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These are the user uploaded subtitles that are being translated: 1 00:00:02,400 --> 00:00:03,400 PREVIOUSLY ON LOVE AND 2 00:00:03,400 --> 00:00:07,033 HIP-HOP: ATLANTA... 3 00:00:07,033 --> 00:00:08,200 I TOLD MIMI I FEEL LIKE 4 00:00:08,200 --> 00:00:09,267 SHE HAS A TYPE. 5 00:00:09,267 --> 00:00:11,133 WHATEVER STEVIE "HAD" IS NOT 6 00:00:11,133 --> 00:00:13,167 THE SAME [bleep] HE HAS. 7 00:00:13,167 --> 00:00:14,133 I'M SHOOTING A VIDEO THAT 8 00:00:14,133 --> 00:00:15,633 I'M PUTTING MIMI IN, AND I WANT 9 00:00:15,633 --> 00:00:17,133 YOU GUYS TO SHOW US 10 00:00:17,133 --> 00:00:18,067 SOME SUPPORT. 11 00:00:18,067 --> 00:00:19,633 I NEVER WANT TO FEEL LIKE MY 12 00:00:19,633 --> 00:00:20,867 FRIENDS ARE HURT BY ANY OF 13 00:00:20,867 --> 00:00:22,867 MY ACTIONS. 14 00:00:22,867 --> 00:00:24,200 I WENT THROUGH YOUR PHONE, 15 00:00:24,200 --> 00:00:25,500 SEEING YOU TEXTING, TALKING 16 00:00:25,500 --> 00:00:27,467 WITH FEMALES AND WHATNOT. 17 00:00:27,467 --> 00:00:28,467 I'M GONNA JUST BE STRAIGHT UP. 18 00:00:28,467 --> 00:00:30,333 I THINK WE NEED A BREAK. 19 00:00:30,333 --> 00:00:31,067 BUT YOU KNOW MAMA GOT 20 00:00:31,067 --> 00:00:31,733 YOUR BACK. 21 00:00:31,733 --> 00:00:32,767 BUT JUST HAVE MY BACK 22 00:00:32,767 --> 00:00:34,300 WAY IN THE BACK. 23 00:00:34,300 --> 00:00:35,700 I JUST WANT YOU TO KNOW, 24 00:00:35,700 --> 00:00:37,067 YOU KNOW, MY DOOR'S ALWAYS OPEN 25 00:00:37,067 --> 00:00:37,733 FOR YOU. 26 00:00:37,733 --> 00:00:38,667 YOUR DOORS ARE ALWAYS OPEN 27 00:00:38,667 --> 00:00:40,333 FOR ANY [bleep]. 28 00:00:40,333 --> 00:00:42,300 LOOK WHAT THE WIND BLEW IN. 29 00:00:42,300 --> 00:00:44,667 HI, STEVIE. 30 00:00:44,667 --> 00:00:46,567 JOSELINE, LET'S DO THIS 31 00:00:46,567 --> 00:00:47,500 LIKE BRUTUS. 32 00:00:47,500 --> 00:00:48,433 LISTEN, I DON'T TALK TO 33 00:00:48,433 --> 00:00:49,267 THE HELP. 34 00:00:49,267 --> 00:00:52,167 [screaming] 35 00:00:52,167 --> 00:00:53,167 YOU TRAIN THESE [bleep]. 36 00:00:53,167 --> 00:00:54,067 THEY DON'T OPEN 37 00:00:54,067 --> 00:00:55,033 THEY [bleep] MOUTH. 38 00:00:55,033 --> 00:00:56,533 SAY SOMETHING AGAIN. 39 00:00:56,533 --> 00:00:57,733 GET OFF ME! 40 00:00:57,733 --> 00:00:58,767 THIS HAS NOTHING TO DO 41 00:00:58,767 --> 00:00:59,600 WITH THIS. 42 00:00:59,600 --> 00:01:01,067 THIS HAS EVERYTHING TO DO 43 00:01:01,067 --> 00:01:02,100 WITH THIS. 44 00:01:02,100 --> 00:01:03,500 GIVE ME SOME LOVE. 45 00:01:03,500 --> 00:01:04,567 MAN, YOU AND RASHEEDA, MAN, 46 00:01:04,567 --> 00:01:05,600 Y'ALL SEEM LIKE THE PERFECT 47 00:01:05,600 --> 00:01:06,333 COUPLE, LIKE-- 48 00:01:06,333 --> 00:01:07,667 BUT YOU GOT TO UNDERSTAND, 49 00:01:07,667 --> 00:01:08,800 WHEN THINGS AIN'T RIGHT-- 50 00:01:08,800 --> 00:01:10,400 WHAT ARE YOU GONNA DO? 51 00:01:10,400 --> 00:01:11,767 MISS FROST, 52 00:01:11,767 --> 00:01:13,600 YOUR PREGNANCY TEST IS POSITIVE. 53 00:01:13,600 --> 00:01:14,600 THAT TOPIC COULD BE, LIKE, 54 00:01:14,600 --> 00:01:17,400 Y'ALL BREAKTHROUGH, REALLY. 55 00:01:17,400 --> 00:01:18,400 [hip-hop music] 56 00:01:18,400 --> 00:01:19,200 ♪ 57 00:01:19,200 --> 00:01:20,833 * THIS IS THE LIFE 58 00:01:20,833 --> 00:01:21,767 ♪ THIS IS THE LIFE 59 00:01:21,767 --> 00:01:22,433 * YEAH 60 00:01:22,433 --> 00:01:23,167 * THIS IS THE LIFE 61 00:01:23,167 --> 00:01:24,067 ♪ THIS IS THE LIFE 62 00:01:24,067 --> 00:01:24,733 * 'SUP ♪ 63 00:01:24,733 --> 00:01:25,600 * THIS IS THE LIFE 64 00:01:25,600 --> 00:01:26,633 ♪ THIS IS THE LIFE 65 00:01:26,633 --> 00:01:27,300 * HUH 66 00:01:27,300 --> 00:01:28,067 * THIS IS THE LIFE 67 00:01:28,067 --> 00:01:31,167 ♪ THIS IS THE LIFE 68 00:01:31,167 --> 00:01:31,833 * HUH 69 00:01:31,833 --> 00:01:32,733 ♪ THERE AIN'T NOTHING LIKE ♪ 70 00:01:32,733 --> 00:01:33,833 ♪ HIP-HOP MUSIC 71 00:01:33,833 --> 00:01:36,067 ♪ MUSIC 72 00:01:36,067 --> 00:01:37,300 * THIS IS THE LIFE 73 00:01:37,300 --> 00:01:41,733 ♪ THIS IS THE LIFE 74 00:01:51,533 --> 00:01:52,500 HI. 75 00:01:52,500 --> 00:01:53,233 HI, HI. 76 00:01:53,233 --> 00:01:54,200 HOW ARE YOU? 77 00:01:54,200 --> 00:01:55,600 SO STEVIE CALLS 'CAUSE HE WANTS 78 00:01:55,600 --> 00:01:57,233 TO TALK ABOUT THE SITUATION 79 00:01:57,233 --> 00:01:58,400 WITH THE BABY. 80 00:01:58,400 --> 00:01:59,433 HE STILL DOESN'T KNOW WHERE EVEN 81 00:01:59,433 --> 00:02:00,233 I LIVE-- 82 00:02:00,233 --> 00:02:01,500 THANK GOD-- 83 00:02:01,500 --> 00:02:02,300 BUT I KNOW HE'S GONNA 84 00:02:02,300 --> 00:02:03,500 INTERROGATE ME ABOUT IT. 85 00:02:03,500 --> 00:02:04,400 WHAT'S NEW WITH YOU? 86 00:02:04,400 --> 00:02:06,567 OH. 87 00:02:06,567 --> 00:02:07,600 I HEAR WHAT'S NEW. 88 00:02:07,600 --> 00:02:08,367 WHAT? 89 00:02:08,367 --> 00:02:09,200 WHAT DO YOU HEAR? 90 00:02:09,200 --> 00:02:11,200 GOT A NEW GUY NOW, HUH? 91 00:02:11,200 --> 00:02:12,267 STEVIE. 92 00:02:12,267 --> 00:02:13,700 WHAT THIS DUDE DO? 93 00:02:13,700 --> 00:02:14,533 I THOUGHT WE WERE TALKING 94 00:02:14,533 --> 00:02:16,067 ABOUT OUR DAUGHTER. 95 00:02:16,067 --> 00:02:16,933 YOU KNOW, WORD ON THE STREET 96 00:02:16,933 --> 00:02:18,267 IS, MIMI'S RUNNING AROUND WITH 97 00:02:18,267 --> 00:02:20,200 A KNOCKOFF STEVIE J. 98 00:02:20,200 --> 00:02:23,167 COME ON, WHY HAVE SECOND TIER 99 00:02:23,167 --> 00:02:23,867 WHEN YOU COULD BE SITTING 100 00:02:23,867 --> 00:02:25,300 IN THE PENTHOUSE? 101 00:02:25,300 --> 00:02:26,633 I'M HAPPY THAT YOU'RE HAPPY, 102 00:02:26,633 --> 00:02:27,700 YOU KNOW WHAT I'M SAYING? 103 00:02:27,700 --> 00:02:28,367 ARE YOU? 104 00:02:28,367 --> 00:02:29,233 YEAH, BUT HE BETTER GET HIS 105 00:02:29,233 --> 00:02:30,967 TRACK SHOES ON. 106 00:02:30,967 --> 00:02:32,500 KEEP UP AROUND HERE. 107 00:02:32,500 --> 00:02:34,667 THIS IS NO COMPETITION-- 108 00:02:34,667 --> 00:02:35,733 THE ONLY COMPETITION'S LIKE 109 00:02:35,733 --> 00:02:37,700 PRINCE AND MICHAEL JACKSON 110 00:02:37,700 --> 00:02:38,367 [bleep]. 111 00:02:38,367 --> 00:02:39,467 SO--OKAY, SO WHAT'S 112 00:02:39,467 --> 00:02:40,200 THE PROBLEM? 113 00:02:40,200 --> 00:02:42,167 AND QUINCY JONES AND ALL. 114 00:02:42,167 --> 00:02:43,867 HE IN THE MUSIC BUSINESS, RIGHT? 115 00:02:43,867 --> 00:02:45,733 MM-HMM. 116 00:02:45,733 --> 00:02:47,100 PLAY THE BANJO. 117 00:02:47,100 --> 00:02:48,567 WHAT--WHAT YOU SO WORRIED 118 00:02:48,567 --> 00:02:49,233 ABOUT HIM FOR? 119 00:02:49,233 --> 00:02:49,933 IT'S NOT--I'M NOT. 120 00:02:49,933 --> 00:02:50,933 I'M NOT WORRIED. 121 00:02:50,933 --> 00:02:52,500 YOU KNOW, EVEN SUPERMAN NEEDED 122 00:02:52,500 --> 00:02:53,967 A STUNT DOUBLE, YOU FEEL ME? 123 00:02:53,967 --> 00:02:55,567 STUNT DOUBLE? 124 00:02:55,567 --> 00:02:56,400 WHAT ARE WE TALKING ABOUT? 125 00:02:56,400 --> 00:02:58,233 I WANT TO TALK ABOUT EVA, 126 00:02:58,233 --> 00:02:59,700 'CAUSE WE HAVE TO COME TO SOME 127 00:02:59,700 --> 00:03:00,800 SORT OF... 128 00:03:00,800 --> 00:03:03,900 COMMON GROUND. 129 00:03:03,900 --> 00:03:05,400 WELL, YOU KNOW, I LIKE HER 130 00:03:05,400 --> 00:03:06,567 TO SEE ME ALL THE TIME, JUST 131 00:03:06,567 --> 00:03:07,833 LIKE YOU LIKE HER TO SEE YOU 132 00:03:07,833 --> 00:03:08,733 ALL THE TIME, SO WE GOT TO 133 00:03:08,733 --> 00:03:09,733 FIGURE THAT OUT. 134 00:03:09,733 --> 00:03:11,967 WELL, YOU CLEARLY KNOW 135 00:03:11,967 --> 00:03:13,133 I DON'T LIKE MY DAUGHTER 136 00:03:13,133 --> 00:03:14,533 AROUND YOUR FRIEND. 137 00:03:14,533 --> 00:03:15,300 I DON'T SEE WHAT'S 138 00:03:15,300 --> 00:03:15,967 THE PROBLEM. 139 00:03:15,967 --> 00:03:16,667 YOU DON'T? 140 00:03:16,667 --> 00:03:17,533 SHE'S NOT A THREAT TO HER. 141 00:03:17,533 --> 00:03:18,800 SHE'S COMPLETELY 142 00:03:18,800 --> 00:03:21,700 INAPPROPRIATE FOR A TODDLER. 143 00:03:21,700 --> 00:03:22,400 IT'S NOT LIKE WHEN SHE 144 00:03:22,400 --> 00:03:23,967 AROUND, SHE'S DOING, YOU KNOW, 145 00:03:23,967 --> 00:03:24,967 CRAZY THINGS OR NOTHING. 146 00:03:24,967 --> 00:03:25,633 REALLY? 147 00:03:25,633 --> 00:03:26,300 YEAH. 148 00:03:26,300 --> 00:03:27,533 REALLY? 149 00:03:27,533 --> 00:03:30,167 I MISS YOU. 150 00:03:30,167 --> 00:03:31,900 OF COURSE STEVIE MISSES ME 151 00:03:31,900 --> 00:03:33,167 BUT ONLY WHEN IT'S CONVENIENT 152 00:03:33,167 --> 00:03:34,167 FOR HIM. 153 00:03:34,167 --> 00:03:35,467 HE HAS TO REALIZE THAT I'M HAPPY 154 00:03:35,467 --> 00:03:36,500 WHERE I AM RIGHT NOW. 155 00:03:36,500 --> 00:03:37,900 HE CAN MISS ME ALL HE WANTS. 156 00:03:37,900 --> 00:03:39,300 HE ONLY MISSES ME WHEN, YOU 157 00:03:39,300 --> 00:03:40,200 KNOW, SOMETHING'S GOING ON WITH 158 00:03:40,200 --> 00:03:41,733 HIM AND HIS GIRL, SO GET OUT OF 159 00:03:41,733 --> 00:03:42,800 HERE WITH THAT. 160 00:03:42,800 --> 00:03:44,767 HOW DID YOU GET THIS TATTOO? 161 00:03:44,767 --> 00:03:46,567 I GOT THIS TATTOO BECAUSE 162 00:03:46,567 --> 00:03:47,633 OF YOU. 163 00:03:47,633 --> 00:03:49,667 I WAS IN LOVE WITH YOU. 164 00:03:49,667 --> 00:03:51,633 YOU WERE, RIGHT? 165 00:03:51,633 --> 00:03:53,333 YES, I WAS. 166 00:03:53,333 --> 00:03:54,767 ALL RIGHT, SO JUST KNOW THAT 167 00:03:54,767 --> 00:03:56,267 WE'RE BONDED FOREVER, NOT JUST 168 00:03:56,267 --> 00:03:58,233 BECAUSE OF THE TATTOO, FOR OUR 169 00:03:58,233 --> 00:03:59,367 DAUGHTER TOO. 170 00:03:59,367 --> 00:04:01,067 SO THIS IS TO US BEING GREAT 171 00:04:01,067 --> 00:04:03,067 PARENTS AND FIGURING OUT HOW WE 172 00:04:03,067 --> 00:04:04,967 GONNA HAVE AN ILLUSTRIOUS LIFE 173 00:04:04,967 --> 00:04:06,367 WITH EVA. 174 00:04:06,367 --> 00:04:07,233 YOU NEVER KNOW WHAT HAPPENS 175 00:04:07,233 --> 00:04:09,567 IN THE FUTURE. 176 00:04:09,567 --> 00:04:10,800 I NEVER GIVE UP. 177 00:04:10,800 --> 00:04:11,967 I'M NOT A QUITTER. 178 00:04:11,967 --> 00:04:13,967 NEITHER AM I. 179 00:04:28,167 --> 00:04:29,300 TRACI HAS BEEN IN MY CIRCLE 180 00:04:29,300 --> 00:04:31,400 FOR YEARS, BUT WE KIND OF LOST 181 00:04:31,400 --> 00:04:32,433 CONTACT FOR A MINUTE. 182 00:04:32,433 --> 00:04:33,667 OW. 183 00:04:33,667 --> 00:04:35,067 BAD BITCH IN THE BUILDING. 184 00:04:35,067 --> 00:04:36,300 BUT FOR ME REALLY LOSING MY 185 00:04:36,300 --> 00:04:37,467 BRAIN OVER SCRAPPY... 186 00:04:37,467 --> 00:04:38,400 HEY, BOO. 187 00:04:38,400 --> 00:04:39,967 AND FROM TRACI WORKING SO HARD 188 00:04:39,967 --> 00:04:41,700 AND RAISING HER BABY ON HER OWN, 189 00:04:41,700 --> 00:04:43,267 AT THIS TIME, IT'S TIME FOR US 190 00:04:43,267 --> 00:04:44,067 TO CATCH UP. 191 00:04:44,067 --> 00:04:45,167 I KNOW YOU KNOW WHAT HAPPENED. 192 00:04:45,167 --> 00:04:46,067 THEY STILL TOGETHER, RIGHT? 193 00:04:46,067 --> 00:04:46,900 I DON'T KNOW WHAT THE [bleep] 194 00:04:46,900 --> 00:04:47,733 IS GOING ON, 'CAUSE I'M TRYING 195 00:04:47,733 --> 00:04:48,433 TO STAY OUT OF IT. 196 00:04:48,433 --> 00:04:50,433 IT AIN'T MY BUSINESS AT ALL. 197 00:04:50,433 --> 00:04:51,733 COME ON. 198 00:04:51,733 --> 00:04:53,567 I'MA BE 100. 199 00:04:53,567 --> 00:04:54,233 BE 100! 200 00:04:54,233 --> 00:04:55,067 I'MA BE 100. 201 00:04:55,067 --> 00:04:56,833 THE LAST TIME I SEEN THAT MAN, 202 00:04:56,833 --> 00:04:57,800 I DIDN'T KNOW WHETHER TO PUNCH 203 00:04:57,800 --> 00:05:00,200 THAT BITCH OR FIGHT HIM. 204 00:05:00,200 --> 00:05:00,900 [bleep] HIM. 205 00:05:00,900 --> 00:05:01,567 FIGHT HIM. 206 00:05:01,567 --> 00:05:02,533 [laughs] 207 00:05:02,533 --> 00:05:03,667 IT'S LIKE I'M CAUGHT BETWEEN 208 00:05:03,667 --> 00:05:05,400 TWO SITUATIONS: DO I WANT TO 209 00:05:05,400 --> 00:05:07,300 MAKE HIM PAY FOR WHAT HE DID, 210 00:05:07,300 --> 00:05:09,133 OR DO I JUST WANT TO SAY, 211 00:05:09,133 --> 00:05:09,833 "FORGET IT. 212 00:05:09,833 --> 00:05:10,500 SCREW IT. 213 00:05:10,500 --> 00:05:11,400 GO ON WITH YOUR LIFE, AND I 214 00:05:11,400 --> 00:05:12,133 DO MINE"? 215 00:05:12,133 --> 00:05:13,800 AS BAD AS I WANT TO DO CERTAIN 216 00:05:13,800 --> 00:05:15,133 NEGATIVE THINGS TO HIM, I CAN'T, 217 00:05:15,133 --> 00:05:15,867 'CAUSE THAT'S WHAT YOU 218 00:05:15,867 --> 00:05:17,067 CALL LOYALTY. 219 00:05:17,067 --> 00:05:18,467 YEAH, HE DID ME WRONG, BUT 220 00:05:18,467 --> 00:05:19,367 RETURNING THE FAVOR AIN'T GONNA 221 00:05:19,367 --> 00:05:21,267 MAKE ME FEEL GOOD, BUT MAKING 222 00:05:21,267 --> 00:05:22,100 HIM FEEL A LITTLE BIT OF 223 00:05:22,100 --> 00:05:23,267 SOMETHING MIGHT. 224 00:05:23,267 --> 00:05:24,267 IT'S NOT WORTH IT, 'CAUSE 225 00:05:24,267 --> 00:05:25,233 I'VE BEEN THERE. 