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PREVIOUSLY ON LOVE & HIP-HOP:
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ATLANTA...
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I NEED 50 GRAND.
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IF I INVEST IN THIS BUSINESS
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AND I SEE THAT YOU WIFE-ING UP A
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HO AND SHE'S BENEFITTING FROM MY
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MONEY, IT'S GONNA BE A PROBLEM.
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WHAT'S GOING ON WITH BENZINO?
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YOU KNOW HE TOLD ME HE
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[bleep] YOU?
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ARE YOU SERIOUS?
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IF I DON'T GET MY MONEY,
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WE GOT A PROBLEM.
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FIND MY MOTHER[bleep]
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CONTRACT, BRING IT BACK TO ME,
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AND THEN ADD ME IN FOR 30%,
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'CAUSE I DON'T WANT TO SLAP
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THAT [bleep] OUT YOUR ASS.
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AGH!
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SHE [bleep] WITH THE WRONG
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BITCH.
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I'M PICKING UP [bleep],
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THROWING IT AT YOU.
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THAT'S GONNA BRING SOME REAL
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PROBLEMS, AND I DON'T THINK
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SHE'S DONE HER HOMEWORK TO KNOW
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WHAT TYPE OF PROBLEMS THAT'S
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GONNA BRING.
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AT THIS POINT, LIKE, I'M
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GONNA BE RESPECTED.
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BUT SINCE YOU'RE TRYING TO GO
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IN ON ME--
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ME?
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[both shouting]
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YOU POP OUT, BUT YOU WON'T
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JUMP OUT.
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SHUT THE [bleep] UP!
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SHUT UP, MAN!
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GET THE [bleep] OUT OF MY
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HOUSE!
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TAKE HER OUT OF MY HOUSE!
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* YEAH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* 'SUP ♪
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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♪ THERE AIN'T NOTHING LIKE ♪
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♪ HIP-HOP MUSIC
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♪ MUSIC
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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I ALMOST CALLED OFF THE
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ENGAGEMENT LAST NIGHT WITH ERICA
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'CAUSE, YOU KNOW, HER AND MY
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MAMA GOT INTO IT AGAIN WITH ME
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IN THE MIDDLE.
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WE NORMALLY HAVE THIS THREE-DAY
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LIMIT WHERE WE WOULD BREAK UP
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AND THEN WE'D BE BACK TOGETHER
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IN THREE DAYS OR BACK TOGETHER
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IN A WEEK.
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BUT, FOR GOD'S SAKE, I LOVE HER,
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YOU KNOW WHAT I'M SAYING?
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SO WHEN MY MA HOLLERED AT ME AND
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SAID SHE WANTED TO MEET UP, I
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SAID, "COOL, I'MA LISTEN, BUT IT
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AIN'T GONNA BE JUST ALL YOU.
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IT GONNA BE A TWO-SIDED
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CONVERSATION 'CAUSE I GOT MY
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OWN FEELINGS."
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IT'S LIKE I BEEN GOING
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THROUGH STUFF.
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I HAVEN'T BEEN ABLE TO SLEEP.
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I HAVE A LOT OF ISSUES AND ANGER
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IN ME.
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EVERYBODY HAVE THEY WAY THEY
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FEEL, AND THEY WANT TO GET IT
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OFF THEY CHEST.
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THAT'S WHAT IT WAS DEALT FOR.
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I MEAN, GET IT OFF YOUR CHEST.
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BUT IN THE DAY?
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BUT DO IT RESPECTFUL, YOU
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KNOW WHAT I'M SAYING?
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THAT'S WHERE I WAS AT WITH IT.
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RIGHT, YOU WERE.
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YOU WERE, AND I CAN'T GO AGAINST
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THAT, BUT WHEN YOU CHECK ME, SHE
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FELT LIKE IT WAS THE GATE OPEN
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TO, "I CAN GO IN ON HIS MAMA."
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YOU EVER SEEN THE TV SHOW
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SNAPPED?
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SHE SNAPPED, YOU FEEL ME?
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YOU DONE SNAPPED BEFORE.
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YEAH, I DONE SNAPPED BEFORE.
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SO LET HER HAVE THAT.
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YOU KNOW, I LET HER HAVE THAT.
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SHE WENT HAM, BUT SHE DIDN'T
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CALL YOU OUT YOUR NAME.
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SO YOU GONNA HOLD ON 'CAUSE
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SHE DIDN'T CALL ME OUT MY NAME
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THAT SHE WAS IN RIGHT?
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I MEAN, SHE--I MEAN--
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DISRESPECT IS DISRESPECT ON
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ANY LEVEL.
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MA, THAT COME FROM YEARS AND
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YEARS OF YOU JUST PINCHING HER.
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NAH, THAT COME FROM YEARS AND
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YEARS OF HER DOING IT TOO.
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HER DOING IT TOO.
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BUT SHE DOES IT FIRST, AND SHE
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COMES WITH THE [bleep] FIRST.
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SHE COME WITH IT--
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SHE'S A DISRESPECTFUL BITCH,
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SCRAPPY.
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WHOA, WHOA, WHOA.
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ERICA IS--SHE IS!
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WHOA, HOLD ON.
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OH, YOU DIDN'T SEE THAT?
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WOW.
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WOW?
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YOU HEARD ME AND THE WAY I
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SPELL IT TOO: B-I-T-C-H.
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BITCH.
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LET ME SAY THIS.
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LET ME SAY--HEAR ME OUT, BECAUSE
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I HEAR YOU OUT.
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AT THE END OF THE DAY, I WANT
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SOMEBODY THAT KNOWS--AND HOW--TO
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LOVE YOU AND TREAT YOU RIGHT.
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BUT YOU KNOW WHAT, THOUGH?
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I MAY HAVE BEEN BORN, BUT IT
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WASN'T LAST NIGHT.
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YOU JUST SAID THE KEY WORD.
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YOU SAID, "YOU WANT."
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YOU WANT,
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I WANT,
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TOTALLY TWO DIFFERENT THINGS.
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SOMETIME MOMMA KNOWS BEST, BUT
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I WANT TO GO OFF WHAT I KNOW
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BEST, YOU KNOW WHAT I'M SAYING?
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WITH THE WILL THAT GOD GAVE ME,
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YOU FEEL ME?
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LIKE, I'M NOT FEELING THE DO
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WHAT MY MAMA WANT ME TO DO LIKE
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I'M FIVE YEARS OLD.
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SHE TELL ME TO GO USE THE
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BATHROOM; I GO USE THE BATHROOM.
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I'MA PEE WHAT I WANT TO PIZZ
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NOW, ALL RIGHT?
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BUT YOU KNOW YOUR MAMA GOT
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YOUR BACK.
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BUT JUST HAVE MY BACK WAY IN
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THE BACK, YOU FEEL ME?
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WAY--HOLLERING DISTANCE, YOU
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KNOW WHAT I'M SAYING?
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NO, I'D RATHER GO UP IN THE
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AIR SO I CAN HOVER LIKE A BIRD
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IN THE AIR.
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I LOVE YOU SO MUCH.
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I LOVE YOU TOO, MOMMA.
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LOOK AT YOU.
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LOOK LIKE YOUR DADDY.
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DON'T DRINK TOO MUCH WITHOUT YOU
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A CHASER, ALL RIGHT?
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LET ME GO.
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THIS IS WATER.
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CHOCOLATE, CHOCOLATE,
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CHOCOLATE.
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THOUGHT EVERY GIRL LOVES
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CHOCOLATE.
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I TOLD STEVIE I WAS GONNA GET
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THAT PAPER NO MATTER WHAT, SO
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WHEN HE DECIDED TO SHOW UP AT
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THE CLUB LOOKING LIKE MALCOLM X
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WITH THAT UGLY-ASS SUIT ON AND
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THEM UGLY GLASSES, I'M THINKING
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HE'S GONNA BRING ME MY CONTRACT,
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AND THE ONLY THING HE BRING ME
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IS A BUNCH OF STRESS.
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I DON'T NEED THIS IN MY LIFE.
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WHY IT'S ALWAYS GOT TO BE SO
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MESSY WITH THAT MAN?
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LIKE, I'M NOT REALLY THINKING,
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LIKE, "OH, I'M WORRYING ABOUT
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STEVIE, THINK ABOUT WHAT HE
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GONNA DO."
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HE GONNA DO WHAT HE GONNA DO,
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'CAUSE--GUESS WHY.
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HE AIN'T GOT NO CHOICE.
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TRUE.
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'CAUSE WITHOUT ME, WHAT HE
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GONNA BE?
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SITTING AROUND.
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SITTING AROUND LOOKING
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STUPID.
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WITH THOSE STEVE URKEL
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GLASSES ON.
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YEAH, LOOKING LIKE BOO BOO
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THE FOOL WITH THEM UGLY
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GLASSES ON.
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AND YOU LOOK A MESS, AND YOU
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WANT TO WALK UP IN HERE AND TALK
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ABOUT SOMETHING I GOT TO DEAL
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WITH THAT SECOND, SO YOU CAN GO
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BUY YOU ANOTHER UGLY-ASS SUIT.
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EVERY TIME HE GET MAD, IT'S
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LIKE WE ALWAYS HAVE TO BE IN
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ANOTHER SITUATION WHERE IT'S
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LIKE, "OKAY, STEVIE, THIS IS A
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BUSINESS ASPECT.
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THIS IS NOT THE PERSONAL
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RELATIONSHIP.
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WE'RE OUT IN PUBLIC."
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THE GROUNDING OF "PERSONAL, HERE
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WE GO AGAIN" STEVIE AND BUSINESS
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HAS STILL NOT BEEN MET.
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YOU KNOW, I TRY TO KEEP THE
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PERSONAL AWAY FROM MY BUSINESS
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WITH STEVIE, BUT IT REALLY DOES
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NOT WORK OUT, SO IT FEELS LIKE
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I'M IN A LOSE-LOSE SITUATION.
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DEALING WITH THIS MAN IS DEALING
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WITH SOMETHING THAT IS THE
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UNUSUAL.
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IF I HAVE SEX WITH HIM, IT'S A
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PROBLEM, AND IF IT DON'T, IT'S
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ANOTHER PROBLEM, SO WHAT THE
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[bleep] CAN I DO?
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OH, GOSH, THIS IS SUCH A
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DIFFICULT SITUATION.
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RIGHT NOW, I'M JUST, LIKE,
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CONFUSED.
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I DIDN'T KNOW WHAT HE WANT.
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HE'S DRIVING ME CRAZY 'CAUSE I
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THINK HE'S CRAZY.
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WHAT YOU WANT TO DRINK?
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I DON'T WANT NO JACK.
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NOW THAT THINGS ARE BACK TO
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NORMAL WITH ME AND MIMI AFTER
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THE WHOLE EX SITUATION WITH
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RASHEEDA, I WANTED TO HAVE HER
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OVER TO DISCUSS SOME THINGS THAT
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I'VE BEEN GOING THROUGH.
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I HAVE ISSUES.
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I HAVE A DRINKING PROBLEM WHEN
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IT COMES TO SEX.
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SOMETHING--I HONESTLY HAVE A
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BROKE HOT POCKET.
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WHAT DO YOU MEAN?
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WHEN IT COMES TO SEX, YOU HAVE
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TO DRINK?
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PROBLEM IS, IT'S JUST THIS
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ONE DUDE.
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EVER SINCE I STOPPED TALKING TO
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MY LAST GUY, MY WHOO-HA HAS NOT
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BEEN THE SAME.
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HE WAS THE ONLY ONE THAT COULD
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GET IT BACK TO WORKING AND
266
00:06:27,588 --> 00:06:29,490
PUMPING AND DOING WHAT IT NEEDED
267
00:06:29,490 --> 00:06:31,291
TO DO, SO NOW WHEN I TRY TO DATE
268
00:06:31,291 --> 00:06:32,760
A GUY, I HAVE TO TAKE MY OTHER
269
00:06:32,760 --> 00:06:34,562
MAN, JACK DANIELS.
270
00:06:34,562 --> 00:06:37,064
THIS IS THE FIRST DUDE EVER THAT
271
00:06:37,064 --> 00:06:39,232
I HAVE GONE HARD FOR.
272
00:06:39,232 --> 00:06:40,300
GIRL, GET TO THE GOOD STUFF.
273
00:06:40,300 --> 00:06:41,469
QUIT PLAYING WITH THE ROMANCE
274
00:06:41,469 --> 00:06:42,135
AND ALL OF THAT.
275
00:06:42,135 --> 00:06:44,371
THE GOOD STUFF IS, HIS THING
276
00:06:44,371 --> 00:06:45,773
IS BIG, YOU KNOW?
277
00:06:45,773 --> 00:06:46,807
HE DONE SHUT HER DOWN.
278
00:06:46,807 --> 00:06:48,375
IT SAYS, "OUT OF ORDER."
279
00:06:48,375 --> 00:06:49,943
YOU GOT THAT YELLOW TAPE
280
00:06:49,943 --> 00:06:50,644
AROUND IT?
281
00:06:50,644 --> 00:06:52,345
SHE NEEDS REHAB.
282
00:06:52,345 --> 00:06:53,581
SO I'M GONNA GO TO MY DOCTOR,
283
00:06:53,581 --> 00:06:55,115
AND I'M GOING TO SEE WHY
284
00:06:55,115 --> 00:06:55,783
SHE'S BROKE.
285
00:06:55,783 --> 00:06:56,717
YOU SHOULD GO WITH ME.
286
00:06:56,717 --> 00:06:57,785
AIN'T NOTHING WRONG WITH
287
00:06:57,785 --> 00:06:58,719
THAT THANG.
288
00:06:58,719 --> 00:07:00,821
IT'S JUST YOU LIKE SOMEBODY, AND
289
00:07:00,821 --> 00:07:01,789
YOU WANT HIM BACK, AND THAT'S
290
00:07:01,789 --> 00:07:02,490
THE ISSUE.
291
00:07:02,490 --> 00:07:04,324
I NEED TO HEAR IT FROM A
292
00:07:04,324 --> 00:07:05,993
CERTIFIED PROFESSIONAL.
293
00:07:05,993 --> 00:07:08,662
I NEED HIM TO TELL ME THAT THIS
294
00:07:08,662 --> 00:07:10,664
THANG IS UP AND KICKING AND
295
00:07:10,664 --> 00:07:13,266
READY, AND I'M JUST WANTING THE
296
00:07:13,266 --> 00:07:14,167
OLD DUDE BACK.
297
00:07:14,167 --> 00:07:15,168
THAT'S IT.
298
00:07:15,168 --> 00:07:16,570
* MY COOCHIE DON'T WORK ♪
299
00:07:16,570 --> 00:07:18,171
♪ NO MORE
300
00:07:18,171 --> 00:07:19,907
♪ IT'S BROKE ♪
301
00:07:19,907 --> 00:07:21,675
♪ IT'S NUMB ♪
302
00:07:21,675 --> 00:07:23,143
♪ I'D REALLY LIKE TO HAVE ♪
303
00:07:23,143 --> 00:07:24,512
♪ SOME FUN
304
00:07:24,512 --> 00:07:26,647
♪ BUT IT WON'T [bleep] ♪
305
00:07:26,647 --> 00:07:28,181
♪ IT WON'T [bleep] ♪
306
00:07:28,181 --> 00:07:29,550
[laughing]
307
00:07:29,550 --> 00:07:30,684
I MIGHT NEED YOU TO WRITE ME
308
00:07:30,684 --> 00:07:31,384
A SONG.
309
00:07:31,384 --> 00:07:32,520
WHO WE WRITING A SONG FOR?
310
00:07:32,520 --> 00:07:34,522
I HAVE A NEW FRIEND.
311
00:07:34,522 --> 00:07:35,188
IT'S NOT NEW.
312
00:07:35,188 --> 00:07:36,023
IT'S ACTUALLY AN OLD FRIEND.
313
00:07:36,023 --> 00:07:37,157
GIRL, DUCK.
314
00:07:37,157 --> 00:07:39,092
[laughing]
315
00:07:39,092 --> 00:07:40,227
GIRL, STEVIE GONNA START
316
00:07:40,227 --> 00:07:40,994
SHOOTING!
317
00:07:40,994 --> 00:07:42,530
I HAD AN OLD FRIEND FROM
318
00:07:42,530 --> 00:07:44,364
YEARS AGO THAT I KNEW POP UP,
319
00:07:44,364 --> 00:07:46,867
AND WE'RE NOW DATING.
320
00:07:46,867 --> 00:07:47,535
DRAMA-FREE.
321
00:07:47,535 --> 00:07:48,969
IT'S NO STRESS.
322
00:07:48,969 --> 00:07:49,637
I'M HAPPY.
323
00:07:49,637 --> 00:07:51,539
WOW, MIMI, YOU ACTUALLY LOOK
324
00:07:51,539 --> 00:07:53,641
LIKE YOU'RE HAPPY, SMILING LIKE
325
00:07:53,641 --> 00:07:56,176
NOT A FORCED SMILE, LIKE A...
326
00:07:56,176 --> 00:07:57,578
"WHOO, LOOK AT ME, BITCH.
327
00:07:57,578 --> 00:07:58,245
I'M ICE-SKATING."
328
00:07:58,245 --> 00:07:59,112
YOU KNOW WHEN YOU GET WITH
329
00:07:59,112 --> 00:08:01,181
SOMEBODY AND YOU JUST HAVE FUN?
330
00:08:01,181 --> 00:08:03,250
THERE'S NO WORRY, NO STRESS,
331
00:08:03,250 --> 00:08:03,951
NO NOTHING.
332
00:08:03,951 --> 00:08:06,286
YOU JUST ARE HAVING A GOOD
333
00:08:06,286 --> 00:08:06,954
[bleep] TIME.
334
00:08:06,954 --> 00:08:07,655
YOU'RE NOT WORRIED ABOUT
335
00:08:07,655 --> 00:08:08,622
[bleep].
336
00:08:08,622 --> 00:08:09,322
I GOT TO WRITE YOU A
337
00:08:09,322 --> 00:08:09,990
GOOD SONG.
338
00:08:09,990 --> 00:08:11,158
YES.
339
00:08:11,158 --> 00:08:12,793
NO MORE "KISS MY ASS."
340
00:08:12,793 --> 00:08:14,294
AND WAIT TILL I GET THIS HOT
341
00:08:14,294 --> 00:08:15,162
POCKET CHECKED.
342
00:08:15,162 --> 00:08:18,599
[laughing]
343
00:08:18,599 --> 00:08:19,700
POW!
344
00:08:19,700 --> 00:08:22,636
[laughter]
345
00:08:22,636 --> 00:08:24,071
THE WHOLE DINNER SCENE JUST
346
00:08:24,071 --> 00:08:25,072
PUT THE ICING ON THE CAKE.
347
00:08:25,072 --> 00:08:26,006
SHE'S A RAW PERSON.
348
00:08:26,006 --> 00:08:27,207
MY MAMA'S NOT GONNA LET NOBODY
349
00:08:27,207 --> 00:08:28,108
JUST TELL HER WHAT TO DO.
350
00:08:28,108 --> 00:08:29,409
WELL, I WANT TO PUMP THE
351
00:08:29,409 --> 00:08:30,744
BRAKES.
