Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA...

I NEED 50 GRAND.

IF I INVEST IN THIS BUSINESS

AND I SEE THAT YOU WIFE-ING UP A

HO AND SHE'S BENEFITTING FROM MY

MONEY, IT'S GONNA BE A PROBLEM.

WHAT'S GOING ON WITH BENZINO?

YOU KNOW HE TOLD ME HE

[bleep] YOU?

ARE YOU SERIOUS?

IF I DON'T GET MY MONEY,

WE GOT A PROBLEM.

FIND MY MOTHER[bleep]

CONTRACT, BRING IT BACK TO ME,

AND THEN ADD ME IN FOR 30%,

'CAUSE I DON'T WANT TO SLAP

THAT [bleep] OUT YOUR ASS.

AGH!

SHE [bleep] WITH THE WRONG

BITCH.

I'M PICKING UP [bleep],

THROWING IT AT YOU.

THAT'S GONNA BRING SOME REAL

PROBLEMS, AND I DON'T THINK

SHE'S DONE HER HOMEWORK TO KNOW

WHAT TYPE OF PROBLEMS THAT'S

GONNA BRING.

AT THIS POINT, LIKE, I'M

GONNA BE RESPECTED.

BUT SINCE YOU'RE TRYING TO GO

IN ON ME--

ME?

[both shouting]

YOU POP OUT, BUT YOU WON'T

JUMP OUT.

SHUT THE [bleep] UP!

SHUT UP, MAN!

GET THE [bleep] OUT OF MY

HOUSE!

TAKE HER OUT OF MY HOUSE!

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

I ALMOST CALLED OFF THE

ENGAGEMENT LAST NIGHT WITH ERICA

'CAUSE, YOU KNOW, HER AND MY

MAMA GOT INTO IT AGAIN WITH ME

IN THE MIDDLE.

WE NORMALLY HAVE THIS THREE-DAY

LIMIT WHERE WE WOULD BREAK UP

AND THEN WE'D BE BACK TOGETHER

IN THREE DAYS OR BACK TOGETHER

IN A WEEK.

BUT, FOR GOD'S SAKE, I LOVE HER,

YOU KNOW WHAT I'M SAYING?

SO WHEN MY MA HOLLERED AT ME AND

SAID SHE WANTED TO MEET UP, I

SAID, "COOL, I'MA LISTEN, BUT IT

AIN'T GONNA BE JUST ALL YOU.

IT GONNA BE A TWO-SIDED

CONVERSATION 'CAUSE I GOT MY

OWN FEELINGS."

IT'S LIKE I BEEN GOING

THROUGH STUFF.

I HAVEN'T BEEN ABLE TO SLEEP.

I HAVE A LOT OF ISSUES AND ANGER

IN ME.

EVERYBODY HAVE THEY WAY THEY

FEEL, AND THEY WANT TO GET IT

OFF THEY CHEST.

THAT'S WHAT IT WAS DEALT FOR.

I MEAN, GET IT OFF YOUR CHEST.

BUT IN THE DAY?

BUT DO IT RESPECTFUL, YOU

KNOW WHAT I'M SAYING?

THAT'S WHERE I WAS AT WITH IT.

RIGHT, YOU WERE.

YOU WERE, AND I CAN'T GO AGAINST

THAT, BUT WHEN YOU CHECK ME, SHE

FELT LIKE IT WAS THE GATE OPEN

TO, "I CAN GO IN ON HIS MAMA."

YOU EVER SEEN THE TV SHOW

SNAPPED?

SHE SNAPPED, YOU FEEL ME?

YOU DONE SNAPPED BEFORE.

YEAH, I DONE SNAPPED BEFORE.

SO LET HER HAVE THAT.

YOU KNOW, I LET HER HAVE THAT.

SHE WENT HAM, BUT SHE DIDN'T

CALL YOU OUT YOUR NAME.

SO YOU GONNA HOLD ON 'CAUSE

SHE DIDN'T CALL ME OUT MY NAME

THAT SHE WAS IN RIGHT?

I MEAN, SHE--I MEAN--

DISRESPECT IS DISRESPECT ON

ANY LEVEL.

MA, THAT COME FROM YEARS AND

YEARS OF YOU JUST PINCHING HER.

NAH, THAT COME FROM YEARS AND

YEARS OF HER DOING IT TOO.

HER DOING IT TOO.

BUT SHE DOES IT FIRST, AND SHE

COMES WITH THE [bleep] FIRST.

SHE COME WITH IT--

SHE'S A DISRESPECTFUL BITCH,

SCRAPPY.

WHOA, WHOA, WHOA.

ERICA IS--SHE IS!

WHOA, HOLD ON.

OH, YOU DIDN'T SEE THAT?

WOW.

WOW?

YOU HEARD ME AND THE WAY I

SPELL IT TOO: B-I-T-C-H.

BITCH.

LET ME SAY THIS.

LET ME SAY--HEAR ME OUT, BECAUSE

I HEAR YOU OUT.

AT THE END OF THE DAY, I WANT

SOMEBODY THAT KNOWS--AND HOW--TO

LOVE YOU AND TREAT YOU RIGHT.

BUT YOU KNOW WHAT, THOUGH?

I MAY HAVE BEEN BORN, BUT IT

WASN'T LAST NIGHT.

YOU JUST SAID THE KEY WORD.

YOU SAID, "YOU WANT."

YOU WANT,

I WANT,

TOTALLY TWO DIFFERENT THINGS.

SOMETIME MOMMA KNOWS BEST, BUT

I WANT TO GO OFF WHAT I KNOW

BEST, YOU KNOW WHAT I'M SAYING?

WITH THE WILL THAT GOD GAVE ME,

YOU FEEL ME?

LIKE, I'M NOT FEELING THE DO

WHAT MY MAMA WANT ME TO DO LIKE

I'M FIVE YEARS OLD.

SHE TELL ME TO GO USE THE

BATHROOM; I GO USE THE BATHROOM.

I'MA PEE WHAT I WANT TO PIZZ

NOW, ALL RIGHT?

BUT YOU KNOW YOUR MAMA GOT

YOUR BACK.

BUT JUST HAVE MY BACK WAY IN

THE BACK, YOU FEEL ME?

WAY--HOLLERING DISTANCE, YOU

KNOW WHAT I'M SAYING?

NO, I'D RATHER GO UP IN THE

AIR SO I CAN HOVER LIKE A BIRD

IN THE AIR.

I LOVE YOU SO MUCH.

I LOVE YOU TOO, MOMMA.

LOOK AT YOU.

LOOK LIKE YOUR DADDY.

DON'T DRINK TOO MUCH WITHOUT YOU

A CHASER, ALL RIGHT?

LET ME GO.

THIS IS WATER.

CHOCOLATE, CHOCOLATE,

CHOCOLATE.

THOUGHT EVERY GIRL LOVES

CHOCOLATE.

I TOLD STEVIE I WAS GONNA GET

THAT PAPER NO MATTER WHAT, SO

WHEN HE DECIDED TO SHOW UP AT

THE CLUB LOOKING LIKE MALCOLM X

WITH THAT UGLY-ASS SUIT ON AND

THEM UGLY GLASSES, I'M THINKING

HE'S GONNA BRING ME MY CONTRACT,

AND THE ONLY THING HE BRING ME

IS A BUNCH OF STRESS.

I DON'T NEED THIS IN MY LIFE.

WHY IT'S ALWAYS GOT TO BE SO

MESSY WITH THAT MAN?

LIKE, I'M NOT REALLY THINKING,

LIKE, "OH, I'M WORRYING ABOUT

STEVIE, THINK ABOUT WHAT HE

GONNA DO."

HE GONNA DO WHAT HE GONNA DO,

'CAUSE--GUESS WHY.

HE AIN'T GOT NO CHOICE.

TRUE.

'CAUSE WITHOUT ME, WHAT HE

GONNA BE?

SITTING AROUND.

SITTING AROUND LOOKING

STUPID.

WITH THOSE STEVE URKEL

GLASSES ON.

YEAH, LOOKING LIKE BOO BOO

THE FOOL WITH THEM UGLY

GLASSES ON.

AND YOU LOOK A MESS, AND YOU

WANT TO WALK UP IN HERE AND TALK

ABOUT SOMETHING I GOT TO DEAL

WITH THAT SECOND, SO YOU CAN GO

BUY YOU ANOTHER UGLY-ASS SUIT.

EVERY TIME HE GET MAD, IT'S

LIKE WE ALWAYS HAVE TO BE IN

ANOTHER SITUATION WHERE IT'S

LIKE, "OKAY, STEVIE, THIS IS A

BUSINESS ASPECT.

THIS IS NOT THE PERSONAL

RELATIONSHIP.

WE'RE OUT IN PUBLIC."

THE GROUNDING OF "PERSONAL, HERE

WE GO AGAIN" STEVIE AND BUSINESS

HAS STILL NOT BEEN MET.

YOU KNOW, I TRY TO KEEP THE

PERSONAL AWAY FROM MY BUSINESS

WITH STEVIE, BUT IT REALLY DOES

NOT WORK OUT, SO IT FEELS LIKE

I'M IN A LOSE-LOSE SITUATION.