226 00:05:25,233 --> 00:05:26,433 THE PAYBACK IS NOT WORTH IT. 227 00:05:26,433 --> 00:05:27,333 PAYBACK IS NOT WORTH IT. 228 00:05:27,333 --> 00:05:28,067 YEAH. 229 00:05:28,067 --> 00:05:28,733 I'VE DONE IT ALL. 230 00:05:28,733 --> 00:05:30,167 EVERYTHING YOU POSSIBLY IMAGINE 231 00:05:30,167 --> 00:05:32,133 A WOMAN TO DO TO PAY BACK AND 232 00:05:32,133 --> 00:05:34,067 GET REVENGE AND MAKE HIM HURT 233 00:05:34,067 --> 00:05:35,900 AND MAKE HIM FEEL IT, I DID IT. 234 00:05:35,900 --> 00:05:37,967 BUSTING TIRES, BREAKING WINDOWS, 235 00:05:37,967 --> 00:05:39,100 BEATING UP GIRLS, EVERYTHING YOU 236 00:05:39,100 --> 00:05:40,067 COULD THINK OF, 'CAUSE I WAS 237 00:05:40,067 --> 00:05:41,667 IN SO MUCH PAIN, AND IT HURT 238 00:05:41,667 --> 00:05:43,367 SO BAD, AND-- 239 00:05:43,367 --> 00:05:45,067 HOW'D YOU GET THROUGH IT? 240 00:05:45,067 --> 00:05:46,467 TIME. 241 00:05:46,467 --> 00:05:47,700 [stammers] 242 00:05:47,700 --> 00:05:49,067 YEAH, EVERYBODY KEEP TELLING ME 243 00:05:49,067 --> 00:05:49,700 THE SAME THING. 244 00:05:49,700 --> 00:05:50,633 THAT'S IT. 245 00:05:50,633 --> 00:05:51,367 TIME. 246 00:05:51,367 --> 00:05:52,167 "TIME, TIME, TIME" IS-- 247 00:05:52,167 --> 00:05:52,833 TIME. 248 00:05:52,833 --> 00:05:53,667 I DON'T GOT TIME FOR THAT. 249 00:05:53,667 --> 00:05:54,467 [laughs] 250 00:05:54,467 --> 00:05:55,433 YOU DON'T HAVE TIME FOR TIME? 251 00:05:55,433 --> 00:05:56,300 THAT NEEDED TO HAPPEN 252 00:05:56,300 --> 00:05:57,767 YESTERDAY. 253 00:05:57,767 --> 00:05:59,067 YOU DON'T WANT NO WARRANTS, 254 00:05:59,067 --> 00:06:01,500 SO YOU GOT TO LET IT GO. 255 00:06:01,500 --> 00:06:02,700 WHAT YOU MEAN? 256 00:06:02,700 --> 00:06:03,833 NO PLOTTING. 257 00:06:03,833 --> 00:06:05,500 NO SCHEMING. 258 00:06:05,500 --> 00:06:06,400 YOU'RE DONE. 259 00:06:06,400 --> 00:06:07,233 NO GETTING BACK AT HIM. 260 00:06:07,233 --> 00:06:08,633 NO TRYING TO MAKE HIM FEEL 261 00:06:08,633 --> 00:06:09,300 WHAT YOU FELT. 262 00:06:09,300 --> 00:06:09,967 YOU MEAN GET WITH 263 00:06:09,967 --> 00:06:11,267 SOMEBODY ELSE? 264 00:06:11,267 --> 00:06:13,267 JUST MOVE ON. 265 00:06:13,267 --> 00:06:14,067 [clicks tongue] 266 00:06:14,067 --> 00:06:17,067 [stammers and groans] 267 00:06:25,633 --> 00:06:26,633 HEY. 268 00:06:26,633 --> 00:06:28,633 WHAT UP? 269 00:06:28,633 --> 00:06:31,400 WHAT ARE WE HAVING? 270 00:06:31,400 --> 00:06:33,167 I WAS HOPING YOU COULD SPARE 271 00:06:33,167 --> 00:06:34,967 ME A LITTLE BIT OF YOUR TIME 272 00:06:34,967 --> 00:06:36,400 BEFORE YOU LEAVE. 273 00:06:36,400 --> 00:06:37,733 OF COURSE. 274 00:06:37,733 --> 00:06:39,267 WHY YOU SAY "SPARE"? 275 00:06:39,267 --> 00:06:41,067 THAT'S NORMAL. 276 00:06:41,067 --> 00:06:42,233 WELL, BECAUSE, YOU KNOW, 277 00:06:42,233 --> 00:06:43,367 I MEAN, LATELY WE AIN'T BEEN 278 00:06:43,367 --> 00:06:44,333 IN A GOOD PLACE. 279 00:06:44,333 --> 00:06:46,167 JUST KEEPING IT REAL, YOU KNOW? 280 00:06:46,167 --> 00:06:47,167 I'M GLAD RASHEEDA SAID 281 00:06:47,167 --> 00:06:48,300 SOMETHING TO ME 'CAUSE WE REALLY 282 00:06:48,300 --> 00:06:49,367 HAVEN'T HAD A MINUTE TO LAY 283 00:06:49,367 --> 00:06:50,533 EVERYTHING ON THE TABLE. 284 00:06:50,533 --> 00:06:51,567 I'VE BEEN TRYING NOT TO EVEN 285 00:06:51,567 --> 00:06:52,600 BUMP HEADS WITH HER, JUST STAY 286 00:06:52,600 --> 00:06:53,967 AWAY, BECAUSE I KNOW THAT SHE'S 287 00:06:53,967 --> 00:06:55,067 DOING SOMETHING THAT I'M NOT 288 00:06:55,067 --> 00:06:56,467 INTO RIGHT NOW. 289 00:06:56,467 --> 00:06:58,067 I DON'T FEEL LIKE GETTING TO 290 00:06:58,067 --> 00:06:59,200 A PLACE WHERE I DON'T WANT TO 291 00:06:59,200 --> 00:07:00,233 BE AROUND. 292 00:07:00,233 --> 00:07:00,900 I DON'T KNOW. 293 00:07:00,900 --> 00:07:02,400 I'D RATHER GO RIDE A BIKE 294 00:07:02,400 --> 00:07:03,667 OR FIND SPACE. 295 00:07:03,667 --> 00:07:05,133 WE GOT TO BE AROUND EACH OTHER, 296 00:07:05,133 --> 00:07:06,500 BUT SOMETIME I BE LIKE, "WHAT, 297 00:07:06,500 --> 00:07:10,200 DO WE NEED TO TAKE A BREAK 298 00:07:10,200 --> 00:07:12,200 AND GO LEFT AND SIT DOWN AND 299 00:07:12,200 --> 00:07:14,067 FIGURE OUT PEACE AMONGST 300 00:07:14,067 --> 00:07:14,700 ONE ANOTHER?" 301 00:07:14,700 --> 00:07:16,167 IS THAT YOU FEELING LIKE? 302 00:07:16,167 --> 00:07:16,933 YOU FEELING LIKE YOU WANT TO 303 00:07:16,933 --> 00:07:18,400 TAKE A BREAK? 304 00:07:18,400 --> 00:07:19,433 'CAUSE I DIDN'T KNOW YOU REALLY, 305 00:07:19,433 --> 00:07:21,567 LIKE, TAKE BREAKS IN A MARRIAGE. 306 00:07:21,567 --> 00:07:24,067 LIKE, I FEEL LIKE IT'S LIKE-- 307 00:07:24,067 --> 00:07:25,300 YOU WORK YOUR [bleep] OUT. 308 00:07:25,300 --> 00:07:27,133 KIRK AND I HAVE REAL ISSUES, 309 00:07:27,133 --> 00:07:27,867 FROM HIS BROTHER'S HEART 310 00:07:27,867 --> 00:07:29,833 TRANSPLANT TO HIS SON'S LEGAL 311 00:07:29,833 --> 00:07:31,567 ISSUES, BUT LET'S DEAL WITH IT 312 00:07:31,567 --> 00:07:32,833 INSTEAD OF RUNNING FROM IT. 313 00:07:32,833 --> 00:07:34,233 I ALREADY OFFERED A SOLUTION: 314 00:07:34,233 --> 00:07:35,267 MY JEWELRY LINE, WHICH IS 315 00:07:35,267 --> 00:07:36,867 A SLAM DUNK MONEYMAKER. 316 00:07:36,867 --> 00:07:38,267 WITH THE STORE SITUATION, I LOOK 317 00:07:38,267 --> 00:07:40,067 AT LIKE, YOU KNOW, AT FIRST, 318 00:07:40,067 --> 00:07:41,567 YOU'RE LIKE, "YES, RASHEEDA, 319 00:07:41,567 --> 00:07:43,167 WE'RE GONNA DO THIS." 320 00:07:43,167 --> 00:07:43,967 AND LIKE I SAID, I KNOW 321 00:07:43,967 --> 00:07:44,633 [bleep] HAPPENED-- 322 00:07:44,633 --> 00:07:46,167 WHAT PART ABOUT BAD TIMING 323 00:07:46,167 --> 00:07:47,933 IS NOT SAYING NO? 324 00:07:47,933 --> 00:07:50,100 I'M TELLING YOU IT'S BAD TIMING. 325 00:07:50,100 --> 00:07:51,800 IT'S TOO MUCH ON OUR PLATE. 326 00:07:51,800 --> 00:07:53,500 THAT IS NOT GONNA FLY RIGHT NOW. 327 00:07:53,500 --> 00:07:54,367 TO ME, YOU'RE NOT BEING 328 00:07:54,367 --> 00:07:55,300 A TEAM PLAYER. 329 00:07:55,300 --> 00:07:56,267 YOU JUST THINKING ABOUT... 330 00:07:56,267 --> 00:07:56,933 AND I FEEL LIKE-- 331 00:07:56,933 --> 00:07:57,933 THINGS YOU WANT, AND IT'S 332 00:07:57,933 --> 00:07:59,133 REALLY--AND IT IRRITATES 333 00:07:59,133 --> 00:08:02,633 THE [bleep] OUT OF ME. 334 00:08:02,633 --> 00:08:03,433 WHERE DO WE GO? 335 00:08:03,433 --> 00:08:04,900 LIKE, WHAT YOU WANT ME TO DO? 336 00:08:04,900 --> 00:08:06,067 I WANT US TO TRY TO GET TO 337 00:08:06,067 --> 00:08:07,233 SOME KIND OF PLACE, BECAUSE WE 338 00:08:07,233 --> 00:08:08,433 GONNA HAVE SOME OTHER TYPE OF 339 00:08:08,433 --> 00:08:12,500 RESPONSIBILITIES GOING ON. 340 00:08:12,500 --> 00:08:13,667 YEAH, THAT'S EXACTLY WHY 341 00:08:13,667 --> 00:08:15,933 I SAID "NO STORE RIGHT NOW." 342 00:08:15,933 --> 00:08:17,067 THE TIMING AIN'T RIGHT. 343 00:08:17,067 --> 00:08:18,100 YOU DON'T NEED MORE. 344 00:08:18,100 --> 00:08:19,100 WELL, TIMING IS-- 345 00:08:19,100 --> 00:08:20,067 [laughs] 346 00:08:20,067 --> 00:08:22,567 TIMING IS NEVER RIGHT, 347 00:08:22,567 --> 00:08:24,367 TO BE HONEST WITH YOU. 348 00:08:24,367 --> 00:08:27,133 I-- 349 00:08:27,133 --> 00:08:30,233 I WENT TO THE DOCTOR YESTERDAY, 350 00:08:30,233 --> 00:08:33,067 AND... 351 00:08:33,067 --> 00:08:35,067 I'M PREGNANT. 352 00:08:37,400 --> 00:08:39,167 YOU JUSTIFY EVERYTHING THAT YOU 353 00:08:39,167 --> 00:08:41,367 SAY AND DO, BUT WHEN IT COMES TO 354 00:08:41,367 --> 00:08:43,067 ME, IT'S ALWAYS FINGER-POINTING. 355 00:08:43,067 --> 00:08:45,100 AM I PREGNANT? 356 00:08:45,100 --> 00:08:46,333 YOU DON'T GOT TO BE ALL IN 357 00:08:46,333 --> 00:08:47,067 MY BUSINESS. 358 00:08:47,067 --> 00:08:48,067 I JUST HAVE TO DO YOU LIKE MY 359 00:08:48,067 --> 00:08:50,567 MAMA DID ME: STEP THE HELL BACK, 360 00:08:50,567 --> 00:08:52,167 AND WHEN YOU FALL, I CAN'T PICK 361 00:08:52,167 --> 00:08:52,833 YOU UP. 362 00:08:52,833 --> 00:08:54,067 EVERY TIME I HAVE A [bleep] 363 00:08:54,067 --> 00:08:55,133 SCENE, IT'S GOT TO BE RUINED BY 364 00:08:55,133 --> 00:08:56,500 SOME BULL[bleep]. 365 00:08:56,500 --> 00:08:57,300 I'M NOT THE ONE THAT'S 366 00:08:57,300 --> 00:08:58,467 [bleep] DOING NOTHING WRONG 367 00:08:58,467 --> 00:09:00,533 RIGHT NOW. 368 00:09:07,700 --> 00:09:09,133 THAT'S CRAZY. 369 00:09:09,133 --> 00:09:10,067 I DON'T THINK THE TIMING'S 370 00:09:10,067 --> 00:09:11,133 RIGHT. 371 00:09:11,133 --> 00:09:12,067 I'M JUST GONNA TELL YOU 372 00:09:12,067 --> 00:09:12,700 THAT NOW. 373 00:09:12,700 --> 00:09:13,533 OKAY, SO WITH YOU TELLING ME 374 00:09:13,533 --> 00:09:14,367 YOU DON'T THINK THE TIMING'S 375 00:09:14,367 --> 00:09:15,100 RIGHT, WHAT ARE YOU SAYING 376 00:09:15,100 --> 00:09:15,800 TO ME? 377 00:09:15,800 --> 00:09:16,800 I DON'T KNOW. 378 00:09:16,800 --> 00:09:18,067 THERE'S JUST TOO MUCH ALREADY 379 00:09:18,067 --> 00:09:20,067 GOING ON. 380 00:09:22,867 --> 00:09:23,867 BUT I FEEL LIKE OF ALL 381 00:09:23,867 --> 00:09:25,267 THE TIMES OF YOU TALKING TO ME, 382 00:09:25,267 --> 00:09:26,167 SAYING THAT THAT'S SOMETHING 383 00:09:26,167 --> 00:09:29,633 THAT YOU WANT, AND THEN EVEN 384 00:09:29,633 --> 00:09:30,900 THOUGH, YES, WE GOING THROUGH 385 00:09:30,900 --> 00:09:32,200 A LITTLE BUMP IN THE ROAD-- 386 00:09:32,200 --> 00:09:33,767 THAT HAPPENS IN PEOPLE LIFE. 387 00:09:33,767 --> 00:09:34,833 I TELL YOU SOMETHING THAT 388 00:09:34,833 --> 00:09:36,700 THE LORD IS BLESSING US WITH, 389 00:09:36,700 --> 00:09:38,900 AND YOU'RE TELLING ME, "OH, 390 00:09:38,900 --> 00:09:40,067 THE TIMING AIN'T GOOD." 391 00:09:40,067 --> 00:09:41,533 IS THE TIMING EVER GOOD? 392 00:09:41,533 --> 00:09:43,067 BUT THE BEAUTIFUL PART ABOUT IT 393 00:09:43,067 --> 00:09:44,500 IS, WE'LL HAVE A CHILD THAT WE 394 00:09:44,500 --> 00:09:46,067 ALWAYS TALKED ABOUT WE WANTED 395 00:09:46,067 --> 00:09:48,167 ANOTHER KID. 396 00:09:48,167 --> 00:09:50,300 AND KY IS 12 ALREADY. 397 00:09:50,300 --> 00:09:51,733 YES, AND I'M LOOKING FORWARD 398 00:09:51,733 --> 00:09:53,333 TO HIM GETTING 18 AND BE ABLE TO 399 00:09:53,333 --> 00:09:54,567 LEAVE OUT OF TOWN AND DON'T HAVE 400 00:09:54,567 --> 00:09:55,800 TO RUSH BACK HOME. 401 00:09:55,800 --> 00:09:57,900 I'M READY TO HAVE A BREAK. 402 00:09:57,900 --> 00:10:00,033 WELL, I APOLOGIZE THAT ME AND 403 00:10:00,033 --> 00:10:01,400 ME HAVING A BABY'S NOT A PART 404 00:10:01,400 --> 00:10:02,867 OF YOUR LIFE PLAN. 405 00:10:02,867 --> 00:10:04,267 THIS IS THE SAME MAN WHO TOLD ME 406 00:10:04,267 --> 00:10:06,200 A YEAR AGO NOT TO SACRIFICE MY 407 00:10:06,200 --> 00:10:07,600 FAMILY FOR A CAREER. 408 00:10:07,600 --> 00:10:08,467 I GUESS THAT WAS A BUNCH OF 409 00:10:08,467 --> 00:10:10,400 [bleep], AND BESIDES, KIRK AND I 410 00:10:10,400 --> 00:10:11,667 HAVE DONE THIS BEFORE. 411 00:10:11,667 --> 00:10:13,000 WHEN WE HAD OUR SON, KY, I WAS 412 00:10:13,000 --> 00:10:14,400 TOURING AND DOING EVERYTHING 413 00:10:14,400 --> 00:10:15,500 I NEEDED TO DO DURING MY 414 00:10:15,500 --> 00:10:16,900 PREGNANCY, BUT THIS [bleep] 415 00:10:16,900 --> 00:10:18,233 RIGHT HERE IS [bleep]. 416 00:10:18,233 --> 00:10:19,267 I'M GONNA DO EVERYTHING THAT 417 00:10:19,267 --> 00:10:20,300 NEED TO BE DONE, AND WHEN-- 418 00:10:20,300 --> 00:10:21,567 AND AFTER I HAD A BABY, YOU KNOW 419 00:10:21,567 --> 00:10:23,000 EVERYTHING WILL BE LINED UP-- 420 00:10:23,000 --> 00:10:24,200 THAT'S YOUR FAULT, THOUGH. 421 00:10:24,200 --> 00:10:24,933 I TOLD YOU. 422 00:10:24,933 --> 00:10:25,800 THAT'S WHAT I TOLD YOU. 423 00:10:25,800 --> 00:10:26,633 WHAT YOU MEAN IT'S MY FAULT? 424 00:10:26,633 --> 00:10:27,333 'CAUSE I TOLD YOU, YOU 425 00:10:27,333 --> 00:10:28,067 SHOULD'VE KEPT TAKING 426 00:10:28,067 --> 00:10:30,033 YOUR PILLS. 427 00:10:30,033 --> 00:10:30,967 DON'T ACT LIKE I DON'T TAKE 428 00:10:30,967 --> 00:10:31,833 BREAKS SOMETIME. 429 00:10:31,833 --> 00:10:32,667 I MEAN, I'VE BEEN TAKING THEM 430 00:10:32,667 --> 00:10:35,000 [bleep] SINCE A TEENAGER. 431 00:10:35,000 --> 00:10:36,867 YOU JUSTIFY EVERYTHING THAT YOU 432 00:10:36,867 --> 00:10:39,033 SAY AND DO, BUT WHEN IT COMES TO 433 00:10:39,033 --> 00:10:40,733 ME, IT'S ALWAYS FINGER-POINTING. 434 00:10:40,733 --> 00:10:43,300 AM I PREGNANT? 435 00:10:43,300 --> 00:10:44,200 DID I TELL YOU TO STOP 436 00:10:44,200 --> 00:10:45,533 TAKING PILLS? 437 00:10:45,533 --> 00:10:46,767 YOU DID NOT TELL ME, BUT 438 00:10:46,767 --> 00:10:47,767 DON'T ACT LIKE YOU-- 439 00:10:47,767 --> 00:10:49,733 OH, BUT YOU WEREN'T ACTING LIKE 440 00:10:49,733 --> 00:10:51,433 YOU CARED. 441 00:10:51,433 --> 00:10:52,167 WELL, WHAT MAKES YOU 442 00:10:52,167 --> 00:10:53,033 SAY THAT? 443 00:10:53,033 --> 00:10:54,100 I MEAN--I MEAN, WE WAS HAVING 444 00:10:54,100 --> 00:10:54,767 SEX JUST, LIKE-- 445 00:10:54,767 --> 00:10:55,500 CONDOMS. 