subtitlecat.com

All language subtitles for Love.and.Hip.Hop.Atlanta.S02E07.N.Y.State.Of.Mind.1080p.AMZN.WEB-DL.DDP2.0.x264-NTb_track3_[eng]

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek Download

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,700 --> 00:00:04,333 PREVIOUSLY ON LOVE & HIP-HOP: 2 00:00:04,333 --> 00:00:05,033 ATLANTA... 3 00:00:05,033 --> 00:00:06,133 I HAD WENT TO THE DOCTOR 4 00:00:06,133 --> 00:00:07,900 YESTERDAY AND, UM... 5 00:00:07,900 --> 00:00:09,033 I'M PREGNANT. 6 00:00:09,033 --> 00:00:09,767 I DON'T THINK THE TIMING 7 00:00:09,767 --> 00:00:10,433 IS RIGHT. 8 00:00:10,433 --> 00:00:11,933 WELL, I APOLOGIZE THAT ME 9 00:00:11,933 --> 00:00:13,167 HAVING A BABY'S NOT A PART OF 10 00:00:13,167 --> 00:00:14,933 YOUR LIFE PLAN. 11 00:00:14,933 --> 00:00:16,233 I WENT AND DID THE TROUBLE OF 12 00:00:16,233 --> 00:00:17,067 BUYING A CAKE. 13 00:00:17,067 --> 00:00:17,833 WHAT'S THE CAKE FOR? 14 00:00:17,833 --> 00:00:19,200 E.O.E. 15 00:00:19,200 --> 00:00:21,133 END OF ENGAGEMENT. 16 00:00:21,133 --> 00:00:22,167 SHE'S STILL INVOLVED IN 17 00:00:22,167 --> 00:00:22,900 YOUR RELATIONSHIP? 18 00:00:22,900 --> 00:00:24,067 THAT'S THE THING, DAD. 19 00:00:24,067 --> 00:00:25,000 'CAUSE IF YOU GO SOMEWHERE 20 00:00:25,000 --> 00:00:26,167 ELSE AND GET INVOLVED YOURSELF 21 00:00:26,167 --> 00:00:27,867 IN ANOTHER RELATIONSHIP, YOU MAY 22 00:00:27,867 --> 00:00:29,367 FIND THE SAME ISSUES. 23 00:00:29,367 --> 00:00:30,667 I REALLY WANT TO QUARTERBACK 24 00:00:30,667 --> 00:00:31,633 AND RUNNING BACK THIS THING. 25 00:00:31,633 --> 00:00:32,667 LIKE, REALLY, LIKE... 26 00:00:32,667 --> 00:00:33,600 I'LL COACH THE TEAM. 27 00:00:33,600 --> 00:00:35,133 YOU QUARTERBACK. 28 00:00:35,133 --> 00:00:35,933 WHY YOU IN THE STUDIO WITH 29 00:00:35,933 --> 00:00:36,833 THIS HO, 'CAUSE, FOR REAL, YOU 30 00:00:36,833 --> 00:00:37,700 AIN'T FINISHED MY ALBUM YET. 31 00:00:37,700 --> 00:00:39,600 I'M NOT IN THE STUDIO WITH 32 00:00:39,600 --> 00:00:40,933 CHE' MACK 33 00:00:40,933 --> 00:00:42,367 WHY IS JOHNNY RAPPING 34 00:00:42,367 --> 00:00:43,100 ABOUT GIRLS? 35 00:00:43,100 --> 00:00:44,267 HE LIKE MEN. 36 00:00:44,267 --> 00:00:45,433 WHATEVER'S BEING SAID 37 00:00:45,433 --> 00:00:46,100 ABOUT ME-- 38 00:00:46,100 --> 00:00:47,133 I DON'T CARE WHAT'S 39 00:00:47,133 --> 00:00:47,800 BEING SAID. 40 00:00:47,800 --> 00:00:49,033 ANYBODY THAT'S GOT SOME 41 00:00:49,033 --> 00:00:51,767 [bleep] BEEF RIGHT NOW, PLEASE 42 00:00:51,767 --> 00:00:52,967 GET THE [bleep] OUT OF HERE. 43 00:00:52,967 --> 00:00:53,700 WHO YOU TALKING TO? 44 00:00:53,700 --> 00:00:54,500 I'M JUST TALKING TO-- 45 00:00:54,500 --> 00:00:55,933 YOU'RE [bleep] YELLING AT ME. 46 00:00:55,933 --> 00:00:56,833 YELL AT THE MOTHER[bleep] YOU 47 00:00:56,833 --> 00:00:57,700 NEED TO YELL AT, MIMI. 48 00:00:57,700 --> 00:00:58,500 DON'T DO IT. 49 00:00:58,500 --> 00:00:59,767 [bleep], I'M NOT THE ONE THAT'S 50 00:00:59,767 --> 00:01:00,800 [bleep] DOING NOTHING WRONG 51 00:01:00,800 --> 00:01:02,800 RIGHT NOW. 52 00:01:04,467 --> 00:01:06,100 * THIS IS THE LIFE 53 00:01:06,100 --> 00:01:07,067 ♪ THIS IS THE LIFE 54 00:01:07,067 --> 00:01:07,700 * YEAH 55 00:01:07,700 --> 00:01:08,433 * THIS IS THE LIFE 56 00:01:08,433 --> 00:01:09,333 ♪ THIS IS THE LIFE 57 00:01:09,333 --> 00:01:10,067 * 'SUP ♪ 58 00:01:10,067 --> 00:01:10,867 * THIS IS THE LIFE 59 00:01:10,867 --> 00:01:11,900 ♪ THIS IS THE LIFE 60 00:01:11,900 --> 00:01:12,567 * HUH 61 00:01:12,567 --> 00:01:13,267 * THIS IS THE LIFE 62 00:01:13,267 --> 00:01:16,433 ♪ THIS IS THE LIFE 63 00:01:16,433 --> 00:01:17,100 * HUH 64 00:01:17,100 --> 00:01:18,067 ♪ THERE AIN'T NOTHING LIKE ♪ 65 00:01:18,067 --> 00:01:19,100 ♪ HIP-HOP MUSIC 66 00:01:19,100 --> 00:01:20,433 ♪ MUSIC 67 00:01:20,433 --> 00:01:21,433 * THIS IS THE LIFE 68 00:01:21,433 --> 00:01:25,767 ♪ THIS IS THE LIFE 69 00:01:31,567 --> 00:01:32,567 [electronic hip-hop music] 70 00:01:32,567 --> 00:01:35,867 ♪ 71 00:01:35,867 --> 00:01:37,900 YESTERDAY WAS CRAZY. 72 00:01:37,900 --> 00:01:39,333 YEAH, I EXPECTED K.MICHELLE TO 73 00:01:39,333 --> 00:01:41,133 POP OFF, BUT ARIANE? 74 00:01:41,133 --> 00:01:42,267 COME ON, MAN. 75 00:01:42,267 --> 00:01:43,533 THIS WAS SUPPOSED TO BE MY DAY 76 00:01:43,533 --> 00:01:44,333 TO SHINE. 77 00:01:44,333 --> 00:01:45,133 THEY'RE SUPPOSED TO BE THERE 78 00:01:45,133 --> 00:01:46,300 TO SUPPORT ME. 79 00:01:46,300 --> 00:01:47,500 AND OF COURSE, SOME STUPID 80 00:01:47,500 --> 00:01:48,700 [bleep] HAPPENS AND [bleep] UP 81 00:01:48,700 --> 00:01:49,800 EVERYTHING. 82 00:01:49,800 --> 00:01:51,067 HELLO. 83 00:01:51,067 --> 00:01:51,667 SO GUESS WHAT? 84 00:01:51,667 --> 00:01:53,333 WHEN ARIANE CALLED ME TO TALK 85 00:01:53,333 --> 00:01:54,533 ABOUT IT, I REALLY WANTED TO SEE 86 00:01:54,533 --> 00:01:56,133 WHERE HER [bleep] HEAD WAS AT. 87 00:01:56,133 --> 00:01:57,200 I WANTED YESTERDAY TO BE 88 00:01:57,200 --> 00:01:58,767 SO GREAT. 89 00:01:58,767 --> 00:02:00,467 THEN THE [bleep] [bleep] SHOW. 90 00:02:00,467 --> 00:02:02,900 LET'S LOOK AT EVERY TIME WE 91 00:02:02,900 --> 00:02:03,667 GO SOMEWHERE. 92 00:02:03,667 --> 00:02:05,533 WE KNOW HOW K. CAN BE. 93 00:02:05,533 --> 00:02:06,600 MY HOUSEWARMING-- 94 00:02:06,600 --> 00:02:07,267 OKAY. 95 00:02:07,267 --> 00:02:08,067 ERICA'S ENGAGEMENT. 96 00:02:08,067 --> 00:02:09,900 IT'S ALWAYS SOMETHING. 97 00:02:09,900 --> 00:02:10,833 AND THAT'S WHERE-- 98 00:02:10,833 --> 00:02:11,967 THAT'S WHY I EXPLODED AND 99 00:02:11,967 --> 00:02:12,800 BLEW THE [bleep] UP. 100 00:02:12,800 --> 00:02:14,133 BUT YOU SAID, "MY FRIENDS." 101 00:02:14,133 --> 00:02:14,867 YOU SHOULD HAVE JUST NAMED 102 00:02:14,867 --> 00:02:16,700 THE CULPRIT, NOT ME. 103 00:02:16,700 --> 00:02:17,800 YOU KNOW GOOD AND DAMN WELL 104 00:02:17,800 --> 00:02:18,733 I WASN'T TALKING ABOUT YOU. 105 00:02:18,733 --> 00:02:19,600 YOU SHOULD HAVE [bleep] 106 00:02:19,600 --> 00:02:20,833 SPECIFIED THAT FOR ME. 107 00:02:20,833 --> 00:02:22,067 WHAT IS HER ISSUE WITH GAY 108 00:02:22,067 --> 00:02:22,733 PEOPLE? 109 00:02:22,733 --> 00:02:23,400 SHE SAID IT. 110 00:02:23,400 --> 00:02:24,267 SHE SAID SHE HAD AN ISSUE WITH 111 00:02:24,267 --> 00:02:25,567 MEN PRETENDING THAT THEY'RE 112 00:02:25,567 --> 00:02:26,700 NOT GAY. 113 00:02:26,700 --> 00:02:27,567 SHE DOESN'T KNOW JOHNNY 114 00:02:27,567 --> 00:02:28,267 FOR HER TO EVEN TO MAKE 115 00:02:28,267 --> 00:02:29,067 THAT STATEMENT. 116 00:02:29,067 --> 00:02:30,700 IT JUST GOT WAY OUT OF LINE. 117 00:02:30,700 --> 00:02:31,933 LIKE, I THOUGHT JOHNNY WAS GONNA 118 00:02:31,933 --> 00:02:33,633 BE ABLE TO HANDLE IT BY HIMSELF, 119 00:02:33,633 --> 00:02:35,567 AND WHEN NIKKO CAME IN, I WAS 120 00:02:35,567 --> 00:02:36,900 LIKE, "ALL RIGHT, HE'S GONNA 121 00:02:36,900 --> 00:02:39,067 MAKE IT OKAY." 122 00:02:39,067 --> 00:02:40,700 IT DIDN'T HAPPEN LIKE THAT, 123 00:02:40,700 --> 00:02:41,600 AND THAT'S WHEN I WAS LIKE, 124 00:02:41,600 --> 00:02:42,700 "OH, [bleep]. 125 00:02:42,700 --> 00:02:43,567 BOTH OF Y'ALL ABOUT TO TRY TO 126 00:02:43,567 --> 00:02:44,800 ATTACK HER?" 127 00:02:44,800 --> 00:02:45,967 LIKE, I KNOW THAT'S YOUR 128 00:02:45,967 --> 00:02:46,667 HOMEBOY. 129 00:02:46,667 --> 00:02:47,400 I GET IT. 130 00:02:47,400 --> 00:02:48,833 BUT IT'S TWO MEN ATTACKING THIS 131 00:02:48,833 --> 00:02:50,167 LITTLE PERSON WITH A BIG 132 00:02:50,167 --> 00:02:52,200 ATTITUDE AND A BIG MOUTH. 133 00:02:52,200 --> 00:02:53,667 NIKKO AND JOHNNY HANDLED THAT 134 00:02:53,667 --> 00:02:56,067 SITUATION ALL WRONG. 135 00:02:56,067 --> 00:02:57,333 WHAT I DIDN'T UNDERSTAND WAS, 136 00:02:57,333 --> 00:02:58,567 MIMI AND I BEEN ROCKIN' FOR 137 00:02:58,567 --> 00:03:00,133 YEARS, AND I NEVER REALLY SEEN 138 00:03:00,133 --> 00:03:02,067 HER JUST GO SO HARD FOR SOMEBODY 139 00:03:02,067 --> 00:03:03,600 LIKE THAT THAT SHE BARELY KNEW. 140 00:03:03,600 --> 00:03:05,100 SO IT JUST WASN'T RIGHT. 141 00:03:05,100 --> 00:03:06,400 SHE JUST WASN'T RIGHT AT ALL. 142 00:03:06,400 --> 00:03:07,767 COULD HE HAVE HANDLED IT 143 00:03:07,767 --> 00:03:08,467 BETTER? 144 00:03:08,467 --> 00:03:09,400 ABSOLUTELY. 145 00:03:09,400 --> 00:03:11,467 BUT THE ROOT OF THIS WHOLE THING 146 00:03:11,467 --> 00:03:13,367 IS K. MICHELLE, PERIOD. 147 00:03:13,367 --> 00:03:14,433 SHE WANTED YOU TO COME TO HER 148 00:03:14,433 --> 00:03:15,567 DEFENSE. 149 00:03:15,567 --> 00:03:17,067 I'M NOT [bleep] K.MICHELLE. 150 00:03:17,067 --> 00:03:17,700 NO, YOU'RE NOT. 151 00:03:17,700 --> 00:03:19,533 OKAY, NEVER GONNA HAPPEN. 152 00:03:19,533 --> 00:03:20,300 I TOLD HER THAT. 153 00:03:20,300 --> 00:03:21,833 OKAY, WELL, I DON'T SEE WHAT 154 00:03:21,833 --> 00:03:23,233 THE [bleep] PROBLEM IS. 155 00:03:23,233 --> 00:03:24,433 I WASN'T EVEN IN THE ROOM WHEN 156 00:03:24,433 --> 00:03:25,333 ANY OF THIS WENT DOWN. 157 00:03:25,333 --> 00:03:26,067 I'M OUTSIDE-- 158 00:03:26,067 --> 00:03:26,933 WOULD YOU HAVE A CONVERSATION 159 00:03:26,933 --> 00:03:27,600 WITH HER? 160 00:03:27,600 --> 00:03:28,267 NO, I DID NOT. 161 00:03:28,267 --> 00:03:29,167 I SAID WOULD YOU. 162 00:03:29,167 --> 00:03:30,333 OF COURSE I WOULD. 163 00:03:30,333 --> 00:03:31,100 OKAY. 164 00:03:31,100 --> 00:03:32,067 BUT I'M NOT GONNA SIT THERE 165 00:03:32,067 --> 00:03:33,367 AND LISTEN TO HER ATTACK ME ON 166 00:03:33,367 --> 00:03:34,433 SOME BULL[bleep], IS WHAT I'M 167 00:03:34,433 --> 00:03:35,433 NOT GONNA DO. 168 00:03:35,433 --> 00:03:38,233 WELL, I'M GOING TO NEW YORK 169 00:03:38,233 --> 00:03:39,067 TODAY. 170 00:03:39,067 --> 00:03:39,767 I'M GONNA SEE HER WHILE 171 00:03:39,767 --> 00:03:40,433 I'M THERE. 172 00:03:40,433 --> 00:03:41,133 I'M SURE. 173 00:03:41,133 --> 00:03:41,833 YOU WANT TO COME? 174 00:03:41,833 --> 00:03:43,467 WHY WOULD I FLY TO NEW YORK? 175 00:03:43,467 --> 00:03:45,300 I'M SAYING I'M GONNA SEE HER, 176 00:03:45,300 --> 00:03:46,967 SO WE COULD TRY TO JUST KIND OF 177 00:03:46,967 --> 00:03:47,833 AIR THINGS OUT WHILE 178 00:03:47,833 --> 00:03:49,100 WE'RE THERE. 179 00:03:49,100 --> 00:03:50,633 COME ON. 180 00:03:50,633 --> 00:03:51,967 LOVE NEW YORK. 181 00:03:51,967 --> 00:03:53,400 LOVE THE ENERGY, ALL THAT. 182 00:03:53,400 --> 00:03:55,067 THAT'S WHAT I'M SAYING. 183 00:03:55,067 --> 00:03:55,800 I WILL GO TO NEW YORK-- 184 00:03:55,800 --> 00:03:56,767 IT'S A COMPLETELY DIFFERENT 185 00:03:56,767 --> 00:03:57,533 ATMOSPHERE. 186 00:03:57,533 --> 00:03:58,400 I WILL GO TO NEW YORK, 187 00:03:58,400 --> 00:04:00,267 NO PROBLEM. 188 00:04:00,267 --> 00:04:03,067 IF I HAPPEN TO SEE K., 189 00:04:03,067 --> 00:04:04,467 ALL FINE. 190 00:04:04,467 --> 00:04:05,900 I'M GONNA SEE HER WHILE I'M 191 00:04:05,900 --> 00:04:06,567 THERE. 192 00:04:06,567 --> 00:04:08,067 OH, OKAY. 193 00:04:08,067 --> 00:04:08,933 I JUST THOUGHT MAYBE YOU'LL 194 00:04:08,933 --> 00:04:11,100 BE WITH ME. 195 00:04:11,100 --> 00:04:14,200 I'LL GO TO NEW YORK, SURE. 196 00:04:14,200 --> 00:04:15,267 OKAY. 197 00:04:15,267 --> 00:04:15,933 I WANT TO GO TO 198 00:04:15,933 --> 00:04:17,767 THE DRUNKEN MONKEY. 199 00:04:17,767 --> 00:04:21,067 [laughter] 200 00:04:21,067 --> 00:04:23,733 [police siren wails] 201 00:04:26,700 --> 00:04:28,233 SO BASICALLY, MAN, YOU KNOW 202 00:04:28,233 --> 00:04:29,133 WHAT I'M SAYING, MOMMA THROWING 203 00:04:29,133 --> 00:04:31,600 THE E.O.E., END OF ENGAGEMENT 204 00:04:31,600 --> 00:04:32,933 PARTY, AND THAT JUST REALLY JUST 205 00:04:32,933 --> 00:04:33,767 CROSSED THE LINE WITH ME. 206 00:04:33,767 --> 00:04:34,700 I AIN'T WITH NONE OF THAT 207 00:04:34,700 --> 00:04:36,200 SHIZNAY, YOU FEEL ME? 208 00:04:36,200 --> 00:04:36,867 WHAT'S HAPPENING, 209 00:04:36,867 --> 00:04:37,533 WHAT'S HAPPENING? 210 00:04:37,533 --> 00:04:38,200 HEY, SON. 211 00:04:38,200 --> 00:04:39,167 WHAT'S UP, BOY? 212 00:04:39,167 --> 00:04:40,967 SO WHAT I'M FINNA DO, I'M 213 00:04:40,967 --> 00:04:42,767 FINNA GO GET MY BAGS AND GET THE 214 00:04:42,767 --> 00:04:44,667 HELL ON AND TELL HER ABOUT IT 215 00:04:44,667 --> 00:04:46,767 SO WE CAN PUT SPACE BETWEEN US. 216 00:04:46,767 --> 00:04:48,067 MAN, I'M GLAD YOU CAME BY 217 00:04:48,067 --> 00:04:49,133 'CAUSE I REALLY WANTED TO TALK 218 00:04:49,133 --> 00:04:50,300 TO YOU ABOUT THE LAST TIME YOU 219 00:04:50,300 --> 00:04:51,267 WERE HERE. 220 00:04:51,267 --> 00:04:52,967 FIRST, I WANTED TO APOLOGIZE FOR 221 00:04:52,967 --> 00:04:53,900 MAYBE JUMPING THE GUN WITH 222 00:04:53,900 --> 00:04:55,567 THE CAKE, AND THEN YOU'VE 223 00:04:55,567 --> 00:04:56,400 MENTIONED MOM. 224 00:04:56,400 --> 00:04:57,800 GUESS WHAT? 225 00:04:57,800 --> 00:04:59,067 I'M NOT A MAMA'S BOY, WHERE 226 00:04:59,067 --> 00:05:00,633 YOU'LL ALWAYS BE A MAMA'S BOY. 227 00:05:00,633 --> 00:05:02,067 AND IT'S NOT--HEAR ME OUT. 228 00:05:02,067 --> 00:05:03,833 IT'S NOT THAT I DON'T WANT 229 00:05:03,833 --> 00:05:04,700 YOU HAPPY. 230 00:05:04,700 --> 00:05:06,067 I KNOW YOU WANT ME TO BE. 231 00:05:06,067 --> 00:05:08,067 WELL, I DID BIRTH A BOY IN 232 00:05:08,067 --> 00:05:10,700 '84, SO--AND I'M YOUR MOM, SO 233 00:05:10,700 --> 00:05:11,867 THERE YOU GO. 234 00:05:11,867 --> 00:05:13,933 WITH THAT BEING SAID, IT KIND OF 235 00:05:13,933 --> 00:05:15,267 HURT MY FEELINGS, BUT I KNOW 236 00:05:15,267 --> 00:05:15,967 YOU LOVE ME. 237 00:05:15,967 --> 00:05:17,833 ALL I'M ASKING YOU IS TO STAY 238 00:05:17,833 --> 00:05:18,867 OUT OF MY MIX. 239 00:05:18,867 --> 00:05:19,533 I CAN TRY. 240 00:05:19,533 --> 00:05:20,200 YOU KNOW WHAT? 241 00:05:20,200 --> 00:05:21,067 YOU AIN'T GOT TO TRY. 242 00:05:21,067 --> 00:05:22,333 YOU JUST DON'T DO IT. 243 00:05:22,333 --> 00:05:24,067 JUST LEAVE ME THE HELL ALONE. 