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1
00:00:34,024 --> 00:00:36,035
You can't just barge
in here like...
2
00:00:37,120 --> 00:00:39,263
What did I tell you two
about talking to lawyers?
3
00:00:40,433 --> 00:00:41,947
No, we didn't! We didn't!
4
00:00:42,072 --> 00:00:43,959
You don't think I know
what goes on in my town?
5
00:00:44,127 --> 00:00:46,003
When I tell you
not to do something...
6
00:00:51,748 --> 00:00:52,551
Sit down!
7
00:00:54,834 --> 00:00:56,472
Don't do it.
8
00:00:58,433 --> 00:01:00,126
Now, get me the other hand.
9
00:01:02,123 --> 00:01:03,396
Please don't. Please.
10
00:01:03,564 --> 00:01:06,732
I swear, we didn't do anything.
Please! We didn't do nothing.
11
00:01:11,780 --> 00:01:14,179
The rich and powerful
take what they want.
12
00:01:14,304 --> 00:01:15,893
We steal it back for you.
13
00:01:23,139 --> 00:01:26,919
Sometimes, bad guys
make the best good guys.
14
00:01:28,714 --> 00:01:30,717
We provide leverage!
15
00:01:31,258 --> 00:01:33,592
Season 3 Episode 6
The Studio Job
16
00:01:36,997 --> 00:01:39,849
- I'm sorry. I'm still a bit shook up.
- That's all right.
17
00:01:40,667 --> 00:01:42,309
- I got it.
- That's all right.
18
00:01:43,737 --> 00:01:44,562
Thank you.
19
00:01:44,953 --> 00:01:48,097
So, your brother...
Now, will he ever play again?
20
00:01:48,222 --> 00:01:50,551
Doctors say he'll be lucky
to move his fingers again.
21
00:01:51,816 --> 00:01:53,266
Music was his life.
22
00:01:53,391 --> 00:01:55,573
What Kirkwood did
was more than wrong. It was...
23
00:01:55,741 --> 00:01:56,866
It was cruel.
24
00:01:59,831 --> 00:02:01,829
Now, this guy Kirkwood
you said he has a reputation
25
00:02:01,997 --> 00:02:04,540
for doing these kinds of things.
So why would you work for him?
26
00:02:04,936 --> 00:02:06,709
He owns a record label, Mr. Ford.
27
00:02:06,992 --> 00:02:07,710
So?
28
00:02:08,836 --> 00:02:10,186
Put it like this.
29
00:02:10,914 --> 00:02:13,938
The day I was born,
my mama said I looked at her, smiled,
30
00:02:14,063 --> 00:02:15,843
and asked:
"Which way to Music City?"
31
00:02:16,351 --> 00:02:18,304
- He was your shot at stardom.
- Right.
32
00:02:19,637 --> 00:02:21,644
He hired us to write songs
for other artists.
33
00:02:21,769 --> 00:02:23,330
His more established artists.
34
00:02:23,455 --> 00:02:26,771
It was good money, plus royalties.
And we thought we'd hit the jackpot.
35
00:02:27,428 --> 00:02:29,817
- But when it came time to pay...
- He showed you the fine print.
36
00:02:29,942 --> 00:02:32,109
Exactly.
He charged us rent to park in his lot.
37
00:02:32,710 --> 00:02:34,532
He charged us for the pens we used.
38
00:02:34,657 --> 00:02:36,034
He owns our publishing.
39
00:02:36,159 --> 00:02:38,460
So the only difference
between Kirkwood and the majors
40
00:02:38,585 --> 00:02:40,663
is that the majors use lawyers
to do their dirty work.
41
00:02:40,788 --> 00:02:42,386
And our songs were good.
42
00:02:42,605 --> 00:02:43,732
And they did well.
43
00:02:43,857 --> 00:02:46,662
And before you knew it, he owed us
hundreds of thousands in royalties.
44
00:02:47,602 --> 00:02:50,148
- You ever confront him?
- Instead of paying us,
45
00:02:50,273 --> 00:02:52,788
he offered to record our own album
in his studio. No charge.
