Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA...

I HAD WENT TO THE DOCTOR

YESTERDAY AND, UM...

I'M PREGNANT.

I DON'T THINK THE TIMING

IS RIGHT.

WELL, I APOLOGIZE THAT ME

HAVING A BABY'S NOT A PART OF

YOUR LIFE PLAN.

I WENT AND DID THE TROUBLE OF

BUYING A CAKE.

WHAT'S THE CAKE FOR?

E.O.E.

END OF ENGAGEMENT.

SHE'S STILL INVOLVED IN

YOUR RELATIONSHIP?

THAT'S THE THING, DAD.

'CAUSE IF YOU GO SOMEWHERE

ELSE AND GET INVOLVED YOURSELF

IN ANOTHER RELATIONSHIP, YOU MAY

FIND THE SAME ISSUES.

I REALLY WANT TO QUARTERBACK

AND RUNNING BACK THIS THING.

LIKE, REALLY, LIKE...

I'LL COACH THE TEAM.

YOU QUARTERBACK.

WHY YOU IN THE STUDIO WITH

THIS HO, 'CAUSE, FOR REAL, YOU

AIN'T FINISHED MY ALBUM YET.

I'M NOT IN THE STUDIO WITH

CHE' MACK

WHY IS JOHNNY RAPPING

ABOUT GIRLS?

HE LIKE MEN.

WHATEVER'S BEING SAID

ABOUT ME--

I DON'T CARE WHAT'S

BEING SAID.

ANYBODY THAT'S GOT SOME

[bleep] BEEF RIGHT NOW, PLEASE

GET THE [bleep] OUT OF HERE.

WHO YOU TALKING TO?

I'M JUST TALKING TO--

YOU'RE [bleep] YELLING AT ME.

YELL AT THE MOTHER[bleep] YOU

NEED TO YELL AT, MIMI.

DON'T DO IT.

[bleep], I'M NOT THE ONE THAT'S

[bleep] DOING NOTHING WRONG

RIGHT NOW.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

[electronic hip-hop music]

♪

YESTERDAY WAS CRAZY.

YEAH, I EXPECTED K.MICHELLE TO

POP OFF, BUT ARIANE?

COME ON, MAN.

THIS WAS SUPPOSED TO BE MY DAY

TO SHINE.

THEY'RE SUPPOSED TO BE THERE

TO SUPPORT ME.

AND OF COURSE, SOME STUPID

[bleep] HAPPENS AND [bleep] UP

EVERYTHING.

HELLO.

SO GUESS WHAT?

WHEN ARIANE CALLED ME TO TALK

ABOUT IT, I REALLY WANTED TO SEE

WHERE HER [bleep] HEAD WAS AT.

I WANTED YESTERDAY TO BE

SO GREAT.

THEN THE [bleep] [bleep] SHOW.

LET'S LOOK AT EVERY TIME WE

GO SOMEWHERE.

WE KNOW HOW K. CAN BE.

MY HOUSEWARMING--

OKAY.

ERICA'S ENGAGEMENT.

IT'S ALWAYS SOMETHING.

AND THAT'S WHERE--

THAT'S WHY I EXPLODED AND

BLEW THE [bleep] UP.

BUT YOU SAID, "MY FRIENDS."

YOU SHOULD HAVE JUST NAMED

THE CULPRIT, NOT ME.

YOU KNOW GOOD AND DAMN WELL

I WASN'T TALKING ABOUT YOU.

YOU SHOULD HAVE [bleep]

SPECIFIED THAT FOR ME.

WHAT IS HER ISSUE WITH GAY

PEOPLE?

SHE SAID IT.

SHE SAID SHE HAD AN ISSUE WITH

MEN PRETENDING THAT THEY'RE

NOT GAY.

SHE DOESN'T KNOW JOHNNY

FOR HER TO EVEN TO MAKE

THAT STATEMENT.

IT JUST GOT WAY OUT OF LINE.

LIKE, I THOUGHT JOHNNY WAS GONNA

BE ABLE TO HANDLE IT BY HIMSELF,

AND WHEN NIKKO CAME IN, I WAS

LIKE, "ALL RIGHT, HE'S GONNA

MAKE IT OKAY."

IT DIDN'T HAPPEN LIKE THAT,

AND THAT'S WHEN I WAS LIKE,

"OH, [bleep].

BOTH OF Y'ALL ABOUT TO TRY TO

ATTACK HER?"

LIKE, I KNOW THAT'S YOUR

HOMEBOY.

I GET IT.

BUT IT'S TWO MEN ATTACKING THIS

LITTLE PERSON WITH A BIG

ATTITUDE AND A BIG MOUTH.

NIKKO AND JOHNNY HANDLED THAT

SITUATION ALL WRONG.

WHAT I DIDN'T UNDERSTAND WAS,

MIMI AND I BEEN ROCKIN' FOR

YEARS, AND I NEVER REALLY SEEN

HER JUST GO SO HARD FOR SOMEBODY

LIKE THAT THAT SHE BARELY KNEW.

SO IT JUST WASN'T RIGHT.

SHE JUST WASN'T RIGHT AT ALL.

COULD HE HAVE HANDLED IT

BETTER?

ABSOLUTELY.

BUT THE ROOT OF THIS WHOLE THING

IS K. MICHELLE, PERIOD.

SHE WANTED YOU TO COME TO HER

DEFENSE.

I'M NOT [bleep] K.MICHELLE.

NO, YOU'RE NOT.

OKAY, NEVER GONNA HAPPEN.

I TOLD HER THAT.

OKAY, WELL, I DON'T SEE WHAT

THE [bleep] PROBLEM IS.

I WASN'T EVEN IN THE ROOM WHEN

ANY OF THIS WENT DOWN.

I'M OUTSIDE--

WOULD YOU HAVE A CONVERSATION

WITH HER?

NO, I DID NOT.

I SAID WOULD YOU.

OF COURSE I WOULD.

OKAY.

BUT I'M NOT GONNA SIT THERE

AND LISTEN TO HER ATTACK ME ON

SOME BULL[bleep], IS WHAT I'M

NOT GONNA DO.

WELL, I'M GOING TO NEW YORK

TODAY.

I'M GONNA SEE HER WHILE

I'M THERE.

I'M SURE.

YOU WANT TO COME?

WHY WOULD I FLY TO NEW YORK?

I'M SAYING I'M GONNA SEE HER,

SO WE COULD TRY TO JUST KIND OF

AIR THINGS OUT WHILE

WE'RE THERE.

COME ON.

LOVE NEW YORK.

LOVE THE ENERGY, ALL THAT.

THAT'S WHAT I'M SAYING.

I WILL GO TO NEW YORK--

IT'S A COMPLETELY DIFFERENT

ATMOSPHERE.

I WILL GO TO NEW YORK,

NO PROBLEM.

IF I HAPPEN TO SEE K.,

ALL FINE.

I'M GONNA SEE HER WHILE I'M

THERE.

OH, OKAY.

I JUST THOUGHT MAYBE YOU'LL

BE WITH ME.

I'LL GO TO NEW YORK, SURE.

OKAY.

I WANT TO GO TO

THE DRUNKEN MONKEY.

[laughter]

[police siren wails]

SO BASICALLY, MAN, YOU KNOW

WHAT I'M SAYING, MOMMA THROWING

THE E.O.E., END OF ENGAGEMENT

PARTY, AND THAT JUST REALLY JUST

CROSSED THE LINE WITH ME.

I AIN'T WITH NONE OF THAT

SHIZNAY, YOU FEEL ME?

WHAT'S HAPPENING,

WHAT'S HAPPENING?

HEY, SON.

WHAT'S UP, BOY?

SO WHAT I'M FINNA DO, I'M

FINNA GO GET MY BAGS AND GET THE

HELL ON AND TELL HER ABOUT IT

SO WE CAN PUT SPACE BETWEEN US.

MAN, I'M GLAD YOU CAME BY

'CAUSE I REALLY WANTED TO TALK

TO YOU ABOUT THE LAST TIME YOU

WERE HERE.

FIRST, I WANTED TO APOLOGIZE FOR

MAYBE JUMPING THE GUN WITH

THE CAKE, AND THEN YOU'VE

MENTIONED MOM.

GUESS WHAT?

I'M NOT A MAMA'S BOY, WHERE

YOU'LL ALWAYS BE A MAMA'S BOY.

AND IT'S NOT--HEAR ME OUT.

IT'S NOT THAT I DON'T WANT

YOU HAPPY.

I KNOW YOU WANT ME TO BE.

WELL, I DID BIRTH A BOY IN

'84, SO--AND I'M YOUR MOM, SO

THERE YOU GO.

WITH THAT BEING SAID, IT KIND OF

HURT MY FEELINGS, BUT I KNOW

YOU LOVE ME.

ALL I'M ASKING YOU IS TO STAY

OUT OF MY MIX.

I CAN TRY.

YOU KNOW WHAT?

YOU AIN'T GOT TO TRY.

YOU JUST DON'T DO IT.

JUST LEAVE ME THE HELL ALONE.

LIKE I SAID, YOU LOVE YOUR KID

AND DISRESPECT YOUR KID IN

THE SAME SENTENCE.

HOW DO I DO THAT?

YOU'LL GO OVER THERE AND DO

SOMETHING DISRESPECTFUL THAT'S

GONNA MESS WITH ME AND THEN

TURN AROUND AND SAY, "BUT MOMMY

LOVE YOU.

MOMMY LOVE YOU."

