH HER.

RIGHT.

ALL I KNOW IS WHAT THEY TOLD

ME AT THE EVENT.

BUT IT DON'T EVEN MATTER,

THOUGH, BECAUSE IF HE'S SAYING,

"WE TURNED UP," AND SHE SAYING,

"WE TURNED UP,"

THEY WAS TURNED UP.

SO WHAT DOES THAT MEAN?

YOUR MARRIED ASS DON'T NEED

TO BE TURNED NOWHERE.

SO YOU MEAN TO TELL ME

YOUR MARRIED ASS WANT TO GO

HANGING AROUND WITH YOUR SINGLE

FRIENDS UP AT THE LAKE

KNOWING IT'S SOME BITCHES UP

THERE, AND YOU UP THERE,

WHOOP-DE-WHOOP-DE-WHOOP,

TURNING UP WITH SOME HOS?

YOU KNOW WHAT?

YOU NEED TO GROW THE [bleep] UP

AND GET YOUR PRIORITIES

TOGETHER, 'CAUSE IN A MINUTE,

THIS [bleep] RIGHT HERE

GON' BE OVER WITH.

YOUR BLACK ASS

SHOULD NOT EVEN BE IN THAT TYPE

OF SITUATION.

I WOULD NEVER DO NO [bleep]

LIKE THAT.

THAT'S [bleep] UP,

AND IT HURTS ME, AND IT BOTHERS

ME AS MUCH AS I HAVE NOT SHED

ONE TEAR OVER THIS MAN

ABOUT ALL THE CRAZY STUFF

THAT HE'S BEEN SAYING ABOUT ME,

EVERYTHING THAT HE'S BEEN DOING.

BUT THAT [bleep] RIGHT THERE,

FOR YOU TO DO SOME [bleep]

WITH SOME OLD--

IF IT WAS HALLE BERRY,

A BITCH COULD TAKE IT.

BUT YOU OUT HERE

WITH A RAT BITCH?

AND IF WANT TO PLAY IT LIKE

THAT, HE GON' DO THAT [bleep]

ON HIS OWN.

WE GON' CHOP UP THIS BUSINESS,

AND HE CAN GET THE [bleep]

STEPPIN',

'CAUSE I'M NOT THE ONE.

HE'S COMING OUT.

* DA-NA-NA-NA-NA-NA-NA-NA

I'M STANDING HERE PREGNANT,

AND YOU WANT TO TELL ME, YES,

YOU [bleep] AROUND WITH SOME

RANDOM THIRSTY BITCHES.

I'M THE ONE WHO LOOK UP

AND SEE WE DIVORCED.

YEAH, YOU KNOW WHAT?

WE MIGHT BE.

HE'S COMING OUT.

* DA-NA-NA-NA-NA-NA-NA-NA

WHAT ARE YOU DOING HERE?

WHAT DO YOU MEAN,

WHAT AM I DOING HERE?

YOU'VE BEEN GONE FOR

I DON'T KNOW HOW MANY DAYS,

GONE TO THE LAKE.

TRACI AT THE EVENT, YEAH,

WE ARE COOL, AND YOU DIDN'T

GIVE A [bleep] 'CAUSE YOU GOT

THE BITCH RUBBIN' ALL UP ON YOU,

TALKING 'BOUT, "WE WAS TURNED UP

AT THE LAKE."

WAIT, WHAT IS [bleep] TRACI

HAVE TO DO WITH MY MARRIAGE?

I DON'T HAVE ANYTHING TO DO

WITH IT, AND I THINK I'M GONNA

LEAVE NOW.

[sighs]

WELL, GIVE ME A HUG.

I DON'T GIVE A [bleep]

ABOUT WHAT HE THINK.

ALL RIGHT.

I LOVE YOU, BOO.

THANK YOU.

I'LL SEE YOU LATER.

ALL RIGHT.

TAKE CARE.

WHAT YOU--WHAT DO YOU MEAN?

I TOLD YOU TO DO YOU.

YOU SAID DO ME, "GET THE

[bleep] OUT OF HERE AND DO--

DON'T COME BACK.

YOU DO WHAT YOU WANT TO DO.

DO YOU."

YOU REALLY THINK

THAT'S SMART?

