Original subtitles

LAST SEASON ON

LOVE & HIP-HOP: ATLANTA...

BRING IT DOWN 'CAUSE MY

HEAD WILL START SPINNING AND

I'LL CHOP YOUR TRACHEA.

THESE EXECUTIVES WANT

TO SIGN YOU.

THEY WANT TO GIVE YOU

AN OPPORTUNITY.

THEY ARE ABSOLUTELY TERRIFIED.

I STILL HAVE TO FIGHT

DOWN THIS STEREOTYPE

THAT K.MICHELLE IS OUTRIGHT

CRAZY.

[bleep] DON'T CALL ME BITCH.

WE'RE HAPPY.

WE'RE MOVING FORWARD.

AND IN THE END,

I'M GONNA HAVE A RING.

YOU REALLY THINK I'M FEELING

THAT BITCH?

MA, DON'T CALL HER NO BITCH.

I DON'T WANT YOU TO GET HURT,

BUT IF YOU DO,

I WANT YOU TO BE PREPARED.

WE HAVE A RELATIONSHIP

THAT'S A LITTLE BEYOND

FRIENDSHIP.

HAVE YOU HIT IT YET?

WE JUST FRIENDS.

JUST FRIENDS?

I JUST LOVE YOU.

I LOVE ERICA DIXON.

HOW YOU FEEL ABOUT ME?

I LOVE YOU.

BOTH OF YOUR ROLES

ARE GONNA CROSS.

JUST BE READY.

* GIRL, I HOPE AND PRAY

♪ THAT LOVE TREATS YOU FAIR

MAKING LOVE ALL NIGHT

TILL THE SUN COME UP.

LET'S GET TO THAT.

IS YOU RIDING WITH ME?

IS YOU DOWN?

YOU KNOW I'M DOWN.

ARE YOU [bleep] THIS GIRL?

NO, I'M NOT.

I KNOW WHO BABY I HAVE

IN MY STOMACH,

AND YOU KNOW TOO.

YOU ALWAYS WANT TO [bleep]

BITCHES, BUT YOU NEVER WANT

TO HANDLE [bleep] AFTER

THE FACT.

YOU GOT TO BE MONOGAMOUS,

MY BROTHER.

MONOGAMOUS.

IN MY PERFECT WORLD,

I CAN GET THEM TO WORK TOGETHER.

IS YOU TRYING TO CONTINUE

ON A RELATIONSHIP WITH HER?

I AIN'T SEE NOTHING WRONG

WITH IT.

I DON'T WANT TO BE IN A

RELATIONSHIP WITH YOU ANYMORE.

I'M DONE.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

[thunder rumbling]

[earnest pop music]

♪

* SITTING IN CLASS

♪ TRYING TO FIGURE OUT

♪ WHAT IT ALL MEANS

♪ 'CAUSE IT'S ALL GREED TO ME

♪ I GET THE FEELING...

WHEN I LOOK BACK ON LAST

YEAR AND EVERYTHING THAT I WENT

THROUGH, I CAN HONESTLY SAY

THAT LIFE IS GREAT.

I'VE BEEN REALLY FOCUSING

ON MY TOP PRIORITIES:

MYSELF AND MY DAUGHTER EVA.

I AM CLEANING HOUSE,

AND THE BEST IS YET TO COME.

* CAN'T LET YOU

♪ MAKE MY CHOICES

♪ I NEED TO HAVE MY OWN VOICE

MOMMY.

HEY.

* I JUST WANT TO BE TRUE

♪ TO ME

THIS IS A PIG.

OINK, OINK, OINK, OINK.

HELLO.

I KNOW WHAT YOU'RE ALL THINKING.

THIS AIN'T THAT.

LAST NIGHT I WENT TO PICK UP

EVA FROM STEVIE'S HOUSE.

STEVIE'S SISTER TERESA

WATCHES HER WHEN I'M WORKING

OR TRAVELING.

IT WAS LATE.

I DIDN'T WANT TO WAKE THE BABY.

STEVIE WASN'T THERE,

SO I DECIDED TO CRASH.

A FEW MINUTES LATER,

JOSELINE STORMS IN THE BEDROOM,

SCREAMING AND HOLLERING ABOUT

ME BEING IN HER BED.

SHE DOESN'T KNOW WHAT'S GOING

ON ABOUT ME BE LAYING

IN THE BED.

LIKE, SHE ABOUT TO GO TO SLEEP

OUTSIDE THERE.

YEAH.

YOU KNOW HOW SHE GETS.

SHE FEELS KIND OF THREATENED

BY YOU.

AND SHE FELT LIKE, YOU KNOW,

SHE HAD BEEN HERE,

AND THEN YOU COME AROUND.

SHE WAS STAYING HERE?

I MEAN, YEAH, SHE BEEN HERE.

ME AND JOSELINE,

WE MAKING A LOT OF MOVES

TOGETHER.

WE DOING SHOWS.

WE DOING PHOTO SHOOTS.

WE IN THE STUDIO TOGETHER.

SO I FIGURED IT WAS ONLY RIGHT

THAT SHE MOVE IN.

YOU KNOW, IT'S A BUSINESS CRIB.

YOU KNOW, WRITE IT OFF.

WE WORKING.

WE GETTING MONEY TOGETHER.

WHY DOES YOUR WORK HAVE TO

TAKE PLACE IN HERE?

SHE DOESN'T BELONG AROUND

THE CHILD, PERIOD.

WELL, IT GOT A LITTLE

OUT OF HAND LAST NIGHT.

SHE CROSSED THE LINE WHEN

SHE SAID THAT, YOU KNOW, EVA

DIDN'T MATTER.

IT'S ALL ABOUT EVA.

THAT'S THE ONE THING

WE CAN AGREE ON.

JOSELINE GONNA GET

PUT IN HER PLACE AND SHE'S

GONNA UNDERSTAND THAT SHE

CAN'T COME AROUND VIOLATING

FAMILY.

OKAY, THIS IS MY THING.

I DON'T WANT JOSELINE

AROUND EVA.

SO IF I HAVE TO BE HERE

FOR HER NOT TO BE HERE AROUND

MY DAUGHTER, THEN...

THAT'S WHERE THAT'S AT.

SO YOU GONNA BE STAYING

HERE NOW?

I WILL DO WHAT I NEED TO DO

FOR HER.

FOR EVA.

YEAH.

COME HERE.

WHAT'S UP?

TELL ME WHAT'S UP.

TELL ME WHAT YOU WANT.

TELL ME WHAT YOU WANT, BABY.

WHATEVER YOU WANT.

GET UNDER THE COVERS.

GO HIDE.

GO HIDEY.

GO HIDE.

GO HIDE FROM THE MONSTERS.

THE MONSTERS COMING.

IS MY SITUATION PERFECT?

HARDLY.

BUT ONE THING'S FOR SURE.

STEVIE AND I ARE CONNECTED

BY OUR DAUGHTER EVA,

AND AS LONG AS HE AGREES

TO KEEP JOSELINE AWAY

FROM MY DAUGHTER,

THEN I'M GOOD.

THAT'S ALL I ASK.

WHAT ABOUT ME AND YOU?

THAT'S A WHOLE NOTHER

CONVERSATION.

CAN WE BE THE BEAR

AND THE PIG?

[laughs]

WELL, I JUST WANT TO GET

LITTLE PIGGY AND THE BEAR

BACK TOGETHER AGAIN.

YOU AND YOUR ANALOGIES

WITH PIGS AND BEARS AND...

LOOK.

WELL, THEN IF THE GORILLA

IS NOT IN THE MIDDLE,

THEN MAYBE WE CAN DO THAT.

RAWR!

WHOA.

RAWR!

[laughs]

PUT THE LOUIS STEWART

ON THE HANGER.

THE LOUIS STEWART?

I THOUGHT THAT WAS GUCCI.

SCRAPPY MOVED BACK IN.

WE ENGAGED, AND IT'S OFFICIAL

LIKE THE WHISTLE.

LIKE, YOU SEE IT?

IT'S REAL.

WAIT TILL YOU SEE THE WEDDING.

GUCCI, LOUIS, POLO.

IT NEEDS TO STOP RIGHT HERE...

OH, NO, BABE.

'CAUSE WE NEED TO START

PLANNING THE WEDDING.

