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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:34,024 --> 00:00:36,035 You can't just barge in here like... 2 00:00:37,120 --> 00:00:39,263 What did I tell you two about talking to lawyers? 3 00:00:40,433 --> 00:00:41,947 No, we didn't! We didn't! 4 00:00:42,072 --> 00:00:43,959 You don't think I know what goes on in my town? 5 00:00:44,127 --> 00:00:46,003 When I tell you not to do something... 6 00:00:51,748 --> 00:00:52,551 Sit down! 7 00:00:54,834 --> 00:00:56,472 Don't do it. 8 00:00:58,433 --> 00:01:00,126 Now, get me the other hand. 9 00:01:02,123 --> 00:01:03,396 Please don't. Please. 10 00:01:03,564 --> 00:01:06,732 I swear, we didn't do anything. Please! We didn't do nothing. 11 00:01:11,780 --> 00:01:14,179 The rich and powerful take what they want. 12 00:01:14,304 --> 00:01:15,893 We steal it back for you. 13 00:01:23,139 --> 00:01:26,919 Sometimes, bad guys make the best good guys. 14 00:01:28,714 --> 00:01:30,717 We provide leverage! 15 00:01:31,258 --> 00:01:33,592 Season 3 Episode 6 The Studio Job 16 00:01:36,997 --> 00:01:39,849 - I'm sorry. I'm still a bit shook up. - That's all right. 17 00:01:40,667 --> 00:01:42,309 - I got it. - That's all right. 18 00:01:43,737 --> 00:01:44,562 Thank you. 19 00:01:44,953 --> 00:01:48,097 So, your brother... Now, will he ever play again? 20 00:01:48,222 --> 00:01:50,551 Doctors say he'll be lucky to move his fingers again. 21 00:01:51,816 --> 00:01:53,266 Music was his life. 22 00:01:53,391 --> 00:01:55,573 What Kirkwood did was more than wrong. It was... 23 00:01:55,741 --> 00:01:56,866 It was cruel. 24 00:01:59,831 --> 00:02:01,829 Now, this guy Kirkwood you said he has a reputation 25 00:02:01,997 --> 00:02:04,540 for doing these kinds of things. So why would you work for him? 26 00:02:04,936 --> 00:02:06,709 He owns a record label, Mr. Ford. 27 00:02:06,992 --> 00:02:07,710 So? 28 00:02:08,836 --> 00:02:10,186 Put it like this. 29 00:02:10,914 --> 00:02:13,938 The day I was born, my mama said I looked at her, smiled, 30 00:02:14,063 --> 00:02:15,843 and asked: "Which way to Music City?" 31 00:02:16,351 --> 00:02:18,304 - He was your shot at stardom. - Right. 32 00:02:19,637 --> 00:02:21,644 He hired us to write songs for other artists. 33 00:02:21,769 --> 00:02:23,330 His more established artists. 34 00:02:23,455 --> 00:02:26,771 It was good money, plus royalties. And we thought we'd hit the jackpot. 35 00:02:27,428 --> 00:02:29,817 - But when it came time to pay... - He showed you the fine print. 36 00:02:29,942 --> 00:02:32,109 Exactly. He charged us rent to park in his lot. 37 00:02:32,710 --> 00:02:34,532 He charged us for the pens we used. 38 00:02:34,657 --> 00:02:36,034 He owns our publishing. 39 00:02:36,159 --> 00:02:38,460 So the only difference between Kirkwood and the majors 40 00:02:38,585 --> 00:02:40,663 is that the majors use lawyers to do their dirty work. 41 00:02:40,788 --> 00:02:42,386 And our songs were good. 42 00:02:42,605 --> 00:02:43,732 And they did well. 43 00:02:43,857 --> 00:02:46,662 And before you knew it, he owed us hundreds of thousands in royalties. 44 00:02:47,602 --> 00:02:50,148 - You ever confront him? - Instead of paying us, 45 00:02:50,273 --> 00:02:52,788 he offered to record our own album in his studio. No charge. 46 00:02:52,996 --> 00:02:55,257 And he said he was gonna get us a spot on "Saddles & Spurs". 47 00:02:55,425 --> 00:02:58,886 - "Saddles &Spurs", what's that? - A big music festival in Memphis. 48 00:02:59,197 --> 00:03:01,622 - All right. So, what happened? - When he heard the album, 49 00:03:01,976 --> 00:03:05,157 he decided it was too good to waste on a couple of unknowns. 50 00:03:06,067 --> 00:03:07,436 So he stole it! 51 00:03:07,921 --> 00:03:11,443 The devil may have gone down to Georgia, Mr. Ford, but he lives in Memphis 52 00:03:12,150 --> 00:03:15,954 Mitchell Kirkwood. Record producer and CEO of Kirkwood Records. 53 00:03:16,079 --> 00:03:17,238 Now, here's a fun fact. 54 00:03:17,406 --> 00:03:20,616 He started off his career as an artist. Does anybody remember this? 55 00:03:35,653 --> 00:03:37,672 I say we take him down for that alone. 56 00:03:37,914 --> 00:03:39,120 Critics agreed. 57 00:03:39,245 --> 00:03:41,553 It's probably why he never released another single. 58 00:03:41,678 --> 00:03:44,675 He took all the money he made and funneled it into his record company. 59 00:03:44,800 --> 00:03:47,935 And judging by the number of lawsuits filed and dropped within days, 60 00:03:48,103 --> 00:03:50,688 I'd sait's not his first time forcing somebody to settle out of court. 61 00:03:50,856 --> 00:03:52,766 - Does he have a criminal record? - None. 62 00:03:52,891 --> 00:03:55,317 He carved out a nice little kingdom in the country-music world. 63 00:03:56,558 --> 00:03:58,908 He stole Kaye Lynn's music. He stole her money. 64 00:03:59,033 --> 00:04:02,173 - He took over their publishing. - Yeah, but we're gonnget it back. 65 00:04:02,628 --> 00:04:05,123 I understand how to steal money, 66 00:04:05,248 --> 00:04:06,829 but how do you steal music? 67 00:04:06,997 --> 00:04:08,593 It's called a digital master. 68 00:04:08,718 --> 00:04:12,339 It's high-quality, multi-channel, studio-recorded, mixed, and engineered. 