446 00:10:55,500 --> 00:10:57,367 OKAY, AND SEVERAL TIMES 447 00:10:57,367 --> 00:10:58,567 WITHOUT THEM. 448 00:10:58,567 --> 00:10:59,233 AND NOT-- 449 00:10:59,233 --> 00:11:00,300 SO THAT'S--THAT CAN HAPPEN. 450 00:11:00,300 --> 00:11:01,333 AND NOT DOING IT, LIKE-- 451 00:11:01,333 --> 00:11:02,367 THAT'S DIFFERENT. 452 00:11:02,367 --> 00:11:04,600 LIKE, OUT AIN'T IN YOU. 453 00:11:04,600 --> 00:11:06,400 THAT SOUNDS CRAZY. 454 00:11:06,400 --> 00:11:08,100 JUST BECAUSE YOU PULL OUT DON'T 455 00:11:08,100 --> 00:11:10,467 MEAN A WOMAN CAN'T GET PREGNANT. 456 00:11:10,467 --> 00:11:12,133 YOU LEARNED THAT [bleep] IN DAMN 457 00:11:12,133 --> 00:11:13,200 MIDDLE SCHOOL. 458 00:11:13,200 --> 00:11:14,967 RASHEEDA TOLD ME A YEAR AGO 459 00:11:14,967 --> 00:11:15,900 SHE WASN'T READY TO HAVE 460 00:11:15,900 --> 00:11:16,733 A CHILD, AND SHE TOOK ALL 461 00:11:16,733 --> 00:11:17,867 THE PROPER PRECAUTIONS NOT 462 00:11:17,867 --> 00:11:18,733 TO HAVE ONE. 463 00:11:18,733 --> 00:11:20,400 NOW THIS YEAR, SHE WANTS TO HAVE 464 00:11:20,400 --> 00:11:21,967 ONE, AND I'M TOTALLY NOT READY 465 00:11:21,967 --> 00:11:22,667 FOR ONE. 466 00:11:22,667 --> 00:11:23,867 SO HOW AM I SUPPOSED TO BE DOING 467 00:11:23,867 --> 00:11:25,367 BACKFLIPS RIGHT NOW WHEN I HAVE 468 00:11:25,367 --> 00:11:26,400 A MILLION OTHER THINGS 469 00:11:26,400 --> 00:11:27,167 ON MY MIND? 470 00:11:27,167 --> 00:11:28,267 LIKE, THIS IS NOT JOY. 471 00:11:28,267 --> 00:11:29,233 THIS IS NOT PLEASURE. 472 00:11:29,233 --> 00:11:31,133 THIS IS A SETBACK TO ME. 473 00:11:31,133 --> 00:11:32,900 IF I GOT TO GO THROUGH IT 474 00:11:32,900 --> 00:11:34,767 AND YOU'RE NOT AROUND OR HOWEVER 475 00:11:34,767 --> 00:11:36,833 YOU THINK YOU FEELING, THEN 476 00:11:36,833 --> 00:11:38,833 THAT'S ON YOU. 477 00:11:41,067 --> 00:11:43,067 [sighs] 478 00:11:55,733 --> 00:11:57,367 I WANT SOME OF THAT. 479 00:11:57,367 --> 00:11:58,700 OH, THAT'S A VERY SPECIAL 480 00:11:58,700 --> 00:12:00,067 CAKE, SHAY. 481 00:12:00,067 --> 00:12:02,267 YOU SEE IT SAYS, "E.O.E." 482 00:12:02,267 --> 00:12:03,467 "E.O.E."? 483 00:12:03,467 --> 00:12:06,067 "END OF ENGAGEMENT." 484 00:12:06,067 --> 00:12:08,433 SCRAPPY HAS LEFT THE BAT CAVE. 485 00:12:08,433 --> 00:12:09,433 THAT'S THE REASON MERLOT IS 486 00:12:09,433 --> 00:12:11,167 OVER HERE, BECAUSE UNFORTUNATELY 487 00:12:11,167 --> 00:12:12,333 I'M HAVING TO PICK UP AFTER 488 00:12:12,333 --> 00:12:13,467 HIS BEHIND. 489 00:12:13,467 --> 00:12:14,167 YOU THINK IT'S REALLY 490 00:12:14,167 --> 00:12:14,833 OVER, THOUGH? 491 00:12:14,833 --> 00:12:15,533 MM-HMM. 492 00:12:15,533 --> 00:12:16,900 HE BROUGHT HIS CLOTHES OVER. 493 00:12:16,900 --> 00:12:17,800 HE SAID, "MA, I COULDN'T TAKE IT 494 00:12:17,800 --> 00:12:18,567 NO MORE." 495 00:12:18,567 --> 00:12:19,733 WHAT AM I CELEBRATING? 496 00:12:19,733 --> 00:12:21,200 COMING INTO THE CASTLE. 497 00:12:21,200 --> 00:12:22,100 OH, MY GOD. 498 00:12:22,100 --> 00:12:23,100 WHAT YOU GOT UP YOUR SLEEVE? 499 00:12:23,100 --> 00:12:23,767 FOR REAL. 500 00:12:23,767 --> 00:12:24,433 I JUST WANT TO SEE HOW 501 00:12:24,433 --> 00:12:25,100 IT GOES. 502 00:12:25,100 --> 00:12:25,933 YOU ONLY CALLED ME OVER HERE 503 00:12:25,933 --> 00:12:27,267 TO TELL ME THIS? 504 00:12:27,267 --> 00:12:29,067 YEAH, AND-- 505 00:12:29,067 --> 00:12:30,233 I KNEW IT WASN'T ANYTHING. 506 00:12:30,233 --> 00:12:31,467 WELL, YOU KNOW, CALLED 507 00:12:31,467 --> 00:12:32,867 SCRAPPY OVER HERE. 508 00:12:32,867 --> 00:12:35,633 I'M--MOMMA DEE. 509 00:12:35,633 --> 00:12:36,467 MY TIME WITH SCRAPPY 510 00:12:36,467 --> 00:12:37,933 IS O.V., HONEY. 511 00:12:37,933 --> 00:12:39,300 THAT IS IN THE PAST. 512 00:12:39,300 --> 00:12:40,467 THAT DUSTY RELATIONSHIP IS 513 00:12:40,467 --> 00:12:41,433 OVER WITH. 514 00:12:41,433 --> 00:12:42,600 FAR AS SITTING ON MOMMA DEE'S 515 00:12:42,600 --> 00:12:44,600 THRONE, I LOVE MOMMA DEE TO 516 00:12:44,600 --> 00:12:45,867 DEATH, BUT I GOT MY OWN THRONE 517 00:12:45,867 --> 00:12:47,067 TO HANDLE. 518 00:12:47,067 --> 00:12:48,167 BE GONE. 519 00:12:48,167 --> 00:12:49,067 [knocking on door] 520 00:12:49,067 --> 00:12:51,067 OH, GOD. 521 00:12:51,067 --> 00:12:51,733 HEY. 522 00:12:51,733 --> 00:12:52,733 HEY, MA. 523 00:12:52,733 --> 00:12:53,733 WHAT'S UP? 524 00:12:53,733 --> 00:12:54,667 YOU MUST'VE JUST GOT OFF 525 00:12:54,667 --> 00:12:57,100 THE PLANE. 526 00:12:57,100 --> 00:12:57,767 WOW. 527 00:12:57,767 --> 00:12:59,433 HEY. 528 00:12:59,433 --> 00:13:00,267 YOU WANT A PLATE, 'CAUSE 529 00:13:00,267 --> 00:13:01,333 I WENT THROUGH THE TROUBLE 530 00:13:01,333 --> 00:13:02,933 OF BUYING A CAKE FOR, YOU KNOW, 531 00:13:02,933 --> 00:13:04,067 CELEBRATING. 532 00:13:04,067 --> 00:13:04,867 CELEBRATING WHAT? 533 00:13:04,867 --> 00:13:05,633 WHAT'S THE CAKE FOR? 534 00:13:05,633 --> 00:13:06,767 YOU WANT TO SEE IT? 535 00:13:06,767 --> 00:13:08,600 I SPECIALLY ENGRAVED IT FOR US. 536 00:13:08,600 --> 00:13:10,767 LOOK WHAT IT SAYS. 537 00:13:10,767 --> 00:13:12,167 "E.O.E." 538 00:13:12,167 --> 00:13:13,467 WHAT IS "E.O.E."? 539 00:13:13,467 --> 00:13:15,100 "END OF ENGAGEMENT." 540 00:13:15,100 --> 00:13:16,200 WHAT ARE YOU TALKING ABOUT? 541 00:13:16,200 --> 00:13:17,067 WELL, I JUST THOUGHT WE'LL 542 00:13:17,067 --> 00:13:18,067 JUST CELEBRATE-- 543 00:13:18,067 --> 00:13:18,667 FIRST OF ALL-- 544 00:13:18,667 --> 00:13:19,767 MAKING A POUND CAKE. 545 00:13:19,767 --> 00:13:21,700 FIRST OF ALL, WHAT IS, MA, 546 00:13:21,700 --> 00:13:22,667 I'M TAKING A BREAK 547 00:13:22,667 --> 00:13:25,367 FROM EVERYTHING. 548 00:13:25,367 --> 00:13:26,800 EXCEPT FOR BEING A DADDY. 549 00:13:26,800 --> 00:13:27,600 MM-HMM. 550 00:13:27,600 --> 00:13:28,533 I'M TAKING A BREAK FROM BEING 551 00:13:28,533 --> 00:13:29,633 A SON. 552 00:13:29,633 --> 00:13:31,133 TAKING A BREAK FROM BEING... 553 00:13:31,133 --> 00:13:31,967 OH, YOU CAN NEVER STOP 554 00:13:31,967 --> 00:13:32,633 BEING A SON. 555 00:13:32,633 --> 00:13:33,500 A FIANCE AND ALL THAT. 556 00:13:33,500 --> 00:13:35,067 I CAN'T BELIEVE THAT THIS 557 00:13:35,067 --> 00:13:36,567 LADY GOT THIS CAKE AND SHE'S SO 558 00:13:36,567 --> 00:13:38,400 CHEERFUL ABOUT SOMETHING THAT 559 00:13:38,400 --> 00:13:39,700 HURTS IN MY LIFE. 560 00:13:39,700 --> 00:13:40,767 I JUST FEEL LIKE, ONCE AGAIN, 561 00:13:40,767 --> 00:13:41,900 SHE'S JUST WORRIED ABOUT HERSELF 562 00:13:41,900 --> 00:13:43,067 AND HOW SHE FEELS. 563 00:13:43,067 --> 00:13:44,300 YOU AIN'T GOT TO BE ALL IN MY 564 00:13:44,300 --> 00:13:45,167 BUSINESS, YOU KNOW WHAT 565 00:13:45,167 --> 00:13:46,067 I'M SAYING? 566 00:13:46,067 --> 00:13:48,267 THAT'S WHY YOU GOT AWAY. 567 00:13:48,267 --> 00:13:49,067 BUT YOU DO COME TO ME. 568 00:13:49,067 --> 00:13:50,233 I WON'T COME TO YOU NO MORE. 569 00:13:50,233 --> 00:13:51,533 I JUST HAVE TO DO YOU LIKE MY 570 00:13:51,533 --> 00:13:54,067 MAMA DID ME: STEP THE HELL BACK, 571 00:13:54,067 --> 00:13:55,700 AND WHEN YOU FALL, I CAN'T PICK 572 00:13:55,700 --> 00:13:56,600 YOU UP, 'CAUSE, YOU KNOW WHAT? 573 00:13:56,600 --> 00:13:57,267 YOU TURN ON ME. 574 00:13:57,267 --> 00:13:58,067 RIGHT NOW, YOU KNOW WHAT 575 00:13:58,067 --> 00:13:59,067 I'M FOCUSED ON? 576 00:13:59,067 --> 00:14:02,067 MY DAUGHTER AND MY CAREER. 577 00:14:02,067 --> 00:14:02,833 SO WITH THAT BEING SAID, 578 00:14:02,833 --> 00:14:03,633 IF HE WANTS ME TO STAY OUT OF 579 00:14:03,633 --> 00:14:05,700 HIS BUSINESS, I WILL STAY OUT 580 00:14:05,700 --> 00:14:06,600 OF HIS BUSINESS. 581 00:14:06,600 --> 00:14:07,500 YEAH, YOU DEFINITELY-- 582 00:14:07,500 --> 00:14:09,367 Y'ALL DO THIS A LOT. 583 00:14:09,367 --> 00:14:11,833 THEY DO THIS ALL THE TIME. 584 00:14:11,833 --> 00:14:13,100 THEY GO AT IT, GO AT IT, 585 00:14:13,100 --> 00:14:14,100 GO AT IT, AND THEN THEY ACT LIKE 586 00:14:14,100 --> 00:14:15,267 NOTHING EVER HAPPENED. 587 00:14:15,267 --> 00:14:16,267 SO I WAS JUST SITTING OVER THERE 588 00:14:16,267 --> 00:14:17,400 JUST WAITING FOR IT TO BE 589 00:14:17,400 --> 00:14:18,367 OVER WITH. 590 00:14:18,367 --> 00:14:19,867 I'M NOT YOUR WHAT? 591 00:14:19,867 --> 00:14:20,667 YOU'RE MY SON. 592 00:14:20,667 --> 00:14:22,267 AND WHAT I'M NOT? 593 00:14:22,267 --> 00:14:23,600 I'M NOT YOUR DADDY, AND I'M NOT 594 00:14:23,600 --> 00:14:24,567 YOUR BOYFRIEND. 595 00:14:24,567 --> 00:14:25,400 NO MATTER WHAT YOU SAY, I'M 596 00:14:25,400 --> 00:14:27,067 STILL YOUR MAMA, AND YOU'RE NOT 597 00:14:27,067 --> 00:14:29,367 THE ONLY CHILD THAT HAS BUCKED 598 00:14:29,367 --> 00:14:31,067 ON THEIR MAMA BECAUSE OF THEIR 599 00:14:31,067 --> 00:14:32,800 LIFE SITUATION, 600 00:14:32,800 --> 00:14:33,900 THEIR LIFE CHOICES. 601 00:14:33,900 --> 00:14:35,267 MA, HERE'S WHAT YOU FAIL 602 00:14:35,267 --> 00:14:36,467 TO REALIZE. 603 00:14:36,467 --> 00:14:37,233 JUST 'CAUSE I DON'T AGREE 604 00:14:37,233 --> 00:14:37,900 WITH YOU-- 605 00:14:37,900 --> 00:14:38,567 I JUST GAVE YOU-- 606 00:14:38,567 --> 00:14:39,400 JUST 'CAUSE I DON'T AGREE 607 00:14:39,400 --> 00:14:40,067 WITH YOU-- 608 00:14:40,067 --> 00:14:40,767 I JUST GAVE YOU PROPS. 609 00:14:40,767 --> 00:14:41,633 YOU GONNA TURN AROUND AND TRY TO 610 00:14:41,633 --> 00:14:42,300 STEP ON ME NOW? 611 00:14:42,300 --> 00:14:43,200 IT'S PROPS WITH A LITTLE 612 00:14:43,200 --> 00:14:44,133 NEGATIVITY IN IT. 613 00:14:44,133 --> 00:14:45,133 YOU FEEL ME? 614 00:14:45,133 --> 00:14:47,067 I UNDERSTAND THAT. 615 00:14:47,067 --> 00:14:48,067 LISTEN, I HEARD IT WELL. 616 00:14:48,067 --> 00:14:48,700 LISTEN. 617 00:14:48,700 --> 00:14:50,700 I'M ME, AND I'MA DO ME. 618 00:15:00,800 --> 00:15:01,800 IF I WANT TO SEE A GIRL 619 00:15:01,800 --> 00:15:02,800 SUCKING HER FINGER, I JUST GOT 620 00:15:02,800 --> 00:15:04,067 TO SAY, "YO, YOU GOT LIPSTICK 621 00:15:04,067 --> 00:15:04,700 ON YOUR TEETH." 622 00:15:04,700 --> 00:15:06,067 EXACTLY, AND BE LIKE, 623 00:15:06,067 --> 00:15:07,633 "I HEARD THAT IF YOU SUCK YOUR 624 00:15:07,633 --> 00:15:08,767 FINGER, YOU KNOW, IT GETS ALL 625 00:15:08,767 --> 00:15:09,500 THAT OFF." 626 00:15:09,500 --> 00:15:10,567 "REALLY? OKAY." 627 00:15:10,567 --> 00:15:11,433 HEY. 628 00:15:11,433 --> 00:15:12,567 HI. 629 00:15:12,567 --> 00:15:13,600 YOU HAVE A LITTLE-- 630 00:15:13,600 --> 00:15:15,467 WE WERE JUST TALKING ABOUT THAT. 631 00:15:15,467 --> 00:15:16,300 IS IT ON MY TEETH? 632 00:15:16,300 --> 00:15:17,267 YOU'RE GOOD NOW. 633 00:15:17,267 --> 00:15:18,533 I TOLD DREW THAT I WOULD KEEP 634 00:15:18,533 --> 00:15:19,367 THINGS PROFESSIONAL, 'CAUSE 635 00:15:19,367 --> 00:15:20,233 I THINK THIS STORE'S A GOOD 636 00:15:20,233 --> 00:15:21,567 INVESTMENT, SO I AGREED TO 637 00:15:21,567 --> 00:15:22,767 INTERVIEW SOME POTENTIAL 638 00:15:22,767 --> 00:15:23,833 CANDIDATES, BUT IT LOOKS LIKE HE 639 00:15:23,833 --> 00:15:25,333 BROUGHT IN A BUNCH OF HOS. 640 00:15:25,333 --> 00:15:27,233 HOW YOU DOING, GIRL? 641 00:15:27,233 --> 00:15:28,267 GORGEOUS, GORGEOUS. 642 00:15:28,267 --> 00:15:29,967 JUST CAN'T STOP LOOKING... 643 00:15:29,967 --> 00:15:30,633 [chuckles] 644 00:15:30,633 --> 00:15:31,300 AT YOUR BOOBIES. 645 00:15:31,300 --> 00:15:32,167 YOU GOT NICE TEETH. 646 00:15:32,167 --> 00:15:33,600 THANK YOU. 647 00:15:33,600 --> 00:15:34,267 OH, BOY. 648 00:15:34,267 --> 00:15:35,533 YEAH, SO WHAT'S YOUR NAME? 649 00:15:35,533 --> 00:15:36,200 ASIA. 650 00:15:36,200 --> 00:15:36,967 I'M TIFFANY. 651 00:15:36,967 --> 00:15:37,767 ERICA PINKETT. 652 00:15:37,767 --> 00:15:38,433 NICE TO MEET YOU. 653 00:15:38,433 --> 00:15:39,267 HI. 654 00:15:39,267 --> 00:15:41,300 AND YOU'RE DJ DREW. 655 00:15:41,300 --> 00:15:43,200 UH-HUH. 656 00:15:43,200 --> 00:15:44,433 OKAY. 657 00:15:44,433 --> 00:15:45,300 WHAT'S YOUR ETHNICITY? 658 00:15:45,300 --> 00:15:46,233 I'M LAOS, THAI, 659 00:15:46,233 --> 00:15:46,967 AND VIETNAMESE. 660 00:15:46,967 --> 00:15:48,867 OKAY, LOT OF NOODLES. 661 00:15:48,867 --> 00:15:51,267 I NOTICED A LOWER BACK TATTOO 662 00:15:51,267 --> 00:15:52,400 WHEN YOU WALKED IN. 663 00:15:52,400 --> 00:15:53,200 I DO HAVE ONE. 664 00:15:53,200 --> 00:15:54,267 SOME MAY SAY THAT'S 665 00:15:54,267 --> 00:15:55,433 A HOLE IN ONE. 666 00:15:55,433 --> 00:15:56,467 I'M SORRY. 667 00:15:56,467 --> 00:15:58,500 WHAT THE HELL IS GOING ON? 668 00:15:58,500 --> 00:15:59,400 WE'RE INTERVIEWING. 669 00:15:59,400 --> 00:16:00,133 THIS IS-- 670 00:16:00,133 --> 00:16:01,300 THIS IS HOW YOU INTERVIEW? 671 00:16:01,300 --> 00:16:02,133 YEAH. 672 00:16:02,133 --> 00:16:02,967 OKAY. 673 00:16:02,967 --> 00:16:03,800 OKAY, WELL, TELL US ABOUT 674 00:16:03,800 --> 00:16:05,300 YOUR WORK EXPERIENCE. 