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These are the user uploaded subtitles that are being translated: 1 00:00:03,304 --> 00:00:04,372 PREVIOUSLY ON LOVE & HIP-HOP: 2 00:00:04,372 --> 00:00:05,373 ATLANTA... 3 00:00:05,373 --> 00:00:06,674 I GOT SOMETHING FOR YOU. 4 00:00:06,674 --> 00:00:08,609 [laughs] 5 00:00:08,609 --> 00:00:09,310 I'LL KICK A DENT 6 00:00:09,310 --> 00:00:09,977 IN YOUR BRACES, HO. 7 00:00:09,977 --> 00:00:10,644 YOU WILL RIGHT NOW? 8 00:00:10,644 --> 00:00:11,412 BITCH, I'LL KICK A DENT 9 00:00:11,412 --> 00:00:12,313 IN YOUR BRACES, SO WATCH 10 00:00:12,313 --> 00:00:14,315 YOUR MOTHER[bleep] MOUTH, HO. 11 00:00:14,315 --> 00:00:16,217 TIC-TAC-TOE. 12 00:00:16,217 --> 00:00:17,218 I HAD--WENT TO THE DOCTOR 13 00:00:17,218 --> 00:00:17,918 YESTERDAY. 14 00:00:17,918 --> 00:00:19,120 AND I'M PREGNANT. 15 00:00:19,120 --> 00:00:19,853 I DON'T THINK 16 00:00:19,853 --> 00:00:20,854 THE TIMING'S RIGHT. 17 00:00:20,854 --> 00:00:22,456 WELL, I APOLOGIZE THAT ME 18 00:00:22,456 --> 00:00:23,791 HAVING A BABY'S NOT A PART 19 00:00:23,791 --> 00:00:25,326 OF YOUR LIFE PLAN. 20 00:00:25,326 --> 00:00:26,627 WE HAVE A RELATIONSHIP 21 00:00:26,627 --> 00:00:27,695 THAT'S A LITTLE BEYOND 22 00:00:27,695 --> 00:00:28,429 FRIENDSHIP. 23 00:00:28,429 --> 00:00:29,397 THE LAST TIME I SEEN 24 00:00:29,397 --> 00:00:30,698 THAT MAN, I AIN'T KNOW WHETHER 25 00:00:30,698 --> 00:00:31,965 TO PUNCH THAT BITCH 26 00:00:31,965 --> 00:00:32,833 OR TO FIGHT HIM. 27 00:00:32,833 --> 00:00:34,168 JUST MOVE ON. 28 00:00:34,168 --> 00:00:35,636 [groans] 29 00:00:35,636 --> 00:00:37,105 WHY IS JOHNNY RAPPING 30 00:00:37,105 --> 00:00:37,805 ABOUT GIRLS? 31 00:00:37,805 --> 00:00:38,606 HE LIKE ME. 32 00:00:38,606 --> 00:00:39,673 ANYBODY THAT'S GOT 33 00:00:39,673 --> 00:00:42,110 SOME [bleep] BEEF RIGHT NOW, 34 00:00:42,110 --> 00:00:43,244 PLEASE GET THE [bleep] 35 00:00:43,244 --> 00:00:44,145 OUT OF HERE. 36 00:00:44,145 --> 00:00:45,179 YOUR BOYFRIEND'S GAY. 37 00:00:45,179 --> 00:00:46,147 HIS FRIEND'S GAY. 38 00:00:46,147 --> 00:00:47,081 YOU DON'T EVEN HAVE 39 00:00:47,081 --> 00:00:48,116 A [bleep] MAN. 40 00:00:48,116 --> 00:00:49,350 YOU'RE ABSOLUTELY RIGHT. 41 00:00:49,350 --> 00:00:51,752 AND YOU WILL NEVER HAVE ONE. 42 00:00:51,752 --> 00:00:52,420 YOU WERE STICKING UP 43 00:00:52,420 --> 00:00:53,087 FOR THIS BITCH. 44 00:00:53,087 --> 00:00:53,821 I'M NOT STICKING UP 45 00:00:53,821 --> 00:00:54,722 FOR NO [bleep] BODY. 46 00:00:54,722 --> 00:00:55,423 I'M WITH YOU. 47 00:00:55,423 --> 00:00:56,890 DON'T GET ALL THIS 48 00:00:56,890 --> 00:00:58,226 LIQUID COURAGE 49 00:00:58,226 --> 00:00:59,393 AND THEN TAKE IT OUT ON ME. 50 00:00:59,393 --> 00:01:00,261 BITCH, I HIT YOU 51 00:01:00,261 --> 00:01:01,762 IN YOUR [bleep] FACE. 52 00:01:01,762 --> 00:01:05,533 ARE YOU [bleep] KIDDING ME? 53 00:01:05,533 --> 00:01:07,168 * THIS IS THE LIFE 54 00:01:07,168 --> 00:01:08,136 ♪ THIS IS THE LIFE 55 00:01:08,136 --> 00:01:08,769 * YEAH 56 00:01:08,769 --> 00:01:09,503 * THIS IS THE LIFE 57 00:01:09,503 --> 00:01:10,404 ♪ THIS IS THE LIFE 58 00:01:10,404 --> 00:01:11,139 * 'SUP ♪ 59 00:01:11,139 --> 00:01:11,939 * THIS IS THE LIFE 60 00:01:11,939 --> 00:01:12,973 ♪ THIS IS THE LIFE 61 00:01:12,973 --> 00:01:13,641 * HUH 62 00:01:13,641 --> 00:01:14,342 * THIS IS THE LIFE 63 00:01:14,342 --> 00:01:17,511 ♪ THIS IS THE LIFE 64 00:01:17,511 --> 00:01:18,179 * HUH 65 00:01:18,179 --> 00:01:19,147 ♪ THERE AIN'T NOTHING LIKE ♪ 66 00:01:19,147 --> 00:01:20,181 ♪ HIP-HOP MUSIC 67 00:01:20,181 --> 00:01:22,183 ♪ MUSIC 68 00:01:22,183 --> 00:01:23,584 * THIS IS THE LIFE 69 00:01:23,584 --> 00:01:27,955 ♪ THIS IS THE LIFE 70 00:01:38,332 --> 00:01:39,733 WELL, I THINK THIS IS 71 00:01:39,733 --> 00:01:41,068 A GREAT [bleep] TRIP. 72 00:01:41,068 --> 00:01:42,303 IT WASN'T A GREAT TRIP. 73 00:01:42,303 --> 00:01:43,471 I'VE HAD MANY GREAT TRIPS. 74 00:01:43,471 --> 00:01:44,638 THIS WASN'T ONE OF 'EM. 75 00:01:44,638 --> 00:01:46,174 I'M BEING SARCASTIC, OKAY? 76 00:01:46,174 --> 00:01:47,308 MM, OKAY. 77 00:01:47,308 --> 00:01:48,276 I'M BEYOND DONE 78 00:01:48,276 --> 00:01:48,976 WITH K.MICHELLE. 79 00:01:48,976 --> 00:01:50,444 AND I FELT SOME TYPE OF WAY 80 00:01:50,444 --> 00:01:51,345 THAT ARIANE WAS GETTING 81 00:01:51,345 --> 00:01:53,214 IN MY BUSINESS YET AGAIN. 82 00:01:53,214 --> 00:01:53,947 SHE'S BEEN MY FRIEND 83 00:01:53,947 --> 00:01:55,183 FOR NINE YEARS, 84 00:01:55,183 --> 00:01:56,217 AND I REALLY FEEL LIKE 85 00:01:56,217 --> 00:01:57,185 SHE DOESN'T HAVE MY BACK. 86 00:01:57,185 --> 00:01:58,652 AND THAT [bleep] [bleep] UP. 87 00:01:58,652 --> 00:01:59,353 I DON'T KNOW. 88 00:01:59,353 --> 00:02:01,489 IT JUST SEEMS LIKE YOU ARE RIGHT 89 00:02:01,489 --> 00:02:02,590 SMACK DAB IN THE MIDDLE 90 00:02:02,590 --> 00:02:03,291 OF THIS [bleep]. 91 00:02:03,291 --> 00:02:04,425 I WAS IN THE MIDDLE. 92 00:02:04,425 --> 00:02:05,659 I WAS RIGHT IN THE MIDDLE, 93 00:02:05,659 --> 00:02:06,394 ABSOLUTELY. 94 00:02:06,394 --> 00:02:07,195 THAT'S WHAT I'M SAYING. 95 00:02:07,195 --> 00:02:09,663 BUT TO BE YELLED AT AGAIN 96 00:02:09,663 --> 00:02:10,898 AFTER WE HAD JUST HAD 97 00:02:10,898 --> 00:02:11,599 THAT CONVERSATION, 98 00:02:11,599 --> 00:02:12,433 IT WAS LIKE, "OKAY." 99 00:02:12,433 --> 00:02:13,467 WELL, THE VIDEO SHOOT, 100 00:02:13,467 --> 00:02:14,568 THAT WAS A WHOLE NOTHER 101 00:02:14,568 --> 00:02:15,369 BALL GAME. 102 00:02:15,369 --> 00:02:16,470 RIGHT, BUT EVEN IN THIS 103 00:02:16,470 --> 00:02:18,206 INSTANCE, IT WAS JUST LIKE, 104 00:02:18,206 --> 00:02:19,207 "OKAY, WHY AM I 105 00:02:19,207 --> 00:02:20,040 BEING YELLED AT AGAIN?" 106 00:02:20,040 --> 00:02:22,243 I DON'T KNOW WITH YOU. 107 00:02:22,243 --> 00:02:22,910 WHAT DO YOU MEAN? 108 00:02:22,910 --> 00:02:23,611 I DON'T KNOW. 109 00:02:23,611 --> 00:02:25,213 YOU DON'T KNOW WHAT? 110 00:02:25,213 --> 00:02:26,914 I FEEL LIKE YOU STRADDLING 111 00:02:26,914 --> 00:02:27,715 THE [bleep] FENCE. 112 00:02:27,715 --> 00:02:28,749 STRADDLING WHAT? 113 00:02:28,749 --> 00:02:29,517 BECAUSE I WANTED Y'ALL 114 00:02:29,517 --> 00:02:30,351 TO TALK? 115 00:02:30,351 --> 00:02:31,519 THAT MEANS I'M STRADDLING-- 116 00:02:31,519 --> 00:02:32,386 AND I WANTED YOU TO GET IT 117 00:02:32,386 --> 00:02:33,321 OUT THE WAY-- 118 00:02:33,321 --> 00:02:35,323 THAT MEANS I'M STRADDLING NOW? 119 00:02:35,323 --> 00:02:36,224 MM-MM. 120 00:02:36,224 --> 00:02:37,458 I KNOW WHERE MY LOYALTY IS. 121 00:02:37,458 --> 00:02:38,726 MMKAY. 122 00:02:38,726 --> 00:02:40,361 THERE'S NO FENCE TO STRADDLE. 123 00:02:40,361 --> 00:02:43,030 I HEAR YOU. 124 00:02:43,030 --> 00:02:44,265 ARIANE, SHE ALWAYS GIVES IT 125 00:02:44,265 --> 00:02:45,766 TO ME STRAIGHT, AND I'M TRYING 126 00:02:45,766 --> 00:02:47,901 TO FIGURE OUT IF SHE'S 127 00:02:47,901 --> 00:02:50,037 ON MY SIDE OF THE FENCE. 128 00:02:50,037 --> 00:02:50,771 I THINK IT'S TOO MUCH. 129 00:02:50,771 --> 00:02:51,539 WE GROWN-UPS. 130 00:02:51,539 --> 00:02:52,406 DON'T DO THAT. 131 00:02:52,406 --> 00:02:53,374 WE NOT 16. 132 00:02:53,374 --> 00:02:54,442 WE NOT IN HIGH SCHOOL. 133 00:02:54,442 --> 00:02:55,909 I'MA JUST ASK YOU STRAIGHT UP. 134 00:02:55,909 --> 00:02:57,811 WHAT DO YOU FEEL, AS MY FRIEND, 135 00:02:57,811 --> 00:02:59,012 ABOUT MY RELATIONSHIP? 136 00:02:59,012 --> 00:03:03,717 [groans] 137 00:03:03,717 --> 00:03:04,485 JUST CURIOUS. 138 00:03:04,485 --> 00:03:05,519 HONESTLY... 139 00:03:05,519 --> 00:03:06,254 HMM. 140 00:03:06,254 --> 00:03:08,356 I THINK HE'S A VERY NICE GUY. 141 00:03:08,356 --> 00:03:12,125 IS HE COMPLETELY FOR YOU? 142 00:03:12,125 --> 00:03:13,093 NO. 143 00:03:13,093 --> 00:03:15,263 AND WHAT MAKES YOU SAY THAT? 144 00:03:15,263 --> 00:03:17,998 I FEEL LIKE HE'S UNAUTHENTIC 145 00:03:17,998 --> 00:03:19,833 SOMETIMES. 146 00:03:19,833 --> 00:03:20,968 HMM. 147 00:03:20,968 --> 00:03:22,503 I SAID FROM THE START 148 00:03:22,503 --> 00:03:23,737 THAT MIMI HAS A TYPE. 149 00:03:23,737 --> 00:03:24,872 AND I'M NOT TALKING ABOUT 150 00:03:24,872 --> 00:03:26,574 THE ABS, THE CHARM, 151 00:03:26,574 --> 00:03:27,808 ALL THAT [bleep]. 152 00:03:27,808 --> 00:03:29,277 BUT SHE DEFINITELY HAS A TYPE. 153 00:03:29,277 --> 00:03:30,944 AND I FELT SOMETHING 154 00:03:30,944 --> 00:03:32,079 WAS VERY UNAUTHENTIC 155 00:03:32,079 --> 00:03:34,315 ABOUT NIKKO FROM START. 156 00:03:34,315 --> 00:03:35,115 SOMETIMES I REALLY FEEL 157 00:03:35,115 --> 00:03:37,418 LIKE MIMI IS AFRAID TO BE ALONE. 158 00:03:37,418 --> 00:03:38,452 WITH THIS SITUATION, SHE CHOSE 159 00:03:38,452 --> 00:03:39,920 THE FIRST PERSON TO COME AROUND, 160 00:03:39,920 --> 00:03:42,189 NOT THE RIGHT PERSON, CLEARLY, 161 00:03:42,189 --> 00:03:43,357 BUT I REALLY DON'T FEEL 162 00:03:43,357 --> 00:03:44,925 LIKE SHE'S IN A PLACE WHERE SHE 163 00:03:44,925 --> 00:03:46,159 WANTS TO HEAR ANY OF THIS 164 00:03:46,159 --> 00:03:47,295 RIGHT NOW. 165 00:03:47,295 --> 00:03:48,296 I'M HAPPY IF YOU'RE HAPPY. 166 00:03:48,296 --> 00:03:49,963 I'M HAPPY RIGHT NOW. 167 00:03:49,963 --> 00:03:51,031 OKAY, THEN THAT'S ALL 168 00:03:51,031 --> 00:03:51,799 THAT MATTERS. 169 00:03:51,799 --> 00:03:54,034 OKAY. 170 00:03:54,034 --> 00:03:56,069 I STILL LOVE YOU. 171 00:03:56,069 --> 00:03:57,771 OKAY? 172 00:03:57,771 --> 00:04:01,609 [both laughing] 173 00:04:01,609 --> 00:04:03,611 YOU MAKE ME SICK. 174 00:04:09,149 --> 00:04:11,084 SO GUESS WHO IN THE HELL 175 00:04:11,084 --> 00:04:12,886 HIT ME, ASKING ME TO KICK IT 176 00:04:12,886 --> 00:04:13,587 WITH THEM. 177 00:04:13,587 --> 00:04:14,555 MM-HMM. 178 00:04:14,555 --> 00:04:15,956 * JUST LIKE YOU 179 00:04:15,956 --> 00:04:16,790 ♪ MY HEART'S BEEN AFRAID ♪ 180 00:04:16,790 --> 00:04:18,091 I DON'T KNOW WHAT IT IS 181 00:04:18,091 --> 00:04:19,860 AND WHY I CAN'T LET SCRAPPY GO, 182 00:04:19,860 --> 00:04:21,495 BUT WHAT I CAN SAY IS, 183 00:04:21,495 --> 00:04:22,330 HE DOES KNOW HOW 184 00:04:22,330 --> 00:04:23,196 TO MAKE ME SMILE. 185 00:04:23,196 --> 00:04:24,932 * GOT MY ARROWS AND THREES 186 00:04:24,932 --> 00:04:25,799 ♪ HEADING FOR YOU 187 00:04:25,799 --> 00:04:26,934 SCRAPPY TALKS ABOUT 188 00:04:26,934 --> 00:04:28,336 OUR FRIENDSHIP, BUT THE TRUTH 189 00:04:28,336 --> 00:04:29,603 BE TOLD, IT'S MORE LIKE 190 00:04:29,603 --> 00:04:32,239 FRIENDS WITH BENEFITS. 191 00:04:32,239 --> 00:04:33,173 [soulful pop music] 192 00:04:33,173 --> 00:04:35,343 * I WILL SEND 'EM OVER ♪ 193 00:04:35,343 --> 00:04:36,744 ♪ AND OVER 194 00:04:36,744 --> 00:04:38,078 ♪ ARROWS AND THREES 195 00:04:38,078 --> 00:04:39,980 ♪ HEADING FOR YOU 196 00:04:39,980 --> 00:04:41,682 ♪ HEY, GIRL, WHAT'S SHAKING? ♪ 197 00:04:41,682 --> 00:04:43,417 ♪ TELL ME HOW YOUR DAY'S BEEN ♪ 198 00:04:43,417 --> 00:04:44,818 ♪ I'VE BEEN THINKING 'BOUT YOU ♪ 199 00:04:44,818 --> 00:04:45,619 ♪ AND I CAN'T WAIT ♪ 200 00:04:45,619 --> 00:04:46,887 ♪ TO SEE YOU AGAIN 201 00:04:46,887 --> 00:04:48,422 ♪ BABY, BUT UNTIL THEN 202 00:04:48,422 --> 00:04:50,123 ♪ THE BEST WAY I CAN SHOW YOU 203 00:04:50,123 --> 00:04:51,725 ♪ IS BLOWING UP YOUR PHONE 204 00:04:51,725 --> 00:04:52,960 ♪ WITH SOME ARROWS AND THREES 205 00:04:52,960 --> 00:04:54,728 WHAT I DO KNOW RIGHT NOW IS, 206 00:04:54,728 --> 00:04:55,629 IT FEELS GOOD TO BE 207 00:04:55,629 --> 00:04:57,398 AROUND THIS MAN. 208 00:04:57,398 --> 00:04:59,032 I GET WHAT I'M DOING IS WRONG, 209 00:04:59,032 --> 00:05:00,601 BUT SOMETIMES IT JUST FEELS 210 00:05:00,601 --> 00:05:03,804 SO RIGHT. 211 00:05:03,804 --> 00:05:04,805 DID YOU MISS ME, 212 00:05:04,805 --> 00:05:05,839 OUR FRIENDSHIP? 213 00:05:05,839 --> 00:05:06,974 I MISSED THE FRIENDSHIP. 214 00:05:06,974 --> 00:05:08,208 AND I DON'T WANT TO EVER 215 00:05:08,208 --> 00:05:10,210 LOSE YOU AS MY HOMEY 216 00:05:10,210 --> 00:05:12,480 EVER IN LIFE AGAIN. 217 00:05:12,480 --> 00:05:13,547 I KNOW. 218 00:05:13,547 --> 00:05:14,682 'CAUSE I HAVE NO ONE 219 00:05:14,682 --> 00:05:15,383 TO TALK TO 220 00:05:15,383 --> 00:05:16,149 WHEN YOU'RE NOT THERE. 221 00:05:16,149 --> 00:05:16,984 AND EVERYTHING 222 00:05:16,984 --> 00:05:17,718 MIGHT NOT GO RIGHT. 223 00:05:17,718 --> 00:05:19,286 YOU THINK THAT US HAVING SEX 224 00:05:19,286 --> 00:05:21,955 MESSED THIS UP? 225 00:05:21,955 --> 00:05:22,656 YES. 226 00:05:22,656 --> 00:05:23,891 I DO TOO. 227 00:05:23,891 --> 00:05:27,828 BECAUSE IT GETS DEEP. 228 00:05:27,828 --> 00:05:30,063 VERY DEEP. 229 00:05:30,063 --> 00:05:31,899 I THINK THE SAUSAGE 230 00:05:31,899 --> 00:05:34,067 GET IN THE WAY, 231 00:05:34,067 --> 00:05:34,868 AND IT MAKES-- 232 00:05:34,868 --> 00:05:36,036 OH, GOD. 233 00:05:36,036 --> 00:05:38,038 SHUT UP. 234 00:05:38,038 --> 00:05:39,473 I APPRECIATE OUR FRIENDSHIP, 235 00:05:39,473 --> 00:05:41,509 AND I LOVE YOU. 236 00:05:41,509 --> 00:05:42,543 I WILL ALWAYS LOVE YOU. 237 00:05:42,543 --> 00:05:43,444 AND I'M HERE FOR YOU 238 00:05:43,444 --> 00:05:47,681 NO MATTER WHAT. 239 00:05:47,681 --> 00:05:49,983 OKAY, BACK TO FRIENDS. 240 00:05:49,983 --> 00:05:51,985 I CAN'T WITH YOU. 241 00:06:01,328 --> 00:06:01,995 SO WE'RE JUST GONNA 242 00:06:01,995 --> 00:06:02,730 LEAVE THAT OUT, ALL RIGHT, 243 00:06:02,730 --> 00:06:03,431 AND MAKE THAT ROCK. 244 00:06:03,431 --> 00:06:04,131 YEAH, YEAH, WE'RE GONNA 245 00:06:04,131 --> 00:06:04,798 MAKE THAT ROCK. 246 00:06:04,798 --> 00:06:05,766 BUT I WAS THINKING ABOUT, LIKE, 247 00:06:05,766 --> 00:06:06,534 MAYBE ON THE SHOULDER. 