Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA...

I GOT SOMETHING FOR YOU.

[laughs]

I'LL KICK A DENT

IN YOUR BRACES, HO.

YOU WILL RIGHT NOW?

BITCH, I'LL KICK A DENT

IN YOUR BRACES, SO WATCH

YOUR MOTHER[bleep] MOUTH, HO.

TIC-TAC-TOE.

I HAD--WENT TO THE DOCTOR

YESTERDAY.

AND I'M PREGNANT.

I DON'T THINK

THE TIMING'S RIGHT.

WELL, I APOLOGIZE THAT ME

HAVING A BABY'S NOT A PART

OF YOUR LIFE PLAN.

WE HAVE A RELATIONSHIP

THAT'S A LITTLE BEYOND

FRIENDSHIP.

THE LAST TIME I SEEN

THAT MAN, I AIN'T KNOW WHETHER

TO PUNCH THAT BITCH

OR TO FIGHT HIM.

JUST MOVE ON.

[groans]

WHY IS JOHNNY RAPPING

ABOUT GIRLS?

HE LIKE ME.

ANYBODY THAT'S GOT

SOME [bleep] BEEF RIGHT NOW,

PLEASE GET THE [bleep]

OUT OF HERE.

YOUR BOYFRIEND'S GAY.

HIS FRIEND'S GAY.

YOU DON'T EVEN HAVE

A [bleep] MAN.

YOU'RE ABSOLUTELY RIGHT.

AND YOU WILL NEVER HAVE ONE.

YOU WERE STICKING UP

FOR THIS BITCH.

I'M NOT STICKING UP

FOR NO [bleep] BODY.

I'M WITH YOU.

DON'T GET ALL THIS

LIQUID COURAGE

AND THEN TAKE IT OUT ON ME.

BITCH, I HIT YOU

IN YOUR [bleep] FACE.

ARE YOU [bleep] KIDDING ME?

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

WELL, I THINK THIS IS

A GREAT [bleep] TRIP.

IT WASN'T A GREAT TRIP.

I'VE HAD MANY GREAT TRIPS.

THIS WASN'T ONE OF 'EM.

I'M BEING SARCASTIC, OKAY?

MM, OKAY.

I'M BEYOND DONE

WITH K.MICHELLE.

AND I FELT SOME TYPE OF WAY

THAT ARIANE WAS GETTING

IN MY BUSINESS YET AGAIN.

SHE'S BEEN MY FRIEND

FOR NINE YEARS,

AND I REALLY FEEL LIKE

SHE DOESN'T HAVE MY BACK.

AND THAT [bleep] [bleep] UP.

I DON'T KNOW.

IT JUST SEEMS LIKE YOU ARE RIGHT

SMACK DAB IN THE MIDDLE

OF THIS [bleep].

I WAS IN THE MIDDLE.

I WAS RIGHT IN THE MIDDLE,

ABSOLUTELY.

THAT'S WHAT I'M SAYING.

BUT TO BE YELLED AT AGAIN

AFTER WE HAD JUST HAD

THAT CONVERSATION,

IT WAS LIKE, "OKAY."

WELL, THE VIDEO SHOOT,

THAT WAS A WHOLE NOTHER

BALL GAME.

RIGHT, BUT EVEN IN THIS

INSTANCE, IT WAS JUST LIKE,

"OKAY, WHY AM I

BEING YELLED AT AGAIN?"

I DON'T KNOW WITH YOU.

WHAT DO YOU MEAN?

I DON'T KNOW.

YOU DON'T KNOW WHAT?

I FEEL LIKE YOU STRADDLING

THE [bleep] FENCE.

STRADDLING WHAT?

BECAUSE I WANTED Y'ALL

TO TALK?

THAT MEANS I'M STRADDLING--

AND I WANTED YOU TO GET IT

OUT THE WAY--

THAT MEANS I'M STRADDLING NOW?

MM-MM.

I KNOW WHERE MY LOYALTY IS.

MMKAY.

THERE'S NO FENCE TO STRADDLE.

I HEAR YOU.

ARIANE, SHE ALWAYS GIVES IT

TO ME STRAIGHT, AND I'M TRYING

TO FIGURE OUT IF SHE'S

ON MY SIDE OF THE FENCE.

I THINK IT'S TOO MUCH.

WE GROWN-UPS.

DON'T DO THAT.

WE NOT 16.

WE NOT IN HIGH SCHOOL.

I'MA JUST ASK YOU STRAIGHT UP.

WHAT DO YOU FEEL, AS MY FRIEND,

ABOUT MY RELATIONSHIP?

[groans]

JUST CURIOUS.

HONESTLY...

HMM.

I THINK HE'S A VERY NICE GUY.

IS HE COMPLETELY FOR YOU?

NO.

AND WHAT MAKES YOU SAY THAT?

I FEEL LIKE HE'S UNAUTHENTIC

SOMETIMES.

HMM.

I SAID FROM THE START

THAT MIMI HAS A TYPE.

AND I'M NOT TALKING ABOUT

THE ABS, THE CHARM,

ALL THAT [bleep].

BUT SHE DEFINITELY HAS A TYPE.

AND I FELT SOMETHING

WAS VERY UNAUTHENTIC

ABOUT NIKKO FROM START.

SOMETIMES I REALLY FEEL

LIKE MIMI IS AFRAID TO BE ALONE.

WITH THIS SITUATION, SHE CHOSE

THE FIRST PERSON TO COME AROUND,

NOT THE RIGHT PERSON, CLEARLY,

BUT I REALLY DON'T FEEL

LIKE SHE'S IN A PLACE WHERE SHE

WANTS TO HEAR ANY OF THIS

RIGHT NOW.

I'M HAPPY IF YOU'RE HAPPY.

I'M HAPPY RIGHT NOW.

OKAY, THEN THAT'S ALL

THAT MATTERS.

OKAY.

I STILL LOVE YOU.

OKAY?

[both laughing]

YOU MAKE ME SICK.

SO GUESS WHO IN THE HELL

HIT ME, ASKING ME TO KICK IT

WITH THEM.

MM-HMM.

* JUST LIKE YOU

♪ MY HEART'S BEEN AFRAID ♪

I DON'T KNOW WHAT IT IS

AND WHY I CAN'T LET SCRAPPY GO,

BUT WHAT I CAN SAY IS,

HE DOES KNOW HOW

TO MAKE ME SMILE.

* GOT MY ARROWS AND THREES

♪ HEADING FOR YOU

SCRAPPY TALKS ABOUT

OUR FRIENDSHIP, BUT THE TRUTH

BE TOLD, IT'S MORE LIKE

FRIENDS WITH BENEFITS.

[soulful pop music]

* I WILL SEND 'EM OVER ♪

♪ AND OVER

♪ ARROWS AND THREES

♪ HEADING FOR YOU

♪ HEY, GIRL, WHAT'S SHAKING? ♪

♪ TELL ME HOW YOUR DAY'S BEEN ♪

♪ I'VE BEEN THINKING 'BOUT YOU ♪

♪ AND I CAN'T WAIT ♪

♪ TO SEE YOU AGAIN

♪ BABY, BUT UNTIL THEN

♪ THE BEST WAY I CAN SHOW YOU

♪ IS BLOWING UP YOUR PHONE

♪ WITH SOME ARROWS AND THREES

WHAT I DO KNOW RIGHT NOW IS,

IT FEELS GOOD TO BE

AROUND THIS MAN.

I GET WHAT I'M DOING IS WRONG,

BUT SOMETIMES IT JUST FEELS

SO RIGHT.

DID YOU MISS ME,

OUR FRIENDSHIP?

I MISSED THE FRIENDSHIP.

AND I DON'T WANT TO EVER

LOSE YOU AS MY HOMEY

EVER IN LIFE AGAIN.

I KNOW.

'CAUSE I HAVE NO ONE

TO TALK TO

WHEN YOU'RE NOT THERE.

AND EVERYTHING

MIGHT NOT GO RIGHT.

YOU THINK THAT US HAVING SEX

MESSED THIS UP?

YES.

I DO TOO.

BECAUSE IT GETS DEEP.

VERY DEEP.

I THINK THE SAUSAGE

GET IN THE WAY,

AND IT MAKES--

OH, GOD.

SHUT UP.

I APPRECIATE OUR FRIENDSHIP,

AND I LOVE YOU.

I WILL ALWAYS LOVE YOU.

AND I'M HERE FOR YOU

NO MATTER WHAT.

OKAY, BACK TO FRIENDS.

I CAN'T WITH YOU.

SO WE'RE JUST GONNA

LEAVE THAT OUT, ALL RIGHT,

AND MAKE THAT ROCK.

YEAH, YEAH, WE'RE GONNA

MAKE THAT ROCK.

BUT I WAS THINKING ABOUT, LIKE,

MAYBE ON THE SHOULDER.

YEAH, YEAH, YEAH.

YEAH, ABSOLUTELY.

MAKE SURE WE AIN'T COVERING

NONE OF THAT ASS-TERPIECE.

ASS-TERPIECE?

[laughs]

I NEVER HEARD OF THAT.

YOU KNOW, I GOT THIS PHOTO

SHOOT SET UP FOR JOSELINE,

BUT I'M STILL BUGGING

ABOUT WHAT HAPPENED

AT MAGIC CITY.