46
00:02:52,996 --> 00:02:55,257
And he said he was gonna get us
a spot on "Saddles & Spurs".
47
00:02:55,425 --> 00:02:58,886
- "Saddles &Spurs", what's that?
- A big music festival in Memphis.
48
00:02:59,197 --> 00:03:01,622
- All right. So, what happened?
- When he heard the album,
49
00:03:01,976 --> 00:03:05,157
he decided it was too good to waste
on a couple of unknowns.
50
00:03:06,067 --> 00:03:07,436
So he stole it!
51
00:03:07,921 --> 00:03:11,443
The devil may have gone down to Georgia,
Mr. Ford, but he lives in Memphis
52
00:03:12,150 --> 00:03:15,954
Mitchell Kirkwood. Record producer
and CEO of Kirkwood Records.
53
00:03:16,079 --> 00:03:17,238
Now, here's a fun fact.
54
00:03:17,406 --> 00:03:20,616
He started off his career as an artist.
Does anybody remember this?
55
00:03:35,653 --> 00:03:37,672
I say we take him down
for that alone.
56
00:03:37,914 --> 00:03:39,120
Critics agreed.
57
00:03:39,245 --> 00:03:41,553
It's probably why he never
released another single.
58
00:03:41,678 --> 00:03:44,675
He took all the money he made and
funneled it into his record company.
59
00:03:44,800 --> 00:03:47,935
And judging by the number of lawsuits
filed and dropped within days,
60
00:03:48,103 --> 00:03:50,688
I'd sait's not his first time forcing
somebody to settle out of court.
61
00:03:50,856 --> 00:03:52,766
- Does he have a criminal record?
- None.
62
00:03:52,891 --> 00:03:55,317
He carved out a nice little kingdom
in the country-music world.
63
00:03:56,558 --> 00:03:58,908
He stole Kaye Lynn's music.
He stole her money.
64
00:03:59,033 --> 00:04:02,173
- He took over their publishing.
- Yeah, but we're gonnget it back.
65
00:04:02,628 --> 00:04:05,123
I understand how to steal money,
66
00:04:05,248 --> 00:04:06,829
but how do you steal music?
67
00:04:06,997 --> 00:04:08,593
It's called a digital master.
68
00:04:08,718 --> 00:04:12,339
It's high-quality, multi-channel,
studio-recorded, mixed, and engineered.
69
00:04:12,604 --> 00:04:15,883
Price to produce: hundreds of
thousands, sometimes millions.
70
00:04:17,215 --> 00:04:20,217
Now, this building right here...
Kirkwood records, Memphis, Tennessee.
71
00:04:20,385 --> 00:04:22,965
Now, inside this building
is a hidden safe
72
00:04:23,090 --> 00:04:26,386
that contains these digital masters,
one of which has Kaye Lynn's music on it.
73
00:04:26,511 --> 00:04:28,714
- So it's a smash and grab.
- Not exactly.
74
00:04:29,501 --> 00:04:31,656
'Cause we have to make sure
she gets back the money.
75
00:04:31,781 --> 00:04:33,549
And a little extra
for hospital bills.
76
00:04:33,674 --> 00:04:36,202
Making sure that he can't come
after them. That wouldn't hurt.
77
00:04:37,574 --> 00:04:38,930
A fiddle game.
78
00:04:41,808 --> 00:04:43,908
- Parker!
- I don't know how to play the fiddle.
79
00:04:44,289 --> 00:04:48,045
Actually we're not gonna play a fiddle.
No. We're gonna sell one.
80
00:04:49,276 --> 00:04:51,290
For a hell of a lot more
than it's worth.
81
00:05:09,351 --> 00:05:11,393
- Y'all have a good night.
- Thank you very much.
82
00:05:15,229 --> 00:05:16,695
Mr. Kirkwood!
83
00:05:17,172 --> 00:05:18,322
Hello, Kelly.
84
00:05:25,574 --> 00:05:26,784
Who is at my table?