248 00:06:06,534 --> 00:06:07,300 YEAH, YEAH, YEAH. 249 00:06:07,300 --> 00:06:08,702 YEAH, ABSOLUTELY. 250 00:06:08,702 --> 00:06:10,571 MAKE SURE WE AIN'T COVERING 251 00:06:10,571 --> 00:06:12,440 NONE OF THAT ASS-TERPIECE. 252 00:06:12,440 --> 00:06:13,140 ASS-TERPIECE? 253 00:06:13,140 --> 00:06:13,807 [laughs] 254 00:06:13,807 --> 00:06:14,775 I NEVER HEARD OF THAT. 255 00:06:14,775 --> 00:06:15,776 YOU KNOW, I GOT THIS PHOTO 256 00:06:15,776 --> 00:06:17,678 SHOOT SET UP FOR JOSELINE, 257 00:06:17,678 --> 00:06:18,512 BUT I'M STILL BUGGING 258 00:06:18,512 --> 00:06:19,179 ABOUT WHAT HAPPENED 259 00:06:19,179 --> 00:06:20,448 AT MAGIC CITY. 260 00:06:20,448 --> 00:06:21,048 CHE' DIDN'T DESERVE 261 00:06:21,048 --> 00:06:23,250 TO GET SCREAMED ON OR ATTACKED. 262 00:06:23,250 --> 00:06:24,452 I FEEL A LITTLE RESPONSIBLE 263 00:06:24,452 --> 00:06:25,553 FOR PUTTING 'EM BOTH TOGETHER, 264 00:06:25,553 --> 00:06:27,455 BUT, YOU KNOW, WHEN JOSELINE 265 00:06:27,455 --> 00:06:28,722 IS WRONG, SHE NEEDS TO ADMIT 266 00:06:28,722 --> 00:06:29,490 SHE'S WRONG. 267 00:06:29,490 --> 00:06:31,525 AND THIS TIME, SHE'S DEAD WRONG. 268 00:06:31,525 --> 00:06:32,192 SO LOOK. 269 00:06:32,192 --> 00:06:33,761 SOMETHING BEEN ON MY MIND. 270 00:06:33,761 --> 00:06:35,262 WHAT? 271 00:06:35,262 --> 00:06:36,229 THAT LITTLE INCIDENT 272 00:06:36,229 --> 00:06:38,065 THAT HAPPENED AT THE STRIP CLUB. 273 00:06:38,065 --> 00:06:39,266 [bleep] THAT BITCH. 274 00:06:39,266 --> 00:06:40,133 LISTEN. 275 00:06:40,133 --> 00:06:40,801 THIS IS SUPPOSED TO BE 276 00:06:40,801 --> 00:06:41,469 ABOUT ME. 277 00:06:41,469 --> 00:06:42,135 IT IS, BABY. 278 00:06:42,135 --> 00:06:43,003 YOU CAN'T BE BRINGING UP-- 279 00:06:43,003 --> 00:06:44,505 LISTEN. LISTEN. 280 00:06:44,505 --> 00:06:45,839 EVERYTHING IS ABOUT YOU. 281 00:06:45,839 --> 00:06:46,940 STEVIE, IF EVERYTHING 282 00:06:46,940 --> 00:06:48,876 IS ABOUT ME, WHY ARE YOU 283 00:06:48,876 --> 00:06:49,910 SITTING ME DOWN WITH THIS 284 00:06:49,910 --> 00:06:51,278 RATCHET-ASS HO? 285 00:06:51,278 --> 00:06:52,045 IT HAPPENED. 286 00:06:52,045 --> 00:06:52,980 LET'S JUST CLEAN IT UP NOW. 287 00:06:52,980 --> 00:06:53,814 YOU SHOULD NOT HAVE ME 288 00:06:53,814 --> 00:06:54,848 SITTING DOWN WITH NOBODY. 289 00:06:54,848 --> 00:06:56,717 THE ONLY BITCH THAT NEEDS TO BE 290 00:06:56,717 --> 00:06:58,486 IN A PHOTO SHOOT, IN A STUDIO, 291 00:06:58,486 --> 00:06:59,352 IS JOSELINE HERNANDEZ. 292 00:06:59,352 --> 00:07:00,020 ALL RIGHT. 293 00:07:00,020 --> 00:07:01,755 I AGREE WITH YOU. 294 00:07:01,755 --> 00:07:02,623 BUT AT THE END OF THE DAY, 295 00:07:02,623 --> 00:07:03,491 I'M LIKE, "WHATEVER HAPPENED 296 00:07:03,491 --> 00:07:04,124 HAPPENED." 297 00:07:04,124 --> 00:07:04,825 YOU KNOW WHAT I'M SAYING? 298 00:07:04,825 --> 00:07:05,493 IT WAS YOUR FAULT. 299 00:07:05,493 --> 00:07:06,326 SHE DIDN'T WANT THAT, 300 00:07:06,326 --> 00:07:07,895 SO WE GOT TO FIGURE OUT 301 00:07:07,895 --> 00:07:09,229 WHAT WE CAN DO TO CLEAN THAT UP. 302 00:07:09,229 --> 00:07:09,897 I KNOW I SHOULDN'T 303 00:07:09,897 --> 00:07:10,564 BE FIGHTING. 304 00:07:10,564 --> 00:07:11,732 I'M WRONG FOR DOING THAT. 305 00:07:11,732 --> 00:07:12,500 I SHOULD HAVE NEVER 306 00:07:12,500 --> 00:07:13,501 PUT MY HANDS ON HER. 307 00:07:13,501 --> 00:07:15,503 BUT... 308 00:07:17,104 --> 00:07:18,038 BEING FROM THE STREETS 309 00:07:18,038 --> 00:07:18,839 WHERE I'M FROM, 310 00:07:18,839 --> 00:07:20,107 YOU LEARN TO GRAB WHAT YOU WANT 311 00:07:20,107 --> 00:07:21,374 BEFORE IT'S TAKEN AWAY FROM YOU. 312 00:07:21,374 --> 00:07:22,209 AND I SEEN THIS BITCH, 313 00:07:22,209 --> 00:07:22,910 CHE' MACK, TRYING TO GET 314 00:07:22,910 --> 00:07:24,211 IN THE STUDIO WITH MY MANAGER 315 00:07:24,211 --> 00:07:25,412 AND MY "SUPPOSED TO BE" MAN, 316 00:07:25,412 --> 00:07:27,114 AND ALL I SEEN WAS RED. 317 00:07:27,114 --> 00:07:29,016 I KNOW I WAS WRONG, 318 00:07:29,016 --> 00:07:30,417 BUT I GOT TO PROTECT MYSELF 319 00:07:30,417 --> 00:07:32,019 AND MY CAREER. 320 00:07:32,019 --> 00:07:32,786 YOU HAVE TO SIT DOWN 321 00:07:32,786 --> 00:07:33,521 WITH CHE'. 322 00:07:33,521 --> 00:07:35,288 COME ON, BE NICE. 323 00:07:35,288 --> 00:07:36,557 DON'T--DON'T SAY HER NAME 324 00:07:36,557 --> 00:07:38,992 LIKE YOU DOWN WITH HER... 325 00:07:38,992 --> 00:07:39,727 I'M DOWN WITH YOU. 326 00:07:39,727 --> 00:07:40,694 'CAUSE THEN IT'S GONNA BE-- 327 00:07:40,694 --> 00:07:43,163 * THE PUERTO RICAN PRINCESS 328 00:07:43,163 --> 00:07:44,364 STEVIE, LISTEN. 329 00:07:44,364 --> 00:07:46,534 I WILL APOLOGIZE TO THIS GIRL, 330 00:07:46,534 --> 00:07:48,101 BUT I DON'T WANT NO SHENANIGANS 331 00:07:48,101 --> 00:07:49,069 OUT OF YOU. 332 00:07:49,069 --> 00:07:50,037 AND LET ME FIND OUT 333 00:07:50,037 --> 00:07:51,338 YOU SMASHING HER, 334 00:07:51,338 --> 00:07:52,105 AND I'M GONNA SMASH 335 00:07:52,105 --> 00:07:53,807 YOUR [bleep] HEAD OPEN. 336 00:07:53,807 --> 00:07:55,042 I'M SERIOUS, STEVIE. 337 00:07:55,042 --> 00:07:55,909 YOU NEED TO KEEP YOUR [bleep] 338 00:07:55,909 --> 00:07:57,044 IN YOUR PANTS. 339 00:07:57,044 --> 00:07:58,011 IT IS. 340 00:07:58,011 --> 00:07:58,979 I'M ONLY APOLOGIZING 341 00:07:58,979 --> 00:07:59,747 'CAUSE I WAS WRONG. 342 00:07:59,747 --> 00:08:02,215 BE NICE. 343 00:08:02,215 --> 00:08:03,116 ALL RIGHT, SEE IF WE CAN GET 344 00:08:03,116 --> 00:08:03,951 SOME MORE OIL RIGHT HERE. 345 00:08:03,951 --> 00:08:04,652 YEAH. 346 00:08:04,652 --> 00:08:05,553 AND WE'LL BE READY TO SHOOT. 347 00:08:05,553 --> 00:08:06,554 OKAY, PERFECT. 348 00:08:06,554 --> 00:08:08,088 YEAH, LET'S DO IT. 349 00:08:08,088 --> 00:08:10,758 LET'S DO IT. 350 00:08:10,758 --> 00:08:13,460 I'M FREEZING. 351 00:08:13,460 --> 00:08:16,029 MM. 352 00:08:16,029 --> 00:08:17,464 * STICK YOUR CHEST OUT 353 00:08:17,464 --> 00:08:19,800 ♪ STICK YOUR CHEST OUT 354 00:08:19,800 --> 00:08:20,668 ♪ WE GOIN' BAD ♪ 355 00:08:20,668 --> 00:08:21,569 ♪ YOU SHOULD GO 356 00:08:21,569 --> 00:08:22,369 ♪ STICK YOUR CHEST OUT 357 00:08:22,369 --> 00:08:23,336 ♪ WE GOIN' BAD ♪ 358 00:08:23,336 --> 00:08:24,004 ♪ YOU SHOULD GO 359 00:08:24,004 --> 00:08:25,072 ♪ STICK YOUR CHEST OUT 360 00:08:25,072 --> 00:08:25,939 ♪ WE GOIN' BAD ♪ 361 00:08:25,939 --> 00:08:26,607 ♪ YOU SHOULD GO 362 00:08:26,607 --> 00:08:27,641 ♪ STICK YOUR CHEST OUT 363 00:08:27,641 --> 00:08:28,341 ♪ WE GOIN' BAD ♪ 364 00:08:28,341 --> 00:08:29,142 ♪ YOU SHOULD GO 365 00:08:29,142 --> 00:08:31,144 ♪ STICK YOUR CHEST OUT 366 00:08:32,145 --> 00:08:34,347 ♪ 367 00:08:34,347 --> 00:08:35,282 DID I EVER TAKE A SHOT 368 00:08:35,282 --> 00:08:35,983 AT MIMI? 369 00:08:35,983 --> 00:08:36,784 BUT DO YOU FEEL LIKE YOU 370 00:08:36,784 --> 00:08:37,651 OWE HER AN APOLOGY FOR-- 371 00:08:37,651 --> 00:08:38,919 I DON'T OWE HER [bleep]. 372 00:08:38,919 --> 00:08:39,853 SHE DON'T ROCK WITH ME 373 00:08:39,853 --> 00:08:41,088 THE SAME WAY I ROCK WITH HER. 374 00:08:41,088 --> 00:08:42,089 AND I CAN'T PLAY. 375 00:08:42,089 --> 00:08:42,923 AND I CAN'T BE HER FRIEND 376 00:08:42,923 --> 00:08:43,624 NO MORE. 377 00:08:43,624 --> 00:08:44,391 [camera shutter clicking] 378 00:08:44,391 --> 00:08:45,593 NICE. 379 00:08:45,593 --> 00:08:47,260 THIS LOOKS WAY OVER BUDGET. 380 00:08:47,260 --> 00:08:48,596 I DON'T WANT THE SAME OLD 381 00:08:48,596 --> 00:08:49,329 RASHEEDA LOOK. 382 00:08:49,329 --> 00:08:50,598 BUT IF I SAY WAIT, YOU WAIT. 383 00:08:50,598 --> 00:08:51,464 HOW LONG YOU WANT TO WAIT, 384 00:08:51,464 --> 00:08:53,466 TILL I'M A [bleep] WHALE? 385 00:09:03,243 --> 00:09:03,944 HELLO. 386 00:09:03,944 --> 00:09:05,145 [laughter] 387 00:09:05,145 --> 00:09:06,313 GODDAMN. 388 00:09:06,313 --> 00:09:07,881 HI, FIRECRACKER. 389 00:09:07,881 --> 00:09:08,849 WHAT UP, BABY? 390 00:09:08,849 --> 00:09:10,117 IT'S SO GOOD TO BE BACK 391 00:09:10,117 --> 00:09:11,685 IN THE "A" AFTER ALL THE DRAMA 392 00:09:11,685 --> 00:09:12,620 UP NORTH. 393 00:09:12,620 --> 00:09:13,921 BUT IT'S BUSINESS FIRST. 394 00:09:13,921 --> 00:09:14,955 AND I REALLY NEED TO SIT DOWN 395 00:09:14,955 --> 00:09:17,124 WITH K. BECAUSE SHE GOT PHYSICAL 396 00:09:17,124 --> 00:09:18,291 WITH MY FRIEND 397 00:09:18,291 --> 00:09:19,660 AND THAT'S A PROBLEM, 398 00:09:19,660 --> 00:09:21,161 SO I REALLY WANTED TO STRAIGHTEN 399 00:09:21,161 --> 00:09:21,995 THIS [bleep] OUT. 400 00:09:21,995 --> 00:09:22,963 OKAY, WHAT WE GONNA DO? 401 00:09:22,963 --> 00:09:24,297 WE GONNA HAVE A REAL TALK. 402 00:09:24,297 --> 00:09:26,033 I KNEW YOU CARED. 403 00:09:26,033 --> 00:09:27,367 SO FOR THAT TO HAPPEN... 404 00:09:27,367 --> 00:09:28,035 YEAH. 405 00:09:28,035 --> 00:09:29,302 IT WAS LIKE, 406 00:09:29,302 --> 00:09:30,203 "I'M SORRY, WHAT?" 407 00:09:30,203 --> 00:09:31,204 LET ME JUST SAY THIS 408 00:09:31,204 --> 00:09:33,006 FOR FUTURE REFERENCE. 409 00:09:33,006 --> 00:09:34,842 NEVER BRING SOMEONE 410 00:09:34,842 --> 00:09:36,877 TO MY PLACE WHERE I'M DOING 411 00:09:36,877 --> 00:09:37,911 SOMETHING LIKE THAT. 412 00:09:37,911 --> 00:09:40,113 NOTHING WAS GOING TO BE SOLVED 413 00:09:40,113 --> 00:09:41,548 THAT NIGHT WITH ME AND MIMI, 414 00:09:41,548 --> 00:09:42,515 PERIOD. 415 00:09:42,515 --> 00:09:44,084 AND I'M ALWAYS SO WORRIED 416 00:09:44,084 --> 00:09:45,953 ABOUT IF MIMI GOOD, MIMI GOOD. 417 00:09:45,953 --> 00:09:47,054 THAT WAS MY ONE NIGHT 418 00:09:47,054 --> 00:09:47,888 TO BE SELFISH. 419 00:09:47,888 --> 00:09:49,022 I JUST FEEL LIKE YOU GUYS 420 00:09:49,022 --> 00:09:50,290 COULD HAVE TALKED ABOUT THAT 421 00:09:50,290 --> 00:09:51,659 IN A MANNER TO WHERE-- 422 00:09:51,659 --> 00:09:52,893 IT WASN'T THE TIME. 423 00:09:52,893 --> 00:09:54,127 I DIDN'T CARE ABOUT HOW MIMI 424 00:09:54,127 --> 00:09:54,895 WAS FEELING. 425 00:09:54,895 --> 00:09:56,229 I REALLY DO BELIEVE THAT-- 426 00:09:56,229 --> 00:09:57,130 WELL, DO YOU FEEL LIKE YOU 427 00:09:57,130 --> 00:09:57,998 OWE HER AN APOLOGY FOR-- 428 00:09:57,998 --> 00:09:59,733 I DON'T OWE HER [bleep]. 429 00:09:59,733 --> 00:10:00,668 K., YOU SAID A LOT 430 00:10:00,668 --> 00:10:01,268 OF MEAN THINGS TOO. 431 00:10:01,268 --> 00:10:02,736 I DON'T CARE. 432 00:10:02,736 --> 00:10:04,204 SHE SHOULDN'T HAVE SHOWED UP. 433 00:10:04,204 --> 00:10:06,106 BUT IF I REALLY WANTED TO FIGHT, 434 00:10:06,106 --> 00:10:07,007 I JUST WOULD'VE FOUGHT. 435 00:10:07,007 --> 00:10:07,675 NO. 436 00:10:07,675 --> 00:10:08,508 I BOPPED HER 437 00:10:08,508 --> 00:10:09,176 WITH THE FLOWERS, 438 00:10:09,176 --> 00:10:09,877 'CAUSE THAT WAS LIKE 439 00:10:09,877 --> 00:10:11,111 A "BITCH, WAKE UP" SLAP. 440 00:10:11,111 --> 00:10:12,012 "BITCH, STOP BEING 441 00:10:12,012 --> 00:10:12,746 [bleep] DRUNK. 442 00:10:12,746 --> 00:10:14,247 BITCH, THIS MAN IS USING YOU. 443 00:10:14,247 --> 00:10:15,582 BITCH, THIS WHAT IT IS." 444 00:10:15,582 --> 00:10:16,283 NO, NO. 445 00:10:16,283 --> 00:10:17,417 I'M REAL BIG ON RUN UP, 446 00:10:17,417 --> 00:10:18,118 GET DONE UP, 447 00:10:18,118 --> 00:10:19,286 TALK [bleep] TO GET HIT. 448 00:10:19,286 --> 00:10:20,888 THAT'S WHAT I BELIEVE. 449 00:10:20,888 --> 00:10:21,955 K.MICHELLE ISN'T THE TYPE 450 00:10:21,955 --> 00:10:23,423 OF PERSON TO LET ANYONE 451 00:10:23,423 --> 00:10:24,658 DO ANYTHING TO HER, 452 00:10:24,658 --> 00:10:26,559 SO IF MIMI WANTS TO COME FOR ME, 453 00:10:26,559 --> 00:10:27,761 THEN I'MA COME FOR HER. 454 00:10:27,761 --> 00:10:28,461 IF SHE STARTS IT, 455 00:10:28,461 --> 00:10:29,529 I FINISH IT. 456 00:10:29,529 --> 00:10:30,530 SHE DON'T ROCK WITH ME 457 00:10:30,530 --> 00:10:31,732 THE SAME WAY I ROCK WITH HER. 458 00:10:31,732 --> 00:10:32,766 AND I CAN'T PLAY. 459 00:10:32,766 --> 00:10:33,533 AND I CAN'T BE HER FRIEND 460 00:10:33,533 --> 00:10:34,234 NO MORE. 461 00:10:34,234 --> 00:10:35,102 DO YOU THINK THAT YOU 462 00:10:35,102 --> 00:10:35,969 COULD'VE JUST HANDLED THAT 463 00:10:35,969 --> 00:10:36,670 DIFFERENTLY? 464 00:10:36,670 --> 00:10:38,405 NO, BECAUSE--WHY--THIS WHY-- 465 00:10:38,405 --> 00:10:40,207 WITH HER, NOT NIKKO. 466 00:10:40,207 --> 00:10:41,041 WITH HER. 467 00:10:41,041 --> 00:10:42,075 DID I EVER TAKE A SHOT 468 00:10:42,075 --> 00:10:43,043 AT MIMI UNTIL SHE 469 00:10:43,043 --> 00:10:43,711 SAID SOMETHING? 470 00:10:43,711 --> 00:10:45,078 SHE TOOK DIRECT SHOTS AT ME. 471 00:10:45,078 --> 00:10:46,479 I WAS TALKING ABOUT NIKKO. 472 00:10:46,479 --> 00:10:47,214 YOU DIDN'T SAY 473 00:10:47,214 --> 00:10:47,915 ANYTHING BAD... 474 00:10:47,915 --> 00:10:49,382 [together] ABOUT HER. 475 00:10:49,382 --> 00:10:50,317 I WOULD NEVER DO HER 476 00:10:50,317 --> 00:10:51,018 LIKE THAT. 477 00:10:51,018 --> 00:10:51,752 BUT THAT'S SOMEBODY 478 00:10:51,752 --> 00:10:53,086 THAT SHE'S SLEEPING WITH. 479 00:10:53,086 --> 00:10:53,787 SLEEPING WITH? 480 00:10:53,787 --> 00:10:54,855 YOU CAN'T EVEN SAY "LOVE." 481 00:10:54,855 --> 00:10:55,756 DO YOU THINK SHE LOVE HIM? 482 00:10:55,756 --> 00:10:56,824 ABSOLUTELY NOT. 483 00:10:56,824 --> 00:10:58,225 FIRST SHE GO FROM STEVIE. 484 00:10:58,225 --> 00:10:59,526 NOW SHE ON HIS BUS. 485 00:10:59,526 --> 00:11:01,128 NOW SHE ON THE PINK BUS. 486 00:11:01,128 --> 00:11:03,797 AND MY BELIEF IS THAT THIS MAN 487 00:11:03,797 --> 00:11:04,564 IS NOT RIGHT. 488 00:11:04,564 --> 00:11:05,265 I JUST WANT EVERYBODY 489 00:11:05,265 --> 00:11:06,099 TO GET ALONG. 