DEALING WITH THIS MAN IS DEALING

WITH SOMETHING THAT IS THE

UNUSUAL.

IF I HAVE SEX WITH HIM, IT'S A

PROBLEM, AND IF IT DON'T, IT'S

ANOTHER PROBLEM, SO WHAT THE

[bleep] CAN I DO?

OH, GOSH, THIS IS SUCH A

DIFFICULT SITUATION.

RIGHT NOW, I'M JUST, LIKE,

CONFUSED.

I DIDN'T KNOW WHAT HE WANT.

HE'S DRIVING ME CRAZY 'CAUSE I

THINK HE'S CRAZY.

WHAT YOU WANT TO DRINK?

I DON'T WANT NO JACK.

NOW THAT THINGS ARE BACK TO

NORMAL WITH ME AND MIMI AFTER

THE WHOLE EX SITUATION WITH

RASHEEDA, I WANTED TO HAVE HER

OVER TO DISCUSS SOME THINGS THAT

I'VE BEEN GOING THROUGH.

I HAVE ISSUES.

I HAVE A DRINKING PROBLEM WHEN

IT COMES TO SEX.

SOMETHING--I HONESTLY HAVE A

BROKE HOT POCKET.

WHAT DO YOU MEAN?

WHEN IT COMES TO SEX, YOU HAVE

TO DRINK?

PROBLEM IS, IT'S JUST THIS

ONE DUDE.

EVER SINCE I STOPPED TALKING TO

MY LAST GUY, MY WHOO-HA HAS NOT

BEEN THE SAME.

HE WAS THE ONLY ONE THAT COULD

GET IT BACK TO WORKING AND

PUMPING AND DOING WHAT IT NEEDED

TO DO, SO NOW WHEN I TRY TO DATE

A GUY, I HAVE TO TAKE MY OTHER

MAN, JACK DANIELS.

THIS IS THE FIRST DUDE EVER THAT

I HAVE GONE HARD FOR.

GIRL, GET TO THE GOOD STUFF.

QUIT PLAYING WITH THE ROMANCE

AND ALL OF THAT.

THE GOOD STUFF IS, HIS THING

IS BIG, YOU KNOW?

HE DONE SHUT HER DOWN.

IT SAYS, "OUT OF ORDER."

YOU GOT THAT YELLOW TAPE

AROUND IT?

SHE NEEDS REHAB.

SO I'M GONNA GO TO MY DOCTOR,

AND I'M GOING TO SEE WHY

SHE'S BROKE.

YOU SHOULD GO WITH ME.

AIN'T NOTHING WRONG WITH

THAT THANG.

IT'S JUST YOU LIKE SOMEBODY, AND

YOU WANT HIM BACK, AND THAT'S

THE ISSUE.

I NEED TO HEAR IT FROM A

CERTIFIED PROFESSIONAL.

I NEED HIM TO TELL ME THAT THIS

THANG IS UP AND KICKING AND

READY, AND I'M JUST WANTING THE

OLD DUDE BACK.

THAT'S IT.

* MY COOCHIE DON'T WORK ♪

♪ NO MORE

♪ IT'S BROKE ♪

♪ IT'S NUMB ♪

♪ I'D REALLY LIKE TO HAVE ♪

♪ SOME FUN

♪ BUT IT WON'T [bleep] ♪

♪ IT WON'T [bleep] ♪

[laughing]

I MIGHT NEED YOU TO WRITE ME

A SONG.

WHO WE WRITING A SONG FOR?

I HAVE A NEW FRIEND.

IT'S NOT NEW.

IT'S ACTUALLY AN OLD FRIEND.

GIRL, DUCK.

[laughing]

GIRL, STEVIE GONNA START

SHOOTING!

I HAD AN OLD FRIEND FROM

YEARS AGO THAT I KNEW POP UP,

AND WE'RE NOW DATING.

DRAMA-FREE.

IT'S NO STRESS.

I'M HAPPY.

WOW, MIMI, YOU ACTUALLY LOOK

LIKE YOU'RE HAPPY, SMILING LIKE

NOT A FORCED SMILE, LIKE A...

"WHOO, LOOK AT ME, BITCH.

I'M ICE-SKATING."

YOU KNOW WHEN YOU GET WITH

SOMEBODY AND YOU JUST HAVE FUN?

THERE'S NO WORRY, NO STRESS,

NO NOTHING.

YOU JUST ARE HAVING A GOOD

[bleep] TIME.

YOU'RE NOT WORRIED ABOUT

[bleep].

I GOT TO WRITE YOU A

GOOD SONG.

YES.

NO MORE "KISS MY ASS."

AND WAIT TILL I GET THIS HOT

POCKET CHECKED.

[laughing]

POW!

[laughter]

THE WHOLE DINNER SCENE JUST

PUT THE ICING ON THE CAKE.

SHE'S A RAW PERSON.

MY MAMA'S NOT GONNA LET NOBODY

JUST TELL HER WHAT TO DO.

WELL, I WANT TO PUMP THE

BRAKES.

I BROUGHT THE CONTRACT THAT

YOU ASKED FOR.

[crying] I DON'T CARE ABOUT

THAT [bleep] NO MORE, STEVIE,

'CAUSE YOU [bleep] STRESS ME

OUT.

HURTING RASHEEDA, THAT CAN'T

HAPPEN.

YOU AND RASHEEDA LESBIAN

RELATIONSHIP--

Y'ALL CAN KEEP THAT [bleep].

EVERY TIME WE GET INTO A

ARGUMENT AND IT GETS HEATED,

SCRAPPY ASKS FOR HIS RING BACK,

AND IT'S COOL.

I CAN BLOW IT OFF, BUT I CAN'T

ACCEPT THE FACT THAT YOU CHOSE

YOUR MOTHER OVER ME.

THE WHOLE DINNER SCENE JUST--

IT JUST PUT THE ICING ON THE

CAKE PRETTY MUCH.

WE ALL CAN POINT FINGERS AND

SAY, "OH, YOU WERE

DISRESPECTFUL.

YOU WERE DISRESPECTFUL."

BUT WE ALL COULD HAVE HANDLED IT

DIFFERENT, YOU KNOW WHAT

I'M SAYING?

WE ALL COULD HAVE HANDLED IT

DIFFERENT.

WE ALL COULD HAVE HANDLED IT

DIFFERENT.

BUT, IN THE SAME BREATH,

UNDERSTAND THAT IT'S NOT

POINTING A FINGER.

IT'S TRYING TO CLEAR

THE AIR OF A SITUATION

THAT HAS BEEN CONTINUED AND

DISRESPECTFUL THAT'S GOING ON

FOR TEN YEARS.

AND WE SUPPOSED TO BE A TEAM.

WE SUPPOSED TO BE ONE.

AND YOU SUPPOSED TO HAVE MY

BACK, AND I DON'T FEEL LIKE YOU

DID AT ALL.

I CAN'T SEE HOW YOU DON'T

UNDERSTAND, LIKE, I HAD

YOUR BACK.

MAYBE YOU JUST WAS GOING OFF,

AND YOU AIN'T SEE IT.

ERICA FEELING LIKE MY MAMA GOT

UP IN THE TABLE WHEN SHE THE ONE

GOT UP AND RAN AROUND THE ROOM

LIKE THE TASMANIAN DEVIL AND

GOING CRAZY.

YOU DID THAT, NOT MY MAMA,

YOU KNOW WHAT I'M SAYING?

SHE MIGHT HAVE HAD HER OWN PART,

BUT YOU THE ONE WENT CRAZY AND

TOOK IT TO THAT NEXT LEVEL.

I HAD EVERY RIGHT TO DO WHAT

I DID BECAUSE I WAS IN MY HOME.

I FEEL LIKE YOUR MOM GOT OUT OF

LINE ONCE AGAIN.

I MEAN, YEAH, BUT I HAVE BEEN

KNOWING MY MAMA FOREVER AND EVER

AND EVER, SO YOU KNOW WHAT I

LEARNED TO DO?

I LEARNED TO IGNORE THE

CRAZINESS THAT COMES FROM OUT OF

IT, YOU FEEL ME?

BUT YOU KEEP SAYING YOU CAN'T

KEEP HER FROM DOING THAT, AND I

BELIEVE YOU CAN.

I CAN'T.

THERE'S NO WAY IN THE WORLD.

SHE'S A GROWN PERSON,

YOU FEEL ME?

SHE'S A GROWN--OLDER THAN ME,

YOU FEEL ME?

AND NOT GONNA LET NOBODY JUST

TELL HER WHAT TO DO,

YOU FEEL ME?

OKAY, WITH THAT BEING SAID

THEN, THAT'S WHY I COME TO THE

CONCLUSION WHERE I WANT TO PUMP

THE BRAKES.

PUMP MY BRAKES?

WHAT THAT MEAN?

I DON'T WANT TO START

PLANNING THE WEDDING TILL I

HONESTLY FEEL LIKE YOU GOT MY

BACK, YOU GOT ME 100%, AND

YOU PUTTING YOUR FOOT DOWN,

LIKE, LETTING HER KNOW, LIKE,

"HEY, MOM, YOU CAN'T KEEP

DISRESPECTING HER."

THIS IS NOT BOYFRIEND AND

GIRLFRIEND ANYMORE.