BUT I DO.

BUT, LIKE, WHY WOULD YOU DO A

KID LIKE THAT?

HOW LONG MAMAS HAVE BEEN

DOING STUFF THAT THE KIDS

DON'T LIKE?

YOU NOT LIKE ALL

THE OTHER MAMAS.

YOU IS CRAZY.

YOU KNOW WHAT I'M SAYING?

NO, I'M NOT. NO, I'M NOT.

YOU NEED TO START TAKING YOUR

MEDICINE--

I'M NOT TAKING ANYTHING BUT

SOME PAIN FOR THIS

TOOTHACHE I GOT.

BUT, YOU KNOW, MAYBE I WAS JUST

BEING A LITTLE SELF-CENTERED

AND SELFISH, SO, YOU KNOW, MOMMY

WANT TO APOLOGIZE.

WOW, ARE YOU SERIOUS?

SAY THAT AGAIN.

WHAT, WHAT, WHAT?

[breathily] APOLOGIZE.

I MAY HAVE OVERSTEPPED MY

BOUNDARIES WITH THE E.O.E. CAKE.

HUH.

HMM, NOT.

BUT ERICA IS FINALLY

OUT THE PICTURE.

YOU GET IT?

HA, HA, HA.

SHE'S OUT.

[dog barking]

MY LITTLE HOMIE.

THAT'S MY LITTLE HOMIE RIGHT

THERE, GANGSTER.

I LOVE YOU.

LOVE YOU.

FORGIVE ME, MERLOT?

I LOVE YOU.

HOLLER AT YOU.

PRINCE IS OUT.

BYE.

MERLOT.

HOLLER AT YOUR BOY, SON.

SHUT YOUR FACE, B.

BYE, BOY.

BYE.

[emotional piano music]

* MY HEART IS MENDING

KIRK AND I HAVE SPENT 13

YEARS OF OUR LIVES BUILDING

A FAMILY TOGETHER.

* GRADUALLY

WE'VE HAD OUR PROBLEMS.

DON'T GET ME WRONG.

BUT AT THE END OF THE DAY,

ONE THING I ALWAYS FELT THAT WAS

REAL WAS OUR COMMITMENT AND OUR

LOVE TO ONE ANOTHER.

BUT OVER THE LAST COUPLE OF

MONTHS, I'VE SEEN A BIG CHANGE

IN KIRK.

I LOOK AT THIS MAN, AND I'M

QUESTIONING MYSELF LIKE,

"WHO IS THIS?"

I DON'T UNDERSTAND WHERE HE'S

COMING FROM OR WHAT'S GOING ON

IN HIS HEAD.

* MY BODY'S ACHING ♪

♪ BUT I WON'T LET IT ♪

♪ BRING ME DOWN

♪ I AM YOUNG, BUT LIFE GOES

I WANT MY HUSBAND BACK:

THE MAN WHO I RENEWED MY VOWS

WITH LAST YEAR, MY BUSINESS

PARTNER, AND MY BEST FRIEND.

I JUST HOPE KIRK CAN SEE THAT

GOD HAS GIVEN US A BLESSING AND

WE ARE THE LUCKIEST PEOPLE

IN THE WORLD.

WHAT'S UP?

HEY.

CAME ON OVER TO CHAT ABOUT A

FEW OF THESE THINGS ON MY BRAIN.

I DEFINITELY HAVE SOME THINGS

I WANT TO TALK ABOUT TOO.

YOU BEING PREGNANT RIGHT NOW

IS DEFINITELY BAD TIMING, AND I

ALMOST FEEL LIKE IT'S SPITEFUL.

LIKE, YOU PRETTY MUCH DID IT ON

PURPOSE, AND THAT'S HOW

I REALLY FEEL.

I MEAN...

SPITEFUL.

SO I DID IT SPITEFULLY, BUT YOU

GOT TO KEEP IN MIND THAT IT

TAKE TWO PEOPLE TO MAKE A BABY.

RIGHT, BUT YOU

TAKE THE PILLS.

I DON'T.

AND WHEN I STOP TAKING

THE PILLS, I TOLD YOU THAT.

I'M JUST TELLING YOU I FEEL

LIKE IT'S SPITEFUL.

IT'S JUST LIKE, DID YOU JUST

PLAN TO STOP TAKING THEM

ON PURPOSE?

BUT YOU KNOW WHAT?

I FEEL LIKE IT'S AN EXCUSE,

AND TO BE HONEST WITH YOU,

I FEEL LIKE THERE'S SOMETHING

ELSE, AND I DON'T WANT TO BE IN

YOUR WAY, AND AT THE SAME TIME,

I FEEL LONELY.

I FEEL LIKE I'M LOST IN THIS

SITUATION.

IT SEEM LIKE I DON'T EVEN KNOW

YOU RIGHT NOW.

EVER SINCE RASHEEDA TOLD ME

SHE WAS PREGNANT, I'M JUST

LOOKING AT HER, LIKE, IT'S SO

MUCH GOING ON.

FINALLY, WE HAD A PLACE WHERE

I THINK WE ABOUT TO MAKE IT AND

SHE'S PREGNANT, AND I'M JUST

REALLY NOT WITH IT.

SO I'M JUST HAVING A HARD TIME

DIGESTING THE WHOLE SITUATION.

I DON'T UNDERSTAND WHY YOU

ACTING LIKE THIS IS SUCH A HARD

THING.

I HAVE A LOT OF KIDS,

YOU KNOW--

I DON'T, SO DON'T CHEAT

ME, YOUR WIFE, YOU KNOW,

YOUR PARTNER.

DON'T TAKE THAT FROM ME.

THERE IS WAYS AROUND IT.

NO, IT'S NOT.

YEAH, THERE IS.

YOU BASICALLY TRYING TO SAY

TO ME, "YOU NEED TO GET

RID OF THE BABY."

THAT'S BASICALLY WHAT I GOT

FROM YOU.

AND I FEEL LIKE, YOU KNOW WHAT?

THAT'S SOME [bleep] BULL[bleep].

I DID SAY THAT.

THAT'S CRAZY.

I ACTUALLY SAID, "YEAH, YOU

NEED TO GET AN ABORTION."

IT MAKES ME THINK THERE'S

SOMETHING WRONG WITH YOU.

WELL, I SAID IT, AND THAT'S

HOW I FEEL.

WHY WOULD YOU EVEN SAY

SOMETHING LIKE THAT?

YOU KNOW WHAT?

IF THE SITUATION WAS CHANGED AND

YOU WALKED THROUGH THIS DOOR AND

YOU TOLD ME THAT, I WOULD NEVER

REACT LIKE THAT, EVER.

THIS BUSINESS--

THAT'S BEING MESSED UP.

BUT BUSINESS IS GONNA

BE THERE.

THAT'S THE--

NO, YOU NOT THINKING ABOUT--

WE'VE PAUSED PERSONAL LIFE

[bleep] FOR BUSINESS

FOR SO LONG.

HOW LONG WE GONNA CONTINUE

TO DO THAT?

I ASKED YOU TO PUT YOUR BRAIN

ON IT AND THINK ABOUT IT.

AND MY THOUGHT IS HELL, NO.

THERE'S NO OTHER THING FOR ME TO

THINK ABOUT.

I'M PREGNANT, AND I'M GONNA HAVE

A BABY, AND I WANT YOU AND ME TO

FIGURE OUT WHEN WE'RE GONNA

SHOOT THE VIDEOS, WHAT DATE WE

GONNA DO IT, BECAUSE TIME'S

A-TICKING BEFORE

I START SHOWING.

THAT'S WHAT I WANT TO DO.

YOU'RE PREGNANT.

YOU'RE THE ONE.

YUP, SURE AM.

AND I FEEL REAL [bleep] UP

RIGHT NOW.

I MEAN, I KNOW THAT

SOUND BAD.

I KNOW IT DON'T SOUND RIGHT.

BUT RASHEEDA IS A BRAND

IN THE BUSINESS.

AND I KNOW YOU CAN'T SEE THAT

'CAUSE IT'S YOU.

NO, I CAN'T SEE IT.

YOU SOUND CRAZY, AND I THINK YOU

NEED TO LEAVE.

THAT'S WHAT I THINK.

GOSH, I MAY WANT TO.

I DON'T KNOW.

OH.

WELL, YOU NEED TO LET ME KNOW...

THAT ANSWER.

[cheers and applause]

I'M GLAD YOU CAME.

I HAD NO IDEA SUCH AND SUCH

WAS GONNA BE HERE.

HEY, GIRL.

GOOD JOB.

WHAT'S UP, CHE'?

HI, JOSELINE.

I DON'T KNOW WHY I'M HERE

TALKING TO Y'ALL.

BITCH, I KNOW YOU ABOUT TO DO

WHATEVER THE [bleep] YOU--

NOW, WATCH YOUR MOUTH BEFORE

I SLAP BITCH YOU ASS.

AND YOU'RE REALLY--

YOU GOT TO WATCH ME.

BITCH, I'LL KICK YOU DEAD

IN YOUR BRACES.

WATCH YOUR MOTHER[bleep]

PIEHOLE.

* I WANT TO GO

♪ WITH YOU

♪ TO THE END

♪ I WANT TO KNOW

♪ THAT YOU'RE HERE ♪

TONIGHT I'M HOSTING A FASHION

EVENT WITH RAFAEL COX, AND I

DECIDED TO INVITE SHAY ALONG.