490 00:11:06,099 --> 00:11:06,767 NO, WE GOOD. 491 00:11:06,767 --> 00:11:07,500 [growls] 492 00:11:07,500 --> 00:11:08,235 WE GOOD. 493 00:11:08,235 --> 00:11:09,369 I AIN'T GOT NO PROBLEM WITH HER. 494 00:11:09,369 --> 00:11:10,303 I WANT HER TO BE HAPPY. 495 00:11:10,303 --> 00:11:12,172 I HOPE THE BOY DO RIGHT. 496 00:11:12,172 --> 00:11:13,306 BUT I THANK YOU 497 00:11:13,306 --> 00:11:14,474 FOR BEING AT THAT SHOW, 498 00:11:14,474 --> 00:11:15,575 FOR BEING ABLE TO SHARE 499 00:11:15,575 --> 00:11:16,744 THAT MOMENT WITH ME. 500 00:11:16,744 --> 00:11:18,545 THAT--THAT MEANT A LOT TO FAMILY 501 00:11:18,545 --> 00:11:20,413 AND SUPPORTERS. 502 00:11:20,413 --> 00:11:21,648 YOU DID GREAT. 503 00:11:21,648 --> 00:11:22,649 I WILL SAY THAT. 504 00:11:22,649 --> 00:11:23,751 I DON'T KNOW WHY ME AND YOU 505 00:11:23,751 --> 00:11:24,918 CAN ALWAYS HAVE A CONVERSATION. 506 00:11:24,918 --> 00:11:25,786 YOU ARE THE ONE PERSON 507 00:11:25,786 --> 00:11:26,754 I CAN HAVE A CONVERSATION WITH. 508 00:11:26,754 --> 00:11:28,756 [laughs] 509 00:11:36,096 --> 00:11:37,064 I REALLY DIDN'T GET A CHANCE 510 00:11:37,064 --> 00:11:37,765 TO TALK TO ERICA 511 00:11:37,765 --> 00:11:38,665 AT THE FASHION SHOW, 512 00:11:38,665 --> 00:11:40,400 SO I INVITED HER ON A PLAYDATE. 513 00:11:40,400 --> 00:11:41,168 OUR KIDS ARE AROUND 514 00:11:41,168 --> 00:11:41,902 THE SAME AGE, 515 00:11:41,902 --> 00:11:42,770 AND SHE'S ANOTHER MOTHER 516 00:11:42,770 --> 00:11:44,204 I CAN TALK TO, SO THIS IS 517 00:11:44,204 --> 00:11:45,038 A GREAT CHANCE TO GET TO KNOW 518 00:11:45,038 --> 00:11:45,773 HER BETTER. 519 00:11:45,773 --> 00:11:47,107 WHAT HAVE YOU BEEN UP TO? 520 00:11:47,107 --> 00:11:47,908 WORKING. 521 00:11:47,908 --> 00:11:48,641 THAT'S IT, WORKING. 522 00:11:48,641 --> 00:11:49,309 SAME HERE. 523 00:11:49,309 --> 00:11:50,110 I HEARD YOU WAS OPENING 524 00:11:50,110 --> 00:11:50,811 A STORE. 525 00:11:50,811 --> 00:11:53,213 YEAH, MYSELF AND MY SON'S 526 00:11:53,213 --> 00:11:54,815 FATHER, BIG DREW, WERE GONNA 527 00:11:54,815 --> 00:11:55,949 OPEN A SNEAKER STORE TOGETHER, 528 00:11:55,949 --> 00:11:57,785 BUT IT WENT TO THE LEFT, 529 00:11:57,785 --> 00:11:58,451 THE RIGHT. 530 00:11:58,451 --> 00:12:00,087 IT WENT UPSIDE DOWN, INSIDE OUT. 531 00:12:00,087 --> 00:12:00,888 YOU KNOW WHAT, [bleep]... 532 00:12:00,888 --> 00:12:01,554 WHAT HAPPENED? 533 00:12:01,554 --> 00:12:03,390 LIKE, ONE OF THE PARTNERS... 534 00:12:03,390 --> 00:12:04,324 UH-HUH. 535 00:12:04,324 --> 00:12:07,127 ENDED UP BEING A CON ARTIST. 536 00:12:07,127 --> 00:12:08,195 YEAH, SO WE'RE DOING 537 00:12:08,195 --> 00:12:08,896 WHAT WE GOT TO DO 538 00:12:08,896 --> 00:12:09,696 TO GET THE MONEY BACK, 539 00:12:09,696 --> 00:12:10,597 BUT IT'S STILL HARD. 540 00:12:10,597 --> 00:12:11,531 AND I WAS HOPING THE STORE 541 00:12:11,531 --> 00:12:12,365 WOULD OPEN TO KEEP HIM HERE... 542 00:12:12,365 --> 00:12:13,066 MM-HMM. 543 00:12:13,066 --> 00:12:13,801 SO HE DIDN'T HAVE 544 00:12:13,801 --> 00:12:14,434 TO GO BACK ON TOUR. 545 00:12:14,434 --> 00:12:15,803 HE CAN, YOU KNOW, BE A DAD 546 00:12:15,803 --> 00:12:17,037 AND HELP ME OUT MORE. 547 00:12:17,037 --> 00:12:17,805 YOU KNOW HOW IT IS, 548 00:12:17,805 --> 00:12:18,571 KIND OF LIKE BEING A SINGLE-- 549 00:12:18,571 --> 00:12:19,672 I FEEL LIKE A SINGLE MOTHER. 550 00:12:19,672 --> 00:12:21,208 'CAUSE HE'S NOT HERE. 551 00:12:21,208 --> 00:12:21,875 YEAH. 552 00:12:21,875 --> 00:12:22,542 SO WITH THE STORE 553 00:12:22,542 --> 00:12:24,144 NOT OPENING, IT'S LIKE, 554 00:12:24,144 --> 00:12:24,978 YOU KNOW, YOU GOT TO GO BACK 555 00:12:24,978 --> 00:12:25,946 ON THE ROAD. 556 00:12:25,946 --> 00:12:26,613 WHO DO I TURN TO? 557 00:12:26,613 --> 00:12:27,347 I DON'T HAVE ANY FRIENDS. 558 00:12:27,347 --> 00:12:28,015 I DON'T HAVE ANY FAMILY. 559 00:12:28,015 --> 00:12:29,182 LIKE, WHO DO YOU-- 560 00:12:29,182 --> 00:12:29,917 YOU HAVE FAMILY HERE? 561 00:12:29,917 --> 00:12:30,818 YEAH, I'M FROM HERE. 562 00:12:30,818 --> 00:12:31,819 I HAVE FAMILY HERE. 563 00:12:31,819 --> 00:12:32,585 AND, OF COURSE, YOU KNOW, 564 00:12:32,585 --> 00:12:33,586 SCRAPPY'S FROM HERE, YOU KNOW. 565 00:12:33,586 --> 00:12:34,254 RIGHT, ARE YOU GUYS 566 00:12:34,254 --> 00:12:34,922 STILL TOGETHER? 567 00:12:34,922 --> 00:12:36,423 NO, WE'RE NOT TOGETHER. 568 00:12:36,423 --> 00:12:37,257 Y'ALL WAS ENGAGED. 569 00:12:37,257 --> 00:12:39,326 YEAH, WE WERE ENGAGED. 570 00:12:39,326 --> 00:12:40,861 THE ENGAGEMENT'S OFF. 571 00:12:40,861 --> 00:12:42,029 AT THIS POINT, WE'RE JUST REALLY 572 00:12:42,029 --> 00:12:43,964 JUST TRYING TO BE FRIENDS 573 00:12:43,964 --> 00:12:46,033 AND JUST BE AT PEACE, YOU KNOW. 574 00:12:46,033 --> 00:12:48,635 I CAN COMPLETELY UNDERSTAND 575 00:12:48,635 --> 00:12:49,602 ERICA WHEN SHE TELLS ME 576 00:12:49,602 --> 00:12:50,603 SHE WANTS TO BE AT PEACE 577 00:12:50,603 --> 00:12:52,039 WITH HER SON'S FATHER, 578 00:12:52,039 --> 00:12:53,640 THEY WANT TO CO-PARENT, 579 00:12:53,640 --> 00:12:54,842 'CAUSE I'M IN THAT SAME 580 00:12:54,842 --> 00:12:55,876 SITUATION. 581 00:12:55,876 --> 00:12:57,277 DREW PISSES ME OFF 582 00:12:57,277 --> 00:12:58,311 ON A REGULAR BASIS, 583 00:12:58,311 --> 00:12:59,212 SO I GET IT. 584 00:12:59,212 --> 00:13:00,914 IT'S FRUSTRATING SOMETIMES. 585 00:13:00,914 --> 00:13:02,082 HIM--WITH HIM LEAVING, 586 00:13:02,082 --> 00:13:03,283 THAT'S GONNA BE FRUSTRATING. 587 00:13:03,283 --> 00:13:04,117 GROUPIE [bleep]-- 588 00:13:04,117 --> 00:13:05,252 I CALL 'EM POPCORN HOS 589 00:13:05,252 --> 00:13:06,619 'CAUSE THEY POP IN AN OUT. 590 00:13:06,619 --> 00:13:08,055 POPCORN HOS, 591 00:13:08,055 --> 00:13:09,189 IT'S FRUSTRATING. 592 00:13:09,189 --> 00:13:10,190 SPEAKING OF THE POPCORN 593 00:13:10,190 --> 00:13:11,324 HOS... 594 00:13:11,324 --> 00:13:12,059 [laughs] 595 00:13:12,059 --> 00:13:14,161 YOU WERE WITH ONE. 596 00:13:14,161 --> 00:13:16,964 SHAY. 597 00:13:16,964 --> 00:13:19,366 SO DO YOU KNOW, YOU KNOW, 598 00:13:19,366 --> 00:13:20,633 HER AND SCRAPPY'S HISTORY? 599 00:13:20,633 --> 00:13:22,102 I KNOW THAT SHE DATED HIM 600 00:13:22,102 --> 00:13:23,670 OFF AND ON. 601 00:13:23,670 --> 00:13:24,872 I DON'T REALLY... 602 00:13:24,872 --> 00:13:26,506 MY ISSUE WITH HER IS, 603 00:13:26,506 --> 00:13:27,540 "YOU KNEW THE WHOLE TIME 604 00:13:27,540 --> 00:13:28,208 ABOUT ME. 605 00:13:28,208 --> 00:13:29,376 YOU KNEW OUR RELATIONSHIP. 606 00:13:29,376 --> 00:13:30,310 YOU KNEW HOW"-- 607 00:13:30,310 --> 00:13:31,211 YOU KNOW WHAT I'M SAYING? 608 00:13:31,211 --> 00:13:32,946 LIKE, YOU KNOW, IF YOU GOT 609 00:13:32,946 --> 00:13:34,447 TO CONTINUE TO QUESTION A DUDE 610 00:13:34,447 --> 00:13:36,349 ABOUT HIS BABY MAMA, 611 00:13:36,349 --> 00:13:37,684 YOU KNOW WHERE HIS HEART IS. 612 00:13:37,684 --> 00:13:38,385 Y'ALL NEVER TALK 613 00:13:38,385 --> 00:13:39,086 TO EACH OTHER. 614 00:13:39,086 --> 00:13:39,752 MM-MM. 615 00:13:39,752 --> 00:13:40,888 OKAY, IF Y'ALL WAS 616 00:13:40,888 --> 00:13:41,889 TO ACTUALLY SIT DOWN AND HAVE 617 00:13:41,889 --> 00:13:42,890 A GROWN WOMAN CONVERSATION 618 00:13:42,890 --> 00:13:43,590 WITH EACH OTHER, 619 00:13:43,590 --> 00:13:45,192 THAT CAN GET [bleep] OUT 620 00:13:45,192 --> 00:13:46,093 AND THEN LET IT GO. 621 00:13:46,093 --> 00:13:47,060 OH, WE'RE GONNA HAVE 622 00:13:47,060 --> 00:13:49,162 THE CONVERSATION. 623 00:13:49,162 --> 00:13:50,030 I MEAN, [bleep], 624 00:13:50,030 --> 00:13:51,031 HAVE THE CONVERSATION. 625 00:13:51,031 --> 00:13:51,698 MM-HMM. 626 00:13:51,698 --> 00:13:52,732 OKAY, WELL, GOOD. 627 00:13:52,732 --> 00:13:54,434 GET IT OUT. 628 00:13:54,434 --> 00:13:55,235 [both laugh] 629 00:13:55,235 --> 00:13:56,103 LET THAT [bleep] FREE YOU. 630 00:13:56,103 --> 00:13:57,204 COME ON, JUMP WITH ME. 631 00:13:57,204 --> 00:13:57,905 OKAY, COME ON. 632 00:13:57,905 --> 00:13:59,039 OH, SURE, WE GOING TO JUMP. 633 00:13:59,039 --> 00:14:01,808 WHERE'S MY BOO? 634 00:14:01,808 --> 00:14:02,775 DREW BOO! 635 00:14:02,775 --> 00:14:03,676 [laughter] 636 00:14:03,676 --> 00:14:05,578 IN THE WORLD! 637 00:14:05,578 --> 00:14:07,915 OH, MY GOD! 638 00:14:07,915 --> 00:14:08,916 [pulsing dance music] 639 00:14:08,916 --> 00:14:14,955 ♪ 640 00:14:14,955 --> 00:14:17,657 * D-O-L-L-A-R 641 00:14:17,657 --> 00:14:22,329 ♪ I-N T-H-E 3-A-G, HUH 642 00:14:22,329 --> 00:14:23,931 ♪ GONNA BUY A NEW TV 643 00:14:23,931 --> 00:14:25,498 NICE. 644 00:14:25,498 --> 00:14:26,199 BEAUTIFUL. 645 00:14:26,199 --> 00:14:27,234 THAT'S NICE. 646 00:14:27,234 --> 00:14:28,068 TODAY, I AM 647 00:14:28,068 --> 00:14:29,302 IN BOSS CHICK MODE. 648 00:14:29,302 --> 00:14:30,570 IT IS MY PHOTO SHOOT. 649 00:14:30,570 --> 00:14:32,005 I AM DOING THE SHOTS 650 00:14:32,005 --> 00:14:33,106 FOR THREE SINGLES 651 00:14:33,106 --> 00:14:34,574 OFF THE BOSS CHICK MUSIC ALBUM 652 00:14:34,574 --> 00:14:35,442 AND SOME SHOTS 653 00:14:35,442 --> 00:14:37,044 FOR IMBOSSY.COM AS WELL. 654 00:14:37,044 --> 00:14:37,945 NEXT LOOK. 655 00:14:37,945 --> 00:14:38,611 ALL RIGHT. 656 00:14:38,611 --> 00:14:39,346 BAM. 657 00:14:39,346 --> 00:14:41,114 both: ALL RIGHT. 658 00:14:41,114 --> 00:14:41,814 HEY. 659 00:14:41,814 --> 00:14:42,782 I'M MOVING FORWARD, 660 00:14:42,782 --> 00:14:43,616 AND I'M TELLING KIRK 661 00:14:43,616 --> 00:14:44,417 I'M MOVING FORWARD 662 00:14:44,417 --> 00:14:45,418 WITH THIS PREGNANCY, 663 00:14:45,418 --> 00:14:46,453 WITH MY CAREER, 664 00:14:46,453 --> 00:14:47,187 AND I'M DOING IT 665 00:14:47,187 --> 00:14:48,621 WITH OR WITHOUT HIS SUPPORT. 666 00:14:48,621 --> 00:14:49,656 THE MINUTE HE SAYS NO TO ME 667 00:14:49,656 --> 00:14:51,291 IS WHEN I SAY, "HELL, YEAH. 668 00:14:51,291 --> 00:14:52,625 I'M GONNA DO IT MYSELF, 669 00:14:52,625 --> 00:14:53,526 AND I DON'T GIVE A DAMN 670 00:14:53,526 --> 00:14:55,595 IF YOU LIKE IT OR NOT." 671 00:14:55,595 --> 00:14:56,596 WHAT'S UP? 672 00:14:56,596 --> 00:14:57,630 THAT'S WHAT I'M TRYING 673 00:14:57,630 --> 00:14:58,431 TO FIGURE OUT. 674 00:14:58,431 --> 00:14:59,632 WHAT YOU MEAN? 675 00:14:59,632 --> 00:15:01,001 YOU SAID YOU WERE GONNA BE 676 00:15:01,001 --> 00:15:03,603 DOING A QUICK PHOTO SHOOT. 677 00:15:03,603 --> 00:15:04,271 RIGHT. 678 00:15:04,271 --> 00:15:05,973 THIS LOOKS WAY OVER BUDGET. 679 00:15:05,973 --> 00:15:07,607 THIS IS THE FULL MEAL DEAL. 680 00:15:07,607 --> 00:15:08,441 THIS IS NOT WHAT 681 00:15:08,441 --> 00:15:09,142 WE TALKED ABOUT. 682 00:15:09,142 --> 00:15:10,043 WELL, I WANT 683 00:15:10,043 --> 00:15:11,078 A PROFESSIONAL LOOK. 684 00:15:11,078 --> 00:15:12,312 I DON'T WANT THE SAME OLD 685 00:15:12,312 --> 00:15:13,146 RASHEEDA LOOK. 686 00:15:13,146 --> 00:15:13,846 AND ON TOP OF THAT-- 687 00:15:13,846 --> 00:15:14,814 THAT'S COOL THAT YOU WANT 688 00:15:14,814 --> 00:15:15,682 A PROFESSIONAL LOOK, 689 00:15:15,682 --> 00:15:16,583 BUT THIS IS COMING OUT 690 00:15:16,583 --> 00:15:17,350 OF THE BUSINESS ACCOUNT. 691 00:15:17,350 --> 00:15:18,051 BUT YOU KNOW WHAT? 692 00:15:18,051 --> 00:15:19,419 I LOOKED AT THE BANK ACCOUNT, 693 00:15:19,419 --> 00:15:20,820 AND I SAID, "IT'S MORE THAN 694 00:15:20,820 --> 00:15:21,554 ENOUGH MONEY IN THERE 695 00:15:21,554 --> 00:15:22,355 FOR ME TO BE ABLE TO PAY 696 00:15:22,355 --> 00:15:23,056 FOR THIS PHOTO SHOOT." 697 00:15:23,056 --> 00:15:24,024 BUT IF I TELL YOU TO WAIT, 698 00:15:24,024 --> 00:15:24,691 YOU WAIT. 699 00:15:24,691 --> 00:15:25,558 YOU DON'T KNOW HOW TO JUGGLE. 700 00:15:25,558 --> 00:15:26,859 BUT IF I SAY WAIT, YOU WAIT. 701 00:15:26,859 --> 00:15:27,660 HOW LONG YOU WANT TO WAIT, 702 00:15:27,660 --> 00:15:29,562 TILL I'M A [bleep] WHALE? 703 00:15:29,562 --> 00:15:30,230 THAT'S SOMETHING 704 00:15:30,230 --> 00:15:31,198 YOU DECIDED TO DO. 705 00:15:31,198 --> 00:15:31,898 I DID IT BY MYSELF? 706 00:15:31,898 --> 00:15:32,632 YEAH, YOU DID. 707 00:15:32,632 --> 00:15:33,566 I GOT MYSELF 708 00:15:33,566 --> 00:15:34,334 KNOCKED UP, OKAY. 709 00:15:34,334 --> 00:15:35,035 I DON'T KNOW. 710 00:15:35,035 --> 00:15:36,736 I HAVE--I REALLY HAVE DOUBTS 711 00:15:36,736 --> 00:15:37,404 ABOUT IT, ANYWAY. 712 00:15:37,404 --> 00:15:38,071 OH, YOU DO? 713 00:15:38,071 --> 00:15:38,738 YES, I DO. 714 00:15:38,738 --> 00:15:40,040 WELL, DOUBT ALL YOU WANT THEN 715 00:15:40,040 --> 00:15:40,873 WITH YOUR SMART MOUTH. 716 00:15:40,873 --> 00:15:42,009 YOU THINK THAT'S FUNNY? 717 00:15:42,009 --> 00:15:42,675 YOU THINK THAT [bleep]-- 718 00:15:42,675 --> 00:15:43,343 DOES IT LOOK LIKE 719 00:15:43,343 --> 00:15:44,444 I'M BEING FUNNY? 720 00:15:44,444 --> 00:15:45,112 YOU PROBABLY SAYING 721 00:15:45,112 --> 00:15:45,778 THAT [bleep] TO ME 722 00:15:45,778 --> 00:15:46,579 'CAUSE THAT'S SOME [bleep] 723 00:15:46,579 --> 00:15:47,280 YOU DOING. 724 00:15:47,280 --> 00:15:48,015 I DON'T DO THAT. 725 00:15:48,015 --> 00:15:49,516 I MIGHT BE A LOT OF THINGS, 726 00:15:49,516 --> 00:15:51,551 BUT A CHEATING-ASS WOMAN, 727 00:15:51,551 --> 00:15:53,020 A CHEATING-ASS WIFE 728 00:15:53,020 --> 00:15:53,920 AIN'T ONE OF 'EM. 729 00:15:53,920 --> 00:15:55,222 SO CHECK YOUR DAMN SELF 730 00:15:55,222 --> 00:15:56,689 AND CHECK YOUR OWN INSECURITIES. 731 00:15:56,689 --> 00:15:57,390 SAVE THAT [bleep] 732 00:15:57,390 --> 00:15:58,425 FOR SOMEBODY ELSE. 733 00:15:58,425 --> 00:16:00,327 AT THE END OF THE DAY, 734 00:16:00,327 --> 00:16:01,328 THAT RIGHT THERE, 735 00:16:01,328 --> 00:16:02,695 WE WILL NEED A BLOOD TEST, 736 00:16:02,695 --> 00:16:04,064 BECAUSE, YES, I DO HAVE THINGS 737 00:16:04,064 --> 00:16:04,931 ON MY MIND THAT I DON'T BELIEVE. 