CHE' DIDN'T DESERVE

TO GET SCREAMED ON OR ATTACKED.

I FEEL A LITTLE RESPONSIBLE

FOR PUTTING 'EM BOTH TOGETHER,

BUT, YOU KNOW, WHEN JOSELINE

IS WRONG, SHE NEEDS TO ADMIT

SHE'S WRONG.

AND THIS TIME, SHE'S DEAD WRONG.

SO LOOK.

SOMETHING BEEN ON MY MIND.

WHAT?

THAT LITTLE INCIDENT

THAT HAPPENED AT THE STRIP CLUB.

[bleep] THAT BITCH.

LISTEN.

THIS IS SUPPOSED TO BE

ABOUT ME.

IT IS, BABY.

YOU CAN'T BE BRINGING UP--

LISTEN. LISTEN.

EVERYTHING IS ABOUT YOU.

STEVIE, IF EVERYTHING

IS ABOUT ME, WHY ARE YOU

SITTING ME DOWN WITH THIS

RATCHET-ASS HO?

IT HAPPENED.

LET'S JUST CLEAN IT UP NOW.

YOU SHOULD NOT HAVE ME

SITTING DOWN WITH NOBODY.

THE ONLY BITCH THAT NEEDS TO BE

IN A PHOTO SHOOT, IN A STUDIO,

IS JOSELINE HERNANDEZ.

ALL RIGHT.

I AGREE WITH YOU.

BUT AT THE END OF THE DAY,

I'M LIKE, "WHATEVER HAPPENED

HAPPENED."

YOU KNOW WHAT I'M SAYING?

IT WAS YOUR FAULT.

SHE DIDN'T WANT THAT,

SO WE GOT TO FIGURE OUT

WHAT WE CAN DO TO CLEAN THAT UP.

I KNOW I SHOULDN'T

BE FIGHTING.

I'M WRONG FOR DOING THAT.

I SHOULD HAVE NEVER

PUT MY HANDS ON HER.

BUT...

BEING FROM THE STREETS

WHERE I'M FROM,

YOU LEARN TO GRAB WHAT YOU WANT

BEFORE IT'S TAKEN AWAY FROM YOU.

AND I SEEN THIS BITCH,

CHE' MACK, TRYING TO GET

IN THE STUDIO WITH MY MANAGER

AND MY "SUPPOSED TO BE" MAN,

AND ALL I SEEN WAS RED.

I KNOW I WAS WRONG,

BUT I GOT TO PROTECT MYSELF

AND MY CAREER.

YOU HAVE TO SIT DOWN

WITH CHE'.

COME ON, BE NICE.

DON'T--DON'T SAY HER NAME

LIKE YOU DOWN WITH HER...

I'M DOWN WITH YOU.

'CAUSE THEN IT'S GONNA BE--

* THE PUERTO RICAN PRINCESS

STEVIE, LISTEN.

I WILL APOLOGIZE TO THIS GIRL,

BUT I DON'T WANT NO SHENANIGANS

OUT OF YOU.

AND LET ME FIND OUT

YOU SMASHING HER,

AND I'M GONNA SMASH

YOUR [bleep] HEAD OPEN.

I'M SERIOUS, STEVIE.

YOU NEED TO KEEP YOUR [bleep]

IN YOUR PANTS.

IT IS.

I'M ONLY APOLOGIZING

'CAUSE I WAS WRONG.

BE NICE.

ALL RIGHT, SEE IF WE CAN GET

SOME MORE OIL RIGHT HERE.

YEAH.

AND WE'LL BE READY TO SHOOT.

OKAY, PERFECT.

YEAH, LET'S DO IT.

LET'S DO IT.

I'M FREEZING.

MM.

* STICK YOUR CHEST OUT

♪ STICK YOUR CHEST OUT

♪ WE GOIN' BAD ♪

♪ YOU SHOULD GO

♪ STICK YOUR CHEST OUT

♪ WE GOIN' BAD ♪

♪ YOU SHOULD GO

♪ STICK YOUR CHEST OUT

♪ WE GOIN' BAD ♪

♪ YOU SHOULD GO

♪ STICK YOUR CHEST OUT

♪ WE GOIN' BAD ♪

♪ YOU SHOULD GO

♪ STICK YOUR CHEST OUT

♪

DID I EVER TAKE A SHOT

AT MIMI?

BUT DO YOU FEEL LIKE YOU

OWE HER AN APOLOGY FOR--

I DON'T OWE HER [bleep].

SHE DON'T ROCK WITH ME

THE SAME WAY I ROCK WITH HER.

AND I CAN'T PLAY.

AND I CAN'T BE HER FRIEND

NO MORE.

[camera shutter clicking]

NICE.

THIS LOOKS WAY OVER BUDGET.

I DON'T WANT THE SAME OLD

RASHEEDA LOOK.

BUT IF I SAY WAIT, YOU WAIT.

HOW LONG YOU WANT TO WAIT,

TILL I'M A [bleep] WHALE?

HELLO.

[laughter]

GODDAMN.

HI, FIRECRACKER.

WHAT UP, BABY?

IT'S SO GOOD TO BE BACK

IN THE "A" AFTER ALL THE DRAMA

UP NORTH.

BUT IT'S BUSINESS FIRST.

AND I REALLY NEED TO SIT DOWN

WITH K. BECAUSE SHE GOT PHYSICAL

WITH MY FRIEND

AND THAT'S A PROBLEM,

SO I REALLY WANTED TO STRAIGHTEN

THIS [bleep] OUT.

OKAY, WHAT WE GONNA DO?

WE GONNA HAVE A REAL TALK.

I KNEW YOU CARED.

SO FOR THAT TO HAPPEN...

YEAH.

IT WAS LIKE,

"I'M SORRY, WHAT?"

LET ME JUST SAY THIS

FOR FUTURE REFERENCE.

NEVER BRING SOMEONE

TO MY PLACE WHERE I'M DOING

SOMETHING LIKE THAT.

NOTHING WAS GOING TO BE SOLVED

THAT NIGHT WITH ME AND MIMI,

PERIOD.

AND I'M ALWAYS SO WORRIED

ABOUT IF MIMI GOOD, MIMI GOOD.

THAT WAS MY ONE NIGHT

TO BE SELFISH.

I JUST FEEL LIKE YOU GUYS

COULD HAVE TALKED ABOUT THAT

IN A MANNER TO WHERE--

IT WASN'T THE TIME.

I DIDN'T CARE ABOUT HOW MIMI

WAS FEELING.

I REALLY DO BELIEVE THAT--

WELL, DO YOU FEEL LIKE YOU

OWE HER AN APOLOGY FOR--

I DON'T OWE HER [bleep].

K., YOU SAID A LOT

OF MEAN THINGS TOO.

I DON'T CARE.

SHE SHOULDN'T HAVE SHOWED UP.

BUT IF I REALLY WANTED TO FIGHT,

I JUST WOULD'VE FOUGHT.

NO.

I BOPPED HER

WITH THE FLOWERS,

'CAUSE THAT WAS LIKE

A "BITCH, WAKE UP" SLAP.

"BITCH, STOP BEING

[bleep] DRUNK.

BITCH, THIS MAN IS USING YOU.

BITCH, THIS WHAT IT IS."

NO, NO.

I'M REAL BIG ON RUN UP,

GET DONE UP,

TALK [bleep] TO GET HIT.

THAT'S WHAT I BELIEVE.

K.MICHELLE ISN'T THE TYPE

OF PERSON TO LET ANYONE

DO ANYTHING TO HER,

SO IF MIMI WANTS TO COME FOR ME,

THEN I'MA COME FOR HER.

IF SHE STARTS IT,

I FINISH IT.

SHE DON'T ROCK WITH ME

THE SAME WAY I ROCK WITH HER.

AND I CAN'T PLAY.

AND I CAN'T BE HER FRIEND

NO MORE.

DO YOU THINK THAT YOU

COULD'VE JUST HANDLED THAT

DIFFERENTLY?

NO, BECAUSE--WHY--THIS WHY--

WITH HER, NOT NIKKO.

WITH HER.

DID I EVER TAKE A SHOT

AT MIMI UNTIL SHE

SAID SOMETHING?

SHE TOOK DIRECT SHOTS AT ME.

I WAS TALKING ABOUT NIKKO.

YOU DIDN'T SAY

ANYTHING BAD...

[together] ABOUT HER.

I WOULD NEVER DO HER

LIKE THAT.

BUT THAT'S SOMEBODY

THAT SHE'S SLEEPING WITH.

SLEEPING WITH?

YOU CAN'T EVEN SAY "LOVE."

DO YOU THINK SHE LOVE HIM?

ABSOLUTELY NOT.

FIRST SHE GO FROM STEVIE.

NOW SHE ON HIS BUS.

NOW SHE ON THE PINK BUS.

AND MY BELIEF IS THAT THIS MAN

IS NOT RIGHT.

I JUST WANT EVERYBODY

TO GET ALONG.

NO, WE GOOD.

[growls]

WE GOOD.

I AIN'T GOT NO PROBLEM WITH HER.

I WANT HER TO BE HAPPY.

I HOPE THE BOY DO RIGHT.

BUT I THANK YOU

FOR BEING AT THAT SHOW,

FOR BEING ABLE TO SHARE

THAT MOMENT WITH ME.

