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PREVIOUSLY ON LOVE & HIP-HOP:
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ATLANTA...
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WE NEED TO KNOW WHAT'S UP
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WITH THE CONTRACT.
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I DON'T HAVE THE CONTRACT.
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OH, GOSH.
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I THINK I NEED TO JUST MOVE.
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YOU JUST WANT TO TAKE MY
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DAUGHTER AND LEAVE?
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I CAN'T LIVE WITH YOU.
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YOU'LL BE BACK.
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RIGHT.
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YOU REALLY THINK I'M FEELIN'
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THAT BITCH?
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MA, DON'T CALL HER NO BITCH.
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I MEAN, THERE'S MANY MOMENTS.
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SHE IS A BITCH.
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LOOK AT YOUR FINE ASS.
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[laughs]
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IF YOU LISTEN TO ME,
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YOU'LL GET HIM BACK.
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WE GONNA BE IN THE STUDIO
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TOGETHER.
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WHY DON'T YOU JUST STOP BY
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AND SEE WHAT'S UP?
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* PUT THEM BALLS ON
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♪ PUT THEM BALLS ON
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YOU HURT ME, AND I KNOW--
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IT'S, LIKE, OUT OF EVERYBODY,
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I JUST NEVER THOUGHT IT WOULD
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COME FROM YOU.
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I WANTED TO BE WITH ERICA.
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I'M GONNA BE OKAY.
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I AM A WOMAN THAT LIVED
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THROUGH THE VIOLENCE AGAINST ME.
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THE GUY SHE'S REFERRING TO
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IS MARRIED TO ONE OF MY CLOSE,
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CLOSE FRIENDS.
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I JUST FEEL LIKE MAYBE THAT'S
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NOT SOMETHING THAT HE DID TO
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YOU.
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NONE OF Y'ALL WAS THERE,
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NONE OF Y'ALL.
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THAT MAN BEAT MY ASS,
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AND I HAD TO DEAL WITH THAT.
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* YEAH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* 'SUP ♪
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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♪ THERE AIN'T NOTHING LIKE ♪
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♪ HIP-HOP MUSIC
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♪ MUSIC
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* I TELL HIM BRING IT
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♪ BRING IT, BRING IT
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♪ IF YOU REALLY, REALLY
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♪ WANT IT
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♪ THEY BE MAD THAT I GET IT
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♪ AND THEY BE MAD THAT I
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♪ FLAUNT IT
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IT'S BEEN A CRAZY YEAR FOR
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KARLIE REDD.
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I'VE BEEN IN THE STUDIO
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GRINDING.
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I'M WALKING ON THE RUNWAY.
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I'M IN MAGAZINES.
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OH, MY GOSH.
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KARLIE REDD, WHAT?
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♪ ASK ABOUT MY DAUGHTER
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♪ BUT, BITCH, YOU MY SON
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♪ HAD THE NERVE TO TALK
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♪ ABOUT ME AND L.A.'S SON ♪
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♪ BITCH, BRING IT
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♪ IF YOU LIKE YOUR BOD
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♪ THEN BRING IT
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[rapping indistinctly]
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♪
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UH-OH.
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WHAT YOU DOIN' IN THAT BOOTH,
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GIRL?
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AM I BUGGIN' OUT?
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WHAT?
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HI, BOO-BOO.
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HOW ARE YOU?
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HI. TRACI.
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TRACI, NICE TO MEET YOU.
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TRACI'S A D.J.
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REALLY?
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OH, [bleep].
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GIRL...
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I HAVEN'T SEEN RASHEEDA IN A
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MINUTE, SO I CALLED HER DOWN SO
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SHE COULD HEAR THIS DISS RECORD
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AGAINST K. MICHELLE.
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SINCE K. MICHELLE BE TRYIN' TO
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COME AT BOTH OF US, I WANT HER
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TO HEAR WHAT I GOT TO SAY ABOUT
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THE HORSE.
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I'M TIRED OF THIS BITCH K.
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MICHELLE, LITERALLY, BLOGS,
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INTERVIEWS, TWITTER, EVEN A
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SONG.
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LIKE--
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SHE DID A SONG ABOUT HER TO
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YOU?
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YES.
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LIKE, AN R&B DISS SONG?
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I HAVE NEVER HEARD NO [bleep]
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LIKE THAT IN MY LIFE.
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YOU WASTING SONGS ON ME.
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OKAY, I'M GONNA WASTE ONE ON
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YOU.
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[laughter]
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WOW.
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PURE COMEDY, I WILL SAY.
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YOU LIKE IT?
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YEAH.
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COME ON, GET ON A VERSE.
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GIRL...
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AHH-AHH, BOOM, BOOM, BOOM,
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BOOM, BOOM.
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I AM SO NOT ABOUT TO WASTE MY
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BEAUTIFUL VOICE ON NO GODDAMN
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ZOO ANIMALS.
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I CAN'T DO IT.
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ZOO ANIMALS.
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[laughter]
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GET ON IT.
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I'LL PLAY IF YOU GET ON IT.
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OH, YOU TRYIN' TO REV IT UP
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NOW?
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COME ON, GET ON IT.
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SHE WAS LIKE, "I'M BACKING
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IT, YO."
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I MEAN--
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YOU KNOW WHAT?
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THINK ABOUT IT.
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TO BE HONEST WITH YOU, I'LL
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THINK ABOUT IT, BECAUSE FOR
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REAL, FOR REAL, LIKE, I'M SO
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OVER THAT WHOLE, JUST,
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SITUATION.
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LOOK, I'M DONE WITH IT.
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K. MICHELLE FEELS LIKE SHE NEEDS
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TO CONSTANTLY TALK ABOUT ME ON
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THE BLOGS ALL THE TIME,
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BUT I'VE BEEN THE BIGGER PERSON
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AND HAVE BEEN IGNORING HER
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STUPID [bleep].
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WHEN IT COMES TO DOING A DISS
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SONG, I AIN'T EVEN SURE I WANT
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TO GIVE HER THE TIME OF DAY.
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WHEN'S THE LAST TIME YOU SEEN
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HER?
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OH, I WAS DRIVING DOWN
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BOULEVARD PAST THE ATLANTA ZOO,
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AND SHE WAS RIGHT OUTSIDE THAT
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BITCH EATING SOME GRASS.
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I'M JUST...
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[laughter]
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I'M JUST GONNA STAND AND JUST
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LOOK AT THE WALL, BECAUSE I
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CAN'T...
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BUT ANYWAY, NO, I HAVE NOT
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SEEN HER, BUT--
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YOU AIN'T SEEN 5150?
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WHO NOW?
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5150 IS THE CODE FOR THE
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POLICE, LIKE, SOMETHING CRAZY IS
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IN THE BUILDING, LIKE, PSYCHO.
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YES.
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WELL, I MIGHT SEE 5150
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AT MIMI'S HOUSEWARMING THAT
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SHE'S GETTING READY TO HAVE.
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MORE THAN LIKELY, SHE'LL BE
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THERE, SO...
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DOES SHE GET ALONG WITH
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ANYBODY?
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WE ACTUALLY GOT ALONG AT
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FIRST, BUT IT KIND OF TWISTED A
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LITTLE BIT, AND THAT'S A WHOLE
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NOTHER SITUATION.
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OKAY, 5150.
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I DON'T WANT TO TALK ABOUT
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THAT NO MORE.
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BUT, RASHEEDA, FOR REAL,
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THOUGH, I WANT YOU TO THINK
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ABOUT GETTING ON THIS SONG.
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I'LL LET YOU KNOW.
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IF YOU GONNA GET ON IT?
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[laughter]
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I CAN'T DEAL.
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[upbeat funky music]
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♪
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I DON'T KNOW, MAN.
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LAST NIGHT WAS STRAIGHT STUPID.
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YOU KNOW, I'M TRYING TO BE IN MY
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MIX IN THE STUDIO, AND MA DUKES
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BRINGS SHAY THROUGH.
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YO, YO, YO.
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WHAT'S UP? RIGHT ON TIME.
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I KNOW YOU READY TO EAT.
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I'M WITH ERICA.
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YOU KNOW WHAT I'M SAYING?
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THAT'S WHAT I'M TRYING TO DO.
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MAMA, SHAY, EVERYBODY'S
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JUST GONNA HAVE
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UNDER-STIZZ-NAY-EE THAT I'M WITH
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MY SEXY LADY, MY LOVELY.
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YOU FEEL ME?
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AND THAT'S WHAT I'M TRYING TO
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DO.
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THAT'S WHAT I'M ON.
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SO I WAS IN THE STUDIO, AND
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MAMA CAME THROUGH.
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OH, SHE DID?
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YEAH--
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SHE HAD SOME TRICKS UP HER
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SLEEVE?
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WHEN SHE WAS GETTING READY TO
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LEAVE, LIKE, SHAY WALKED IN.
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THAT'S WHAT I SAID.
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HOW'D SHE KNOW YOU WAS AT THE
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STUDIO?
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I DON'T EVEN KNOW HOW MY MAMA
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KNOW I WAS AT THE STUDIO.
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SO SHE CAME IN AFTER YOUR
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MAMA.
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SHE SAT DOWN AND JUST
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STARTED TELLING ME HOW SHE FEEL
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OR WHATEVER AND BUST OUT CRYING
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AND ALL THAT STUFF.
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I'M CONFUSED, 'CAUSE WHY ARE
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YOU POPPIN' UP AT THE STUDIO
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WHERE MY MAN AT?
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MAN, THAT'S WHAT I WAS ON--
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TWO, YOU SHOULDN'T HAVE EVEN
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HAD NO CONVERSATION WITH HER, SO
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DID SOMETHING TRANSPIRE?
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Y'ALL TALKED?
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I JUST TOLD HER ONCE AGAIN,
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"I DIDN'T MEAN TO HURT YOUR
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FEELINGS.
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I'M SORRY.
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AND I'M WITH ERICA.
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YOU KNOW WHAT I'M SAYING?
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LIKE, THAT'S WHO I WANT TO BE
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WITH.
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I--YOU KNOW, WHEN I PROPOSED, I
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DID THAT FOR A REASON, AND"--
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SO WHAT PART ISN'T SHE
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GETTING?
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OH, NO, SHE GOT IT NOW.
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SHAY, BABY, HAVE A SEAT,
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AND PLEASE DO IT QUICKLY.
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WE'RE ENGAGED...RING AGAIN.
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I KNOW YOU SEE IT.
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IT'S DISRESPECTFUL TO CONTINUE
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TO TRY TO COME BETWEEN US.
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IT'S NOT HAPPENING.
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BUT WHAT REALLY IRKS ME IS SHAY
271
00:05:52,420 --> 00:05:53,821
SHOWING UP WITH MOMMA DEE
272
00:05:53,821 --> 00:05:55,723
AND BY "COINCIDENCE."
273
00:05:55,723 --> 00:05:56,490
HUH.
274
00:05:56,490 --> 00:05:57,290
YOU THINK SHE CAME WITH YOUR
275
00:05:57,290 --> 00:05:58,492
MAMA?
276
00:05:58,492 --> 00:06:00,027
IT HAD TO BE.
277
00:06:00,027 --> 00:06:01,862
I DON'T KNOW NO OTHER WAY.
278
00:06:01,862 --> 00:06:03,431
SO DO I NEED TO TALK TO
279
00:06:03,431 --> 00:06:04,532
MOMMA DEE?
280
00:06:04,532 --> 00:06:05,666
LIKE, DO WE NEED TO SIT DOWN AND
281
00:06:05,666 --> 00:06:06,767
HAVE, LIKE, A REAL
282
00:06:06,767 --> 00:06:08,602
WOMAN-TO-WOMAN CONVERSATION
283
00:06:08,602 --> 00:06:09,803
SO SHE KNOWS THAT THIS [bleep]
284
00:06:09,803 --> 00:06:10,571
IS REAL?
285
00:06:10,571 --> 00:06:11,639
IT'S NOT A JOKE.
286
00:06:11,639 --> 00:06:12,940
I'M NOT GOING ANYWHERE.
287
00:06:12,940 --> 00:06:14,241
I'M THINKING WE BOTH NEED TO
288
00:06:14,241 --> 00:06:15,843
SIT DOWN AND TALK TO HER.
289
00:06:15,843 --> 00:06:16,977
BRINGING SHAY INTO THE STUDIO
290
00:06:16,977 --> 00:06:18,579
WAS DEFINITELY THE ULTIMATE
291
00:06:18,579 --> 00:06:19,780
DISRESPECT, BECAUSE AT THIS
292
00:06:19,780 --> 00:06:20,614
POINT, THIS IS NOT A
293
00:06:20,614 --> 00:06:21,449
GIRLFRIEND-BOYFRIEND
294
00:06:21,449 --> 00:06:22,483
RELATIONSHIP.
295
00:06:22,483 --> 00:06:23,517
NO, THIS IS AN ENGAGEMENT THAT
296
00:06:23,517 --> 00:06:24,284
IS GONNA EVENTUALLY LEAD TO
297
00:06:24,284 --> 00:06:24,985
MARRIAGE.
298
00:06:24,985 --> 00:06:26,454
I'M NOT GOING ANYWHERE.
299
00:06:26,454 --> 00:06:27,320
SO EVENTUALLY, SHE HAS TO ACCEPT
300
00:06:27,320 --> 00:06:29,523
THAT...SOONER THAN LATER.
301
00:06:29,523 --> 00:06:30,991
AT THIS POINT, LIKE, I'M GONNA
302
00:06:30,991 --> 00:06:32,292
BE RESPECTED, PERIOD.
303
00:06:32,292 --> 00:06:34,828
I'M JUST TIRED, MAN.
304
00:06:34,828 --> 00:06:36,063
BUT I JUST WANTED TO LET YOU
305
00:06:36,063 --> 00:06:37,465
KNOW WE'RE GOING ON, BECAUSE
306
00:06:37,465 --> 00:06:38,331
WE'RE TRYING TO BUILD SOMETHING,
307
00:06:38,331 --> 00:06:39,066
AND WE'RE TRYING TO--
308
00:06:39,066 --> 00:06:39,967
YEAH, WE ARE.
309
00:06:39,967 --> 00:06:41,368
YOU KNOW, WE'RE TRYING TO
310
00:06:41,368 --> 00:06:42,636
WORK SOME THINGS OUT.
311
00:06:42,636 --> 00:06:44,104
YOU KNOW, I AIN'T TRYING TO GO
312
00:06:44,104 --> 00:06:46,039
DOWN THAT ROAD OF YOU NOT
313
00:06:46,039 --> 00:06:47,475
KNOWING WHAT'S GOING ON.
314
00:06:47,475 --> 00:06:48,341
I COULDN'T RESPECT YOU ANY
315
00:06:48,341 --> 00:06:49,477
MORE.
316
00:06:49,477 --> 00:06:51,078
I MEAN--
317
00:06:51,078 --> 00:06:51,945
I'M HUNGRY.
318
00:06:51,945 --> 00:06:53,213
CAN WE EAT?
319
00:06:53,213 --> 00:06:54,848
YOU CAN EAT.
320
00:06:54,848 --> 00:06:55,883
I DON'T EVEN HAVE AN APPETITE
321
00:06:55,883 --> 00:07:00,020
NO MORE.
322
00:07:00,020 --> 00:07:01,088
[upbeat funky music]
323
00:07:01,088 --> 00:07:03,757
♪
324
00:07:03,757 --> 00:07:05,493
AHH!
325
00:07:05,493 --> 00:07:06,494
[laughs]
326
00:07:06,494 --> 00:07:08,261
WELL, YOU LOOK PRETTY.
327
00:07:08,261 --> 00:07:10,764
DON'T FORGET ABOUT ME, BOO.
328
00:07:10,764 --> 00:07:12,365
WHAT'S UP?
329
00:07:12,365 --> 00:07:14,868
YOU LOOK GOOD.
330
00:07:14,868 --> 00:07:16,504
I'M SO EXCITED, AND I'M
331
00:07:16,504 --> 00:07:17,671
CELEBRATING MY INDEPENDENCE.
332
00:07:17,671 --> 00:07:19,507
I INVITED THE GIRLS OVER TO HAVE
333
00:07:19,507 --> 00:07:21,775
DRINKS, MIMOSAS, AND CELEBRATE
334
00:07:21,775 --> 00:07:22,943
MY HOUSEWARMING.
335
00:07:22,943 --> 00:07:24,545
NOW, I KNOW K. AND RASHEEDA
336
00:07:24,545 --> 00:07:25,646
HAVEN'T SEEN EACH OTHER SINCE
337
00:07:25,646 --> 00:07:27,247
THEIR LAST FIGHT, SO I'M HOPING
338
00:07:27,247 --> 00:07:28,782
THEY CAN BE CIVIL FOR MY SAKE.
339
00:07:28,782 --> 00:07:30,183
I MUST BE UNDER A ROCK.
340
00:07:30,183 --> 00:07:31,552
WHAT BROUGHT ON THE CHANGE,
341
00:07:31,552 --> 00:07:32,319
THE SUDDEN MOVE?
342
00:07:32,319 --> 00:07:33,353
I'M--I'M LOST.
343
00:07:33,353 --> 00:07:34,187
WELL, I WAS STAYING AT
344
00:07:34,187 --> 00:07:36,524
STEVIE'S TEMPORARILY.
345
00:07:36,524 --> 00:07:37,357
I WAS TRYING TO FIND A HOUSE.
346
00:07:37,357 --> 00:07:39,092
THE PROCESS WAS TAKING TOO LONG.
347
00:07:39,092 --> 00:07:39,927
I JUST GOT THE [bleep] UP OUT OF
348
00:07:39,927 --> 00:07:40,628
THERE.
349
00:07:40,628 --> 00:07:41,962
EXCUSE MY LANGUAGE.
350
00:07:41,962 --> 00:07:43,531
AND I JUST HAD TO GET MY OWN
351
00:07:43,531 --> 00:07:45,265
SPACE, MY OWN--
352
00:07:45,265 --> 00:07:45,966
HALLELUJAH.
353
00:07:45,966 --> 00:07:46,767
WHAT DO YOU THINK IS GONNA
354
00:07:46,767 --> 00:07:47,535
HAPPEN?
355
00:07:47,535 --> 00:07:49,236
Y'ALL HAVE A DAUGHTER...
356
00:07:49,236 --> 00:07:50,370
ALL I KNOW IS, WE NEED TO BE
357
00:07:50,370 --> 00:07:51,539
ABLE TO CO-PARENT.
358
00:07:51,539 --> 00:07:52,172
THAT'S IMPORTANT.
359
00:07:52,172 --> 00:07:53,040
THAT'S ALL I'M CONCERNED
360
00:07:53,040 --> 00:07:53,707
ABOUT.
361
00:07:53,707 --> 00:07:55,108
ANYTHING ELSE, I DON'T CARE.
362
00:07:55,108 --> 00:07:57,177
YOU MIGHTY QUIET.
363
00:07:57,177 --> 00:07:58,311
GIRL, I'M JUST TAKING IN THE
364
00:07:58,311 --> 00:07:58,979
AIR.
365
00:07:58,979 --> 00:08:00,614
ARE YOU ALL RIGHT?
366
00:08:00,614 --> 00:08:01,649
RASHEEDA, ARE YOU OKAY?
367
00:08:01,649 --> 00:08:02,650
WELL, WHY WOULDN'T I BE?
368
00:08:02,650 --> 00:08:03,717
I'M HERE.
369
00:08:03,717 --> 00:08:05,185
SAY HI TO EACH OTHER.
370
00:08:05,185 --> 00:08:06,887
[bleep], YOU IN A HOUSEWARMING.
371
00:08:06,887 --> 00:08:07,555
SAY HI.
372
00:08:07,555 --> 00:08:08,388
IT'S WARM AS [bleep] IN HERE
373
00:08:08,388 --> 00:08:09,089
ANYWAY.
