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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,733 --> 00:00:11,567 [SPRAY CAN RATTLING] 2 00:00:17,600 --> 00:00:19,600 [MAN] THE GUYS WHO GOT THEIR NAMES UP THE MOST 3 00:00:19,600 --> 00:00:21,200 WERE THE ONES TO KNOW. 4 00:00:21,200 --> 00:00:24,800 -[SPRAY CAN SPRAYING] -I ALWAYS WANTED TO BE LIKE THEM. 5 00:00:24,800 --> 00:00:27,300 [CAMERA CLICKING] 6 00:00:29,233 --> 00:00:31,700 HEY, EVERYBODY. MY NAME IS ANDRE WILLIAMS. 7 00:00:31,700 --> 00:00:32,700 I'M FROM THE LOWER EAST SIDE. 8 00:00:35,033 --> 00:00:36,267 -YO! -FUCK! SHIT! 9 00:00:36,267 --> 00:00:38,667 -SHIT! -COME HERE! 10 00:00:40,900 --> 00:00:42,333 YO! 11 00:00:50,933 --> 00:00:52,467 [ANDRE] I WENT OUT BOMBING WITH MY FRIENDS 12 00:00:52,467 --> 00:00:55,333 WHO WERE GRAFFITI WRITERS LOTS OF NIGHTS. 13 00:00:56,500 --> 00:00:58,900 THOUGHT ABOUT THROWING MY NAME UP 14 00:00:58,900 --> 00:01:01,400 BUT IT WASN'T MY THING. 15 00:01:01,400 --> 00:01:02,400 I FOUND MY THING 16 00:01:02,400 --> 00:01:04,300 WHEN I TOOK A DOCUMENTARY CLASS. 17 00:01:04,300 --> 00:01:06,967 AND THIS SUMMER, I STARTED MAKING A FILM 18 00:01:06,967 --> 00:01:08,533 ABOUT GRAFFITI. 19 00:01:14,000 --> 00:01:16,867 BUT THEN... 20 00:01:16,867 --> 00:01:20,067 SOMETHING TERRIBLE HAPPENED. 21 00:01:20,067 --> 00:01:23,133 [SKATEBOARD SCRATCHING] 22 00:01:27,700 --> 00:01:30,633 HI. COME HERE. 23 00:01:30,633 --> 00:01:33,267 MM! [SIGHS] 24 00:01:33,267 --> 00:01:35,233 YOU SAID YOU WERE COMING HOME FOR SPRING BREAK. 25 00:01:35,233 --> 00:01:38,767 I KNOW, BUT HOW WAS BARD? 26 00:01:38,767 --> 00:01:41,767 -IT WAS GOOD. -IT WAS REALLY GOOD. IT WAS GREAT. 27 00:01:41,767 --> 00:01:43,000 -[WHISTLES] -YEAH. 28 00:01:43,000 --> 00:01:46,033 LOOK WHO'S HERE. 29 00:01:46,033 --> 00:01:48,467 -HEY! -HI. 30 00:01:48,467 --> 00:01:49,367 [MOANS] 31 00:01:53,400 --> 00:01:55,367 [MAN #2] YOU KNOW, PEOPLE HATE GRAFFITI. 32 00:01:55,367 --> 00:01:57,333 YOU KNOW, WHEN YOU'RE DOING IT 33 00:01:57,333 --> 00:02:00,033 PEOPLE ARE CALLING THE COPS. 34 00:02:00,033 --> 00:02:02,967 GRAFFITI IS LIKE SOMETHING THAT-- 35 00:02:02,967 --> 00:02:04,867 IT'S THE MOST IMPORTANT THING TO ME. 36 00:02:04,867 --> 00:02:06,467 IT'S LIKE YOU HAVE TO DO IT 37 00:02:06,467 --> 00:02:08,000 NO MATTER WHAT THE CONSEQUENCES. 38 00:02:08,000 --> 00:02:10,233 YOU KNOW WHAT I MEAN? YOU KNOW, I'M-- 39 00:02:10,233 --> 00:02:12,133 I KNOW WHEN I GO OUT I'M GONNA GET ARRESTED 40 00:02:12,133 --> 00:02:13,267 I'M GONNA GO TO JAIL. 41 00:02:13,267 --> 00:02:14,900 WHO COULD HAVE A RELATIONSHIP 42 00:02:14,900 --> 00:02:16,967 -WITH SOMEBODY LIKE ME? - YEAH, MAN. 43 00:02:16,967 --> 00:02:18,233 -[DOOR OPENS] -[WOMAN SIGHS] 44 00:02:18,233 --> 00:02:21,567 THANK YOU. ANDRE. 45 00:02:23,933 --> 00:02:26,033 I MISS YOU. 46 00:02:26,033 --> 00:02:27,733 I MISS YOU. 47 00:02:30,900 --> 00:02:33,100 HEY. 48 00:02:33,100 --> 00:02:35,867 -YO, JAKE. YOU MIND? -NO, NOT AT ALL. 49 00:02:35,867 --> 00:02:37,967 [MUMBLES] 50 00:02:37,967 --> 00:02:40,467 [ANDRE] HOW'S THIS THING? WELL, I GUESS. 51 00:02:41,900 --> 00:02:44,367 ONE DOWN-- ONE DOWN, THREE TO GO? 52 00:02:44,367 --> 00:02:45,967 I'M DOING THE EIGHT-YEAR PLAN. 53 00:02:45,967 --> 00:02:47,533 I CANNOT BELIEVE WE SURVIVED OUR FIRST YEAR. 54 00:02:47,533 --> 00:02:49,267 -MOST OF US. -ALL RIGHT, EVERYBODY. SMILE. 55 00:02:49,267 --> 00:02:50,933 WHAT? I WANNA MAKE MUSIC. 56 00:02:50,933 --> 00:02:52,867 -YOU CAN ALWAYS GO BACK. -ONE, TWO, THREE! 57 00:02:52,867 --> 00:02:54,733 -[CAMERA SHUTTER CLICKS] -[LAUGHS] 58 00:02:54,733 --> 00:02:57,233 [SIGHS] GOOD LUCK. 59 00:03:00,133 --> 00:03:01,567 -THIS IS GOOD. -CAN I SEE? 60 00:03:01,567 --> 00:03:03,933 -YEAH. -OOH. IT'S CUTE. 61 00:03:03,933 --> 00:03:06,500 [CHATTERING] 62 00:03:06,500 --> 00:03:08,633 [SARAH] IS SOMETHING GOING ON WITH JAMES? 63 00:03:08,633 --> 00:03:10,400 NOT THAT I KNOW OF. 64 00:03:10,400 --> 00:03:12,467 ARE YOU SURE? LOOK AT HIM ON HIS PHONE. 65 00:03:12,467 --> 00:03:14,967 I MEAN, HE DIDN'T TELL ME ANYTHING. 66 00:03:14,967 --> 00:03:16,367 OKAY. 67 00:03:17,833 --> 00:03:20,033 -HMM? -NO. 68 00:03:20,033 --> 00:03:22,733 ALL RIGHT. MORE FOR ME. 69 00:03:28,267 --> 00:03:30,833 -YOU WANT A BEER? -YEAH, THANK YOU. 70 00:03:30,833 --> 00:03:32,633 YOU BET. 71 00:03:42,367 --> 00:03:46,667 * YOU MADE ME LOVE YOU * 72 00:03:46,667 --> 00:03:48,367 * I DIDN'T WANT TO DO IT * 73 00:03:48,367 --> 00:03:51,200 * I DIDN'T WANT TO DO IT * 74 00:03:51,200 --> 00:03:54,433 [BOTH SINGING] * YOU MADE ME LOVE YOU * 75 00:03:54,433 --> 00:03:56,833 * AND ALL THE TIME YOU KNEW IT * 76 00:03:56,833 --> 00:03:59,767 * I GUESS YOU ALWAYS KNEW IT * 77 00:03:59,767 --> 00:04:04,100 * YOU MADE ME HAPPY SOMETIMES * 78 00:04:04,100 --> 00:04:07,967 * YOU MADE ME GLAD 79 00:04:07,967 --> 00:04:11,500 * BUT THERE WERE TIMES DEAR * 80 00:04:11,500 --> 00:04:16,367 -* YOU MADE ME FEEL SO GLAD -THIS IS FUCKIN' STUPID. 81 00:04:16,367 --> 00:04:20,533 -WHERE ARE YOU GOING? -SOME PARTY, YOU WANNA GO? 82 00:04:20,533 --> 00:04:22,133 -PARTY, PARTY, PARTY. -OH, NO, NO, NO. 83 00:04:22,133 --> 00:04:23,800 IT HAS NO SHAPE TO IT 84 00:04:23,800 --> 00:04:25,433 AND YOU'RE GONNA KNOCK SOMEBODY OUT. 85 00:04:25,433 --> 00:04:29,433 I AM WEARING THAT. PARTY, PARTY, PARTY, PARTY! 86 00:04:29,433 --> 00:04:31,867 OH, MY GOD. THIS COULD BE REALLY BAD. 87 00:04:31,867 --> 00:04:34,900 -[LAUGHING] -OH, WHAT ARE YOU DOING? 88 00:04:34,900 --> 00:04:38,200 I'M PUTTING THE RED ON. 89 00:04:38,200 --> 00:04:40,733 -OH, MY GOD. -LET'S SEE IT. 90 00:04:40,733 --> 00:04:42,300 -[MUTTERS] -HOLD ON. SWITCH. GO. 91 00:04:42,300 --> 00:04:45,467 -OH, MY GOD. -WAIT. WAIT. OKAY. WAIT. OKAY. 92 00:04:45,467 --> 00:04:47,100 -[LAUGHING] -PUTTING LIPSTICK ON YOU 93 00:04:47,100 --> 00:04:48,500 IS LIKE PUTTING ON A TODDLER. 94 00:04:48,500 --> 00:04:50,233 WAIT. WAIT. WAIT. COME ON! COME ON. COME ON. 95 00:04:50,233 --> 00:04:51,833 OOH, IT'S TOO MUCH. 96 00:04:51,833 --> 00:04:54,400 I'M JUST GONNA WEAR WHAT I HAD ON. 97 00:04:54,400 --> 00:04:57,067 -[ELECTRICAL BUZZING] -* REGARDLESS BUT DON'T THEY USE THE LIGHT * 98 00:04:57,067 --> 00:04:58,233 * RIGHT ON THE STREET SOLACE * 99 00:04:58,233 --> 00:04:59,967 * BUT THEY STAY ON THE GROUND * 100 00:04:59,967 --> 00:05:01,600 * NOT EVEN GROUNDED IN TIME * 101 00:05:01,600 --> 00:05:03,900 *IT'S TOO OLD FOR CLOTHES NOSE TO THE GRINDSTONE * 102 00:05:03,900 --> 00:05:06,067 * NO KEYS TO THE CRIB HOPIN' MOM'S HOME * 103 00:05:06,067 --> 00:05:07,900 * SETTING THEIR CLOCK BACK LIKE THEY'RE GOING * 104 00:05:07,900 --> 00:05:09,200 * THROUGH DIFFERENT TIME ZONES * 105 00:05:09,200 --> 00:05:11,133 * HOW YOU GONNA LIE TO MY FACE * 106 00:05:11,133 --> 00:05:13,900 * THEN TRY TO TELL ME IT'S NONE OF MY BUSINESS * 107 00:05:13,900 --> 00:05:16,633 * ACCEPTING THE PICTURE OF CRIMINALS * 108 00:05:16,633 --> 00:05:19,367 DID YOU DIP YOUR EYES IN HONEY THIS MORNING, BABY? 109 00:05:19,367 --> 00:05:23,033 -'CAUSE THEY LOOK SO SWEET. -[LAUGHS] 110 00:05:23,033 --> 00:05:24,733 MAKE ME ONE, SOPH. 111 00:05:24,733 --> 00:05:27,333 -HOW YOU WANT IT? -WHATEVER. 112 00:05:29,167 --> 00:05:31,267 YOU WANT A CHICKEN NUGGET? 113 00:05:31,267 --> 00:05:34,567 -[POURING] -HOW LONG HAVE THOSE BEEN IN YOUR POCKET? 114 00:05:37,167 --> 00:05:38,967 YO, MY DUDE, MAN. 115 00:05:38,967 --> 00:05:41,200 THAT SHIT ON DELANCEY STREET. 116 00:05:41,200 --> 00:05:43,933 THAT SHIT IS NOT GOING ANYWHERE, MAN. 117 00:05:43,933 --> 00:05:45,367 YOU FUCKIN' BEASTED ON THAT. 118 00:05:45,367 --> 00:05:47,000 I DIDN'T EVEN REMEMBER DOIN' THAT SHIT. 119 00:05:47,000 --> 00:05:48,900 I BLACKED OUT. 120 00:05:48,900 --> 00:05:52,000 -HERE. -LET'S GET DRUNK, MAN. 121 00:05:57,000 --> 00:05:58,700 THE ROOM FEELS LIKE-- 122 00:05:58,700 --> 00:06:02,067 -IT FEELS LIKE-- -I'M GONNA GET YOU SOME WATER. 123 00:06:04,833 --> 00:06:06,800 THAT'S MY SHIT. YO, WHAT'S GOOD? 124 00:06:06,800 --> 00:06:09,167 -WHAT'S GOIN' ON, CHARLIE? -YO, CHILL, HOMIE, CHILL. 125 00:06:09,167 --> 00:06:12,133 -YO, LET ME GET IT. LET ME GET SOME OF THAT. -GET THE FUCK OUTTA HERE. 126 00:06:12,133 --> 00:06:15,167 YO, THAT BEZEL IS HOT. YO, THE FUCKIN' BEZEL? 127 00:06:15,167 --> 00:06:16,700 -GET OUTTA HERE. -YO, WHAT THE FUCK? 128 00:06:16,700 --> 00:06:18,000 GET OUTTA HERE, MAN. 129 00:06:18,000 --> 00:06:19,333 WHAT THE HELL'S WRONG WITH THIS DUDE? 130 00:06:19,333 --> 00:06:20,933 THAT PIECE OF SHIT TRIED TO ROOFIE ME. 131 00:06:20,933 --> 00:06:22,967 -NO WAY. -THIS WHITE FUCKER RIGHT HERE? 132 00:06:22,967 --> 00:06:24,900 YO, I'M GONNA FUCKIN' KILL HIM. 133 00:06:24,900 --> 00:06:26,633 [GROANS] OH, FUCK. 134 00:06:26,633 --> 00:06:29,033 OH, FUCK! COME ON! 135 00:06:29,033 --> 00:06:31,700 OKAY. PUT YOUR ARMS AROUND ME, PLEASE. 