THAT--THAT MEANT A LOT TO FAMILY

AND SUPPORTERS.

YOU DID GREAT.

I WILL SAY THAT.

I DON'T KNOW WHY ME AND YOU

CAN ALWAYS HAVE A CONVERSATION.

YOU ARE THE ONE PERSON

I CAN HAVE A CONVERSATION WITH.

[laughs]

I REALLY DIDN'T GET A CHANCE

TO TALK TO ERICA

AT THE FASHION SHOW,

SO I INVITED HER ON A PLAYDATE.

OUR KIDS ARE AROUND

THE SAME AGE,

AND SHE'S ANOTHER MOTHER

I CAN TALK TO, SO THIS IS

A GREAT CHANCE TO GET TO KNOW

HER BETTER.

WHAT HAVE YOU BEEN UP TO?

WORKING.

THAT'S IT, WORKING.

SAME HERE.

I HEARD YOU WAS OPENING

A STORE.

YEAH, MYSELF AND MY SON'S

FATHER, BIG DREW, WERE GONNA

OPEN A SNEAKER STORE TOGETHER,

BUT IT WENT TO THE LEFT,

THE RIGHT.

IT WENT UPSIDE DOWN, INSIDE OUT.

YOU KNOW WHAT, [bleep]...

WHAT HAPPENED?

LIKE, ONE OF THE PARTNERS...

UH-HUH.

ENDED UP BEING A CON ARTIST.

YEAH, SO WE'RE DOING

WHAT WE GOT TO DO

TO GET THE MONEY BACK,

BUT IT'S STILL HARD.

AND I WAS HOPING THE STORE

WOULD OPEN TO KEEP HIM HERE...

MM-HMM.

SO HE DIDN'T HAVE

TO GO BACK ON TOUR.

HE CAN, YOU KNOW, BE A DAD

AND HELP ME OUT MORE.

YOU KNOW HOW IT IS,

KIND OF LIKE BEING A SINGLE--

I FEEL LIKE A SINGLE MOTHER.

'CAUSE HE'S NOT HERE.

YEAH.

SO WITH THE STORE

NOT OPENING, IT'S LIKE,

YOU KNOW, YOU GOT TO GO BACK

ON THE ROAD.

WHO DO I TURN TO?

I DON'T HAVE ANY FRIENDS.

I DON'T HAVE ANY FAMILY.

LIKE, WHO DO YOU--

YOU HAVE FAMILY HERE?

YEAH, I'M FROM HERE.

I HAVE FAMILY HERE.

AND, OF COURSE, YOU KNOW,

SCRAPPY'S FROM HERE, YOU KNOW.

RIGHT, ARE YOU GUYS

STILL TOGETHER?

NO, WE'RE NOT TOGETHER.

Y'ALL WAS ENGAGED.

YEAH, WE WERE ENGAGED.

THE ENGAGEMENT'S OFF.

AT THIS POINT, WE'RE JUST REALLY

JUST TRYING TO BE FRIENDS

AND JUST BE AT PEACE, YOU KNOW.

I CAN COMPLETELY UNDERSTAND

ERICA WHEN SHE TELLS ME

SHE WANTS TO BE AT PEACE

WITH HER SON'S FATHER,

THEY WANT TO CO-PARENT,

'CAUSE I'M IN THAT SAME

SITUATION.

DREW PISSES ME OFF

ON A REGULAR BASIS,

SO I GET IT.

IT'S FRUSTRATING SOMETIMES.

HIM--WITH HIM LEAVING,

THAT'S GONNA BE FRUSTRATING.

GROUPIE [bleep]--

I CALL 'EM POPCORN HOS

'CAUSE THEY POP IN AN OUT.

POPCORN HOS,

IT'S FRUSTRATING.

SPEAKING OF THE POPCORN

HOS...

[laughs]

YOU WERE WITH ONE.

SHAY.

SO DO YOU KNOW, YOU KNOW,

HER AND SCRAPPY'S HISTORY?

I KNOW THAT SHE DATED HIM

OFF AND ON.

I DON'T REALLY...

MY ISSUE WITH HER IS,

"YOU KNEW THE WHOLE TIME

ABOUT ME.

YOU KNEW OUR RELATIONSHIP.

YOU KNEW HOW"--

YOU KNOW WHAT I'M SAYING?

LIKE, YOU KNOW, IF YOU GOT

TO CONTINUE TO QUESTION A DUDE

ABOUT HIS BABY MAMA,

YOU KNOW WHERE HIS HEART IS.

Y'ALL NEVER TALK

TO EACH OTHER.

MM-MM.

OKAY, IF Y'ALL WAS

TO ACTUALLY SIT DOWN AND HAVE

A GROWN WOMAN CONVERSATION

WITH EACH OTHER,

THAT CAN GET [bleep] OUT

AND THEN LET IT GO.

OH, WE'RE GONNA HAVE

THE CONVERSATION.

I MEAN, [bleep],

HAVE THE CONVERSATION.

MM-HMM.

OKAY, WELL, GOOD.

GET IT OUT.

[both laugh]

LET THAT [bleep] FREE YOU.

COME ON, JUMP WITH ME.

OKAY, COME ON.

OH, SURE, WE GOING TO JUMP.

WHERE'S MY BOO?

DREW BOO!

[laughter]

IN THE WORLD!

OH, MY GOD!

[pulsing dance music]

♪

* D-O-L-L-A-R

♪ I-N T-H-E 3-A-G, HUH

♪ GONNA BUY A NEW TV

NICE.

BEAUTIFUL.

THAT'S NICE.

TODAY, I AM

IN BOSS CHICK MODE.

IT IS MY PHOTO SHOOT.

I AM DOING THE SHOTS

FOR THREE SINGLES

OFF THE BOSS CHICK MUSIC ALBUM

AND SOME SHOTS

FOR IMBOSSY.COM AS WELL.

NEXT LOOK.

ALL RIGHT.

BAM.

both: ALL RIGHT.

HEY.

I'M MOVING FORWARD,

AND I'M TELLING KIRK

I'M MOVING FORWARD

WITH THIS PREGNANCY,

WITH MY CAREER,

AND I'M DOING IT

WITH OR WITHOUT HIS SUPPORT.

THE MINUTE HE SAYS NO TO ME

IS WHEN I SAY, "HELL, YEAH.

I'M GONNA DO IT MYSELF,

AND I DON'T GIVE A DAMN

IF YOU LIKE IT OR NOT."

WHAT'S UP?

THAT'S WHAT I'M TRYING

TO FIGURE OUT.

WHAT YOU MEAN?

YOU SAID YOU WERE GONNA BE

DOING A QUICK PHOTO SHOOT.

RIGHT.

THIS LOOKS WAY OVER BUDGET.

THIS IS THE FULL MEAL DEAL.

THIS IS NOT WHAT

WE TALKED ABOUT.

WELL, I WANT

A PROFESSIONAL LOOK.

I DON'T WANT THE SAME OLD

RASHEEDA LOOK.

AND ON TOP OF THAT--

THAT'S COOL THAT YOU WANT

A PROFESSIONAL LOOK,

BUT THIS IS COMING OUT

OF THE BUSINESS ACCOUNT.

BUT YOU KNOW WHAT?

I LOOKED AT THE BANK ACCOUNT,

AND I SAID, "IT'S MORE THAN

ENOUGH MONEY IN THERE

FOR ME TO BE ABLE TO PAY

FOR THIS PHOTO SHOOT."

BUT IF I TELL YOU TO WAIT,

YOU WAIT.

YOU DON'T KNOW HOW TO JUGGLE.

BUT IF I SAY WAIT, YOU WAIT.

HOW LONG YOU WANT TO WAIT,

TILL I'M A [bleep] WHALE?

THAT'S SOMETHING

YOU DECIDED TO DO.

I DID IT BY MYSELF?

YEAH, YOU DID.

I GOT MYSELF

KNOCKED UP, OKAY.

I DON'T KNOW.

I HAVE--I REALLY HAVE DOUBTS

ABOUT IT, ANYWAY.

OH, YOU DO?

YES, I DO.

WELL, DOUBT ALL YOU WANT THEN

WITH YOUR SMART MOUTH.

YOU THINK THAT'S FUNNY?

YOU THINK THAT [bleep]--

DOES IT LOOK LIKE

I'M BEING FUNNY?

YOU PROBABLY SAYING

THAT [bleep] TO ME

'CAUSE THAT'S SOME [bleep]

YOU DOING.

I DON'T DO THAT.

I MIGHT BE A LOT OF THINGS,

BUT A CHEATING-ASS WOMAN,

A CHEATING-ASS WIFE

AIN'T ONE OF 'EM.

SO CHECK YOUR DAMN SELF

AND CHECK YOUR OWN INSECURITIES.

SAVE THAT [bleep]

FOR SOMEBODY ELSE.

AT THE END OF THE DAY,

THAT RIGHT THERE,

WE WILL NEED A BLOOD TEST,

BECAUSE, YES, I DO HAVE THINGS

ON MY MIND THAT I DON'T BELIEVE.

YOU ARE JOKING, RIGHT?

YOU PLAYING WITH ME

RIGHT NOW WITH THAT, RIGHT?

WHY--WHY IS IT A JOKE?