WE ENGAGED.

I MEAN, LOOK, I PROPOSE.

ERICA SAID YES.

SHE KNEW MY MOM, BEEN KNOWING

HER FOR 10, 11 YEARS, YOU KNOW

WHAT I'M SAYING?

SHE KNEW WHAT SHE COME WITH.

SHE KNOW WHAT HAPPEN WITH BEING

WITH ME, YOU KNOW?

I SAY WE FOCUS ON US.

SHE DON'T WANT TO FOCUS ON THAT.

SHE WANT TO FOCUS ON MY MAMA,

THEN GO HOLLER AT MY MAMA.

EVEN WHEN YOU DON'T KNOW, I GOT

YOUR BACK.

I GOT YOUR BACK.

BUT, HEY, IF YOU DON'T FEEL IT,

LIKE I SAY, MAYBE YOU NEED TO

THINK ABOUT THAT,

ABOUT WHAT YOU WANT TO DO.

I WANT TO HOLD OFF.

LIKE, I DON'T WANT TO, YOU KNOW,

START PLANNING YET UNTIL I

REALLY FEEL LIKE YOU GOT

MY BACK.

WOW.

I FINALLY GOT TRACI TO COME

THROUGH TO CHECK OUT THE SPACE

THAT I'M TRYING TO OPEN UP FOR

THE SNEAKER STORE.

SHE NEEDS TO TAKE ME SERIOUSLY

AND KNOW THAT THIS IS MY TICKET

BACK HOME TO BE WITH MY FAMILY.

THIS IS THE SPACE.

YOU LIKE IT?

IT'S HUGE.

THE RENT HERE IS $5,000 A

MONTH, WHICH IS NOTHING.

YEAH, THAT'S GOOD.

HOW DID YOU GET IT FOR $5,000

ON--

I'M A HUSTLER, BABY.

MATTER OF FACT, I GOT--

HOLD ON, I GOT PICTURES OF WHAT

WE'RE TRYING TO DO.

THIS WALL RIGHT HERE,

THIS IS THE SEXY WALL.

IT'S BUILT OUT.

YOU CAN SEE THE LIGHTS IN THE

BACK.

YOU SEE THE LIGHTS IN THE BACK?

DID YOU CALL IT THE

SEXY WALL?

IT'S THE SEXY WALL.

OH, MY GOD.

LOOK, IT--IT'S SEXY.

WELL, YOU KNOW WHAT?

I'MA NEED SOME STUFF FROM YOU.

YOU HAVE A BUSINESS PLAN.

DO YOU HAVE A LAWYER?

SEND ME THE NUMBER TO THE LAWYER

SO I CAN TALK TO THEM

ABOUT THIS.

I GOT THAT.

DO I HAVE SOME SAY-SO WITH

THE HIRING?

I KNOW WHERE YOU'RE GOING

WITH THAT RIGHT NOW, LIKE, I

KNOW EXACTLY.

LET ME JUST--I'MA PUT IT OUT

THERE:

WE HAVE BOUTIQUE.

WE'RE SELLING HIGH-END FASHION.

WE'RE GONNA WANT BEAUTIFUL

WOMEN.

WE'RE GONNA WANT ATTRACTIVE MEN.

OF COURSE. OF COURSE.

AND IT HAS NOTHING TO DO WITH

ANYTHING BUT THAT.

I REALLY WANT TO BELIEVE

DREW, BUT I ALREADY MADE IT

CRYSTAL CLEAR THAT ME AND MY

MONEY DON'T HAVE ANYTHING TO DO

WITH THEM GROUPIE HOS.

THIS MONEY IS FOR OUR FAMILY.

THAT'S THE ONLY WAY I'MA AGREE

TO IT.

YOU KNOW THAT I GOT TO BE

CAUTIOUS ABOUT THIS.

THIS IS GONNA WORK.

AND IF ALL OF THESE THINGS

SOUNDS GOOD AND YOU REALLY ARE

DETERMINED TO STAY IN ATLANTA

AND BE HERE FOR YOUR FAMILY...

THAT'S WHAT IT IS.

THEN I'LL REALLY AND TRULY

THINK ABOUT IT, AND I'LL LET--

HERE'S THE ISSUE NOW:

WE GOT TO ACT ON THIS, LIKE,

TODAY.

I KNOW IT'S CRAZY FOR TRACI TO

COME OUT OF POCKET PREMATURELY

AND GIVE ME THIS MONEY RIGHT

AWAY, BUT I'VE ALWAYS GIVEN HER

MONEY BACK WHEN SHE'S INVESTED

IN ME, AND MOST OF THE TIME,

I'VE MADE HER MONEY,

SO SHE SHOULD TRUST ME BY NOW

TO GIVE ME THIS MONEY.

I NEED A ANSWER.

DO ONE OF THESE.

THE HEAD BOB LIKE YOU'RE

LISTENING TO MUSIC AND JUST SAY

YES.

YEAH.

SO THE ANSWER'S YES?

YES.

YOU SURE?

YOU'RE POSITIVE?

[coughing]

OH, YOU'RE COUGHING NOW.

DON'T COUGH. YOU AIN'T SICK.

YOU WANT SOME THERAFLU?

COME HERE. COME HERE, GIRL.

NO, I'M ALL RIGHT.

ALL RIGHT, ALL RIGHT.

[muffled speech]

YES.

GET OFF ME.

WE BUSINESS PARTNERS.

WE GONNA BE RICH.

WE GONNA BE PAID.

WHEN I PULL UP IN MY LAMBO,

WHAT YOU PULLING UP IN?

BYE.

WHAT YOU PULLING UP IN?

I'M PULLING UP IN A LAMBO.

IT'S GONNA BE RED WITH A

JAMAICAN FLAG ON THE ROOF.

[mellow rock music]

♪

* YOU'RE THE SPARK ♪

♪ THAT LIGHTS THE FLAME

♪ THAT FILLS MY HEART

♪

I BEEN SO STRESSED OUT ABOUT

STEVIE THAT I HAVEN'T BEEN ABLE

TO SLEEP, AND I KNOW I CAN'T

KEEP LIVING LIKE THIS 'CAUSE I'M

GONNA GO CRAZY.

SO WHEN STEVIE CALLED ME AND

ASKED ME, "CAN WE MEET UP?"

I AGREED.

I'M NOT REALLY SURE WHAT I'M

GONNA SAY TO THIS MAN, BUT I

KNOW THAT WE NEED TO TALK.

* AND WE FIND THE ANSWER

HOW ARE YOU, SWEETHEART?

WHAT'S GOING ON WITH YOU?

HI, STEVIE.

SO HAPPY TO SEE YOU.

I HAVEN'T SEEN JOSELINE SINCE I

LOST HER BACKSTAGE AT THE SHOW,

AND I KNOW SHE WASN'T TOO HAPPY

WITH ME.

BUT ONE THING I KNOW IS A HAPPY

ARTIST IS A PROFITABLE ARTIST,

SO I GOT A LITTLE PROPOSITION

THAT MIGHT BRIGHTEN HER DAY.

I HEAR YOU WHEN YOU SAY I'M NOT

PUSHING YOU HARD ENOUGH,

YOUR SINGLE'S NOT COMING OUT,

AND I'M NOT WORKING ENOUGH FOR

YOU, BUT THAT'S NOT TRUE.

I BROUGHT THE CONTRACT THAT YOU

ASKED FOR.

I COULD EITHER GIVE YOU THIS,

RIP IT UP,

OR PLAY YOU THIS NEW SINGLE I

GOT FOR YOU.

YEAH, STEVIE, BUT YOU CAN'T

JUST BE...

POPPING UP ON ME, JUST ACTING

LIKE--HOW YOU ACT.

YOU STRESS ME OUT.

YOU JUST DO TOO MUCH.

I DON'T WANT TO STRESS

YOU OUT.

I WANT YOU HAPPY.

YOU DON'T MAKE ME HAPPY.

I REALLY DON'T EVEN CARE, LIKE,

I DON'T CARE ABOUT THE SINGLE.

[crying] I DON'T CARE ABOUT THAT

[bleep] NO MORE, STEVIE, 'CAUSE

YOU [bleep] STRESS ME OUT.

I STRESS YOU OUT?

I WANT YOU TO JUST LEAVE ME

ALONE.

THAT'S ALL I WANT.

LEAVE YOU ALONE HOW?

LIKE, NOT COME AND SEE YOU?

NOT WORK WITH YOU?

YOU DON'T DO THAT NO WAY.

I GOT BUSINESSES TO RUN.

I DON'T GIVE A [bleep] ABOUT

NOTHING RIGHT NOW.

SO YOU'RE SAYING YOU DON'T

CARE ABOUT ME?

THAT'S WHAT YOU SAYING?

YOU DON'T CARE ABOUT ME

'CAUSE IF YOU CARED ABOUT ME,

YOU WOULDN'T [bleep] STRESSING

ME OUT.

STOP IT NOW.

I CARE.

I CARE IF NOBODY ELSE DO.

I DON'T WANT TO UPSET YOU.

I WANT TO MAKE YOU SMILE.

IF I CAN'T DO THAT, THEN WHAT DO

I NEED--JUST STEP AWAY?