738 00:16:04,931 --> 00:16:06,299 YOU ARE JOKING, RIGHT? 739 00:16:06,299 --> 00:16:07,034 YOU PLAYING WITH ME 740 00:16:07,034 --> 00:16:07,734 RIGHT NOW WITH THAT, RIGHT? 741 00:16:07,734 --> 00:16:08,568 WHY--WHY IS IT A JOKE? 742 00:16:08,568 --> 00:16:09,402 SO WHAT YOU THINK? 743 00:16:09,402 --> 00:16:11,238 I'M [bleep] AROUND? 744 00:16:11,238 --> 00:16:11,938 WHAT ARE THE RAPPERS 745 00:16:11,938 --> 00:16:13,040 KNOWN FOR? 746 00:16:13,040 --> 00:16:13,673 YOU'RE A RAPPER, RIGHT? 747 00:16:13,673 --> 00:16:14,707 WHAT ARE DUDES KNOWN FOR? 748 00:16:14,707 --> 00:16:15,375 I'M NOT THE ONE 749 00:16:15,375 --> 00:16:16,043 COMING IN THE HOUSE 750 00:16:16,043 --> 00:16:17,177 AT 3:00 OR 4:00 IN THE MORNING 751 00:16:17,177 --> 00:16:18,578 EVERY OTHER [bleep] NIGHT. 752 00:16:18,578 --> 00:16:19,312 A BLOOD TEST-- 753 00:16:19,312 --> 00:16:20,047 YOU WANT A BLOOD TEST? 754 00:16:20,047 --> 00:16:21,214 I'LL SHOW YOU A BLOOD TEST 755 00:16:21,214 --> 00:16:21,914 ALL RIGHT. 756 00:16:21,914 --> 00:16:22,615 I'LL TELL YOU WHAT. 757 00:16:22,615 --> 00:16:24,184 THE GREAT THING FOR YOU IS, 758 00:16:24,184 --> 00:16:25,518 YOU STILL AT THE STAGE 759 00:16:25,518 --> 00:16:26,753 WHERE YOU CAN "X" THAT 760 00:16:26,753 --> 00:16:28,321 RIGHT THERE OUT THE PICTURE. 761 00:16:28,321 --> 00:16:29,056 OKAY, IT'S TIME 762 00:16:29,056 --> 00:16:29,722 FOR YOU TO LEAVE. 763 00:16:29,722 --> 00:16:30,423 AND REALLY... 764 00:16:30,423 --> 00:16:31,158 IT'S TIME FOR YOU TO GO. 765 00:16:31,158 --> 00:16:32,325 IF YOU KNOW WHAT I KNOW 766 00:16:32,325 --> 00:16:33,160 OR WHAT I HEARD... 767 00:16:33,160 --> 00:16:33,826 YOU READY 768 00:16:33,826 --> 00:16:34,527 FOR THE NEXT OUTFIT? 769 00:16:34,527 --> 00:16:35,462 BECAUSE YOU KNOW WHAT? 770 00:16:35,462 --> 00:16:36,296 YOU FULL OF [bleep] WITH THAT, 771 00:16:36,296 --> 00:16:37,064 AND I DON'T WANT TO HEAR IT. 772 00:16:37,064 --> 00:16:37,697 WELL, I'M GONNA STAY 773 00:16:37,697 --> 00:16:38,365 FULL OF [bleep], 774 00:16:38,365 --> 00:16:39,399 BUT YOU NEED TO REALLY PUT IT 775 00:16:39,399 --> 00:16:40,067 ON YOUR BRAIN. 776 00:16:40,067 --> 00:16:40,900 NO, I AIN'T PUTTING NOTHING 777 00:16:40,900 --> 00:16:41,568 ON MY BRAIN. 778 00:16:41,568 --> 00:16:42,502 WHAT YOU NEED TO DO 779 00:16:42,502 --> 00:16:44,271 IS BE A FATHER AND MAN UP 780 00:16:44,271 --> 00:16:45,472 AND STOP GOING THROUGH-- 781 00:16:45,472 --> 00:16:46,339 I'VE BEEN FATHER. 782 00:16:46,339 --> 00:16:47,907 I ALWAYS DO MY JOB, 783 00:16:47,907 --> 00:16:48,741 SO I AIN'T GOT NO PROBLEMS. 784 00:16:48,741 --> 00:16:49,409 BUT GUESS WHAT. 785 00:16:49,409 --> 00:16:50,510 BE A BETTER HUSBAND. 786 00:16:50,510 --> 00:16:51,211 BE SUPPORTIVE. 787 00:16:51,211 --> 00:16:51,944 I DON'T WANT TO BE 788 00:16:51,944 --> 00:16:53,513 A [bleep] HUSBAND RIGHT NOW. 789 00:16:53,513 --> 00:16:54,247 OH, YOU DON'T? 790 00:16:54,247 --> 00:16:55,348 NO, I DON'T. 791 00:16:55,348 --> 00:16:56,083 WELL, THEN GET 792 00:16:56,083 --> 00:16:57,150 THE [bleep] OUT. 793 00:16:57,150 --> 00:16:58,251 WHY ARE YOU HERE? 794 00:16:58,251 --> 00:16:59,786 BECAUSE YOU'RE WRITING MONEY 795 00:16:59,786 --> 00:17:00,620 OUT OF MY CHECKBOOK. 796 00:17:00,620 --> 00:17:02,089 IT DON'T MATTER. 797 00:17:02,089 --> 00:17:03,990 BYE. 798 00:17:03,990 --> 00:17:05,992 LET'S GO. 799 00:17:09,196 --> 00:17:09,862 WE WANT TO MAKE SURE 800 00:17:09,862 --> 00:17:10,730 YOU'RE NOT FOCUSING ON BEEFING 801 00:17:10,730 --> 00:17:11,398 WITH PEOPLE. 802 00:17:11,398 --> 00:17:12,599 THESE INCIDENTS 803 00:17:12,599 --> 00:17:14,667 ARE DIMINISHING YOUR BRAND. 804 00:17:14,667 --> 00:17:15,568 I DON'T WANT TO LET 805 00:17:15,568 --> 00:17:16,469 MY FANS OUT THERE-- 806 00:17:16,469 --> 00:17:18,271 I DON'T WANT TO LET THEM DOWN. 807 00:17:18,271 --> 00:17:19,472 SCRAPPY AND ERICA, 808 00:17:19,472 --> 00:17:20,640 THEY NOT TOGETHER NO MORE. 809 00:17:20,640 --> 00:17:21,574 Y'ALL BEEN HANGING OUT? 810 00:17:21,574 --> 00:17:22,509 WE HUNG OUT. 811 00:17:22,509 --> 00:17:23,376 YOU HUNG OUT? 812 00:17:23,376 --> 00:17:24,311 YOU KNOW WHAT? 813 00:17:24,311 --> 00:17:25,945 I GOT TO SOMEHOW 814 00:17:25,945 --> 00:17:27,947 JUST CUT IT OFF. 815 00:17:37,657 --> 00:17:39,292 SO WHAT YOU DOING LAST NIGHT? 816 00:17:39,292 --> 00:17:41,128 [laughs] 817 00:17:41,128 --> 00:17:42,129 I WAS HOME. 818 00:17:42,129 --> 00:17:42,929 OKAY. 819 00:17:42,929 --> 00:17:44,231 I MADE ME SOME LOBSTER 820 00:17:44,231 --> 00:17:45,432 AND SOME SHRIMP. 821 00:17:45,432 --> 00:17:46,566 YOU WEREN'T WATCHING NO PORN? 822 00:17:46,566 --> 00:17:47,267 I'M JUST KIDDING. 823 00:17:47,267 --> 00:17:48,135 NAH, I WASN'T WATCHING-- 824 00:17:48,135 --> 00:17:49,502 NOT LAST NIGHT. 825 00:17:49,502 --> 00:17:51,338 I DON'T WATCH PORN BY MYSELF. 826 00:17:51,338 --> 00:17:52,539 YOU BETTER NOT BE. 827 00:17:52,539 --> 00:17:54,441 AS BAD AS I MAY BE SOMETIMES, 828 00:17:54,441 --> 00:17:55,508 I WAS WRONG FOR PUTTING MY HANDS 829 00:17:55,508 --> 00:17:56,376 ON CHE' MACK. 830 00:17:56,376 --> 00:17:57,744 AS LONG AS STEVIE 831 00:17:57,744 --> 00:17:59,045 DON'T WORK WITH CHE' MACK 832 00:17:59,045 --> 00:18:00,647 BEFORE FINISHING MY [bleep], 833 00:18:00,647 --> 00:18:01,548 I'M GONNA APOLOGIZE 834 00:18:01,548 --> 00:18:03,416 TO THIS BRACE-FACED BITCH. 835 00:18:03,416 --> 00:18:04,151 HEY. 836 00:18:04,151 --> 00:18:04,917 WHAT'S UP, MA? 837 00:18:04,917 --> 00:18:05,585 HI, CHE'. 838 00:18:05,585 --> 00:18:06,253 HI. 839 00:18:06,253 --> 00:18:07,320 I KNOW YOU PROBABLY HATE ME. 840 00:18:07,320 --> 00:18:08,188 I LIKE YOUR FOXY FUR. 841 00:18:08,188 --> 00:18:08,855 THANK YOU. 842 00:18:08,855 --> 00:18:09,556 YOU ALL RIGHT? 843 00:18:09,556 --> 00:18:10,757 YEAH, I'M GOOD. 844 00:18:10,757 --> 00:18:11,791 EVERYTHING GOOD. 845 00:18:11,791 --> 00:18:12,459 FIRST AND FOREMOST, 846 00:18:12,459 --> 00:18:14,161 I WANT TO APOLOGIZE TO YOU. 847 00:18:14,161 --> 00:18:14,827 ONE THING ABOUT ME, 848 00:18:14,827 --> 00:18:15,595 WHEN I'M WRONG, 849 00:18:15,595 --> 00:18:16,329 I'M GONNA SAY I'M WRONG. 850 00:18:16,329 --> 00:18:17,530 AND I'M SORRY FOR DOING THAT, 851 00:18:17,530 --> 00:18:18,431 'CAUSE I SHOULDN'T DO THAT. 852 00:18:18,431 --> 00:18:19,266 'CAUSE YOU KNOW WHY? 853 00:18:19,266 --> 00:18:20,066 I DON'T WANT NOBODY 854 00:18:20,066 --> 00:18:21,301 PUTTING THEIR HANDS ON ME. 855 00:18:21,301 --> 00:18:22,702 SO I APOLOGIZE FOR DOING THAT. 856 00:18:22,702 --> 00:18:23,403 THAT WAS MY BAD. 857 00:18:23,403 --> 00:18:24,171 I'M SORRY. 858 00:18:24,171 --> 00:18:25,037 I SHOULDN'T HAVE DID THAT. 859 00:18:25,037 --> 00:18:25,772 LIKE, I JUST DON'T 860 00:18:25,772 --> 00:18:26,673 UNDERSTAND. 861 00:18:26,673 --> 00:18:28,040 WHY CAN'T HE WORK WITH ME? 862 00:18:28,040 --> 00:18:29,176 'CAUSE I KNOW YOU WORK 863 00:18:29,176 --> 00:18:30,177 WITH OTHER PEOPLE. 864 00:18:30,177 --> 00:18:30,877 Y'ALL GOING TO WORK 865 00:18:30,877 --> 00:18:31,544 WITH OTHER PEOPLE. 866 00:18:31,544 --> 00:18:32,345 LISTEN, TRUST ME. 867 00:18:32,345 --> 00:18:33,079 I DON'T MIND HIM WORKING 868 00:18:33,079 --> 00:18:33,780 WITH NOBODY ELSE, 869 00:18:33,780 --> 00:18:35,182 'CAUSE YOU KNOW WHY? 870 00:18:35,182 --> 00:18:36,383 THAT'S HOW HE MAKE HIS MONEY. 871 00:18:36,383 --> 00:18:38,185 MY THING WITH HIM WAS THAT 872 00:18:38,185 --> 00:18:38,985 "YOU FINISH WITH ME FIRST." 873 00:18:38,985 --> 00:18:39,652 DON'T I TELL YOU THIS 874 00:18:39,652 --> 00:18:40,320 ALL THE TIME? 875 00:18:40,320 --> 00:18:41,188 THAT'S WHAT BASICALLY 876 00:18:41,188 --> 00:18:41,821 I WAS TELLING TO HER. 877 00:18:41,821 --> 00:18:43,556 LIKE, I CAN'T EVEN GO AROUND 878 00:18:43,556 --> 00:18:44,791 AND HOLLER AT YOU BECAUSE 879 00:18:44,791 --> 00:18:45,525 ME AND HER HAVE THIS THING. 880 00:18:45,525 --> 00:18:46,193 YEAH. 881 00:18:46,193 --> 00:18:46,959 YOU KNOW WHAT I'M SAYING? 882 00:18:46,959 --> 00:18:48,961 IT'S LIKE LA COSA NOSTRA 883 00:18:48,961 --> 00:18:49,896 THING OF OURS. 884 00:18:49,896 --> 00:18:50,763 AND IF I CAN'T WORK WITH HIM 885 00:18:50,763 --> 00:18:51,431 BECAUSE OF YOU, 886 00:18:51,431 --> 00:18:52,799 THEN IT'S ALL LOVE. 887 00:18:52,799 --> 00:18:53,933 IT'S RESPECT, BUT I'M GONNA KEEP 888 00:18:53,933 --> 00:18:54,767 ON DOING WHAT I'M DOING. 889 00:18:54,767 --> 00:18:56,669 AND HOPEFULLY, Y'ALL COME AROUND 890 00:18:56,669 --> 00:18:57,770 AND SAY, "ALL RIGHT, LOOK. 891 00:18:57,770 --> 00:18:58,905 LET'S [bleep] WITH HER ONE TIME. 892 00:18:58,905 --> 00:18:59,639 LET'S DO A SONG WITH HER. 893 00:18:59,639 --> 00:19:00,307 [bleep] IT." 894 00:19:00,307 --> 00:19:01,808 CAN WE MOVE PAST THIS? 895 00:19:01,808 --> 00:19:02,842 ASK HER. DON'T ASK ME. 896 00:19:02,842 --> 00:19:03,576 LISTEN. 897 00:19:03,576 --> 00:19:04,811 JUST HEAR ME OUT. 898 00:19:04,811 --> 00:19:06,513 I'M LISTENING, CHE'. 899 00:19:06,513 --> 00:19:08,114 IF I WAS MESSING WITH HIM, 900 00:19:08,114 --> 00:19:09,216 I WOULD NOT BE AROUND. 901 00:19:09,216 --> 00:19:10,049 BUT WHY ARE WE STILL TALKING 902 00:19:10,049 --> 00:19:10,717 ABOUT THE SAME THING-- 903 00:19:10,717 --> 00:19:11,551 BUT HE AIN'T TELL YOU 904 00:19:11,551 --> 00:19:13,085 ABOUT THE TIME WHEN I GOT 905 00:19:13,085 --> 00:19:14,254 MY HOUSE BROKEN INTO? 906 00:19:14,254 --> 00:19:15,322 AND HE, YEAH, GOT ME THE TV 907 00:19:15,322 --> 00:19:16,623 FOR MY HOUSE. 908 00:19:16,623 --> 00:19:17,524 YOU GOT HER A TV? 909 00:19:17,524 --> 00:19:18,325 YEAH. 910 00:19:18,325 --> 00:19:19,626 OH, I DIDN'T KNOW THIS. 911 00:19:19,626 --> 00:19:20,427 THAT WAS JUST BECAUSE 912 00:19:20,427 --> 00:19:21,093 HE'S MY FRIEND. 913 00:19:21,093 --> 00:19:22,229 WHEN THIS HAPPEN? 914 00:19:22,229 --> 00:19:23,896 THIS WAS A WHILE AGO, BUT-- 915 00:19:23,896 --> 00:19:24,631 YOU DID THAT? 916 00:19:24,631 --> 00:19:25,332 OH, OKAY. 917 00:19:25,332 --> 00:19:27,033 BUT JUST LISTEN. 918 00:19:27,033 --> 00:19:28,601 IT AIN'T THAT DEEP. 919 00:19:28,601 --> 00:19:29,269 OKAY. 920 00:19:29,269 --> 00:19:31,371 I'M TRYING TO PLAY IT COOL 921 00:19:31,371 --> 00:19:32,739 WITH STEVIE AND CHE' MACK 922 00:19:32,739 --> 00:19:33,973 AND THE WHOLE SITUATION, 923 00:19:33,973 --> 00:19:35,508 BUT THEN I FIND OUT THIS BITCH 924 00:19:35,508 --> 00:19:36,409 [bleep] WITH STEVIE J., 925 00:19:36,409 --> 00:19:37,977 TRYING TO PLAY SEXY SANTA CLAUS 926 00:19:37,977 --> 00:19:38,945 FOR ANOTHER BITCH. 927 00:19:38,945 --> 00:19:39,612 AND IT BOTHERS ME. 928 00:19:39,612 --> 00:19:40,713 IT MAKES ME NOT REALLY EVEN 929 00:19:40,713 --> 00:19:41,981 WHAT TO BE WITH YOU EVER. 930 00:19:41,981 --> 00:19:42,715 IT'S STUPID. 931 00:19:42,715 --> 00:19:43,650 IT'S IMMATURE. 932 00:19:43,650 --> 00:19:44,751 THIS BITCH DON'T BRING NO MONEY 933 00:19:44,751 --> 00:19:45,452 TO THE TABLE, 934 00:19:45,452 --> 00:19:46,118 SO I DON'T KNOW 935 00:19:46,118 --> 00:19:47,019 WHAT THE [bleep] YOU'RE DOING. 936 00:19:47,019 --> 00:19:48,288 SO WE'LL MEET AGAIN. 937 00:19:48,288 --> 00:19:49,155 OH, SO YOU ABOUT TO LEAVE? 938 00:19:49,155 --> 00:19:50,257 OH, YEAH, I'M RUNNING. 939 00:19:50,257 --> 00:19:50,890 WHY YOU RUNNING? 940 00:19:50,890 --> 00:19:51,558 YOU GUYS CAN STAY. 941 00:19:51,558 --> 00:19:53,560 I GOT THINGS THAT I HAVE TO DO. 942 00:19:53,560 --> 00:19:54,261 SEE YOU LATER. 943 00:19:54,261 --> 00:19:56,329 ALL RIGHT, SEE YOU LATER. 944 00:19:56,329 --> 00:19:58,398 [whispers] BYE. 945 00:20:03,403 --> 00:20:05,938 [owl hooting] 946 00:20:05,938 --> 00:20:06,973 YOU NERVOUS? 947 00:20:06,973 --> 00:20:08,475 I'M NOT, ACTUALLY. 948 00:20:08,475 --> 00:20:11,010 I GOT A WHOLE LOT GOING ON, 949 00:20:11,010 --> 00:20:11,744 SO I WANT TO SEE 950 00:20:11,744 --> 00:20:12,412 WHAT SHE GONNA SAY, 951 00:20:12,412 --> 00:20:13,680 WHAT SHE GONNA TELL ME. 952 00:20:13,680 --> 00:20:14,381 HI, LADIES. 953 00:20:14,381 --> 00:20:15,282 both: HI. 954 00:20:15,282 --> 00:20:16,283 MY NAME IS REVEREND 955 00:20:16,283 --> 00:20:17,317 PRIESTESS CALISTA, 956 00:20:17,317 --> 00:20:18,885 AND I'LL BE YOUR READER, OKAY? 957 00:20:18,885 --> 00:20:20,453 I'VE BEEN TO PSYCHICS BEFORE. 958 00:20:20,453 --> 00:20:21,688 AND WHEN ERICA TOLD ME 959 00:20:21,688 --> 00:20:22,422 ABOUT THIS PRIESTESS 960 00:20:22,422 --> 00:20:23,390 THAT SHE KNEW ABOUT, 961 00:20:23,390 --> 00:20:24,657 I FIGURE, "WHAT THE HELL, 962 00:20:24,657 --> 00:20:25,525 LET'S GO SEE." 963 00:20:25,525 --> 00:20:26,993 I GOT A LOT OF STUFF 964 00:20:26,993 --> 00:20:27,794 GOING ON IN MY LIFE. 965 00:20:27,794 --> 00:20:28,961 MAYBE THIS LADY COULD GIVE ME 966 00:20:28,961 --> 00:20:30,963 A LITTLE BIT OF INSIGHT. 967 00:20:34,667 --> 00:20:35,702 IN YOUR HOUSE OF FRIENDS 968 00:20:35,702 --> 00:20:37,103 AND FAMILY, IT'S TALKING ABOUT 969 00:20:37,103 --> 00:20:39,238 YOU MOVING, CHANGING YOUR JOB 970 00:20:39,238 --> 00:20:43,276 OR CHANGING YOUR RESIDENCE. 971 00:20:43,276 --> 00:20:44,577 BEFORE, YOU WAS TALKING ABOUT 972 00:20:44,577 --> 00:20:45,778 A LOVE AFFAIR THAT YOU MAY BE 973 00:20:45,778 --> 00:20:47,213 CONCERNED WITH. 974 00:20:47,213 --> 00:20:47,880 DO YOU KNOW WHAT 975 00:20:47,880 --> 00:20:50,750 I'M SPEAKING OF? 976 00:20:50,750 --> 00:20:51,451 YES. 977 00:20:51,451 --> 00:20:53,753 OKAY, SO SHE GOT ME. 978 00:20:53,753 --> 00:20:54,754 I DID JUST MOVE 979 00:20:54,754 --> 00:20:55,955 INTO MY NEW PLACE. 