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Grazie.
Oh...
Sir Adam.
This is a little country
house opera.
Absolutely, sir.
But we're not gonna be able to
get sta for it.
The stars of tomorrow...
With lots of experience...
Fine, no problem.
That's wonderful.
Thanks.
You don't seem to have done a
great deal.
Well, yeah, t-t-that's a bit
out of date, actually.
Um, I just finished a tour of
"the magic flute" for...
Paolo Prodi.
Paolo Prodi?
Mm-hmm. Mm-hmm, yeah.
Wow!
♪ Alleluia, alleluia
♪ alleluia, alleluia
♪ alleluia, alleluia
♪ alleluia, alleluia
♪ alleluia, alleluia
♪ al-le-lu-ia
♪ alleluia, alleluia
♪ al-le-lu-ia
♪ al-le-lu-ia
Sir Adam, it's
Nicoletta Lampedusa.
I could be available for your
dates after all.
Celia, Celia, I can't thank
you enough for doing this.
Oh, I promised Jill I'd sing
at her wedding when she was only
12 years old.
And she's never forgotten it.
But, Celia, I do wish you could
come to the full rehearsal the
day before.
Audrey, I've already told
you, I'm tied up for the next
three weeks.
Hmm.
Isn't this Maberley thing a bit
beneath you?
Professionally, I mean.
I have my reasons.
Which are?
I'll see you here on the day.
Oh, hi.
This is Sir Adam's house, is it?
What's left of it.
Oh, yeah, sorry about that.
Uh, don't mind me.
I'm dying for the loo.
Oh!
That's Baskerville.
Don't mind him.
I do mind him.
Go on.
He wouldn't hurt a fly.
I-I-I'm not so sure.
Go on.
First on the left.
On you go.
All right, thanks.
Hello!
Tamsin Ford.
Thanks.
I'll show you to your room.
Follow me.
Stay, Baskerville.
Has Philip arrived yet?
Does he ride a motorbike?
No.
Then he hasn't.
Good afternoon,
Mrs. Hammond.
Good afternoon, Ashley.
Haven't seen him for three
months.
I've been in Glasgow... Singing.
How interesting.
Perhaps he's learned.
Well, if he has, he needs
more lessons.
Oh, wow.
There was a man phoned up
asking how to get here, and I
told him.
I don't think he took it in.
That would be Philip.
There he is.
Sorry!
Philip!
Hello.
Oh, I've missed you! Oh!
Hello.
My god.
Does Sir Adam really own all
this... t-the grounds and
everything?
All this and several other
establishments... of course, I
was here when lord Ellesmere
owned it.
It had been in his family for
generations.
Fascinating.
Come on, darling.
We've got the most wonderful
room...
And a most enormous bed.
Ashley? Bags.
Yeah!
Tamsin Ford.
Hello, Tamsin.
I'm so glad you can do this with
Philip.
Oh, it's lovely to see you.
Darling, you're looking
fabulous.
It's so wonderful...
Tamsin Ford.
Tom Chambers.
Nicoletta Lampedusa.
So where's our host, Philip?
Has anybody met him?
I haven't.
No.
I spoke to him on the phone.
Same here.
Through the agent.
I've met him.
Have you? What's he like?
Larger than life.
Nicoletta Lampedusa.
What's that mean?
And, uh... Despina?
She'll be late.
Why?
She always is.
Who's playing Don Alfonso?
He is.
Who the hell is that?
My money's on Tom Jones.
Oh, no. He's not, is he?
Yes, he is.
Look out! Break it up!
Every time!
Every bloody time!
He's done this deliberately!
Behold Sir Adam Drummond.
What?!
Sir Adam's not singing
Don Alfonso?
Oh, yes, he is.
That's what this is all about.
He's been threatening to do it
for years.
He's got critics coming,
hasn't he?
They'll murder us.
Is it true he's an arms
dealer?
No, no. He's in property.
I heard hedge funds.
I know he spends a lot of
time in Russia.
Adam, lovely to see you.
And you. How are you, Celia?
How's Clarissa?
Still saving the third world?
My wife makes Bono look like.
Scrooge.
Tamsin Ford, Donnabella.
Hi.
Nicoletta Lampedusa...
Fiordiligi.
Martin Mays, Guglielmo.
That's right.
You see, you don't know me,
but I know you.
I've seen you all perform,
except you.
Tom Chambers, Ferrando.
Really?
Tom's just done a tour with.
Paolo Prodi.
Oh.
Yeah, well, Paolo's been kind
enough to take an interest in me
ever since he heard me sing in
college.
Excellent, and you are?
Philip?
Who?
The director?
Ah, right.
Well, you're all on my payroll,
so let's do some singing!
Sir Adam, some of us have
traveled all day.
We just arrived.
So have I.
Celia, you up for it?
I'm up for anything.
Good. Come on.
Come on.
This way.
You don't... you don't
have...
It just gets better and
better, doesn't it?
Just a bit of a warm-up for
the voice, maybe?
Just because he hasn't heard us
in...
He's gonna size down my
authority every opportunity.
Oh.
♪ Soave sia il vento
♪ tranquilla sia I'onda
♪ ed ogni elemento
♪ benigno...
♪ ...risponda
hey.
Yeah, yeah.
I got the contract.
Call you back.
You must be Debbie Drew?
Yeah, Despina.
Tom Chambers, Ferrando.
What say we go and have a drink
or something?
Um, I think I'm gonna let
them know I'm here, but thanks.
All right.
♪ Risponda
♪ benigno risponda
hi, I'm Stella.
Welcome aboard.
Thanks.
Hi.
We should be done in a
minute.
♪ ...nostri desir
♪ ai nostri desir
♪ ai nostri desir
♪ ai nostri desir
I'm putting you in here,
Celia.
Most beautiful room in the
house.
Sorely tempted to move in here,
myself.
Oh! Wow!
Oh, it's wonderful, Adam.
Beautiful view.
Uh, I'm the room next door,
so, uh, don't hesitate to shout
if there's anything you need.
Thanks, I will.
To me, "Cosi" is absolutely a
real story about real people...
People who fall in and out of
love and lust and betray each
other and learn things about
themselves.
No, no, no, no. Come on.
It's not about reality.
It's about style, about feeling.
I mean, are we really expected
to believe that two young guys
could bet an old man that they
constitute each other's fiancées
in disguise?
I don't think so.
But I totally understand what
you mean about the... about the
eternal values of love and
betrayal and...
What do you think, Tams?
I think it's his round.
Oh, right.
Thanks.
He'll beat you every time.
Hi. Can I get...
hello, darling, can I help
you?
Can I have another gin and
tonic, please?
Look at that.
Look what else is coming.
Take her home with me.
Whisk her off.
Easy, Joe.
Keep an eye on mine for me,
will you?
Just a minute, sir.
Hello.
Can I get a bottle of Bud?
I told you, sir.
I'll be with you in a minute.
What was it?
Bottle of Bud, please.
A cold one?
Yeah.
Okay.
And what are you drinking?
A pint of bitters.
Give me that before you take
your bloody eye out.
You never had all this trouble
when you wore glasses.
Come to think of it, you were
always losing them in school,
too.
Thanks.
I've been singing for 10
years.
You don't look old enough.
How long have you been
singing for?
All my life.
I've wanted to sing Don Alfonso
with a professional cast for
years.