85
00:05:28,461 --> 00:05:31,581
- The computer said you canceled!
- Does it look like I canceled?
86
00:05:31,706 --> 00:05:33,540
- But the computer...
- Go ahead.
87
00:05:35,051 --> 00:05:36,099
Say it again.
88
00:05:36,224 --> 00:05:38,196
Say something else
about the computer.
89
00:05:39,770 --> 00:05:41,674
I'll put a table together
right away.
90
00:05:47,394 --> 00:05:49,014
Kirkwood's on his way over.
91
00:05:53,738 --> 00:05:55,980
Oliver, pour from my bottle.
Make it a double.
92
00:06:01,168 --> 00:06:03,529
Why don't you put it
on my tab, there?
93
00:06:03,697 --> 00:06:05,897
You're Mitch Kirkwood,
aren't you?
94
00:06:07,003 --> 00:06:08,003
Yes.
95
00:06:10,711 --> 00:06:12,781
Parker, I'm on my way
to the sound booth.
96
00:06:31,178 --> 00:06:33,642
Let's see
what our friend likes to listen to.
97
00:06:35,982 --> 00:06:38,063
Most played: Brooks & Dunn.
98
00:06:43,580 --> 00:06:46,447
I need tickets for Brooks & Dunn.
You got that, Parker?
99
00:07:07,506 --> 00:07:09,219
You're not supposed to be in here.
100
00:07:09,708 --> 00:07:12,040
Tell me about it, buddy.
Why are you here?
101
00:07:12,165 --> 00:07:13,265
I work here.
102
00:07:14,233 --> 00:07:15,446
Flippin' fantastical.
103
00:07:15,571 --> 00:07:18,686
They call me on my night off
And gone and double-book it.
104
00:07:19,189 --> 00:07:21,774
Better call the main office.
Find out what's going on here.
105
00:07:22,169 --> 00:07:24,322
Please do, skipper.
'Cause if I got to work tonight,
106
00:07:24,447 --> 00:07:27,312
then I need to find somebody to take
this Brooks & Dunn ticket off my hands.
107
00:07:29,042 --> 00:07:32,546
You know what? I am starting to remember
something out having the night off.
108
00:07:32,671 --> 00:07:35,496
Don't you think you should go on
and double-check that, butter britches?
109
00:07:35,664 --> 00:07:37,539
I definitely remember now.
110
00:07:37,707 --> 00:07:38,707
Really?
111
00:07:38,832 --> 00:07:41,668
Think you can find somebody
to take this ticket off my hands?
112
00:07:41,973 --> 00:07:43,741
I think I can find somebody.
113
00:07:44,225 --> 00:07:46,175
Hot diggity dadgum. Let me...
114
00:07:47,510 --> 00:07:48,858
Get you this...
115
00:07:48,983 --> 00:07:51,011
Brooks & Dunn ticket, so...
116
00:07:59,664 --> 00:08:01,438
Spick-and-span.
There it goes, right there.
117
00:08:01,606 --> 00:08:04,733
Yes, it is. I must have dropped it.
Been there the whole time.
118
00:08:05,463 --> 00:08:06,401
Whole time.
119
00:08:06,926 --> 00:08:08,488
All right, thanks.
120
00:08:08,613 --> 00:08:10,739
All right, you were right, man.
Give me a t-shirt.
121
00:08:11,207 --> 00:08:12,555
I'm not gonna lie to you.
122
00:08:12,680 --> 00:08:13,730
Being rich?
123
00:08:14,268 --> 00:08:15,828
That'll get you the chicks.
124
00:08:16,584 --> 00:08:19,977
- Here you go, Mr. Kirkwood.
- But you add to that, being famous?
125
00:08:21,418 --> 00:08:22,568
I tell you...
126
00:08:22,693 --> 00:08:26,362
I have the opportunity to turn down girls
prettier than this damn near every day.
127
00:08:27,215 --> 00:08:28,967
That's really something.
128
00:08:31,697 --> 00:08:34,595
Now, why would you
just stop at one song?
129
00:08:35,725 --> 00:08:37,558
Same reason you manage musicians.