SO WHAT YOU THINK?

I'M [bleep] AROUND?

WHAT ARE THE RAPPERS

KNOWN FOR?

YOU'RE A RAPPER, RIGHT?

WHAT ARE DUDES KNOWN FOR?

I'M NOT THE ONE

COMING IN THE HOUSE

AT 3:00 OR 4:00 IN THE MORNING

EVERY OTHER [bleep] NIGHT.

A BLOOD TEST--

YOU WANT A BLOOD TEST?

I'LL SHOW YOU A BLOOD TEST

ALL RIGHT.

I'LL TELL YOU WHAT.

THE GREAT THING FOR YOU IS,

YOU STILL AT THE STAGE

WHERE YOU CAN "X" THAT

RIGHT THERE OUT THE PICTURE.

OKAY, IT'S TIME

FOR YOU TO LEAVE.

AND REALLY...

IT'S TIME FOR YOU TO GO.

IF YOU KNOW WHAT I KNOW

OR WHAT I HEARD...

YOU READY

FOR THE NEXT OUTFIT?

BECAUSE YOU KNOW WHAT?

YOU FULL OF [bleep] WITH THAT,

AND I DON'T WANT TO HEAR IT.

WELL, I'M GONNA STAY

FULL OF [bleep],

BUT YOU NEED TO REALLY PUT IT

ON YOUR BRAIN.

NO, I AIN'T PUTTING NOTHING

ON MY BRAIN.

WHAT YOU NEED TO DO

IS BE A FATHER AND MAN UP

AND STOP GOING THROUGH--

I'VE BEEN FATHER.

I ALWAYS DO MY JOB,

SO I AIN'T GOT NO PROBLEMS.

BUT GUESS WHAT.

BE A BETTER HUSBAND.

BE SUPPORTIVE.

I DON'T WANT TO BE

A [bleep] HUSBAND RIGHT NOW.

OH, YOU DON'T?

NO, I DON'T.

WELL, THEN GET

THE [bleep] OUT.

WHY ARE YOU HERE?

BECAUSE YOU'RE WRITING MONEY

OUT OF MY CHECKBOOK.

IT DON'T MATTER.

BYE.

LET'S GO.

WE WANT TO MAKE SURE

YOU'RE NOT FOCUSING ON BEEFING

WITH PEOPLE.

THESE INCIDENTS

ARE DIMINISHING YOUR BRAND.

I DON'T WANT TO LET

MY FANS OUT THERE--

I DON'T WANT TO LET THEM DOWN.

SCRAPPY AND ERICA,

THEY NOT TOGETHER NO MORE.

Y'ALL BEEN HANGING OUT?

WE HUNG OUT.

YOU HUNG OUT?

YOU KNOW WHAT?

I GOT TO SOMEHOW

JUST CUT IT OFF.

SO WHAT YOU DOING LAST NIGHT?

[laughs]

I WAS HOME.

OKAY.

I MADE ME SOME LOBSTER

AND SOME SHRIMP.

YOU WEREN'T WATCHING NO PORN?

I'M JUST KIDDING.

NAH, I WASN'T WATCHING--

NOT LAST NIGHT.

I DON'T WATCH PORN BY MYSELF.

YOU BETTER NOT BE.

AS BAD AS I MAY BE SOMETIMES,

I WAS WRONG FOR PUTTING MY HANDS

ON CHE' MACK.

AS LONG AS STEVIE

DON'T WORK WITH CHE' MACK

BEFORE FINISHING MY [bleep],

I'M GONNA APOLOGIZE

TO THIS BRACE-FACED BITCH.

HEY.

WHAT'S UP, MA?

HI, CHE'.

HI.

I KNOW YOU PROBABLY HATE ME.

I LIKE YOUR FOXY FUR.

THANK YOU.

YOU ALL RIGHT?

YEAH, I'M GOOD.

EVERYTHING GOOD.

FIRST AND FOREMOST,

I WANT TO APOLOGIZE TO YOU.

ONE THING ABOUT ME,

WHEN I'M WRONG,

I'M GONNA SAY I'M WRONG.

AND I'M SORRY FOR DOING THAT,

'CAUSE I SHOULDN'T DO THAT.

'CAUSE YOU KNOW WHY?

I DON'T WANT NOBODY

PUTTING THEIR HANDS ON ME.

SO I APOLOGIZE FOR DOING THAT.

THAT WAS MY BAD.

I'M SORRY.

I SHOULDN'T HAVE DID THAT.

LIKE, I JUST DON'T

UNDERSTAND.

WHY CAN'T HE WORK WITH ME?

'CAUSE I KNOW YOU WORK

WITH OTHER PEOPLE.

Y'ALL GOING TO WORK

WITH OTHER PEOPLE.

LISTEN, TRUST ME.

I DON'T MIND HIM WORKING

WITH NOBODY ELSE,

'CAUSE YOU KNOW WHY?

THAT'S HOW HE MAKE HIS MONEY.

MY THING WITH HIM WAS THAT

"YOU FINISH WITH ME FIRST."

DON'T I TELL YOU THIS

ALL THE TIME?

THAT'S WHAT BASICALLY

I WAS TELLING TO HER.

LIKE, I CAN'T EVEN GO AROUND

AND HOLLER AT YOU BECAUSE

ME AND HER HAVE THIS THING.

YEAH.

YOU KNOW WHAT I'M SAYING?

IT'S LIKE LA COSA NOSTRA

THING OF OURS.

AND IF I CAN'T WORK WITH HIM

BECAUSE OF YOU,

THEN IT'S ALL LOVE.

IT'S RESPECT, BUT I'M GONNA KEEP

ON DOING WHAT I'M DOING.

AND HOPEFULLY, Y'ALL COME AROUND

AND SAY, "ALL RIGHT, LOOK.

LET'S [bleep] WITH HER ONE TIME.

LET'S DO A SONG WITH HER.

[bleep] IT."

CAN WE MOVE PAST THIS?

ASK HER. DON'T ASK ME.

LISTEN.

JUST HEAR ME OUT.

I'M LISTENING, CHE'.

IF I WAS MESSING WITH HIM,

I WOULD NOT BE AROUND.

BUT WHY ARE WE STILL TALKING

ABOUT THE SAME THING--

BUT HE AIN'T TELL YOU

ABOUT THE TIME WHEN I GOT

MY HOUSE BROKEN INTO?

AND HE, YEAH, GOT ME THE TV

FOR MY HOUSE.

YOU GOT HER A TV?

YEAH.

OH, I DIDN'T KNOW THIS.

THAT WAS JUST BECAUSE

HE'S MY FRIEND.

WHEN THIS HAPPEN?

THIS WAS A WHILE AGO, BUT--

YOU DID THAT?

OH, OKAY.

BUT JUST LISTEN.

IT AIN'T THAT DEEP.

OKAY.

I'M TRYING TO PLAY IT COOL

WITH STEVIE AND CHE' MACK

AND THE WHOLE SITUATION,

BUT THEN I FIND OUT THIS BITCH

[bleep] WITH STEVIE J.,

TRYING TO PLAY SEXY SANTA CLAUS

FOR ANOTHER BITCH.

AND IT BOTHERS ME.

IT MAKES ME NOT REALLY EVEN

WHAT TO BE WITH YOU EVER.

IT'S STUPID.

IT'S IMMATURE.

THIS BITCH DON'T BRING NO MONEY

TO THE TABLE,

SO I DON'T KNOW

WHAT THE [bleep] YOU'RE DOING.

SO WE'LL MEET AGAIN.

OH, SO YOU ABOUT TO LEAVE?

OH, YEAH, I'M RUNNING.

WHY YOU RUNNING?

YOU GUYS CAN STAY.

I GOT THINGS THAT I HAVE TO DO.

SEE YOU LATER.

ALL RIGHT, SEE YOU LATER.

[whispers] BYE.

[owl hooting]

YOU NERVOUS?

I'M NOT, ACTUALLY.

I GOT A WHOLE LOT GOING ON,

SO I WANT TO SEE

WHAT SHE GONNA SAY,

WHAT SHE GONNA TELL ME.

HI, LADIES.

both: HI.

MY NAME IS REVEREND

PRIESTESS CALISTA,

AND I'LL BE YOUR READER, OKAY?

I'VE BEEN TO PSYCHICS BEFORE.

AND WHEN ERICA TOLD ME

ABOUT THIS PRIESTESS

THAT SHE KNEW ABOUT,

I FIGURE, "WHAT THE HELL,

LET'S GO SEE."

I GOT A LOT OF STUFF

GOING ON IN MY LIFE.

MAYBE THIS LADY COULD GIVE ME

A LITTLE BIT OF INSIGHT.

IN YOUR HOUSE OF FRIENDS

AND FAMILY, IT'S TALKING ABOUT

YOU MOVING, CHANGING YOUR JOB

OR CHANGING YOUR RESIDENCE.

BEFORE, YOU WAS TALKING ABOUT

A LOVE AFFAIR THAT YOU MAY BE

CONCERNED WITH.

DO YOU KNOW WHAT

I'M SPEAKING OF?

YES.

OKAY, SO SHE GOT ME.

I DID JUST MOVE

INTO MY NEW PLACE.

BUT THIS RELATIONSHIP BUSINESS,

IT'S A LITTLE WEIRD.