136 00:06:31,700 --> 00:06:33,167 -NO. -COME ON, JO! 137 00:06:33,167 --> 00:06:34,600 I'M NOT A SHRIMP. 138 00:06:34,600 --> 00:06:36,167 [GRUNTS, SIGHS] 139 00:06:36,167 --> 00:06:39,867 -WHAT AM I EVEN DOING? -OW! OW, FUCK. 140 00:06:39,867 --> 00:06:42,300 -PLEASE, COME ON. -LET ME LIVE. 141 00:06:42,300 --> 00:06:44,133 STOP IT! SWING YOUR LEGS OUT. 142 00:06:44,133 --> 00:06:46,133 COME ON. COME ON, GET UP. 143 00:06:46,133 --> 00:06:48,533 -LET ME LIVE! -STOP IT, JO! 144 00:06:48,533 --> 00:06:50,967 -WANT A CIGARETTE? -OH, NO, THANK YOU. 145 00:06:50,967 --> 00:06:52,700 I DON'T SMOKE. 146 00:07:03,700 --> 00:07:06,400 [MAN] WHOO! 147 00:07:06,400 --> 00:07:09,133 WHAT'S UP WITH YOUR BOY OVER THERE? 148 00:07:11,200 --> 00:07:14,367 I DON'T KNOW. HONESTLY. 149 00:07:15,800 --> 00:07:18,200 IT WOULD SEEM TO ME 150 00:07:18,200 --> 00:07:22,433 THAT THIS GUY HAS NO IDEA WHAT HE HAS. 151 00:07:42,833 --> 00:07:44,267 -HEY, SARAH. -HEY! 152 00:07:44,267 --> 00:07:46,800 ALL RIGHT. I GOT SOMETHING FOR YOU. 153 00:07:46,800 --> 00:07:49,233 -OH, YEAH? -YEAH. 154 00:07:49,233 --> 00:07:51,733 -THANK YOU. -THAT SUCKED. 155 00:07:51,733 --> 00:07:53,967 -WAS THAT JAMES'S GIRL IN THERE? -JEANETTE. 156 00:07:53,967 --> 00:07:55,867 OH. DON'T YOU HAVE WORK TONIGHT? 157 00:07:55,867 --> 00:07:58,267 YEAH, I DO. SUPER LATE. 158 00:08:02,200 --> 00:08:04,133 OH! WHERE YOU GOING? 159 00:08:04,133 --> 00:08:06,100 I'M ACTUALLY KINDA TIRED. 160 00:08:06,100 --> 00:08:07,733 -I'M JUST GONNA GO HOME. -I'LL WALK YOU. 161 00:08:07,733 --> 00:08:10,100 -OH, THAT'S REALLY SWEET-- -ANDRE, YOU NEED TO COME IN. 162 00:08:10,100 --> 00:08:13,000 JAMES NEEDS HELP WITH JO. COME ON. NOW. 163 00:08:17,633 --> 00:08:19,200 [SIGHS] 164 00:08:24,433 --> 00:08:26,267 HEY, WHERE'S, UH, WHERE'S SARAH? 165 00:08:26,267 --> 00:08:29,733 SHE WENT HOME. SHE SAID SHE WAS TIRED. 166 00:08:29,733 --> 00:08:31,133 -OH. -YEAH. 167 00:08:53,400 --> 00:08:54,700 SARAH! 168 00:08:54,700 --> 00:08:57,067 -YEAH? -COME HERE. 169 00:08:59,600 --> 00:09:02,967 LOOK. 170 00:09:02,967 --> 00:09:04,533 YOU REMEMBER THIS ONE? 171 00:09:04,533 --> 00:09:06,733 YEAH. [LAUGHS] 172 00:09:06,733 --> 00:09:08,267 YOU LOVED CARY GRANT. 173 00:09:08,267 --> 00:09:11,033 I KNOW. HE WAS A GREAT MAN. 174 00:09:11,033 --> 00:09:14,400 I'M PRETTY SURE ARCHIBALD LEACH WAS BI. 175 00:09:14,400 --> 00:09:16,100 -REALLY? -YEAH. 176 00:09:16,100 --> 00:09:19,100 THAT'S DEVASTATING. 177 00:09:19,100 --> 00:09:21,867 -HOW WAS THE PARTY? -OH, IT WAS OKAY. 178 00:09:21,867 --> 00:09:23,467 -WAS JAMES THERE? -YEAH. 179 00:09:23,467 --> 00:09:27,100 HE MUST'VE BEEN GLAD TO SEE YOU. 180 00:09:27,100 --> 00:09:28,767 YOU WANT A GLASS OF WINE? 181 00:09:28,767 --> 00:09:30,500 NO, THANKS. I'M KINDA TIRED. 182 00:09:30,500 --> 00:09:32,700 -THINK I'M JUST GONNA GO UPSTAIRS. -OKAY. 183 00:09:32,700 --> 00:09:35,567 -I LOVE YOU. -I LOVE YOU, TOO. 184 00:09:39,800 --> 00:09:41,733 -NIGHT. -GOOD NIGHT. 185 00:10:06,567 --> 00:10:10,067 IT'S A "B." * HANGIN' WITH MY GIRL 186 00:10:10,067 --> 00:10:13,033 * SINGIN' THE BLUES 187 00:10:13,033 --> 00:10:15,400 * ALL DAY 188 00:10:36,200 --> 00:10:37,100 HI. 189 00:10:38,267 --> 00:10:41,367 YEAH. YOU'RE STILL AT THE PARTY? 190 00:10:41,367 --> 00:10:44,100 IS JAMES THERE? 191 00:10:44,100 --> 00:10:47,267 [LAUGHS] LIAR. 192 00:10:47,267 --> 00:10:50,100 OKAY. ALL RIGHT. YEAH. BYE. 193 00:10:55,167 --> 00:10:57,667 [HIP-HOP MUSIC PLAYING] 194 00:11:20,833 --> 00:11:23,200 [DOOR OPENS, CLOSES] 195 00:11:26,533 --> 00:11:27,700 SARAH? 196 00:11:29,667 --> 00:11:30,767 SARAH? 197 00:11:31,867 --> 00:11:33,067 HEY! 198 00:11:34,267 --> 00:11:37,467 NO, SHE'S NOT ANSWERING HER PHONE. 199 00:11:37,467 --> 00:11:39,467 MAYBE THAT MEANS SHE DOESN'T WANT TO TALK TO YOU. 200 00:11:41,067 --> 00:11:43,500 YOU COMIN' BACK? 201 00:11:43,500 --> 00:11:46,400 NO, I'LL JUST SEE YOU TOMORROW. 202 00:12:02,467 --> 00:12:05,033 [THUNDERCLAP] 203 00:12:05,033 --> 00:12:07,333 -[SIGHS] OKAY, MOM! -[WOMAN] SOPHIA, I NEED YOU. 204 00:12:07,333 --> 00:12:09,633 ISAAC, FINISH THAT SANDWICH, PLEASE. 205 00:12:10,967 --> 00:12:13,567 -YOU OKAY, MA? -I'M OKAY. 206 00:12:13,567 --> 00:12:15,167 OKAY, COME. 207 00:12:15,167 --> 00:12:18,267 OKAY, I GOTTA GO. I LOVE YOU. 208 00:12:18,267 --> 00:12:19,733 PLEASE BRING THAT IN. OOH, OOH, OOH. 209 00:12:19,733 --> 00:12:23,867 OKAY, CAN YOU BRING THAT IN IN A MINUTE, ISAAC? 210 00:12:23,867 --> 00:12:26,633 THANK YOU. MOM! 211 00:12:26,633 --> 00:12:29,100 HI, MOMMY. ALL RIGHT. HERE YOU GO, MONKEY. 212 00:12:29,100 --> 00:12:30,933 I GOTTA GO, MOMMY. I LOVE YOU. 213 00:12:30,933 --> 00:12:32,667 -I'LL BE BACK SOON, I PROMISE. -I LOVE YOU TOO. 214 00:12:35,267 --> 00:12:37,667 -HI, MOMMY. -HI, BABY. 215 00:12:37,667 --> 00:12:39,700 [DOOR BUZZER ] 216 00:12:58,900 --> 00:13:01,400 -GOOD MORNING. HI. -HEY. 217 00:13:03,367 --> 00:13:06,367 -PRACTICING? -YEAH. WE'RE GETTING A LATE START. 218 00:13:09,700 --> 00:13:11,300 HEY, HOW'S YOUR MOMMA? 219 00:13:11,300 --> 00:13:14,700 SHE'S GOOD. SHE'S DOING ALL RIGHT. 220 00:13:14,700 --> 00:13:16,267 IS SARAH UP? 221 00:13:16,267 --> 00:13:18,267 NO, YOU KNOW, I HEARD HER COME IN REALLY LATE, 222 00:13:18,267 --> 00:13:21,167 -BUT SHE'S NOT UP. -OKAY. 223 00:13:28,967 --> 00:13:30,400 SARAH? 224 00:13:31,500 --> 00:13:34,800 HEY, SARAH. WAKE UP. 225 00:13:34,800 --> 00:13:37,100 SARAH. SARAH. 226 00:13:38,000 --> 00:13:41,367 SARAH, WAKE UP. 227 00:13:41,367 --> 00:13:44,633 LORNA! LORNA! 228 00:13:44,633 --> 00:13:46,533 -WHAT? -COME UPSTAIRS. 229 00:13:46,533 --> 00:13:49,500 -WHAT? -LORNA, SHE'S NOT WAKING UP! 230 00:13:49,500 --> 00:13:51,633 SARAH? I DON'T KNOW WHY SHE'S NOT WAKING UP. 231 00:13:51,633 --> 00:13:52,933 -HEY, SARAH! -SARAH, WAKE UP! 232 00:13:52,933 --> 00:13:54,267 -WAKE UP, IT'S MOM! -WAKE UP, SARAH! 233 00:13:54,267 --> 00:13:57,167 CALL 911. SARAH! SARAH, HONEY. 234 00:13:57,167 --> 00:13:58,300 YOU GOTTA BREATHE. BREATHE. 235 00:13:58,300 --> 00:14:00,533 [SOPHIE] HELLO? HELLO. HI. 236 00:14:00,533 --> 00:14:03,533 -[BREATHING HEAVILY] -YES. MY FRIEND'S UNCONSCIOUS. 237 00:14:03,533 --> 00:14:05,533 SHE'S NOT WAKING UP. 238 00:14:05,533 --> 00:14:08,300 -[BREATHING CONTINUES] SARAH, BREATHE! -I'M ON 207 EAST 7TH. 239 00:14:08,300 --> 00:14:10,233 WE'RE ON THE THIRD FLOOR. WHAT? I CAN'T-- 240 00:14:10,233 --> 00:14:14,633 TELL THEM TO COME NOW! COME HERE AND GET HER NOW! 241 00:14:28,433 --> 00:14:29,600 NO. 242 00:14:33,767 --> 00:14:37,333 -[SNIFFLES] -[SOBBING] 243 00:14:37,333 --> 00:14:39,167 -NO! -EXCUSE ME. EXCUSE ME. 244 00:14:39,167 --> 00:14:41,033 -EXCUSE ME. EXCUSE ME, MA'AM. -PLEASE. 245 00:14:41,033 --> 00:14:44,633 MA'AM, PLEASE. EXCUSE ME. 246 00:14:44,633 --> 00:14:48,233 PLEASE DON'T TAKE HER. 247 00:15:07,000 --> 00:15:09,700 MOM AND DAD WENT TO MY GODMOTHER'S WAKE. 248 00:15:09,700 --> 00:15:12,333 -YEAH, THEY WENT. -REALLY? 249 00:15:12,333 --> 00:15:15,667 HE HAD, LIKE, SIX KIDS AND ALL OF THEM HAD TO DO A SPEECH 250 00:15:15,667 --> 00:15:18,667 EXCEPT FOR THE LITTLEST ONE. 251 00:15:18,667 --> 00:15:20,700 [QUIET CHATTER] 252 00:15:25,667 --> 00:15:28,467 -[CLOCK GEARS MOVING] -[CAMERA SHUTTER CLICKING] 253 00:15:34,600 --> 00:15:37,000 [DOOR OPENS] 254 00:15:43,633 --> 00:15:45,433 JO, THAT'S WHERE SHE WAS. 255 00:15:57,600 --> 00:15:59,600 [LAUGHS SOFTLY] 256 00:16:06,933 --> 00:16:09,333 WHAT ARE YOU DOING? 257 00:16:09,333 --> 00:16:13,733 -IT HELPS ME. -WELL, IT DOESN'T HELP ME. 258 00:16:13,733 --> 00:16:15,200 SORRY. 259 00:16:23,600 --> 00:16:26,067 I'M GOING DOWNSTAIRS. 260 00:16:42,300 --> 00:16:45,700 JO, YOU WERE WITH HER THAT NIGHT, WEREN'T YOU? 261 00:16:45,700 --> 00:16:48,833 NO. WELL, I WAS... 262 00:16:48,833 --> 00:16:50,900 BUT I LEFT WAY BEFORE HER. 263 00:16:50,900 --> 00:16:53,200 -I THINK. -YOU THINK? 264 00:16:53,200 --> 00:16:54,933 I KNOW I WASN'T WITH HER. 265 00:16:54,933 --> 00:16:56,633 THEN WHERE DID SHE GET THE DRUGS? 266 00:16:56,633 --> 00:16:58,967 -[WOMAN] LORNA, IT'S NOT HER FAULT. -YOU GAVE HER DRUGS. 267 00:16:58,967 --> 00:17:00,600 -I DIDN'T. -YOU GAVE HER THOSE DRUGS. 268 00:17:00,600 --> 00:17:02,667 -YOU GAVE HER THOSE DRUGS! -I KNOW I WASN'T WITH HER! 269 00:17:02,667 --> 00:17:04,700 -IT'S NOBODY'S FAULT. -SHE'S A FUCKING DRUG ADDICT! 270 00:17:04,700 --> 00:17:06,767 -BUT IT'S NOT HER FAULT. -YOU GAVE HER THE DRUGS. 271 00:17:06,767 --> 00:17:08,333 -OKAY? -I KNOW WHAT YOU DID. 272 00:17:08,333 --> 00:17:10,633 -IT'S NOT GONNA HELP, LORNA. -I KNOW WHAT YOU DID. 273 00:17:14,700 --> 00:17:17,867 -HEY, WE HEARD. -YOU DIDN'T GIVE HER THE DRUGS. 274 00:17:17,867 --> 00:17:20,633 I CAN'T SIT HERE ANYMORE. 