THE LAST TIME HER AND I TALKED,

WE HAD A HEART-TO-HEART ABOUT

HER MOVING ON FROM SCRAPPY, AND

THIS IS THE PERFECT EVENT FOR

HER TO TRY IT OUT.

SO I HAVE THE PLEASURE OF

INTRODUCING DESIGNER

RAFAEL COX'S NEW COLLECTION

CALLED REDEMPTION.

[cheers and applause]

[energetic electronic music]

♪

* YEAH, UNTIL THE SUN

♪ BURNS OUT

♪ UH, UNTIL THE WHEELS

♪ FALL OFF

♪ YEAH, AND EVEN IF I GO BROKE

♪ THEN I'M LOVING YOU ♪

♪ WITHOUT CAUTION

♪ YOU'RE ON MY MIND, MIND ♪

♪ IT'S LIKE YOUR FACE ♪

♪ IS ALL THAT I SEE

♪ GIRL, ALL THE TIME, TIME

♪ I SWEAR YOUR LOVE

♪ IS ALL THAT I NEED

♪ TELL ME WHAT YOU LIKE

♪ WHERE YOU WANT TO GO

I WANT EVERYBODY TO PUT YOUR

HANDS TOGETHER FOR RAFAEL.

[cheers and applause]

* TO THE END

WHEN I SAW SCRAPPY'S BABY MOM

AS ONE OF THE SO-CALLED MODELS

WITH THE PRONE STOMACH COMING

OUT WALKING THE CATWALK,

I WAS REALLY TRIPPING BECAUSE

I DIDN'T WANT TO REALLY

RUN INTO HER HERE.

I'M HERE TO SUPPORT TRACI,

AND THAT'S IT.

BUT IT IS WHAT IT IS.

IF IT GO DOWN, IT GO DOWN.

THIS WAS HOT.

I'M GLAD YOU CAME.

I HAD NO IDEA

SUCH AND SUCH WAS GONNA BE HERE.

YEAH, I WANTED TO GO SAY HI.

I JUST KNOW THAT THERE WAS A

LITTLE TENSION, AND SHE SAID A

COUPLE THINGS ABOUT ME--

HOW DO WE STOP THAT?

HOW DO WE STOP THE TENSION?

WELL, EVENTUALLY, I THINK

IT'S GONNA HAVE TO BE A

CONVERSATION, BECAUSE SHE GETS

HER INFORMATION FROM SCRAPPY.

HAVE YOU SEEN HIM?

SCRAPPY?

YEAH.

WHEN DID YOU SEE HIM?

WE MET UP.

THAT'S IT?

[laughs]

YOU MET UP?

YEAH.

FOR WHAT? FOR BREAKFAST?

[laughs]

IT'S LIKE WE HAD THIS

CONNECTION THAT IS

UNFORGETTABLE.

I THINK Y'ALL SHOULD TALK.

WHAT IS THE POINT OF THAT?

JUST BECAUSE YOU ARE BEING AN

ADULT AND YOU'RE SHOWING HER

THAT YOU DON'T HAVE NO PROBLEM--

I'M HERE AS AN ADULT FOR YOU

JUST AS A FRIEND.

AND I THINK FOR YOU TO HAVE--

HEY, GIRL.

GOOD JOB.

HOW ARE YOU?

I'M GOOD. HOW ARE YOU?

YOU DID A GREAT JOB.

THANK YOU.

AND I WAS TELLING SHAY THAT

YOU'RE HERE AND THAT SHE SHOULD

COME SAY HIS TO YOU JUST TO--

I CAME OVER TO SPEAK TO YOU.

I CAME TO SAY HEY TO YOU.

WELL, I APPRECIATE YOU COMING

OVER HERE AND SPEAKING--

AND STOP.

YOU LOOK GOOD.

COMING OVER--THANK YOU.

I MEAN, PEOPLE--

YOU WALKED OUT AND THEY WAS

LIKE, "AH!"

[laughs]

I DO MY THANG.

SO YOU DID A GREAT JOB.

THANK YOU.

AND I WAS TELLING SOMEBODY,

LIKE, ERICA HAS A KID, AND I'M A

SINGLE MOTHER, AND YOU'RE A

SINGLE MOTHER.

I THINK THAT WE SHOULD, I DON'T

KNOW, JUST GO TO LUNCH

AND JUST TALK.

I HAVE TWO EYES.

SO I CAN SE SHAY'S NOT EXACTLY

COMFORTABLE IN MY PRESENCE.

BUT I'M NOT HERE TO DO ALL THAT.

IF YOU WANT TO ADDRESS ME, YOU

CAN FIND ME SOME OTHER PLACE,

SOME OTHER TIME.

OKAY, WELL, I'LL SEE YOU LATER.

JUST CAME TO SAY HEY.

THANK YOU, HONEY.

OKAY.

I'LL SEE YOU.

YOU DID GOOD.

YEAH, BUT--

I LET IT GO.

DONE.

[energetic electronic music]

♪

YOU LOOK NICE.

THANK YOU.

YOU RUN OUT OF BREATH?

YEAH, I WAS WORKING OUT,

YOU KNOW WHAT I MEAN?

WHAT'S UP WITH YOU?

NOTHING, YOU KNOW.

YOU SMELL LIKE CIGARETTES.

YOU BEEN SMOKING CIGARETTES?

I DON'T SMELL LIKE

CIGARETTES.

YOU SMOKING CIGARETTES?

NO.

HUH?

NO, I JUST CAME FROM OUTSIDE.

I WANT TO INTRODUCE YOU TO

YOUR NEW BOYFRIEND.

WHO IS HE?

TOMMY TREADMILL.

WHAT I GOT TO DO?

I THINK CHE' MACK IS COOL,

A LITTLE OLD-FASHION, BUT YOU

KNOW, I CAN WHIP HER INTO SHAPE.

BUT THERE'S JUST ONE PROBLEM.

I DON'T WANT TO PISS OFF

JOSELINE, SO I JUST WANT THEM TO

MAKE A NICE LITTLE INTRODUCTION.

GOOD GUY STYLE.

ARE YOU READY FOR ME YET?

YOU KNOW I GOT A LITTLE

SITUATION, RIGHT?

THAT HAS NOTHING TO DO

WITH ME.

IT DOES.

IT DOESN'T UNLESS YOU

MAKE IT.

I'M NOT TRYING TO BE THE

[bleep] HURTING--RUNNING AROUND

JUST HURTING CHICKS.

THAT'S NOT COOL.

I DON'T WANT THAT ON MY BACK NO

MORE, YOU KNOW WHAT I'M SAYING?

SO IF I'MA DO SOMETHING,

THEN I JUST WANT TO DO IT RIGHT.

MA, NOW, SEE, YOU GOT TO

RESPECT THAT.

I AIN'T EVEN SMELL YOUR NECK,

LET ALONE [bleep] YOUR [bleep].

YEAH.

COME ON, DON'T PUT THAT

ON ME.

I DON'T WANT TO HURT HER,

YOU KNOW WHAT I'M SAYING?

WHY, THOUGH?

IT'S NOT WHAT I'M INTO.

YOU'RE NOT HURT--

HURTING HER HOW?

IF SHE KNEW I WAS HERE, IF

SHE KNEW I CAME TO YOUR HOUSE,

YOU KNOW WHAT I'M SAYING?

YO, YOU REALLY BUGGING, MAN.

LIKE, DO YOU LOVE HER

OR SOMETHING?

YOU LOVE HER?

ARE YOU IN LOVE WITH HER?

I LOVE HER, YEAH.

ARE YOU IN LOVE WITH HER?

I LOVE HER.

ARE YOU IN LOVE?

I LOVE HER.

THAT'S NOT ANSWERING MY

QUESTION.

I SAID ARE--

WE BUILDING SOMETHING

FANTASTIC.

JUST HEAR ME OUT, BABY.

ARE YOU WILLING TO SIT DOWN AND

HAVE A CONVERSATION SO WE CAN

FIND OUT WHAT THE NEXT LEVEL--

WHAT WE DOING?

WHAT DO YOU WANT ME TO SAY?

I WANT YOU TO SAY, "I AIN'T

GOT NO PROBLEM WITH YOU, BAH,

BAH, BAH, UH, UH, LET'S WORK."

YOU KNOW WHAT I'M SAYING?

I MEAN, YEAH, I'LL SIT DOWN

AND TALK TO HER,

BUT SHE GOT TO--

AH, AH, DON'T SAY "BUT."

DON'T--IF YOU SAY "BUT," THEN

YOU TOTALLY NEGATE

ANYTHING YOU SAID.

ALL RIGHT, I'MA TALK TO HER.

ALL RIGHT, COOL.

SHE GOT TO CHOSE.

IT'S SIMPLE.

SO LET'S GET IT, MA.

YOU GO AHEAD AND GET WITH YOUR

MAN HERE.

ALL RIGHT?

ALL RIGHT.

SEE YOU LATER, BABY.

[rock music]

♪

I REALLY DON'T LIKE BEING

HOME RIGHT NOW 'CAUSE IT'S REAL

TENSE IN THE PLACE.

BUT WHEN ZINO HIT ME UP AND SAY,

"YO, I JUST CLOSED THE DEAL.

I'MA HAVE A PARTY.

I'MA HAVE STRIPPERS AND ALL

THAT," I'M LIKE, "YO, YOU AIN'T

GOT TO TWIST MY ARM.

HERE I COME.

LET'S GET IT."

WHAT HAPPENED?