SO WEAR EVERYTHING TWICE?

ARE YOU SERIOUS?

HEY, I'M A ENTERTAINER.

I GOT MY WHOLE SWAG GAME

DOWN PAT, YOU KNOW WHAT I'M

SAYING?

EXPENSIVE SWAG GAME.

OH, MY SWIZZ-NAH-EE IS ON

TIZZ-NAH-EE.

MY SWAG IS ON TEN.

WE TRYING TO PLAN THIS

WEDDING.

THIS SPENDING HABIT

RIGHT HERE...

DON'T YOU THINK I NEED

TO LOOK GOOD?

YOU CAN LOOK GOOD

ON A BUDGET.

BALLER ON A BUDGET.

WE GOT A BUDGET?

BUT I'M BUYING YOU STUFF.

YOU KNOW WHAT I'M SAYING?

I'M BUYING YOU BAGS

AND SHOES AND WHATEVER

YOU WANT, YOU KNOW WHAT I'M

SAYING?

YOU DON'T SEE ANYTHING ELSE

NEW?

I'VE BEEN SAVING.

WHAT IS THAT?

I'VE BEEN SAVING.

I WAS TRYING TO SAVE,

BUT I BOUGHT THAT.

YOU FEEL ME?

BUT ANYWAY, LISTEN.

AT THE END OF THE DAY--

WE GOT TO COME UP

WITH A NUMBER THAT WE IN

AGREEANCE ON THAT YOU--

YOU KNOW, WHAT'S YOUR LIMIT?

WHAT YOU MEAN,

WHAT'S MY LIMIT?

WHAT'S--LIKE, FOR CLOTHING,

SHOES?

I SPEND...

$1,000 A MONTH?

NO.

LET'S SAY $2,000.

NO.

'CAUSE TWO WEEKS GO BY--

THAT'S JUST TOO MUCH.

I CAN DO $1,000.

$1,500.

LET'S DO 12.

WE CAN DO 12,

AND THEN EVERY NOW AND THEN,

JUMP UP TO 15.

[singing in Spanish]

JOSELINE'S A MEAN, LEAN,

PAPER-MAKING MACHINE.

AND THE TWO OF US TOGETHER,

WE'RE THE HOTTEST TEAM

IN THE INDUSTRY.

BUT SHE HAS TO REMEMBER

THERE'S A LINE THAT WE DRAW

THAT CAN NEVER GET CROSSED.

[singing in Spanish]

BREAK IT DOWN, BOO.

SWING THAT HAIR.

WORK, WORK, WORK.

WHAT'S UP, STEVIE?

WHEN YOU START TALKING

ABOUT EVA, YOU SAY SOMETHING

DISRESPECTFUL ABOUT MY DAUGHTER,

THAT'S WHEN YOU CROSS THAT LINE.

YOU GOT TO BE DEALT WITH.

WHAT WAS THAT ABOUT

THE OTHER DAY?

WHAT ARE YOU TALKING ABOUT?

YOU WAS GETTING OUT OF LINE

IN FRONT OF MY DAUGHTER.

OH, PLEASE.

OH, NO, NO, NO.

OH, PLEASE.

SO WHO LIVED THERE

FOR THREE MONTHS?

YOU.

EVERY DAY.

YES.

SO WHY AM I IN MY HOUSE

STAYING WITH YOU,

AND YOU ALLOW YOUR BABY MAMA TO

COME UPSTAIRS WHERE I'M SUPPOSED

TO BE STAYING NOW FOR THE PAST

THREE MONTHS?

SHE WAS TIRED.

I TOOK--STEVIE, PLEASE.

YOU ALWAYS WANT TO GO WITH

THE BACK-AND-FORTH.

MIMI, MI MADRE THE MAID.

AIN'T JOSELINE A PUERTO RICAN

PRINCESS?

HONEY, THIS IS TOO MUCH.

THIS IS TOO MUCH.

I MADE YOU THE PRINCESS,

BABY.

I BEEN A PRINCESS

WITHOUT YOU.

WHO THE [bleep] HE THINK

HE TALKING TO?

YOU NEVER ASKED ME TO LEAVE.

I PACKED MY [bleep] UP

AND LEFT THE HOUSE.

NOW, IF YOU WANT TO USE THAT

AS YOUR EXCUSE, BE MY GUEST.

I DON'T GIVE A [bleep].

GO BE WITH YOUR MAID.

SHE CAN HAVE THAT [bleep].

SHE THIRSTY, SHE HUNGRY,

AND SHE NEEDS YOU.

I DON'T.

GOOD-BYE.

GO TELL HER TO CLEAN OUT.

ONCE YOU GET ME SOME MONEY.

MATTER OF FACT, TELL HER TO

COME CLEAN UP--

CHOP TO IT, BABY, GO WORK.

OH, BITCH, PLEASE.

BYE.

GET TO WORK, [bleep].

RIGHT. YOU'RE RIGHT.

I'MA ALWAYS BE A HO,

AND YOU A DIRTY ASS PIMP.

GET MY MONEY, [bleep].

GO [bleep]

YOUR DIRTY ASS BITCH.

YOUR LIFE IS MINE.

I GAVE IT TO YOU.

STEVIE, GET THE [bleep]

UP OUT OF HERE

SO I CAN GET BACK TO WORK

WITH YOUR MONKEY ASS.

BYE.

RICARDO, CAN WE GET STARTED?

LADIES, DON'T LET HIM DISTURB

YOU.

LET'S DO IT.

HOW DO YOU WORK THE BUSINESS

OUT WITH THE RELATIONSHIP?

I LOVE STEVIE.

I APPRECIATE HIM.

BUT I JUST DON'T WANT TO BE

WITH HIM.

CURRENTLY I'M SINGLE

AND I'M ALWAYS LOOKING FOR LOVE,

'CAUSE I LIKE TO HAVE SEX.

YOU GONNA MAKE THIS BITCH

COME HERE WHERE I STAY

AND YOUR DAUGHTER AND [bleep]

DISRESPECT?

WHY CAN'T YOU TAKE THE

INITIATIVE TO GET THE BITCH

OUT OF THE [bleep] HOUSE?

DO YOU STILL LOVE HIM?

IT DON'T GO AWAY OVERNIGHT.

NEVER GIVE UP.

WELL, WHAT ARE YOU GONNA DO?

JUST WATCH OUT.

CHANGE IS A-COMIN'.

ONE THING THAT EVERYBODY

NEEDS TO KNOW ABOUT ME IS,

WHEN I LOVE, I GO HARD.

AT ONE POINT, I WENT

DEFINITELY HARD FOR SCRAPPY.

HE WAS MY BEST FRIEND,

MY CONFIDANTE, MY LOVER.

HE WAS MY EVERYTHING.

SO WHEN SCRAPPY PROPOSED

TO ERICA, I WAS SO SHOCKED

AND CONFUSED ABOUT WHAT

WAS GOING ON.

I DECIDED TO VISIT THE ONE

PERSON I KNOW COULD SHED

SOME LIGHT ON THIS SITUATION.

I DON'T EVEN UNDERSTAND

WHERE THIS PROPOSAL CAME FROM.

I NEVER DID NOTHING TO DECEIVE

HIM.

I'VE BEEN LOYAL TO HIM.

HE NEVER TOLD ME NOT ONE TIME,

NOT ONE TIME, HE WAS DEALING

WITH ERICA AT ALL.

DID YOU KNOW?

NO, I DIDN'T.

DID HE TELL YOU?

DID HE ASK YOU?

DID HE SAY ANYTHING?

NO, IT WAS A SURPRISE TO ME.

AND HOW DO YOU FEEL ABOUT

THAT?

I FEEL BETRAYED.

I FEEL LIKE I'M THE UNDERDOG.

BUT AT THE END OF THE DAY,

HE IS THE PRINCE OF THE SOUTH,

AND I CANNOT OVERTHROWN HIM.

HE'S GROWN.

HE'S ON HIS OWN.

BUT HIM AND ERICA

ARE NOT A GOOD COMBINATION.

AT THE END OF THE DAY,

MOMMA DOES KNOW BEST.

THE PRINCE HAS DECIDED

FOR RIGHT NOW,

BUT IT'S NOT--

[bleep] THAT.

LISTEN.