I'VE HAD MY DOUBTS

ABOUT NIKKO A LITTLE BIT.

I HAD MY EYEBROW RAISED,

BUT I HAVEN'T TOLD ANYONE

ABOUT IT, SO THERE'S NO WAY

THIS LADY COULD KNOW.

AND THE OUTCOME

OF THE READING SAYS THAT

YOU'RE TRYING TO REBUILD

AN OLD RELATIONSHIP

BUT IN A NEW WAY

OR SOMEONE FROM THE PAST

HAS RETURNED TO YOU.

THIS IS A FOOLISH DECISION.

[coughs]

DO YOU KNOW WHAT

I'M SPEAKING OF?

[laughter]

I SAT AND LOOKED THAT WAY.

OH, MY GOSH.

PHEW.

YES.

YES?

CLEARLY.

AND IT ALSO SAYS HERE

THAT THIS SITUATION

IS OVER FOR YOU.

YOU'RE NOT GONNA GET

ANY FURTHER WITH IT.

LET IT GO.

OKAY, I'M A LITTLE

UNCOMFORTABLE.

[snickering]

I AM READY, GOODNESS.

I WANT TO ASK ABOUT

MY FRIENDSHIPS.

ANY PARTICULAR FRIENDS

IN PARTICULAR OR JUST OVERALL?

YES, I WOULD LIKE TO ASK

ABOUT A GIRLFRIEND

NAMED K.MICHELLE.

K.MICHELLE,

IN HER HEART,

DOES NOT...

CARE FOR YOU,

ALTHOUGH,

SHE ACTS EXTREMELY

FRIENDLY, PERIOD.

DOES THAT MAKE SENSE TO YOU?

ALL DAY.

DOES THAT MAKE SENSE TO YOU?

YOU DON'T KNOW WHAT HAPPENED.

SHE HIT A COUPLE OF HOME RUNS

SO FAR.

K.MICHELLE, SHE HASN'T BEEN

ACTING TOO FRIENDLY WITH ME

LATELY, BUT NIKKO?

THIS IS REALLY FREAKING ME OUT.

ANY OTHER QUESTIONS?

MM-MM.

TAKE GOOD CARE OF YOURSELVES.

THANK YOU.

IT WAS MY PLEASURE.

ALL RIGHT.

THANK YOU.

OOH, GIRL.

I AM SO EXCITED.

I'M ON CLOUD NINE.

I'VE SOLD OUT TWO SHOWS

IN ONE WEEK WITH NO ALBUM,

NO SINGLE.

HELLO.

YOU MADE IT.

WHAT UP?

AND MY A&R, ALASKA,

CALLED ME IN BECAUSE IT'S TIME

FOR US TO TALK ABOUT

THE NEXT STEPS IN MY JOURNEY.

SO WHAT ARE WE DOING?

SO YOU KNOW,

THE PROJECT'S COMING OUT,

WANT TO MAKE SURE

WE'RE FOCUSED ON THE MUSIC.

ALL RIGHTY.

AND WE WANT TO MAKE SURE

YOU'RE NOT FOCUSING ON TWITTER

AND MAKE SURE YOU'RE NOT

FOCUSING ON BEEFING WITH PEOPLE.

SO WE JUST WANT TO HAVE

A LITTLE CONVERSATION

TO SET THINGS UP.

OKAY.

WHAT DO YOU THINK IS YOUR

PERCEPTION IN THE MEDIA OVERALL,

THE DOMINANT PERCEPTION

OF K.MICHELLE?

I THINK PEOPLE THINK

THAT I'M CRAZY.

I THINK PEOPLE THINK

THAT I'M A FIRECRACKER.

ARE YOU OKAY WITH THAT?

YEAH.

[chuckles]

SO MUCH OF IT

IS NEGATIVE, THOUGH.

I DON'T CARE.

YOU DON'T CARE?

'CAUSE I KNOW WHO I AM.

I DON'T CARE.

BUT WHAT ABOUT THE MUSIC?

MY MUSIC IS AMAZING.

THAT WE KNOW.

YOU'RE A GREAT SINGER,

A TALENTED SONGWRITER.

YOU HAVE A NEW LABEL

SITUATION AT ATLANTIC.

YOU HAVE A NEW MANAGER.

YOU HAVE A LOT OF NEW

SITUATIONS, BUT...

THE SAME ATTITUDE.

ATTITUDE.

EVERYONE'S ALWAYS CHECKING

OUT WHAT'S THE LATEST GOSSIP,

WHAT'S THE LATEST BEEF.

AND YOU AS A ARTIST, AS MUCH

AS YOU SAY YOU DON'T CARE,

I KNOW YOU WANT PEOPLE

TO CARE ABOUT YOUR MUSIC.

THEY DO.

THAT'S WHY I SELL OUT SHOWS.

OKAY, BUT SELLING OUT SHOWS

AND SELLING--YOU HAVE A SINGLE--

THEY'RE NOT COMING TO SEE ME

HIT NOBODY ONSTAGE.

THEY COME TO HEAR ME SING.

OKAY, THESE INCIDENTS

ARE DIMINISHING YOUR BRAND.

AND INSTEAD OF PEOPLE FOCUSING

ON YOU, THE TALENT,

ALL OF THAT IS BEING SUPPRESSED

BY ALL OF THIS MESS.

I WANT THEM TO SEE

THE CARING WOMAN

WHO WANTS TO BE THE GOOD FRIEND,

WHO WANTS TO BE THE CONFIDANT,

WHO WANTS TO BE THE SUPPORTER.

BUT IF PEOPLE GET TO SEE

WHO YOU ARE AND THEY SEE

THAT YOU'RE A GREAT PERSON,

THEY'RE GONNA BE LIKE,

"YOU KNOW WHAT?

I WANT K.MICHELLE TO WIN."

I DON'T EVER WANT TO BE

THE KIND OF PERSON

WHO BITES THEIR TONGUE,

'CAUSE THAT'S JUST NOT ME.

BUT AT THE SAME TIME,

IF IT HAS A NEGATIVE EFFECT

ON HOW PEOPLE LOOK AT ME

AND THEY CAN'T PROPERLY LISTEN

TO MY MUSIC RIGHT,

THEN THERE'S SOME CHANGES

I NEED TO MAKE.

I JUST WANT TO SING.

THAT'S JUST IT, LIKE--

WELL, DO THAT.

LET'S DO IT.

I JUST DON'T THINK THE PEOPLE

THAT I'VE BEEN AROUND

HERE IN ATLANTA

ARE WHO I NEED TO BE AROUND.

I GIVE EVERYBODY EVERYTHING.

AND THEN WHEN YOU GIVE EVERYBODY

EVERYTHING AND THEN THEY GO

AND [bleep] ON YOU,

I DON'T APPRECIATE IT.

SO I'LL WORK ON IT.

I'LL DEAL WITH TWITTER AND--

AND ALL OF THAT

OR WHATEVER IT NEEDS TO BE,

'CAUSE I DO WANT MY MUSIC.

I DON'T WANT TO LET THE PEOPLE

WHO ACTUALLY HAVE MY BACK,

MY FANS OUT THERE--

I DON'T WANT TO LET THEM DOWN.

AND I BELIEVE THEY WANT YOU

TO WIN JUST LIKE WE DO,

BUT IT'S TIME FOR THE CHANGE.

AND I HAVE A ALBUM TO MAKE.

LET'S TAKE THE CAREER.

LET'S MAKE IT STRATOSPHERIC.

NEXT LEVEL.

WE HAVE WORK...

YES.

IN OUR STUDIO.

YES.

I JUST DON'T EVEN WANT

TO DEAL WITH HIM, DAWN,

'CAUSE HE'S DOING TOO MUCH.

AND I'MA BREAK UP WITH HIM,

AND I'MA LET HIM KNOW

FOR REAL, STRAIGHT UP,

"YOU GO MAKE THAT HO A STAR.

I'M GONNA GO MAKE MYSELF

A STAR."

YOU DIDN'T EVEN GIVE ME

NO IDEA AT ALL THAT YOU

WAS READY TO POP THE QUESTION--

YES, I DID. I DID.

[bleep], I GAVE YOU A IDEA.

[bleep] NO, YOU DIDN'T.

WE WAS JUST [bleep] SIX DAYS

BEFORE YOU PROPOSED, HOMEBOY.

I HAVEN'T SEEN YOU

SINCE THE FASHION SHOW.

YOU KNOW WHAT?

YOU'VE BEEN RUNNING

AROUND THE WORLD.

I'VE BEEN KIND OF GOING

THROUGH IT.

I DON'T KNOW IF YOU KNOW

ABOUT THE BREAKUP.

SCRAPPY AND ERICA,

THEY NOT TOGETHER NO MORE.

RIGHT.

AND ALL OF A SUDDEN,

HE COME RUNNING TO ME.

THERE'S BEEN A LOT

OF COMMUNICATION.

THERE'S BEEN A LOT OF TEXTING.

WHY?

I KNOW. I KNOW. I KNOW.

JESUS.

SHAY KEEPS GOING BACK

TO SCRAPPY OVER AND OVER

AND OVER AGAIN.

I KEEP TELLING HER,

"MOVE THE [bleep] ON,"

BUT SHE DOESN'T LISTEN TO ME.