130
00:08:38,104 --> 00:08:40,256
Why be the cow
when you can be the farmer?
131
00:08:42,479 --> 00:08:43,981
Tell me about this kid you got.
132
00:08:44,149 --> 00:08:46,226
His name is Kenneth Crane. Right?
133
00:08:46,351 --> 00:08:48,562
Now, a couple of years ago,
we took his best song,
134
00:08:48,687 --> 00:08:50,831
we put it on a demo tape,
and we sent it out everywhere.
135
00:08:51,362 --> 00:08:53,508
Two days ago, this european lady,
136
00:08:53,633 --> 00:08:56,638
she offered $25,000
for the rights to that song.
137
00:08:57,777 --> 00:08:58,880
$25,000?
138
00:09:00,980 --> 00:09:03,000
Well, what did you say to that?
139
00:09:03,168 --> 00:09:05,551
Well, that's the thing.
I didn't know what to say to her.
140
00:09:05,676 --> 00:09:08,803
You know? And she's sitting right
over there waiting on an answer.
141
00:09:13,685 --> 00:09:15,308
- Interesting.
- Yeah.
142
00:09:15,970 --> 00:09:17,496
Do you know her?
143
00:09:17,951 --> 00:09:19,197
No. No. Not
144
00:09:20,727 --> 00:09:22,556
Not really,
but I tell you what I will do.
145
00:09:22,681 --> 00:09:24,730
I will go over there for you...
146
00:09:24,898 --> 00:09:26,398
Talk to her, see if I can't...
147
00:09:26,566 --> 00:09:29,651
- Get her to show her hand.
- That's amazing. You would do that?
148
00:09:30,227 --> 00:09:31,948
Hell yes, I would do that.
149
00:09:33,539 --> 00:09:35,282
Local boys got to stick together.
150
00:09:42,064 --> 00:09:43,957
Let the fiddle games begin?
151
00:09:44,125 --> 00:09:47,211
Yeah. I'm still a little unclear.
Where, exactly, is this fiddle?
152
00:09:47,379 --> 00:09:49,176
It just walked through the door.
153
00:10:05,366 --> 00:10:07,535
- What are you looking at?
- Don't!
154
00:10:07,660 --> 00:10:10,075
- What's wrong?
- Nothing's wrong. I'm fine.
155
00:10:10,200 --> 00:10:11,226
I startled you.
156
00:10:11,351 --> 00:10:13,069
You're a cat burglar.
That's what you do.
157
00:10:13,194 --> 00:10:15,831
- Yeah, since I was 10 years old.
- Don't...
158
00:10:16,223 --> 00:10:17,118
Really?
159
00:10:17,243 --> 00:10:20,300
Maybe not, but this is
the first time I've startled you.
160
00:10:20,620 --> 00:10:22,788
- He's nervous, Parker.
- I'm not nervous.
161
00:10:22,956 --> 00:10:26,031
- I thought you said you could sing.
- I can sing. I just... I didn't...
162
00:10:26,545 --> 00:10:28,843
Realize there was
gonna be this many people.
163
00:10:29,972 --> 00:10:31,446
You are nervous.
164
00:10:32,966 --> 00:10:34,007
Relax, man.
165
00:10:34,175 --> 00:10:36,593
I told you. I got you.
Say something.
166
00:10:36,761 --> 00:10:39,439
- I don't speak on command, Hardison.
- Perfect.
167
00:10:39,889 --> 00:10:42,881
Now, I rigged my laptop
to record your comm.
168
00:10:43,050 --> 00:10:44,986
Now, this means that
I can alter your pitch
169
00:10:45,111 --> 00:10:47,115
from anywhere to make you
sound like darth Eliot...
170
00:10:47,240 --> 00:10:49,426
I don't speak on command, Hardison.
171
00:10:49,774 --> 00:10:53,001
- To spencer smurf.
- I don't speak on command, Hardison.
172
00:10:53,831 --> 00:10:56,029
- Don't ever do the smurf thing again?
- Right.
