Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA...

WE NEED TO KNOW WHAT'S UP

WITH THE CONTRACT.

I DON'T HAVE THE CONTRACT.

OH, GOSH.

I THINK I NEED TO JUST MOVE.

YOU JUST WANT TO TAKE MY

DAUGHTER AND LEAVE?

I CAN'T LIVE WITH YOU.

YOU'LL BE BACK.

RIGHT.

YOU REALLY THINK I'M FEELIN'

THAT BITCH?

MA, DON'T CALL HER NO BITCH.

I MEAN, THERE'S MANY MOMENTS.

SHE IS A BITCH.

LOOK AT YOUR FINE ASS.

[laughs]

IF YOU LISTEN TO ME,

YOU'LL GET HIM BACK.

WE GONNA BE IN THE STUDIO

TOGETHER.

WHY DON'T YOU JUST STOP BY

AND SEE WHAT'S UP?

* PUT THEM BALLS ON

♪ PUT THEM BALLS ON

YOU HURT ME, AND I KNOW--

IT'S, LIKE, OUT OF EVERYBODY,

I JUST NEVER THOUGHT IT WOULD

COME FROM YOU.

I WANTED TO BE WITH ERICA.

I'M GONNA BE OKAY.

I AM A WOMAN THAT LIVED

THROUGH THE VIOLENCE AGAINST ME.

THE GUY SHE'S REFERRING TO

IS MARRIED TO ONE OF MY CLOSE,

CLOSE FRIENDS.

I JUST FEEL LIKE MAYBE THAT'S

NOT SOMETHING THAT HE DID TO

YOU.

NONE OF Y'ALL WAS THERE,

NONE OF Y'ALL.

THAT MAN BEAT MY ASS,

AND I HAD TO DEAL WITH THAT.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* I TELL HIM BRING IT

♪ BRING IT, BRING IT

♪ IF YOU REALLY, REALLY

♪ WANT IT

♪ THEY BE MAD THAT I GET IT

♪ AND THEY BE MAD THAT I

♪ FLAUNT IT

IT'S BEEN A CRAZY YEAR FOR

KARLIE REDD.

I'VE BEEN IN THE STUDIO

GRINDING.

I'M WALKING ON THE RUNWAY.

I'M IN MAGAZINES.

OH, MY GOSH.

KARLIE REDD, WHAT?

♪ ASK ABOUT MY DAUGHTER

♪ BUT, BITCH, YOU MY SON

♪ HAD THE NERVE TO TALK

♪ ABOUT ME AND L.A.'S SON ♪

♪ BITCH, BRING IT

♪ IF YOU LIKE YOUR BOD

♪ THEN BRING IT

[rapping indistinctly]

♪

UH-OH.

WHAT YOU DOIN' IN THAT BOOTH,

GIRL?

AM I BUGGIN' OUT?

WHAT?

HI, BOO-BOO.

HOW ARE YOU?

HI. TRACI.

TRACI, NICE TO MEET YOU.

TRACI'S A D.J.

REALLY?

OH, [bleep].

GIRL...

I HAVEN'T SEEN RASHEEDA IN A

MINUTE, SO I CALLED HER DOWN SO

SHE COULD HEAR THIS DISS RECORD

AGAINST K. MICHELLE.

SINCE K. MICHELLE BE TRYIN' TO

COME AT BOTH OF US, I WANT HER

TO HEAR WHAT I GOT TO SAY ABOUT

THE HORSE.

I'M TIRED OF THIS BITCH K.

MICHELLE, LITERALLY, BLOGS,

INTERVIEWS, TWITTER, EVEN A

SONG.

LIKE--

SHE DID A SONG ABOUT HER TO

YOU?

YES.

LIKE, AN R&B DISS SONG?

I HAVE NEVER HEARD NO [bleep]

LIKE THAT IN MY LIFE.

YOU WASTING SONGS ON ME.

OKAY, I'M GONNA WASTE ONE ON

YOU.

[laughter]

WOW.

PURE COMEDY, I WILL SAY.

YOU LIKE IT?

YEAH.

COME ON, GET ON A VERSE.

GIRL...

AHH-AHH, BOOM, BOOM, BOOM,

BOOM, BOOM.

I AM SO NOT ABOUT TO WASTE MY

BEAUTIFUL VOICE ON NO GODDAMN

ZOO ANIMALS.

I CAN'T DO IT.

ZOO ANIMALS.

[laughter]

GET ON IT.

I'LL PLAY IF YOU GET ON IT.

OH, YOU TRYIN' TO REV IT UP

NOW?

COME ON, GET ON IT.

SHE WAS LIKE, "I'M BACKING

IT, YO."

I MEAN--

YOU KNOW WHAT?

THINK ABOUT IT.

TO BE HONEST WITH YOU, I'LL

THINK ABOUT IT, BECAUSE FOR

REAL, FOR REAL, LIKE, I'M SO

OVER THAT WHOLE, JUST,

SITUATION.

LOOK, I'M DONE WITH IT.

K. MICHELLE FEELS LIKE SHE NEEDS

TO CONSTANTLY TALK ABOUT ME ON

THE BLOGS ALL THE TIME,

BUT I'VE BEEN THE BIGGER PERSON

AND HAVE BEEN IGNORING HER

STUPID [bleep].

WHEN IT COMES TO DOING A DISS

SONG, I AIN'T EVEN SURE I WANT

TO GIVE HER THE TIME OF DAY.

WHEN'S THE LAST TIME YOU SEEN

HER?

OH, I WAS DRIVING DOWN

BOULEVARD PAST THE ATLANTA ZOO,

AND SHE WAS RIGHT OUTSIDE THAT

BITCH EATING SOME GRASS.

I'M JUST...

[laughter]

I'M JUST GONNA STAND AND JUST

LOOK AT THE WALL, BECAUSE I

CAN'T...

BUT ANYWAY, NO, I HAVE NOT

SEEN HER, BUT--

YOU AIN'T SEEN 5150?

WHO NOW?

5150 IS THE CODE FOR THE

POLICE, LIKE, SOMETHING CRAZY IS

IN THE BUILDING, LIKE, PSYCHO.

YES.

WELL, I MIGHT SEE 5150

AT MIMI'S HOUSEWARMING THAT

SHE'S GETTING READY TO HAVE.

MORE THAN LIKELY, SHE'LL BE

THERE, SO...

DOES SHE GET ALONG WITH

ANYBODY?

WE ACTUALLY GOT ALONG AT

FIRST, BUT IT KIND OF TWISTED A

LITTLE BIT, AND THAT'S A WHOLE

NOTHER SITUATION.

OKAY, 5150.

I DON'T WANT TO TALK ABOUT

THAT NO MORE.

BUT, RASHEEDA, FOR REAL,

THOUGH, I WANT YOU TO THINK

ABOUT GETTING ON THIS SONG.

I'LL LET YOU KNOW.

IF YOU GONNA GET ON IT?

[laughter]

I CAN'T DEAL.

[upbeat funky music]

♪

I DON'T KNOW, MAN.

LAST NIGHT WAS STRAIGHT STUPID.

YOU KNOW, I'M TRYING TO BE IN MY

MIX IN THE STUDIO, AND MA DUKES

BRINGS SHAY THROUGH.

YO, YO, YO.

WHAT'S UP? RIGHT ON TIME.

I KNOW YOU READY TO EAT.

I'M WITH ERICA.

YOU KNOW WHAT I'M SAYING?

THAT'S WHAT I'M TRYING TO DO.

MAMA, SHAY, EVERYBODY'S

JUST GONNA HAVE

UNDER-STIZZ-NAY-EE THAT I'M WITH

MY SEXY LADY, MY LOVELY.

YOU FEEL ME?

AND THAT'S WHAT I'M TRYING TO

DO.

THAT'S WHAT I'M ON.

SO I WAS IN THE STUDIO, AND

MAMA CAME THROUGH.

OH, SHE DID?

YEAH--

SHE HAD SOME TRICKS UP HER

SLEEVE?

WHEN SHE WAS GETTING READY TO

LEAVE, LIKE, SHAY WALKED IN.

THAT'S WHAT I SAID.

HOW'D SHE KNOW YOU WAS AT THE

STUDIO?

I DON'T EVEN KNOW HOW MY MAMA

KNOW I WAS AT THE STUDIO.

SO SHE CAME IN AFTER YOUR

MAMA.

SHE SAT DOWN AND JUST

STARTED TELLING ME HOW SHE FEEL

OR WHATEVER AND BUST OUT CRYING

AND ALL THAT STUFF.

I'M CONFUSED, 'CAUSE WHY ARE

YOU POPPIN' UP AT THE STUDIO

WHERE MY MAN AT?

MAN, THAT'S WHAT I WAS ON--

TWO, YOU SHOULDN'T HAVE EVEN

HAD NO CONVERSATION WITH HER, SO

DID SOMETHING TRANSPIRE?

Y'ALL TALKED?

I JUST TOLD HER ONCE AGAIN,

"I DIDN'T MEAN TO HURT YOUR

FEELINGS.

I'M SORRY.

AND I'M WITH ERICA.

YOU KNOW WHAT I'M SAYING?

LIKE, THAT'S WHO I WANT TO BE

WITH.