IF YOU GONNA STRESS ME OUT,

YOU DOING IT, SO I ASK YOU THIS.

I'M ASKING YOU.

HOW DO YOU KNOW I ASK YOU

THIS?

YOU NOT WANT ME IN YOUR--

HOW--YES--

NO, I DON'T WANT YOU IN MY

LIFE STRESSING ME OUT, NO.

'CAUSE I DO HAVE FEELINGS FOR

YOU, AND WHAT THE [bleep] DO YOU

WANT ME TO DO?

YOU KNOW, TRUTH BE TOLD, I NEVER

STOPPED LOVING STEVIE.

I JUST DON'T UNDERSTAND THAT

AFTER I OPENED UP TO YOU, YOU

CAN HANDLE ME WRONG AND YOU CAN

TALK TO ME CRAZY AND YOU CAN

CHEAT ON ME AND YOU CAN LIE TO

ME AND YOU CAN DO WHATEVER ELSE

THAT YOU DO TO STRESS ME OUT.

AND I THINK THAT BECAUSE I ALLOW

HIM TO DO THAT, IT'S LIKE, I

LOST MYSELF.

SO WHAT IS IT GONNA BE?

DO YOU WANT TO LOVE ME,

DO YOU WANT ME TO LOVE YOU BACK,

OR DO YOU JUST WANT ME TO WORK?

I WANT YOU TO MAKE ME HAPPY.

AND WHAT YOU'RE SUPPOSED TO DO,

WHAT YOU TOLD ME YOU WAS GONNA

DO PLENTY OF TIMES--

I'M DOING EVERYTHING AND THEN

SOME.

GIVING ME MONEY, BUYING ME

NICE THINGS DOES NOT MAKE ME

HAPPY.

SO YOU WANT TO SEE ME MORE?

GO TO DINNER?

CHEETAH CLUB?

GRAB STEAK AND LOBSTER?

POMEGRANATE MARTINIS?

A FEW DANCES?

HUH?

STEVIE, YOU NEED TO WORK

ON ME,

WORK ON ME RELATIONSHIP-WISE

AND BUSINESS-WISE.

THAT'S WHAT YOU NEED TO WORK ON,

BECAUSE IF NOT, I'M GONNA ALWAYS

BE STRESSED, AND I'M NOT GONNA

BE ANY GOOD FOR YOU OR ME OR FOR

NOBODY.

SO YOU DON'T WANT NO MORE

SPACE WITH US, YOU KNOW, BACK TO

THE WAY IT USED TO BE?

YES.

YOU'RE A PIECE OF WORK.

BENZINO, HE SAY HE HAD SEX

WITH ME.

WHY HE LYING ON HIS BEEFCAKE?

NOW, I DON'T KNOW WHY HE LIE.

SO I JUST WANT TO SEE HIM AND

HOLLER AT HIM.

THROW SOMETHING AT HER,

YOU WILL NOT WALK THE STREETS

OF ATLANTA.

[bleep] RASHEEDA.

[bleep] YOUR WIFE.

THAT'S ALL I CAN SAY.

HE'S NOW HERE.

HEY, WHAT'S UP, BOO BOO?

I'M GOOD.

HANGIN', HANGIN', HANGIN'.

I SEE YOU.

SINCE ERICA DECIDED TO PUT

THE BRAKES ON THE RELATIONSHIP,

I JUST THOUGHT, YOU KNOW WHAT

I'M SAYING, I SPEED THE HELL ON

AND GET IT THE HELL OUT THE

HOUSE AND GET MY MIND RIGHT, SO

I GO HOLLER AT KIRK AT THE STRIP

CLUB, MAN.

SEE WHAT WE FOOLS CAN GET INTO,

YOU DIG?

'CAUSE I NEED SOME OF THAT

ENGAGEMENT, MARRIAGE ADVICE, YOU

FEEL ME?

THE WHOLE ENGAGEMENT THING IS

JUST TRIPPING ME UP, MAN, YOU

FEEL ME?

NOWHERE NEAR MARRIAGE.

WHAT YOU GOT, BUTTERFLIES?

PUT IT LIKE THIS:

I DONE DID EVERYTHING IN THE

WORLD, KIRK, LIKE, TO MAKE THE

GIRL KNOW THAT,

LIKE, I'M AT YOU.

I'M DOWN WITH YOU.

AND, DUDE,

SHE PUT A PAUSE ON IT.

REALLY?

SHE PUT A PAUSE ON IT.

WHAT DID YOU DO FOR THAT TO

HAPPEN?

NOTHING, I SAID--

I WAS LIKE, "WHAT?

WHAT IS IT?"

SHE SAY SHE DON'T THINK THAT I

GOT HER BACK 100%.

SEE, THAT'S CRAZY BECAUSE,

WHEN I DO SEE ERICA

AND I LOOK AT

THE GLOW ON HER FACE AND WHEN

SHE TALK ABOUT GETTING MARRIED,

YO, I SEE HAPPINESS FROM HERE TO

THE MOON.

WE COULD ASK ANYBODY, THOUGH,

AND A GIRL GONNA BE LIKE, "OH,

THAT'S THEY DREAM," YOU KNOW?

"THAT'S THEY DREAM."

SOMETHING HAD TO HAPPEN--

NO, 'CAUSE I DONE DID

EVERYTHING IN THE WORLD FOR THIS

GIRL, BUT ANY TIME MY MAMA

DISRESPECT HER, SHE COME AT ME

WITH IT.

LIKE, WHAT I'M SUPPOSED TO DO

ABOUT MY MAMA, GIRL, LIKE--

MOMMA DEE IS--YOU KNOW,

THAT'S A WHOLE NOTHER--

YOU KNOW, I BEEN KNOWING YOUR

MAMA FOR A WHILE, YO, I'M LIKE--

YEAH, BUT WHAT I'M SAYING,

KIRK, IS, DO YOU EVEN HAVE TO

CARE WHAT THE PARENTS THINK?

I'MA BE HONEST WITH YOU.

YOUR MAMA PROTECT YOU LIKE YOU

ABOUT TEN.

AIN'T NOTHING WRONG WITH THAT.

I AIN'T BEING FUNNY.

BUT Y'ALL GOT TO FIND A MUTUAL

LINE OF GIVE AND TAKE, 50/50:

YOU DO THIS. I DO THAT.

YO, IT TOOK ME YEARS TO GET TO A

POINT WHERE RASHEEDA...

I'M CONFUSED BECAUSE SHE MADE

ME THAT, AND IT LIKE--I WAS ALL

INTO IT, MY SPIRIT WAS GOOD WITH

IT, BUT THEN WHEN SHE HIT ME

WITH STUFF LIKE SHE WANT TO PUMP

THE BRAKES, LIKE STUFF AIN'T

GOING ALL GOOD FOR HER.

I KNOW IT AIN'T GOING ALL GOOD.

WE IN THE SAME RELATIONSHIP.

IF SHE SAID PUMP THE BRAKES,

I'M PUMPING THE BRAKES.

YOU FOLLOW HER LEAD.

I'LL FOLLOW HER LEAD.

GOD DAMN WITH YOUR FACE.

[laughs]

[bleep].

* YOU MAKE ME GO

♪ OOH, OOH, OOH, AH

♪ DO YOU THINK YOU CAN

♪ TOUCH ME IN MY HOT SPOT

♪ I WANT TO KNOW DO YOU

♪ WANT TO SPEND THE NIGHT

♪ SO WE CAN MAKE LOVE

♪ ON THE FLOOR

* YES, GIRL

♪ WE CAN GET IT ALL NIGHT

♪ YES, GIRL

♪ I'MA MAKE YOU FEEL RIGHT ♪

♪ YOU KNOW I'M GONNA ♪

♪ MAKE LOVE TO YOU

I NEEDED THAT.

OH, PLEASE, YOU'RE NEVER

BACKED UP.

YOU KNOW YOU GET AROUND TOWN.

I AIN'T BEEN DOING NOTHING

WITHOUT YOU.

SEXING THESE CHICKS.

IF I WANT TO DO SOMETHING,

I'MA DO IT WITH YOU.

I AIN'T GOT THE--

IT'S BEEN LIKE THAT FROM

DAY ONE, MAN.

YOU SO FULL OF IT.

YOU KNOW, STEVIE AND I, WE DOING

PRETTY COOL IN OUR RELATIONSHIP,

BUT I STILL GOT TO LET HIM KNOW

THE FACT THAT HIS HOMEBOY

BENZINO IS GOING AROUND SAYING

THAT WE HAD SEX.

THAT AIN'T RIGHT, AND STEVIE

NEEDS TO KNOW.

MAN, I GOT TO TELL YOU ABOUT

[bleep]-ASS.

KARLIE--

WHAT?

YOU KNOW, I CALLED HER TO

KIND OF, LIKE, "WHAT YOU BEEN

DOING," YOU KNOW?

"I HAVEN'T SEEN YOU."

SHE GOES, "OH, YOU KNOW, BENZINO

IS SHOWING ME THE VIDEO THAT YOU

HAD ONLINE PLAYING WITH YOUR

KITTY CAT, AND WHILE HE WAS

SHOWING ME THE VIDEO, HE SAY HE

HAD SEX WITH YOU."