173
00:10:56,508 --> 00:10:59,754
So, the software takes
the frequency of your voice,
174
00:10:59,879 --> 00:11:01,629
and it matches it
to the key of the song,
175
00:11:01,754 --> 00:11:03,787
then uses a fourier transform
to correct the pitch
176
00:11:03,955 --> 00:11:06,331
and sends the tuned audio out
through the bar's speakers.
177
00:11:06,689 --> 00:11:07,958
What does that mean?
178
00:11:08,126 --> 00:11:10,978
That means that, for tonight,
Eliot has perfect pitch.
179
00:11:11,103 --> 00:11:13,812
You ever wonder how britney spears
sounds so good on her tracks?
180
00:11:13,937 --> 00:11:17,092
Well, this is it...
except mine's is in real time, baby.
181
00:11:17,260 --> 00:11:19,261
Who did you just refer to as "baby"?
182
00:11:19,703 --> 00:11:24,016
It's like the universal term of "baby".
How old are you?
183
00:11:32,445 --> 00:11:33,480
All right.
184
00:11:34,477 --> 00:11:36,820
- Where is he?
- I'm sorry?
185
00:11:37,388 --> 00:11:40,177
Beautiful girl like you couldn't
possibly be sitting here all alone.
186
00:11:40,302 --> 00:11:41,584
Where is he?
187
00:11:41,709 --> 00:11:44,786
This must be that southern
charm I've heard so much about.
188
00:11:47,081 --> 00:11:48,140
Mitchell Kirkwood.
189
00:11:48,923 --> 00:11:52,059
I seem to have stolen your table.
190
00:11:52,422 --> 00:11:55,130
You must be a very important man.
Should I know you?
191
00:11:55,665 --> 00:11:58,800
They give one of these to just about
anybody who happens to own the place.
192
00:11:59,345 --> 00:12:01,110
I will let you make it up to me...
193
00:12:01,235 --> 00:12:03,138
by allowing me
to give you the nickel tour.
194
00:12:03,263 --> 00:12:05,790
And I won't even charge
you the nickel. Come on.
195
00:12:09,279 --> 00:12:12,272
Virginia. Virginia Ellington.
My things gonna be safe here?
196
00:12:12,651 --> 00:12:14,070
At this table, they will.
197
00:12:38,388 --> 00:12:41,551
Worcester studios.
How may I direct your call?
198
00:13:01,657 --> 00:13:02,688
Are you nervous?
199
00:13:02,813 --> 00:13:04,908
That song...
You're going out there to sing?
200
00:13:05,366 --> 00:13:07,536
That's the only thing
my brother and I have left
201
00:13:07,704 --> 00:13:10,674
that Kirkwood hasn't
stolen or destroyed, and...
202
00:13:11,385 --> 00:13:13,953
- if I lose it...
- You're not gonna lose it. All right?
203
00:13:14,078 --> 00:13:16,927
We're gonna get you your money,
we're gonna get you your music back.
204
00:13:17,052 --> 00:13:18,088
I promise you.
205
00:13:19,982 --> 00:13:21,853
How can you be so sure?
206
00:13:24,401 --> 00:13:25,887
'cause this is what we do.
207
00:13:33,561 --> 00:13:35,480
You still having trouble
with that bridge?
208
00:13:35,648 --> 00:13:36,987
No. I think...
209
00:13:37,900 --> 00:13:39,359
Let me...
Let me show you.
210
00:13:41,861 --> 00:13:43,215
When you strum...
211
00:13:44,651 --> 00:13:46,172
Just do this, all right?
212
00:13:46,508 --> 00:13:47,541
So...
213
00:13:49,048 --> 00:13:50,085
"G".
214
00:13:51,028 --> 00:13:52,145
Right.
215
00:13:53,021 --> 00:13:54,832
- You have "D".
- "D".
216
00:13:56,042 --> 00:13:57,072
Right.
217
00:13:58,360 --> 00:14:00,089
- You got "G" again.
- "G".
218
00:14:03,141 --> 00:14:04,176
"A" minor.