69 00:04:12,604 --> 00:04:15,883 Price to produce: hundreds of thousands, sometimes millions. 70 00:04:17,215 --> 00:04:20,217 Now, this building right here... Kirkwood records, Memphis, Tennessee. 71 00:04:20,385 --> 00:04:22,965 Now, inside this building is a hidden safe 72 00:04:23,090 --> 00:04:26,386 that contains these digital masters, one of which has Kaye Lynn's music on it. 73 00:04:26,511 --> 00:04:28,714 - So it's a smash and grab. - Not exactly. 74 00:04:29,501 --> 00:04:31,656 'Cause we have to make sure she gets back the money. 75 00:04:31,781 --> 00:04:33,549 And a little extra for hospital bills. 76 00:04:33,674 --> 00:04:36,202 Making sure that he can't come after them. That wouldn't hurt. 77 00:04:37,574 --> 00:04:38,930 A fiddle game. 78 00:04:41,808 --> 00:04:43,908 - Parker! - I don't know how to play the fiddle. 79 00:04:44,289 --> 00:04:48,045 Actually we're not gonna play a fiddle. No. We're gonna sell one. 80 00:04:49,276 --> 00:04:51,290 For a hell of a lot more than it's worth. 81 00:05:09,351 --> 00:05:11,393 - Y'all have a good night. - Thank you very much. 82 00:05:15,229 --> 00:05:16,695 Mr. Kirkwood! 83 00:05:17,172 --> 00:05:18,322 Hello, Kelly. 84 00:05:25,574 --> 00:05:26,784 Who is at my table? 85 00:05:28,461 --> 00:05:31,581 - The computer said you canceled! - Does it look like I canceled? 86 00:05:31,706 --> 00:05:33,540 - But the computer... - Go ahead. 87 00:05:35,051 --> 00:05:36,099 Say it again. 88 00:05:36,224 --> 00:05:38,196 Say something else about the computer. 89 00:05:39,770 --> 00:05:41,674 I'll put a table together right away. 90 00:05:47,394 --> 00:05:49,014 Kirkwood's on his way over. 91 00:05:53,738 --> 00:05:55,980 Oliver, pour from my bottle. Make it a double. 92 00:06:01,168 --> 00:06:03,529 Why don't you put it on my tab, there? 93 00:06:03,697 --> 00:06:05,897 You're Mitch Kirkwood, aren't you? 94 00:06:07,003 --> 00:06:08,003 Yes. 95 00:06:10,711 --> 00:06:12,781 Parker, I'm on my way to the sound booth. 96 00:06:31,178 --> 00:06:33,642 Let's see what our friend likes to listen to. 97 00:06:35,982 --> 00:06:38,063 Most played: Brooks & Dunn. 98 00:06:43,580 --> 00:06:46,447 I need tickets for Brooks & Dunn. You got that, Parker? 99 00:07:07,506 --> 00:07:09,219 You're not supposed to be in here. 100 00:07:09,708 --> 00:07:12,040 Tell me about it, buddy. Why are you here? 101 00:07:12,165 --> 00:07:13,265 I work here. 102 00:07:14,233 --> 00:07:15,446 Flippin' fantastical. 103 00:07:15,571 --> 00:07:18,686 They call me on my night off And gone and double-book it. 104 00:07:19,189 --> 00:07:21,774 Better call the main office. Find out what's going on here. 105 00:07:22,169 --> 00:07:24,322 Please do, skipper. 'Cause if I got to work tonight, 106 00:07:24,447 --> 00:07:27,312 then I need to find somebody to take this Brooks & Dunn ticket off my hands. 107 00:07:29,042 --> 00:07:32,546 You know what? I am starting to remember something out having the night off. 108 00:07:32,671 --> 00:07:35,496 Don't you think you should go on and double-check that, butter britches? 109 00:07:35,664 --> 00:07:37,539 I definitely remember now. 110 00:07:37,707 --> 00:07:38,707 Really? 111 00:07:38,832 --> 00:07:41,668 Think you can find somebody to take this ticket off my hands? 112 00:07:41,973 --> 00:07:43,741 I think I can find somebody. 113 00:07:44,225 --> 00:07:46,175 Hot diggity dadgum. Let me... 114 00:07:47,510 --> 00:07:48,858 Get you this... 115 00:07:48,983 --> 00:07:51,011 Brooks & Dunn ticket, so... 116 00:07:59,664 --> 00:08:01,438 Spick-and-span. There it goes, right there. 117 00:08:01,606 --> 00:08:04,733 Yes, it is. I must have dropped it. Been there the whole time. 118 00:08:05,463 --> 00:08:06,401 Whole time. 119 00:08:06,926 --> 00:08:08,488 All right, thanks. 120 00:08:08,613 --> 00:08:10,739 All right, you were right, man. Give me a t-shirt. 121 00:08:11,207 --> 00:08:12,555 I'm not gonna lie to you. 122 00:08:12,680 --> 00:08:13,730 Being rich? 123 00:08:14,268 --> 00:08:15,828 That'll get you the chicks. 124 00:08:16,584 --> 00:08:19,977 - Here you go, Mr. Kirkwood. - But you add to that, being famous? 125 00:08:21,418 --> 00:08:22,568 I tell you... 126 00:08:22,693 --> 00:08:26,362 I have the opportunity to turn down girls prettier than this damn near every day. 127 00:08:27,215 --> 00:08:28,967 That's really something. 128 00:08:31,697 --> 00:08:34,595 Now, why would you just stop at one song? 129 00:08:35,725 --> 00:08:37,558 Same reason you manage musicians. 130 00:08:38,104 --> 00:08:40,256 Why be the cow when you can be the farmer? 131 00:08:42,479 --> 00:08:43,981 Tell me about this kid you got. 132 00:08:44,149 --> 00:08:46,226 His name is Kenneth Crane. Right? 133 00:08:46,351 --> 00:08:48,562 Now, a couple of years ago, we took his best song, 134 00:08:48,687 --> 00:08:50,831 we put it on a demo tape, and we sent it out everywhere. 135 00:08:51,362 --> 00:08:53,508 Two days ago, this european lady, 136 00:08:53,633 --> 00:08:56,638 she offered $25,000 for the rights to that song. 137 00:08:57,777 --> 00:08:58,880 $25,000? 