244 00:05:24,067 --> 00:05:25,300 LIKE I SAID, YOU LOVE YOUR KID 245 00:05:25,300 --> 00:05:26,900 AND DISRESPECT YOUR KID IN 246 00:05:26,900 --> 00:05:27,800 THE SAME SENTENCE. 247 00:05:27,800 --> 00:05:29,067 HOW DO I DO THAT? 248 00:05:29,067 --> 00:05:30,933 YOU'LL GO OVER THERE AND DO 249 00:05:30,933 --> 00:05:32,067 SOMETHING DISRESPECTFUL THAT'S 250 00:05:32,067 --> 00:05:33,600 GONNA MESS WITH ME AND THEN 251 00:05:33,600 --> 00:05:35,067 TURN AROUND AND SAY, "BUT MOMMY 252 00:05:35,067 --> 00:05:35,967 LOVE YOU. 253 00:05:35,967 --> 00:05:36,900 MOMMY LOVE YOU." 254 00:05:36,900 --> 00:05:37,567 BUT I DO. 255 00:05:37,567 --> 00:05:39,233 BUT, LIKE, WHY WOULD YOU DO A 256 00:05:39,233 --> 00:05:39,900 KID LIKE THAT? 257 00:05:39,900 --> 00:05:41,533 HOW LONG MAMAS HAVE BEEN 258 00:05:41,533 --> 00:05:42,567 DOING STUFF THAT THE KIDS 259 00:05:42,567 --> 00:05:43,367 DON'T LIKE? 260 00:05:43,367 --> 00:05:44,067 YOU NOT LIKE ALL 261 00:05:44,067 --> 00:05:44,767 THE OTHER MAMAS. 262 00:05:44,767 --> 00:05:46,100 YOU IS CRAZY. 263 00:05:46,100 --> 00:05:46,800 YOU KNOW WHAT I'M SAYING? 264 00:05:46,800 --> 00:05:47,633 NO, I'M NOT. NO, I'M NOT. 265 00:05:47,633 --> 00:05:48,933 YOU NEED TO START TAKING YOUR 266 00:05:48,933 --> 00:05:49,700 MEDICINE-- 267 00:05:49,700 --> 00:05:51,067 I'M NOT TAKING ANYTHING BUT 268 00:05:51,067 --> 00:05:51,800 SOME PAIN FOR THIS 269 00:05:51,800 --> 00:05:53,067 TOOTHACHE I GOT. 270 00:05:53,067 --> 00:05:55,100 BUT, YOU KNOW, MAYBE I WAS JUST 271 00:05:55,100 --> 00:05:56,233 BEING A LITTLE SELF-CENTERED 272 00:05:56,233 --> 00:05:59,667 AND SELFISH, SO, YOU KNOW, MOMMY 273 00:05:59,667 --> 00:06:00,733 WANT TO APOLOGIZE. 274 00:06:00,733 --> 00:06:03,333 WOW, ARE YOU SERIOUS? 275 00:06:03,333 --> 00:06:04,200 SAY THAT AGAIN. 276 00:06:04,200 --> 00:06:05,567 WHAT, WHAT, WHAT? 277 00:06:05,567 --> 00:06:09,467 [breathily] APOLOGIZE. 278 00:06:09,467 --> 00:06:10,633 I MAY HAVE OVERSTEPPED MY 279 00:06:10,633 --> 00:06:12,700 BOUNDARIES WITH THE E.O.E. CAKE. 280 00:06:12,700 --> 00:06:13,967 HUH. 281 00:06:13,967 --> 00:06:16,267 HMM, NOT. 282 00:06:16,267 --> 00:06:17,667 BUT ERICA IS FINALLY 283 00:06:17,667 --> 00:06:19,067 OUT THE PICTURE. 284 00:06:19,067 --> 00:06:19,800 YOU GET IT? 285 00:06:19,800 --> 00:06:20,833 HA, HA, HA. 286 00:06:20,833 --> 00:06:21,867 SHE'S OUT. 287 00:06:21,867 --> 00:06:22,533 [dog barking] 288 00:06:22,533 --> 00:06:23,200 MY LITTLE HOMIE. 289 00:06:23,200 --> 00:06:24,067 THAT'S MY LITTLE HOMIE RIGHT 290 00:06:24,067 --> 00:06:24,700 THERE, GANGSTER. 291 00:06:24,700 --> 00:06:25,367 I LOVE YOU. 292 00:06:25,367 --> 00:06:26,067 LOVE YOU. 293 00:06:26,067 --> 00:06:26,700 FORGIVE ME, MERLOT? 294 00:06:26,700 --> 00:06:28,067 I LOVE YOU. 295 00:06:28,067 --> 00:06:29,067 HOLLER AT YOU. 296 00:06:29,067 --> 00:06:30,433 PRINCE IS OUT. 297 00:06:30,433 --> 00:06:31,100 BYE. 298 00:06:31,100 --> 00:06:32,133 MERLOT. 299 00:06:32,133 --> 00:06:33,633 HOLLER AT YOUR BOY, SON. 300 00:06:33,633 --> 00:06:34,933 SHUT YOUR FACE, B. 301 00:06:34,933 --> 00:06:35,600 BYE, BOY. 302 00:06:35,600 --> 00:06:37,767 BYE. 303 00:06:37,767 --> 00:06:39,567 [emotional piano music] 304 00:06:39,567 --> 00:06:43,067 * MY HEART IS MENDING 305 00:06:43,067 --> 00:06:44,700 KIRK AND I HAVE SPENT 13 306 00:06:44,700 --> 00:06:45,933 YEARS OF OUR LIVES BUILDING 307 00:06:45,933 --> 00:06:46,600 A FAMILY TOGETHER. 308 00:06:46,600 --> 00:06:48,300 * GRADUALLY 309 00:06:48,300 --> 00:06:49,533 WE'VE HAD OUR PROBLEMS. 310 00:06:49,533 --> 00:06:50,400 DON'T GET ME WRONG. 311 00:06:50,400 --> 00:06:51,500 BUT AT THE END OF THE DAY, 312 00:06:51,500 --> 00:06:52,967 ONE THING I ALWAYS FELT THAT WAS 313 00:06:52,967 --> 00:06:54,833 REAL WAS OUR COMMITMENT AND OUR 314 00:06:54,833 --> 00:06:57,667 LOVE TO ONE ANOTHER. 315 00:06:57,667 --> 00:06:58,700 BUT OVER THE LAST COUPLE OF 316 00:06:58,700 --> 00:07:00,700 MONTHS, I'VE SEEN A BIG CHANGE 317 00:07:00,700 --> 00:07:01,500 IN KIRK. 318 00:07:01,500 --> 00:07:03,200 I LOOK AT THIS MAN, AND I'M 319 00:07:03,200 --> 00:07:04,400 QUESTIONING MYSELF LIKE, 320 00:07:04,400 --> 00:07:05,367 "WHO IS THIS?" 321 00:07:05,367 --> 00:07:06,633 I DON'T UNDERSTAND WHERE HE'S 322 00:07:06,633 --> 00:07:08,067 COMING FROM OR WHAT'S GOING ON 323 00:07:08,067 --> 00:07:10,600 IN HIS HEAD. 324 00:07:10,600 --> 00:07:13,333 * MY BODY'S ACHING ♪ 325 00:07:13,333 --> 00:07:15,867 ♪ BUT I WON'T LET IT ♪ 326 00:07:15,867 --> 00:07:20,767 ♪ BRING ME DOWN 327 00:07:20,767 --> 00:07:23,900 ♪ I AM YOUNG, BUT LIFE GOES 328 00:07:23,900 --> 00:07:25,833 I WANT MY HUSBAND BACK: 329 00:07:25,833 --> 00:07:27,300 THE MAN WHO I RENEWED MY VOWS 330 00:07:27,300 --> 00:07:29,167 WITH LAST YEAR, MY BUSINESS 331 00:07:29,167 --> 00:07:31,767 PARTNER, AND MY BEST FRIEND. 332 00:07:31,767 --> 00:07:33,367 I JUST HOPE KIRK CAN SEE THAT 333 00:07:33,367 --> 00:07:35,067 GOD HAS GIVEN US A BLESSING AND 334 00:07:35,067 --> 00:07:36,400 WE ARE THE LUCKIEST PEOPLE 335 00:07:36,400 --> 00:07:38,400 IN THE WORLD. 336 00:07:39,233 --> 00:07:40,667 WHAT'S UP? 337 00:07:40,667 --> 00:07:42,100 HEY. 338 00:07:42,100 --> 00:07:43,633 CAME ON OVER TO CHAT ABOUT A 339 00:07:43,633 --> 00:07:46,500 FEW OF THESE THINGS ON MY BRAIN. 340 00:07:46,500 --> 00:07:48,467 I DEFINITELY HAVE SOME THINGS 341 00:07:48,467 --> 00:07:49,833 I WANT TO TALK ABOUT TOO. 342 00:07:49,833 --> 00:07:51,767 YOU BEING PREGNANT RIGHT NOW 343 00:07:51,767 --> 00:07:55,200 IS DEFINITELY BAD TIMING, AND I 344 00:07:55,200 --> 00:07:56,767 ALMOST FEEL LIKE IT'S SPITEFUL. 345 00:07:56,767 --> 00:07:58,500 LIKE, YOU PRETTY MUCH DID IT ON 346 00:07:58,500 --> 00:07:59,600 PURPOSE, AND THAT'S HOW 347 00:07:59,600 --> 00:08:01,500 I REALLY FEEL. 348 00:08:01,500 --> 00:08:02,167 I MEAN... 349 00:08:02,167 --> 00:08:03,133 SPITEFUL. 350 00:08:03,133 --> 00:08:06,067 SO I DID IT SPITEFULLY, BUT YOU 351 00:08:06,067 --> 00:08:07,067 GOT TO KEEP IN MIND THAT IT 352 00:08:07,067 --> 00:08:08,167 TAKE TWO PEOPLE TO MAKE A BABY. 353 00:08:08,167 --> 00:08:08,833 RIGHT, BUT YOU 354 00:08:08,833 --> 00:08:09,500 TAKE THE PILLS. 355 00:08:09,500 --> 00:08:10,167 I DON'T. 356 00:08:10,167 --> 00:08:11,400 AND WHEN I STOP TAKING 357 00:08:11,400 --> 00:08:12,633 THE PILLS, I TOLD YOU THAT. 358 00:08:12,633 --> 00:08:13,667 I'M JUST TELLING YOU I FEEL 359 00:08:13,667 --> 00:08:14,567 LIKE IT'S SPITEFUL. 360 00:08:14,567 --> 00:08:16,067 IT'S JUST LIKE, DID YOU JUST 361 00:08:16,067 --> 00:08:17,167 PLAN TO STOP TAKING THEM 362 00:08:17,167 --> 00:08:17,833 ON PURPOSE? 363 00:08:17,833 --> 00:08:18,500 BUT YOU KNOW WHAT? 364 00:08:18,500 --> 00:08:19,300 I FEEL LIKE IT'S AN EXCUSE, 365 00:08:19,300 --> 00:08:20,267 AND TO BE HONEST WITH YOU, 366 00:08:20,267 --> 00:08:21,767 I FEEL LIKE THERE'S SOMETHING 367 00:08:21,767 --> 00:08:23,200 ELSE, AND I DON'T WANT TO BE IN 368 00:08:23,200 --> 00:08:25,233 YOUR WAY, AND AT THE SAME TIME, 369 00:08:25,233 --> 00:08:27,267 I FEEL LONELY. 370 00:08:27,267 --> 00:08:29,833 I FEEL LIKE I'M LOST IN THIS 371 00:08:29,833 --> 00:08:30,700 SITUATION. 372 00:08:30,700 --> 00:08:32,267 IT SEEM LIKE I DON'T EVEN KNOW 373 00:08:32,267 --> 00:08:33,233 YOU RIGHT NOW. 374 00:08:33,233 --> 00:08:34,567 EVER SINCE RASHEEDA TOLD ME 375 00:08:34,567 --> 00:08:35,733 SHE WAS PREGNANT, I'M JUST 376 00:08:35,733 --> 00:08:36,767 LOOKING AT HER, LIKE, IT'S SO 377 00:08:36,767 --> 00:08:38,067 MUCH GOING ON. 378 00:08:38,067 --> 00:08:39,100 FINALLY, WE HAD A PLACE WHERE 379 00:08:39,100 --> 00:08:40,400 I THINK WE ABOUT TO MAKE IT AND 380 00:08:40,400 --> 00:08:41,733 SHE'S PREGNANT, AND I'M JUST 381 00:08:41,733 --> 00:08:42,667 REALLY NOT WITH IT. 382 00:08:42,667 --> 00:08:43,800 SO I'M JUST HAVING A HARD TIME 383 00:08:43,800 --> 00:08:45,433 DIGESTING THE WHOLE SITUATION. 384 00:08:45,433 --> 00:08:47,167 I DON'T UNDERSTAND WHY YOU 385 00:08:47,167 --> 00:08:48,467 ACTING LIKE THIS IS SUCH A HARD 386 00:08:48,467 --> 00:08:49,433 THING. 387 00:08:49,433 --> 00:08:50,600 I HAVE A LOT OF KIDS, 388 00:08:50,600 --> 00:08:51,467 YOU KNOW-- 389 00:08:51,467 --> 00:08:52,467 I DON'T, SO DON'T CHEAT 390 00:08:52,467 --> 00:08:53,367 ME, YOUR WIFE, YOU KNOW, 391 00:08:53,367 --> 00:08:54,233 YOUR PARTNER. 392 00:08:54,233 --> 00:08:55,500 DON'T TAKE THAT FROM ME. 393 00:08:55,500 --> 00:08:57,200 THERE IS WAYS AROUND IT. 394 00:08:57,200 --> 00:08:58,167 NO, IT'S NOT. 395 00:08:58,167 --> 00:08:59,233 YEAH, THERE IS. 396 00:08:59,233 --> 00:09:00,300 YOU BASICALLY TRYING TO SAY 397 00:09:00,300 --> 00:09:02,133 TO ME, "YOU NEED TO GET 398 00:09:02,133 --> 00:09:02,800 RID OF THE BABY." 399 00:09:02,800 --> 00:09:03,800 THAT'S BASICALLY WHAT I GOT 400 00:09:03,800 --> 00:09:04,667 FROM YOU. 401 00:09:04,667 --> 00:09:06,233 AND I FEEL LIKE, YOU KNOW WHAT? 402 00:09:06,233 --> 00:09:08,133 THAT'S SOME [bleep] BULL[bleep]. 403 00:09:08,133 --> 00:09:08,833 I DID SAY THAT. 404 00:09:08,833 --> 00:09:09,700 THAT'S CRAZY. 405 00:09:09,700 --> 00:09:10,800 I ACTUALLY SAID, "YEAH, YOU 406 00:09:10,800 --> 00:09:11,567 NEED TO GET AN ABORTION." 407 00:09:11,567 --> 00:09:12,333 IT MAKES ME THINK THERE'S 408 00:09:12,333 --> 00:09:13,233 SOMETHING WRONG WITH YOU. 409 00:09:13,233 --> 00:09:14,433 WELL, I SAID IT, AND THAT'S 410 00:09:14,433 --> 00:09:15,133 HOW I FEEL. 411 00:09:15,133 --> 00:09:15,800 WHY WOULD YOU EVEN SAY 412 00:09:15,800 --> 00:09:16,500 SOMETHING LIKE THAT? 413 00:09:16,500 --> 00:09:17,267 YOU KNOW WHAT? 414 00:09:17,267 --> 00:09:18,600 IF THE SITUATION WAS CHANGED AND 415 00:09:18,600 --> 00:09:19,500 YOU WALKED THROUGH THIS DOOR AND 416 00:09:19,500 --> 00:09:20,833 YOU TOLD ME THAT, I WOULD NEVER 417 00:09:20,833 --> 00:09:22,067 REACT LIKE THAT, EVER. 418 00:09:22,067 --> 00:09:23,067 THIS BUSINESS-- 419 00:09:23,067 --> 00:09:23,667 THAT'S BEING MESSED UP. 420 00:09:23,667 --> 00:09:24,400 BUT BUSINESS IS GONNA 421 00:09:24,400 --> 00:09:25,067 BE THERE. 422 00:09:25,067 --> 00:09:25,733 THAT'S THE-- 423 00:09:25,733 --> 00:09:26,800 NO, YOU NOT THINKING ABOUT-- 424 00:09:26,800 --> 00:09:28,567 WE'VE PAUSED PERSONAL LIFE 425 00:09:28,567 --> 00:09:29,533 [bleep] FOR BUSINESS 426 00:09:29,533 --> 00:09:30,533 FOR SO LONG. 427 00:09:30,533 --> 00:09:31,700 HOW LONG WE GONNA CONTINUE 428 00:09:31,700 --> 00:09:32,600 TO DO THAT? 429 00:09:32,600 --> 00:09:34,100 I ASKED YOU TO PUT YOUR BRAIN 430 00:09:34,100 --> 00:09:35,067 ON IT AND THINK ABOUT IT. 431 00:09:35,067 --> 00:09:36,700 AND MY THOUGHT IS HELL, NO. 432 00:09:36,700 --> 00:09:38,567 THERE'S NO OTHER THING FOR ME TO 433 00:09:38,567 --> 00:09:39,400 THINK ABOUT. 434 00:09:39,400 --> 00:09:41,233 I'M PREGNANT, AND I'M GONNA HAVE 435 00:09:41,233 --> 00:09:44,067 A BABY, AND I WANT YOU AND ME TO 436 00:09:44,067 --> 00:09:45,300 FIGURE OUT WHEN WE'RE GONNA 437 00:09:45,300 --> 00:09:47,067 SHOOT THE VIDEOS, WHAT DATE WE 438 00:09:47,067 --> 00:09:48,400 GONNA DO IT, BECAUSE TIME'S 439 00:09:48,400 --> 00:09:49,100 A-TICKING BEFORE 440 00:09:49,100 --> 00:09:50,100 I START SHOWING. 441 00:09:50,100 --> 00:09:51,500 THAT'S WHAT I WANT TO DO. 442 00:09:51,500 --> 00:09:52,233 YOU'RE PREGNANT. 443 00:09:52,233 --> 00:09:53,100 YOU'RE THE ONE. 444 00:09:53,100 --> 00:09:55,300 YUP, SURE AM. 445 00:09:55,300 --> 00:09:58,533 AND I FEEL REAL [bleep] UP 446 00:09:58,533 --> 00:09:59,300 RIGHT NOW. 447 00:09:59,300 --> 00:10:00,200 I MEAN, I KNOW THAT 448 00:10:00,200 --> 00:10:01,233 SOUND BAD. 449 00:10:01,233 --> 00:10:02,467 I KNOW IT DON'T SOUND RIGHT. 450 00:10:02,467 --> 00:10:04,000 BUT RASHEEDA IS A BRAND 451 00:10:04,000 --> 00:10:05,133 IN THE BUSINESS. 452 00:10:05,133 --> 00:10:06,500 AND I KNOW YOU CAN'T SEE THAT 453 00:10:06,500 --> 00:10:07,467 'CAUSE IT'S YOU. 454 00:10:07,467 --> 00:10:08,500 NO, I CAN'T SEE IT. 455 00:10:08,500 --> 00:10:10,367 YOU SOUND CRAZY, AND I THINK YOU 456 00:10:10,367 --> 00:10:11,233 NEED TO LEAVE. 457 00:10:11,233 --> 00:10:13,733 THAT'S WHAT I THINK. 458 00:10:13,733 --> 00:10:15,567 GOSH, I MAY WANT TO. 459 00:10:15,567 --> 00:10:16,333 I DON'T KNOW. 460 00:10:16,333 --> 00:10:17,000 OH. 461 00:10:17,000 --> 00:10:20,433 WELL, YOU NEED TO LET ME KNOW... 462 00:10:20,433 --> 00:10:22,433 THAT ANSWER. 463 00:10:24,867 --> 00:10:26,867 [cheers and applause] 464 00:10:26,867 --> 00:10:27,533 I'M GLAD YOU CAME. 465 00:10:27,533 --> 00:10:29,800 I HAD NO IDEA SUCH AND SUCH 466 00:10:29,800 --> 00:10:30,933 WAS GONNA BE HERE. 467 00:10:30,933 --> 00:10:32,133 HEY, GIRL. 468 00:10:32,133 --> 00:10:33,800 GOOD JOB. 469 00:10:33,800 --> 00:10:34,700 WHAT'S UP, CHE'? 470 00:10:34,700 --> 00:10:35,533 HI, JOSELINE. 471 00:10:35,533 --> 00:10:36,600 I DON'T KNOW WHY I'M HERE 472 00:10:36,600 --> 00:10:37,433 TALKING TO Y'ALL. 473 00:10:37,433 --> 00:10:38,267 BITCH, I KNOW YOU ABOUT TO DO 474 00:10:38,267 --> 00:10:39,033 WHATEVER THE [bleep] YOU-- 475 00:10:39,033 --> 00:10:39,967 NOW, WATCH YOUR MOUTH BEFORE 476 00:10:39,967 --> 00:10:40,700 I SLAP BITCH YOU ASS. 477 00:10:40,700 --> 00:10:41,533 AND YOU'RE REALLY-- 478 00:10:41,533 --> 00:10:42,567 YOU GOT TO WATCH ME. 479 00:10:42,567 --> 00:10:43,333 BITCH, I'LL KICK YOU DEAD 480 00:10:43,333 --> 00:10:44,033 IN YOUR BRACES. 481 00:10:44,033 --> 00:10:44,767 WATCH YOUR MOTHER[bleep] 482 00:10:44,767 --> 00:10:46,767 PIEHOLE. 