352
00:08:30,744 --> 00:08:31,645
I BROUGHT THE CONTRACT THAT
353
00:08:31,645 --> 00:08:32,445
YOU ASKED FOR.
354
00:08:32,445 --> 00:08:33,280
[crying] I DON'T CARE ABOUT
355
00:08:33,280 --> 00:08:34,347
THAT [bleep] NO MORE, STEVIE,
356
00:08:34,347 --> 00:08:35,616
'CAUSE YOU [bleep] STRESS ME
357
00:08:35,616 --> 00:08:36,483
OUT.
358
00:08:36,483 --> 00:08:37,384
HURTING RASHEEDA, THAT CAN'T
359
00:08:37,384 --> 00:08:38,051
HAPPEN.
360
00:08:38,051 --> 00:08:39,252
YOU AND RASHEEDA LESBIAN
361
00:08:39,252 --> 00:08:39,920
RELATIONSHIP--
362
00:08:39,920 --> 00:08:42,389
Y'ALL CAN KEEP THAT [bleep].
363
00:08:55,903 --> 00:08:57,104
EVERY TIME WE GET INTO A
364
00:08:57,104 --> 00:08:58,305
ARGUMENT AND IT GETS HEATED,
365
00:08:58,305 --> 00:09:00,007
SCRAPPY ASKS FOR HIS RING BACK,
366
00:09:00,007 --> 00:09:01,274
AND IT'S COOL.
367
00:09:01,274 --> 00:09:03,110
I CAN BLOW IT OFF, BUT I CAN'T
368
00:09:03,110 --> 00:09:04,678
ACCEPT THE FACT THAT YOU CHOSE
369
00:09:04,678 --> 00:09:06,780
YOUR MOTHER OVER ME.
370
00:09:06,780 --> 00:09:07,681
THE WHOLE DINNER SCENE JUST--
371
00:09:07,681 --> 00:09:09,750
IT JUST PUT THE ICING ON THE
372
00:09:09,750 --> 00:09:10,918
CAKE PRETTY MUCH.
373
00:09:10,918 --> 00:09:12,119
WE ALL CAN POINT FINGERS AND
374
00:09:12,119 --> 00:09:12,886
SAY, "OH, YOU WERE
375
00:09:12,886 --> 00:09:13,621
DISRESPECTFUL.
376
00:09:13,621 --> 00:09:14,287
YOU WERE DISRESPECTFUL."
377
00:09:14,287 --> 00:09:15,488
BUT WE ALL COULD HAVE HANDLED IT
378
00:09:15,488 --> 00:09:16,189
DIFFERENT, YOU KNOW WHAT
379
00:09:16,189 --> 00:09:16,857
I'M SAYING?
380
00:09:16,857 --> 00:09:17,625
WE ALL COULD HAVE HANDLED IT
381
00:09:17,625 --> 00:09:18,291
DIFFERENT.
382
00:09:18,291 --> 00:09:19,126
WE ALL COULD HAVE HANDLED IT
383
00:09:19,126 --> 00:09:19,793
DIFFERENT.
384
00:09:19,793 --> 00:09:20,894
BUT, IN THE SAME BREATH,
385
00:09:20,894 --> 00:09:22,162
UNDERSTAND THAT IT'S NOT
386
00:09:22,162 --> 00:09:23,496
POINTING A FINGER.
387
00:09:23,496 --> 00:09:24,464
IT'S TRYING TO CLEAR
388
00:09:24,464 --> 00:09:25,799
THE AIR OF A SITUATION
389
00:09:25,799 --> 00:09:27,134
THAT HAS BEEN CONTINUED AND
390
00:09:27,134 --> 00:09:28,335
DISRESPECTFUL THAT'S GOING ON
391
00:09:28,335 --> 00:09:29,536
FOR TEN YEARS.
392
00:09:29,536 --> 00:09:30,337
AND WE SUPPOSED TO BE A TEAM.
393
00:09:30,337 --> 00:09:31,639
WE SUPPOSED TO BE ONE.
394
00:09:31,639 --> 00:09:32,305
AND YOU SUPPOSED TO HAVE MY
395
00:09:32,305 --> 00:09:33,907
BACK, AND I DON'T FEEL LIKE YOU
396
00:09:33,907 --> 00:09:34,875
DID AT ALL.
397
00:09:34,875 --> 00:09:35,976
I CAN'T SEE HOW YOU DON'T
398
00:09:35,976 --> 00:09:37,177
UNDERSTAND, LIKE, I HAD
399
00:09:37,177 --> 00:09:37,845
YOUR BACK.
400
00:09:37,845 --> 00:09:40,681
MAYBE YOU JUST WAS GOING OFF,
401
00:09:40,681 --> 00:09:42,149
AND YOU AIN'T SEE IT.
402
00:09:42,149 --> 00:09:44,251
ERICA FEELING LIKE MY MAMA GOT
403
00:09:44,251 --> 00:09:46,186
UP IN THE TABLE WHEN SHE THE ONE
404
00:09:46,186 --> 00:09:47,888
GOT UP AND RAN AROUND THE ROOM
405
00:09:47,888 --> 00:09:49,456
LIKE THE TASMANIAN DEVIL AND
406
00:09:49,456 --> 00:09:50,390
GOING CRAZY.
407
00:09:50,390 --> 00:09:51,792
YOU DID THAT, NOT MY MAMA,
408
00:09:51,792 --> 00:09:52,492
YOU KNOW WHAT I'M SAYING?
409
00:09:52,492 --> 00:09:53,794
SHE MIGHT HAVE HAD HER OWN PART,
410
00:09:53,794 --> 00:09:54,728
BUT YOU THE ONE WENT CRAZY AND
411
00:09:54,728 --> 00:09:56,429
TOOK IT TO THAT NEXT LEVEL.
412
00:09:56,429 --> 00:09:57,497
I HAD EVERY RIGHT TO DO WHAT
413
00:09:57,497 --> 00:09:59,667
I DID BECAUSE I WAS IN MY HOME.
414
00:09:59,667 --> 00:10:00,834
I FEEL LIKE YOUR MOM GOT OUT OF
415
00:10:00,834 --> 00:10:02,069
LINE ONCE AGAIN.
416
00:10:02,069 --> 00:10:03,704
I MEAN, YEAH, BUT I HAVE BEEN
417
00:10:03,704 --> 00:10:06,239
KNOWING MY MAMA FOREVER AND EVER
418
00:10:06,239 --> 00:10:07,607
AND EVER, SO YOU KNOW WHAT I
419
00:10:07,607 --> 00:10:08,308
LEARNED TO DO?
420
00:10:08,308 --> 00:10:09,442
I LEARNED TO IGNORE THE
421
00:10:09,442 --> 00:10:10,778
CRAZINESS THAT COMES FROM OUT OF
422
00:10:10,778 --> 00:10:12,045
IT, YOU FEEL ME?
423
00:10:12,045 --> 00:10:12,913
BUT YOU KEEP SAYING YOU CAN'T
424
00:10:12,913 --> 00:10:13,814
KEEP HER FROM DOING THAT, AND I
425
00:10:13,814 --> 00:10:14,782
BELIEVE YOU CAN.
426
00:10:14,782 --> 00:10:15,716
I CAN'T.
427
00:10:15,716 --> 00:10:16,483
THERE'S NO WAY IN THE WORLD.
428
00:10:16,483 --> 00:10:17,384
SHE'S A GROWN PERSON,
429
00:10:17,384 --> 00:10:18,051
YOU FEEL ME?
430
00:10:18,051 --> 00:10:19,519
SHE'S A GROWN--OLDER THAN ME,
431
00:10:19,519 --> 00:10:20,187
YOU FEEL ME?
432
00:10:20,187 --> 00:10:21,154
AND NOT GONNA LET NOBODY JUST
433
00:10:21,154 --> 00:10:22,222
TELL HER WHAT TO DO,
434
00:10:22,222 --> 00:10:23,757
YOU FEEL ME?
435
00:10:23,757 --> 00:10:25,325
OKAY, WITH THAT BEING SAID
436
00:10:25,325 --> 00:10:26,960
THEN, THAT'S WHY I COME TO THE
437
00:10:26,960 --> 00:10:28,829
CONCLUSION WHERE I WANT TO PUMP
438
00:10:28,829 --> 00:10:30,497
THE BRAKES.
439
00:10:30,497 --> 00:10:31,164
PUMP MY BRAKES?
440
00:10:31,164 --> 00:10:32,065
WHAT THAT MEAN?
441
00:10:32,065 --> 00:10:32,766
I DON'T WANT TO START
442
00:10:32,766 --> 00:10:34,768
PLANNING THE WEDDING TILL I
443
00:10:34,768 --> 00:10:36,036
HONESTLY FEEL LIKE YOU GOT MY
444
00:10:36,036 --> 00:10:37,705
BACK, YOU GOT ME 100%, AND
445
00:10:37,705 --> 00:10:38,739
YOU PUTTING YOUR FOOT DOWN,
446
00:10:38,739 --> 00:10:40,040
LIKE, LETTING HER KNOW, LIKE,
447
00:10:40,040 --> 00:10:41,041
"HEY, MOM, YOU CAN'T KEEP
448
00:10:41,041 --> 00:10:42,209
DISRESPECTING HER."
449
00:10:42,209 --> 00:10:42,943
THIS IS NOT BOYFRIEND AND
450
00:10:42,943 --> 00:10:43,610
GIRLFRIEND ANYMORE.
451
00:10:43,610 --> 00:10:44,945
WE ENGAGED.
452
00:10:44,945 --> 00:10:48,381
I MEAN, LOOK, I PROPOSE.
453
00:10:48,381 --> 00:10:49,917
ERICA SAID YES.
454
00:10:49,917 --> 00:10:51,318
SHE KNEW MY MOM, BEEN KNOWING
455
00:10:51,318 --> 00:10:52,485
HER FOR 10, 11 YEARS, YOU KNOW
456
00:10:52,485 --> 00:10:53,153
WHAT I'M SAYING?
457
00:10:53,153 --> 00:10:54,487
SHE KNEW WHAT SHE COME WITH.
458
00:10:54,487 --> 00:10:55,956
SHE KNOW WHAT HAPPEN WITH BEING
459
00:10:55,956 --> 00:10:57,691
WITH ME, YOU KNOW?
460
00:10:57,691 --> 00:10:59,059
I SAY WE FOCUS ON US.
461
00:10:59,059 --> 00:11:00,293
SHE DON'T WANT TO FOCUS ON THAT.
462
00:11:00,293 --> 00:11:02,029
SHE WANT TO FOCUS ON MY MAMA,
463
00:11:02,029 --> 00:11:03,563
THEN GO HOLLER AT MY MAMA.
464
00:11:03,563 --> 00:11:04,597
EVEN WHEN YOU DON'T KNOW, I GOT
465
00:11:04,597 --> 00:11:05,265
YOUR BACK.
466
00:11:05,265 --> 00:11:06,499
I GOT YOUR BACK.
467
00:11:06,499 --> 00:11:07,801
BUT, HEY, IF YOU DON'T FEEL IT,
468
00:11:07,801 --> 00:11:09,536
LIKE I SAY, MAYBE YOU NEED TO
469
00:11:09,536 --> 00:11:11,338
THINK ABOUT THAT,
470
00:11:11,338 --> 00:11:12,773
ABOUT WHAT YOU WANT TO DO.
471
00:11:12,773 --> 00:11:13,841
I WANT TO HOLD OFF.
472
00:11:13,841 --> 00:11:15,208
LIKE, I DON'T WANT TO, YOU KNOW,
473
00:11:15,208 --> 00:11:16,376
START PLANNING YET UNTIL I
474
00:11:16,376 --> 00:11:17,310
REALLY FEEL LIKE YOU GOT
475
00:11:17,310 --> 00:11:18,478
MY BACK.
476
00:11:18,478 --> 00:11:20,480
WOW.
477
00:11:27,220 --> 00:11:28,889
I FINALLY GOT TRACI TO COME
478
00:11:28,889 --> 00:11:29,890
THROUGH TO CHECK OUT THE SPACE
479
00:11:29,890 --> 00:11:30,991
THAT I'M TRYING TO OPEN UP FOR
480
00:11:30,991 --> 00:11:32,125
THE SNEAKER STORE.
481
00:11:32,125 --> 00:11:33,226
SHE NEEDS TO TAKE ME SERIOUSLY
482
00:11:33,226 --> 00:11:34,762
AND KNOW THAT THIS IS MY TICKET
483
00:11:34,762 --> 00:11:36,496
BACK HOME TO BE WITH MY FAMILY.
484
00:11:36,496 --> 00:11:38,098
THIS IS THE SPACE.
485
00:11:38,098 --> 00:11:39,299
YOU LIKE IT?
486
00:11:39,299 --> 00:11:40,768
IT'S HUGE.
487
00:11:40,768 --> 00:11:42,102
THE RENT HERE IS $5,000 A
488
00:11:42,102 --> 00:11:44,004
MONTH, WHICH IS NOTHING.
489
00:11:44,004 --> 00:11:44,671
YEAH, THAT'S GOOD.
490
00:11:44,671 --> 00:11:46,173
HOW DID YOU GET IT FOR $5,000
491
00:11:46,173 --> 00:11:46,840
ON--
492
00:11:46,840 --> 00:11:47,674
I'M A HUSTLER, BABY.
493
00:11:47,674 --> 00:11:48,675
MATTER OF FACT, I GOT--
494
00:11:48,675 --> 00:11:49,609
HOLD ON, I GOT PICTURES OF WHAT
495
00:11:49,609 --> 00:11:50,811
WE'RE TRYING TO DO.
496
00:11:50,811 --> 00:11:52,379
THIS WALL RIGHT HERE,
497
00:11:52,379 --> 00:11:54,214
THIS IS THE SEXY WALL.
498
00:11:54,214 --> 00:11:55,382
IT'S BUILT OUT.
499
00:11:55,382 --> 00:11:56,283
YOU CAN SEE THE LIGHTS IN THE
500
00:11:56,283 --> 00:11:57,184
BACK.
501
00:11:57,184 --> 00:11:58,018
YOU SEE THE LIGHTS IN THE BACK?
502
00:11:58,018 --> 00:11:58,685
DID YOU CALL IT THE
503
00:11:58,685 --> 00:11:59,352
SEXY WALL?
504
00:11:59,352 --> 00:12:00,020
IT'S THE SEXY WALL.
505
00:12:00,020 --> 00:12:00,788
OH, MY GOD.
506
00:12:00,788 --> 00:12:01,521
LOOK, IT--IT'S SEXY.
507
00:12:01,521 --> 00:12:02,189
WELL, YOU KNOW WHAT?
508
00:12:02,189 --> 00:12:03,623
I'MA NEED SOME STUFF FROM YOU.
509
00:12:03,623 --> 00:12:04,792
YOU HAVE A BUSINESS PLAN.
510
00:12:04,792 --> 00:12:05,392
DO YOU HAVE A LAWYER?
511
00:12:05,392 --> 00:12:06,693
SEND ME THE NUMBER TO THE LAWYER
512
00:12:06,693 --> 00:12:07,527
SO I CAN TALK TO THEM
513
00:12:07,527 --> 00:12:08,195
ABOUT THIS.
514
00:12:08,195 --> 00:12:09,396
I GOT THAT.
515
00:12:09,396 --> 00:12:10,297
DO I HAVE SOME SAY-SO WITH
516
00:12:10,297 --> 00:12:10,998
THE HIRING?
517
00:12:10,998 --> 00:12:11,799
I KNOW WHERE YOU'RE GOING
518
00:12:11,799 --> 00:12:13,000
WITH THAT RIGHT NOW, LIKE, I
519
00:12:13,000 --> 00:12:14,334
KNOW EXACTLY.
520
00:12:14,334 --> 00:12:15,102
LET ME JUST--I'MA PUT IT OUT
521
00:12:15,102 --> 00:12:15,803
THERE:
522
00:12:15,803 --> 00:12:16,436
WE HAVE BOUTIQUE.
523
00:12:16,436 --> 00:12:17,437
WE'RE SELLING HIGH-END FASHION.
524
00:12:17,437 --> 00:12:18,205
WE'RE GONNA WANT BEAUTIFUL
525
00:12:18,205 --> 00:12:18,872
WOMEN.
526
00:12:18,872 --> 00:12:19,973
WE'RE GONNA WANT ATTRACTIVE MEN.
527
00:12:19,973 --> 00:12:20,640
OF COURSE. OF COURSE.
528
00:12:20,640 --> 00:12:21,474
AND IT HAS NOTHING TO DO WITH
529
00:12:21,474 --> 00:12:22,810
ANYTHING BUT THAT.
530
00:12:22,810 --> 00:12:23,844
I REALLY WANT TO BELIEVE
531
00:12:23,844 --> 00:12:24,812
DREW, BUT I ALREADY MADE IT
532
00:12:24,812 --> 00:12:26,046
CRYSTAL CLEAR THAT ME AND MY
533
00:12:26,046 --> 00:12:28,281
MONEY DON'T HAVE ANYTHING TO DO
534
00:12:28,281 --> 00:12:29,817
WITH THEM GROUPIE HOS.
535
00:12:29,817 --> 00:12:31,819
THIS MONEY IS FOR OUR FAMILY.
536
00:12:31,819 --> 00:12:32,719
THAT'S THE ONLY WAY I'MA AGREE
537
00:12:32,719 --> 00:12:33,386
TO IT.
538
00:12:33,386 --> 00:12:34,054
YOU KNOW THAT I GOT TO BE
539
00:12:34,054 --> 00:12:35,555
CAUTIOUS ABOUT THIS.
540
00:12:35,555 --> 00:12:36,556
THIS IS GONNA WORK.
541
00:12:36,556 --> 00:12:38,391
AND IF ALL OF THESE THINGS
542
00:12:38,391 --> 00:12:40,460
SOUNDS GOOD AND YOU REALLY ARE
543
00:12:40,460 --> 00:12:41,929
DETERMINED TO STAY IN ATLANTA
544
00:12:41,929 --> 00:12:43,596
AND BE HERE FOR YOUR FAMILY...
545
00:12:43,596 --> 00:12:44,564
THAT'S WHAT IT IS.
546
00:12:44,564 --> 00:12:47,300
THEN I'LL REALLY AND TRULY
547
00:12:47,300 --> 00:12:48,668
THINK ABOUT IT, AND I'LL LET--
548
00:12:48,668 --> 00:12:50,270
HERE'S THE ISSUE NOW:
549
00:12:50,270 --> 00:12:52,906
WE GOT TO ACT ON THIS, LIKE,
550
00:12:52,906 --> 00:12:54,074
TODAY.
551
00:12:54,074 --> 00:12:55,275
I KNOW IT'S CRAZY FOR TRACI TO
552
00:12:55,275 --> 00:12:56,844
COME OUT OF POCKET PREMATURELY
553
00:12:56,844 --> 00:12:57,677
AND GIVE ME THIS MONEY RIGHT
554
00:12:57,677 --> 00:12:59,246
AWAY, BUT I'VE ALWAYS GIVEN HER
555
00:12:59,246 --> 00:13:00,380
MONEY BACK WHEN SHE'S INVESTED
556
00:13:00,380 --> 00:13:02,249
IN ME, AND MOST OF THE TIME,
557
00:13:02,249 --> 00:13:03,250
I'VE MADE HER MONEY,
558
00:13:03,250 --> 00:13:04,551
SO SHE SHOULD TRUST ME BY NOW
559
00:13:04,551 --> 00:13:05,318
TO GIVE ME THIS MONEY.