138 00:09:00,980 --> 00:09:03,000 Well, what did you say to that? 139 00:09:03,168 --> 00:09:05,551 Well, that's the thing. I didn't know what to say to her. 140 00:09:05,676 --> 00:09:08,803 You know? And she's sitting right over there waiting on an answer. 141 00:09:13,685 --> 00:09:15,308 - Interesting. - Yeah. 142 00:09:15,970 --> 00:09:17,496 Do you know her? 143 00:09:17,951 --> 00:09:19,197 No. No. Not 144 00:09:20,727 --> 00:09:22,556 Not really, but I tell you what I will do. 145 00:09:22,681 --> 00:09:24,730 I will go over there for you... 146 00:09:24,898 --> 00:09:26,398 Talk to her, see if I can't... 147 00:09:26,566 --> 00:09:29,651 - Get her to show her hand. - That's amazing. You would do that? 148 00:09:30,227 --> 00:09:31,948 Hell yes, I would do that. 149 00:09:33,539 --> 00:09:35,282 Local boys got to stick together. 150 00:09:42,064 --> 00:09:43,957 Let the fiddle games begin? 151 00:09:44,125 --> 00:09:47,211 Yeah. I'm still a little unclear. Where, exactly, is this fiddle? 152 00:09:47,379 --> 00:09:49,176 It just walked through the door. 153 00:10:05,366 --> 00:10:07,535 - What are you looking at? - Don't! 154 00:10:07,660 --> 00:10:10,075 - What's wrong? - Nothing's wrong. I'm fine. 155 00:10:10,200 --> 00:10:11,226 I startled you. 156 00:10:11,351 --> 00:10:13,069 You're a cat burglar. That's what you do. 157 00:10:13,194 --> 00:10:15,831 - Yeah, since I was 10 years old. - Don't... 158 00:10:16,223 --> 00:10:17,118 Really? 159 00:10:17,243 --> 00:10:20,300 Maybe not, but this is the first time I've startled you. 160 00:10:20,620 --> 00:10:22,788 - He's nervous, Parker. - I'm not nervous. 161 00:10:22,956 --> 00:10:26,031 - I thought you said you could sing. - I can sing. I just... I didn't... 162 00:10:26,545 --> 00:10:28,843 Realize there was gonna be this many people. 163 00:10:29,972 --> 00:10:31,446 You are nervous. 164 00:10:32,966 --> 00:10:34,007 Relax, man. 165 00:10:34,175 --> 00:10:36,593 I told you. I got you. Say something. 166 00:10:36,761 --> 00:10:39,439 - I don't speak on command, Hardison. - Perfect. 167 00:10:39,889 --> 00:10:42,881 Now, I rigged my laptop to record your comm. 168 00:10:43,050 --> 00:10:44,986 Now, this means that I can alter your pitch 169 00:10:45,111 --> 00:10:47,115 from anywhere to make you sound like darth Eliot... 170 00:10:47,240 --> 00:10:49,426 I don't speak on command, Hardison. 171 00:10:49,774 --> 00:10:53,001 - To spencer smurf. - I don't speak on command, Hardison. 172 00:10:53,831 --> 00:10:56,029 - Don't ever do the smurf thing again? - Right. 173 00:10:56,508 --> 00:10:59,754 So, the software takes the frequency of your voice, 174 00:10:59,879 --> 00:11:01,629 and it matches it to the key of the song, 175 00:11:01,754 --> 00:11:03,787 then uses a fourier transform to correct the pitch 176 00:11:03,955 --> 00:11:06,331 and sends the tuned audio out through the bar's speakers. 177 00:11:06,689 --> 00:11:07,958 What does that mean? 178 00:11:08,126 --> 00:11:10,978 That means that, for tonight, Eliot has perfect pitch. 179 00:11:11,103 --> 00:11:13,812 You ever wonder how britney spears sounds so good on her tracks? 180 00:11:13,937 --> 00:11:17,092 Well, this is it... except mine's is in real time, baby. 181 00:11:17,260 --> 00:11:19,261 Who did you just refer to as "baby"? 182 00:11:19,703 --> 00:11:24,016 It's like the universal term of "baby". How old are you? 183 00:11:32,445 --> 00:11:33,480 All right. 184 00:11:34,477 --> 00:11:36,820 - Where is he? - I'm sorry? 185 00:11:37,388 --> 00:11:40,177 Beautiful girl like you couldn't possibly be sitting here all alone. 186 00:11:40,302 --> 00:11:41,584 Where is he? 187 00:11:41,709 --> 00:11:44,786 This must be that southern charm I've heard so much about. 188 00:11:47,081 --> 00:11:48,140 Mitchell Kirkwood. 189 00:11:48,923 --> 00:11:52,059 I seem to have stolen your table. 190 00:11:52,422 --> 00:11:55,130 You must be a very important man. Should I know you? 191 00:11:55,665 --> 00:11:58,800 They give one of these to just about anybody who happens to own the place. 192 00:11:59,345 --> 00:12:01,110 I will let you make it up to me... 193 00:12:01,235 --> 00:12:03,138 by allowing me to give you the nickel tour. 194 00:12:03,263 --> 00:12:05,790 And I won't even charge you the nickel. Come on. 195 00:12:09,279 --> 00:12:12,272 Virginia. Virginia Ellington. My things gonna be safe here? 196 00:12:12,651 --> 00:12:14,070 At this table, they will. 197 00:12:38,388 --> 00:12:41,551 Worcester studios. How may I direct your call? 198 00:13:01,657 --> 00:13:02,688 Are you nervous? 199 00:13:02,813 --> 00:13:04,908 That song... You're going out there to sing? 200 00:13:05,366 --> 00:13:07,536 That's the only thing my brother and I have left 201 00:13:07,704 --> 00:13:10,674 that Kirkwood hasn't stolen or destroyed, and... 202 00:13:11,385 --> 00:13:13,953 - if I lose it... - You're not gonna lose it. All right? 203 00:13:14,078 --> 00:13:16,927 We're gonna get you your money, we're gonna get you your music back. 204 00:13:17,052 --> 00:13:18,088 I promise you. 205 00:13:19,982 --> 00:13:21,853 How can you be so sure? 206 00:13:24,401 --> 00:13:25,887 'cause this is what we do. 207 00:13:33,561 --> 00:13:35,480 You still having trouble with that bridge? 208 00:13:35,648 --> 00:13:36,987 No. I think... 209 00:13:37,900 --> 00:13:39,359 Let me... Let me show you. 210 00:13:41,861 --> 00:13:43,215 When you strum... 