483 00:10:52,200 --> 00:10:56,300 * I WANT TO GO 484 00:10:56,300 --> 00:10:57,967 ♪ WITH YOU 485 00:10:57,967 --> 00:10:59,767 ♪ TO THE END 486 00:10:59,767 --> 00:11:03,667 ♪ I WANT TO KNOW 487 00:11:03,667 --> 00:11:04,367 ♪ THAT YOU'RE HERE ♪ 488 00:11:04,367 --> 00:11:05,667 TONIGHT I'M HOSTING A FASHION 489 00:11:05,667 --> 00:11:07,367 EVENT WITH RAFAEL COX, AND I 490 00:11:07,367 --> 00:11:08,900 DECIDED TO INVITE SHAY ALONG. 491 00:11:08,900 --> 00:11:10,233 THE LAST TIME HER AND I TALKED, 492 00:11:10,233 --> 00:11:11,500 WE HAD A HEART-TO-HEART ABOUT 493 00:11:11,500 --> 00:11:13,133 HER MOVING ON FROM SCRAPPY, AND 494 00:11:13,133 --> 00:11:14,267 THIS IS THE PERFECT EVENT FOR 495 00:11:14,267 --> 00:11:14,933 HER TO TRY IT OUT. 496 00:11:14,933 --> 00:11:17,200 SO I HAVE THE PLEASURE OF 497 00:11:17,200 --> 00:11:19,200 INTRODUCING DESIGNER 498 00:11:19,200 --> 00:11:21,400 RAFAEL COX'S NEW COLLECTION 499 00:11:21,400 --> 00:11:23,267 CALLED REDEMPTION. 500 00:11:23,267 --> 00:11:26,233 [cheers and applause] 501 00:11:26,233 --> 00:11:27,233 [energetic electronic music] 502 00:11:27,233 --> 00:11:35,167 ♪ 503 00:11:35,167 --> 00:11:36,067 * YEAH, UNTIL THE SUN 504 00:11:36,067 --> 00:11:36,800 ♪ BURNS OUT 505 00:11:36,800 --> 00:11:37,733 ♪ UH, UNTIL THE WHEELS 506 00:11:37,733 --> 00:11:38,800 ♪ FALL OFF 507 00:11:38,800 --> 00:11:40,600 ♪ YEAH, AND EVEN IF I GO BROKE 508 00:11:40,600 --> 00:11:41,600 ♪ THEN I'M LOVING YOU ♪ 509 00:11:41,600 --> 00:11:42,500 ♪ WITHOUT CAUTION 510 00:11:42,500 --> 00:11:44,067 ♪ YOU'RE ON MY MIND, MIND ♪ 511 00:11:44,067 --> 00:11:45,067 ♪ IT'S LIKE YOUR FACE ♪ 512 00:11:45,067 --> 00:11:45,967 ♪ IS ALL THAT I SEE 513 00:11:45,967 --> 00:11:47,967 ♪ GIRL, ALL THE TIME, TIME 514 00:11:47,967 --> 00:11:48,867 ♪ I SWEAR YOUR LOVE 515 00:11:48,867 --> 00:11:50,367 ♪ IS ALL THAT I NEED 516 00:11:50,367 --> 00:11:51,967 ♪ TELL ME WHAT YOU LIKE 517 00:11:51,967 --> 00:11:55,467 ♪ WHERE YOU WANT TO GO 518 00:11:55,467 --> 00:11:56,633 I WANT EVERYBODY TO PUT YOUR 519 00:11:56,633 --> 00:11:57,800 HANDS TOGETHER FOR RAFAEL. 520 00:11:57,800 --> 00:11:59,600 [cheers and applause] 521 00:11:59,600 --> 00:12:02,500 * TO THE END 522 00:12:02,500 --> 00:12:03,767 WHEN I SAW SCRAPPY'S BABY MOM 523 00:12:03,767 --> 00:12:05,200 AS ONE OF THE SO-CALLED MODELS 524 00:12:05,200 --> 00:12:06,233 WITH THE PRONE STOMACH COMING 525 00:12:06,233 --> 00:12:07,300 OUT WALKING THE CATWALK, 526 00:12:07,300 --> 00:12:08,933 I WAS REALLY TRIPPING BECAUSE 527 00:12:08,933 --> 00:12:09,733 I DIDN'T WANT TO REALLY 528 00:12:09,733 --> 00:12:10,400 RUN INTO HER HERE. 529 00:12:10,400 --> 00:12:11,400 I'M HERE TO SUPPORT TRACI, 530 00:12:11,400 --> 00:12:12,067 AND THAT'S IT. 531 00:12:12,067 --> 00:12:12,867 BUT IT IS WHAT IT IS. 532 00:12:12,867 --> 00:12:14,067 IF IT GO DOWN, IT GO DOWN. 533 00:12:14,067 --> 00:12:14,800 THIS WAS HOT. 534 00:12:14,800 --> 00:12:15,500 I'M GLAD YOU CAME. 535 00:12:15,500 --> 00:12:17,667 I HAD NO IDEA 536 00:12:17,667 --> 00:12:19,867 SUCH AND SUCH WAS GONNA BE HERE. 537 00:12:19,867 --> 00:12:21,133 YEAH, I WANTED TO GO SAY HI. 538 00:12:21,133 --> 00:12:22,267 I JUST KNOW THAT THERE WAS A 539 00:12:22,267 --> 00:12:23,633 LITTLE TENSION, AND SHE SAID A 540 00:12:23,633 --> 00:12:24,367 COUPLE THINGS ABOUT ME-- 541 00:12:24,367 --> 00:12:25,300 HOW DO WE STOP THAT? 542 00:12:25,300 --> 00:12:26,433 HOW DO WE STOP THE TENSION? 543 00:12:26,433 --> 00:12:27,233 WELL, EVENTUALLY, I THINK 544 00:12:27,233 --> 00:12:27,967 IT'S GONNA HAVE TO BE A 545 00:12:27,967 --> 00:12:29,400 CONVERSATION, BECAUSE SHE GETS 546 00:12:29,400 --> 00:12:32,067 HER INFORMATION FROM SCRAPPY. 547 00:12:32,067 --> 00:12:33,500 HAVE YOU SEEN HIM? 548 00:12:33,500 --> 00:12:34,300 SCRAPPY? 549 00:12:34,300 --> 00:12:35,467 YEAH. 550 00:12:35,467 --> 00:12:36,733 WHEN DID YOU SEE HIM? 551 00:12:36,733 --> 00:12:40,133 WE MET UP. 552 00:12:40,133 --> 00:12:41,067 THAT'S IT? 553 00:12:41,067 --> 00:12:41,933 [laughs] 554 00:12:41,933 --> 00:12:42,600 YOU MET UP? 555 00:12:42,600 --> 00:12:43,267 YEAH. 556 00:12:43,267 --> 00:12:44,600 FOR WHAT? FOR BREAKFAST? 557 00:12:44,600 --> 00:12:45,267 [laughs] 558 00:12:45,267 --> 00:12:46,367 IT'S LIKE WE HAD THIS 559 00:12:46,367 --> 00:12:47,467 CONNECTION THAT IS 560 00:12:47,467 --> 00:12:48,867 UNFORGETTABLE. 561 00:12:48,867 --> 00:12:51,267 I THINK Y'ALL SHOULD TALK. 562 00:12:51,267 --> 00:12:52,300 WHAT IS THE POINT OF THAT? 563 00:12:52,300 --> 00:12:53,967 JUST BECAUSE YOU ARE BEING AN 564 00:12:53,967 --> 00:12:55,067 ADULT AND YOU'RE SHOWING HER 565 00:12:55,067 --> 00:12:55,967 THAT YOU DON'T HAVE NO PROBLEM-- 566 00:12:55,967 --> 00:12:57,233 I'M HERE AS AN ADULT FOR YOU 567 00:12:57,233 --> 00:12:57,900 JUST AS A FRIEND. 568 00:12:57,900 --> 00:12:59,067 AND I THINK FOR YOU TO HAVE-- 569 00:12:59,067 --> 00:13:00,067 HEY, GIRL. 570 00:13:00,067 --> 00:13:01,167 GOOD JOB. 571 00:13:01,167 --> 00:13:02,200 HOW ARE YOU? 572 00:13:02,200 --> 00:13:03,300 I'M GOOD. HOW ARE YOU? 573 00:13:03,300 --> 00:13:04,167 YOU DID A GREAT JOB. 574 00:13:04,167 --> 00:13:04,833 THANK YOU. 575 00:13:04,833 --> 00:13:05,833 AND I WAS TELLING SHAY THAT 576 00:13:05,833 --> 00:13:07,267 YOU'RE HERE AND THAT SHE SHOULD 577 00:13:07,267 --> 00:13:08,867 COME SAY HIS TO YOU JUST TO-- 578 00:13:08,867 --> 00:13:10,067 I CAME OVER TO SPEAK TO YOU. 579 00:13:10,067 --> 00:13:11,600 I CAME TO SAY HEY TO YOU. 580 00:13:11,600 --> 00:13:14,067 WELL, I APPRECIATE YOU COMING 581 00:13:14,067 --> 00:13:15,467 OVER HERE AND SPEAKING-- 582 00:13:15,467 --> 00:13:16,133 AND STOP. 583 00:13:16,133 --> 00:13:16,867 YOU LOOK GOOD. 584 00:13:16,867 --> 00:13:17,700 COMING OVER--THANK YOU. 585 00:13:17,700 --> 00:13:18,367 I MEAN, PEOPLE-- 586 00:13:18,367 --> 00:13:19,100 YOU WALKED OUT AND THEY WAS 587 00:13:19,100 --> 00:13:20,300 LIKE, "AH!" 588 00:13:20,300 --> 00:13:21,200 [laughs] 589 00:13:21,200 --> 00:13:21,900 I DO MY THANG. 590 00:13:21,900 --> 00:13:22,600 SO YOU DID A GREAT JOB. 591 00:13:22,600 --> 00:13:23,267 THANK YOU. 592 00:13:23,267 --> 00:13:24,200 AND I WAS TELLING SOMEBODY, 593 00:13:24,200 --> 00:13:26,267 LIKE, ERICA HAS A KID, AND I'M A 594 00:13:26,267 --> 00:13:27,067 SINGLE MOTHER, AND YOU'RE A 595 00:13:27,067 --> 00:13:27,700 SINGLE MOTHER. 596 00:13:27,700 --> 00:13:28,867 I THINK THAT WE SHOULD, I DON'T 597 00:13:28,867 --> 00:13:29,533 KNOW, JUST GO TO LUNCH 598 00:13:29,533 --> 00:13:30,200 AND JUST TALK. 599 00:13:30,200 --> 00:13:31,100 I HAVE TWO EYES. 600 00:13:31,100 --> 00:13:32,733 SO I CAN SE SHAY'S NOT EXACTLY 601 00:13:32,733 --> 00:13:34,200 COMFORTABLE IN MY PRESENCE. 602 00:13:34,200 --> 00:13:35,567 BUT I'M NOT HERE TO DO ALL THAT. 603 00:13:35,567 --> 00:13:37,167 IF YOU WANT TO ADDRESS ME, YOU 604 00:13:37,167 --> 00:13:38,800 CAN FIND ME SOME OTHER PLACE, 605 00:13:38,800 --> 00:13:40,067 SOME OTHER TIME. 606 00:13:40,067 --> 00:13:41,167 OKAY, WELL, I'LL SEE YOU LATER. 607 00:13:41,167 --> 00:13:41,833 JUST CAME TO SAY HEY. 608 00:13:41,833 --> 00:13:42,500 THANK YOU, HONEY. 609 00:13:42,500 --> 00:13:43,400 OKAY. 610 00:13:43,400 --> 00:13:44,900 I'LL SEE YOU. 611 00:13:44,900 --> 00:13:46,467 YOU DID GOOD. 612 00:13:46,467 --> 00:13:47,767 YEAH, BUT-- 613 00:13:47,767 --> 00:13:48,433 I LET IT GO. 614 00:13:48,433 --> 00:13:50,967 DONE. 615 00:13:50,967 --> 00:13:51,967 [energetic electronic music] 616 00:13:51,967 --> 00:13:55,867 ♪ 617 00:13:55,867 --> 00:13:56,667 YOU LOOK NICE. 618 00:13:56,667 --> 00:13:57,333 THANK YOU. 619 00:13:57,333 --> 00:13:58,267 YOU RUN OUT OF BREATH? 620 00:13:58,267 --> 00:13:59,067 YEAH, I WAS WORKING OUT, 621 00:13:59,067 --> 00:13:59,700 YOU KNOW WHAT I MEAN? 622 00:13:59,700 --> 00:14:00,567 WHAT'S UP WITH YOU? 623 00:14:00,567 --> 00:14:01,233 NOTHING, YOU KNOW. 624 00:14:01,233 --> 00:14:02,100 YOU SMELL LIKE CIGARETTES. 625 00:14:02,100 --> 00:14:02,933 YOU BEEN SMOKING CIGARETTES? 626 00:14:02,933 --> 00:14:03,600 I DON'T SMELL LIKE 627 00:14:03,600 --> 00:14:04,267 CIGARETTES. 628 00:14:04,267 --> 00:14:05,067 YOU SMOKING CIGARETTES? 629 00:14:05,067 --> 00:14:05,733 NO. 630 00:14:05,733 --> 00:14:06,400 HUH? 631 00:14:06,400 --> 00:14:08,867 NO, I JUST CAME FROM OUTSIDE. 632 00:14:08,867 --> 00:14:10,067 I WANT TO INTRODUCE YOU TO 633 00:14:10,067 --> 00:14:10,933 YOUR NEW BOYFRIEND. 634 00:14:10,933 --> 00:14:12,700 WHO IS HE? 635 00:14:12,700 --> 00:14:13,833 TOMMY TREADMILL. 636 00:14:13,833 --> 00:14:15,333 WHAT I GOT TO DO? 637 00:14:15,333 --> 00:14:16,633 I THINK CHE' MACK IS COOL, 638 00:14:16,633 --> 00:14:18,100 A LITTLE OLD-FASHION, BUT YOU 639 00:14:18,100 --> 00:14:19,433 KNOW, I CAN WHIP HER INTO SHAPE. 640 00:14:19,433 --> 00:14:20,967 BUT THERE'S JUST ONE PROBLEM. 641 00:14:20,967 --> 00:14:21,833 I DON'T WANT TO PISS OFF 642 00:14:21,833 --> 00:14:23,500 JOSELINE, SO I JUST WANT THEM TO 643 00:14:23,500 --> 00:14:25,133 MAKE A NICE LITTLE INTRODUCTION. 644 00:14:25,133 --> 00:14:27,067 GOOD GUY STYLE. 645 00:14:27,067 --> 00:14:28,467 ARE YOU READY FOR ME YET? 646 00:14:28,467 --> 00:14:29,467 YOU KNOW I GOT A LITTLE 647 00:14:29,467 --> 00:14:30,467 SITUATION, RIGHT? 648 00:14:30,467 --> 00:14:32,533 THAT HAS NOTHING TO DO 649 00:14:32,533 --> 00:14:34,433 WITH ME. 650 00:14:34,433 --> 00:14:35,100 IT DOES. 651 00:14:35,100 --> 00:14:36,400 IT DOESN'T UNLESS YOU 652 00:14:36,400 --> 00:14:37,067 MAKE IT. 653 00:14:37,067 --> 00:14:38,533 I'M NOT TRYING TO BE THE 654 00:14:38,533 --> 00:14:39,667 [bleep] HURTING--RUNNING AROUND 655 00:14:39,667 --> 00:14:40,767 JUST HURTING CHICKS. 656 00:14:40,767 --> 00:14:41,833 THAT'S NOT COOL. 657 00:14:41,833 --> 00:14:43,100 I DON'T WANT THAT ON MY BACK NO 658 00:14:43,100 --> 00:14:43,967 MORE, YOU KNOW WHAT I'M SAYING? 659 00:14:43,967 --> 00:14:45,067 SO IF I'MA DO SOMETHING, 660 00:14:45,067 --> 00:14:45,933 THEN I JUST WANT TO DO IT RIGHT. 661 00:14:45,933 --> 00:14:46,667 MA, NOW, SEE, YOU GOT TO 662 00:14:46,667 --> 00:14:47,667 RESPECT THAT. 663 00:14:47,667 --> 00:14:49,167 I AIN'T EVEN SMELL YOUR NECK, 664 00:14:49,167 --> 00:14:51,067 LET ALONE [bleep] YOUR [bleep]. 665 00:14:51,067 --> 00:14:51,667 YEAH. 666 00:14:51,667 --> 00:14:52,400 COME ON, DON'T PUT THAT 667 00:14:52,400 --> 00:14:53,067 ON ME. 668 00:14:53,067 --> 00:14:53,900 I DON'T WANT TO HURT HER, 669 00:14:53,900 --> 00:14:54,633 YOU KNOW WHAT I'M SAYING? 670 00:14:54,633 --> 00:14:55,433 WHY, THOUGH? 671 00:14:55,433 --> 00:14:56,467 IT'S NOT WHAT I'M INTO. 672 00:14:56,467 --> 00:14:57,267 YOU'RE NOT HURT-- 673 00:14:57,267 --> 00:14:58,533 HURTING HER HOW? 674 00:14:58,533 --> 00:14:59,867 IF SHE KNEW I WAS HERE, IF 675 00:14:59,867 --> 00:15:01,633 SHE KNEW I CAME TO YOUR HOUSE, 676 00:15:01,633 --> 00:15:02,567 YOU KNOW WHAT I'M SAYING? 677 00:15:02,567 --> 00:15:04,167 YO, YOU REALLY BUGGING, MAN. 678 00:15:04,167 --> 00:15:04,833 LIKE, DO YOU LOVE HER 679 00:15:04,833 --> 00:15:05,500 OR SOMETHING? 680 00:15:05,500 --> 00:15:06,300 YOU LOVE HER? 681 00:15:06,300 --> 00:15:07,233 ARE YOU IN LOVE WITH HER? 682 00:15:07,233 --> 00:15:08,067 I LOVE HER, YEAH. 683 00:15:08,067 --> 00:15:08,800 ARE YOU IN LOVE WITH HER? 684 00:15:08,800 --> 00:15:09,467 I LOVE HER. 685 00:15:09,467 --> 00:15:10,200 ARE YOU IN LOVE? 686 00:15:10,200 --> 00:15:11,067 I LOVE HER. 687 00:15:11,067 --> 00:15:11,800 THAT'S NOT ANSWERING MY 688 00:15:11,800 --> 00:15:12,467 QUESTION. 689 00:15:12,467 --> 00:15:13,500 I SAID ARE-- 690 00:15:13,500 --> 00:15:14,200 WE BUILDING SOMETHING 691 00:15:14,200 --> 00:15:14,900 FANTASTIC. 692 00:15:14,900 --> 00:15:15,900 JUST HEAR ME OUT, BABY. 693 00:15:15,900 --> 00:15:17,367 ARE YOU WILLING TO SIT DOWN AND 694 00:15:17,367 --> 00:15:18,400 HAVE A CONVERSATION SO WE CAN 695 00:15:18,400 --> 00:15:19,533 FIND OUT WHAT THE NEXT LEVEL-- 696 00:15:19,533 --> 00:15:20,467 WHAT WE DOING? 697 00:15:20,467 --> 00:15:21,333 WHAT DO YOU WANT ME TO SAY? 698 00:15:21,333 --> 00:15:22,300 I WANT YOU TO SAY, "I AIN'T 699 00:15:22,300 --> 00:15:23,233 GOT NO PROBLEM WITH YOU, BAH, 700 00:15:23,233 --> 00:15:25,233 BAH, BAH, UH, UH, LET'S WORK." 701 00:15:25,233 --> 00:15:26,067 YOU KNOW WHAT I'M SAYING? 702 00:15:26,067 --> 00:15:27,200 I MEAN, YEAH, I'LL SIT DOWN 703 00:15:27,200 --> 00:15:28,167 AND TALK TO HER, 704 00:15:28,167 --> 00:15:28,833 BUT SHE GOT TO-- 705 00:15:28,833 --> 00:15:30,533 AH, AH, DON'T SAY "BUT." 706 00:15:30,533 --> 00:15:32,133 DON'T--IF YOU SAY "BUT," THEN 707 00:15:32,133 --> 00:15:32,833 YOU TOTALLY NEGATE 708 00:15:32,833 --> 00:15:33,567 ANYTHING YOU SAID. 709 00:15:33,567 --> 00:15:34,400 ALL RIGHT, I'MA TALK TO HER. 710 00:15:34,400 --> 00:15:35,067 ALL RIGHT, COOL. 711 00:15:35,067 --> 00:15:35,733 SHE GOT TO CHOSE. 712 00:15:35,733 --> 00:15:36,400 IT'S SIMPLE. 713 00:15:36,400 --> 00:15:37,233 SO LET'S GET IT, MA. 714 00:15:37,233 --> 00:15:38,767 YOU GO AHEAD AND GET WITH YOUR 715 00:15:38,767 --> 00:15:40,233 MAN HERE. 716 00:15:40,233 --> 00:15:41,067 ALL RIGHT? 717 00:15:41,067 --> 00:15:41,900 ALL RIGHT. 718 00:15:41,900 --> 00:15:43,900 SEE YOU LATER, BABY. 719 00:15:45,367 --> 00:15:46,367 [rock music] 720 00:15:46,367 --> 00:15:53,467 ♪ 721 00:15:53,467 --> 00:15:54,600 I REALLY DON'T LIKE BEING 722 00:15:54,600 --> 00:15:56,133 HOME RIGHT NOW 'CAUSE IT'S REAL 723 00:15:56,133 --> 00:15:57,100 TENSE IN THE PLACE. 724 00:15:57,100 --> 00:15:58,367 BUT WHEN ZINO HIT ME UP AND SAY, 725 00:15:58,367 --> 00:15:59,433 "YO, I JUST CLOSED THE DEAL. 726 00:15:59,433 --> 00:16:00,333 I'MA HAVE A PARTY. 