Still do an evening a week...
Amateurs, of course, but bloody
good amateurs.
They're taking a bit of a
risk, aren't they, working with
a non-professional?
Never fear, my dear.
I'll keep you up to the Mark.
I'll have you know, I worked on
two productions last year.
I have read your curriculum
vitae, Stella.
It didn't take long.
But you're missing the point.
Critics who wouldn't normally
dream of coming near a
production like this will come
simply because Adam is putting
it on.
Even Boseley Adams may come.
Boseley?
Well, good. Lovely guy.
Lovely?
I think you're thinking of the
wrong chap.
White hair, big hooter?
Forked tongue? Venomous!
Well, he wasn't venomous to
me, Bunny.
I wonder why not.
Debbie's here.
Did you get her one?
She's being taken care of.
Yeah, why not?
Where was she trained?
She was spotted at uni and
transferred to the academy.
Tams worked with her last
year.
She consumed each and every male
member of the company up to and
including the
director.
Yeah, and she spat each and
every one of them out
afterwards...
...including the director.
Oh, god.
Oh, can we just stop talking
about it?
I'm not gonna be late.
I'm always early.
Well, I'm certainly on time.
If you could be 15 minutes
before the start time...
15 minutes?
You know, if you don't
like... if you don't like the
shoes, you must tell me
immediately.
I... well, I'm very
particular about my shoes.
Thank you, Adam.
What for?
For giving these kids the
chance for a real break.
It means so much to them at this
stage of their careers.
Just vanity... I've always
dreamt of being a professional
singer.
I know why you did it, and it
wasn't vanity.
Wasn't it?
No.
It's because underneath, you're
really a loving and generous
man.
Don't worry...
I won't tell anyone.
Good night, Adam.
Good night.
Philip?
Well?
Well what?
Haven't you noticed anything?
Yes.
You're wearing red shoes?
And?
And I have to finish this
tonight.
I've lost weight.
Five...
Whole...
Pounds.
Well done. That's great.
Darling, I'm sorry.
We start rehearsals in the
morning.
I hate you.
Mm.
Don't you dare be long.
Celia?
You asked my why I was doing
this.
Well, I've got a confession to
make.
It's only partly vanity.
I'm in love with you.
I've been in love with you for
years.
What are you doing here?!
Well, I might ask you the
same question.
Where's Celia?
We swapped.
Yeah, I can see that. Why?
I-I have to have an en suite.
It's in the contract.
Well, now you've got one.
Yeah.
Good night.
Good night.
Sir Adam?
Sorry to disappoint you.
Oh, oh, yes!
Oh, oh, don't stop. Don't stop.
Oh, yes.
Nicoletta, you're the best.
I think, last night, the ice
was well and truly broken, and
we have the makings of a really
tight, little company here, and
that's great, because I want
this to be a very memorable.
"Cosi."
I want to make this not only a.
"Cosi" that's moving, but a.
"Cosi" that moves.
Bloody hell!
I'm not wearing this.
No way am I wearing this.
What's the problem, Tamsin?
Oh, I have tits, darling.
This is just gonna cover them
up.
It looks like...
Marie antoinette's mother.
Don't be ridiculous, darling.
It's a drawing.
We can make it work.
Tamsin, will you please?
Hey, mine's cool.
I love the way the britches show
off the line of the leg.
That's not all they show off.
And he knows it.
He's such a wanker.
Do I get copies with this,
Bunny?
Excuse me.
Excuse me, everyone.
Excuse me, please.
That's ridiculous.
Philip, sorry, what did you
mean, "a 'Cosi' that moves"?
I mean a "Cosi" that's
choreographed...
"Cosi's" so static, normally.
I want to make this memor...
oh, bless you.
Gesundheit.
...memorable production.
Well, it will be memorable,
Philip.
You've got some very memorable
voices in this room.
I know, but I want to make it
kinetic.
Kinetic? What's that about?
That's "moving," Bunny...
Energy?
Well, I think it's a great
idea.
Always fancied myself as
nureyev.
In your dreams, Marty.
Absolutely, darling.
Come on, who's up for it?
Yeah, why not?
Of course.
I am.
But we haven't got time.
We've only got three weeks.
Come on!
Not up for it, Tom?
Sure, Nicoletta.
I'm up for anything.
Oooh!
With or without the codpiece,
Tom?
Okay, I bought each of you an
iPod.
Generous of you.
Nice.
Uh, no.
Generous of you, Sir Adam.
He was very insistent, sir.
I downloaded each of these
with rhythms to help deliberate
your bodies through movement and
sound.
It'll take more than an iPod
to do that.
Uh, Nathan.
You're not serious.
This is very different.
No, really.
Mozart loved movement.
He was a wonderful dancer.
Was he?
♪ Ah, scostati!
♪ Paventa il tristo effetto
♪ d'un disperato affetto
there's a pile of dirty
dishes in the kitchen if you've
run out of work in the garden.
There's plenty still out
here, mum.
Get on with it, then.
Why don't you ask her out?
Who?
That girl.
What girl?
The one you've been staring
at for the last 10 minutes.
I wasn't.
You were. I saw you!
She wouldn't want to go out
with me.
I've got a feeling she might,
you know.
What makes you think that?
A woman's intuition.
♪ E voi ridete?
♪ Certo, ridiamo
♪ ma cosa avete?
♪ Giã lo sappiamo ♪
All right, again.
♪ E voi ridete?
♪ Certo, ridiamo
♪ ma cosa avete?
Okay, it's nice to be so
loose, but... well, look.
Join in with the other one.
Okay, same step.
Basic... second one.
S-s-shit, shit, shit.
Sorry, I'm sorry.
Right. One more time.
♪ E voi ridete?
♪ Certo, ridiamo
♪ ma cosa avete?
♪ Giã lo sappiamo ♪
♪ Ridete piano!
♪ Parlate invano
♪ ridete piano, piano, piano,
piano ♪
♪ Parlate invano,
parlate invano ♪
Oh, fuck, oh, fuck, oh, fuck!
...looked like a meerkat on
speed.
Hey.
Hi.
Since when have you been a
choreographer?
I did a course at lecoq.
Did you?
Huh!
Yeah... while you were
warbling away in Glasgow.
Well, that's great!
Why didn't you tell me?
I didn't know if I would be
any good.
And are you?
That's what we're gonna find
out, isn't it?
Thought you were on a diet.
I am!
It's roughly on the end of
the line from Milan.
It's the very last sort of stop.
No, not really.
It's not really my sort of
thing.
...living there.
I know.
It's my favorite place.
It's so beautiful.
You don't have a tattoo,
then?
I do have a tattoo.
...the wheels of a business.
Oh, nice.
Oh, absolutely loved...
Thank you.
So, tell me, Sir Adam, how long
have you owned Maberley?
Thank you.
Oh, only the last five years.
I bought it from lord Ellesmere.
...that you could do this.
I know. It's been too long!
Why did Prodi's dates go
back?
Oh, theater availability.
Thank you.
So.
Nicoletta, how long have you
two known each other?
Oh, ages.
I used to rent a room in Celia's
house.
She was the best landlady
anybody could ever have.
I'll bet she was.
I didn't know that.
That's news to me.
How long ago was that?
Um, eight years ago?
No, I think it was about
10 years ago.
Already?