I--YOU KNOW, WHEN I PROPOSED, I

DID THAT FOR A REASON, AND"--

SO WHAT PART ISN'T SHE

GETTING?

OH, NO, SHE GOT IT NOW.

SHAY, BABY, HAVE A SEAT,

AND PLEASE DO IT QUICKLY.

WE'RE ENGAGED...RING AGAIN.

I KNOW YOU SEE IT.

IT'S DISRESPECTFUL TO CONTINUE

TO TRY TO COME BETWEEN US.

IT'S NOT HAPPENING.

BUT WHAT REALLY IRKS ME IS SHAY

SHOWING UP WITH MOMMA DEE

AND BY "COINCIDENCE."

HUH.

YOU THINK SHE CAME WITH YOUR

MAMA?

IT HAD TO BE.

I DON'T KNOW NO OTHER WAY.

SO DO I NEED TO TALK TO

MOMMA DEE?

LIKE, DO WE NEED TO SIT DOWN AND

HAVE, LIKE, A REAL

WOMAN-TO-WOMAN CONVERSATION

SO SHE KNOWS THAT THIS [bleep]

IS REAL?

IT'S NOT A JOKE.

I'M NOT GOING ANYWHERE.

I'M THINKING WE BOTH NEED TO

SIT DOWN AND TALK TO HER.

BRINGING SHAY INTO THE STUDIO

WAS DEFINITELY THE ULTIMATE

DISRESPECT, BECAUSE AT THIS

POINT, THIS IS NOT A

GIRLFRIEND-BOYFRIEND

RELATIONSHIP.

NO, THIS IS AN ENGAGEMENT THAT

IS GONNA EVENTUALLY LEAD TO

MARRIAGE.

I'M NOT GOING ANYWHERE.

SO EVENTUALLY, SHE HAS TO ACCEPT

THAT...SOONER THAN LATER.

AT THIS POINT, LIKE, I'M GONNA

BE RESPECTED, PERIOD.

I'M JUST TIRED, MAN.

BUT I JUST WANTED TO LET YOU

KNOW WE'RE GOING ON, BECAUSE

WE'RE TRYING TO BUILD SOMETHING,

AND WE'RE TRYING TO--

YEAH, WE ARE.

YOU KNOW, WE'RE TRYING TO

WORK SOME THINGS OUT.

YOU KNOW, I AIN'T TRYING TO GO

DOWN THAT ROAD OF YOU NOT

KNOWING WHAT'S GOING ON.

I COULDN'T RESPECT YOU ANY

MORE.

I MEAN--

I'M HUNGRY.

CAN WE EAT?

YOU CAN EAT.

I DON'T EVEN HAVE AN APPETITE

NO MORE.

[upbeat funky music]

♪

AHH!

[laughs]

WELL, YOU LOOK PRETTY.

DON'T FORGET ABOUT ME, BOO.

WHAT'S UP?

YOU LOOK GOOD.

I'M SO EXCITED, AND I'M

CELEBRATING MY INDEPENDENCE.

I INVITED THE GIRLS OVER TO HAVE

DRINKS, MIMOSAS, AND CELEBRATE

MY HOUSEWARMING.

NOW, I KNOW K. AND RASHEEDA

HAVEN'T SEEN EACH OTHER SINCE

THEIR LAST FIGHT, SO I'M HOPING

THEY CAN BE CIVIL FOR MY SAKE.

I MUST BE UNDER A ROCK.

WHAT BROUGHT ON THE CHANGE,

THE SUDDEN MOVE?

I'M--I'M LOST.

WELL, I WAS STAYING AT

STEVIE'S TEMPORARILY.

I WAS TRYING TO FIND A HOUSE.

THE PROCESS WAS TAKING TOO LONG.

I JUST GOT THE [bleep] UP OUT OF

THERE.

EXCUSE MY LANGUAGE.

AND I JUST HAD TO GET MY OWN

SPACE, MY OWN--

HALLELUJAH.

WHAT DO YOU THINK IS GONNA

HAPPEN?

Y'ALL HAVE A DAUGHTER...

ALL I KNOW IS, WE NEED TO BE

ABLE TO CO-PARENT.

THAT'S IMPORTANT.

THAT'S ALL I'M CONCERNED

ABOUT.

ANYTHING ELSE, I DON'T CARE.

YOU MIGHTY QUIET.

GIRL, I'M JUST TAKING IN THE

AIR.

ARE YOU ALL RIGHT?

RASHEEDA, ARE YOU OKAY?

WELL, WHY WOULDN'T I BE?

I'M HERE.

SAY HI TO EACH OTHER.

[bleep], YOU IN A HOUSEWARMING.

SAY HI.

IT'S WARM AS [bleep] IN HERE

ANYWAY.

YOU AIN'T LYING ABOUT THAT

[bleep].

IT'S BEEN A MINUTE SINCE I

SEEN THE GEORGIA PRUNE RASHEEDA,

AND I'M NOT TOO THRILLED OR

HAPPY ABOUT IT, BUT IT'S MIMI'S

DAY, AND I HAVE TO BE THERE TO

SUPPORT, SO I'M JUST GONNA TRY

TO, YOU KNOW, BE A GOOD LITTLE

CHRISTIAN GIRL.

I AIN'T TRYING TO BE A

GROWN-ASS WOMAN ARGUING WITH NO

NEXT GROWN-ASS WOMAN ALL THE

TIME.

YOU KNOW, I THINK I COME ACROSS

YOUR MIND A FEW TIMES HERE AND

THERE VIA TWITTER.

NO, BITCH.

YES, BITCH.

NO, YOU AND YOUR LITTLE

INSTAGRAM ESSAYS.

INSTAGRAM ESSAYS?

WHO TAKES OUT TIME TO TYPE

A FULL ESSAY--

THE SAME PERSON WHO GETS ON

THEIR INTERVIEWS AND WANT TO

TALK ABOUT WHAT THEY SHOULDA--

I TELL IT LIKE IT IS.

THAT'S WHAT YOU FOOL WITH

"THE WORLD" TO THINK.

OBVIOUSLY, YOU WERE LIVING IN

MY HOUSE UNDER MY BED WHEN I WAS

GOING THROUGH MY RELATIONSHIP--

NO, OBVIOUSLY, YOU FOND OF

ME, BITCH, 'CAUSE ALL YOU DO IS

TALK ABOUT RASHEEDA.

JUST BE WORRIED ABOUT WHEN YOUR

ASS IS GONNA HIT THE FLOOR

WITH THAT FAKE [bleep],

WHEN THE MOTHER[bleep] DROP

AND YOUR ASS IN THE HOSPITAL

SOME-[bleep]-WHERE, OKAY?

I WAS TRYING TO BE COOL WITH

K. MICHELLE.

BUT YOU KNOW WHAT?

SHE ALWAYS POPPIN' OFF ON THE

BLOGS, ON THE INTERNET, AND

DOING WHAT SHE DO.

AND YOU KNOW WHAT?

I'M TIRED OF HER [bleep].

SEE, I AIN'T FOR THE [bleep].

YEAH, I BE READY TO HIT A BITCH,

FOR REAL.

PULL THAT RAGGEDY-ASS WIG OFF

YOUR MOTHER[bleep] HEAD.

WHOO!

WE MAD.

WE A REAL BITCH.

WHAT DID YOU SAY?

UH-UH, NO FIGHTING IN HERE.

"TELL KIRK AND HIS THREE

EARRINGS" WHAT?

PLEASE, NO.

OH, YOU GONNA HIT ME WITH A--

OH, YOU GONNA THROW A CANDLE AT

ME, BITCH?

YOU WANT A THROW A--YOU WANT TO

THROW FIRE?

KIRK AND HIS THREE EARRINGS?

GET OUT OF MY FACE.

GET THE [bleep] OUT OF MY FACE.

UH-UH, NUH-HUH.

NO, NO, NO, NO, NO, NO.

NOPE, NOPE, NOPE, NOPE, NOPE,

NOPE.

[bleep].

OKAY, I'M COOL.

I'M COOL. I'M COOL. I'M COOL.

OKAY, IT'S COOL.

IT'S COOL. IT'S COOL. IT'S COOL.

IT'S COOL. IT'S COOL.

IT'S COOL.

AHH!

LET ME GET AHOLD OF THIS

BITCH.

HEY! BOO-BOO!

MIMI, I'M SORRY, BUT SHE

[bleep] WITH THE WRONG BITCH.

I'MA TELL YOU NOW.

I WILL BREAK THIS

MOTHER[bleep]'S NECK.

THIS ZOO ANIMAL IS A PAIN IN MY

ASS.

WHY ARE YOU ALWAYS SO WORRIED

ABOUT ME AND MY HUSBAND?

YOU NEED TO WORRY ABOUT YOU AND

ALL THE 500,000 [bleep] YOU'RE

[bleep], OKAY?

WASTING MY TIME ON THIS WANNABE

KEYSHIA COLE SLAW--

AHH-BAH-BAH-BAH, GEORGIA

PRUNE!

YOU'RE NO GEORGIA PEACH.

I MIGHT BE A PRUNE, BITCH.

I MIGHT BE WHATEVER THE [bleep]

I AM, BUT GUESS WHAT.

LET ME GUESS WHAT.

WE DON'T WANT TO HEAR--WE DON'T

WANT TO HEAR YOU.