980 00:20:55,955 --> 00:20:57,524 BUT THIS RELATIONSHIP BUSINESS, 981 00:20:57,524 --> 00:20:58,791 IT'S A LITTLE WEIRD. 982 00:20:58,791 --> 00:21:00,493 I'VE HAD MY DOUBTS 983 00:21:00,493 --> 00:21:01,928 ABOUT NIKKO A LITTLE BIT. 984 00:21:01,928 --> 00:21:03,396 I HAD MY EYEBROW RAISED, 985 00:21:03,396 --> 00:21:04,764 BUT I HAVEN'T TOLD ANYONE 986 00:21:04,764 --> 00:21:06,533 ABOUT IT, SO THERE'S NO WAY 987 00:21:06,533 --> 00:21:07,367 THIS LADY COULD KNOW. 988 00:21:07,367 --> 00:21:08,134 AND THE OUTCOME 989 00:21:08,134 --> 00:21:08,935 OF THE READING SAYS THAT 990 00:21:08,935 --> 00:21:10,136 YOU'RE TRYING TO REBUILD 991 00:21:10,136 --> 00:21:11,203 AN OLD RELATIONSHIP 992 00:21:11,203 --> 00:21:12,539 BUT IN A NEW WAY 993 00:21:12,539 --> 00:21:13,873 OR SOMEONE FROM THE PAST 994 00:21:13,873 --> 00:21:15,808 HAS RETURNED TO YOU. 995 00:21:15,808 --> 00:21:17,344 THIS IS A FOOLISH DECISION. 996 00:21:17,344 --> 00:21:19,045 [coughs] 997 00:21:19,045 --> 00:21:19,746 DO YOU KNOW WHAT 998 00:21:19,746 --> 00:21:22,349 I'M SPEAKING OF? 999 00:21:22,349 --> 00:21:25,985 [laughter] 1000 00:21:25,985 --> 00:21:27,720 I SAT AND LOOKED THAT WAY. 1001 00:21:27,720 --> 00:21:29,088 OH, MY GOSH. 1002 00:21:29,088 --> 00:21:29,789 PHEW. 1003 00:21:29,789 --> 00:21:30,457 YES. 1004 00:21:30,457 --> 00:21:31,458 YES? 1005 00:21:31,458 --> 00:21:33,360 CLEARLY. 1006 00:21:33,360 --> 00:21:34,461 AND IT ALSO SAYS HERE 1007 00:21:34,461 --> 00:21:35,227 THAT THIS SITUATION 1008 00:21:35,227 --> 00:21:36,162 IS OVER FOR YOU. 1009 00:21:36,162 --> 00:21:36,963 YOU'RE NOT GONNA GET 1010 00:21:36,963 --> 00:21:38,431 ANY FURTHER WITH IT. 1011 00:21:38,431 --> 00:21:39,599 LET IT GO. 1012 00:21:39,599 --> 00:21:40,467 OKAY, I'M A LITTLE 1013 00:21:40,467 --> 00:21:41,434 UNCOMFORTABLE. 1014 00:21:41,434 --> 00:21:43,770 [snickering] 1015 00:21:43,770 --> 00:21:45,805 I AM READY, GOODNESS. 1016 00:21:45,805 --> 00:21:47,940 I WANT TO ASK ABOUT 1017 00:21:47,940 --> 00:21:49,476 MY FRIENDSHIPS. 1018 00:21:49,476 --> 00:21:51,210 ANY PARTICULAR FRIENDS 1019 00:21:51,210 --> 00:21:52,879 IN PARTICULAR OR JUST OVERALL? 1020 00:21:52,879 --> 00:21:55,047 YES, I WOULD LIKE TO ASK 1021 00:21:55,047 --> 00:21:56,248 ABOUT A GIRLFRIEND 1022 00:21:56,248 --> 00:21:58,017 NAMED K.MICHELLE. 1023 00:21:58,017 --> 00:21:59,185 K.MICHELLE, 1024 00:21:59,185 --> 00:22:02,021 IN HER HEART, 1025 00:22:02,021 --> 00:22:06,225 DOES NOT... 1026 00:22:06,225 --> 00:22:07,394 CARE FOR YOU, 1027 00:22:07,394 --> 00:22:09,662 ALTHOUGH, 1028 00:22:09,662 --> 00:22:14,534 SHE ACTS EXTREMELY 1029 00:22:14,534 --> 00:22:16,569 FRIENDLY, PERIOD. 1030 00:22:16,569 --> 00:22:19,772 DOES THAT MAKE SENSE TO YOU? 1031 00:22:19,772 --> 00:22:20,440 ALL DAY. 1032 00:22:20,440 --> 00:22:21,474 DOES THAT MAKE SENSE TO YOU? 1033 00:22:21,474 --> 00:22:23,910 YOU DON'T KNOW WHAT HAPPENED. 1034 00:22:23,910 --> 00:22:25,545 SHE HIT A COUPLE OF HOME RUNS 1035 00:22:25,545 --> 00:22:26,413 SO FAR. 1036 00:22:26,413 --> 00:22:28,014 K.MICHELLE, SHE HASN'T BEEN 1037 00:22:28,014 --> 00:22:29,015 ACTING TOO FRIENDLY WITH ME 1038 00:22:29,015 --> 00:22:31,451 LATELY, BUT NIKKO? 1039 00:22:31,451 --> 00:22:33,420 THIS IS REALLY FREAKING ME OUT. 1040 00:22:33,420 --> 00:22:34,320 ANY OTHER QUESTIONS? 1041 00:22:34,320 --> 00:22:35,321 MM-MM. 1042 00:22:35,321 --> 00:22:36,923 TAKE GOOD CARE OF YOURSELVES. 1043 00:22:36,923 --> 00:22:37,890 THANK YOU. 1044 00:22:37,890 --> 00:22:38,825 IT WAS MY PLEASURE. 1045 00:22:38,825 --> 00:22:39,992 ALL RIGHT. 1046 00:22:39,992 --> 00:22:42,294 THANK YOU. 1047 00:22:42,294 --> 00:22:44,296 OOH, GIRL. 1048 00:22:50,002 --> 00:22:51,704 I AM SO EXCITED. 1049 00:22:51,704 --> 00:22:53,005 I'M ON CLOUD NINE. 1050 00:22:53,005 --> 00:22:54,907 I'VE SOLD OUT TWO SHOWS 1051 00:22:54,907 --> 00:22:56,643 IN ONE WEEK WITH NO ALBUM, 1052 00:22:56,643 --> 00:22:58,010 NO SINGLE. 1053 00:22:58,010 --> 00:22:58,678 HELLO. 1054 00:22:58,678 --> 00:22:59,345 YOU MADE IT. 1055 00:22:59,345 --> 00:23:00,012 WHAT UP? 1056 00:23:00,012 --> 00:23:01,448 AND MY A&R, ALASKA, 1057 00:23:01,448 --> 00:23:03,149 CALLED ME IN BECAUSE IT'S TIME 1058 00:23:03,149 --> 00:23:03,850 FOR US TO TALK ABOUT 1059 00:23:03,850 --> 00:23:05,818 THE NEXT STEPS IN MY JOURNEY. 1060 00:23:05,818 --> 00:23:06,586 SO WHAT ARE WE DOING? 1061 00:23:06,586 --> 00:23:08,788 SO YOU KNOW, 1062 00:23:08,788 --> 00:23:10,056 THE PROJECT'S COMING OUT, 1063 00:23:10,056 --> 00:23:10,723 WANT TO MAKE SURE 1064 00:23:10,723 --> 00:23:11,858 WE'RE FOCUSED ON THE MUSIC. 1065 00:23:11,858 --> 00:23:12,525 ALL RIGHTY. 1066 00:23:12,525 --> 00:23:13,225 AND WE WANT TO MAKE SURE 1067 00:23:13,225 --> 00:23:14,661 YOU'RE NOT FOCUSING ON TWITTER 1068 00:23:14,661 --> 00:23:15,462 AND MAKE SURE YOU'RE NOT 1069 00:23:15,462 --> 00:23:17,096 FOCUSING ON BEEFING WITH PEOPLE. 1070 00:23:17,096 --> 00:23:18,998 SO WE JUST WANT TO HAVE 1071 00:23:18,998 --> 00:23:19,699 A LITTLE CONVERSATION 1072 00:23:19,699 --> 00:23:21,100 TO SET THINGS UP. 1073 00:23:21,100 --> 00:23:21,868 OKAY. 1074 00:23:21,868 --> 00:23:23,002 WHAT DO YOU THINK IS YOUR 1075 00:23:23,002 --> 00:23:24,737 PERCEPTION IN THE MEDIA OVERALL, 1076 00:23:24,737 --> 00:23:25,538 THE DOMINANT PERCEPTION 1077 00:23:25,538 --> 00:23:26,205 OF K.MICHELLE? 1078 00:23:26,205 --> 00:23:26,873 I THINK PEOPLE THINK 1079 00:23:26,873 --> 00:23:28,775 THAT I'M CRAZY. 1080 00:23:28,775 --> 00:23:29,742 I THINK PEOPLE THINK 1081 00:23:29,742 --> 00:23:30,877 THAT I'M A FIRECRACKER. 1082 00:23:30,877 --> 00:23:31,644 ARE YOU OKAY WITH THAT? 1083 00:23:31,644 --> 00:23:32,879 YEAH. 1084 00:23:32,879 --> 00:23:33,613 [chuckles] 1085 00:23:33,613 --> 00:23:34,481 SO MUCH OF IT 1086 00:23:34,481 --> 00:23:35,081 IS NEGATIVE, THOUGH. 1087 00:23:35,081 --> 00:23:35,748 I DON'T CARE. 1088 00:23:35,748 --> 00:23:36,516 YOU DON'T CARE? 1089 00:23:36,516 --> 00:23:37,717 'CAUSE I KNOW WHO I AM. 1090 00:23:37,717 --> 00:23:38,751 I DON'T CARE. 1091 00:23:38,751 --> 00:23:40,520 BUT WHAT ABOUT THE MUSIC? 1092 00:23:40,520 --> 00:23:42,154 MY MUSIC IS AMAZING. 1093 00:23:42,154 --> 00:23:42,922 THAT WE KNOW. 1094 00:23:42,922 --> 00:23:43,756 YOU'RE A GREAT SINGER, 1095 00:23:43,756 --> 00:23:45,391 A TALENTED SONGWRITER. 1096 00:23:45,391 --> 00:23:46,726 YOU HAVE A NEW LABEL 1097 00:23:46,726 --> 00:23:48,127 SITUATION AT ATLANTIC. 1098 00:23:48,127 --> 00:23:49,562 YOU HAVE A NEW MANAGER. 1099 00:23:49,562 --> 00:23:50,497 YOU HAVE A LOT OF NEW 1100 00:23:50,497 --> 00:23:52,532 SITUATIONS, BUT... 1101 00:23:52,532 --> 00:23:53,399 THE SAME ATTITUDE. 1102 00:23:53,399 --> 00:23:54,200 ATTITUDE. 1103 00:23:54,200 --> 00:23:55,067 EVERYONE'S ALWAYS CHECKING 1104 00:23:55,067 --> 00:23:56,402 OUT WHAT'S THE LATEST GOSSIP, 1105 00:23:56,402 --> 00:23:57,236 WHAT'S THE LATEST BEEF. 1106 00:23:57,236 --> 00:23:59,271 AND YOU AS A ARTIST, AS MUCH 1107 00:23:59,271 --> 00:24:00,006 AS YOU SAY YOU DON'T CARE, 1108 00:24:00,006 --> 00:24:00,973 I KNOW YOU WANT PEOPLE 1109 00:24:00,973 --> 00:24:01,874 TO CARE ABOUT YOUR MUSIC. 1110 00:24:01,874 --> 00:24:02,575 THEY DO. 1111 00:24:02,575 --> 00:24:04,143 THAT'S WHY I SELL OUT SHOWS. 1112 00:24:04,143 --> 00:24:05,845 OKAY, BUT SELLING OUT SHOWS 1113 00:24:05,845 --> 00:24:07,780 AND SELLING--YOU HAVE A SINGLE-- 1114 00:24:07,780 --> 00:24:08,881 THEY'RE NOT COMING TO SEE ME 1115 00:24:08,881 --> 00:24:09,882 HIT NOBODY ONSTAGE. 1116 00:24:09,882 --> 00:24:10,783 THEY COME TO HEAR ME SING. 1117 00:24:10,783 --> 00:24:12,619 OKAY, THESE INCIDENTS 1118 00:24:12,619 --> 00:24:14,954 ARE DIMINISHING YOUR BRAND. 1119 00:24:14,954 --> 00:24:16,556 AND INSTEAD OF PEOPLE FOCUSING 1120 00:24:16,556 --> 00:24:17,757 ON YOU, THE TALENT, 1121 00:24:17,757 --> 00:24:19,759 ALL OF THAT IS BEING SUPPRESSED 1122 00:24:19,759 --> 00:24:21,360 BY ALL OF THIS MESS. 1123 00:24:21,360 --> 00:24:22,228 I WANT THEM TO SEE 1124 00:24:22,228 --> 00:24:23,530 THE CARING WOMAN 1125 00:24:23,530 --> 00:24:24,931 WHO WANTS TO BE THE GOOD FRIEND, 1126 00:24:24,931 --> 00:24:26,533 WHO WANTS TO BE THE CONFIDANT, 1127 00:24:26,533 --> 00:24:27,800 WHO WANTS TO BE THE SUPPORTER. 1128 00:24:27,800 --> 00:24:28,668 BUT IF PEOPLE GET TO SEE 1129 00:24:28,668 --> 00:24:29,368 WHO YOU ARE AND THEY SEE 1130 00:24:29,368 --> 00:24:30,136 THAT YOU'RE A GREAT PERSON, 1131 00:24:30,136 --> 00:24:30,803 THEY'RE GONNA BE LIKE, 1132 00:24:30,803 --> 00:24:31,538 "YOU KNOW WHAT? 1133 00:24:31,538 --> 00:24:33,540 I WANT K.MICHELLE TO WIN." 1134 00:24:33,540 --> 00:24:34,841 I DON'T EVER WANT TO BE 1135 00:24:34,841 --> 00:24:35,575 THE KIND OF PERSON 1136 00:24:35,575 --> 00:24:36,543 WHO BITES THEIR TONGUE, 1137 00:24:36,543 --> 00:24:37,844 'CAUSE THAT'S JUST NOT ME. 1138 00:24:37,844 --> 00:24:39,045 BUT AT THE SAME TIME, 1139 00:24:39,045 --> 00:24:40,747 IF IT HAS A NEGATIVE EFFECT 1140 00:24:40,747 --> 00:24:42,114 ON HOW PEOPLE LOOK AT ME 1141 00:24:42,114 --> 00:24:43,550 AND THEY CAN'T PROPERLY LISTEN 1142 00:24:43,550 --> 00:24:44,884 TO MY MUSIC RIGHT, 1143 00:24:44,884 --> 00:24:45,952 THEN THERE'S SOME CHANGES 1144 00:24:45,952 --> 00:24:46,886 I NEED TO MAKE. 1145 00:24:46,886 --> 00:24:48,087 I JUST WANT TO SING. 1146 00:24:48,087 --> 00:24:49,155 THAT'S JUST IT, LIKE-- 1147 00:24:49,155 --> 00:24:50,222 WELL, DO THAT. 1148 00:24:50,222 --> 00:24:50,890 LET'S DO IT. 1149 00:24:50,890 --> 00:24:52,559 I JUST DON'T THINK THE PEOPLE 1150 00:24:52,559 --> 00:24:53,960 THAT I'VE BEEN AROUND 1151 00:24:53,960 --> 00:24:54,827 HERE IN ATLANTA 1152 00:24:54,827 --> 00:24:57,163 ARE WHO I NEED TO BE AROUND. 1153 00:24:57,163 --> 00:25:01,000 I GIVE EVERYBODY EVERYTHING. 1154 00:25:03,035 --> 00:25:04,571 AND THEN WHEN YOU GIVE EVERYBODY 1155 00:25:04,571 --> 00:25:05,705 EVERYTHING AND THEN THEY GO 1156 00:25:05,705 --> 00:25:06,873 AND [bleep] ON YOU, 1157 00:25:06,873 --> 00:25:10,276 I DON'T APPRECIATE IT. 1158 00:25:10,276 --> 00:25:12,011 SO I'LL WORK ON IT. 1159 00:25:12,011 --> 00:25:15,815 I'LL DEAL WITH TWITTER AND-- 1160 00:25:15,815 --> 00:25:16,716 AND ALL OF THAT 1161 00:25:16,716 --> 00:25:17,717 OR WHATEVER IT NEEDS TO BE, 1162 00:25:17,717 --> 00:25:18,951 'CAUSE I DO WANT MY MUSIC. 1163 00:25:18,951 --> 00:25:20,352 I DON'T WANT TO LET THE PEOPLE 1164 00:25:20,352 --> 00:25:21,588 WHO ACTUALLY HAVE MY BACK, 1165 00:25:21,588 --> 00:25:22,388 MY FANS OUT THERE-- 1166 00:25:22,388 --> 00:25:24,123 I DON'T WANT TO LET THEM DOWN. 1167 00:25:24,123 --> 00:25:25,491 AND I BELIEVE THEY WANT YOU 1168 00:25:25,491 --> 00:25:27,594 TO WIN JUST LIKE WE DO, 1169 00:25:27,594 --> 00:25:29,596 BUT IT'S TIME FOR THE CHANGE. 1170 00:25:29,596 --> 00:25:31,263 AND I HAVE A ALBUM TO MAKE. 1171 00:25:31,263 --> 00:25:32,498 LET'S TAKE THE CAREER. 1172 00:25:32,498 --> 00:25:33,733 LET'S MAKE IT STRATOSPHERIC. 1173 00:25:33,733 --> 00:25:34,601 NEXT LEVEL. 1174 00:25:34,601 --> 00:25:35,267 WE HAVE WORK... 1175 00:25:35,267 --> 00:25:35,935 YES. 1176 00:25:35,935 --> 00:25:36,603 IN OUR STUDIO. 1177 00:25:36,603 --> 00:25:39,806 YES. 1178 00:25:39,806 --> 00:25:40,940 I JUST DON'T EVEN WANT 1179 00:25:40,940 --> 00:25:41,741 TO DEAL WITH HIM, DAWN, 1180 00:25:41,741 --> 00:25:43,643 'CAUSE HE'S DOING TOO MUCH. 1181 00:25:43,643 --> 00:25:44,611 AND I'MA BREAK UP WITH HIM, 1182 00:25:44,611 --> 00:25:45,344 AND I'MA LET HIM KNOW 1183 00:25:45,344 --> 00:25:46,012 FOR REAL, STRAIGHT UP, 1184 00:25:46,012 --> 00:25:47,379 "YOU GO MAKE THAT HO A STAR. 1185 00:25:47,379 --> 00:25:48,280 I'M GONNA GO MAKE MYSELF 1186 00:25:48,280 --> 00:25:49,148 A STAR." 1187 00:25:49,148 --> 00:25:50,016 YOU DIDN'T EVEN GIVE ME 1188 00:25:50,016 --> 00:25:51,283 NO IDEA AT ALL THAT YOU 1189 00:25:51,283 --> 00:25:52,752 WAS READY TO POP THE QUESTION-- 1190 00:25:52,752 --> 00:25:53,620 YES, I DID. I DID. 1191 00:25:53,620 --> 00:25:55,254 [bleep], I GAVE YOU A IDEA. 1192 00:25:55,254 --> 00:25:56,455 [bleep] NO, YOU DIDN'T. 1193 00:25:56,455 --> 00:25:57,990 WE WAS JUST [bleep] SIX DAYS 1194 00:25:57,990 --> 00:26:00,126 BEFORE YOU PROPOSED, HOMEBOY. 1195 00:26:12,504 --> 00:26:13,172 I HAVEN'T SEEN YOU 1196 00:26:13,172 --> 00:26:14,140 SINCE THE FASHION SHOW. 1197 00:26:14,140 --> 00:26:14,841 YOU KNOW WHAT? 1198 00:26:14,841 --> 00:26:15,541 YOU'VE BEEN RUNNING 1199 00:26:15,541 --> 00:26:16,643 AROUND THE WORLD. 1200 00:26:16,643 --> 00:26:17,443 I'VE BEEN KIND OF GOING 1201 00:26:17,443 --> 00:26:18,678 THROUGH IT. 1202 00:26:18,678 --> 00:26:19,478 I DON'T KNOW IF YOU KNOW 1203 00:26:19,478 --> 00:26:20,713 ABOUT THE BREAKUP. 1204 00:26:20,713 --> 00:26:21,848 SCRAPPY AND ERICA, 1205 00:26:21,848 --> 00:26:22,915 THEY NOT TOGETHER NO MORE. 1206 00:26:22,915 --> 00:26:24,116 RIGHT. 1207 00:26:24,116 --> 00:26:25,284 AND ALL OF A SUDDEN, 1208 00:26:25,284 --> 00:26:27,119 HE COME RUNNING TO ME. 1209 00:26:27,119 --> 00:26:27,887 THERE'S BEEN A LOT 1210 00:26:27,887 --> 00:26:28,688 OF COMMUNICATION. 1211 00:26:28,688 --> 00:26:29,521 THERE'S BEEN A LOT OF TEXTING. 1212 00:26:29,521 --> 00:26:30,222 WHY? 1213 00:26:30,222 --> 00:26:30,890 I KNOW. I KNOW. I KNOW. 1214 00:26:30,890 --> 00:26:32,191 JESUS. 1215 00:26:32,191 --> 00:26:33,660 SHAY KEEPS GOING BACK 1216 00:26:33,660 --> 00:26:35,928 TO SCRAPPY OVER AND OVER 1217 00:26:35,928 --> 00:26:37,229 AND OVER AGAIN. 