Yes! I know!
I can't believe it.
Lovely skin. So soft!
Thanks.
Do you, like, moisturize all
the time and stuff?
So, you're a protégé of.
Paolo's, Tom?
Uh, oh, yeah.
Yeah, absolutely.
He gave me my first break.
Paolo's had a lot of protégés
in his time.
But you must be the first with a
dick between their legs.
Yeah, well, actually, he's
just offered me a Don octavia
at La Scala for next year.
Really?
Wow.
Really?
Yeah.
Has he?
I was not aware of the
project.
Are you really, really
playing that part?
Nicoletta, you over him?
Oh, Paolo? Of course I am.
I worked with Paolo 35 years
ago, you know.
In those days, I regarded him
rather as my protégé.
Bunny, we all know you worked
with everybody.
A toast...
To our "Cosi."
May she be the most beautiful,
the most moving...
and the most kinetic.
And... absolutely... the most
kinetic, and also, but most
important of all, the sexiest.
"Cosi" that ever was.
Sexy.
Sexy.
Cheers to the French.
Excuse me.
Shot.
Oh! Christ!
Man, look at this!
This stuff's over 70 years old!
Enjoy.
Sexy.
Very important, that, Adam.
I'm glad you brought that up.
I'm a bit concerned on that
score.
It's got to absolutely sizzle
between you and Nicoletta, Tom.
Got to absolutely sizzle.
Yeah, it will, Philip.
Don't worry.
I am worried!
Don't be.
He's right.
Terrible atmosphere between you
two.
Look, I'll have her eating
out of my hand by the end of the
week!
I'll bet you won't.
Sir Adam...
I've never met a woman I
couldn't pull.
It's your modest,
self-deprecating charm, Tom.
They can't resist it.
They like a man who's sure of
himself, Martin.
Some of them resist to start
with but in the end...
You like the Brandy?
Best I ever tasted.
A case of that says you can't
have Nicoletta before the first
night.
You're drunk.
Yeah.
But I'm deadly serious.
I'm kicking your ass tonight.
Can life imitate art?
What do you think, Phil?
Come on.
Are you in or are you out?
What have I got to lose?
Your fat fee.
♪ Per pietã, Ben mio,
perdona ♪
♪ All'error
di un'Alma amante ♪
♪ Fra quest'ombre
e queste piante ♪
♪ Sempre ascoso,
oh, dio, sarã ♪
♪ Svenerã... ♪
Oh. Hi.
Hi.
Mind if I join you?
Oh... aah!
♪ Sposo, amante,
e piu se vuoi ♪
♪ Idol mio,
piu non tardar ♪
♪ Giusto ciel!
Now you stop resisting,
Nicoletta.
Now you give in to him. Give in.
Give in.
Melting, melting.
Cut. Cut.
Cut!
You're supposed to be in love
with each other!
You're supposed to be gagging
for it!
Break!
That's a break, everyone.
Back in 10 minutes, please!
I'm doing my level best.
Scusi, Nicoletta.
Can I have a word?
Do you mind?
Whoa. Sorry.
I always forget some singers
don't like to be touched.
I don't like to be grabbed.
Evening.
Evening.
I'm the touchy-feely type,
myself... I can't help it.
I've noticed.
Look, Nicoletta.
You were rubbish this morning.
Oh, thank you very much.
That's very kind of you.
And so was I.
Well, he's on a hiding to
nothing, isn't he?
Is he?
Yes. Surely.
Well, why?
He's... very talented and...
Can't we start afresh?
...very attractive.
Let me take you out for
dinner.
You think so?
I do.
But insolence certainly oozes
out of every pore.
How do you know he's not
Sincere?
You're so cynical, Adam.
I'm just observant.
So am I.
And, uh, I've observed a very
cynical streak in you.
He's chatting her up for a
bet.
That's how Sincere he is.
What? What?
Let's get back to work.
Nathan?
No, no, no, no.
Nathan, a minute. Thank you.
Adam, what do you mean?
Adam?
He's wagered his whole fee
that he'll have Nicoletta before
curtain-up on the first night.
That's appalling.
Isn't it just.
Apart from anything else, it
could wreck the whole
production.
What kind of a state do you
think she's going to be in if he
breaks her heart before we even
start?
She's much more likely to
break his, isn't she?
I doubt it.
And what kind of love scenes are
we going to have then?
On stage, those two have to
absolutely...
sizzle.
Right.
What idiot made this bet with
him, anyway?
Martin.
Hmm. Unbelievable.
Come on. You have to crack this.
Nathan!
♪ E voi ridete?
♪ Certo, ridiamo
♪ ma cosa avete?
♪ Giã lo sappiamo ♪
♪ Ridete piano!
♪ Parlate invano
♪ ridete piano, piano, piano,
piano ♪
♪ Parlate invano!
Parlate invano! ♪
♪ Se vi sentissero, se vi
scoprissero ♪
♪ Si guasterebbe tutto I'affar
♪ si guasterebbe tutto I'affar
well, that's better.
Thank you.
It's lovely here, isn't it?
It certainly is.
Look, can't we just be friends?
Please?
I feel it would really help our
performances if we got to know
each other a bit better.
I know it would really help
mine.
Okay.
For the sake of art, right?
Right, yeah.
Absolutely.
Baskerville, come here.
Tom? We need to talk.
Morning, Mrs. Hammond.
Morning.
Sure.
Yes, about the sexual
chemistry...
bit early, Celia.
But for you? Always a pleasure.
I'm serious, Tom.
You and Nicoletta have to
absolutely...
Sizzle.
I know. We will.
In fact, I am taking her out to
dinner tonight so we can get to
know each other better.
Look, Tom, I've known nics a
long time...
whoa. "Nics"?
Her close friends call her
that.
She's very complicated.
What... you mean like kinky?
No, not kinky.
Just complicated.
Like, she pretends not to want
to be touched.
Pretends?
Yes.
But secretly, she adores it.
What?!
No, you're kidding.
I'm not kidding!
Listen, Tom.
Her last big love affair went
wrong.
It was ugly.
How ugly?
I shouldn't be telling you
this.
No, no, no. But come on.
You must!
I need to know if we're going to
sizzle.
He was an older man, an
Italian.
She was very much in love,
but...
Oh, I really shouldn't be
telling you this.
No, you have to.
He wasn't masterful enough.
She likes masterful?
She'd never admit it, but,
yeah.
She needs it.
You know, some women do.
Oh, well, I know.
But Nicoletta... I mean nics...
I'd never have guessed.
And, of course, he made the
fatal mistake of poking fun at
her star sign.
What, she's big into
astrology?
It rules her life.
Mind you, there was one thing he
got right.
What was that?
Whenever she was really
upset, he'd win her 'round by...
by what?
Come on. Don't stop now.
What was she into?
She actually liked him
singing to her.
Like what?
Opera pops. What else?
Really, really turned nics on.
Opera pops?
Mm-hmm.
Amazing!
Oh, you couldn't make it up,
could you?
Ms. Drew?
These are for you.
Mm. Thank you.
No problem.
So, what's your name?
Eric.
Mm.
And what time do you get off,
Eric?
Off what?
Work?
Mmm. How is yours?
It's very good.
Mm.
This was a good idea.
Thank you for asking.
Thanks for coming.
Mm! Hey.
That's a nice bit of bling,
isn't it?