211 00:13:44,651 --> 00:13:46,172 Just do this, all right? 212 00:13:46,508 --> 00:13:47,541 So... 213 00:13:49,048 --> 00:13:50,085 "G". 214 00:13:51,028 --> 00:13:52,145 Right. 215 00:13:53,021 --> 00:13:54,832 - You have "D". - "D". 216 00:13:56,042 --> 00:13:57,072 Right. 217 00:13:58,360 --> 00:14:00,089 - You got "G" again. - "G". 218 00:14:03,141 --> 00:14:04,176 "A" minor. 219 00:14:04,754 --> 00:14:06,864 - Now the "G". - "G". From the top. 220 00:14:12,878 --> 00:14:15,923 - Good. That's right. - That's right. 221 00:14:18,593 --> 00:14:20,415 How do you feel when you play? 222 00:14:22,553 --> 00:14:23,990 I think... 223 00:14:24,647 --> 00:14:26,072 I think I got it. 224 00:14:26,512 --> 00:14:28,437 See, that's your problem. 225 00:14:31,351 --> 00:14:33,177 You're thinking... 226 00:14:33,447 --> 00:14:35,743 about how to play the song. 227 00:14:36,664 --> 00:14:38,274 And I'm asking you: 228 00:14:38,651 --> 00:14:41,046 "How do you feel when you play?" 229 00:14:42,820 --> 00:14:44,174 You ever been in love? 230 00:14:45,354 --> 00:14:46,468 Once. 231 00:14:46,777 --> 00:14:47,962 How'd it end? 232 00:14:48,087 --> 00:14:51,056 I made her a promise that if she ever needed men that I'd be there for her. 233 00:14:51,224 --> 00:14:52,682 What's wrong with at? 234 00:14:53,151 --> 00:14:56,019 Because I made the same promise to the United States government. 235 00:14:56,430 --> 00:14:57,771 And I found out... 236 00:14:58,324 --> 00:15:01,036 You can't make that promise to me than one person. 237 00:15:02,132 --> 00:15:03,401 That feeling? 238 00:15:04,496 --> 00:15:05,785 Right there? 239 00:15:06,380 --> 00:15:09,199 Hold on to that, and you'll do just fine. 240 00:15:12,701 --> 00:15:15,705 - All right. Here you go. - What is it with thicity and ribs? 241 00:15:16,115 --> 00:15:19,292 - Why don't you try one and find out? - No. I couldn't. I just... 242 00:15:19,868 --> 00:15:21,784 - Mr. Kirkwood. - Excuse me. 243 00:15:22,979 --> 00:15:24,923 She's a record executive from England. 244 00:15:25,091 --> 00:15:26,758 Okay, Hardison. How are we doing? 245 00:15:28,094 --> 00:15:30,637 - Ready when Eliot is. - Tell me something. 246 00:15:31,304 --> 00:15:34,891 Why would a star like k-gent send you all the way here from London 247 00:15:35,059 --> 00:15:38,511 to sign an unknown unsigned country singer 248 00:15:38,636 --> 00:15:41,705 and give him $25,000 for a song on a demo tape? 249 00:15:41,830 --> 00:15:44,271 Congratulations, Mr. Kirkwood. You've impressed me. 250 00:15:44,396 --> 00:15:46,913 - And I'm not easily impressed. - I didn't think you were. 251 00:15:47,038 --> 00:15:49,828 - You gonna tell me how you did that? - I want you to tell me first. 252 00:15:49,953 --> 00:15:50,953 Right now. 253 00:15:51,462 --> 00:15:52,909 It's very simple. 254 00:15:53,356 --> 00:15:56,079 Box of demos, lying around t studio, waiting to go to the rubbish. 255 00:15:56,247 --> 00:15:58,960 K-gent picks one up. Who knows why? 256 00:15:59,085 --> 00:16:02,958 Next thing we know, he's sampled one of the tracks on his new album. 257 00:16:03,357 --> 00:16:05,458 And you came here to offer the kid $25,000 258 00:16:05,583 --> 00:16:07,716 before he realized he had won the lottery. 259 00:16:08,203 --> 00:16:09,966 Something like that. 260 00:16:15,525 --> 00:16:16,958 Hi, I'm Kenneth Crane. 261 00:16:18,393 --> 00:16:21,014 And I'm gonna sing a song... 262 00:16:21,139 --> 00:16:23,395 I'm gonna sing a song I wrote about... 263 00:16:23,689 --> 00:16:24,941 The road not traveled. 264 00:16:52,428 --> 00:16:54,971 - Nate, something's wrong. - All right. What is it? 265 00:16:56,042 --> 00:16:58,403 The system's not working. Something's wrong. 266 00:16:58,528 --> 00:16:59,726 No, it's fine. 267 00:16:59,894 --> 00:17:02,979 No, it's not fine. I'm looking at it. It is not correcting his voice. 268 00:17:14,700 --> 00:17:16,910 That's because it doesn't need correcting. 269 00:17:24,114 --> 00:17:25,752 You know who he sounds like. 270 00:17:29,183 --> 00:17:30,946 Don't let the manager leave. 271 00:18:54,356 --> 00:18:56,256 I think you and I need to talk. 272 00:19:03,645 --> 00:19:04,661 How'd I... 273 00:19:05,514 --> 00:19:06,561 How'd I do? 274 00:19:07,259 --> 00:19:08,708 That was amazing! 275 00:19:30,887 --> 00:19:31,930 Hang on. 276 00:19:40,353 --> 00:19:42,262 Mr. Kirkwood wants to see you. 277 00:19:42,930 --> 00:19:44,250 He knows where I am. 278 00:19:46,844 --> 00:19:47,976 Or you know... 279 00:19:49,127 --> 00:19:50,604 I could go to him. 280 00:19:52,858 --> 00:19:54,640 Eliot, how soon can you get here? 281 00:20:01,013 --> 00:20:02,742 - On our way, Nate. - You! 282 00:20:03,255 --> 00:20:04,671 You lied to me. 283 00:20:07,148 --> 00:20:09,123 This is for tomorrow night. 284 00:20:10,375 --> 00:20:11,936 You offered, what? 285 00:20:12,508 --> 00:20:13,513 $25,000? 286 00:20:14,024 --> 00:20:16,923 I happen to know that you would pay half a million dollars for that song. 287 00:20:17,692 --> 00:20:20,176 Fortunately for me, he doesn't know that. 288 00:20:20,443 --> 00:20:23,438 Fortunately for you, his manager and I happen to go way back. 289 00:20:23,563 --> 00:20:24,806 We did 4h together. 