727 00:16:00,333 --> 00:16:01,367 I'MA HAVE STRIPPERS AND ALL 728 00:16:01,367 --> 00:16:02,333 THAT," I'M LIKE, "YO, YOU AIN'T 729 00:16:02,333 --> 00:16:03,500 GOT TO TWIST MY ARM. 730 00:16:03,500 --> 00:16:04,200 HERE I COME. 731 00:16:04,200 --> 00:16:05,267 LET'S GET IT." 732 00:16:05,267 --> 00:16:05,933 WHAT HAPPENED? 733 00:16:05,933 --> 00:16:07,133 I MEAN, FROM THE LAST TIME WE 734 00:16:07,133 --> 00:16:07,833 TALKED, YOU KNOW WHAT I'M 735 00:16:07,833 --> 00:16:08,667 SAYING, HOW DID IT GO? 736 00:16:08,667 --> 00:16:09,733 WE TALKED FOR A MINUTE, THEN 737 00:16:09,733 --> 00:16:11,467 SHE GETS TO THE BOMB DROPPER, 738 00:16:11,467 --> 00:16:12,133 TO BE HONEST WITH YOU. 739 00:16:12,133 --> 00:16:15,133 SHE TELL ME, "YO, I'M PREGNANT." 740 00:16:17,067 --> 00:16:18,467 AND I'M SITTING HERE LIKE, 741 00:16:18,467 --> 00:16:20,700 "ON THE REAL, YO?" 742 00:16:20,700 --> 00:16:21,367 I KNOW-- 743 00:16:21,367 --> 00:16:22,467 YO, B, WE MIGHT NEED SOME 744 00:16:22,467 --> 00:16:23,933 MORE DRINKS OVER HERE, BABY. 745 00:16:23,933 --> 00:16:25,533 WE NEED EVERYTHING. 746 00:16:25,533 --> 00:16:27,667 I'M LIKE, "I KNOW YOU [bleep] 747 00:16:27,667 --> 00:16:28,667 WITH ME RIGHT NOW." 748 00:16:28,667 --> 00:16:29,633 AND I'M SITTING HERE LIKE, 749 00:16:29,633 --> 00:16:31,267 "LISTEN, I BEEN RAISING MY SON 750 00:16:31,267 --> 00:16:32,233 FOR 22 YEARS. 751 00:16:32,233 --> 00:16:33,700 WE HAPPY ABOUT BEING ABLE 752 00:16:33,700 --> 00:16:34,433 TO MOVE ON." 753 00:16:34,433 --> 00:16:36,400 AND FOR HER TO POP THIS UP-- 754 00:16:36,400 --> 00:16:37,533 'CAUSE WHEN SHE STOPPED TAKING 755 00:16:37,533 --> 00:16:38,800 THE PILL, SAID, "MY BODY NEED A 756 00:16:38,800 --> 00:16:39,933 BREAK," AND I REALLY WAS KIND 757 00:16:39,933 --> 00:16:40,600 OF WAS LIKE, "I DON'T--" 758 00:16:40,600 --> 00:16:42,067 BUT YOU DON'T REMEMBER THAT? 759 00:16:42,067 --> 00:16:43,067 I MEAN, YOU GOT TO SEE THIS. 760 00:16:43,067 --> 00:16:44,600 SHE GAVE YOU THE SIGN. 761 00:16:44,600 --> 00:16:45,733 "MY BODY NEED A BREAK." 762 00:16:45,733 --> 00:16:46,800 THAT WAS--IN OTHER WORDS... 763 00:16:46,800 --> 00:16:48,300 OKAY, AND HERE'S MY POINT. 764 00:16:48,300 --> 00:16:48,967 NO MORE PILL, 765 00:16:48,967 --> 00:16:49,767 YOU KNOW WHAT I'M SAYING? 766 00:16:49,767 --> 00:16:50,667 WE BEEN USING CONDOMS, AND I 767 00:16:50,667 --> 00:16:51,967 BEEN TAKING IT OUT, YOU GET WHAT 768 00:16:51,967 --> 00:16:52,633 I'M SAYING? 769 00:16:52,633 --> 00:16:54,167 NO, HOLD ON, HOLD ON, NO, NO. 770 00:16:54,167 --> 00:16:54,833 WITH THE WIFE. 771 00:16:54,833 --> 00:16:55,700 THE FIRST PART I UNDERSTAND, 772 00:16:55,700 --> 00:16:56,567 RIGHT? 773 00:16:56,567 --> 00:16:57,867 BUT THE SECOND PART, WHAT DO YOU 774 00:16:57,867 --> 00:16:58,933 MEAN, TAKING IT OUT? 775 00:16:58,933 --> 00:17:00,133 WHEN I GETTING READY TO 776 00:17:00,133 --> 00:17:01,733 [bleep], I TAKE IT OUT. 777 00:17:01,733 --> 00:17:03,067 MAN, LISTEN. 778 00:17:03,067 --> 00:17:04,233 YOU HEARD OF PRE-[bleep]? 779 00:17:04,233 --> 00:17:05,267 YOU MIGHT HAVE HAD THAT-- 780 00:17:05,267 --> 00:17:05,933 THAT'S THE SAME-- 781 00:17:05,933 --> 00:17:06,633 LISTEN, YOU GOT TO HAVE 782 00:17:06,633 --> 00:17:07,533 SUPER SPERM. 783 00:17:07,533 --> 00:17:08,367 IT ONLY TAKE ONE LITTLE-- 784 00:17:08,367 --> 00:17:09,633 LIKE, THERE'S 7 MILLION OF THEM. 785 00:17:09,633 --> 00:17:10,900 IT ONLY TAKE ONE. 786 00:17:10,900 --> 00:17:12,067 ONE. 787 00:17:12,067 --> 00:17:12,800 BUT--BUT-- 788 00:17:12,800 --> 00:17:13,667 YOU CAN'T--THERE'S NO MORE 789 00:17:13,667 --> 00:17:14,333 TAKE IT OUT. 790 00:17:14,333 --> 00:17:15,967 MAN, TAKING OUT WAS IN THE 791 00:17:15,967 --> 00:17:18,067 '80s, '90s, YOU KNOW WHAT I'M 792 00:17:18,067 --> 00:17:18,667 SAYING? 793 00:17:18,667 --> 00:17:19,333 WHAT Y'ALL GONNA DO? 794 00:17:19,333 --> 00:17:20,067 I MEAN... 795 00:17:20,067 --> 00:17:23,133 IF--IF--IF THIS WASN'T MY 796 00:17:23,133 --> 00:17:26,600 WIFE, SHE'D BE HAVING AN A.B. 797 00:17:26,600 --> 00:17:27,700 SHE'D BE HAVING AN ABORTION 798 00:17:27,700 --> 00:17:28,633 RIGHT NOW 'CAUSE I AIN'T 799 00:17:28,633 --> 00:17:29,367 READY FOR IT. 800 00:17:29,367 --> 00:17:30,067 I'M BEING HONEST. 801 00:17:30,067 --> 00:17:30,700 THIS IS LIKE-- 802 00:17:30,700 --> 00:17:31,367 THIS IS TOO DEEP. 803 00:17:31,367 --> 00:17:32,067 THIS IS... 804 00:17:32,067 --> 00:17:33,100 NO, I'M JUST SAYING FOR REAL, 805 00:17:33,100 --> 00:17:34,067 YO. 806 00:17:34,067 --> 00:17:35,333 EVERYTHING THAT'S GOING ON RIGHT 807 00:17:35,333 --> 00:17:36,100 NOW-- 808 00:17:36,100 --> 00:17:36,767 YO, I GOT TO SIT DOWN 809 00:17:36,767 --> 00:17:37,600 WITH THIS. 810 00:17:37,600 --> 00:17:38,400 THIS AIN'T WHAT I WAS 811 00:17:38,400 --> 00:17:39,367 PREPARED FOR. 812 00:17:39,367 --> 00:17:40,433 WHEN I INVITED KIRK OVER TO 813 00:17:40,433 --> 00:17:41,300 COME CHILL WITH ME AND THE 814 00:17:41,300 --> 00:17:42,700 LADIES, I THOUGHT HE WAS GONNA 815 00:17:42,700 --> 00:17:44,133 COME, LIKE, YOU KNOW, SIT BACK, 816 00:17:44,133 --> 00:17:45,367 RELAX, HAVE A DRINK. 817 00:17:45,367 --> 00:17:47,333 BUT IT'S LIKE, HE'S COMING OVER 818 00:17:47,333 --> 00:17:50,133 WITH ABORTIONS AND PULLING OUT, 819 00:17:50,133 --> 00:17:51,933 AND IT'S LIKE, OH, MAN, NAH. 820 00:17:51,933 --> 00:17:52,933 LIKE, I DON'T EVEN WANT TO HEAR 821 00:17:52,933 --> 00:17:53,600 NONE OF THAT. 822 00:17:53,600 --> 00:17:54,867 IF YOU WAS IN MY SHOES RIGHT 823 00:17:54,867 --> 00:17:55,733 NOW IN THE HOUSEHOLD-- 824 00:17:55,733 --> 00:17:56,967 WELL, I MEAN, LISTEN-- 825 00:17:56,967 --> 00:17:58,333 THE ATTITUDE, THE BITCHING 826 00:17:58,333 --> 00:17:59,067 BACK AND FORTH-- 827 00:17:59,067 --> 00:17:59,833 BUT YOU GOT TO PUT YOURSELF 828 00:17:59,833 --> 00:18:01,833 IN HER HIGH HEELS FOR A MINUTE. 829 00:18:01,833 --> 00:18:04,467 ABORTION IS--THAT'S NOT A EASY 830 00:18:04,467 --> 00:18:05,967 THING FOR WOMEN TO GO THROUGH. 831 00:18:05,967 --> 00:18:07,267 AT THE END OF THE DAY, YOU'RE 832 00:18:07,267 --> 00:18:08,333 GONNA HAVE TO REALLY BE THERE 833 00:18:08,333 --> 00:18:09,067 FOR HER. 834 00:18:09,067 --> 00:18:09,933 SHE NEED TO LOOK AT WHERE SHE 835 00:18:09,933 --> 00:18:10,700 TRYING TO GO. 836 00:18:10,700 --> 00:18:11,533 HEY, IF Y'ALL KEEP IT, I 837 00:18:11,533 --> 00:18:13,067 WANT TO BE THE GODFATHER. 838 00:18:13,067 --> 00:18:15,367 I'D BE A GREAT GODFATHER, YO. 839 00:18:15,367 --> 00:18:16,333 LOOK, LOOK, YOU HAVE TO GO 840 00:18:16,333 --> 00:18:17,067 TALK WITH HER, KIRK. 841 00:18:17,067 --> 00:18:17,833 THERE'S NO OTHER WAY. 842 00:18:17,833 --> 00:18:18,733 YOU'RE GONNA HAVE TO COME UP 843 00:18:18,733 --> 00:18:20,133 WITH SOME TYPE OF DECISION. 844 00:18:20,133 --> 00:18:21,200 WHATEVER THE DECISION IS, 845 00:18:21,200 --> 00:18:22,667 YOU KNOW I GOT YOUR BACK. 846 00:18:22,667 --> 00:18:23,633 YOU KNOW WHAT I'M SAYING? 847 00:18:23,633 --> 00:18:24,633 LET'S TOAST TO THE PULLOUT 848 00:18:24,633 --> 00:18:25,800 ASSASSIN KIRK FROST. 849 00:18:25,800 --> 00:18:27,933 [laughter] 850 00:18:27,933 --> 00:18:28,933 THAT DIDN'T WORK. 851 00:18:28,933 --> 00:18:30,933 [laughs] 852 00:18:31,867 --> 00:18:32,900 SO YOU NEVER GONNA DO A SONG 853 00:18:32,900 --> 00:18:33,567 WITH ME, JOSELINE? 854 00:18:33,567 --> 00:18:34,633 THIS CONVERSATION IS OVER, 855 00:18:34,633 --> 00:18:35,833 'CAUSE FOR REAL, I DON'T NEED TO 856 00:18:35,833 --> 00:18:36,867 WASTE MY TIME WITH Y'ALL. 857 00:18:36,867 --> 00:18:37,733 ALL RIGHT, I'LL HAVE MY 858 00:18:37,733 --> 00:18:38,700 PEOPLE CALL YOUR PEOPLE. 859 00:18:38,700 --> 00:18:39,767 YOU SOUND STUPID, AND YOU 860 00:18:39,767 --> 00:18:40,800 SOUND A MESS, BITCH. 861 00:18:40,800 --> 00:18:42,800 TIC-TAC-TOE. 862 00:18:53,400 --> 00:18:54,233 SO I'VE BEEN MEETING WITH 863 00:18:54,233 --> 00:18:55,500 CONTRACTORS ABOUT THE BUILD-OUT 864 00:18:55,500 --> 00:18:57,067 OF THE STORE, BUT THERE'S ONE 865 00:18:57,067 --> 00:18:57,833 THING MISSING: 866 00:18:57,833 --> 00:18:58,900 TRACI'S HALF. 867 00:18:58,900 --> 00:19:02,167 TRACI, SHOW ME THE MONEY. 868 00:19:02,167 --> 00:19:03,067 WHAT KIND OF PERMITS DO YOU 869 00:19:03,067 --> 00:19:03,933 NEED FOR THE BUILD-OUT? 870 00:19:03,933 --> 00:19:05,067 GO TO THE CITY, PULL THE 871 00:19:05,067 --> 00:19:06,333 PERMITS, AND JUST MAKE SURE. 872 00:19:06,333 --> 00:19:08,067 YEAH, 'CAUSE WE GOT THE 873 00:19:08,067 --> 00:19:09,067 LICENSE AND ALL THAT STUFF, 874 00:19:09,067 --> 00:19:09,833 SO... 875 00:19:09,833 --> 00:19:10,533 WHAT UP? 876 00:19:10,533 --> 00:19:11,333 HI, HELLO. 877 00:19:11,333 --> 00:19:12,667 I SEE YOU GOT AN ENVELOPE. 878 00:19:12,667 --> 00:19:14,500 I GOT SOMETHING. 879 00:19:14,500 --> 00:19:16,067 I GOT SOMETHING ELSE. 880 00:19:16,067 --> 00:19:16,667 I'M CONFUSED. 881 00:19:16,667 --> 00:19:17,900 WHAT'S GOING ON RIGHT NOW? 882 00:19:17,900 --> 00:19:19,233 WELL, I WANTED TO BRING 883 00:19:19,233 --> 00:19:20,900 SOMEONE WHO I FEEL LIKE WILL DO 884 00:19:20,900 --> 00:19:23,167 A GREAT JOB AND HE'LL BE ABLE TO 885 00:19:23,167 --> 00:19:24,900 REALLY HELP YOU WITH THE STORE. 886 00:19:24,900 --> 00:19:25,633 WAIT, HOW YOU GONNA HAVE 887 00:19:25,633 --> 00:19:26,367 A WHOLE INTERVIEW PROCESS 888 00:19:26,367 --> 00:19:27,067 WITHOUT ME? 889 00:19:27,067 --> 00:19:27,700 LIKE, I DON'T EVEN... 890 00:19:27,700 --> 00:19:29,700 I JUST FELT LIKE IT WOULD GO 891 00:19:29,700 --> 00:19:31,167 SMOOTHER WITHOUT YOU, AND YOU 892 00:19:31,167 --> 00:19:32,500 HAVE A LOT ON YOUR PLATE, SO I 893 00:19:32,500 --> 00:19:33,700 DID AN INTERVIEW PROCESS, 894 00:19:33,700 --> 00:19:35,067 I FOUND THE BEST CANDIDATE, 895 00:19:35,067 --> 00:19:36,267 AND I BROUGHT THE BEST CANDIDATE 896 00:19:36,267 --> 00:19:37,067 TO YOU. 897 00:19:37,067 --> 00:19:38,300 I'M FINALLY READY TO INVEST WITH 898 00:19:38,300 --> 00:19:39,800 DREW BUT ON MY TERMS. 899 00:19:39,800 --> 00:19:41,367 I'M TIRED OF HIM NOT TAKING THIS 900 00:19:41,367 --> 00:19:42,300 PROCESS SERIOUSLY. 901 00:19:42,300 --> 00:19:44,133 HE'D RATHER INTERVIEW GROUPIE 902 00:19:44,133 --> 00:19:45,900 HOS THAN INTERVIEW QUALIFIED 903 00:19:45,900 --> 00:19:46,800 CANDIDATES. 904 00:19:46,800 --> 00:19:49,133 THAT ALL CHANGES STARTING TODAY. 905 00:19:49,133 --> 00:19:49,800 YOU SERIOUS? 906 00:19:49,800 --> 00:19:50,733 I'M SERIOUS. 907 00:19:50,733 --> 00:19:51,867 THAT LAST INTERVIEW WAS 908 00:19:51,867 --> 00:19:52,633 HORRIBLE. 909 00:19:52,633 --> 00:19:53,400 IT WENT TO THE LEFT-- 910 00:19:53,400 --> 00:19:54,267 I DON'T AGREE IT WAS 911 00:19:54,267 --> 00:19:54,933 HORRIBLE. 912 00:19:54,933 --> 00:19:55,600 THE GIRLS LOOKED GOOD. 913 00:19:55,600 --> 00:19:56,733 THEY WERE... 914 00:19:56,733 --> 00:19:57,533 THEY WERE PRETTY. 915 00:19:57,533 --> 00:19:58,533 THEY JUST DIDN'T BRING RESUMES. 916 00:19:58,533 --> 00:20:00,067 ALL YOU HAD WAS MODEL HOS. 917 00:20:00,067 --> 00:20:00,833 I GOT THAT, BUT YOU CAN'T 918 00:20:00,833 --> 00:20:01,700 HAVE AN INTERVIEW 919 00:20:01,700 --> 00:20:02,400 PROCESS WITHOUT ME. 920 00:20:02,400 --> 00:20:03,600 IF I HAD YOU THERE, IT WOULD 921 00:20:03,600 --> 00:20:04,467 HAVE WENT TO THE LEFT AGAIN, 922 00:20:04,467 --> 00:20:05,400 AND YOU WOULD HAVE HAD MORE 923 00:20:05,400 --> 00:20:06,967 VIDEO HOS WALKING 924 00:20:06,967 --> 00:20:07,633 DOWN THE DOOR. 925 00:20:07,633 --> 00:20:08,300 HOW DO YOU KNOW HIM? 926 00:20:08,300 --> 00:20:09,167 YOU [bleep] HIM? 927 00:20:09,167 --> 00:20:11,767 [laughs] 928 00:20:11,767 --> 00:20:12,800 ARE YOU SERIOUS? 929 00:20:12,800 --> 00:20:13,500 LISTEN. 930 00:20:13,500 --> 00:20:14,167 IT'S A QUESTION. 931 00:20:14,167 --> 00:20:15,133 WHAT MATTERS TO ME IS THAT WE 932 00:20:15,133 --> 00:20:16,233 PUT GOOD PEOPLE IN HERE, 933 00:20:16,233 --> 00:20:17,100 NOT VIDEO HOS. 934 00:20:17,100 --> 00:20:17,833 NO, WE NEED SOME 935 00:20:17,833 --> 00:20:18,800 EYE CANDY NOW. 936 00:20:18,800 --> 00:20:19,500 NOT SAYING YOU UGLY, BRO. 937 00:20:19,500 --> 00:20:20,700 I'M NOT SAYING THAT. 938 00:20:20,700 --> 00:20:21,967 I DON'T REALLY JUDGE DUDES, 939 00:20:21,967 --> 00:20:22,667 BUT I'M JUST SAYING-- 940 00:20:22,667 --> 00:20:23,367 I WANT TO USE HIM-- 941 00:20:23,367 --> 00:20:24,033 MY GUY. 942 00:20:24,033 --> 00:20:24,700 COME HERE. 943 00:20:24,700 --> 00:20:25,367 LET'S SEE YOUR RESUME. 944 00:20:25,367 --> 00:20:26,300 YES. 945 00:20:26,300 --> 00:20:27,533 AND THEN ONE YOU AGREE WITH ME-- 946 00:20:27,533 --> 00:20:28,567 YOU GOT SOME FRESH "J"s ON. 947 00:20:28,567 --> 00:20:29,233 ALL RIGHT. 948 00:20:29,233 --> 00:20:29,967 YOU GOT SOME 4s. 949 00:20:29,967 --> 00:20:30,800 I SEE YOU. 950 00:20:30,800 --> 00:20:31,667 HE'S WORKED IN 951 00:20:31,667 --> 00:20:32,700 SNEAKER STORES. 952 00:20:32,700 --> 00:20:34,400 HE HAS MANAGED SNEAKER STORES. 953 00:20:34,400 --> 00:20:35,233 OH, HE GOT A DEGREE. 954 00:20:35,233 --> 00:20:35,967 HE IS FLEXIBLE. 955 00:20:35,967 --> 00:20:36,800 SO HE'S HIRED. 956 00:20:36,800 --> 00:20:37,500 HERE YOU GO. 957 00:20:37,500 --> 00:20:38,367 WHAT DO YOU MEAN, "HE'S GOOD. 958 00:20:38,367 --> 00:20:39,033 HE'S HIRED"? 959 00:20:39,033 --> 00:20:39,767 GIVE ME THIS ANYWAY, BUT-- 960 00:20:39,767 --> 00:20:40,433 HE'S HIRED. 961 00:20:40,433 --> 00:20:41,200 BUT HOW YOU GONNA HIRE HIM 962 00:20:41,200 --> 00:20:41,867 WITHOUT ME? 963 00:20:41,867 --> 00:20:42,533 THANK YOU. 964 00:20:42,533 --> 00:20:43,500 SO WE DON'T HAVE TO ARGUE AND 965 00:20:43,500 --> 00:20:44,300 COMPLAIN AND FIGHT ANYMORE. 