What?
You don't mind me doing that.
Um, I do.
No, you don't.
Mm, I do mind.
Not really.
Really.
Pleasure to see you again,
Sir Adam.
Thank you very much.
Good evening.
Thank you.
So, anyway, um, what sign?
Um, sign?
Star sign.
Do we have to?
Uh, yeah, we do.
Now shut up and let me guess.
Uh, sagittar...
Virgo.
Aha.
Aha what?
I'm Leo.
So?
Well, you know what happens
when a trembling, young virgin
meets the big, bad lion.
Excuse me.
Hi!
Hi!
How's it going?
Very well.
Are you having a good time?
Yes, really lovely.
Good.
See you later.
See you later.
So, nics, how did you start?
Was there always singing around
the house or...?
My parents hardly talked to
each other, let alone me.
I sang to... I don't know...
To be heard, I guess.
Mm.
Well, know what I'd say to that?
What?
Get over it, nics.
Get on with your life.
But that might be, um, a bit...
cruel?
Bit... bit... bit cruel.
Actually, I've got a bit of a
headache.
I'm gonna ask for the bill.
You're upset, aren't you?
No, no, I'm not upset.
It's just...
please.
♪ Ma n'atu sole
what are you doing? Tom?
♪ Cchiu bello, oi ne'
Tom.
♪ 'O sole mio
sta nfronte a te ♪
♪ 'O...
Gelato?
Oh, dear.
How was your dinner?
Up to expectations?
Still two weeks to go.
I'll have that Brandy off you
yet.
It was you, wasn't it?
Me, what?
You made the bet with Tom,
not Martin.
Didn't you?
Just a bit of fun.
It was horrible and stupid.
Look what's happened.
And you lied to me, Adam.
Look, nics, I'm really...
it's Nicoletta, all right?
Nicoletta.
But Celia said you like to be
called "nics."
You've been talking about me
with Celia?
Yeah, but...
Nicoletta, I'm leaving, too.
Mind if we share?
What have you been up to,
Celia?
I was just trying to...
trying to what?
I was just trying to protect
you.
I don't want to see you hurt.
I'm quite capable of looking
after myself, thank you.
Please just stick to conducting.
I expect you've traveled to a
lot of lovely places, haven't
you?
Mm, quite a few.
Must be nice, that.
I wish I had a voice like yours.
You know, I used to play the
cornet in school.
But my lips got too big for the
mouthpiece.
Really?
Look a perfect fit to me.
You think so?
Mm-hmm.
And I'm a bit of an expert.
But I get the feeling you're
not.
Well...
relax.
You're in safe hands.
Oh, good.
God, peacocks are a bit
lively tonight.
Lucky them.
Night.
Night.
Philip...
what?
Never mind.
Yeah, that's it.
Okay. Keep going.
Keep going. Okay.
Don't stop.
Can you be a bit quieter?
What?
Just don't wake my mum!
I hope I didn't wake your mum.
I think you woke the whole
house.
Morning.
Morning.
Tom?
Hi.
Hi, there!
Whoo!
Thanks.
About last night...
It was... it was totally my
fault.
You were set up.
I think we both were.
"O sole mio"?
What were you thinking?
I know, I know.
I was just trying to get to know
you better.
Why didn't you ask me?
I tried to, and...
...up comes this invisible
partition.
So I do some research, and...
Forgive me.
You, maybe.
Celia, never.
Oh, thank you for dinner.
My pleasure.
Okay.
I think we need to have another
go at the ferrando/fiordiligi
love scene.
If we can't make that work,
we're dead.
Costumes in the corner.
Oh, thank you.
Let's see them get this to
work.
And after last night, don't
hold your breath.
This is gonna be fun.
Bunny, what about my dress?
Never fear, my dear.
It's all in hand.
♪ Volgi a me
pietoso il ciglio ♪
♪ In me sol
trovar tu puoi ♪
♪ Sposo, amante,
e piu se vuoi ♪
♪ Idol mio,
piu non tardar ♪
♪ Giusto ciel
♪ sposo
♪ giusto ciel
♪ amante
♪ giusto ciel
♪ e piu se vuoi
♪ crudel
♪ idol mio
♪ hai vinto
♪ piu non tardar
♪ fa' di me quel che ti par
the last time I was in the
same room as Boseley Adams, I
had to be restrained from doing
him a serious injury.
I never thought of you as a
violent type, Bunny.
4 pounds, please. Thanks.
I've got all these ideas
about how to stage it, but
getting them over to that Mark,
I mean, it's just impossible.
What can I get you, sir?
A very long time.
They don't have any respect
for me.
Of course they do.
Adam only hired me because he
and Celia wanted Tamsin.
Well, that's bollocks, for
a start.
Adam hired you because he thinks
you're the most exciting young
opera director in the country.
He say that?
Yeah.
Really?
No. He might have done.
Bastard.
Relax, darling.
You're here on merit.
For most of them, I mean,
opera's just about standing
there, singing.
I mean, you ask them to move,
and they regard it as an
enormous imposition.
Well, I'm an opera singer.
I don't think it's an
imposition.
Well, could you kindly just
pass on the fucking message,
then?
All right.
Cheers.
Okay, everyone.
Act I finale, staggering
through.
And remember, guys.
This one's about movement.
Debbie, you can sit this one
out.
Everyone, start positions,
please.
Come on. It doesn't matter.
He's just trying something new.
Nathan, Celia?
Relax. Give it a try.
I've been giving it a try for
two weeks.
You always this bad?
You can take your glasses off.
Yes, yes.
Nanny me, Martin.
♪ Ah, che tutta
in un momento ♪
♪ Si cangio la sorte Mia
stop the music, please.
Stop.
I'm sorry.
Stella, can you do these
pages?
Okay.
But when the music starts,
you just... you're both looking
out, and you're in confusion.
You're in pain.
You're thinking about the old
love.
You're thinking about the new
love.
What's he up to?
I don't know.
Put on a brave face to each
other, and then when you're
about to sing the first line,
you just both float down the
sides, okay?
Can you do that?
Let's do it.
Yeah.
Cool.
Okay, great. Okay.
Nathan, Celia, going from the
top when you're ready.
Thanks.
♪ Ah, che tutta
in un momento ♪
Torment. Torment.
Ripping the heart out.
♪ Si cangio la sorte mi...
Fuck off ♪
♪ Ah, che un mar pien di
tormento ♪
♪ Ah, che un mar pien di
tormento ♪
♪ è la vita ormai per me ♪
♪ è la vita ormai per me ♪
♪ Si Mora, si, si Mora
guys. Guys!
Guys! Stop! Stop!
Not again, please.
...you really want to throw
yourselves off.
So why don't you just both come
along... first words, hop up
onto the parapet.
Hop up on what?
Onto the parapet.
What?
Is that all right? Just...
it's a bit of a drop.
Just get up.
Well... look, there's a...
you do it.
You really want me to do it?
Phil, be careful.
Yes, Stella. It's fine.
It's wobbling.
The girls can see you.
Nice pins.
Okay. Thanks.
That's not safe.
You'll be fine.
Nathan, Celia, can we go from
"㨠la vita"?
Come on, Martin.
Fucking great drop there!
♪ è la vita ormai per me ♪
♪ Si Mora, si, si Mora
okay. Stop the music, please!