275 00:17:20,633 --> 00:17:22,467 EXCUSE ME. 276 00:18:05,833 --> 00:18:08,133 [ELECTRICAL BUZZING] 277 00:18:34,000 --> 00:18:37,533 -IS JAMES SEEING SOMEBODY? -NOT THAT I KNOW OF. 278 00:18:38,700 --> 00:18:40,133 OKAY. 279 00:18:40,133 --> 00:18:42,033 [BUZZING CONTINUES] 280 00:18:48,933 --> 00:18:52,133 -I LOVE YOU. -I LOVE YOU, TOO. 281 00:19:18,833 --> 00:19:20,767 [GUITAR STRUMMING] 282 00:19:26,100 --> 00:19:29,067 * IT'S A SONG 283 00:19:30,967 --> 00:19:34,467 * IT'S SO VERY HARD 284 00:19:36,733 --> 00:19:41,300 * IT HAS GOT ME AWAY 285 00:19:44,233 --> 00:19:47,733 * BACK INTO YOUR ARMS 286 00:19:52,533 --> 00:19:55,433 * AND YOU KNOW 287 00:19:57,300 --> 00:20:00,900 * YOU'RE ALWAYS OKAY 288 00:20:00,900 --> 00:20:02,800 [COUGHS] 289 00:20:02,800 --> 00:20:06,233 -[HORN HONKING] -AW, SHUT UP. 290 00:20:10,000 --> 00:20:12,767 * FOREVER 291 00:20:12,767 --> 00:20:16,533 * YEAH 292 00:20:16,533 --> 00:20:19,467 [BREATHING HEAVILY] 293 00:20:23,033 --> 00:20:27,133 * TO YOU 294 00:20:31,767 --> 00:20:33,533 [GASPS] 295 00:20:33,533 --> 00:20:36,467 -[KNOCKING] -SARAH? 296 00:20:39,600 --> 00:20:41,033 WAKE UP. 297 00:20:43,800 --> 00:20:46,600 [BREATHING HEAVILY] 298 00:21:02,000 --> 00:21:03,833 [SIGHS] 299 00:21:03,833 --> 00:21:06,233 [SNIFFLES] 300 00:21:06,233 --> 00:21:08,767 [LIGHT SWITCH CLICKING] 301 00:21:51,100 --> 00:21:52,667 [WOMAN] YOU SHOULD GO SEE LORNA. 302 00:22:00,833 --> 00:22:04,167 I SAW SARAH LAST WEDNESDAY. 303 00:22:05,967 --> 00:22:08,767 JUST CAME OUT OF NOWHERE. 304 00:22:12,767 --> 00:22:14,400 DO YOU THINK IT WAS AN ACCIDENT? 305 00:22:15,467 --> 00:22:19,000 OF COURSE IT WAS AN ACCIDENT. 306 00:22:19,000 --> 00:22:20,533 SHE AND SOPHIA WERE PLANNING ON 307 00:22:20,533 --> 00:22:21,533 GOING TO PARIS. 308 00:22:21,533 --> 00:22:23,567 YOU KNOW, SHE HAD PLANS. 309 00:22:23,567 --> 00:22:26,867 SHE WAS HAPPY. 310 00:22:26,867 --> 00:22:30,200 THAT'S WHAT I THOUGHT. I JUST-- 311 00:22:30,200 --> 00:22:32,067 SOMETHING HAPPENS, IT DOESN'T MAKE SENSE 312 00:22:32,067 --> 00:22:35,667 YOU KNOW, YOU TRY AND MAKE SENSE OUT OF IT. 313 00:22:48,400 --> 00:22:51,500 [SIGHS] 314 00:22:51,500 --> 00:22:55,533 [ANDRE] SO, WHY DON'T YOU TELL US WHAT WE'RE DOING HERE? 315 00:22:57,133 --> 00:22:58,967 [SOPHIA] THAT'S SARAH'S PHONE. 316 00:22:58,967 --> 00:23:00,533 YOU TOOK IT OUT OF HER ROOM? 317 00:23:00,533 --> 00:23:02,100 THAT'S DISGUSTING. 318 00:23:02,100 --> 00:23:03,667 LISTEN, IF WE GO THROUGH THE CALLS 319 00:23:03,667 --> 00:23:07,200 WE CAN FIGURE OUT WHERE SHE WENT THAT NIGHT. 320 00:23:07,200 --> 00:23:10,367 -[LINE RINGING] -[SOPHIA] WHAT ARE YOU DOING? 321 00:23:14,567 --> 00:23:16,467 [ANDRE] COME ON, MAN. 322 00:23:24,667 --> 00:23:28,400 -I KNOW YOU KNOW THESE NUMBERS. -I KNOW ONE OF 'EM. 323 00:23:28,400 --> 00:23:29,833 YOU CAN'T JUST SHOW UP AT HIS DOOR 324 00:23:29,833 --> 00:23:30,967 ACCUSING HIM OF SHIT. 325 00:23:30,967 --> 00:23:32,233 HE'S GONNA SLIT YOUR THROAT. 326 00:23:32,233 --> 00:23:35,367 I'M NOT GONNA ACCUSE HIM OF ANYTHING. 327 00:23:35,367 --> 00:23:38,300 -I JUST WANNA KNOW WHAT HAPPENED. -I'M GOING HOME. 328 00:23:38,300 --> 00:23:41,433 THIS ISN'T GONNA DO US ANY GOOD. 329 00:23:44,767 --> 00:23:46,533 I JUST WANNA KNOW WHAT HAPPENED. 330 00:23:48,933 --> 00:23:52,033 [ANDRE] YEAH. I WANNA KNOW TOO. 331 00:23:58,467 --> 00:24:00,367 HE SELLS ALL KINDS OF SHIT OUT OF HIS CRIB 332 00:24:00,367 --> 00:24:02,167 AND HE LIVES THERE WITH HIS GIRL, 333 00:24:02,167 --> 00:24:03,533 HIS KID AND HIS MOM 334 00:24:03,533 --> 00:24:06,033 SO PLEASE, DON'T DO ANYTHING STUPID. 335 00:24:06,033 --> 00:24:07,967 ALL RIGHT. 336 00:24:07,967 --> 00:24:10,333 I DON'T THINK HE KNOWS. YOU'RE JUST RIDICULOUS. 337 00:24:10,333 --> 00:24:14,433 -WHAT'S UP, BIANCA? -WHAT'S UP? 338 00:24:14,433 --> 00:24:16,400 -WHAT THE FUCK YOU MEAN COMING HERE-- -OH, SHIT. 339 00:24:16,400 --> 00:24:18,833 -...WITH FUCKING CAMERAS? -HE DOESN'T HAVE A CAMERA. 340 00:24:18,833 --> 00:24:20,567 OH, YEAH? WHAT THE FUCK IS THIS? 341 00:24:20,567 --> 00:24:22,667 -IT'S NOT WHAT YOU THINK. -YOU DON'T KNOW WHAT I THINK. 342 00:24:22,667 --> 00:24:25,333 IF YOU DID, YOU WOULDN'T BE COMIN' IN HERE WITH CAMERAS. 343 00:24:25,333 --> 00:24:27,667 WE JUST WANNA KNOW WHY SARAH CAME HERE. 344 00:24:30,367 --> 00:24:33,200 -WAS SARAH HERE? -I SHOULD'VE TOLD YOU. 345 00:24:43,233 --> 00:24:46,500 -YOU LOOK DRUNK. -NO, I'M-I'M FINE. 346 00:24:46,500 --> 00:24:48,967 CAN I SEE HER? 347 00:24:48,967 --> 00:24:50,533 YEAH, BUT IF YOU WAKE HER UP 348 00:24:50,533 --> 00:24:53,500 YOU KNOW RICO'S GONNA COME OUT HERE WITH HIS GUN. 349 00:25:10,100 --> 00:25:13,300 -SHE'S BEAUTIFUL. -THANKS. 350 00:25:14,400 --> 00:25:16,033 UM... 351 00:25:18,300 --> 00:25:22,267 CAN I HAVE A BUMP, BIANCA? 352 00:25:25,367 --> 00:25:29,533 -DON'T TELL RICO. -OKAY. I WON'T. 353 00:25:29,533 --> 00:25:32,267 THANK YOU. 354 00:25:32,267 --> 00:25:34,467 IT WAS ONLY TWO LINES. 355 00:25:34,467 --> 00:25:37,467 SO, DON'T LAY THIS SHIT AT MY DOORSTEP. 356 00:25:37,467 --> 00:25:39,500 THERE'S NO FUCKING WAY THAT SHIT COULD'VE KILLED HER. 357 00:25:39,500 --> 00:25:43,033 TAKE YOUR FUCKING CAMERA. GET THE FUCK OUT OF MY HOUSE. 358 00:25:50,533 --> 00:25:53,233 I CAN'T BELIEVE YOU BROUGHT A CAMERA IN THERE. 359 00:25:53,233 --> 00:25:54,167 COME ON. 360 00:25:54,167 --> 00:25:55,600 WE WOULDN'T HAVE EVEN BEEN THERE 361 00:25:55,600 --> 00:25:56,800 IF IT WASN'T FOR YOU. 362 00:25:56,800 --> 00:25:58,133 -YEAH, NEITHER WOULD SARAH. -GREAT! 363 00:25:58,133 --> 00:26:01,333 SO, IT'S ALL MY FAULT? FUCK YOU. 364 00:26:07,433 --> 00:26:11,967 -WHAT'S UP, DRE? -THANKS FOR COMIN', MAN. APPRECIATE IT. 365 00:26:11,967 --> 00:26:13,500 ALL RIGHT. LET'S DO IT. 366 00:26:13,500 --> 00:26:16,067 -YEAH. LET'S GET SARAH'S NAME UP. -YEAH. 367 00:26:19,833 --> 00:26:21,533 * GAME PIMPIN' 368 00:26:21,533 --> 00:26:23,367 * I AIN'T LIMPIN' 'CAUSE MY LEG HURTIN' * 369 00:26:23,367 --> 00:26:26,167 * TEST MY G, YOU'LL BE TALKED ABOUT IN THIRD-PERSON * 370 00:26:26,167 --> 00:26:28,800 -WHOO! -* 'CAUSE, I HIT YOU WITH A TURKISH GUN * 371 00:26:28,800 --> 00:26:31,867 * BARREL'S BIG, BUT YOU SHOULD SEE MY RUSSIAN ONE * 372 00:26:31,867 --> 00:26:34,100 * BANANA CLIPS FULLY AUTOMATIC * 373 00:26:34,100 --> 00:26:35,867 * MACHINE GUN CHOP YOU IN HALF * 374 00:26:35,867 --> 00:26:39,333 -* CLOSED CASKETS -YOU GOTTA DO A BUMP OUT THIS SHIT, MAN. 375 00:26:39,333 --> 00:26:41,133 -YOU KNOW WHAT I MEAN? -FUCK THAT. 376 00:26:41,133 --> 00:26:43,000 DRE DON'T FUCK WITH THAT SHIT, KNOW WHAT I MEAN? 377 00:26:43,000 --> 00:26:44,867 NAH! THAT'S THE BEAST, FOOL. 378 00:26:44,867 --> 00:26:47,000 DO NOT WAKE THAT MOTHERFUCKER UP. 379 00:26:47,000 --> 00:26:49,100 THIS IS CELEBRATORY SHIT, MAN. 380 00:26:49,100 --> 00:26:50,400 -RIGHT, FLER? -ABSOLUTELY. 381 00:26:50,400 --> 00:26:51,700 WE CELEBRATING. 382 00:26:51,700 --> 00:26:52,867 SARAH'S NAME'S ON THE STREET. 383 00:26:52,867 --> 00:26:54,133 CONGRATULATORY, KNOW WHAT I MEAN? 384 00:26:54,133 --> 00:26:55,500 YOU GOTTA DO A BUMP OUT THIS SHIT. 385 00:26:55,500 --> 00:26:57,200 [CHARLIE] ANDRE, NOW YOU BUGGIN' OUT. 386 00:26:57,200 --> 00:26:58,467 DON'T EVEN DO A LINE LIKE THAT. 387 00:26:58,467 --> 00:27:00,100 YOUR FUCKING WHOLE MIND FRAME'LL 388 00:27:00,100 --> 00:27:01,900 -BE ANNOYED AND SHIT. -YOU'RE GOOD RIGHT NOW. 389 00:27:01,900 --> 00:27:03,667 -GO AHEAD. -WOW, REALLY? 390 00:27:03,667 --> 00:27:05,167 LIKE BLAST THAT SHIT, FOOL. 391 00:27:05,167 --> 00:27:09,333 IT CHANGES THE WHOLE GAME. YOU'LL SEE, DRE. WATCH. 392 00:27:09,333 --> 00:27:11,367 -YO, MAN. -GET THE FUCK OUTTA HERE. WOW! 393 00:27:11,367 --> 00:27:13,900 YOU SEE THAT SHIT. YEAH, WHAT YOU THINK? 394 00:27:13,900 --> 00:27:17,033 OOH. YOU RIDING THAT WAVE. YOU FEEL WAVY? 395 00:27:17,033 --> 00:27:20,000 -I KNOW HOW HE FEELS, MAN. -YOU RIDIN' THAT WAVE? 396 00:27:20,000 --> 00:27:22,500 -I AIN'T TRYIN' TO PUT HIM IN A FOG. -EXTRA FUCKIN' SAIL, FOOL. 397 00:27:22,500 --> 00:27:25,000 -FUCK EVERYTHING. GIMME THAT. -LET ME SEE. 398 00:27:25,000 --> 00:27:26,600 DON'T BE SHIESTY WITH THAT SHIT. 399 00:27:26,600 --> 00:27:29,267 -ALL KNOWING GET. -I KNOW. CELEBRATING. 400 00:27:29,267 --> 00:27:31,767 -[SNORTS] -[LAUGHS] 401 00:27:31,767 --> 00:27:34,067 HOW I LOOK? HOW I LOOK? 402 00:27:34,067 --> 00:27:36,200 -YOU LOOK BEAUTIFUL. -[LAUGHS] 403 00:27:36,200 --> 00:27:37,933 YOU LIKE THAT SHIT? 404 00:27:37,933 --> 00:27:39,500 -I DON'T KNOW. -NO MORE? 405 00:27:43,200 --> 00:27:44,733 [CAMERA GEARS WHIR] 406 00:27:46,300 --> 00:27:49,433 -HEY, WHAT'S GOIN' ON? -OH, SORRY. 407 00:27:49,433 --> 00:27:52,233 -YOU'RE NOT REALLY INTO THIS? -YEAH. I AM. 408 00:27:52,233 --> 00:27:54,400 -I AM. -IT'S OKAY. 409 00:27:54,400 --> 00:27:56,800 I UNDERSTAND. 