675 00:16:05,300 --> 00:16:06,767 I'VE WORKED RETAIL IN HIGH 676 00:16:06,767 --> 00:16:08,067 SCHOOL AND A LOT OF 677 00:16:08,067 --> 00:16:09,333 MODELING EXPERIENCE. 678 00:16:09,333 --> 00:16:10,667 I USED TO WORK AT HOOTERS. 679 00:16:10,667 --> 00:16:11,733 A HOOTERS GIRL. 680 00:16:11,733 --> 00:16:13,367 YOU GOT ANY PICTURES OF THAT? 681 00:16:13,367 --> 00:16:14,067 DON'T ANSWER THAT. 682 00:16:14,067 --> 00:16:14,700 GO AHEAD. 683 00:16:14,700 --> 00:16:15,667 [laughs] 684 00:16:15,667 --> 00:16:16,733 I'VE DONE VIDEO WORK. 685 00:16:16,733 --> 00:16:17,567 I WOULDN'T CONSIDER MYSELF 686 00:16:17,567 --> 00:16:19,333 A "VIDEO VIXEN." 687 00:16:19,333 --> 00:16:21,067 THEY CALL 'EM "VIDEO VIXENS"? 688 00:16:21,067 --> 00:16:22,767 THAT'S--YEAH, THAT'S-- 689 00:16:22,767 --> 00:16:23,700 I THOUGHT THEY WERE CALLED 690 00:16:23,700 --> 00:16:24,533 VIDEO HOS. 691 00:16:24,533 --> 00:16:25,367 NO, NO. 692 00:16:25,367 --> 00:16:26,067 I'M NOT A HO. 693 00:16:26,067 --> 00:16:27,067 NO, NO, NO, I'M NOT CALLING 694 00:16:27,067 --> 00:16:27,767 HER A HO. 695 00:16:27,767 --> 00:16:29,500 I SAID I THOUGHT THEY WERE 696 00:16:29,500 --> 00:16:30,900 CALLED VIDEO HOS. 697 00:16:30,900 --> 00:16:31,967 OKAY. 698 00:16:31,967 --> 00:16:33,067 LET'S BE PROFESSIONAL. 699 00:16:33,067 --> 00:16:34,233 I'M STARTING TO THINK DREW'S 700 00:16:34,233 --> 00:16:35,433 AD FOR THIS POSITION SAID, 701 00:16:35,433 --> 00:16:37,300 "CHRIS BROWN'S DJ LOOKING FOR 702 00:16:37,300 --> 00:16:39,300 POPCORN VIDEO HO THAT WANTS TO 703 00:16:39,300 --> 00:16:40,533 WORK AT A SNEAKER STORE." 704 00:16:40,533 --> 00:16:41,433 WE NEED TO GET A BETTER 705 00:16:41,433 --> 00:16:42,300 SELECTION IN HERE, 'CAUSE THIS 706 00:16:42,300 --> 00:16:43,400 [bleep] IS INSULTING. 707 00:16:43,400 --> 00:16:45,133 I THINK THIS WENT WELL. 708 00:16:45,133 --> 00:16:46,067 I MEAN, I DON'T AGREE. 709 00:16:46,067 --> 00:16:46,933 YOU'RE NOT THINKING ABOUT WHO'S 710 00:16:46,933 --> 00:16:47,700 RUNNING IT. 711 00:16:47,700 --> 00:16:49,533 YOU'RE NOT THINKING ABOUT SALES. 712 00:16:49,533 --> 00:16:50,467 ALL YOU'RE THINKING ABOUT IS, 713 00:16:50,467 --> 00:16:51,467 PEOPLE WALK IN AND SEE 714 00:16:51,467 --> 00:16:53,067 BEAUTIFUL PEOPLE. 715 00:16:53,067 --> 00:16:54,067 HOWEVER, SPEAKING-- 716 00:16:54,067 --> 00:16:54,733 EXCUSE ME. 717 00:16:54,733 --> 00:16:55,400 WAIT, WAIT, WAIT. 718 00:16:55,400 --> 00:16:56,533 CAN Y'ALL BE QUIET, PLEASE? 719 00:16:56,533 --> 00:16:57,333 I WOULD APPRECIATE THAT. 720 00:16:57,333 --> 00:16:58,067 HMM? 721 00:16:58,067 --> 00:16:59,433 CAN Y'ALL BE QUIET, PLEASE? 722 00:16:59,433 --> 00:17:00,533 OH, OKAY. 723 00:17:00,533 --> 00:17:01,200 YOU GOT THAT. 724 00:17:01,200 --> 00:17:01,867 THANK YOU. 725 00:17:01,867 --> 00:17:02,533 I KNOW I GOT THAT. 726 00:17:02,533 --> 00:17:03,200 YOU GOT THAT. 727 00:17:03,200 --> 00:17:04,533 I KNOW I DO. 728 00:17:04,533 --> 00:17:06,267 ACTUALLY, CAN Y'ALL LEAVE? 729 00:17:06,267 --> 00:17:07,300 ARE YOU GUYS DATING? 730 00:17:07,300 --> 00:17:08,567 HOLD UP. 731 00:17:08,567 --> 00:17:10,133 DOES IT MATTER? 732 00:17:10,133 --> 00:17:11,067 I WAS JUST WONDERING. 733 00:17:11,067 --> 00:17:11,800 PLEASE DON'T PISS ME OFF. 734 00:17:11,800 --> 00:17:12,967 I'M NOT IN THE MOOD. 735 00:17:12,967 --> 00:17:14,800 SHE'S JUST A HATER. 736 00:17:14,800 --> 00:17:16,067 I WAS JUST WONDERING, 'CAUSE 737 00:17:16,067 --> 00:17:18,067 THE WAY YOU GUYS ACT-- 738 00:17:18,067 --> 00:17:18,967 WHAT ARE YOU DOING? 739 00:17:18,967 --> 00:17:19,633 WHAT DID SHE CALL ME? 740 00:17:19,633 --> 00:17:20,300 ARE YOU TAKING OFF 741 00:17:20,300 --> 00:17:20,967 YOUR SHOES? 742 00:17:20,967 --> 00:17:21,767 DID SHE JUST CALL ME A HATER 743 00:17:21,767 --> 00:17:22,433 AT A JOB INTERVIEW? 744 00:17:22,433 --> 00:17:23,100 TRACI, CHILL OUT. 745 00:17:23,100 --> 00:17:24,167 CAN YOU PLEASE LEAVE? 746 00:17:24,167 --> 00:17:25,300 THANK YOU. 747 00:17:25,300 --> 00:17:26,500 BYE, VIDEO HOS. 748 00:17:26,500 --> 00:17:27,167 SEE YOU LATER. 749 00:17:27,167 --> 00:17:27,833 OKAY, SWEETIE. 750 00:17:27,833 --> 00:17:28,533 YOU'RE JUST A HATER. 751 00:17:28,533 --> 00:17:30,067 I'M EDUCATED AND BEAUTIFUL. 752 00:17:30,067 --> 00:17:30,833 BYE, BITCH. 753 00:17:30,833 --> 00:17:31,700 SEE YOU LATER. 754 00:17:31,700 --> 00:17:32,433 WHERE'S YOUR DEGREE? 755 00:17:32,433 --> 00:17:33,233 DO YOU HAVE ONE? 756 00:17:33,233 --> 00:17:33,900 LEAVE, LEAVE, LEAVE. 757 00:17:33,900 --> 00:17:35,067 DO YOU HAVE A DEGREE? 758 00:17:35,067 --> 00:17:37,067 CAN YOU SPELL "DEGREE"? 759 00:17:37,067 --> 00:17:37,667 YEAH? 760 00:17:37,667 --> 00:17:38,333 [bleep]. 761 00:17:38,333 --> 00:17:41,833 ALL OF THEM LOOK LIKE HOS. 762 00:17:41,833 --> 00:17:43,067 YOU DID NOT BRING IN GOOD 763 00:17:43,067 --> 00:17:44,767 CANDIDATES WHO COULD REALLY RUN 764 00:17:44,767 --> 00:17:45,700 THIS STORE. 765 00:17:45,700 --> 00:17:47,600 YOU BROUGHT IN HOS! 766 00:17:47,600 --> 00:17:48,767 I COACH THE TEAM. 767 00:17:48,767 --> 00:17:51,133 YOU QUARTERBACK. 768 00:17:51,133 --> 00:17:52,667 I'M STARTING QUARTERBACK. 769 00:17:52,667 --> 00:17:54,667 MM-HMM. 770 00:17:59,067 --> 00:18:00,167 ALL OF THEM LOOK LIKE HOS. 771 00:18:00,167 --> 00:18:01,067 BYE, DREW. 772 00:18:01,067 --> 00:18:01,800 BROUGHT THESE BITCHES IN 773 00:18:01,800 --> 00:18:03,133 HERE TO DISRESPECT ME. 774 00:18:03,133 --> 00:18:04,233 THAT'S WHAT YOU DID. 775 00:18:04,233 --> 00:18:05,100 YOU BROUGHT THEM IN HERE TO 776 00:18:05,100 --> 00:18:05,867 DISRESPECT ME. 777 00:18:05,867 --> 00:18:07,433 WHY WOULD I DO THAT? 778 00:18:07,433 --> 00:18:08,133 SIT DOWN. 779 00:18:08,133 --> 00:18:09,067 I HAVE NO IDEA WHY WE'RE ON 780 00:18:09,067 --> 00:18:09,900 DIFFERENT PAGES. 781 00:18:09,900 --> 00:18:10,867 I KNOW HOW A GUY THINKS. 782 00:18:10,867 --> 00:18:11,933 ONCE A GUY PUTS A PAIR OF SHOES 783 00:18:11,933 --> 00:18:13,433 ON AND GIRL SAYS, "YO, THAT 784 00:18:13,433 --> 00:18:14,700 LOOKS GOOD ON YOU," THEY GONNA 785 00:18:14,700 --> 00:18:16,133 GET IT JUST OFF THE FACT THAT 786 00:18:16,133 --> 00:18:17,433 THE GIRL WAS IN THERE TELLING 787 00:18:17,433 --> 00:18:19,500 HIM IT LOOKED GOOD. 788 00:18:19,500 --> 00:18:21,100 WHAT JUST HAPPENED? 789 00:18:21,100 --> 00:18:22,200 YOU DID NOT BRING IN GOOD 790 00:18:22,200 --> 00:18:24,067 CANDIDATES WHO COULD REALLY RUN 791 00:18:24,067 --> 00:18:24,833 THIS STORE. 792 00:18:24,833 --> 00:18:26,733 YOU BROUGHT IN HOS! 793 00:18:26,733 --> 00:18:28,167 YOU SHOULD'VE ALREADY KNEW FROM 794 00:18:28,167 --> 00:18:29,100 JUMP WHEN THEY WALKED THROUGH 795 00:18:29,100 --> 00:18:30,333 THE DOOR, "TRACI'S NOT 796 00:18:30,333 --> 00:18:31,233 ACCEPTING THIS. 797 00:18:31,233 --> 00:18:32,100 YOU SHOULD PROBABLY GO 798 00:18:32,100 --> 00:18:33,433 THE [bleep] HOME." 799 00:18:33,433 --> 00:18:34,367 INSTEAD, YOU'RE SITTING THERE, 800 00:18:34,367 --> 00:18:35,233 CARRYING ON-- 801 00:18:35,233 --> 00:18:35,967 [giggles mockingly] 802 00:18:35,967 --> 00:18:37,067 AND LAUGHING IT UP WITH 803 00:18:37,067 --> 00:18:39,267 THESE HOS. 804 00:18:39,267 --> 00:18:40,067 ALL RIGHT, WELL, WE'LL DO 805 00:18:40,067 --> 00:18:41,100 THIS OVER. 806 00:18:41,100 --> 00:18:42,733 YOU GONNA CONDUCT THE INTERVIEW. 807 00:18:42,733 --> 00:18:43,633 I NEED THE CHECK. 808 00:18:43,633 --> 00:18:45,600 I NEED THE $25,000 BECAUSE WE 809 00:18:45,600 --> 00:18:46,500 NEED TO GO AHEAD AND DO 810 00:18:46,500 --> 00:18:47,333 THE BUILD OUT OF 811 00:18:47,333 --> 00:18:48,300 THE STORE, SO... 812 00:18:48,300 --> 00:18:49,933 I GOT TO GO. 813 00:18:49,933 --> 00:18:50,633 JUST-- 814 00:18:50,633 --> 00:18:52,333 WAIT, HOLD UP. 815 00:18:52,333 --> 00:18:53,167 I NEED AN ANSWER FROM YOU 816 00:18:53,167 --> 00:18:53,833 RIGHT NOW. 817 00:18:53,833 --> 00:18:54,633 LIKE, WHEN I CAN GET THE REST 818 00:18:54,633 --> 00:18:55,300 OF THE MONEY? 819 00:18:55,300 --> 00:18:56,667 YOU GOT TO GIVE ME A MINUTE 820 00:18:56,667 --> 00:18:57,933 TO THINK ABOUT THIS WHOLE THING, 821 00:18:57,933 --> 00:18:59,800 BECAUSE LITERALLY EVERY TIME 822 00:18:59,800 --> 00:19:02,167 I GET AROUND YOU, IT'S ARGUING. 823 00:19:02,167 --> 00:19:03,067 IT'S FIGHTING. 824 00:19:03,067 --> 00:19:03,933 IT'S SOMETHING. 825 00:19:03,933 --> 00:19:05,067 AND IT'S ALMOST LIKE YOU DON'T 826 00:19:05,067 --> 00:19:07,567 KNOW ME AT ALL OR WHAT MAKES ME 827 00:19:07,567 --> 00:19:08,300 GET TO THIS PLACE. 828 00:19:08,300 --> 00:19:09,300 YOU JUST GOT TO RELAX MORE. 829 00:19:09,300 --> 00:19:10,600 JUST--IT'S NOT THAT SERIOUS. 830 00:19:10,600 --> 00:19:12,067 LIKE, YOU CALLED THE GIRLS A HO. 831 00:19:12,067 --> 00:19:15,200 THIS IS $25,000 I'M INVESTING 832 00:19:15,200 --> 00:19:16,267 IN THIS BUSINESS. 833 00:19:16,267 --> 00:19:17,267 IT IS THAT SERIOUS. 834 00:19:17,267 --> 00:19:18,100 AND YOU'RE GONNA MAKE THAT 835 00:19:18,100 --> 00:19:19,067 TEN TIMES OVER. 836 00:19:19,067 --> 00:19:20,300 LIKE, IT'S A NO-BRAINER. 837 00:19:20,300 --> 00:19:22,300 I LOOK AT BUSINESS CLEARLY 838 00:19:22,300 --> 00:19:23,467 DIFFERENT FROM YOU. 839 00:19:23,467 --> 00:19:25,700 VIDEO HOS, TO ME, IS NOT A PART 840 00:19:25,700 --> 00:19:29,200 OF OUR BRAND OR OUR BUSINESS. 841 00:19:29,200 --> 00:19:31,833 STILL NEED THE MONEY, THOUGH. 842 00:19:31,833 --> 00:19:33,067 WE'LL DO THIS LATER. 843 00:19:33,067 --> 00:19:33,867 OH, GOD. 844 00:19:33,867 --> 00:19:36,200 CAN I GET THE MONEY, THOUGH? 845 00:19:43,533 --> 00:19:44,767 A LOT OF PEOPLE SAY, YOU 846 00:19:44,767 --> 00:19:45,733 KNOW, YOU NEVER GET A SECOND 847 00:19:45,733 --> 00:19:46,700 CHANCE TO MAKE A FIRST 848 00:19:46,700 --> 00:19:47,667 IMPRESSION, BUT I DON'T 849 00:19:47,667 --> 00:19:48,567 BELIEVE THAT. 850 00:19:48,567 --> 00:19:49,500 I KNOW CHE' MACK WAS ACTING 851 00:19:49,500 --> 00:19:50,833 A LITTLE CRAZY AT THE CLUB, AND 852 00:19:50,833 --> 00:19:51,833 I KNOW THERE'S MORE TO IT 853 00:19:51,833 --> 00:19:52,600 THAN THAT. 854 00:19:52,600 --> 00:19:53,633 SO WHEN SHORTY CALLED ME AND 855 00:19:53,633 --> 00:19:54,433 TOLD ME HER CRIB GOT 856 00:19:54,433 --> 00:19:55,167 BROKEN INTO... 857 00:19:55,167 --> 00:19:56,433 [knocking on door] 858 00:19:56,433 --> 00:20:00,067 I HAD TO SO SOMETHING ABOUT IT. 859 00:20:00,067 --> 00:20:01,267 OH, MY GOODNESS. 860 00:20:01,267 --> 00:20:03,000 WHAT ARE YOU DOING HERE? 861 00:20:03,000 --> 00:20:03,800 BUT YOU KNOW I HAD TO LAY 862 00:20:03,800 --> 00:20:05,300 DOWN THE LAW TO HER FIRST 863 00:20:05,300 --> 00:20:06,667 'CAUSE SHE WAS WAY OUT OF LINE 864 00:20:06,667 --> 00:20:07,633 WITH SOME OF THAT [bleep] SHE 865 00:20:07,633 --> 00:20:08,500 WAS TALKING. 866 00:20:08,500 --> 00:20:09,267 YOU KNOW, I HAD TO COME BY AND 867 00:20:09,267 --> 00:20:09,933 CHECK ON YOU. 868 00:20:09,933 --> 00:20:11,067 I HEARD SOMETHING HAPPENED, SO 869 00:20:11,067 --> 00:20:11,767 I WANTED MAKE SURE YOU WAS 870 00:20:11,767 --> 00:20:12,433 ALL RIGHT. 871 00:20:12,433 --> 00:20:13,133 OH, I'M GLAD YOU DID. 872 00:20:13,133 --> 00:20:14,200 THANK YOU SO MUCH. 873 00:20:14,200 --> 00:20:15,267 AND LAST TIME I SEEN YOU-- 874 00:20:15,267 --> 00:20:16,867 I WANTED TO APOLOGIZE 'CAUSE-- 875 00:20:16,867 --> 00:20:18,133 OH, YEAH? 876 00:20:18,133 --> 00:20:19,200 WHAT'S UP? 877 00:20:19,200 --> 00:20:20,133 YOU WERE GOING HARD. 878 00:20:20,133 --> 00:20:20,833 YOU KNOW WHAT I'M SAYING? 879 00:20:20,833 --> 00:20:21,633 YOU WAS GOING HARD ON ME. 880 00:20:21,633 --> 00:20:22,300 WHAT'S UP WITH THAT? 881 00:20:22,300 --> 00:20:23,333 IT WAS THE JAGER, AND IT WAS 882 00:20:23,333 --> 00:20:24,433 A BUILDUP, BECAUSE I REALLY 883 00:20:24,433 --> 00:20:25,667 WANTED TO LET YOU KNOW HOW 884 00:20:25,667 --> 00:20:26,433 I FELT. 885 00:20:26,433 --> 00:20:27,333 'CAUSE YOUR BEHAVIOR 886 00:20:27,333 --> 00:20:28,000 THE OTHER NIGHT LED ME TO 887 00:20:28,000 --> 00:20:28,967 BELIEVE I CAN'T CONTROL-- 888 00:20:28,967 --> 00:20:30,133 I CAN'T CONTROL YOU. 889 00:20:30,133 --> 00:20:31,700 I AM AN AGGRESSIVE PERSON. 890 00:20:31,700 --> 00:20:32,367 OKAY. 891 00:20:32,367 --> 00:20:33,167 I HAVE AN ABILITY TO TURN IT 892 00:20:33,167 --> 00:20:34,867 ON AND TURN IT OFF. 893 00:20:34,867 --> 00:20:36,000 I LIKE YOU TO TURN IT UP, 894 00:20:36,000 --> 00:20:37,533 BUT FOR ME TO WORK WITH YOU-- 895 00:20:37,533 --> 00:20:38,233 YOU KNOW WHAT I'M SAYING? 