What the fuck's he doing now?
I don't know.
♪ Si Mora, si, si Mora
♪ onde appagar le ingrate
♪ c'㨠una speranza ancora ♪
♪ Non fate, o dei, non fate
♪ stelle, che grida
orribili ♪
♪ Iasciatemi
♪ aspettate
♪ lasciatemi
down the steps.
That's it.
♪ L'arsenico mi liberi
di tanta crudeltã ♪
♪ Stelle, un velen
fu quello? ♪
Stop it!
What?
You're dying.
Dying, dying, dying.
Turn around. Turn around.
♪ La vita toglierã ♪
Oh, come on, guys,
concentrate!
Okay, they're ready.
We can go from the top.
Okay.
Thank you.
Nathan?
♪ Ah, che tutta
in un momento ♪
♪ Si cangio la sorte Mia
♪ ah, che un mar pien di
tormento ♪
♪ Ah, che un mar pien di
tormento ♪
♪ è la vita ormai per me ♪
♪ è la vita ormai per me ♪
♪ Si Mora, si, si Mora
♪ onde appagar le ingrate
♪ c'㨠una speranza ancora ♪
♪ Non fate, o dei, non fate
♪ stelle, che grida
orribili ♪
♪ Iasciatemi
♪ aspettate
♪ lasciatemi
♪ aspettate
♪ I'arsenico mi liberi
di tanta crudeltã ♪
♪ Stelle, un velen
fu quello? ♪
♪ Veleno buono e bello
♪ che ad essi in pochi istanti
♪ la vita toglierã ♪
You all right, Tom?
Okay. Well done, everyone.
Hey, that was beautiful.
Good work!
Up, up, up, up.
Nice, nice, nice.
Really, really, really good.
I did?
Fantastic.
For the first time, I think they
may actually get it.
What did you say to them?
I said I thought you were
onto something.
I'm so proud of you!
Well, thanks, I really
appreciate it.
Thanks, everyone.
That really is a huge
improvement.
Well done.
Psst.
Psst!
Up here.
Oh! Hi.
Do you ride?
Ride?
You know, horses.
Oh.
Oh, uh, a little.
Meet me at the stables, 8:00
tomorrow.
Don't be late.
Come on! Let's go!
Tom, it's too high!
Don't do it!
Whoo-hoo!
Come on.
Come on!
Whoo!
Get on.
Tom!
Tom!
Tom!
Tom?
Tom?
Oh, my god.
Oh, god. Tom! Tom!
Are you all right?
Are you all right?
Oh, god.
"With regard to my
forthcoming production of 'Cosi'
at Maberley..."
hello?
Adam, it's Nicoletta.
Tom's had an accident.
What's happened?
He fell off his horse.
Where are you?
I don't really know.
I think he...
I think... I think he's...
he sends his love.
Hey!
Hey, where's the sense of humor?
You think it's funny, scaring
someone like that?
I thought you were dead.
You bastard.
You fucking asshole!
Lord Ellesmere must be...
turning in his grave, no
doubt.
There's a lot riding on this,
Mrs. Hammond, for all of them.
But when she sings, she's got
the voice of an angel.
Look, I said I was sorry.
Well, sorry just doesn't do
it for me right now.
You know what, Nicoletta?
You're the most uptight person
I've ever met.
Why don't you just lighten up?
♪ Se teco non I'hai
♪ perché batte qui?
♪ Se a me tu lo dai,
che mai balza li?
♪ Perché batte, batte, batte,
qui? ♪
♪ Che mai balza, balza, balza
li? ♪
Use her tits.
Philip!
Use her tits?
Yeah.
What, you want me to milk
her?
No! Now, come on, Tams.
You're perfectly safe with
Martin.
Yeah, I know that.
Well, give it a go!
Sorry about this.
It's all right. Be my guest.
One, two!
♪ Se teco non I'hai
♪ perché batte qui?
♪ Se a me tu lo dai,
che mai balza li?
♪ Perché batte, batte, batte,
qui? ♪
No, sorry.
It's more complicated than this.
Um, Guglielmo is touching a girl
he plainly wants, but he knows
he shouldn't be seen to want.
Yes, but if he wants her and
he knows it, darling, then why
doesn't he just go for it?
Because she's his mate's
fiancée.
Fidelity was a big deal in those
days.
Yeah, but he's already been
unfaithful in his heart, hasn't
he?
Yes.
So every touch should be, like,
electric for them.
Does that make sense?
Makes perfect sense.
Well, let's give it another
go.
Uh, sorry, Philip.
We have to go.
Where?
Production meeting?
Oh, no. I forgot.
I'm sorry, guys.
We're gonna have to pick it up
later.
Sorry. Thank you. Damn.
All right. Music. Celia?
All gorgeous.
Hear, hear.
And we think that Adam's
doing brilliantly.
Absolutely.
I...
I hate to be a wet blanket, and,
um...
It's not really my department,
but the... the frocks are very
lovely, and... and they're
terribly expensive.
What are you wittering on
about, Bunny?
I'm wittering on about the
weather.
Suppose it rains.
Well, for a start, the
musicians won't even take their
instruments out of their cases.
Not a chance.
Oh, Christ.
We'll move it all into the
ballroom.
There's no room.
Of course there is.
What about my choreography?
They're not coming to watch
your choreography.
They're coming to hear us sing.
Oh, god...
Right.
Orchestra comes down day after
tomorrow, Friday A.M.
Dress that evening, first night
Saturday.
Are the press still coming?
Of course they are.
You asked them.
Rehearsals.
Can we, um...
there's still time to cancel
it.
I've got that list you
wanted, Bunny.
Critics are the reason
they're all doing it, Adam.
Excuse me.
Nicoletta's disappeared.
Took her horse back to the
stables, but she's nowhere to be
seen.
She's not in here, she's not in
her room.
Tom says Nicoletta's
disappeared.
Nicoletta!
Where is she?
Nicoletta?
Nicoletta, it's me. It's Tom.
Please, please call me.
I-I've looked for you
everywhere, and I...
I just want to tell you how
sorry I am.
Screwing about like that, it's
typical me.
I...
Anyway, I apologize.
No, you're right.
I should lighten up.
But for one awful moment, I
thought you were dead.
I'm sorry.
No, really, it's my fault.
Imagine if you had been...
well, then they'd have
canceled the show.
Disaster.
Catastrophe.
There you both are.
Philip's very anxious to get
on.
Yeah. So are we.
He grabbed me from behind.
What? You're kidding!
I know.
It was really annoying.
I just was not...
Bunny?
...driving me to distraction!
Bunny, about my frock!
Oh, god. Oh, Tamsin.
Yes, we're going to make you
look completely beautiful.
We're going up to London first
thing in the morning.
But we really need to talk
about it now.
And I have Tom in the
afternoon.
My cup runneth over.
Angels, Tom.
I'll see you there, Bunny.
Bunny?
Um, um, uh, uh, Philip?
Philip, I wanted to talk to you
about the, uh... the thingy.
The thingy?
The thingy. Um, uh...
My bloke doesn't love me.
My costume designer's abandoned
me.
I'm alone in the world.
What do you mean your bloke
doesn't love you?
Of course he loves you.
We haven't had sex in months.
That was instead of a birthday
present.
Oh, yes.
Oh, yes.
Oh... oh, yes.