410 00:27:56,800 --> 00:27:58,467 YOU MISS SARAH. 411 00:27:58,467 --> 00:28:02,000 WHY DON'T YOU JUST MAKE YOUR MOVIE ABOUT HER? 412 00:28:02,000 --> 00:28:03,367 [TAPE WHEEL SQUEAKING] 413 00:28:10,600 --> 00:28:13,133 I WISH WE WERE JUST TALKING ABOUT SARAH 414 00:28:13,133 --> 00:28:15,033 AND NOT REMEMBERING HER. 415 00:28:15,033 --> 00:28:18,433 BUT I AM GLAD TO HAVE THIS CONTEXT 416 00:28:18,433 --> 00:28:21,367 TO THINK ABOUT HER AND SAY A FEW WORDS ABOUT HER. 417 00:28:21,367 --> 00:28:25,000 I TAUGHT HER FOR ONE SEMESTER. 418 00:28:25,000 --> 00:28:26,267 SHE WAS A FRESHMAN 419 00:28:26,267 --> 00:28:29,067 AND WHAT I NOTICED ABOUT HER 420 00:28:29,067 --> 00:28:30,733 FROM THE VERY BEGINNING 421 00:28:30,733 --> 00:28:32,300 WAS HER ENERGY. 422 00:28:32,300 --> 00:28:35,400 SHE JUST SEEMED TO BE DRIVEN BY SOMETHING. 423 00:28:35,400 --> 00:28:37,933 SHE SEEMED TO BE LIT FROM WITHIN 424 00:28:37,933 --> 00:28:40,400 RATHER THAN BEING LIT FROM THE OUTSIDE 425 00:28:40,400 --> 00:28:43,467 AND THAT'S INCREDIBLY RARE FOR SOMEONE THAT AGE. 426 00:28:43,467 --> 00:28:46,133 IT'S INCREDIBLY RARE FOR SOMEONE OF ANY AGE. 427 00:28:50,400 --> 00:28:52,767 [DOOR CLOSES] 428 00:28:57,800 --> 00:29:00,167 -[RADIO CLICKS] -[MUSIC PLAYING] 429 00:29:00,167 --> 00:29:03,000 * HE GAVE HER HOPE 430 00:29:04,633 --> 00:29:09,500 * YOU MADE 431 00:29:17,600 --> 00:29:21,667 * YOU KNOW I'M STILL 432 00:29:21,667 --> 00:29:26,000 * IN LOVE WITH YOU 433 00:29:26,000 --> 00:29:29,033 * AND SOMEHOW 434 00:29:29,033 --> 00:29:31,533 [PHONE BUZZING] 435 00:29:31,533 --> 00:29:34,633 -* YOU STILL LOVE ME -TURN THE MUSIC DOWN! 436 00:29:34,633 --> 00:29:39,133 I CAME IN AND FIVE PEOPLE YELLED AT ME. 437 00:29:39,133 --> 00:29:41,067 DO YOU WANNA SEE ME EVICTED? 438 00:29:41,067 --> 00:29:42,633 -SORRY. -[MUSIC STOPS] 439 00:29:53,933 --> 00:29:56,700 [SIGHS] 440 00:30:08,567 --> 00:30:11,067 YOU THINK IT'S YOUR FAULT, DON'T YOU? 441 00:30:14,300 --> 00:30:17,033 WHY DO YOU THINK IT'S YOUR FAULT? 442 00:30:18,067 --> 00:30:19,700 BECAUSE... 443 00:30:21,000 --> 00:30:22,733 IT IS. 444 00:30:24,867 --> 00:30:26,433 YEAH, SO, WHEN SARAH WAS 16 445 00:30:26,433 --> 00:30:28,933 YOU KNOW, SHE WANTED TO START GOING TO CLUBS. 446 00:30:28,933 --> 00:30:31,067 AND SHE HAD TOLD ME ABOUT THIS PLACE 447 00:30:31,067 --> 00:30:32,833 ON ST. MARK'S, I GUESS, WHERE YOU CAN GO 448 00:30:32,833 --> 00:30:35,333 IN, LIKE TATTOO SHOPS WHERE YOU CAN GO 449 00:30:35,333 --> 00:30:36,933 AND THEY HAVE THIS GIANT PICTURE 450 00:30:36,933 --> 00:30:38,200 OF A NY STATE ID 451 00:30:38,200 --> 00:30:40,733 AND THEY ANGLE THE CAMERA JUST RIGHT, 452 00:30:40,733 --> 00:30:42,000 TAKE A PICTURE 453 00:30:42,000 --> 00:30:43,233 AND THERE'S YOUR FACE IN AN ID. 454 00:30:43,233 --> 00:30:44,833 AND THEN THEY LAMINATE IT 455 00:30:44,833 --> 00:30:46,900 BUT WHAT WE DIDN'T REALIZE UNTIL 456 00:30:46,900 --> 00:30:48,167 WE TRIED TO GET INTO OUR FIRST CLUB 457 00:30:48,167 --> 00:30:50,167 IS THAT ON THE BACK IT SAYS 458 00:30:50,167 --> 00:30:51,767 "THIS IS NOT A REAL ID." 459 00:30:51,767 --> 00:30:54,167 SO, PRETTY MUCH, WE WEREN'T 460 00:30:54,167 --> 00:30:56,133 GETTING INTO ANY OF THOSE CLUBS. 461 00:30:56,133 --> 00:30:58,633 A WEEK LATER, I GUESS SHE TALKED TO SOME SORT OF 462 00:30:58,633 --> 00:31:02,100 UNCLE'S COUSIN'S SISTER'S DAUGHTER'S BABYSITTER 463 00:31:02,100 --> 00:31:05,900 AND GOT AN ACTUAL STATE ID. 464 00:31:05,900 --> 00:31:07,600 WE WERE PSYCHED. YOU KNOW, OOH, LET'S GO. 465 00:31:07,600 --> 00:31:08,733 LET'S PARTY IT UP. 466 00:31:08,733 --> 00:31:10,867 WE WENT TO OUR FAVORITE CLUB 467 00:31:10,867 --> 00:31:13,133 AND SHE GOES UP, ALL PROUD AS A PEACH 468 00:31:13,133 --> 00:31:15,633 SHE DIDN'T EVEN LOOK NERVOUS. GAVE IT TO HIM. 469 00:31:15,633 --> 00:31:17,500 SAYS, LIKE, "OH, CAN I PLEASE HAVE YOUR ID?" 470 00:31:17,500 --> 00:31:19,800 GIVES IT TO HIM, HE LOOKS AT IT AND SAYS 471 00:31:19,800 --> 00:31:24,467 "I ASKED FOR YOUR ID." 472 00:31:24,467 --> 00:31:26,433 AND, SO, I KINDA JUST PEEPED OVER TO SEE WHAT IT WAS 473 00:31:26,433 --> 00:31:29,800 AND IT WAS JUST LIKE A 37-YEAR-OLD KOREAN WOMAN 474 00:31:29,800 --> 00:31:33,267 LIKE, WHO JUST LOOKED ABSOLUTELY NOTHING LIKE HER. 475 00:31:33,267 --> 00:31:35,233 AND I GLANCED OVER AT SARAH AND SHE'S, LIKE, 476 00:31:35,233 --> 00:31:36,467 TRYING WITH HER FACE 477 00:31:36,467 --> 00:31:38,100 TO CONTORT IT INTO A KOREAN WOMAN, 478 00:31:38,100 --> 00:31:40,667 YOU KNOW, LIKE, WITH THE SAME EXPRESSION. 479 00:31:40,667 --> 00:31:41,933 I DON'T KNOW HOW TO DESCRIBE THAT 480 00:31:41,933 --> 00:31:45,067 BUT IT REALLY HAPPENED AND, UH, 481 00:31:45,067 --> 00:31:47,800 YEAH, THAT WAS SHOT, BUT WE STILL JUST HUNG OUT 482 00:31:47,800 --> 00:31:49,267 FOR ABOUT 30 MINUTES. 483 00:31:49,267 --> 00:31:50,933 SHE WAS VERY NICE AND CHARMING 484 00:31:50,933 --> 00:31:52,000 AND, EVENTUALLY, YOU KNOW, 485 00:31:52,000 --> 00:31:54,433 THEY LET US IN, SO... 486 00:31:54,433 --> 00:31:57,200 SHE COULD DO THAT. SHE HAD THAT EFFECT ON PEOPLE. 487 00:32:01,467 --> 00:32:03,767 [RING TONE] 488 00:32:13,400 --> 00:32:15,233 [RING TONE] 489 00:32:22,333 --> 00:32:24,333 [RING TONE] 490 00:32:36,000 --> 00:32:38,533 [DOOR BUZZES] 491 00:32:48,733 --> 00:32:50,867 [BUZZING CONTINUES] 492 00:32:50,867 --> 00:32:52,533 [BELL DINGS] 493 00:33:10,800 --> 00:33:13,433 [BREATHING HEAVILY] 494 00:33:19,533 --> 00:33:21,333 [MOANING] 495 00:34:08,567 --> 00:34:10,700 SHE WAS... 496 00:34:12,567 --> 00:34:14,967 SHE IS... 497 00:34:14,967 --> 00:34:18,233 MY FIRST LOVE. 498 00:34:23,067 --> 00:34:26,200 I THANK HER EVERY DAY FOR THAT GIFT. 499 00:34:31,767 --> 00:34:33,133 I WISH I'D TOLD HER THAT. 500 00:34:56,833 --> 00:34:59,300 HERE WE ARE. THE WINNER. 501 00:34:59,300 --> 00:35:03,633 I HAVE MADE YOU MY SIGNATURE DISH. 502 00:35:03,633 --> 00:35:05,033 AN OMELETTE. 503 00:35:07,033 --> 00:35:09,133 [LORNA] I'M NOT HUNGRY. 504 00:35:11,000 --> 00:35:13,233 NO, COME ON. 505 00:35:13,233 --> 00:35:14,633 JUST A BITE, PLEASE. 506 00:35:26,200 --> 00:35:29,333 I THOUGHT YOU WOULD'VE BEEN WITH HER THAT NIGHT. 507 00:35:32,733 --> 00:35:33,767 YEAH. 508 00:35:36,667 --> 00:35:38,633 YEAH, ME TOO. 509 00:35:39,967 --> 00:35:42,667 LAST SUMMER, I REALLY WANTED 510 00:35:42,667 --> 00:35:43,967 TO GET MY FIRST TATTOO 511 00:35:43,967 --> 00:35:46,100 AND NOBODY WOULD COME WITH ME 512 00:35:46,100 --> 00:35:49,200 BUT SARAH SAID, "IF THIS IS REALLY SOMETHING YOU WANT 513 00:35:49,200 --> 00:35:50,633 I DON'T WANT YOU TO GO ALONE." 514 00:35:50,633 --> 00:35:52,633 SO, SHE CAME WITH ME 515 00:35:52,633 --> 00:35:56,300 AND I GOT THIS 516 00:35:56,300 --> 00:35:59,433 WHICH MEANS "TO RISE." 517 00:35:59,433 --> 00:36:01,600 AND, THEN, THE NEXT TATTOO I GOT 518 00:36:01,600 --> 00:36:03,300 WAS FOR HER. 519 00:36:05,600 --> 00:36:07,567 [RING TONE] 520 00:36:30,767 --> 00:36:32,667 -[WATER RUNNING] -[MUSIC PLAYING] 521 00:36:37,767 --> 00:36:40,000 BUENOS... 522 00:36:40,000 --> 00:36:41,733 MARGARITAS. 523 00:36:51,867 --> 00:36:56,067 -SARAH? -NO, IDIOT. IT'S JO. 524 00:36:56,067 --> 00:37:00,433 OH. YEAH, I THOUGHT YOU WERE HER. 525 00:37:00,433 --> 00:37:02,367 WHERE ARE YOU? 526 00:37:14,967 --> 00:37:17,400 [LINE RINGING] 527 00:37:17,400 --> 00:37:20,833 HEY, IT'S JESS LEOPARD. LEAVE A MESSAGE. 528 00:37:20,833 --> 00:37:22,167 [BEEPS] 529 00:37:22,167 --> 00:37:24,633 -[KEYBOARD CLACKS] -[SARAH] I MISS YOU. 530 00:37:28,333 --> 00:37:32,633 -[CLACKING CONTINUES] -I MISS YOU. 531 00:37:32,633 --> 00:37:34,433 I MISS YOU. 532 00:37:41,567 --> 00:37:42,767 [KNOCKING ON DOOR] 533 00:37:46,133 --> 00:37:49,267 -[LAUGHS] -CHARLIE. THOUGHT I WAS THE POLICE, RIGHT? 534 00:37:49,267 --> 00:37:51,733 -SURE DID. -OH, THEY'RE KILLIN' 'EM. 535 00:37:51,733 --> 00:37:54,667 -WHAT'S UP? -IT'S GOOD. 536 00:37:56,200 --> 00:37:58,033 WOW, THAT'S HOW YOU DO? YOU JUST DEEBOW SHIT? 537 00:37:58,033 --> 00:38:00,400 -SHIT. -DO YOUR THING. DO YOUR THING. 538 00:38:00,400 --> 00:38:03,367 -WHAT Y'ALL UP TO? -GOT A DEEBOW FOR EVERYTHING RIGHT HERE. 539 00:38:04,700 --> 00:38:07,567 -WHAT'S GOOD, KILLER? -WHAT UP WITH YOU, MAN? 540 00:38:07,567 --> 00:38:09,700 -YEAH. -LOOK LIKE YOU GOT SOMETHIN' ON YOUR MIND 541 00:38:09,700 --> 00:38:11,767 OVER THERE, KNOW WHAT I MEAN? 542 00:38:11,767 --> 00:38:13,633 -LET'S DO A BUMP. -WHAT? 543 00:38:13,633 --> 00:38:14,933 -BUMP? -YEAH. 544 00:38:14,933 --> 00:38:17,800 I TOLD YOU. I TOLD YOU. 545 00:38:17,800 --> 00:38:20,200 ONCE YOU DID IT THAT'S IT. 546 00:38:20,200 --> 00:38:21,433 YOU GONNA WANNA DO IT ALL THE TIME. 547 00:38:21,433 --> 00:38:23,100 I TOLD YOU. WHAT DID I TELL YOU? 548 00:38:23,100 --> 00:38:26,800 -WHY ARE Y'ALL TRIPPIN'? -AFTERNOON, HOMIE. 