IT IS NOT THE WISH OF THE

KINGDOM, IT IS NOT THE WISH

OF THE QUEEN,

THAT THIS [bleep] GO DOWN.

SO YOU DON'T APPROVE IT?

NO, I DO NOT.

CAN I ASK YOU SOMETHING?

DO YOU STILL LOVE HIM?

IT DON'T GO AWAY OVERNIGHT.

I TRUSTED EVERYTHING

IN YOUR SON.

I TRUSTED EVERYTHING HE TOLD ME.

AND EVERYTHING WAS A LIE.

I FEEL LIKE I DON'T GOT

NOBODY TO TALK TO.

I FEE LIKE I DON'T EVEN

HAVE A FRIEND.

IT'S LIKE HE MESSED IT UP

FOR EVERYBODY.

BUT LISTEN.

THAT WAS MY HEART.

THAT WAS MY FRIEND.

AND I LOST, YOU KNOW--

I LOST A PART OF ME.

BUT IT'S COOL.

I'LL GET OVER IT.

I WILL.

BUT IF YOU COME INTO THIS AREA,

I'LL PROBABLY PUNCH YOU IN YOUR

[bleep] FACE.

NEVER GIVE UP ON YOU.

NEVER GIVE UP.

YOU A WARRIOR.

I MEAN, I AM,

BUT I'M NOT FITTING TO FIGHT

FOR NOBODY THAT DON'T WANT

TO BE KEPT.

WELL, YOU KNOW,

LIFE HAS A WAY OF WORKING

ITSELF OUT.

SOMETIMES YOU GOT TO KNOW

WHEN TO HOLD AND KNOW WHEN

TO FOLD.

WELL, WHAT ARE YOU GONNA DO?

JUST WATCH OUT.

CHANGE IS A-COMIN'.

[morose piano music]

♪

* DAMN, I LOVE MY LIFE

♪ WHY IS EVERYBODY SO UPTIGHT?

♪ I TOLD YOU FROM THE START

♪ K.MICHELLE AIN'T ABOUT

♪ THAT LIFE

♪ 'CAUSE I'M A LITTLE SCARED

♪ AT THE MINUTE

♪ BUT TONIGHT

♪ I'LL COMMIT TO YOUR BODY

♪ 'CAUSE I JUST WANT TO CUT

♪ AND NOT FALL IN LOVE

MY LIFE IS AMAZING RIGHT NOW.

I HAVE A BRAND-NEW RECORD DEAL

WITH WARNER BROS.

I'M ABLE TO GET OUT THERE

AND DO MY MUSIC AGAIN.

AND I'M VERY EXCITED

AND I'M READY TO GO AND PUT THIS

ALBUM OUT--

MY FIRST ALBUM EVER.

I WANT TO NAME MY ALBUM

A REBELLIOUS SOUL,

'CAUSE I'M VERY REBELLIOUS.

I'MA STOP YOU.

NO, I GOT TO STOP YOU.

YOU GOT A BAD REP, RIGHT?

OOH, JUST WAIT A MINUTE!

NO, WE STRAIGHT-UP.

NAW, I'M SAYING WE GOT TO BE

STRAIGHT-UP, THOUGH, RIGHT?

YOU GOT A BAD REP

THAT YOU GOT A BAD ATTITUDE,

THAT YOU SPAZZING OUT,

THAT YOU DON'T LISTEN.

YOU GOT TO REPAIR THAT.

I KNOW.

THE SAME THING THAT MAKES ME

A GREAT ARTIST IS THE SAME THING

THAT CAN DESTROY ME.

I WEAR MY EMOTIONS ON MY SLEEVE.

IT TAKES A SPECIAL KIND

OF PERSON TO BE MY FRIEND,

IT TAKES A SPECIAL KIND OF MAN

TO LOVE ME, AND IT TAKES

A SPECIAL KIND OF PERSON

TO DO BUSINESS WITH ME.

I'M NOT THE GIRLY R&B ARTIST.

IT'S NOT HAPPENING.

I NEED TO [bleep] WITH THE HOOD,

THE STREETS.

I NEED TO BE LIKE A FEMALE

SINGING RAPPER,

A MIX BETWEEN FERGIE AND JESUS.

I NEED TO DO ALL OF THIS,

AND I NEED TO, MOST IMPORTANTLY,

GIVE WOMEN A VOICE.

ALL I'M SAYING TO YOU:

AT THE END OF THE DAY,

WE ON THE SAME TEAM,

GOT THE SAME GOAL.

THE GOAL IS TO WATCH YOU WIN,

TO WATCH YOU GROW

AS A CAREER ARTIST.

WELL, I JUST WANT TO MAKE

A DOPE ALBUM,

AND I WANT TO...

WELL, THEN MAKE A GREAT

ALBUM.

TELL ALL THE HATERS REST IN

PEACE, KILL YOURSELF.

DRINK BLEACH TWICE

BECAUSE, REGARDS ANYTHING,

I AM GENUINE IN MY MUSIC

AND I'M GENUINE WITH MY FANS,

AND THEY WANT ME TO WIN.

PUT ON YOUR SEATBELT,

'CAUSE IT'S GONNA GET CRUNK.

SO HOW DOES IT FEEL

TO BE ENGAGED?

IT FEELS GREAT.

IT'S--

DOES IT FEEL REAL?

YES, IT DOES.

IT FEELS REAL.

LAST YEAR, WHEN ME AND

AND SCRAPPY WERE GOING

THROUGH OUR UPS AND DOWNS,

I TOLD MY MOM THAT I WAS GONNA

HAVE A RING.

AND I KNOW SHE STILL HAS HER

DOUBTS, SO I DECIDED TO PROVE

TO HER THIS TIME HE IS SERIOUS.

WELCOME TO JEWELRY ARTISANS.

WHAT'S GOING ON TODAY?

I'M HERE TO GET THE RING

APPRAISED.

OH, IS THIS A NEW ONE?

YES.

THIS IS BEAUTIFUL.

WELL, GIVE ME A MINUTE.

HAVE FUN, LADIES.

THANKS.

WITH THIS GO-AROUND,

I FEE LIKE HE IS VERY SINCERE.

WHY?

I'VE KNOWN HIM FOR SO LONG,

AND I CAN JUST READ HIM.

AND JUST, LIKE, NOW IT'S

ALL PROGRESSION.

LIKE, WE--YOU KNOW, WE HAVE

OUR ARGUMENTS HERE AND THERE,

BUT FOR THE MOST PART,

WE CAN ACTUALLY SIT, TALK,

WORK IT OUT, MOVE FORWARD.

WELL, IF YOU'RE HAPPY,

I'M HAPPY.

ARE YOU REALLY HAPPY?

IF ERICA'S HAPPY,

MOMMY'S HAPPY.

NO, I SAID ARE YOU HAPPY,

'CAUSE YOU KEEP SAYING

IF ERICA'S HAPPY, MOMMY'S HAPPY.

ARE YOU HAPPY FOR THE WHOLE

SITUATION WITH ERICA

AND SCRAPPY, NOT JUST 'CAUSE

I'M HAPPY?

I'M CONTENT.

I'LL BE HAPPY AFTER

THE MARRIAGE.

SO BASICALLY YOU'RE DOUBTING

THAT WE'RE GONNA GET MARRIED.

I'M 80% SURE AND, LIKE,

20%--ONLY BECAUSE OF HIS PAST.

AND I KNOW YOU LOVE SCRAPPY.

I KNOW HE LOVES YOU.

BUT DOES HE LOVES YOU ENOUGH

TO REALLY MARRY YOU?

NOTHING'S EVER ENOUGH FOR

HER, ESPECIALLY WHEN IT COMES

TO HIM.

"HE'S BEING A LITTLE BOY.

YOU KNOW, HE'S NOT STEPPING UP

TO THE PLATE."

AND IT'S LIKE, HE DID,

AND THEN YOU GONNA SHOOT

HIM DOWN AGAIN.

"WELL, ARE Y'ALL REALLY GONNA

GET MARRIED?"

THANK GOD THE JEWELER CAME BACK

AND PUMPED HER BRAKES.

HERE YOU GO.

THANK YOU.

THERE'S YOUR RING ALL CLEAN

AND SPARKLY.

THANK YOU.

THE RING IS AN 18 KARAT,

WHICH IS VERY NICE.