374
00:08:09,089 --> 00:08:10,390
YOU AIN'T LYING ABOUT THAT
375
00:08:10,390 --> 00:08:11,725
[bleep].
376
00:08:11,725 --> 00:08:12,726
IT'S BEEN A MINUTE SINCE I
377
00:08:12,726 --> 00:08:14,662
SEEN THE GEORGIA PRUNE RASHEEDA,
378
00:08:14,662 --> 00:08:15,596
AND I'M NOT TOO THRILLED OR
379
00:08:15,596 --> 00:08:17,364
HAPPY ABOUT IT, BUT IT'S MIMI'S
380
00:08:17,364 --> 00:08:18,632
DAY, AND I HAVE TO BE THERE TO
381
00:08:18,632 --> 00:08:20,934
SUPPORT, SO I'M JUST GONNA TRY
382
00:08:20,934 --> 00:08:22,469
TO, YOU KNOW, BE A GOOD LITTLE
383
00:08:22,469 --> 00:08:23,737
CHRISTIAN GIRL.
384
00:08:23,737 --> 00:08:24,905
I AIN'T TRYING TO BE A
385
00:08:24,905 --> 00:08:26,406
GROWN-ASS WOMAN ARGUING WITH NO
386
00:08:26,406 --> 00:08:27,575
NEXT GROWN-ASS WOMAN ALL THE
387
00:08:27,575 --> 00:08:28,208
TIME.
388
00:08:28,208 --> 00:08:30,110
YOU KNOW, I THINK I COME ACROSS
389
00:08:30,110 --> 00:08:31,444
YOUR MIND A FEW TIMES HERE AND
390
00:08:31,444 --> 00:08:32,179
THERE VIA TWITTER.
391
00:08:32,179 --> 00:08:32,846
NO, BITCH.
392
00:08:32,846 --> 00:08:33,814
YES, BITCH.
393
00:08:33,814 --> 00:08:34,582
NO, YOU AND YOUR LITTLE
394
00:08:34,582 --> 00:08:36,283
INSTAGRAM ESSAYS.
395
00:08:36,283 --> 00:08:37,685
INSTAGRAM ESSAYS?
396
00:08:37,685 --> 00:08:38,919
WHO TAKES OUT TIME TO TYPE
397
00:08:38,919 --> 00:08:39,720
A FULL ESSAY--
398
00:08:39,720 --> 00:08:41,088
THE SAME PERSON WHO GETS ON
399
00:08:41,088 --> 00:08:42,590
THEIR INTERVIEWS AND WANT TO
400
00:08:42,590 --> 00:08:43,456
TALK ABOUT WHAT THEY SHOULDA--
401
00:08:43,456 --> 00:08:44,792
I TELL IT LIKE IT IS.
402
00:08:44,792 --> 00:08:45,893
THAT'S WHAT YOU FOOL WITH
403
00:08:45,893 --> 00:08:47,460
"THE WORLD" TO THINK.
404
00:08:47,460 --> 00:08:48,461
OBVIOUSLY, YOU WERE LIVING IN
405
00:08:48,461 --> 00:08:49,997
MY HOUSE UNDER MY BED WHEN I WAS
406
00:08:49,997 --> 00:08:50,931
GOING THROUGH MY RELATIONSHIP--
407
00:08:50,931 --> 00:08:52,099
NO, OBVIOUSLY, YOU FOND OF
408
00:08:52,099 --> 00:08:54,101
ME, BITCH, 'CAUSE ALL YOU DO IS
409
00:08:54,101 --> 00:08:55,669
TALK ABOUT RASHEEDA.
410
00:08:55,669 --> 00:08:56,804
JUST BE WORRIED ABOUT WHEN YOUR
411
00:08:56,804 --> 00:08:58,005
ASS IS GONNA HIT THE FLOOR
412
00:08:58,005 --> 00:08:59,106
WITH THAT FAKE [bleep],
413
00:08:59,106 --> 00:09:00,808
WHEN THE MOTHER[bleep] DROP
414
00:09:00,808 --> 00:09:01,742
AND YOUR ASS IN THE HOSPITAL
415
00:09:01,742 --> 00:09:03,376
SOME-[bleep]-WHERE, OKAY?
416
00:09:03,376 --> 00:09:04,511
I WAS TRYING TO BE COOL WITH
417
00:09:04,511 --> 00:09:05,245
K. MICHELLE.
418
00:09:05,245 --> 00:09:06,079
BUT YOU KNOW WHAT?
419
00:09:06,079 --> 00:09:07,280
SHE ALWAYS POPPIN' OFF ON THE
420
00:09:07,280 --> 00:09:08,816
BLOGS, ON THE INTERNET, AND
421
00:09:08,816 --> 00:09:09,617
DOING WHAT SHE DO.
422
00:09:09,617 --> 00:09:10,350
AND YOU KNOW WHAT?
423
00:09:10,350 --> 00:09:11,885
I'M TIRED OF HER [bleep].
424
00:09:11,885 --> 00:09:12,720
SEE, I AIN'T FOR THE [bleep].
425
00:09:12,720 --> 00:09:14,788
YEAH, I BE READY TO HIT A BITCH,
426
00:09:14,788 --> 00:09:16,790
FOR REAL.
427
00:09:16,790 --> 00:09:18,191
PULL THAT RAGGEDY-ASS WIG OFF
428
00:09:18,191 --> 00:09:18,926
YOUR MOTHER[bleep] HEAD.
429
00:09:18,926 --> 00:09:19,660
WHOO!
430
00:09:19,660 --> 00:09:20,628
WE MAD.
431
00:09:20,628 --> 00:09:22,630
WE A REAL BITCH.
432
00:09:25,633 --> 00:09:26,266
WHAT DID YOU SAY?
433
00:09:26,266 --> 00:09:27,100
UH-UH, NO FIGHTING IN HERE.
434
00:09:27,100 --> 00:09:27,835
"TELL KIRK AND HIS THREE
435
00:09:27,835 --> 00:09:28,636
EARRINGS" WHAT?
436
00:09:28,636 --> 00:09:29,302
PLEASE, NO.
437
00:09:29,302 --> 00:09:30,137
OH, YOU GONNA HIT ME WITH A--
438
00:09:30,137 --> 00:09:30,971
OH, YOU GONNA THROW A CANDLE AT
439
00:09:30,971 --> 00:09:31,905
ME, BITCH?
440
00:09:31,905 --> 00:09:33,173
YOU WANT A THROW A--YOU WANT TO
441
00:09:33,173 --> 00:09:33,874
THROW FIRE?
442
00:09:33,874 --> 00:09:35,108
KIRK AND HIS THREE EARRINGS?
443
00:09:35,108 --> 00:09:36,276
GET OUT OF MY FACE.
444
00:09:36,276 --> 00:09:37,645
GET THE [bleep] OUT OF MY FACE.
445
00:09:37,645 --> 00:09:38,812
UH-UH, NUH-HUH.
446
00:09:38,812 --> 00:09:39,647
NO, NO, NO, NO, NO, NO.
447
00:09:39,647 --> 00:09:40,413
NOPE, NOPE, NOPE, NOPE, NOPE,
448
00:09:40,413 --> 00:09:41,081
NOPE.
449
00:09:41,081 --> 00:09:42,015
[bleep].
450
00:09:42,015 --> 00:09:42,716
OKAY, I'M COOL.
451
00:09:42,716 --> 00:09:43,851
I'M COOL. I'M COOL. I'M COOL.
452
00:09:43,851 --> 00:09:44,517
OKAY, IT'S COOL.
453
00:09:44,517 --> 00:09:45,518
IT'S COOL. IT'S COOL. IT'S COOL.
454
00:09:45,518 --> 00:09:46,854
IT'S COOL. IT'S COOL.
455
00:09:46,854 --> 00:09:48,722
IT'S COOL.
456
00:09:48,722 --> 00:09:50,390
AHH!
457
00:09:50,390 --> 00:09:51,358
LET ME GET AHOLD OF THIS
458
00:09:51,358 --> 00:09:52,025
BITCH.
459
00:09:52,025 --> 00:09:53,661
HEY! BOO-BOO!
460
00:09:53,661 --> 00:09:55,395
MIMI, I'M SORRY, BUT SHE
461
00:09:55,395 --> 00:09:57,497
[bleep] WITH THE WRONG BITCH.
462
00:09:57,497 --> 00:09:59,099
I'MA TELL YOU NOW.
463
00:09:59,099 --> 00:09:59,900
I WILL BREAK THIS
464
00:09:59,900 --> 00:10:01,935
MOTHER[bleep]'S NECK.
465
00:10:01,935 --> 00:10:03,804
THIS ZOO ANIMAL IS A PAIN IN MY
466
00:10:03,804 --> 00:10:04,872
ASS.
467
00:10:04,872 --> 00:10:06,206
WHY ARE YOU ALWAYS SO WORRIED
468
00:10:06,206 --> 00:10:07,941
ABOUT ME AND MY HUSBAND?
469
00:10:07,941 --> 00:10:09,710
YOU NEED TO WORRY ABOUT YOU AND
470
00:10:09,710 --> 00:10:12,179
ALL THE 500,000 [bleep] YOU'RE
471
00:10:12,179 --> 00:10:13,613
[bleep], OKAY?
472
00:10:13,613 --> 00:10:15,916
WASTING MY TIME ON THIS WANNABE
473
00:10:15,916 --> 00:10:17,117
KEYSHIA COLE SLAW--
474
00:10:17,117 --> 00:10:18,686
AHH-BAH-BAH-BAH, GEORGIA
475
00:10:18,686 --> 00:10:19,386
PRUNE!
476
00:10:19,386 --> 00:10:20,353
YOU'RE NO GEORGIA PEACH.
477
00:10:20,353 --> 00:10:22,222
I MIGHT BE A PRUNE, BITCH.
478
00:10:22,222 --> 00:10:23,456
I MIGHT BE WHATEVER THE [bleep]
479
00:10:23,456 --> 00:10:24,457
I AM, BUT GUESS WHAT.
480
00:10:24,457 --> 00:10:25,525
LET ME GUESS WHAT.
481
00:10:25,525 --> 00:10:26,860
WE DON'T WANT TO HEAR--WE DON'T
482
00:10:26,860 --> 00:10:28,395
WANT TO HEAR YOU.
483
00:10:28,395 --> 00:10:31,231
WE DON'T WANT TO HEAR YOU.
484
00:10:31,231 --> 00:10:32,065
JUST LIKE WE DON'T WANT TO HEAR
485
00:10:32,065 --> 00:10:33,333
YOUR MUSIC, GEORGIA PEACH.
486
00:10:33,333 --> 00:10:35,568
GIRL, YOU BETTER HOPE...
487
00:10:35,568 --> 00:10:36,970
[sighs]
488
00:10:36,970 --> 00:10:38,171
* I'M RASHEEDA ♪
489
00:10:38,171 --> 00:10:40,073
♪ I RAP LIKE SHAWTY LO
490
00:10:40,073 --> 00:10:41,441
BITCH, YOU KNOW WHAT?
491
00:10:41,441 --> 00:10:42,509
I'M DONE, FOR REAL.
492
00:10:42,509 --> 00:10:46,379
I'M DONE.
493
00:10:46,379 --> 00:10:48,682
MEATBALLS.
494
00:10:48,682 --> 00:10:51,685
[sighs]
495
00:10:51,685 --> 00:10:53,253
WE NEVER GONNA BE FRIENDS,
496
00:10:53,253 --> 00:10:54,421
OKAY?
497
00:10:54,421 --> 00:10:55,488
THAT'S CLEAR.
498
00:10:55,488 --> 00:10:57,057
YOU SEEING SOMEBODY?
499
00:10:57,057 --> 00:10:58,358
STEVIE, I'M DOING ME.
500
00:10:58,358 --> 00:10:59,226
WHO IS IT?
501
00:10:59,226 --> 00:11:01,228
ARE YOU?
502
00:11:01,228 --> 00:11:02,195
MM.
503
00:11:02,195 --> 00:11:03,864
I BELIEVE THAT Y'ALL--
504
00:11:03,864 --> 00:11:04,732
SHE TALKED TO ME. HOLD UP.
505
00:11:04,732 --> 00:11:06,099
YOU KNOW, YOU JUST DON'T CARE
506
00:11:06,099 --> 00:11:08,769
ABOUT WHAT I GOT GOING ON.
507
00:11:13,573 --> 00:11:14,574
[upbeat funky music]
508
00:11:14,574 --> 00:11:18,746
♪
509
00:11:18,746 --> 00:11:20,047
I GOT A NEW APARTMENT TO GET
510
00:11:20,047 --> 00:11:21,414
AWAY FROM THE BULL[bleep] AND
511
00:11:21,414 --> 00:11:22,582
THE DRAMA, AND NOW AT MY
512
00:11:22,582 --> 00:11:23,751
HOUSEWARMING, TWO OF MY GOOD
513
00:11:23,751 --> 00:11:25,152
FRIENDS GET INTO IT.
514
00:11:25,152 --> 00:11:26,153
LIKE, WHAT THE...
515
00:11:26,153 --> 00:11:27,287
REALLY?
516
00:11:27,287 --> 00:11:28,621
I'M SO [bleep] TIRED OF
517
00:11:28,621 --> 00:11:29,957
DEALING WITH THIS DUMB [bleep].
518
00:11:29,957 --> 00:11:32,192
I'MA CALL YOU BACK.
519
00:11:32,192 --> 00:11:32,860
I TRIED.
520
00:11:32,860 --> 00:11:33,994
I'M JUST MAD THAT THIS
521
00:11:33,994 --> 00:11:35,195
[bleep] EVEN...
522
00:11:35,195 --> 00:11:36,196
I TRIED TO BE
523
00:11:36,196 --> 00:11:37,530
MOTHER[bleep] COOL, AND THE
524
00:11:37,530 --> 00:11:38,866
BITCH WANTED TO KEEP POPPIN' HER
525
00:11:38,866 --> 00:11:39,933
MOTHER[bleep] MOUTH AND HIT ME
526
00:11:39,933 --> 00:11:42,102
WITH A MOTHER[bleep] CANDLE, A
527
00:11:42,102 --> 00:11:43,503
FIRE, BITCH?
528
00:11:43,503 --> 00:11:45,205
THIS IS HER NEW CRIB, AND YOU'RE
529
00:11:45,205 --> 00:11:47,107
GONNA DISRESPECT HER BY STARTING
530
00:11:47,107 --> 00:11:48,909
OFF THROWING [bleep] AT
531
00:11:48,909 --> 00:11:49,676
SOMEBODY?
532
00:11:49,676 --> 00:11:50,343
LIKE, FOR REAL?
533
00:11:50,343 --> 00:11:51,411
I THINK PEOPLE USE THE TERM
534
00:11:51,411 --> 00:11:53,280
"FRIEND" A LITTLE TOO LIGHTLY,
535
00:11:53,280 --> 00:11:54,081
'CAUSE THAT AIN'T NO DAMN
536
00:11:54,081 --> 00:11:54,782
FRIEND.
537
00:11:54,782 --> 00:11:55,415
I DON'T UNDERSTAND.
538
00:11:55,415 --> 00:11:56,884
I'M CONFUSED.
539
00:11:56,884 --> 00:11:58,151
I'M NOT [bleep] CONFUSED.
540
00:11:58,151 --> 00:11:59,619
WE NEVER GONNA BE FRIENDS.
541
00:11:59,619 --> 00:12:00,921
THAT'S CLEAR.
542
00:12:00,921 --> 00:12:02,289
OH, MY GOD.
543
00:12:02,289 --> 00:12:02,956
[laughs]
544
00:12:02,956 --> 00:12:03,623
OH, MY GOD.
545
00:12:03,623 --> 00:12:04,424
IT'S A HOUSEWARMING.
546
00:12:04,424 --> 00:12:05,158
IT WAS.
547
00:12:05,158 --> 00:12:06,059
WHAT THE HELL?
548
00:12:06,059 --> 00:12:07,694
YO, THESE GIRLS ARE CRAZY IN
549
00:12:07,694 --> 00:12:08,929
HERE.
550
00:12:08,929 --> 00:12:09,863
COME ON, K.
551
00:12:09,863 --> 00:12:11,064
I MEAN, THAT'S MY GIRL.
552
00:12:11,064 --> 00:12:12,099
I LOVE HER.
553
00:12:12,099 --> 00:12:14,167
BUT SHE KNOWS A COUPLE OF THOSE
554
00:12:14,167 --> 00:12:17,871
SCREWS ARE NOT TIGHT UP THERE.
555
00:12:17,871 --> 00:12:18,939
I'M REALLY ANGRY SHE THREW THAT
556
00:12:18,939 --> 00:12:19,807
CANDLE AT YOU.
557
00:12:19,807 --> 00:12:20,440
ANGRY?
558
00:12:20,440 --> 00:12:21,241
MAN, [bleep] THAT CANDLE.
559
00:12:21,241 --> 00:12:22,075
IF I'D HAVE HAD A CHANCE,
560
00:12:22,075 --> 00:12:23,343
I'D HAVE BROKE--I'D HAVE PULLED
561
00:12:23,343 --> 00:12:24,544
THAT WIG OFF HER HEAD.
562
00:12:24,544 --> 00:12:25,378
YOU WAS TRYING TO THROW THAT
563
00:12:25,378 --> 00:12:26,546
BOTTLE OF ACE OF SPADE TOO.
564
00:12:26,546 --> 00:12:27,380
AND I'D HAVE BOUGHT YOU
565
00:12:27,380 --> 00:12:28,181
ANOTHER ONE, TOO, IF I--
566
00:12:28,181 --> 00:12:29,182
NO, I DON'T WANT YOU TO BUY
567
00:12:29,182 --> 00:12:30,150
ME ANOTHER BOTTLE.
568
00:12:30,150 --> 00:12:31,318
I'M LIKE, "BITCH, YOU BETTER PUT
569
00:12:31,318 --> 00:12:32,552
THAT GODDAMN BOTTLE DOWN."
570
00:12:32,552 --> 00:12:33,320
I APOLOGIZE, THOUGH, FOR
571
00:12:33,320 --> 00:12:33,987
THAT--
572
00:12:33,987 --> 00:12:35,455
DON'T APOLOGIZE, BECAUSE IT
573
00:12:35,455 --> 00:12:36,489
WAS NOT YOUR FAULT.
574
00:12:36,489 --> 00:12:37,224
IT ALL COULD HAVE BEEN
575
00:12:37,224 --> 00:12:39,159
HANDLED DIFFERENTLY, YOU KNOW.
576
00:12:39,159 --> 00:12:39,827
NOT SO MUCH.
577
00:12:39,827 --> 00:12:40,828
THE WAY THAT [bleep] WENT DOWN,
578
00:12:40,828 --> 00:12:41,694
IT WAS GONNA GO DOWN NO MATTER
579
00:12:41,694 --> 00:12:42,863
WHAT THE [bleep] I SAID, YOU
580
00:12:42,863 --> 00:12:43,831
SAID.
581
00:12:43,831 --> 00:12:44,932
JESUS COULD HAVE CAME DOWN
582
00:12:44,932 --> 00:12:47,467
HIMSELF AND SAID, "BREAK IT UP,"
583
00:12:47,467 --> 00:12:48,902
AND THIS WAS NOT GONNA [bleep]
584
00:12:48,902 --> 00:12:49,937
HAPPEN.
585
00:12:49,937 --> 00:12:51,839
I GUESS MIMI WAS RIGHT.