IF SHE WOULD TAKE MY ADVICE

AND MOVE ON, SHE'LL FIND SOMEONE

TO PUT A RING ON IT.

SCRAPPY'S NOT PUTTING

A RING ON YOU, BOO.

WHEN YOU GONNA REALIZE THAT?

Y'ALL BEEN HANGING OUT?

WE--WE--WE HUNG OUT.

YOU HUNG OUT?

WE--I MEAN, A COUPLE TIMES,

YEAH.

OHH!

WHAT ARE YOU TALKING ABOUT?

I TOLD YOU THAT [bleep]

WAS GONNA--

I DIDN'T SAY ANYTHING.

I TOLD YOU THAT

WAS GONNA HAPPEN.

I SAID, "HE'S GONNA GET

NEAR YOU.

HE'S GONNA--

HE KNOWS WHAT TO TOUCH.

HE KNOWS--HE KNOWS YOU."

I MEAN, I'VE KNOWN THE MAN

FOR FIVE FREAKING YEARS, DUDE.

EXACTLY.

BUT WHAT I WILL TELL YOU IS,

SOMETHING DONE CAME OVER ME,

AND I'M SICK OF IT.

PENIS-NOTIZED, HELLO.

CLEARLY.

[laughs]

CLEARLY, 'CAUSE I--

WELL, I ALREADY TOLD YOU

IT WAS GONNA--I MEAN, DAMN.

THE MORE I THINK ABOUT

MY SITUATION WITH SCRAPPY,

THE MORE I FEEL LIKE,

"WHY DID I LET THIS MAN

BACK IN MY HOUSE AGAIN?"

AND I GOT TO PUT SOME TYPE

OF STOP TO IT BEFORE I GET

TOO DEEPLY INVOLVED AND GET HURT

ALL OVER AGAIN.

I GOT TO SOMEHOW

JUST CUT IT OFF.

YOU GONNA HAVE TO SHOW ME

HOW TO DO IT,

'CAUSE I DON'T KNOW HOW.

IT'S TIME TO TALK.

GET IT OUT,

AND THEN YOU'RE DONE.

THAT'S CLOSURE.

I'M--I'M GONNA FIND A WAY

TO LET GO.

I DON'T KNOW.

YOU KNOW, I WAS COOL

WITH APOLOGIZING

WITH METAL MOUTH,

BUT AFTER STEVIE SAT ME UP THERE

IN FRONT OF THIS BITCH

AND SHE HAD THE NERVE TO TELL ME

STEVIE BOUGHT HER A TV,

I WAS DONE WITH HER BITCH ASS,

HIS BITCH ASS,

AND THEY COULD BOTH

DO BITCH-ASS THINGS TOGETHER.

HEY, DAWN.

HEY, HEY.

WHAT'S GONNA ON?

OH, MY GOD,

I LOVE THOSE SHOES.

OH, THANK YOU.

I'M LIKE, YOU KNOW WHAT?

LET ME CALL MY HOMEGIRL DAWN,

'CAUSE, FOR REAL,

I NEED TO VENT.

I NEED TO TALK TO SOMEBODY

ABOUT ALL THE BULL[bleep]

WITH STEVIE, 'CAUSE I DON'T EVEN

KNOW WHAT TO DO ANYMORE.

HOW DID THAT MEETING GO

WITH LITTLE DUSTY AND...

I JUST DON'T EVEN WANT

TO DEAL WITH HIM, DAWN,

'CAUSE HE'S DOING TOO MUCH.

YOU KNOW I'M NOT GONNA BE COOL

WITH YOU WORKING WITH ANOTHER

BITCH WHEN YOU'RE NOT DONE

WITH ME.

YOU GOT ME MESSED UP.

WHO THE HELL YOU THINK I AM?

I'M NOT GONNA DELAY MY CAREER

BECAUSE OF YOUR SHENANIGANS.

AND, GIRL, YOU KNOW,

HE GOT THE NERVE TO TELL ME

HE BOUGHT HER A TV.

HE FEEL BAD.

HOLD UP.

[chuckles]

I'M LOST FOR WORDS.

THEY SUPPOSED TO BE "FRIEND."

THAT AIN'T [bleep]

FRIENDS DO.

TAKE CARE OF YOUR KIDS

AND HANDLE BUSINESS.

YOU'RE A MANAGER.

BE A MANAGER

AND DO WHAT YOU GOT TO DO

AND PRODUCE MUSIC.

BUYING A BITCH A TV,

AND YOU GOT KIDS.

BUT YOU GOT ALL THESE KID.

WHY WOULD YOU BUY THIS BITCH

A TV?

THAT TV COULD HAVE WENT

TO YOUR KID.

YEAH.

YOU KNOW WHAT I THINK IT IS?

YOU KNOW, HE CAPTAIN SAVE-A-HO,

SO HE CAN SAY,

"I SAVED THAT HO."

AT THE SAME RATE, YOU KNOW,

WE JUST GOT TO MAKE SURE

WE HAVE OUR [bleep] ON POINT

AND DO WHAT WE NEED TO DO

A.S.A.P.

TRUST ME, I'M DONE WITH IT.

AND I'MA BREAK UP WITH HIM,

AND I'MA LET HIM KNOW

FOR REAL, STRAIGHT UP,

"I DON'T WANT TO DEAL WITH YOU.

I FEEL LIKE YOU BRING--

I FEEL LIKE YOU'RE NOT BEING

MINDFUL OF HOW I FEEL."

SO GUESS WHAT I'MA LET HIM KNOW.

"YOU GO MAKE THAT HO A STAR.

I'M GONNA GO MAKE MYSELF

A STAR."

YOU KNOW WHAT?

THERE'S ONLY ONE

JOSELINE HERNANDEZ.

STEVIE'S NOT GONNA EVER FIND

NO ONE LIKE ME.

I'M JUST REALLY SICK

OF EVERYTHING.

HE COULD REALLY FIND SOMEBODY

ELSE TO GO TREAT LIKE [bleep].

I DESERVE BETTER.

I'M TOO DOWN OF A CHICK FOR HIM,

AND I JUST WANT MORE.

"FOR REAL, [bleep], PEACE OUT.

GO BE WITH A NICE BITCH.

BUY HER TV.

DO WHAT YOU GOT TO DO.

MAKE HER A STAR.

SHOOT HER A VIDEO.

MAKE HER A SONG.

LET ME DO ME."

YEAH.

AND GUESS WHAT.

WE'LL SEE EACH OTHER AT THE TOP.

BELIEVE THAT.

WE'LL SEE WHICH ONE

GET THERE FIRST.

MAN, LIKE, IT'S OVER.

IT'S OVER.

I DONE SAID SORRY

A BUNCH OF MOTHER[bleep] TIMES.

IT'S OVER, COOL.

IF YOU DON'T GIVE A [bleep]

ABOUT THAT, IT'S COOL.

FINE, WE SHOULD NOT HAVE

NEVER HAD SEX.

SHOULD'VE, WOULD'VE,

COULD'VE.

WHAT YOU'RE NOT GONNA DO,

YOU'RE NOT GONNA PLAY ME.

YOU NEEDED TO BE DONE

WITH MY PROJECT

BEFORE YOU DECIDE TO HELP

ANY OTHER PROJECT.

YOUR PROJECT WAS DONE

BEFORE IT STARTED.

SO YOU KNOW I'M TRYING

TO EXPAND MY BRAND.

BUT INSTEAD OF IT BEING "MAID,"

AS IN, MAID THAT CLEANS,

IT'S GONNA BE "MADE" M-A-D-E.

SO...

DOPE.

I GOT SOME IDEAS OF MY OWN.

SO I'M STARTING A T-SHIRT

LINE CALLED MADE,

SO I'M DOING A PHOTO SHOOT

NEXT WEEK FOR MY NEW BRAND.

AND SINCE JOSELINE

LIKES TO CALL ME A MAID,

I'LL BE WEARING A MAID OUTFIT

IN THE SHOOT.

BUT THIS IS MY IDEA, SO, NIKKO,

YOU STAY IN YOUR LANE,

AND I'LL STAY IN MINE.

ANYBODY THAT I'VE TOLD ABOUT IT

IS JUST, YOU KNOW,

EXCITED ABOUT IT, SO...

THAT'S WHY I CHOSE YOU.

I KNOW YOU'RE SMART.

YOU'RE SMART.

YOU'RE A SMART PERSON.

YES, I AM.

I THINK I'VE BEEN COACHING

YOU AND GIVING YOU--

COACHING ME?

COACHING YOU IN THE SENSE

WHEREAS I THINK WE'VE BEEN

HAVING A CONVERSATION.

YOU--LIKE, YOUR WORDPLAY

SOMETIMES IS SO [bleep] UP.

REALLY?

YES, LIKE I'M A CHILD.

IS THAT BECAUSE YOU'RE

SENSITIVE TO SOMETHING ELSE?

NO.

WELL, LET ME REPHRASE.

I'M SORRY IF YOU TAKING IT

THAT WAY, BUT IT'S NOT THAT WAY.

YOU SAID A FEW THINGS

YOU NEED TO TAKE BACK.

ALL RIGHT, WELL,

WE WORKING ON THAT.

I'M NOT--I CAN'T GET IT ALL

IN ONE DAY, BUT IT'S--

I'M WORKING ON IT.