896 00:20:38,233 --> 00:20:39,767 I WORK WITH THE DIDDYS, 897 00:20:39,767 --> 00:20:41,600 THE JAYS, THE BEYONCES, 898 00:20:41,600 --> 00:20:43,767 THE WAYNES, THIS ONE, AND 899 00:20:43,767 --> 00:20:44,833 THAT ONE. 900 00:20:44,833 --> 00:20:46,600 IT'S GONNA BE A RISK FOR ME. 901 00:20:46,600 --> 00:20:48,133 LET'S JUST SWEEP THAT 902 00:20:48,133 --> 00:20:49,600 SITUATION UNDER THE RUG, 903 00:20:49,600 --> 00:20:50,267 AND, LIKE-- 904 00:20:50,267 --> 00:20:51,933 EVENTUALLY. 905 00:20:51,933 --> 00:20:52,733 LIKE, YOU'RE ABOUT TO MAKE 906 00:20:52,733 --> 00:20:54,333 ME CRY. 907 00:20:54,333 --> 00:20:56,467 IT'S ALL GOOD. 908 00:20:56,467 --> 00:20:57,700 NAH, 'CAUSE IT'S LIKE-- 909 00:20:57,700 --> 00:20:58,800 NAH, I DON'T WANT-- 910 00:20:58,800 --> 00:20:59,700 PEOPLE DON'T UNDERSTAND. 911 00:20:59,700 --> 00:21:00,433 NO, NO, IT'S COOL. 912 00:21:00,433 --> 00:21:01,233 IT'S COOL. 913 00:21:01,233 --> 00:21:01,900 LIKE, I GOT TO GO 914 00:21:01,900 --> 00:21:02,567 THROUGH ALL THIS. 915 00:21:02,567 --> 00:21:04,400 IT'S JUST ME BY MYSELF. 916 00:21:04,400 --> 00:21:06,100 SO HERE'S--I PUT IN ALL THIS 917 00:21:06,100 --> 00:21:07,300 WORK, AND DON'T NOBODY WANT TO 918 00:21:07,300 --> 00:21:08,333 DO NOTHING. 919 00:21:08,333 --> 00:21:09,533 IT'S MAKING ME MAD. 920 00:21:09,533 --> 00:21:10,700 LIKE, THIS [bleep]--THIS [bleep] 921 00:21:10,700 --> 00:21:11,867 IS FOR REAL. 922 00:21:11,867 --> 00:21:13,067 LIKE, MOTHER[bleep] CAME INTO MY 923 00:21:13,067 --> 00:21:14,400 HOUSE AND STOLE MY STUFF. 924 00:21:14,400 --> 00:21:15,500 I GOT TO REPLACE IT. 925 00:21:15,500 --> 00:21:16,467 NOBODY-- 926 00:21:16,467 --> 00:21:17,367 LISTEN, DON'T WORRY ABOUT IT. 927 00:21:17,367 --> 00:21:18,300 LISTEN TO ME. 928 00:21:18,300 --> 00:21:19,233 I'M NOT--I'M-- 929 00:21:19,233 --> 00:21:20,233 NO, YOU-- 930 00:21:20,233 --> 00:21:21,400 Y'ALL DON'T UNDERSTAND. 931 00:21:21,400 --> 00:21:23,067 I GOT SOMETHING FOR YOU. 932 00:21:23,067 --> 00:21:24,800 ALL RIGHT? 933 00:21:24,800 --> 00:21:25,667 DRY YOUR EYES. 934 00:21:25,667 --> 00:21:26,667 I GOT SOMETHING FOR YOU. 935 00:21:26,667 --> 00:21:27,567 HOLD UP. 936 00:21:27,567 --> 00:21:28,567 YOU KNOW ME. 937 00:21:28,567 --> 00:21:30,633 I HATE TO SEE A WOMAN CRY. 938 00:21:33,533 --> 00:21:36,200 [laughing] 939 00:21:36,200 --> 00:21:37,500 I FIGURE YOU IN HERE-- 940 00:21:37,500 --> 00:21:39,233 YOU CAN'T WATCH NO TV [bleep] 941 00:21:39,233 --> 00:21:40,633 BE CRYING BY YOURSELF. 942 00:21:40,633 --> 00:21:42,367 YOU BETTER CRY TO THE TV. 943 00:21:42,367 --> 00:21:43,733 [both laughing] 944 00:21:43,733 --> 00:21:44,633 I WANTED TO BRING A LITTLE 945 00:21:44,633 --> 00:21:45,767 SMILE TO HER FACE JUST TO LET 946 00:21:45,767 --> 00:21:47,600 HER KNOW, IF SHE ACT RIGHT, 947 00:21:47,600 --> 00:21:49,133 SHE COULD BE SMILING FOR A VERY 948 00:21:49,133 --> 00:21:50,533 LONG TIME. 949 00:21:50,533 --> 00:21:51,400 I GOT YOU. 950 00:21:51,400 --> 00:21:52,067 YOU'RE GOOD. 951 00:21:52,067 --> 00:21:53,067 SEE, THAT'S-- 952 00:21:53,067 --> 00:21:53,700 I JUST DON'T WANT TO 953 00:21:53,700 --> 00:21:54,367 BE THAT-- 954 00:21:54,367 --> 00:21:55,067 YOU AIN'T CRYING. 955 00:21:55,067 --> 00:21:55,900 YOU SMILING. 956 00:21:55,900 --> 00:21:56,600 YOU KNOW WHAT I'M SAYING? 957 00:21:56,600 --> 00:21:57,467 'CAUSE I'VE BEEN LOOKED DOWN 958 00:21:57,467 --> 00:21:59,067 A LOT, AND I'M NOT GONNA LET 959 00:21:59,067 --> 00:21:59,667 YOU DOWN. 960 00:21:59,667 --> 00:22:01,067 I REALLY--I REALLY WANT TO 961 00:22:01,067 --> 00:22:02,100 QUARTERBACK AND RUNNING BACK 962 00:22:02,100 --> 00:22:02,767 THIS THING. 963 00:22:02,767 --> 00:22:03,933 LIKE, REALLY, LIKE-- 964 00:22:03,933 --> 00:22:05,100 I COACH THE TEAM. 965 00:22:05,100 --> 00:22:07,400 YOU QUARTERBACK. 966 00:22:07,400 --> 00:22:08,800 I'M STARTING QUARTERBACK. 967 00:22:08,800 --> 00:22:10,333 MM-HMM. 968 00:22:10,333 --> 00:22:12,067 WE GONNA GET YOU TRAINED SO YOU 969 00:22:12,067 --> 00:22:14,700 CAN BE READY FOR THE GAME. 970 00:22:21,333 --> 00:22:22,133 WE CAN DO SOME KIND OF 971 00:22:22,133 --> 00:22:23,667 FLORAL DESIGN. 972 00:22:23,667 --> 00:22:24,333 MM-HMM. 973 00:22:24,333 --> 00:22:26,100 LIKE, MAYBE FLOWERS. 974 00:22:26,100 --> 00:22:27,533 MM-HMM, LIKE A VINE. 975 00:22:27,533 --> 00:22:28,200 YEAH. 976 00:22:28,200 --> 00:22:28,967 IT'LL HAVE TO--THAT'S 977 00:22:28,967 --> 00:22:29,767 THE ONLY THING I CAN THINK OF, 978 00:22:29,767 --> 00:22:31,067 LIKE A VINE AND FLOWERS. 979 00:22:31,067 --> 00:22:32,667 REALLY PRETTY TOO. 980 00:22:32,667 --> 00:22:34,067 VERY PRETTY. 981 00:22:34,067 --> 00:22:36,067 SO AFTER THE UNCOMFORTABLE 982 00:22:36,067 --> 00:22:37,800 CONVERSATION I HAD WITH STEVIE 983 00:22:37,800 --> 00:22:39,433 THE OTHER DAY, I DECIDED IT WAS 984 00:22:39,433 --> 00:22:41,067 FINALLY TIME FOR ME TO GET RID 985 00:22:41,067 --> 00:22:43,567 OF THE ONE LAST REMINDER I HAD 986 00:22:43,567 --> 00:22:45,500 OF THIS OLD RELATIONSHIP. 987 00:22:45,500 --> 00:22:46,533 I GOT THE TATTOO. 988 00:22:46,533 --> 00:22:48,533 STEVIE HAD THE TATTOO FIRST. 989 00:22:48,533 --> 00:22:49,800 I NEVER NOTICED THAT. 990 00:22:49,800 --> 00:22:50,467 WOW. 991 00:22:50,467 --> 00:22:51,333 I AIN'T NEVER KNOW THAT. 992 00:22:51,333 --> 00:22:52,067 YEAH. 993 00:22:52,067 --> 00:22:53,067 START THAT THING TODAY. 994 00:22:53,067 --> 00:22:53,833 YOU NEED TO STOP PLAYING 995 00:22:53,833 --> 00:22:54,833 AROUND WITH THE OLD AND BRINGING 996 00:22:54,833 --> 00:22:55,700 IN THE NEW. 997 00:22:55,700 --> 00:22:56,633 I'VE ALREADY STARTED THAT 998 00:22:56,633 --> 00:22:58,333 PROCESS, SO... 999 00:22:58,333 --> 00:22:59,167 I THINK YOU SHOULD GET 1000 00:22:59,167 --> 00:23:00,367 SOMETHING THAT'S ABOUT STRENGTH, 1001 00:23:00,367 --> 00:23:01,900 ABOUT WHERE YOU'RE AT NOW 1002 00:23:01,900 --> 00:23:03,300 TODAY IN YOUR LIFE. 1003 00:23:03,300 --> 00:23:06,233 A NEW CHAPTER. 1004 00:23:06,233 --> 00:23:08,567 A NEW ARM. 1005 00:23:08,567 --> 00:23:10,833 WHAT YOU DOING, NIKKO? 1006 00:23:10,833 --> 00:23:12,067 HIGH FIVE, GIRL. 1007 00:23:12,067 --> 00:23:14,067 YES. 1008 00:23:14,067 --> 00:23:15,767 THIS IS NOT ABOUT STEVIE. 1009 00:23:15,767 --> 00:23:18,233 IT'S NOT ABOUT NIKKO. 1010 00:23:18,233 --> 00:23:20,567 IT'S NOT ABOUT ANYBODY. 1011 00:23:20,567 --> 00:23:21,500 I'M NOT LIVING MY LIFE FOR 1012 00:23:21,500 --> 00:23:23,500 ANYBODY ELSE. 1013 00:23:23,500 --> 00:23:26,200 IT'S ABOUT ME, MY DAUGHTER, 1014 00:23:26,200 --> 00:23:27,233 ME FEELING COMFORTABLE IN MY 1015 00:23:27,233 --> 00:23:29,667 SKIN, AND WHERE I WANT TO GO. 1016 00:23:52,367 --> 00:23:53,133 LET ME FIND OUT YOU'RE IN 1017 00:23:53,133 --> 00:23:54,933 THE STUDIO WITH THIS RATCHET-ASS 1018 00:23:54,933 --> 00:23:56,433 METAL-MOUTH ASS-HO. 1019 00:23:56,433 --> 00:23:57,133 I'M NOT IN THE STUDIO 1020 00:23:57,133 --> 00:23:58,100 WITH HER. 1021 00:23:58,100 --> 00:23:59,800 I'M NOT IN THE STUDIO WITH 1022 00:23:59,800 --> 00:24:01,867 CHE' MACK. 1023 00:24:14,300 --> 00:24:14,967 WHAT'S GOING ON WITH 1024 00:24:14,967 --> 00:24:15,633 YOU, DAD? 1025 00:24:15,633 --> 00:24:16,300 ALL RIGHT. 1026 00:24:16,300 --> 00:24:17,333 YOU GOOD? 1027 00:24:17,333 --> 00:24:19,300 I'M REAL, REAL, REAL NERVOUS, 1028 00:24:19,300 --> 00:24:20,400 YOU KNOW WHAT I'M SAYING, ALL UP 1029 00:24:20,400 --> 00:24:22,067 IN HERE TO TALK WITH MY DAD 1030 00:24:22,067 --> 00:24:23,433 ABOUT THIS ENGAGEMENT THING, 1031 00:24:23,433 --> 00:24:25,267 'CAUSE HE'S, YOU KNOW-- 1032 00:24:25,267 --> 00:24:26,233 HE'S A PREACHER, YOU KNOW WHAT 1033 00:24:26,233 --> 00:24:26,967 I'M SAYING? 1034 00:24:26,967 --> 00:24:29,567 LIKE, I KNOW DAD GONNA TELL ME 1035 00:24:29,567 --> 00:24:32,067 THE 1,001 TRUTH. 1036 00:24:32,067 --> 00:24:33,367 HE'S GONNA BE REAL. 1037 00:24:33,367 --> 00:24:34,467 TALK TO ME. 1038 00:24:34,467 --> 00:24:35,200 BEEN GOING THROUGH SOME 1039 00:24:35,200 --> 00:24:36,767 THINGS, YOU KNOW, UP AND DOWN. 1040 00:24:36,767 --> 00:24:37,433 UP AND DOWN. 1041 00:24:37,433 --> 00:24:38,733 FEEL LIKE A MERRY-GO-ROUND. 1042 00:24:38,733 --> 00:24:39,633 MM-HMM. 1043 00:24:39,633 --> 00:24:40,533 YOU KNOW, ALL THE ENGAGEMENT 1044 00:24:40,533 --> 00:24:41,733 AND STUFF LIKE THAT. 1045 00:24:41,733 --> 00:24:42,400 YOU KNOW, LIKE-- 1046 00:24:42,400 --> 00:24:43,500 SO WHAT YOU DOING ABOUT IT? 1047 00:24:43,500 --> 00:24:45,433 I MEAN, AS OF RIGHT NOW, WE 1048 00:24:45,433 --> 00:24:46,700 CALLED IT QUITS. 1049 00:24:46,700 --> 00:24:47,667 AND WHY'S THAT? 1050 00:24:47,667 --> 00:24:48,800 SHE DON'T TRUST ME... 1051 00:24:48,800 --> 00:24:49,467 OKAY. 1052 00:24:49,467 --> 00:24:50,567 AND THAT'S 'CAUSE, YOU KNOW, 1053 00:24:50,567 --> 00:24:51,967 SHE DONE FOUND TEXT MESSAGES 1054 00:24:51,967 --> 00:24:52,933 IN MY PHONE. 1055 00:24:52,933 --> 00:24:54,267 OLD TEXT MESSAGES OR 1056 00:24:54,267 --> 00:24:55,300 RECENT ONES? 1057 00:24:55,300 --> 00:24:56,367 OLD AND RECENT. 1058 00:24:56,367 --> 00:24:57,100 COME ON, MAN. 1059 00:24:57,100 --> 00:24:58,433 WELL, NOT THIS RECENT, 1060 00:24:58,433 --> 00:25:00,067 BUT, LIKE, SINCE WE'VE BEEN 1061 00:25:00,067 --> 00:25:01,067 ENGAGED, YOU KNOW WHAT I'M 1062 00:25:01,067 --> 00:25:01,800 SAYING, LIKE-- 1063 00:25:01,800 --> 00:25:02,733 LET ME ASK YOU SOMETHING. 1064 00:25:02,733 --> 00:25:04,267 WHY DO YOU HAVE OTHER YOUNG 1065 00:25:04,267 --> 00:25:05,233 LADIES' NUMBERS? 1066 00:25:05,233 --> 00:25:06,867 I'M NOT GONNA LIE TO YOU. 1067 00:25:06,867 --> 00:25:08,067 FOR THE FIRST FOUR, 1068 00:25:08,067 --> 00:25:08,800 IT WAS GOING GOOD. 1069 00:25:08,800 --> 00:25:11,067 AFTER THAT, SHE SCARED ME, SO 1070 00:25:11,067 --> 00:25:12,067 I HIT A COUPLE PEOPLE 1071 00:25:12,067 --> 00:25:12,700 JUST TO SEE-- 1072 00:25:12,700 --> 00:25:13,900 WHAT YOU MEAN "HIT"? 1073 00:25:13,900 --> 00:25:15,067 TEXT THEM, YOU KNOW? 1074 00:25:15,067 --> 00:25:16,100 LET THEM--YOU KNOW, TRY TO SEE, 1075 00:25:16,100 --> 00:25:17,300 YOU KNOW-- 1076 00:25:17,300 --> 00:25:18,233 SEE IF YOU STILL GOT IT? 1077 00:25:18,233 --> 00:25:19,267 YEAH, YOU KNOW. 1078 00:25:19,267 --> 00:25:20,533 WHAT KIND OF MESS IS THAT? 1079 00:25:20,533 --> 00:25:22,300 NOBODY'S MY MESS. 1080 00:25:22,300 --> 00:25:23,867 WHEN A WOMAN PUT IT OUT THERE 1081 00:25:23,867 --> 00:25:26,633 THAT SHE DON'T TRUST YOU OR SHE 1082 00:25:26,633 --> 00:25:29,067 NOT LIKING YOU AT THE TIME, 1083 00:25:29,067 --> 00:25:30,533 YOU GONNA GET SCARED AND DO SOME 1084 00:25:30,533 --> 00:25:32,300 TEXTING AND SEE IF YOU STILL 1085 00:25:32,300 --> 00:25:34,167 GOT, YOU KNOW WHAT I'M SAYING, 1086 00:25:34,167 --> 00:25:35,433 YOUR CLIENTELE. 1087 00:25:35,433 --> 00:25:36,300 YOU FEEL ME? 1088 00:25:36,300 --> 00:25:37,233 SOMETIME I JUST FEEL LIKE I JUST 1089 00:25:37,233 --> 00:25:38,333 NEED A BREAK, JUST-- 1090 00:25:38,333 --> 00:25:39,633 [exhales deeply] 1091 00:25:39,633 --> 00:25:41,333 I ALSO HAVE A TRUST ISSUE WHEN 1092 00:25:41,333 --> 00:25:42,833 IT COMES TO A WOMAN, YOU KNOW 1093 00:25:42,833 --> 00:25:43,533 WHAT I'M SAYING? 1094 00:25:43,533 --> 00:25:44,267 WHY IS THAT? 1095 00:25:44,267 --> 00:25:45,600 LOOK AT WHERE I COME FROM. 1096 00:25:45,600 --> 00:25:47,233 WHERE DO YOU COME FROM? 1097 00:25:47,233 --> 00:25:47,900 COME ON, TELL ME. 1098 00:25:47,900 --> 00:25:48,767 WITH MY MOM. 1099 00:25:48,767 --> 00:25:50,500 YOU KNOW, SHE DONE PIMPED WOMEN 1100 00:25:50,500 --> 00:25:51,833 FOR GOD'S SAKE. 1101 00:25:51,833 --> 00:25:53,067 YOU KNOW, I DON'T SAY MY MAMA 1102 00:25:53,067 --> 00:25:54,233 PLAYED MEN, YOU FEEL ME? 1103 00:25:54,233 --> 00:25:56,300 I DONE SEEN MARRIED WOMEN PLAY 1104 00:25:56,300 --> 00:25:57,833 THE MAN, AND THEY CAN LOOK YOU 1105 00:25:57,833 --> 00:25:59,067 IN YOUR EYES AND TELL YOU, 1106 00:25:59,067 --> 00:25:59,900 YOU KNOW, THEY LOVE YOU AND 1107 00:25:59,900 --> 00:26:01,433 EVERYTHING ALL GOOD. 1108 00:26:01,433 --> 00:26:02,333 SHE STILL INVOLVED IN 1109 00:26:02,333 --> 00:26:03,467 YOUR RELATIONSHIP? 1110 00:26:03,467 --> 00:26:04,867 THAT'S THE THING, DAD. 1111 00:26:04,867 --> 00:26:05,533 MM-HMM. 1112 00:26:05,533 --> 00:26:06,867 I DONE TOLD THIS LADY 1113 00:26:06,867 --> 00:26:08,233 A BILLION TIMES, "STAY--GET OFF 1114 00:26:08,233 --> 00:26:08,967 AROUND ME. 1115 00:26:08,967 --> 00:26:10,500 I'M NOT YOUR BROTHER, 1116 00:26:10,500 --> 00:26:11,333 I'M NOT YOUR DADDY, 1117 00:26:11,333 --> 00:26:13,067 AND I'M NOT YOUR BOYFRIEND. 1118 00:26:13,067 --> 00:26:14,167 I'M YOUR SON. 1119 00:26:14,167 --> 00:26:15,067 I DIDN'T HAVE YOU. 1120 00:26:15,067 --> 00:26:15,900 YOU HAD ME." 1121 00:26:15,900 --> 00:26:17,067 YOU KNOW, YOU GO SOMEWHERE 1122 00:26:17,067 --> 00:26:18,167 ELSE AND INVOLVE YOURSELF IN 1123 00:26:18,167 --> 00:26:19,467 ANOTHER RELATIONSHIP, YOU MAY 1124 00:26:19,467 --> 00:26:21,167 FIND THE SAME ISSUES. 