586
00:12:51,839 --> 00:12:53,106
THERE WAS NO WAY ME AND THE
587
00:12:53,106 --> 00:12:54,341
DONKEY WAS GONNA BE ABLE TO BE
588
00:12:54,341 --> 00:12:55,742
IN THE ROOM TOGETHER AND HAVE A
589
00:12:55,742 --> 00:12:57,277
LOGICAL CONVERSATION AND CROSS
590
00:12:57,277 --> 00:12:58,678
OUR LEGS LIKE GROWN WOMEN.
591
00:12:58,678 --> 00:13:00,280
I'M DONE WITH IT.
592
00:13:00,280 --> 00:13:01,081
STILL GOT THAT BOTTLE?
593
00:13:01,081 --> 00:13:02,049
YES, THAT BOTTLE IS IN THERE.
594
00:13:02,049 --> 00:13:03,716
YOU DIDN'T THROW IT AWAY.
595
00:13:03,716 --> 00:13:04,651
GOOD, GOOD.
596
00:13:04,651 --> 00:13:06,253
LET'S DRINK THE BOTTLE.
597
00:13:06,253 --> 00:13:07,287
I'M DONE WITH THESE
598
00:13:07,287 --> 00:13:08,288
RATCHET-ASS [bleep]--
599
00:13:08,288 --> 00:13:09,456
STOP USING THAT WORD.
600
00:13:09,456 --> 00:13:10,858
I MEAN, DAMN, WHAT ELSE CAN
601
00:13:10,858 --> 00:13:12,459
CAN YOU SAY TO SOMEBODY WITH A
602
00:13:12,459 --> 00:13:13,660
BACKWARDS WIG ON?
603
00:13:13,660 --> 00:13:14,995
THAT'S Y'ALL GODDAMN FRIEND.
604
00:13:14,995 --> 00:13:15,695
IT'S ALL GOOD.
605
00:13:15,695 --> 00:13:16,964
OOH, GIRL!
606
00:13:16,964 --> 00:13:19,666
REMIND ME TO GET THIS GODDAMN
607
00:13:19,666 --> 00:13:20,868
CANDLE WAX OFF ME.
608
00:13:20,868 --> 00:13:22,302
BITCH TRIED TO SET ME ON FIRE.
609
00:13:22,302 --> 00:13:23,670
RASHEEDA, DON'T [bleep] PLAY.
610
00:13:23,670 --> 00:13:24,371
OH, HOW YOU GET IN THIS
611
00:13:24,371 --> 00:13:25,105
BITCH?
612
00:13:25,105 --> 00:13:26,373
DON'T [bleep] PLAY.
613
00:13:26,373 --> 00:13:27,374
[percussive music]
614
00:13:27,374 --> 00:13:28,976
♪
615
00:13:28,976 --> 00:13:30,410
MAN, I'M GOING TO SEE MY MAMA
616
00:13:30,410 --> 00:13:31,078
TODAY, MAN.
617
00:13:31,078 --> 00:13:31,879
YOU KNOW WHAT I'M SAYING?
618
00:13:31,879 --> 00:13:33,246
I GOT TO HOLLER AT HER ABOUT
619
00:13:33,246 --> 00:13:35,015
THE SITCH-E-ATION THAT HAPPENED
620
00:13:35,015 --> 00:13:35,983
THE OTHER NIGHT.
621
00:13:35,983 --> 00:13:38,518
HEY, TYLER, LOOK WHO'S HERE.
622
00:13:38,518 --> 00:13:40,220
LOOK, IT'S YOUR BIG BROTHER.
623
00:13:40,220 --> 00:13:41,288
HE AIN'T MY BROTHER.
624
00:13:41,288 --> 00:13:43,123
JUST SET ME UP ON SOME MAFIA HIT
625
00:13:43,123 --> 00:13:44,057
TYPES, FEEL LIKE YOU FEELIN'
626
00:13:44,057 --> 00:13:44,724
TO WHACK ME.
627
00:13:44,724 --> 00:13:45,592
WE GOT SHAY COMING IN FROM THE
628
00:13:45,592 --> 00:13:46,493
BACK, YOU KNOW.
629
00:13:46,493 --> 00:13:47,961
I'M LIKE, "WOW."
630
00:13:47,961 --> 00:13:48,962
I JUST WANT TO HOLLER AT HER,
631
00:13:48,962 --> 00:13:50,230
'CAUSE I AIN'T REALLY TOO MUCH
632
00:13:50,230 --> 00:13:52,099
CARE FOR THAT SITUATION.
633
00:13:52,099 --> 00:13:53,566
YOU AIN'T LOOKING TOO GOOD.
634
00:13:53,566 --> 00:13:56,336
NO, I AIN'T FEELING TOO GOOD.
635
00:13:56,336 --> 00:13:59,072
YOU KNOW, ALL THAT SHAY STUFF,
636
00:13:59,072 --> 00:14:00,407
AND, YOU KNOW, I TOLD YOU--I'M
637
00:14:00,407 --> 00:14:03,010
LIKE, IF I'M GOING TO THE LEFT,
638
00:14:03,010 --> 00:14:04,444
YOU NEED TO GO TO THE LEFT TOO,
639
00:14:04,444 --> 00:14:05,445
'CAUSE WE FAMILY.
640
00:14:05,445 --> 00:14:06,213
YOU KNOW WHAT I'M SAYING?
641
00:14:06,213 --> 00:14:07,314
YOU KNOW, LIKE, YOU'VE GOT A
642
00:14:07,314 --> 00:14:09,182
GRANDDAUGHTER WITH ERICA.
643
00:14:09,182 --> 00:14:09,917
YOU FEEL ME?
644
00:14:09,917 --> 00:14:11,684
NOT WITH HER, SO IT AIN'T--
645
00:14:11,684 --> 00:14:12,519
AIN'T NOTHING COMING OUT OF
646
00:14:12,519 --> 00:14:13,186
THAT.
647
00:14:13,186 --> 00:14:14,021
AIN'T NOTHING COMING FROM IT.
648
00:14:14,021 --> 00:14:15,155
AIN'T NOTHING GONNA HAPPEN.
649
00:14:15,155 --> 00:14:15,822
YOU FEEL ME?
650
00:14:15,822 --> 00:14:17,024
JUST LIKE I TOLD HER.
651
00:14:17,024 --> 00:14:18,491
MY MAMA IS BRINGING SHAY TO THE
652
00:14:18,491 --> 00:14:19,927
STUDIO OFF THE TOP DOING
653
00:14:19,927 --> 00:14:21,294
SOMETHING I ALREADY SAID I DON'T
654
00:14:21,294 --> 00:14:23,263
LIKE, AND THEN SHE BASICALLY
655
00:14:23,263 --> 00:14:24,697
GOT ME THINKING, LIKE, SHE'S
656
00:14:24,697 --> 00:14:26,233
BEEN RUNNING AROUND WITH SHAY.
657
00:14:26,233 --> 00:14:28,368
I DON'T NEED YOU SCHEMING,
658
00:14:28,368 --> 00:14:30,137
PUTTING ON A SKI MASK WITH
659
00:14:30,137 --> 00:14:31,471
ANOTHER CHICK TRYING TO RUIN
660
00:14:31,471 --> 00:14:33,240
WHAT I GOT GOING ON.
661
00:14:33,240 --> 00:14:34,174
IT'S REAL [bleep].
662
00:14:34,174 --> 00:14:35,275
HOW YOU GET A CHANCE TO TALK TO
663
00:14:35,275 --> 00:14:36,509
HER IF YOU DON'T BE AROUND HER
664
00:14:36,509 --> 00:14:38,011
LIKE THAT, IF YOU JUST POP UP--
665
00:14:38,011 --> 00:14:40,080
Y'ALL ARE IN THE SAME PLACE,
666
00:14:40,080 --> 00:14:41,114
BUT YOU DON'T TALK TO HER LIKE
667
00:14:41,114 --> 00:14:41,781
THAT?
668
00:14:41,781 --> 00:14:42,515
HOW IS THAT?
669
00:14:42,515 --> 00:14:43,650
I RAN ACROSS HER IN THE
670
00:14:43,650 --> 00:14:45,485
STREET, BELIEVE IT OR NOT.
671
00:14:45,485 --> 00:14:46,186
YEAH.
672
00:14:46,186 --> 00:14:47,420
IT SOUND LIKE YOU LYING
673
00:14:47,420 --> 00:14:48,688
ALREADY.
674
00:14:48,688 --> 00:14:51,058
THE THING OF IT IS THAT...
675
00:14:51,058 --> 00:14:51,959
THE THING OF IT IS...
676
00:14:51,959 --> 00:14:53,060
SHE TALKED TO ME.
677
00:14:53,060 --> 00:14:53,726
HOLD UP. HOLD UP.
678
00:14:53,726 --> 00:14:54,962
YOU JUST DON'T CARE ABOUT
679
00:14:54,962 --> 00:14:56,263
WHAT I GOT GOING ON.
680
00:14:56,263 --> 00:14:57,097
I BELIEVE THAT Y'ALL BE HOOKED
681
00:14:57,097 --> 00:14:57,764
UP.
682
00:14:57,764 --> 00:14:58,731
Y'ALL KNOW WHERE IT'S GONNA BE
683
00:14:58,731 --> 00:15:00,733
AND ALL THAT.
684
00:15:02,135 --> 00:15:03,503
BUT IT'S IN MY SCOPE, AND I'M
685
00:15:03,503 --> 00:15:05,105
TELLING YOU NOW, I'M ROUNDING
686
00:15:05,105 --> 00:15:06,406
THE KINGDOM, AND I'M LOOKING
687
00:15:06,406 --> 00:15:08,841
DOWN OVER EVERYTHING
688
00:15:08,841 --> 00:15:10,410
AND ALL THE PEASANTS AND ALL THE
689
00:15:10,410 --> 00:15:12,345
ROYAL BLOODS, BUT THE QUEEN
690
00:15:12,345 --> 00:15:13,746
AIN'T ALWAYS ON POINT, AND I
691
00:15:13,746 --> 00:15:14,614
APOLOGIZE.
692
00:15:14,614 --> 00:15:15,615
WHAT? QUEEN?
693
00:15:15,615 --> 00:15:16,449
HOLD ON NOW.
694
00:15:16,449 --> 00:15:17,650
LIKE, YOU TAKING THIS PRINCE
695
00:15:17,650 --> 00:15:19,987
OF THE SOUTH A LITTLE TOO FAR.
696
00:15:19,987 --> 00:15:20,988
YOU KNOW WHAT I'M SAYING?
697
00:15:20,988 --> 00:15:21,721
SHE CALLING TROOPS AND
698
00:15:21,721 --> 00:15:22,822
EVERYTHING.
699
00:15:22,822 --> 00:15:23,991
AND YOU KNOW WHAT ELSE?
700
00:15:23,991 --> 00:15:24,791
YOU JUST SAID THE OTHER DAY,
701
00:15:24,791 --> 00:15:26,226
LIKE, "I CAN'T EVEN COME OVER
702
00:15:26,226 --> 00:15:27,627
THERE AND COOK."
703
00:15:27,627 --> 00:15:28,428
OKAY, SO--
704
00:15:28,428 --> 00:15:29,562
WHAT YOU WANT, A MEAT LOAF?
705
00:15:29,562 --> 00:15:30,763
NO, THIS IS WHAT I WANT.
706
00:15:30,763 --> 00:15:33,333
I WANT FRIED CHICKEN, MACARONI
707
00:15:33,333 --> 00:15:34,734
AND CHEESE, 'CAUSE THAT'S--
708
00:15:34,734 --> 00:15:35,468
MY DAUGHTER LIKE THAT TOO.
709
00:15:35,468 --> 00:15:36,569
I KNOW. SHE LOVES IT.
710
00:15:36,569 --> 00:15:39,206
AND WE ALL SIT DOWN, ME,
711
00:15:39,206 --> 00:15:43,110
ERICA, MIGNON, AND MOMMA DEE,
712
00:15:43,110 --> 00:15:44,277
HAVE A GOOD DINNER.
713
00:15:44,277 --> 00:15:45,745
IF SCRAPPY FEELS LIKE HAVING
714
00:15:45,745 --> 00:15:47,614
THIS SIT-DOWN DINNER WOULD HELP
715
00:15:47,614 --> 00:15:49,116
ME AND ERICA'S RELATIONSHIP,
716
00:15:49,116 --> 00:15:50,050
I'M WILLING TO OBLIGE THE
717
00:15:50,050 --> 00:15:52,152
PRINCE, BUT I'M TELLING YOU NOW,
718
00:15:52,152 --> 00:15:55,055
I AM HOVERING, WATCHING OVER
719
00:15:55,055 --> 00:15:57,024
EVERY MOVE SHE MAKES.
720
00:15:57,024 --> 00:15:57,890
THAT'S HOW I THINK WE SHOULD
721
00:15:57,890 --> 00:15:58,558
DO IT.
722
00:15:58,558 --> 00:16:00,093
OKAY, AND SO IT IS SAID,
723
00:16:00,093 --> 00:16:02,262
SO SHALL IT BE WRITTEN.
724
00:16:02,262 --> 00:16:04,031
HE ALREADY DONE SPOKE IT.
725
00:16:04,031 --> 00:16:05,265
[laughs] LET THE CHURCH SAY
726
00:16:05,265 --> 00:16:07,800
AMEN.
727
00:16:07,800 --> 00:16:08,801
[aggressive hip-hop music]
728
00:16:08,801 --> 00:16:16,876
♪
729
00:16:16,876 --> 00:16:20,647
OLUREMI, WHAT'S GOING ON?
730
00:16:20,647 --> 00:16:21,381
HELLO.
731
00:16:21,381 --> 00:16:22,082
HOW ARE YOU?
732
00:16:22,082 --> 00:16:23,316
I'M GOOD.
733
00:16:23,316 --> 00:16:24,417
FINALLY GOT BACK TO ME.
734
00:16:24,417 --> 00:16:25,385
I'M HITTING YOU.
735
00:16:25,385 --> 00:16:26,219
I'M TEXTING YOU.
736
00:16:26,219 --> 00:16:27,454
SO YOU FINALLY FIGURED YOU WOULD
737
00:16:27,454 --> 00:16:28,688
MEET ME SOMEWHERE?
738
00:16:28,688 --> 00:16:29,522
ABSOLUTELY.
739
00:16:29,522 --> 00:16:30,557
SO EVER SINCE I MOVED OUT,
740
00:16:30,557 --> 00:16:32,059
STEVIE'S BEEN ASKING ME WHERE I
741
00:16:32,059 --> 00:16:32,692
LIVE.
742
00:16:32,692 --> 00:16:34,061
AT THE END OF THE DAY, STEVIE
743
00:16:34,061 --> 00:16:35,495
AND I STILL HAVE TO CO-PARENT,
744
00:16:35,495 --> 00:16:38,065
SO I RETURNED HIS CALL AND
745
00:16:38,065 --> 00:16:40,067
AGREED TO DISCUSS WHATEVER WE
746
00:16:40,067 --> 00:16:41,201
NEED TO DISCUSS.
747
00:16:41,201 --> 00:16:42,069
I KNOW YOU GOT A LOT GOING
748
00:16:42,069 --> 00:16:44,737
ON, BUT YOU LOOK BEAUTIFUL,
749
00:16:44,737 --> 00:16:47,207
AND I MISS YOU, AND I WANT TO
750
00:16:47,207 --> 00:16:47,874
SEE MY BABY.
751
00:16:47,874 --> 00:16:49,376
THAT'S NOT A PROBLEM.
752
00:16:49,376 --> 00:16:50,477
WHEN CAN I SEE MY BABY?
753
00:16:50,477 --> 00:16:51,478
WHEN WOULD YOU LIKE?
754
00:16:51,478 --> 00:16:52,479
DO WE NEED--
755
00:16:52,479 --> 00:16:53,146
RIGHT NOW.
756
00:16:53,146 --> 00:16:53,980
DO YOU WANT TO DO A SCHEDULE?
757
00:16:53,980 --> 00:16:55,082
YOU CAN'T SEE HER RIGHT NOW.
758
00:16:55,082 --> 00:16:56,083
A SCHEDULE?
759
00:16:56,083 --> 00:16:57,650
I'M SAYING TO MAKE IT
760
00:16:57,650 --> 00:16:58,885
EASIER...
761
00:16:58,885 --> 00:17:00,687
[laughs] DO A SCHEDULE TO
762
00:17:00,687 --> 00:17:01,621
SEE MY BABY.
763
00:17:01,621 --> 00:17:03,090
NO, I'M JUST SAYING, IF WE DO
764
00:17:03,090 --> 00:17:04,224
A SCHEDULE, THAT WAY--
765
00:17:04,224 --> 00:17:05,692
MONDAYS AT 6:00 P.M.
766
00:17:05,692 --> 00:17:08,628
TUESDAYS AT 7:30.
767
00:17:08,628 --> 00:17:09,662
YOU KNOW, HOW ARE WE DOING THAT?
768
00:17:09,662 --> 00:17:10,697
THAT AIN'T HOW I'M USED TO DOING
769
00:17:10,697 --> 00:17:11,431
THAT.
770
00:17:11,431 --> 00:17:12,232
I DON'T KNOW WHAT KIND OF
771
00:17:12,232 --> 00:17:13,400
[bleep] IS SHE TRYING TO PULL,
772
00:17:13,400 --> 00:17:14,567
BUT EVA IS MY DAUGHTER,
773
00:17:14,567 --> 00:17:15,635
AND I WILL FIND OUT WHERE SHE
774
00:17:15,635 --> 00:17:16,969
LIVES WITH OR WITHOUT HER HELP.
775
00:17:16,969 --> 00:17:17,837
AND THAT'S JUST THE WAY IT'S
776
00:17:17,837 --> 00:17:18,505
GONNA GO.
777
00:17:18,505 --> 00:17:19,272
WHERE IS SHE?
778
00:17:19,272 --> 00:17:20,107
SHE'S FINE.
779
00:17:20,107 --> 00:17:20,773
WHERE DO YOU LIVE?
780
00:17:20,773 --> 00:17:21,441
STEVIE--
781
00:17:21,441 --> 00:17:22,809
I WANT TO BE ABLE TO GO AND
782
00:17:22,809 --> 00:17:24,111
PICK HER UP.
783
00:17:24,111 --> 00:17:24,811
IS THIS--
784
00:17:24,811 --> 00:17:26,479
YOU JUST WANT TO KNOW SO
785
00:17:26,479 --> 00:17:27,414
YOU CAN GO PICK HER UP?
786
00:17:27,414 --> 00:17:28,115
THAT'S WHY--
787
00:17:28,115 --> 00:17:28,848
I WANT TO KNOW WHO SHE'S
788
00:17:28,848 --> 00:17:29,516
AROUND.
789
00:17:29,516 --> 00:17:30,283
SHE'S AROUND ME.
790
00:17:30,283 --> 00:17:30,950
AND WHO ELSE?
791
00:17:30,950 --> 00:17:31,618
THAT'S IT.
792
00:17:31,618 --> 00:17:32,285
WHO ELSE?
793
00:17:32,285 --> 00:17:33,120
THAT'S--YOU KNOW WHO I'M
794
00:17:33,120 --> 00:17:33,853
AROUND.
795
00:17:33,853 --> 00:17:35,188
YOU SEEING SOMEBODY?
796
00:17:35,188 --> 00:17:36,956
STEVIE, I'M DOING ME.
797
00:17:36,956 --> 00:17:37,624
YOU'RE DOING YOU?
798
00:17:37,624 --> 00:17:40,693
THAT'S IT.
799
00:17:40,693 --> 00:17:42,962
IS HE FLYER THAN ME?
800
00:17:42,962 --> 00:17:43,630
[laughs]
801
00:17:43,630 --> 00:17:45,765
IS HE MORE TALENTED THAN ME?
802
00:17:45,765 --> 00:17:47,134
HAVE A BODY LIKE MINE?
803
00:17:47,134 --> 00:17:49,169
OH, WOW.