I MEAN, FROM THE LAST TIME WE

TALKED, YOU KNOW WHAT I'M

SAYING, HOW DID IT GO?

WE TALKED FOR A MINUTE, THEN

SHE GETS TO THE BOMB DROPPER,

TO BE HONEST WITH YOU.

SHE TELL ME, "YO, I'M PREGNANT."

AND I'M SITTING HERE LIKE,

"ON THE REAL, YO?"

I KNOW--

YO, B, WE MIGHT NEED SOME

MORE DRINKS OVER HERE, BABY.

WE NEED EVERYTHING.

I'M LIKE, "I KNOW YOU [bleep]

WITH ME RIGHT NOW."

AND I'M SITTING HERE LIKE,

"LISTEN, I BEEN RAISING MY SON

FOR 22 YEARS.

WE HAPPY ABOUT BEING ABLE

TO MOVE ON."

AND FOR HER TO POP THIS UP--

'CAUSE WHEN SHE STOPPED TAKING

THE PILL, SAID, "MY BODY NEED A

BREAK," AND I REALLY WAS KIND

OF WAS LIKE, "I DON'T--"

BUT YOU DON'T REMEMBER THAT?

I MEAN, YOU GOT TO SEE THIS.

SHE GAVE YOU THE SIGN.

"MY BODY NEED A BREAK."

THAT WAS--IN OTHER WORDS...

OKAY, AND HERE'S MY POINT.

NO MORE PILL,

YOU KNOW WHAT I'M SAYING?

WE BEEN USING CONDOMS, AND I

BEEN TAKING IT OUT, YOU GET WHAT

I'M SAYING?

NO, HOLD ON, HOLD ON, NO, NO.

WITH THE WIFE.

THE FIRST PART I UNDERSTAND,

RIGHT?

BUT THE SECOND PART, WHAT DO YOU

MEAN, TAKING IT OUT?

WHEN I GETTING READY TO

[bleep], I TAKE IT OUT.

MAN, LISTEN.

YOU HEARD OF PRE-[bleep]?

YOU MIGHT HAVE HAD THAT--

THAT'S THE SAME--

LISTEN, YOU GOT TO HAVE

SUPER SPERM.

IT ONLY TAKE ONE LITTLE--

LIKE, THERE'S 7 MILLION OF THEM.

IT ONLY TAKE ONE.

ONE.

BUT--BUT--

YOU CAN'T--THERE'S NO MORE

TAKE IT OUT.

MAN, TAKING OUT WAS IN THE

'80s, '90s, YOU KNOW WHAT I'M

SAYING?

WHAT Y'ALL GONNA DO?

I MEAN...

IF--IF--IF THIS WASN'T MY

WIFE, SHE'D BE HAVING AN A.B.

SHE'D BE HAVING AN ABORTION

RIGHT NOW 'CAUSE I AIN'T

READY FOR IT.

I'M BEING HONEST.

THIS IS LIKE--

THIS IS TOO DEEP.

THIS IS...

NO, I'M JUST SAYING FOR REAL,

YO.

EVERYTHING THAT'S GOING ON RIGHT

NOW--

YO, I GOT TO SIT DOWN

WITH THIS.

THIS AIN'T WHAT I WAS

PREPARED FOR.

WHEN I INVITED KIRK OVER TO

COME CHILL WITH ME AND THE

LADIES, I THOUGHT HE WAS GONNA

COME, LIKE, YOU KNOW, SIT BACK,

RELAX, HAVE A DRINK.

BUT IT'S LIKE, HE'S COMING OVER

WITH ABORTIONS AND PULLING OUT,

AND IT'S LIKE, OH, MAN, NAH.

LIKE, I DON'T EVEN WANT TO HEAR

NONE OF THAT.

IF YOU WAS IN MY SHOES RIGHT

NOW IN THE HOUSEHOLD--

WELL, I MEAN, LISTEN--

THE ATTITUDE, THE BITCHING

BACK AND FORTH--

BUT YOU GOT TO PUT YOURSELF

IN HER HIGH HEELS FOR A MINUTE.

ABORTION IS--THAT'S NOT A EASY

THING FOR WOMEN TO GO THROUGH.

AT THE END OF THE DAY, YOU'RE

GONNA HAVE TO REALLY BE THERE

FOR HER.

SHE NEED TO LOOK AT WHERE SHE

TRYING TO GO.

HEY, IF Y'ALL KEEP IT, I

WANT TO BE THE GODFATHER.

I'D BE A GREAT GODFATHER, YO.

LOOK, LOOK, YOU HAVE TO GO

TALK WITH HER, KIRK.

THERE'S NO OTHER WAY.

YOU'RE GONNA HAVE TO COME UP

WITH SOME TYPE OF DECISION.

WHATEVER THE DECISION IS,

YOU KNOW I GOT YOUR BACK.

YOU KNOW WHAT I'M SAYING?

LET'S TOAST TO THE PULLOUT

ASSASSIN KIRK FROST.

[laughter]

THAT DIDN'T WORK.

[laughs]

SO YOU NEVER GONNA DO A SONG

WITH ME, JOSELINE?

THIS CONVERSATION IS OVER,

'CAUSE FOR REAL, I DON'T NEED TO

WASTE MY TIME WITH Y'ALL.

ALL RIGHT, I'LL HAVE MY

PEOPLE CALL YOUR PEOPLE.

YOU SOUND STUPID, AND YOU

SOUND A MESS, BITCH.

TIC-TAC-TOE.

SO I'VE BEEN MEETING WITH

CONTRACTORS ABOUT THE BUILD-OUT

OF THE STORE, BUT THERE'S ONE

THING MISSING:

TRACI'S HALF.

TRACI, SHOW ME THE MONEY.

WHAT KIND OF PERMITS DO YOU

NEED FOR THE BUILD-OUT?

GO TO THE CITY, PULL THE

PERMITS, AND JUST MAKE SURE.

YEAH, 'CAUSE WE GOT THE

LICENSE AND ALL THAT STUFF,

SO...

WHAT UP?

HI, HELLO.

I SEE YOU GOT AN ENVELOPE.

I GOT SOMETHING.

I GOT SOMETHING ELSE.

I'M CONFUSED.

WHAT'S GOING ON RIGHT NOW?

WELL, I WANTED TO BRING

SOMEONE WHO I FEEL LIKE WILL DO

A GREAT JOB AND HE'LL BE ABLE TO

REALLY HELP YOU WITH THE STORE.

WAIT, HOW YOU GONNA HAVE

A WHOLE INTERVIEW PROCESS

WITHOUT ME?

LIKE, I DON'T EVEN...

I JUST FELT LIKE IT WOULD GO

SMOOTHER WITHOUT YOU, AND YOU

HAVE A LOT ON YOUR PLATE, SO I

DID AN INTERVIEW PROCESS,

I FOUND THE BEST CANDIDATE,

AND I BROUGHT THE BEST CANDIDATE

TO YOU.

I'M FINALLY READY TO INVEST WITH

DREW BUT ON MY TERMS.

I'M TIRED OF HIM NOT TAKING THIS

PROCESS SERIOUSLY.

HE'D RATHER INTERVIEW GROUPIE

HOS THAN INTERVIEW QUALIFIED

CANDIDATES.

THAT ALL CHANGES STARTING TODAY.

YOU SERIOUS?

I'M SERIOUS.

THAT LAST INTERVIEW WAS

HORRIBLE.

IT WENT TO THE LEFT--

I DON'T AGREE IT WAS

HORRIBLE.

THE GIRLS LOOKED GOOD.

THEY WERE...

THEY WERE PRETTY.

THEY JUST DIDN'T BRING RESUMES.

ALL YOU HAD WAS MODEL HOS.

I GOT THAT, BUT YOU CAN'T

HAVE AN INTERVIEW

PROCESS WITHOUT ME.

IF I HAD YOU THERE, IT WOULD

HAVE WENT TO THE LEFT AGAIN,

AND YOU WOULD HAVE HAD MORE

VIDEO HOS WALKING

DOWN THE DOOR.

HOW DO YOU KNOW HIM?

YOU [bleep] HIM?

[laughs]

ARE YOU SERIOUS?

LISTEN.

IT'S A QUESTION.

WHAT MATTERS TO ME IS THAT WE

PUT GOOD PEOPLE IN HERE,

NOT VIDEO HOS.

NO, WE NEED SOME

EYE CANDY NOW.

NOT SAYING YOU UGLY, BRO.

I'M NOT SAYING THAT.

I DON'T REALLY JUDGE DUDES,

BUT I'M JUST SAYING--

I WANT TO USE HIM--

MY GUY.

COME HERE.

LET'S SEE YOUR RESUME.

YES.

AND THEN ONE YOU AGREE WITH ME--

YOU GOT SOME FRESH "J"s ON.

ALL RIGHT.

YOU GOT SOME 4s.

I SEE YOU.

HE'S WORKED IN

SNEAKER STORES.

HE HAS MANAGED SNEAKER STORES.

OH, HE GOT A DEGREE.

HE IS FLEXIBLE.

SO HE'S HIRED.

HERE YOU GO.

WHAT DO YOU MEAN, "HE'S GOOD.

HE'S HIRED"?

GIVE ME THIS ANYWAY, BUT--

HE'S HIRED.

BUT HOW YOU GONNA HIRE HIM

WITHOUT ME?

THANK YOU.

SO WE DON'T HAVE TO ARGUE AND

COMPLAIN AND FIGHT ANYMORE.

DON'T GO NOWHERE. HOLD ON.