560
00:13:05,318 --> 00:13:08,521
I NEED A ANSWER.
561
00:13:08,521 --> 00:13:09,957
DO ONE OF THESE.
562
00:13:09,957 --> 00:13:11,491
THE HEAD BOB LIKE YOU'RE
563
00:13:11,491 --> 00:13:12,960
LISTENING TO MUSIC AND JUST SAY
564
00:13:12,960 --> 00:13:14,627
YES.
565
00:13:14,627 --> 00:13:15,863
YEAH.
566
00:13:15,863 --> 00:13:16,496
SO THE ANSWER'S YES?
567
00:13:16,496 --> 00:13:17,164
YES.
568
00:13:17,164 --> 00:13:18,031
YOU SURE?
569
00:13:18,031 --> 00:13:18,698
YOU'RE POSITIVE?
570
00:13:18,698 --> 00:13:19,366
[coughing]
571
00:13:19,366 --> 00:13:20,367
OH, YOU'RE COUGHING NOW.
572
00:13:20,367 --> 00:13:21,468
DON'T COUGH. YOU AIN'T SICK.
573
00:13:21,468 --> 00:13:22,702
YOU WANT SOME THERAFLU?
574
00:13:22,702 --> 00:13:23,871
COME HERE. COME HERE, GIRL.
575
00:13:23,871 --> 00:13:24,504
NO, I'M ALL RIGHT.
576
00:13:24,504 --> 00:13:25,505
ALL RIGHT, ALL RIGHT.
577
00:13:25,505 --> 00:13:26,506
[muffled speech]
578
00:13:26,506 --> 00:13:27,875
YES.
579
00:13:27,875 --> 00:13:28,909
GET OFF ME.
580
00:13:28,909 --> 00:13:29,609
WE BUSINESS PARTNERS.
581
00:13:29,609 --> 00:13:30,277
WE GONNA BE RICH.
582
00:13:30,277 --> 00:13:31,211
WE GONNA BE PAID.
583
00:13:31,211 --> 00:13:32,179
WHEN I PULL UP IN MY LAMBO,
584
00:13:32,179 --> 00:13:33,180
WHAT YOU PULLING UP IN?
585
00:13:33,180 --> 00:13:33,881
BYE.
586
00:13:33,881 --> 00:13:34,547
WHAT YOU PULLING UP IN?
587
00:13:34,547 --> 00:13:35,648
I'M PULLING UP IN A LAMBO.
588
00:13:35,648 --> 00:13:37,317
IT'S GONNA BE RED WITH A
589
00:13:37,317 --> 00:13:40,053
JAMAICAN FLAG ON THE ROOF.
590
00:13:40,053 --> 00:13:41,054
[mellow rock music]
591
00:13:41,054 --> 00:13:44,524
♪
592
00:13:44,524 --> 00:13:45,993
* YOU'RE THE SPARK ♪
593
00:13:45,993 --> 00:13:48,795
♪ THAT LIGHTS THE FLAME
594
00:13:48,795 --> 00:13:51,098
♪ THAT FILLS MY HEART
595
00:13:51,098 --> 00:13:56,503
♪
596
00:13:56,503 --> 00:13:57,905
I BEEN SO STRESSED OUT ABOUT
597
00:13:57,905 --> 00:13:59,439
STEVIE THAT I HAVEN'T BEEN ABLE
598
00:13:59,439 --> 00:14:01,074
TO SLEEP, AND I KNOW I CAN'T
599
00:14:01,074 --> 00:14:02,309
KEEP LIVING LIKE THIS 'CAUSE I'M
600
00:14:02,309 --> 00:14:04,711
GONNA GO CRAZY.
601
00:14:04,711 --> 00:14:05,745
SO WHEN STEVIE CALLED ME AND
602
00:14:05,745 --> 00:14:07,147
ASKED ME, "CAN WE MEET UP?"
603
00:14:07,147 --> 00:14:08,548
I AGREED.
604
00:14:08,548 --> 00:14:09,616
I'M NOT REALLY SURE WHAT I'M
605
00:14:09,616 --> 00:14:11,384
GONNA SAY TO THIS MAN, BUT I
606
00:14:11,384 --> 00:14:12,619
KNOW THAT WE NEED TO TALK.
607
00:14:12,619 --> 00:14:16,789
* AND WE FIND THE ANSWER
608
00:14:16,789 --> 00:14:20,660
HOW ARE YOU, SWEETHEART?
609
00:14:20,660 --> 00:14:22,062
WHAT'S GOING ON WITH YOU?
610
00:14:22,062 --> 00:14:23,931
HI, STEVIE.
611
00:14:23,931 --> 00:14:26,934
SO HAPPY TO SEE YOU.
612
00:14:26,934 --> 00:14:28,301
I HAVEN'T SEEN JOSELINE SINCE I
613
00:14:28,301 --> 00:14:30,437
LOST HER BACKSTAGE AT THE SHOW,
614
00:14:30,437 --> 00:14:31,704
AND I KNOW SHE WASN'T TOO HAPPY
615
00:14:31,704 --> 00:14:32,472
WITH ME.
616
00:14:32,472 --> 00:14:33,941
BUT ONE THING I KNOW IS A HAPPY
617
00:14:33,941 --> 00:14:35,842
ARTIST IS A PROFITABLE ARTIST,
618
00:14:35,842 --> 00:14:37,610
SO I GOT A LITTLE PROPOSITION
619
00:14:37,610 --> 00:14:39,112
THAT MIGHT BRIGHTEN HER DAY.
620
00:14:39,112 --> 00:14:41,114
I HEAR YOU WHEN YOU SAY I'M NOT
621
00:14:41,114 --> 00:14:42,115
PUSHING YOU HARD ENOUGH,
622
00:14:42,115 --> 00:14:43,683
YOUR SINGLE'S NOT COMING OUT,
623
00:14:43,683 --> 00:14:45,218
AND I'M NOT WORKING ENOUGH FOR
624
00:14:45,218 --> 00:14:47,587
YOU, BUT THAT'S NOT TRUE.
625
00:14:47,587 --> 00:14:48,721
I BROUGHT THE CONTRACT THAT YOU
626
00:14:48,721 --> 00:14:50,123
ASKED FOR.
627
00:14:50,123 --> 00:14:52,125
I COULD EITHER GIVE YOU THIS,
628
00:14:52,125 --> 00:14:53,726
RIP IT UP,
629
00:14:53,726 --> 00:14:55,062
OR PLAY YOU THIS NEW SINGLE I
630
00:14:55,062 --> 00:14:57,497
GOT FOR YOU.
631
00:14:57,497 --> 00:14:58,665
YEAH, STEVIE, BUT YOU CAN'T
632
00:14:58,665 --> 00:15:00,968
JUST BE...
633
00:15:00,968 --> 00:15:02,970
POPPING UP ON ME, JUST ACTING
634
00:15:02,970 --> 00:15:04,771
LIKE--HOW YOU ACT.
635
00:15:04,771 --> 00:15:06,873
YOU STRESS ME OUT.
636
00:15:06,873 --> 00:15:07,540
YOU JUST DO TOO MUCH.
637
00:15:07,540 --> 00:15:08,241
I DON'T WANT TO STRESS
638
00:15:08,241 --> 00:15:08,976
YOU OUT.
639
00:15:08,976 --> 00:15:09,977
I WANT YOU HAPPY.
640
00:15:09,977 --> 00:15:11,144
YOU DON'T MAKE ME HAPPY.
641
00:15:11,144 --> 00:15:13,613
I REALLY DON'T EVEN CARE, LIKE,
642
00:15:13,613 --> 00:15:15,682
I DON'T CARE ABOUT THE SINGLE.
643
00:15:15,682 --> 00:15:16,583
[crying] I DON'T CARE ABOUT THAT
644
00:15:16,583 --> 00:15:17,817
[bleep] NO MORE, STEVIE, 'CAUSE
645
00:15:17,817 --> 00:15:19,486
YOU [bleep] STRESS ME OUT.
646
00:15:19,486 --> 00:15:20,287
I STRESS YOU OUT?
647
00:15:20,287 --> 00:15:21,421
I WANT YOU TO JUST LEAVE ME
648
00:15:21,421 --> 00:15:22,089
ALONE.
649
00:15:22,089 --> 00:15:23,323
THAT'S ALL I WANT.
650
00:15:23,323 --> 00:15:24,391
LEAVE YOU ALONE HOW?
651
00:15:24,391 --> 00:15:26,193
LIKE, NOT COME AND SEE YOU?
652
00:15:26,193 --> 00:15:27,660
NOT WORK WITH YOU?
653
00:15:27,660 --> 00:15:29,396
YOU DON'T DO THAT NO WAY.
654
00:15:29,396 --> 00:15:31,364
I GOT BUSINESSES TO RUN.
655
00:15:31,364 --> 00:15:32,199
I DON'T GIVE A [bleep] ABOUT
656
00:15:32,199 --> 00:15:33,100
NOTHING RIGHT NOW.
657
00:15:33,100 --> 00:15:34,001
SO YOU'RE SAYING YOU DON'T
658
00:15:34,001 --> 00:15:35,002
CARE ABOUT ME?
659
00:15:35,002 --> 00:15:35,735
THAT'S WHAT YOU SAYING?
660
00:15:35,735 --> 00:15:36,569
YOU DON'T CARE ABOUT ME
661
00:15:36,569 --> 00:15:37,637
'CAUSE IF YOU CARED ABOUT ME,
662
00:15:37,637 --> 00:15:38,538
YOU WOULDN'T [bleep] STRESSING
663
00:15:38,538 --> 00:15:40,107
ME OUT.
664
00:15:40,107 --> 00:15:42,509
STOP IT NOW.
665
00:15:42,509 --> 00:15:44,077
I CARE.
666
00:15:44,077 --> 00:15:45,912
I CARE IF NOBODY ELSE DO.
667
00:15:45,912 --> 00:15:46,613
I DON'T WANT TO UPSET YOU.
668
00:15:46,613 --> 00:15:47,614
I WANT TO MAKE YOU SMILE.
669
00:15:47,614 --> 00:15:49,382
IF I CAN'T DO THAT, THEN WHAT DO
670
00:15:49,382 --> 00:15:50,883
I NEED--JUST STEP AWAY?
671
00:15:50,883 --> 00:15:52,052
IF YOU GONNA STRESS ME OUT,
672
00:15:52,052 --> 00:15:53,486
YOU DOING IT, SO I ASK YOU THIS.
673
00:15:53,486 --> 00:15:54,521
I'M ASKING YOU.
674
00:15:54,521 --> 00:15:55,588
HOW DO YOU KNOW I ASK YOU
675
00:15:55,588 --> 00:15:56,556
THIS?
676
00:15:56,556 --> 00:15:57,290
YOU NOT WANT ME IN YOUR--
677
00:15:57,290 --> 00:15:58,025
HOW--YES--
678
00:15:58,025 --> 00:15:58,791
NO, I DON'T WANT YOU IN MY
679
00:15:58,791 --> 00:16:00,527
LIFE STRESSING ME OUT, NO.
680
00:16:00,527 --> 00:16:01,761
'CAUSE I DO HAVE FEELINGS FOR
681
00:16:01,761 --> 00:16:02,629
YOU, AND WHAT THE [bleep] DO YOU
682
00:16:02,629 --> 00:16:03,663
WANT ME TO DO?
683
00:16:03,663 --> 00:16:05,298
YOU KNOW, TRUTH BE TOLD, I NEVER
684
00:16:05,298 --> 00:16:06,733
STOPPED LOVING STEVIE.
685
00:16:06,733 --> 00:16:07,834
I JUST DON'T UNDERSTAND THAT
686
00:16:07,834 --> 00:16:09,602
AFTER I OPENED UP TO YOU, YOU
687
00:16:09,602 --> 00:16:11,171
CAN HANDLE ME WRONG AND YOU CAN
688
00:16:11,171 --> 00:16:13,073
TALK TO ME CRAZY AND YOU CAN
689
00:16:13,073 --> 00:16:14,774
CHEAT ON ME AND YOU CAN LIE TO
690
00:16:14,774 --> 00:16:17,044
ME AND YOU CAN DO WHATEVER ELSE
691
00:16:17,044 --> 00:16:18,578
THAT YOU DO TO STRESS ME OUT.
692
00:16:18,578 --> 00:16:20,647
AND I THINK THAT BECAUSE I ALLOW
693
00:16:20,647 --> 00:16:22,415
HIM TO DO THAT, IT'S LIKE, I
694
00:16:22,415 --> 00:16:24,051
LOST MYSELF.
695
00:16:24,051 --> 00:16:26,286
SO WHAT IS IT GONNA BE?
696
00:16:26,286 --> 00:16:27,754
DO YOU WANT TO LOVE ME,
697
00:16:27,754 --> 00:16:28,955
DO YOU WANT ME TO LOVE YOU BACK,
698
00:16:28,955 --> 00:16:30,157
OR DO YOU JUST WANT ME TO WORK?
699
00:16:30,157 --> 00:16:31,258
I WANT YOU TO MAKE ME HAPPY.
700
00:16:31,258 --> 00:16:32,759
AND WHAT YOU'RE SUPPOSED TO DO,
701
00:16:32,759 --> 00:16:33,926
WHAT YOU TOLD ME YOU WAS GONNA
702
00:16:33,926 --> 00:16:35,362
DO PLENTY OF TIMES--
703
00:16:35,362 --> 00:16:36,729
I'M DOING EVERYTHING AND THEN
704
00:16:36,729 --> 00:16:37,397
SOME.
705
00:16:37,397 --> 00:16:38,498
GIVING ME MONEY, BUYING ME
706
00:16:38,498 --> 00:16:39,966
NICE THINGS DOES NOT MAKE ME
707
00:16:39,966 --> 00:16:42,202
HAPPY.
708
00:16:44,437 --> 00:16:46,839
SO YOU WANT TO SEE ME MORE?
709
00:16:46,839 --> 00:16:48,375
GO TO DINNER?
710
00:16:48,375 --> 00:16:49,076
CHEETAH CLUB?
711
00:16:49,076 --> 00:16:52,145
GRAB STEAK AND LOBSTER?
712
00:16:52,145 --> 00:16:54,214
POMEGRANATE MARTINIS?
713
00:16:54,214 --> 00:16:57,084
A FEW DANCES?
714
00:16:57,084 --> 00:16:57,850
HUH?
715
00:16:57,850 --> 00:16:59,319
STEVIE, YOU NEED TO WORK
716
00:16:59,319 --> 00:17:00,920
ON ME,
717
00:17:00,920 --> 00:17:04,824
WORK ON ME RELATIONSHIP-WISE
718
00:17:04,824 --> 00:17:05,725
AND BUSINESS-WISE.
719
00:17:05,725 --> 00:17:07,127
THAT'S WHAT YOU NEED TO WORK ON,
720
00:17:07,127 --> 00:17:08,595
BECAUSE IF NOT, I'M GONNA ALWAYS
721
00:17:08,595 --> 00:17:10,363
BE STRESSED, AND I'M NOT GONNA
722
00:17:10,363 --> 00:17:12,599
BE ANY GOOD FOR YOU OR ME OR FOR
723
00:17:12,599 --> 00:17:13,400
NOBODY.
724
00:17:13,400 --> 00:17:14,334
SO YOU DON'T WANT NO MORE
725
00:17:14,334 --> 00:17:16,369
SPACE WITH US, YOU KNOW, BACK TO
726
00:17:16,369 --> 00:17:18,105
THE WAY IT USED TO BE?
727
00:17:18,105 --> 00:17:20,107
YES.
728
00:17:22,909 --> 00:17:25,011
YOU'RE A PIECE OF WORK.
729
00:17:40,860 --> 00:17:42,395
BENZINO, HE SAY HE HAD SEX
730
00:17:42,395 --> 00:17:43,130
WITH ME.
731
00:17:43,130 --> 00:17:44,864
WHY HE LYING ON HIS BEEFCAKE?
732
00:17:44,864 --> 00:17:45,698
NOW, I DON'T KNOW WHY HE LIE.
733
00:17:45,698 --> 00:17:46,733
SO I JUST WANT TO SEE HIM AND
734
00:17:46,733 --> 00:17:47,734
HOLLER AT HIM.
735
00:17:47,734 --> 00:17:48,568
THROW SOMETHING AT HER,
736
00:17:48,568 --> 00:17:49,702
YOU WILL NOT WALK THE STREETS
737
00:17:49,702 --> 00:17:50,470
OF ATLANTA.
738
00:17:50,470 --> 00:17:52,004
[bleep] RASHEEDA.
739
00:17:52,004 --> 00:17:53,473
[bleep] YOUR WIFE.
740
00:17:53,473 --> 00:17:55,675
THAT'S ALL I CAN SAY.
741
00:18:05,385 --> 00:18:06,753
HE'S NOW HERE.
742
00:18:06,753 --> 00:18:08,855
HEY, WHAT'S UP, BOO BOO?
743
00:18:08,855 --> 00:18:09,522
I'M GOOD.
744
00:18:09,522 --> 00:18:10,723
HANGIN', HANGIN', HANGIN'.
745
00:18:10,723 --> 00:18:11,724
I SEE YOU.
746
00:18:11,724 --> 00:18:12,959
SINCE ERICA DECIDED TO PUT
747
00:18:12,959 --> 00:18:14,961
THE BRAKES ON THE RELATIONSHIP,
748
00:18:14,961 --> 00:18:15,895
I JUST THOUGHT, YOU KNOW WHAT
749
00:18:15,895 --> 00:18:17,497
I'M SAYING, I SPEED THE HELL ON
750
00:18:17,497 --> 00:18:18,665
AND GET IT THE HELL OUT THE
751
00:18:18,665 --> 00:18:20,167
HOUSE AND GET MY MIND RIGHT, SO
752
00:18:20,167 --> 00:18:21,768
I GO HOLLER AT KIRK AT THE STRIP
753
00:18:21,768 --> 00:18:22,435
CLUB, MAN.
754
00:18:22,435 --> 00:18:23,970
SEE WHAT WE FOOLS CAN GET INTO,
755
00:18:23,970 --> 00:18:24,771
YOU DIG?
756
00:18:24,771 --> 00:18:25,872
'CAUSE I NEED SOME OF THAT
757
00:18:25,872 --> 00:18:27,674
ENGAGEMENT, MARRIAGE ADVICE, YOU
758
00:18:27,674 --> 00:18:29,008
FEEL ME?
759
00:18:29,008 --> 00:18:30,510
THE WHOLE ENGAGEMENT THING IS
760
00:18:30,510 --> 00:18:32,179
JUST TRIPPING ME UP, MAN, YOU
761
00:18:32,179 --> 00:18:32,879
FEEL ME?
762
00:18:32,879 --> 00:18:34,414
NOWHERE NEAR MARRIAGE.
763
00:18:34,414 --> 00:18:36,483
WHAT YOU GOT, BUTTERFLIES?