804
00:17:49,169 --> 00:17:50,270
HUH? IS HE?
805
00:17:50,270 --> 00:17:51,404
WHO IS IT?
806
00:17:51,404 --> 00:17:54,941
ARE YOU?
807
00:17:54,941 --> 00:17:56,143
THAT'S NEITHER HERE NOR
808
00:17:56,143 --> 00:17:57,009
THERE.
809
00:17:57,009 --> 00:17:58,278
MM.
810
00:17:58,278 --> 00:17:59,479
REALLY NONE OF STEVIE'S
811
00:17:59,479 --> 00:18:01,281
BUSINESS WHO I'M DATING, WHO I'M
812
00:18:01,281 --> 00:18:03,983
SEEING, WHO COMES BY MY PLACE,
813
00:18:03,983 --> 00:18:05,152
ANY OF THAT.
814
00:18:05,152 --> 00:18:05,852
DO YOU.
815
00:18:05,852 --> 00:18:07,387
I'M GONNA DO ME.
816
00:18:07,387 --> 00:18:09,656
AND LET IT BE THAT, PERIOD.
817
00:18:09,656 --> 00:18:10,757
STEVIE...
818
00:18:10,757 --> 00:18:12,392
WHERE DO YOU LIVE?
819
00:18:12,392 --> 00:18:14,327
I LIVE IN ATLANTA.
820
00:18:14,327 --> 00:18:16,196
[scoffs]
821
00:18:16,196 --> 00:18:17,664
YOU KNOW, WHEN I FIND OUT WHERE
822
00:18:17,664 --> 00:18:18,998
IT IS, I AIN'T TRIPPING.
823
00:18:18,998 --> 00:18:19,699
YOU KNOW WHAT I'M SAYING?
824
00:18:19,699 --> 00:18:20,467
I'M NOT ABOUT TO ASK YOU A
825
00:18:20,467 --> 00:18:21,634
MILLION TIMES.
826
00:18:21,634 --> 00:18:22,635
OKAY.
827
00:18:22,635 --> 00:18:24,371
BUT I'LL SHOW UP, OKAY?
828
00:18:24,371 --> 00:18:26,173
YOU ALWAYS DO.
829
00:18:26,173 --> 00:18:28,007
I'LL SEE YOU LATER.
830
00:18:28,007 --> 00:18:30,510
YOU LOOK GOOD, BABY.
831
00:18:30,510 --> 00:18:31,744
THANK YOU.
832
00:18:31,744 --> 00:18:32,712
CAN I HAVE A KISS?
833
00:18:32,712 --> 00:18:35,682
NO.
834
00:18:35,682 --> 00:18:37,250
I'LL SEE YOU SOON, OKAY?
835
00:18:37,250 --> 00:18:38,084
I'LL CALL YOU WITH THE BABY.
836
00:18:38,084 --> 00:18:38,818
CALL ME, SO I CAN GET THE
837
00:18:38,818 --> 00:18:39,552
BABY.
838
00:18:39,552 --> 00:18:41,554
I WILL.
839
00:18:46,259 --> 00:18:47,460
Y'ALL GIVE IT UP FOR MY GIRL,
840
00:18:47,460 --> 00:18:49,028
THE BEAUTIFUL MISS JOSELINE
841
00:18:49,028 --> 00:18:50,597
HERNANDEZ.
842
00:18:50,597 --> 00:18:51,764
IF I DON'T GET MY MONEY,
843
00:18:51,764 --> 00:18:52,832
YOU GOT A PROBLEM.
844
00:18:52,832 --> 00:18:55,034
DO YOU KNOW THAT THIS TRICK
845
00:18:55,034 --> 00:18:56,102
REARED BACK AND THREW THAT
846
00:18:56,102 --> 00:18:57,404
[bleep] AT ME?
847
00:18:57,404 --> 00:18:58,838
IF SHE'S WILLING TO DO THAT,
848
00:18:58,838 --> 00:18:59,872
AIN'T NO TELLING WHAT SHE GONNA
849
00:18:59,872 --> 00:19:01,208
TRY NEXT, AND THAT'S GONNA BRING
850
00:19:01,208 --> 00:19:02,575
SOME REAL PROBLEMS, AND I DON'T
851
00:19:02,575 --> 00:19:04,010
THINK SHE'S DONE HER HOMEWORK TO
852
00:19:04,010 --> 00:19:04,844
KNOW WHAT TYPE OF PROBLEMS
853
00:19:04,844 --> 00:19:06,846
THAT'S GONNA BRING.
854
00:19:11,718 --> 00:19:12,719
[upbeat funky music]
855
00:19:12,719 --> 00:19:14,020
♪
856
00:19:14,020 --> 00:19:16,523
[sizzling]
857
00:19:16,523 --> 00:19:17,224
HI.
858
00:19:17,224 --> 00:19:17,857
HEY.
859
00:19:17,857 --> 00:19:18,891
WHAT'S UP?
860
00:19:18,891 --> 00:19:19,826
mwah!
861
00:19:19,826 --> 00:19:21,228
WHAT ARE WE EATING?
862
00:19:21,228 --> 00:19:22,829
RICE, CORN, VEGETABLES.
863
00:19:22,829 --> 00:19:23,663
I'M ALMOST FINISHED.
864
00:19:23,663 --> 00:19:24,664
I WOULD HAVE BEEN DONE IF I
865
00:19:24,664 --> 00:19:27,734
WASN'T CLEANING UP THIS [bleep].
866
00:19:27,734 --> 00:19:28,901
WHAT IS THAT?
867
00:19:28,901 --> 00:19:30,136
IT'S CANDLE WAX.
868
00:19:30,136 --> 00:19:32,405
SO I GO TO MIMI'S HOUSEWARMING,
869
00:19:32,405 --> 00:19:33,573
AND I KIND OF WAS SUSPECTING
870
00:19:33,573 --> 00:19:34,441
THAT K. MICHELLE WAS GONNA
871
00:19:34,441 --> 00:19:35,107
BE THERE.
872
00:19:35,107 --> 00:19:36,309
WE BACKIN' AND FORTHIN'.
873
00:19:36,309 --> 00:19:37,477
SO I'M LIKE, "YOU KNOW WHAT?
874
00:19:37,477 --> 00:19:38,711
THIS IS NOT WHAT I CAME FOR."
875
00:19:38,711 --> 00:19:39,746
SO I GRABBED MY STUFF.
876
00:19:39,746 --> 00:19:41,314
I HEAD TO WALK OUT THE DOOR.
877
00:19:41,314 --> 00:19:43,483
SHE'S STILL RUNNIN' THAT TRAP.
878
00:19:43,483 --> 00:19:44,751
"GOOD LUCK WITH YOUR HUSBAND
879
00:19:44,751 --> 00:19:46,886
AND HIS THREE EARRINGS."
880
00:19:46,886 --> 00:19:47,654
IT'S NOT THREE EARRINGS.
881
00:19:47,654 --> 00:19:48,821
IT'S FOUR, BUT ANYWAY, WHAT THE
882
00:19:48,821 --> 00:19:49,722
[bleep] ARE YOU WORRYING ABOUT
883
00:19:49,722 --> 00:19:50,457
ME FOR?
884
00:19:50,457 --> 00:19:51,324
GET YOUR MATH RIGHT, NUMBER
885
00:19:51,324 --> 00:19:51,991
ONE.
886
00:19:51,991 --> 00:19:53,092
SHE MAD, 'CAUSE SHE AIN'T GOT A
887
00:19:53,092 --> 00:19:54,361
[bleep] WITH NO EARRINGS, OKAY?
888
00:19:54,361 --> 00:19:55,662
SO IF I'VE GOT THREE EARRINGS
889
00:19:55,662 --> 00:19:56,929
OR FOUR EARRINGS IN MY EAR, I'M
890
00:19:56,929 --> 00:19:57,630
GAY?
891
00:19:57,630 --> 00:19:58,298
REALLY?
892
00:19:58,298 --> 00:19:59,799
I WANTED TO BE GAY, I'D BE GAY.
893
00:19:59,799 --> 00:20:02,302
I'M MOTHER--I'M 100% REAL
894
00:20:02,302 --> 00:20:03,703
STREET HOOD CAT.
895
00:20:03,703 --> 00:20:04,637
DO YOUR HOMEWORK.
896
00:20:04,637 --> 00:20:05,838
SO ALL THAT, I MEAN, IT
897
00:20:05,838 --> 00:20:06,639
DOESN'T--
898
00:20:06,639 --> 00:20:07,774
AIN'T NOBODY GOT TO PROVE NO
899
00:20:07,774 --> 00:20:09,442
POINT TO HER AND NO-[bleep]-BODY
900
00:20:09,442 --> 00:20:10,109
ELSE.
901
00:20:10,109 --> 00:20:11,244
K. MICHELLE HAS TALKED [bleep]
902
00:20:11,244 --> 00:20:13,179
ABOUT ME ONE TOO MANY TIMES
903
00:20:13,179 --> 00:20:14,714
AND BE TRYING TO DISRESPECT MY
904
00:20:14,714 --> 00:20:16,549
HUSBAND AND CALL HIM "GAY."
905
00:20:16,549 --> 00:20:17,650
WHATEVER, BITCH.
906
00:20:17,650 --> 00:20:18,651
SHE'S JEALOUS OF ME BEING
907
00:20:18,651 --> 00:20:19,519
MARRIED.
908
00:20:19,519 --> 00:20:20,953
SHE'S JEALOUS OF MY FAMILY.
909
00:20:20,953 --> 00:20:22,221
SHE'S JEALOUS OF MY FRIENDS.
910
00:20:22,221 --> 00:20:23,222
AND YOU KNOW WHAT?
911
00:20:23,222 --> 00:20:25,124
RIGHT NOW, I AM DONE WITH IT.
912
00:20:25,124 --> 00:20:26,125
I'M LIKE, YOU KNOW, "SO WHAT IS
913
00:20:26,125 --> 00:20:26,859
IT?
914
00:20:26,859 --> 00:20:27,627
WHAT'S UP?"
915
00:20:27,627 --> 00:20:28,895
I WALK OVER THERE TO HER.
916
00:20:28,895 --> 00:20:30,397
SHE'S SITTING IN THE CHAIR.
917
00:20:30,397 --> 00:20:32,732
THIS BITCH GOT A CANDLE IN HER
918
00:20:32,732 --> 00:20:33,666
HAND.
919
00:20:33,666 --> 00:20:35,835
DO YOU KNOW THAT THIS TRICK
920
00:20:35,835 --> 00:20:37,103
REARED BACK AND THREW THAT
921
00:20:37,103 --> 00:20:37,970
[bleep] AT ME?
922
00:20:37,970 --> 00:20:40,239
CANDLE WAX ALL OVER ME.
923
00:20:40,239 --> 00:20:41,408
Y'ALL HAD Y'ALL BEEF.
924
00:20:41,408 --> 00:20:42,409
I STAY OUT THE [bleep].
925
00:20:42,409 --> 00:20:43,242
SHE KEEP PUTTING MY
926
00:20:43,242 --> 00:20:44,511
MOTHER[bleep] NAME IN HER MOUTH.
927
00:20:44,511 --> 00:20:45,845
THE BITCH NEED TO KEEP MY NAME
928
00:20:45,845 --> 00:20:46,846
OUT HER MOUTH, NUMBER ONE.
929
00:20:46,846 --> 00:20:47,847
SHE DON'T KNOW ME.
930
00:20:47,847 --> 00:20:48,681
BUT HER PICKING UP [bleep] AND
931
00:20:48,681 --> 00:20:50,317
THROWING IT YOU, THAT [bleep]
932
00:20:50,317 --> 00:20:52,352
IS--THAT [bleep] IS A NO-GO.
933
00:20:52,352 --> 00:20:53,353
SO THAT CONVERSATION IS GONNA
934
00:20:53,353 --> 00:20:54,754
NEED TO BE MOTHER[bleep] HAD,
935
00:20:54,754 --> 00:20:56,656
NUMBER ONE, PERIOD, POINT BLANK,
936
00:20:56,656 --> 00:20:58,491
BECAUSE THAT'S CROSSING SOME
937
00:20:58,491 --> 00:21:00,026
SERIOUS LINES.
938
00:21:00,026 --> 00:21:01,328
IT'S ONE THING TO TALK [bleep]
939
00:21:01,328 --> 00:21:02,929
ABOUT RASHEEDA IN A BLOG, BUT
940
00:21:02,929 --> 00:21:04,196
IT'S ANOTHER THING TO ENDANGER
941
00:21:04,196 --> 00:21:05,532
THE LIFE OF MY WIFE AND THE
942
00:21:05,532 --> 00:21:06,633
MOTHER OF MY CHILD.
943
00:21:06,633 --> 00:21:07,900
AT THIS POINT, I'VE GOT TO GET
944
00:21:07,900 --> 00:21:08,568
INVOLVED.
945
00:21:08,568 --> 00:21:09,802
IF SHE'S WILLING TO DO THAT,
946
00:21:09,802 --> 00:21:11,037
AIN'T NO TELLING WHAT SHE GONNA
947
00:21:11,037 --> 00:21:12,439
TRY NEXT, AND THAT'S GONNA BRING
948
00:21:12,439 --> 00:21:13,740
SOME REAL PROBLEMS, AND I DON'T
949
00:21:13,740 --> 00:21:15,007
THINK SHE'S DONE HER HOMEWORK TO
950
00:21:15,007 --> 00:21:15,942
KNOW WHAT TYPE OF PROBLEMS
951
00:21:15,942 --> 00:21:17,344
THAT'S GONNA BRING, SO I NEED TO
952
00:21:17,344 --> 00:21:18,044
TALK TO HER.
953
00:21:18,044 --> 00:21:19,178
THAT I DO ALREADY KNOW.
954
00:21:19,178 --> 00:21:20,613
AND I'M BEING 100.
955
00:21:20,613 --> 00:21:21,514
I MEAN, I DON'T KNOW WHAT'S
956
00:21:21,514 --> 00:21:23,215
GONNA CHANGE IT, BUT SHE GOT TO
957
00:21:23,215 --> 00:21:25,151
KNOW WHERE TO DRAW THAT LINE AT,
958
00:21:25,151 --> 00:21:27,487
AND I'VE GOT TO ADDRESS THAT.
959
00:21:27,487 --> 00:21:28,888
I CAN'T BE MAD AT KIRK FOR
960
00:21:28,888 --> 00:21:30,357
TRYING TO BE A PRINCE CHARMING
961
00:21:30,357 --> 00:21:31,558
AND COME TO MY RESCUE TO TALK
962
00:21:31,558 --> 00:21:33,626
TO THIS FIRE-THROWING DRAGON,
963
00:21:33,626 --> 00:21:34,927
DONKEY-ASS BITCH.
964
00:21:34,927 --> 00:21:35,995
SEE, THE DIFFERENCE BETWEEN ME
965
00:21:35,995 --> 00:21:37,797
AND K. IS, I'VE GOT A HUSBAND,
966
00:21:37,797 --> 00:21:39,399
AND SOMETHING K. CAN'T TAKE AWAY
967
00:21:39,399 --> 00:21:40,266
FROM ME.
968
00:21:40,266 --> 00:21:43,135
GIVE ME SOME LOVE.
969
00:21:43,135 --> 00:21:44,437
MMM-MMM.
970
00:21:44,437 --> 00:21:45,438
[funky music]
971
00:21:45,438 --> 00:21:53,680
♪
972
00:21:53,680 --> 00:21:55,548
DO WE NEED ONIONS?
973
00:21:55,548 --> 00:21:56,516
THEY GOT SPANISH SWEET
974
00:21:56,516 --> 00:21:57,750
ONIONS.
975
00:21:57,750 --> 00:21:58,985
I WANT SOME ORANGES.
976
00:21:58,985 --> 00:22:00,387
HERE, HERE, HERE, HERE.
977
00:22:00,387 --> 00:22:01,854
TANGERINES MIGHT BE SWEETER.
978
00:22:01,854 --> 00:22:02,522
IS IT SEASON FOR THESE?
979
00:22:02,522 --> 00:22:05,492
SO LOOK, I TALKED TO MY MOM
980
00:22:05,492 --> 00:22:06,258
THE OTHER DAY,
981
00:22:06,258 --> 00:22:07,627
KIND OF GOT ON HER...
982
00:22:07,627 --> 00:22:08,728
YOU FEEL ME?
983
00:22:08,728 --> 00:22:09,762
ABOUT THAT LITTLE SITUATION I
984
00:22:09,762 --> 00:22:10,830
TOLD YOU, AND I WAS VERY
985
00:22:10,830 --> 00:22:11,964
RESPECTFUL WITH HER TOO.
986
00:22:11,964 --> 00:22:13,132
FIZZ-NAY-EE?
987
00:22:13,132 --> 00:22:14,000
OH, YOU TALKING ABOUT THE
988
00:22:14,000 --> 00:22:14,801
STUDIO SITUATION.
989
00:22:14,801 --> 00:22:16,669
YEAH, AND JUST PERIOD, JUST
990
00:22:16,669 --> 00:22:18,204
BEING JUST--THAT'S
991
00:22:18,204 --> 00:22:19,506
DISRESPECTFUL TOWARDS WHAT WE
992
00:22:19,506 --> 00:22:20,172
GOT GOING ON.
993
00:22:20,172 --> 00:22:21,007
YOU FEEL ME?
994
00:22:21,007 --> 00:22:22,675
I WANTED TO LET HER KNOW THAT
995
00:22:22,675 --> 00:22:23,976
I AM RESPECTFUL, AND I DO LOVE
996
00:22:23,976 --> 00:22:25,845
YOU, AND WE DO NEED TO BE A
997
00:22:25,845 --> 00:22:27,414
FAMILY AT THE END OF THE DAY,
998
00:22:27,414 --> 00:22:28,214
YOU KNOW, WHETHER THEY LIKE IT
999
00:22:28,214 --> 00:22:29,582
OR NOT, SO I WAS JUST LIKE,
1000
00:22:29,582 --> 00:22:30,783
"HEY, I WANT BOTH OF Y'ALL TO
1001
00:22:30,783 --> 00:22:31,518
COME OVER...
1002
00:22:31,518 --> 00:22:32,419
YOU KNOW WHAT I'M SAYING?
1003
00:22:32,419 --> 00:22:33,920
AND HAVE A BIG DINNER, AND WE'LL
1004
00:22:33,920 --> 00:22:34,621
SIT DOWN"--
1005
00:22:34,621 --> 00:22:35,287
WHO?
1006
00:22:35,287 --> 00:22:36,589
ME, YOU, AND YOUR MOM TOGETHER?
1007
00:22:36,589 --> 00:22:37,256
AND YOUR MOM.
1008
00:22:37,256 --> 00:22:38,057
AND MY MOM?
1009
00:22:38,057 --> 00:22:38,791
MM-HMM.
1010
00:22:38,791 --> 00:22:40,427
I'M NOT SURE IF HAVING THIS
1011
00:22:40,427 --> 00:22:41,761
DINNER RIGHT NOW IS THE BEST
1012
00:22:41,761 --> 00:22:42,629
IDEA.
1013
00:22:42,629 --> 00:22:43,496
I'VE BEEN TRYING TO GET THIS
1014
00:22:43,496 --> 00:22:44,797
FAMILY TO COME TOGETHER FOR A
1015
00:22:44,797 --> 00:22:47,767
MINUTE NOW, AND MOMMA DEE IS
1016
00:22:47,767 --> 00:22:49,536
JUST ALWAYS AGAINST ME.
1017
00:22:49,536 --> 00:22:51,303
I'M NOT SURE AS TO WHY SCRAPPY
1018
00:22:51,303 --> 00:22:52,204
THINKS THIS TIME IS GONNA BE ANY
1019
00:22:52,204 --> 00:22:53,005
DIFFERENT.