BUT MOVING FURTHER,

WE'RE BUILDING,

AND I'M OUT FOR YOU.

AND I HOPE YOU'RE OUT FOR ME.

I MEAN, YOU'VE BEEN RIDING

ON MY TRAIN FOR THIS LONG NOW--

I'VE BEEN ON YOUR TRAIN?

WE'VE BEEN RIDING--

LET'S NOT GO THERE

WITH THE TRAINS AND THE BUSES

AND THE [bleep] JETS.

OKAY.

WE'RE NOT GONNA TALK--

WE NOT--

OKAY, THAT'S A SENSITIVE--

YOU NEED TO REPHRASE THAT.

LISTEN, LET ME--

GIVE ME A CHANCE TO REPHRASE IT.

OKAY.

SO WE'VE BEEN RIDING

ON EACH OTHER'S TRAIN, OKAY?

OKAY.

SO WHEN I FIRST STARTED

DATING NIKKO, IT WAS EXCITING.

IT WAS FUN.

BUT NOW YOU WANT TO COACH ME?

LIKE, "WHOA, COME ON, MAN.

GET OUT OF HERE.

I DON'T NEED ANOTHER STEVIE J.

TRYING TO TELL ME WHAT TO DO

IN ORDER TO BE SUCCESSFUL.

I GOT THIS."

LOOK, I KNOW YOU'RE HUNGRY

AND ALL, BUT YOU GOT TO FINISH

THIS FOOT.

THIS THE LAST ONE?

I WON'T PUT YOUR FOOT

TO SLEEP, THOUGH.

JUST DO IT.

MM.

OH, MY GOD, I CANNOT BELIEVE

HOW I CAN'T SAY NO TO THIS MAN.

SCRAPPY, COME HERE.

I MADE SOME FRUIT.

YOU MADE SOME FRUIT

OR YOU CUT SOME FRUIT?

'CAUSE IF YOU MADE THE FRUIT,

THEN YOU WOULD--

YOU WOULD BE A FLOWER.

SCRAPPY THINKS HE CAN COME

IN AND OUT OF MY LIFE,

USE AND ABUSE ME

AND TREAT ME LIKE GARBAGE.

ARE YOU SERIOUS?

IT'S NOT FAIR TO ME,

AND THIS MAN,

I'M NOT LETTING HIM TREAT ME

LIKE A REVOLVING DOOR.

I JUST WANTED TO TALK TO YOU

A LITTLE BIT, BECAUSE SOMETIMES

I GET CONFUSED

ON WHERE WE STAND.

WHERE DO YOU STAND

WITH ERICA RIGHT NOW?

UNFORTUNATELY, WE DONE,

BUT, YOU KNOW...

YOU'RE DONE?

YEAH.

YOU SURPRISED?

YEAH.

WHY?

'CAUSE, I MEAN, ME AND HER

GOT A LITTLE BOND.

YOU FEEL ME?

SO I JUST FEEL LIKE IT'S KIND OF

HARD FOR US TO STOP

EVEN [bleep] WITH EACH OTHER.

BUT DO WE HAVE A BOND NOW?

I MEAN, WE'VE BEEN--

HAVE A BOND AS A FRIENDSHIP.

UH-HUH, BUT IT LED INTO MORE

THAN JUST A FRIENDSHIP,

AND YOU AND I BOTH KNOW THAT.

AND THAT'S WHAT I DON'T LIKE.

IT SEEMED LIKE YOU USE

THE FRIEND CARD WITH ME A LOT.

WE WASN'T SEXING AS NO FRIENDS.

YOU KNEW THAT.

FRIENDS DON'T TAKE ADVANTAGE

OF EACH OTHER LIKE SCRAPPY

DID WITH ME.

THAT'S SOME BULL.

AND YOU DEFINITELY DON'T GET

ON BENDED KNEE, POPPING

QUESTIONS TO YOUR BABY MAMA,

THE SAME BABY MAMA YOU CALLED

A BUM BITCH BEFORE I DID.

SERIOUSLY?

YOU DIDN'T EVEN GIVE ME NO IDEA

AT ALL THAT YOU WAS READY

TO POP THE QUESTION--

YES, I DID. I DID.

[bleep], I GAVE YOU A IDEA.

[bleep] NO, YOU DIDN'T.

WE WAS JUST [bleep] SIX DAYS

BEFORE YOU PROPOSED, HOMEBOY.

NO, WE WASN'T.

YEAH, DO THE MATH.

DO THE MATH.

DO THE MATH?

WE WASN'T [bleep].

YES, WE DID.

IF YOU WANT TO SAY

I AIN'T [bleep], OKAY,

I AIN'T [bleep].

YOU AIN'T [bleep] FOR THAT.

OF COURSE, YOU AIN'T [bleep].

I WANT TO SLAP THE [bleep]

OUT YOUR ASS.

THAT'LL NEVER HAPPEN.

WE SHOULD NOT HAVE NEVER

HAD SEX.

SHOULD'VE, WOULD'VE,

COULD'VE.

MAN, I'M THINKING,

"WE COOL, FO-FO."

YOU FEEL ME?

BUT SHAY IS JUST CRAZY.

YOU KNOW WHAT I'M SAYING?

LIKE, SHE CAN'T GET OVER

THE PAST.

SHE GOT TO KEEP BRINGING IT UP.

I DONE SAID SORRY

A HUNDRED BILLION TIMES.

AND THE NEXT THING YOU KNOW,

I SOUND LIKE A--YOU FEEL ME--

A RING AROUND THE ROSIE.

YOU DIG?

OTHER THAN THAT, WHATEVER I DID,

THAT'S ALL ONTO YOU.

YOU HURT ME.

YOU LIED TO ME.

HOLD ON. HOLD ON.

I SAID OTHER THAN THAT--

YOU HAD YOUR BABY MAMA

ON THE SIDE THAT YOU WAS STILL

PUMPING ON WHILE YOU WAS DEALING

WITH ME, LYING TO ME IN MY FACE,

SAYING IT WAS ME AND YOU.

BUT THAT'S IT.

THAT'S WHAT YOU DID.

THAT'S IT, I MEAN--

THAT'S SOMETHING.

THAT'S A LIE.

BUT I TOLD YOU--

THAT'S A LIE.

I TOLD YOU I WAS SORRY.

YOU TOLD ME WHEN YOU

GOT ON YOUR KNEE AND SAID,

"CAN YOU MARRY ME, BITCH?"

THAT'S WHEN YOU TOLD ME.

AND IT WAS A GOOD--

IT WASN'T GOOD, [bleep],

'CAUSE YOU AIN'T EVEN WITH HER.

I MEAN, NOBODY KNOWS

THE FUTURE, YOU FEEL ME?

WELL, THEN GO BACK

TO THE BITCH

AND GO TO YOUR FUTURE.

HEY, I DONE SAID SORRY

A BUNCH OF MOTHER[bleep] TIMES.

SO IT'S OVER, COOL.

IF YOU DON'T GIVE A [bleep]

ABOUT THAT, IT'S COOL.

COOL, FINE.

I DON'T EVEN WANT TO BE

NOTHING NO MORE, BECAUSE YOU--

EVERY WAY, YOU FIND

A WAY TO HURT ME.

I DON'T WANT TO BE

NOTHING EITHER.

DEUCES, I DON'T GIVE

A [bleep].

IT'S SO [bleep] CRAZY

HOW SCRAPPY PLAYED A DUMB ROLE,

LIKE HE CAN'T SEE

HOW HE HURT ME.

AND THE REAL DEAL HOLYFIELD IS,

I TRULY LOVE THIS MAN.

AND NOW THIS DUMMY

WALKING AROUND WITH AMNESIA,

ACTING LIKE HE FORGOT

WHAT HAPPENED AND WHAT WENT ON.

REALLY?

I CAN'T FORGIVE HIM FOR THAT.

I DON'T KNOW HOW I'M GONNA GET

OVER IT, BUT I CAN'T FORGIVE HIM

FOR THAT.

YOU PIECE OF [bleep],

THAT'S WHAT YOU ARE.

IF I'M A PIECE OF [bleep],

WHY YOU PUT A PIECE OF [bleep]

IN YOUR [bleep],

IN YOUR [bleep]?

AND MY [bleep] FELT GOOD,

DIDN'T IT?

MOTHER[bleep], GET OUT.

PEACE OUT, [bleep].

AND ON THE INTERNET--

HOW DID YOU GET YOUR HOUSE?

ME...

HOW DID YOU GET YOUR HOUSE?

AND THE LORD.

NAH.

GOD HIMSELF GOT IT FOR ME.

GOD BLESSED ME TO BLESS YOU.

YOU HAVE A WONDERFUL LIFE.

GOD BLESSED ME TO BLESS YOU.

YOU HAVE A MOTHER[bleep]

WONDERFUL LIFE.

GET THE [bleep] OUT.

YOU HAVE A WONDERFUL LIFE.

[tapping on door]

DON'T OPEN MY DOOR.

[tapping on door]

MAN, SHAY DONE CAUGHT

FEELINGS AGAIN, AND NOW SHE MAD

AT ME FOR SOME STANK I DID

A LONG TIME AGO,

LIKE, A YEAR AGO.