1125 00:26:21,167 --> 00:26:22,733 IF THE SAME ISSUE IS IN THAT 1126 00:26:22,733 --> 00:26:23,967 RELATIONSHIP THAT YOU JUST GOT 1127 00:26:23,967 --> 00:26:26,300 IN, IT MAY BE YOUR MOM 1128 00:26:26,300 --> 00:26:28,633 THE PROBLEM. 1129 00:26:38,900 --> 00:26:39,833 WHAT YOU DOING OVER THERE 1130 00:26:39,833 --> 00:26:40,833 SMILING FOR? 1131 00:26:40,833 --> 00:26:42,500 YOU BETTER HAND ME $5 MILLION 1132 00:26:42,500 --> 00:26:43,233 RIGHT NOW. 1133 00:26:43,233 --> 00:26:45,200 YOU CAN'T TAKE $1 MILLION? 1134 00:26:45,200 --> 00:26:46,700 THAT'S NOT ENOUGH. 1135 00:26:46,700 --> 00:26:48,133 I SPEND THAT IN ONE DAY. 1136 00:26:48,133 --> 00:26:49,533 THAT'S COOL, BUT I'M TALKING 1137 00:26:49,533 --> 00:26:51,200 ABOUT MAKING YOU HOT. 1138 00:26:51,200 --> 00:26:51,967 [chuckles] 1139 00:26:51,967 --> 00:26:53,633 BABY, I'M ALREADY HOT, THOUGH. 1140 00:26:53,633 --> 00:26:54,700 YOU SEE HOW WE BE LOOKING IN 1141 00:26:54,700 --> 00:26:58,067 THE MAGAZINES AND THIS AND THAT? 1142 00:26:58,067 --> 00:26:58,700 I JUST HOPE YOU'RE NOT 1143 00:26:58,700 --> 00:27:01,300 PLAYING, YOU KNOW, WITH THE SAME 1144 00:27:01,300 --> 00:27:02,367 WHATEVER THE HELL YOU BE ON. 1145 00:27:02,367 --> 00:27:03,867 I DON'T KNOW WHAT THAT BE. 1146 00:27:03,867 --> 00:27:05,067 YOU JUST BE DOING TOO MUCH. 1147 00:27:05,067 --> 00:27:05,700 I JUST-- 1148 00:27:05,700 --> 00:27:06,467 [groans] 1149 00:27:06,467 --> 00:27:07,333 WELL, WHEN I DO TOO MUCH, 1150 00:27:07,333 --> 00:27:08,567 IT'S FOR A REASON. 1151 00:27:08,567 --> 00:27:09,600 I'M JUST SAYING, THE THINGS 1152 00:27:09,600 --> 00:27:12,067 YOU BE DOING, LIKE, JUST-- 1153 00:27:12,067 --> 00:27:12,867 [groans] 1154 00:27:12,867 --> 00:27:14,067 YOU JUST NEED TO KEEP 1155 00:27:14,067 --> 00:27:15,833 THE BITCHES AWAY FROM YOU. 1156 00:27:15,833 --> 00:27:17,067 EVEN THOUGH THING'S BEEN PRETTY, 1157 00:27:17,067 --> 00:27:18,433 PRETTY GOOD WITH ME AND STEVIE, 1158 00:27:18,433 --> 00:27:19,900 I STILL HEAR BITCHES COMING 1159 00:27:19,900 --> 00:27:21,633 AROUND TOWN TELLING ME THAT 1160 00:27:21,633 --> 00:27:22,633 STEVIE BEEN IN THE STUDIO 1161 00:27:22,633 --> 00:27:23,300 WITH THEM. 1162 00:27:23,300 --> 00:27:24,200 THAT AIN'T GONNA HAPPEN. 1163 00:27:24,200 --> 00:27:25,067 YOU ONLY NEED TO BE WORKING 1164 00:27:25,067 --> 00:27:26,167 WITH ME, STEVIE. 1165 00:27:26,167 --> 00:27:27,533 IT'S NO BITCH EVER SUPPOSED TO 1166 00:27:27,533 --> 00:27:28,700 COME UP IN MY FACE, STEP UP IN 1167 00:27:28,700 --> 00:27:30,600 MY FACE, TELLING ME NOTHING. 1168 00:27:30,600 --> 00:27:32,067 WHEN SHORTY WAS WILIN' IN 1169 00:27:32,067 --> 00:27:33,067 THE CLUB, DID I LET HER WALK UP 1170 00:27:33,067 --> 00:27:33,767 ON YOU? 1171 00:27:33,767 --> 00:27:35,067 I WAS WAITING ON YOU TO LET 1172 00:27:35,067 --> 00:27:36,700 THAT BITCH GET ANY CLOSER TO ME, 1173 00:27:36,700 --> 00:27:37,633 'CAUSE THEN I WOULD NO LONGER 1174 00:27:37,633 --> 00:27:38,567 WORRY ABOUT HER. 1175 00:27:38,567 --> 00:27:39,367 I WAS GONNA TAKE THAT [bleep] 1176 00:27:39,367 --> 00:27:40,667 FROM YOU, AND THIS RATCHET 1177 00:27:40,667 --> 00:27:41,933 BITCH--I'M SICK OF THIS HO. 1178 00:27:41,933 --> 00:27:43,367 WHY ARE YOU EVEN WORKING WITH 1179 00:27:43,367 --> 00:27:44,300 THIS HO? 1180 00:27:44,300 --> 00:27:45,167 'CAUSE, FOR REAL, NOW THAT I'M 1181 00:27:45,167 --> 00:27:45,833 THINKING ABOUT IT-- 1182 00:27:45,833 --> 00:27:46,500 IT'S LIKE-- 1183 00:27:46,500 --> 00:27:47,167 [screeches] 1184 00:27:47,167 --> 00:27:47,900 LET ME FINISH. 1185 00:27:47,900 --> 00:27:48,767 NOW THAT I'M THINKING ABOUT IT, 1186 00:27:48,767 --> 00:27:49,667 TWO LITTLE WHITE BITCHES CAME UP 1187 00:27:49,667 --> 00:27:51,100 IN MY FACE AND WAS LIKE, 1188 00:27:51,100 --> 00:27:52,167 "STEVIE'S IN THE STUDIO WITH 1189 00:27:52,167 --> 00:27:53,533 CHE' MACK." 1190 00:27:53,533 --> 00:27:54,233 WHY YOU IN THE STUDIO WITH 1191 00:27:54,233 --> 00:27:54,900 THIS HO? 1192 00:27:54,900 --> 00:27:55,733 'CAUSE, FOR REAL, YOU AIN'T 1193 00:27:55,733 --> 00:27:56,667 FINISHED MY ALBUM YET. 1194 00:27:56,667 --> 00:27:57,733 I HAVEN'T BEEN IN THE STUDIO 1195 00:27:57,733 --> 00:27:59,133 WITH HER. 1196 00:27:59,133 --> 00:28:00,433 LISTEN, THIS WHAT HAPPENED. 1197 00:28:00,433 --> 00:28:02,367 I DID SOME GUITAR ON A TRACK, 1198 00:28:02,367 --> 00:28:03,600 AND THEY USED IT. 1199 00:28:03,600 --> 00:28:04,367 [plays guitar chords] 1200 00:28:04,367 --> 00:28:05,533 SO--WAIT, SO YOU'RE GOING IN 1201 00:28:05,533 --> 00:28:06,800 THE STUDIO WITH THIS BITCH? 1202 00:28:06,800 --> 00:28:07,700 YOU'RE WORKING WITH THIS BITCH? 1203 00:28:07,700 --> 00:28:08,433 I DIDN'T GO IN THE STUDIO 1204 00:28:08,433 --> 00:28:09,100 WITH HER. 1205 00:28:09,100 --> 00:28:10,100 [playing guitar scales] 1206 00:28:10,100 --> 00:28:11,100 ♪ 1207 00:28:11,100 --> 00:28:11,900 I'M GONNA TAKE THIS AWAY 1208 00:28:11,900 --> 00:28:12,967 FROM YOU. 1209 00:28:12,967 --> 00:28:13,700 WAIT A MINUTE. 1210 00:28:13,700 --> 00:28:14,833 SO WHY I GOT THESE LITTLE WHITE 1211 00:28:14,833 --> 00:28:15,933 BITCHES WALKING UP IN MY FACE 1212 00:28:15,933 --> 00:28:16,733 SAYING THAT-- 1213 00:28:16,733 --> 00:28:17,867 PIECES OF PORCELAIN GONNA 1214 00:28:17,867 --> 00:28:18,533 SAY ANYTHING. 1215 00:28:18,533 --> 00:28:19,200 I DON'T KNOW. 1216 00:28:19,200 --> 00:28:19,933 LET ME FIND OUT YOU IN 1217 00:28:19,933 --> 00:28:21,733 THE STUDIO WITH THIS RATCHET-ASS 1218 00:28:21,733 --> 00:28:23,233 METAL-MOUTH ASS[bleep]. 1219 00:28:23,233 --> 00:28:24,067 I'M NOT IN THE STUDIO 1220 00:28:24,067 --> 00:28:24,933 WITH HER. 1221 00:28:24,933 --> 00:28:26,600 I'M NOT IN THE STUDIO WITH 1222 00:28:26,600 --> 00:28:28,367 CHE' MACK. 1223 00:28:28,367 --> 00:28:29,733 YOU SO TIRED. 1224 00:28:29,733 --> 00:28:30,667 BUT ENOUGH ABOUT THAT. 1225 00:28:30,667 --> 00:28:31,333 WHY CAN'T WE TALK ABOUT 1226 00:28:31,333 --> 00:28:32,067 ME AND YOU? 1227 00:28:32,067 --> 00:28:33,533 COME ON, CHEERS. 1228 00:28:33,533 --> 00:28:34,333 WHAT ABOUT US? 1229 00:28:34,333 --> 00:28:35,667 TO A HELL OF A TEAM, MAN. 1230 00:28:35,667 --> 00:28:36,333 STOP PLAYING. 1231 00:28:36,333 --> 00:28:37,067 A TEAM? 1232 00:28:37,067 --> 00:28:37,667 YEAH. 1233 00:28:37,667 --> 00:28:38,400 WHAT, WE NOT A TEAM NO MORE? 1234 00:28:38,400 --> 00:28:39,200 HOW ABOUT CHEERS TO 1235 00:28:39,200 --> 00:28:40,667 OUR RELATIONSHIP? 1236 00:28:40,667 --> 00:28:41,867 WHAT ARE WE CHEERING TO? 1237 00:28:41,867 --> 00:28:42,967 WE'RE CHEERING TO THE TEAM, 1238 00:28:42,967 --> 00:28:44,533 TO THE POWER TEAM. 1239 00:28:44,533 --> 00:28:47,167 I DON'T LIKE THAT ONE. 1240 00:28:47,167 --> 00:28:48,567 HUH? 1241 00:28:48,567 --> 00:28:49,533 ARE YOU GONNA GROW UP AND BE 1242 00:28:49,533 --> 00:28:51,833 A MAN AND STOP SLANGING [bleep] 1243 00:28:51,833 --> 00:28:52,833 AROUND TOWN? 1244 00:28:52,833 --> 00:28:53,633 WE NEED TO TOAST TO 1245 00:28:53,633 --> 00:28:55,067 THE RELATIONSHIP WITH 1246 00:28:55,067 --> 00:28:57,100 THE BUSINESS INVOLVED. 1247 00:28:57,100 --> 00:29:00,767 LET'S CHEERS TO BECOMING ONE 1248 00:29:00,767 --> 00:29:02,100 WITH EACH OTHER. 1249 00:29:02,100 --> 00:29:03,367 HOLD UP. 1250 00:29:03,367 --> 00:29:04,067 I DO-- 1251 00:29:04,067 --> 00:29:04,700 HOLD UP. 1252 00:29:04,700 --> 00:29:05,400 HOLD ON BEFORE WE SIP. 1253 00:29:05,400 --> 00:29:07,300 I DON'T WANT TO HURT YOU. 1254 00:29:07,300 --> 00:29:08,600 I WANT TO BE ONE, JUST ONE. 1255 00:29:08,600 --> 00:29:09,367 JUST--I DON'T WANT IT TO BE 1256 00:29:09,367 --> 00:29:10,067 YOU AND ME. 1257 00:29:10,067 --> 00:29:12,067 IT'S GOT TO BE US. 1258 00:29:12,067 --> 00:29:15,533 THAT'S WHAT I'VE BEEN SAYING. 1259 00:29:15,533 --> 00:29:17,500 [glasses clink] 1260 00:29:17,500 --> 00:29:18,900 WHY IS JOHNNY RAPPING 1261 00:29:18,900 --> 00:29:19,667 ABOUT GIRLS? 1262 00:29:19,667 --> 00:29:21,067 HE LIKE MEN. 1263 00:29:21,067 --> 00:29:22,800 THERE'S SOME CHITTER CHAT, 1264 00:29:22,800 --> 00:29:24,767 MIMI, THAT YOUR FRIEND, 1265 00:29:24,767 --> 00:29:26,100 K. MICHELLE, IS TALKING TO 1266 00:29:26,100 --> 00:29:28,433 YOU ABOUT, THEN YOU CAN-- 1267 00:29:28,433 --> 00:29:30,433 MAYBE YOU CAN LET ME KNOW. 1268 00:29:44,433 --> 00:29:45,367 I COULDN'T THINK OF A BETTER 1269 00:29:45,367 --> 00:29:46,600 TIME FOR MY SISTER TO COME DOWN 1270 00:29:46,600 --> 00:29:47,367 AND VISIT ME. 1271 00:29:47,367 --> 00:29:48,633 WITH EVERYTHING THAT'S GOING ON 1272 00:29:48,633 --> 00:29:49,767 WITH THIS STORE, THE ONLY PERSON 1273 00:29:49,767 --> 00:29:50,700 I KNOW THAT'S GONNA GIVE IT TO 1274 00:29:50,700 --> 00:29:52,500 ME STRAIGHT IS MY SISTER. 1275 00:29:52,500 --> 00:29:53,400 I'M JUST TRYING TO MAKE [bleep] 1276 00:29:53,400 --> 00:29:54,800 HAPPEN WITH THE STORE OPENING. 1277 00:29:54,800 --> 00:29:55,833 I'M SUPPOSED TO BE THE SILENT 1278 00:29:55,833 --> 00:29:56,633 PARTNER, BUT I DON'T KNOW HOW 1279 00:29:56,633 --> 00:29:57,300 TO BE THAT. 1280 00:29:57,300 --> 00:29:58,067 [laughs] 1281 00:29:58,067 --> 00:29:59,700 ASKED YOU TO BE SILENT, HUH? 1282 00:29:59,700 --> 00:30:00,867 SO I WAS LIKE, "SEE, I NEED 1283 00:30:00,867 --> 00:30:02,667 TO BE AT, YOU KNOW, 1284 00:30:02,667 --> 00:30:03,467 THE HIRING PROCESS. 1285 00:30:03,467 --> 00:30:04,800 I WANT TO BE THERE." 1286 00:30:04,800 --> 00:30:06,267 I GO TO THE STORE. 1287 00:30:06,267 --> 00:30:07,633 OH, LORD, HERE WE GO. 1288 00:30:07,633 --> 00:30:08,567 I GO--HOLD ON. 1289 00:30:08,567 --> 00:30:10,300 I WALK IN, AND ALL OF THESE 1290 00:30:10,300 --> 00:30:13,133 BITCHES IS MODEL--VIDEO BITCHES. 1291 00:30:13,133 --> 00:30:15,167 I'M TRYING TO BE PROFESSIONAL, 1292 00:30:15,167 --> 00:30:16,867 AND THEN CHICKS IS GETTING 1293 00:30:16,867 --> 00:30:19,367 DISRESPECTFUL BECAUSE I'M 1294 00:30:19,367 --> 00:30:20,867 TELLING THEM TO BE QUIET. 1295 00:30:20,867 --> 00:30:22,067 ONE CHICK GONNA TELL ME, 1296 00:30:22,067 --> 00:30:23,033 "I GOT A DEGREE. 1297 00:30:23,033 --> 00:30:23,833 WHAT YOU GOT?" 1298 00:30:23,833 --> 00:30:24,933 BITCH, I GOT THE STORE. 1299 00:30:24,933 --> 00:30:26,133 WAIT, ONE QUESTION. 1300 00:30:26,133 --> 00:30:27,667 WHAT YOU DO WHEN SHE SAID THAT? 1301 00:30:27,667 --> 00:30:29,800 I WAS CALM, AND I CALMLY 1302 00:30:29,800 --> 00:30:30,667 TOOK MY SHOES OFF. 1303 00:30:30,667 --> 00:30:31,567 [laughs] 1304 00:30:31,567 --> 00:30:32,233 YOU SEE WHAT I HAD TO 1305 00:30:32,233 --> 00:30:32,900 DEAL WITH? 1306 00:30:32,900 --> 00:30:33,700 YOU DON'T LIKE TO HEAR IT, 1307 00:30:33,700 --> 00:30:34,533 BUT YOU'RE KIND OF ACTING 1308 00:30:34,533 --> 00:30:35,733 LIKE MOM A LITTLE BIT 1309 00:30:35,733 --> 00:30:36,600 TO THE ASPECT. 1310 00:30:36,600 --> 00:30:38,567 YOU'VE SEEN HOW MOTHER CHASED 1311 00:30:38,567 --> 00:30:39,933 FATHER AROUND WITH A MACHETE. 1312 00:30:39,933 --> 00:30:41,067 YOU'VE SEEN IT. 1313 00:30:41,067 --> 00:30:42,033 THAT'S WHAT DREW'S TURNING YOU 1314 00:30:42,033 --> 00:30:43,233 INTO A LITTLE BIT. 1315 00:30:43,233 --> 00:30:44,067 IT'S TRUE. 1316 00:30:44,067 --> 00:30:45,400 I SAW MY MOTHER HAVE A TEMPER 1317 00:30:45,400 --> 00:30:46,300 GROWING UP AND DO 1318 00:30:46,300 --> 00:30:48,100 SOME CRAZY SH-- 1319 00:30:48,100 --> 00:30:49,567 AND, TO BE VERY HONEST, I'M VERY 1320 00:30:49,567 --> 00:30:50,767 MUCH LIKE HER. 1321 00:30:50,767 --> 00:30:52,200 LIKE MOTHER, LIKE DAUGHTER. 1322 00:30:52,200 --> 00:30:53,767 HONESTLY, LIKE, WHAT MADE YOU 1323 00:30:53,767 --> 00:30:56,567 GO INTO BUSINESS WITH HIM? 1324 00:30:56,567 --> 00:30:59,067 WITH YOUR BABY DADDY, YOUR EX. 1325 00:30:59,067 --> 00:30:59,900 I WAS THINKING ABOUT LITTLE 1326 00:30:59,900 --> 00:31:02,067 DREW AND HIS FUTURE. 1327 00:31:02,067 --> 00:31:03,433 YOU DO IT FOR DREWSY, BUT 1328 00:31:03,433 --> 00:31:04,800 YOU'RE DOING THINGS FOR DREWSY. 1329 00:31:04,800 --> 00:31:05,867 YOU DON'T HAVE TO PARTNER UP 1330 00:31:05,867 --> 00:31:06,767 WITH HIM TO DO THINGS 1331 00:31:06,767 --> 00:31:07,567 FOR DREWSY. 1332 00:31:07,567 --> 00:31:08,667 I MEAN, MY SISTER HAS A LOT 1333 00:31:08,667 --> 00:31:09,900 OF GOOD POINTS, BUT WHAT MOST 1334 00:31:09,900 --> 00:31:11,167 PEOPLE DON'T UNDERSTAND IS, DREW 1335 00:31:11,167 --> 00:31:12,533 HAS A VERY SUCCESSFUL TRACK 1336 00:31:12,533 --> 00:31:13,900 RECORD IN BUSINESS, SO THIS IS 1337 00:31:13,900 --> 00:31:15,167 SOMETHING I REALLY NEED TO 1338 00:31:15,167 --> 00:31:15,833 THINK ABOUT. 1339 00:31:15,833 --> 00:31:16,933 SO YOU THINK I SHOULDN'T DO IT, 1340 00:31:16,933 --> 00:31:17,600 A BUSINESS. 