549 00:38:26,800 --> 00:38:28,667 WANT A BUMP. 550 00:38:28,667 --> 00:38:31,667 -BUGGIN' OUT. BUGGIN'. -YO. 551 00:38:31,667 --> 00:38:34,567 GOT SOME DUST THOUGH. 552 00:38:34,567 --> 00:38:36,533 -YOU FUCKED WITH IT BEFORE, RIGHT? -YEAH. 553 00:38:36,533 --> 00:38:39,833 -YOU WANNA FUCK WITH IT? -LET'S DO IT. 554 00:38:39,833 --> 00:38:42,200 -YOU GOT BREAD? -[LAUGHS] 555 00:38:42,200 --> 00:38:44,000 LOOK AT HIM. YOU HAVE NO BREAD. 556 00:38:44,000 --> 00:38:45,600 YOU A CRACKHEAD. 557 00:38:45,600 --> 00:38:47,533 YOU'RE GONNA BE EATIN' OUTTA GARBAGE CANS, HOMIE. 558 00:38:47,533 --> 00:38:49,367 -LOOK WHO'S TALKIN'. -GET THE FUCK OUTTA HERE. 559 00:38:49,367 --> 00:38:51,267 -WHO'S TALKIN'? -YO, LIGHT IT UP. 560 00:38:51,267 --> 00:38:53,300 I AIN'T ASKIN' FOR A BUMP RIGHT NOW IN THE AFTERNOON. 561 00:38:53,300 --> 00:38:55,733 CHILL. ALL RIGHT! DAMN! YOU FUCKIN' THIRSTY. 562 00:38:55,733 --> 00:38:58,233 -CAN I SMOKE-- CAN I SMOKE SOME? -THIRSTY. 563 00:38:58,233 --> 00:39:01,900 -HERE YOU GO. -OH, MY GOD. 564 00:39:01,900 --> 00:39:04,467 GET THE FUCK OUTTA HERE, REALLY. 565 00:39:04,467 --> 00:39:06,067 THIS SHIT AIN'T ADDICTIVE RIGHT HERE. 566 00:39:06,067 --> 00:39:08,167 LIKE COKE. 567 00:39:08,167 --> 00:39:10,033 -THIS AIN'T ADDICTIVE. -MAN, I'M NOT ADDICTED. 568 00:39:10,033 --> 00:39:11,367 THIS SHIT WON'T GET YOU ADDICTED. 569 00:39:11,367 --> 00:39:13,333 YOU WON'T BE EATIN' OUT OF GARBAGE CANS. 570 00:39:13,333 --> 00:39:15,567 THIS, YOU'D BE COLLECTING BOTTLES WITH THAT OTHER SHIT. 571 00:39:20,667 --> 00:39:22,167 TAKE A HIT OF THIS, BABE, 572 00:39:22,167 --> 00:39:23,967 BEFORE YOU HIT THAT, YOU KNOW WHAT I'M SAYING. 573 00:39:23,967 --> 00:39:25,767 I DIDN'T SAY HE COULD SMOKE. 574 00:39:25,767 --> 00:39:28,800 OH, OKAY. DON'T SMOKE ALL MY WEED. 575 00:39:28,800 --> 00:39:30,367 ALL RIGHT? 576 00:39:36,000 --> 00:39:40,167 -YEAH, YEAH. -[GURGLING] 577 00:39:40,167 --> 00:39:42,500 -LOOK AT THAT. WHAT THE HELL? -YEAH. 578 00:39:42,500 --> 00:39:44,567 -WHAT THE HELL? -YO, LET ME GET THAT. 579 00:39:44,567 --> 00:39:47,633 -COME ON, MAN. -YO, I CAN'T BELIEVE THIS DUDE JUST DID THAT. 580 00:39:47,633 --> 00:39:49,633 YOU JUST RIP THAT SHIT OUTTA MY HANDS LIKE THAT? 581 00:39:49,633 --> 00:39:51,400 -I FUCKIN' HIT IT ONCE. -I'LL GIVE IT BACK. 582 00:39:51,400 --> 00:39:53,400 YOU BURNIN' THE SHIT UP. JUST HIT IT, HOMIE. 583 00:39:53,400 --> 00:39:55,633 -ARE YOU SURE YOU SMOKED BEFORE, YO? -WHAT'S WRONG WITH YOU? 584 00:39:55,633 --> 00:39:57,833 I'MMA SEE YOU-- YOU BURNED THE WHOLE SHIT. 585 00:39:57,833 --> 00:40:00,133 I'MMA SEE YOU EATIN' OUTTA GARBAGE CAN. 586 00:40:00,133 --> 00:40:01,833 [LAUGHING ECHOES] 587 00:40:01,833 --> 00:40:05,000 -YOU GONNA BE FUCKING COLLECTING BOTTLES. -[COUGHING] 588 00:40:07,467 --> 00:40:10,467 -LOOK AT YOU. FIENDED OUT! -THAT SHIT STINKS. 589 00:40:10,467 --> 00:40:14,700 THAT SHIT SMELLS GOOD. I LOVE THAT FUCKING SMELL. 590 00:40:14,700 --> 00:40:16,200 GARBAGE! 591 00:40:16,200 --> 00:40:18,233 [TV PLAYING IN BACKGROUND] 592 00:40:21,333 --> 00:40:22,667 GIRLFRIENDS? 593 00:40:22,667 --> 00:40:24,000 HE'S STONED. 594 00:40:24,000 --> 00:40:26,600 -HE SAID, "THUMBS UP." -[LAUGHING] 595 00:40:28,433 --> 00:40:29,333 YO. 596 00:40:30,867 --> 00:40:33,033 NOW MAYBE WE SHOULD GET HIM SOME COKE. 597 00:40:33,033 --> 00:40:34,600 -FUCK. -NAH, HELL NO. 598 00:40:34,600 --> 00:40:35,667 [ELEVATOR BELL DING] 599 00:40:42,833 --> 00:40:44,267 IT'S BUSY IN HERE. 600 00:40:53,000 --> 00:40:55,233 -WHERE'S YOUR DAD? -AT WORK. 601 00:41:10,833 --> 00:41:12,667 [STRIKING KEYS] 602 00:41:13,900 --> 00:41:16,000 [STRUMS KEYBOARD] 603 00:41:25,867 --> 00:41:28,733 YOU KNOW THAT GIRL JESS LEOPARD, DON'T YOU? 604 00:41:28,733 --> 00:41:30,100 [JO] YEAH. 605 00:41:33,833 --> 00:41:35,533 WHY WOULD SARAH CALL HER? 606 00:41:35,533 --> 00:41:38,233 I HAVE NO IDEA. 607 00:41:45,000 --> 00:41:46,933 WILL YOU COME WITH ME TO SEE HER? 608 00:41:46,933 --> 00:41:49,100 NO FUCKING WAY. 609 00:41:49,100 --> 00:41:51,633 [MUSIC STOPS] 610 00:41:51,633 --> 00:41:53,633 [PLAYING PIANO] 611 00:42:03,033 --> 00:42:04,367 DO YOU MIND? 612 00:42:05,967 --> 00:42:08,333 [MUSIC STOPS] 613 00:42:12,833 --> 00:42:14,533 [CHUCKLES] 614 00:42:14,533 --> 00:42:16,333 [PLAYING PIANO] 615 00:42:22,833 --> 00:42:24,367 YOU KNOW I HAVEN'T CRIED. 616 00:42:29,300 --> 00:42:31,433 NOT ONCE. 617 00:42:46,000 --> 00:42:48,000 [STRIKING PIANO KEYS] 618 00:42:48,000 --> 00:42:49,433 OKAY. 619 00:42:53,333 --> 00:42:56,700 I'LL GO WITH YOU TO SEE JESS, 620 00:42:56,700 --> 00:42:59,133 BUT ONLY IF ANDRE GOES, TOO. 621 00:43:01,100 --> 00:43:03,367 [MUSIC PLAYING] 622 00:43:29,567 --> 00:43:31,367 [JO] WHAT WERE YOU DOING IN THERE? 623 00:43:33,000 --> 00:43:35,433 -NOTHIN'. -WHAT'S IN THE BACKPACK? 624 00:43:37,167 --> 00:43:39,033 YOU'RE FUCKED UP. 625 00:43:39,033 --> 00:43:41,567 HE'S FUCKED UP. LOOK AT HIM. 626 00:43:41,567 --> 00:43:43,300 [DOOR CREAKING] 627 00:43:46,167 --> 00:43:48,267 -HEY, JESS. -HEY. 628 00:43:54,000 --> 00:43:55,700 IS IT TRUE ABOUT SARAH? 629 00:43:57,533 --> 00:43:59,233 SHE OD'ED? 630 00:43:59,233 --> 00:44:00,300 YEAH. 631 00:44:02,000 --> 00:44:05,567 OH, THESE ARE HER FRIENDS. THIS IS ANDRE AND JAMES. 632 00:44:05,567 --> 00:44:06,700 HI. 633 00:44:06,700 --> 00:44:08,067 HEY. 634 00:44:11,000 --> 00:44:12,633 SHE CALLED YOU? 635 00:44:14,867 --> 00:44:16,733 YEAH. YEAH. 636 00:44:17,900 --> 00:44:19,067 SHE WAS... 637 00:44:21,267 --> 00:44:23,800 SHE WAS, SHE WAS PRETTY DRUNK. 638 00:44:23,800 --> 00:44:25,067 OH. 639 00:44:35,900 --> 00:44:36,900 -HEY. -HEY. 640 00:44:36,900 --> 00:44:38,300 YOU WANT A BUMP? 641 00:44:38,300 --> 00:44:40,133 I DIDN'T KNOW YOU WERE INTO BLOW. 642 00:44:40,133 --> 00:44:42,167 NO, I'M JUST-- YEAH. 643 00:44:42,167 --> 00:44:44,100 I'M TRYING TO GET MY NERVE UP. 644 00:44:45,900 --> 00:44:48,867 YOU LOOK PRETTY RELAXED TO ME. 645 00:44:48,867 --> 00:44:52,800 YOU KNOW RICKY'S SISTER EVE? 646 00:44:52,800 --> 00:44:55,133 -YEAH. -DO YOU KNOW WHERE SHE DANCES? 647 00:44:55,133 --> 00:44:58,100 I DIDN'T KNOW YOU WERE INTO GIRLS. 648 00:44:58,100 --> 00:45:00,667 YOU'VE SEEN HER. WOULD YOU KICK HER OUT OF BED? 649 00:45:03,100 --> 00:45:05,067 TRY NO FUN. 650 00:45:10,633 --> 00:45:12,633 LISTEN, I'M REALLY SORRY. 651 00:45:14,467 --> 00:45:15,700 ABOUT SARAH. 652 00:45:21,800 --> 00:45:23,933 I SHOULDA TOLD HER THE TRUTH. 653 00:45:23,933 --> 00:45:26,467 THE TRUTH ABOUT WHAT? 654 00:45:26,467 --> 00:45:27,667 NOTHING. 655 00:45:30,167 --> 00:45:31,900 I'M GOING TO NO FUN. 656 00:45:31,900 --> 00:45:33,333 YEAH. 657 00:45:35,067 --> 00:45:37,500 [MUSIC PLAYING] 658 00:46:04,833 --> 00:46:06,433 FUCK OFF, JAMES. 659 00:46:13,500 --> 00:46:15,933 IS THAT THE GIRL YOU WERE WITH AT THE PARTY? 660 00:46:15,933 --> 00:46:17,467 TELL HIM. 661 00:46:19,000 --> 00:46:21,100 I'VE BEEN SEEING HER. 662 00:46:24,167 --> 00:46:25,700 -DID SARAH KNOW? -NO! 663 00:46:25,700 --> 00:46:27,300 SHE WASN'T STUPID. 664 00:46:28,833 --> 00:46:30,767 WERE YOU WITH HER THAT NIGHT? 665 00:46:37,367 --> 00:46:38,600 WERE YOU? 666 00:46:41,367 --> 00:46:42,367 WERE YOU? 667 00:47:00,700 --> 00:47:02,600 I NEVER TOLD HER I LOVED HER. 668 00:47:15,267 --> 00:47:17,967 [CHARLIE] CHILL, WHY NOT? 669 00:47:17,967 --> 00:47:21,400 -DAMN. LET'S BUMP THIS SHIT ALL DAY. -YOU MOTHERFUCKERS ARE CRAZY. 670 00:47:21,400 --> 00:47:23,233 I GOT, LIKE, YOU GET TEN GOOD CUSTOMERS. 671 00:47:23,233 --> 00:47:25,233 -TEN? -YOU GET TEN GOOD CUSTOMERS 672 00:47:25,233 --> 00:47:27,267 THAT CALL YOU FUCKIN' FIVE MILLION TIMES A NIGHT-- 673 00:47:27,267 --> 00:47:29,800 ALL TEN OF 'EM, YOU CAN MAKE THAT BREAD. 674 00:47:29,800 --> 00:47:31,833 -YOU MAKE A G A NIGHT. -HE AIN'T STOPPING THOUGH, MAN. 675 00:47:31,833 --> 00:47:33,867 -YOU GOT TO TELL HIM TO STOP THAT SHIT, B. -FUCK YOU. 676 00:47:33,867 --> 00:47:36,433 -I'M NOT TELLIN' HIM SHIT. I TOLD HIM ALREADY. -WHY? 677 00:47:36,433 --> 00:47:39,533 -WHAT THE FUCK YOU MEAN? LOOK AT HIM. -YOU NEED TO CHILL, MAN. 678 00:47:39,533 --> 00:47:40,800 DOPE BOY FRESH. 679 00:47:40,800 --> 00:47:42,900 LOOK AT YOU, MISTER FUCKING DAP. 680 00:47:42,900 --> 00:47:45,867 -YO, GIVE ME MY BONG. -[CHATTERING] 681 00:47:45,867 --> 00:47:47,267 -GET THE FUCK OUTTA HERE. -LOOK AT YOU. 682 00:47:47,267 --> 00:47:50,267 STUCK ON STUPID! HE CAN'T EVEN TALK. 683 00:47:50,267 --> 00:47:52,067 -[LAUGHING] -AND HE CAN'T EVEN TALK. 684 00:47:52,067 --> 00:47:53,800 -HE CAN'T EVEN TALK. -HE GOT THE YACK MOUTH. 685 00:47:53,800 --> 00:47:56,133 -HE GOT THE LOCKJAW. -SAY SOMETHIN'. 686 00:47:56,133 --> 00:47:58,800 SAY SOMETHIN', SAY SOMETHIN'. 687 00:47:58,800 --> 00:48:00,800 AH, SALUDE. 