966 00:20:44,300 --> 00:20:45,100 DON'T GO NOWHERE. HOLD ON. 967 00:20:45,100 --> 00:20:45,900 LET ME CHECK THIS RESUME OUT. 968 00:20:45,900 --> 00:20:47,033 HE'S HIRED. 969 00:20:47,033 --> 00:20:48,700 YOU'RE A BARBER TOO? 970 00:20:48,700 --> 00:20:49,600 SO, LIKE-- 971 00:20:49,600 --> 00:20:50,433 LITTLE OF EVERYTHING. 972 00:20:50,433 --> 00:20:51,367 SO I COULD GET A LINEUP AT 973 00:20:51,367 --> 00:20:52,067 THE END OF THE DAY? 974 00:20:52,067 --> 00:20:53,100 ALL THAT. 975 00:20:53,100 --> 00:20:53,867 ANYTHING YOU NEED. 976 00:20:53,867 --> 00:20:54,567 OH, MY GOD. 977 00:20:54,567 --> 00:20:56,200 JUST SAY I DID GOOD. 978 00:20:56,200 --> 00:20:57,067 OFF THE RESUME, YOU DID GOOD. 979 00:20:57,067 --> 00:20:57,733 THANK YOU. 980 00:20:57,733 --> 00:20:58,400 I GOT TO FEEL HIM OUT A 981 00:20:58,400 --> 00:20:59,067 LITTLE BIT. 982 00:20:59,067 --> 00:20:59,733 I GOT TO SEE WHAT MY FIRST 983 00:20:59,733 --> 00:21:00,533 LINEUP LOOKS LIKE. 984 00:21:00,533 --> 00:21:01,367 ALL RIGHT, WE'RE GONNA GET 985 00:21:01,367 --> 00:21:02,233 OUT OF HERE. 986 00:21:02,233 --> 00:21:03,267 TOGETHER. 987 00:21:03,267 --> 00:21:04,167 [laughs] 988 00:21:04,167 --> 00:21:06,333 COME HOLD MY HAND, HONEY? 989 00:21:06,333 --> 00:21:07,467 [laughs] 990 00:21:07,467 --> 00:21:08,133 I'LL SEE YOU LATER. 991 00:21:08,133 --> 00:21:08,833 SEE YOU TOMORROW. 992 00:21:08,833 --> 00:21:09,500 I DID GOOD. 993 00:21:09,500 --> 00:21:10,300 JUST SAY I DID GOOD. 994 00:21:10,300 --> 00:21:11,100 Y'ALL ABOUT TO GO ON A DATE 995 00:21:11,100 --> 00:21:11,767 NOW? 996 00:21:11,767 --> 00:21:12,767 OH, GOD. 997 00:21:12,767 --> 00:21:13,867 I SEE HOW YOU LOOK AT HIM. 998 00:21:13,867 --> 00:21:15,200 OH, JESUS. 999 00:21:15,200 --> 00:21:17,200 [laughs] 1000 00:21:22,067 --> 00:21:23,133 MERLOT, DO YOU SEE WHAT 1001 00:21:23,133 --> 00:21:24,067 YOU'VE DONE? 1002 00:21:24,067 --> 00:21:26,533 YOU'VE PEED ON THE PALACE FLOOR. 1003 00:21:26,533 --> 00:21:28,267 [knock on door] 1004 00:21:28,267 --> 00:21:29,833 SCRAPPY MAY HAVE TOOK HIS 1005 00:21:29,833 --> 00:21:31,300 LUGGAGE OUT, BUT HE LEFT HIS 1006 00:21:31,300 --> 00:21:32,900 DAMN DOG BEHIND. 1007 00:21:32,900 --> 00:21:34,333 I AIN'T NO [bleep] KEEPER. 1008 00:21:34,333 --> 00:21:37,200 I HIRE PEOPLE LIKE MIHAN 1009 00:21:37,200 --> 00:21:37,933 TO DO THAT. 1010 00:21:37,933 --> 00:21:40,267 MIHAN! 1011 00:21:40,267 --> 00:21:42,100 GET YOUR POOPER SCOOPER. 1012 00:21:42,100 --> 00:21:43,700 HI. COME ON IN. 1013 00:21:43,700 --> 00:21:44,433 I'M B. GOOD 1014 00:21:44,433 --> 00:21:45,200 HI, B. GOOD. 1015 00:21:45,200 --> 00:21:45,933 I'M MOMMA DEE. 1016 00:21:45,933 --> 00:21:46,600 NICE TO MEET YOU. 1017 00:21:46,600 --> 00:21:48,467 SO I CALLED UP THE DOG 1018 00:21:48,467 --> 00:21:50,067 WHISPERER SO I CAN GET SOME 1019 00:21:50,067 --> 00:21:52,100 PROFESSIONAL HELP ON THIS ISSUE 1020 00:21:52,100 --> 00:21:52,867 AT HAND. 1021 00:21:52,867 --> 00:21:54,700 NOW, TYLER BELONGS TO ME. 1022 00:21:54,700 --> 00:21:56,400 HE'S ON POINT. 1023 00:21:56,400 --> 00:22:00,100 AND MERLOT HAS BEEN TREATED SO 1024 00:22:00,100 --> 00:22:04,267 BAD BY MY SON'S EX-FIANCE, 1025 00:22:04,267 --> 00:22:07,233 ERICA, AND HE'S BEEN POOPING AND 1026 00:22:07,233 --> 00:22:08,933 PEEING, AND I JUST GOT THROUGH 1027 00:22:08,933 --> 00:22:10,433 GETTING IT UP OFF THE FLOOR. 1028 00:22:10,433 --> 00:22:11,833 YOU KNOW, THE CHAMBERMAIDS ARE 1029 00:22:11,833 --> 00:22:12,967 OFF, AND I CAN'T DO IT. 1030 00:22:12,967 --> 00:22:14,067 THE QUEEN--I JUST CAN'T. 1031 00:22:14,067 --> 00:22:14,767 OKAY. 1032 00:22:14,767 --> 00:22:15,467 SO I NEED YOUR HELP. 1033 00:22:15,467 --> 00:22:16,900 I NEED YOU TO READ INTO HIS MIND 1034 00:22:16,900 --> 00:22:18,233 AND TELL ME HOW CAN I BEST 1035 00:22:18,233 --> 00:22:19,100 HELP HIM. 1036 00:22:19,100 --> 00:22:20,067 MERLOT. 1037 00:22:20,067 --> 00:22:21,100 COME HERE. 1038 00:22:21,100 --> 00:22:21,967 WELL, WE COULD DEFINITELY-- 1039 00:22:21,967 --> 00:22:22,667 WE COULD DEFINITELY 1040 00:22:22,667 --> 00:22:23,500 WORK WITH THAT. 1041 00:22:23,500 --> 00:22:25,067 AND I HEARD YOU A HALF PIT, 1042 00:22:25,067 --> 00:22:26,067 AND YOU A HALF MAN. 1043 00:22:26,067 --> 00:22:26,733 YEAH, THAT'S WHAT THEY 1044 00:22:26,733 --> 00:22:27,400 CALL ME. 1045 00:22:27,400 --> 00:22:28,167 YEAH, I MIGHT HAVE LITTLE 1046 00:22:28,167 --> 00:22:28,833 PAWS. 1047 00:22:28,833 --> 00:22:29,733 YOU MIGHT NEED TO WALK ME. 1048 00:22:29,733 --> 00:22:30,467 YEAH, WHAT YOU GOT-- 1049 00:22:30,467 --> 00:22:31,467 WHAT KIND OF DOG YOU GOT IN YOU? 1050 00:22:31,467 --> 00:22:32,400 I'M A COUGAR. 1051 00:22:32,400 --> 00:22:33,567 OH, OKAY, EXCUSE ME. 1052 00:22:33,567 --> 00:22:34,500 A WILD ONE. 1053 00:22:34,500 --> 00:22:35,600 [laughs] 1054 00:22:35,600 --> 00:22:36,667 OKAY. 1055 00:22:36,667 --> 00:22:39,400 BUT WHEN YOU GOT A DOG THAT HAS 1056 00:22:39,400 --> 00:22:40,933 NOT BEEN--IS NOT USED TO HOLDING 1057 00:22:40,933 --> 00:22:42,367 IT, LIKE YOU SAID, HE PROBABLY 1058 00:22:42,367 --> 00:22:43,367 WAS HOLDING IT FIRST IN 1059 00:22:43,367 --> 00:22:44,067 THE BEGINNING. 1060 00:22:44,067 --> 00:22:44,700 HE'S LIKE, "WHEN THEY 1061 00:22:44,700 --> 00:22:45,367 GONNA LET ME OUT?" 1062 00:22:45,367 --> 00:22:46,400 YOU KNOW, SO WE GONNA HAVE TO 1063 00:22:46,400 --> 00:22:48,167 KIND OF LET HIM OUT A LITTLE BIT 1064 00:22:48,167 --> 00:22:49,567 MORE INITIALLY IN THE BEGINNING 1065 00:22:49,567 --> 00:22:51,367 JUST SO HE CAN START SAYING, 1066 00:22:51,367 --> 00:22:53,067 "HEY, OKAY, I DON'T HAVE TO HOLD 1067 00:22:53,067 --> 00:22:54,367 IT THAT LONG, SO I KNOW MY NEXT 1068 00:22:54,367 --> 00:22:55,467 TIME IS COMING SOON." 1069 00:22:55,467 --> 00:22:56,967 CAN I SHOW YOU JUST BASICALLY 1070 00:22:56,967 --> 00:22:58,933 OUTSIDE HOW THEY INTERACT AND 1071 00:22:58,933 --> 00:23:00,900 HOW HE DOES GO TO THE AREA? 1072 00:23:00,900 --> 00:23:01,800 SURE, SURE. 1073 00:23:01,800 --> 00:23:02,633 OKAY, COME ON. LET'S GO. 1074 00:23:02,633 --> 00:23:03,300 OKAY. 1075 00:23:03,300 --> 00:23:06,433 THE DOG WHISPERER IS FO-INE. 1076 00:23:06,433 --> 00:23:07,733 NOT FINE. 1077 00:23:07,733 --> 00:23:09,667 FO-INE. 1078 00:23:09,667 --> 00:23:11,967 I'M LISTENING, BUT I'M LOOKING 1079 00:23:11,967 --> 00:23:12,967 TOO. 1080 00:23:12,967 --> 00:23:13,967 WHEN HE GOES OUTSIDE, WE GOT 1081 00:23:13,967 --> 00:23:14,833 TO MAKE THIS A BIG DEAL. 1082 00:23:14,833 --> 00:23:15,533 OKAY. 1083 00:23:15,533 --> 00:23:16,367 YOU KNOW, SO WHEN HE GOES, 1084 00:23:16,367 --> 00:23:17,733 "GOOD BOY! GOOD BOY!" 1085 00:23:17,733 --> 00:23:18,600 YOU KNOW, BE EXCITED. 1086 00:23:18,600 --> 00:23:19,767 YOU KNOW, AND THEY CAN 1087 00:23:19,767 --> 00:23:20,433 LEARN NEW TRICKS. 1088 00:23:20,433 --> 00:23:21,300 THEY SAY DOGS CAN'T, 1089 00:23:21,300 --> 00:23:21,967 BUT THEY CAN. 1090 00:23:21,967 --> 00:23:22,900 CAN A MAN? 1091 00:23:22,900 --> 00:23:24,067 [laughs] 1092 00:23:24,067 --> 00:23:24,700 YEAH. 1093 00:23:24,700 --> 00:23:25,367 FOLLOW ME. 1094 00:23:25,367 --> 00:23:26,733 [laughter] 1095 00:23:26,733 --> 00:23:27,667 FOLLOW ME. 1096 00:23:27,667 --> 00:23:28,900 READY TO TEACH SOME TRICKS, 1097 00:23:28,900 --> 00:23:29,567 HUH? 1098 00:23:29,567 --> 00:23:30,233 OH, GOD, YES. 1099 00:23:30,233 --> 00:23:31,133 UH-OH. UH-OH. 1100 00:23:31,133 --> 00:23:32,067 I JUST GOT TO ASK YOU. 1101 00:23:32,067 --> 00:23:32,767 YEAH? 1102 00:23:32,767 --> 00:23:33,667 DO I GET A SECOND 1103 00:23:33,667 --> 00:23:34,333 APPOINTMENT? 1104 00:23:34,333 --> 00:23:35,067 WELL, YEAH. 1105 00:23:35,067 --> 00:23:35,667 YOU GET A FOLLOW-UP 1106 00:23:35,667 --> 00:23:36,333 AND ALL THAT. 1107 00:23:36,333 --> 00:23:37,267 I GET A FOLLOW-UP? 1108 00:23:37,267 --> 00:23:39,433 OH, WHOA. 1109 00:23:39,433 --> 00:23:40,167 YOU GET THE FOLLOW-UP. 1110 00:23:40,167 --> 00:23:41,133 MM, OKAY. 1111 00:23:41,133 --> 00:23:41,800 TEATIME? 1112 00:23:41,800 --> 00:23:42,700 YEAH, I'M DOWN WITH THAT. 1113 00:23:42,700 --> 00:23:43,367 OKAY. 1114 00:23:43,367 --> 00:23:44,067 I'M DOWN WITH THAT. 1115 00:23:44,067 --> 00:23:44,700 LET'S DO THAT. 1116 00:23:44,700 --> 00:23:46,200 COME ON, BOYS. 1117 00:23:46,200 --> 00:23:48,200 TYLER. 1118 00:23:48,867 --> 00:23:49,867 [electronic music] 1119 00:23:49,867 --> 00:23:55,100 ♪ 1120 00:23:55,100 --> 00:23:56,067 WHAT'S UP, CHE'? 1121 00:23:56,067 --> 00:23:56,933 HEY, Y'ALL. 1122 00:23:56,933 --> 00:23:57,733 HOW YOU DOING? 1123 00:23:57,733 --> 00:23:58,400 GOOD. 1124 00:23:58,400 --> 00:23:59,167 YOU ALL RIGHT? 1125 00:23:59,167 --> 00:23:59,833 YES. 1126 00:23:59,833 --> 00:24:00,567 YEAH? 1127 00:24:00,567 --> 00:24:01,867 HI, JOSELINE. 1128 00:24:01,867 --> 00:24:03,433 I FIGURED WE'D JUST HAVE A 1129 00:24:03,433 --> 00:24:04,800 LITTLE FUN AT THE STRIP CLUB. 1130 00:24:04,800 --> 00:24:06,267 YEAH, PLEASE DO. 1131 00:24:06,267 --> 00:24:08,067 SO I'M SITTING THERE WITH STEVIE 1132 00:24:08,067 --> 00:24:09,267 AT MAGIC CITY, AND I'M JUST 1133 00:24:09,267 --> 00:24:10,700 SITTING THERE HAVING A DRINK. 1134 00:24:10,700 --> 00:24:11,667 I REALLY DIDN'T WANT TO GO WITH 1135 00:24:11,667 --> 00:24:12,600 HIM 'CAUSE I KNEW HE HAS 1136 00:24:12,600 --> 00:24:13,600 SOMETHING GOING ON, AND HERE 1137 00:24:13,600 --> 00:24:15,333 COME THIS RATCHET-ASS BITCH 1138 00:24:15,333 --> 00:24:16,967 CHE' MACK BRACES FACE. 1139 00:24:16,967 --> 00:24:18,700 HO, WHY IS YOU HERE? 1140 00:24:18,700 --> 00:24:20,267 JOSELINE, I WANT TO APOLOGIZE 1141 00:24:20,267 --> 00:24:22,333 TO YOU, 'CAUSE LAST TIME YOU SAW 1142 00:24:22,333 --> 00:24:24,200 ME, IT WAS LIKE I WAS HITTING 1143 00:24:24,200 --> 00:24:25,067 A LID AND I DIDN'T MEAN 1144 00:24:25,067 --> 00:24:25,833 TO HIT THE LID. 1145 00:24:25,833 --> 00:24:26,767 IT WAS JAGER. 1146 00:24:26,767 --> 00:24:28,600 AND PLUS I WANTED TO LET 1147 00:24:28,600 --> 00:24:29,367 YOU KNOW-- 1148 00:24:29,367 --> 00:24:30,200 I DON'T KNOW WHY I'M HERE 1149 00:24:30,200 --> 00:24:30,967 TALKING TO Y'ALL. 1150 00:24:30,967 --> 00:24:31,700 Y'ALL COULD HAVE DONE THIS 1151 00:24:31,700 --> 00:24:32,367 ON YOUR OWN. 1152 00:24:32,367 --> 00:24:33,067 WHAT'S YOUR PROBLEM? 1153 00:24:33,067 --> 00:24:33,700 DO YOU HAVE A PROBLEM? 1154 00:24:33,700 --> 00:24:34,600 'CAUSE I WASN'T GONNA TALK TO 1155 00:24:34,600 --> 00:24:35,267 HER WITHOUT YOU. 1156 00:24:35,267 --> 00:24:36,067 I AIN'T TRYING TO STEP ON 1157 00:24:36,067 --> 00:24:37,567 YOUR TOES. 1158 00:24:37,567 --> 00:24:38,533 I DON'T WANT TO COME-- 1159 00:24:38,533 --> 00:24:39,433 BITCH, YOU COULD NEVER STEP 1160 00:24:39,433 --> 00:24:40,133 ON MY TOES. 1161 00:24:40,133 --> 00:24:41,767 I'M A MADE BITCH. 1162 00:24:41,767 --> 00:24:42,767 I'M A SELF-MADE-- 1163 00:24:42,767 --> 00:24:43,433 I'M SELF-MADE. 1164 00:24:43,433 --> 00:24:44,100 I'M SORRY. 1165 00:24:44,100 --> 00:24:44,767 YOU WILL NEVER BE ME. 1166 00:24:44,767 --> 00:24:45,800 HE'S RIGHT THERE. 1167 00:24:45,800 --> 00:24:47,867 I DON'T WANT TO BE YOU. 1168 00:24:47,867 --> 00:24:48,667 BITCH, YOU CAN DO WHATEVER 1169 00:24:48,667 --> 00:24:49,400 THE [bleep] YOU WANT TO DO, 1170 00:24:49,400 --> 00:24:50,067 'CAUSE GUESS WHAT? 1171 00:24:50,067 --> 00:24:50,900 HE DO IT ANYWAYS. 1172 00:24:50,900 --> 00:24:51,767 WELL, BITCH, I KNOW YOU ABOUT 1173 00:24:51,767 --> 00:24:52,500 TO DO WHATEVER THE [bleep] 1174 00:24:52,500 --> 00:24:53,167 YOU GONNA DO. 1175 00:24:53,167 --> 00:24:54,067 WATCH YOUR MOUTH OR I'LL SLAP 1176 00:24:54,067 --> 00:24:55,167 YOUR BITCH ASS. 1177 00:24:55,167 --> 00:24:55,967 YOU GOT TO WATCH ME. 1178 00:24:55,967 --> 00:24:56,633 I KICK YOU DEAD IN YOUR 1179 00:24:56,633 --> 00:24:57,300 BRACES, HO. 1180 00:24:57,300 --> 00:24:57,967 YOU WILL RIGHT NOW? 1181 00:24:57,967 --> 00:24:58,733 BITCH, I KICK YOU DEAD IN 1182 00:24:58,733 --> 00:24:59,400 YOUR BRACES. 1183 00:24:59,400 --> 00:25:00,133 WATCH YOUR MOUTH. 1184 00:25:00,133 --> 00:25:01,467 AIN'T NONE OF THAT. 1185 00:25:01,467 --> 00:25:02,600 THE WHOLE PURPOSE OF US SITTING 1186 00:25:02,600 --> 00:25:03,800 DOWN WAS FOR ME TO PUT 1187 00:25:03,800 --> 00:25:04,933 EVERYTHING ON THE TABLE. 1188 00:25:04,933 --> 00:25:06,167 I DIDN'T WANT TO BE WORKING WITH 1189 00:25:06,167 --> 00:25:08,167 CHE' MACK BEHIND JOSELINE BACK. 1190 00:25:08,167 --> 00:25:09,433 BUT LOOK AT JOSELINE'S [bleep] 1191 00:25:09,433 --> 00:25:10,200 ATTITUDE. 1192 00:25:10,200 --> 00:25:11,500 MAKE ME JUST WANT TO REVERT TO 1193 00:25:11,500 --> 00:25:12,933 THE OLD SLEEZE-O. 1194 00:25:12,933 --> 00:25:14,367 WHY DO YOU INSIST ON WASTING 1195 00:25:14,367 --> 00:25:15,900 MY TIME WHEN YOU'RE NOT EVEN 1196 00:25:15,900 --> 00:25:16,900 FINISHED WITH MY ALBUM? 1197 00:25:16,900 --> 00:25:17,833 SO IS THAT WHY YOU BEEN 1198 00:25:17,833 --> 00:25:18,567 DISRESPECTFUL? 1199 00:25:18,567 --> 00:25:19,333 I'M ASKING YOU. 1200 00:25:19,333 --> 00:25:20,100 BUT I'M SAYING IS THAT WHY 1201 00:25:20,100 --> 00:25:20,967 YOU BEING DISRESPECTFUL. 1202 00:25:20,967 --> 00:25:22,067 I'M NOT BEING DISRESPECTFUL. 1203 00:25:22,067 --> 00:25:22,900 I'M JUST SIMPLY ASKING YOU. 1204 00:25:22,900 --> 00:25:23,667 I JUST WANTED TO MAKE SURE 1205 00:25:23,667 --> 00:25:24,333 THAT WE WASN'T BEING 1206 00:25:24,333 --> 00:25:25,067 DISRESPECTFUL. 1207 00:25:25,067 --> 00:25:25,667 WHY AM I HAVING A 1208 00:25:25,667 --> 00:25:27,800 CONVERSATION WITH YOU WITH-- 1209 00:25:27,800 --> 00:25:29,467 ABOUT ANOTHER BROAD WHEN YOU'RE 1210 00:25:29,467 --> 00:25:30,333 NOT DONE WITH MY PROJECT? 