THAT'S WHAT WE USE A LOT

IN OUR CUSTOM DESIGNS,

IS 18 KARAT.

THE DIAMOND IS SPECTACULAR.

I MEAN, IT HAS GOT SUCH

A GREAT CUT ON IT.

THAT'S WHAT GIVES YOU THAT

SPARKLE AND BRILLIANCE.

PROBABLY THE BEST PART, THOUGH.

WOW.

LOOK AT THAT, HUH?

WOWSERS.

THIS MAN SURE LOVES YOU

RIGHT HERE, HUH?

WOW.

I LIKE THOSE NUMBERS.

LOVE THOSE NUMBERS.

WELL, YOU CAN ONLY IMAGINE

WHAT I'M GONNA SPEND

ON THE WEDDING.

[laughing]

OKAY.

SEE WHAT DADDY DO FOR YOU?

YOU TREAT ME LIKE I'M

A PROSTITUTE.

WHAT DO YOU MEAN?

I DON'T PAY TO [bleep] YOU.

HEY, MAID.

I SEE YOU GOT ON YOUR MAID

OUTFIT LIKE YOU ALWAYS DO.

GET THIS HO OUT THE HOUSE.

PROSTITUTE.

[thumping hip-hop music]

♪

YOU'RE LISTENING TO

THE PEOPLE'S STATION, V-103.

THIS IS ZINO AFTER DARK.

WE ARE HERE WITH

THE INCOMPARABLE,

THE LOVELY MS. JOSELINE

HERNANDEZ.

THE BADDEST CHICK.

ON V-103.

I'VE BEEN DOING A LATE NIGHT

RADIO SHOW IN ATLANTA

FOR A WHILE NOW,

AND IT'S BASICALLY A SHOW

WHERE I TALK TO MAINLY WOMEN,

BUT ALL PEOPLE,

ABOUT LIFE, RELATIONSHIPS,

AND THE PURSUIT OF HAPPINESS.

YOU'VE GOT THE SINGLES

COMING OUT.

YOU'RE IN HIGH DEMAND RIGHT NOW.

BOY, I'M THE BADDEST CHICK.

WHAT CAN I SAY?

THEY ONLY WANT TO SEE THE PUERTO

RICAN PRINCESS.

RIGHT, RIGHT, RIGHT.

SO I DO A LOT OF SHOWS.

I DO, LIKE, FOUR OR FIVE SHOWS

A WEEK.

I'M ALWAYS OUT OF TOWN.

YOU GETTING THAT BREAD.

AH, WELL, YOU KNOW...

YOU KNOW?

I MAKE ABOUT A GOOD

20 STACKS A WEEK ON DOING SHOWS.

YOU KNOW, I MAKE A LITTLE

SOMETHING DOING SHOWS.

YOU KNOW, STEVIE AND I

ALWAYS HAVE SOMETHING GOING ON,

AND HE'S THE ONE THAT SAVES

THE LAST WHEN IT COMES DOWN

TO WORK.

THAT'S FUNNY YOU MENTION

THAT, BECAUSE TONIGHT'S TOPIC

IS ABOUT FALLING IN LOVE

OR HAVING A RELATIONSHIP

WITH SOMEBODY THAT

YOU WORK WITH.

YOU KNOW WHAT I MEAN?

OH, HONEY.

YOU KNOW, AND I'M SURE

YOU GOT SOME INSIGHT ON THAT,

YOU KNOW WHAT I'M SAYING?

YES, I DO.

HOW DO YOU WORK THE BUSINESS

OUT WITH THE PLEASURE,

WITH THE RELATIONSHIP?

YOU KNOW, I DON'T THINK

THAT IT'S POSSIBLE.

YOU KNOW, I'VE TRIED IT.

I'VE DONE IT.

AND IT JUST--YOU TRY TO WORK

ON YOUR RELATIONSHIP

AND YOU'RE TRYING TO WORK

ON YOUR CAREER.

IT AIN'T GONNA WORK.

AND I LOVE STEVIE.

DON'T GET ME WRONG.

I LOVE HIM AS A PERSON.

I APPRECIATE HIM.

BUT I JUST DON'T WANT TO BE

WITH HIM.

TONIGHT.

TOMORROW...

SEE, IT'S PEOPLE LIKE YOU

THAT PUSH HIM BACK INTO MY LIFE.

LIKE, I DON'T WANT HIM.

WE STILL DO BUSINESS TOGETHER,

BUT I'M THE BITCH THAT'S GONNA

SEPARATE THAT BUSINESS

AND THAT PERSONAL [bleep],

'CAUSE FOR REAL, FOR REAL,

I'M 26.

I'M BEAUTIFUL.

I'M YOUNG.

I HAVE A CAREER AHEAD OF ME.

I AIN'T GOT TIME FOR STEVIE.

CURRENTLY I'M SINGLE AND,

YOU KNOW, I'M ALWAYS LOOKING

FOR LOVE,

'CAUSE I LIKE TO HAVE SEX.

I'M A GROWN WOMAN.

HOLD THAT THOUGHT.

WE'RE GONNA PAY SOME BILLS.

IT'S GETTING A LITTLE HOT

UP HERE.

UM, YOU KNOW, GIVE US A CALL.

SLEAZO, IF YOU'RE OUT THERE,

HOLLER.

STEVIE KNOWS ABOUT THIS?

I DON'T CARE IF HE KNOWS.

BOY.

I'M NOT WORRYING ABOUT

ANNOUNCING IT TO HIM.

WELL, I DON'T KNOW.

LOOK, ALL I KNOW IS THAT,

LISTEN, WHEN YOU CAME AROUND,

HE PUT ALL HIS WORK INTO YOU;

HE PUT ALL HIS EFFORT INTO YOU,

SO THAT SHOWS ME THAT HE

WAS REALLY INTO YOU.

AND NOW IT'S LIKE, OKAY, WELL--

DON'T HATE ON THE PLAYER.

HATE THE GAME.

I GUESS THAT'S WHAT THEY SAY,

HUH?

MAN.

YOU GOT SOMEBODY TO HOOK

ME UP WITH?

NO, NO, NO, NO, NO.

I'M CHILLEST.

BELIEVE ME, I'M NOT--

WHY NOT?

THIS IS A PLANE CRASH

WAITING TO HAPPEN RIGHT HERE,

YOU KNOW WHAT I'M SAYING?

I CAN'T--

WHO'S GONNA CRASH?

OH...

YOU HEARD IT FIRST RIGHT HERE,

Y'ALL.

MS. JOSELINE HERNANDEZ

SAYS SHE'S SINGLE.

WE WERE SUPPOSED TO GO EAT,

GO SHOPPING.

WHAT HAPPENED TO ALL THAT?

LIFE.

A LOT OF STUFF.

BUT I DO HAVE A GOOD

ANNOUNCEMENT, A BIG ONE.

WELL, I GOT A BRAND-NEW

RECORD DEAL WITH WARNER BROS.

YEAH--

YOU KNOW WHAT I WENT THROUGH

WITH ALL OF THAT,

SO FOR SOMEBODY TO SAY,

"I BELIEVE IN YOU,"

REGARDLESS OF ANYTHING--

"REGARDLESS OF YOUR ISSUES,

AIN'T NOBODY PERFECT,

YOU CAN SING."

TO ME, I'M COOL WITH THAT,

YOU KNOW?

I LOVE ERICA.

SHE'S ALWAYS BEEN THERE FOR ME,

SO I WANTED HER TO BE ONE

OF THE FIRST PEOPLE I TOLD

ABOUT MY RECORD DEAL.

AND I ALSO WANTED TO, YOU KNOW,

JUST SPEND SOME TIME WITH HER

AND CELEBRATE HER ENGAGEMENT.

OH, YOU GONNA PUT IT

IN MY FACE LIKE THAT?

[laughter]

CAN YOU SEE IT FROM BACK

HERE?

I'M VERY HAPPY FOR YOU.

YOU KNOW WHAT I'M SAYING?

LIKE, WHEN A MAN GET IT RIGHT,

IT'S A GREAT THING.

SO WE'RE GOING TO PARTY.

I FEEL LIKE I SHOULD THROW YOU,

LIKE, A INTIMATE,

SEXY ENGAGEMENT PARTY.

YOU LOOKING SCARED.

[laughing] NO, NO, NO.