764
00:18:36,483 --> 00:18:38,017
PUT IT LIKE THIS:
765
00:18:38,017 --> 00:18:39,186
I DONE DID EVERYTHING IN THE
766
00:18:39,186 --> 00:18:40,787
WORLD, KIRK, LIKE, TO MAKE THE
767
00:18:40,787 --> 00:18:41,688
GIRL KNOW THAT,
768
00:18:41,688 --> 00:18:43,390
LIKE, I'M AT YOU.
769
00:18:43,390 --> 00:18:45,091
I'M DOWN WITH YOU.
770
00:18:45,091 --> 00:18:46,893
AND, DUDE,
771
00:18:46,893 --> 00:18:49,196
SHE PUT A PAUSE ON IT.
772
00:18:49,196 --> 00:18:49,796
REALLY?
773
00:18:49,796 --> 00:18:52,265
SHE PUT A PAUSE ON IT.
774
00:18:52,265 --> 00:18:53,200
WHAT DID YOU DO FOR THAT TO
775
00:18:53,200 --> 00:18:53,833
HAPPEN?
776
00:18:53,833 --> 00:18:54,734
NOTHING, I SAID--
777
00:18:54,734 --> 00:18:55,835
I WAS LIKE, "WHAT?
778
00:18:55,835 --> 00:18:56,603
WHAT IS IT?"
779
00:18:56,603 --> 00:18:58,004
SHE SAY SHE DON'T THINK THAT I
780
00:18:58,004 --> 00:19:01,408
GOT HER BACK 100%.
781
00:19:01,408 --> 00:19:03,710
SEE, THAT'S CRAZY BECAUSE,
782
00:19:03,710 --> 00:19:04,944
WHEN I DO SEE ERICA
783
00:19:04,944 --> 00:19:05,612
AND I LOOK AT
784
00:19:05,612 --> 00:19:07,214
THE GLOW ON HER FACE AND WHEN
785
00:19:07,214 --> 00:19:08,581
SHE TALK ABOUT GETTING MARRIED,
786
00:19:08,581 --> 00:19:11,551
YO, I SEE HAPPINESS FROM HERE TO
787
00:19:11,551 --> 00:19:12,219
THE MOON.
788
00:19:12,219 --> 00:19:14,221
WE COULD ASK ANYBODY, THOUGH,
789
00:19:14,221 --> 00:19:15,222
AND A GIRL GONNA BE LIKE, "OH,
790
00:19:15,222 --> 00:19:17,123
THAT'S THEY DREAM," YOU KNOW?
791
00:19:17,123 --> 00:19:18,024
"THAT'S THEY DREAM."
792
00:19:18,024 --> 00:19:18,958
SOMETHING HAD TO HAPPEN--
793
00:19:18,958 --> 00:19:20,227
NO, 'CAUSE I DONE DID
794
00:19:20,227 --> 00:19:21,728
EVERYTHING IN THE WORLD FOR THIS
795
00:19:21,728 --> 00:19:23,463
GIRL, BUT ANY TIME MY MAMA
796
00:19:23,463 --> 00:19:25,131
DISRESPECT HER, SHE COME AT ME
797
00:19:25,131 --> 00:19:25,798
WITH IT.
798
00:19:25,798 --> 00:19:26,599
LIKE, WHAT I'M SUPPOSED TO DO
799
00:19:26,599 --> 00:19:28,301
ABOUT MY MAMA, GIRL, LIKE--
800
00:19:28,301 --> 00:19:29,569
MOMMA DEE IS--YOU KNOW,
801
00:19:29,569 --> 00:19:30,837
THAT'S A WHOLE NOTHER--
802
00:19:30,837 --> 00:19:31,638
YOU KNOW, I BEEN KNOWING YOUR
803
00:19:31,638 --> 00:19:32,505
MAMA FOR A WHILE, YO, I'M LIKE--
804
00:19:32,505 --> 00:19:34,106
YEAH, BUT WHAT I'M SAYING,
805
00:19:34,106 --> 00:19:36,509
KIRK, IS, DO YOU EVEN HAVE TO
806
00:19:36,509 --> 00:19:38,010
CARE WHAT THE PARENTS THINK?
807
00:19:38,010 --> 00:19:39,045
I'MA BE HONEST WITH YOU.
808
00:19:39,045 --> 00:19:40,480
YOUR MAMA PROTECT YOU LIKE YOU
809
00:19:40,480 --> 00:19:41,681
ABOUT TEN.
810
00:19:41,681 --> 00:19:43,049
AIN'T NOTHING WRONG WITH THAT.
811
00:19:43,049 --> 00:19:44,784
I AIN'T BEING FUNNY.
812
00:19:44,784 --> 00:19:46,986
BUT Y'ALL GOT TO FIND A MUTUAL
813
00:19:46,986 --> 00:19:49,822
LINE OF GIVE AND TAKE, 50/50:
814
00:19:49,822 --> 00:19:51,724
YOU DO THIS. I DO THAT.
815
00:19:51,724 --> 00:19:54,361
YO, IT TOOK ME YEARS TO GET TO A
816
00:19:54,361 --> 00:19:55,762
POINT WHERE RASHEEDA...
817
00:19:55,762 --> 00:19:57,864
I'M CONFUSED BECAUSE SHE MADE
818
00:19:57,864 --> 00:20:00,099
ME THAT, AND IT LIKE--I WAS ALL
819
00:20:00,099 --> 00:20:01,768
INTO IT, MY SPIRIT WAS GOOD WITH
820
00:20:01,768 --> 00:20:03,370
IT, BUT THEN WHEN SHE HIT ME
821
00:20:03,370 --> 00:20:04,871
WITH STUFF LIKE SHE WANT TO PUMP
822
00:20:04,871 --> 00:20:06,839
THE BRAKES, LIKE STUFF AIN'T
823
00:20:06,839 --> 00:20:07,874
GOING ALL GOOD FOR HER.
824
00:20:07,874 --> 00:20:09,141
I KNOW IT AIN'T GOING ALL GOOD.
825
00:20:09,141 --> 00:20:11,711
WE IN THE SAME RELATIONSHIP.
826
00:20:11,711 --> 00:20:12,845
IF SHE SAID PUMP THE BRAKES,
827
00:20:12,845 --> 00:20:13,713
I'M PUMPING THE BRAKES.
828
00:20:13,713 --> 00:20:14,481
YOU FOLLOW HER LEAD.
829
00:20:14,481 --> 00:20:16,516
I'LL FOLLOW HER LEAD.
830
00:20:16,516 --> 00:20:19,352
GOD DAMN WITH YOUR FACE.
831
00:20:19,352 --> 00:20:20,152
[laughs]
832
00:20:20,152 --> 00:20:22,088
[bleep].
833
00:20:22,088 --> 00:20:22,955
* YOU MAKE ME GO
834
00:20:22,955 --> 00:20:24,724
♪ OOH, OOH, OOH, AH
835
00:20:24,724 --> 00:20:25,892
♪ DO YOU THINK YOU CAN
836
00:20:25,892 --> 00:20:27,494
♪ TOUCH ME IN MY HOT SPOT
837
00:20:27,494 --> 00:20:28,728
♪ I WANT TO KNOW DO YOU
838
00:20:28,728 --> 00:20:30,096
♪ WANT TO SPEND THE NIGHT
839
00:20:30,096 --> 00:20:31,598
♪ SO WE CAN MAKE LOVE
840
00:20:31,598 --> 00:20:33,733
♪ ON THE FLOOR
841
00:20:33,733 --> 00:20:35,468
* YES, GIRL
842
00:20:35,468 --> 00:20:37,270
♪ WE CAN GET IT ALL NIGHT
843
00:20:37,270 --> 00:20:38,605
♪ YES, GIRL
844
00:20:38,605 --> 00:20:41,173
♪ I'MA MAKE YOU FEEL RIGHT ♪
845
00:20:41,173 --> 00:20:42,041
♪ YOU KNOW I'M GONNA ♪
846
00:20:42,041 --> 00:20:43,443
♪ MAKE LOVE TO YOU
847
00:20:43,443 --> 00:20:44,277
I NEEDED THAT.
848
00:20:44,277 --> 00:20:45,044
OH, PLEASE, YOU'RE NEVER
849
00:20:45,044 --> 00:20:45,712
BACKED UP.
850
00:20:45,712 --> 00:20:47,714
YOU KNOW YOU GET AROUND TOWN.
851
00:20:47,714 --> 00:20:48,715
I AIN'T BEEN DOING NOTHING
852
00:20:48,715 --> 00:20:49,582
WITHOUT YOU.
853
00:20:49,582 --> 00:20:50,983
SEXING THESE CHICKS.
854
00:20:50,983 --> 00:20:52,051
IF I WANT TO DO SOMETHING,
855
00:20:52,051 --> 00:20:52,819
I'MA DO IT WITH YOU.
856
00:20:52,819 --> 00:20:54,253
I AIN'T GOT THE--
857
00:20:54,253 --> 00:20:55,388
IT'S BEEN LIKE THAT FROM
858
00:20:55,388 --> 00:20:56,356
DAY ONE, MAN.
859
00:20:56,356 --> 00:20:59,158
YOU SO FULL OF IT.
860
00:20:59,158 --> 00:21:00,793
YOU KNOW, STEVIE AND I, WE DOING
861
00:21:00,793 --> 00:21:02,729
PRETTY COOL IN OUR RELATIONSHIP,
862
00:21:02,729 --> 00:21:04,331
BUT I STILL GOT TO LET HIM KNOW
863
00:21:04,331 --> 00:21:06,333
THE FACT THAT HIS HOMEBOY
864
00:21:06,333 --> 00:21:08,000
BENZINO IS GOING AROUND SAYING
865
00:21:08,000 --> 00:21:09,235
THAT WE HAD SEX.
866
00:21:09,235 --> 00:21:10,102
THAT AIN'T RIGHT, AND STEVIE
867
00:21:10,102 --> 00:21:10,937
NEEDS TO KNOW.
868
00:21:10,937 --> 00:21:12,104
MAN, I GOT TO TELL YOU ABOUT
869
00:21:12,104 --> 00:21:12,839
[bleep]-ASS.
870
00:21:12,839 --> 00:21:13,973
KARLIE--
871
00:21:13,973 --> 00:21:14,741
WHAT?
872
00:21:14,741 --> 00:21:15,742
YOU KNOW, I CALLED HER TO
873
00:21:15,742 --> 00:21:17,176
KIND OF, LIKE, "WHAT YOU BEEN
874
00:21:17,176 --> 00:21:17,944
DOING," YOU KNOW?
875
00:21:17,944 --> 00:21:19,379
"I HAVEN'T SEEN YOU."
876
00:21:19,379 --> 00:21:21,881
SHE GOES, "OH, YOU KNOW, BENZINO
877
00:21:21,881 --> 00:21:24,851
IS SHOWING ME THE VIDEO THAT YOU
878
00:21:24,851 --> 00:21:27,820
HAD ONLINE PLAYING WITH YOUR
879
00:21:27,820 --> 00:21:29,656
KITTY CAT, AND WHILE HE WAS
880
00:21:29,656 --> 00:21:31,758
SHOWING ME THE VIDEO, HE SAY HE
881
00:21:31,758 --> 00:21:33,360
HAD SEX WITH YOU."
882
00:21:33,360 --> 00:21:34,727
HE SAID--HE SAID HE HAD SEX
883
00:21:34,727 --> 00:21:35,395
WITH YOU?
884
00:21:35,395 --> 00:21:36,663
YES, HAD SEX WITH ME.
885
00:21:36,663 --> 00:21:37,364
AND I'M LIKE--
886
00:21:37,364 --> 00:21:38,931
WHY HE LYING ON HIS BEEFCAKE?
887
00:21:38,931 --> 00:21:40,132
GIRLS DON'T LIKE THAT, YOU KNOW
888
00:21:40,132 --> 00:21:40,800
WHAT I'M SAYING?
889
00:21:40,800 --> 00:21:41,568
WELL, I MEAN, I DON'T KNOW
890
00:21:41,568 --> 00:21:43,536
WHY HE LIE, BUT I DO KNOW
891
00:21:43,536 --> 00:21:44,203
ONE THING--
892
00:21:44,203 --> 00:21:45,037
CAN'T KISS AND TELL EITHER.
893
00:21:45,037 --> 00:21:46,406
IF HE DID, WHY WOULD HE--
894
00:21:46,406 --> 00:21:47,574
BUT IF HE DID, I WOULD HAVE
895
00:21:47,574 --> 00:21:48,608
TOLD HER MYSELF.
896
00:21:48,608 --> 00:21:50,009
WHY WOULD I EVEN WAIT?
897
00:21:50,009 --> 00:21:50,677
YEAH.
898
00:21:50,677 --> 00:21:51,744
JOSELINE AND I ARE REAL OPEN
899
00:21:51,744 --> 00:21:53,513
ABOUT OUR SEXUALITY, SO I KNOW
900
00:21:53,513 --> 00:21:55,181
SHE WOULD HAVE TOLD ME IF SHE
901
00:21:55,181 --> 00:21:56,416
GAVE Z SOME [bleep].
902
00:21:56,416 --> 00:21:57,550
EVEN THOUGH I CAN'T EVEN IMAGINE
903
00:21:57,550 --> 00:21:59,051
MY MAN SMASHING THAT AFTER ALL
904
00:21:59,051 --> 00:22:00,587
WE BEEN THROUGH, BUT STILL AND
905
00:22:00,587 --> 00:22:01,921
ALL, SOMETHING SMELLING REAL
906
00:22:01,921 --> 00:22:02,655
FISHY.
907
00:22:02,655 --> 00:22:04,023
KARLIE REDD IS ALWAYS GONNA
908
00:22:04,023 --> 00:22:05,392
LIE, BUT WE DON'T KNOW IF SHE
909
00:22:05,392 --> 00:22:06,058
LYING RIGHT NOW.
910
00:22:06,058 --> 00:22:08,828
SHE MIGHT BE TELLING THE TRUTH,
911
00:22:08,828 --> 00:22:09,829
SO I JUST WANT TO SEE HIM AND
912
00:22:09,829 --> 00:22:10,697
HOLLER AT HIM, YOU KNOW WHAT
913
00:22:10,697 --> 00:22:11,398
I'M SAYING?
914
00:22:11,398 --> 00:22:12,164
FIRST OF ALL, BITCH, IF YOU
915
00:22:12,164 --> 00:22:14,200
LYING, I'MA SLAP YOUR ASS.
916
00:22:14,200 --> 00:22:15,602
IF KARLIE AIN'T LYING, SOME
917
00:22:15,602 --> 00:22:16,403
ISSUES, YOU KNOW WHAT
918
00:22:16,403 --> 00:22:17,203
I'M SAYING?
919
00:22:17,203 --> 00:22:19,506
AND JUST FOR THE LINE THAT'S
920
00:22:19,506 --> 00:22:20,673
BEING CROSSED IF IT'S TRUE, I
921
00:22:20,673 --> 00:22:23,209
CAN'T [bleep] WITH DUDE EITHER.
922
00:22:23,209 --> 00:22:23,876
YEAH, I DON'T KNOW.
923
00:22:23,876 --> 00:22:24,744
I DON'T KNOW WHO'S TELLING THE
924
00:22:24,744 --> 00:22:25,412
TRUTH.
925
00:22:25,412 --> 00:22:26,245
LET'S JUST GET TO THE BOTTOM
926
00:22:26,245 --> 00:22:26,913
OF IT.
927
00:22:26,913 --> 00:22:27,780
I DON'T KNOW WHO'S TELLING
928
00:22:27,780 --> 00:22:28,615
THE TRUTH, BUT WE NEED TO KNOW.
929
00:22:28,615 --> 00:22:29,416
I DON'T EVEN WANT TO TALK
930
00:22:29,416 --> 00:22:30,049
ABOUT THAT NO MORE.
931
00:22:30,049 --> 00:22:30,783
I WANT TO HAVE A DRINK, AND I
932
00:22:30,783 --> 00:22:31,451
WANT TO GET BACK
933
00:22:31,451 --> 00:22:32,952
TO WHAT WE WERE STARTING.
934
00:22:32,952 --> 00:22:34,086
GRAB THAT ASS.
935
00:22:34,086 --> 00:22:37,123
[laughing]
936
00:22:41,994 --> 00:22:43,295
AFTER RASHEEDA TOLD ME THAT
937
00:22:43,295 --> 00:22:44,631
K.MICHELLE THREW A BURNING
938
00:22:44,631 --> 00:22:46,699
CANDLE AT HER, I FEEL LIKE SHE'S
939
00:22:46,699 --> 00:22:48,768
CROSSED THE LINE, SO I FIGURED
940
00:22:48,768 --> 00:22:50,036
I'D MAKE A SURPRISE VISIT AND
941
00:22:50,036 --> 00:22:51,871
DROP IN ON HER AT THE STUDIO
942
00:22:51,871 --> 00:22:53,072
'CAUSE SHE NEED TO KNOW SHE
943
00:22:53,072 --> 00:22:54,206
CAN'T BE [bleep] WITH RASHEEDA
944
00:22:54,206 --> 00:22:56,676
LIKE THIS EVER AGAIN.
945
00:22:56,676 --> 00:22:57,810
HELLO, PIANOIST.
946
00:22:57,810 --> 00:23:00,079
OH, HELLO.
947
00:23:00,079 --> 00:23:01,848
WHAT ARE YOU DOING HERE?
948
00:23:01,848 --> 00:23:03,450
I WANTED TO TALK TO YOU.
949
00:23:03,450 --> 00:23:04,283
YOU KNOW, RASHEEDA CAME BACK AND
950
00:23:04,283 --> 00:23:07,219
SAID YOU THREW A GLASS CANDLE AT
951
00:23:07,219 --> 00:23:09,188
HER FACE WITH HOT WAX.
952
00:23:09,188 --> 00:23:11,290
WHEN YOU BEGIN TO PICK UP STUFF
953
00:23:11,290 --> 00:23:13,460
THAT CAN POTENTIALLY CUT YOU IN
954
00:23:13,460 --> 00:23:16,028
YOUR FACE, TAKE A EYE OUT, BLIND
955
00:23:16,028 --> 00:23:17,196
YOU, I MEAN, FOR REAL, FOR REAL,
956
00:23:17,196 --> 00:23:18,498
THAT RIGHT THERE MADE ME SAY,
957
00:23:18,498 --> 00:23:20,032
"OKAY, THIS IS--
958
00:23:20,032 --> 00:23:21,233
THIS IS SERIOUS.
959
00:23:21,233 --> 00:23:22,535
THIS IS GOING A LITTLE TOO FAR."
960
00:23:22,535 --> 00:23:23,936
BUT YOU GOT TO UNDERSTAND,
961
00:23:23,936 --> 00:23:26,105
PEOPLE CAN NEVER COMMENT ON WHAT
962
00:23:26,105 --> 00:23:27,373
ANOTHER PERSON BEEN THROUGH.
963
00:23:27,373 --> 00:23:28,074
BUT YOU CAN'T LET--
964
00:23:28,074 --> 00:23:28,841
YOU KNOW WHAT I'M SAYING?
965
00:23:28,841 --> 00:23:30,477
I OPENED UP TO THAT GIRL.