LET ME CHECK THIS RESUME OUT.

HE'S HIRED.

YOU'RE A BARBER TOO?

SO, LIKE--

LITTLE OF EVERYTHING.

SO I COULD GET A LINEUP AT

THE END OF THE DAY?

ALL THAT.

ANYTHING YOU NEED.

OH, MY GOD.

JUST SAY I DID GOOD.

OFF THE RESUME, YOU DID GOOD.

THANK YOU.

I GOT TO FEEL HIM OUT A

LITTLE BIT.

I GOT TO SEE WHAT MY FIRST

LINEUP LOOKS LIKE.

ALL RIGHT, WE'RE GONNA GET

OUT OF HERE.

TOGETHER.

[laughs]

COME HOLD MY HAND, HONEY?

[laughs]

I'LL SEE YOU LATER.

SEE YOU TOMORROW.

I DID GOOD.

JUST SAY I DID GOOD.

Y'ALL ABOUT TO GO ON A DATE

NOW?

OH, GOD.

I SEE HOW YOU LOOK AT HIM.

OH, JESUS.

[laughs]

MERLOT, DO YOU SEE WHAT

YOU'VE DONE?

YOU'VE PEED ON THE PALACE FLOOR.

[knock on door]

SCRAPPY MAY HAVE TOOK HIS

LUGGAGE OUT, BUT HE LEFT HIS

DAMN DOG BEHIND.

I AIN'T NO [bleep] KEEPER.

I HIRE PEOPLE LIKE MIHAN

TO DO THAT.

MIHAN!

GET YOUR POOPER SCOOPER.

HI. COME ON IN.

I'M B. GOOD

HI, B. GOOD.

I'M MOMMA DEE.

NICE TO MEET YOU.

SO I CALLED UP THE DOG

WHISPERER SO I CAN GET SOME

PROFESSIONAL HELP ON THIS ISSUE

AT HAND.

NOW, TYLER BELONGS TO ME.

HE'S ON POINT.

AND MERLOT HAS BEEN TREATED SO

BAD BY MY SON'S EX-FIANCE,

ERICA, AND HE'S BEEN POOPING AND

PEEING, AND I JUST GOT THROUGH

GETTING IT UP OFF THE FLOOR.

YOU KNOW, THE CHAMBERMAIDS ARE

OFF, AND I CAN'T DO IT.

THE QUEEN--I JUST CAN'T.

OKAY.

SO I NEED YOUR HELP.

I NEED YOU TO READ INTO HIS MIND

AND TELL ME HOW CAN I BEST

HELP HIM.

MERLOT.

COME HERE.

WELL, WE COULD DEFINITELY--

WE COULD DEFINITELY

WORK WITH THAT.

AND I HEARD YOU A HALF PIT,

AND YOU A HALF MAN.

YEAH, THAT'S WHAT THEY

CALL ME.

YEAH, I MIGHT HAVE LITTLE

PAWS.

YOU MIGHT NEED TO WALK ME.

YEAH, WHAT YOU GOT--

WHAT KIND OF DOG YOU GOT IN YOU?

I'M A COUGAR.

OH, OKAY, EXCUSE ME.

A WILD ONE.

[laughs]

OKAY.

BUT WHEN YOU GOT A DOG THAT HAS

NOT BEEN--IS NOT USED TO HOLDING

IT, LIKE YOU SAID, HE PROBABLY

WAS HOLDING IT FIRST IN

THE BEGINNING.

HE'S LIKE, "WHEN THEY

GONNA LET ME OUT?"

YOU KNOW, SO WE GONNA HAVE TO

KIND OF LET HIM OUT A LITTLE BIT

MORE INITIALLY IN THE BEGINNING

JUST SO HE CAN START SAYING,

"HEY, OKAY, I DON'T HAVE TO HOLD

IT THAT LONG, SO I KNOW MY NEXT

TIME IS COMING SOON."

CAN I SHOW YOU JUST BASICALLY

OUTSIDE HOW THEY INTERACT AND

HOW HE DOES GO TO THE AREA?

SURE, SURE.

OKAY, COME ON. LET'S GO.

OKAY.

THE DOG WHISPERER IS FO-INE.

NOT FINE.

FO-INE.

I'M LISTENING, BUT I'M LOOKING

TOO.

WHEN HE GOES OUTSIDE, WE GOT

TO MAKE THIS A BIG DEAL.

OKAY.

YOU KNOW, SO WHEN HE GOES,

"GOOD BOY! GOOD BOY!"

YOU KNOW, BE EXCITED.

YOU KNOW, AND THEY CAN

LEARN NEW TRICKS.

THEY SAY DOGS CAN'T,

BUT THEY CAN.

CAN A MAN?

[laughs]

YEAH.

FOLLOW ME.

[laughter]

FOLLOW ME.

READY TO TEACH SOME TRICKS,

HUH?

OH, GOD, YES.

UH-OH. UH-OH.

I JUST GOT TO ASK YOU.

YEAH?

DO I GET A SECOND

APPOINTMENT?

WELL, YEAH.

YOU GET A FOLLOW-UP

AND ALL THAT.

I GET A FOLLOW-UP?

OH, WHOA.

YOU GET THE FOLLOW-UP.

MM, OKAY.

TEATIME?

YEAH, I'M DOWN WITH THAT.

OKAY.

I'M DOWN WITH THAT.

LET'S DO THAT.

COME ON, BOYS.

TYLER.

[electronic music]

♪

WHAT'S UP, CHE'?

HEY, Y'ALL.

HOW YOU DOING?

GOOD.

YOU ALL RIGHT?

YES.

YEAH?

HI, JOSELINE.

I FIGURED WE'D JUST HAVE A

LITTLE FUN AT THE STRIP CLUB.

YEAH, PLEASE DO.

SO I'M SITTING THERE WITH STEVIE

AT MAGIC CITY, AND I'M JUST

SITTING THERE HAVING A DRINK.

I REALLY DIDN'T WANT TO GO WITH

HIM 'CAUSE I KNEW HE HAS

SOMETHING GOING ON, AND HERE

COME THIS RATCHET-ASS BITCH

CHE' MACK BRACES FACE.

HO, WHY IS YOU HERE?

JOSELINE, I WANT TO APOLOGIZE

TO YOU, 'CAUSE LAST TIME YOU SAW

ME, IT WAS LIKE I WAS HITTING

A LID AND I DIDN'T MEAN

TO HIT THE LID.

IT WAS JAGER.

AND PLUS I WANTED TO LET

YOU KNOW--

I DON'T KNOW WHY I'M HERE

TALKING TO Y'ALL.

Y'ALL COULD HAVE DONE THIS

ON YOUR OWN.

WHAT'S YOUR PROBLEM?

DO YOU HAVE A PROBLEM?

'CAUSE I WASN'T GONNA TALK TO

HER WITHOUT YOU.

I AIN'T TRYING TO STEP ON

YOUR TOES.

I DON'T WANT TO COME--

BITCH, YOU COULD NEVER STEP

ON MY TOES.

I'M A MADE BITCH.

I'M A SELF-MADE--

I'M SELF-MADE.

I'M SORRY.

YOU WILL NEVER BE ME.

HE'S RIGHT THERE.

I DON'T WANT TO BE YOU.

BITCH, YOU CAN DO WHATEVER

THE [bleep] YOU WANT TO DO,

'CAUSE GUESS WHAT?

HE DO IT ANYWAYS.

WELL, BITCH, I KNOW YOU ABOUT

TO DO WHATEVER THE [bleep]

YOU GONNA DO.

WATCH YOUR MOUTH OR I'LL SLAP

YOUR BITCH ASS.

YOU GOT TO WATCH ME.

I KICK YOU DEAD IN YOUR

BRACES, HO.

YOU WILL RIGHT NOW?

BITCH, I KICK YOU DEAD IN

YOUR BRACES.

WATCH YOUR MOUTH.

AIN'T NONE OF THAT.

THE WHOLE PURPOSE OF US SITTING

DOWN WAS FOR ME TO PUT

EVERYTHING ON THE TABLE.

I DIDN'T WANT TO BE WORKING WITH

CHE' MACK BEHIND JOSELINE BACK.

BUT LOOK AT JOSELINE'S [bleep]

ATTITUDE.

MAKE ME JUST WANT TO REVERT TO

THE OLD SLEEZE-O.

WHY DO YOU INSIST ON WASTING

MY TIME WHEN YOU'RE NOT EVEN

FINISHED WITH MY ALBUM?

SO IS THAT WHY YOU BEEN

DISRESPECTFUL?

I'M ASKING YOU.

BUT I'M SAYING IS THAT WHY

YOU BEING DISRESPECTFUL.

I'M NOT BEING DISRESPECTFUL.

I'M JUST SIMPLY ASKING YOU.

I JUST WANTED TO MAKE SURE

THAT WE WASN'T BEING

DISRESPECTFUL.

WHY AM I HAVING A

CONVERSATION WITH YOU WITH--

ABOUT ANOTHER BROAD WHEN YOU'RE

NOT DONE WITH MY PROJECT?

THAT'S ALL I WANT TO KNOW.

THIS IS WHY. HOLD ON.

LET ME DO THIS.

FOR THE LAST TIME, THIS IS WHY.

I ALWAYS BEEN THE TYPE OF

[bleep] TO DO WHAT I WANT TO DO.

I DIDN'T WANT TO DO THAT

ANYMORE.