1341 00:31:17,600 --> 00:31:18,533 I DON'T THINK IT'S A GOOD 1342 00:31:18,533 --> 00:31:20,100 IDEA HONESTLY, 'CAUSE BUSINESS 1343 00:31:20,100 --> 00:31:21,667 AND PLEASURE DOESN'T MIX. 1344 00:31:21,667 --> 00:31:23,100 BUSINESS AND FAMILY DOESN'T MIX. 1345 00:31:23,100 --> 00:31:23,767 OH. 1346 00:31:23,767 --> 00:31:24,433 [laughs] 1347 00:31:24,433 --> 00:31:25,400 BUSINESS AND FAMILY. 1348 00:31:25,400 --> 00:31:26,333 BUSINESS AND FAMILY, 1349 00:31:26,333 --> 00:31:27,767 BUSINESS AND PLEASURE NEVER 1350 00:31:27,767 --> 00:31:29,767 WORKS OUT. 1351 00:31:47,933 --> 00:31:49,600 SO EVER SINCE NIKKO CAME BACK 1352 00:31:49,600 --> 00:31:51,533 INTO MY LIFE, I'VE BEEN ON SUCH 1353 00:31:51,533 --> 00:31:52,833 A WINNING STREAK. 1354 00:31:52,833 --> 00:31:55,100 I DON'T WANT IT TO END. 1355 00:31:55,100 --> 00:31:56,633 I FEEL A CONFIDENCE I HAVEN'T 1356 00:31:56,633 --> 00:31:59,233 FELT IN A LONG TIME, SO WHEN HE 1357 00:31:59,233 --> 00:32:01,467 ASKED ME TO BE THE STAR OF 1358 00:32:01,467 --> 00:32:04,067 HIS VIDEO, I WAS LIKE, 1359 00:32:04,067 --> 00:32:05,867 "HELL, YEAH, I'LL DO IT." 1360 00:32:05,867 --> 00:32:06,700 OOH. 1361 00:32:06,700 --> 00:32:07,367 HELLO. 1362 00:32:07,367 --> 00:32:08,433 BLEH. 1363 00:32:08,433 --> 00:32:10,433 OH, DON'T "OOH" ME. 1364 00:32:10,433 --> 00:32:12,100 YOU LOOK CUTE. 1365 00:32:12,100 --> 00:32:13,467 I ASKED K. MICHELLE AND 1366 00:32:13,467 --> 00:32:14,767 ARIANE TO COME BY THE VIDEO 1367 00:32:14,767 --> 00:32:16,133 SHOOT, YOU KNOW, TO MAKE SURE 1368 00:32:16,133 --> 00:32:17,233 MY HAIR AND MY MAKEUP 1369 00:32:17,233 --> 00:32:18,300 WAS LOOKING RIGHT. 1370 00:32:18,300 --> 00:32:19,933 YOU HEARD THE SONG, THOUGH. 1371 00:32:19,933 --> 00:32:22,833 IT'S DEFINITELY--REWIND. 1372 00:32:22,833 --> 00:32:23,500 OH, REALLY? 1373 00:32:23,500 --> 00:32:24,167 OH, IT'S A GOOD SONG. 1374 00:32:24,167 --> 00:32:24,833 YEAH. 1375 00:32:24,833 --> 00:32:26,633 OKAY. 1376 00:32:26,633 --> 00:32:28,900 WE NEED TO HEAR THIS, K.K. 1377 00:32:28,900 --> 00:32:29,900 [hip-hop music playing softly] 1378 00:32:29,900 --> 00:32:31,600 ♪ 1379 00:32:31,600 --> 00:32:33,167 [giggles] 1380 00:32:33,167 --> 00:32:35,900 IT'S A CLUBBER. 1381 00:32:35,900 --> 00:32:37,900 YEAH. 1382 00:32:38,633 --> 00:32:40,133 YOU MET HIM, RIGHT? 1383 00:32:40,133 --> 00:32:41,167 WHO? 1384 00:32:41,167 --> 00:32:41,933 WHO IS THAT? 1385 00:32:41,933 --> 00:32:43,100 JOHNNY. 1386 00:32:43,100 --> 00:32:44,600 WHY IS JOHNNY ON HERE? 1387 00:32:44,600 --> 00:32:45,700 HE ON THERE. 1388 00:32:45,700 --> 00:32:47,100 GIRL, GET OUT OF HERE. 1389 00:32:47,100 --> 00:32:48,267 I-- 1390 00:32:48,267 --> 00:32:50,933 JOHNNY CLEARLY IS GAY. 1391 00:32:51,533 --> 00:32:55,600 ♪ 1392 00:32:55,600 --> 00:32:57,133 I DIDN'T KNOW JOHNNY WAS IN 1393 00:32:57,133 --> 00:32:58,367 THIS VIDEO. 1394 00:32:58,367 --> 00:33:01,133 YES, JOHNNY'S IN THE VIDEO. 1395 00:33:01,133 --> 00:33:02,533 BUT WHY IS JOHNNY RAPPING 1396 00:33:02,533 --> 00:33:03,367 ABOUT GIRLS? 1397 00:33:03,367 --> 00:33:04,800 HE LIKE MEN. 1398 00:33:04,800 --> 00:33:07,700 I HAVE NO PROBLEM WITH A MAN 1399 00:33:07,700 --> 00:33:09,233 LIKING ANOTHER MAN. 1400 00:33:09,233 --> 00:33:10,700 IF YOU GONNA BE THAT, BE THAT. 1401 00:33:10,700 --> 00:33:11,500 DON'T BE DOWN LOW. 1402 00:33:11,500 --> 00:33:12,167 JUST COME OUT-- 1403 00:33:12,167 --> 00:33:13,300 I AGREE WITH THAT. 1404 00:33:13,300 --> 00:33:14,967 I AGREE WITH YOU THERE. 1405 00:33:14,967 --> 00:33:15,700 JUST BE WHAT IT-- 1406 00:33:15,700 --> 00:33:16,367 [bleep]-- 1407 00:33:16,367 --> 00:33:17,700 I DON'T LIKE THAT EITHER. 1408 00:33:17,700 --> 00:33:18,533 THAT'S SOME BULL[bleep]. 1409 00:33:18,533 --> 00:33:19,400 THAT'S STRADDLING THE FENCE. 1410 00:33:19,400 --> 00:33:21,767 AND I THINK HE IS UNDERCOVER. 1411 00:33:21,767 --> 00:33:22,933 I'VE BEEN AROUND HIM. 1412 00:33:22,933 --> 00:33:24,767 Y'ALL HAVEN'T, AND HE'S 1413 00:33:24,767 --> 00:33:25,767 NOT THAT. 1414 00:33:25,767 --> 00:33:26,767 I DON'T HAVE A PROBLEM WITH 1415 00:33:26,767 --> 00:33:28,667 ANYBODY AND THEIR SEXUALITY, 1416 00:33:28,667 --> 00:33:29,967 BUT I DO HAVE A PROBLEM WITH 1417 00:33:29,967 --> 00:33:30,967 DOWN-LOW MEN. 1418 00:33:30,967 --> 00:33:32,433 I DON'T LIKE FOR PEOPLE TO LIE 1419 00:33:32,433 --> 00:33:33,833 ABOUT THEIR SEXUALITY AND LEAD 1420 00:33:33,833 --> 00:33:34,700 PEOPLE ON. 1421 00:33:34,700 --> 00:33:36,833 ME BEING AROUND HIM ON 1422 00:33:36,833 --> 00:33:39,100 A DAY-TO-DAY BASIS--I DON'T GET 1423 00:33:39,100 --> 00:33:39,833 ANY OF THAT. 1424 00:33:39,833 --> 00:33:41,900 WE ALL HAVE MUTUAL FRIENDS, 1425 00:33:41,900 --> 00:33:43,967 MEN THAT, YOU KNOW-- 1426 00:33:43,967 --> 00:33:45,433 ARE FLAMBOYANTLY GAY. 1427 00:33:45,433 --> 00:33:47,067 DO THEY NOT ALSO AGREE WITH 1428 00:33:47,067 --> 00:33:50,767 ME AND THINK THAT JOHNNY IS GAY? 1429 00:33:50,767 --> 00:33:52,067 MINE DO. 1430 00:33:52,067 --> 00:33:52,800 SORRY. 1431 00:33:52,800 --> 00:33:53,567 MINE DO. 1432 00:33:53,567 --> 00:33:54,233 IT'S COOL. 1433 00:33:54,233 --> 00:33:55,467 TWO AGAINST ONE. 1434 00:33:55,467 --> 00:33:56,300 MINE DO. 1435 00:33:56,300 --> 00:33:57,500 I'M JUST SAYING, JUST RAP 1436 00:33:57,500 --> 00:33:58,833 ABOUT WHAT YOU KNOW ABOUT. 1437 00:33:58,833 --> 00:33:59,833 [chuckles] 1438 00:33:59,833 --> 00:34:01,467 100% I DON'T THINK 1439 00:34:01,467 --> 00:34:02,533 JOHNNY'S GAY. 1440 00:34:02,533 --> 00:34:04,533 I'VE ONLY SEEN JOHNNY WITH 1441 00:34:04,533 --> 00:34:05,867 BAD-ASS BITCHES. 1442 00:34:05,867 --> 00:34:07,067 ARIANE AND K. MICHELLE ARE 1443 00:34:07,067 --> 00:34:08,133 JUMPING TO ALL SORTS OF 1444 00:34:08,133 --> 00:34:10,067 CONCLUSIONS ABOUT PEOPLE THEY 1445 00:34:10,067 --> 00:34:10,800 DON'T EVEN KNOW. 1446 00:34:10,800 --> 00:34:11,833 'CAUSE ALL I EVER SEE HIM WITH 1447 00:34:11,833 --> 00:34:12,533 IS GIRLS. 1448 00:34:12,533 --> 00:34:13,367 I'M JUST SAYING, WHEN 1449 00:34:13,367 --> 00:34:14,900 THE VIDEO COME OUT, NOTHING 1450 00:34:14,900 --> 00:34:16,433 NEEDS TO OVERSHADOW NONE 1451 00:34:16,433 --> 00:34:17,233 OF HIS-- 1452 00:34:17,233 --> 00:34:18,500 LEAKED NAKED PICTURES DON'T NEED 1453 00:34:18,500 --> 00:34:19,167 TO COME OUT. 1454 00:34:19,167 --> 00:34:20,800 YES, I'VE SEEN A COUPLE. 1455 00:34:20,800 --> 00:34:21,533 OH, [bleep]. 1456 00:34:21,533 --> 00:34:22,800 I SAW THAT PICTURE AS WELL. 1457 00:34:22,800 --> 00:34:23,500 YOU SAW IT? 1458 00:34:23,500 --> 00:34:24,833 I SAW IT, BUT GUESS WHAT. 1459 00:34:24,833 --> 00:34:26,100 I JUST SAW ONE OF MOTHER[bleep] 1460 00:34:26,100 --> 00:34:28,133 STEVIE IN A [bleep] TOWEL TOO. 1461 00:34:28,133 --> 00:34:30,333 YOU KNOW--OH. 1462 00:34:30,333 --> 00:34:31,067 WHAT'S GOING ON? 1463 00:34:31,067 --> 00:34:33,067 HI. 1464 00:34:33,067 --> 00:34:33,700 WHAT'S GOING ON? 1465 00:34:33,700 --> 00:34:34,733 [giggles] 1466 00:34:34,733 --> 00:34:35,800 WHAT ARE Y'ALL TALKING ABOUT? 1467 00:34:35,800 --> 00:34:36,633 ALL RIGHT. 1468 00:34:36,633 --> 00:34:37,467 YEAH. 1469 00:34:37,467 --> 00:34:38,267 WHAT'S UP, JOHNNY? 1470 00:34:38,267 --> 00:34:39,200 YOU GOOD? 1471 00:34:39,200 --> 00:34:41,067 I'M SWELL. 1472 00:34:41,067 --> 00:34:42,167 I HEARD Y'ALL CHIT CHATTERING 1473 00:34:42,167 --> 00:34:43,467 IN HERE, SO I WANT MAKE SURE-- 1474 00:34:43,467 --> 00:34:44,167 YEAH, WE CHITCHAT. 1475 00:34:44,167 --> 00:34:44,933 THAT'S WHAT WE DO. 1476 00:34:44,933 --> 00:34:45,767 YOU ALL RIGHT, BABE? 1477 00:34:45,767 --> 00:34:47,067 WE CHITCHAT. 1478 00:34:47,067 --> 00:34:47,933 WE GONNA CHANGE, THOUGH. 1479 00:34:47,933 --> 00:34:48,600 WE GOT TO CHANGE INTO 1480 00:34:48,600 --> 00:34:49,300 ANOTHER OUTFIT. 1481 00:34:49,300 --> 00:34:50,067 WHAT YOU CHANGING 1482 00:34:50,067 --> 00:34:50,767 INTO, NIKKO? 1483 00:34:50,767 --> 00:34:51,800 WHAT ARE YOU ABOUT TO WEAR? 1484 00:34:51,800 --> 00:34:52,500 OH, YOU GONNA SEE IT. 1485 00:34:52,500 --> 00:34:53,167 JUST BE-- 1486 00:34:53,167 --> 00:34:54,400 SURPRISE, SURPRISE. 1487 00:34:54,400 --> 00:34:55,333 YEAH, MAKE SURE YOU BE-- 1488 00:34:55,333 --> 00:34:56,467 YOU WATCHING. 1489 00:34:56,467 --> 00:34:58,067 YOU IN IT TOO, JOHNNY? 1490 00:34:58,067 --> 00:34:59,367 ABSOLUTELY. 1491 00:34:59,367 --> 00:35:00,433 WHAT YOU GONNA WEAR? 1492 00:35:00,433 --> 00:35:01,567 A SPEEDO? 1493 00:35:01,567 --> 00:35:03,467 NAH, MAYBE A TOWEL. 1494 00:35:03,467 --> 00:35:06,133 [laughing] 1495 00:35:08,333 --> 00:35:09,467 SO WE GONNA GO CHANGE INTO 1496 00:35:09,467 --> 00:35:10,733 THIS NEXT OUTFIT. 1497 00:35:10,733 --> 00:35:12,133 SEE YOU IN A MINUTE. 1498 00:35:12,133 --> 00:35:12,833 BYE. 1499 00:35:12,833 --> 00:35:16,133 GO GET CHANGED. 1500 00:35:16,133 --> 00:35:17,633 THAT TOWEL. 1501 00:35:17,633 --> 00:35:19,067 BOY, GET OUT OF HERE. 1502 00:35:19,067 --> 00:35:21,100 [laughing] 1503 00:35:21,100 --> 00:35:22,100 WHO WOULD'VE THOUGHT THAT 1504 00:35:22,100 --> 00:35:23,933 JOHNNY HIMSELF WOULD BE 1505 00:35:23,933 --> 00:35:25,133 LISTENING AT THE DOOR? 1506 00:35:25,133 --> 00:35:26,200 I MEAN, WHAT KIND OF MAN, YOU 1507 00:35:26,200 --> 00:35:27,533 KNOW, EAVESDROP PEOPLE AROUND 1508 00:35:27,533 --> 00:35:28,267 THE CORNER? 1509 00:35:28,267 --> 00:35:29,667 I MEAN, NOT WHERE I'M FROM. 1510 00:35:29,667 --> 00:35:31,133 BUT I'M HERE TO SUPPORT MIMI. 1511 00:35:31,133 --> 00:35:32,467 I JUST HOPE SHE DON'T LOOK LIKE 1512 00:35:32,467 --> 00:35:35,067 NO $2 HO ON A IPHONE 5 1513 00:35:35,067 --> 00:35:36,233 VIDEO SHOOT. 1514 00:35:36,233 --> 00:35:39,233 [laughter] 1515 00:35:43,733 --> 00:35:45,400 WHAT'S THAT ALL ABOUT? 1516 00:35:45,400 --> 00:35:46,233 I'M FOCUSED. 1517 00:35:46,233 --> 00:35:46,967 JUST GET YOUR DIDDY ON. 1518 00:35:46,967 --> 00:35:47,700 LET ME JUST PUT THIS 1519 00:35:47,700 --> 00:35:48,367 OUT THERE. 1520 00:35:48,367 --> 00:35:49,633 I'M JUST GONNA SAY THIS. 1521 00:35:49,633 --> 00:35:51,833 WHATEVER'S BEING SAID ABOUT ME-- 1522 00:35:51,833 --> 00:35:52,567 I DON'T CARE WHAT'S 1523 00:35:52,567 --> 00:35:53,233 BEING SAID. 1524 00:35:53,233 --> 00:35:54,467 WELL, I CARE BECAUSE MY NAME 1525 00:35:54,467 --> 00:35:55,500 IS IN IT. 1526 00:35:55,500 --> 00:35:56,867 I'M HEARING GAY TALK. 1527 00:35:56,867 --> 00:35:57,833 I HAVE FLASHBACKS WHEN HE'S 1528 00:35:57,833 --> 00:35:58,900 [bleep] CLOSE TO ME. 1529 00:35:58,900 --> 00:36:01,067 IT'S--NO. 1530 00:36:01,067 --> 00:36:02,467 THAT'S NOT WHAT IT IS. 1531 00:36:02,467 --> 00:36:04,267 IF THERE'S SOME CHITTER CHAT, 1532 00:36:04,267 --> 00:36:06,333 MIMI, THAT YOUR FRIEND, 1533 00:36:06,333 --> 00:36:07,967 K. MICHELLE, IS TALKING TO YOU 1534 00:36:07,967 --> 00:36:10,100 ABOUT, THEN YOU CAN--MAYBE YOU 1535 00:36:10,100 --> 00:36:10,933 CAN LET ME KNOW. 1536 00:36:10,933 --> 00:36:11,933 YOU CAN RELAY IT TO ME, WHAT 1537 00:36:11,933 --> 00:36:12,600 SHE SAYS. 1538 00:36:12,600 --> 00:36:13,933 BASICALLY, K. MICHELLE, 1539 00:36:13,933 --> 00:36:15,533 WE DON'T PLAY THAT OVER HERE. 1540 00:36:15,533 --> 00:36:16,433 YEAH. 1541 00:36:16,433 --> 00:36:17,967 OKAY, YOU GUYS DO YOUR VIDEO. 1542 00:36:17,967 --> 00:36:19,667 I'M HERE TO BE SUPPORTIVE. 1543 00:36:19,667 --> 00:36:20,367 YOU'RE FINE. 1544 00:36:20,367 --> 00:36:21,167 WHATEVER YOUR FRIEND SAYS 1545 00:36:21,167 --> 00:36:21,833 TO YOU-- 1546 00:36:21,833 --> 00:36:22,667 DON'T ATTACK HER, THOUGH. 1547 00:36:22,667 --> 00:36:23,633 YEAH. 1548 00:36:23,633 --> 00:36:25,067 NO, I'M NOT ATTACKING HER. 1549 00:36:25,067 --> 00:36:25,700 I'M NIKKO. 1550 00:36:25,700 --> 00:36:26,367 YOU KNOW-- 1551 00:36:26,367 --> 00:36:27,500 NIKKO, I DON'T REALLY WANT 1552 00:36:27,500 --> 00:36:28,200 TO HEAR-- 1553 00:36:28,200 --> 00:36:28,867 LISTEN. 1554 00:36:28,867 --> 00:36:30,133 MIMI, I'M GONNA GO AHEAD. 1555 00:36:30,133 --> 00:36:30,900 I WANT THEM TO HAVE 1556 00:36:30,900 --> 00:36:31,567 A GREAT VIDEO. 1557 00:36:31,567 --> 00:36:32,400 WE DON'T EVEN WANT YOU TO 1558 00:36:32,400 --> 00:36:33,067 WATCH THE VIDEO. 1559 00:36:33,067 --> 00:36:33,933 HOW ABOUT THAT? 1560 00:36:33,933 --> 00:36:34,867 WE WANT YOU TO LEAVE. 1561 00:36:34,867 --> 00:36:35,800 WELL, DON'T BE MAD BECAUSE 1562 00:36:35,800 --> 00:36:37,067 YOUR COPILOT IS GAY. 1563 00:36:37,067 --> 00:36:39,467 YOU MIGHT BE TOO. 1564 00:36:39,467 --> 00:36:40,633 YOU WANT TO GO, ARIANE? 1565 00:36:40,633 --> 00:36:41,600 GONNA WALK ME OUT? 1566 00:36:41,600 --> 00:36:42,733 WALK OUT, AND LEAVE. 1567 00:36:42,733 --> 00:36:43,400 DON'T COME BACK. 1568 00:36:43,400 --> 00:36:44,600 OKAY, OKAY, DON'T THROW YOUR 1569 00:36:44,600 --> 00:36:46,533 LITTLE P.M.S. AND EAT CHOCOLATE. 