WE DON'T WANT TO HEAR YOU.

JUST LIKE WE DON'T WANT TO HEAR

YOUR MUSIC, GEORGIA PEACH.

GIRL, YOU BETTER HOPE...

[sighs]

* I'M RASHEEDA ♪

♪ I RAP LIKE SHAWTY LO

BITCH, YOU KNOW WHAT?

I'M DONE, FOR REAL.

I'M DONE.

MEATBALLS.

[sighs]

WE NEVER GONNA BE FRIENDS,

OKAY?

THAT'S CLEAR.

YOU SEEING SOMEBODY?

STEVIE, I'M DOING ME.

WHO IS IT?

ARE YOU?

MM.

I BELIEVE THAT Y'ALL--

SHE TALKED TO ME. HOLD UP.

YOU KNOW, YOU JUST DON'T CARE

ABOUT WHAT I GOT GOING ON.

[upbeat funky music]

♪

I GOT A NEW APARTMENT TO GET

AWAY FROM THE BULL[bleep] AND

THE DRAMA, AND NOW AT MY

HOUSEWARMING, TWO OF MY GOOD

FRIENDS GET INTO IT.

LIKE, WHAT THE...

REALLY?

I'M SO [bleep] TIRED OF

DEALING WITH THIS DUMB [bleep].

I'MA CALL YOU BACK.

I TRIED.

I'M JUST MAD THAT THIS

[bleep] EVEN...

I TRIED TO BE

MOTHER[bleep] COOL, AND THE

BITCH WANTED TO KEEP POPPIN' HER

MOTHER[bleep] MOUTH AND HIT ME

WITH A MOTHER[bleep] CANDLE, A

FIRE, BITCH?

THIS IS HER NEW CRIB, AND YOU'RE

GONNA DISRESPECT HER BY STARTING

OFF THROWING [bleep] AT

SOMEBODY?

LIKE, FOR REAL?

I THINK PEOPLE USE THE TERM

"FRIEND" A LITTLE TOO LIGHTLY,

'CAUSE THAT AIN'T NO DAMN

FRIEND.

I DON'T UNDERSTAND.

I'M CONFUSED.

I'M NOT [bleep] CONFUSED.

WE NEVER GONNA BE FRIENDS.

THAT'S CLEAR.

OH, MY GOD.

[laughs]

OH, MY GOD.

IT'S A HOUSEWARMING.

IT WAS.

WHAT THE HELL?

YO, THESE GIRLS ARE CRAZY IN

HERE.

COME ON, K.

I MEAN, THAT'S MY GIRL.

I LOVE HER.

BUT SHE KNOWS A COUPLE OF THOSE

SCREWS ARE NOT TIGHT UP THERE.

I'M REALLY ANGRY SHE THREW THAT

CANDLE AT YOU.

ANGRY?

MAN, [bleep] THAT CANDLE.

IF I'D HAVE HAD A CHANCE,

I'D HAVE BROKE--I'D HAVE PULLED

THAT WIG OFF HER HEAD.

YOU WAS TRYING TO THROW THAT

BOTTLE OF ACE OF SPADE TOO.

AND I'D HAVE BOUGHT YOU

ANOTHER ONE, TOO, IF I--

NO, I DON'T WANT YOU TO BUY

ME ANOTHER BOTTLE.

I'M LIKE, "BITCH, YOU BETTER PUT

THAT GODDAMN BOTTLE DOWN."

I APOLOGIZE, THOUGH, FOR

THAT--

DON'T APOLOGIZE, BECAUSE IT

WAS NOT YOUR FAULT.

IT ALL COULD HAVE BEEN

HANDLED DIFFERENTLY, YOU KNOW.

NOT SO MUCH.

THE WAY THAT [bleep] WENT DOWN,

IT WAS GONNA GO DOWN NO MATTER

WHAT THE [bleep] I SAID, YOU

SAID.

JESUS COULD HAVE CAME DOWN

HIMSELF AND SAID, "BREAK IT UP,"

AND THIS WAS NOT GONNA [bleep]

HAPPEN.

I GUESS MIMI WAS RIGHT.

THERE WAS NO WAY ME AND THE

DONKEY WAS GONNA BE ABLE TO BE

IN THE ROOM TOGETHER AND HAVE A

LOGICAL CONVERSATION AND CROSS

OUR LEGS LIKE GROWN WOMEN.

I'M DONE WITH IT.

STILL GOT THAT BOTTLE?

YES, THAT BOTTLE IS IN THERE.

YOU DIDN'T THROW IT AWAY.

GOOD, GOOD.

LET'S DRINK THE BOTTLE.

I'M DONE WITH THESE

RATCHET-ASS [bleep]--

STOP USING THAT WORD.

I MEAN, DAMN, WHAT ELSE CAN

CAN YOU SAY TO SOMEBODY WITH A

BACKWARDS WIG ON?

THAT'S Y'ALL GODDAMN FRIEND.

IT'S ALL GOOD.

OOH, GIRL!

REMIND ME TO GET THIS GODDAMN

CANDLE WAX OFF ME.

BITCH TRIED TO SET ME ON FIRE.

RASHEEDA, DON'T [bleep] PLAY.

OH, HOW YOU GET IN THIS

BITCH?

DON'T [bleep] PLAY.

[percussive music]

♪

MAN, I'M GOING TO SEE MY MAMA

TODAY, MAN.

YOU KNOW WHAT I'M SAYING?

I GOT TO HOLLER AT HER ABOUT

THE SITCH-E-ATION THAT HAPPENED

THE OTHER NIGHT.

HEY, TYLER, LOOK WHO'S HERE.

LOOK, IT'S YOUR BIG BROTHER.

HE AIN'T MY BROTHER.

JUST SET ME UP ON SOME MAFIA HIT

TYPES, FEEL LIKE YOU FEELIN'

TO WHACK ME.

WE GOT SHAY COMING IN FROM THE

BACK, YOU KNOW.

I'M LIKE, "WOW."

I JUST WANT TO HOLLER AT HER,

'CAUSE I AIN'T REALLY TOO MUCH

CARE FOR THAT SITUATION.

YOU AIN'T LOOKING TOO GOOD.

NO, I AIN'T FEELING TOO GOOD.

YOU KNOW, ALL THAT SHAY STUFF,

AND, YOU KNOW, I TOLD YOU--I'M

LIKE, IF I'M GOING TO THE LEFT,

YOU NEED TO GO TO THE LEFT TOO,

'CAUSE WE FAMILY.

YOU KNOW WHAT I'M SAYING?

YOU KNOW, LIKE, YOU'VE GOT A

GRANDDAUGHTER WITH ERICA.

YOU FEEL ME?

NOT WITH HER, SO IT AIN'T--

AIN'T NOTHING COMING OUT OF

THAT.

AIN'T NOTHING COMING FROM IT.

AIN'T NOTHING GONNA HAPPEN.

YOU FEEL ME?

JUST LIKE I TOLD HER.

MY MAMA IS BRINGING SHAY TO THE

STUDIO OFF THE TOP DOING

SOMETHING I ALREADY SAID I DON'T

LIKE, AND THEN SHE BASICALLY

GOT ME THINKING, LIKE, SHE'S

BEEN RUNNING AROUND WITH SHAY.

I DON'T NEED YOU SCHEMING,

PUTTING ON A SKI MASK WITH

ANOTHER CHICK TRYING TO RUIN

WHAT I GOT GOING ON.

IT'S REAL [bleep].

HOW YOU GET A CHANCE TO TALK TO

HER IF YOU DON'T BE AROUND HER

LIKE THAT, IF YOU JUST POP UP--

Y'ALL ARE IN THE SAME PLACE,

BUT YOU DON'T TALK TO HER LIKE

THAT?

HOW IS THAT?

I RAN ACROSS HER IN THE

STREET, BELIEVE IT OR NOT.

YEAH.

IT SOUND LIKE YOU LYING

ALREADY.

THE THING OF IT IS THAT...

THE THING OF IT IS...

SHE TALKED TO ME.

HOLD UP. HOLD UP.

YOU JUST DON'T CARE ABOUT

WHAT I GOT GOING ON.

I BELIEVE THAT Y'ALL BE HOOKED

UP.

Y'ALL KNOW WHERE IT'S GONNA BE

AND ALL THAT.

BUT IT'S IN MY SCOPE, AND I'M

TELLING YOU NOW, I'M ROUNDING

THE KINGDOM, AND I'M LOOKING

DOWN OVER EVERYTHING

AND ALL THE PEASANTS AND ALL THE

ROYAL BLOODS, BUT THE QUEEN

AIN'T ALWAYS ON POINT, AND I

APOLOGIZE.

WHAT? QUEEN?

HOLD ON NOW.

LIKE, YOU TAKING THIS PRINCE

OF THE SOUTH A LITTLE TOO FAR.

YOU KNOW WHAT I'M SAYING?

SHE CALLING TROOPS AND

EVERYTHING.

AND YOU KNOW WHAT ELSE?

YOU JUST SAID THE OTHER DAY,

LIKE, "I CAN'T EVEN COME OVER

THERE AND COOK."

OKAY, SO--

WHAT YOU WANT, A MEAT LOAF?

NO, THIS IS WHAT I WANT.