I SAID, "I JUST WANT TO SHOW YOU

A DIFFERENT LEVEL THAT I'M ON

WITH YOU."

AND WHAT THAT LEVEL WE ON?

YOU TELL ME.

I DON'T KNOW.

YOU DON'T KNOW?

ALL RIGHT.

FINE, COOL.

I CAN'T POSSIBLY KNOW IF I'M

HAVING A CONVERSATION WITH

ANOTHER BROAD WHEN I'M STILL NOT

DONE WITH MY PROJECT.

YOU DON'T GET IT, THOUGH.

ALL RIGHT, SO YOU NEVER GONNA

DO A SONG WITH ME, JOSELINE?

IS WHAT WHAT YOU'RE SAYING?

BITCH, YOU WOULD DIE, BE BORN

AGAIN, DIE AGAIN, AND BE BORN

AGAIN BEFORE I'D DO A SONG

WITH YOU, BITCH.

YOU CRAZY AS HELL.

Y'ALL LAUGHING 'CAUSE IT'S FUNNY

'CAUSE I'M LAUGHING TOO.

IT IS HILARIOUS 'CAUSE I

CAN'T BELIEVE YOU'RE SAYING IT.

WHY CAN'T YOU BELIEVE, BITCH?

YOU AIN'T [bleep], AND YOU AIN'T

GONNA NEVER BE [bleep].

EVEN IF STEVIE J. AUTO-TUNED THE

[bleep] OUT OF YOUR WOBBLY ASS

AND PRODUCED YOUR WHOLE ALBUM,

YOU STILL AIN'T GONNA BE

[bleep].

GO HOME. CRANK YOUR BRACES.

KEEP IT MOVING, BITCH.

I'M OUT.

THIS CONVERSATION IS OVER,

'CAUSE FOR REAL, I DON'T NEED TO

WASTE MY TIME WITH Y'ALL.

ALL RIGHT, I'LL HAVE MY

PEOPLE CALL YOUR PEOPLE.

'CAUSE YOU'RE GONNA WANT TO DO A

SONG SOONER OR LATER.

BITCH, YOU SOUND STUPID.

UH, YOU SOUND MORE STUPID-ER.

YOU SOUND STUPID, AND YOU

SOUND A MESS, BITCH.

OKAY, THANK YOU.

CAN I HAVE MY DRINK, PLEASE?

YOU LEAVING SINCE I HAVEN'T

PAID FOR ALL--

TIC-TAC-TOE.

[bleep] BITCH.

BITCH.

WHAT THE [bleep]?

YO, YO.

[bleep].

GRAB HER.

WHAT THE [bleep]?

BITCH!

[bleep] OUT OF HERE, BITCH.

YOU NOT GONNA GET NO RUN-UP

ON ME, BITCH!

YO, BACK UP.

LET GO.

LET GO OF ME.

GET THE [bleep] OUT OF HERE.

GET THE [bleep] OFF ME.

GET THE [bleep] OFF ME!

GIVE ME MY PURSE.

I'MA SHOW YOU SOMETHING.

YOU AIN'T GONNA SHOW

ME NOTHING.

NO, J., IT'S DEEPER

THAN THIS.

I WAS WAITING.

I WAS WAITING!

GIVE ME MY PURSE.

ALL I WANTED TO DO WAS THE

RIGHT THING FOR ONCE IN MY LIFE,

BUT, YOU KNOW, JOSELINE CAN'T

EVEN HOLD HER TONGUE JUST

ONE TIME.

THAT AIN'T GOOD FOR BUSINESS,

BUT, YOU KNOW, I CREATED

THE MONSTER, DR. FRANKENSTEIN.

AND AT THIS POINT, I DON'T EVEN

KNOW IF I COULD DO IT FOR CHE'.

WHAT THE [bleep] IS THIS?

WHAT IS THIS?

WHAT THE [bleep] IS THIS?

[screams]

MIMI HAS A NEW BOYFRIEND.

I THINK HE'S DOWNLOW.

NO ONE CAN TAKE THAT FROM ME.

THAT'S MY OPINION.

WHAT THE [bleep] DOES THIS

HAVE TO DO WITH YOU AND YOUR

MUSIC CAREER?

DREW, WHAT THE [bleep]

IS GOING ON?

BASICALLY, MY PARTNER'S

A CON ARTIST.

AND I'M FINDING ALL THIS OUT

NOW.

AND HE BASICALLY STOLE

THE MONEY.

YUP.

[plane engine roaring]

[jazzy music]

♪

* YOU KNOW THAT YOU'RE ♪

♪ FROM A SMALL TOWN

♪ ONCE YOU GET THERE

♪ A CENTRAL PARK WALK

♪ THEN ON TO TIMES SQUARE

♪ SUDDENLY YOU REALIZE

♪ THIS TOWN'S NUMBER ONE ♪

♪ A NEW YORK LOVE'S JUST BEGUN ♪

GIRL, IT'S HOT AS

HELL IN HERE.

I CAN'T TAKE IT.

JUST A LITTLE BIT.

DRIVER, CAN WE GO TO

B.B. KING'S, PLEASE?

UH-UH.

GUESS WHAT.

THIS IS ABOUT THE SICKEST EVER

TEXT MESSAGE THAT I HAVE GOTTEN

ABOUT THIS--

ABOUT WHAT?

ABOUT K.MICHELLE ON THE

RADIO THIS MORNING RUNNING HER

[bleep] MOUTH.

OH, MY GOD.

SO WHEN ARIANE INVITED ME TO

NEW YORK, I ENTERTAINED THE IDEA

OF GOING TO SPEAK TO K.MICHELLE

ABOUT WHAT HAPPENED AT THE VIDEO

SHOOT AND HER CALLING

JOHNNY "GAY."

BUT THIS MORNING BEFORE HER

SHOW, I HEAR HER ON THE RADIO

TALKING ABOUT NIKKO, SO REALLY,

NO, THANKS.

HOW ABOUT I PLAY IT FOR YOU?

OKAY.

FINE.

I DON'T KNOW.

LIKE, MIMI HAS A NEW BOYFRIEND.

I THINK HE'S DOWNLOW.

NO ONE CAN TAKE THAT FROM ME.

THAT'S MY OPINION.

WHAT THE [bleep] DOES THIS

HAVE TO DO WITH YOU AND YOUR

MUSIC CAREER?

WELL, MAYBE YOU CAN ASK HER

THAT WHEN WE GO.

MAYBE I WILL.

'CAUSE I FEEL LIKE YOU

SHOULD.

I DIDN'T KNOW THAT THAT

HAPPENED.

BOTTOM LINE IS THIS.

IF IT'S NOT ABOUT K.MICHELLE,

SHE HAS TO MAKE IT ABOUT HER.

AND YOU NEED TO SAY THAT.

WHAT MAKES YOU THINK THIS

GONNA BE SOMETHING DIFFERENT?

'CAUSE SHE REALLY MAKES IT

SEEM LIKE SHE REALLY

CARED ABOUT YOU.

APPARENTLY NOT, IF YOU'RE

GONNA GET ON THE RADIO AND SAY

THAT ABOUT SOMEBODY I

[bleep] WITH.

OKAY.

I'M JUST TRYING TO LET YOU

KNOW MY POSITION, WHERE THE

[bleep] I'M COMING FROM.

OKAY.

CAN WE GO?

I DON'T KNOW WHAT THIS

MOTHER[bleep] ALLIANCE YOU AND

K.MICHELLE HAVE--

I DON'T HAVE AN ALLIANCE.

WE MADE UP.

OKAY, COOL.

BUT--

AND THAT BITCH WILL TURN ON

YOU AT THE DROP OF

A [bleep] DIME.

WELL, I'M READY WHENEVER IT

HAPPENS AGAIN OR IF IT HAPPENS

AGAIN.

OKAY, LET'S GO,

DRIVER.

WE CAN GO TO B.B. KING SO I CAN

HAVE THIS CONVERSATION WITH THIS

MOTHER[bleep].

I'M SORRY THAT YOU HAD TO

HEAR ALL OF THIS.

[hip-hop music]

♪

SO THE GRAND OPENING FOR THE

STORE IS A FEW WEEKS AWAY, AND

I'M STUPID BUSY TRYING TO GET

MEDIA AND PRESS FOR THIS EVENT,

AND THEN DREW CALLS ME TALKING

ABOUT IT'S SOME TYPE OF

EMERGENCY AT THE STORE AND TO

COME DOWN.

THIS BETTER BE IMPORTANT.

WHAT IS GOING ON?

SO BASICALLY MY PARTNER'S

A CON ARTIST.

AND I'M FINDING ALL THIS OUT NOW

AFTER GIVING HIM $50,000.

YOU HAVE A SIGNED CONTRACT?

I HAVE A CONTRACT.

IS IT A SIGNED CONTRACT?

IT'S A VERBAL AGREEMENT WITH

A CONTRACT THAT WASN'T SIGNED.

SO YOU'RE TELLING ME THAT YOU

SENT THIS MAN $50,000 WITH NO

SIGNED CONTRACT.

AND HE BASICALLY STOLE

THE MONEY.

YUP.

THE BEST WORD TO DESCRIBE HOW

I FEEL RIGHT NOW IS

EMBARRASSMENT.

I'M USUALLY THE ONE DOING

THE HUSTLING, NOT THE ONE

GETTING HUSTLED.

BUT WHAT REALLY STINGS IS THAT I

BEGAN BOOKING DJs, CATERERS,

PLANE TICKETS FOR MY WHOLE

FAMILY TO COME OUT TO THE GRAND

OPENING.