688 00:48:00,800 --> 00:48:02,800 HE'S FUCKIN' UP. 689 00:48:02,800 --> 00:48:05,667 [CHATTERING] 690 00:48:05,667 --> 00:48:07,500 WATCH. HE'S IN G MODE, FOOL. 691 00:48:07,500 --> 00:48:09,300 MAKING MAD BREAD, MAKING T-SHIRT. 692 00:48:09,300 --> 00:48:10,667 DO WHAT THE FUCK YOU GOTTA DO... 693 00:48:10,667 --> 00:48:12,300 [TALKING OVER EACH OTHER] 694 00:48:12,300 --> 00:48:14,133 HE TRIED TO SELL HIS FUCKIN' CAMERA 695 00:48:14,133 --> 00:48:15,533 FOR YAK, MAN. 696 00:48:15,533 --> 00:48:18,100 -THAT'S WHAT HE TRIED TO DO. -YES! THANK YOU. 697 00:48:18,100 --> 00:48:20,600 THANK YOU. POINT MADE. 698 00:48:20,600 --> 00:48:21,967 WHAT ABOUT US? 699 00:48:21,967 --> 00:48:23,467 WHAT ABOUT THE DOCUMENTARY? 700 00:48:23,467 --> 00:48:25,367 IT'S SUPPOSED TO BE ABOUT ME. 701 00:48:25,367 --> 00:48:26,533 YO, SHUT UP! 702 00:48:26,533 --> 00:48:28,067 HE'S MAKING THE FILM WITHOUT SARAH. 703 00:48:28,067 --> 00:48:29,500 STOP FUCKIN' ARGUING! 704 00:48:41,367 --> 00:48:42,600 [SIGHS] 705 00:49:00,200 --> 00:49:01,833 YOU'RE GONNA GET CRUMBS IN MY BED. 706 00:49:01,833 --> 00:49:03,600 I CAN'T STOP EATING 'EM. 707 00:49:07,367 --> 00:49:08,867 YOU KNOW. 708 00:49:08,867 --> 00:49:12,200 IT DOESN'T REALLY FEEL LIKE SHE'S GONE. 709 00:49:12,200 --> 00:49:13,967 I MEAN, SINCE WE'VE ALL BEEN AT SCHOOL, 710 00:49:13,967 --> 00:49:17,100 IT'S NOT LIKE WE SEE EACH OTHER EVERY DAY. 711 00:49:17,100 --> 00:49:18,700 I SAW HER EVERY DAY. 712 00:49:23,833 --> 00:49:25,833 THE OTHER NIGHT, ANDRE CAME OVER 713 00:49:25,833 --> 00:49:28,500 AND CLIMBED INTO BED WITH ME. 714 00:49:28,500 --> 00:49:29,500 IT WAS WEIRD. 715 00:49:31,000 --> 00:49:33,533 MAYBE HE DOESN'T FEEL LIKE SLEEPING ALONE. 716 00:49:33,533 --> 00:49:35,700 I SOLVED THAT PROBLEM. 717 00:49:35,700 --> 00:49:38,633 I'M PLAYING THE LOTTERY. 718 00:49:38,633 --> 00:49:41,033 DON'T TELL ME YOU'RE GONNA SAY WHAT I THINK YOU'RE GONNA SAY. 719 00:49:41,033 --> 00:49:42,300 I TEXT THREE GUYS. 720 00:49:42,300 --> 00:49:44,867 WHOEVER SHOWS UP FIRST GETS TO STAY. 721 00:49:44,867 --> 00:49:46,067 SERIOUSLY? 722 00:49:47,500 --> 00:49:49,000 COULD YOU PLEASE... 723 00:49:49,000 --> 00:49:50,700 [BOTH SCREAM] 724 00:49:50,700 --> 00:49:52,700 -[LAUGHS] -HOLY... 725 00:49:52,700 --> 00:49:55,000 [PANTING] 726 00:49:55,000 --> 00:49:56,767 WHAT THE FUCK IS SO FUNNY? 727 00:50:04,533 --> 00:50:07,000 -WHAT? -OH, THIS WAS... 728 00:50:07,000 --> 00:50:10,133 THIS WAS THE ONE PLACE I THOUGHT WAS SAFE. 729 00:50:26,333 --> 00:50:27,233 SARAH? 730 00:50:28,133 --> 00:50:30,333 SARAH, WAKE UP. 731 00:50:30,333 --> 00:50:31,400 SARAH? 732 00:50:32,500 --> 00:50:34,467 SARAH, WAKE UP. 733 00:50:34,467 --> 00:50:36,133 SARAH? 734 00:50:36,133 --> 00:50:37,833 SARAH? LORNA! 735 00:50:37,833 --> 00:50:39,733 [ISAAC] COME ON, LET'S GO. 736 00:50:43,000 --> 00:50:44,333 OKAY. 737 00:50:46,700 --> 00:50:48,300 OKAY. 738 00:50:48,300 --> 00:50:53,567 * YOU MAKE ME LOVE YOU 739 00:50:55,867 --> 00:51:01,433 * YEAH, YOU MAKE ME LOVE YOU * 740 00:51:06,167 --> 00:51:07,633 * DIDN'T WANNA DO IT 741 00:51:09,600 --> 00:51:12,867 * I DIDN'T WANNA DO IT 742 00:51:12,867 --> 00:51:16,300 * NO, I DIDN'T WANNA DO IT * 743 00:51:17,933 --> 00:51:21,367 * YOU MADE ME LOVE YOU 744 00:51:21,367 --> 00:51:23,833 * AND ALL THE TIME YOU KNEW IT * 745 00:51:23,833 --> 00:51:26,400 * I GUESS YOU ALWAYS KNEW IT * 746 00:51:26,400 --> 00:51:29,233 * GIMME, GIMME GIMME WHAT I CRY FOR * 747 00:51:29,233 --> 00:51:32,467 * GIMME YOUR KISSES I'D LIKE TO DIE FOR * 748 00:51:32,467 --> 00:51:35,233 * GIMME, GIMME GIMME WHAT I CRY FOR * 749 00:51:35,233 --> 00:51:38,667 * GIMME ALL YOUR KISSES THAT I'D LIKE TO DIE FOR * 750 00:51:39,867 --> 00:51:42,600 * THAT I'D DIE FOR 751 00:51:42,600 --> 00:51:45,167 * I'D LIKE TO DIE FOR 752 00:52:30,533 --> 00:52:32,733 ON THAT NOTE, UM... 753 00:52:32,733 --> 00:52:34,367 HERE'S ANOTHER ONE. 754 00:52:45,833 --> 00:52:47,067 JAMES. 755 00:52:49,700 --> 00:52:51,133 JAMES. 756 00:52:52,433 --> 00:52:54,600 THERE HE IS. 757 00:53:01,433 --> 00:53:03,667 YOU'RE LATE. 758 00:53:03,667 --> 00:53:05,300 WHERE YOU BEEN? 759 00:53:07,533 --> 00:53:09,500 YOU SAW HER. 760 00:53:09,500 --> 00:53:11,100 YEAH, SHE CAME BY THE CLUB LOOKING FOR E, 761 00:53:11,100 --> 00:53:13,267 BUT E WASN'T DANCING THAT NIGHT. 762 00:53:20,567 --> 00:53:23,433 HERE. EAT THIS. 763 00:53:23,433 --> 00:53:25,633 IT'LL HELP SOAK UP SOME OF THAT BOOZE. 764 00:53:25,633 --> 00:53:27,100 I'M NOT DRUNK. 765 00:53:27,100 --> 00:53:29,200 YEAH, YEAH, JUST TAKE A BITE. 766 00:53:34,300 --> 00:53:36,467 DO YOU KNOW WHERE JAKE LIVES? 767 00:53:36,467 --> 00:53:38,300 WHY DON'T YOU JUST LET ME TAKE YOU HOME? 768 00:53:38,300 --> 00:53:41,167 NO, I'M FINE. JUST-- WHERE DOES HE LIVE? 769 00:53:48,433 --> 00:53:50,567 SHOULD'VE THROWN HER IN THE CAB, BUT... 770 00:53:50,567 --> 00:53:51,767 SHE ALWAYS HAD A WAY 771 00:53:51,767 --> 00:53:53,433 OF MAKING ME DO WHAT SHE WANTED. 772 00:54:05,900 --> 00:54:06,933 [SNIFFS] 773 00:54:06,933 --> 00:54:08,433 [SARAH] ANDRE! 774 00:54:10,267 --> 00:54:11,267 ANDRE! 775 00:54:12,600 --> 00:54:15,367 SHE WAS JUST HERE ONE DAY AND THEN GONE THE NEXT. 776 00:54:15,367 --> 00:54:18,767 AND IT WASN'T LIKE SHE WAS LIVING RECKLESSLY 777 00:54:18,767 --> 00:54:23,467 OR LIKE ABUSING THINGS AS THAT. 778 00:54:23,467 --> 00:54:25,333 I THINK THAT'S WHY WE'RE ALL REALLY FUCKED UP. 779 00:54:25,333 --> 00:54:27,733 IS 'CAUSE WE DON'T REALLY KNOW HOW 780 00:54:27,733 --> 00:54:29,367 TO MAKE SENSE OF THAT. 781 00:54:34,233 --> 00:54:35,733 WHAT YOU GET FOR ONE OF THESE? 782 00:54:35,733 --> 00:54:38,133 OH, THESE ARE JUST 20S. 783 00:54:38,133 --> 00:54:39,833 MAKE A LOT OUT OF THEM? 784 00:54:39,833 --> 00:54:43,033 PROBABLY, LIKE TWO AND HALF JOINTS. 785 00:54:43,033 --> 00:54:45,000 MAYBE FOUR IF YOU SPLIFF THEM. 786 00:54:48,433 --> 00:54:51,033 WHEN ARE YOU GONNA STOP FUCKING ALL THESE GUYS? 787 00:54:53,767 --> 00:54:56,033 ARE YOU SAFE ABOUT IT? 788 00:54:56,033 --> 00:54:57,500 I'M NOT STUPID. 789 00:55:03,100 --> 00:55:05,200 SARAH WOULDN'T WANT YOU TO HURT YOURSELF. 790 00:55:17,867 --> 00:55:20,767 -I GOTTA MAKE DELIVERIES. -OKAY. 791 00:55:24,533 --> 00:55:26,233 THANK YOU. 792 00:55:28,433 --> 00:55:29,700 SEE YOU LATER. 793 00:55:40,467 --> 00:55:43,267 -HEY. -HEY! 794 00:55:44,800 --> 00:55:46,900 HAVE YOU BEEN HIDING? 795 00:55:46,900 --> 00:55:50,367 -A LITTLE BIT. -HMM. 796 00:55:50,367 --> 00:55:52,000 STILL MAD AT ME? 797 00:55:55,033 --> 00:55:57,167 [BOTH MUMBLING] 798 00:56:13,600 --> 00:56:15,033 GIVE ME SARAH'S PHONE. 799 00:56:16,133 --> 00:56:18,233 WHAT ARE YOU GONNA DO WITH IT? 800 00:56:18,233 --> 00:56:20,167 I'M GONNA PUT IT BACK IN HER ROOM. 801 00:56:27,367 --> 00:56:30,300 -I KNOW THE LAST PLACE SHE WENT THAT NIGHT. -OF COURSE YOU DO. 802 00:56:32,733 --> 00:56:34,500 MM, YOU KNEW IT WAS HIM. 803 00:56:43,400 --> 00:56:44,667 JAKE? 804 00:56:44,667 --> 00:56:46,067 HEY, WHAT'S UP? 805 00:56:47,033 --> 00:56:48,567 HOW'RE YOU DOING? 806 00:56:48,567 --> 00:56:51,500 I DON'T KNOW. 807 00:56:51,500 --> 00:56:53,533 I MISS HER. 808 00:56:53,533 --> 00:56:55,367 [JO] YEAH. 809 00:57:03,033 --> 00:57:04,933 -JAMES IS HAVING A REALLY HARD TIME. -FUCK THAT. 810 00:57:04,933 --> 00:57:06,333 WE'RE ALL HAVING A HARD TIME. 811 00:57:06,333 --> 00:57:08,867 HE'S JUST LOOKING FOR SOMEONE TO BLAME. 812 00:57:08,867 --> 00:57:10,467 YEAH, THAT'S ME. 813 00:57:14,400 --> 00:57:16,067 THERE HE IS. 814 00:57:25,067 --> 00:57:27,533 JAMES, DON'T! JAMES! 815 00:57:27,533 --> 00:57:29,000 -COME ON, MAN. -GUYS, KNOCK IT OFF. 816 00:57:29,000 --> 00:57:30,600 COME ON. YOU GAVE HER THOSE DRUGS. 817 00:57:30,600 --> 00:57:32,167 GUYS, STOP! 818 00:57:35,200 --> 00:57:37,333 YOU GAVE HER THOSE DRUGS. 819 00:57:37,333 --> 00:57:40,300 -FUCK OFF! -YOU'RE HITTING THE WRONG FUCKING GUY. 820 00:57:40,300 --> 00:57:41,967 -[BUZZER BEEPS] -WHO IS THAT? 821 00:57:41,967 --> 00:57:45,467 SHIT, I DON'T KNOW. 822 00:57:45,467 --> 00:57:48,400 -SHIT IS RETARDED. -IT'S LIKE THREE IN THE MORNING. 823 00:57:48,400 --> 00:57:50,800 YO, WHO? 824 00:57:50,800 --> 00:57:53,700 OH. COME ON IN. 825 00:57:53,700 --> 00:57:54,967 -WHO IS IT? -HEY, GUYS. 826 00:57:54,967 --> 00:57:56,333 GO TIME. 827 00:57:56,333 --> 00:57:58,733 IT'S SARAH, YOU GUYS GOTTA BOUNCE. 828 00:57:58,733 --> 00:58:00,600 -YEAH? -LET'S GO SOME. 829 00:58:00,600 --> 00:58:01,667 GOOD-BYE. 830 00:58:01,667 --> 00:58:02,667 YEAH, YOU KNOW HOW IT IS. 831 00:58:02,667 --> 00:58:03,933 YOU'D DO THE SAME TO ME. 832 00:58:03,933 --> 00:58:06,033 -OH, YEAH. SURE. -YOU KNOW HOW IT IS. 833 00:58:09,667 --> 00:58:11,000 -HEY. -GET OUTTA HERE. 834 00:58:11,000 --> 00:58:12,900 SENDS ME ON MY WAY. 835 00:58:12,900 --> 00:58:14,900 -HEY. -WHAT'S UP? 836 00:58:14,900 --> 00:58:16,967 GET THE FUCK OUTTA HERE YOU DID THIS TO ME. 837 00:58:16,967 --> 00:58:18,600 -SHUT THE FUCK UP. -WHAT'S GOOD, SARAH? 