1218 00:26:37,229 --> 00:26:38,665 I KEEP TELLING HER, 1219 00:26:38,665 --> 00:26:40,099 "MOVE THE [bleep] ON," 1220 00:26:40,099 --> 00:26:41,433 BUT SHE DOESN'T LISTEN TO ME. 1221 00:26:41,433 --> 00:26:42,301 IF SHE WOULD TAKE MY ADVICE 1222 00:26:42,301 --> 00:26:44,336 AND MOVE ON, SHE'LL FIND SOMEONE 1223 00:26:44,336 --> 00:26:45,437 TO PUT A RING ON IT. 1224 00:26:45,437 --> 00:26:46,505 SCRAPPY'S NOT PUTTING 1225 00:26:46,505 --> 00:26:47,206 A RING ON YOU, BOO. 1226 00:26:47,206 --> 00:26:48,675 WHEN YOU GONNA REALIZE THAT? 1227 00:26:48,675 --> 00:26:50,476 Y'ALL BEEN HANGING OUT? 1228 00:26:50,476 --> 00:26:52,979 WE--WE--WE HUNG OUT. 1229 00:26:52,979 --> 00:26:54,146 YOU HUNG OUT? 1230 00:26:54,146 --> 00:26:55,782 WE--I MEAN, A COUPLE TIMES, 1231 00:26:55,782 --> 00:26:56,482 YEAH. 1232 00:26:56,482 --> 00:26:57,316 OHH! 1233 00:26:57,316 --> 00:26:58,150 WHAT ARE YOU TALKING ABOUT? 1234 00:26:58,150 --> 00:26:59,185 I TOLD YOU THAT [bleep] 1235 00:26:59,185 --> 00:26:59,886 WAS GONNA-- 1236 00:26:59,886 --> 00:27:00,687 I DIDN'T SAY ANYTHING. 1237 00:27:00,687 --> 00:27:01,353 I TOLD YOU THAT 1238 00:27:01,353 --> 00:27:02,421 WAS GONNA HAPPEN. 1239 00:27:02,421 --> 00:27:03,089 I SAID, "HE'S GONNA GET 1240 00:27:03,089 --> 00:27:03,756 NEAR YOU. 1241 00:27:03,756 --> 00:27:04,423 HE'S GONNA-- 1242 00:27:04,423 --> 00:27:05,758 HE KNOWS WHAT TO TOUCH. 1243 00:27:05,758 --> 00:27:07,393 HE KNOWS--HE KNOWS YOU." 1244 00:27:07,393 --> 00:27:08,327 I MEAN, I'VE KNOWN THE MAN 1245 00:27:08,327 --> 00:27:10,096 FOR FIVE FREAKING YEARS, DUDE. 1246 00:27:10,096 --> 00:27:10,763 EXACTLY. 1247 00:27:10,763 --> 00:27:12,264 BUT WHAT I WILL TELL YOU IS, 1248 00:27:12,264 --> 00:27:13,532 SOMETHING DONE CAME OVER ME, 1249 00:27:13,532 --> 00:27:14,734 AND I'M SICK OF IT. 1250 00:27:14,734 --> 00:27:16,736 PENIS-NOTIZED, HELLO. 1251 00:27:16,736 --> 00:27:17,403 CLEARLY. 1252 00:27:17,403 --> 00:27:18,504 [laughs] 1253 00:27:18,504 --> 00:27:19,505 CLEARLY, 'CAUSE I-- 1254 00:27:19,505 --> 00:27:20,406 WELL, I ALREADY TOLD YOU 1255 00:27:20,406 --> 00:27:22,574 IT WAS GONNA--I MEAN, DAMN. 1256 00:27:22,574 --> 00:27:23,509 THE MORE I THINK ABOUT 1257 00:27:23,509 --> 00:27:24,944 MY SITUATION WITH SCRAPPY, 1258 00:27:24,944 --> 00:27:26,078 THE MORE I FEEL LIKE, 1259 00:27:26,078 --> 00:27:27,213 "WHY DID I LET THIS MAN 1260 00:27:27,213 --> 00:27:28,514 BACK IN MY HOUSE AGAIN?" 1261 00:27:28,514 --> 00:27:29,315 AND I GOT TO PUT SOME TYPE 1262 00:27:29,315 --> 00:27:30,516 OF STOP TO IT BEFORE I GET 1263 00:27:30,516 --> 00:27:32,184 TOO DEEPLY INVOLVED AND GET HURT 1264 00:27:32,184 --> 00:27:33,585 ALL OVER AGAIN. 1265 00:27:33,585 --> 00:27:35,387 I GOT TO SOMEHOW 1266 00:27:35,387 --> 00:27:36,956 JUST CUT IT OFF. 1267 00:27:36,956 --> 00:27:37,724 YOU GONNA HAVE TO SHOW ME 1268 00:27:37,724 --> 00:27:38,324 HOW TO DO IT, 1269 00:27:38,324 --> 00:27:39,391 'CAUSE I DON'T KNOW HOW. 1270 00:27:39,391 --> 00:27:42,428 IT'S TIME TO TALK. 1271 00:27:42,428 --> 00:27:43,162 GET IT OUT, 1272 00:27:43,162 --> 00:27:44,130 AND THEN YOU'RE DONE. 1273 00:27:44,130 --> 00:27:45,497 THAT'S CLOSURE. 1274 00:27:45,497 --> 00:27:49,601 I'M--I'M GONNA FIND A WAY 1275 00:27:49,601 --> 00:27:50,369 TO LET GO. 1276 00:27:50,369 --> 00:27:52,404 I DON'T KNOW. 1277 00:28:00,479 --> 00:28:01,914 YOU KNOW, I WAS COOL 1278 00:28:01,914 --> 00:28:03,015 WITH APOLOGIZING 1279 00:28:03,015 --> 00:28:03,850 WITH METAL MOUTH, 1280 00:28:03,850 --> 00:28:06,518 BUT AFTER STEVIE SAT ME UP THERE 1281 00:28:06,518 --> 00:28:07,453 IN FRONT OF THIS BITCH 1282 00:28:07,453 --> 00:28:09,088 AND SHE HAD THE NERVE TO TELL ME 1283 00:28:09,088 --> 00:28:10,890 STEVIE BOUGHT HER A TV, 1284 00:28:10,890 --> 00:28:12,759 I WAS DONE WITH HER BITCH ASS, 1285 00:28:12,759 --> 00:28:13,793 HIS BITCH ASS, 1286 00:28:13,793 --> 00:28:14,761 AND THEY COULD BOTH 1287 00:28:14,761 --> 00:28:16,662 DO BITCH-ASS THINGS TOGETHER. 1288 00:28:16,662 --> 00:28:17,463 HEY, DAWN. 1289 00:28:17,463 --> 00:28:18,364 HEY, HEY. 1290 00:28:18,364 --> 00:28:19,031 WHAT'S GONNA ON? 1291 00:28:19,031 --> 00:28:19,766 OH, MY GOD, 1292 00:28:19,766 --> 00:28:20,532 I LOVE THOSE SHOES. 1293 00:28:20,532 --> 00:28:21,667 OH, THANK YOU. 1294 00:28:21,667 --> 00:28:22,401 I'M LIKE, YOU KNOW WHAT? 1295 00:28:22,401 --> 00:28:23,669 LET ME CALL MY HOMEGIRL DAWN, 1296 00:28:23,669 --> 00:28:24,336 'CAUSE, FOR REAL, 1297 00:28:24,336 --> 00:28:25,004 I NEED TO VENT. 1298 00:28:25,004 --> 00:28:26,172 I NEED TO TALK TO SOMEBODY 1299 00:28:26,172 --> 00:28:27,139 ABOUT ALL THE BULL[bleep] 1300 00:28:27,139 --> 00:28:28,574 WITH STEVIE, 'CAUSE I DON'T EVEN 1301 00:28:28,574 --> 00:28:29,776 KNOW WHAT TO DO ANYMORE. 1302 00:28:29,776 --> 00:28:31,077 HOW DID THAT MEETING GO 1303 00:28:31,077 --> 00:28:32,144 WITH LITTLE DUSTY AND... 1304 00:28:32,144 --> 00:28:33,312 I JUST DON'T EVEN WANT 1305 00:28:33,312 --> 00:28:34,013 TO DEAL WITH HIM, DAWN, 1306 00:28:34,013 --> 00:28:35,815 'CAUSE HE'S DOING TOO MUCH. 1307 00:28:35,815 --> 00:28:37,316 YOU KNOW I'M NOT GONNA BE COOL 1308 00:28:37,316 --> 00:28:38,250 WITH YOU WORKING WITH ANOTHER 1309 00:28:38,250 --> 00:28:39,018 BITCH WHEN YOU'RE NOT DONE 1310 00:28:39,018 --> 00:28:39,685 WITH ME. 1311 00:28:39,685 --> 00:28:40,586 YOU GOT ME MESSED UP. 1312 00:28:40,586 --> 00:28:41,788 WHO THE HELL YOU THINK I AM? 1313 00:28:41,788 --> 00:28:44,556 I'M NOT GONNA DELAY MY CAREER 1314 00:28:44,556 --> 00:28:46,192 BECAUSE OF YOUR SHENANIGANS. 1315 00:28:46,192 --> 00:28:46,893 AND, GIRL, YOU KNOW, 1316 00:28:46,893 --> 00:28:48,694 HE GOT THE NERVE TO TELL ME 1317 00:28:48,694 --> 00:28:49,595 HE BOUGHT HER A TV. 1318 00:28:49,595 --> 00:28:50,496 HE FEEL BAD. 1319 00:28:50,496 --> 00:28:51,197 HOLD UP. 1320 00:28:51,197 --> 00:28:51,931 [chuckles] 1321 00:28:51,931 --> 00:28:52,698 I'M LOST FOR WORDS. 1322 00:28:52,698 --> 00:28:54,433 THEY SUPPOSED TO BE "FRIEND." 1323 00:28:54,433 --> 00:28:55,134 THAT AIN'T [bleep] 1324 00:28:55,134 --> 00:28:55,802 FRIENDS DO. 1325 00:28:55,802 --> 00:28:56,502 TAKE CARE OF YOUR KIDS 1326 00:28:56,502 --> 00:28:57,169 AND HANDLE BUSINESS. 1327 00:28:57,169 --> 00:28:57,837 YOU'RE A MANAGER. 1328 00:28:57,837 --> 00:28:58,504 BE A MANAGER 1329 00:28:58,504 --> 00:28:59,171 AND DO WHAT YOU GOT TO DO 1330 00:28:59,171 --> 00:28:59,839 AND PRODUCE MUSIC. 1331 00:28:59,839 --> 00:29:00,506 BUYING A BITCH A TV, 1332 00:29:00,506 --> 00:29:01,173 AND YOU GOT KIDS. 1333 00:29:01,173 --> 00:29:02,008 BUT YOU GOT ALL THESE KID. 1334 00:29:02,008 --> 00:29:02,809 WHY WOULD YOU BUY THIS BITCH 1335 00:29:02,809 --> 00:29:03,442 A TV? 1336 00:29:03,442 --> 00:29:04,110 THAT TV COULD HAVE WENT 1337 00:29:04,110 --> 00:29:04,811 TO YOUR KID. 1338 00:29:04,811 --> 00:29:05,444 YEAH. 1339 00:29:05,444 --> 00:29:06,645 YOU KNOW WHAT I THINK IT IS? 1340 00:29:06,645 --> 00:29:08,815 YOU KNOW, HE CAPTAIN SAVE-A-HO, 1341 00:29:08,815 --> 00:29:09,816 SO HE CAN SAY, 1342 00:29:09,816 --> 00:29:11,350 "I SAVED THAT HO." 1343 00:29:11,350 --> 00:29:12,819 AT THE SAME RATE, YOU KNOW, 1344 00:29:12,819 --> 00:29:13,853 WE JUST GOT TO MAKE SURE 1345 00:29:13,853 --> 00:29:15,121 WE HAVE OUR [bleep] ON POINT 1346 00:29:15,121 --> 00:29:16,055 AND DO WHAT WE NEED TO DO 1347 00:29:16,055 --> 00:29:16,722 A.S.A.P. 1348 00:29:16,722 --> 00:29:18,057 TRUST ME, I'M DONE WITH IT. 1349 00:29:18,057 --> 00:29:18,958 AND I'MA BREAK UP WITH HIM, 1350 00:29:18,958 --> 00:29:19,826 AND I'MA LET HIM KNOW 1351 00:29:19,826 --> 00:29:20,626 FOR REAL, STRAIGHT UP, 1352 00:29:20,626 --> 00:29:21,828 "I DON'T WANT TO DEAL WITH YOU. 1353 00:29:21,828 --> 00:29:23,529 I FEEL LIKE YOU BRING-- 1354 00:29:23,529 --> 00:29:24,563 I FEEL LIKE YOU'RE NOT BEING 1355 00:29:24,563 --> 00:29:26,498 MINDFUL OF HOW I FEEL." 1356 00:29:26,498 --> 00:29:28,000 SO GUESS WHAT I'MA LET HIM KNOW. 1357 00:29:28,000 --> 00:29:29,401 "YOU GO MAKE THAT HO A STAR. 1358 00:29:29,401 --> 00:29:30,169 I'M GONNA GO MAKE MYSELF 1359 00:29:30,169 --> 00:29:31,037 A STAR." 1360 00:29:31,037 --> 00:29:31,737 YOU KNOW WHAT? 1361 00:29:31,737 --> 00:29:32,839 THERE'S ONLY ONE 1362 00:29:32,839 --> 00:29:34,006 JOSELINE HERNANDEZ. 1363 00:29:34,006 --> 00:29:34,841 STEVIE'S NOT GONNA EVER FIND 1364 00:29:34,841 --> 00:29:36,075 NO ONE LIKE ME. 1365 00:29:36,075 --> 00:29:36,742 I'M JUST REALLY SICK 1366 00:29:36,742 --> 00:29:37,409 OF EVERYTHING. 1367 00:29:37,409 --> 00:29:38,277 HE COULD REALLY FIND SOMEBODY 1368 00:29:38,277 --> 00:29:39,478 ELSE TO GO TREAT LIKE [bleep]. 1369 00:29:39,478 --> 00:29:40,679 I DESERVE BETTER. 1370 00:29:40,679 --> 00:29:42,648 I'M TOO DOWN OF A CHICK FOR HIM, 1371 00:29:42,648 --> 00:29:44,683 AND I JUST WANT MORE. 1372 00:29:44,683 --> 00:29:45,852 "FOR REAL, [bleep], PEACE OUT. 1373 00:29:45,852 --> 00:29:46,919 GO BE WITH A NICE BITCH. 1374 00:29:46,919 --> 00:29:47,854 BUY HER TV. 1375 00:29:47,854 --> 00:29:48,487 DO WHAT YOU GOT TO DO. 1376 00:29:48,487 --> 00:29:49,155 MAKE HER A STAR. 1377 00:29:49,155 --> 00:29:49,856 SHOOT HER A VIDEO. 1378 00:29:49,856 --> 00:29:50,522 MAKE HER A SONG. 1379 00:29:50,522 --> 00:29:51,523 LET ME DO ME." 1380 00:29:51,523 --> 00:29:52,191 YEAH. 1381 00:29:52,191 --> 00:29:52,859 AND GUESS WHAT. 1382 00:29:52,859 --> 00:29:54,994 WE'LL SEE EACH OTHER AT THE TOP. 1383 00:29:54,994 --> 00:29:56,562 BELIEVE THAT. 1384 00:29:56,562 --> 00:29:57,363 WE'LL SEE WHICH ONE 1385 00:29:57,363 --> 00:29:58,230 GET THERE FIRST. 1386 00:29:58,230 --> 00:30:00,432 MAN, LIKE, IT'S OVER. 1387 00:30:00,432 --> 00:30:02,869 IT'S OVER. 1388 00:30:02,869 --> 00:30:04,003 I DONE SAID SORRY 1389 00:30:04,003 --> 00:30:05,271 A BUNCH OF MOTHER[bleep] TIMES. 1390 00:30:05,271 --> 00:30:06,005 IT'S OVER, COOL. 1391 00:30:06,005 --> 00:30:06,805 IF YOU DON'T GIVE A [bleep] 1392 00:30:06,805 --> 00:30:07,907 ABOUT THAT, IT'S COOL. 1393 00:30:07,907 --> 00:30:09,141 FINE, WE SHOULD NOT HAVE 1394 00:30:09,141 --> 00:30:10,609 NEVER HAD SEX. 1395 00:30:10,609 --> 00:30:11,343 SHOULD'VE, WOULD'VE, 1396 00:30:11,343 --> 00:30:12,411 COULD'VE. 1397 00:30:12,411 --> 00:30:13,479 WHAT YOU'RE NOT GONNA DO, 1398 00:30:13,479 --> 00:30:14,380 YOU'RE NOT GONNA PLAY ME. 1399 00:30:14,380 --> 00:30:15,147 YOU NEEDED TO BE DONE 1400 00:30:15,147 --> 00:30:15,814 WITH MY PROJECT 1401 00:30:15,814 --> 00:30:16,515 BEFORE YOU DECIDE TO HELP 1402 00:30:16,515 --> 00:30:17,183 ANY OTHER PROJECT. 1403 00:30:17,183 --> 00:30:17,850 YOUR PROJECT WAS DONE 1404 00:30:17,850 --> 00:30:19,852 BEFORE IT STARTED. 1405 00:30:32,364 --> 00:30:33,732 SO YOU KNOW I'M TRYING 1406 00:30:33,732 --> 00:30:37,336 TO EXPAND MY BRAND. 1407 00:30:37,336 --> 00:30:38,804 BUT INSTEAD OF IT BEING "MAID," 1408 00:30:38,804 --> 00:30:40,372 AS IN, MAID THAT CLEANS, 1409 00:30:40,372 --> 00:30:43,275 IT'S GONNA BE "MADE" M-A-D-E. 1410 00:30:43,275 --> 00:30:43,943 SO... 1411 00:30:43,943 --> 00:30:44,643 DOPE. 1412 00:30:44,643 --> 00:30:46,378 I GOT SOME IDEAS OF MY OWN. 1413 00:30:46,378 --> 00:30:47,746 SO I'M STARTING A T-SHIRT 1414 00:30:47,746 --> 00:30:48,881 LINE CALLED MADE, 1415 00:30:48,881 --> 00:30:49,949 SO I'M DOING A PHOTO SHOOT 1416 00:30:49,949 --> 00:30:51,850 NEXT WEEK FOR MY NEW BRAND. 1417 00:30:51,850 --> 00:30:52,684 AND SINCE JOSELINE 1418 00:30:52,684 --> 00:30:53,685 LIKES TO CALL ME A MAID, 1419 00:30:53,685 --> 00:30:55,121 I'LL BE WEARING A MAID OUTFIT 1420 00:30:55,121 --> 00:30:56,055 IN THE SHOOT. 1421 00:30:56,055 --> 00:30:58,524 BUT THIS IS MY IDEA, SO, NIKKO, 1422 00:30:58,524 --> 00:30:59,725 YOU STAY IN YOUR LANE, 1423 00:30:59,725 --> 00:31:01,227 AND I'LL STAY IN MINE. 1424 00:31:01,227 --> 00:31:03,462 ANYBODY THAT I'VE TOLD ABOUT IT 1425 00:31:03,462 --> 00:31:05,831 IS JUST, YOU KNOW, 1426 00:31:05,831 --> 00:31:07,366 EXCITED ABOUT IT, SO... 1427 00:31:07,366 --> 00:31:09,969 THAT'S WHY I CHOSE YOU. 1428 00:31:09,969 --> 00:31:10,636 I KNOW YOU'RE SMART. 1429 00:31:10,636 --> 00:31:11,403 YOU'RE SMART. 1430 00:31:11,403 --> 00:31:12,204 YOU'RE A SMART PERSON. 1431 00:31:12,204 --> 00:31:13,172 YES, I AM. 1432 00:31:13,172 --> 00:31:14,273 I THINK I'VE BEEN COACHING 1433 00:31:14,273 --> 00:31:15,507 YOU AND GIVING YOU-- 1434 00:31:15,507 --> 00:31:16,475 COACHING ME? 1435 00:31:16,475 --> 00:31:17,643 COACHING YOU IN THE SENSE 1436 00:31:17,643 --> 00:31:18,610 WHEREAS I THINK WE'VE BEEN 1437 00:31:18,610 --> 00:31:19,278 HAVING A CONVERSATION. 1438 00:31:19,278 --> 00:31:21,981 YOU--LIKE, YOUR WORDPLAY 1439 00:31:21,981 --> 00:31:24,550 SOMETIMES IS SO [bleep] UP. 1440 00:31:24,550 --> 00:31:25,217 REALLY? 1441 00:31:25,217 --> 00:31:28,620 YES, LIKE I'M A CHILD. 1442 00:31:28,620 --> 00:31:29,688 IS THAT BECAUSE YOU'RE 1443 00:31:29,688 --> 00:31:31,157 SENSITIVE TO SOMETHING ELSE? 1444 00:31:31,157 --> 00:31:31,958 NO. 1445 00:31:31,958 --> 00:31:34,793 WELL, LET ME REPHRASE. 1446 00:31:34,793 --> 00:31:36,795 I'M SORRY IF YOU TAKING IT 1447 00:31:36,795 --> 00:31:38,564 THAT WAY, BUT IT'S NOT THAT WAY. 1448 00:31:38,564 --> 00:31:39,498 YOU SAID A FEW THINGS 1449 00:31:39,498 --> 00:31:40,566 YOU NEED TO TAKE BACK. 1450 00:31:40,566 --> 00:31:41,233 ALL RIGHT, WELL, 1451 00:31:41,233 --> 00:31:42,368 WE WORKING ON THAT. 1452 00:31:42,368 --> 00:31:43,402 I'M NOT--I CAN'T GET IT ALL 1453 00:31:43,402 --> 00:31:44,803 IN ONE DAY, BUT IT'S-- 1454 00:31:44,803 --> 00:31:45,972 I'M WORKING ON IT. 1455 00:31:45,972 --> 00:31:47,306 BUT MOVING FURTHER, 1456 00:31:47,306 --> 00:31:49,108 WE'RE BUILDING, 1457 00:31:49,108 --> 00:31:50,742 AND I'M OUT FOR YOU. 1458 00:31:50,742 --> 00:31:52,979 AND I HOPE YOU'RE OUT FOR ME. 1459 00:31:52,979 --> 00:31:53,879 I MEAN, YOU'VE BEEN RIDING 1460 00:31:53,879 --> 00:31:56,482 ON MY TRAIN FOR THIS LONG NOW-- 1461 00:31:56,482 --> 00:31:57,549 I'VE BEEN ON YOUR TRAIN? 