HE SAID--HE SAID HE HAD SEX

WITH YOU?

YES, HAD SEX WITH ME.

AND I'M LIKE--

WHY HE LYING ON HIS BEEFCAKE?

GIRLS DON'T LIKE THAT, YOU KNOW

WHAT I'M SAYING?

WELL, I MEAN, I DON'T KNOW

WHY HE LIE, BUT I DO KNOW

ONE THING--

CAN'T KISS AND TELL EITHER.

IF HE DID, WHY WOULD HE--

BUT IF HE DID, I WOULD HAVE

TOLD HER MYSELF.

WHY WOULD I EVEN WAIT?

YEAH.

JOSELINE AND I ARE REAL OPEN

ABOUT OUR SEXUALITY, SO I KNOW

SHE WOULD HAVE TOLD ME IF SHE

GAVE Z SOME [bleep].

EVEN THOUGH I CAN'T EVEN IMAGINE

MY MAN SMASHING THAT AFTER ALL

WE BEEN THROUGH, BUT STILL AND

ALL, SOMETHING SMELLING REAL

FISHY.

KARLIE REDD IS ALWAYS GONNA

LIE, BUT WE DON'T KNOW IF SHE

LYING RIGHT NOW.

SHE MIGHT BE TELLING THE TRUTH,

SO I JUST WANT TO SEE HIM AND

HOLLER AT HIM, YOU KNOW WHAT

I'M SAYING?

FIRST OF ALL, BITCH, IF YOU

LYING, I'MA SLAP YOUR ASS.

IF KARLIE AIN'T LYING, SOME

ISSUES, YOU KNOW WHAT

I'M SAYING?

AND JUST FOR THE LINE THAT'S

BEING CROSSED IF IT'S TRUE, I

CAN'T [bleep] WITH DUDE EITHER.

YEAH, I DON'T KNOW.

I DON'T KNOW WHO'S TELLING THE

TRUTH.

LET'S JUST GET TO THE BOTTOM

OF IT.

I DON'T KNOW WHO'S TELLING

THE TRUTH, BUT WE NEED TO KNOW.

I DON'T EVEN WANT TO TALK

ABOUT THAT NO MORE.

I WANT TO HAVE A DRINK, AND I

WANT TO GET BACK

TO WHAT WE WERE STARTING.

GRAB THAT ASS.

[laughing]

AFTER RASHEEDA TOLD ME THAT

K.MICHELLE THREW A BURNING

CANDLE AT HER, I FEEL LIKE SHE'S

CROSSED THE LINE, SO I FIGURED

I'D MAKE A SURPRISE VISIT AND

DROP IN ON HER AT THE STUDIO

'CAUSE SHE NEED TO KNOW SHE

CAN'T BE [bleep] WITH RASHEEDA

LIKE THIS EVER AGAIN.

HELLO, PIANOIST.

OH, HELLO.

WHAT ARE YOU DOING HERE?

I WANTED TO TALK TO YOU.

YOU KNOW, RASHEEDA CAME BACK AND

SAID YOU THREW A GLASS CANDLE AT

HER FACE WITH HOT WAX.

WHEN YOU BEGIN TO PICK UP STUFF

THAT CAN POTENTIALLY CUT YOU IN

YOUR FACE, TAKE A EYE OUT, BLIND

YOU, I MEAN, FOR REAL, FOR REAL,

THAT RIGHT THERE MADE ME SAY,

"OKAY, THIS IS--

THIS IS SERIOUS.

THIS IS GOING A LITTLE TOO FAR."

BUT YOU GOT TO UNDERSTAND,

PEOPLE CAN NEVER COMMENT ON WHAT

ANOTHER PERSON BEEN THROUGH.

BUT YOU CAN'T LET--

YOU KNOW WHAT I'M SAYING?

I OPENED UP TO THAT GIRL.

I NEVER WANTED TO DO NOTHING TO

RASHEEDA, YOU KNOW WHAT

I'M SAYING?

I LIKED RASHEEDA AS A PERSON, SO

THAT'S WHAT PUZZLES ME.

WHEN I POP OFF AFTER SHE TAKE

THE FIRST SHOTS, THEN I'M

SUPPOSED TO BE, LIKE...

REMORSEFUL.

OKAY, HURTING RASHEEDA,

THAT CAN'T HAPPEN.

THROWING A BOTTLE, THROWING A

GLASS--

I'MA THROW WHATEVER I WANT

TO THROW!

OKAY, I'M JUST TELLING YOU--

WHAT YOU GONNA DO?

I GOT GOONS TOO!

WHAT YOU MEAN?

THIS IS NOT ABOUT GOONS.

I DON'T NEED NO GOONS.

YOU CAN'T COME IN HERE

THREATENING ME!

"IT AIN'T GONNA HAPPEN."

WHAT THE [bleep] YOU MEAN,

"IT AIN'T GONNA HAPPEN"?

FIRST, I DIDN'T EVEN KNOW KIRK

HAD BALLS, YOU KNOW WHAT I'M

SAYING, 'CAUSE HE CAME IN THERE

WITH HIS LEE PRESS-ON NAILS

P.M.S.'ING TO ME.

THE ONLY PEOPLE THAT ARE SCARED

OF YOU, KIRK, ARE THE CABBAGE

PATCH KIDS.

[bleep] RASHEEDA!

[bleep] YOUR WIFE!

THAT'S ALL I CAN SAY!

[bleep] YOUR WIFE!

THERE'S NOTHING TO SAY!

YOU AND RASHEEDA LESBIAN

RELATIONSHIP--

Y'ALL CAN KEEP THAT [bleep].

YOU SHOULDN'T EVEN

BEEN UP IN HERE.

NO WAY.

CAN YOU PLEASE EXIT THE

BUILDING?

FIRST OF ALL--

CAN YOU PLEASE--

NO, YOU SAID LESBIANS--

[bleep] LESBIAN [bleep]

WITH YOUR TUTU, TUTU, TUTU.

I KNOW ABOUT YOU AND YOUR

RELATIONSHIPS AND YOU AND YOUR

PEOPLE.

I'MA SAY IT ONE TIME.

GO AWAY!

THROW ANOTHER THING AT

RASHEEDA, YOU WILL NOT WALK THE

STREETS--AND THIS A THREAT.

OH, MY GOD. WE'RE SO SCARED!

TOUCH RASHEEDA,

THROW SOMETHING AT HER,

YOU WILL NOT WALK THE STREETS

OF ATLANTA.

I DON'T KNOW NO MAN THAT

WALKS AROUND LOOKING LIKE A

CLAIRE'S JEWELRY BOUTIQUE.

WHO WOULD BE SCARED OF KIRK,

PERIOD?

HE PROBABLY HAS A PERIOD.

I RESPECT YOU AND YOUR TUTU!

[playing piano]

DO WHAT YOU WANT.

DO IT AGAIN, WE GOT A PROBLEM.

* RASHEEDA GOT BAGS

♪ HER MAN

YOU LIKE [bleep]

ALL OVER YOUR FACE

FROM THE WHOLE INDUSTRY?

* I DON'T CARE WHAT HE SAID ♪

THE LIST IS SO LONG.

COME ON, LITTLE BOY.

YOU ARE A LITTLE GIRL.

TUTU.

HE WEARS TUTUS.

OH, MY GOD.

GET THE [bleep] OUT OF HERE.

♪ RASHEEDA GOT BAGS

♪ HER HUSBAND A GIRL

♪ HER CAREER IS OVER

♪ ALL OVER THE WORLD

[laughing]

♪ BAG LADY

♪ SHE'S A PRUNE ♪

♪ GET HER HUSBAND OUT THE ROOM

♪ OUT OF THE ROOM

♪ YEAH

♪

YOU DIDN'T TELL KARLIE REDD

THAT YOU HAD SEX WITH ME?

I DON'T GIVE A [bleep] IF

THAT'S HOW YOU [bleep]!

YOU GONNA TAKE THIS [bleep],

OR WHAT?

YOU REALLY WOULD SACRIFICE

FRIENDSHIPS OVER HER?

I DIDN'T [bleep] HER.

I DIDN'T TRY TO [bleep] HER.

THAT'S IT.

WHEN JOSELINE TOLD ME THAT

ZINO SAID HE [bleep] HER, I WAS

KIND OF MESSED UP ABOUT IT, SO I

WANTED TO TAKE A TRIP TO THE

OFFICE TO SEE WHAT THE REAL

DEAL WAS.

Z, WHAT'S GOOD, BABY?

WORD.

WE'VE BEEN FRIENDS FOR, LIKE,

EIGHT YEARS, SO I GOT TO GIVE

HIM THE BENEFIT OF THE DOUBT.

BUT IF IT'S TRUE, THERE'S GONNA

BE PROBLEMS.

SHE OVER HERE SAYING THAT KARLIE

REDD TOLD HER THAT YOU

SMASHED HER.

WORD?

WHY WOULD YOU EVEN SAY THAT

ABOUT ME?

WHY I WOULD SAY THAT?

THAT'S WHAT SHE TOLD ME.

SHE SAID THAT YOU GUYS WAS

WATCHING THE TAPE OF ME PLAYING

WITH MYSELF, AND SHE SAID THAT

YOU TOLD HER THAT YOU

SMASHED ME.