966
00:23:30,477 --> 00:23:31,911
I NEVER WANTED TO DO NOTHING TO
967
00:23:31,911 --> 00:23:32,879
RASHEEDA, YOU KNOW WHAT
968
00:23:32,879 --> 00:23:33,546
I'M SAYING?
969
00:23:33,546 --> 00:23:35,848
I LIKED RASHEEDA AS A PERSON, SO
970
00:23:35,848 --> 00:23:37,484
THAT'S WHAT PUZZLES ME.
971
00:23:37,484 --> 00:23:39,586
WHEN I POP OFF AFTER SHE TAKE
972
00:23:39,586 --> 00:23:41,954
THE FIRST SHOTS, THEN I'M
973
00:23:41,954 --> 00:23:44,123
SUPPOSED TO BE, LIKE...
974
00:23:44,123 --> 00:23:45,091
REMORSEFUL.
975
00:23:45,091 --> 00:23:47,226
OKAY, HURTING RASHEEDA,
976
00:23:47,226 --> 00:23:48,661
THAT CAN'T HAPPEN.
977
00:23:48,661 --> 00:23:49,496
THROWING A BOTTLE, THROWING A
978
00:23:49,496 --> 00:23:50,162
GLASS--
979
00:23:50,162 --> 00:23:50,963
I'MA THROW WHATEVER I WANT
980
00:23:50,963 --> 00:23:51,798
TO THROW!
981
00:23:51,798 --> 00:23:53,332
OKAY, I'M JUST TELLING YOU--
982
00:23:53,332 --> 00:23:54,000
WHAT YOU GONNA DO?
983
00:23:54,000 --> 00:23:54,667
I GOT GOONS TOO!
984
00:23:54,667 --> 00:23:55,334
WHAT YOU MEAN?
985
00:23:55,334 --> 00:23:56,235
THIS IS NOT ABOUT GOONS.
986
00:23:56,235 --> 00:23:56,903
I DON'T NEED NO GOONS.
987
00:23:56,903 --> 00:23:57,604
YOU CAN'T COME IN HERE
988
00:23:57,604 --> 00:23:58,337
THREATENING ME!
989
00:23:58,337 --> 00:23:59,672
"IT AIN'T GONNA HAPPEN."
990
00:23:59,672 --> 00:24:00,607
WHAT THE [bleep] YOU MEAN,
991
00:24:00,607 --> 00:24:01,674
"IT AIN'T GONNA HAPPEN"?
992
00:24:01,674 --> 00:24:03,375
FIRST, I DIDN'T EVEN KNOW KIRK
993
00:24:03,375 --> 00:24:04,511
HAD BALLS, YOU KNOW WHAT I'M
994
00:24:04,511 --> 00:24:05,745
SAYING, 'CAUSE HE CAME IN THERE
995
00:24:05,745 --> 00:24:07,379
WITH HIS LEE PRESS-ON NAILS
996
00:24:07,379 --> 00:24:09,248
P.M.S.'ING TO ME.
997
00:24:09,248 --> 00:24:10,517
THE ONLY PEOPLE THAT ARE SCARED
998
00:24:10,517 --> 00:24:12,051
OF YOU, KIRK, ARE THE CABBAGE
999
00:24:12,051 --> 00:24:13,085
PATCH KIDS.
1000
00:24:13,085 --> 00:24:14,621
[bleep] RASHEEDA!
1001
00:24:14,621 --> 00:24:16,188
[bleep] YOUR WIFE!
1002
00:24:16,188 --> 00:24:17,524
THAT'S ALL I CAN SAY!
1003
00:24:17,524 --> 00:24:21,060
[bleep] YOUR WIFE!
1004
00:24:21,060 --> 00:24:22,228
THERE'S NOTHING TO SAY!
1005
00:24:22,228 --> 00:24:23,429
YOU AND RASHEEDA LESBIAN
1006
00:24:23,429 --> 00:24:24,096
RELATIONSHIP--
1007
00:24:24,096 --> 00:24:25,231
Y'ALL CAN KEEP THAT [bleep].
1008
00:24:25,231 --> 00:24:25,898
YOU SHOULDN'T EVEN
1009
00:24:25,898 --> 00:24:26,566
BEEN UP IN HERE.
1010
00:24:26,566 --> 00:24:27,233
NO WAY.
1011
00:24:27,233 --> 00:24:27,900
CAN YOU PLEASE EXIT THE
1012
00:24:27,900 --> 00:24:28,601
BUILDING?
1013
00:24:28,601 --> 00:24:29,268
FIRST OF ALL--
1014
00:24:29,268 --> 00:24:29,936
CAN YOU PLEASE--
1015
00:24:29,936 --> 00:24:31,270
NO, YOU SAID LESBIANS--
1016
00:24:31,270 --> 00:24:33,105
[bleep] LESBIAN [bleep]
1017
00:24:33,105 --> 00:24:34,140
WITH YOUR TUTU, TUTU, TUTU.
1018
00:24:34,140 --> 00:24:34,941
I KNOW ABOUT YOU AND YOUR
1019
00:24:34,941 --> 00:24:36,208
RELATIONSHIPS AND YOU AND YOUR
1020
00:24:36,208 --> 00:24:37,143
PEOPLE.
1021
00:24:37,143 --> 00:24:37,810
I'MA SAY IT ONE TIME.
1022
00:24:37,810 --> 00:24:38,578
GO AWAY!
1023
00:24:38,578 --> 00:24:39,345
THROW ANOTHER THING AT
1024
00:24:39,345 --> 00:24:42,014
RASHEEDA, YOU WILL NOT WALK THE
1025
00:24:42,014 --> 00:24:43,550
STREETS--AND THIS A THREAT.
1026
00:24:43,550 --> 00:24:44,416
OH, MY GOD. WE'RE SO SCARED!
1027
00:24:44,416 --> 00:24:45,685
TOUCH RASHEEDA,
1028
00:24:45,685 --> 00:24:46,385
THROW SOMETHING AT HER,
1029
00:24:46,385 --> 00:24:47,419
YOU WILL NOT WALK THE STREETS
1030
00:24:47,419 --> 00:24:48,087
OF ATLANTA.
1031
00:24:48,087 --> 00:24:49,055
I DON'T KNOW NO MAN THAT
1032
00:24:49,055 --> 00:24:50,289
WALKS AROUND LOOKING LIKE A
1033
00:24:50,289 --> 00:24:52,158
CLAIRE'S JEWELRY BOUTIQUE.
1034
00:24:52,158 --> 00:24:53,059
WHO WOULD BE SCARED OF KIRK,
1035
00:24:53,059 --> 00:24:53,993
PERIOD?
1036
00:24:53,993 --> 00:24:55,562
HE PROBABLY HAS A PERIOD.
1037
00:24:55,562 --> 00:24:57,730
I RESPECT YOU AND YOUR TUTU!
1038
00:24:57,730 --> 00:24:58,865
[playing piano]
1039
00:24:58,865 --> 00:25:00,332
DO WHAT YOU WANT.
1040
00:25:00,332 --> 00:25:02,401
DO IT AGAIN, WE GOT A PROBLEM.
1041
00:25:02,401 --> 00:25:04,303
* RASHEEDA GOT BAGS
1042
00:25:04,303 --> 00:25:05,471
♪ HER MAN
1043
00:25:05,471 --> 00:25:06,706
YOU LIKE [bleep]
1044
00:25:06,706 --> 00:25:08,074
ALL OVER YOUR FACE
1045
00:25:08,074 --> 00:25:09,108
FROM THE WHOLE INDUSTRY?
1046
00:25:09,108 --> 00:25:10,309
* I DON'T CARE WHAT HE SAID ♪
1047
00:25:10,309 --> 00:25:10,977
THE LIST IS SO LONG.
1048
00:25:10,977 --> 00:25:13,012
COME ON, LITTLE BOY.
1049
00:25:13,012 --> 00:25:14,981
YOU ARE A LITTLE GIRL.
1050
00:25:14,981 --> 00:25:16,415
TUTU.
1051
00:25:16,415 --> 00:25:18,317
HE WEARS TUTUS.
1052
00:25:18,317 --> 00:25:19,451
OH, MY GOD.
1053
00:25:19,451 --> 00:25:22,454
GET THE [bleep] OUT OF HERE.
1054
00:25:22,454 --> 00:25:24,456
♪ RASHEEDA GOT BAGS
1055
00:25:24,456 --> 00:25:26,659
♪ HER HUSBAND A GIRL
1056
00:25:26,659 --> 00:25:28,995
♪ HER CAREER IS OVER
1057
00:25:28,995 --> 00:25:31,130
♪ ALL OVER THE WORLD
1058
00:25:31,130 --> 00:25:33,966
[laughing]
1059
00:25:33,966 --> 00:25:35,968
♪ BAG LADY
1060
00:25:35,968 --> 00:25:38,104
♪ SHE'S A PRUNE ♪
1061
00:25:38,104 --> 00:25:43,342
♪ GET HER HUSBAND OUT THE ROOM
1062
00:25:43,342 --> 00:25:46,412
♪ OUT OF THE ROOM
1063
00:25:46,412 --> 00:25:47,413
♪ YEAH
1064
00:25:47,413 --> 00:25:51,450
♪
1065
00:25:51,450 --> 00:25:52,752
YOU DIDN'T TELL KARLIE REDD
1066
00:25:52,752 --> 00:25:54,186
THAT YOU HAD SEX WITH ME?
1067
00:25:54,186 --> 00:25:54,954
I DON'T GIVE A [bleep] IF
1068
00:25:54,954 --> 00:25:55,988
THAT'S HOW YOU [bleep]!
1069
00:25:55,988 --> 00:25:56,856
YOU GONNA TAKE THIS [bleep],
1070
00:25:56,856 --> 00:25:57,624
OR WHAT?
1071
00:25:57,624 --> 00:25:58,390
YOU REALLY WOULD SACRIFICE
1072
00:25:58,390 --> 00:26:00,226
FRIENDSHIPS OVER HER?
1073
00:26:00,226 --> 00:26:00,893
I DIDN'T [bleep] HER.
1074
00:26:00,893 --> 00:26:01,728
I DIDN'T TRY TO [bleep] HER.
1075
00:26:01,728 --> 00:26:03,730
THAT'S IT.
1076
00:26:18,310 --> 00:26:19,245
WHEN JOSELINE TOLD ME THAT
1077
00:26:19,245 --> 00:26:21,013
ZINO SAID HE [bleep] HER, I WAS
1078
00:26:21,013 --> 00:26:22,882
KIND OF MESSED UP ABOUT IT, SO I
1079
00:26:22,882 --> 00:26:23,783
WANTED TO TAKE A TRIP TO THE
1080
00:26:23,783 --> 00:26:24,851
OFFICE TO SEE WHAT THE REAL
1081
00:26:24,851 --> 00:26:26,085
DEAL WAS.
1082
00:26:26,085 --> 00:26:27,720
Z, WHAT'S GOOD, BABY?
1083
00:26:27,720 --> 00:26:28,420
WORD.
1084
00:26:28,420 --> 00:26:29,388
WE'VE BEEN FRIENDS FOR, LIKE,
1085
00:26:29,388 --> 00:26:30,489
EIGHT YEARS, SO I GOT TO GIVE
1086
00:26:30,489 --> 00:26:32,024
HIM THE BENEFIT OF THE DOUBT.
1087
00:26:32,024 --> 00:26:33,492
BUT IF IT'S TRUE, THERE'S GONNA
1088
00:26:33,492 --> 00:26:34,526
BE PROBLEMS.
1089
00:26:34,526 --> 00:26:36,262
SHE OVER HERE SAYING THAT KARLIE
1090
00:26:36,262 --> 00:26:37,296
REDD TOLD HER THAT YOU
1091
00:26:37,296 --> 00:26:38,164
SMASHED HER.
1092
00:26:38,164 --> 00:26:38,831
WORD?
1093
00:26:38,831 --> 00:26:39,666
WHY WOULD YOU EVEN SAY THAT
1094
00:26:39,666 --> 00:26:40,299
ABOUT ME?
1095
00:26:40,299 --> 00:26:41,033
WHY I WOULD SAY THAT?
1096
00:26:41,033 --> 00:26:41,801
THAT'S WHAT SHE TOLD ME.
1097
00:26:41,801 --> 00:26:42,935
SHE SAID THAT YOU GUYS WAS
1098
00:26:42,935 --> 00:26:44,436
WATCHING THE TAPE OF ME PLAYING
1099
00:26:44,436 --> 00:26:46,205
WITH MYSELF, AND SHE SAID THAT
1100
00:26:46,205 --> 00:26:47,539
YOU TOLD HER THAT YOU
1101
00:26:47,539 --> 00:26:48,207
SMASHED ME.
1102
00:26:48,207 --> 00:26:49,408
OH, MAN, WE GOT TOO MUCH
1103
00:26:49,408 --> 00:26:50,509
HISTORY TO BE TALKING "HE SAID,
1104
00:26:50,509 --> 00:26:51,177
SHE SAID."
1105
00:26:51,177 --> 00:26:52,244
THAT'S EXACTLY WHAT STEVIE
1106
00:26:52,244 --> 00:26:53,479
SAID, BUT AT THE SAME TIME--
1107
00:26:53,479 --> 00:26:54,346
I DON'T KNOW HOW MUCH HISTORY
1108
00:26:54,346 --> 00:26:55,481
WE GOT WITH KARLIE, BUT--
1109
00:26:55,481 --> 00:26:56,683
SO YOU DIDN'T TELL KARLIE
1110
00:26:56,683 --> 00:26:57,984
REDD THAT YOU HAD SEX WITH ME?
1111
00:26:57,984 --> 00:26:59,285
I'M NOT GONNA SIT HERE AND
1112
00:26:59,285 --> 00:27:01,353
ENTERTAIN NO DUMB [bleep].
1113
00:27:01,353 --> 00:27:02,521
IT'S NOT ENTERTAINMENT.
1114
00:27:02,521 --> 00:27:03,756
I DON'T GIVE A [bleep].
1115
00:27:03,756 --> 00:27:04,924
WHY TEXTING [bleep] AT 5:00
1116
00:27:04,924 --> 00:27:05,591
IN THE MORNING?
1117
00:27:05,591 --> 00:27:06,959
IT WASN'T. IT WAS LIKE 7:00.
1118
00:27:06,959 --> 00:27:07,694
GROW THE [bleep] UP!
1119
00:27:07,694 --> 00:27:08,695
YOU'RE A OLD-ASS MAN!
1120
00:27:08,695 --> 00:27:09,829
GROW THE [bleep] UP AND TALK!
1121
00:27:09,829 --> 00:27:10,496
OH, MAN.
1122
00:27:10,496 --> 00:27:11,463
TALK LIKE A MAN!
1123
00:27:11,463 --> 00:27:13,199
JOSELINE. JOSELINE. JOSELINE.
1124
00:27:13,199 --> 00:27:14,066
I DON'T GIVE A [bleep].
1125
00:27:14,066 --> 00:27:15,201
I'LL TELL YOU [bleep].
1126
00:27:15,201 --> 00:27:16,402
I DON'T GOT TO TELL YOU [bleep]!
1127
00:27:16,402 --> 00:27:17,236
YOU GONNA TAKE THIS [bleep]
1128
00:27:17,236 --> 00:27:17,904
OR WHAT?
1129
00:27:17,904 --> 00:27:19,872
BENZINO'S FULL OF [bleep].
1130
00:27:19,872 --> 00:27:20,907
HE HIT ME UP THE OTHER DAY ON
1131
00:27:20,907 --> 00:27:22,875
TWITTER, D.M., AT 6:00 IN THE
1132
00:27:22,875 --> 00:27:25,778
MORNING TWICE TRYING TO [bleep].
1133
00:27:25,778 --> 00:27:27,546
HE CAN DENY IT ALL HE WANT TO
1134
00:27:27,546 --> 00:27:28,715
'CAUSE I GOT THE PROOF TO
1135
00:27:28,715 --> 00:27:29,716
SHOW IT.
1136
00:27:29,716 --> 00:27:31,050
6:00 IN THE MORNING.
1137
00:27:31,050 --> 00:27:31,851
WHERE? LET ME SEE.
1138
00:27:31,851 --> 00:27:32,719
LET ME SEE.
1139
00:27:32,719 --> 00:27:34,120
AND WHAT DID I SAY?
1140
00:27:34,120 --> 00:27:35,221
"HEY."
1141
00:27:35,221 --> 00:27:35,888
READ THIS.
1142
00:27:35,888 --> 00:27:37,589
YEAH, OKAY, AND?
1143
00:27:37,589 --> 00:27:38,490
WHAT THE [bleep] IS THAT?
1144
00:27:38,490 --> 00:27:39,992
THEN DON'T LIE ABOUT IT.
1145
00:27:39,992 --> 00:27:41,193
I TOLD YOU I'D MOTHER[bleep]
1146
00:27:41,193 --> 00:27:41,861
TEXT YOU.
1147
00:27:41,861 --> 00:27:42,528
I TOLD YOU I TEXT YOU.
1148
00:27:42,528 --> 00:27:43,562
DON'T LIE ABOUT IT.
1149
00:27:43,562 --> 00:27:45,998
YOU CAN'T BELIEVE ME?
1150
00:27:45,998 --> 00:27:47,366
THAT MEAN NOTHING.
1151
00:27:47,366 --> 00:27:48,034
YOU'RE A LIAR.
1152
00:27:48,034 --> 00:27:49,068
I DON'T WANT--STEVIE, I DON'T
1153
00:27:49,068 --> 00:27:50,469
WANT TO NO LONGER TALK TO HIM.
1154
00:27:50,469 --> 00:27:51,537
ARE YOU--
1155
00:27:51,537 --> 00:27:52,939
ARE YOU [bleep]--
1156
00:27:52,939 --> 00:27:53,806
I DON'T WANT TO TALK TO HIM.
1157
00:27:53,806 --> 00:27:54,606
I'M A LIAR?
1158
00:27:54,606 --> 00:27:56,275
I TEXTED JOSELINE BECAUSE WE HAD
1159
00:27:56,275 --> 00:27:57,944
SOME BUSINESS TO TAKE CARE OF,
1160
00:27:57,944 --> 00:27:58,745
NOT BECAUSE I WAS TRYING TO
1161
00:27:58,745 --> 00:27:59,746
HOLLER AT HER.
1162
00:27:59,746 --> 00:28:01,914
IT WAS A MONEY-MAKING SITUATION,
1163
00:28:01,914 --> 00:28:04,283
SO FOR STEVIE TO LET HER STAND
1164
00:28:04,283 --> 00:28:06,753
OVER HERE AND THROW DARTS ME IS
1165
00:28:06,753 --> 00:28:07,754
MIND-BOGGLING.
1166
00:28:07,754 --> 00:28:08,354
WHAT ARE YOU DOING?
1167
00:28:08,354 --> 00:28:09,055
WHAT YOU MEAN, WHAT AM I
1168
00:28:09,055 --> 00:28:09,756
DOING?
1169
00:28:09,756 --> 00:28:10,389
WE GOT HISTORY.
1170
00:28:10,389 --> 00:28:11,090
WHAT ARE YOU DOING THERE?