Hello.
No one does this like Nicoletta.
You should try it, Adam.
Yes, I think I should.
Not going out tonight?
Eric?
No.
Plenty of other fish in the
lake, you know.
Not like her.
Well, it's disgusting!
I know. It's disgusting.
Thanks.
Hi!
Anyone fancy a stroll before
bed?
Great idea. Debbie?
Um... no, that's all right.
You guys go for it.
I'll see you tomorrow.
Night.
Night.
You know, there's something
about tenors that if they have
an orgasm, they lose their
voice.
And if sopranos have an orgasm,
they gain their voice.
So we always try and get to
fuck...
have, uh, you seen Philip?
He went outside with
Debbie, didn't he?
You could try on the terrace.
Thanks.
Have you ever slept with
somebody very fat?
I have, and it's great.
God, it's magic, isn't it?
All be over before we know it.
Yeah.
I'm gonna miss you.
I'm gonna miss it all, everyone,
everything.
I've been wanting to do that for
such a long time.
Adam, you'll be fine.
Fine.
I don't feel fine.
Well, you should.
Maybe you should take a little
rest, do something... do
something completely different.
What are you doing tomorrow?
I think I'll stay here.
So, did some Italian guy
break your heart, or was that
another part of Celia's wind-up?
Oh, no, he didn't break my
heart.
Hmm?
You know him, actually.
I do?
Yeah.
Paolo Prodi.
Ah, well...
Actually... no, I don't.
But you said you did.
I know. I know. I know.
I know. It's terrible.
It's terrible.
I was so desperate for the job,
for a break.
And I knew if I could get it, if
I could... Just get it...
I could do it really well.
You were right about that.
But there's a problem.
There's a big problem.
Why?
You don't love Tamsin.
Of course I do.
Yeah, yeah, but not like
that.
She knows you don't.
What do you mean?
She told me today.
Did... she?
Look, I know I've acted like
an idiot ever since this job
began.
I say stuff I don't mean.
It's not really me.
It's just nerves.
Yo suffer from nerves?
Can't eat. Can't sleep.
But worst of all...
You sweat?
Had you noticed?
Oh...
No!
Well, I'm not gay.
Just like kissing men?
Ye... no.
Look, I don't know.
You're a lovely guy.
Oh, thanks.
Look, Philip...
I like you. All right?
But I don't want to be messed
about.
And I don't think you should
mess Tamsin about, either.
Come back to me when you've
worked out whether you're Arthur
or Martha.
Come on, boy.
Hey.
Come.
I love you.
No, you don't.
I tried to tell you that
first night.
You switched rooms.
Found I was telling Tom.
Tom?
How did he take it?
Surprisingly well.
Then I thought you...
You thought what?
I-I thought maybe you were...
No, Adam, tell me...
Baskerville, come! Heel!
Baskerville!
There's something I should
tell you.
What?
What's that?
What's what?
That.
What?
God.
Aaah!
Aah!
Keep away. Keep away from me.
Away!
No! No! Aah!
Aah! Get down! Get down!
Baskerville!
Bad boy!
Baskerville!
Baskerville, down!
Baskerville!
Go on! Go away!
Hey, hey, hey, hey, hey, hey!
Come here, Baskerville!
Down, Baskerville!
Whoa!
Leave me alone, you brute!
Baskerville!
Get off!
Baskerville!
Come on, Baskerville!
Baskerville!
Why are men such bastards,
Adam?
What Tom gets up to is no
business of ours.
Of course it is.
Tom seduced Nicoletta because
you bet him a case of Brandy he
couldn't.
How do you think she's going to
feel when she finds out?
She won't find out.
Oh, come on.
Of course she will.
I'm off to London first thing.
I thought you were staying
down here.
I've changed my mind.
Oh, come on.
Hey, Deb.
Oh, hey, Philip.
Haven't got a cigarette, have
you?
No, and you shouldn't be
smoking.
Yeah, yeah.
Spare me the public health
warning.
I'm trying to give up.
Aren't you with someone?
Nope. Why? Should I be?
No.
No, just seems to be one of
those evenings when everyone
is...
Pairing off.
Yeah.
So, where's Martin?
God knows.
Baskerville!
Baskerville!
Have you seen Baskerville?
Martin took him for a walk
earlier.
I saw him down by the lake
about 10 minutes ago, I guess.
By the lake?
What is her problem?
She's obsessed with her dog.
I know. It's ridiculous.
Where were you all evening?
I went for a walk.
Who with?
No one.
Don't lie to me, Philip.
I saw you.
You were with Debbie.
For god's sake, we bumped
into each other.
She wanted me to give her a
cigarette.
Well, I'll bet that's not all
she wanted you to give her.
What?
She'd shag anything.
How could you?
That's what I love about you,
Tamsin.
You are so good for my
self-esteem.
Yeah?
May I come in?
Yeah.
I know it's very late, but I
felt I simply had to have a word
with you.
Did my son mean nothing at all
to you?
He was fun.
And I kind of got the impression
he thought I was, too.
Life goes on.
With Philip.
Philip?
For god's sake, I don't fancy
Philip.
With Bernie, then.
I don't think this is any of
your business.
Those two have been friends
since primary school.
Bernie always looked after Eric.
You've destroyed that.
Do you think I enjoyed them
fighting over me?
I don't know. Did you?
Of course not.
I pity you.
You'll go all through life
singing about love, never having
the faintest idea what you're
singing about.
How dare you?
You don't know anything about
me.
You were the first woman Eric
ever showed interest in.
And now you've broken his heart.
Look, I'm sorry.
I don't do long runs.
It's for one night only with me.
I'm sorry.
I'm sorry.
Ciao, Celia.
Ciao.
I'll see you tomorrow.
Yeah.
Oh, what was it you were
going to tell me last night just
before Baskerville arrived?
Oh, I was... I was gonna tell
you that I...
What?
I was going to tell you that
I love you.
Fennel tea?
Uh, yeah. Please.
There you go.
We have lots to talk about.
Thanks.
Um...
Nicoletta...
You won't take Tom too
seriously, will you?
Hmm.
Tams, I know we used to laugh
about him.
Now I know what he's really
like.
Do you?
Yeah.
Know what he's really like?
We had the most beautiful
night together.
He told me everything about
himself... his awful childhood,
his fear of failure, everything.
Then he's told you about the
bet.
What bet?
Adam's bet.
A case of Brandy Tom can't have
you by curtain-up.
Have me?
Yeah.
It must be a joke.
I don't think so.
Ah!
Ah!
Say, Nicoletta, that stuff's
worth over â£200 a bottle!
£2,400 the lot.
Nice to know what I'm worth.
There are hookers worth more
than that in one night!
Last one.
Well done, sir.
Thank you, Eric.
Amazing, aren't they, sir?
These opera people.
Feel so deeply.
Dog's getting pissed, sir.
Who can blame him?
Health and safety, Bunny.
The bugger health and safety.
Have you any idea how much these
fabrics cost?
I can't have you losing all
the explosive projectiles on the
first night without the remotest
idea where they're going to
land.
We have to have a trial launch.
We never used to have a trial
launch.
Is Tom here yet?
Not as far as I know.
Adam, I'm very, very worried.
Oh, for god's sake, it'll be
fine.
They're professionals, aren't
they?