OH, MAN, WE GOT TOO MUCH

HISTORY TO BE TALKING "HE SAID,

SHE SAID."

THAT'S EXACTLY WHAT STEVIE

SAID, BUT AT THE SAME TIME--

I DON'T KNOW HOW MUCH HISTORY

WE GOT WITH KARLIE, BUT--

SO YOU DIDN'T TELL KARLIE

REDD THAT YOU HAD SEX WITH ME?

I'M NOT GONNA SIT HERE AND

ENTERTAIN NO DUMB [bleep].

IT'S NOT ENTERTAINMENT.

I DON'T GIVE A [bleep].

WHY TEXTING [bleep] AT 5:00

IN THE MORNING?

IT WASN'T. IT WAS LIKE 7:00.

GROW THE [bleep] UP!

YOU'RE A OLD-ASS MAN!

GROW THE [bleep] UP AND TALK!

OH, MAN.

TALK LIKE A MAN!

JOSELINE. JOSELINE. JOSELINE.

I DON'T GIVE A [bleep].

I'LL TELL YOU [bleep].

I DON'T GOT TO TELL YOU [bleep]!

YOU GONNA TAKE THIS [bleep]

OR WHAT?

BENZINO'S FULL OF [bleep].

HE HIT ME UP THE OTHER DAY ON

TWITTER, D.M., AT 6:00 IN THE

MORNING TWICE TRYING TO [bleep].

HE CAN DENY IT ALL HE WANT TO

'CAUSE I GOT THE PROOF TO

SHOW IT.

6:00 IN THE MORNING.

WHERE? LET ME SEE.

LET ME SEE.

AND WHAT DID I SAY?

"HEY."

READ THIS.

YEAH, OKAY, AND?

WHAT THE [bleep] IS THAT?

THEN DON'T LIE ABOUT IT.

I TOLD YOU I'D MOTHER[bleep]

TEXT YOU.

I TOLD YOU I TEXT YOU.

DON'T LIE ABOUT IT.

YOU CAN'T BELIEVE ME?

THAT MEAN NOTHING.

YOU'RE A LIAR.

I DON'T WANT--STEVIE, I DON'T

WANT TO NO LONGER TALK TO HIM.

ARE YOU--

ARE YOU [bleep]--

I DON'T WANT TO TALK TO HIM.

I'M A LIAR?

I TEXTED JOSELINE BECAUSE WE HAD

SOME BUSINESS TO TAKE CARE OF,

NOT BECAUSE I WAS TRYING TO

HOLLER AT HER.

IT WAS A MONEY-MAKING SITUATION,

SO FOR STEVIE TO LET HER STAND

OVER HERE AND THROW DARTS ME IS

MIND-BOGGLING.

WHAT ARE YOU DOING?

WHAT YOU MEAN, WHAT AM I

DOING?

WE GOT HISTORY.

WHAT ARE YOU DOING THERE?

I DON'T UNDERSTAND WHAT

YOU'RE SAYING.

YOU COME IN WITH HER,

RIGHT, AT MY PLACE OF BUSINESS

TO TALK ABOUT WHAT KARLIE REDD

SAID, RIGHT?

TO IRON IT OUT.

NO, NO, THIS AIN'T IRONING

IT OUT.

OH, NO, THIS ISN'T IRONING.

THIS AIN'T AN IRON.

NO, SHE CAN'T IRON NOTHING

'CAUSE ALL SHE DOES IT THIS--

YOU'RE MAD 'CAUSE I DON'T

[bleep] YOU.

I NEVER TRIED TO [bleep] HER.

YES, YOU DID.

BABY, YOU DIDN'T EVEN READ THE

MESSAGE.

WHY WOULD I WANT TO [bleep]

WITH A PROSTITUTE FOR?

WELL, THAT'S WHAT SHE WAS,

BUT NOW--

OH, YOU WANT TO [bleep]

WITH ME.

WHY?

[all shouting]

YOU DON'T LOOK ALL THAT,

JOSELINE.

WHY YOU TEXTING ME SO EARLY?

YOU'RE NOT ALL THAT.

I'M DONE TALKING.

[sighs]

LET'S GO 'CAUSE I AIN'T GOT

TIME FOR THIS.

ADIOS.

I MIGHT GET A BUG.

YOU'VE ALREADY CAUGHT IT.

UGH, HATER.

I'M NOT A HATER.

TRUTH'S THE TRUTH!

HE'S A HATER.

BYE, BITCH!

TRUTH IS TRUTH.

BYE, BITCH.

I'LL BE THAT, YOU ESCORT.

I DON'T KNOW WHAT TO DO

RIGHT NOW.

MY GIRL IS IN THE CAR MAD AS

HELL.

ZINO'S MY BROTHER.

AND I KNOW THEY SAY BROS BEFORE

HOS, BUT RIGHT NOW, I DON'T

BELIEVE MY BRO TOO MUCH.

NOW, Y'ALL CAN ARGUE ALL DAY,

BUT I CAME TO TALK TO YOU.

WE GOT HISTORY, YOU KNOW WHAT

I'M SAYING?

AND THEN [bleep] HER AT THIS

POINT.

IT'S ABOUT WHAT WE--

[bleep] HER AT THIS POINT.

[bleep] HER.

YOUR GIRL CALLING ME BITCH,

GRANDPA, AND EVERYTHING IS--

Y'ALL BACK AND FORTH.

YOU'RE A PROSTITUTE, BITCH,

ESCORT, THIS, THAT, Y'ALL BOTH.

YOU THINK I WOULD HAVE

SOMEBODY HERE WITH ME CALLING

YOU NAMES AND ALL THAT?

I CAN'T CONTROL HER MOUTH.

YOU CAN'T CONTROL HER?

I DON'T CONTROL HER MOUTH.

IF YOU CAN'T CONTROL IT, THEN

WHAT YOU WITH HER FOR, THEN?

WE GET MONEY.

YOU REALLY WOULD SACRIFICE

RELATIONSHIPS AND FRIENDSHIPS

OVER HER?

I WANT TO GET TO THE BOTTOM

OF IT.

NO, I'M NOT TALKING ABOUT

THAT NO MORE.

I DIDN'T [bleep] HER!

I DIDN'T TRY TO [bleep] HER!

THAT'S IT!

I DON'T WANT TO TALK ABOUT IT

NO MORE.

WHY YOU TEXTING MY [bleep]?

WHY AM I TEXTING YOUR

[bleep]?

YOUR [bleep] BE OVER AT MY

HOUSE.

YOUR [bleep] BE COMING THROUGH.

I THOUGHT I HAD SOME TYPE OF

FRIENDLY RELATIONSHIP, OKAY?

THEY COME THROUGH.

RIGHT, OKAY. YEAH, OKAY.

OKAY.

YOUR [bleep] TELL ME [bleep],

STEVIE.

UH, UH, YOUR [bleep] TRASHING

ME ALL THE TIME.

THAT'S WHAT THEY DO--

THAT'S WHAT THEY DO TO PEOPLE

THEY FEEL THEY BROTHER, YOU KNOW

WHAT I'M SAYING?

REALLY?

SO IF I'M THEIR BROTHER, THEN

HOW COME

I CAN'T TEXT 'EM, THEN?

THAT AIN'T HOW YOU DO--

AT 6:00 IN THE MORNING?

YOU'RE TEXTING AT 6:00 IN THE

MORNING, "HEY, SEXY"--

NO, NO, NO.

THERE WAS NO "SEXY" IN THERE.

IT SAID, "HEY," AND "I'M JOSE."

THERE WAS NO "SEXY."

COME ON, SLEAZE, YOU COULD HAVE

CAME UP HERE.

WE COULD HAVE KICKED IT.

YOU COULD HAVE CALLED ME.

YOU DIDN'T WANT TO.

YOU CHOSE TO BRING HER.

YEAH, I DID.

SHE RUNS HER MOUTH, BUT,

SLEAZE, SHE'S GONNA GET YOU IN

TROUBLE, OKAY?

SHE RUNS HER MOUTH LIKE SHE'S

SOME SUPER [bleep] STAR, LIKE

SHE [bleep] "RIH-YONCE."

SHE AIN'T [bleep].

IF ME AND YOU CAN'T [bleep] WITH

EACH OTHER BECAUSE OF HER?

IT AIN'T GOT NOTHING TO DO

WITH HER.

REALLY?

SO THEN WE AIN'T BROTHERS NO

MORE, THEN, I GUESS.

I'M COOL WITH THAT.

ALL RIGHT, SO THEN--THEN--

THEN THAT'S WHAT IT IS, THEN.

THAT'S WHAT IT IS?

I GUESS SO.

IT'S WHAT YOU SAID, RIGHT?

I JUST FIGURED, YOU KNOW,

SOMETHING ELSE WAS GOING ON IF

YOU DID THAT AT 6:00 IN THE

MORNING.

THERE'S GOT TO BE SOMETHING

GOING ON.

THAT'S YOUR OWN CONSCIENCE.

THAT'S YOUR OWN CONSCIENCE

KILLING YOU.

NO, IT'S REALITY.

AIN'T NO CONSCIENCE.