1211 00:25:30,333 --> 00:25:31,200 THAT'S ALL I WANT TO KNOW. 1212 00:25:31,200 --> 00:25:31,867 THIS IS WHY. HOLD ON. 1213 00:25:31,867 --> 00:25:32,533 LET ME DO THIS. 1214 00:25:32,533 --> 00:25:33,933 FOR THE LAST TIME, THIS IS WHY. 1215 00:25:33,933 --> 00:25:35,200 I ALWAYS BEEN THE TYPE OF 1216 00:25:35,200 --> 00:25:37,067 [bleep] TO DO WHAT I WANT TO DO. 1217 00:25:37,067 --> 00:25:38,333 I DIDN'T WANT TO DO THAT 1218 00:25:38,333 --> 00:25:39,067 ANYMORE. 1219 00:25:39,067 --> 00:25:40,200 I SAID, "I JUST WANT TO SHOW YOU 1220 00:25:40,200 --> 00:25:41,433 A DIFFERENT LEVEL THAT I'M ON 1221 00:25:41,433 --> 00:25:42,767 WITH YOU." 1222 00:25:42,767 --> 00:25:43,800 AND WHAT THAT LEVEL WE ON? 1223 00:25:43,800 --> 00:25:44,600 YOU TELL ME. 1224 00:25:44,600 --> 00:25:45,667 I DON'T KNOW. 1225 00:25:45,667 --> 00:25:46,600 YOU DON'T KNOW? 1226 00:25:46,600 --> 00:25:47,467 ALL RIGHT. 1227 00:25:47,467 --> 00:25:48,333 FINE, COOL. 1228 00:25:48,333 --> 00:25:49,500 I CAN'T POSSIBLY KNOW IF I'M 1229 00:25:49,500 --> 00:25:50,767 HAVING A CONVERSATION WITH 1230 00:25:50,767 --> 00:25:52,433 ANOTHER BROAD WHEN I'M STILL NOT 1231 00:25:52,433 --> 00:25:53,500 DONE WITH MY PROJECT. 1232 00:25:53,500 --> 00:25:54,267 YOU DON'T GET IT, THOUGH. 1233 00:25:54,267 --> 00:25:55,133 ALL RIGHT, SO YOU NEVER GONNA 1234 00:25:55,133 --> 00:25:56,067 DO A SONG WITH ME, JOSELINE? 1235 00:25:56,067 --> 00:25:56,767 IS WHAT WHAT YOU'RE SAYING? 1236 00:25:56,767 --> 00:25:57,800 BITCH, YOU WOULD DIE, BE BORN 1237 00:25:57,800 --> 00:25:59,100 AGAIN, DIE AGAIN, AND BE BORN 1238 00:25:59,100 --> 00:26:00,600 AGAIN BEFORE I'D DO A SONG 1239 00:26:00,600 --> 00:26:01,567 WITH YOU, BITCH. 1240 00:26:01,567 --> 00:26:03,233 YOU CRAZY AS HELL. 1241 00:26:03,233 --> 00:26:04,500 Y'ALL LAUGHING 'CAUSE IT'S FUNNY 1242 00:26:04,500 --> 00:26:05,267 'CAUSE I'M LAUGHING TOO. 1243 00:26:05,267 --> 00:26:06,467 IT IS HILARIOUS 'CAUSE I 1244 00:26:06,467 --> 00:26:07,700 CAN'T BELIEVE YOU'RE SAYING IT. 1245 00:26:07,700 --> 00:26:08,967 WHY CAN'T YOU BELIEVE, BITCH? 1246 00:26:08,967 --> 00:26:10,233 YOU AIN'T [bleep], AND YOU AIN'T 1247 00:26:10,233 --> 00:26:11,267 GONNA NEVER BE [bleep]. 1248 00:26:11,267 --> 00:26:13,633 EVEN IF STEVIE J. AUTO-TUNED THE 1249 00:26:13,633 --> 00:26:15,200 [bleep] OUT OF YOUR WOBBLY ASS 1250 00:26:15,200 --> 00:26:16,533 AND PRODUCED YOUR WHOLE ALBUM, 1251 00:26:16,533 --> 00:26:17,567 YOU STILL AIN'T GONNA BE 1252 00:26:17,567 --> 00:26:18,333 [bleep]. 1253 00:26:18,333 --> 00:26:20,333 GO HOME. CRANK YOUR BRACES. 1254 00:26:20,333 --> 00:26:21,333 KEEP IT MOVING, BITCH. 1255 00:26:21,333 --> 00:26:22,100 I'M OUT. 1256 00:26:22,100 --> 00:26:23,233 THIS CONVERSATION IS OVER, 1257 00:26:23,233 --> 00:26:24,367 'CAUSE FOR REAL, I DON'T NEED TO 1258 00:26:24,367 --> 00:26:25,467 WASTE MY TIME WITH Y'ALL. 1259 00:26:25,467 --> 00:26:26,300 ALL RIGHT, I'LL HAVE MY 1260 00:26:26,300 --> 00:26:27,500 PEOPLE CALL YOUR PEOPLE. 1261 00:26:27,500 --> 00:26:28,433 'CAUSE YOU'RE GONNA WANT TO DO A 1262 00:26:28,433 --> 00:26:29,467 SONG SOONER OR LATER. 1263 00:26:29,467 --> 00:26:30,600 BITCH, YOU SOUND STUPID. 1264 00:26:30,600 --> 00:26:32,567 UH, YOU SOUND MORE STUPID-ER. 1265 00:26:32,567 --> 00:26:33,500 YOU SOUND STUPID, AND YOU 1266 00:26:33,500 --> 00:26:34,467 SOUND A MESS, BITCH. 1267 00:26:34,467 --> 00:26:35,433 OKAY, THANK YOU. 1268 00:26:35,433 --> 00:26:37,400 CAN I HAVE MY DRINK, PLEASE? 1269 00:26:37,400 --> 00:26:38,600 YOU LEAVING SINCE I HAVEN'T 1270 00:26:38,600 --> 00:26:39,300 PAID FOR ALL-- 1271 00:26:39,300 --> 00:26:41,067 TIC-TAC-TOE. 1272 00:26:41,067 --> 00:26:41,667 [bleep] BITCH. 1273 00:26:41,667 --> 00:26:42,633 BITCH. 1274 00:26:42,633 --> 00:26:43,767 WHAT THE [bleep]? 1275 00:26:43,767 --> 00:26:44,700 YO, YO. 1276 00:26:44,700 --> 00:26:45,367 [bleep]. 1277 00:26:45,367 --> 00:26:46,067 GRAB HER. 1278 00:26:46,067 --> 00:26:46,933 WHAT THE [bleep]? 1279 00:26:46,933 --> 00:26:47,967 BITCH! 1280 00:26:47,967 --> 00:26:49,400 [bleep] OUT OF HERE, BITCH. 1281 00:26:49,400 --> 00:26:50,567 YOU NOT GONNA GET NO RUN-UP 1282 00:26:50,567 --> 00:26:51,333 ON ME, BITCH! 1283 00:26:51,333 --> 00:26:52,400 YO, BACK UP. 1284 00:26:52,400 --> 00:26:53,300 LET GO. 1285 00:26:53,300 --> 00:26:54,067 LET GO OF ME. 1286 00:26:54,067 --> 00:26:55,067 GET THE [bleep] OUT OF HERE. 1287 00:26:55,067 --> 00:26:56,567 GET THE [bleep] OFF ME. 1288 00:26:56,567 --> 00:26:58,167 GET THE [bleep] OFF ME! 1289 00:26:58,167 --> 00:27:00,067 GIVE ME MY PURSE. 1290 00:27:00,067 --> 00:27:00,700 I'MA SHOW YOU SOMETHING. 1291 00:27:00,700 --> 00:27:01,433 YOU AIN'T GONNA SHOW 1292 00:27:01,433 --> 00:27:02,100 ME NOTHING. 1293 00:27:02,100 --> 00:27:03,667 NO, J., IT'S DEEPER 1294 00:27:03,667 --> 00:27:04,333 THAN THIS. 1295 00:27:04,333 --> 00:27:05,533 I WAS WAITING. 1296 00:27:05,533 --> 00:27:06,633 I WAS WAITING! 1297 00:27:06,633 --> 00:27:07,600 GIVE ME MY PURSE. 1298 00:27:07,600 --> 00:27:08,733 ALL I WANTED TO DO WAS THE 1299 00:27:08,733 --> 00:27:10,067 RIGHT THING FOR ONCE IN MY LIFE, 1300 00:27:10,067 --> 00:27:11,333 BUT, YOU KNOW, JOSELINE CAN'T 1301 00:27:11,333 --> 00:27:12,433 EVEN HOLD HER TONGUE JUST 1302 00:27:12,433 --> 00:27:13,167 ONE TIME. 1303 00:27:13,167 --> 00:27:14,467 THAT AIN'T GOOD FOR BUSINESS, 1304 00:27:14,467 --> 00:27:15,800 BUT, YOU KNOW, I CREATED 1305 00:27:15,800 --> 00:27:17,933 THE MONSTER, DR. FRANKENSTEIN. 1306 00:27:17,933 --> 00:27:19,267 AND AT THIS POINT, I DON'T EVEN 1307 00:27:19,267 --> 00:27:20,933 KNOW IF I COULD DO IT FOR CHE'. 1308 00:27:20,933 --> 00:27:23,067 WHAT THE [bleep] IS THIS? 1309 00:27:23,067 --> 00:27:24,500 WHAT IS THIS? 1310 00:27:24,500 --> 00:27:26,667 WHAT THE [bleep] IS THIS? 1311 00:27:26,667 --> 00:27:29,133 [screams] 1312 00:27:29,133 --> 00:27:30,533 MIMI HAS A NEW BOYFRIEND. 1313 00:27:30,533 --> 00:27:31,733 I THINK HE'S DOWNLOW. 1314 00:27:31,733 --> 00:27:33,300 NO ONE CAN TAKE THAT FROM ME. 1315 00:27:33,300 --> 00:27:34,500 THAT'S MY OPINION. 1316 00:27:34,500 --> 00:27:35,367 WHAT THE [bleep] DOES THIS 1317 00:27:35,367 --> 00:27:36,433 HAVE TO DO WITH YOU AND YOUR 1318 00:27:36,433 --> 00:27:37,400 MUSIC CAREER? 1319 00:27:37,400 --> 00:27:38,400 DREW, WHAT THE [bleep] 1320 00:27:38,400 --> 00:27:39,067 IS GOING ON? 1321 00:27:39,067 --> 00:27:39,933 BASICALLY, MY PARTNER'S 1322 00:27:39,933 --> 00:27:41,400 A CON ARTIST. 1323 00:27:41,400 --> 00:27:43,067 AND I'M FINDING ALL THIS OUT 1324 00:27:43,067 --> 00:27:44,100 NOW. 1325 00:27:44,100 --> 00:27:45,733 AND HE BASICALLY STOLE 1326 00:27:45,733 --> 00:27:46,767 THE MONEY. 1327 00:27:46,767 --> 00:27:48,767 YUP. 1328 00:27:55,533 --> 00:27:56,600 [plane engine roaring] 1329 00:27:56,600 --> 00:27:57,600 [jazzy music] 1330 00:27:57,600 --> 00:27:59,467 ♪ 1331 00:27:59,467 --> 00:28:01,167 * YOU KNOW THAT YOU'RE ♪ 1332 00:28:01,167 --> 00:28:02,600 ♪ FROM A SMALL TOWN 1333 00:28:02,600 --> 00:28:05,067 ♪ ONCE YOU GET THERE 1334 00:28:05,067 --> 00:28:07,300 ♪ A CENTRAL PARK WALK 1335 00:28:07,300 --> 00:28:10,200 ♪ THEN ON TO TIMES SQUARE 1336 00:28:10,200 --> 00:28:12,133 ♪ SUDDENLY YOU REALIZE 1337 00:28:12,133 --> 00:28:14,600 ♪ THIS TOWN'S NUMBER ONE ♪ 1338 00:28:14,600 --> 00:28:17,733 ♪ A NEW YORK LOVE'S JUST BEGUN ♪ 1339 00:28:20,467 --> 00:28:21,633 GIRL, IT'S HOT AS 1340 00:28:21,633 --> 00:28:22,300 HELL IN HERE. 1341 00:28:22,300 --> 00:28:23,267 I CAN'T TAKE IT. 1342 00:28:23,267 --> 00:28:24,567 JUST A LITTLE BIT. 1343 00:28:24,567 --> 00:28:25,333 DRIVER, CAN WE GO TO 1344 00:28:25,333 --> 00:28:26,633 B.B. KING'S, PLEASE? 1345 00:28:26,633 --> 00:28:27,300 UH-UH. 1346 00:28:27,300 --> 00:28:27,967 GUESS WHAT. 1347 00:28:27,967 --> 00:28:30,200 THIS IS ABOUT THE SICKEST EVER 1348 00:28:30,200 --> 00:28:34,133 TEXT MESSAGE THAT I HAVE GOTTEN 1349 00:28:34,133 --> 00:28:34,800 ABOUT THIS-- 1350 00:28:34,800 --> 00:28:35,667 ABOUT WHAT? 1351 00:28:35,667 --> 00:28:37,233 ABOUT K.MICHELLE ON THE 1352 00:28:37,233 --> 00:28:39,067 RADIO THIS MORNING RUNNING HER 1353 00:28:39,067 --> 00:28:40,067 [bleep] MOUTH. 1354 00:28:40,067 --> 00:28:41,600 OH, MY GOD. 1355 00:28:41,600 --> 00:28:43,600 SO WHEN ARIANE INVITED ME TO 1356 00:28:43,600 --> 00:28:45,633 NEW YORK, I ENTERTAINED THE IDEA 1357 00:28:45,633 --> 00:28:47,600 OF GOING TO SPEAK TO K.MICHELLE 1358 00:28:47,600 --> 00:28:49,067 ABOUT WHAT HAPPENED AT THE VIDEO 1359 00:28:49,067 --> 00:28:50,267 SHOOT AND HER CALLING 1360 00:28:50,267 --> 00:28:51,867 JOHNNY "GAY." 1361 00:28:51,867 --> 00:28:53,333 BUT THIS MORNING BEFORE HER 1362 00:28:53,333 --> 00:28:55,067 SHOW, I HEAR HER ON THE RADIO 1363 00:28:55,067 --> 00:28:56,867 TALKING ABOUT NIKKO, SO REALLY, 1364 00:28:56,867 --> 00:28:57,900 NO, THANKS. 1365 00:28:57,900 --> 00:28:59,067 HOW ABOUT I PLAY IT FOR YOU? 1366 00:28:59,067 --> 00:28:59,733 OKAY. 1367 00:28:59,733 --> 00:29:00,533 FINE. 1368 00:29:00,533 --> 00:29:01,233 I DON'T KNOW. 1369 00:29:01,233 --> 00:29:02,267 LIKE, MIMI HAS A NEW BOYFRIEND. 1370 00:29:02,267 --> 00:29:03,567 I THINK HE'S DOWNLOW. 1371 00:29:03,567 --> 00:29:05,133 NO ONE CAN TAKE THAT FROM ME. 1372 00:29:05,133 --> 00:29:06,333 THAT'S MY OPINION. 1373 00:29:06,333 --> 00:29:07,300 WHAT THE [bleep] DOES THIS 1374 00:29:07,300 --> 00:29:08,300 HAVE TO DO WITH YOU AND YOUR 1375 00:29:08,300 --> 00:29:09,467 MUSIC CAREER? 1376 00:29:09,467 --> 00:29:10,267 WELL, MAYBE YOU CAN ASK HER 1377 00:29:10,267 --> 00:29:11,067 THAT WHEN WE GO. 1378 00:29:11,067 --> 00:29:11,733 MAYBE I WILL. 1379 00:29:11,733 --> 00:29:13,067 'CAUSE I FEEL LIKE YOU 1380 00:29:13,067 --> 00:29:13,667 SHOULD. 1381 00:29:13,667 --> 00:29:14,333 I DIDN'T KNOW THAT THAT 1382 00:29:14,333 --> 00:29:15,067 HAPPENED. 1383 00:29:15,067 --> 00:29:16,200 BOTTOM LINE IS THIS. 1384 00:29:16,200 --> 00:29:17,967 IF IT'S NOT ABOUT K.MICHELLE, 1385 00:29:17,967 --> 00:29:19,467 SHE HAS TO MAKE IT ABOUT HER. 1386 00:29:19,467 --> 00:29:20,767 AND YOU NEED TO SAY THAT. 1387 00:29:20,767 --> 00:29:22,067 WHAT MAKES YOU THINK THIS 1388 00:29:22,067 --> 00:29:23,600 GONNA BE SOMETHING DIFFERENT? 1389 00:29:23,600 --> 00:29:24,433 'CAUSE SHE REALLY MAKES IT 1390 00:29:24,433 --> 00:29:25,167 SEEM LIKE SHE REALLY 1391 00:29:25,167 --> 00:29:25,833 CARED ABOUT YOU. 1392 00:29:25,833 --> 00:29:27,233 APPARENTLY NOT, IF YOU'RE 1393 00:29:27,233 --> 00:29:29,367 GONNA GET ON THE RADIO AND SAY 1394 00:29:29,367 --> 00:29:30,400 THAT ABOUT SOMEBODY I 1395 00:29:30,400 --> 00:29:31,333 [bleep] WITH. 1396 00:29:31,333 --> 00:29:32,300 OKAY. 1397 00:29:32,300 --> 00:29:33,500 I'M JUST TRYING TO LET YOU 1398 00:29:33,500 --> 00:29:35,633 KNOW MY POSITION, WHERE THE 1399 00:29:35,633 --> 00:29:36,667 [bleep] I'M COMING FROM. 1400 00:29:36,667 --> 00:29:38,333 OKAY. 1401 00:29:38,333 --> 00:29:39,133 CAN WE GO? 1402 00:29:39,133 --> 00:29:39,833 I DON'T KNOW WHAT THIS 1403 00:29:39,833 --> 00:29:41,467 MOTHER[bleep] ALLIANCE YOU AND 1404 00:29:41,467 --> 00:29:42,467 K.MICHELLE HAVE-- 1405 00:29:42,467 --> 00:29:43,900 I DON'T HAVE AN ALLIANCE. 1406 00:29:43,900 --> 00:29:44,967 WE MADE UP. 1407 00:29:44,967 --> 00:29:46,433 OKAY, COOL. 1408 00:29:46,433 --> 00:29:47,233 BUT-- 1409 00:29:47,233 --> 00:29:48,333 AND THAT BITCH WILL TURN ON 1410 00:29:48,333 --> 00:29:50,667 YOU AT THE DROP OF 1411 00:29:50,667 --> 00:29:53,833 A [bleep] DIME. 1412 00:29:53,833 --> 00:29:55,500 WELL, I'M READY WHENEVER IT 1413 00:29:55,500 --> 00:29:56,700 HAPPENS AGAIN OR IF IT HAPPENS 1414 00:29:56,700 --> 00:29:57,467 AGAIN. 1415 00:29:57,467 --> 00:29:58,233 OKAY, LET'S GO, 1416 00:29:58,233 --> 00:30:01,400 DRIVER. 1417 00:30:01,400 --> 00:30:03,500 WE CAN GO TO B.B. KING SO I CAN 1418 00:30:03,500 --> 00:30:05,767 HAVE THIS CONVERSATION WITH THIS 1419 00:30:05,767 --> 00:30:06,967 MOTHER[bleep]. 1420 00:30:06,967 --> 00:30:07,767 I'M SORRY THAT YOU HAD TO 1421 00:30:07,767 --> 00:30:09,767 HEAR ALL OF THIS. 1422 00:30:11,833 --> 00:30:12,833 [hip-hop music] 1423 00:30:12,833 --> 00:30:16,700 ♪ 1424 00:30:16,700 --> 00:30:17,833 SO THE GRAND OPENING FOR THE 1425 00:30:17,833 --> 00:30:19,000 STORE IS A FEW WEEKS AWAY, AND 1426 00:30:19,000 --> 00:30:20,567 I'M STUPID BUSY TRYING TO GET 1427 00:30:20,567 --> 00:30:22,200 MEDIA AND PRESS FOR THIS EVENT, 1428 00:30:22,200 --> 00:30:23,767 AND THEN DREW CALLS ME TALKING 1429 00:30:23,767 --> 00:30:24,633 ABOUT IT'S SOME TYPE OF 1430 00:30:24,633 --> 00:30:25,967 EMERGENCY AT THE STORE AND TO 1431 00:30:25,967 --> 00:30:26,667 COME DOWN. 1432 00:30:26,667 --> 00:30:27,833 THIS BETTER BE IMPORTANT. 1433 00:30:27,833 --> 00:30:29,600 WHAT IS GOING ON? 1434 00:30:29,600 --> 00:30:31,300 SO BASICALLY MY PARTNER'S 1435 00:30:31,300 --> 00:30:33,967 A CON ARTIST. 1436 00:30:33,967 --> 00:30:38,167 AND I'M FINDING ALL THIS OUT NOW 1437 00:30:38,167 --> 00:30:39,867 AFTER GIVING HIM $50,000. 1438 00:30:39,867 --> 00:30:41,900 YOU HAVE A SIGNED CONTRACT? 1439 00:30:41,900 --> 00:30:43,233 I HAVE A CONTRACT. 1440 00:30:43,233 --> 00:30:47,167 IS IT A SIGNED CONTRACT? 1441 00:30:47,167 --> 00:30:48,633 IT'S A VERBAL AGREEMENT WITH 1442 00:30:48,633 --> 00:30:50,300 A CONTRACT THAT WASN'T SIGNED. 1443 00:30:50,300 --> 00:30:51,867 SO YOU'RE TELLING ME THAT YOU 1444 00:30:51,867 --> 00:30:55,967 SENT THIS MAN $50,000 WITH NO 1445 00:30:55,967 --> 00:30:57,967 SIGNED CONTRACT. 1446 00:31:01,533 --> 00:31:03,200 AND HE BASICALLY STOLE 1447 00:31:03,200 --> 00:31:05,200 THE MONEY. 1448 00:31:06,233 --> 00:31:08,267 YUP. 1449 00:31:08,267 --> 00:31:09,567 THE BEST WORD TO DESCRIBE HOW 1450 00:31:09,567 --> 00:31:10,767 I FEEL RIGHT NOW IS 1451 00:31:10,767 --> 00:31:11,867 EMBARRASSMENT. 