IT'S AN ENGAGEMENT PARTY.

I'M NOT GONNA HOOD IT OUT.

NO--I PROMISE.

I'M GONNA HAVE THE PEOPLE

YOU LOVE AT THE PARTY.

OKAY.

BUT YOU KNOW I GOT TO BE

UNDERSTANDING ABOUT THE PEOPLE.

THIS FOR ME, RIGHT?

YEAH, BUT YOU KNOW WHAT?

SO YOU TELL ME WHO YOU HAD

IN MIND.

A LOT OF BOTTLES OF LIQUOR.

MM-HMM.

JACK DANIELS, HE'S INVITED.

MM-HMM.

YOU KNOW, MIMI...

YEAH, THAT'S THE PARTY.

WHOA, WAIT A MINUTE.

[laughs]

MIMI, ARIANE.

NOPE, NOPE, NOPE.

TOOK A BIG GULP ON THAT ONE.

I'M NOT DEALING WITH THAT

GIRL.

THERE WAS A RADIO INTERVIEW,

AND ARIANE ADMITTED TO HAVING

SEX WITH ONE OF MY EXES.

BUT SHE NEVER TOLD ME THAT.

THE LEAST YOU COULD HAVE DID

WAS TELL ME THAT YOU DONE LAID

DOWN AND SPREAD YOUR HOT POCKET

WIDE OPEN FOR 'EM.

JUST TELL ME, GIRL.

"YOU KNOW, BLAH, BLAH, BLAH,

BLAH, BLAH.

GIRL, YOU KNOW I BANGED HIM.

YOU KNOW HOW WE DO AS GIRLS."

SHE VIOLATED THE "G" CODE.

I MEAN, I'M GOOD.

IT'S NO HATE.

SO HAVE Y'ALL TALKED?

SHE BEEN CALLING.

I DON'T WANT TO TALK TO HER.

WAIT.

CAN SHE BE THERE FOR ME?

YEAH.

FOR YOU, DEFINITELY.

THAT'S FINE.

I'LL TAKE THAT.

WE GOT MIMI.

SO FOR ME, WE GOT MIMI.

WE GOT ARIANE.

OKAY.

RASHEEDA?

RUN UP.

NO, MM.

NO.

[laughs]

HOW YOU JUST WALK UP IN HERE

LIKE THAT?

'CAUSE I GOT SOMETHING

FOR YOU.

WHAT IS THIS IN THIS

UGLY BOX?

HURRY UP BEFORE IT BLOWS UP.

WHEN I HEARD JOSELINE

ON THE RADIO SAYING SHE WAS

SINGLE, I WAS LIKE,

OH, HOLD UP.

HOLD UP.

YOU'RE SUCH A PIMP.

AT THE END OF THE DAY,

WE'RE GETTING A COUPLE

OF DOLLARS TOGETHER.

SO, YOU KNOW, I HAD TO CALM

THE SITUATION DOWN.

LOOK AT THE WAY THAT FITS,

THAT THING.

THANK YOU.

DON'T TOUCH ME.

SERIOUSLY, I LOVE THE FUR.

LOOKING GOOD IN THAT JOINT.

I LOVE THE FUR

AND EVERYTHING ELSE LIKE THAT,

BUT IF THIS IS GONNA COST ME,

I DON'T EVEN WANT TO TAKE IT,

'CAUSE YOU ALWAYS TRYING TO

BUY ME.

WE HAD A MISUNDERSTANDING

THE OTHER DAY.

AND I FIGURE THE BEST WAY

TO RESOLVE IT IS JUST

TO MAKE YOU SMILE.

HE KNOWS HE'S [bleep] UP.

I DON'T WANT HIM NO MORE.

SO HE BRINGS ME A FUR.

I'M LIKE, "THANK YOU, STEVIE,

BUT THAT DOES NOT MEAN

THAT YOU GONNA BUY ME BACK."

YOU TREAT ME LIKE I'M

A PROSTITUTE.

WHAT DO YOU MEAN?

THAT'S HOW YOU TREAT ME.

I DON'T PAY TO [bleep] YOU.

YOU TRYING TO GET SOMETHING,

AND I KNOW IT CAN'T BE NO HUG

IF YOU'RE TRYING TO BRING ME

A FUR.

I JUST WANT YOU TO KNOW,

YOU KNOW, MY DOOR'S ALWAYS

OPEN FOR YOU.

YOUR DOORS ARE ALWAYS OPEN

FOR ANY [bleep].

NO, NOT TRUE.

I DON'T [bleep] WITH JUST

ANY [bleep].

UNDERSTAND THIS, RIGHT:

I CARE ABOUT YOU.

I WANT TO MAKE SURE ME AND YOU

ARE IN THE SAME PAGE.

WHAT'S THE SAME PAGE?

HAPPY.

WE GONNA CONTINUE ON

THIS JOURNEY.

WE GONNA CONTINUE GETTING

THIS MONEY.

AND YOU GONNA CONTINUE

BEING HAPPY.

AND THAT'S IT.

[scoffs]

STEVIE, WHAT YOU GONNA DO?

YOU GONNA CHANGE?

ARE YOU GONNA CHANGE?

I AM WHO I AM.

YOU KNOW, THAT WON'T CHANGE.

WHAT NEEDS TO CHANGE

IS MY BABY'S ATTITUDE.

AND THAT DON'T TAKE MUCH AT ALL.

SEE WHAT DADDY DO FOR YOU?

I LOVE IT.

STEVIE, ENOUGH ASS GRAPPING.

WHEN I FOUND OUT

THAT YOU HAD SEX WITH HIM

AND YOU DIDN'T TELL ME,

YOU HURT ME, ARIANE!

AND I TOLD YOU I WASN'T

TRYING TO.

I TOLD YOU THAT.

WHAT MORE DO YOU WANT ME TO SAY?

I WAS NOT TRYING TO HURT YOU.

WELL, YOU DID!

[energetic electronic music]

♪

PARTY, PARTY, PARTY.

LET'S ALL GET WASTED.

[laughing]

WHEN ERICA INVITED ME AND ARIANE

TO HER ENGAGEMENT PARTY,

I WAS REALLY EXCITED FOR HER.

HELL, I HAVEN'T EVEN SEEN

THE DAMN RING YET.

WHO'S GONNA BE THERE?

UM, I'M NOT SURE EXACTLY.

I KNOW K. PUT THIS TOGETHER,

SO...

[imitates retching]

DON'T GO IN HER PARTY

ACTING NO FOOL, ARIANE.

K.MICHELLE AND I

AREN'T ON SPEAKING TERMS

RIGHT NOW.

IT'S BECAUSE I DID AN INTERVIEW

THAT SHE HEARD ABOUT

OR LISTENED TO.

I JUST ADMITTED TO A SITUATION

THAT I WAS IN WITH

K.MICHELLE'S EX.

IT WAS JUST SEX, AND...

I REALLY DON'T UNDERSTAND

WHAT THE BIG DEAL IS.

I WAS SUPPOSED TO GO TO HER

SHOW IN NEW YORK, AND SHE HIT

ME AND WAS LIKE, "I DON'T THINK

YOU SHOULD COME, BECAUSE

I LISTENED TO THE INTERVIEW,

AND YOU SHOULD GO BE HIS

FRIEND."

WHAT?

OH, WOW.

I WAS LIKE, WHAT?

I DON'T UNDERSTAND WHAT SHE

REALLY WAS UPSET ABOUT.

WELL, YOU'RE NOT GOING TO

UNTIL YOU GUYS TALK.

YOU'RE NOT GONNA UNDERSTAND IT,

SO...

I DON'T HAVE ANY BEEF

WITH HER.

LIKE, I--YOU KNOW,

I REALLY DON'T.

LIKE, WE JUST--I WANT TO GET

THIS ISSUE OUT OF THE WAY,

TALK ABOUT IT.

UH, IF SHE WANT TO SQUARE UP,

WE CAN, YOU KNOW...

COME ON, NOW.

NO, MISSISSIPPI WILL COME

RIGHT UP OUT THIS THANG.

YOU KNOW HOW K. GET.

AND YOU KNOW SHE GONNA BE

DRINKING AND [bleep].

GET A DRINK IN THAT ASS

AND WHOO!

MISSISSIPPI AND MEMPHIS.

AIN'T THAT SOME [bleep].