WHY WOULD SAY, "GO ABOUT YOUR

BUSINESS, DO YOU, DO WHAT THE

[bleep] YOU WANT TO DO"?

BECAUSE, KIRK,

AT THE END OF THE DAY,

I'M SAYING--

WHY WOULD YOU SAY IT?

WHAT ELSE AM I GONNA SAY

TO YOU?

WHAT ELSE AM I GONNA DO?

SO WHY WOULD IT BE A PROBLEM?

I HATE YOU RIGHT NOW.

WHY YOU GOT TO HATE ME?

YEAH, I HATE YOUR ASS

RIGHT NOW.

YOU DON'T EMBARRASS ME

LIKE THAT.

YOU DON'T DO THAT TO ME.

SO WHAT?

WE PICTURE-PERFECT NOW?

I KNOW I AIN'T ALWAYS BEEN

PERFECT, KIRK, BUT I WOULD NEVER

EVER DO THAT.

AND ONE THING I AM IS,

I'M 100% COMMITTED

TO THIS MARRIAGE,

'CAUSE THAT'S WHAT I AM.

WHEN I TOLD KIRK TO GO "DO YOU,"

THAT MEANT, "GO OUT THERE AND

FIGURE OUT EXACTLY WHAT'S GOING

ON WITH YOURSELF."

I DIDN'T GIVE HIM NO FREE PASS

TO RUN OUT HERE AND BE A HO,

AND IF THAT'S

WHAT YOU WAS THINKING,

THEN, DAMN THAT [bleep].

WHAT HAPPENED AT THE LAKE?

WHAT DO I NEED TO KNOW ABOUT?

BECAUSE I AIN'T EVEN SEEN YOU

IN A COUPLE DAYS.

SO TO BE HONEST WITH YOU,

ALL THIS [bleep] SOUNDS [bleep]

UP TO ME.

I WAS DRUNK, SO IT WAS SOME

GIRLS THERE.

I WAS IN A JACUZZI,

AND THERE WAS SOME GIRLS

IN THE BED, AND...

TELL ME THE TRUTH.

TELL ME WHAT'S UP.

SO YEAH.

REALLY?

SO YOU REALLY THINK THAT IS

WORTH EVERYTHING THAT WE HAVE,

EVERYTHING THAT WE DONE DID,

ALL THESE YEARS,

EVERYTHING THAT'S GOING ON?

YOU AIN'T [bleep],

YOU DISRESPECTFUL MOTHER[bleep].

I'M SITTING HERE PREGNANT,

AND YOU WANT TO TELL ME, YES,

YOU [bleep] AROUND WITH SOME

RANDOM THIRSTY BITCHES.

THAT'S WHAT YOU WANT?

THAT'S WHAT YOU GO DO TO ME,

WHO'S SUPPOSED TO BE YOUR

FRIEND, YOUR WIFE,

YOUR PARTNER, AND YOU THINK

THAT'S RIGHT?

I GET THAT PART.

I THINK YOU ARE A FRIEND.

NO, IF I WAS, YOU WOULDN'T

DO ME LIKE THAT.

WAIT, HANG ON.

I'M NOT GONNA RELAX.

HOW AM I GONNA RELAX, KIRK?

DON'T EVEN TOUCH ME.

YOU'VE BEEN TOUCHING

OTHER BITCHES.

I DON'T WANT YOU TOUCHING ME.

AS A MATTER OF FACT,

GET THE [bleep] OUT.

GO.

LEAVE.

BYE.

BEGONE.

BE-[bleep]-GONE.

OKAY, RASHEEDA.

BE-[bleep]-GONE.

RELAX.

YOU BEGONE.

YOU KNOW WHAT?

I'M THE ONE WHO LOOK UP

AND SEE WE DIVORCED.

YEAH, YOU KNOW WHAT?

WE MIGHT BE.

WE MIGHT NEED TO BE,

THE WAY YOU GOING.

BEGONE.

LET ME GET MY [bleep].

YEAH, GET YOUR [bleep].

YOU KNOW WHAT?

YOU NEED SOME HELP?

'CAUSE I THROW ALL THAT [bleep]

ON THE FRONT PORCH.

I DON'T NEED HELP.

YOU KNOW WHAT?

DON'T TELL ME WHAT TO DO.