290 00:20:25,911 --> 00:20:27,559 It's a cowboy thing. 291 00:20:28,430 --> 00:20:31,734 Why don't you let me see if I can't nudge the deal along for you? 292 00:20:32,826 --> 00:20:34,918 And what would you want, exactly? 293 00:20:36,258 --> 00:20:37,861 I'll think of something. 294 00:20:47,080 --> 00:20:48,746 You two work out together? 295 00:20:50,133 --> 00:20:52,250 I'm just gonna leave my card and get going here. 296 00:20:52,784 --> 00:20:54,898 Listen, I gotta go take care of my musician. 297 00:20:55,023 --> 00:20:56,773 You know how artists get. 298 00:20:57,512 --> 00:20:58,339 Sit down! 299 00:21:04,524 --> 00:21:05,938 Nate, I'm on my way! 300 00:21:09,268 --> 00:21:10,419 Get in here! 301 00:21:10,544 --> 00:21:12,044 Who do you work for? 302 00:21:12,667 --> 00:21:14,814 Forever 21! Don't hit me! 303 00:21:15,471 --> 00:21:18,902 I'm not gonna... What are you doing here? 304 00:21:19,691 --> 00:21:21,375 I just want your autograph. 305 00:21:28,240 --> 00:21:30,348 Tried to leave, so I'd get a little rough. 306 00:21:33,294 --> 00:21:35,460 They got into a fight, these guys. 307 00:21:35,628 --> 00:21:37,197 Something about reps versus sets. 308 00:21:37,322 --> 00:21:39,464 To be honest, I wasn't really paying attention. 309 00:21:53,547 --> 00:21:55,488 That is how you run a fiddle game. 310 00:21:55,613 --> 00:21:57,939 I don't even know how to begin to thank you. 311 00:21:58,064 --> 00:22:00,818 And that's just 10% of it. Tomorrow, he's taking Eliot into the studio, 312 00:22:00,986 --> 00:22:03,592 - we'll get you the other 90%. - And while Eliot's in the studio, 313 00:22:03,717 --> 00:22:05,949 Parker will get into the safe and grab the masters. 314 00:22:07,317 --> 00:22:08,767 Eliot's the fiddle! 315 00:22:09,412 --> 00:22:10,829 What's she doing back there? 316 00:22:10,954 --> 00:22:12,980 She's trying on her costume. 317 00:22:13,105 --> 00:22:16,334 We sold Eliot to Kirkwood. I totally get this. 318 00:22:18,960 --> 00:22:22,658 Supposed to be some hot shot producer. Works for k-gent. 319 00:22:23,111 --> 00:22:25,527 And he came all this way just to produce one song? 320 00:22:25,652 --> 00:22:26,702 I guess so. 321 00:22:27,213 --> 00:22:28,249 Now, listen. 322 00:22:28,374 --> 00:22:30,723 Anything he wants, you get. 323 00:22:30,891 --> 00:22:31,867 Understand? 324 00:22:31,992 --> 00:22:32,992 Anything. 325 00:22:40,557 --> 00:22:42,151 Welcome to Kirkwood records. 326 00:22:42,319 --> 00:22:43,455 I'm JC. 327 00:22:43,580 --> 00:22:45,834 Anything you need, you just let me know. 328 00:22:45,959 --> 00:22:48,116 First of all, my man, real quick, lose the attitude. 329 00:22:48,284 --> 00:22:50,243 Second of all, yes, it's her. Breathe. 330 00:22:50,912 --> 00:22:51,912 I'm okay. 331 00:22:54,049 --> 00:22:57,470 If I could get you to fill out these visitor badges... 332 00:23:00,359 --> 00:23:02,130 Did you just look her in the eyes? 333 00:23:02,635 --> 00:23:04,424 I don't think I was. 334 00:23:04,549 --> 00:23:05,741 Chill with the attitude! 335 00:23:05,866 --> 00:23:08,011 Don't raise your voice! Did they not tell you nothing? 336 00:23:08,179 --> 00:23:10,138 You know who you in front of? Think about it. 337 00:23:10,306 --> 00:23:12,146 Iceland. Pop star. Figure it out. 338 00:23:12,271 --> 00:23:15,136 Click it together. Bells and whistles. Give me something! 339 00:23:15,261 --> 00:23:16,269 Bjor... 340 00:23:19,874 --> 00:23:22,859 I'm so sorry. Are you okay? 341 00:23:23,027 --> 00:23:26,029 Is the duck? Good. Woman, for real. Get up in here. 342 00:23:26,197 --> 00:23:28,781 Mommy, real quick. I hope, for your sake, 343 00:23:28,949 --> 00:23:32,827 that you was not about to say what I think you was about to say. 344 00:23:33,238 --> 00:23:34,829 I don't think I was. 345 00:23:35,304 --> 00:23:37,799 What I'm gonna need you to do is just roll up out of here, cuz, 346 00:23:37,924 --> 00:23:40,602 'cause you messing up the aura. We was cool. We was vibing. 347 00:23:42,036 --> 00:23:42,834 Great. 348 00:23:43,648 --> 00:23:46,045 I'm gonna get going on that paperwork. 349 00:23:46,954 --> 00:23:49,302 You do that. So I can start recording this hillbilly. 350 00:23:49,470 --> 00:23:52,430 I crossed an ocean, a pond, and a creek to get here. 351 00:23:53,257 --> 00:23:55,058 Eliot, you got an ETA? 352 00:23:55,226 --> 00:23:57,977 Yeah. I'm almost there. But I think somebody's following me. 353 00:23:58,145 --> 00:24:00,605 Do some Eliot-fu on 'em. What happened to... 354 00:24:00,773 --> 00:24:02,273 "This is what I do"? 355 00:24:02,600 --> 00:24:04,985 I don't think that's gonna work this time. 356 00:24:11,339 --> 00:24:13,756 I been meaning to tell you, this Kenneth Crane? 357 00:24:13,881 --> 00:24:15,661 He is blowing up on twitter. 358 00:24:15,829 --> 00:24:18,206 He's got a fan page. It's a pretty good picture, too. 359 00:24:18,374 --> 00:24:20,833 That's the problem. I can't have my picture out there like that. 360 00:24:21,001 --> 00:24:22,635 Contrary to what y'all may believe, 361 00:24:22,760 --> 00:24:25,137 I do not control everything that happens on the internet. 362 00:24:25,262 --> 00:24:27,392 There's a price on my head in three different countries, 363 00:24:27,517 --> 00:24:29,358 and I'm fairly certain a fatwa was issued! 