1171
00:28:11,090 --> 00:28:11,824
I DON'T UNDERSTAND WHAT
1172
00:28:11,824 --> 00:28:12,491
YOU'RE SAYING.
1173
00:28:12,491 --> 00:28:13,159
YOU COME IN WITH HER,
1174
00:28:13,159 --> 00:28:14,460
RIGHT, AT MY PLACE OF BUSINESS
1175
00:28:14,460 --> 00:28:15,361
TO TALK ABOUT WHAT KARLIE REDD
1176
00:28:15,361 --> 00:28:16,763
SAID, RIGHT?
1177
00:28:16,763 --> 00:28:17,764
TO IRON IT OUT.
1178
00:28:17,764 --> 00:28:18,564
NO, NO, THIS AIN'T IRONING
1179
00:28:18,564 --> 00:28:19,631
IT OUT.
1180
00:28:19,631 --> 00:28:21,400
OH, NO, THIS ISN'T IRONING.
1181
00:28:21,400 --> 00:28:22,301
THIS AIN'T AN IRON.
1182
00:28:22,301 --> 00:28:23,635
NO, SHE CAN'T IRON NOTHING
1183
00:28:23,635 --> 00:28:24,670
'CAUSE ALL SHE DOES IT THIS--
1184
00:28:24,670 --> 00:28:25,571
YOU'RE MAD 'CAUSE I DON'T
1185
00:28:25,571 --> 00:28:26,238
[bleep] YOU.
1186
00:28:26,238 --> 00:28:27,106
I NEVER TRIED TO [bleep] HER.
1187
00:28:27,106 --> 00:28:28,340
YES, YOU DID.
1188
00:28:28,340 --> 00:28:29,175
BABY, YOU DIDN'T EVEN READ THE
1189
00:28:29,175 --> 00:28:29,842
MESSAGE.
1190
00:28:29,842 --> 00:28:30,642
WHY WOULD I WANT TO [bleep]
1191
00:28:30,642 --> 00:28:31,410
WITH A PROSTITUTE FOR?
1192
00:28:31,410 --> 00:28:32,278
WELL, THAT'S WHAT SHE WAS,
1193
00:28:32,278 --> 00:28:32,945
BUT NOW--
1194
00:28:32,945 --> 00:28:33,645
OH, YOU WANT TO [bleep]
1195
00:28:33,645 --> 00:28:34,881
WITH ME.
1196
00:28:34,881 --> 00:28:36,415
WHY?
1197
00:28:36,415 --> 00:28:39,351
[all shouting]
1198
00:28:39,351 --> 00:28:40,152
YOU DON'T LOOK ALL THAT,
1199
00:28:40,152 --> 00:28:40,820
JOSELINE.
1200
00:28:40,820 --> 00:28:42,054
WHY YOU TEXTING ME SO EARLY?
1201
00:28:42,054 --> 00:28:42,855
YOU'RE NOT ALL THAT.
1202
00:28:42,855 --> 00:28:44,023
I'M DONE TALKING.
1203
00:28:44,023 --> 00:28:44,690
[sighs]
1204
00:28:44,690 --> 00:28:45,624
LET'S GO 'CAUSE I AIN'T GOT
1205
00:28:45,624 --> 00:28:46,292
TIME FOR THIS.
1206
00:28:46,292 --> 00:28:46,959
ADIOS.
1207
00:28:46,959 --> 00:28:47,860
I MIGHT GET A BUG.
1208
00:28:47,860 --> 00:28:48,660
YOU'VE ALREADY CAUGHT IT.
1209
00:28:48,660 --> 00:28:50,062
UGH, HATER.
1210
00:28:50,062 --> 00:28:51,097
I'M NOT A HATER.
1211
00:28:51,097 --> 00:28:51,798
TRUTH'S THE TRUTH!
1212
00:28:51,798 --> 00:28:52,431
HE'S A HATER.
1213
00:28:52,431 --> 00:28:53,099
BYE, BITCH!
1214
00:28:53,099 --> 00:28:53,800
TRUTH IS TRUTH.
1215
00:28:53,800 --> 00:28:54,566
BYE, BITCH.
1216
00:28:54,566 --> 00:28:56,235
I'LL BE THAT, YOU ESCORT.
1217
00:28:56,235 --> 00:28:57,036
I DON'T KNOW WHAT TO DO
1218
00:28:57,036 --> 00:28:57,804
RIGHT NOW.
1219
00:28:57,804 --> 00:28:58,971
MY GIRL IS IN THE CAR MAD AS
1220
00:28:58,971 --> 00:28:59,638
HELL.
1221
00:28:59,638 --> 00:29:01,240
ZINO'S MY BROTHER.
1222
00:29:01,240 --> 00:29:02,208
AND I KNOW THEY SAY BROS BEFORE
1223
00:29:02,208 --> 00:29:04,210
HOS, BUT RIGHT NOW, I DON'T
1224
00:29:04,210 --> 00:29:05,644
BELIEVE MY BRO TOO MUCH.
1225
00:29:05,644 --> 00:29:06,512
NOW, Y'ALL CAN ARGUE ALL DAY,
1226
00:29:06,512 --> 00:29:08,214
BUT I CAME TO TALK TO YOU.
1227
00:29:08,214 --> 00:29:09,015
WE GOT HISTORY, YOU KNOW WHAT
1228
00:29:09,015 --> 00:29:09,681
I'M SAYING?
1229
00:29:09,681 --> 00:29:10,983
AND THEN [bleep] HER AT THIS
1230
00:29:10,983 --> 00:29:11,650
POINT.
1231
00:29:11,650 --> 00:29:12,318
IT'S ABOUT WHAT WE--
1232
00:29:12,318 --> 00:29:13,319
[bleep] HER AT THIS POINT.
1233
00:29:13,319 --> 00:29:13,986
[bleep] HER.
1234
00:29:13,986 --> 00:29:15,287
YOUR GIRL CALLING ME BITCH,
1235
00:29:15,287 --> 00:29:16,188
GRANDPA, AND EVERYTHING IS--
1236
00:29:16,188 --> 00:29:17,356
Y'ALL BACK AND FORTH.
1237
00:29:17,356 --> 00:29:18,858
YOU'RE A PROSTITUTE, BITCH,
1238
00:29:18,858 --> 00:29:20,459
ESCORT, THIS, THAT, Y'ALL BOTH.
1239
00:29:20,459 --> 00:29:21,460
YOU THINK I WOULD HAVE
1240
00:29:21,460 --> 00:29:22,694
SOMEBODY HERE WITH ME CALLING
1241
00:29:22,694 --> 00:29:23,830
YOU NAMES AND ALL THAT?
1242
00:29:23,830 --> 00:29:25,464
I CAN'T CONTROL HER MOUTH.
1243
00:29:25,464 --> 00:29:26,165
YOU CAN'T CONTROL HER?
1244
00:29:26,165 --> 00:29:26,966
I DON'T CONTROL HER MOUTH.
1245
00:29:26,966 --> 00:29:27,834
IF YOU CAN'T CONTROL IT, THEN
1246
00:29:27,834 --> 00:29:28,835
WHAT YOU WITH HER FOR, THEN?
1247
00:29:28,835 --> 00:29:29,501
WE GET MONEY.
1248
00:29:29,501 --> 00:29:30,336
YOU REALLY WOULD SACRIFICE
1249
00:29:30,336 --> 00:29:31,670
RELATIONSHIPS AND FRIENDSHIPS
1250
00:29:31,670 --> 00:29:32,738
OVER HER?
1251
00:29:32,738 --> 00:29:33,672
I WANT TO GET TO THE BOTTOM
1252
00:29:33,672 --> 00:29:34,640
OF IT.
1253
00:29:34,640 --> 00:29:35,707
NO, I'M NOT TALKING ABOUT
1254
00:29:35,707 --> 00:29:36,408
THAT NO MORE.
1255
00:29:36,408 --> 00:29:37,076
I DIDN'T [bleep] HER!
1256
00:29:37,076 --> 00:29:37,844
I DIDN'T TRY TO [bleep] HER!
1257
00:29:37,844 --> 00:29:38,510
THAT'S IT!
1258
00:29:38,510 --> 00:29:39,278
I DON'T WANT TO TALK ABOUT IT
1259
00:29:39,278 --> 00:29:39,946
NO MORE.
1260
00:29:39,946 --> 00:29:41,580
WHY YOU TEXTING MY [bleep]?
1261
00:29:41,580 --> 00:29:42,414
WHY AM I TEXTING YOUR
1262
00:29:42,414 --> 00:29:43,249
[bleep]?
1263
00:29:43,249 --> 00:29:44,150
YOUR [bleep] BE OVER AT MY
1264
00:29:44,150 --> 00:29:44,884
HOUSE.
1265
00:29:44,884 --> 00:29:46,085
YOUR [bleep] BE COMING THROUGH.
1266
00:29:46,085 --> 00:29:46,919
I THOUGHT I HAD SOME TYPE OF
1267
00:29:46,919 --> 00:29:48,520
FRIENDLY RELATIONSHIP, OKAY?
1268
00:29:48,520 --> 00:29:49,188
THEY COME THROUGH.
1269
00:29:49,188 --> 00:29:51,023
RIGHT, OKAY. YEAH, OKAY.
1270
00:29:51,023 --> 00:29:51,858
OKAY.
1271
00:29:51,858 --> 00:29:52,859
YOUR [bleep] TELL ME [bleep],
1272
00:29:52,859 --> 00:29:53,860
STEVIE.
1273
00:29:53,860 --> 00:29:56,095
UH, UH, YOUR [bleep] TRASHING
1274
00:29:56,095 --> 00:29:57,596
ME ALL THE TIME.
1275
00:29:57,596 --> 00:29:58,430
THAT'S WHAT THEY DO--
1276
00:29:58,430 --> 00:29:59,231
THAT'S WHAT THEY DO TO PEOPLE
1277
00:29:59,231 --> 00:30:00,132
THEY FEEL THEY BROTHER, YOU KNOW
1278
00:30:00,132 --> 00:30:00,867
WHAT I'M SAYING?
1279
00:30:00,867 --> 00:30:01,467
REALLY?
1280
00:30:01,467 --> 00:30:02,268
SO IF I'M THEIR BROTHER, THEN
1281
00:30:02,268 --> 00:30:02,935
HOW COME
1282
00:30:02,935 --> 00:30:04,236
I CAN'T TEXT 'EM, THEN?
1283
00:30:04,236 --> 00:30:04,971
THAT AIN'T HOW YOU DO--
1284
00:30:04,971 --> 00:30:05,737
AT 6:00 IN THE MORNING?
1285
00:30:05,737 --> 00:30:06,572
YOU'RE TEXTING AT 6:00 IN THE
1286
00:30:06,572 --> 00:30:09,075
MORNING, "HEY, SEXY"--
1287
00:30:09,075 --> 00:30:09,741
NO, NO, NO.
1288
00:30:09,741 --> 00:30:10,776
THERE WAS NO "SEXY" IN THERE.
1289
00:30:10,776 --> 00:30:12,178
IT SAID, "HEY," AND "I'M JOSE."
1290
00:30:12,178 --> 00:30:13,445
THERE WAS NO "SEXY."
1291
00:30:13,445 --> 00:30:14,780
COME ON, SLEAZE, YOU COULD HAVE
1292
00:30:14,780 --> 00:30:15,982
CAME UP HERE.
1293
00:30:15,982 --> 00:30:16,682
WE COULD HAVE KICKED IT.
1294
00:30:16,682 --> 00:30:17,683
YOU COULD HAVE CALLED ME.
1295
00:30:17,683 --> 00:30:18,350
YOU DIDN'T WANT TO.
1296
00:30:18,350 --> 00:30:19,018
YOU CHOSE TO BRING HER.
1297
00:30:19,018 --> 00:30:19,685
YEAH, I DID.
1298
00:30:19,685 --> 00:30:21,120
SHE RUNS HER MOUTH, BUT,
1299
00:30:21,120 --> 00:30:22,154
SLEAZE, SHE'S GONNA GET YOU IN
1300
00:30:22,154 --> 00:30:23,389
TROUBLE, OKAY?
1301
00:30:23,389 --> 00:30:24,390
SHE RUNS HER MOUTH LIKE SHE'S
1302
00:30:24,390 --> 00:30:25,824
SOME SUPER [bleep] STAR, LIKE
1303
00:30:25,824 --> 00:30:27,559
SHE [bleep] "RIH-YONCE."
1304
00:30:27,559 --> 00:30:28,560
SHE AIN'T [bleep].
1305
00:30:28,560 --> 00:30:30,096
IF ME AND YOU CAN'T [bleep] WITH
1306
00:30:30,096 --> 00:30:31,898
EACH OTHER BECAUSE OF HER?
1307
00:30:31,898 --> 00:30:33,032
IT AIN'T GOT NOTHING TO DO
1308
00:30:33,032 --> 00:30:33,699
WITH HER.
1309
00:30:33,699 --> 00:30:34,666
REALLY?
1310
00:30:34,666 --> 00:30:35,467
SO THEN WE AIN'T BROTHERS NO
1311
00:30:35,467 --> 00:30:36,135
MORE, THEN, I GUESS.
1312
00:30:36,135 --> 00:30:37,236
I'M COOL WITH THAT.
1313
00:30:37,236 --> 00:30:39,171
ALL RIGHT, SO THEN--THEN--
1314
00:30:39,171 --> 00:30:40,372
THEN THAT'S WHAT IT IS, THEN.
1315
00:30:40,372 --> 00:30:41,340
THAT'S WHAT IT IS?
1316
00:30:41,340 --> 00:30:42,041
I GUESS SO.
1317
00:30:42,041 --> 00:30:45,177
IT'S WHAT YOU SAID, RIGHT?
1318
00:30:45,177 --> 00:30:45,945
I JUST FIGURED, YOU KNOW,
1319
00:30:45,945 --> 00:30:47,046
SOMETHING ELSE WAS GOING ON IF
1320
00:30:47,046 --> 00:30:48,014
YOU DID THAT AT 6:00 IN THE
1321
00:30:48,014 --> 00:30:48,680
MORNING.
1322
00:30:48,680 --> 00:30:49,448
THERE'S GOT TO BE SOMETHING
1323
00:30:49,448 --> 00:30:50,116
GOING ON.
1324
00:30:50,116 --> 00:30:50,983
THAT'S YOUR OWN CONSCIENCE.
1325
00:30:50,983 --> 00:30:51,750
THAT'S YOUR OWN CONSCIENCE
1326
00:30:51,750 --> 00:30:52,418
KILLING YOU.
1327
00:30:52,418 --> 00:30:53,085
NO, IT'S REALITY.
1328
00:30:53,085 --> 00:30:53,752
AIN'T NO CONSCIENCE.
1329
00:30:53,752 --> 00:30:54,553
IT'S YOUR OWN CONSCIENCE.
1330
00:30:54,553 --> 00:30:55,854
I'M SORRY, I DON'T NEED ANY
1331
00:30:55,854 --> 00:30:57,123
FRIENDS AROUND ME THAT I CAN'T
1332
00:30:57,123 --> 00:30:57,990
TRUST.
1333
00:30:57,990 --> 00:30:58,824
I GOT ENOUGH ISSUE WITH THESE
1334
00:30:58,824 --> 00:31:00,326
[bleep], AND I DON'T NEED MY
1335
00:31:00,326 --> 00:31:01,560
BEST FRIEND TRYING TO BANG NONE
1336
00:31:01,560 --> 00:31:03,229
OF THEM.
1337
00:31:03,229 --> 00:31:04,463
SLEAZE, PLEASE.
1338
00:31:04,463 --> 00:31:06,332
[bleep] THAT BITCH.
1339
00:31:06,332 --> 00:31:07,433
STRAIGHT UP.
1340
00:31:07,433 --> 00:31:08,434
DONE BEEN THROUGH TOO MUCH
1341
00:31:08,434 --> 00:31:10,436
[bleep], SLEAZE.
1342
00:31:13,005 --> 00:31:15,341
THERE THEY GO OFF IN THE SUNSET.
1343
00:31:15,341 --> 00:31:16,442
THERE THEY GO.
1344
00:31:16,442 --> 00:31:17,944
HEH, SEE YOU LATER.
1345
00:31:17,944 --> 00:31:20,112
BYE, JOSELINE HERNANDEZ.
1346
00:31:27,954 --> 00:31:28,754
WHAT'S GOING ON?
1347
00:31:28,754 --> 00:31:31,657
HE JUST DESTROYED MY WHOO-HA.
1348
00:31:31,657 --> 00:31:33,625
HAVE YOU TRIED EHARMONY?
1349
00:31:33,625 --> 00:31:35,061
YOU TRAIN THESE [bleep]!
1350
00:31:35,061 --> 00:31:36,128
THEY DON'T OPEN THEY [bleep]
1351
00:31:36,128 --> 00:31:36,828
MOUTH!
1352
00:31:36,828 --> 00:31:38,264
WHY ARE YOU SO MAD?
1353
00:31:38,264 --> 00:31:40,266
GET OFF ME!
1354
00:31:49,808 --> 00:31:50,676
MY LITTLE FRIEND,
1355
00:31:50,676 --> 00:31:52,344
MY LITTLE WHOO-HA THING,
1356
00:31:52,344 --> 00:31:53,712
ISN'T RESPONDING TO ANY MAN BUT
1357
00:31:53,712 --> 00:31:55,314
ONE, AND HIS NAME IS JACK
1358
00:31:55,314 --> 00:31:57,383
DANIELS, SO I'M HOPING MY DOCTOR
1359
00:31:57,383 --> 00:31:58,650
CAN SOLVE THIS ISSUE.
1360
00:31:58,650 --> 00:31:59,551
WE SHOULD HAVE BROUGHT KIRK
1361
00:31:59,551 --> 00:32:01,120
WITH US.
1362
00:32:01,120 --> 00:32:01,787
WHAT?
1363
00:32:01,787 --> 00:32:03,990
GIRL, HIS WHOO-HA WAS BROKE
1364
00:32:03,990 --> 00:32:05,357
LAST NIGHT TOO.
1365
00:32:05,357 --> 00:32:06,025
BACK UP.
1366
00:32:06,025 --> 00:32:07,726
NO, NO, LISTEN, LISTEN.
1367
00:32:07,726 --> 00:32:09,161
WHILE I WAS IN THE STUDIO LAST
1368
00:32:09,161 --> 00:32:10,629
NIGHT, JUST WORKING, MINDING MY
1369
00:32:10,629 --> 00:32:14,166
BUSINESS, AND HE VOGUES...
1370
00:32:14,166 --> 00:32:17,069
INTO THE STUDIO, GIRL, TO TALK
1371
00:32:17,069 --> 00:32:18,237
TO ME AND CONFRONT ME.
1372
00:32:18,237 --> 00:32:19,305
ABOUT WHAT?
1373
00:32:19,305 --> 00:32:20,739
GIRL, ABOUT GEORGIA PRUNE,
1374
00:32:20,739 --> 00:32:22,008
ABOUT HIS WIFE.
1375
00:32:22,008 --> 00:32:23,475
THERE'S NO REASON FOR LITTLE
1376
00:32:23,475 --> 00:32:24,576
RICHARD TO COME SEE ME IN THE
1377
00:32:24,576 --> 00:32:25,677
STUDIO.