DON'T TELL ME WHAT I NEED TO DO.

AND DON'T LOCK THE DOOR,

YOU STUPID FOOL.

YOU A ASS[bleep], DISRESPECTFUL

[bleep] ASS [bleep].

PUNK-ASS.

I KNEW IT HAD TO BE SOMETHING

WITH THIS HO.

THE BLOOD TEST SITUATION,

AND YOU BEING A FEMALE RAPPER,

WHOOP-DE-WHOOP-DE-WHOOP.

YOU KNOW WHAT IT IS?

IT'S THAT INSECURE MAN [bleep],

'CAUSE AT THE END OF THE DAY,

YO' ASS THE ONE OUT HERE

DOING THE BULL[bleep].

ALL YOU DOING IS TRYING TO COVER

YOUR OWN ASS AND MAKE YOURSELF

FEEL BETTER.

BUT YOU KNOW WHAT?

YOU A LIAR,

YOU A GODDAMN CHEAT,

AND I'M TIRED OF YO' ASS.

WE CAN TAKE IT ONE MOTHER[bleep]

CLOSET AT A TIME, BITCH.

GET YOUR [bleep].

GET ALL THAT [bleep].

[bleep] YOUR ASS.

WHERE THE [bleep] BITCH GO?

I'LL BURN THIS [bleep] UP.

THINK I'M PLAYIN'?

[tires squealing]

I'LL BURN ALL THIS [bleep] UP.

I DON'T GIVE A [bleep].

YOU KNOW WHAT?

MY HUSBAND CAN COME BACK

WHEN HE DONE RIDIN' BIKES

WITH BENZINO, OLD NO-NECK ASS.

SEND YOUR RAGGEDY-ASS HOS

TO COME GET THESE BURNT-UP-ASS

CLOTHES SINCE YOU WANT

TO TURN UP.

TURN UP ON THAT [bleep].

ON THE NEXT LOVE & HIP-HOP:

ATLANTA...

ARE THERE ANY SECRETS

THAT CAN POSSIBLY

LATER COME OUT?

I GOT A CLEAN SLATE.

YOU DON'T LOOK TOO HAPPY IN

THIS MUG SHOT IN 2006.

I ASKED YOU,

"SHOULD I TRUST YOU,"

AND THEN YOU SAT AT THE TABLE,

AND YOU LIED.

I JUST REALLY WANT TO BE

WITH A WOMAN.

BE WITH A WOMAN WHERE?

IN MY BED, FOR [bleep].

[laughter]

OH, [bleep].

HE NEEDS A STRONG WOMAN

BEHIND HIM, POPS.

SO YOU TALKIN' ABOUT

MARRIAGE, RIGHT?

YES.

STRONG--STRONG LIKE HIM.

I'M TAKIN' IT.

I DECIDED I WANTED TO GO

AND TALK TO A LAWYER ABOUT

THE STEPS ON POSSIBLY HAVING

A DIVORCE.

IT HAS GONE THAT FAR?

GET OUT OF MY WAY, RASHEEDA.

YO, YO, YO.

WHAT ARE YOU DOING?

YOU DONE [bleep]

THE WRONG DAMN PERSON.

I'M NOT THROUGH WITH YOU!

WE WAS AT THE LAKE.

IT WAS TURNED UP.

TURNED UP TO THE MAX.

THEY TURNED UP--I FORGOT--

TURNED UP TO THE MAX.

EVERYBODY WAS TURNED UP.

YOU WERE MISSING.

GO AHEAD, LET'S GET READY

FOR THIS PERFORMANCE.

WE GOT TO TURN UP.

IT'S GOING TO BE TURNED UP

IN HERE?

[laughs]

WELL, WE'VE BEEN TURNING UP.

THE OTHER DAY, HE WAS TURNED

UP TO THE MAX.

HE TOOK THE BEST.

THAT MEANS IF WE TURNED UP,

AND WE DOIN' OUR THING,

THAT'S US DOIN' OUR THING,

REALLY.

SO YOU JUST FREE TO BE

TURNED UP?

I CAN'T TELL EVERYBODY ABOUT

THE TURN-UP?

WAS THAT A SECRET TURN-UP?

NOT EVERYBODY IS SUPPOSED

TO KNOW ABOUT THE TURN-UP.

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