1020
00:22:53,005 --> 00:22:54,441
I'M JUST TRYING TO MAKE IT BE
1021
00:22:54,441 --> 00:22:55,808
LIKE A FAMILY INSTEAD OF KEEP
1022
00:22:55,808 --> 00:22:56,976
GOING ON AND ON AND ON AND ON
1023
00:22:56,976 --> 00:22:57,644
AND ON.
1024
00:22:57,644 --> 00:22:58,678
I MEAN, THAT'S WHAT I TELL YOU
1025
00:22:58,678 --> 00:22:59,345
ALL THE TIME.
1026
00:22:59,345 --> 00:23:00,012
I CAN'T CONTROL HER.
1027
00:23:00,012 --> 00:23:00,680
YOU FEEL ME?
1028
00:23:00,680 --> 00:23:01,881
BUT WHAT I CAN DO AND WHAT YOU
1029
00:23:01,881 --> 00:23:03,182
CAN DO IS TRY.
1030
00:23:03,182 --> 00:23:03,916
YOU FEEL ME?
1031
00:23:03,916 --> 00:23:05,452
I'M TRYING TO BE A FAMILY,
1032
00:23:05,452 --> 00:23:06,786
AND IT AIN'T GONNA BE A FAMILY
1033
00:23:06,786 --> 00:23:08,688
WITHOUT OUR PARENTS AND WITHOUT
1034
00:23:08,688 --> 00:23:09,456
OUR BROTHERS AND SISTERS.
1035
00:23:09,456 --> 00:23:11,157
I MEAN, WE CAN BE SOLO-DOLO
1036
00:23:11,157 --> 00:23:13,325
AND OFF IN THE CUT SOMEWHERE,
1037
00:23:13,325 --> 00:23:15,027
YOU KNOW, BY OURSELF, BUT THAT
1038
00:23:15,027 --> 00:23:16,262
AIN'T COOL FOR EMANI.
1039
00:23:16,262 --> 00:23:16,963
YOU KNOW WHAT I'M SAYING?
1040
00:23:16,963 --> 00:23:18,565
EMANI NEED HER WHOLE FAMILY.
1041
00:23:18,565 --> 00:23:19,231
YOU FEEL ME?
1042
00:23:19,231 --> 00:23:20,232
WELL, OUT OF RESPECT FOR YOU,
1043
00:23:20,232 --> 00:23:21,367
I'LL DO IT, BUT IF SHE COMING TO
1044
00:23:21,367 --> 00:23:22,301
MY HOUSE, SHE GONNA RESPECT ME
1045
00:23:22,301 --> 00:23:22,969
IN MY HOUSE.
1046
00:23:22,969 --> 00:23:23,870
OH, NO, SHE DEFINITELY GONNA
1047
00:23:23,870 --> 00:23:24,537
RESPECT US...
1048
00:23:24,537 --> 00:23:25,271
THAT'S ALL I GOT TO SAY.
1049
00:23:25,271 --> 00:23:26,138
IN THE HOUSE--IN OUR HOUSE.
1050
00:23:26,138 --> 00:23:26,906
YEAH, YOU RIGHT.
1051
00:23:26,906 --> 00:23:27,674
YOU FEEL ME?
1052
00:23:27,674 --> 00:23:28,475
AND IF THAT DON'T WORK,
1053
00:23:28,475 --> 00:23:29,175
WHATEVER.
1054
00:23:29,175 --> 00:23:30,009
I KNOW Y'ALL ARE STILL GONNA BE
1055
00:23:30,009 --> 00:23:30,777
AT THE WEDDING.
1056
00:23:30,777 --> 00:23:32,512
ALL Y'ALL CAN DO IS CRY AND SAY
1057
00:23:32,512 --> 00:23:33,179
BYE.
1058
00:23:33,179 --> 00:23:33,980
YOU FEEL ME?
1059
00:23:33,980 --> 00:23:35,014
I GREW UP WITH BOTH OF MY
1060
00:23:35,014 --> 00:23:36,483
GRANDPARENTS, BOTH SIDES.
1061
00:23:36,483 --> 00:23:37,484
EVERYBODY SHOWED LOVE.
1062
00:23:37,484 --> 00:23:39,118
DIDN'T NOBODY GET INTO NO BEEF.
1063
00:23:39,118 --> 00:23:40,487
SO I WANT MY LITTLE GIRL TO HAVE
1064
00:23:40,487 --> 00:23:42,489
THE SAME OPPORTUNITY WITH HER
1065
00:23:42,489 --> 00:23:43,322
LIFE.
1066
00:23:43,322 --> 00:23:44,757
SO WHEN YOU TRYING TO HAVE
1067
00:23:44,757 --> 00:23:45,492
THIS?
1068
00:23:45,492 --> 00:23:46,125
ASAP.
1069
00:23:46,125 --> 00:23:46,793
WHAT'S ASAP?
1070
00:23:46,793 --> 00:23:48,094
LIKE...
1071
00:23:48,094 --> 00:23:48,961
WHEN YOU--WHEN YOU THINK
1072
00:23:48,961 --> 00:23:49,829
YOU'LL BE READY?
1073
00:23:49,829 --> 00:23:50,897
GIVE ME A COUPLE OF DAYS.
1074
00:23:50,897 --> 00:23:52,164
I GOT YOU.
1075
00:23:52,164 --> 00:23:53,132
OKAY.
1076
00:23:53,132 --> 00:23:54,867
WHAT YOU NEED TO DO IS GO
1077
00:23:54,867 --> 00:23:56,402
MAKE MY LITTLE MAID CLEAN YOUR
1078
00:23:56,402 --> 00:23:57,570
HOUSE, FIND THAT MOTHER[bleep]
1079
00:23:57,570 --> 00:23:58,738
CONTRACT, BRING IT BACK TO ME,
1080
00:23:58,738 --> 00:24:00,306
AND THEN ASK ME FOR 30%,
1081
00:24:00,306 --> 00:24:01,273
'CAUSE I DON'T WANT TO SLAP THE
1082
00:24:01,273 --> 00:24:02,108
[bleep] OUT YOUR ASS.
1083
00:24:02,108 --> 00:24:07,213
[all shouting indistinctly]
1084
00:24:07,213 --> 00:24:09,215
SEE, MIMI.
1085
00:24:14,186 --> 00:24:15,187
[upbeat electronic music]
1086
00:24:15,187 --> 00:24:23,195
♪
1087
00:24:28,134 --> 00:24:28,801
[cheers and applause]
1088
00:24:28,801 --> 00:24:30,202
Y'ALL GIVE IT UP FOR MY GIRL,
1089
00:24:30,202 --> 00:24:31,871
THE BEAUTIFUL MISS JOSELINE
1090
00:24:31,871 --> 00:24:33,305
HERNANDEZ.
1091
00:24:33,305 --> 00:24:35,642
* HABLAME CORTA, NO QUIERE ♪
1092
00:24:35,642 --> 00:24:37,777
♪ NA' SI LE PAGAN EL PEINE ♪
1093
00:24:37,777 --> 00:24:39,546
♪ SE ENCUENTRA A VACILAR ♪
1094
00:24:39,546 --> 00:24:41,548
♪ Y SI PRENDE VELA ♪
1095
00:24:41,548 --> 00:24:42,549
♪ NO SE JOVELA ♪
1096
00:24:42,549 --> 00:24:44,083
♪ AHORA QUE TURNOVER SANTO ♪
1097
00:24:44,083 --> 00:24:47,086
♪ TE PROTEJA DE ESTA PERRA ♪
1098
00:24:47,086 --> 00:24:49,288
♪ SUBLIMINAL, CRIMINAL
1099
00:24:49,288 --> 00:24:50,557
♪ MUY REAL ♪
1100
00:24:50,557 --> 00:24:53,560
♪ TU MUY ARTIFICIAL ♪
1101
00:24:53,560 --> 00:24:54,293
Y'ALL GIVE IT UP
1102
00:24:54,293 --> 00:24:56,028
FOR JOSELINE HERNANDEZ.
1103
00:24:56,028 --> 00:24:57,564
I'M SO ANGRY WITH STEVIE,
1104
00:24:57,564 --> 00:24:58,297
'CAUSE HE'S LIKE,
1105
00:24:58,297 --> 00:24:59,298
"I ASKED YOU FOR MY CONTRACT.
1106
00:24:59,298 --> 00:25:00,032
YOU DON'T HAVE IT.
1107
00:25:00,032 --> 00:25:02,134
I ASKED YOU FOR MY SINGLE.
1108
00:25:02,134 --> 00:25:03,002
WE DON'T HAVE A SINGLE."
1109
00:25:03,002 --> 00:25:04,604
YOU THINK YOU'RE MY GATEKEEPER.
1110
00:25:04,604 --> 00:25:05,271
BUT FOR REAL,
1111
00:25:05,271 --> 00:25:07,239
I DON'T NEED YOUR ASS ANYMORE.
1112
00:25:07,239 --> 00:25:08,407
AHH.
1113
00:25:08,407 --> 00:25:09,141
HAH!
1114
00:25:09,141 --> 00:25:09,842
IT WENT SO GOOD.
1115
00:25:09,842 --> 00:25:10,577
THEY LOVED YOU.
1116
00:25:10,577 --> 00:25:12,478
I KNOW. OH, MY GOD.
1117
00:25:12,478 --> 00:25:14,046
HOW MUCH MONEY WE MADE, BITCH?
1118
00:25:14,046 --> 00:25:15,782
IT'S $7,000--$3,500, $3,500
1119
00:25:15,782 --> 00:25:16,482
ON THE PICKUP.
1120
00:25:16,482 --> 00:25:17,650
LET ME GIVE YOU YOUR CUT.
1121
00:25:17,650 --> 00:25:19,218
HERE'S A LITTLE EXTRA, BOO,
1122
00:25:19,218 --> 00:25:20,587
'CAUSE YOU KNOW MY HOMEY
1123
00:25:20,587 --> 00:25:21,721
GOT TO GET THAT CHING.
1124
00:25:21,721 --> 00:25:22,388
THAT CHING.
1125
00:25:22,388 --> 00:25:23,355
THIS WAS A GOOD BOOKING.
1126
00:25:23,355 --> 00:25:24,857
YOU DID A GOOD--THIS WAS GREAT,
1127
00:25:24,857 --> 00:25:25,692
AND WE LOOKED SO GOOD TONIGHT.
1128
00:25:25,692 --> 00:25:26,659
OH, GOD.
1129
00:25:26,659 --> 00:25:27,426
WHAT'S UP, LADIES?
1130
00:25:27,426 --> 00:25:28,194
DAMN.
1131
00:25:28,194 --> 00:25:29,028
WHY YOU COMING UP IN HERE
1132
00:25:29,028 --> 00:25:31,163
LOOKING LIKE DAMN MALCOLM X?
1133
00:25:31,163 --> 00:25:31,964
I JUST COME IN HERE TO GET
1134
00:25:31,964 --> 00:25:32,665
THE BREAD.
1135
00:25:32,665 --> 00:25:33,332
TO GET WHAT BREAD?
1136
00:25:33,332 --> 00:25:34,734
'CAUSE YOU AIN'T BOOKED NOTHING.
1137
00:25:34,734 --> 00:25:35,467
SHE BOOKED THIS SHOW.
1138
00:25:35,467 --> 00:25:36,736
FIRST OF ALL, WHY ARE YOU AT THE
1139
00:25:36,736 --> 00:25:37,503
GAY CLUB?
1140
00:25:37,503 --> 00:25:39,138
AND SECOND OF ALL, YOU NOT GONNA
1141
00:25:39,138 --> 00:25:40,607
GET A BITCH-ASS THING FROM ME,
1142
00:25:40,607 --> 00:25:42,374
'CAUSE I AIN'T GOT NO CONTRACT.
1143
00:25:42,374 --> 00:25:43,209
AIN'T NO MONEY WAS MADE IN
1144
00:25:43,209 --> 00:25:43,876
THE CLUB TONIGHT?
1145
00:25:43,876 --> 00:25:44,744
NO, WE DIDN'T MAKE ANYTHING.
1146
00:25:44,744 --> 00:25:46,245
ACT LIKE A [bleep] MANAGER,
1147
00:25:46,245 --> 00:25:47,814
AND THEN MAYBE YOUR ASS WILL GET
1148
00:25:47,814 --> 00:25:49,315
[bleep] PAID, AND GET ME MY
1149
00:25:49,315 --> 00:25:50,182
[bleep] CONTRACT.
1150
00:25:50,182 --> 00:25:51,050
YOU LOOKING LIKE YOU AN
1151
00:25:51,050 --> 00:25:51,884
ARTIST TONIGHT.
1152
00:25:51,884 --> 00:25:52,852
ARE YOU THE ARTIST OR THE
1153
00:25:52,852 --> 00:25:53,519
MANAGER?
1154
00:25:53,519 --> 00:25:54,887
I'M THE MANAGER,
1155
00:25:54,887 --> 00:25:56,088
COMANAGEMENT.
1156
00:25:56,088 --> 00:25:58,290
OH, THIS YOUR MANAGER?
1157
00:25:58,290 --> 00:26:00,392
THE LAST TIME I CHECKED,
1158
00:26:00,392 --> 00:26:01,794
JOSELINE WAS SIGNED TO ME.
1159
00:26:01,794 --> 00:26:02,629
YOU KNOW, AND I'M HEARING OVER
1160
00:26:02,629 --> 00:26:03,663
TWITTER, I'M HEARING OVER
1161
00:26:03,663 --> 00:26:04,831
INSTAGRAM SHE HAVING SHOWS AND
1162
00:26:04,831 --> 00:26:06,065
ALL THAT.
1163
00:26:06,065 --> 00:26:06,899
I DON'T CARE WHAT'S GOING ON.
1164
00:26:06,899 --> 00:26:08,768
I JUST CAME TO COLLECT MY BREAD.
1165
00:26:08,768 --> 00:26:10,269
IF I DON'T GET NO MONEY,
1166
00:26:10,269 --> 00:26:10,937
YOU GOT A PROBLEM.
1167
00:26:10,937 --> 00:26:11,738
WHAT YOU GONNA DO?
1168
00:26:11,738 --> 00:26:12,639
I'M NOT GONNA DO NOTHING TO
1169
00:26:12,639 --> 00:26:13,239
YOU.
1170
00:26:13,239 --> 00:26:14,473
WHAT YOU NEED TO DO IS GO
1171
00:26:14,473 --> 00:26:15,642
MAKE MY LITTLE MAID CLEAN YOUR
1172
00:26:15,642 --> 00:26:16,843
HOUSE, FIND THAT MOTHER[bleep]
1173
00:26:16,843 --> 00:26:18,477
CONTRACT, BRING IT BACK TO ME,
1174
00:26:18,477 --> 00:26:19,879
AND THEN ASK ME FOR 30%,
1175
00:26:19,879 --> 00:26:20,780
'CAUSE I DON'T WANT TO SLAP THE
1176
00:26:20,780 --> 00:26:21,547
[bleep] OUT YOUR ASS.
1177
00:26:21,547 --> 00:26:22,649
DON'T PLAY WITH ME.
1178
00:26:22,649 --> 00:26:23,650
YOU COME UP IN HERE--DON'T COME
1179
00:26:23,650 --> 00:26:24,383
UP IN HERE TRYING TO GET NO
1180
00:26:24,383 --> 00:26:25,051
MONEY FROM ME.
1181
00:26:25,051 --> 00:26:25,952
WHAT THE [bleep] DO YOU THINK
1182
00:26:25,952 --> 00:26:26,653
YOU'RE DOING?
1183
00:26:26,653 --> 00:26:27,654
SORRY, LET'S GO.
1184
00:26:27,654 --> 00:26:28,454
WE DON'T HAVE TIME FOR THIS--
1185
00:26:28,454 --> 00:26:29,188
I NEED MY MONEY, LADIES.
1186
00:26:29,188 --> 00:26:30,022
STEVIE, WE DON'T HAVE
1187
00:26:30,022 --> 00:26:30,690
ANYTHING.
1188
00:26:30,690 --> 00:26:31,457
SORRY.
1189
00:26:31,457 --> 00:26:32,424
I AIN'T GOT TIME FOR THE
1190
00:26:32,424 --> 00:26:33,525
FOOLISHNESS.
1191
00:26:33,525 --> 00:26:35,061
JOSELINE AND HER TUTU
1192
00:26:35,061 --> 00:26:36,896
SIDEKICK DAWN, SEE, THEY GOT
1193
00:26:36,896 --> 00:26:37,730
THIS THING CONFUSED.
1194
00:26:37,730 --> 00:26:39,165
THERE'S RULES TO THIS HERE.
1195
00:26:39,165 --> 00:26:40,032
YOU KNOW, THERE'S AN ARTIST,
1196
00:26:40,032 --> 00:26:41,033
AND THEN THERE'S A MANAGER.
1197
00:26:41,033 --> 00:26:42,001
AN ARTIST HAS A CONTRACT WITH
1198
00:26:42,001 --> 00:26:43,870
THE MANAGER TO PAY HIM THAT
1199
00:26:43,870 --> 00:26:44,671
BREAD.
1200
00:26:44,671 --> 00:26:45,672
SO IF SHE WANT TO BREAK THE
1201
00:26:45,672 --> 00:26:47,406
RULES AND NOT PAY ME MY CUT,
1202
00:26:47,406 --> 00:26:48,675
THERE'S GONNA BE A PROBLEM.
1203
00:26:48,675 --> 00:26:50,076
HE STRESSES ME OUT.
1204
00:26:50,076 --> 00:26:51,243
ALWAYS COMING UP IN HERE TALKING
1205
00:26:51,243 --> 00:26:52,344
ABOUT SOME [bleep] MONEY.
1206
00:26:52,344 --> 00:26:53,545
HE'S A PIMP.
1207
00:26:53,545 --> 00:26:54,781
"I'M COMING UP IN HERE
1208
00:26:54,781 --> 00:26:55,915
LOOKING LIKE A TURTLE."
1209
00:26:55,915 --> 00:26:57,416
BACK YOUR ASS UP, 'CAUSE FOR
1210
00:26:57,416 --> 00:26:58,450
REAL, DAWN, I'M ABOUT SICK OF
1211
00:26:58,450 --> 00:26:59,151
HIS [bleep].
1212
00:26:59,151 --> 00:27:00,753
YOU GOT TO BE STRONG.
1213
00:27:00,753 --> 00:27:01,453
GUESS WHAT.
1214
00:27:01,453 --> 00:27:02,689
MY LAWYER TOLD ME I DON'T OWE
1215
00:27:02,689 --> 00:27:04,691
YOU ANY MONEY TILL YOU LET ME
1216
00:27:04,691 --> 00:27:05,291
SEE MY CONTRACT.
1217
00:27:05,291 --> 00:27:05,958
THAT'S TRUE.
1218
00:27:05,958 --> 00:27:07,927
SO GUESS WHAT, UGLY, WE'LL BE
1219
00:27:07,927 --> 00:27:09,028
STILL GETTING THIS CHECK,
1220
00:27:09,028 --> 00:27:10,262
AND [bleep] HIM.
1221
00:27:10,262 --> 00:27:11,197
LET'S GO, 'CAUSE I AIN'T GOT
1222
00:27:11,197 --> 00:27:11,864
TIME FOR HIM.
1223
00:27:11,864 --> 00:27:12,732
FOR SURE.
1224
00:27:12,732 --> 00:27:13,933
[bleep].
1225
00:27:13,933 --> 00:27:17,136
I'M SICK OF HIM.