1378
00:32:25,677 --> 00:32:26,778
I'M THE ONLY PIANIST IN THERE.
1379
00:32:26,778 --> 00:32:28,747
LITTLE RICHARD WALKS IN THINKING
1380
00:32:28,747 --> 00:32:29,515
THAT HE GONNA SAY SOMETHING
1381
00:32:29,515 --> 00:32:30,182
TO ME.
1382
00:32:30,182 --> 00:32:31,717
THAT'S WHY I CAN'T GET [bleep],
1383
00:32:31,717 --> 00:32:34,620
BECAUSE MEN LIKE THAT ARE IN THE
1384
00:32:34,620 --> 00:32:35,887
UNIVERSE RIGHT NOW.
1385
00:32:35,887 --> 00:32:37,423
HI, MISS K.
1386
00:32:37,423 --> 00:32:38,257
DR. RANDELL'S READY TO SEE YOU
1387
00:32:38,257 --> 00:32:38,924
NOW.
1388
00:32:38,924 --> 00:32:40,592
OKAY, WHEW.
1389
00:32:40,592 --> 00:32:41,927
THANK GOD THE NURSE
1390
00:32:41,927 --> 00:32:42,861
SHOWED UP.
1391
00:32:42,861 --> 00:32:43,729
HOPEFULLY SOMEONE ELSE CAN
1392
00:32:43,729 --> 00:32:45,697
VERIFY SOMETHING THAT WE ALL
1393
00:32:45,697 --> 00:32:46,665
KNOW:
1394
00:32:46,665 --> 00:32:49,101
K, SHE AIN'T WRAPPED TOO TIGHT.
1395
00:32:49,101 --> 00:32:50,836
SO, K, EVERYTHING'S GREAT.
1396
00:32:50,836 --> 00:32:51,503
WHAT'S GOING ON?
1397
00:32:51,503 --> 00:32:52,671
SHE'S BROKE.
1398
00:32:52,671 --> 00:32:54,273
NEED 'QUOR TO GET [bleep].
1399
00:32:54,273 --> 00:32:54,940
HOW LONG HAS THIS BEEN
1400
00:32:54,940 --> 00:32:55,607
HELPFUL?
1401
00:32:55,607 --> 00:32:57,243
PROBABLY, LIKE, SEVEN MONTHS
1402
00:32:57,243 --> 00:32:57,909
OR SOMETHING.
1403
00:32:57,909 --> 00:32:59,211
SEVEN MONTHS?
1404
00:32:59,211 --> 00:33:00,779
TELL ME ABOUT YOUR RELATIONSHIP.
1405
00:33:00,779 --> 00:33:01,680
WHO ARE YOU DATING?
1406
00:33:01,680 --> 00:33:02,848
THAT'S THE PROBLEM.
1407
00:33:02,848 --> 00:33:04,383
SHE'S NOT OVER THIS GUY.
1408
00:33:04,383 --> 00:33:05,317
OH, MY GOD.
1409
00:33:05,317 --> 00:33:08,054
HE JUST DESTROYED MY WHOO-HA.
1410
00:33:08,054 --> 00:33:09,088
SO IF WE COULD
1411
00:33:09,088 --> 00:33:10,122
FIX THE PROBLEM,
1412
00:33:10,122 --> 00:33:11,323
THEN WHAT ARE YOUR PLANS?
1413
00:33:11,323 --> 00:33:12,158
I JUST WANT TO MAKE SURE THAT
1414
00:33:12,158 --> 00:33:14,060
NOW THAT HE'S GONE, THAT SHE'S
1415
00:33:14,060 --> 00:33:16,062
NOT PERMANENTLY OUT OF ORDER.
1416
00:33:16,062 --> 00:33:17,463
OKAY, WELL, DURING THE EXAM,
1417
00:33:17,463 --> 00:33:18,464
EVERYTHING LOOKED FINE.
1418
00:33:18,464 --> 00:33:19,965
SO WHAT AM I SUPPOSED TO DO?
1419
00:33:19,965 --> 00:33:20,632
LET ME ASK YOU A COUPLE
1420
00:33:20,632 --> 00:33:21,300
QUESTIONS.
1421
00:33:21,300 --> 00:33:22,168
YOU'RE THROUGH WITH THIS GUY--
1422
00:33:22,168 --> 00:33:23,802
WHAT, SIX MONTHS AGO WAS THE
1423
00:33:23,802 --> 00:33:25,104
LAST TIME YOU WERE WITH HIM?
1424
00:33:25,104 --> 00:33:27,206
OH, GOD, IT'S BEEN A MINUTE.
1425
00:33:27,206 --> 00:33:28,307
MOVE ON.
1426
00:33:28,307 --> 00:33:29,541
I MEAN, THAT'S THE PAST.
1427
00:33:29,541 --> 00:33:31,077
YEAH, BUT I TOOK A BROKE
1428
00:33:31,077 --> 00:33:32,778
VA-JAY-JAY INTO THE PRESENT, AND
1429
00:33:32,778 --> 00:33:33,779
I THINK IF I COULD GET THAT
1430
00:33:33,779 --> 00:33:36,348
INTEREST IN GUYS--
1431
00:33:36,348 --> 00:33:37,749
I DON'T--THERE'S NO INTEREST.
1432
00:33:37,749 --> 00:33:38,817
SO I GIVE--I GOT TO LET GO--
1433
00:33:38,817 --> 00:33:40,586
SO NO FANCIES, NOTHING?
1434
00:33:40,586 --> 00:33:42,088
YOU HAVE NO NOTHING?
1435
00:33:42,088 --> 00:33:42,921
OF OBAMA.
1436
00:33:42,921 --> 00:33:43,689
WHAT'S YOUR FANTASY WITH
1437
00:33:43,689 --> 00:33:44,856
OBAMA?
1438
00:33:44,856 --> 00:33:45,524
I WOULD SCREW HIM.
1439
00:33:45,524 --> 00:33:46,325
REALLY?
1440
00:33:46,325 --> 00:33:47,926
SO WHAT IS IT ABOUT HIM THAT...
1441
00:33:47,926 --> 00:33:49,128
HE'S JUST POWERFUL, AND I
1442
00:33:49,128 --> 00:33:50,096
JUST FEEL LIKE--HE LOOKS LIKE HE
1443
00:33:50,096 --> 00:33:50,862
SMELLS GOOD.
1444
00:33:50,862 --> 00:33:51,697
SO WHY CAN'T YOU JUST FIND
1445
00:33:51,697 --> 00:33:55,000
SOMEBODY JUST LIKE OBAMA?
1446
00:33:55,000 --> 00:33:56,568
YOU'RE AN ATTRACTIVE WOMAN.
1447
00:33:56,568 --> 00:33:57,436
WHY CAN'T YOU GO OUT THERE AND
1448
00:33:57,436 --> 00:33:58,337
FIND SOMEBODY?
1449
00:33:58,337 --> 00:33:59,004
DO YOU HEAR HIM?
1450
00:33:59,004 --> 00:33:59,805
[laughing] YEAH.
1451
00:33:59,805 --> 00:34:01,307
YOU MEAN, WHY CAN'T I FIND A
1452
00:34:01,307 --> 00:34:04,110
MAN IN AMERICA LIKE OBAMA?
1453
00:34:04,110 --> 00:34:05,544
EXACTLY.
1454
00:34:05,544 --> 00:34:06,478
AREN'T THEY OUT THERE?
1455
00:34:06,478 --> 00:34:07,346
DO I LOOK LIKE MICHELLE
1456
00:34:07,346 --> 00:34:08,013
TO YOU?
1457
00:34:08,013 --> 00:34:10,782
HAVE YOU TRIED EHARMONY?
1458
00:34:10,782 --> 00:34:13,485
[laughing]
1459
00:34:13,485 --> 00:34:14,620
YOU'RE INSULTING ME AND ALL
1460
00:34:14,620 --> 00:34:15,854
THE WORK I GOT.
1461
00:34:15,854 --> 00:34:16,588
I AM SO SORRY.
1462
00:34:16,588 --> 00:34:18,257
TO GO--OH, MY GOD.
1463
00:34:18,257 --> 00:34:19,024
OH, GOD.
1464
00:34:19,024 --> 00:34:20,025
I DONE GOT NEW TEETH AND
1465
00:34:20,025 --> 00:34:20,792
EVERYTHING.
1466
00:34:20,792 --> 00:34:22,261
I HAVE PAID FOR EXPENSIVE HAIR,
1467
00:34:22,261 --> 00:34:23,729
EVERYTHING, AND YOU WANT ME TO
1468
00:34:23,729 --> 00:34:26,432
GO ON THE INTERNET?
1469
00:34:26,432 --> 00:34:28,434
I HEARD IT WORKS.
1470
00:34:34,906 --> 00:34:35,907
SO I'M HEADED OVER TO DREW'S
1471
00:34:35,907 --> 00:34:37,008
HOUSE TO DROP OFF THE INVESTMENT
1472
00:34:37,008 --> 00:34:37,776
MONEY.
1473
00:34:37,776 --> 00:34:38,810
HE SAID HE NEEDED THE MONEY
1474
00:34:38,810 --> 00:34:39,811
A.S.A.P.
1475
00:34:39,811 --> 00:34:40,612
I WAS IN THE NEIGHBORHOOD AND
1476
00:34:40,612 --> 00:34:41,547
THOUGHT, "LET ME GO AHEAD AND
1477
00:34:41,547 --> 00:34:42,781
GET THE BALL ROLLING, DROP IT
1478
00:34:42,781 --> 00:34:44,015
OFF NOW, SO HE CAN GET OUR
1479
00:34:44,015 --> 00:34:45,151
BUSINESS HANDLED."
1480
00:34:45,151 --> 00:34:48,320
[knocking at door]
1481
00:34:49,855 --> 00:34:51,757
I'M KNOCKING ON DREW'S DOOR, AND
1482
00:34:51,757 --> 00:34:53,159
I'M KNOCKING AND KNOCKING.
1483
00:34:53,159 --> 00:34:54,593
NO ONE'S ANSWERING.
1484
00:34:54,593 --> 00:34:55,394
I KNOW HE'S HOME.
1485
00:34:55,394 --> 00:34:56,695
HIS CAR IS OUTSIDE.
1486
00:34:56,695 --> 00:34:58,330
WHAT THE HELL IS GOING ON?
1487
00:34:58,330 --> 00:35:00,332
[banging at door]
1488
00:35:03,802 --> 00:35:05,471
WHAT THE HELL?
1489
00:35:05,471 --> 00:35:06,205
WHAT YOU MEAN, "WHAT THE
1490
00:35:06,205 --> 00:35:06,872
HELL?"
1491
00:35:06,872 --> 00:35:07,606
WHY IT TOOK YOU SO LONG TO
1492
00:35:07,606 --> 00:35:08,307
ANSWER THE DOOR?
1493
00:35:08,307 --> 00:35:09,175
I DON'T EVER SHOW UP TO YOUR
1494
00:35:09,175 --> 00:35:10,642
HOUSE--WHAT ARE YOU LOOKING FOR?
1495
00:35:10,642 --> 00:35:11,510
WHY YOU WON'T LET ME IN?
1496
00:35:11,510 --> 00:35:13,179
WHAT'S HAPPENING?
1497
00:35:13,179 --> 00:35:14,246
IF I JUST SHOWED UP TO YOUR
1498
00:35:14,246 --> 00:35:16,315
HOUSE, WOULD YOU LET ME IN?
1499
00:35:16,315 --> 00:35:17,416
IF I--YES, IF YOU HAD A
1500
00:35:17,416 --> 00:35:19,185
$25,000 CHECK, HELL YEAH,
1501
00:35:19,185 --> 00:35:20,552
I WOULD LET YOU IN.
1502
00:35:20,552 --> 00:35:21,887
THE HELL?
1503
00:35:21,887 --> 00:35:23,789
EXCUSE ME.
1504
00:35:23,789 --> 00:35:25,857
DREW IS ACTIN' REAL SHADY.
1505
00:35:25,857 --> 00:35:27,025
HE'S THE ONE THAT ASKED ME TO
1506
00:35:27,025 --> 00:35:28,660
BRING THAT CHECK A.S.A.P. AND
1507
00:35:28,660 --> 00:35:30,262
PRESSURING ME TO COMMIT ON THE
1508
00:35:30,262 --> 00:35:31,062
SPOT.
1509
00:35:31,062 --> 00:35:32,698
NOW HE'S ACTING LIKE HE HAS ALL
1510
00:35:32,698 --> 00:35:33,832
THE TIME IN THE WORLD FOR ME AND
1511
00:35:33,832 --> 00:35:34,733
MY MONEY.
1512
00:35:34,733 --> 00:35:35,567
THAT'S SOME BULL[bleep].
1513
00:35:35,567 --> 00:35:36,668
WHERE THEY DO THAT AT?
1514
00:35:36,668 --> 00:35:37,769
WHAT IS THE PROBLEM?
1515
00:35:37,769 --> 00:35:38,670
I DON'T UNDERSTAND WHY YOU CAN'T
1516
00:35:38,670 --> 00:35:39,505
JUST OPEN THE DOOR?
1517
00:35:39,505 --> 00:35:40,672
I--IT'S--THIS IS BUSINESS.
1518
00:35:40,672 --> 00:35:41,607
WE ALWAYS--
1519
00:35:41,607 --> 00:35:42,408
WHAT'S THE PROBLEM?
1520
00:35:42,408 --> 00:35:43,275
IF YOU HAD COMPANY, RIGHT?
1521
00:35:43,275 --> 00:35:43,942
IF YOU HAD COMPANY
1522
00:35:43,942 --> 00:35:44,743
OVER YOUR HOUSE--
1523
00:35:44,743 --> 00:35:46,512
AHH.
1524
00:35:46,512 --> 00:35:47,879
WHEN YOU DON'T HAVE COMPANY?
1525
00:35:47,879 --> 00:35:48,814
WHY DOES THAT MATTER?
1526
00:35:48,814 --> 00:35:50,015
WE NEED TO HANDLE BUSINESS,
1527
00:35:50,015 --> 00:35:51,217
AND WE CAN'T HANDLE BUSINESS
1528
00:35:51,217 --> 00:35:53,018
BECAUSE YOU GOT SOME RANDOM IN
1529
00:35:53,018 --> 00:35:53,719
THE FREAKIN' HOUSE.
1530
00:35:53,719 --> 00:35:55,053
AND THEN WHERE THEY AT?
1531
00:35:55,053 --> 00:35:56,622
IS THE RANDOM IN THE BATHROOM?
1532
00:35:56,622 --> 00:35:57,423
UNDER THE CLOSET?
1533
00:35:57,423 --> 00:35:58,089
THERE SHE GO.
1534
00:35:58,089 --> 00:35:58,924
JUST COME BACK OVER HERE AND
1535
00:35:58,924 --> 00:35:59,591
SIT DOWN.
1536
00:35:59,591 --> 00:36:00,392
THERE SHE GO.
1537
00:36:00,392 --> 00:36:01,693
THE RANDOM IS IN THE BUILDING.
1538
00:36:01,693 --> 00:36:02,594
YOU'RE NOT SUPPOSED TO SHOW
1539
00:36:02,594 --> 00:36:03,262
UP TO MY DOOR.
1540
00:36:03,262 --> 00:36:04,530
THAT'S FIRST--COMMON COURTESY.
1541
00:36:04,530 --> 00:36:05,464
YOU RIGHT.
1542
00:36:05,464 --> 00:36:06,832
I'M NOT SUPPOSED TO SHOW UP TO
1543
00:36:06,832 --> 00:36:09,701
YOUR DOOR WITH $25,000 TO INVEST
1544
00:36:09,701 --> 00:36:10,802
IN YOUR [bleep] BUSINESS.
1545
00:36:10,802 --> 00:36:11,470
IN OUR BUSINESS.
1546
00:36:11,470 --> 00:36:12,904
I'M NOT SUPPOSED TO SHOW UP
1547
00:36:12,904 --> 00:36:14,840
TO THE DOOR BECAUSE YOU GOT A
1548
00:36:14,840 --> 00:36:16,041
POPCORN, MICROWAVABLE BITCH IN
1549
00:36:16,041 --> 00:36:16,708
THE HOUSE.
1550
00:36:16,708 --> 00:36:17,943
AT THE END OF THE DAY,
1551
00:36:17,943 --> 00:36:19,144
WE'RE NOT TOGETHER.
1552
00:36:19,144 --> 00:36:19,978
I KNOW WE'RE NOT TOGETHER.
1553
00:36:19,978 --> 00:36:20,679
SO YOU DON'T SHOW UP--
1554
00:36:20,679 --> 00:36:22,047
BUT WHAT I'M SAYING IS, THESE
1555
00:36:22,047 --> 00:36:24,049
[bleep] ALWAYS AFFECT SOMETHING.
1556
00:36:24,049 --> 00:36:24,916
YOU'RE NOT SUPPOSED TO SHOW
1557
00:36:24,916 --> 00:36:26,252
UP TO MY HOUSE.
1558
00:36:26,252 --> 00:36:27,653
THAT'S THE BOTTOM LINE.
1559
00:36:27,653 --> 00:36:28,820
IT'S GREAT THAT TRACI BROUGHT ME
1560
00:36:28,820 --> 00:36:30,256
THIS CHECK, BUT SHE HAS TO
1561
00:36:30,256 --> 00:36:31,623
RESPECT MY BOUNDARIES.
1562
00:36:31,623 --> 00:36:32,991
I DON'T GO TO HER HOUSE AND
1563
00:36:32,991 --> 00:36:34,560
KNOCK ON THE DOOR UNEXPECTEDLY.
1564
00:36:34,560 --> 00:36:35,261
THAT'S NOT RIGHT.
1565
00:36:35,261 --> 00:36:36,462
TRACI HAS A LITTLE BOSSY
1566
00:36:36,462 --> 00:36:37,963
TENDENCY, AND SHE HAS TO REALIZE
1567
00:36:37,963 --> 00:36:38,864
SHE CAN'T DO THAT.
1568
00:36:38,864 --> 00:36:39,598
IT DOESN'T MATTER.
1569
00:36:39,598 --> 00:36:40,266
REALLY?
1570
00:36:40,266 --> 00:36:40,932
HOW IS THIS AFFECTING
1571
00:36:40,932 --> 00:36:41,600
ANYTHING?
1572
00:36:41,600 --> 00:36:42,268
UM...
1573
00:36:42,268 --> 00:36:43,269
SHUT THE [bleep] UP!
1574
00:36:43,269 --> 00:36:44,135
YOU DON'T HAVE NO WORDS.
1575
00:36:44,135 --> 00:36:45,704
NO, I'M NOT TALKING TO YOU.
1576
00:36:45,704 --> 00:36:46,672
DO NOT SPEAK.
1577
00:36:46,672 --> 00:36:47,473
SAY SOMETHING AGAIN.
1578
00:36:47,473 --> 00:36:48,474
SAY SOMETHING--
1579
00:36:48,474 --> 00:36:49,140
GET THE [bleep] OFF.
1580
00:36:49,140 --> 00:36:49,875
WELL, WHY ARE YOU SO MAD?