IT'S YOUR OWN CONSCIENCE.

I'M SORRY, I DON'T NEED ANY

FRIENDS AROUND ME THAT I CAN'T

TRUST.

I GOT ENOUGH ISSUE WITH THESE

[bleep], AND I DON'T NEED MY

BEST FRIEND TRYING TO BANG NONE

OF THEM.

SLEAZE, PLEASE.

[bleep] THAT BITCH.

STRAIGHT UP.

DONE BEEN THROUGH TOO MUCH

[bleep], SLEAZE.

THERE THEY GO OFF IN THE SUNSET.

THERE THEY GO.

HEH, SEE YOU LATER.

BYE, JOSELINE HERNANDEZ.

WHAT'S GOING ON?

HE JUST DESTROYED MY WHOO-HA.

HAVE YOU TRIED EHARMONY?

YOU TRAIN THESE [bleep]!

THEY DON'T OPEN THEY [bleep]

MOUTH!

WHY ARE YOU SO MAD?

GET OFF ME!

MY LITTLE FRIEND,

MY LITTLE WHOO-HA THING,

ISN'T RESPONDING TO ANY MAN BUT

ONE, AND HIS NAME IS JACK

DANIELS, SO I'M HOPING MY DOCTOR

CAN SOLVE THIS ISSUE.

WE SHOULD HAVE BROUGHT KIRK

WITH US.

WHAT?

GIRL, HIS WHOO-HA WAS BROKE

LAST NIGHT TOO.

BACK UP.

NO, NO, LISTEN, LISTEN.

WHILE I WAS IN THE STUDIO LAST

NIGHT, JUST WORKING, MINDING MY

BUSINESS, AND HE VOGUES...

INTO THE STUDIO, GIRL, TO TALK

TO ME AND CONFRONT ME.

ABOUT WHAT?

GIRL, ABOUT GEORGIA PRUNE,

ABOUT HIS WIFE.

THERE'S NO REASON FOR LITTLE

RICHARD TO COME SEE ME IN THE

STUDIO.

I'M THE ONLY PIANIST IN THERE.

LITTLE RICHARD WALKS IN THINKING

THAT HE GONNA SAY SOMETHING

TO ME.

THAT'S WHY I CAN'T GET [bleep],

BECAUSE MEN LIKE THAT ARE IN THE

UNIVERSE RIGHT NOW.

HI, MISS K.

DR. RANDELL'S READY TO SEE YOU

NOW.

OKAY, WHEW.

THANK GOD THE NURSE

SHOWED UP.

HOPEFULLY SOMEONE ELSE CAN

VERIFY SOMETHING THAT WE ALL

KNOW:

K, SHE AIN'T WRAPPED TOO TIGHT.

SO, K, EVERYTHING'S GREAT.

WHAT'S GOING ON?

SHE'S BROKE.

NEED 'QUOR TO GET [bleep].

HOW LONG HAS THIS BEEN

HELPFUL?

PROBABLY, LIKE, SEVEN MONTHS

OR SOMETHING.

SEVEN MONTHS?

TELL ME ABOUT YOUR RELATIONSHIP.

WHO ARE YOU DATING?

THAT'S THE PROBLEM.

SHE'S NOT OVER THIS GUY.

OH, MY GOD.

HE JUST DESTROYED MY WHOO-HA.

SO IF WE COULD

FIX THE PROBLEM,

THEN WHAT ARE YOUR PLANS?

I JUST WANT TO MAKE SURE THAT

NOW THAT HE'S GONE, THAT SHE'S

NOT PERMANENTLY OUT OF ORDER.

OKAY, WELL, DURING THE EXAM,

EVERYTHING LOOKED FINE.

SO WHAT AM I SUPPOSED TO DO?

LET ME ASK YOU A COUPLE

QUESTIONS.

YOU'RE THROUGH WITH THIS GUY--

WHAT, SIX MONTHS AGO WAS THE

LAST TIME YOU WERE WITH HIM?

OH, GOD, IT'S BEEN A MINUTE.

MOVE ON.

I MEAN, THAT'S THE PAST.

YEAH, BUT I TOOK A BROKE

VA-JAY-JAY INTO THE PRESENT, AND

I THINK IF I COULD GET THAT

INTEREST IN GUYS--

I DON'T--THERE'S NO INTEREST.

SO I GIVE--I GOT TO LET GO--

SO NO FANCIES, NOTHING?

YOU HAVE NO NOTHING?

OF OBAMA.

WHAT'S YOUR FANTASY WITH

OBAMA?

I WOULD SCREW HIM.

REALLY?

SO WHAT IS IT ABOUT HIM THAT...

HE'S JUST POWERFUL, AND I

JUST FEEL LIKE--HE LOOKS LIKE HE

SMELLS GOOD.

SO WHY CAN'T YOU JUST FIND

SOMEBODY JUST LIKE OBAMA?

YOU'RE AN ATTRACTIVE WOMAN.

WHY CAN'T YOU GO OUT THERE AND

FIND SOMEBODY?

DO YOU HEAR HIM?

[laughing] YEAH.

YOU MEAN, WHY CAN'T I FIND A

MAN IN AMERICA LIKE OBAMA?

EXACTLY.

AREN'T THEY OUT THERE?

DO I LOOK LIKE MICHELLE

TO YOU?

HAVE YOU TRIED EHARMONY?

[laughing]

YOU'RE INSULTING ME AND ALL

THE WORK I GOT.

I AM SO SORRY.

TO GO--OH, MY GOD.

OH, GOD.

I DONE GOT NEW TEETH AND

EVERYTHING.

I HAVE PAID FOR EXPENSIVE HAIR,

EVERYTHING, AND YOU WANT ME TO

GO ON THE INTERNET?

I HEARD IT WORKS.

SO I'M HEADED OVER TO DREW'S

HOUSE TO DROP OFF THE INVESTMENT

MONEY.

HE SAID HE NEEDED THE MONEY

A.S.A.P.

I WAS IN THE NEIGHBORHOOD AND

THOUGHT, "LET ME GO AHEAD AND

GET THE BALL ROLLING, DROP IT

OFF NOW, SO HE CAN GET OUR

BUSINESS HANDLED."

[knocking at door]

I'M KNOCKING ON DREW'S DOOR, AND

I'M KNOCKING AND KNOCKING.

NO ONE'S ANSWERING.

I KNOW HE'S HOME.

HIS CAR IS OUTSIDE.

WHAT THE HELL IS GOING ON?

[banging at door]

WHAT THE HELL?

WHAT YOU MEAN, "WHAT THE

HELL?"

WHY IT TOOK YOU SO LONG TO

ANSWER THE DOOR?

I DON'T EVER SHOW UP TO YOUR

HOUSE--WHAT ARE YOU LOOKING FOR?

WHY YOU WON'T LET ME IN?

WHAT'S HAPPENING?

IF I JUST SHOWED UP TO YOUR

HOUSE, WOULD YOU LET ME IN?

IF I--YES, IF YOU HAD A

$25,000 CHECK, HELL YEAH,

I WOULD LET YOU IN.

THE HELL?

EXCUSE ME.

DREW IS ACTIN' REAL SHADY.

HE'S THE ONE THAT ASKED ME TO

BRING THAT CHECK A.S.A.P. AND

PRESSURING ME TO COMMIT ON THE

SPOT.

NOW HE'S ACTING LIKE HE HAS ALL

THE TIME IN THE WORLD FOR ME AND

MY MONEY.

THAT'S SOME BULL[bleep].

WHERE THEY DO THAT AT?

WHAT IS THE PROBLEM?

I DON'T UNDERSTAND WHY YOU CAN'T

JUST OPEN THE DOOR?

I--IT'S--THIS IS BUSINESS.

WE ALWAYS--

WHAT'S THE PROBLEM?

IF YOU HAD COMPANY, RIGHT?

IF YOU HAD COMPANY

OVER YOUR HOUSE--

AHH.

WHEN YOU DON'T HAVE COMPANY?

WHY DOES THAT MATTER?

WE NEED TO HANDLE BUSINESS,

AND WE CAN'T HANDLE BUSINESS

BECAUSE YOU GOT SOME RANDOM IN

THE FREAKIN' HOUSE.

AND THEN WHERE THEY AT?

IS THE RANDOM IN THE BATHROOM?

UNDER THE CLOSET?

THERE SHE GO.

JUST COME BACK OVER HERE AND

SIT DOWN.

THERE SHE GO.

THE RANDOM IS IN THE BUILDING.

YOU'RE NOT SUPPOSED TO SHOW

UP TO MY DOOR.

THAT'S FIRST--COMMON COURTESY.

YOU RIGHT.

I'M NOT SUPPOSED TO SHOW UP TO

YOUR DOOR WITH $25,000 TO INVEST

IN YOUR [bleep] BUSINESS.

IN OUR BUSINESS.

I'M NOT SUPPOSED TO SHOW UP

TO THE DOOR BECAUSE YOU GOT A

POPCORN, MICROWAVABLE BITCH IN

THE HOUSE.

AT THE END OF THE DAY,

WE'RE NOT TOGETHER.

I KNOW WE'RE NOT TOGETHER.

SO YOU DON'T SHOW UP--

BUT WHAT I'M SAYING IS, THESE

[bleep] ALWAYS AFFECT SOMETHING.