WE RIGHT DOWN THE STREET

FROM EACH OTHER, GIRL.

WE FAMILY.

WHAT YOU WANT TO FIGHT?

WANT TO FIGHT?

[chuckles]

I WANT A FRONT ROW SEAT

TO THAT ONE.

I KNOW YOU WILL.

[laughter]

[upbeat Latin-infused music]

♪

ON THE COUNT OF THREE,

LET'S TOAST HAVING BIG BUTTS,

BUT NOT BEING SLUTS.

OKAY.

ALL RIGHT, I'MA FINISH.

GO.

OH!

PARTY'S STARTED.

HEY.

HOW YOU BEEN?

MS. WOMAN.

CONGRATULATIONS, ERICA,

REALLY.

THAT WAS BIG.

THANK YOU.

SO HOW ARE THINGS

WITH YOU AND STEVIE?

GIRL, OKAY.

SHE UP TO NO GOOD.

I SEE HER FACE.

IT'S NOT NO GOOD.

LET ME JUST--LET ME TELL YOU.

OKAY.

I ENDED UP MOVING IN

TO STEVIE'S PLACE.

WHAT?

WAIT. WAIT. WAIT.

LET'S TAKE THIS BACK.

NOT WHAT YOU THINK.

I HAD TO GET THAT BITCH

OUT OF THE HOUSE.

YOU NOT GONNA BE AROUND MY

DAUGHTER, PERIOD.

SO I'M AT THE HOUSE TEMPORARILY

UNTIL I GET MY PLACE.

OKAY.

I WAS LIKE, WHAT THE [bleep]?

LIKE, WHAT?

REALLY?

AFTER EVERYTHING?

BUT, I MEAN, WHO AM I TO JUDGE?

AND YOU, MA'AM, HOW YOU BEEN?

IT'S BEEN FOREVER.

HOW YOU BEEN?

GOOD.

I'M HAPPY RIGHT NOW, SO...

K., YOU OKAY?

WHAT'S BEEN GOING ON WITH YOU?

YOU--I TEXT YOU.

I SAID, "YOU WANT TO TALK?"

NO.

YOU DON'T?

NO, I JUST FEEL LIKE--

EVEN TO THIS MOMENT?

I JUST FEEL LIKE,

WHEN I LOVE,

I LOVE AT THE START,

YOU KNOW WHAT I'M SAYING?

I LOVE AT THE BEGINNING.

I DON'T LET PEOPLE INTO MY

WORLD.

I DON'T LET THAT,

AND I LET YOU INTO MY WORLD.

SO TO HEAR THAT YOU WERE

COMMENTING ON MY LIFE,

IT WAS NOT APPROPRIATE.

BUT THE WHOLE THING,

IT WASN'T YOUR LIFE.

IT WAS MY RELATIONSHIP WITH YOU.

IT'S MY LIFE.

BUT YOU--HOW YOU HANDLED

THE INTERVIEW--

BUT YOU CAN'T TELL ME

HOW TO TALK, K.

BUT HOW YOU HANDLED

THAT INTERVIEW ABOUT ME WAS

NOT APPROPRIATE,

AND YOU HURT ME.

I DIDN'T MEAN TO HURT YOU.

WELL, YOU DID.

YOU HAD SEX WITH HIM,

AND YOU DIDN'T TELL ME?

YOU SHOULD HAVE TOLD ME

FROM THE BEGINNING.

I FORGAVE YOU ONCE,

AND THERE WON'T BE A TWICE,

'CAUSE THE ONCE WAS--

THE ONCE WAS--

OKAY, THEN WE DON'T HAVE TO

TALK ABOUT IT NO MORE.

NO, I AIN'T DONE TALKING.

I STARTED, AND I GOT SOME

MARGARITA.

THE ONCE WAS--

DON'T YOU BE LAUGHING AT ME.

I'M NOT DEALING WITH YOU.

LAUGH!

AND I'M GOING TO

BECAUSE I LET YOU KNOW.

YOU HURT ME, ARIANE.

AND I TOLD YOU I WASN'T

TRYING TO.

I TOLD YOU THAT.

WHAT MORE DO YOU WANT ME TO SAY?

I WAS NOT TRYING TO HURT YOU.

IT HAD NOTHING TO DO WITH YOU.

I LIKE YOU.

AND I LIKE YOU TOO.

I SAID THAT IN THE INTERVIEW.

I SAID, "K., I LIKE K."

WE CAN RERUN THAT [bleep]

RIGHT NOW.

YOU WANT TO DO IT, WE CAN DO IT.

SHE LIKES K.!

DON'T [bleep] DO THAT.

DON'T DO THAT.

I KNOW WHEN I [bleep]

WITH SOMEBODY, I [bleep]

WITH THEM.

THEY ASKED ME A QUESTION--

AND I [bleep] WITH YOU.

AND I [bleep] WITH YOU TOO.

AND--BUT YOU--BUT YOU KNOW--

I WON'T HURT YOU AGAIN!

DONE.

Y'ALL [bleep] WITH EACH

OTHER.

YES!

YES, BABY, YES!

THERE IS LOVE IN HIP-HOP.

FOR ME, THAT'S LOVE

AND BASKETBALL.

ARIANE, HOW YOU DOING?

HOW YOU DOING?

GIVE ME A KISS.

AWW.

AWW, KUDOS.

OH!

SPIRIT FINGERS.

all: WHOO!

YEAH, BITCH.

ALL'S WELL THAT ENDS WELL.

BUT YOU JUST...

NEVER [bleep] KNOW

WITH THIS ONE.

I'M WILLING TO SEE.

ONLY TIME WILL TELL.

♪

IF YOU MY MAMA

AND I'M YOUR SON,

AND I'M GOING TO THE LEFT,

I THINK YOU SHOULD FOLLOW ME.

I'LL DO THAT,

BUT THEN, I LIKE SHAY,

AND SHE LOST A LITTLE MORE

WEIGHT, AND SHE LOOKING FINE.

BY PROPOSING TO ERICA,

MY SON IS MAKING THE BIGGEST

MISTAKE OF HIS LIFE.

MOMMA, WHAT'S HAPPENING?

HEY, MAMA BIG MAN.

WHAT'S GOING ON?

OH, NOTHING.

YOU KNOW, I COULD FIND YOU

IN A MILLION-MAN MARCH.

I KNOW WHAT MAKES MY SON HAPPY.

WOW.

AND IT AIN'T ERICA.

SHAY'S THE GIRL FOR SCRAPPY,

AND I'M HERE TO PRESENT

MY CASE.

YOU KNOW, AFTER THE INCIDENT

THAT HAPPENED BETWEEN YOU

AND SHAY, ARE Y'ALL STILL

FRIENDS OR--I MEAN...

I JUST WANT TO KNOW.

YOU WOULD, WOULDN'T YOU?

WHAT'S WRONG WITH THAT?

I HAVE CALLED HER,

YOU KNOW WHAT I'M SAYING--

SO WHAT WAS THAT ABOUT?

YOU KNOW, JUST TRYING TO--

JUST LET HER KNOW IT WASN'T

ON PURPOSE, YOU KNOW.

I WASN'T TRYING TO HURT

YOUR FEELINGS ON PURPOSE

OR NOTHING LIKE THAT.

YOU KNOW WHAT I'M SAYING?

YOU KNOW, WE GOT HISTORY.

YOU KNOW, WE GO WAY BACK.

YES, YOU DO.

I KNOW HOW WE IS WHEN WE GET

TO GETTING AROUND EACH OTHER,

AND I AIN'T EVEN TRYING TO MESS

UP WHAT I GOT GOING ON WITH

ERICA.

I'M TRYING TO WORK ON THAT.

YOU SURE?

WHAT YOU MEAN, AM I SURE?

YOU SURE THAT'S THE DIRECTION

YOU WANT TO GO IN?

I AIN'T GOT NO HARD FEELINGS

AGAINST SHAY, BUT IT'S LIKE,

WHEN IT'S OVER, IT'S OVER.

YOU KNOW WHAT I'M SAYING?

SO I JUST WANT MOMMA

TO GO WITH THE FAM,

YOU KNOW WHAT I'M SAYING,

AND NOT WITH THE FRIEND.