1226
00:27:17,136 --> 00:27:18,137
[solemn hip-hop music]
1227
00:27:18,137 --> 00:27:22,842
♪
1228
00:27:22,842 --> 00:27:24,877
AFTER I WAXED RASHEEDA AT
1229
00:27:24,877 --> 00:27:27,413
MIMI'S HOME, MIMI CALLS ME AND
1230
00:27:27,413 --> 00:27:28,948
WANTS ME TO MEET HER.
1231
00:27:28,948 --> 00:27:29,615
HEY, POOH.
1232
00:27:29,615 --> 00:27:30,817
EVEN THOUGH RASHEEDA IS A
1233
00:27:30,817 --> 00:27:32,885
HAUNTED WITCH, I STILL DID NOT
1234
00:27:32,885 --> 00:27:35,722
WANT TO DISRESPECT MIMI AT HER
1235
00:27:35,722 --> 00:27:36,823
HOME.
1236
00:27:36,823 --> 00:27:37,724
THAT'S NOT ME.
1237
00:27:37,724 --> 00:27:39,091
AND I WANTED YOU TO COME TODAY
1238
00:27:39,091 --> 00:27:40,592
'CAUSE I JUST WANTED TO SAY
1239
00:27:40,592 --> 00:27:41,728
ONE THING.
1240
00:27:41,728 --> 00:27:43,329
I NEVER WANT TO FEEL LIKE MY
1241
00:27:43,329 --> 00:27:44,731
FRIENDS ARE HURT BY ANY OF MY
1242
00:27:44,731 --> 00:27:46,565
ACTIONS, 'CAUSE I'M VERY BIG ON
1243
00:27:46,565 --> 00:27:47,399
FRIENDSHIP.
1244
00:27:47,399 --> 00:27:49,435
SO I'M SO SORRY.
1245
00:27:49,435 --> 00:27:51,137
FROM THE BOTTOM OF MY HEART,
1246
00:27:51,137 --> 00:27:52,839
I AM SO SORRY.
1247
00:27:52,839 --> 00:27:54,206
THAT'S JUST THE TRUTH.
1248
00:27:54,206 --> 00:27:55,975
AS FAR AS RASHEEDA, I'M NOT
1249
00:27:55,975 --> 00:27:57,309
THERE FOR A SORRY WITH IT.
1250
00:27:57,309 --> 00:27:59,245
OKAY, BUT, K., IT SEEMS LIKE
1251
00:27:59,245 --> 00:28:00,079
THERE'S A PATTERN.
1252
00:28:00,079 --> 00:28:02,982
LIKE, YOU'RE SO ANGRY.
1253
00:28:02,982 --> 00:28:04,650
I GET WHY YOU FEEL THAT.
1254
00:28:04,650 --> 00:28:06,118
I'M JUST NOT LIKE THAT.
1255
00:28:06,118 --> 00:28:07,887
THE LAST TIME I REALLY, REALLY
1256
00:28:07,887 --> 00:28:09,421
TALKED TO RASHEEDA, I SAID, "NO
1257
00:28:09,421 --> 00:28:11,057
MORE TEARS, NO MORE PROBLEMS,"
1258
00:28:11,057 --> 00:28:12,024
AND I MEANT IT.
1259
00:28:12,024 --> 00:28:12,759
SO...
1260
00:28:12,759 --> 00:28:13,893
IF I FEEL--IF YOU WANT TO--
1261
00:28:13,893 --> 00:28:15,862
SO DO YOU THINK THAT YOU
1262
00:28:15,862 --> 00:28:18,765
COULD HAVE A CONVERSATION WITH
1263
00:28:18,765 --> 00:28:19,498
RASHEEDA?
1264
00:28:19,498 --> 00:28:20,867
NEVER.
1265
00:28:20,867 --> 00:28:21,768
NEVER?
1266
00:28:21,768 --> 00:28:25,604
THAT BITCH IS GHOST.
1267
00:28:25,604 --> 00:28:26,773
I'M NOT DOING IT.
1268
00:28:26,773 --> 00:28:28,440
EVEN THOUGH I LOVE MIMI--SHE'S
1269
00:28:28,440 --> 00:28:29,842
ONE OF MY BEST FRIENDS--
1270
00:28:29,842 --> 00:28:30,943
I DON'T CARE IF I WAS SITTING IN
1271
00:28:30,943 --> 00:28:32,779
CHURCH ON A SUNDAY, I STILL
1272
00:28:32,779 --> 00:28:34,546
WOULDN'T FEEL BAD FOR WAXING
1273
00:28:34,546 --> 00:28:35,581
RASHEEDA.
1274
00:28:35,581 --> 00:28:37,583
SHE GOT WHAT SHE DESERVED.
1275
00:28:37,583 --> 00:28:40,519
THINK THERE'S EVER, EVER A TIME
1276
00:28:40,519 --> 00:28:41,653
WHERE YOU COULD GO GET YOUR
1277
00:28:41,653 --> 00:28:43,022
NAILS DONE WITH JOSELINE?
1278
00:28:43,022 --> 00:28:44,190
[scoffs]
1279
00:28:44,190 --> 00:28:44,857
EVER.
1280
00:28:44,857 --> 00:28:45,925
GET THE [bleep] OUT OF HERE.
1281
00:28:45,925 --> 00:28:46,793
BUT GUESS WHAT.
1282
00:28:46,793 --> 00:28:47,827
WHEN SHE TRY TO COME FOR YOU--
1283
00:28:47,827 --> 00:28:48,694
LET HER--LET HER TRY.
1284
00:28:48,694 --> 00:28:49,661
LOOK AT YOU.
1285
00:28:49,661 --> 00:28:50,897
"LET HER. LET HER TRY."
1286
00:28:50,897 --> 00:28:51,563
SAME THING.
1287
00:28:51,563 --> 00:28:52,799
WHEN SHE TRY TO COME FOR YOU AND
1288
00:28:52,799 --> 00:28:54,333
RUN UP ON YOU, YOU CAN BE COOL
1289
00:28:54,333 --> 00:28:55,467
AS YOU WANT TO BE, LIKE I WAS IN
1290
00:28:55,467 --> 00:28:56,803
THAT CHAIR, BUT GUESS WHAT.
1291
00:28:56,803 --> 00:28:58,304
WHEN SHE RUNS UP ON YOU, LIKE,
1292
00:28:58,304 --> 00:29:00,206
DROPS HER PURSE AND DO THIS TO
1293
00:29:00,206 --> 00:29:01,808
YOU, I THINK THAT'S WHEN WE
1294
00:29:01,808 --> 00:29:03,175
GONNA SEE THE REAL MIMI, WHEN
1295
00:29:03,175 --> 00:29:04,811
SHE RUNS UP IN YOUR FACE, AND
1296
00:29:04,811 --> 00:29:06,278
THAT'S WHAT HAS HAPPENED.
1297
00:29:06,278 --> 00:29:09,882
I SEE HERE NOW THAT YOU ARE
1298
00:29:09,882 --> 00:29:11,717
A VERY HEADSTRONG WOMAN.
1299
00:29:11,717 --> 00:29:12,451
ABOUT WHAT I BELIEVE IN.
1300
00:29:12,451 --> 00:29:13,552
ABOUT WHAT YOU BELIEVE IN.
1301
00:29:13,552 --> 00:29:14,320
I UNDERSTAND.
1302
00:29:14,320 --> 00:29:15,421
WHAT I BELIEVE IN AND WHO I
1303
00:29:15,421 --> 00:29:16,188
LOVE.
1304
00:29:16,188 --> 00:29:17,323
I GET THAT.
1305
00:29:17,323 --> 00:29:19,826
WE GONNA HAVE TO LEARN AND MAKE
1306
00:29:19,826 --> 00:29:21,828
OTHER DECISIONS ON HOW WE HANDLE
1307
00:29:21,828 --> 00:29:23,295
OUR SITUATIONS.
1308
00:29:23,295 --> 00:29:24,931
TWO THINGS THAT I LEARNED:
1309
00:29:24,931 --> 00:29:26,665
DON'T HURT YOUR FRIEND, EVEN IF
1310
00:29:26,665 --> 00:29:27,867
SOMEBODY IS DOING SOMETHING--
1311
00:29:27,867 --> 00:29:29,735
AND DON'T YOU EVER IN YOUR
1312
00:29:29,735 --> 00:29:32,504
LIFE--I DON'T GIVE A DAMN WHO
1313
00:29:32,504 --> 00:29:34,306
COME IN THAT GODDAMN DOOR--
1314
00:29:34,306 --> 00:29:35,641
DISRESPECT MY [bleep] HOUSE
1315
00:29:35,641 --> 00:29:36,308
LIKE THAT.
1316
00:29:36,308 --> 00:29:37,043
CAN I HAVE A KISS?
1317
00:29:37,043 --> 00:29:37,709
HOLD UP.
1318
00:29:37,709 --> 00:29:38,444
OKAY.
1319
00:29:38,444 --> 00:29:39,846
I MOVED THERE TO GET AWAY
1320
00:29:39,846 --> 00:29:41,647
FROM THAT CRAZY-ASS [bleep].
1321
00:29:41,647 --> 00:29:42,614
BUT I TOLD YOU, DON'T BRING
1322
00:29:42,614 --> 00:29:43,749
GWENDOLYN THE GOOD WITCH IN THE
1323
00:29:43,749 --> 00:29:44,450
HOUSE.
1324
00:29:44,450 --> 00:29:45,451
QUIT PLAYING.
1325
00:29:45,451 --> 00:29:46,853
I DON'T GIVE A DAMN.
1326
00:29:46,853 --> 00:29:47,954
I LOVE YOU.
1327
00:29:47,954 --> 00:29:48,654
GIVE ME A HUG.
1328
00:29:48,654 --> 00:29:50,756
AND I THANK YOU.
1329
00:29:50,756 --> 00:29:52,124
NO, FOR REAL, THANK YOU.
1330
00:29:52,124 --> 00:29:53,225
LIKE, THANK YOU.
1331
00:29:53,225 --> 00:29:55,194
NO EXCUSES OVER HERE.
1332
00:29:55,194 --> 00:29:57,897
I AM SO SORRY.
1333
00:30:00,532 --> 00:30:01,901
WHAT'S GOING ON WITH BENZINO?
1334
00:30:01,901 --> 00:30:02,668
YOU KNOW HE TOLD ME HE
1335
00:30:02,668 --> 00:30:03,402
[bleep] YOU.
1336
00:30:03,402 --> 00:30:04,103
ARE YOU SERIOUS?
1337
00:30:04,103 --> 00:30:05,371
YOU'LL POP OUT, BUT YOU WON'T
1338
00:30:05,371 --> 00:30:06,205
JUMP OUT.
1339
00:30:06,205 --> 00:30:09,308
[all shouting indistinctly]
1340
00:30:09,308 --> 00:30:09,976
HEY, MAN, COME ON.
1341
00:30:09,976 --> 00:30:11,978
GET OUT OF MY FACE, MAN.
1342
00:30:16,248 --> 00:30:17,249
[upbeat music]
1343
00:30:17,249 --> 00:30:18,350
♪
1344
00:30:18,350 --> 00:30:20,352
[geese honking]
1345
00:30:24,756 --> 00:30:25,958
BITCH, I'M SO GLAD YOU CAME
1346
00:30:25,958 --> 00:30:27,493
AND TOOK THIS WALK WITH ME.
1347
00:30:27,493 --> 00:30:29,028
I GET SO STRESSED.
1348
00:30:29,028 --> 00:30:30,229
UGH.
1349
00:30:30,229 --> 00:30:31,097
YOU LOOK GOOD, BITCH.
1350
00:30:31,097 --> 00:30:31,763
OH, THANK YOU.
1351
00:30:31,763 --> 00:30:32,431
THAT'S YOU.
1352
00:30:32,431 --> 00:30:34,166
LOOK AT YOU.
1353
00:30:34,166 --> 00:30:35,134
SO, YOU KNOW, IT'S BEEN A MINUTE
1354
00:30:35,134 --> 00:30:36,903
SINCE I HUNG OUT WITH OLD
1355
00:30:36,903 --> 00:30:38,670
KARLIE REDD, AND I NEEDED TO
1356
00:30:38,670 --> 00:30:40,772
TALK TO SOMEBODY ABOUT STEVIE,
1357
00:30:40,772 --> 00:30:42,008
AND I KNOW SHE LIKE TO GOSSIP
1358
00:30:42,008 --> 00:30:43,242
WITH HER OLD ASS, SO I'M LIKE,
1359
00:30:43,242 --> 00:30:43,910
"YOU KNOW WHAT?
1360
00:30:43,910 --> 00:30:44,776
LET ME CALL HER UP.
1361
00:30:44,776 --> 00:30:45,978
MAYBE SHE COULD TELL ME SOME
1362
00:30:45,978 --> 00:30:46,712
GOOD ADVICE."
1363
00:30:46,712 --> 00:30:47,713
I DON'T KNOW.
1364
00:30:47,713 --> 00:30:48,680
IT'S THE SAME OLD STORY WITH
1365
00:30:48,680 --> 00:30:49,348
STEVIE.
1366
00:30:49,348 --> 00:30:51,050
I'M JUST SO STRESSED OUT ABOUT
1367
00:30:51,050 --> 00:30:53,519
HOW ALL HIS [bleep] CONTROLLING
1368
00:30:53,519 --> 00:30:54,753
WAYS, GIRL.
1369
00:30:54,753 --> 00:30:56,022
EVERYTHING REVOLVES AROUND
1370
00:30:56,022 --> 00:30:56,722
STEVIE.
1371
00:30:56,722 --> 00:30:57,523
SO, WAIT, HE STILL MANAGE
1372
00:30:57,523 --> 00:30:58,224
YOU?
1373
00:30:58,224 --> 00:30:59,291
BITCH, I CAN'T--I DON'T
1374
00:30:59,291 --> 00:30:59,992
HAVE--
1375
00:30:59,992 --> 00:31:00,659
YOU CAN'T SHAKE HIM.
1376
00:31:00,659 --> 00:31:01,460
WHAT THE [bleep] AM I GONNA
1377
00:31:01,460 --> 00:31:02,228
DO?
1378
00:31:02,228 --> 00:31:02,962
I DON'T HAVE THE CONTRACT.
1379
00:31:02,962 --> 00:31:03,930
I WANT TO TAKE CONTROL OF MY--
1380
00:31:03,930 --> 00:31:04,931
WHERE THE CONTRACT?
1381
00:31:04,931 --> 00:31:05,965
HE GOT IT.
1382
00:31:05,965 --> 00:31:07,566
HE WANTS TO CONTROL EVERYTHING.
1383
00:31:07,566 --> 00:31:08,300
EVERYTHING GOT TO--
1384
00:31:08,300 --> 00:31:09,601
IS HE EVEN PRODUCING MUSIC?
1385
00:31:09,601 --> 00:31:10,937
HE'S SO TALENTED.
1386
00:31:10,937 --> 00:31:12,038
MOST OF THE TALENTED PEOPLE
1387
00:31:12,038 --> 00:31:12,939
BE CRAZY.
1388
00:31:12,939 --> 00:31:13,705
TELL ME ABOUT IT.
1389
00:31:13,705 --> 00:31:15,307
BENZINO: NUMBER ONE.
1390
00:31:15,307 --> 00:31:17,076
WHAT'S GOING ON WITH BENZINO?
1391
00:31:17,076 --> 00:31:20,279
GIRL, HE WANTS TO STILL DATE.
1392
00:31:20,279 --> 00:31:21,948
AND YOU KNOW HE WANT TO [bleep].
1393
00:31:21,948 --> 00:31:22,949
'CAUSE, YOU KNOW, I'VE GOT SOME
1394
00:31:22,949 --> 00:31:23,983
GOOD STUFF DOWN HERE.
1395
00:31:23,983 --> 00:31:24,951
YOU GOT RUBIES DOWN THERE.
1396
00:31:24,951 --> 00:31:26,285
MM, DIAMONDS.
1397
00:31:26,285 --> 00:31:27,253
OH, I GOT RUBIES.
1398
00:31:27,253 --> 00:31:28,387
I GOT DIAMONDS.
1399
00:31:28,387 --> 00:31:29,188
SO HE WANTS TO GET THAT
1400
00:31:29,188 --> 00:31:29,956
CUDI CAT.
1401
00:31:29,956 --> 00:31:30,957
OH, YEAH, BUT HE AIN'T
1402
00:31:30,957 --> 00:31:31,623
GETTING THAT, NO.
1403
00:31:31,623 --> 00:31:32,458
'CAUSE HE NOT EVEN CUTTING
1404
00:31:32,458 --> 00:31:33,125
NO CHECKS, THOUGH.
1405
00:31:33,125 --> 00:31:33,792
HOLD UP.
1406
00:31:33,792 --> 00:31:34,493
YOU KNOW HE TOLD ME HE
1407
00:31:34,493 --> 00:31:35,727
[bleep] YOU.
1408
00:31:35,727 --> 00:31:37,096
ARE YOU SERIOUS?
1409
00:31:37,096 --> 00:31:37,997
ON...
1410
00:31:37,997 --> 00:31:38,730
ARE YOU SERIOUS?
1411
00:31:38,730 --> 00:31:40,232
ON EVERYTHING I LOVE.
1412
00:31:40,232 --> 00:31:41,133
FIRST OF ALL, WHY WOULD I
1413
00:31:41,133 --> 00:31:42,301
SMASH SOMEBODY THAT AIN'T GOT NO
1414
00:31:42,301 --> 00:31:43,402
NECK?
1415
00:31:43,402 --> 00:31:44,203
I NEED A NECK.
1416
00:31:44,203 --> 00:31:46,272
I NEED TO LICK ON YOUR NECK.
1417
00:31:46,272 --> 00:31:47,473
I NEED ME A TALL BEAST.
1418
00:31:47,473 --> 00:31:49,108
I NEED ME A STRONG--I'M A BIG
1419
00:31:49,108 --> 00:31:49,808
GIRL.
1420
00:31:49,808 --> 00:31:51,610
I GOT BIG BOOBS, BIG BUTT.
1421
00:31:51,610 --> 00:31:52,478
I CAN'T DO NOTHING WITH NO SHORT
1422
00:31:52,478 --> 00:31:53,579
MAN.
1423
00:31:53,579 --> 00:31:54,646
I'D JUST MET BENZINO WHEN I MET
1424
00:31:54,646 --> 00:31:55,781
STEVIE.
1425
00:31:55,781 --> 00:31:56,448
HE'S LYING.
1426
00:31:56,448 --> 00:31:57,116
BUT LISTEN.
1427
00:31:57,116 --> 00:31:58,450
HE HIT ME ON THE D.M. ON
1428
00:31:58,450 --> 00:31:59,151
TWITTER--JAWS.
1429
00:31:59,151 --> 00:32:00,586
6:00 IN THE MORNING.
1430
00:32:00,586 --> 00:32:01,320
I WANTED TO ASK YOU ABOUT
1431
00:32:01,320 --> 00:32:02,054
THAT.
1432
00:32:02,054 --> 00:32:02,854
I'M LIKE, "WHY DIDN'T SHE"--
1433
00:32:02,854 --> 00:32:03,622
BITCH, LET ME TELL YOU
1434
00:32:03,622 --> 00:32:04,290
SOMETHING--
1435
00:32:04,290 --> 00:32:05,024
YOU KNOW WHAT HE DID?
1436
00:32:05,024 --> 00:32:06,325
LIKE, A WHILE AGO, HE WAS--
1437
00:32:06,325 --> 00:32:07,826
LIKE, HE SHOWED ME SOME PORN OR
1438
00:32:07,826 --> 00:32:08,760
SOMETHING, YOU KNOW, WHAT YOU'RE
1439
00:32:08,760 --> 00:32:09,661
DO WHEN YOU'RE FEELING YOURSELF
1440
00:32:09,661 --> 00:32:10,362
OR WHATEVER.