364 00:24:29,483 --> 00:24:31,296 You are so vain, man. 365 00:24:33,413 --> 00:24:35,618 Boom. There. Fan site. No. But you know what? 366 00:24:35,743 --> 00:24:38,136 When you get back, we gonna have us a serious conversation 367 00:24:38,261 --> 00:24:40,291 about the difference between caution and paranoia. 368 00:24:40,416 --> 00:24:43,031 When you've done the things I've done, there's no such thing as paranoia. 369 00:24:49,471 --> 00:24:50,471 Seriously? 370 00:24:51,103 --> 00:24:52,073 For breakfast? 371 00:24:58,921 --> 00:25:01,076 What, did Kirkwood just walk in or something? 372 00:25:01,201 --> 00:25:02,551 How'd he find us? 373 00:25:02,676 --> 00:25:05,024 There's probably not a lot of five-star hotels in Memphis. 374 00:25:05,149 --> 00:25:07,824 You should probably justact the part, ride this out, 375 00:25:08,443 --> 00:25:09,743 be in character. 376 00:25:11,291 --> 00:25:13,570 You should probably storm off about now. 377 00:25:13,695 --> 00:25:15,304 I thought I'd givet another beat. 378 00:25:17,031 --> 00:25:17,976 Okay, then. 379 00:25:19,530 --> 00:25:20,406 Perfect. 380 00:25:20,760 --> 00:25:22,895 The other man in Memphis I'd like to slap. 381 00:25:23,063 --> 00:25:25,235 Just relax now, little filly. 382 00:25:25,360 --> 00:25:27,326 I am perfectly aware that you went behind my back 383 00:25:27,451 --> 00:25:30,338 to get the rights to that song. So let's just cut to the chase. 384 00:25:30,601 --> 00:25:31,821 What do you want? 385 00:25:32,247 --> 00:25:34,293 Mr. Crane arrived just a moment ago. 386 00:25:34,418 --> 00:25:36,997 He's just setting up in his studio now. 387 00:25:38,620 --> 00:25:41,205 - All right. Let the magic begin. - You're not joining them. 388 00:25:42,543 --> 00:25:44,375 And risk being tainted? 389 00:25:44,925 --> 00:25:45,710 By what? 390 00:25:46,013 --> 00:25:47,013 Exactly. 391 00:25:48,605 --> 00:25:50,855 Which way to the meditation temple? 392 00:25:53,677 --> 00:25:55,404 You know, we do have a few rooms. 393 00:25:55,529 --> 00:25:57,406 Just... Actually, right this way... 394 00:25:57,531 --> 00:25:59,265 That way's great, too. That's perfect. 395 00:26:01,166 --> 00:26:03,686 Parker's on the loose, but there are a lot of unfriendlies. 396 00:26:03,811 --> 00:26:05,688 Which is exactly why we have cover stories. 397 00:26:06,190 --> 00:26:07,211 How's Eliot? 398 00:26:07,566 --> 00:26:09,901 He's good. He's about to record. So he took his comm out. 399 00:26:13,681 --> 00:26:15,031 Too much clutter. 400 00:26:16,132 --> 00:26:17,116 You ready, man? 401 00:26:19,203 --> 00:26:20,109 All right. 402 00:26:27,961 --> 00:26:29,879 Hold up, man. It's a little pitchy. 403 00:26:30,543 --> 00:26:32,398 It's just a scosh. 404 00:26:32,523 --> 00:26:33,633 A little pitchy. 405 00:26:37,153 --> 00:26:38,603 Not enough clutter. 406 00:26:40,958 --> 00:26:41,849 It's pitchy. 407 00:26:42,347 --> 00:26:44,613 In that very same spot, right? 408 00:26:44,738 --> 00:26:46,646 It's a little pitchy. 409 00:26:47,492 --> 00:26:48,419 Hold up, man. 410 00:26:48,544 --> 00:26:50,335 Hang on, man. Let me get into the song. 411 00:26:50,460 --> 00:26:54,164 Did you practice your warbles? Just put a smooth it out. Like... 412 00:27:08,907 --> 00:27:10,057 Water! Hurry! 413 00:27:16,191 --> 00:27:17,635 How's it going, parker? 414 00:27:18,204 --> 00:27:20,137 I don't think I'm being weird enough. 415 00:27:21,231 --> 00:27:22,665 Somehow I doubt that. 416 00:27:23,531 --> 00:27:26,076 Okay, sugar, I got your water. 417 00:27:35,028 --> 00:27:36,878 This isn't from an iceberg! 418 00:27:40,325 --> 00:27:42,285 I don't think we have that here. 419 00:27:44,070 --> 00:27:44,814 Fine. 420 00:27:45,715 --> 00:27:46,526 Just... 421 00:27:47,212 --> 00:27:48,499 Bring me some champagne. 422 00:28:06,191 --> 00:28:08,365 Listen to me, man. Say "pitchy" one more time. 423 00:28:08,490 --> 00:28:10,396 Say "pitchy" one more time and see what happens. 424 00:28:10,521 --> 00:28:12,738 I don't even think that word means what you think it means. 425 00:28:12,863 --> 00:28:13,622 "Pitchy". 426 00:28:13,747 --> 00:28:15,234 - Define it. - You define it. 427 00:28:15,359 --> 00:28:17,999 I don't have to define it! I'm not saying it every five seconds! 428 00:28:18,124 --> 00:28:19,280 I'm sorry. I can't... 429 00:28:19,790 --> 00:28:22,182 I lost you. I can't hear you. I'm sorry... 430 00:28:23,603 --> 00:28:26,420 Maybe the safe is off-site. I've looked everywhere. 431 00:28:33,715 --> 00:28:35,963 Isn't the recording studio supposed to be soundproof? 432 00:28:36,295 --> 00:28:37,645 Yeah, completely. 433 00:28:44,492 --> 00:28:47,187 Here's the master from the Kenneth Crane session. 434 00:29:02,585 --> 00:29:03,657 I don't understand. 435 00:29:04,545 --> 00:29:07,671 You just paid $ 100,000 for the rights to that song, 436 00:29:07,796 --> 00:29:10,456 and you're just gonna give them to me for free. 437 00:29:12,810 --> 00:29:14,810 That's just about the lay of the land. 438 00:29:15,445 --> 00:29:17,094 You must want something. 439 00:29:18,688 --> 00:29:22,009 I would like you to forget that you ever heard the name "Kenneth Crane." 