1452 00:31:11,867 --> 00:31:12,833 I'M USUALLY THE ONE DOING 1453 00:31:12,833 --> 00:31:13,933 THE HUSTLING, NOT THE ONE 1454 00:31:13,933 --> 00:31:14,967 GETTING HUSTLED. 1455 00:31:14,967 --> 00:31:16,133 BUT WHAT REALLY STINGS IS THAT I 1456 00:31:16,133 --> 00:31:18,067 BEGAN BOOKING DJs, CATERERS, 1457 00:31:18,067 --> 00:31:19,200 PLANE TICKETS FOR MY WHOLE 1458 00:31:19,200 --> 00:31:20,633 FAMILY TO COME OUT TO THE GRAND 1459 00:31:20,633 --> 00:31:21,300 OPENING. 1460 00:31:21,300 --> 00:31:22,967 THIS IS A COMPLETE MESS. 1461 00:31:22,967 --> 00:31:23,967 WHAT YOU GONNA DO NOW? 1462 00:31:23,967 --> 00:31:25,233 IT'S OKAY. I'M GONNA FIX IT. 1463 00:31:25,233 --> 00:31:26,267 I ALWAYS DO. 1464 00:31:26,267 --> 00:31:27,133 WE'RE GONNA STILL OPEN UP 1465 00:31:27,133 --> 00:31:28,100 A SNEAKER STORE. 1466 00:31:28,100 --> 00:31:29,067 DON'T I ALWAYS COME THROUGH? 1467 00:31:29,067 --> 00:31:29,767 IN THE TEN PLUS YEARS I'VE 1468 00:31:29,767 --> 00:31:31,600 KNOWN YOU, SOMETIMES THE 1469 00:31:31,600 --> 00:31:33,967 BUSINESS ASPECT OF IT IS SHAKY. 1470 00:31:33,967 --> 00:31:35,833 THAT'S WHY I ALWAYS WANT TO STEP 1471 00:31:35,833 --> 00:31:37,300 IN AND HANDLE THINGS. 1472 00:31:37,300 --> 00:31:38,900 THAT'S A PROBLEM, 'CAUSE TRACI'S 1473 00:31:38,900 --> 00:31:40,067 TOO CONTROLLING. 1474 00:31:40,067 --> 00:31:41,333 THE WORD CONTROLLING JUST DRIVES 1475 00:31:41,333 --> 00:31:42,167 ME [bleep] CRAZY. 1476 00:31:42,167 --> 00:31:42,900 I'M NOT CONTROLLING. 1477 00:31:42,900 --> 00:31:43,567 I KNOW WHAT THE [bleep] 1478 00:31:43,567 --> 00:31:44,300 I'M DOING. 1479 00:31:44,300 --> 00:31:45,367 I WOULD HAVE NEVER HANDED OVER 1480 00:31:45,367 --> 00:31:46,733 $50,000 TO NOBODY. 1481 00:31:46,733 --> 00:31:48,133 MATTER OF FACT, I COULD HAVE A 1482 00:31:48,133 --> 00:31:49,100 [bleep] CONTRACT, AND I WOULD 1483 00:31:49,100 --> 00:31:50,733 NEVER HAND OVER $50,000. 1484 00:31:50,733 --> 00:31:52,267 YOU GOT TO GIVE ME MONEY. 1485 00:31:52,267 --> 00:31:53,533 LET ME HAD RUN THIS [bleep], 1486 00:31:53,533 --> 00:31:54,400 THIS STORE WOULD HAVE BEEN OPEN 1487 00:31:54,400 --> 00:31:56,233 LAST MONTH. 1488 00:31:56,233 --> 00:31:57,067 YOU FEEL STUPID? 1489 00:31:57,067 --> 00:31:58,800 I FEEL STUPID 'CAUSE I STEPPED 1490 00:31:58,800 --> 00:32:00,133 BACK, AND I JUST LET SOMEONE 1491 00:32:00,133 --> 00:32:02,333 HANDLE STUFF, AND I KNOW BETTER. 1492 00:32:02,333 --> 00:32:03,533 I NEVER DO THAT. 1493 00:32:03,533 --> 00:32:04,967 I WANT TO MAKE IT CRYSTAL CLEAR 1494 00:32:04,967 --> 00:32:06,967 THAT, ONE, I HAD NO IDEA THAT HE 1495 00:32:06,967 --> 00:32:09,700 DID NOT HAVE A SIGNED CONTRACT. 1496 00:32:09,700 --> 00:32:11,433 HE'S A BUSINESSMAN! 1497 00:32:11,433 --> 00:32:13,967 HE GAVE SOMEBODY $50,000 1498 00:32:13,967 --> 00:32:15,067 WITH NOTHING! 1499 00:32:15,067 --> 00:32:15,900 YOU MIGHT AS WELL JUST HAD JUST 1500 00:32:15,900 --> 00:32:17,367 THROWN THE MONEY IN THE AIR AND 1501 00:32:17,367 --> 00:32:18,267 LET EVERYBODY RUN FOR IT. 1502 00:32:18,267 --> 00:32:19,067 WE JUST GOT TO POSTPONE 1503 00:32:19,067 --> 00:32:19,667 THE DATE. 1504 00:32:19,667 --> 00:32:20,400 WE GOT TO FIGURE SOME OTHER 1505 00:32:20,400 --> 00:32:21,067 [bleep] OUT, 1506 00:32:21,067 --> 00:32:22,333 MAYBE GET SOME INVESTORS, BUT WE 1507 00:32:22,333 --> 00:32:24,733 STILL GONNA DO THIS. 1508 00:32:24,733 --> 00:32:25,967 [bleep] MAKES ME WANT TO CRY. 1509 00:32:25,967 --> 00:32:27,333 THIS IS HOW [bleep] SAD AND 1510 00:32:27,333 --> 00:32:29,333 PATHETIC THIS [bleep] IS. 1511 00:32:36,367 --> 00:32:37,600 HEY. 1512 00:32:37,600 --> 00:32:39,167 WE--WE GONNA MAKE THIS HAPPEN. 1513 00:32:39,167 --> 00:32:40,267 LIKE, THIS IS NOT-- 1514 00:32:40,267 --> 00:32:41,233 YOU SEE THIS [bleep]? 1515 00:32:41,233 --> 00:32:42,167 THIS [bleep] DIDN'T HAPPEN? 1516 00:32:42,167 --> 00:32:44,233 I GOT FLYERS AFTER FLYERS IN THE 1517 00:32:44,233 --> 00:32:46,133 CAR FOR THIS [bleep] THAT'S NOT 1518 00:32:46,133 --> 00:32:47,100 HAPPENING. 1519 00:32:47,100 --> 00:32:48,733 THAT'S NOT HAPPENING. 1520 00:32:48,733 --> 00:32:50,067 WE GONNA MAKE THIS HAPPEN. 1521 00:32:50,067 --> 00:32:51,133 WE JUST NOT GONNA MAKE IT HAPPEN 1522 00:32:51,133 --> 00:32:52,067 RIGHT NOW. 1523 00:32:52,067 --> 00:32:54,067 COME BACK HERE, TRACI. 1524 00:32:57,633 --> 00:32:59,767 I WAS A LITTLE CONFUSED ABOUT 1525 00:32:59,767 --> 00:33:01,133 THE WHOLE THING THAT HAPPENED 1526 00:33:01,133 --> 00:33:02,967 THE OTHER DAY AT THE VIDEO SHOW. 1527 00:33:02,967 --> 00:33:04,167 IT'S NOT WORTH IT. 1528 00:33:04,167 --> 00:33:05,267 YOUR BOYFRIEND'S GAY. 1529 00:33:05,267 --> 00:33:06,500 HIS FRIEND'S GAY. 1530 00:33:06,500 --> 00:33:07,633 YOU DON'T EVEN HAVE A 1531 00:33:07,633 --> 00:33:08,467 [bleep] MAN. 1532 00:33:08,467 --> 00:33:09,800 YOU'RE ABSOLUTELY RIGHT. 1533 00:33:09,800 --> 00:33:11,267 I DON'T WANT ONE LIKE YOURS. 1534 00:33:11,267 --> 00:33:12,067 THAT'S WHAT I'M SAYING. 1535 00:33:12,067 --> 00:33:14,067 AND YOU WILL NEVER HAVE ONE. 1536 00:33:27,067 --> 00:33:28,300 IT'S BEEN A MINUTE SINCE I 1537 00:33:28,300 --> 00:33:29,900 SEEN MY GIRL RASHEEDA, AND I 1538 00:33:29,900 --> 00:33:30,733 BEEN TALKING TO HER ABOUT 1539 00:33:30,733 --> 00:33:31,833 GETTING IN ON THIS K.MICHELLE 1540 00:33:31,833 --> 00:33:32,600 DIS TRACK. 1541 00:33:32,600 --> 00:33:34,267 HEY. 1542 00:33:34,267 --> 00:33:36,067 WHAT'S UP? 1543 00:33:36,067 --> 00:33:37,300 SO I'M GONNA HIT HER UP ONE MORE 1544 00:33:37,300 --> 00:33:39,067 TIME JUST TO SEE, YOU KNOW, IF 1545 00:33:39,067 --> 00:33:39,967 SHE WANT TO GET ON THIS HOT 1546 00:33:39,967 --> 00:33:40,800 [bleep]. 1547 00:33:40,800 --> 00:33:41,700 YOU KNOW, I KNOW YOU LIKE 1548 00:33:41,700 --> 00:33:42,367 THE RECORD. 1549 00:33:42,367 --> 00:33:43,900 AND I'MA JUST KEEP IT 1,000. 1550 00:33:43,900 --> 00:33:44,633 YOU SUPPOSED TO. 1551 00:33:44,633 --> 00:33:45,933 I AM. 1552 00:33:45,933 --> 00:33:47,167 I DON'T CARE ENOUGH ABOUT 1553 00:33:47,167 --> 00:33:48,867 HER, TO BE HONEST, TO EVEN 1554 00:33:48,867 --> 00:33:49,533 DO THAT. 1555 00:33:49,533 --> 00:33:50,367 BUT RASHEEDA, LOOK HOW MANY 1556 00:33:50,367 --> 00:33:51,067 RECORDS SHE DONE DID. 1557 00:33:51,067 --> 00:33:52,300 I DON'T CARE. 1558 00:33:52,300 --> 00:33:52,967 THAT'S THE DIFFERENCE 1559 00:33:52,967 --> 00:33:53,833 BETWEEN ME AND HER. 1560 00:33:53,833 --> 00:33:54,833 THAT'S WHAT A BOSS CHICK DOES. 1561 00:33:54,833 --> 00:33:56,400 SHE DON'T STOOP TO A DONKEY 1562 00:33:56,400 --> 00:33:57,067 LEVEL. 1563 00:33:57,067 --> 00:33:57,733 I DON'T HAVE TO DO A 1564 00:33:57,733 --> 00:33:58,400 DIS RECORD. 1565 00:33:58,400 --> 00:33:59,233 I FEEL LIKE THAT [bleep] JUST 1566 00:33:59,233 --> 00:34:00,767 ELEMENTARY AS HELL FOR ME. 1567 00:34:00,767 --> 00:34:01,567 MM-HMM. 1568 00:34:01,567 --> 00:34:03,067 KARLIE NEEDS TO REJUVENATE 1569 00:34:03,067 --> 00:34:04,700 KARLIE'S CAREER, AND IF YOU 1570 00:34:04,700 --> 00:34:06,367 JUMPING OFF WITH THAT, THEN JUMP 1571 00:34:06,367 --> 00:34:07,067 OFF WITH IT. 1572 00:34:07,067 --> 00:34:07,933 BUT REALLY, RASHEEDA, I'M IN 1573 00:34:07,933 --> 00:34:08,600 L.A. ALL THE TIME. 1574 00:34:08,600 --> 00:34:09,300 YOU KNOW WHAT I MEAN? 1575 00:34:09,300 --> 00:34:11,767 I'M--THEY BROUGHT ME TO UTAH. 1576 00:34:11,767 --> 00:34:12,433 YOU KNOW WHAT I MEAN? 1577 00:34:12,433 --> 00:34:13,133 I DON'T EVEN KNOW WHAT 1578 00:34:13,133 --> 00:34:13,800 THAT IS. 1579 00:34:13,800 --> 00:34:14,467 WHAT IS THAT? 1580 00:34:14,467 --> 00:34:15,333 THANK YOU. THANK YOU, BITCH. 1581 00:34:15,333 --> 00:34:16,167 I MEAN, UTAH. 1582 00:34:16,167 --> 00:34:17,100 THEY BROUGHT ME TO UTAH 1583 00:34:17,100 --> 00:34:17,867 FOR A PARTY. 1584 00:34:17,867 --> 00:34:19,067 LIKE, I'M EVERYWHERE. 1585 00:34:19,067 --> 00:34:20,133 NOW, I LOVE KARLIE. 1586 00:34:20,133 --> 00:34:20,933 DON'T GET ME WRONG. 1587 00:34:20,933 --> 00:34:22,333 BUT SHE DO BE TRYING TO ACT LIKE 1588 00:34:22,333 --> 00:34:23,867 SHE SOME BIG INTERNATIONAL POP 1589 00:34:23,867 --> 00:34:25,500 STAR WHEN SHE KNOW DAMN WELL HER 1590 00:34:25,500 --> 00:34:26,767 BIGGEST GIGS BE AT THE NEAREST 1591 00:34:26,767 --> 00:34:27,533 SHOPPING MALL. 1592 00:34:27,533 --> 00:34:28,733 I'M NOT TRYING TO SAY THE GIRL 1593 00:34:28,733 --> 00:34:30,100 AIN'T GOT TALENT, BUT THE THING 1594 00:34:30,100 --> 00:34:32,100 IS, I AIN'T SEEN IT YET. 1595 00:34:32,100 --> 00:34:32,967 IT SOUND LIKE YOU TRYING TO 1596 00:34:32,967 --> 00:34:34,067 TELL ME THAT I AIN'T HOT. 1597 00:34:34,067 --> 00:34:35,200 I MEAN, YOU HEARD-- 1598 00:34:35,200 --> 00:34:36,600 [laughs] 1599 00:34:36,600 --> 00:34:38,267 RASHEEDA, YOU HEARD MY 1600 00:34:38,267 --> 00:34:39,333 RECORDS, AND YOU WAS THE ONE 1601 00:34:39,333 --> 00:34:40,767 SAYING, "YO, THEY HOT." 1602 00:34:40,767 --> 00:34:41,700 AND LET ME TELL YOU, I WAS 1603 00:34:41,700 --> 00:34:43,500 LIKE, "BITCH, THIS IS KILLING 1604 00:34:43,500 --> 00:34:44,967 THAT GUCCI, PRADA [bleep] THAT 1605 00:34:44,967 --> 00:34:47,067 WAS ON," 'CAUSE THAT LOOK WAS 1606 00:34:47,067 --> 00:34:48,067 A HORRIBLE LOOK. 1607 00:34:48,067 --> 00:34:49,267 I HOPE YOU NOT SITTING HERE 1608 00:34:49,267 --> 00:34:50,600 ACTING LIKE, "OH, [bleep], 1609 00:34:50,600 --> 00:34:52,167 BITCH, YOUR MUSIC AIN'T HOT, SO 1610 00:34:52,167 --> 00:34:53,533 I AIN'T WORKING WITH YOU." 1611 00:34:53,533 --> 00:34:55,500 WHAT I SAW WAS HORRIBLE, AND 1612 00:34:55,500 --> 00:34:56,367 I FELT LIKE, "DAMN, THAT'S A 1613 00:34:56,367 --> 00:34:58,167 [bleep] UP LOOK SHE HAD, AND SHE 1614 00:34:58,167 --> 00:34:59,500 NEED TO REDEEM HERSELF. 1615 00:34:59,500 --> 00:35:00,833 KARLIE NEED TO REDEEM KARLIE." 1616 00:35:00,833 --> 00:35:01,767 GIRL, I GOT THIS. 1617 00:35:01,767 --> 00:35:03,133 OH, OKAY, GOOD. THAT'S GREAT. 1618 00:35:03,133 --> 00:35:03,933 I GOT THIS. 1619 00:35:03,933 --> 00:35:05,100 I HOPE YOU DO GOT IT. 1620 00:35:05,100 --> 00:35:06,100 I REALLY DO. 1621 00:35:06,100 --> 00:35:07,167 MIGHT BE WRONG ABOUT 1622 00:35:07,167 --> 00:35:09,167 THIS ONE. 1623 00:35:10,933 --> 00:35:11,933 [rock music] 1624 00:35:11,933 --> 00:35:12,867 ♪ 1625 00:35:12,867 --> 00:35:14,233 TONIGHT I'M PERFORMING AT 1626 00:35:14,233 --> 00:35:17,567 B.B. KING'S IN NEW YORK CITY. 1627 00:35:17,567 --> 00:35:19,500 THE LINE IS DOWN THE STREET, 1628 00:35:19,500 --> 00:35:21,067 BUT THE SHOW IS ALREADY 1629 00:35:21,067 --> 00:35:24,267 SOLD OUT. 1630 00:35:24,267 --> 00:35:25,967 I'MA TURN UP, HAVE A GOOD TIME, 1631 00:35:25,967 --> 00:35:27,933 NO DRAMA, NO STRESS, JUST ME AND 1632 00:35:27,933 --> 00:35:28,967 THAT MICROPHONE. 1633 00:35:28,967 --> 00:35:30,733 ♪ THEY SAY I DRINK TOO MUCH 1634 00:35:30,733 --> 00:35:31,800 ♪ CURSE TOO MUCH 1635 00:35:31,800 --> 00:35:32,967 ♪ I CAN BE A LITTLE ROUGH 1636 00:35:32,967 --> 00:35:34,600 ♪ BUT IN GOD I TRUST 1637 00:35:34,600 --> 00:35:36,867 ♪ HYPOCRITES SO QUICK TO JUDGE 1638 00:35:36,867 --> 00:35:37,933 ♪ I'M LOVING ALL MY FANS ♪ 1639 00:35:37,933 --> 00:35:39,667 ♪ Y'ALL BE SHOWING ME LOVE ♪ 1640 00:35:39,667 --> 00:35:42,200 ♪ I GOT MY FOOT IN THE DOOR 1641 00:35:42,200 --> 00:35:43,633 ♪ BUT EVERY DAY'S A-- ♪ 1642 00:35:43,633 --> 00:35:44,300 COME ON, Y'ALL. 1643 00:35:44,300 --> 00:35:45,233 ♪ IF IT MAKE YOU FEEL 1644 00:35:45,233 --> 00:35:46,567 ♪ SOME TYPE OF WAY 1645 00:35:46,567 --> 00:35:47,800 ♪ ALL I CAN SAY IS 1646 00:35:47,800 --> 00:35:50,967 ♪ YOU GONNA LEARN TODAY 1647 00:35:50,967 --> 00:35:53,633 DROP IT DOWN LOW, BAND. 1648 00:35:53,633 --> 00:35:56,767 THIS IS THE MOST AMAZING-- 1649 00:35:56,767 --> 00:35:58,967 MOST AMAZING FEELING. 1650 00:35:58,967 --> 00:36:00,533 K. DID AMAZING TONIGHT. 1651 00:36:00,533 --> 00:36:01,233 I THOUGHT SHE DID AN 1652 00:36:01,233 --> 00:36:02,133 EXCELLENT JOB. 1653 00:36:02,133 --> 00:36:03,600 THE CROWD LOVED HER, I WAS PROUD 1654 00:36:03,600 --> 00:36:05,633 OF HER, BUT WHAT I REALLY WANTED 1655 00:36:05,633 --> 00:36:07,733 TO SEE WAS HER AND MIMI MEND 1656 00:36:07,733 --> 00:36:09,167 THEIR RELATIONSHIP, IF NOT FOR 1657 00:36:09,167 --> 00:36:10,633 THEM, JUST, PLEASE, FOR ME. 1658 00:36:10,633 --> 00:36:13,300 HEY. 1659 00:36:13,300 --> 00:36:14,367 THANK YOU. 1660 00:36:14,367 --> 00:36:15,500 LET ME TALK TO THEM. 1661 00:36:15,500 --> 00:36:16,167 OKAY, ONE MINUTE. 1662 00:36:16,167 --> 00:36:17,933 OH, THANK YOU. 1663 00:36:17,933 --> 00:36:19,300 THANK YOU SO MUCH. 1664 00:36:19,300 --> 00:36:20,633 THEY SO PRETTY. 1665 00:36:20,633 --> 00:36:21,467 I LOVE THEM. 1666 00:36:21,467 --> 00:36:22,733 YOU LOOK BEAUTIFUL. 1667 00:36:22,733 --> 00:36:23,467 WHAT'S GOING ON? 1668 00:36:23,467 --> 00:36:24,300 I BROUGHT MIMI WITH ME, BUT 1669 00:36:24,300 --> 00:36:25,800 I JUST CAME IN SUPPORT, SO... 1670 00:36:25,800 --> 00:36:26,833 THANK YOU. I APPRECIATE IT. 1671 00:36:26,833 --> 00:36:28,100 I KNOW Y'ALL BOTH WANTED TO 1672 00:36:28,100 --> 00:36:29,900 SAY SOME THINGS I KNOW, SO... 1673 00:36:29,900 --> 00:36:31,100 'CAUSE I WAS A LITTLE 1674 00:36:31,100 --> 00:36:33,333 CONFUSED ABOUT THE WHOLE THING 1675 00:36:33,333 --> 00:36:34,400 THAT HAPPENED THE OTHER DAY 1676 00:36:34,400 --> 00:36:35,533 AT THE VIDEO SHOOT. 1677 00:36:35,533 --> 00:36:36,633 TELL HER WHAT YOUR ISSUE WAS, 1678 00:36:36,633 --> 00:36:39,067 K., LIKE YOU TOLD ME. 1679 00:36:39,067 --> 00:36:39,933 WHATEVER, YOU JUST SHOULD 1680 00:36:39,933 --> 00:36:40,733 HAVE MY BACK, 1681 00:36:40,733 --> 00:36:41,400 YOU KNOW WHAT I MEAN? 1682 00:36:41,400 --> 00:36:42,433 I WASN'T IN THE ROOM. 1683 00:36:42,433 --> 00:36:43,533 YOU WERE THERE WHEN IT FIRST 1684 00:36:43,533 --> 00:36:44,200 STARTED. 