1441
00:32:10,362 --> 00:32:11,197
HE WAS LIKE, "YEAH, I HIT THAT.
1442
00:32:11,197 --> 00:32:12,131
I HIT THAT."
1443
00:32:12,131 --> 00:32:13,632
AND I'M LIKE, "OH, FOR REAL?"
1444
00:32:13,632 --> 00:32:14,400
NOW, THAT'S A LIE.
1445
00:32:14,400 --> 00:32:15,601
IF YOU WANT TO GO AHEAD IN THERE
1446
00:32:15,601 --> 00:32:16,435
AND LIE ON MY [bleep], DO WHAT
1447
00:32:16,435 --> 00:32:17,136
YOU DO.
1448
00:32:17,136 --> 00:32:18,270
I DON'T--I DON'T HAVE TIME FOR
1449
00:32:18,270 --> 00:32:19,271
ALL THAT [bleep].
1450
00:32:19,271 --> 00:32:20,239
BENZINO, YOU WOULDN'T--YOU DON'T
1451
00:32:20,239 --> 00:32:20,906
HAVE ENOUGH MONEY TO
1452
00:32:20,906 --> 00:32:21,573
[bleep] WITH ME.
1453
00:32:21,573 --> 00:32:22,374
YOU DON'T HAVE ENOUGH MONEY.
1454
00:32:22,374 --> 00:32:23,042
THAT'S A MESSY-ASS--
1455
00:32:23,042 --> 00:32:25,444
THAT'S A MESSY-ASS [bleep].
1456
00:32:25,444 --> 00:32:26,145
THAT'S RIGHT.
1457
00:32:26,145 --> 00:32:27,779
[laughs]
1458
00:32:27,779 --> 00:32:29,115
GIRL, I MISS YOU.
1459
00:32:29,115 --> 00:32:30,282
I MISS YOU TOO, BITCH.
1460
00:32:30,282 --> 00:32:31,217
[laughs]
1461
00:32:31,217 --> 00:32:32,218
[vibrant hip-hop music]
1462
00:32:32,218 --> 00:32:36,288
♪
1463
00:32:36,288 --> 00:32:38,457
[doorbell rings]
1464
00:32:41,127 --> 00:32:42,028
HOW Y'ALL LOVELY LADIES
1465
00:32:42,028 --> 00:32:42,761
DOING?
1466
00:32:42,761 --> 00:32:43,862
FINE. HOW ARE YOU?
1467
00:32:43,862 --> 00:32:45,097
I'M DOING GOOD.
1468
00:32:45,097 --> 00:32:46,332
HEY, MAN, TONIGHT WE GONNA SIT
1469
00:32:46,332 --> 00:32:47,666
DOWN AND HAVE A LITTLE DINNER
1470
00:32:47,666 --> 00:32:49,335
WITH BOTH OF OUR PARENTS, SO WE
1471
00:32:49,335 --> 00:32:51,403
CAN EASE SOME THINGS OUT, WORK
1472
00:32:51,403 --> 00:32:52,604
SOME THINGS OUT, PUT EVERYTHING
1473
00:32:52,604 --> 00:32:54,140
ON THE TABLE, NIP ALL THIS CRAZY
1474
00:32:54,140 --> 00:32:55,607
[bleep] IN THE BUTT.
1475
00:32:55,607 --> 00:32:57,743
I THINK WE SHOULD PRAY
1476
00:32:57,743 --> 00:32:59,678
BEFORE WE DO THIS WITH YOU.
1477
00:32:59,678 --> 00:33:00,746
OH, ABSOLUTELY.
1478
00:33:00,746 --> 00:33:02,248
FATHER, RIGHT NOW, IN JESUS'
1479
00:33:02,248 --> 00:33:03,715
NAME, WE THANK YOU, AND WE COME
1480
00:33:03,715 --> 00:33:05,184
TO YOU, AND WE APPRECIATE YOU
1481
00:33:05,184 --> 00:33:06,618
BRINGING US ALL HERE TOGETHER.
1482
00:33:06,618 --> 00:33:08,320
WE THANK YOU FOR LETTING US SEE
1483
00:33:08,320 --> 00:33:09,788
THIS DAY, AND WE THANK YOU FOR
1484
00:33:09,788 --> 00:33:11,357
THE LOVE AND RESPECT THAT WE
1485
00:33:11,357 --> 00:33:12,291
FI'IN' TO DO RIGHT NOW.
1486
00:33:12,291 --> 00:33:13,592
IN JESUS' NAME, WE LOVE YOU,
1487
00:33:13,592 --> 00:33:14,360
AND WE PRIZ-NAY-EE--
1488
00:33:14,360 --> 00:33:15,727
LORD, TOUCH ALL OF US
1489
00:33:15,727 --> 00:33:17,496
AS WE HAVE THIS MEETING.
1490
00:33:17,496 --> 00:33:19,431
SHA-LA-LA, LA-LA-LA-LA.
1491
00:33:19,431 --> 00:33:20,132
MM.
1492
00:33:20,132 --> 00:33:21,333
AMEN.
1493
00:33:21,333 --> 00:33:22,701
WELL, NOW THAT WE'VE GOT THAT
1494
00:33:22,701 --> 00:33:24,170
ALL TAKEN CARE OF...
1495
00:33:24,170 --> 00:33:25,104
I'M GONNA FIX THE PLATES.
1496
00:33:25,104 --> 00:33:25,937
PLEASE.
1497
00:33:25,937 --> 00:33:26,838
AND WE CAN GET THINGS
1498
00:33:26,838 --> 00:33:28,074
STARTED, YOU KNOW.
1499
00:33:28,074 --> 00:33:30,409
SO THEY COME, AND I'M JUST LIKE,
1500
00:33:30,409 --> 00:33:32,911
"LORD, GIVE ME STRENGTH, LIKE--
1501
00:33:32,911 --> 00:33:34,680
PLEASE LET THIS JUST GO IN THE
1502
00:33:34,680 --> 00:33:35,714
RIGHT DIRECTION."
1503
00:33:35,714 --> 00:33:36,882
I'M TRYING TO MARRY THIS
1504
00:33:36,882 --> 00:33:37,783
YOUNG LADY RIGHT HERE,
1505
00:33:37,783 --> 00:33:39,651
AND I JUST SEE A LOT OF
1506
00:33:39,651 --> 00:33:41,087
NEGATIVITY...
1507
00:33:41,087 --> 00:33:41,953
YOU KNOW WHAT I'M SAYING?
1508
00:33:41,953 --> 00:33:42,688
COMING.
1509
00:33:42,688 --> 00:33:43,589
WHAT DO YOU THINK IS NEGATIVE
1510
00:33:43,589 --> 00:33:44,690
COMING FROM ME?
1511
00:33:44,690 --> 00:33:47,326
THE "I DON'T BELIEVE" THEORY.
1512
00:33:47,326 --> 00:33:48,094
YOU KNOW WHAT I'M SAYING?
1513
00:33:48,094 --> 00:33:48,760
BUT THAT'S MY OPINION.
1514
00:33:48,760 --> 00:33:49,628
THAT DON'T MEAN THAT IT'S
1515
00:33:49,628 --> 00:33:50,296
NEGATIVE.
1516
00:33:50,296 --> 00:33:51,097
BUT SHE HAS A RIGHT TO IT.
1517
00:33:51,097 --> 00:33:51,863
THAT'S MY OPINION.
1518
00:33:51,863 --> 00:33:53,632
I'M LIKE THIS: IF YOU LOVE ERICA
1519
00:33:53,632 --> 00:33:54,466
THE WAY YOU SAY YOU DO, AND
1520
00:33:54,466 --> 00:33:56,235
ERICA LOVES YOU THE WAY SHE SAY
1521
00:33:56,235 --> 00:33:58,204
SHE DO, THEN GET MARRIED.
1522
00:33:58,204 --> 00:33:58,870
MM-HMM.
1523
00:33:58,870 --> 00:33:59,905
THAT'S HOW I FEEL.
1524
00:33:59,905 --> 00:34:01,273
BUT HALF OF ME DOESN'T BELIEVE,
1525
00:34:01,273 --> 00:34:02,608
BECAUSE OF WHAT I'VE SEEN FROM
1526
00:34:02,608 --> 00:34:03,709
YOU.
1527
00:34:03,709 --> 00:34:05,211
AND WHAT HAVE YOU SEEN?
1528
00:34:05,211 --> 00:34:07,579
I'VE SEEN THE BREAKUPS.
1529
00:34:07,579 --> 00:34:08,714
I'VE SEEN THE OTHER WOMEN.
1530
00:34:08,714 --> 00:34:10,149
I'VE SEEN THE CHEATING.
1531
00:34:10,149 --> 00:34:12,284
SHE NEVER TOLD YOU THE
1532
00:34:12,284 --> 00:34:13,719
POSITIVE STUFF?
1533
00:34:13,719 --> 00:34:14,653
RECENTLY. RECENTLY.
1534
00:34:14,653 --> 00:34:15,587
RECENTLY?
1535
00:34:15,587 --> 00:34:17,923
BABE, JUST COME TALK.
1536
00:34:17,923 --> 00:34:18,624
COME TALK WITH US.
1537
00:34:18,624 --> 00:34:19,291
I'M COMING.
1538
00:34:19,291 --> 00:34:20,526
COME TALK WITH US.
1539
00:34:20,526 --> 00:34:22,027
I KNOW I MESSED UP IN THE PAST,
1540
00:34:22,027 --> 00:34:23,595
BUT, YOU KNOW, I DON'T REALLY
1541
00:34:23,595 --> 00:34:26,365
LIKE HOW ERICA'S MAMA, MIGNON,
1542
00:34:26,365 --> 00:34:29,034
IS REALLY, LIKE, PISSING ON MY
1543
00:34:29,034 --> 00:34:30,902
PIZZ-NAY-EE--MY PAST.
1544
00:34:30,902 --> 00:34:32,037
LIKE SHE AIN'T GOT NOTHING IN
1545
00:34:32,037 --> 00:34:32,871
HER CLOSET.
1546
00:34:32,871 --> 00:34:35,040
WHAT I DON'T LIKE IS LEAVING THE
1547
00:34:35,040 --> 00:34:36,308
GOOD PART OUT ABOUT ME.
1548
00:34:36,308 --> 00:34:36,975
YOU FEEL ME?
1549
00:34:36,975 --> 00:34:38,444
WELL, I KNOW--LISTEN, AS YOUR
1550
00:34:38,444 --> 00:34:39,545
MOTHER, LET ME SAY THIS--
1551
00:34:39,545 --> 00:34:40,712
LOOK HOW MANY TIMES YOUR
1552
00:34:40,712 --> 00:34:42,248
MOTHER'S DISRESPECTED ME
1553
00:34:42,248 --> 00:34:42,914
AND CONTINUES.
1554
00:34:42,914 --> 00:34:43,782
I'M STILL THAT BITCH.
1555
00:34:43,782 --> 00:34:45,050
AND I'M A BIGGER BITCH.
1556
00:34:45,050 --> 00:34:46,618
I'M A BIGGER BITCH.
1557
00:34:46,618 --> 00:34:47,286
BUT LET ME SAY THIS--
1558
00:34:47,286 --> 00:34:48,587
SHE DON'T KNOW.
1559
00:34:48,587 --> 00:34:50,055
SHE DON'T KNOW HER PLACE, AND
1560
00:34:50,055 --> 00:34:51,657
THAT'S WHERE THE ERROR IS RIGHT
1561
00:34:51,657 --> 00:34:52,458
NOW.
1562
00:34:52,458 --> 00:34:53,159
WHOA, WHOA, WHOA.
1563
00:34:53,159 --> 00:34:54,426
LISTEN...
1564
00:34:54,426 --> 00:34:55,761
WHOA, WHOA, BOO-BOO.
1565
00:34:55,761 --> 00:34:57,229
YEAH, WHAT?
1566
00:34:57,229 --> 00:34:58,964
HOW IN THE HELL IS SCRAPPY
1567
00:34:58,964 --> 00:35:00,532
OFFENDED ABOUT MY MOM NOT
1568
00:35:00,532 --> 00:35:02,468
BELIEVING IN OUR LOVE WHEN YOUR
1569
00:35:02,468 --> 00:35:03,702
MAMA, ON THE OTHER HAND, IS
1570
00:35:03,702 --> 00:35:05,404
ALWAYS DISRESPECTFUL AND CALLING
1571
00:35:05,404 --> 00:35:06,205
ME A BITCH?
1572
00:35:06,205 --> 00:35:07,873
I'VE DONE NOTHING BUT LOVE
1573
00:35:07,873 --> 00:35:09,741
AND SUPPORT SCRAPPY BY PUTTING
1574
00:35:09,741 --> 00:35:10,942
UP WITH HER BULL[bleep].
1575
00:35:10,942 --> 00:35:12,043
BUT ENOUGH IS ENOUGH.
1576
00:35:12,043 --> 00:35:13,645
WE ARE HERE, BUT SINCE YOU'RE
1577
00:35:13,645 --> 00:35:15,947
TRYING TO GO IN ON ME, WE'RE--
1578
00:35:15,947 --> 00:35:16,882
THAT'S RIGHT, 'CAUSE I WAS
1579
00:35:16,882 --> 00:35:17,649
BEING RESPECTFUL.
1580
00:35:17,649 --> 00:35:18,750
I WAS BEING RESPECTFUL.
1581
00:35:18,750 --> 00:35:19,785
I'M BEING RESPECTFUL TOO.
1582
00:35:19,785 --> 00:35:20,619
NO, YOU TRYING TO GO TOWARDS
1583
00:35:20,619 --> 00:35:21,353
HER.
1584
00:35:21,353 --> 00:35:22,188
HAS MY MAMA CALLED YOU
1585
00:35:22,188 --> 00:35:24,356
A [bleep], A [bleep] [bleep]?
1586
00:35:24,356 --> 00:35:25,191
HAS SHE CALLED YOU ANYTHING
1587
00:35:25,191 --> 00:35:25,824
BUT YOUR NAME?
1588
00:35:25,824 --> 00:35:27,193
NO.
1589
00:35:27,193 --> 00:35:27,926
HOW MANY TIMES HAS SHE
1590
00:35:27,926 --> 00:35:28,594
DISRESPECTED ME?
1591
00:35:28,594 --> 00:35:29,661
HOW MANY TIMES HAS SHE CALLED ME
1592
00:35:29,661 --> 00:35:30,396
A BITCH?
1593
00:35:30,396 --> 00:35:31,062
HUH?
1594
00:35:31,062 --> 00:35:31,997
HOW MANY TIMES?
1595
00:35:31,997 --> 00:35:33,799
AND ONE TIME DID YOU SAY, "WAIT,
1596
00:35:33,799 --> 00:35:36,368
MA, DON'T CALL HER A BITCH"?
1597
00:35:36,368 --> 00:35:38,570
YOU WOULD RESPECT IT IF I GO
1598
00:35:38,570 --> 00:35:39,671
OFF ON MY MA.
1599
00:35:39,671 --> 00:35:40,706
I DON'T EVEN WANT YOU TO GO
1600
00:35:40,706 --> 00:35:41,973
OFF ON HER, BECAUSE--
1601
00:35:41,973 --> 00:35:43,842
MA, AT THE END OF THE DAY,
1602
00:35:43,842 --> 00:35:46,545
DON'T CALL MY WIFEY NO BITCH.
1603
00:35:46,545 --> 00:35:47,246
YOU FEEL ME?
1604
00:35:47,246 --> 00:35:47,946
AND THAT'S JUST REAL.
1605
00:35:47,946 --> 00:35:48,614
UNDERSTOOD.
1606
00:35:48,614 --> 00:35:49,881
NO, THAT'S JUST REAL.
1607
00:35:49,881 --> 00:35:51,383
GOT YOU.
1608
00:35:51,383 --> 00:35:52,784
NOW, BACK TO THE WHOLE
1609
00:35:52,784 --> 00:35:54,453
SITUATION AT HAND.
1610
00:35:54,453 --> 00:35:55,954
YOU KNOW WHAT I'M SAYING?
1611
00:35:55,954 --> 00:35:57,889
IF WE MOTHER[bleep]--ALL US
1612
00:35:57,889 --> 00:35:58,990
MOTHER[bleep] WANT TO BE
1613
00:35:58,990 --> 00:36:00,359
DISRESPECTFUL--
1614
00:36:00,359 --> 00:36:01,092
FIRST OF ALL--
1615
00:36:01,092 --> 00:36:01,960
I'M NOT A MOTHER[bleep], AND
1616
00:36:01,960 --> 00:36:02,794
I WOULD NEVER BE YOUR
1617
00:36:02,794 --> 00:36:04,230
MOTHER[bleep], SO--
1618
00:36:04,230 --> 00:36:05,030
YOU JUST CALLED HIM A [bleep]
1619
00:36:05,030 --> 00:36:05,831
BITCH.
1620
00:36:05,831 --> 00:36:06,565
FIVE OR TEN MINUTES GO, YOU
1621
00:36:06,565 --> 00:36:07,233
CALLED HIM A BITCH.
1622
00:36:07,233 --> 00:36:08,400
NO, I SAID, "IF MY MAMA."
1623
00:36:08,400 --> 00:36:09,268
IF YOU WOULD BE QUIET AND
1624
00:36:09,268 --> 00:36:09,935
LISTEN--
1625
00:36:09,935 --> 00:36:11,237
DON'T TELL ME TO [bleep] BE
1626
00:36:11,237 --> 00:36:11,937
QUIET.
1627
00:36:11,937 --> 00:36:14,105
WHO ARE YOU TO TELL ME TO BE
1628
00:36:14,105 --> 00:36:15,140
QUIET?
1629
00:36:15,140 --> 00:36:17,243
SHUT YOUR GODDAMN MOUTH.
1630
00:36:17,243 --> 00:36:18,977
IF I WAS DRACULA, I WOULD SINK
1631
00:36:18,977 --> 00:36:20,579
MY FANGS IN YOUR [bleep]
1632
00:36:20,579 --> 00:36:22,248
CAROTID ARTERY AND DRAIN YOU FOR
1633
00:36:22,248 --> 00:36:23,349
ALL OF IT, BITCH.
1634
00:36:23,349 --> 00:36:25,384
[shouting indistinctly]
1635
00:36:25,384 --> 00:36:28,254
SEE. SEE, MIMI.
1636
00:36:28,254 --> 00:36:29,120
SEE, MIMI. SIT DOWN.
1637
00:36:29,120 --> 00:36:30,121
NO, I'M GONNA BE POPPIN'
1638
00:36:30,121 --> 00:36:31,557
YOU POP OUT IF YOU WANT.
1639
00:36:31,557 --> 00:36:32,258
JUMP OFF!
1640
00:36:32,258 --> 00:36:33,392
WHO GONNA JUMP OFF?
1641
00:36:33,392 --> 00:36:35,093
[all arguing]
1642
00:36:35,093 --> 00:36:35,927
HEY, MAN, COME ON.
1643
00:36:35,927 --> 00:36:36,862
GET OUT OF MY FACE, MAN.
1644
00:36:36,862 --> 00:36:37,696
STOP!
1645
00:36:37,696 --> 00:36:39,765
WHOA, WHOA, WHOA, WHOA.
1646
00:36:39,765 --> 00:36:41,267
SHUT THE [bleep] UP.
1647
00:36:41,267 --> 00:36:42,100
GET IN THE CAR.
1648
00:36:42,100 --> 00:36:45,771
GO GET IN THE CAR.
1649
00:36:45,771 --> 00:36:46,605
I DONE PUT UP WITH THIS
1650
00:36:46,605 --> 00:36:47,606
[bleep] FOR TOO MOTHER[bleep]
1651
00:36:47,606 --> 00:36:48,374
LONG.