I WANT FRIED CHICKEN, MACARONI

AND CHEESE, 'CAUSE THAT'S--

MY DAUGHTER LIKE THAT TOO.

I KNOW. SHE LOVES IT.

AND WE ALL SIT DOWN, ME,

ERICA, MIGNON, AND MOMMA DEE,

HAVE A GOOD DINNER.

IF SCRAPPY FEELS LIKE HAVING

THIS SIT-DOWN DINNER WOULD HELP

ME AND ERICA'S RELATIONSHIP,

I'M WILLING TO OBLIGE THE

PRINCE, BUT I'M TELLING YOU NOW,

I AM HOVERING, WATCHING OVER

EVERY MOVE SHE MAKES.

THAT'S HOW I THINK WE SHOULD

DO IT.

OKAY, AND SO IT IS SAID,

SO SHALL IT BE WRITTEN.

HE ALREADY DONE SPOKE IT.

[laughs] LET THE CHURCH SAY

AMEN.

[aggressive hip-hop music]

♪

OLUREMI, WHAT'S GOING ON?

HELLO.

HOW ARE YOU?

I'M GOOD.

FINALLY GOT BACK TO ME.

I'M HITTING YOU.

I'M TEXTING YOU.

SO YOU FINALLY FIGURED YOU WOULD

MEET ME SOMEWHERE?

ABSOLUTELY.

SO EVER SINCE I MOVED OUT,

STEVIE'S BEEN ASKING ME WHERE I

LIVE.

AT THE END OF THE DAY, STEVIE

AND I STILL HAVE TO CO-PARENT,

SO I RETURNED HIS CALL AND

AGREED TO DISCUSS WHATEVER WE

NEED TO DISCUSS.

I KNOW YOU GOT A LOT GOING

ON, BUT YOU LOOK BEAUTIFUL,

AND I MISS YOU, AND I WANT TO

SEE MY BABY.

THAT'S NOT A PROBLEM.

WHEN CAN I SEE MY BABY?

WHEN WOULD YOU LIKE?

DO WE NEED--

RIGHT NOW.

DO YOU WANT TO DO A SCHEDULE?

YOU CAN'T SEE HER RIGHT NOW.

A SCHEDULE?

I'M SAYING TO MAKE IT

EASIER...

[laughs] DO A SCHEDULE TO

SEE MY BABY.

NO, I'M JUST SAYING, IF WE DO

A SCHEDULE, THAT WAY--

MONDAYS AT 6:00 P.M.

TUESDAYS AT 7:30.

YOU KNOW, HOW ARE WE DOING THAT?

THAT AIN'T HOW I'M USED TO DOING

THAT.

I DON'T KNOW WHAT KIND OF

[bleep] IS SHE TRYING TO PULL,

BUT EVA IS MY DAUGHTER,

AND I WILL FIND OUT WHERE SHE

LIVES WITH OR WITHOUT HER HELP.

AND THAT'S JUST THE WAY IT'S

GONNA GO.

WHERE IS SHE?

SHE'S FINE.

WHERE DO YOU LIVE?

STEVIE--

I WANT TO BE ABLE TO GO AND

PICK HER UP.

IS THIS--

YOU JUST WANT TO KNOW SO

YOU CAN GO PICK HER UP?

THAT'S WHY--

I WANT TO KNOW WHO SHE'S

AROUND.

SHE'S AROUND ME.

AND WHO ELSE?

THAT'S IT.

WHO ELSE?

THAT'S--YOU KNOW WHO I'M

AROUND.

YOU SEEING SOMEBODY?

STEVIE, I'M DOING ME.

YOU'RE DOING YOU?

THAT'S IT.

IS HE FLYER THAN ME?

[laughs]

IS HE MORE TALENTED THAN ME?

HAVE A BODY LIKE MINE?

OH, WOW.

HUH? IS HE?

WHO IS IT?

ARE YOU?

THAT'S NEITHER HERE NOR

THERE.

MM.

REALLY NONE OF STEVIE'S

BUSINESS WHO I'M DATING, WHO I'M

SEEING, WHO COMES BY MY PLACE,

ANY OF THAT.

DO YOU.

I'M GONNA DO ME.

AND LET IT BE THAT, PERIOD.

STEVIE...

WHERE DO YOU LIVE?

I LIVE IN ATLANTA.

[scoffs]

YOU KNOW, WHEN I FIND OUT WHERE

IT IS, I AIN'T TRIPPING.

YOU KNOW WHAT I'M SAYING?

I'M NOT ABOUT TO ASK YOU A

MILLION TIMES.

OKAY.

BUT I'LL SHOW UP, OKAY?

YOU ALWAYS DO.

I'LL SEE YOU LATER.

YOU LOOK GOOD, BABY.

THANK YOU.

CAN I HAVE A KISS?

NO.

I'LL SEE YOU SOON, OKAY?

I'LL CALL YOU WITH THE BABY.

CALL ME, SO I CAN GET THE

BABY.

I WILL.

Y'ALL GIVE IT UP FOR MY GIRL,

THE BEAUTIFUL MISS JOSELINE

HERNANDEZ.

IF I DON'T GET MY MONEY,

YOU GOT A PROBLEM.

DO YOU KNOW THAT THIS TRICK

REARED BACK AND THREW THAT

[bleep] AT ME?

IF SHE'S WILLING TO DO THAT,

AIN'T NO TELLING WHAT SHE GONNA

TRY NEXT, AND THAT'S GONNA BRING

SOME REAL PROBLEMS, AND I DON'T

THINK SHE'S DONE HER HOMEWORK TO

KNOW WHAT TYPE OF PROBLEMS

THAT'S GONNA BRING.

[upbeat funky music]

♪

[sizzling]

HI.

HEY.

WHAT'S UP?

mwah!

WHAT ARE WE EATING?

RICE, CORN, VEGETABLES.

I'M ALMOST FINISHED.

I WOULD HAVE BEEN DONE IF I

WASN'T CLEANING UP THIS [bleep].

WHAT IS THAT?

IT'S CANDLE WAX.

SO I GO TO MIMI'S HOUSEWARMING,

AND I KIND OF WAS SUSPECTING

THAT K. MICHELLE WAS GONNA

BE THERE.

WE BACKIN' AND FORTHIN'.

SO I'M LIKE, "YOU KNOW WHAT?

THIS IS NOT WHAT I CAME FOR."

SO I GRABBED MY STUFF.

I HEAD TO WALK OUT THE DOOR.

SHE'S STILL RUNNIN' THAT TRAP.

"GOOD LUCK WITH YOUR HUSBAND

AND HIS THREE EARRINGS."

IT'S NOT THREE EARRINGS.

IT'S FOUR, BUT ANYWAY, WHAT THE

[bleep] ARE YOU WORRYING ABOUT

ME FOR?

GET YOUR MATH RIGHT, NUMBER

ONE.

SHE MAD, 'CAUSE SHE AIN'T GOT A

[bleep] WITH NO EARRINGS, OKAY?

SO IF I'VE GOT THREE EARRINGS

OR FOUR EARRINGS IN MY EAR, I'M

GAY?

REALLY?

I WANTED TO BE GAY, I'D BE GAY.

I'M MOTHER--I'M 100% REAL

STREET HOOD CAT.

DO YOUR HOMEWORK.

SO ALL THAT, I MEAN, IT

DOESN'T--

AIN'T NOBODY GOT TO PROVE NO

POINT TO HER AND NO-[bleep]-BODY

ELSE.

K. MICHELLE HAS TALKED [bleep]

ABOUT ME ONE TOO MANY TIMES

AND BE TRYING TO DISRESPECT MY

HUSBAND AND CALL HIM "GAY."

WHATEVER, BITCH.

SHE'S JEALOUS OF ME BEING

MARRIED.

SHE'S JEALOUS OF MY FAMILY.

SHE'S JEALOUS OF MY FRIENDS.

AND YOU KNOW WHAT?

RIGHT NOW, I AM DONE WITH IT.

I'M LIKE, YOU KNOW, "SO WHAT IS

IT?

WHAT'S UP?"

I WALK OVER THERE TO HER.

SHE'S SITTING IN THE CHAIR.

THIS BITCH GOT A CANDLE IN HER

HAND.

DO YOU KNOW THAT THIS TRICK

REARED BACK AND THREW THAT

[bleep] AT ME?

CANDLE WAX ALL OVER ME.

Y'ALL HAD Y'ALL BEEF.

I STAY OUT THE [bleep].

SHE KEEP PUTTING MY

MOTHER[bleep] NAME IN HER MOUTH.

THE BITCH NEED TO KEEP MY NAME

OUT HER MOUTH, NUMBER ONE.

SHE DON'T KNOW ME.

BUT HER PICKING UP [bleep] AND

THROWING IT YOU, THAT [bleep]

IS--THAT [bleep] IS A NO-GO.

SO THAT CONVERSATION IS GONNA

NEED TO BE MOTHER[bleep] HAD,

NUMBER ONE, PERIOD, POINT BLANK,

BECAUSE THAT'S CROSSING SOME

SERIOUS LINES.

IT'S ONE THING TO TALK [bleep]

ABOUT RASHEEDA IN A BLOG, BUT

IT'S ANOTHER THING TO ENDANGER

THE LIFE OF MY WIFE AND THE

MOTHER OF MY CHILD.