219
00:14:04,754 --> 00:14:06,864
- Now the "G".
- "G". From the top.
220
00:14:12,878 --> 00:14:15,923
- Good. That's right.
- That's right.
221
00:14:18,593 --> 00:14:20,415
How do you feel when you play?
222
00:14:22,553 --> 00:14:23,990
I think...
223
00:14:24,647 --> 00:14:26,072
I think I got it.
224
00:14:26,512 --> 00:14:28,437
See, that's your problem.
225
00:14:31,351 --> 00:14:33,177
You're thinking...
226
00:14:33,447 --> 00:14:35,743
about how to play the song.
227
00:14:36,664 --> 00:14:38,274
And I'm asking you:
228
00:14:38,651 --> 00:14:41,046
"How do you feel when you play?"
229
00:14:42,820 --> 00:14:44,174
You ever been in love?
230
00:14:45,354 --> 00:14:46,468
Once.
231
00:14:46,777 --> 00:14:47,962
How'd it end?
232
00:14:48,087 --> 00:14:51,056
I made her a promise that if she ever
needed men that I'd be there for her.
233
00:14:51,224 --> 00:14:52,682
What's wrong with at?
234
00:14:53,151 --> 00:14:56,019
Because I made the same promise
to the United States government.
235
00:14:56,430 --> 00:14:57,771
And I found out...
236
00:14:58,324 --> 00:15:01,036
You can't make that promise
to me than one person.
237
00:15:02,132 --> 00:15:03,401
That feeling?
238
00:15:04,496 --> 00:15:05,785
Right there?
239
00:15:06,380 --> 00:15:09,199
Hold on to that,
and you'll do just fine.
240
00:15:12,701 --> 00:15:15,705
- All right. Here you go.
- What is it with thicity and ribs?
241
00:15:16,115 --> 00:15:19,292
- Why don't you try one and find out?
- No. I couldn't. I just...
242
00:15:19,868 --> 00:15:21,784
- Mr. Kirkwood.
- Excuse me.
243
00:15:22,979 --> 00:15:24,923
She's a record executive
from England.
244
00:15:25,091 --> 00:15:26,758
Okay, Hardison. How are we doing?
245
00:15:28,094 --> 00:15:30,637
- Ready when Eliot is.
- Tell me something.
246
00:15:31,304 --> 00:15:34,891
Why would a star like k-gent send
you all the way here from London
247
00:15:35,059 --> 00:15:38,511
to sign an unknown
unsigned country singer
248
00:15:38,636 --> 00:15:41,705
and give him $25,000
for a song on a demo tape?
249
00:15:41,830 --> 00:15:44,271
Congratulations, Mr. Kirkwood.
You've impressed me.
250
00:15:44,396 --> 00:15:46,913
- And I'm not easily impressed.
- I didn't think you were.
251
00:15:47,038 --> 00:15:49,828
- You gonna tell me how you did that?
- I want you to tell me first.
252
00:15:49,953 --> 00:15:50,953
Right now.
253
00:15:51,462 --> 00:15:52,909
It's very simple.
254
00:15:53,356 --> 00:15:56,079
Box of demos, lying around t studio,
waiting to go to the rubbish.
255
00:15:56,247 --> 00:15:58,960
K-gent picks one up.
Who knows why?
256
00:15:59,085 --> 00:16:02,958
Next thing we know, he's sampled one
of the tracks on his new album.
257
00:16:03,357 --> 00:16:05,458
And you came here
to offer the kid $25,000
258
00:16:05,583 --> 00:16:07,716
before he realized
he had won the lottery.
259
00:16:08,203 --> 00:16:09,966
Something like that.
260
00:16:15,525 --> 00:16:16,958
Hi, I'm Kenneth Crane.
261
00:16:18,393 --> 00:16:21,014
And I'm gonna sing a song...
262
00:16:21,139 --> 00:16:23,395
I'm gonna sing
a song I wrote about...
263
00:16:23,689 --> 00:16:24,941
The road not traveled.
264
00:16:52,428 --> 00:16:54,971
- Nate, something's wrong.