1652
00:36:48,374 --> 00:36:50,942
I'VE HAD YEARS OF DISRESPECT
1653
00:36:50,942 --> 00:36:51,843
FROM MOMMA DEE.
1654
00:36:51,843 --> 00:36:54,079
SHE WILL NOT BE IN MY HOME
1655
00:36:54,079 --> 00:36:56,014
SITTING AT MY TABLE AND CONTINUE
1656
00:36:56,014 --> 00:36:57,849
TO DISRESPECT ME LIKE THAT.
1657
00:36:57,849 --> 00:36:58,617
GOOD-BYE.
1658
00:36:58,617 --> 00:36:59,485
YOU MIGHT AS WELL--YEAH, YOU
1659
00:36:59,485 --> 00:37:00,319
MIGHT AS WELL TAKE THAT RING
1660
00:37:00,319 --> 00:37:01,119
OFF.
1661
00:37:01,119 --> 00:37:03,389
I DON'T GIVE A [bleep].
1662
00:37:03,389 --> 00:37:04,556
TAKE THAT RING.
1663
00:37:04,556 --> 00:37:07,459
TAKE THAT RING OFF.
1664
00:37:07,459 --> 00:37:09,361
NO, MY SON BY HISSELF, MAN.
1665
00:37:09,361 --> 00:37:10,896
MY SON BY HISSELF.
1666
00:37:10,896 --> 00:37:12,764
ALL THIS [bleep] UP.
1667
00:37:12,764 --> 00:37:13,832
I'D NEVER BELIEVE IT--
1668
00:37:13,832 --> 00:37:16,702
LET ME GO.
1669
00:37:16,702 --> 00:37:18,404
GET THE [bleep] OUT MY HOUSE.
1670
00:37:18,404 --> 00:37:20,038
TAKE HER OUT MY HOUSE.
1671
00:37:20,038 --> 00:37:21,106
MAN, I DONE TRIED TO DO
1672
00:37:21,106 --> 00:37:22,574
EVERYTHING IN THE WORLD, MAN,
1673
00:37:22,574 --> 00:37:23,709
TRYING TO MAKE THIS THING COME
1674
00:37:23,709 --> 00:37:24,743
TOGETHER.
1675
00:37:24,743 --> 00:37:26,011
IT'S THE LAST TIME I'M GONNA LET
1676
00:37:26,011 --> 00:37:27,579
ERICA DISRESPECT MY MOM OR I'M
1677
00:37:27,579 --> 00:37:28,914
GONNA LET MY MA DISRESPECT
1678
00:37:28,914 --> 00:37:29,781
ERICA.
1679
00:37:29,781 --> 00:37:31,317
EVERYTHING WAS COOL, BUT ERICA
1680
00:37:31,317 --> 00:37:31,983
GET OUT OF HAND.
1681
00:37:31,983 --> 00:37:32,751
YOU FEEL ME?
1682
00:37:32,751 --> 00:37:33,719
LIKE, I'M COOL ON THE EXTRAS.
1683
00:37:33,719 --> 00:37:34,486
YOU KNOW WHAT I'M SAYING?
1684
00:37:34,486 --> 00:37:35,787
I DON'T NEED THE EXTRAS.
1685
00:37:35,787 --> 00:37:37,723
LET ME GET BY YOU, HOMEY.
1686
00:37:37,723 --> 00:37:38,457
EXCUSE ME.
1687
00:37:38,457 --> 00:37:39,691
NOW WE'RE JUST HANGING OUT.
1688
00:37:39,691 --> 00:37:41,159
THE BITCH FI'IN' TO GO WITH HIS
1689
00:37:41,159 --> 00:37:42,193
MAMA.
1690
00:37:42,193 --> 00:37:44,630
YOU A [bleep].
1691
00:37:44,630 --> 00:37:45,331
WHAT YOU TALKING ABOUT?
1692
00:37:45,331 --> 00:37:46,064
YOU A BITCH.
1693
00:37:46,064 --> 00:37:46,965
THAT'S WHY YOU AIN'T GOT NOWHERE
1694
00:37:46,965 --> 00:37:47,633
TO STAY.
1695
00:37:47,633 --> 00:37:48,534
YOU'RE BROKE, BITCH.
1696
00:37:48,534 --> 00:37:49,468
"BROKE, BITCH"?
1697
00:37:49,468 --> 00:37:50,869
YOU WOULDN'T EVEN HAVE NOTHING
1698
00:37:50,869 --> 00:37:52,338
IF IT WEREN'T FOR ME.
1699
00:37:52,338 --> 00:37:53,905
THEN BE REAL WITH YOUR MAMA.
1700
00:37:53,905 --> 00:37:55,173
BE REAL WITH YOUR MAMA.
1701
00:37:55,173 --> 00:37:56,007
DON'T BE FAKE ABOUT THIS
1702
00:37:56,007 --> 00:37:56,775
[bleep].
1703
00:37:56,775 --> 00:37:57,543
DON'T GO TO JAIL TONIGHT,
1704
00:37:57,543 --> 00:37:58,209
BABY.
1705
00:37:58,209 --> 00:37:58,910
DON'T DO IT.
1706
00:37:58,910 --> 00:37:59,945
I KNOW YOU DON'T WANT TO SEE
1707
00:37:59,945 --> 00:38:01,112
THEM BARS.
1708
00:38:01,112 --> 00:38:02,414
GOD BLESS SHE WENT THE LONG
1709
00:38:02,414 --> 00:38:03,181
WAY.
1710
00:38:03,181 --> 00:38:04,215
AIN'T ONE OF THEM [bleep] DID
1711
00:38:04,215 --> 00:38:04,916
YOU LIKE ME.
1712
00:38:04,916 --> 00:38:11,089
SHUT UP!
1713
00:38:11,089 --> 00:38:12,358
[all shouting indistinctly]
1714
00:38:12,358 --> 00:38:13,592
AND SHE HIT MY MAMA, [bleep].
1715
00:38:13,592 --> 00:38:14,960
IT'S OVER WITH. WATCH OUT.
1716
00:38:14,960 --> 00:38:16,395
GET IN THE CAR.
1717
00:38:16,395 --> 00:38:17,929
I'M NOT LEAVING THIS HOUSE
1718
00:38:17,929 --> 00:38:20,366
TILL I GET MY RING.
1719
00:38:25,371 --> 00:38:27,673
[siren wailing]
1720
00:38:27,673 --> 00:38:29,441
[owl hooting]
1721
00:38:29,441 --> 00:38:31,710
Y'ALL SEE HOW SHE DOIN'?
1722
00:38:31,710 --> 00:38:33,512
YO, MA.
1723
00:38:33,512 --> 00:38:35,280
ERICA REALLY, BASICALLY, WANT ME
1724
00:38:35,280 --> 00:38:36,415
TO CHOOSE BETWEEN HER AND MY
1725
00:38:36,415 --> 00:38:37,148
MAMA.
1726
00:38:37,148 --> 00:38:38,384
LIKE, I AIN'T WITH ALL THAT.
1727
00:38:38,384 --> 00:38:39,117
YOU KNOW WHAT I'M SAYING?
1728
00:38:39,117 --> 00:38:39,818
I LOVE MY MAMA FOR BEING MY
1729
00:38:39,818 --> 00:38:40,552
MAMA.
1730
00:38:40,552 --> 00:38:41,820
I LOVE MY GIRL FOR BEING MY
1731
00:38:41,820 --> 00:38:42,488
GIRL.
1732
00:38:42,488 --> 00:38:43,955
I'M TIRED OF BEING IN THIS B.S.
1733
00:38:43,955 --> 00:38:45,724
SHE BETTER GIVE MY RING BACK.
1734
00:38:45,724 --> 00:38:47,393
YOU GONNA BE BROKE AGAIN.
1735
00:38:47,393 --> 00:38:48,860
BELIEVE THAT.
1736
00:38:48,860 --> 00:38:49,761
LET'S GET IN YOUR MAMA'S CAR,
1737
00:38:49,761 --> 00:38:50,429
MAN.
1738
00:38:50,429 --> 00:38:51,229
I AIN'T DOING [bleep].
1739
00:38:51,229 --> 00:38:52,531
Y'ALL DON'T GIVE ME NO ORDERS--
1740
00:38:52,531 --> 00:38:53,264
BACK UP.
1741
00:38:53,264 --> 00:38:54,232
BACK. BACK.
1742
00:38:54,232 --> 00:38:55,233
AND SHE HIT MY MAMA.
1743
00:38:55,233 --> 00:38:56,502
IT'S OVER WITH. WATCH OUT.
1744
00:38:56,502 --> 00:38:58,203
MAMA, GET IN THE CAR.
1745
00:38:58,203 --> 00:38:58,970
GET IN THE CAR.
1746
00:38:58,970 --> 00:38:59,971
WE LOVE EACH OTHER.
1747
00:38:59,971 --> 00:39:00,972
YOU FEEL ME?
1748
00:39:00,972 --> 00:39:02,007
THAT'S HOW WE DO.
1749
00:39:02,007 --> 00:39:03,409
BUT THEN SHE SWITCHED SIDES.
1750
00:39:03,409 --> 00:39:04,676
YOU FEEL ME?
1751
00:39:04,676 --> 00:39:06,177
LET HER [bleep] RIDE.
1752
00:39:06,177 --> 00:39:06,945
SCRAPPY, I'M NOT GIVING
1753
00:39:06,945 --> 00:39:07,813
THE RING BACK.
1754
00:39:07,813 --> 00:39:09,214
WE GO THROUGH THIS ALL THE TIME,
1755
00:39:09,214 --> 00:39:11,182
AND YOU REMAIN HERE.
1756
00:39:11,182 --> 00:39:12,250
BUT IT'S TIME HE STICK UP FOR
1757
00:39:12,250 --> 00:39:16,254
ME, HIS FIANCEE, NOT HIS MAMA.
1758
00:39:16,254 --> 00:39:17,322
[loud thump]
1759
00:39:17,322 --> 00:39:18,424
AIN'T NOTHING [bleep] UP ON YOUR
1760
00:39:18,424 --> 00:39:19,257
LITTLE BENZ.
1761
00:39:19,257 --> 00:39:20,225
THIS BITCH IS [bleep]
1762
00:39:20,225 --> 00:39:21,760
DISRESPECTFUL.
1763
00:39:21,760 --> 00:39:22,961
YOU FEEL ME?
1764
00:39:22,961 --> 00:39:25,764
I WANT HER TO FLY OUT OF MY
1765
00:39:25,764 --> 00:39:26,832
PALACE.
1766
00:39:26,832 --> 00:39:27,933
GET OUT.
1767
00:39:27,933 --> 00:39:30,436
GUARDS, GUARDS, OFF WITH THAT
1768
00:39:30,436 --> 00:39:31,703
BITCH HEAD.
1769
00:39:31,703 --> 00:39:33,238
I'M NOT LEAVING THIS HOUSE
1770
00:39:33,238 --> 00:39:34,773
TILL I GET MY RING.
1771
00:39:34,773 --> 00:39:35,641
WELL, I CAN'T LEAVE, 'CAUSE
1772
00:39:35,641 --> 00:39:36,775
SHE CALLED THE POLICE ON MY SON,
1773
00:39:36,775 --> 00:39:37,476
THEN WE GONNA BE--
1774
00:39:37,476 --> 00:39:39,110
I'MA BE IN JAIL SITTING AND
1775
00:39:39,110 --> 00:39:40,446
WAITING TILL I GET MY RING.
1776
00:39:40,446 --> 00:39:41,713
SO I GUESS WE'LL ALL CAMP OUT
1777
00:39:41,713 --> 00:39:42,848
IN THIS MOTHER[bleep].
1778
00:39:42,848 --> 00:39:44,450
GIVE ME MY RING.
1779
00:39:44,450 --> 00:39:45,484
DON'T PULL OUT LIKE YOU A BIG
1780
00:39:45,484 --> 00:39:46,485
BALLER.
1781
00:39:46,485 --> 00:39:47,553
GIVE ME MY RING, AND THEN BE
1782
00:39:47,553 --> 00:39:48,454
A BIG BALLER.
1783
00:39:48,454 --> 00:39:49,254
I DONE DID EVERYTHING I COULD
1784
00:39:49,254 --> 00:39:49,921
DO.
1785
00:39:49,921 --> 00:39:51,457
I DONE EXHAUSTED ALL MEASURES.
1786
00:39:51,457 --> 00:39:52,758
IF YOU WANT TO RUN OFF WITH IT,
1787
00:39:52,758 --> 00:39:54,092
AND YOU DON'T WANT TO DEAL WITH
1788
00:39:54,092 --> 00:39:55,360
THE STUFF THAT I GOT COMING IN
1789
00:39:55,360 --> 00:39:56,662
MY LIFE THAT YOU KNEW WAS IN
1790
00:39:56,662 --> 00:39:57,929
THERE AT FIRST, THIS WHOLE
1791
00:39:57,929 --> 00:39:59,064
ENGAGEMENT AND MARRIAGE THING
1792
00:39:59,064 --> 00:39:59,931
IS DONE WITH.
1793
00:39:59,931 --> 00:40:00,932
I'M FOOLIN' WITH IT.
1794
00:40:00,932 --> 00:40:01,733
YOU FEEL ME?
1795
00:40:01,733 --> 00:40:03,735
BETTER BRING THAT RING BACK.
1796
00:40:09,541 --> 00:40:10,341
ON THE NEXT LOVE & HIP-HOP:
1797
00:40:10,341 --> 00:40:11,176
ATLANTA...
1798
00:40:11,176 --> 00:40:12,343
YOU SUPPOSED TO HAVE MY BACK,
1799
00:40:12,343 --> 00:40:13,378
AND I DON'T FEEL LIKE YOU DID AT
1800
00:40:13,378 --> 00:40:14,112
ALL.
1801
00:40:14,112 --> 00:40:15,313
SHE'S A GROWN PERSON AND NOT
1802
00:40:15,313 --> 00:40:16,414
GONNA LET NOBODY JUST TELL HER
1803
00:40:16,414 --> 00:40:17,115
WHAT TO DO.
1804
00:40:17,115 --> 00:40:18,584
WITH THAT BEING SAID, THEN,
1805
00:40:18,584 --> 00:40:20,185
I WANT TO PUMP THE BRAKES.
1806
00:40:20,185 --> 00:40:21,787
WOW.
1807
00:40:21,787 --> 00:40:22,554
MAN, I GOT TO TELL YOU
1808
00:40:22,554 --> 00:40:24,656
ABOUT [bleep]-ASS KARLIE.
1809
00:40:24,656 --> 00:40:26,391
SHE GOES, "OH, YOU KNOW,
1810
00:40:26,391 --> 00:40:28,460
BENZINO, HE SAY HE HAD SEX WITH
1811
00:40:28,460 --> 00:40:29,294
YOU."
1812
00:40:29,294 --> 00:40:30,095
HE SAID HE HAD SEX WITH YOU?
1813
00:40:30,095 --> 00:40:30,962
YES.
1814
00:40:30,962 --> 00:40:31,630
I DIDN'T [bleep] HER.
1815
00:40:31,630 --> 00:40:32,397
I DIDN'T TRY TO [bleep] HER.
1816
00:40:32,397 --> 00:40:33,064
THAT'S IT.
1817
00:40:33,064 --> 00:40:33,832
I DON'T WANT TO TALK ABOUT IT
1818
00:40:33,832 --> 00:40:34,500
NO MORE.
1819
00:40:34,500 --> 00:40:35,200
WE DON'T DO THAT [bleep].
1820
00:40:35,200 --> 00:40:35,867
REALLY?
1821
00:40:35,867 --> 00:40:36,702
SO THEN WE AIN'T BROTHERS NO
1822
00:40:36,702 --> 00:40:37,368
MORE THEN, I GUESS.
1823
00:40:37,368 --> 00:40:38,036
I'M COOL WITH THAT.
1824
00:40:38,036 --> 00:40:38,904
THEN THAT'S WHAT IT IS, THEN.
1825
00:40:38,904 --> 00:40:40,506
I HAVE A NEW FRIEND.
1826
00:40:40,506 --> 00:40:41,439
IT'S NOT NEW.
1827
00:40:41,439 --> 00:40:43,241
IT'S ACTUALLY AN OLD FRIEND.
1828
00:40:43,241 --> 00:40:44,810
STEVIE'S OUTSIDE, SHOOTIN'!
1829
00:40:44,810 --> 00:40:46,277
HURTING RASHEEDA, THAT CAN'T
1830
00:40:46,277 --> 00:40:47,045
HAPPEN.
1831
00:40:47,045 --> 00:40:47,946
I'MA THROW WHATEVER I WANT TO
1832
00:40:47,946 --> 00:40:48,914
THROW.
1833
00:40:48,914 --> 00:40:50,749
[bleep] YOUR WIFE.
1834
00:40:50,749 --> 00:40:52,183
IT'S NOTHING TO SAY.
1835
00:40:52,183 --> 00:40:53,351
I GOT TO DO BUSINESS WITH
1836
00:40:53,351 --> 00:40:54,185
YOU, AND I GOT TO SEE THIS
1837
00:40:54,185 --> 00:40:54,853
[bleep].
1838
00:40:54,853 --> 00:40:55,887
WHAT I DO ON MY OWN TIME IS
1839
00:40:55,887 --> 00:40:57,288
WHAT I DO ON MY OWN TIME.
1840
00:40:57,288 --> 00:40:58,356
WHAT I DO WITH MY MONEY IS
1841
00:40:58,356 --> 00:40:59,725
WHAT I DO WITH MY MONEY.
1842
00:40:59,725 --> 00:41:00,792
DO YOU THINK I WANT TO BE A BABY
1843
00:41:00,792 --> 00:41:01,660
MAMA?
1844
00:41:01,660 --> 00:41:02,894
I DIDN'T CHOOSE THIS [bleep].
1845
00:41:02,894 --> 00:41:04,663
YOU CHOSE IT FOR ME, AND IN HOW
1846
00:41:04,663 --> 00:41:05,664
YOU LIVE YOUR LIFE AFFECTS ME,
1847
00:41:05,664 --> 00:41:07,666
AND YOU DON'T EVEN KNOW IT.
1848
00:41:22,748 --> 00:41:24,015
OH, MY GOODNESS.
1849
00:41:24,015 --> 00:41:24,816
[dog growling]
1850
00:41:24,816 --> 00:41:26,585
SO YOU GONNA TAKE UP FOR A PIECE
1851
00:41:26,585 --> 00:41:28,019
OF BUTT TOO, RIGHT, LIKE YOUR
1852
00:41:28,019 --> 00:41:29,588
BIG BROTHER.
1853
00:41:29,588 --> 00:41:30,722
REALLY?
1854
00:41:30,722 --> 00:41:32,558
OH, IT'S LIKE THAT,
1855
00:41:32,558 --> 00:41:33,792
AND I DON'T COUNT?
1856
00:41:33,792 --> 00:41:34,660
[dog growling]
1857
00:41:34,660 --> 00:41:35,927
REALLY?
1858
00:41:35,927 --> 00:41:37,796
[toy chirping]
1859
00:41:37,796 --> 00:41:38,964
YOU GONNA ALWAYS STAY SAFE
1860
00:41:38,964 --> 00:41:40,298
IF YOU LISTEN TO ME.
1861
00:41:40,298 --> 00:41:42,734
MAMA'S BABY BOY.
1862
00:41:42,734 --> 00:41:44,435
YOU PROBABLY ARE THE ONLY BOY
1863
00:41:44,435 --> 00:41:45,270
IN THE FAMILY THAT WILL LISTEN
1864
00:41:45,270 --> 00:41:45,971
TO ME.
1865
00:41:45,971 --> 00:41:49,608
WOW, AIN'T THAT A REVELATION.
1866
00:41:49,608 --> 00:41:51,610
THANK YOU.
114607
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