IF YOU MY MAMA AND I'M YOUR SON,

AND I'M GOING TO THE LEFT,

I THINK YOU SHOULD FOLLOW ME

LEFT.

I MEAN, I'LL DO THAT,

BUT THEN, I LIKE SHAY.

AND LET ME TELL YOU SOMETHING.

SHE DID EXPRESS HER UNDYING LOVE

TO YOU AND THAT, YOU KNOW,

SHE LOST A LITTLE MORE WEIGHT

AND SHE LOOKING FINE.

EVERYBODY KNOWS WHEN A PERSON'S

MORE IN LOVE WITH YOU

THAN YOU ARE WITH THEM,

THEN YOU GET TOP DOLLAR.

SHE ADORES THE WAY HE WALKS,

HE TALKS, HE SLEEPS.

SHE FEEDS OFF HIS ENERGY.

AND THAT SON OF MINE'S

CAN'T SEE IT?

HUH.

THERE'S TOO MUCH FOREST

AND TREES IN THE MIX.

IF SHE HIT YOU UP,

WOULD YOU HAVE LUNCH WITH HER?

YOU KNOW, JUST TO BE A BASIC

CONVERSATION, "HOW YOU DOING

AND HOW THINGS BEEN GOING ON

WITH YOU."

WOULD YOU?

NOT RIGHT NOW.

OH, YOU JUST KNOW YOU JUST

WANT TO.

CHILL OUT ON THAT,

YOU KNOW WHAT I'M SAYING?

LIKE, YOU KNOW, YOUR

SOON-TO-BE DAUGHTER-IN-LAW...

OKAY.

GET COOL WITH HER,

YOU KNOW WHAT I'M SAYING?

OH, WELL, ALL RIGHT.

THANKSGIVING.

MERRY CHRISTMAS.

BIRTHDAYS.

YOU KNOW WHAT I'M SAYING?

YEAH, COME ON, LET'S GET IT

TOGETHER.

YOU KNOW WHAT I'M SAYING?

FOR REAL.

WELL...

'CAUSE THAT ONE GONE.

UH, ANYWAY,

MOMMA LOVE YOU SO.

I LOVE YOU.

I DON'T WANT ERICA TO SEE

THAT LIPSTICK.

SHE MIGHT THINK IT CAME

FROM SHAY.

SHE WOULDN'T THINK THAT.

SHE WOULD NEVER THINK THAT.

SHE MIGHT.

NO, SHE WOULDN'T.

POO-POO,

I WANT TO GET A BLUE ONE, COZ.

YOU HAPPY THESE DAYS?

DECENT.

DECENT?

YEAH.

'CAUSE I COULD TELL WHEN YOU

LOOK AT ME AND WHEN YOU TALK TO

ME AND WHEN YOU SMILE AT ME,

IT'S LIKE REAL BLANK SPACE

WITH US RIGHT NOW,

A REAL GRAY AREA

THAT WE GOT TO FILL IN.

WHAT ARE WE GONNA DO ABOUT

THE GRAY AREA?

THAT WOULD BE A QUESTION

THAT I WOULD ASK YOU.

GET SOME CRAYONS.

GET SOME OF EVA'S CRAYONS.

FILL IT IN.

FILLING IN.

I CAN'T BELIEVE I'M SAYING

THIS, BUT EVER SINCE

STEVIE KICKED JOSELINE

OUT OF THE HOUSE, THE THREE

OF US HAVE BEEN SPENDING

MORE TIME TOGETHER,

AND LIFE IS DRAMA-FREE.

BUT IF STEVIE THINKS HE'S GONNA

ADD SOME "COLOR" TO OUR

RELATIONSHIP...

HE'S IN NEVER-NEVER LAND.

GREEN WORKS.

IT'S THAT EASY?

I MEAN, YEAH, EVERYTHING

IS EASY AS WE MAKE IT.

WHOA, WHOA, WHOA.

GREEN WORKS?

YEAH.

WHAT DOES THAT MEAN?

I MEAN, GREEN WORKS.

YOU NEED SOMETHING?

DON'T BE--DON'T--

MM-MMM, MM-MMM.

YOU BELIEVE THAT MONEY

FIXES EVERYTHING,

AND IT DOES NOT.

IT FIXES 89.95%

OF EVERYTHING.

WELL, THE OTHER PERCENTAGE

IS MY ISSUE,

NOT THE MONEY.

AND THE MONEY WILL NOT FIX

WHAT I HAVE A PROBLEM WITH

WITH YOU.

IT WON'T?

NOT AT ALL.

I DON'T GIVE--

GIFTS?

NO.

YOU COULD GIFT--

CARS, DIAMONDS?

YOU COULD GIFT DIAMOND,

MAKE ME UNTIL YOU TURN--

BAGS?

BAG ME.

LOUIS STEWART BAGS?

I AIN'T SEEN ONE YET.

WHAT I GOT TO DO?

YOU SHOULDN'T ASK ME

WHAT YOU SHOULD DO.

YOU, KNOWING ME

AND KNOWING ME AS LONG

AS YOU HAVE, SHOULD KNOW

EXACTLY WHAT TO DO.

I WANT TO DO THAT.

I WANT TO TRY TO DO THAT.

IT'S LIKE...

[imitates brakes squealing]

PUT THE BLOCK UP.

WHY DO I DO THAT?

INSECURITIES.

UH, WHOA, WHOA, WHOA.

MY INSECURITY?

I MEAN, YEAH, OF BEING--

CAN I JUST FINISH WHAT

I WAS GONNA SAY?

OF BEING HURT AGAIN.

YOU KNOW WHAT I'M SAYING?

ALL THE PREVIOUS THINGS

THAT I'VE DONE.

AND I MEAN THAT WOULD CAUSE

A PERSON--

IS THAT THE DOOR?

YEAH, THAT'S THE DOOR.

STEVIE, WHAT, YOU GOT

THE HEATER ON IN HERE?

IT'S HOT IN--

YEAH.

WHAT'S UP?

LET'S GO TO THE STUDIO.

HOW YOU DOING?

EH!

DON'T BE TOUCHING UP ON ME.

OKAY.

YOU NOT GONNA SPEAK?

HEY, MAID.

I SEE YOU GOT ON YOUR MAID

OUTFIT LIKE YOU ALWAYS DO.

I DON'T BLAME YOU.

MAID OUTFIT?

I HAVE ON A T-SHIRT.

BETTER GET THE [bleep]

OUT OF HERE.

AIN'T THAT WHAT YOU CLEAN

WITH?

YOU NEED TO BUY HER A FUR

LIKE YOU BOUGHT ME ONE.

GET THIS HO OUT THE HOUSE.

LET'S GO DO MY--

GET THIS BITCH OUT THE HOUSE

NOW.

I'M LIKE, YOU KNOW WHAT?

I'MA WORK THIS BITCH.

SINCE SHE WORKED ME

WHEN SHE "THINKS SHE PUT ME

OUT THE HOUSE"--

BITCH, YOU AIN'T PUT ME

OUT THE HOUSE.

I PUT MYSELF OUT THE HOUSE.

SO NOW I'MA SHOW YOU

I CAN TAKE YOUR MAN AGAIN

IF I WANTED TO,

MOLLY THE MAID.

I DON'T GIVE A [bleep]

WHERE YOU GO.

TAKE THAT [bleep] TO THE MOON.

BUT YOU CAN GET HER THE [bleep]

OUT OF MY FACE.

LET'S GO, 'CAUSE I DON'T WANT

TO TALK TO THIS MAID.

WE CAN'T HAVE A CONVERSATION?

GET THE BITCH OUT OF THE

[bleep] HOUSE.

PLEASE GET THAT [bleep]

OUT OF HERE.

LET HER CRY.

BOTH OF YOU MOTHER[bleep]

GET THE [bleep] OUT THE HOUSE.

I GOT TO GET SOME SHOES.

YOU SLUT-ASS BITCH.

I'LL THROW YOU SOME SHOES

DOWNSTAIRS.

[bleep] TAKING YOUR MAN

AGAIN.

PROSTITUTE.

LET'S GO, STEVIE.

ALL THESE GREAT DEALS

ON THE TABLE, AND YOU WANT ME

TO SIT UP THERE AND WASTE

MY TIME WITH YOUR MAID.

SHE NEEDS TO COME CLEAN

MY CONDO.