- All right. What is it?
265
00:16:56,042 --> 00:16:58,403
The system's not working.
Something's wrong.
266
00:16:58,528 --> 00:16:59,726
No, it's fine.
267
00:16:59,894 --> 00:17:02,979
No, it's not fine. I'm looking at it.
It is not correcting his voice.
268
00:17:14,700 --> 00:17:16,910
That's because
it doesn't need correcting.
269
00:17:24,114 --> 00:17:25,752
You know who he sounds like.
270
00:17:29,183 --> 00:17:30,946
Don't let the manager leave.
271
00:18:54,356 --> 00:18:56,256
I think you and I need to talk.
272
00:19:03,645 --> 00:19:04,661
How'd I...
273
00:19:05,514 --> 00:19:06,561
How'd I do?
274
00:19:07,259 --> 00:19:08,708
That was amazing!
275
00:19:30,887 --> 00:19:31,930
Hang on.
276
00:19:40,353 --> 00:19:42,262
Mr. Kirkwood wants to see you.
277
00:19:42,930 --> 00:19:44,250
He knows where I am.
278
00:19:46,844 --> 00:19:47,976
Or you know...
279
00:19:49,127 --> 00:19:50,604
I could go to him.
280
00:19:52,858 --> 00:19:54,640
Eliot, how soon can you get here?
281
00:20:01,013 --> 00:20:02,742
- On our way, Nate.
- You!
282
00:20:03,255 --> 00:20:04,671
You lied to me.
283
00:20:07,148 --> 00:20:09,123
This is for tomorrow night.
284
00:20:10,375 --> 00:20:11,936
You offered, what?
285
00:20:12,508 --> 00:20:13,513
$25,000?
286
00:20:14,024 --> 00:20:16,923
I happen to know that you would pay
half a million dollars for that song.
287
00:20:17,692 --> 00:20:20,176
Fortunately for me,
he doesn't know that.
288
00:20:20,443 --> 00:20:23,438
Fortunately for you, his manager
and I happen to go way back.
289
00:20:23,563 --> 00:20:24,806
We did 4h together.
290
00:20:25,911 --> 00:20:27,559
It's a cowboy thing.
291
00:20:28,430 --> 00:20:31,734
Why don't you let me see if
I can't nudge the deal along for you?
292
00:20:32,826 --> 00:20:34,918
And what would you want, exactly?
293
00:20:36,258 --> 00:20:37,861
I'll think of something.
294
00:20:47,080 --> 00:20:48,746
You two work out together?
295
00:20:50,133 --> 00:20:52,250
I'm just gonna leave my card
and get going here.
296
00:20:52,784 --> 00:20:54,898
Listen, I gotta go take
care of my musician.
297
00:20:55,023 --> 00:20:56,773
You know how artists get.
298
00:20:57,512 --> 00:20:58,339
Sit down!
299
00:21:04,524 --> 00:21:05,938
Nate, I'm on my way!
300
00:21:09,268 --> 00:21:10,419
Get in here!
301
00:21:10,544 --> 00:21:12,044
Who do you work for?
302
00:21:12,667 --> 00:21:14,814
Forever 21! Don't hit me!
303
00:21:15,471 --> 00:21:18,902
I'm not gonna...
What are you doing here?
304
00:21:19,691 --> 00:21:21,375
I just want your autograph.
305
00:21:28,240 --> 00:21:30,348
Tried to leave,
so I'd get a little rough.
306
00:21:33,294 --> 00:21:35,460
They got into a fight, these guys.
307
00:21:35,628 --> 00:21:37,197
Something about reps versus sets.
308
00:21:37,322 --> 00:21:39,464
To be honest,
I wasn't really paying attention.
309
00:21:53,547 --> 00:21:55,488
That is how you run a fiddle game.
310
00:21:55,613 --> 00:21:57,939
I don't even know
how to begin to thank you.
311
00:21:58,064 --> 00:22:00,818
And that's just 10% of it. Tomorrow,
he's taking Eliot into the studio,
312
00:22:00,986 --> 00:22:03,592
- we'll get you the other 90%.