1462 00:31:57,549 --> 00:31:58,250 WE'VE BEEN RIDING-- 1463 00:31:58,250 --> 00:31:59,618 LET'S NOT GO THERE 1464 00:31:59,618 --> 00:32:01,387 WITH THE TRAINS AND THE BUSES 1465 00:32:01,387 --> 00:32:02,188 AND THE [bleep] JETS. 1466 00:32:02,188 --> 00:32:02,854 OKAY. 1467 00:32:02,854 --> 00:32:03,555 WE'RE NOT GONNA TALK-- 1468 00:32:03,555 --> 00:32:04,223 WE NOT-- 1469 00:32:04,223 --> 00:32:05,057 OKAY, THAT'S A SENSITIVE-- 1470 00:32:05,057 --> 00:32:05,857 YOU NEED TO REPHRASE THAT. 1471 00:32:05,857 --> 00:32:06,993 LISTEN, LET ME-- 1472 00:32:06,993 --> 00:32:08,160 GIVE ME A CHANCE TO REPHRASE IT. 1473 00:32:08,160 --> 00:32:08,827 OKAY. 1474 00:32:08,827 --> 00:32:10,229 SO WE'VE BEEN RIDING 1475 00:32:10,229 --> 00:32:12,831 ON EACH OTHER'S TRAIN, OKAY? 1476 00:32:12,831 --> 00:32:13,799 OKAY. 1477 00:32:13,799 --> 00:32:14,900 SO WHEN I FIRST STARTED 1478 00:32:14,900 --> 00:32:16,435 DATING NIKKO, IT WAS EXCITING. 1479 00:32:16,435 --> 00:32:17,569 IT WAS FUN. 1480 00:32:17,569 --> 00:32:19,871 BUT NOW YOU WANT TO COACH ME? 1481 00:32:19,871 --> 00:32:22,908 LIKE, "WHOA, COME ON, MAN. 1482 00:32:22,908 --> 00:32:23,809 GET OUT OF HERE. 1483 00:32:23,809 --> 00:32:25,244 I DON'T NEED ANOTHER STEVIE J. 1484 00:32:25,244 --> 00:32:26,745 TRYING TO TELL ME WHAT TO DO 1485 00:32:26,745 --> 00:32:28,247 IN ORDER TO BE SUCCESSFUL. 1486 00:32:28,247 --> 00:32:29,148 I GOT THIS." 1487 00:32:29,148 --> 00:32:31,017 LOOK, I KNOW YOU'RE HUNGRY 1488 00:32:31,017 --> 00:32:32,018 AND ALL, BUT YOU GOT TO FINISH 1489 00:32:32,018 --> 00:32:32,718 THIS FOOT. 1490 00:32:32,718 --> 00:32:34,220 THIS THE LAST ONE? 1491 00:32:34,220 --> 00:32:35,021 I WON'T PUT YOUR FOOT 1492 00:32:35,021 --> 00:32:36,322 TO SLEEP, THOUGH. 1493 00:32:36,322 --> 00:32:37,323 JUST DO IT. 1494 00:32:37,323 --> 00:32:39,325 MM. 1495 00:32:49,501 --> 00:32:51,337 OH, MY GOD, I CANNOT BELIEVE 1496 00:32:51,337 --> 00:32:53,372 HOW I CAN'T SAY NO TO THIS MAN. 1497 00:32:53,372 --> 00:32:55,041 SCRAPPY, COME HERE. 1498 00:32:55,041 --> 00:32:55,874 I MADE SOME FRUIT. 1499 00:32:55,874 --> 00:32:57,376 YOU MADE SOME FRUIT 1500 00:32:57,376 --> 00:32:58,744 OR YOU CUT SOME FRUIT? 1501 00:32:58,744 --> 00:32:59,845 'CAUSE IF YOU MADE THE FRUIT, 1502 00:32:59,845 --> 00:33:01,880 THEN YOU WOULD-- 1503 00:33:01,880 --> 00:33:03,349 YOU WOULD BE A FLOWER. 1504 00:33:03,349 --> 00:33:04,516 SCRAPPY THINKS HE CAN COME 1505 00:33:04,516 --> 00:33:05,617 IN AND OUT OF MY LIFE, 1506 00:33:05,617 --> 00:33:06,685 USE AND ABUSE ME 1507 00:33:06,685 --> 00:33:07,753 AND TREAT ME LIKE GARBAGE. 1508 00:33:07,753 --> 00:33:08,787 ARE YOU SERIOUS? 1509 00:33:08,787 --> 00:33:10,056 IT'S NOT FAIR TO ME, 1510 00:33:10,056 --> 00:33:10,922 AND THIS MAN, 1511 00:33:10,922 --> 00:33:11,923 I'M NOT LETTING HIM TREAT ME 1512 00:33:11,923 --> 00:33:13,792 LIKE A REVOLVING DOOR. 1513 00:33:13,792 --> 00:33:14,526 I JUST WANTED TO TALK TO YOU 1514 00:33:14,526 --> 00:33:17,463 A LITTLE BIT, BECAUSE SOMETIMES 1515 00:33:17,463 --> 00:33:19,331 I GET CONFUSED 1516 00:33:19,331 --> 00:33:20,132 ON WHERE WE STAND. 1517 00:33:20,132 --> 00:33:20,932 WHERE DO YOU STAND 1518 00:33:20,932 --> 00:33:21,833 WITH ERICA RIGHT NOW? 1519 00:33:21,833 --> 00:33:23,669 UNFORTUNATELY, WE DONE, 1520 00:33:23,669 --> 00:33:24,903 BUT, YOU KNOW... 1521 00:33:24,903 --> 00:33:26,338 YOU'RE DONE? 1522 00:33:26,338 --> 00:33:27,739 YEAH. 1523 00:33:27,739 --> 00:33:28,607 YOU SURPRISED? 1524 00:33:28,607 --> 00:33:29,341 YEAH. 1525 00:33:29,341 --> 00:33:30,109 WHY? 1526 00:33:30,109 --> 00:33:31,877 'CAUSE, I MEAN, ME AND HER 1527 00:33:31,877 --> 00:33:33,179 GOT A LITTLE BOND. 1528 00:33:33,179 --> 00:33:33,879 YOU FEEL ME? 1529 00:33:33,879 --> 00:33:35,581 SO I JUST FEEL LIKE IT'S KIND OF 1530 00:33:35,581 --> 00:33:37,116 HARD FOR US TO STOP 1531 00:33:37,116 --> 00:33:38,650 EVEN [bleep] WITH EACH OTHER. 1532 00:33:38,650 --> 00:33:41,387 BUT DO WE HAVE A BOND NOW? 1533 00:33:41,387 --> 00:33:42,354 I MEAN, WE'VE BEEN-- 1534 00:33:42,354 --> 00:33:44,256 HAVE A BOND AS A FRIENDSHIP. 1535 00:33:44,256 --> 00:33:46,192 UH-HUH, BUT IT LED INTO MORE 1536 00:33:46,192 --> 00:33:47,093 THAN JUST A FRIENDSHIP, 1537 00:33:47,093 --> 00:33:48,094 AND YOU AND I BOTH KNOW THAT. 1538 00:33:48,094 --> 00:33:49,095 AND THAT'S WHAT I DON'T LIKE. 1539 00:33:49,095 --> 00:33:50,329 IT SEEMED LIKE YOU USE 1540 00:33:50,329 --> 00:33:51,663 THE FRIEND CARD WITH ME A LOT. 1541 00:33:51,663 --> 00:33:53,699 WE WASN'T SEXING AS NO FRIENDS. 1542 00:33:53,699 --> 00:33:54,733 YOU KNEW THAT. 1543 00:33:54,733 --> 00:33:55,734 FRIENDS DON'T TAKE ADVANTAGE 1544 00:33:55,734 --> 00:33:56,468 OF EACH OTHER LIKE SCRAPPY 1545 00:33:56,468 --> 00:33:57,136 DID WITH ME. 1546 00:33:57,136 --> 00:33:57,803 THAT'S SOME BULL. 1547 00:33:57,803 --> 00:33:58,970 AND YOU DEFINITELY DON'T GET 1548 00:33:58,970 --> 00:33:59,905 ON BENDED KNEE, POPPING 1549 00:33:59,905 --> 00:34:01,173 QUESTIONS TO YOUR BABY MAMA, 1550 00:34:01,173 --> 00:34:02,541 THE SAME BABY MAMA YOU CALLED 1551 00:34:02,541 --> 00:34:04,176 A BUM BITCH BEFORE I DID. 1552 00:34:04,176 --> 00:34:04,976 SERIOUSLY? 1553 00:34:04,976 --> 00:34:06,445 YOU DIDN'T EVEN GIVE ME NO IDEA 1554 00:34:06,445 --> 00:34:07,446 AT ALL THAT YOU WAS READY 1555 00:34:07,446 --> 00:34:08,480 TO POP THE QUESTION-- 1556 00:34:08,480 --> 00:34:09,248 YES, I DID. I DID. 1557 00:34:09,248 --> 00:34:11,250 [bleep], I GAVE YOU A IDEA. 1558 00:34:11,250 --> 00:34:12,451 [bleep] NO, YOU DIDN'T. 1559 00:34:12,451 --> 00:34:13,919 WE WAS JUST [bleep] SIX DAYS 1560 00:34:13,919 --> 00:34:15,454 BEFORE YOU PROPOSED, HOMEBOY. 1561 00:34:15,454 --> 00:34:16,122 NO, WE WASN'T. 1562 00:34:16,122 --> 00:34:16,922 YEAH, DO THE MATH. 1563 00:34:16,922 --> 00:34:17,589 DO THE MATH. 1564 00:34:17,589 --> 00:34:18,524 DO THE MATH? 1565 00:34:18,524 --> 00:34:19,525 WE WASN'T [bleep]. 1566 00:34:19,525 --> 00:34:20,559 YES, WE DID. 1567 00:34:20,559 --> 00:34:21,260 IF YOU WANT TO SAY 1568 00:34:21,260 --> 00:34:22,228 I AIN'T [bleep], OKAY, 1569 00:34:22,228 --> 00:34:22,928 I AIN'T [bleep]. 1570 00:34:22,928 --> 00:34:24,196 YOU AIN'T [bleep] FOR THAT. 1571 00:34:24,196 --> 00:34:25,464 OF COURSE, YOU AIN'T [bleep]. 1572 00:34:25,464 --> 00:34:26,398 I WANT TO SLAP THE [bleep] 1573 00:34:26,398 --> 00:34:27,133 OUT YOUR ASS. 1574 00:34:27,133 --> 00:34:28,134 THAT'LL NEVER HAPPEN. 1575 00:34:28,134 --> 00:34:29,468 WE SHOULD NOT HAVE NEVER 1576 00:34:29,468 --> 00:34:30,536 HAD SEX. 1577 00:34:30,536 --> 00:34:31,270 SHOULD'VE, WOULD'VE, 1578 00:34:31,270 --> 00:34:32,003 COULD'VE. 1579 00:34:32,003 --> 00:34:32,704 MAN, I'M THINKING, 1580 00:34:32,704 --> 00:34:34,140 "WE COOL, FO-FO." 1581 00:34:34,140 --> 00:34:34,906 YOU FEEL ME? 1582 00:34:34,906 --> 00:34:36,942 BUT SHAY IS JUST CRAZY. 1583 00:34:36,942 --> 00:34:37,743 YOU KNOW WHAT I'M SAYING? 1584 00:34:37,743 --> 00:34:38,544 LIKE, SHE CAN'T GET OVER 1585 00:34:38,544 --> 00:34:39,245 THE PAST. 1586 00:34:39,245 --> 00:34:40,412 SHE GOT TO KEEP BRINGING IT UP. 1587 00:34:40,412 --> 00:34:41,813 I DONE SAID SORRY 1588 00:34:41,813 --> 00:34:43,549 A HUNDRED BILLION TIMES. 1589 00:34:43,549 --> 00:34:44,316 AND THE NEXT THING YOU KNOW, 1590 00:34:44,316 --> 00:34:46,152 I SOUND LIKE A--YOU FEEL ME-- 1591 00:34:46,152 --> 00:34:48,354 A RING AROUND THE ROSIE. 1592 00:34:48,354 --> 00:34:49,155 YOU DIG? 1593 00:34:49,155 --> 00:34:50,956 OTHER THAN THAT, WHATEVER I DID, 1594 00:34:50,956 --> 00:34:52,824 THAT'S ALL ONTO YOU. 1595 00:34:52,824 --> 00:34:53,792 YOU HURT ME. 1596 00:34:53,792 --> 00:34:54,460 YOU LIED TO ME. 1597 00:34:54,460 --> 00:34:55,161 HOLD ON. HOLD ON. 1598 00:34:55,161 --> 00:34:56,061 I SAID OTHER THAN THAT-- 1599 00:34:56,061 --> 00:34:57,163 YOU HAD YOUR BABY MAMA 1600 00:34:57,163 --> 00:34:58,164 ON THE SIDE THAT YOU WAS STILL 1601 00:34:58,164 --> 00:34:59,665 PUMPING ON WHILE YOU WAS DEALING 1602 00:34:59,665 --> 00:35:01,167 WITH ME, LYING TO ME IN MY FACE, 1603 00:35:01,167 --> 00:35:01,833 SAYING IT WAS ME AND YOU. 1604 00:35:01,833 --> 00:35:02,568 BUT THAT'S IT. 1605 00:35:02,568 --> 00:35:03,235 THAT'S WHAT YOU DID. 1606 00:35:03,235 --> 00:35:04,303 THAT'S IT, I MEAN-- 1607 00:35:04,303 --> 00:35:04,970 THAT'S SOMETHING. 1608 00:35:04,970 --> 00:35:05,637 THAT'S A LIE. 1609 00:35:05,637 --> 00:35:06,305 BUT I TOLD YOU-- 1610 00:35:06,305 --> 00:35:06,972 THAT'S A LIE. 1611 00:35:06,972 --> 00:35:07,639 I TOLD YOU I WAS SORRY. 1612 00:35:07,639 --> 00:35:08,340 YOU TOLD ME WHEN YOU 1613 00:35:08,340 --> 00:35:09,175 GOT ON YOUR KNEE AND SAID, 1614 00:35:09,175 --> 00:35:10,176 "CAN YOU MARRY ME, BITCH?" 1615 00:35:10,176 --> 00:35:11,777 THAT'S WHEN YOU TOLD ME. 1616 00:35:11,777 --> 00:35:13,612 AND IT WAS A GOOD-- 1617 00:35:13,612 --> 00:35:14,680 IT WASN'T GOOD, [bleep], 1618 00:35:14,680 --> 00:35:16,415 'CAUSE YOU AIN'T EVEN WITH HER. 1619 00:35:16,415 --> 00:35:17,616 I MEAN, NOBODY KNOWS 1620 00:35:17,616 --> 00:35:18,284 THE FUTURE, YOU FEEL ME? 1621 00:35:18,284 --> 00:35:18,950 WELL, THEN GO BACK 1622 00:35:18,950 --> 00:35:19,618 TO THE BITCH 1623 00:35:19,618 --> 00:35:20,886 AND GO TO YOUR FUTURE. 1624 00:35:20,886 --> 00:35:22,354 HEY, I DONE SAID SORRY 1625 00:35:22,354 --> 00:35:23,589 A BUNCH OF MOTHER[bleep] TIMES. 1626 00:35:23,589 --> 00:35:24,256 SO IT'S OVER, COOL. 1627 00:35:24,256 --> 00:35:25,090 IF YOU DON'T GIVE A [bleep] 1628 00:35:25,090 --> 00:35:26,091 ABOUT THAT, IT'S COOL. 1629 00:35:26,091 --> 00:35:27,293 COOL, FINE. 1630 00:35:27,293 --> 00:35:28,194 I DON'T EVEN WANT TO BE 1631 00:35:28,194 --> 00:35:29,628 NOTHING NO MORE, BECAUSE YOU-- 1632 00:35:29,628 --> 00:35:30,296 EVERY WAY, YOU FIND 1633 00:35:30,296 --> 00:35:30,962 A WAY TO HURT ME. 1634 00:35:30,962 --> 00:35:31,630 I DON'T WANT TO BE 1635 00:35:31,630 --> 00:35:32,298 NOTHING EITHER. 1636 00:35:32,298 --> 00:35:32,964 DEUCES, I DON'T GIVE 1637 00:35:32,964 --> 00:35:33,632 A [bleep]. 1638 00:35:33,632 --> 00:35:34,633 IT'S SO [bleep] CRAZY 1639 00:35:34,633 --> 00:35:36,001 HOW SCRAPPY PLAYED A DUMB ROLE, 1640 00:35:36,001 --> 00:35:36,668 LIKE HE CAN'T SEE 1641 00:35:36,668 --> 00:35:37,569 HOW HE HURT ME. 1642 00:35:37,569 --> 00:35:39,205 AND THE REAL DEAL HOLYFIELD IS, 1643 00:35:39,205 --> 00:35:40,539 I TRULY LOVE THIS MAN. 1644 00:35:40,539 --> 00:35:41,340 AND NOW THIS DUMMY 1645 00:35:41,340 --> 00:35:42,641 WALKING AROUND WITH AMNESIA, 1646 00:35:42,641 --> 00:35:43,575 ACTING LIKE HE FORGOT 1647 00:35:43,575 --> 00:35:44,676 WHAT HAPPENED AND WHAT WENT ON. 1648 00:35:44,676 --> 00:35:45,444 REALLY? 1649 00:35:45,444 --> 00:35:46,745 I CAN'T FORGIVE HIM FOR THAT. 1650 00:35:46,745 --> 00:35:47,613 I DON'T KNOW HOW I'M GONNA GET 1651 00:35:47,613 --> 00:35:48,547 OVER IT, BUT I CAN'T FORGIVE HIM 1652 00:35:48,547 --> 00:35:49,215 FOR THAT. 1653 00:35:49,215 --> 00:35:49,881 YOU PIECE OF [bleep], 1654 00:35:49,881 --> 00:35:50,716 THAT'S WHAT YOU ARE. 1655 00:35:50,716 --> 00:35:51,517 IF I'M A PIECE OF [bleep], 1656 00:35:51,517 --> 00:35:53,051 WHY YOU PUT A PIECE OF [bleep] 1657 00:35:53,051 --> 00:35:54,520 IN YOUR [bleep], 1658 00:35:54,520 --> 00:35:55,254 IN YOUR [bleep]? 1659 00:35:55,254 --> 00:35:56,255 AND MY [bleep] FELT GOOD, 1660 00:35:56,255 --> 00:35:56,955 DIDN'T IT? 1661 00:35:56,955 --> 00:35:58,390 MOTHER[bleep], GET OUT. 1662 00:35:58,390 --> 00:35:59,458 PEACE OUT, [bleep]. 1663 00:35:59,458 --> 00:36:00,292 AND ON THE INTERNET-- 1664 00:36:00,292 --> 00:36:01,560 HOW DID YOU GET YOUR HOUSE? 1665 00:36:01,560 --> 00:36:02,328 ME... 1666 00:36:02,328 --> 00:36:03,128 HOW DID YOU GET YOUR HOUSE? 1667 00:36:03,128 --> 00:36:03,862 AND THE LORD. 1668 00:36:03,862 --> 00:36:04,530 NAH. 1669 00:36:04,530 --> 00:36:05,364 GOD HIMSELF GOT IT FOR ME. 1670 00:36:05,364 --> 00:36:06,532 GOD BLESSED ME TO BLESS YOU. 1671 00:36:06,532 --> 00:36:07,333 YOU HAVE A WONDERFUL LIFE. 1672 00:36:07,333 --> 00:36:08,234 GOD BLESSED ME TO BLESS YOU. 1673 00:36:08,234 --> 00:36:08,967 YOU HAVE A MOTHER[bleep] 1674 00:36:08,967 --> 00:36:09,768 WONDERFUL LIFE. 1675 00:36:09,768 --> 00:36:10,869 GET THE [bleep] OUT. 1676 00:36:10,869 --> 00:36:12,404 YOU HAVE A WONDERFUL LIFE. 1677 00:36:12,404 --> 00:36:13,272 [tapping on door] 1678 00:36:13,272 --> 00:36:14,306 DON'T OPEN MY DOOR. 1679 00:36:14,306 --> 00:36:17,376 [tapping on door] 1680 00:36:17,376 --> 00:36:18,644 MAN, SHAY DONE CAUGHT 1681 00:36:18,644 --> 00:36:20,279 FEELINGS AGAIN, AND NOW SHE MAD 1682 00:36:20,279 --> 00:36:21,780 AT ME FOR SOME STANK I DID 1683 00:36:21,780 --> 00:36:22,748 A LONG TIME AGO, 1684 00:36:22,748 --> 00:36:23,715 LIKE, A YEAR AGO. 1685 00:36:23,715 --> 00:36:24,883 YOU KNOW, THEY SAY IF YOU CAN'T 1686 00:36:24,883 --> 00:36:27,519 FIZZ-NAH-EE, YOU KNOW, [bleep], 1687 00:36:27,519 --> 00:36:28,320 WHY ARE YOU FRIENDS? 1688 00:36:28,320 --> 00:36:29,054 YOU KNOW WHAT I'M SAYING? 