If one of Sir Adam's titled
friends meets his maker, like
king Harold at the battle of
Hastings, it will not be down to
me.
♪ Come scoglio
♪ immoto resta
♪ contro I venti
♪ e la tempesta
♪ e la tempesta
oh!
Come on! What was that for?!
You fucked me for a bet, then
ask me what it was for?!
How could you do that?
Are you satisfied?
You wanted them to sizzle,
didn't you?
Don't talk yourself down,
Tom.
You won it fair and square!
Too bad you won't be able to
enjoy the Brandy.
Look, I admit, it was a
stupid joke.
A joke?!
Thanks.
I rang Adam, and I called it
off!
Didn't I?
Did you?
Yes!
Give me your phone.
Come on, man. It's important!
Don't seem to have it.
Oh, for god's sake!
Hey.
I was completely taken in by
him.
I feel like such a fool.
I could kill him.
Well, you know what they say.
What do they say, Deb?
Don't get mad.
What?
Get even.
How?
Well, everyone has a weak
spot.
What's his?
Do you have a phone on you?
Here you go.
Thank you.
I'm glad there's no problems.
Bunny, those tables are gonna
get right in the way of the
action.
Yeah, absolutely.
Okay.
Okay.
I think that formally counts as
bit of a breakthrough.
Thank you, everyone.
See you at the dress rehearsal
tonight.
That's a dress rehearsal,
7:00 tonight for wigs and
makeup.
Fittings at 5:30.
6:25.
Oh, and notes after.
And notes after.
And after notes, drinks,
okay?
That's drinks tonight after
notes.
And don't forget, everyone,
opening night, day after
tomorrow.
7:00 show. 6:25.
All the orchestra needs, there
are just a couple of things I
need to look at.
Celia needs to look at some
music.
Philip, was I all right?
Yeah. You were perfect.
Perfect. Perfect.
Hey, uh...
Well done, Philip.
It's gonna rain.
Look.
Don't. Don't.
It's not gonna rain.
Right.
No.
No-o-o-o-o-o-o-o!
We haven't even had a chance
to rehearse in here.
The layout's different.
It'll be fine.
Has anyone seen Tom anywhere?
No.
Bernie, get on with that one.
Okay, Stella, we're good to
go.
You're good to go, guys.
Here we go.
Eric.
Thank you.
Adam, Adam, have you found
your phone yet?
No.
Do you remember where you
lost it?
If I knew that, then it
wouldn't be lost, would it?
You're on. Go.
♪ La Mia dorabella
capace non é ♪
♪ Capace non é
♪ fedel quanto Bella
il cielo la fe' ♪
♪ Fedel quanto Bella
il cielo la fe' ♪
♪ Ia Mia Fiordiligi
♪ tradirmi non sa
♪ tradirmi non sa
♪ uguale in lei credo
Costanza e beltã¡ ♪
♪ Uguale in lei credo
Costanza e beltã¡ ♪
♪ Ho I crini giã¡grigi
ex cathedra parlo ♪
Anna, get on with it.
Yes, missus.
♪ Ma tali litigi
finiscano qua ♪
♪ No, detto ci avete che
infide esser ponno ♪
♪ Provar ce'l dovete
se avete onestã¡ ♪
♪ Tai prove lasciamo
♪ no, no, le vogliamo
♪ o fuori la spada
♪ o fuori la spada
♪ o fuori la spada
♪ rompiam I'amistã¡
Stella.
What?
Stella.
What is it?
Come here.
Who's that?
What do you mean, Philip?
Who's who?
Up there.
Who is that guy?
What?
Oh. Th guy.
That's Paolo Prodi.
Yeah, right.
It is.
No, don't be ridiculous.
♪ In me sol trovar tu puoi
♪ sposo, amante,
e piu se vuoi ♪
♪ Idol mio,
piu non tardar ♪
♪ Giusto ciel!
♪ Tardar
♪ giusto ciel!
Shh!
Well done, Bunny!
Bellissimo!
What would lord Ellesmere
have thought, Mrs. Hammond?
He'd have been very worried
about his neighbors.
Oh, come on, mum.
He'd have thought it was bloody
fantastic.
Perhaps.
Well done. You did it!
For once.
Come on, everyone.
We've got work to do.
Nicoletta, you were... you
were... you were tremendous.
Thanks.
There's someone here you'd like
to see again.
Thank you, darling.
May I have your attention,
please, for a moment, everybody.
I invited an old friend of mine
and Tom's down to see our
production.
It's a great honor to have him
here with us tonight.
Signore Paolo Prodi.
Paolo, Tom told us all about how
you were like a father to him
when he was starting out.
Remind me, where did we meet?
Well, it was quite a long
time ago, Paolo.
You're not old enough for it
to be a long time ago.
He's never even met him.
And I never forget a face.
When was it?
Uh, in, um, in... in London.
I was just a student there.
I'm sorry I don't remember
you.
I must be getting old.
That was a shitty thing to
do.
Well, he talked as if he and.
Paolo were best buddies.
He's such a liar.
Thank you, thank you.
Anyway, he didn't come all
the way down here for that.
Listen.
I want to thank you very much
for allowing me to attend your
dress rehearsal.
I regret I couldn't be here
tomorrow night.
I have to be in Milano.
A little problem.
Not so little, actually.
My star has developed polyps on
the vocal cords.
Nicoletta heard about it.
She told me how talented you all
are, and she's right.
We're looking elsewhere, of
course, but...
Tomorrow, I must make my
decision.
Thank you again.
You, I know. Bunny.
How could you do that to me
in front of everyone?
Now you know how I felt.
In '74.
No doubt.
Don't get too excited about
the part.
It won't be you.
Unless you can become soprano
overnight.
Of course, I could arrange that.
In fact, it would be my
pleasure.
Caro.
There are certain things we
still need to discuss right
away.
I know.
What a gas!
What's the part?
What's the sodding part?
I don't even know what opera
it is.
If it's me he wants, you must
come, too.
To Milan? I can't.
You must.
What about Tamsin?
What about me?
Eric, will you dance with me?
Not serving the vintage
champagne.
If this runs out, try serving
kava.
They'll never notice the
difference.
I'm sorry about the other
day.
I was a complete coward.
Just had a lot on my mind.
It's all right.
I remember I used to get nervous
before concerts, and that was
just school.
I'm gonna miss you when
you're gone.
You'll find someone else.
Oh, no, I meant all of you.
It was fantastic tonight.
Fantastic.
I want to be a part of it.
I was thinking.
Do you have, like, roadies in
opera?
You know, people who lug all
the gear and stuff?
Yeah.
Do you know any?
I've known quite a few in my
time.
'Cause I thought maybe I
could do that.
Could you put a word in for me?
Eric, it would be my
pleasure.
Philip.
Well done, darling.
Well done, yourself.
It worked beautifully.
Beautifully.
Nicoletta, please.
I love you.
How could you even dare to
use that word?
Look, I told you.
I canceled the bet.
I called Adam and left him a
message.
I told him to keep his bloody
Brandy.
Then why didn't he?
He never got the message.
Because there never was one!
I'm going back to Milan after
this, Tom.
Let's just try to get through
the next few days as
professionally as possible.
This is my last gig.
What? Why?
I'm going back to uni to
study medicine again.
This is such a fantastic
life.
Won't you miss it?
Yeah, it's... it's been
great, but...