THIS IS A COMPLETE MESS.

WHAT YOU GONNA DO NOW?

IT'S OKAY. I'M GONNA FIX IT.

I ALWAYS DO.

WE'RE GONNA STILL OPEN UP

A SNEAKER STORE.

DON'T I ALWAYS COME THROUGH?

IN THE TEN PLUS YEARS I'VE

KNOWN YOU, SOMETIMES THE

BUSINESS ASPECT OF IT IS SHAKY.

THAT'S WHY I ALWAYS WANT TO STEP

IN AND HANDLE THINGS.

THAT'S A PROBLEM, 'CAUSE TRACI'S

TOO CONTROLLING.

THE WORD CONTROLLING JUST DRIVES

ME [bleep] CRAZY.

I'M NOT CONTROLLING.

I KNOW WHAT THE [bleep]

I'M DOING.

I WOULD HAVE NEVER HANDED OVER

$50,000 TO NOBODY.

MATTER OF FACT, I COULD HAVE A

[bleep] CONTRACT, AND I WOULD

NEVER HAND OVER $50,000.

YOU GOT TO GIVE ME MONEY.

LET ME HAD RUN THIS [bleep],

THIS STORE WOULD HAVE BEEN OPEN

LAST MONTH.

YOU FEEL STUPID?

I FEEL STUPID 'CAUSE I STEPPED

BACK, AND I JUST LET SOMEONE

HANDLE STUFF, AND I KNOW BETTER.

I NEVER DO THAT.

I WANT TO MAKE IT CRYSTAL CLEAR

THAT, ONE, I HAD NO IDEA THAT HE

DID NOT HAVE A SIGNED CONTRACT.

HE'S A BUSINESSMAN!

HE GAVE SOMEBODY $50,000

WITH NOTHING!

YOU MIGHT AS WELL JUST HAD JUST

THROWN THE MONEY IN THE AIR AND

LET EVERYBODY RUN FOR IT.

WE JUST GOT TO POSTPONE

THE DATE.

WE GOT TO FIGURE SOME OTHER

[bleep] OUT,

MAYBE GET SOME INVESTORS, BUT WE

STILL GONNA DO THIS.

[bleep] MAKES ME WANT TO CRY.

THIS IS HOW [bleep] SAD AND

PATHETIC THIS [bleep] IS.

HEY.

WE--WE GONNA MAKE THIS HAPPEN.

LIKE, THIS IS NOT--

YOU SEE THIS [bleep]?

THIS [bleep] DIDN'T HAPPEN?

I GOT FLYERS AFTER FLYERS IN THE

CAR FOR THIS [bleep] THAT'S NOT

HAPPENING.

THAT'S NOT HAPPENING.

WE GONNA MAKE THIS HAPPEN.

WE JUST NOT GONNA MAKE IT HAPPEN

RIGHT NOW.

COME BACK HERE, TRACI.

I WAS A LITTLE CONFUSED ABOUT

THE WHOLE THING THAT HAPPENED

THE OTHER DAY AT THE VIDEO SHOW.

IT'S NOT WORTH IT.

YOUR BOYFRIEND'S GAY.

HIS FRIEND'S GAY.

YOU DON'T EVEN HAVE A

[bleep] MAN.

YOU'RE ABSOLUTELY RIGHT.

I DON'T WANT ONE LIKE YOURS.

THAT'S WHAT I'M SAYING.

AND YOU WILL NEVER HAVE ONE.

IT'S BEEN A MINUTE SINCE I

SEEN MY GIRL RASHEEDA, AND I

BEEN TALKING TO HER ABOUT

GETTING IN ON THIS K.MICHELLE

DIS TRACK.

HEY.

WHAT'S UP?

SO I'M GONNA HIT HER UP ONE MORE

TIME JUST TO SEE, YOU KNOW, IF

SHE WANT TO GET ON THIS HOT

[bleep].

YOU KNOW, I KNOW YOU LIKE

THE RECORD.

AND I'MA JUST KEEP IT 1,000.

YOU SUPPOSED TO.

I AM.

I DON'T CARE ENOUGH ABOUT

HER, TO BE HONEST, TO EVEN

DO THAT.

BUT RASHEEDA, LOOK HOW MANY

RECORDS SHE DONE DID.

I DON'T CARE.

THAT'S THE DIFFERENCE

BETWEEN ME AND HER.

THAT'S WHAT A BOSS CHICK DOES.

SHE DON'T STOOP TO A DONKEY

LEVEL.

I DON'T HAVE TO DO A

DIS RECORD.

I FEEL LIKE THAT [bleep] JUST

ELEMENTARY AS HELL FOR ME.

MM-HMM.

KARLIE NEEDS TO REJUVENATE

KARLIE'S CAREER, AND IF YOU

JUMPING OFF WITH THAT, THEN JUMP

OFF WITH IT.

BUT REALLY, RASHEEDA, I'M IN

L.A. ALL THE TIME.

YOU KNOW WHAT I MEAN?

I'M--THEY BROUGHT ME TO UTAH.

YOU KNOW WHAT I MEAN?

I DON'T EVEN KNOW WHAT

THAT IS.

WHAT IS THAT?

THANK YOU. THANK YOU, BITCH.

I MEAN, UTAH.

THEY BROUGHT ME TO UTAH

FOR A PARTY.

LIKE, I'M EVERYWHERE.

NOW, I LOVE KARLIE.

DON'T GET ME WRONG.

BUT SHE DO BE TRYING TO ACT LIKE

SHE SOME BIG INTERNATIONAL POP

STAR WHEN SHE KNOW DAMN WELL HER

BIGGEST GIGS BE AT THE NEAREST

SHOPPING MALL.

I'M NOT TRYING TO SAY THE GIRL

AIN'T GOT TALENT, BUT THE THING

IS, I AIN'T SEEN IT YET.

IT SOUND LIKE YOU TRYING TO

TELL ME THAT I AIN'T HOT.

I MEAN, YOU HEARD--

[laughs]

RASHEEDA, YOU HEARD MY

RECORDS, AND YOU WAS THE ONE

SAYING, "YO, THEY HOT."

AND LET ME TELL YOU, I WAS

LIKE, "BITCH, THIS IS KILLING

THAT GUCCI, PRADA [bleep] THAT

WAS ON," 'CAUSE THAT LOOK WAS

A HORRIBLE LOOK.

I HOPE YOU NOT SITTING HERE

ACTING LIKE, "OH, [bleep],

BITCH, YOUR MUSIC AIN'T HOT, SO

I AIN'T WORKING WITH YOU."

WHAT I SAW WAS HORRIBLE, AND

I FELT LIKE, "DAMN, THAT'S A

[bleep] UP LOOK SHE HAD, AND SHE

NEED TO REDEEM HERSELF.

KARLIE NEED TO REDEEM KARLIE."

GIRL, I GOT THIS.

OH, OKAY, GOOD. THAT'S GREAT.

I GOT THIS.

I HOPE YOU DO GOT IT.

I REALLY DO.

MIGHT BE WRONG ABOUT

THIS ONE.

[rock music]

♪

TONIGHT I'M PERFORMING AT

B.B. KING'S IN NEW YORK CITY.

THE LINE IS DOWN THE STREET,

BUT THE SHOW IS ALREADY

SOLD OUT.

I'MA TURN UP, HAVE A GOOD TIME,

NO DRAMA, NO STRESS, JUST ME AND

THAT MICROPHONE.

♪ THEY SAY I DRINK TOO MUCH

♪ CURSE TOO MUCH

♪ I CAN BE A LITTLE ROUGH

♪ BUT IN GOD I TRUST

♪ HYPOCRITES SO QUICK TO JUDGE

♪ I'M LOVING ALL MY FANS ♪

♪ Y'ALL BE SHOWING ME LOVE ♪

♪ I GOT MY FOOT IN THE DOOR

♪ BUT EVERY DAY'S A-- ♪

COME ON, Y'ALL.

♪ IF IT MAKE YOU FEEL

♪ SOME TYPE OF WAY

♪ ALL I CAN SAY IS

♪ YOU GONNA LEARN TODAY

DROP IT DOWN LOW, BAND.

THIS IS THE MOST AMAZING--

MOST AMAZING FEELING.

K. DID AMAZING TONIGHT.

I THOUGHT SHE DID AN

EXCELLENT JOB.

THE CROWD LOVED HER, I WAS PROUD

OF HER, BUT WHAT I REALLY WANTED

TO SEE WAS HER AND MIMI MEND

THEIR RELATIONSHIP, IF NOT FOR

THEM, JUST, PLEASE, FOR ME.

HEY.

THANK YOU.

LET ME TALK TO THEM.

OKAY, ONE MINUTE.

OH, THANK YOU.

THANK YOU SO MUCH.

THEY SO PRETTY.

I LOVE THEM.

YOU LOOK BEAUTIFUL.

WHAT'S GOING ON?

I BROUGHT MIMI WITH ME, BUT

I JUST CAME IN SUPPORT, SO...

THANK YOU. I APPRECIATE IT.

I KNOW Y'ALL BOTH WANTED TO

SAY SOME THINGS I KNOW, SO...

'CAUSE I WAS A LITTLE

CONFUSED ABOUT THE WHOLE THING

THAT HAPPENED THE OTHER DAY

AT THE VIDEO SHOOT.

TELL HER WHAT YOUR ISSUE WAS,

K., LIKE YOU TOLD ME.