440 00:29:22,780 --> 00:29:24,022 Why would I do that? 441 00:29:24,147 --> 00:29:26,150 I'm thinking about getting back into the spotlight, 442 00:29:26,275 --> 00:29:29,218 and I don't think there's anything that would jump-start a career any more 443 00:29:29,343 --> 00:29:32,561 than having a song of yours sampled by a major rap superstar. 444 00:29:33,329 --> 00:29:35,934 You're gonna steal Crane's song for yourself? 445 00:29:37,397 --> 00:29:39,485 How are you gonna get him to go along with that? 446 00:29:39,948 --> 00:29:42,704 I wasn't exactly gonna give him a choice in the matter. 447 00:29:44,607 --> 00:29:47,618 I guess there is one more thing that you can do for me. 448 00:29:49,539 --> 00:29:51,431 Stop asking questions. 449 00:29:55,530 --> 00:29:56,530 Talk to me. 450 00:29:56,903 --> 00:29:58,492 We have a little problem. 451 00:29:58,617 --> 00:30:01,173 - What kind of problem? - The guy who's buying our fiddle? 452 00:30:02,609 --> 00:30:04,317 He thinks he is the fiddle. 453 00:30:05,225 --> 00:30:06,225 Yes, sir. 454 00:30:06,641 --> 00:30:08,230 I'll take care of that first. 455 00:30:16,958 --> 00:30:18,107 You're not done yet? 456 00:30:18,275 --> 00:30:19,608 He's doing one for him. 457 00:30:20,396 --> 00:30:21,402 I found it. 458 00:30:25,296 --> 00:30:26,296 Let's see. 459 00:30:26,810 --> 00:30:27,810 Got it. 460 00:30:31,231 --> 00:30:32,853 This is that song Kirkwood did. 461 00:30:33,459 --> 00:30:36,500 This is the original master. Why is the artist's name blacked out? 462 00:30:44,933 --> 00:30:46,051 Come with me. 463 00:31:01,516 --> 00:31:03,235 Try telling this guy that. 464 00:31:11,937 --> 00:31:12,828 Get up. 465 00:31:16,041 --> 00:31:18,083 So, this is the original recording of the song 466 00:31:18,251 --> 00:31:19,877 that made Kirkwood famous. 467 00:31:29,931 --> 00:31:32,806 And this is the recording he released to the video. 468 00:31:40,931 --> 00:31:43,442 - It's not the same. - Which one is Kirkwood? 469 00:31:43,610 --> 00:31:44,963 That's just it. Neither. 470 00:31:45,088 --> 00:31:47,290 It's the same song, just with a pitch adjustment. 471 00:31:47,415 --> 00:31:49,182 Then, who's singing the song? 472 00:31:51,022 --> 00:31:54,078 I am matching a voice print right now. 473 00:31:56,711 --> 00:31:57,825 Where's Eliot? 474 00:32:06,969 --> 00:32:08,072 Got it. Boom. 475 00:32:08,883 --> 00:32:10,083 Jesse Jenkins. 476 00:32:10,374 --> 00:32:12,818 All right. That's why Kirkwood never recorded a second song. 477 00:32:12,943 --> 00:32:14,458 He didn't record the first one. 478 00:32:15,112 --> 00:32:16,350 Kirkwood paid him off? 479 00:32:16,972 --> 00:32:19,270 I don't think so. Jenkins sued him. 480 00:32:19,620 --> 00:32:21,605 Copyright infringement, harassment, fraud. 481 00:32:21,773 --> 00:32:24,582 The whole nine, but... those charges weren't formally dropped. 482 00:32:24,707 --> 00:32:27,111 - They went to court? - Not exactly. 483 00:32:27,697 --> 00:32:28,779 Any other guesses? 484 00:32:35,151 --> 00:32:37,324 Jenkins was killed. Circumstances were suspicious. 485 00:32:37,449 --> 00:32:39,517 Kirkwood was implicated but never charged. 486 00:32:39,642 --> 00:32:40,874 Dead on. How'd you know? 487 00:32:41,583 --> 00:32:44,503 Because he is about to do the exact same thing to Eliot. 488 00:32:54,887 --> 00:32:56,660 Let's go! Now! 489 00:33:05,435 --> 00:33:07,976 All right. Good. I do love it when a plan comes together. 490 00:33:12,978 --> 00:33:14,825 Yeah, but where's the tape? 491 00:33:16,298 --> 00:33:18,287 I think I may have left her tape in the deck. 492 00:33:19,498 --> 00:33:21,874 - Unbelievable! - Where are you going? 493 00:33:22,042 --> 00:33:24,745 When they find Kaye Lynn's tape, they gonna want to ask her some questions. 494 00:33:24,870 --> 00:33:27,504 We know they don't ask questions nicely, do they? 495 00:33:27,672 --> 00:33:29,256 Damn it, Hardison! 496 00:33:36,798 --> 00:33:37,848 You okay? 497 00:33:39,165 --> 00:33:40,971 The festival director just called. 498 00:33:41,711 --> 00:33:44,063 Kirkwood took my spot in the showcase. 499 00:33:44,652 --> 00:33:46,440 He's gonna sing my brother's song. 500 00:33:46,792 --> 00:33:49,506 And you told me you were gonna get our money and our songs back, 501 00:33:49,631 --> 00:33:52,392 but all you did was lose the only thing I had left! 502 00:33:59,971 --> 00:34:02,706 Come with me. Trust me. What's the plan? 503 00:34:03,254 --> 00:34:04,500 Come back to the hotel. 504 00:34:04,668 --> 00:34:07,344 We're rework the approach. Hit him hard in a couple of days. 505 00:34:07,469 --> 00:34:09,201 Kirkwood's getting ready to sing this song 506 00:34:09,326 --> 00:34:11,173 in front of the who's who of country music. 507 00:34:11,341 --> 00:34:12,965 It's too late to stop him tonight. 508 00:34:13,090 --> 00:34:15,861 No, I hacked into his truck's navigation system. He's on the move. 509 00:34:16,088 --> 00:34:17,471 - It's game over. - Eliot, 510 00:34:17,639 --> 00:34:19,598 if he plays that song in front of those A&R's, 511 00:34:19,911 --> 00:34:22,452 - I'll lose it forever. - Eliot, it's too late. 512 00:34:22,938 --> 00:34:25,295 Help don't help, but don't tell me it's too late! 513 00:34:25,420 --> 00:34:26,355 Put that on. 514 00:34:34,952 --> 00:34:36,031 Sometimes, 515 00:34:36,199 --> 00:34:38,796 you don't get a second chance to get it right. 