1685 00:36:44,200 --> 00:36:45,533 YOU WERE STANDING RIGHT THERE. 1686 00:36:45,533 --> 00:36:46,767 YOU WERE GETTING YOUR COAT 1687 00:36:46,767 --> 00:36:47,733 FLUFFED SO YOU COULD--. 1688 00:36:47,733 --> 00:36:50,067 KAY, I DIDN'T SEE ANYONE WALK 1689 00:36:50,067 --> 00:36:51,133 UP TO YOU. 1690 00:36:51,133 --> 00:36:52,167 I DIDN'T EVEN HEAR THE 1691 00:36:52,167 --> 00:36:53,733 CONVERSATION THAT OCCURRED. 1692 00:36:53,733 --> 00:36:54,800 YOU WERE HAVING GIRL TALK IN 1693 00:36:54,800 --> 00:36:56,233 A ROOM LIKE WE ALWAYS DO. 1694 00:36:56,233 --> 00:36:56,933 RIGHT. 1695 00:36:56,933 --> 00:36:58,067 HE HAPPENED TO HEAR, AND YOU 1696 00:36:58,067 --> 00:36:59,067 KNOW WHAT I SAID TO HIM? 1697 00:36:59,067 --> 00:37:00,900 "NOT NOW. IT'S NOT THE PLACE. 1698 00:37:00,900 --> 00:37:01,967 IT'S NOT THE TIME." 1699 00:37:01,967 --> 00:37:02,633 BUT-- 1700 00:37:02,633 --> 00:37:03,733 AND THAT'S WHAT I SAID. 1701 00:37:03,733 --> 00:37:05,533 IF YOU OPEN THAT DOOR AND 1702 00:37:05,533 --> 00:37:07,100 QUESTION A MAN'S SEXUALITY-- 1703 00:37:07,100 --> 00:37:08,133 HE IS GAY. 1704 00:37:08,133 --> 00:37:09,533 THEN YOU NEED TO BE PREPARED 1705 00:37:09,533 --> 00:37:11,100 FOR WHAT COMES AFTER THE FACT. 1706 00:37:11,100 --> 00:37:11,900 OKAY, BUT I DON'T WANT TO DO 1707 00:37:11,900 --> 00:37:12,700 IT--I DIDN'T WANT TO DO IT AT 1708 00:37:12,700 --> 00:37:13,433 YOUR EVENT. 1709 00:37:13,433 --> 00:37:14,700 BUT YOU DID DO IT AT MY 1710 00:37:14,700 --> 00:37:15,367 EVENT. 1711 00:37:15,367 --> 00:37:16,067 I TALKED TO YOU, YOU, 1712 00:37:16,067 --> 00:37:16,700 AND HER. 1713 00:37:16,700 --> 00:37:17,700 WE WAS ON IT, WHATEVER. 1714 00:37:17,700 --> 00:37:18,467 YOU WANTED TO QUESTION A 1715 00:37:18,467 --> 00:37:20,700 MAN'S SEXUALITY AT YOUR EVENT? 1716 00:37:20,700 --> 00:37:21,400 YOU KNOW WHAT? 1717 00:37:21,400 --> 00:37:22,733 ALL I HAVE TO SAY IS THAT 1718 00:37:22,733 --> 00:37:24,900 THERE'S NO REASON THAT A GROWN 1719 00:37:24,900 --> 00:37:26,800 MAN HAS A ROOMMATE AT THE AGE 1720 00:37:26,800 --> 00:37:27,467 OF YOUR BOYFRIEND. 1721 00:37:27,467 --> 00:37:28,633 HE'S NOT A ROOMMATE. 1722 00:37:28,633 --> 00:37:29,567 THEY HAVE A ROOMMATE. 1723 00:37:29,567 --> 00:37:30,367 I'VE BEEN OVER THERE. 1724 00:37:30,367 --> 00:37:31,100 THEY HAVE A ROOMMATE. 1725 00:37:31,100 --> 00:37:32,100 YOU BEEN OVER WHERE? 1726 00:37:32,100 --> 00:37:33,367 YOU HAVEN'T BEEN ANYWHERE 1727 00:37:33,367 --> 00:37:34,067 WITH ME. 1728 00:37:34,067 --> 00:37:34,733 MIMI. 1729 00:37:34,733 --> 00:37:35,467 LET'S BE CLEAR ON THAT. 1730 00:37:35,467 --> 00:37:36,600 IT'S NOT WORTH IT. 1731 00:37:36,600 --> 00:37:37,700 YOUR BOYFRIEND'S GAY. 1732 00:37:37,700 --> 00:37:38,733 HIS FRIEND'S GAY. 1733 00:37:38,733 --> 00:37:39,567 AND YOU DESERVE-- 1734 00:37:39,567 --> 00:37:40,700 YOU CAN RUN YOUR MOUTH 1735 00:37:40,700 --> 00:37:42,600 ALL YOU WANTED TO. 1736 00:37:42,600 --> 00:37:43,400 YOU DON'T EVEN HAVE 1737 00:37:43,400 --> 00:37:44,400 A [bleep] MAN. 1738 00:37:44,400 --> 00:37:45,933 YOU'RE ABSOLUTELY RIGHT. 1739 00:37:45,933 --> 00:37:47,400 I DON'T WANT ONE LIKE YOURS. 1740 00:37:47,400 --> 00:37:48,167 THAT'S WHAT I'M SAYING. 1741 00:37:48,167 --> 00:37:50,300 AND YOU WILL NEVER HAVE ONE. 1742 00:37:50,300 --> 00:37:51,800 STOP! 1743 00:37:51,800 --> 00:37:52,867 'CAUSE YOU'RE A WHACK-ASS 1744 00:37:52,867 --> 00:37:54,433 BITCH, AND THAT'S WHAT YOU 1745 00:37:54,433 --> 00:37:55,867 RESORT TO. 1746 00:37:55,867 --> 00:37:58,667 YOU [bleep] LAME-ASS BITCH. 1747 00:37:58,667 --> 00:38:00,167 YOU CAN'T EVEN TALK. 1748 00:38:00,167 --> 00:38:01,500 YOU GOT TO HIT SOMEBODY WITH 1749 00:38:01,500 --> 00:38:02,900 SOME [bleep] 'CAUSE YOU 1750 00:38:02,900 --> 00:38:04,167 A WHACK BITCH. 1751 00:38:04,167 --> 00:38:06,300 * OH, BA, DA-DA, DA 1752 00:38:06,300 --> 00:38:07,533 EXACTLY. 1753 00:38:07,533 --> 00:38:09,200 MY POINT EXACTLY. 1754 00:38:09,200 --> 00:38:10,900 * OH, HUM 1755 00:38:10,900 --> 00:38:11,600 YOU IN WITH-- 1756 00:38:11,600 --> 00:38:12,633 * BYE, [bleep] 1757 00:38:12,633 --> 00:38:13,333 ♪ BUH-BYE 1758 00:38:13,333 --> 00:38:14,100 EXCUSE ME. 1759 00:38:14,100 --> 00:38:16,067 THAT'S YOUR FRIEND. 1760 00:38:16,067 --> 00:38:17,200 YEAH. 1761 00:38:17,200 --> 00:38:18,267 GOOD-BYE. 1762 00:38:18,267 --> 00:38:19,800 DON'T GET ALL THIS LIQUID 1763 00:38:19,800 --> 00:38:21,400 COURAGE AND THEN TAKE IT OUT 1764 00:38:21,400 --> 00:38:22,067 ON ME. 1765 00:38:22,067 --> 00:38:23,067 BITCH AIN'T HIT YOU IN YOUR 1766 00:38:23,067 --> 00:38:24,167 [bleep] FACE. 1767 00:38:24,167 --> 00:38:25,233 SHE'S NOT GOING TO. 1768 00:38:25,233 --> 00:38:26,300 YOU DON'T MOTHER[bleep] 1769 00:38:26,300 --> 00:38:27,067 KNOW THAT. 1770 00:38:27,067 --> 00:38:29,067 ARE YOU [bleep] KIDDING ME? 1771 00:38:40,300 --> 00:38:41,300 I'M JUST SAYING THAT MIMI 1772 00:38:41,300 --> 00:38:42,333 WAS HURT AND EMBARRASSED BY 1773 00:38:42,333 --> 00:38:43,833 K.MICHELLE CALLING NIKKO 1774 00:38:43,833 --> 00:38:45,200 AND JOHNNY GAY, AND, YES, 1775 00:38:45,200 --> 00:38:46,633 K. WENT A LITTLE OVERBOARD. 1776 00:38:46,633 --> 00:38:47,533 SHE ALWAYS DOES. 1777 00:38:47,533 --> 00:38:48,200 WE KNOW THAT. 1778 00:38:48,200 --> 00:38:49,967 BUT I WAS REALLY EXPECTING MIMI 1779 00:38:49,967 --> 00:38:51,100 TO HANDLE THE SITUATION A LOT 1780 00:38:51,100 --> 00:38:52,933 MORE MATURE AND DIFFERENTLY 1781 00:38:52,933 --> 00:38:53,900 THAN SHE DID. 1782 00:38:53,900 --> 00:38:54,700 SHE DIDN'T EVEN MENTION 1783 00:38:54,700 --> 00:38:56,233 THE INTERVIEW AT ALL. 1784 00:38:56,233 --> 00:38:57,600 YOU STICKING UP MAMA'S BITCH. 1785 00:38:57,600 --> 00:38:58,500 I'M NOT STICKING UP FOR 1786 00:38:58,500 --> 00:38:59,167 NO [bleep] BODY. 1787 00:38:59,167 --> 00:39:00,233 I'M WITH YOU. 1788 00:39:00,233 --> 00:39:01,867 DON'T GET ALL THIS LIQUID 1789 00:39:01,867 --> 00:39:03,600 COURAGE AND THEN TAKE IT OUT 1790 00:39:03,600 --> 00:39:04,367 ON ME. 1791 00:39:04,367 --> 00:39:05,167 I'M NOT TAKING [bleep] OUT 1792 00:39:05,167 --> 00:39:05,867 ON YOU. 1793 00:39:05,867 --> 00:39:07,200 YOU DID IT THE OTHER DAY! 1794 00:39:07,200 --> 00:39:07,867 NO. 1795 00:39:07,867 --> 00:39:08,633 AND YOU'RE DOING THE SAME 1796 00:39:08,633 --> 00:39:09,500 [bleep] AGAIN RIGHT NOW. 1797 00:39:09,500 --> 00:39:10,433 I AIN'T DO [bleep]. 1798 00:39:10,433 --> 00:39:11,200 LET ME TELL YOU WHAT I DID 1799 00:39:11,200 --> 00:39:11,867 THE OTHER DAY. 1800 00:39:11,867 --> 00:39:12,567 I KNOW THAT. 1801 00:39:12,567 --> 00:39:13,233 I SAID, "YES"-- 1802 00:39:13,233 --> 00:39:14,067 ARE YOU [bleep] KIDDING ME? 1803 00:39:14,067 --> 00:39:14,833 "YOU NOT GONNA RUIN MY 1804 00:39:14,833 --> 00:39:15,733 MOTHER[bleep] DAY." 1805 00:39:15,733 --> 00:39:16,900 THAT'S WHAT I SAID. PERIOD. 1806 00:39:16,900 --> 00:39:17,933 I DON'T GIVE A [bleep] IF YOU 1807 00:39:17,933 --> 00:39:18,633 WAS IN THE ROOM. 1808 00:39:18,633 --> 00:39:20,433 WE ALREADY ASSESSED THAT. 1809 00:39:20,433 --> 00:39:21,100 EXACTLY. 1810 00:39:21,100 --> 00:39:22,767 I'M TELLING EVERYBODY-- 1811 00:39:22,767 --> 00:39:23,700 THEN YOU SHOULD'VE [bleep] 1812 00:39:23,700 --> 00:39:24,400 DONE THAT. 1813 00:39:24,400 --> 00:39:25,067 YOU THINK I'M DOING? 1814 00:39:25,067 --> 00:39:26,067 YOU SHOULD'VE APPROACHED THAT 1815 00:39:26,067 --> 00:39:26,933 [bleep] JUST LIKE THAT. 1816 00:39:26,933 --> 00:39:27,600 GUESS WHAT. 1817 00:39:27,600 --> 00:39:30,300 I HAD A STARTING POINT, OKAY? 1818 00:39:30,300 --> 00:39:31,367 YOUR STARTING POINT SHOULD'VE 1819 00:39:31,367 --> 00:39:32,333 BEEN, "THAT'S IT." 1820 00:39:32,333 --> 00:39:33,267 THAT'S IT, AND YOU SHOULD'VE 1821 00:39:33,267 --> 00:39:35,400 JUST MOTHER[bleep] GONE WITH IT, 1822 00:39:35,400 --> 00:39:36,067 BITCH, AND WALK 1823 00:39:36,067 --> 00:39:37,600 THE [bleep] AWAY. 1824 00:39:37,600 --> 00:39:38,767 WALK AWAY? 1825 00:39:38,767 --> 00:39:40,133 BITCH, I NEVER THE ONE TO WALK 1826 00:39:40,133 --> 00:39:41,533 THE [bleep] AWAY. 1827 00:39:41,533 --> 00:39:43,333 BITCH, I AIN'T NO WALK-AWAY-ASS 1828 00:39:43,333 --> 00:39:44,067 BITCH. 1829 00:39:44,067 --> 00:39:44,833 MIMI, ARE YOU NOT [bleep] 1830 00:39:44,833 --> 00:39:45,500 LISTENING ME? 1831 00:39:45,500 --> 00:39:46,333 I AIN'T NO WALK-AWAY-ASS 1832 00:39:46,333 --> 00:39:47,067 BITCH. 1833 00:39:47,067 --> 00:39:47,833 ARE YOU NOT LISTENING TO ME? 1834 00:39:47,833 --> 00:39:48,600 BUT BITCH DONE BRING SOME 1835 00:39:48,600 --> 00:39:49,267 AND HIT ME IN MY 1836 00:39:49,267 --> 00:39:50,100 MOTHER[bleep] FACE. 1837 00:39:50,100 --> 00:39:50,933 BITCH, YOU COULD'VE WALKED 1838 00:39:50,933 --> 00:39:52,667 AWAY BEFORE SHE EVEN DID THAT. 1839 00:39:52,667 --> 00:39:53,500 BITCH AIN'T HIT YOU IN YOUR 1840 00:39:53,500 --> 00:39:54,700 [bleep] FACE! 1841 00:39:54,700 --> 00:39:55,733 SHE'S NOT GOING TO. 1842 00:39:55,733 --> 00:39:56,767 YOU DON'T MOTHER[bleep] 1843 00:39:56,767 --> 00:39:58,400 KNOW THAT. 1844 00:39:58,400 --> 00:39:59,667 YOU DON'T MOTHER[bleep] KNOW 1845 00:39:59,667 --> 00:40:01,333 THAT, JUST LIKE THAT BITCH'LL 1846 00:40:01,333 --> 00:40:03,300 TURN ON YOU IN A [bleep] SECOND. 1847 00:40:03,300 --> 00:40:04,733 I NEVER SAID SHE WOULDN'T. 1848 00:40:04,733 --> 00:40:06,300 YOU WANT TO BEFRIEND THIS 1849 00:40:06,300 --> 00:40:08,400 [bleep] WHACK-ASS BITCH? 1850 00:40:08,400 --> 00:40:11,033 ARE YOU [bleep] KIDDING ME? 1851 00:40:14,467 --> 00:40:15,433 ON THE NEXT LOVE AND HIP-HOP: 1852 00:40:15,433 --> 00:40:16,100 ATLANTA... 1853 00:40:16,100 --> 00:40:17,067 WHAT DO YOU FEEL, AS MY 1854 00:40:17,067 --> 00:40:18,967 FRIEND, ABOUT MY RELATIONSHIP? 1855 00:40:18,967 --> 00:40:20,500 I FEEL LIKE HE'S UNAUTHENTIC 1856 00:40:20,500 --> 00:40:21,667 SOMETIMES. 1857 00:40:21,667 --> 00:40:22,467 HMM. 1858 00:40:22,467 --> 00:40:23,500 DO YOU THINK SHE LOVE HIM? 1859 00:40:23,500 --> 00:40:24,500 ABSOLUTELY NOT. 1860 00:40:24,500 --> 00:40:25,867 FIRST YOU GO FROM STEVIE. 1861 00:40:25,867 --> 00:40:27,100 NOW SHE ON HIS BUS. 1862 00:40:27,100 --> 00:40:28,833 NOW SHE ON THE PINK BUS. 1863 00:40:28,833 --> 00:40:29,667 WANT TO MAKE SURE YOU'RE NOT 1864 00:40:29,667 --> 00:40:31,200 FOCUSING ON BEEFIN' WITH PEOPLE. 1865 00:40:31,200 --> 00:40:32,900 THESE INCIDENTS ARE 1866 00:40:32,900 --> 00:40:34,333 DIMINISHING YOUR BRAND. 1867 00:40:34,333 --> 00:40:35,300 I DON'T WANT TO LET MY FANS 1868 00:40:35,300 --> 00:40:36,733 OUT THERE--I DON'T WANT TO LET 1869 00:40:36,733 --> 00:40:37,767 THEM DOWN. 1870 00:40:37,767 --> 00:40:38,733 I GOT MYSELF KNOCKED UP. 1871 00:40:38,733 --> 00:40:39,400 OKAY. 1872 00:40:39,400 --> 00:40:40,133 I DON'T KNOW. 1873 00:40:40,133 --> 00:40:40,833 SO WHAT YOU THINK, I'M 1874 00:40:40,833 --> 00:40:41,500 [bleep] AROUND? 1875 00:40:41,500 --> 00:40:43,867 WHAT ARE RAPPERS KNOWN FOR? 1876 00:40:43,867 --> 00:40:44,733 WHATEVER I DID THAT'S SO 1877 00:40:44,733 --> 00:40:45,400 WRONG TO YOU? 1878 00:40:45,400 --> 00:40:46,400 WE WAS JUST [bleep] SIX DAYS 1879 00:40:46,400 --> 00:40:48,667 BEFORE YOU PROPOSED, HOMEBOY. 1880 00:40:48,667 --> 00:40:49,467 YOU HAVE TO SIT DOWN 1881 00:40:49,467 --> 00:40:50,133 WITH CHE'. 1882 00:40:50,133 --> 00:40:50,800 COME ON. 1883 00:40:50,800 --> 00:40:51,500 LET ME FIND THAT YOU'RE 1884 00:40:51,500 --> 00:40:53,233 SMASHING HER, AND I'MA SMASH 1885 00:40:53,233 --> 00:40:54,967 YOUR [bleep] HEAD OPEN. 1886 00:40:54,967 --> 00:40:55,667 YOU'RE NOT GONNA PLAY ME. 1887 00:40:55,667 --> 00:40:56,333 GOOD. 1888 00:40:56,333 --> 00:40:57,167 YOU NEEDED TO BE DONE WITH MY 1889 00:40:57,167 --> 00:40:58,333 PROJECT BEFORE YOU COULD START-- 1890 00:40:58,333 --> 00:40:59,467 YOUR PROJECT WAS DONE BEFORE 1891 00:40:59,467 --> 00:41:00,367 IT STARTED. 1892 00:41:00,367 --> 00:41:01,533 YOU'RE A BITCH. 1893 00:41:01,533 --> 00:41:02,967 YOU SIGNED FOR LIFE. 1894 00:41:02,967 --> 00:41:04,967 BYE. 1895 00:41:20,833 --> 00:41:21,700 TYLER IS DOING A FIGURE EIGHT 1896 00:41:21,700 --> 00:41:22,367 OVER THERE. 1897 00:41:22,367 --> 00:41:23,100 [chuckles] 1898 00:41:23,100 --> 00:41:23,867 HE'S GOING AGAIN. 1899 00:41:23,867 --> 00:41:24,767 AND THERE GO MERLOT. 1900 00:41:24,767 --> 00:41:26,500 SEE, MERLOT'S GOING AGAIN. 1901 00:41:26,500 --> 00:41:28,167 SO THAT'S A GOOD THING. 1902 00:41:28,167 --> 00:41:29,500 SEE, TYLER'S POOPING NOW. 1903 00:41:29,500 --> 00:41:30,300 YUP. 1904 00:41:30,300 --> 00:41:31,133 IF YOU STILL-- 1905 00:41:31,133 --> 00:41:32,133 COME HERE, MERLOT. 1906 00:41:32,133 --> 00:41:33,733 SCRAPPY MERLOT JONES, 1907 00:41:33,733 --> 00:41:34,733 BEFORE I SPANK YOUR PAWS. 1908 00:41:34,733 --> 00:41:35,400 [chuckles] 1909 00:41:35,400 --> 00:41:37,533 YEAH, SO IS HIS NAME MERLOT? 1910 00:41:37,533 --> 00:41:38,200 SCRAPPY? 1911 00:41:38,200 --> 00:41:39,400 IT'S SCRAPPY MERLOT. 1912 00:41:39,400 --> 00:41:40,467 BUT THAT'S YOUR SON NAME. 1913 00:41:40,467 --> 00:41:41,133 YEAH. 1914 00:41:41,133 --> 00:41:41,833 SO YOU NAMED HIM AFTER 1915 00:41:41,833 --> 00:41:42,567 YOUR SON? 1916 00:41:42,567 --> 00:41:43,467 SCRAPPY NAMED HIM. 1917 00:41:43,467 --> 00:41:44,400 SCRAPPY NAMED HIM AFTER 1918 00:41:44,400 --> 00:41:45,400 HIMSELF. 1919 00:41:45,400 --> 00:41:46,233 I THINK SO. 1920 00:41:46,233 --> 00:41:47,233 THAT'S WHY SHE MISTREATED HIM 1921 00:41:47,233 --> 00:41:47,933 AND GAVE HIM THE BOOT. 1922 00:41:47,933 --> 00:41:49,933 OKAY. 117756