WHATEVER, YOU JUST SHOULD

HAVE MY BACK,

YOU KNOW WHAT I MEAN?

I WASN'T IN THE ROOM.

YOU WERE THERE WHEN IT FIRST

STARTED.

YOU WERE STANDING RIGHT THERE.

YOU WERE GETTING YOUR COAT

FLUFFED SO YOU COULD--.

KAY, I DIDN'T SEE ANYONE WALK

UP TO YOU.

I DIDN'T EVEN HEAR THE

CONVERSATION THAT OCCURRED.

YOU WERE HAVING GIRL TALK IN

A ROOM LIKE WE ALWAYS DO.

RIGHT.

HE HAPPENED TO HEAR, AND YOU

KNOW WHAT I SAID TO HIM?

"NOT NOW. IT'S NOT THE PLACE.

IT'S NOT THE TIME."

BUT--

AND THAT'S WHAT I SAID.

IF YOU OPEN THAT DOOR AND

QUESTION A MAN'S SEXUALITY--

HE IS GAY.

THEN YOU NEED TO BE PREPARED

FOR WHAT COMES AFTER THE FACT.

OKAY, BUT I DON'T WANT TO DO

IT--I DIDN'T WANT TO DO IT AT

YOUR EVENT.

BUT YOU DID DO IT AT MY

EVENT.

I TALKED TO YOU, YOU,

AND HER.

WE WAS ON IT, WHATEVER.

YOU WANTED TO QUESTION A

MAN'S SEXUALITY AT YOUR EVENT?

YOU KNOW WHAT?

ALL I HAVE TO SAY IS THAT

THERE'S NO REASON THAT A GROWN

MAN HAS A ROOMMATE AT THE AGE

OF YOUR BOYFRIEND.

HE'S NOT A ROOMMATE.

THEY HAVE A ROOMMATE.

I'VE BEEN OVER THERE.

THEY HAVE A ROOMMATE.

YOU BEEN OVER WHERE?

YOU HAVEN'T BEEN ANYWHERE

WITH ME.

MIMI.

LET'S BE CLEAR ON THAT.

IT'S NOT WORTH IT.

YOUR BOYFRIEND'S GAY.

HIS FRIEND'S GAY.

AND YOU DESERVE--

YOU CAN RUN YOUR MOUTH

ALL YOU WANTED TO.

YOU DON'T EVEN HAVE

A [bleep] MAN.

YOU'RE ABSOLUTELY RIGHT.

I DON'T WANT ONE LIKE YOURS.

THAT'S WHAT I'M SAYING.

AND YOU WILL NEVER HAVE ONE.

STOP!

'CAUSE YOU'RE A WHACK-ASS

BITCH, AND THAT'S WHAT YOU

RESORT TO.

YOU [bleep] LAME-ASS BITCH.

YOU CAN'T EVEN TALK.

YOU GOT TO HIT SOMEBODY WITH

SOME [bleep] 'CAUSE YOU

A WHACK BITCH.

* OH, BA, DA-DA, DA

EXACTLY.

MY POINT EXACTLY.

* OH, HUM

YOU IN WITH--

* BYE, [bleep]

♪ BUH-BYE

EXCUSE ME.

THAT'S YOUR FRIEND.

YEAH.

GOOD-BYE.

DON'T GET ALL THIS LIQUID

COURAGE AND THEN TAKE IT OUT

ON ME.

BITCH AIN'T HIT YOU IN YOUR

[bleep] FACE.

SHE'S NOT GOING TO.

YOU DON'T MOTHER[bleep]

KNOW THAT.

ARE YOU [bleep] KIDDING ME?

I'M JUST SAYING THAT MIMI

WAS HURT AND EMBARRASSED BY

K.MICHELLE CALLING NIKKO

AND JOHNNY GAY, AND, YES,

K. WENT A LITTLE OVERBOARD.

SHE ALWAYS DOES.

WE KNOW THAT.

BUT I WAS REALLY EXPECTING MIMI

TO HANDLE THE SITUATION A LOT

MORE MATURE AND DIFFERENTLY

THAN SHE DID.

SHE DIDN'T EVEN MENTION

THE INTERVIEW AT ALL.

YOU STICKING UP MAMA'S BITCH.

I'M NOT STICKING UP FOR

NO [bleep] BODY.

I'M WITH YOU.

DON'T GET ALL THIS LIQUID

COURAGE AND THEN TAKE IT OUT

ON ME.

I'M NOT TAKING [bleep] OUT

ON YOU.

YOU DID IT THE OTHER DAY!

NO.

AND YOU'RE DOING THE SAME

[bleep] AGAIN RIGHT NOW.

I AIN'T DO [bleep].

LET ME TELL YOU WHAT I DID

THE OTHER DAY.

I KNOW THAT.

I SAID, "YES"--

ARE YOU [bleep] KIDDING ME?

"YOU NOT GONNA RUIN MY

MOTHER[bleep] DAY."

THAT'S WHAT I SAID. PERIOD.

I DON'T GIVE A [bleep] IF YOU

WAS IN THE ROOM.

WE ALREADY ASSESSED THAT.

EXACTLY.

I'M TELLING EVERYBODY--

THEN YOU SHOULD'VE [bleep]

DONE THAT.

YOU THINK I'M DOING?

YOU SHOULD'VE APPROACHED THAT

[bleep] JUST LIKE THAT.

GUESS WHAT.

I HAD A STARTING POINT, OKAY?

YOUR STARTING POINT SHOULD'VE

BEEN, "THAT'S IT."

THAT'S IT, AND YOU SHOULD'VE

JUST MOTHER[bleep] GONE WITH IT,

BITCH, AND WALK

THE [bleep] AWAY.

WALK AWAY?

BITCH, I NEVER THE ONE TO WALK

THE [bleep] AWAY.

BITCH, I AIN'T NO WALK-AWAY-ASS

BITCH.

MIMI, ARE YOU NOT [bleep]

LISTENING ME?

I AIN'T NO WALK-AWAY-ASS

BITCH.

ARE YOU NOT LISTENING TO ME?

BUT BITCH DONE BRING SOME

AND HIT ME IN MY

MOTHER[bleep] FACE.

BITCH, YOU COULD'VE WALKED

AWAY BEFORE SHE EVEN DID THAT.

BITCH AIN'T HIT YOU IN YOUR

[bleep] FACE!

SHE'S NOT GOING TO.

YOU DON'T MOTHER[bleep]

KNOW THAT.

YOU DON'T MOTHER[bleep] KNOW

THAT, JUST LIKE THAT BITCH'LL

TURN ON YOU IN A [bleep] SECOND.

I NEVER SAID SHE WOULDN'T.

YOU WANT TO BEFRIEND THIS

[bleep] WHACK-ASS BITCH?

ARE YOU [bleep] KIDDING ME?

ON THE NEXT LOVE AND HIP-HOP:

ATLANTA...

WHAT DO YOU FEEL, AS MY

FRIEND, ABOUT MY RELATIONSHIP?

I FEEL LIKE HE'S UNAUTHENTIC

SOMETIMES.

HMM.

DO YOU THINK SHE LOVE HIM?

ABSOLUTELY NOT.

FIRST YOU GO FROM STEVIE.

NOW SHE ON HIS BUS.

NOW SHE ON THE PINK BUS.

WANT TO MAKE SURE YOU'RE NOT

FOCUSING ON BEEFIN' WITH PEOPLE.

THESE INCIDENTS ARE

DIMINISHING YOUR BRAND.

I DON'T WANT TO LET MY FANS

OUT THERE--I DON'T WANT TO LET

THEM DOWN.

I GOT MYSELF KNOCKED UP.

OKAY.

I DON'T KNOW.

SO WHAT YOU THINK, I'M

[bleep] AROUND?

WHAT ARE RAPPERS KNOWN FOR?

WHATEVER I DID THAT'S SO

WRONG TO YOU?

WE WAS JUST [bleep] SIX DAYS

BEFORE YOU PROPOSED, HOMEBOY.

YOU HAVE TO SIT DOWN

WITH CHE'.

COME ON.

LET ME FIND THAT YOU'RE

SMASHING HER, AND I'MA SMASH

YOUR [bleep] HEAD OPEN.

YOU'RE NOT GONNA PLAY ME.

GOOD.

YOU NEEDED TO BE DONE WITH MY

PROJECT BEFORE YOU COULD START--

YOUR PROJECT WAS DONE BEFORE

IT STARTED.

YOU'RE A BITCH.

YOU SIGNED FOR LIFE.

BYE.

TYLER IS DOING A FIGURE EIGHT

OVER THERE.

[chuckles]

HE'S GOING AGAIN.

AND THERE GO MERLOT.

SEE, MERLOT'S GOING AGAIN.

SO THAT'S A GOOD THING.

SEE, TYLER'S POOPING NOW.

YUP.

IF YOU STILL--

COME HERE, MERLOT.

SCRAPPY MERLOT JONES,

BEFORE I SPANK YOUR PAWS.

[chuckles]

YEAH, SO IS HIS NAME MERLOT?

SCRAPPY?

IT'S SCRAPPY MERLOT.

BUT THAT'S YOUR SON NAME.

YEAH.

SO YOU NAMED HIM AFTER

YOUR SON?

SCRAPPY NAMED HIM.

SCRAPPY NAMED HIM AFTER

HIMSELF.

I THINK SO.

THAT'S WHY SHE MISTREATED HIM

AND GAVE HIM THE BOOT.

OKAY.