1689 00:36:29,054 --> 00:36:30,121 'CAUSE THAT DIZZ-NAH-EE 1690 00:36:30,121 --> 00:36:31,490 DRIVE A CRIZ-NAH-EE. 1691 00:36:31,490 --> 00:36:32,624 YOU FEEL ME? 1692 00:36:32,624 --> 00:36:34,092 [sobbing] 1693 00:36:34,092 --> 00:36:35,126 THAT'S IT. 1694 00:36:35,126 --> 00:36:35,927 THAT'S THE END. 1695 00:36:35,927 --> 00:36:36,728 SCRAPPY AIN'T NEVER GONNA 1696 00:36:36,728 --> 00:36:37,796 SCREW ME OVER AGAIN. 1697 00:36:37,796 --> 00:36:38,464 YOU KNOW WHAT? 1698 00:36:38,464 --> 00:36:39,130 THIS WHOLE SITUATION 1699 00:36:39,130 --> 00:36:40,499 IS EXTREMELY SAD, 1700 00:36:40,499 --> 00:36:41,467 BUT I'M PROUD OF MYSELF. 1701 00:36:41,467 --> 00:36:42,167 I'M PROUD THAT 1702 00:36:42,167 --> 00:36:42,968 I'M BREAKING FREE. 1703 00:36:42,968 --> 00:36:44,470 HOPE YOU GOT IT ALL OUT! 1704 00:36:44,470 --> 00:36:46,272 [sniffing] 1705 00:36:46,272 --> 00:36:48,139 SO FACE THAT. 1706 00:36:48,139 --> 00:36:48,807 I DON'T WANT TO BE 1707 00:36:48,807 --> 00:36:49,475 A PART OF YOU. 1708 00:36:49,475 --> 00:36:50,276 I DON'T WANT TO BE WITH YOU. 1709 00:36:50,276 --> 00:36:50,909 GOOD. 1710 00:36:50,909 --> 00:36:51,643 I'M JUST TRYING TO WORK 1711 00:36:51,643 --> 00:36:52,344 SOME THINGS OUT WITH YOU, 1712 00:36:52,344 --> 00:36:53,078 BUT IT AIN'T GONNA HAPPEN. 1713 00:36:53,078 --> 00:36:53,745 YOU FINISHED? 1714 00:36:53,745 --> 00:36:54,413 YOU'RE A BITCH. 1715 00:36:54,413 --> 00:36:55,080 THE BITCHINESS 1716 00:36:55,080 --> 00:36:55,747 IS COMING OUT OF YOU. 1717 00:36:55,747 --> 00:36:56,582 I'LL BE A BITCH AND LEAVE. 1718 00:36:56,582 --> 00:36:57,649 THAT'S GOOD, GOOD-BYE. 1719 00:36:57,649 --> 00:36:58,950 GOOD-BYE, BITCH. 1720 00:36:58,950 --> 00:37:00,051 BYE. 1721 00:37:00,051 --> 00:37:00,719 [tapping on glass] 1722 00:37:00,719 --> 00:37:02,688 YOU SIGNED FOR LIFE. 1723 00:37:02,688 --> 00:37:04,690 BYE. 1724 00:37:20,872 --> 00:37:22,374 JOSELINE MAY HAVE APOLOGIZED 1725 00:37:22,374 --> 00:37:23,675 TO CHE' MACK, BUT THEN SHE 1726 00:37:23,675 --> 00:37:24,610 WALKED OUT OF THE MEETING 1727 00:37:24,610 --> 00:37:26,011 AND STOPPED ANSWERING MY CALLS, 1728 00:37:26,011 --> 00:37:27,679 LIKE, "WHAT PART OF THE GAME 1729 00:37:27,679 --> 00:37:28,780 IS THAT?" 1730 00:37:28,780 --> 00:37:30,081 HOW YOU DOING? 1731 00:37:30,081 --> 00:37:31,082 I COULD NEVER TELL YOU 1732 00:37:31,082 --> 00:37:32,351 WHAT'S GOING ON IN JOSELINE 1733 00:37:32,351 --> 00:37:34,219 CABEZA, BUT WHEN SHE CALLED ME 1734 00:37:34,219 --> 00:37:35,554 TO MEET, I KNEW SHE WAS 1735 00:37:35,554 --> 00:37:37,323 PISSED OFF ABOUT SOMETHING. 1736 00:37:37,323 --> 00:37:38,690 YOU KNOW, STEVIE, 1737 00:37:38,690 --> 00:37:39,625 I LOVED YOU. 1738 00:37:39,625 --> 00:37:41,493 AND, YOU KNOW, I LOVED YOU 1739 00:37:41,493 --> 00:37:42,628 LIKE I'VE NEVER LOVED 1740 00:37:42,628 --> 00:37:43,829 ANYBODY BEFORE. 1741 00:37:43,829 --> 00:37:44,563 YOU CAN'T EVEN LOOK AT ME, 1742 00:37:44,563 --> 00:37:45,797 CAN YOU? 1743 00:37:45,797 --> 00:37:47,433 LET ME EXPLAIN SOMETHING TO YOU. 1744 00:37:47,433 --> 00:37:48,500 WHAT YOU'RE NOT GONNA DO, 1745 00:37:48,500 --> 00:37:50,402 YOU'RE NOT GONNA PLAY ME. 1746 00:37:50,402 --> 00:37:51,837 YOU INSIST ON BRINGING BITCHES 1747 00:37:51,837 --> 00:37:52,604 IN MY LIFE. 1748 00:37:52,604 --> 00:37:53,772 YOU HAVEN'T DONE-- 1749 00:37:53,772 --> 00:37:54,440 WHEN'S THE LAST TIME 1750 00:37:54,440 --> 00:37:55,106 I'VE BEEN TO THE STUDIO? 1751 00:37:55,106 --> 00:37:55,774 THIS IS WHAT WE 1752 00:37:55,774 --> 00:37:56,442 TALKING ABOUT? 1753 00:37:56,442 --> 00:37:57,175 I'M WORKING ON MY MUSIC. 1754 00:37:57,175 --> 00:37:57,843 GOOD. 1755 00:37:57,843 --> 00:37:58,510 AND GUESS WHAT. 1756 00:37:58,510 --> 00:37:59,244 I DON'T NEED YOU. 1757 00:37:59,244 --> 00:38:00,846 I'M SHOOTING MY VIDEO ON MY OWN. 1758 00:38:00,846 --> 00:38:01,547 ANYTHING THAT I'M DOING, 1759 00:38:01,547 --> 00:38:02,348 I'M DOING IT ON MY OWN. 1760 00:38:02,348 --> 00:38:02,981 WHAT ARE YOU SHOOTING? 1761 00:38:02,981 --> 00:38:03,649 WHAT SONG YOU SHOOTING? 1762 00:38:03,649 --> 00:38:04,550 STEVIE, YOU HAVEN'T HELPED ME 1763 00:38:04,550 --> 00:38:05,216 WITH NONE OF MY MUSIC. 1764 00:38:05,216 --> 00:38:05,884 YOU DON'T OWN NONE 1765 00:38:05,884 --> 00:38:06,552 OF YOUR MUSIC, 1766 00:38:06,552 --> 00:38:07,218 SO WHAT YOU SHOOTING? 1767 00:38:07,218 --> 00:38:07,886 OKAY, WELL, 1768 00:38:07,886 --> 00:38:08,554 WE'LL SEE ABOUT THAT. 1769 00:38:08,554 --> 00:38:09,355 WHEN THAT TIME COMES, 1770 00:38:09,355 --> 00:38:09,988 WE'LL DEAL WITH THAT. 1771 00:38:09,988 --> 00:38:10,656 I DON'T WANT TO BE 1772 00:38:10,656 --> 00:38:11,357 A PART OF YOU. 1773 00:38:11,357 --> 00:38:12,057 I DON'T WANT TO BE WITH YOU. 1774 00:38:12,057 --> 00:38:12,724 GOOD. 1775 00:38:12,724 --> 00:38:13,459 I'M JUST TRYING TO WORK 1776 00:38:13,459 --> 00:38:14,159 SOME THINGS OUT WITH YOU, 1777 00:38:14,159 --> 00:38:14,893 BUT IT AIN'T GONNA HAPPEN. 1778 00:38:14,893 --> 00:38:15,561 YOU FINISHED? 1779 00:38:15,561 --> 00:38:16,362 FIRST, LOOK, YOU NEED TO BE 1780 00:38:16,362 --> 00:38:17,162 DONE WITH ONE PROJECT. 1781 00:38:17,162 --> 00:38:17,996 I GOT A NEW PROJECT. 1782 00:38:17,996 --> 00:38:18,930 I GOT A NEW ARTIST TOO. 1783 00:38:18,930 --> 00:38:19,765 GREAT, YOU NEEDED TO BE DONE 1784 00:38:19,765 --> 00:38:20,432 WITH MY PROJECT 1785 00:38:20,432 --> 00:38:21,132 BEFORE YOU DECIDE TO HELP 1786 00:38:21,132 --> 00:38:21,800 ANY OTHER PROJECT. 1787 00:38:21,800 --> 00:38:22,534 YOU'RE PROJECT WAS DONE 1788 00:38:22,534 --> 00:38:23,201 BEFORE IT STARTED. 1789 00:38:23,201 --> 00:38:24,135 AND I BET YOU KNOW 1790 00:38:24,135 --> 00:38:24,936 THAT WE BREAKING UP, 1791 00:38:24,936 --> 00:38:25,704 AND WE'RE NOT TOGETHER, 1792 00:38:25,704 --> 00:38:26,938 AND YOU NO LONGER MANAGE ME. 1793 00:38:26,938 --> 00:38:27,906 MY VIDEO WILL BE OUT. 1794 00:38:27,906 --> 00:38:28,774 I DON'T MANAGE YOU? 1795 00:38:28,774 --> 00:38:29,841 MY--NO, YOU DON'T. 1796 00:38:29,841 --> 00:38:30,776 YOU NEVER MANAGED ME. 1797 00:38:30,776 --> 00:38:31,643 YOU NEVER DONE ANYTHING FOR ME. 1798 00:38:31,643 --> 00:38:32,811 LISTEN, YOU WERE A PROSTITUTE 1799 00:38:32,811 --> 00:38:33,512 WHEN I MET YOU. 1800 00:38:33,512 --> 00:38:34,446 OH, NOW I'M A PROSTITUTE. 1801 00:38:34,446 --> 00:38:35,414 YOU WAS A PROSTITUTE 1802 00:38:35,414 --> 00:38:36,648 WHEN I MET YOU. 1803 00:38:36,648 --> 00:38:37,383 YOU'RE A BITCH. 1804 00:38:37,383 --> 00:38:37,983 THE BITCHINESS 1805 00:38:37,983 --> 00:38:38,650 IS COMING OUT OF YOU. 1806 00:38:38,650 --> 00:38:39,418 I'LL BE A BITCH AND LEAVE. 1807 00:38:39,418 --> 00:38:40,085 THAT'S GOOD. 1808 00:38:40,085 --> 00:38:40,886 AND I WAS GONNA GIVE YOU 1809 00:38:40,886 --> 00:38:41,820 A CONTRACT, BUT YOU AIN'T 1810 00:38:41,820 --> 00:38:42,488 GETTING [bleep]. 1811 00:38:42,488 --> 00:38:43,154 GOOD-BYE. 1812 00:38:43,154 --> 00:38:44,089 YOU KNOW WHAT I'M SAYING? 1813 00:38:44,089 --> 00:38:45,491 GOOD-BYE, BITCH. 1814 00:38:45,491 --> 00:38:46,257 YOU'RE A BITCH-ASS 1815 00:38:46,257 --> 00:38:46,958 MOTHER[bleep]. 1816 00:38:46,958 --> 00:38:48,226 YEAH, AND THAT'S 1817 00:38:48,226 --> 00:38:48,894 WHAT I'LL BE. 1818 00:38:48,894 --> 00:38:49,995 WHAT ARE YOU? 1819 00:38:49,995 --> 00:38:50,662 GOOD-BYE. 1820 00:38:50,662 --> 00:38:51,897 GOOD-BYE, BITCH-ASS [bleep]. 1821 00:38:51,897 --> 00:38:56,201 KEEP TALKING ON THE WAY OUT. 1822 00:38:56,201 --> 00:38:56,902 STEVIE COULD DO 1823 00:38:56,902 --> 00:38:58,169 WHATEVER HE WANT TO DO. 1824 00:38:58,169 --> 00:38:59,438 I NEVER WANT TO SEE HIM AGAIN, 1825 00:38:59,438 --> 00:39:00,271 'CAUSE I'MA MAKE MYSELF 1826 00:39:00,271 --> 00:39:01,072 A STAR REGARDLESS 1827 00:39:01,072 --> 00:39:02,508 WITH HIM OR WITHOUT HIM. 1828 00:39:02,508 --> 00:39:03,241 I'M DONE WITH THIS BUM-ASS 1829 00:39:03,241 --> 00:39:03,909 [bleep]. 1830 00:39:03,909 --> 00:39:04,576 YEAH. 1831 00:39:04,576 --> 00:39:05,243 LOOK AT YOU. 1832 00:39:05,243 --> 00:39:05,911 YOU'RE A BITCH! 1833 00:39:05,911 --> 00:39:06,578 YEAH. 1834 00:39:06,578 --> 00:39:07,413 YEAH, TALKING LIKE A BITCH. 1835 00:39:07,413 --> 00:39:08,113 YOUR ASS IS FAKE! 1836 00:39:08,113 --> 00:39:08,847 YEAH, YOU'RE RIGHT. 1837 00:39:08,847 --> 00:39:09,881 TALK [bleep] LIKE A BITCH! 1838 00:39:09,881 --> 00:39:10,982 YOUR MOUTH IS ALL [bleep] 1839 00:39:10,982 --> 00:39:11,683 FAT, BITCH. 1840 00:39:11,683 --> 00:39:13,284 TITTIES, FAKE, HAIR, FAKE. 1841 00:39:13,284 --> 00:39:15,020 BITCH-ASS [bleep]. 1842 00:39:15,020 --> 00:39:15,987 NOW WALK HOME, BITCH. 1843 00:39:15,987 --> 00:39:16,788 CUSTOM ORDER. 1844 00:39:16,788 --> 00:39:22,293 BYE. 1845 00:39:22,293 --> 00:39:23,061 [tapping on glass] 1846 00:39:23,061 --> 00:39:24,996 YOU SIGNED FOR LIFE. 1847 00:39:24,996 --> 00:39:27,198 BYE. 1848 00:39:27,198 --> 00:39:28,800 [chuckles] 1849 00:39:28,800 --> 00:39:29,901 I DON'T KNOW WHERE JOSELINE 1850 00:39:29,901 --> 00:39:31,302 IS HEADED RIGHT NOW-- 1851 00:39:31,302 --> 00:39:32,738 MAYBE BACK TO THE STRIP CLUB. 1852 00:39:32,738 --> 00:39:34,440 BUT WHEREVER SHE GO, 1853 00:39:34,440 --> 00:39:35,741 JUST KNOW I GOT YOU 1854 00:39:35,741 --> 00:39:38,009 FOR THE NEXT SIX YEARS, BABY. 1855 00:39:38,009 --> 00:39:40,011 COME TO DADDY. 1856 00:39:44,483 --> 00:39:45,851 ON THE NEXT LOVE & HIP-HOP: 1857 00:39:45,851 --> 00:39:46,585 ATLANTA... 1858 00:39:46,585 --> 00:39:47,486 I DON'T WANT TO FIGHT YOU 1859 00:39:47,486 --> 00:39:48,153 NO MORE. 1860 00:39:48,153 --> 00:39:49,020 I HAVE A CONFESSION 1861 00:39:49,020 --> 00:39:49,721 TO MAKE TO YOU. 1862 00:39:49,721 --> 00:39:51,457 I MADE A DIS SONG. 1863 00:39:51,457 --> 00:39:52,123 OKAY. 1864 00:39:52,123 --> 00:39:54,660 IF IT'S OUT, JUST KNOW-- 1865 00:39:54,660 --> 00:39:55,661 NEW CHAPTER. 1866 00:39:55,661 --> 00:39:56,462 WHAT YOU GIVE ME 1867 00:39:56,462 --> 00:39:58,163 THIS DIS RECORD FOR MY BIRTHDAY? 1868 00:39:58,163 --> 00:39:59,130 * WE WAS WITH R. KELLY 1869 00:39:59,130 --> 00:40:00,632 ♪ YOU PROBABLY GOT PEED ON 1870 00:40:00,632 --> 00:40:02,468 THE LYRICS SAID 1871 00:40:02,468 --> 00:40:04,302 MY MENTOR PEED ON ME. 1872 00:40:04,302 --> 00:40:06,404 KARLIE, SIT DOWN! 1873 00:40:06,404 --> 00:40:08,239 KIRK BASICALLY TOLD ME 1874 00:40:08,239 --> 00:40:09,775 I SHOULD GET AN ABORTION. 1875 00:40:09,775 --> 00:40:10,476 SOMETHING'S WRONG 1876 00:40:10,476 --> 00:40:11,209 WITH THIS PICTURE, 1877 00:40:11,209 --> 00:40:12,377 'CAUSE IT LOOK LIKE TO ME 1878 00:40:12,377 --> 00:40:13,211 HE'S KEEPING COMPANY 1879 00:40:13,211 --> 00:40:14,279 SOMEWHERE ELSE. 1880 00:40:14,279 --> 00:40:16,381 SHE'S NOT GONNA GET AN ABORTION. 1881 00:40:16,381 --> 00:40:17,048 SO IF ME AND YOU WERE 1882 00:40:17,048 --> 00:40:18,650 BUSINESS PARTNERS AND-- 1883 00:40:18,650 --> 00:40:19,417 THAT AIN'T GOT NOTHING 1884 00:40:19,417 --> 00:40:20,251 TO DO WITH IT, KIRK! 1885 00:40:20,251 --> 00:40:21,687 IT HAS A LOT TO DO WITH IT. 1886 00:40:21,687 --> 00:40:24,055 YOUR MARRIAGE COME FIRST! 1887 00:40:24,055 --> 00:40:26,124 * I FLEW RED-EYE TO THE "A" 1888 00:40:26,124 --> 00:40:27,926 ♪ PRIVATE TO L.A. 1889 00:40:27,926 --> 00:40:29,928 ♪ FIRST CLASS TO N.Y. 1890 00:40:31,930 --> 00:40:32,698 CHECK THIS OUT. 1891 00:40:32,698 --> 00:40:33,732 IS THIS THE CAR? 1892 00:40:33,732 --> 00:40:34,466 YEAH. 1893 00:40:34,466 --> 00:40:35,200 YOU GIVE ME THIS, 1894 00:40:35,200 --> 00:40:35,901 THIS SHOULD BE MINE 1895 00:40:35,901 --> 00:40:36,635 WITH NO STRINGS ATTACHED. 1896 00:40:36,635 --> 00:40:37,703 YEAH, NO, NO STRINGS. 1897 00:40:37,703 --> 00:40:38,369 YOU'RE DAMAGED. 1898 00:40:38,369 --> 00:40:39,204 WE DON'T TALK ABOUT THAT. 1899 00:40:39,204 --> 00:40:39,871 I SOUND DAMAGED? 1900 00:40:39,871 --> 00:40:40,539 YOU SOUND LIKE 1901 00:40:40,539 --> 00:40:41,206 A DERANGED WOMAN. 1902 00:40:41,206 --> 00:40:42,674 GOT YOU, I GOT YOU. 1903 00:40:42,674 --> 00:40:43,642 GO BACK TO STEVIE. 1904 00:40:43,642 --> 00:40:44,543 NO, [bleep] YOU, 1905 00:40:44,543 --> 00:40:46,545 MOTHER[bleep]. 1906 00:40:58,389 --> 00:40:59,157 REMEMBER WHEN YOU YELLED 1907 00:40:59,157 --> 00:40:59,891 IN MY FACE ABOUT SOME 1908 00:40:59,891 --> 00:41:01,960 MOTHER[bleep] BACON, BITCH. 1909 00:41:01,960 --> 00:41:03,328 I DID NOT YELL AT YOU 1910 00:41:03,328 --> 00:41:04,229 ABOUT NO DAMN BACON. 1911 00:41:04,229 --> 00:41:04,963 STOP IT. 1912 00:41:04,963 --> 00:41:05,831 I AIN'T GOT TIME, BUT, YEAH. 1913 00:41:05,831 --> 00:41:07,032 BACON? 1914 00:41:07,032 --> 00:41:07,799 'CAUSE I WOULDN'T-- 1915 00:41:07,799 --> 00:41:09,034 NOW YOU MAKING UP STORIES. 1916 00:41:09,034 --> 00:41:10,301 YOU WERE IN MY MOTHER[bleep] 1917 00:41:10,301 --> 00:41:11,537 KITCHEN, BITCH. 1918 00:41:11,537 --> 00:41:12,137 AND I YELLED TO YOU 1919 00:41:12,137 --> 00:41:12,871 ABOUT SOME [bleep] BACON? 1920 00:41:12,871 --> 00:41:13,639 'CAUSE I WOULDN'T MAKE 1921 00:41:13,639 --> 00:41:15,607 THE EGGS AND [bleep] BACON 1922 00:41:15,607 --> 00:41:16,307 THAT MORNING. 1923 00:41:16,307 --> 00:41:17,108 [laughs] 1924 00:41:17,108 --> 00:41:18,677 [bleep], BITCH. 1925 00:41:18,677 --> 00:41:19,645 I YELLED AT YOU? 1926 00:41:19,645 --> 00:41:20,378 YOU DON'T-- 1927 00:41:20,378 --> 00:41:21,780 "YOU GET MY [bleep] BACON. 1928 00:41:21,780 --> 00:41:22,447 AND GET OUT OF MY 1929 00:41:22,447 --> 00:41:24,115 MOTHER[bleep] FACE!" 1930 00:41:24,115 --> 00:41:24,783 [laughing] 1931 00:41:24,783 --> 00:41:25,450 BACON? 1932 00:41:25,450 --> 00:41:27,452 EVERYTHING. 116928

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