YOU KNOW, THEY SAY IF YOU CAN'T

FIZZ-NAH-EE, YOU KNOW, [bleep],

WHY ARE YOU FRIENDS?

YOU KNOW WHAT I'M SAYING?

'CAUSE THAT DIZZ-NAH-EE

DRIVE A CRIZ-NAH-EE.

YOU FEEL ME?

[sobbing]

THAT'S IT.

THAT'S THE END.

SCRAPPY AIN'T NEVER GONNA

SCREW ME OVER AGAIN.

YOU KNOW WHAT?

THIS WHOLE SITUATION

IS EXTREMELY SAD,

BUT I'M PROUD OF MYSELF.

I'M PROUD THAT

I'M BREAKING FREE.

HOPE YOU GOT IT ALL OUT!

[sniffing]

SO FACE THAT.

I DON'T WANT TO BE

A PART OF YOU.

I DON'T WANT TO BE WITH YOU.

GOOD.

I'M JUST TRYING TO WORK

SOME THINGS OUT WITH YOU,

BUT IT AIN'T GONNA HAPPEN.

YOU FINISHED?

YOU'RE A BITCH.

THE BITCHINESS

IS COMING OUT OF YOU.

I'LL BE A BITCH AND LEAVE.

THAT'S GOOD, GOOD-BYE.

GOOD-BYE, BITCH.

BYE.

[tapping on glass]

YOU SIGNED FOR LIFE.

BYE.

JOSELINE MAY HAVE APOLOGIZED

TO CHE' MACK, BUT THEN SHE

WALKED OUT OF THE MEETING

AND STOPPED ANSWERING MY CALLS,

LIKE, "WHAT PART OF THE GAME

IS THAT?"

HOW YOU DOING?

I COULD NEVER TELL YOU

WHAT'S GOING ON IN JOSELINE

CABEZA, BUT WHEN SHE CALLED ME

TO MEET, I KNEW SHE WAS

PISSED OFF ABOUT SOMETHING.

YOU KNOW, STEVIE,

I LOVED YOU.

AND, YOU KNOW, I LOVED YOU

LIKE I'VE NEVER LOVED

ANYBODY BEFORE.

YOU CAN'T EVEN LOOK AT ME,

CAN YOU?

LET ME EXPLAIN SOMETHING TO YOU.

WHAT YOU'RE NOT GONNA DO,

YOU'RE NOT GONNA PLAY ME.

YOU INSIST ON BRINGING BITCHES

IN MY LIFE.

YOU HAVEN'T DONE--

WHEN'S THE LAST TIME

I'VE BEEN TO THE STUDIO?

THIS IS WHAT WE

TALKING ABOUT?

I'M WORKING ON MY MUSIC.

GOOD.

AND GUESS WHAT.

I DON'T NEED YOU.

I'M SHOOTING MY VIDEO ON MY OWN.

ANYTHING THAT I'M DOING,

I'M DOING IT ON MY OWN.

WHAT ARE YOU SHOOTING?

WHAT SONG YOU SHOOTING?

STEVIE, YOU HAVEN'T HELPED ME

WITH NONE OF MY MUSIC.

YOU DON'T OWN NONE

OF YOUR MUSIC,

SO WHAT YOU SHOOTING?

OKAY, WELL,

WE'LL SEE ABOUT THAT.

WHEN THAT TIME COMES,

WE'LL DEAL WITH THAT.

I DON'T WANT TO BE

A PART OF YOU.

I DON'T WANT TO BE WITH YOU.

GOOD.

I'M JUST TRYING TO WORK

SOME THINGS OUT WITH YOU,

BUT IT AIN'T GONNA HAPPEN.

YOU FINISHED?

FIRST, LOOK, YOU NEED TO BE

DONE WITH ONE PROJECT.

I GOT A NEW PROJECT.

I GOT A NEW ARTIST TOO.

GREAT, YOU NEEDED TO BE DONE

WITH MY PROJECT

BEFORE YOU DECIDE TO HELP

ANY OTHER PROJECT.

YOU'RE PROJECT WAS DONE

BEFORE IT STARTED.

AND I BET YOU KNOW

THAT WE BREAKING UP,

AND WE'RE NOT TOGETHER,

AND YOU NO LONGER MANAGE ME.

MY VIDEO WILL BE OUT.

I DON'T MANAGE YOU?

MY--NO, YOU DON'T.

YOU NEVER MANAGED ME.

YOU NEVER DONE ANYTHING FOR ME.

LISTEN, YOU WERE A PROSTITUTE

WHEN I MET YOU.

OH, NOW I'M A PROSTITUTE.

YOU WAS A PROSTITUTE

WHEN I MET YOU.

YOU'RE A BITCH.

THE BITCHINESS

IS COMING OUT OF YOU.

I'LL BE A BITCH AND LEAVE.

THAT'S GOOD.

AND I WAS GONNA GIVE YOU

A CONTRACT, BUT YOU AIN'T

GETTING [bleep].

GOOD-BYE.

YOU KNOW WHAT I'M SAYING?

GOOD-BYE, BITCH.

YOU'RE A BITCH-ASS

MOTHER[bleep].

YEAH, AND THAT'S

WHAT I'LL BE.

WHAT ARE YOU?

GOOD-BYE.

GOOD-BYE, BITCH-ASS [bleep].

KEEP TALKING ON THE WAY OUT.

STEVIE COULD DO

WHATEVER HE WANT TO DO.

I NEVER WANT TO SEE HIM AGAIN,

'CAUSE I'MA MAKE MYSELF

A STAR REGARDLESS

WITH HIM OR WITHOUT HIM.

I'M DONE WITH THIS BUM-ASS

[bleep].

YEAH.

LOOK AT YOU.

YOU'RE A BITCH!

YEAH.

YEAH, TALKING LIKE A BITCH.

YOUR ASS IS FAKE!

YEAH, YOU'RE RIGHT.

TALK [bleep] LIKE A BITCH!

YOUR MOUTH IS ALL [bleep]

FAT, BITCH.

TITTIES, FAKE, HAIR, FAKE.

BITCH-ASS [bleep].

NOW WALK HOME, BITCH.

CUSTOM ORDER.

BYE.

[tapping on glass]

YOU SIGNED FOR LIFE.

BYE.

[chuckles]

I DON'T KNOW WHERE JOSELINE

IS HEADED RIGHT NOW--

MAYBE BACK TO THE STRIP CLUB.

BUT WHEREVER SHE GO,

JUST KNOW I GOT YOU

FOR THE NEXT SIX YEARS, BABY.

COME TO DADDY.

ON THE NEXT LOVE & HIP-HOP:

ATLANTA...

I DON'T WANT TO FIGHT YOU

NO MORE.

I HAVE A CONFESSION

TO MAKE TO YOU.

I MADE A DIS SONG.

OKAY.

IF IT'S OUT, JUST KNOW--

NEW CHAPTER.

WHAT YOU GIVE ME

THIS DIS RECORD FOR MY BIRTHDAY?

* WE WAS WITH R. KELLY

♪ YOU PROBABLY GOT PEED ON

THE LYRICS SAID

MY MENTOR PEED ON ME.

KARLIE, SIT DOWN!

KIRK BASICALLY TOLD ME

I SHOULD GET AN ABORTION.

SOMETHING'S WRONG

WITH THIS PICTURE,

'CAUSE IT LOOK LIKE TO ME

HE'S KEEPING COMPANY

SOMEWHERE ELSE.

SHE'S NOT GONNA GET AN ABORTION.

SO IF ME AND YOU WERE

BUSINESS PARTNERS AND--

THAT AIN'T GOT NOTHING

TO DO WITH IT, KIRK!

IT HAS A LOT TO DO WITH IT.

YOUR MARRIAGE COME FIRST!

* I FLEW RED-EYE TO THE "A"

♪ PRIVATE TO L.A.

♪ FIRST CLASS TO N.Y.

CHECK THIS OUT.

IS THIS THE CAR?

YEAH.

YOU GIVE ME THIS,

THIS SHOULD BE MINE

WITH NO STRINGS ATTACHED.

YEAH, NO, NO STRINGS.

YOU'RE DAMAGED.

WE DON'T TALK ABOUT THAT.

I SOUND DAMAGED?

YOU SOUND LIKE

A DERANGED WOMAN.

GOT YOU, I GOT YOU.

GO BACK TO STEVIE.

NO, [bleep] YOU,

MOTHER[bleep].

REMEMBER WHEN YOU YELLED

IN MY FACE ABOUT SOME

MOTHER[bleep] BACON, BITCH.

I DID NOT YELL AT YOU

ABOUT NO DAMN BACON.

STOP IT.

I AIN'T GOT TIME, BUT, YEAH.

BACON?

'CAUSE I WOULDN'T--

NOW YOU MAKING UP STORIES.

YOU WERE IN MY MOTHER[bleep]

KITCHEN, BITCH.

AND I YELLED TO YOU

ABOUT SOME [bleep] BACON?

'CAUSE I WOULDN'T MAKE

THE EGGS AND [bleep] BACON

THAT MORNING.

[laughs]

[bleep], BITCH.

I YELLED AT YOU?

YOU DON'T--

"YOU GET MY [bleep] BACON.

AND GET OUT OF MY

MOTHER[bleep] FACE!"

[laughing]

BACON?

EVERYTHING.