AT THIS POINT, I'VE GOT TO GET

INVOLVED.

IF SHE'S WILLING TO DO THAT,

AIN'T NO TELLING WHAT SHE GONNA

TRY NEXT, AND THAT'S GONNA BRING

SOME REAL PROBLEMS, AND I DON'T

THINK SHE'S DONE HER HOMEWORK TO

KNOW WHAT TYPE OF PROBLEMS

THAT'S GONNA BRING, SO I NEED TO

TALK TO HER.

THAT I DO ALREADY KNOW.

AND I'M BEING 100.

I MEAN, I DON'T KNOW WHAT'S

GONNA CHANGE IT, BUT SHE GOT TO

KNOW WHERE TO DRAW THAT LINE AT,

AND I'VE GOT TO ADDRESS THAT.

I CAN'T BE MAD AT KIRK FOR

TRYING TO BE A PRINCE CHARMING

AND COME TO MY RESCUE TO TALK

TO THIS FIRE-THROWING DRAGON,

DONKEY-ASS BITCH.

SEE, THE DIFFERENCE BETWEEN ME

AND K. IS, I'VE GOT A HUSBAND,

AND SOMETHING K. CAN'T TAKE AWAY

FROM ME.

GIVE ME SOME LOVE.

MMM-MMM.

[funky music]

♪

DO WE NEED ONIONS?

THEY GOT SPANISH SWEET

ONIONS.

I WANT SOME ORANGES.

HERE, HERE, HERE, HERE.

TANGERINES MIGHT BE SWEETER.

IS IT SEASON FOR THESE?

SO LOOK, I TALKED TO MY MOM

THE OTHER DAY,

KIND OF GOT ON HER...

YOU FEEL ME?

ABOUT THAT LITTLE SITUATION I

TOLD YOU, AND I WAS VERY

RESPECTFUL WITH HER TOO.

FIZZ-NAY-EE?

OH, YOU TALKING ABOUT THE

STUDIO SITUATION.

YEAH, AND JUST PERIOD, JUST

BEING JUST--THAT'S

DISRESPECTFUL TOWARDS WHAT WE

GOT GOING ON.

YOU FEEL ME?

I WANTED TO LET HER KNOW THAT

I AM RESPECTFUL, AND I DO LOVE

YOU, AND WE DO NEED TO BE A

FAMILY AT THE END OF THE DAY,

YOU KNOW, WHETHER THEY LIKE IT

OR NOT, SO I WAS JUST LIKE,

"HEY, I WANT BOTH OF Y'ALL TO

COME OVER...

YOU KNOW WHAT I'M SAYING?

AND HAVE A BIG DINNER, AND WE'LL

SIT DOWN"--

WHO?

ME, YOU, AND YOUR MOM TOGETHER?

AND YOUR MOM.

AND MY MOM?

MM-HMM.

I'M NOT SURE IF HAVING THIS

DINNER RIGHT NOW IS THE BEST

IDEA.

I'VE BEEN TRYING TO GET THIS

FAMILY TO COME TOGETHER FOR A

MINUTE NOW, AND MOMMA DEE IS

JUST ALWAYS AGAINST ME.

I'M NOT SURE AS TO WHY SCRAPPY

THINKS THIS TIME IS GONNA BE ANY

DIFFERENT.

I'M JUST TRYING TO MAKE IT BE

LIKE A FAMILY INSTEAD OF KEEP

GOING ON AND ON AND ON AND ON

AND ON.

I MEAN, THAT'S WHAT I TELL YOU

ALL THE TIME.

I CAN'T CONTROL HER.

YOU FEEL ME?

BUT WHAT I CAN DO AND WHAT YOU

CAN DO IS TRY.

YOU FEEL ME?

I'M TRYING TO BE A FAMILY,

AND IT AIN'T GONNA BE A FAMILY

WITHOUT OUR PARENTS AND WITHOUT

OUR BROTHERS AND SISTERS.

I MEAN, WE CAN BE SOLO-DOLO

AND OFF IN THE CUT SOMEWHERE,

YOU KNOW, BY OURSELF, BUT THAT

AIN'T COOL FOR EMANI.

YOU KNOW WHAT I'M SAYING?

EMANI NEED HER WHOLE FAMILY.

YOU FEEL ME?

WELL, OUT OF RESPECT FOR YOU,

I'LL DO IT, BUT IF SHE COMING TO

MY HOUSE, SHE GONNA RESPECT ME

IN MY HOUSE.

OH, NO, SHE DEFINITELY GONNA

RESPECT US...

THAT'S ALL I GOT TO SAY.

IN THE HOUSE--IN OUR HOUSE.

YEAH, YOU RIGHT.

YOU FEEL ME?

AND IF THAT DON'T WORK,

WHATEVER.

I KNOW Y'ALL ARE STILL GONNA BE

AT THE WEDDING.

ALL Y'ALL CAN DO IS CRY AND SAY

BYE.

YOU FEEL ME?

I GREW UP WITH BOTH OF MY

GRANDPARENTS, BOTH SIDES.

EVERYBODY SHOWED LOVE.

DIDN'T NOBODY GET INTO NO BEEF.

SO I WANT MY LITTLE GIRL TO HAVE

THE SAME OPPORTUNITY WITH HER

LIFE.

SO WHEN YOU TRYING TO HAVE

THIS?

ASAP.

WHAT'S ASAP?

LIKE...

WHEN YOU--WHEN YOU THINK

YOU'LL BE READY?

GIVE ME A COUPLE OF DAYS.

I GOT YOU.

OKAY.

WHAT YOU NEED TO DO IS GO

MAKE MY LITTLE MAID CLEAN YOUR

HOUSE, FIND THAT MOTHER[bleep]

CONTRACT, BRING IT BACK TO ME,

AND THEN ASK ME FOR 30%,

'CAUSE I DON'T WANT TO SLAP THE

[bleep] OUT YOUR ASS.

[all shouting indistinctly]

SEE, MIMI.

[upbeat electronic music]

♪

[cheers and applause]

Y'ALL GIVE IT UP FOR MY GIRL,

THE BEAUTIFUL MISS JOSELINE

HERNANDEZ.

* HABLAME CORTA, NO QUIERE ♪

♪ NA' SI LE PAGAN EL PEINE ♪

♪ SE ENCUENTRA A VACILAR ♪

♪ Y SI PRENDE VELA ♪

♪ NO SE JOVELA ♪

♪ AHORA QUE TURNOVER SANTO ♪

♪ TE PROTEJA DE ESTA PERRA ♪

♪ SUBLIMINAL, CRIMINAL

♪ MUY REAL ♪

♪ TU MUY ARTIFICIAL ♪

Y'ALL GIVE IT UP

FOR JOSELINE HERNANDEZ.

I'M SO ANGRY WITH STEVIE,

'CAUSE HE'S LIKE,

"I ASKED YOU FOR MY CONTRACT.

YOU DON'T HAVE IT.

I ASKED YOU FOR MY SINGLE.

WE DON'T HAVE A SINGLE."

YOU THINK YOU'RE MY GATEKEEPER.

BUT FOR REAL,

I DON'T NEED YOUR ASS ANYMORE.

AHH.

HAH!

IT WENT SO GOOD.

THEY LOVED YOU.

I KNOW. OH, MY GOD.

HOW MUCH MONEY WE MADE, BITCH?

IT'S $7,000--$3,500, $3,500

ON THE PICKUP.

LET ME GIVE YOU YOUR CUT.

HERE'S A LITTLE EXTRA, BOO,

'CAUSE YOU KNOW MY HOMEY

GOT TO GET THAT CHING.

THAT CHING.

THIS WAS A GOOD BOOKING.

YOU DID A GOOD--THIS WAS GREAT,

AND WE LOOKED SO GOOD TONIGHT.

OH, GOD.

WHAT'S UP, LADIES?

DAMN.

WHY YOU COMING UP IN HERE

LOOKING LIKE DAMN MALCOLM X?

I JUST COME IN HERE TO GET

THE BREAD.

TO GET WHAT BREAD?

'CAUSE YOU AIN'T BOOKED NOTHING.

SHE BOOKED THIS SHOW.

FIRST OF ALL, WHY ARE YOU AT THE

GAY CLUB?

AND SECOND OF ALL, YOU NOT GONNA

GET A BITCH-ASS THING FROM ME,

'CAUSE I AIN'T GOT NO CONTRACT.

AIN'T NO MONEY WAS MADE IN

THE CLUB TONIGHT?

NO, WE DIDN'T MAKE ANYTHING.

ACT LIKE A [bleep] MANAGER,

AND THEN MAYBE YOUR ASS WILL GET

[bleep] PAID, AND GET ME MY

[bleep] CONTRACT.

YOU LOOKING LIKE YOU AN

ARTIST TONIGHT.

ARE YOU THE ARTIST OR THE

MANAGER?

I'M THE MANAGER,

COMANAGEMENT.

OH, THIS YOUR MANAGER?

THE LAST TIME I CHECKED,

JOSELINE WAS SIGNED TO ME.

YOU KNOW, AND I'M HEARING OVER

TWITTER, I'M HEARING OVER

INSTAGRAM SHE HAVING SHOWS AND

ALL THAT.

I DON'T CARE WHAT'S GOING ON.

I JUST CAME TO COLLECT MY BREAD.