YOU'RE NOT SUPPOSED TO SHOW

UP TO MY HOUSE.

THAT'S THE BOTTOM LINE.

IT'S GREAT THAT TRACI BROUGHT ME

THIS CHECK, BUT SHE HAS TO

RESPECT MY BOUNDARIES.

I DON'T GO TO HER HOUSE AND

KNOCK ON THE DOOR UNEXPECTEDLY.

THAT'S NOT RIGHT.

TRACI HAS A LITTLE BOSSY

TENDENCY, AND SHE HAS TO REALIZE

SHE CAN'T DO THAT.

IT DOESN'T MATTER.

REALLY?

HOW IS THIS AFFECTING

ANYTHING?

UM...

SHUT THE [bleep] UP!

YOU DON'T HAVE NO WORDS.

NO, I'M NOT TALKING TO YOU.

DO NOT SPEAK.

SAY SOMETHING AGAIN.

SAY SOMETHING--

GET THE [bleep] OFF.

WELL, WHY ARE YOU SO MAD?

SAY SOMETHING AGAIN!

WHY ARE YOU SO MAD?

COME RIGHT HERE.

THESE [bleep] DON'T OPEN

THEIR MOUTH!

YOU TRAIN THESE [bleep]!

THEY DON'T OPEN THEY [bleep]

MOUTH!

DO YOU UNDERSTAND ME?

CHILL OUT.

YOU SHUT THE [bleep] UP!

YOU SIT IN THE CORNER, AND YOU

BE QUIET.

SIT DOWN. SIT DOWN.

SIT DOWN!

SIT DOWN.

GET OFF ME!

COME HERE.

IF WE DON'T DO THIS, I'M GOING

ON TOUR AGAIN.

I DIDN'T CHOOSE THIS [bleep].

DO YOU THINK I WANT TO BE A

BABY MAMA?

HOW YOU LIVE YOUR LIFE AFFECTS

ME, AND YOU DON'T EVEN KNOW IT.

YOU DO WHAT YOU WANT TO DO,

WHATEVER MAKES YOU HAPPY.

COME HERE.

EXPLAIN TO ME WHY THIS IS MAKING

YOU SO ANGRY.

HUH?

WHY IS THIS MAKING YOU SO ANGRY?

THIS HAS NOTHING TO DO--

I'M SO TIRED--

SO WHAT YOU MEAN IT HAS NOTHING

TO DO WITH ME?

YOU HAVEN'T DEALT WITH

ANYBODY EXPECT ME.

I'M SUPPOSED TO BE YOUR

FAMILY.

RIGHT. MY FAMILY COMES FIRST.

EVERY TIME I TURN AROUND--

WE NEVER COME FIRST.

EVERY TWO SECONDS, IT'S ANOTHER

BITCH.

MY SON GOT TO BE OVER THERE.

I GOT TO DO BUSINESS WITH YOU,

AND I GOT TO SEE THIS [bleep]?

LET ME EXPLAIN SOMETHING.

IN SCIENCE CLASS, WE LEARNED

WHAT?

THAT WE'RE NOT MONOGAMOUS.

WHAT THE [bleep] IS WRONG

WITH YOU?

WE ARE NOT NATURALLY

MONOGAMOUS, SO WHY DO I HAVE

TO FIGHT NATURE?

WHY DO I HAVE TO GO--

WHAT THE [bleep]?

AND SO THIS IS WHAT YOU

TEACHING DREW?

I'M JUST SAYING.

YOU WANT HIM TO GROW UP TO BE

THIS?

THIS HAS NOTHING TO DO WITH

THIS.

THIS HAS EVERYTHING TO DO

WITH THIS.

TRACI IS OUT OF CONTROL FOR

TRYING TO CONTROL MY LOVE LIFE.

I CAN DATE WHOEVER THE HELL I

WANT TO DATE, AND SHE CAN'T TELL

ME OTHERWISE.

I CAN'T HELP IT IF I'M HANDSOME.

LOOK AT THIS FACE.

WHAT I DO ON MY OWN TIME IS WHAT

I DO ON MY OWN TIME.

GOOD, WHAT I DO WITH MY MONEY

IS WHAT I DO WITH MY MONEY.

ALL THIS MONEY, AND YOU JUST

WANT TO THROW THE BUSINESS AWAY

LIKE THAT?

WE'RE DONE.

STOP TALKING TO ME.

CAN YOU GO HANDLE YOUR BUSINESS?

GO HANDLE YOUR BUSINESS.

THIS IS MY BUSINESS.

MY SON HAS NOT SEEN A GIRL--

I REMEMBER ONE TIME, WE WAS

IN THE AIRPORT AND DREWSIE

CALLED ME MEGAN.

DO YOU KNOW HOW I WANTED TO

MOTHER...

MY SON SHOULD NEVER CALL ME

ANOTHER WOMAN NAME.

NEVER.

BUT YOU HAVE THAT BECAUSE YOU

INTRODUCING HIM TO THEM.

I'VE MADE MISTAKES IN THE

PAST.

WE'RE TALKING ABOUT TODAY.

THIS YEAR--

DREW, WE'RE DONE.

STOP BEING SO EMOTIONAL ABOUT

THIS RIGHT NOW.

CAN YOU PLEASE JUST LEAVE?

I NEED YOU TO GO TO THE BANK,

GET ANOTHER WHATEVER YOU GOT...

OH, HELL NO.

DREW!

GET OUT THE CAR.

I'M NOT GETTING OUT THE CAR.

GET OUT THE CAR.

GET OUT OF MY FACE.

ARE YOU GONNA GIVE ME THE

25 Gs BACK?

GET OUT OF MY FACE.

WE NEED TO DO BUSINESS.

AT THE END OF THE DAY,

IT'S ALL ABOUT--

NO, LET'S NOT WORRY ABOUT

BUSINESS; YOU NEED HELP.

WE NEED TO WORRY ABOUT

BUSINESS, OR I GOT TO GO ON TOUR

AGAIN.

IF WE DON'T DO THIS, I'M GOING

ON TOUR AGAIN.

I'M NOT HERE TO MAKE YOU

STAY.

YOU STAY FOR YOUR SON.

IT'S LIKE IT'S NEVER ENDING.

MY LIFE IS THIS, AND I DIDN'T

CHOOSE THIS LIFE.

I DIDN'T--DO YOU THINK I WANT TO

BE A BABY MAMA?

YOU THINK I WANT TO BE A BABY

MAMA WITH ANOTHER BABY MAMA?

YOU THINK I WANT A BABY MAMA?

I WANT TO BE A BABY MAMA, AND

THEN MY BABY DADDY GOT HOS

AFTER HOS?

HE'S DONE [bleep] EVERYTHING

IN ATLANTA.

YOU THINK I WANT TO LIVE THIS

LIFE?

LISTEN, I DIDN'T CHOOSE THIS

[bleep].

YOU CHOSE IT FOR ME, AND THEN

HOW YOU LIVE YOUR LIFE AFFECTS

ME, AND YOU DON'T EVEN KNOW IT.

HOW YOU LIVE YOUR LIFE AFFECTS

OUR SON, AND YOU DON'T EVEN KNOW

IT, 'CAUSE YOU SELFISH.

HOW DOES IT AFFECT YOU?

YOU DO WHAT YOU WANT TO DO,

WHATEVER MAKES YOU HAPPY.

ON THE NEXT LOVE & HIP-HOP:

ATLANTA...

WHAT'S UP WITH ME AND YOU

WATCHING THE TAPE OF JOSELINE?

JOSELINE WAS TOUCHING HER

[bleep].

YOU SHOWED IT TO ME!

NO, I DIDN'T.

WHY YOU TALKING ABOUT ME WITH

YOUR MAN?

WHY IS MY MAN TALKING ABOUT

ME TO YOU?

BITCH, THAT'S WHY.

BITCH, GO [bleep]

SOME ASS[bleep].

YOU DON'T KNOW, BUT I WENT

THROUGH YOUR PHONE.

I SEEN YOU TEXT AND TALKIN' TO

FEMALES.

ONCE YOU GO LOOKING FOR

SOMETHING, YOU GONNA FIND IT.

DO YOU ALL THIS HAND?

WHAT?

WAIT A MINUTE.

IT'S THE LEFT HAND.

ERICA, WHAT?

I THINK I'M PREGNANT.

WHOO!

THERE'S A BABY IN THERE.

THERE'S A BABY IN MY BELLY.

LET'S DO THIS LIKE BRUTUS.

LOOK, I'M STILL WORKING WITH

SHAWTY.

IS THIS THE PUERTO RICAN

PRINCESS?

YES.

I'M TRYING TO WORK WITH HIM,

BITCH.

LISTEN, I DON'T TALK TO THE

HELP.

AGH!

* I KNOW A

♪ GEORGIA PRUNE

♪ I HIT HER WITH WAX

[laughing]

♪ 'CAUSE I SAY IT THE BEST ♪

♪ OH, I AIN'T GONNA LET HER ♪

♪ PULL OUT MY TRACKS

♪ OH-HO, WHOA

♪ GEORGIA PRUNE

♪ MM-MM-MM

LIFE IS HARD.