THAT'S WHAT SHE NEEDS TO DO.

MY DOOR'S ALWAYS OPEN

FOR JOSELINE, BUT AT LEAST

RING THE DOORBELL OR SOME

[bleep].

YOU KNOW WHAT I'M SAYING?

IT'S JUST LIKE, YOU JUST BARGING

IN THE JOINT.

NOW I FEEL LIKE I'M MOLLY

THE MAID AND I GOT TO CLEAN

THIS MESS UP.

THIS BITCH WANT TO CALL ME

A [bleep] MAID AND EVERYTHING

ELSE, AND YOU NOT GONNA SAY

[bleep]?

IT WAS A JOKE.

SHE MADE A JOKE.

YOU GET YOUR [bleep]...

ONCE AGAIN, AFTER 15 YEARS

OF KNOWING THIS MOTHER[bleep],

I STILL WANT TO BELIEVE

AND LISTEN.

GOT TO BE NICE, MIMI.

GET MORE BEES WITH HONEY.

IT'S ALL BULL[bleep].

AS SOON AS THAT GORILLA

WALKED THROUGH THE DOOR,

HE WENT BACK ON EVERYTHING

HE SAID, DEFENDING ME,

DEFENDING HIS DAUGHTER,

HIS FAMILY.

HE DIDN'T DO [bleep].

YOU GONNA MAKE THIS BITCH

COME HERE WHERE I STAY

AND YOUR DAUGHTER AND [bleep]

DISRESPECT?

WHY CAN'T YOU TAKE THE

INITIATIVE TO GET THE BITCH

OUT OF THE [bleep] HOUSE?

OR MAYBE YOU DON'T SEE

THIS DISRESPECT,

'CAUSE YOU'RE SO FAR

UP THIS [bleep] ASS,

YOU CAN'T THINK STRAIGHT.

AND YOU BUYING BITCH'S FURS?

THAT'S WHAT YOU DOING?

SHE WORKING.

RIGHT, YOU GOT HER

WORKING, [bleep] HER IN HER ASS

AND MAKING VIDEOS.

YEAH, YOU GOT THE BITCH

WORKING ALL RIGHT.

YOU STILL GOT YOUR PC.

5 BULL[bleep] PERCENT WHILE

YOU [bleep] DISRESPECT ME

WITH A [bleep] PROSTITUTE.

YOU WANT ME TO BE SATISFIED.

SHE'S NOT A PROSTITUTE.

YES, SHE IS.

THE BITCH IS A WHORE.

CAN WE JUST STOP NAME-CALLING

EACH OTHER--

TELL YOUR PROSTITUTE TO BE--

[bleep] YOU.

I'LL CALL THAT BITCH WHAT I

WANT.

MIMI SEES A LITTLE BIT

OF HERSELF IN HER WHEN SHE

WAS HER AGE.

AGGRESSIVE, GONNA GET IT

BY ANY MEANS NECESSARY.

YOU KNOW WHAT I'M SAYING?

SO IT'S LIKE, DAMN,

I KNOW THAT GIRL.

YOU GONNA GET LET THIS

BITCH DISRESPECT ME?

[bleep] YOU FOR THAT.

[bleep] YOU ALL THE WAY.

I DIDN'T LET HER DISRESPECT

YOU.

[bleep] YOU.

WHAT DID I SAY?

"YO, DISRESPECT HER."

THIS BITCH WANT TO CALL ME

A [bleep] MAID AND EVERYTHING

ELSE AND YOU NOT GONNA SAY

[bleep]?

IT WAS A JOKE.

SHE MADE A JOKE.

YO, CHILL.

THIS BITCH GONNA CALL ME

[bleep] MAID?

YOU GONNA SAY THE BITCH

IS JOKING?

SHE BIT ME ON [bleep] NECK.

YO, HOLD UP.

GONNA TELL ME THAT BITCH

IS JOKING?

YOU [bleep]!

HERE, HOLD UP, HOLD UP.

YOU [bleep]!

JOKING?

[bleep]!

GET THE [bleep] OUT OF HERE.

GO BE WITH YOUR BITCH,

YOU [bleep] WHORE.

CLEAN UP MY ROOM, MOLLY MAID.

BITCH.

THIS SEASON ON

LOVE & HIP-HOP: ATLANTA...

OH, MIMI!

DADDY'S HOME!

I CAN'T LIVE WITH YOU.

YOU CAN'T LIVE WITH ME?

I DON'T NEED YOUR APPROVAL

FOR ME TO MOVE ON.

OH, YES, YOU DO.

IF I DON'T GET MY MONEY,

YOU GOT TO A PROBLEM.

WHAT YOU GONNA DO?

LET'S TAKE IT ISSUE BY ISSUE.

DO I OWNS YOU?

YES.

CAN'T HAVE YOUR CAKE

AND EAT IT, TOO, SLEAZ.

YOU GOT TO PICK ONE

OR LET THEM BOTH LOOSE.

IT DON'T DO NOTHING

BUT SHAKE.

[slurps]

TOAST TO NEW BEGINNINGS.

IF THAT'S WHAT YOU WANT--

YOU DON'T EVEN HAVE A [bleep]

MAN.

YOU'RE ABSOLUTELY RIGHT.

I DON'T WANT ONE LIKE YOURS.

THAT'S WHAT I'M SAYING.

AND YOU WILL NEVER HAVE ONE.

IF IT'S NOT ABOUT K.MICHELLE,

SHE HAS TO MAKE IT ABOUT HER.

SAY HI TO EACH OTHER.

[snickers]

YEAH, I'LL BE READY.

PULL THAT RAGGEDY-ASS WIG OFF.

GET OUT OF MY FACE.

WE'RE SO SCARED.

STUNT, RASHEEDA,

BUT YOU WILL NOT WALK

THE STREETS OF ATLANTA.

[bleep] YOUR WIFE!

I THINK I'M PREGNANT.

WHOO!

THAT RIGHT THERE,

WE WILL NEED A BLOOD TEST.

SO WHAT YOU THINK,

I'M [bleep] AROUND?

WHAT ARE RAPPERS KNOWN FOR?

A'IGHT, WE KEEPING IT

MOVING.

ATLANTA'S ONLY HIP-HOP STATION.

YOUR FAVORITE DJ ON YOUR RADIO,

TRACI STEELE.

YOU TRY AND [bleep].

GONNA OPEN HIS [bleep] MOUTH!

GET OFF ME!

THEY WANT YOU FOR ONE THING.

YOU CHRIS BROWN DJ,

AND THAT'S WHY THEY WANT

TO [bleep] WITH YOU.

HAVE YOU NOTICED?

YEAH, I NOTICED.

YOU HAVE.

YEAH.

DO YOU WANT IT?

THAT'S THE WHOLE PORTION.

DO YOU WANT THE RING?

YOU SAY I'M YOUR FRIEND,

BUT YOU TREATED ME LIKE

A PIECE OF [bleep].

TAKE IT OR RESPECT IT.

I AIN'T RESPECTING [bleep].

I'M TELLING YOU HOW I FEEL,

SCRAPPY.

IF YOU LISTEN TO ME,

YOU'LL GET HIM BACK.

HOW MANY TIMES HAS SHE CALLED

ME A BITCH?

HUH?

HOW MANY TIMES?

HEY!

WHOA!

GET THE [bleep] OUT OF MY

HOUSE!

YOU WANT MY SON BY

YOURSELF, MAN.

AH!

I'M TRYING TO WORK

WITH THE BITCH.

LISTEN, I DON'T TALK

TO THE HELP.

SO YOU NEVER GONNA DO

A SONG WITH ME, JOSELINE?

THIS CONVERSATION IS OVER,

'CAUSE FOR REAL?

[bleep].

BITCH, GET OUT OF HERE, BITCH!

YOU SHOWED ME JOSELINE'S

PORN TAPE.

NO, ACTUALLY, I DIDN'T.

OH, MY GOD!

YOU GONNA CHECK THIS [bleep]

OR WHAT?

WHAT ARE YOU DOING?

SLEAZ, PLEASE.

[bleep] THAT BITCH.

YOU LOVE ME?

DO FAT GIRLS LOVE

CHOCOLATE CAKE?

WHERE DO YOU LIVE?

I LIVE IN ATLANTA.

YOU KNOW I COULD FIND YOU,

RIGHT?