IF I DON'T GET NO MONEY,

YOU GOT A PROBLEM.

WHAT YOU GONNA DO?

I'M NOT GONNA DO NOTHING TO

YOU.

WHAT YOU NEED TO DO IS GO

MAKE MY LITTLE MAID CLEAN YOUR

HOUSE, FIND THAT MOTHER[bleep]

CONTRACT, BRING IT BACK TO ME,

AND THEN ASK ME FOR 30%,

'CAUSE I DON'T WANT TO SLAP THE

[bleep] OUT YOUR ASS.

DON'T PLAY WITH ME.

YOU COME UP IN HERE--DON'T COME

UP IN HERE TRYING TO GET NO

MONEY FROM ME.

WHAT THE [bleep] DO YOU THINK

YOU'RE DOING?

SORRY, LET'S GO.

WE DON'T HAVE TIME FOR THIS--

I NEED MY MONEY, LADIES.

STEVIE, WE DON'T HAVE

ANYTHING.

SORRY.

I AIN'T GOT TIME FOR THE

FOOLISHNESS.

JOSELINE AND HER TUTU

SIDEKICK DAWN, SEE, THEY GOT

THIS THING CONFUSED.

THERE'S RULES TO THIS HERE.

YOU KNOW, THERE'S AN ARTIST,

AND THEN THERE'S A MANAGER.

AN ARTIST HAS A CONTRACT WITH

THE MANAGER TO PAY HIM THAT

BREAD.

SO IF SHE WANT TO BREAK THE

RULES AND NOT PAY ME MY CUT,

THERE'S GONNA BE A PROBLEM.

HE STRESSES ME OUT.

ALWAYS COMING UP IN HERE TALKING

ABOUT SOME [bleep] MONEY.

HE'S A PIMP.

"I'M COMING UP IN HERE

LOOKING LIKE A TURTLE."

BACK YOUR ASS UP, 'CAUSE FOR

REAL, DAWN, I'M ABOUT SICK OF

HIS [bleep].

YOU GOT TO BE STRONG.

GUESS WHAT.

MY LAWYER TOLD ME I DON'T OWE

YOU ANY MONEY TILL YOU LET ME

SEE MY CONTRACT.

THAT'S TRUE.

SO GUESS WHAT, UGLY, WE'LL BE

STILL GETTING THIS CHECK,

AND [bleep] HIM.

LET'S GO, 'CAUSE I AIN'T GOT

TIME FOR HIM.

FOR SURE.

[bleep].

I'M SICK OF HIM.

[solemn hip-hop music]

♪

AFTER I WAXED RASHEEDA AT

MIMI'S HOME, MIMI CALLS ME AND

WANTS ME TO MEET HER.

HEY, POOH.

EVEN THOUGH RASHEEDA IS A

HAUNTED WITCH, I STILL DID NOT

WANT TO DISRESPECT MIMI AT HER

HOME.

THAT'S NOT ME.

AND I WANTED YOU TO COME TODAY

'CAUSE I JUST WANTED TO SAY

ONE THING.

I NEVER WANT TO FEEL LIKE MY

FRIENDS ARE HURT BY ANY OF MY

ACTIONS, 'CAUSE I'M VERY BIG ON

FRIENDSHIP.

SO I'M SO SORRY.

FROM THE BOTTOM OF MY HEART,

I AM SO SORRY.

THAT'S JUST THE TRUTH.

AS FAR AS RASHEEDA, I'M NOT

THERE FOR A SORRY WITH IT.

OKAY, BUT, K., IT SEEMS LIKE

THERE'S A PATTERN.

LIKE, YOU'RE SO ANGRY.

I GET WHY YOU FEEL THAT.

I'M JUST NOT LIKE THAT.

THE LAST TIME I REALLY, REALLY

TALKED TO RASHEEDA, I SAID, "NO

MORE TEARS, NO MORE PROBLEMS,"

AND I MEANT IT.

SO...

IF I FEEL--IF YOU WANT TO--

SO DO YOU THINK THAT YOU

COULD HAVE A CONVERSATION WITH

RASHEEDA?

NEVER.

NEVER?

THAT BITCH IS GHOST.

I'M NOT DOING IT.

EVEN THOUGH I LOVE MIMI--SHE'S

ONE OF MY BEST FRIENDS--

I DON'T CARE IF I WAS SITTING IN

CHURCH ON A SUNDAY, I STILL

WOULDN'T FEEL BAD FOR WAXING

RASHEEDA.

SHE GOT WHAT SHE DESERVED.

THINK THERE'S EVER, EVER A TIME

WHERE YOU COULD GO GET YOUR

NAILS DONE WITH JOSELINE?

[scoffs]

EVER.

GET THE [bleep] OUT OF HERE.

BUT GUESS WHAT.

WHEN SHE TRY TO COME FOR YOU--

LET HER--LET HER TRY.

LOOK AT YOU.

"LET HER. LET HER TRY."

SAME THING.

WHEN SHE TRY TO COME FOR YOU AND

RUN UP ON YOU, YOU CAN BE COOL

AS YOU WANT TO BE, LIKE I WAS IN

THAT CHAIR, BUT GUESS WHAT.

WHEN SHE RUNS UP ON YOU, LIKE,

DROPS HER PURSE AND DO THIS TO

YOU, I THINK THAT'S WHEN WE

GONNA SEE THE REAL MIMI, WHEN

SHE RUNS UP IN YOUR FACE, AND

THAT'S WHAT HAS HAPPENED.

I SEE HERE NOW THAT YOU ARE

A VERY HEADSTRONG WOMAN.

ABOUT WHAT I BELIEVE IN.

ABOUT WHAT YOU BELIEVE IN.

I UNDERSTAND.

WHAT I BELIEVE IN AND WHO I

LOVE.

I GET THAT.

WE GONNA HAVE TO LEARN AND MAKE

OTHER DECISIONS ON HOW WE HANDLE

OUR SITUATIONS.

TWO THINGS THAT I LEARNED:

DON'T HURT YOUR FRIEND, EVEN IF

SOMEBODY IS DOING SOMETHING--

AND DON'T YOU EVER IN YOUR

LIFE--I DON'T GIVE A DAMN WHO

COME IN THAT GODDAMN DOOR--

DISRESPECT MY [bleep] HOUSE

LIKE THAT.

CAN I HAVE A KISS?

HOLD UP.

OKAY.

I MOVED THERE TO GET AWAY

FROM THAT CRAZY-ASS [bleep].

BUT I TOLD YOU, DON'T BRING

GWENDOLYN THE GOOD WITCH IN THE

HOUSE.

QUIT PLAYING.

I DON'T GIVE A DAMN.

I LOVE YOU.

GIVE ME A HUG.

AND I THANK YOU.

NO, FOR REAL, THANK YOU.

LIKE, THANK YOU.

NO EXCUSES OVER HERE.

I AM SO SORRY.

WHAT'S GOING ON WITH BENZINO?

YOU KNOW HE TOLD ME HE

[bleep] YOU.

ARE YOU SERIOUS?

YOU'LL POP OUT, BUT YOU WON'T

JUMP OUT.

[all shouting indistinctly]

HEY, MAN, COME ON.

GET OUT OF MY FACE, MAN.

[upbeat music]

♪

[geese honking]

BITCH, I'M SO GLAD YOU CAME

AND TOOK THIS WALK WITH ME.

I GET SO STRESSED.

UGH.

YOU LOOK GOOD, BITCH.

OH, THANK YOU.

THAT'S YOU.

LOOK AT YOU.

SO, YOU KNOW, IT'S BEEN A MINUTE

SINCE I HUNG OUT WITH OLD

KARLIE REDD, AND I NEEDED TO

TALK TO SOMEBODY ABOUT STEVIE,

AND I KNOW SHE LIKE TO GOSSIP

WITH HER OLD ASS, SO I'M LIKE,

"YOU KNOW WHAT?

LET ME CALL HER UP.

MAYBE SHE COULD TELL ME SOME

GOOD ADVICE."

I DON'T KNOW.

IT'S THE SAME OLD STORY WITH

STEVIE.

I'M JUST SO STRESSED OUT ABOUT

HOW ALL HIS [bleep] CONTROLLING

WAYS, GIRL.

EVERYTHING REVOLVES AROUND

STEVIE.

SO, WAIT, HE STILL MANAGE

YOU?

BITCH, I CAN'T--I DON'T

HAVE--

YOU CAN'T SHAKE HIM.

WHAT THE [bleep] AM I GONNA

DO?

I DON'T HAVE THE CONTRACT.

I WANT TO TAKE CONTROL OF MY--

WHERE THE CONTRACT?

HE GOT IT.

HE WANTS TO CONTROL EVERYTHING.

EVERYTHING GOT TO--

IS HE EVEN PRODUCING MUSIC?

HE'S SO TALENTED.

MOST OF THE TALENTED PEOPLE

BE CRAZY.

TELL ME ABOUT IT.

BENZINO: NUMBER ONE.

WHAT'S GOING ON WITH BENZINO?

GIRL, HE WANTS TO STILL DATE.

AND YOU KNOW HE WANT TO [bleep].

'CAUSE, YOU KNOW, I'VE GOT SOME

GOOD STUFF DOWN HERE.

YOU GOT RUBIES DOWN THERE.