1581
00:36:49,875 --> 00:36:50,842
SAY SOMETHING AGAIN!
1582
00:36:50,842 --> 00:36:51,677
WHY ARE YOU SO MAD?
1583
00:36:51,677 --> 00:36:52,678
COME RIGHT HERE.
1584
00:36:52,678 --> 00:36:53,679
THESE [bleep] DON'T OPEN
1585
00:36:53,679 --> 00:36:54,480
THEIR MOUTH!
1586
00:36:54,480 --> 00:36:55,814
YOU TRAIN THESE [bleep]!
1587
00:36:55,814 --> 00:36:56,682
THEY DON'T OPEN THEY [bleep]
1588
00:36:56,682 --> 00:36:57,349
MOUTH!
1589
00:36:57,349 --> 00:36:58,183
DO YOU UNDERSTAND ME?
1590
00:36:58,183 --> 00:36:58,850
CHILL OUT.
1591
00:36:58,850 --> 00:36:59,951
YOU SHUT THE [bleep] UP!
1592
00:36:59,951 --> 00:37:00,819
YOU SIT IN THE CORNER, AND YOU
1593
00:37:00,819 --> 00:37:02,288
BE QUIET.
1594
00:37:02,288 --> 00:37:02,954
SIT DOWN. SIT DOWN.
1595
00:37:02,954 --> 00:37:03,822
SIT DOWN!
1596
00:37:03,822 --> 00:37:05,624
SIT DOWN.
1597
00:37:05,624 --> 00:37:08,427
GET OFF ME!
1598
00:37:08,427 --> 00:37:10,862
COME HERE.
1599
00:37:10,862 --> 00:37:11,897
IF WE DON'T DO THIS, I'M GOING
1600
00:37:11,897 --> 00:37:12,564
ON TOUR AGAIN.
1601
00:37:12,564 --> 00:37:14,099
I DIDN'T CHOOSE THIS [bleep].
1602
00:37:14,099 --> 00:37:14,833
DO YOU THINK I WANT TO BE A
1603
00:37:14,833 --> 00:37:15,634
BABY MAMA?
1604
00:37:15,634 --> 00:37:16,935
HOW YOU LIVE YOUR LIFE AFFECTS
1605
00:37:16,935 --> 00:37:18,169
ME, AND YOU DON'T EVEN KNOW IT.
1606
00:37:18,169 --> 00:37:19,137
YOU DO WHAT YOU WANT TO DO,
1607
00:37:19,137 --> 00:37:21,373
WHATEVER MAKES YOU HAPPY.
1608
00:37:30,616 --> 00:37:32,818
COME HERE.
1609
00:37:32,818 --> 00:37:33,919
EXPLAIN TO ME WHY THIS IS MAKING
1610
00:37:33,919 --> 00:37:35,887
YOU SO ANGRY.
1611
00:37:35,887 --> 00:37:36,922
HUH?
1612
00:37:36,922 --> 00:37:38,457
WHY IS THIS MAKING YOU SO ANGRY?
1613
00:37:38,457 --> 00:37:39,591
THIS HAS NOTHING TO DO--
1614
00:37:39,591 --> 00:37:40,592
I'M SO TIRED--
1615
00:37:40,592 --> 00:37:41,427
SO WHAT YOU MEAN IT HAS NOTHING
1616
00:37:41,427 --> 00:37:42,093
TO DO WITH ME?
1617
00:37:42,093 --> 00:37:42,794
YOU HAVEN'T DEALT WITH
1618
00:37:42,794 --> 00:37:43,462
ANYBODY EXPECT ME.
1619
00:37:43,462 --> 00:37:44,195
I'M SUPPOSED TO BE YOUR
1620
00:37:44,195 --> 00:37:45,030
FAMILY.
1621
00:37:45,030 --> 00:37:45,931
RIGHT. MY FAMILY COMES FIRST.
1622
00:37:45,931 --> 00:37:47,333
EVERY TIME I TURN AROUND--
1623
00:37:47,333 --> 00:37:48,800
WE NEVER COME FIRST.
1624
00:37:48,800 --> 00:37:51,069
EVERY TWO SECONDS, IT'S ANOTHER
1625
00:37:51,069 --> 00:37:51,937
BITCH.
1626
00:37:51,937 --> 00:37:53,439
MY SON GOT TO BE OVER THERE.
1627
00:37:53,439 --> 00:37:54,973
I GOT TO DO BUSINESS WITH YOU,
1628
00:37:54,973 --> 00:37:56,141
AND I GOT TO SEE THIS [bleep]?
1629
00:37:56,141 --> 00:37:57,008
LET ME EXPLAIN SOMETHING.
1630
00:37:57,008 --> 00:37:58,143
IN SCIENCE CLASS, WE LEARNED
1631
00:37:58,143 --> 00:37:58,810
WHAT?
1632
00:37:58,810 --> 00:38:00,145
THAT WE'RE NOT MONOGAMOUS.
1633
00:38:00,145 --> 00:38:00,912
WHAT THE [bleep] IS WRONG
1634
00:38:00,912 --> 00:38:01,580
WITH YOU?
1635
00:38:01,580 --> 00:38:02,614
WE ARE NOT NATURALLY
1636
00:38:02,614 --> 00:38:03,649
MONOGAMOUS, SO WHY DO I HAVE
1637
00:38:03,649 --> 00:38:04,350
TO FIGHT NATURE?
1638
00:38:04,350 --> 00:38:04,983
WHY DO I HAVE TO GO--
1639
00:38:04,983 --> 00:38:05,651
WHAT THE [bleep]?
1640
00:38:05,651 --> 00:38:06,352
AND SO THIS IS WHAT YOU
1641
00:38:06,352 --> 00:38:06,985
TEACHING DREW?
1642
00:38:06,985 --> 00:38:07,653
I'M JUST SAYING.
1643
00:38:07,653 --> 00:38:08,454
YOU WANT HIM TO GROW UP TO BE
1644
00:38:08,454 --> 00:38:09,120
THIS?
1645
00:38:09,120 --> 00:38:10,088
THIS HAS NOTHING TO DO WITH
1646
00:38:10,088 --> 00:38:10,922
THIS.
1647
00:38:10,922 --> 00:38:12,157
THIS HAS EVERYTHING TO DO
1648
00:38:12,157 --> 00:38:13,492
WITH THIS.
1649
00:38:13,492 --> 00:38:14,393
TRACI IS OUT OF CONTROL FOR
1650
00:38:14,393 --> 00:38:16,027
TRYING TO CONTROL MY LOVE LIFE.
1651
00:38:16,027 --> 00:38:16,795
I CAN DATE WHOEVER THE HELL I
1652
00:38:16,795 --> 00:38:18,063
WANT TO DATE, AND SHE CAN'T TELL
1653
00:38:18,063 --> 00:38:19,365
ME OTHERWISE.
1654
00:38:19,365 --> 00:38:20,932
I CAN'T HELP IT IF I'M HANDSOME.
1655
00:38:20,932 --> 00:38:23,001
LOOK AT THIS FACE.
1656
00:38:23,001 --> 00:38:24,370
WHAT I DO ON MY OWN TIME IS WHAT
1657
00:38:24,370 --> 00:38:25,371
I DO ON MY OWN TIME.
1658
00:38:25,371 --> 00:38:27,005
GOOD, WHAT I DO WITH MY MONEY
1659
00:38:27,005 --> 00:38:29,741
IS WHAT I DO WITH MY MONEY.
1660
00:38:29,741 --> 00:38:30,576
ALL THIS MONEY, AND YOU JUST
1661
00:38:30,576 --> 00:38:31,443
WANT TO THROW THE BUSINESS AWAY
1662
00:38:31,443 --> 00:38:32,110
LIKE THAT?
1663
00:38:32,110 --> 00:38:32,778
WE'RE DONE.
1664
00:38:32,778 --> 00:38:33,979
STOP TALKING TO ME.
1665
00:38:33,979 --> 00:38:34,880
CAN YOU GO HANDLE YOUR BUSINESS?
1666
00:38:34,880 --> 00:38:35,581
GO HANDLE YOUR BUSINESS.
1667
00:38:35,581 --> 00:38:36,548
THIS IS MY BUSINESS.
1668
00:38:36,548 --> 00:38:37,983
MY SON HAS NOT SEEN A GIRL--
1669
00:38:37,983 --> 00:38:38,784
I REMEMBER ONE TIME, WE WAS
1670
00:38:38,784 --> 00:38:39,918
IN THE AIRPORT AND DREWSIE
1671
00:38:39,918 --> 00:38:43,288
CALLED ME MEGAN.
1672
00:38:43,288 --> 00:38:44,656
DO YOU KNOW HOW I WANTED TO
1673
00:38:44,656 --> 00:38:46,992
MOTHER...
1674
00:38:46,992 --> 00:38:48,694
MY SON SHOULD NEVER CALL ME
1675
00:38:48,694 --> 00:38:50,462
ANOTHER WOMAN NAME.
1676
00:38:50,462 --> 00:38:51,897
NEVER.
1677
00:38:51,897 --> 00:38:53,499
BUT YOU HAVE THAT BECAUSE YOU
1678
00:38:53,499 --> 00:38:55,133
INTRODUCING HIM TO THEM.
1679
00:38:55,133 --> 00:38:55,901
I'VE MADE MISTAKES IN THE
1680
00:38:55,901 --> 00:38:56,568
PAST.
1681
00:38:56,568 --> 00:38:57,436
WE'RE TALKING ABOUT TODAY.
1682
00:38:57,436 --> 00:38:58,103
THIS YEAR--
1683
00:38:58,103 --> 00:38:58,904
DREW, WE'RE DONE.
1684
00:38:58,904 --> 00:39:00,238
STOP BEING SO EMOTIONAL ABOUT
1685
00:39:00,238 --> 00:39:00,906
THIS RIGHT NOW.
1686
00:39:00,906 --> 00:39:02,173
CAN YOU PLEASE JUST LEAVE?
1687
00:39:02,173 --> 00:39:03,775
I NEED YOU TO GO TO THE BANK,
1688
00:39:03,775 --> 00:39:06,678
GET ANOTHER WHATEVER YOU GOT...
1689
00:39:13,852 --> 00:39:15,754
OH, HELL NO.
1690
00:39:15,754 --> 00:39:16,422
DREW!
1691
00:39:16,422 --> 00:39:17,088
GET OUT THE CAR.
1692
00:39:17,088 --> 00:39:17,923
I'M NOT GETTING OUT THE CAR.
1693
00:39:17,923 --> 00:39:18,624
GET OUT THE CAR.
1694
00:39:18,624 --> 00:39:19,290
GET OUT OF MY FACE.
1695
00:39:19,290 --> 00:39:20,025
ARE YOU GONNA GIVE ME THE
1696
00:39:20,025 --> 00:39:20,692
25 Gs BACK?
1697
00:39:20,692 --> 00:39:21,427
GET OUT OF MY FACE.
1698
00:39:21,427 --> 00:39:22,060
WE NEED TO DO BUSINESS.
1699
00:39:22,060 --> 00:39:23,061
AT THE END OF THE DAY,
1700
00:39:23,061 --> 00:39:23,729
IT'S ALL ABOUT--
1701
00:39:23,729 --> 00:39:24,496
NO, LET'S NOT WORRY ABOUT
1702
00:39:24,496 --> 00:39:25,531
BUSINESS; YOU NEED HELP.
1703
00:39:25,531 --> 00:39:26,297
WE NEED TO WORRY ABOUT
1704
00:39:26,297 --> 00:39:27,533
BUSINESS, OR I GOT TO GO ON TOUR
1705
00:39:27,533 --> 00:39:28,299
AGAIN.
1706
00:39:28,299 --> 00:39:29,435
IF WE DON'T DO THIS, I'M GOING
1707
00:39:29,435 --> 00:39:30,101
ON TOUR AGAIN.
1708
00:39:30,101 --> 00:39:31,437
I'M NOT HERE TO MAKE YOU
1709
00:39:31,437 --> 00:39:32,037
STAY.
1710
00:39:32,037 --> 00:39:33,705
YOU STAY FOR YOUR SON.
1711
00:39:33,705 --> 00:39:35,106
IT'S LIKE IT'S NEVER ENDING.
1712
00:39:35,106 --> 00:39:36,708
MY LIFE IS THIS, AND I DIDN'T
1713
00:39:36,708 --> 00:39:38,309
CHOOSE THIS LIFE.
1714
00:39:38,309 --> 00:39:39,978
I DIDN'T--DO YOU THINK I WANT TO
1715
00:39:39,978 --> 00:39:41,346
BE A BABY MAMA?
1716
00:39:41,346 --> 00:39:42,514
YOU THINK I WANT TO BE A BABY
1717
00:39:42,514 --> 00:39:43,849
MAMA WITH ANOTHER BABY MAMA?
1718
00:39:43,849 --> 00:39:45,451
YOU THINK I WANT A BABY MAMA?
1719
00:39:45,451 --> 00:39:46,618
I WANT TO BE A BABY MAMA, AND
1720
00:39:46,618 --> 00:39:48,353
THEN MY BABY DADDY GOT HOS
1721
00:39:48,353 --> 00:39:49,187
AFTER HOS?
1722
00:39:49,187 --> 00:39:50,121
HE'S DONE [bleep] EVERYTHING
1723
00:39:50,121 --> 00:39:51,089
IN ATLANTA.
1724
00:39:51,089 --> 00:39:52,090
YOU THINK I WANT TO LIVE THIS
1725
00:39:52,090 --> 00:39:52,758
LIFE?
1726
00:39:52,758 --> 00:39:53,659
LISTEN, I DIDN'T CHOOSE THIS
1727
00:39:53,659 --> 00:39:54,893
[bleep].
1728
00:39:54,893 --> 00:39:56,327
YOU CHOSE IT FOR ME, AND THEN
1729
00:39:56,327 --> 00:39:57,729
HOW YOU LIVE YOUR LIFE AFFECTS
1730
00:39:57,729 --> 00:39:59,731
ME, AND YOU DON'T EVEN KNOW IT.
1731
00:40:01,800 --> 00:40:03,201
HOW YOU LIVE YOUR LIFE AFFECTS
1732
00:40:03,201 --> 00:40:04,570
OUR SON, AND YOU DON'T EVEN KNOW
1733
00:40:04,570 --> 00:40:05,471
IT, 'CAUSE YOU SELFISH.
1734
00:40:05,471 --> 00:40:06,171
HOW DOES IT AFFECT YOU?
1735
00:40:06,171 --> 00:40:07,072
YOU DO WHAT YOU WANT TO DO,
1736
00:40:07,072 --> 00:40:09,240
WHATEVER MAKES YOU HAPPY.
1737
00:40:19,485 --> 00:40:20,452
ON THE NEXT LOVE & HIP-HOP:
1738
00:40:20,452 --> 00:40:21,152
ATLANTA...
1739
00:40:21,152 --> 00:40:21,953
WHAT'S UP WITH ME AND YOU
1740
00:40:21,953 --> 00:40:23,555
WATCHING THE TAPE OF JOSELINE?
1741
00:40:23,555 --> 00:40:24,823
JOSELINE WAS TOUCHING HER
1742
00:40:24,823 --> 00:40:25,591
[bleep].
1743
00:40:25,591 --> 00:40:26,858
YOU SHOWED IT TO ME!
1744
00:40:26,858 --> 00:40:28,393
NO, I DIDN'T.
1745
00:40:28,393 --> 00:40:30,061
WHY YOU TALKING ABOUT ME WITH
1746
00:40:30,061 --> 00:40:31,196
YOUR MAN?
1747
00:40:31,196 --> 00:40:31,997
WHY IS MY MAN TALKING ABOUT
1748
00:40:31,997 --> 00:40:32,664
ME TO YOU?
1749
00:40:32,664 --> 00:40:33,865
BITCH, THAT'S WHY.
1750
00:40:33,865 --> 00:40:34,533
BITCH, GO [bleep]
1751
00:40:34,533 --> 00:40:35,834
SOME ASS[bleep].
1752
00:40:35,834 --> 00:40:36,602
YOU DON'T KNOW, BUT I WENT
1753
00:40:36,602 --> 00:40:37,503
THROUGH YOUR PHONE.
1754
00:40:37,503 --> 00:40:38,904
I SEEN YOU TEXT AND TALKIN' TO
1755
00:40:38,904 --> 00:40:39,838
FEMALES.
1756
00:40:39,838 --> 00:40:40,539
ONCE YOU GO LOOKING FOR
1757
00:40:40,539 --> 00:40:42,407
SOMETHING, YOU GONNA FIND IT.
1758
00:40:42,407 --> 00:40:43,074
DO YOU ALL THIS HAND?
1759
00:40:43,074 --> 00:40:43,742
WHAT?
1760
00:40:43,742 --> 00:40:44,409
WAIT A MINUTE.
1761
00:40:44,409 --> 00:40:45,511
IT'S THE LEFT HAND.
1762
00:40:45,511 --> 00:40:47,412
ERICA, WHAT?
1763
00:40:47,412 --> 00:40:48,547
I THINK I'M PREGNANT.
1764
00:40:48,547 --> 00:40:49,681
WHOO!
1765
00:40:49,681 --> 00:40:50,549
THERE'S A BABY IN THERE.
1766
00:40:50,549 --> 00:40:53,485
THERE'S A BABY IN MY BELLY.
1767
00:40:53,485 --> 00:40:55,086
LET'S DO THIS LIKE BRUTUS.
1768
00:40:55,086 --> 00:40:55,954
LOOK, I'M STILL WORKING WITH
1769
00:40:55,954 --> 00:40:56,655
SHAWTY.
1770
00:40:56,655 --> 00:40:57,689
IS THIS THE PUERTO RICAN
1771
00:40:57,689 --> 00:40:58,557
PRINCESS?
1772
00:40:58,557 --> 00:40:59,558
YES.
1773
00:40:59,558 --> 00:41:00,391
I'M TRYING TO WORK WITH HIM,
1774
00:41:00,391 --> 00:41:01,059
BITCH.
1775
00:41:01,059 --> 00:41:01,893
LISTEN, I DON'T TALK TO THE
1776
00:41:01,893 --> 00:41:02,894
HELP.
1777
00:41:02,894 --> 00:41:04,896
AGH!
1778
00:41:13,071 --> 00:41:15,807
* I KNOW A
1779
00:41:15,807 --> 00:41:19,210
♪ GEORGIA PRUNE
1780
00:41:19,210 --> 00:41:21,647
♪ I HIT HER WITH WAX
1781
00:41:21,647 --> 00:41:22,948
[laughing]
1782
00:41:22,948 --> 00:41:25,551
♪ 'CAUSE I SAY IT THE BEST ♪
1783
00:41:25,551 --> 00:41:27,753
♪ OH, I AIN'T GONNA LET HER ♪
1784
00:41:27,753 --> 00:41:30,088
♪ PULL OUT MY TRACKS
1785
00:41:30,088 --> 00:41:32,891
♪ OH-HO, WHOA
1786
00:41:32,891 --> 00:41:35,561
♪ GEORGIA PRUNE
1787
00:41:35,561 --> 00:41:39,865
♪ MM-MM-MM
1788
00:41:39,865 --> 00:41:41,867
LIFE IS HARD.
111147
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