838 00:58:18,600 --> 00:58:19,867 -HI. -HOW ARE YOU DOING? 839 00:58:19,867 --> 00:58:21,833 -GOOD, HOW ARE YOU? -I'M GOOD. 840 00:58:21,833 --> 00:58:23,500 HIGH FIVE, SARAH. WHAT'S UP, KITTY? 841 00:58:23,500 --> 00:58:26,533 ALL RIGHT, GET THE FUCK OUTTA HERE. 842 00:58:26,533 --> 00:58:28,200 YO, HE'S REALLY FUCKED UP, YOU KNOW? 843 00:58:28,200 --> 00:58:29,767 -ARE YOU SERIOUS? -YEAH. 844 00:58:29,767 --> 00:58:32,233 -DEAD ASS. -I GOTTA HIT THE TRAIN I GUESS. FUCK. 845 00:58:32,233 --> 00:58:34,500 -HEY, HOW ARE YOU DOING? -HI. 846 00:58:34,500 --> 00:58:35,833 WHATCHA DOING HERE? 847 00:58:35,833 --> 00:58:37,800 I'M... JUST THOUGHT I'D COME BY. 848 00:58:37,800 --> 00:58:39,167 JESUS CHRIST. 849 00:58:39,167 --> 00:58:41,033 -YOU ALL RIGHT? -YEAH. 850 00:58:41,033 --> 00:58:43,467 -JUST-- I'M GOOD. -LATER, BUDDY. 851 00:58:46,100 --> 00:58:47,733 COME ON, BE GOOD, GUYS. 852 00:58:47,733 --> 00:58:50,000 YOU WANNA GO DOWNSTAIRS? 853 00:58:50,000 --> 00:58:51,833 -YEAH. -ALL RIGHT. 854 00:58:51,833 --> 00:58:54,133 LET'S GO. 855 00:59:04,000 --> 00:59:05,733 [STAIRWAY JANGLING] 856 00:59:05,733 --> 00:59:08,067 DUDE, JAKE, CHARLIE'S OUTSIDE, ABOUT TO KILL JOAQUIN. 857 00:59:08,067 --> 00:59:09,367 YOU HAVE TO COME WITH ME RIGHT NOW. 858 00:59:09,367 --> 00:59:10,967 -RIGHT NOW! -RIGHT, RIGHT, I HEARD IT. 859 00:59:10,967 --> 00:59:12,000 HOLD ON, CAN YOU SIT TIGHT, 860 00:59:12,000 --> 00:59:13,267 -ONE MINUTE? -YEAH. 861 00:59:13,267 --> 00:59:15,367 I'LL BE RIGHT BACK, I SWEAR TO GOD. 862 00:59:15,367 --> 00:59:17,033 HOLD ON. 863 00:59:24,967 --> 00:59:27,200 HOW'S THAT FEEL? OKAY? HUH? 864 00:59:31,100 --> 00:59:32,467 -YO, CHILL. -COOL IT, MIKE. 865 00:59:32,467 --> 00:59:35,033 CHILL, CHILL, CHILL, CHILL, CHILL, CHILL. 866 00:59:35,033 --> 00:59:36,667 CHILL, CHILL, CHILL. 867 00:59:36,667 --> 00:59:38,867 SHIT FUCKING SUCKS. 868 00:59:38,867 --> 00:59:41,333 [COUGHING, SPITS] 869 01:00:07,300 --> 01:00:09,067 FUCK. [CLEARS THROAT] 870 01:00:20,367 --> 01:00:22,333 [LORNA] IT DOESN'T MATTER WHAT SHE TOOK. 871 01:00:25,800 --> 01:00:28,933 -DO YOU WANT ME TO OPEN IT? -NO. 872 01:00:28,933 --> 01:00:30,533 I'LL DO IT. 873 01:01:01,700 --> 01:01:04,033 WHAT'S ZOLPIDEM? 874 01:01:04,033 --> 01:01:05,333 IT'S AMBIEN. 875 01:03:32,667 --> 01:03:34,667 [SOBBING] 876 01:04:04,467 --> 01:04:06,767 [BLOWS OUT] 877 01:04:06,767 --> 01:04:08,300 THAT'S ALL OF IT. 878 01:04:11,233 --> 01:04:12,400 OKAY? 879 01:04:16,233 --> 01:04:17,667 [SOPHIA] I HOPE ANDRE'S HERE. 880 01:04:19,200 --> 01:04:21,567 [HIP-HOP MUSIC PLAYING] 881 01:04:21,567 --> 01:04:23,900 FUCK WITH THAT. YOU KNOW YOU LIKE IT. 882 01:04:23,900 --> 01:04:25,200 YEAH. 883 01:04:28,000 --> 01:04:29,933 YOU STILL GOT THAT PICTURE UP? 884 01:04:29,933 --> 01:04:32,567 -YES, I DO. -[BUZZER RINGS] 885 01:04:34,567 --> 01:04:35,700 YO? 886 01:04:35,700 --> 01:04:37,500 IT'S JO AND SOPHIA. 887 01:04:39,200 --> 01:04:42,233 [OVERLAPPING CHATTERING] 888 01:04:43,967 --> 01:04:46,267 YO, JO AND SOPHIA ARE COMING THROUGH. 889 01:04:46,267 --> 01:04:48,300 -WHAT? -I SWEAR TO GOD. 890 01:04:48,300 --> 01:04:50,733 -THEY HERE RIGHT NOW? -SOPHIA AND-- 891 01:04:54,033 --> 01:04:56,167 THIS IS COOL AS HELL. 892 01:04:56,167 --> 01:04:58,700 [CHATTERING CONTINUES] 893 01:05:00,033 --> 01:05:01,567 HEY, GUYS. 894 01:05:01,567 --> 01:05:03,067 IS ANDRE HERE? 895 01:05:03,067 --> 01:05:06,833 YEAH, HE'S HIDING IN THE BATHROOM. 896 01:05:06,833 --> 01:05:08,733 -[KNOCKS] -HEY, IT'S ME. 897 01:05:11,567 --> 01:05:13,200 ARE YOU OKAY? 898 01:05:16,533 --> 01:05:17,633 ANDRE? 899 01:05:21,733 --> 01:05:23,933 OPEN THE FUCKING DOOR. 900 01:05:23,933 --> 01:05:25,333 [SOPHIA] HE'S A FUCKING MESS. 901 01:05:25,333 --> 01:05:27,867 [JO] HE DIDN'T EVEN RECOGNIZE ME. 902 01:05:27,867 --> 01:05:29,133 JAMES, YOU GOTTA TALK TO HIM. 903 01:05:29,133 --> 01:05:30,300 IT'S TOO HARD, OKAY? 904 01:05:30,300 --> 01:05:34,433 WHAT IF SOMETHING HAPPENS TO HIM? 905 01:05:34,433 --> 01:05:35,600 SHE'S RIGHT. 906 01:05:39,600 --> 01:05:41,167 OKAY. 907 01:05:41,167 --> 01:05:42,667 I'LL TALK TO HIM. 908 01:05:45,933 --> 01:05:48,633 [CHATTERING] 909 01:05:53,800 --> 01:05:56,467 [DOOR BUZZES] 910 01:06:00,233 --> 01:06:01,867 I'M LOOKING FOR ANDRE. 911 01:06:01,867 --> 01:06:03,433 [MAN] NOPE. 912 01:06:03,433 --> 01:06:06,700 WELL... 913 01:06:06,700 --> 01:06:07,900 YOU KNOW WHERE HE IS? 914 01:06:07,900 --> 01:06:09,333 [MAN] I HAVE NO IDEA. 915 01:06:18,833 --> 01:06:20,433 YO! 916 01:06:23,733 --> 01:06:25,333 HEY, LISTEN. 917 01:06:27,300 --> 01:06:30,033 I THINK ANDRE FELL OFF, MAN. 918 01:06:30,033 --> 01:06:32,633 SAW HIM PAWN HIS CAMERA. 919 01:06:32,633 --> 01:06:35,267 YOU MIGHT BE ABLE TO FIND HIM ON 3RD AND C. 920 01:06:35,267 --> 01:06:37,167 THAT'S WHERE THEY COP. 921 01:06:37,167 --> 01:06:38,933 YEAH. WELL, THANKS. 922 01:06:38,933 --> 01:06:40,300 YOU BET. 923 01:07:01,700 --> 01:07:03,000 WHATCHA DOING? 924 01:07:03,000 --> 01:07:05,500 NOTHING, MAN. 925 01:07:05,500 --> 01:07:08,667 -YOU WAITING FOR SOMEBODY? -NOPE. 926 01:07:14,300 --> 01:07:16,867 -YO, STOP FOLLOWING ME. -I'M NOT FOLLOWING YOU. 927 01:07:16,867 --> 01:07:19,100 I'M GOING THIS WAY. 928 01:07:19,100 --> 01:07:21,833 ALL RIGHT, LEAVE ME ALONE, OKAY? 929 01:07:21,833 --> 01:07:23,133 OKAY. 930 01:07:40,267 --> 01:07:42,333 ARE YOU SURE YOU'RE NOT WAITING FOR SOMEBODY? 931 01:07:42,333 --> 01:07:43,367 NO! 932 01:07:55,033 --> 01:07:56,667 [JAMES WHISTLES] 933 01:07:56,667 --> 01:07:58,600 -YOU GOTTA LEAVE ME ALONE. -WHY ARE YOU DOING THIS? 934 01:07:58,600 --> 01:08:00,333 YOU'RE WAITING FOR SOMEONE. JUST ADMIT IT. 935 01:08:00,333 --> 01:08:01,967 IT'S NONE OF YOUR FUCKING BUSINESS. 936 01:08:01,967 --> 01:08:04,533 YOU WEREN'T THE ONLY ONE THAT LOST HER, ANDRE. 937 01:08:04,533 --> 01:08:05,667 BUT I LOVED HER. 938 01:08:05,667 --> 01:08:07,533 YEAH? WELL, I LOVED HER TOO. 939 01:08:09,067 --> 01:08:11,333 YOU SURE GOT A HELL OF A WAY OF SHOWING IT. 940 01:08:21,133 --> 01:08:23,500 -HEY. -WHAT? 941 01:08:23,500 --> 01:08:24,567 OPEN IT. 942 01:08:34,033 --> 01:08:36,000 WHERE'D YOU GET IT? 943 01:08:36,000 --> 01:08:38,533 JAKE TOLD ME YOU PAWNED IT. 944 01:08:38,533 --> 01:08:40,533 THERE'S NOT THAT MANY PAWN SHOPS AROUND HERE. 945 01:08:42,100 --> 01:08:44,667 -THANK YOU. -DON'T THANK ME. 946 01:08:44,667 --> 01:08:46,967 JUST FINISH MAKING YOUR FILM. GO BACK TO SCHOOL. 947 01:08:46,967 --> 01:08:48,400 I'M NOT GOING BACK TO SCHOOL. 948 01:08:48,400 --> 01:08:50,167 -NO, YOU HAVE TO. -YOU'RE NOT IN SCHOOL. 949 01:08:50,167 --> 01:08:52,633 I KNOW. I'M STUCK HERE, MAN. 950 01:08:52,633 --> 01:08:55,467 WORKING FOR MY DAD. IT'S FUCKING GREAT. 951 01:08:59,900 --> 01:09:02,900 I DIDN'T TAKE TIME OFF. 952 01:09:02,900 --> 01:09:04,900 I WAS KICKED OUT. 953 01:09:04,900 --> 01:09:07,100 I DIDN'T GO TO SCHOOL. DIDN'T DO ANY WORK. 954 01:09:09,233 --> 01:09:12,467 I LOST MY SCHOLARSHIP, MAN. 955 01:09:12,467 --> 01:09:14,067 A FULL RIDE. 956 01:09:21,500 --> 01:09:23,033 AND PISSED IT ALL AWAY. 957 01:09:33,200 --> 01:09:34,667 WHAT ARE YOU GONNA DO? 958 01:10:42,200 --> 01:10:45,133 [CHATTERING ON CAMERA] 959 01:10:49,000 --> 01:10:51,300 [SINGING ON CAMERA] 960 01:10:56,367 --> 01:10:57,867 [JAMES SINGS] * GIVE ME, GIVE ME 961 01:10:57,867 --> 01:10:59,767 * GIVE ME, GIVE ME WHAT I CRY FOR * 962 01:10:59,767 --> 01:11:01,400 * YOU KNOW YOU GOT THE KISSES * 963 01:11:01,400 --> 01:11:05,100 * THAT I'D LIKE TO DIE FOR YOU KNOW... * 964 01:11:05,100 --> 01:11:08,400 -OKAY, GIVE ME THE CAMERA. I'LL BE CAREFUL. -[ANDRE] ARE YOU SERIOUS? 965 01:11:08,400 --> 01:11:10,367 REALLY CUTE. 966 01:11:10,367 --> 01:11:12,967 -IT DOES. -AW, THAT'S GREAT, GUYS. 967 01:11:12,967 --> 01:11:14,400 -[GIGGLES] -GREAT SHOT. 968 01:11:14,400 --> 01:11:17,467 [ON COMPUTER] AW, YES. OH, THAT'S LOOKS-- 969 01:11:21,467 --> 01:11:22,900 I'M ABOUT THE ART. 970 01:11:22,900 --> 01:11:24,867 THE REAL ART THAT'S OUT ON THE STREETS 971 01:11:24,867 --> 01:11:26,133 WITH THE PEOPLE. 972 01:11:26,133 --> 01:11:27,333 THAT'S BETTER THAN ANYTHING 973 01:11:27,333 --> 01:11:29,200 YOU EVER SEE IN A GALLERY SOMEWHERE. 974 01:11:29,200 --> 01:11:30,967 EXCEPT FOR SARAH'S ART. 975 01:11:30,967 --> 01:11:33,733 IT HAD LIKE, ENERGY, YOU KNOW? 976 01:11:33,733 --> 01:11:37,267 SARAH'S ART WAS REALLY ALIVE. 977 01:11:37,267 --> 01:11:40,433 [MAN ON COMPUTER] AND UM... 978 01:11:40,433 --> 01:11:44,133 SHE IS SOMEBODY WHO I AM SURE WE WILL ALWAYS MOURN, 979 01:11:44,133 --> 01:11:48,167 BUT I HOPE WE WILL ALWAYS ALSO CELEBRATE. 980 01:11:55,567 --> 01:11:57,733 HEY, EVERYBODY. MY NAME IS ANDRE WILLIAMS. 