MM, DIAMONDS.

OH, I GOT RUBIES.

I GOT DIAMONDS.

SO HE WANTS TO GET THAT

CUDI CAT.

OH, YEAH, BUT HE AIN'T

GETTING THAT, NO.

'CAUSE HE NOT EVEN CUTTING

NO CHECKS, THOUGH.

HOLD UP.

YOU KNOW HE TOLD ME HE

[bleep] YOU.

ARE YOU SERIOUS?

ON...

ARE YOU SERIOUS?

ON EVERYTHING I LOVE.

FIRST OF ALL, WHY WOULD I

SMASH SOMEBODY THAT AIN'T GOT NO

NECK?

I NEED A NECK.

I NEED TO LICK ON YOUR NECK.

I NEED ME A TALL BEAST.

I NEED ME A STRONG--I'M A BIG

GIRL.

I GOT BIG BOOBS, BIG BUTT.

I CAN'T DO NOTHING WITH NO SHORT

MAN.

I'D JUST MET BENZINO WHEN I MET

STEVIE.

HE'S LYING.

BUT LISTEN.

HE HIT ME ON THE D.M. ON

TWITTER--JAWS.

6:00 IN THE MORNING.

I WANTED TO ASK YOU ABOUT

THAT.

I'M LIKE, "WHY DIDN'T SHE"--

BITCH, LET ME TELL YOU

SOMETHING--

YOU KNOW WHAT HE DID?

LIKE, A WHILE AGO, HE WAS--

LIKE, HE SHOWED ME SOME PORN OR

SOMETHING, YOU KNOW, WHAT YOU'RE

DO WHEN YOU'RE FEELING YOURSELF

OR WHATEVER.

HE WAS LIKE, "YEAH, I HIT THAT.

I HIT THAT."

AND I'M LIKE, "OH, FOR REAL?"

NOW, THAT'S A LIE.

IF YOU WANT TO GO AHEAD IN THERE

AND LIE ON MY [bleep], DO WHAT

YOU DO.

I DON'T--I DON'T HAVE TIME FOR

ALL THAT [bleep].

BENZINO, YOU WOULDN'T--YOU DON'T

HAVE ENOUGH MONEY TO

[bleep] WITH ME.

YOU DON'T HAVE ENOUGH MONEY.

THAT'S A MESSY-ASS--

THAT'S A MESSY-ASS [bleep].

THAT'S RIGHT.

[laughs]

GIRL, I MISS YOU.

I MISS YOU TOO, BITCH.

[laughs]

[vibrant hip-hop music]

♪

[doorbell rings]

HOW Y'ALL LOVELY LADIES

DOING?

FINE. HOW ARE YOU?

I'M DOING GOOD.

HEY, MAN, TONIGHT WE GONNA SIT

DOWN AND HAVE A LITTLE DINNER

WITH BOTH OF OUR PARENTS, SO WE

CAN EASE SOME THINGS OUT, WORK

SOME THINGS OUT, PUT EVERYTHING

ON THE TABLE, NIP ALL THIS CRAZY

[bleep] IN THE BUTT.

I THINK WE SHOULD PRAY

BEFORE WE DO THIS WITH YOU.

OH, ABSOLUTELY.

FATHER, RIGHT NOW, IN JESUS'

NAME, WE THANK YOU, AND WE COME

TO YOU, AND WE APPRECIATE YOU

BRINGING US ALL HERE TOGETHER.

WE THANK YOU FOR LETTING US SEE

THIS DAY, AND WE THANK YOU FOR

THE LOVE AND RESPECT THAT WE

FI'IN' TO DO RIGHT NOW.

IN JESUS' NAME, WE LOVE YOU,

AND WE PRIZ-NAY-EE--

LORD, TOUCH ALL OF US

AS WE HAVE THIS MEETING.

SHA-LA-LA, LA-LA-LA-LA.

MM.

AMEN.

WELL, NOW THAT WE'VE GOT THAT

ALL TAKEN CARE OF...

I'M GONNA FIX THE PLATES.

PLEASE.

AND WE CAN GET THINGS

STARTED, YOU KNOW.

SO THEY COME, AND I'M JUST LIKE,

"LORD, GIVE ME STRENGTH, LIKE--

PLEASE LET THIS JUST GO IN THE

RIGHT DIRECTION."

I'M TRYING TO MARRY THIS

YOUNG LADY RIGHT HERE,

AND I JUST SEE A LOT OF

NEGATIVITY...

YOU KNOW WHAT I'M SAYING?

COMING.

WHAT DO YOU THINK IS NEGATIVE

COMING FROM ME?

THE "I DON'T BELIEVE" THEORY.

YOU KNOW WHAT I'M SAYING?

BUT THAT'S MY OPINION.

THAT DON'T MEAN THAT IT'S

NEGATIVE.

BUT SHE HAS A RIGHT TO IT.

THAT'S MY OPINION.

I'M LIKE THIS: IF YOU LOVE ERICA

THE WAY YOU SAY YOU DO, AND

ERICA LOVES YOU THE WAY SHE SAY

SHE DO, THEN GET MARRIED.

MM-HMM.

THAT'S HOW I FEEL.

BUT HALF OF ME DOESN'T BELIEVE,

BECAUSE OF WHAT I'VE SEEN FROM

YOU.

AND WHAT HAVE YOU SEEN?

I'VE SEEN THE BREAKUPS.

I'VE SEEN THE OTHER WOMEN.

I'VE SEEN THE CHEATING.

SHE NEVER TOLD YOU THE

POSITIVE STUFF?

RECENTLY. RECENTLY.

RECENTLY?

BABE, JUST COME TALK.

COME TALK WITH US.

I'M COMING.

COME TALK WITH US.

I KNOW I MESSED UP IN THE PAST,

BUT, YOU KNOW, I DON'T REALLY

LIKE HOW ERICA'S MAMA, MIGNON,

IS REALLY, LIKE, PISSING ON MY

PIZZ-NAY-EE--MY PAST.

LIKE SHE AIN'T GOT NOTHING IN

HER CLOSET.

WHAT I DON'T LIKE IS LEAVING THE

GOOD PART OUT ABOUT ME.

YOU FEEL ME?

WELL, I KNOW--LISTEN, AS YOUR

MOTHER, LET ME SAY THIS--

LOOK HOW MANY TIMES YOUR

MOTHER'S DISRESPECTED ME

AND CONTINUES.

I'M STILL THAT BITCH.

AND I'M A BIGGER BITCH.

I'M A BIGGER BITCH.

BUT LET ME SAY THIS--

SHE DON'T KNOW.

SHE DON'T KNOW HER PLACE, AND

THAT'S WHERE THE ERROR IS RIGHT

NOW.

WHOA, WHOA, WHOA.

LISTEN...

WHOA, WHOA, BOO-BOO.

YEAH, WHAT?

HOW IN THE HELL IS SCRAPPY

OFFENDED ABOUT MY MOM NOT

BELIEVING IN OUR LOVE WHEN YOUR

MAMA, ON THE OTHER HAND, IS

ALWAYS DISRESPECTFUL AND CALLING

ME A BITCH?

I'VE DONE NOTHING BUT LOVE

AND SUPPORT SCRAPPY BY PUTTING

UP WITH HER BULL[bleep].

BUT ENOUGH IS ENOUGH.

WE ARE HERE, BUT SINCE YOU'RE

TRYING TO GO IN ON ME, WE'RE--

THAT'S RIGHT, 'CAUSE I WAS

BEING RESPECTFUL.

I WAS BEING RESPECTFUL.

I'M BEING RESPECTFUL TOO.

NO, YOU TRYING TO GO TOWARDS

HER.

HAS MY MAMA CALLED YOU

A [bleep], A [bleep] [bleep]?

HAS SHE CALLED YOU ANYTHING

BUT YOUR NAME?

NO.

HOW MANY TIMES HAS SHE

DISRESPECTED ME?

HOW MANY TIMES HAS SHE CALLED ME

A BITCH?

HUH?

HOW MANY TIMES?

AND ONE TIME DID YOU SAY, "WAIT,

MA, DON'T CALL HER A BITCH"?

YOU WOULD RESPECT IT IF I GO

OFF ON MY MA.

I DON'T EVEN WANT YOU TO GO

OFF ON HER, BECAUSE--

MA, AT THE END OF THE DAY,

DON'T CALL MY WIFEY NO BITCH.

YOU FEEL ME?

AND THAT'S JUST REAL.

UNDERSTOOD.

NO, THAT'S JUST REAL.

GOT YOU.

NOW, BACK TO THE WHOLE

SITUATION AT HAND.

YOU KNOW WHAT I'M SAYING?

IF WE MOTHER[bleep]--ALL US

MOTHER[bleep] WANT TO BE

DISRESPECTFUL--

FIRST OF ALL--

I'M NOT A MOTHER[bleep], AND

I WOULD NEVER BE YOUR

MOTHER[bleep], SO--

YOU JUST CALLED HIM A [bleep]

BITCH.

FIVE OR TEN MINUTES GO, YOU

CALLED HIM A BITCH.

NO, I SAID, "IF MY MAMA."

IF YOU WOULD BE QUIET AND

LISTEN--

DON'T TELL ME TO [bleep] BE

QUIET.