...it's not enough.
Not anymore.
Oh, I love this one. Come on.
♪ Now I don't see how that's
a threat ♪
♪ But if I were to make a bet
♪ I think you'll find
it will be found ♪
♪ That most of us like playing
around ♪
♪ If infected by the bug
♪ it gives your heartstrings
quite a tug ♪
♪ You fight and fight
oh, you were terrific!
You were.
No, you are amazing.
Shall we go to bed?
Together?
Tends to be more fun that
way.
Adam, I'm very fond of you,
and I think what you're doing
here is wonderful.
Good.
'Cause I done it all for you.
I love you.
It's very easy to think that
you're in love here.
But what would it be like in
newcastle or Glasgow or stoke?
I'll come and see you in
newcastle or Glasgow, even
stoke.
I bet you won't.
No bets.
I mean it, Celia.
Let me sleep on it.
♪ But if you don't, dear,
confess ♪
♪ And please don't tell me
♪ perhaps
♪ perhaps
♪ perhaps
yes!
Oh.
Look, this is bloody
ridiculous.
You got to tell her.
I will.
I just need to find the right
time.
Excuse me. Sorry.
Um... emergency.
Adam's lost his voice
completely.
What?
He was all right last night.
Well, he's not all right this
morning.
You'll have to go on for him.
I can't.
You know the moves.
It's not a huge sing.
I'm tone deaf.
I see.
Well, that's fucking handy in an
opera director.
Might I have a look,
Sir Adam?
Open wide.
Mm.
Lord ellsmere had the same
affliction the night before his
maiden speech in parliament.
There's only one thing to do.
Do you want to sing tonight?
Please, Adam. Trust me.
You're going to be all right.
Well done, sir!
Madam, have you found it yet?
Okay.
You'll live.
Off to wardrobe, promptly.
What the hell is going on?
What else has he lost?
His phone. I have to find it.
You could try somewhere down
by the lake.
What makes you think he lost
it there?
It's just a hunch.
But where down by the lake?
Oh, in the woods somewhere.
Somew...
Somewhere?!
It's a sodding big wood!
Take Baskerville.
If anyone can find it, he can.
Baskerville?
Mr. Prodi.
Could I have a moment with
you, miss Ford?
You can have as many moments
as you'd like, Mr. Prodi.
Mm.
I would like you to sing
dorabella in Milano.
Would you do that for me?
Yes, please.
Okay.
And?
I got it.
Well done, Tams!
Ohh!
Thank you.
You deserve it.
I've got to tell Philip.
Tom?
Wardrobe.
Come on, Baskerville!
Find it, boy!
Go on, boy!
Shut the door.
I just want to see, you
know?
Yeah, I know.
Good boy!
Oh!
Philip!
Has anyone seen Phil?
He went to give Martin
something.
Oh, great. Thanks.
Bunny!
We have a problem.
Come back here, Baskerville.
Come back here!
Philip, pick up!
Tom is absent without leave!
Awol!
Philip, where are you? Pick up!
What do you smell,
Baskerville?
What are you doing?
Where are you?
♪ La Scala
pick up, Philip!
I can't find Tom!
Come on, Philip!
What are you doing?
Philip!
Baskerville!
Drop it!
Oh, god.
Almost.
Drop it.
Drop it!
Good boy.
Prodi's given me...
look, I can explain.
Tamsin.
Tamsin, hang on!
You all right?
What's happened, Tamsin?
Come on, tell me.
Tamsin, I can explain.
I can explain.
Don't, Phil.
Well done.
You finally found someone you
can get it up for!
Come on, darling.
He's not worth it.
Where the hell have you been?
We've got a major crisis on our
hands.
Mm, we're not doing too well
here.
Tom has gone missing.
I can't find him anywhere.
I went to wardrobe...
Stella.
Can I just put some clothes on
first?
Look, Baskerville, I know we
got off on the wrong paw, but
you got to help me out on this
one, eh?
Come on, you daft dog!
Come on, Baskerville! Come on!
Come on!
I want to thank you again,
Sir Adam, for your help and your
hospitality.
You have an excellent production
here.
Where's...
Oh, no.
Come on, Baskerville.
We've got to find it.
Message received at 6:45 P.M.
Shut up!
It's Tom. You win.
Keep my fee and forget we ever
had a bet.
I'm in love, mate.
I'm in love.
Yes!
Come on, boy!
Come on!
I'll race you!
Adam's finally done it.
Beautiful day.
Just walked up to him and
said hello.
I thought everyone went
absolutely brilliantly.
And you were so good last night.
Prodi told me he thought you
were a professional.
Absolutely.
It's very disappointing.
I suppose we'll just have to do
the scenes you're not in.
Oh, well.
I'll make an announcement.
Tom's gone awol, so has
Nicoletta.
We can't find them anywhere!
Adam, this is all your fault.
If you hadn't have made that
bloody bet!
Nicoletta!
Nicoletta!
Hello!
Hello.
Nicoletta!
Excuse me! Excuse me!
You can't go back to Milan.
What are you doing?
With all these people here!
You can't go back to Milan!
Please!
Over here, Nicoletta!
Please.
Just listen to this message.
What?
Just listen to it.
Tom, you're supposed to be in
wardrobe.
Philip!
Come on!
Philip, I'm sorry.
I must have been blind.
Tamsin.
Why didn't you talk to me?
I didn't know till the other
night.
I'm really... I'm sorry.
I'm so sorry.
Come back here!
Please, just listen to the
message.
Come on.
I just want you to be happy,
Philip.
You're gonna be amazing in
Milan.
Tamsin, sorry, can I just
borrow you for one minute?
Before we give you our "Cosi,"
it's my pleasure to announce
that my friend Tamsin here...
Philip. You all right?
...has just heard that her
next role will be at La Scala
singing for Paolo Prodi!
Bravo!
Ladies and gentlemen, a star
is born.
Come on, Nicoletta.
Listen to it, please.
Adam, it's Tom. You win.
Keep my fee and forget we ever
had a bet.
I'm in love, mate.
I'm in love.
That was just after I left you
two days ago.
Eric.
I... I just wanted to give you
this.
Don't go to Milan.
Come to Moenchengladbach.
Moenchengladbach?
No, I swear. I swear.
I'm singing next.
So, Paolo in Milan or you
in Moenchengladbach?
I hope you get the job.
Thanks, Debbie!
Will you... will you all go
and do what I'm bloody well
paying you for?!
Adam Drummond is back!
Mrs. Hammond, I could kiss you.
Then why don't you?
Adam! Hey! What about me?
I knew you wouldn't let us down!
You must give me the recipe
for that, Mrs. H.
Oh, I made it up myself,
Bunny.
It's all in the mind.
Let's go!
We got a show to put on!
We loved the preshow improv,
Philip.
But, tell me, do you really
think it helps?
Yes, Boseley.
How exactly?
Well...
I think it had sizzle.
Sizzle?
Mm.
I see.
Well, we're about to find out
tonight whether it does have
sizzle, won't we?
Can I have an "a" please?
What's Moenchengladbach like?
Oh, it's fabulous.
Lovely to see you, Celia.
Hello, Jennifer.
Is it?
Mm. Unforgettable.
You've never been, have you?
Good luck, Maestro.
Stella.
We're good to go.
Good to go, guys.
You're on! Go!
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