981 01:11:57,733 --> 01:11:59,533 I'M FROM THE LOWER EAST SIDE. 982 01:11:59,533 --> 01:12:01,467 AKA TO LES. 983 01:12:01,467 --> 01:12:03,633 SO, THIS SUMMER I STARTED MAKING THIS DOCUMENTARY 984 01:12:03,633 --> 01:12:06,367 ABOUT MY FRIENDS WHO ARE ALL GRAFFITI WRITERS. 985 01:12:08,367 --> 01:12:11,067 BUT THEN, 986 01:12:11,067 --> 01:12:14,367 SOMETHING TERRIBLE HAPPENED. 987 01:12:14,367 --> 01:12:16,533 SO, SARAH, 988 01:12:16,533 --> 01:12:18,067 THIS IS FOR YOU. 989 01:12:21,733 --> 01:12:23,467 [SOPHIA] WHEN YOU'RE SO YOUNG, 990 01:12:23,467 --> 01:12:25,767 YOU HAVE A WHOLE LIFE AHEAD OF YOU. 991 01:12:25,767 --> 01:12:29,033 I THINK IT'S REALLY DIFFICULT TO WRAP YOUR MIND AROUND 992 01:12:29,033 --> 01:12:30,467 WHY THESE THINGS HAPPEN 993 01:12:30,467 --> 01:12:33,533 AND ALSO THE FACT THAT IT COULD HAPPEN TO YOU. 994 01:12:33,533 --> 01:12:38,033 I THINK IS SOMETHING I'M... I'M LEARNING 995 01:12:38,033 --> 01:12:40,600 TO DEAL WITH. 996 01:12:43,433 --> 01:12:47,267 I THINK WE THINK ABOUT HOW MUCH TIME WE HAVE 997 01:12:47,267 --> 01:12:49,400 AND WE THINK THAT WE CAN LIVE FOREVER. 998 01:12:49,400 --> 01:12:51,567 BUT IN REALITY, 999 01:12:51,567 --> 01:12:53,500 WE DON'T. 1000 01:12:53,500 --> 01:12:56,033 THE ONLY WISE THING THAT I'VE EVER HEARD ANYONE SAY ABOUT DEATH 1001 01:12:56,033 --> 01:12:57,533 IS THAT THE GRIEF WE FEEL 1002 01:12:57,533 --> 01:12:59,833 IS COMMENSURATE WITH THE JOY THAT WE FELT. 1003 01:12:59,833 --> 01:13:03,300 WE ARE SAD BECAUSE WE WERE SO HAPPY. 1004 01:13:03,300 --> 01:13:05,100 I THINK WE HAVE A CHOICE, YOU KNOW. 1005 01:13:05,100 --> 01:13:07,667 AS EVERYONE HAS A CHOICE WHEN FACED WITH LOSS, 1006 01:13:07,667 --> 01:13:10,600 WE CAN DIRECT OURSELVES 1007 01:13:10,600 --> 01:13:12,033 TOWARD WHAT WE DON'T HAVE 1008 01:13:12,033 --> 01:13:13,933 OR WE CAN DIRECT OURSELVES TOWARD WHAT WE DO HAVE. 1009 01:13:13,933 --> 01:13:17,100 AND THAT'S HOW I PREFER TO REMEMBER SARAH. 1010 01:13:17,100 --> 01:13:20,367 NOT AS A LIFE CUT SHORT, BUT A LIFE THAT WE HAD. 1011 01:13:20,367 --> 01:13:23,400 AND TO DO SO BY REMEMBERING, AND BY TALKING, 1012 01:13:23,400 --> 01:13:28,867 AND BY SHARING, AND BY CELEBRATING. 1013 01:13:28,867 --> 01:13:31,167 [SINGING IN FOREIGN LANGUAGE] 1014 01:13:32,900 --> 01:13:34,600 IT'S A CATCH. 1015 01:13:41,133 --> 01:13:44,000 OH, MY GOD. THIS'LL BE REALLY BAD. 1016 01:13:44,000 --> 01:13:46,133 -OH, LIKE THAT. -LET'S SEE IT. 1017 01:13:46,133 --> 01:13:47,733 -[MUMBLES] -HOLD ON, I SWITCHED... 1018 01:13:47,733 --> 01:13:49,567 OH, MY GOD. 1019 01:13:49,567 --> 01:13:52,200 HE'S DRAWING ME. 1020 01:13:52,200 --> 01:13:53,533 [ANDRE] YOU'RE DRAWING HER? 1021 01:13:53,533 --> 01:13:55,233 -[JAMES] YEAH. -[ANDRE] IS THAT HER FACE? 1022 01:13:55,233 --> 01:13:57,567 -IT WILL BE. -I HOPE SO. 1023 01:13:57,567 --> 01:14:01,000 -[SOPHIA WHISPERS] YEAH. -OH, BE NICE. 1024 01:14:01,000 --> 01:14:03,000 [OVERLAPPING CHATTERING] 1025 01:14:03,000 --> 01:14:04,100 OH, IT LOOKS LIKE ME. SEE? 1026 01:14:04,100 --> 01:14:05,300 [ANDRE] OH, MY GOODNESS. 1027 01:14:05,300 --> 01:14:07,333 THAT LOOKS MORE LIKE JO, ACTUALLY. 1028 01:14:07,333 --> 01:14:09,833 REALLY? SHE'S ALL DIALED. 1029 01:14:09,833 --> 01:14:12,133 [ALL LAUGHING] 1030 01:14:13,100 --> 01:14:14,433 CRAZY EYES. 1031 01:14:14,433 --> 01:14:16,633 I CAN'T TELL, I CAN'T TELL. 1032 01:14:16,633 --> 01:14:19,000 OKAY, FINE. ONE EIGHT. 1033 01:14:19,000 --> 01:14:21,567 -SOPHIA. -[JAMES] THAT'S BULLSHIT. 1034 01:14:21,567 --> 01:14:23,867 -THAT'S BULLSHIT. -BULLSHIT? CALL IT. 1035 01:14:23,867 --> 01:14:25,133 [ANDRE] POKER FACE. 1036 01:14:25,133 --> 01:14:26,933 -CALL IT. -POKER FACE. 1037 01:14:26,933 --> 01:14:28,333 [JAMES SCREAMS] AW, FUCK. 1038 01:14:28,333 --> 01:14:30,367 -TAKE IT OFF. -[CHUCKLES] 1039 01:14:30,367 --> 01:14:32,900 -I HAVE A LITTLE BIT OF EVERYTHING-- -WHAT YOU GOT, SARAH? 1040 01:14:32,900 --> 01:14:34,100 A LITTLE BIT OF EVERYTHING. 1041 01:14:34,100 --> 01:14:35,900 OH, WHY ARE YOU SHOWING ALL YOUR CARDS? 1042 01:14:35,900 --> 01:14:37,300 WHAT WAS THAT? 1043 01:14:38,733 --> 01:14:40,467 HOW'S IT FEEL TO BE A TEENAGER? 1044 01:14:40,467 --> 01:14:44,833 GOOD. BUT THAT'S RIGHT IN MY FACE. 1045 01:14:44,833 --> 01:14:46,833 [MUMBLES] 1046 01:14:46,833 --> 01:14:48,567 -[MUMBLING] -[GIGGLING] 1047 01:14:48,567 --> 01:14:50,900 LIGHT THE CANDLES AGAIN, SO WE CAN BLOW IT, 1048 01:14:50,900 --> 01:14:54,067 SO I CAN BLOW IT OUT. 1049 01:14:54,067 --> 01:14:56,500 -[CHILDREN CHATTERING] -WHAT KIND OF CANDLE IS THIS? 1050 01:15:01,067 --> 01:15:02,500 MY BIRTHDAY! 1051 01:15:02,500 --> 01:15:04,300 [OVERLAPPING CHATTERING] 1052 01:15:08,233 --> 01:15:11,300 -OKAY, BLOW IT OUT. -[PARTYGOERS CHEERING] 1053 01:15:22,500 --> 01:15:23,933 [ANDRE] HEY, SARAH. 1054 01:15:23,933 --> 01:15:25,267 YEAH? 1055 01:15:25,267 --> 01:15:27,467 YOU KNOW, YOU LOOK REAL HAPPY. 1056 01:15:27,467 --> 01:15:29,000 I AM HAPPY. 1057 01:15:29,000 --> 01:15:31,900 I DON'T KNOW, I, UM, I FEEL LUCKY, YOU KNOW? 1058 01:15:31,900 --> 01:15:33,300 LIKE I FOUND WHAT I WANNA DO 1059 01:15:33,300 --> 01:15:35,533 WITH THE REST OF MY LIFE. 1060 01:15:35,533 --> 01:15:37,800 [ANDRE] THAT'S GREAT. 1061 01:15:37,800 --> 01:15:40,200 [CHUCKLES] 1062 01:15:42,600 --> 01:15:44,700 [MUSIC PLAYING] 1063 01:15:56,367 --> 01:15:58,533 * TODAY 1064 01:16:04,067 --> 01:16:06,467 * YOU WERE FAR AWAY 1065 01:16:14,567 --> 01:16:16,233 * AND I 1066 01:16:22,667 --> 01:16:24,633 * DIDN'T ASK YOU WHY 1067 01:16:31,800 --> 01:16:34,533 * WHAT COULD I SAY 1068 01:16:40,667 --> 01:16:43,233 * I WAS FAR AWAY 1069 01:16:49,700 --> 01:16:53,033 * YOU JUST WALKED AWAY 1070 01:16:58,033 --> 01:17:01,333 * AND I JUST WATCHED YOU 1071 01:17:08,167 --> 01:17:10,733 * WHAT COULD I SAY 1072 01:17:17,500 --> 01:17:20,267 * HOW CLOSE AM I 1073 01:17:25,233 --> 01:17:28,300 * TO LOSING YOU 1074 01:17:36,800 --> 01:17:38,467 * TONIGHT 1075 01:17:44,467 --> 01:17:47,633 * YOU JUST CLOSE YOUR EYES * 1076 01:17:52,833 --> 01:17:55,400 * AND I JUST WATCH YOU 1077 01:18:03,667 --> 01:18:05,567 * SLIP AWAY 1078 01:18:12,100 --> 01:18:16,100 * HOW CLOSE AM I 1079 01:18:20,133 --> 01:18:22,333 * TO LOSING YOU 1080 01:18:41,433 --> 01:18:44,000 * FADE 1081 01:18:44,000 --> 01:18:46,633 * NOW YOU WAKE 1082 01:18:46,633 --> 01:18:49,067 * YEAH, I'M RIGHT HERE 1083 01:18:49,067 --> 01:18:51,533 * HOW CAN I ASK YOU 1084 01:18:58,400 --> 01:19:00,433 * ABOUT TODAY 1085 01:19:07,000 --> 01:19:10,067 * HOW CLOSE AM I 1086 01:19:14,967 --> 01:19:18,100 * TO LOSING YOU 1087 01:19:25,167 --> 01:19:28,067 * HOW CLOSE AM I 1088 01:19:33,400 --> 01:19:35,333 * TO LOSING 1089 01:19:45,767 --> 01:19:47,667 [MUSIC PLAYING] 1090 01:20:03,500 --> 01:20:07,833 * I'M SENDING YOU A POSTCARD * 1091 01:20:07,833 --> 01:20:11,900 * I FEEL LIKE HUMPHREY BOGART * 1092 01:20:11,900 --> 01:20:15,967 * A MYSTERIOUS DISAPPEARANCE 1093 01:20:15,967 --> 01:20:19,400 * I THRILL IN THE DARK 1094 01:20:20,933 --> 01:20:24,967 * IN A FOREIGN, FAR OFF LAND * 1095 01:20:24,967 --> 01:20:28,067 * NO ONE KNOWS WHERE I AM * 1096 01:20:29,000 --> 01:20:31,033 * IT'S A GOOD LINE 1097 01:20:31,033 --> 01:20:33,067 * ANOTHER COUNTRY 1098 01:20:33,067 --> 01:20:35,367 * ANOTHER LOVELY GIRL 1099 01:20:43,667 --> 01:20:46,367 [VOCALIZING] 1100 01:20:53,300 --> 01:20:57,367 * OH, COME ON GET TOGETHER * 1101 01:20:57,367 --> 01:21:01,767 * THIS LITTLE BODY IS GROWING OLD * 1102 01:21:01,767 --> 01:21:05,067 * AS ALWAYS IT'S A PLEASURE * 1103 01:21:05,067 --> 01:21:09,667 * MAYBE JUST ONE MORE FOR THE ROAD * 1104 01:21:11,233 --> 01:21:15,300 * I'M SENDING YOU A POSTCARD * 1105 01:21:15,300 --> 01:21:19,233 * I COULD BE ANYWHERE 1106 01:21:19,233 --> 01:21:23,400 * COCKTAILS WITH FRENCH POP STARS * 1107 01:21:23,400 --> 01:21:27,167 * AND TEENAGE MILLIONAIRES 1108 01:21:28,300 --> 01:21:32,600 * I FEEL LIKE GODZILLA 1109 01:21:32,600 --> 01:21:35,933 * CRASHING FANCY VILLAS 1110 01:21:35,933 --> 01:21:39,967 * A LONELY TRANSIT LOUNGER * 1111 01:21:39,967 --> 01:21:44,200 * A BEAUTIFUL ENCOUNTER 1112 01:21:51,100 --> 01:21:53,733 [VOCALIZING CONTINUES] 1113 01:22:00,967 --> 01:22:05,033 * OH, COME ON GET TOGETHER * 1114 01:22:05,033 --> 01:22:09,233 * THIS LITTLE BODY IS GROWING OLD * 1115 01:22:09,233 --> 01:22:12,533 * AS ALWAYS IT'S A PLEASURE * 1116 01:22:12,533 --> 01:22:17,267 * MAYBE JUST ONE MORE FOR THE ROAD * 1117 01:22:17,267 --> 01:22:21,333 * OH, COME ON GET TOGETHER * 1118 01:22:21,333 --> 01:22:25,733 * THIS LITTLE BODY IS GROWING OLD * 1119 01:22:25,733 --> 01:22:29,033 * AS ALWAYS IT'S A PLEASURE * 1120 01:22:29,033 --> 01:22:33,267 * MAYBE JUST ONE MORE FOR THE ROAD * 71770

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