516 00:34:39,845 --> 00:34:41,877 - Why not? - Rule of life. 517 00:34:42,704 --> 00:34:44,493 But that's exactly what we do. 518 00:34:44,618 --> 00:34:46,041 We change the rules. 519 00:34:54,681 --> 00:34:57,052 Where's Kirkwood right about now? 520 00:35:08,616 --> 00:35:10,482 We got three blocks, Jesse. Go on. 521 00:35:10,850 --> 00:35:11,608 Go! 522 00:35:11,776 --> 00:35:14,194 - I can't move. - Give me the CD. 523 00:35:17,592 --> 00:35:19,651 All right, come on, girls! Get out of my... 524 00:35:19,776 --> 00:35:22,032 I'm trying to get somewhere. Get out of here! 525 00:35:26,075 --> 00:35:28,022 Eliot, I used your fans to stall Kirkwood. 526 00:35:28,147 --> 00:35:29,773 I bought you like two minutes. 527 00:35:36,761 --> 00:35:38,844 - We're here. - Is Kirkwood there? 528 00:35:39,886 --> 00:35:42,055 I don't see him. Wait. 529 00:35:45,869 --> 00:35:47,177 He just walked in. 530 00:35:53,086 --> 00:35:54,086 Got it. 531 00:35:56,681 --> 00:35:59,573 - All right. A few more minutes. - Eliot, I'm sorry. 532 00:35:59,741 --> 00:36:01,346 We did everything we can. 533 00:36:02,426 --> 00:36:03,794 Maybe not everything. 534 00:36:50,596 --> 00:36:53,116 - Surprised to see me? - Why would you say that? 535 00:36:53,509 --> 00:36:55,059 You tried to kill me. 536 00:36:56,085 --> 00:36:57,714 Same way you killed Jesse Jenkins. 537 00:37:01,781 --> 00:37:03,387 You're unstable, Kenneth. 538 00:37:03,555 --> 00:37:05,357 And I'd really like to help you... 539 00:37:07,293 --> 00:37:08,753 If you'd let me. 540 00:37:14,439 --> 00:37:18,189 You think I'm gonna confess to a murder in a roomful of microphones? 541 00:37:19,779 --> 00:37:23,002 If I was that stupid, I never would have gotten away with it. 542 00:37:27,412 --> 00:37:29,198 Let's put an end to amateur night 543 00:37:29,323 --> 00:37:32,441 and give a warm welcome to Mitchell Kirkwood! 544 00:39:01,330 --> 00:39:02,756 How about it? 545 00:39:03,569 --> 00:39:05,302 She's wonderful! Isn't she? 546 00:39:07,157 --> 00:39:09,221 The same way you killed Jesse Jenkins. 547 00:39:09,630 --> 00:39:12,983 You think I'm gonna confess to a murder In a roomful of microphones? 548 00:39:13,445 --> 00:39:16,603 If I was that stupid, I wouldn't have gotten away with it. 549 00:39:19,615 --> 00:39:23,276 You think I'm gonna confess to a murder In a roomful of microphones? 550 00:39:23,687 --> 00:39:26,294 - If I was that stupid... - And you make fun of earbuds. 551 00:39:29,173 --> 00:39:30,367 That was a... 552 00:39:30,880 --> 00:39:34,385 That was a joke, ladies and gentlemen. Very funny joke. I'll be right back. 553 00:39:34,779 --> 00:39:36,875 How about that? Give it up for her. 554 00:39:40,259 --> 00:39:43,547 Let me explain something to you. Next time you hit somebody in the stomach 555 00:39:43,715 --> 00:39:46,661 and you want 'em to stay down. You gotta hit him in the solar plexus! 556 00:39:52,084 --> 00:39:53,300 See the difference? 557 00:40:01,357 --> 00:40:02,397 Easy, buddy. 558 00:40:03,854 --> 00:40:05,669 This is a number where you can reach me at. 559 00:40:05,794 --> 00:40:07,946 All right. Just a sec. 560 00:40:11,226 --> 00:40:14,084 There's a lot of A&R's who want to meet with me. 561 00:40:14,348 --> 00:40:16,091 Thank you. For my brother, too. 562 00:40:16,216 --> 00:40:18,373 For what? It was all you. 563 00:40:19,001 --> 00:40:20,834 Thank you for keeping your promise. 564 00:40:21,332 --> 00:40:22,586 Speaking of that... 565 00:40:26,498 --> 00:40:29,176 That's yours. That's for your trip to Nashville. 566 00:40:31,616 --> 00:40:33,221 You can come with me, you know. 567 00:40:33,389 --> 00:40:36,058 You're a natural-born country star if I've ever seen one. 568 00:40:37,233 --> 00:40:39,102 Maybe the next Johnny and June? 569 00:40:53,270 --> 00:40:54,335 Some roads, 570 00:40:54,811 --> 00:40:57,294 you start going down, you can't turn back, and... 571 00:40:58,078 --> 00:41:00,247 I'm about 10 miles down one of those right now, so... 572 00:41:00,372 --> 00:41:01,603 Excuse us. Kaye Lynn? 573 00:41:03,002 --> 00:41:04,644 I sound like a bad country song. 574 00:41:06,945 --> 00:41:08,932 I have some folks I'd like for you to meet. 575 00:41:09,057 --> 00:41:10,634 We have so many ideas for you. 576 00:41:20,155 --> 00:41:21,155 Ready? 577 00:41:24,903 --> 00:41:27,026 How'd you take those two guys out by yourself? 578 00:41:27,151 --> 00:41:29,184 - They got into a fight. - How'd you do it? 579 00:41:29,309 --> 00:41:31,803 - Can't say it any plainer. - You're not gonna tell me. 580 00:41:31,928 --> 00:41:33,812 And where were you when all this going on? 581 00:41:33,937 --> 00:41:37,399 What? I was getting notes from Kaye Lynn on my performance. 582 00:41:38,328 --> 00:41:40,605 - How were you? - No complaints. 583 00:41:40,730 --> 00:41:42,073 Excuse me, sir? 584 00:41:45,024 --> 00:41:47,254 All right. This is the last one, sweetie. 585 00:41:47,422 --> 00:41:49,131 I just wanted to know what time it was. 586 00:41:50,153 --> 00:41:51,303 Yeah, I know. 587 00:41:51,871 --> 00:41:55,134 It's late. Go home. It's past your bedtime. 45363

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