1570 00:36:46,533 --> 00:36:47,733 OKAY, BYE-BYE. 1571 00:36:47,733 --> 00:36:48,400 LOVE YOU. 1572 00:36:48,400 --> 00:36:49,467 [bleep] OUT OF HERE. 1573 00:36:49,467 --> 00:36:50,867 NOW K. MICHELLE IS RUNNING 1574 00:36:50,867 --> 00:36:52,533 AROUND CALLING NIKKO GAY, 1575 00:36:52,533 --> 00:36:54,200 WHICH CLEARLY HE'S NOT. 1576 00:36:54,200 --> 00:36:55,133 I DON'T HAVE TIME FOR ALL 1577 00:36:55,133 --> 00:36:55,900 THIS NONSENSE. 1578 00:36:55,900 --> 00:36:56,933 THE DIRECTOR IS MOTIONING 1579 00:36:56,933 --> 00:36:58,533 FOR ME TO GO OUTSIDE. 1580 00:36:58,533 --> 00:36:59,467 I HAVE TO WORK. 1581 00:36:59,467 --> 00:37:00,600 LIKE, THIS IS BULL[bleep] 1582 00:37:00,600 --> 00:37:01,367 RIGHT NOW. 1583 00:37:01,367 --> 00:37:02,600 DON'T LET ME END YOUR CAREER. 1584 00:37:02,600 --> 00:37:04,067 I COULD END YOUR CAREER. 1585 00:37:04,067 --> 00:37:05,067 HEY, WE CAME TO WORK. 1586 00:37:05,067 --> 00:37:05,933 YOU WANT TO BE ON MY SIDE. 1587 00:37:05,933 --> 00:37:07,100 MOVE AWAY FROM YOUR ROOMMATE. 1588 00:37:07,100 --> 00:37:08,500 YOU HAVE A ROOMMATE IN ATLANTA. 1589 00:37:08,500 --> 00:37:09,567 RENT ISN'T THAT HIGH FOR A ROOM 1590 00:37:09,567 --> 00:37:10,233 IN ATLANTA. 1591 00:37:10,233 --> 00:37:10,900 THIS IS NOT NEW YORK. 1592 00:37:10,900 --> 00:37:11,667 K. MICHELLE, WHO-- 1593 00:37:11,667 --> 00:37:13,133 $1,000 RENT AND YOU SPLIT IT? 1594 00:37:13,133 --> 00:37:14,067 BITCH, GET THE [bleep] OUT 1595 00:37:14,067 --> 00:37:14,833 OF HERE. 1596 00:37:14,833 --> 00:37:16,067 I GOT FIVE CRIBS IN FIVE 1597 00:37:16,067 --> 00:37:17,167 DIFFERENT--IN FIVE 1598 00:37:17,167 --> 00:37:18,067 DIFFERENT STATES. 1599 00:37:18,067 --> 00:37:21,867 THAT'S YOUR GIRLFRIEND. 1600 00:37:21,867 --> 00:37:22,733 YOU CAN'T GET A MAN 'CAUSE 1601 00:37:22,733 --> 00:37:23,400 OF THAT. 1602 00:37:23,400 --> 00:37:24,733 YOU'RE NOT NEEDED. 1603 00:37:24,733 --> 00:37:26,300 ANYBODY'S GOT SOME [bleep] 1604 00:37:26,300 --> 00:37:28,933 BEEF RIGHT NOW, PLEASE GET 1605 00:37:28,933 --> 00:37:30,100 THE [bleep] OUT OF HERE. 1606 00:37:30,100 --> 00:37:31,500 LET'S GO. LET'S GO. 1607 00:37:31,500 --> 00:37:32,667 I'M JUST SICK OF--EVERY TIME 1608 00:37:32,667 --> 00:37:34,200 I DO SOMETHING, IT'S GOT TO BE 1609 00:37:34,200 --> 00:37:35,167 [bleep] RUINED BY 1610 00:37:35,167 --> 00:37:37,167 SOME BULL[bleep]. 1611 00:37:43,633 --> 00:37:44,800 DON'T YOU [bleep] COME IN 1612 00:37:44,800 --> 00:37:47,433 HERE AND DO NOTHING. 1613 00:37:47,433 --> 00:37:48,133 THEY SHOULDN'T HAVE BEEN 1614 00:37:48,133 --> 00:37:49,367 ATTACKING THIS ONE GIRL. 1615 00:37:49,367 --> 00:37:51,567 ALL OF THAT RIFFRAFF ABOUT 1616 00:37:51,567 --> 00:37:52,700 ENDING HER CAREER IS 1617 00:37:52,700 --> 00:37:53,800 SO JUVENILE. 1618 00:37:53,800 --> 00:37:54,667 NOBODY WAS THINKING ABOUT 1619 00:37:54,667 --> 00:37:55,900 ANYBODY BUT THEMSELF IN 1620 00:37:55,900 --> 00:37:56,567 THAT MOMENT. 1621 00:37:56,567 --> 00:37:57,333 LEAVE OUT THERE. 1622 00:37:57,333 --> 00:37:58,200 WE ABOUT TO FILM. 1623 00:37:58,200 --> 00:37:58,867 OKAY. 1624 00:37:58,867 --> 00:38:00,067 WHY Y'ALL CONFRONT HER, THOUGH, 1625 00:38:00,067 --> 00:38:00,700 LIKE THAT? 1626 00:38:00,700 --> 00:38:01,667 IF YOU WAS SHOOTING A VIDEO 1627 00:38:01,667 --> 00:38:03,233 AND WE BROUGHT THAT NEGATIVE 1628 00:38:03,233 --> 00:38:04,200 ENERGY TO YOUR VIDEO-- 1629 00:38:04,200 --> 00:38:05,067 Y'ALL COULD HAVE DONE IT-- 1630 00:38:05,067 --> 00:38:06,133 [bleep] PROBLEM. 1631 00:38:06,133 --> 00:38:07,667 NO, YOU'RE FOCUSED ON 1632 00:38:07,667 --> 00:38:09,067 THE [bleep] I'M SAYING. 1633 00:38:09,067 --> 00:38:09,900 IF I HEAR MY NAME OUT IN 1634 00:38:09,900 --> 00:38:11,067 THE AIR AND I HEAR SOMEBODY 1635 00:38:11,067 --> 00:38:12,400 SLANDERING MY NAME, I'M GONNA 1636 00:38:12,400 --> 00:38:13,133 ADDRESS IT. 1637 00:38:13,133 --> 00:38:14,400 OKAY, ADDRESS THAT [bleep] AT 1638 00:38:14,400 --> 00:38:15,067 ANOTHER TIME. 1639 00:38:15,067 --> 00:38:16,067 YOU'RE HERE FOR THIS. 1640 00:38:16,067 --> 00:38:17,100 YO, Y'ALL CAN STEP OUTSIDE 1641 00:38:17,100 --> 00:38:17,833 WITH THAT. 1642 00:38:17,833 --> 00:38:18,633 Y'ALL CAN'T ATTACK THIS 1643 00:38:18,633 --> 00:38:19,433 GIRL LIKE THAT. 1644 00:38:19,433 --> 00:38:20,167 WE AIN'T ATTACKING HER. 1645 00:38:20,167 --> 00:38:22,267 I WAS VERY RESPECTFUL TO HER. 1646 00:38:22,267 --> 00:38:23,867 HER ASS GOT A MIND OF ITS OWN. 1647 00:38:23,867 --> 00:38:25,100 SO [bleep] WHAT? 1648 00:38:25,100 --> 00:38:26,167 ALL I HEAR EVERY TIME 1649 00:38:26,167 --> 00:38:27,767 THE DOOR OPENS IS YELLING 1650 00:38:27,767 --> 00:38:29,100 AND SCREAMING. 1651 00:38:29,100 --> 00:38:30,100 I DON'T KNOW WHAT'S GOING ON. 1652 00:38:30,100 --> 00:38:30,767 MIMI IS-- 1653 00:38:30,767 --> 00:38:31,433 NIKKO. 1654 00:38:31,433 --> 00:38:32,100 WHERE'S MIMI AT? 1655 00:38:32,100 --> 00:38:32,767 BRING HER IN HERE. 1656 00:38:32,767 --> 00:38:33,833 NIKKO, YOU KNOW Y'ALL 1657 00:38:33,833 --> 00:38:34,767 ATTACKED HER. 1658 00:38:34,767 --> 00:38:35,800 I DIDN'T ATTACK. 1659 00:38:35,800 --> 00:38:37,400 WHEN THEY SAID, "CUT," 1660 00:38:37,400 --> 00:38:41,367 I RUN BACK INSIDE, AND I SEE K. 1661 00:38:41,367 --> 00:38:42,900 ALL THE WAY OUT THE FRONT DOOR, 1662 00:38:42,900 --> 00:38:44,267 BUT I SEE ARIANE AND NIKKO 1663 00:38:44,267 --> 00:38:45,267 GOING AT IT. 1664 00:38:45,267 --> 00:38:46,100 I HAD TO SHUT IT DOWN AT 1665 00:38:46,100 --> 00:38:47,067 THAT POINT. 1666 00:38:47,067 --> 00:38:48,700 ANYBODY'S GOT SOME [bleep] 1667 00:38:48,700 --> 00:38:51,133 BEEF RIGHT NOW, PLEASE GET 1668 00:38:51,133 --> 00:38:52,500 THE [bleep] OUT OF HERE. 1669 00:38:52,500 --> 00:38:53,767 EVERY TIME I HAVE A [bleep] 1670 00:38:53,767 --> 00:38:54,800 SCENE, IT'S GOT TO BE RUINED 1671 00:38:54,800 --> 00:38:56,533 BY SOME BULL[bleep]. 1672 00:38:56,533 --> 00:38:57,600 WHO YOU TALKING TO? 1673 00:38:57,600 --> 00:38:58,567 IN GENERAL! 1674 00:38:58,567 --> 00:38:59,667 DON'T BE YELLING AT ME. 1675 00:38:59,667 --> 00:39:00,700 YELL AT THE MOTHER[bleep] YOU 1676 00:39:00,700 --> 00:39:01,500 NEED TO YELL AT, MIMI. 1677 00:39:01,500 --> 00:39:02,233 DON'T DO IT. 1678 00:39:02,233 --> 00:39:03,667 I'M YELLING IN GENERAL. 1679 00:39:03,667 --> 00:39:04,567 DON'T YOU [bleep] DO IT. 1680 00:39:04,567 --> 00:39:05,767 I'M NOT YELLING AT YOU. 1681 00:39:05,767 --> 00:39:07,067 I'M YELLING IN GENERAL 1682 00:39:07,067 --> 00:39:08,167 BECAUSE EVERY TIME... 1683 00:39:08,167 --> 00:39:08,833 'CAUSE I'M HERE. 1684 00:39:08,833 --> 00:39:10,133 [bleep] DO SOMETHING. 1685 00:39:10,133 --> 00:39:10,800 IT AIN'T ME! 1686 00:39:10,800 --> 00:39:11,567 I'M NOT [bleep]-- 1687 00:39:11,567 --> 00:39:12,667 I'M NOT THE ONE THAT'S [bleep] 1688 00:39:12,667 --> 00:39:14,133 DOING NOTHING WRONG RIGHT NOW! 1689 00:39:14,133 --> 00:39:15,433 I KNEW IN THAT MOMENT SHE WAS 1690 00:39:15,433 --> 00:39:19,267 UPSET, BUT TAKE IT OUT ON WHO IT 1691 00:39:19,267 --> 00:39:20,633 NEEDS TO BE TAKEN OUT ON. 1692 00:39:20,633 --> 00:39:22,200 FOR HER TO YELL AND SAY ALL 1693 00:39:22,200 --> 00:39:23,133 THOSE THINGS AND ALL THAT 1694 00:39:23,133 --> 00:39:25,067 [bleep], I WAS JUST LIKE, "OH, 1695 00:39:25,067 --> 00:39:26,267 NO, WAIT A MINUTE, BITCH." 1696 00:39:26,267 --> 00:39:27,633 RELAX, RELAX. 1697 00:39:27,633 --> 00:39:29,067 I'M JUST SICK OF--EVERY TIME 1698 00:39:29,067 --> 00:39:30,400 I DO SOMETHING, IT'S GOT TO BE 1699 00:39:30,400 --> 00:39:31,233 [bleep] RUINED BY 1700 00:39:31,233 --> 00:39:32,300 SOME BULL[bleep]. 1701 00:39:32,300 --> 00:39:33,100 RELAX, RELAX. 1702 00:39:33,100 --> 00:39:33,833 WE GOT-- 1703 00:39:33,833 --> 00:39:34,767 DON'T [bleep] TELL ME 1704 00:39:34,767 --> 00:39:36,200 TO RELAX. 1705 00:39:36,200 --> 00:39:37,400 [bleep]. 1706 00:39:37,400 --> 00:39:38,600 CAN'T SOME [bleep] BE ABOUT 1707 00:39:38,600 --> 00:39:40,633 ME SOME GODDAMN TIME AND NOT 1708 00:39:40,633 --> 00:39:42,567 ABOUT EVERYBODY [bleep] ELSE 1709 00:39:42,567 --> 00:39:43,833 AND THEIR BULL[bleep]? 1710 00:39:43,833 --> 00:39:44,667 WE LEFT THAT [bleep] 1711 00:39:44,667 --> 00:39:45,833 BACK THERE. 1712 00:39:45,833 --> 00:39:46,767 WELL, LET'S LEAVE IT 1713 00:39:46,767 --> 00:39:47,433 BACK THERE. 1714 00:39:47,433 --> 00:39:48,100 LET'S LEAVE IT. 1715 00:39:48,100 --> 00:39:48,867 ALL RIGHT, I'M ABOUT TO DO 1716 00:39:48,867 --> 00:39:49,533 MY [bleep] SCENE. 1717 00:39:49,533 --> 00:39:50,933 LET'S LEAVE IT BACK THERE THEN. 1718 00:39:50,933 --> 00:39:52,800 LOOK AT ME. 1719 00:39:52,800 --> 00:39:53,600 RELAX. 1720 00:39:53,600 --> 00:39:54,633 WE'RE NOT DOING THAT. 1721 00:39:54,633 --> 00:39:55,933 NO, YEAH, THE [bleep] WE 1722 00:39:55,933 --> 00:39:58,067 DOING IT TODAY, 'CAUSE I'MA-- 1723 00:39:58,067 --> 00:39:59,100 YOU NOT GONNA RUIN MY 1724 00:39:59,100 --> 00:39:59,800 [bleep] TODAY. 1725 00:39:59,800 --> 00:40:00,467 LISTEN. 1726 00:40:00,467 --> 00:40:01,367 THIS MY [bleep]. 1727 00:40:01,367 --> 00:40:02,300 YOU IN MY [bleep]. 1728 00:40:02,300 --> 00:40:03,233 SHUT THE [bleep] UP. 1729 00:40:03,233 --> 00:40:03,900 LISTEN TO ME. 1730 00:40:03,900 --> 00:40:04,900 IT MY [bleep]. 1731 00:40:04,900 --> 00:40:06,333 THIS IS MY [bleep]. 1732 00:40:06,333 --> 00:40:08,067 AND I'M WITH YOUR [bleep], 1733 00:40:08,067 --> 00:40:09,433 SO THE BITCH IS RUINING MY 1734 00:40:09,433 --> 00:40:10,867 [bleep] 'CAUSE SHE KNOW ME. 1735 00:40:10,867 --> 00:40:12,533 SHE DON'T KNOW YOU. 1736 00:40:12,533 --> 00:40:13,267 SHE KNOW ME. 1737 00:40:13,267 --> 00:40:14,067 TIME IS MONEY, 1738 00:40:14,067 --> 00:40:14,733 AND MONEY IS TIME. 1739 00:40:14,733 --> 00:40:16,300 WELL, LET'S GO. 1740 00:40:16,300 --> 00:40:17,400 LET'S GET HER BACK TO WORK. 1741 00:40:17,400 --> 00:40:18,233 LET'S--WHAT WE GOT TO DO? 1742 00:40:18,233 --> 00:40:20,233 I'M SICK OF THIS [bleep]. 1743 00:40:25,133 --> 00:40:26,533 ON THE NEXT LOVE AND HIP-HOP: 1744 00:40:26,533 --> 00:40:27,700 ATLANTA... 1745 00:40:27,700 --> 00:40:28,533 LET'S TOAST TO THE PULL-OUT 1746 00:40:28,533 --> 00:40:30,167 ASSASSIN, KIRK FROST. 1747 00:40:30,167 --> 00:40:31,400 [laughter] 1748 00:40:31,400 --> 00:40:32,600 THERE'S WAYS AROUND IT. 1749 00:40:32,600 --> 00:40:33,633 YOU BASICALLY TRYING TO SAY 1750 00:40:33,633 --> 00:40:35,867 TO ME, "YOU NEED TO GET RID 1751 00:40:35,867 --> 00:40:36,667 OF THE BABY." 1752 00:40:36,667 --> 00:40:38,067 HAVE YOU SEEN HIM? 1753 00:40:38,067 --> 00:40:40,067 WE MET UP. 1754 00:40:41,500 --> 00:40:42,867 I GOT FLYERS AFTER FLYERS 1755 00:40:42,867 --> 00:40:44,533 IN THE CAR FOR THE [bleep] 1756 00:40:44,533 --> 00:40:47,500 THAT'S NOT HAPPENING. 1757 00:40:47,500 --> 00:40:48,700 BOTTOM LINE IS THIS: 1758 00:40:48,700 --> 00:40:50,733 IF IT'S NOT ABOUT K. MICHELLE, 1759 00:40:50,733 --> 00:40:51,967 SHE HAS TO MAKE IT ABOUT HER. 1760 00:40:51,967 --> 00:40:52,767 YOU DON'T EVEN HAVE 1761 00:40:52,767 --> 00:40:53,733 A [bleep] MAN. 1762 00:40:53,733 --> 00:40:55,133 I DON'T WANT ONE LIKE YOURS. 1763 00:40:55,133 --> 00:40:55,900 THAT'S WHAT I'M SAYING. 1764 00:40:55,900 --> 00:40:57,633 AND YOU WILL NEVER HAVE ONE. 1765 00:40:57,633 --> 00:40:58,700 [bleep] BITCH. 1766 00:40:58,700 --> 00:40:59,667 BITCH, [bleep]. 1767 00:40:59,667 --> 00:41:00,400 BACK UP. 1768 00:41:00,400 --> 00:41:01,067 LET GO. 1769 00:41:01,067 --> 00:41:03,467 GET THE [bleep] OFF! 1770 00:41:03,467 --> 00:41:05,633 I'MA SHOW YOU SOMETHING. 1771 00:41:20,667 --> 00:41:23,233 I WANT YOU TO HAVE SOMETHING. 1772 00:41:23,233 --> 00:41:24,900 A MOMMY MAKEOVER. 1773 00:41:24,900 --> 00:41:26,067 WHAT ARE YOU SAYING? 1774 00:41:26,067 --> 00:41:27,067 YOU KNOW... 1775 00:41:27,067 --> 00:41:28,967 [mumbles indistinctly] 1776 00:41:28,967 --> 00:41:30,167 SOME JOINTS? 1777 00:41:30,167 --> 00:41:31,167 YEAH. 1778 00:41:31,167 --> 00:41:32,433 I'M SEEING SOMEBODY NOW. 1779 00:41:32,433 --> 00:41:33,800 LIKE, THAT'S SO DISRESPECTFUL. 1780 00:41:33,800 --> 00:41:35,267 LIKE, HOW CAN YOU TELL ME YOU 1781 00:41:35,267 --> 00:41:37,500 WANT TO GET ME SOME [bleep] TITS 1782 00:41:37,500 --> 00:41:39,333 WHEN I'M WITH SOMEBODY ELSE? 1783 00:41:39,333 --> 00:41:40,400 JUST WANT TO--YOU KNOW, WANT 1784 00:41:40,400 --> 00:41:43,067 TO PUT THAT BUG IN YOUR EAR. 1785 00:41:43,067 --> 00:41:44,067 WHAT ARE YOU LOOKING AT ME 1786 00:41:44,067 --> 00:41:44,933 LIKE THAT FOR? 1787 00:41:44,933 --> 00:41:46,567 CAN YOU GET UP HERE? 1788 00:41:46,567 --> 00:41:47,333 GET UP HERE. 1789 00:41:47,333 --> 00:41:49,333 GET YOUR EYES UP HERE. 109244

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