WHO ARE YOU TO TELL ME TO BE

QUIET?

SHUT YOUR GODDAMN MOUTH.

IF I WAS DRACULA, I WOULD SINK

MY FANGS IN YOUR [bleep]

CAROTID ARTERY AND DRAIN YOU FOR

ALL OF IT, BITCH.

[shouting indistinctly]

SEE. SEE, MIMI.

SEE, MIMI. SIT DOWN.

NO, I'M GONNA BE POPPIN'

YOU POP OUT IF YOU WANT.

JUMP OFF!

WHO GONNA JUMP OFF?

[all arguing]

HEY, MAN, COME ON.

GET OUT OF MY FACE, MAN.

STOP!

WHOA, WHOA, WHOA, WHOA.

SHUT THE [bleep] UP.

GET IN THE CAR.

GO GET IN THE CAR.

I DONE PUT UP WITH THIS

[bleep] FOR TOO MOTHER[bleep]

LONG.

I'VE HAD YEARS OF DISRESPECT

FROM MOMMA DEE.

SHE WILL NOT BE IN MY HOME

SITTING AT MY TABLE AND CONTINUE

TO DISRESPECT ME LIKE THAT.

GOOD-BYE.

YOU MIGHT AS WELL--YEAH, YOU

MIGHT AS WELL TAKE THAT RING

OFF.

I DON'T GIVE A [bleep].

TAKE THAT RING.

TAKE THAT RING OFF.

NO, MY SON BY HISSELF, MAN.

MY SON BY HISSELF.

ALL THIS [bleep] UP.

I'D NEVER BELIEVE IT--

LET ME GO.

GET THE [bleep] OUT MY HOUSE.

TAKE HER OUT MY HOUSE.

MAN, I DONE TRIED TO DO

EVERYTHING IN THE WORLD, MAN,

TRYING TO MAKE THIS THING COME

TOGETHER.

IT'S THE LAST TIME I'M GONNA LET

ERICA DISRESPECT MY MOM OR I'M

GONNA LET MY MA DISRESPECT

ERICA.

EVERYTHING WAS COOL, BUT ERICA

GET OUT OF HAND.

YOU FEEL ME?

LIKE, I'M COOL ON THE EXTRAS.

YOU KNOW WHAT I'M SAYING?

I DON'T NEED THE EXTRAS.

LET ME GET BY YOU, HOMEY.

EXCUSE ME.

NOW WE'RE JUST HANGING OUT.

THE BITCH FI'IN' TO GO WITH HIS

MAMA.

YOU A [bleep].

WHAT YOU TALKING ABOUT?

YOU A BITCH.

THAT'S WHY YOU AIN'T GOT NOWHERE

TO STAY.

YOU'RE BROKE, BITCH.

"BROKE, BITCH"?

YOU WOULDN'T EVEN HAVE NOTHING

IF IT WEREN'T FOR ME.

THEN BE REAL WITH YOUR MAMA.

BE REAL WITH YOUR MAMA.

DON'T BE FAKE ABOUT THIS

[bleep].

DON'T GO TO JAIL TONIGHT,

BABY.

DON'T DO IT.

I KNOW YOU DON'T WANT TO SEE

THEM BARS.

GOD BLESS SHE WENT THE LONG

WAY.

AIN'T ONE OF THEM [bleep] DID

YOU LIKE ME.

SHUT UP!

[all shouting indistinctly]

AND SHE HIT MY MAMA, [bleep].

IT'S OVER WITH. WATCH OUT.

GET IN THE CAR.

I'M NOT LEAVING THIS HOUSE

TILL I GET MY RING.

[siren wailing]

[owl hooting]

Y'ALL SEE HOW SHE DOIN'?

YO, MA.

ERICA REALLY, BASICALLY, WANT ME

TO CHOOSE BETWEEN HER AND MY

MAMA.

LIKE, I AIN'T WITH ALL THAT.

YOU KNOW WHAT I'M SAYING?

I LOVE MY MAMA FOR BEING MY

MAMA.

I LOVE MY GIRL FOR BEING MY

GIRL.

I'M TIRED OF BEING IN THIS B.S.

SHE BETTER GIVE MY RING BACK.

YOU GONNA BE BROKE AGAIN.

BELIEVE THAT.

LET'S GET IN YOUR MAMA'S CAR,

MAN.

I AIN'T DOING [bleep].

Y'ALL DON'T GIVE ME NO ORDERS--

BACK UP.

BACK. BACK.

AND SHE HIT MY MAMA.

IT'S OVER WITH. WATCH OUT.

MAMA, GET IN THE CAR.

GET IN THE CAR.

WE LOVE EACH OTHER.

YOU FEEL ME?

THAT'S HOW WE DO.

BUT THEN SHE SWITCHED SIDES.

YOU FEEL ME?

LET HER [bleep] RIDE.

SCRAPPY, I'M NOT GIVING

THE RING BACK.

WE GO THROUGH THIS ALL THE TIME,

AND YOU REMAIN HERE.

BUT IT'S TIME HE STICK UP FOR

ME, HIS FIANCEE, NOT HIS MAMA.

[loud thump]

AIN'T NOTHING [bleep] UP ON YOUR

LITTLE BENZ.

THIS BITCH IS [bleep]

DISRESPECTFUL.

YOU FEEL ME?

I WANT HER TO FLY OUT OF MY

PALACE.

GET OUT.

GUARDS, GUARDS, OFF WITH THAT

BITCH HEAD.

I'M NOT LEAVING THIS HOUSE

TILL I GET MY RING.

WELL, I CAN'T LEAVE, 'CAUSE

SHE CALLED THE POLICE ON MY SON,

THEN WE GONNA BE--

I'MA BE IN JAIL SITTING AND

WAITING TILL I GET MY RING.

SO I GUESS WE'LL ALL CAMP OUT

IN THIS MOTHER[bleep].

GIVE ME MY RING.

DON'T PULL OUT LIKE YOU A BIG

BALLER.

GIVE ME MY RING, AND THEN BE

A BIG BALLER.

I DONE DID EVERYTHING I COULD

DO.

I DONE EXHAUSTED ALL MEASURES.

IF YOU WANT TO RUN OFF WITH IT,

AND YOU DON'T WANT TO DEAL WITH

THE STUFF THAT I GOT COMING IN

MY LIFE THAT YOU KNEW WAS IN

THERE AT FIRST, THIS WHOLE

ENGAGEMENT AND MARRIAGE THING

IS DONE WITH.

I'M FOOLIN' WITH IT.

YOU FEEL ME?

BETTER BRING THAT RING BACK.

ON THE NEXT LOVE & HIP-HOP:

ATLANTA...

YOU SUPPOSED TO HAVE MY BACK,

AND I DON'T FEEL LIKE YOU DID AT

ALL.

SHE'S A GROWN PERSON AND NOT

GONNA LET NOBODY JUST TELL HER

WHAT TO DO.

WITH THAT BEING SAID, THEN,

I WANT TO PUMP THE BRAKES.

WOW.

MAN, I GOT TO TELL YOU

ABOUT [bleep]-ASS KARLIE.

SHE GOES, "OH, YOU KNOW,

BENZINO, HE SAY HE HAD SEX WITH

YOU."

HE SAID HE HAD SEX WITH YOU?

YES.

I DIDN'T [bleep] HER.

I DIDN'T TRY TO [bleep] HER.

THAT'S IT.

I DON'T WANT TO TALK ABOUT IT

NO MORE.

WE DON'T DO THAT [bleep].

REALLY?

SO THEN WE AIN'T BROTHERS NO

MORE THEN, I GUESS.

I'M COOL WITH THAT.

THEN THAT'S WHAT IT IS, THEN.

I HAVE A NEW FRIEND.

IT'S NOT NEW.

IT'S ACTUALLY AN OLD FRIEND.

STEVIE'S OUTSIDE, SHOOTIN'!

HURTING RASHEEDA, THAT CAN'T

HAPPEN.

I'MA THROW WHATEVER I WANT TO

THROW.

[bleep] YOUR WIFE.

IT'S NOTHING TO SAY.

I GOT TO DO BUSINESS WITH

YOU, AND I GOT TO SEE THIS

[bleep].

WHAT I DO ON MY OWN TIME IS

WHAT I DO ON MY OWN TIME.

WHAT I DO WITH MY MONEY IS

WHAT I DO WITH MY MONEY.

DO YOU THINK I WANT TO BE A BABY

MAMA?

I DIDN'T CHOOSE THIS [bleep].

YOU CHOSE IT FOR ME, AND IN HOW

YOU LIVE YOUR LIFE AFFECTS ME,

AND YOU DON'T EVEN KNOW IT.

OH, MY GOODNESS.

[dog growling]

SO YOU GONNA TAKE UP FOR A PIECE

OF BUTT TOO, RIGHT, LIKE YOUR

BIG BROTHER.

REALLY?

OH, IT'S LIKE THAT,

AND I DON'T COUNT?

[dog growling]

REALLY?

[toy chirping]

YOU GONNA ALWAYS STAY SAFE

IF YOU LISTEN TO ME.

MAMA'S BABY BOY.

YOU PROBABLY ARE THE ONLY BOY

IN THE FAMILY THAT WILL LISTEN

TO ME.

WOW, AIN'T THAT A REVELATION.

THANK YOU.