- And while Eliot's in the studio,
313
00:22:03,717 --> 00:22:05,949
Parker will get into the safe
and grab the masters.
314
00:22:07,317 --> 00:22:08,767
Eliot's the fiddle!
315
00:22:09,412 --> 00:22:10,829
What's she doing back there?
316
00:22:10,954 --> 00:22:12,980
She's trying on her costume.
317
00:22:13,105 --> 00:22:16,334
We sold Eliot to Kirkwood.
I totally get this.
318
00:22:18,960 --> 00:22:22,658
Supposed to be some hot shot producer.
Works for k-gent.
319
00:22:23,111 --> 00:22:25,527
And he came all this way just
to produce one song?
320
00:22:25,652 --> 00:22:26,702
I guess so.
321
00:22:27,213 --> 00:22:28,249
Now, listen.
322
00:22:28,374 --> 00:22:30,723
Anything he wants, you get.
323
00:22:30,891 --> 00:22:31,867
Understand?
324
00:22:31,992 --> 00:22:32,992
Anything.
325
00:22:40,557 --> 00:22:42,151
Welcome to Kirkwood records.
326
00:22:42,319 --> 00:22:43,455
I'm JC.
327
00:22:43,580 --> 00:22:45,834
Anything you need,
you just let me know.
328
00:22:45,959 --> 00:22:48,116
First of all, my man, real quick,
lose the attitude.
329
00:22:48,284 --> 00:22:50,243
Second of all, yes, it's her.
Breathe.
330
00:22:50,912 --> 00:22:51,912
I'm okay.
331
00:22:54,049 --> 00:22:57,470
If I could get you
to fill out these visitor badges...
332
00:23:00,359 --> 00:23:02,130
Did you just look her in the eyes?
333
00:23:02,635 --> 00:23:04,424
I don't think I was.
334
00:23:04,549 --> 00:23:05,741
Chill with the attitude!
335
00:23:05,866 --> 00:23:08,011
Don't raise your voice!
Did they not tell you nothing?
336
00:23:08,179 --> 00:23:10,138
You know who you in front of?
Think about it.
337
00:23:10,306 --> 00:23:12,146
Iceland. Pop star. Figure it out.
338
00:23:12,271 --> 00:23:15,136
Click it together. Bells and whistles.
Give me something!
339
00:23:15,261 --> 00:23:16,269
Bjor...
340
00:23:19,874 --> 00:23:22,859
I'm so sorry. Are you okay?
341
00:23:23,027 --> 00:23:26,029
Is the duck? Good.
Woman, for real. Get up in here.
342
00:23:26,197 --> 00:23:28,781
Mommy, real quick.
I hope, for your sake,
343
00:23:28,949 --> 00:23:32,827
that you was not about to say
what I think you was about to say.
344
00:23:33,238 --> 00:23:34,829
I don't think I was.
345
00:23:35,304 --> 00:23:37,799
What I'm gonna need you to do
is just roll up out of here, cuz,
346
00:23:37,924 --> 00:23:40,602
'cause you messing up the aura.
We was cool. We was vibing.
347
00:23:42,036 --> 00:23:42,834
Great.
348
00:23:43,648 --> 00:23:46,045
I'm gonna get going
on that paperwork.
349
00:23:46,954 --> 00:23:49,302
You do that.
So I can start recording this hillbilly.
350
00:23:49,470 --> 00:23:52,430
I crossed an ocean, a pond,
and a creek to get here.
351
00:23:53,257 --> 00:23:55,058
Eliot, you got an ETA?
352
00:23:55,226 --> 00:23:57,977
Yeah. I'm almost there.
But I think somebody's following me.
353
00:23:58,145 --> 00:24:00,605
Do some Eliot-fu on 'em.
What happened to...
354
00:24:00,773 --> 00:24:02,273
"This is what I do"?
355
00:24:02,600 --> 00:24:04,985
I don't think
that's gonna work this time.
356
00:24:11,339 --> 00:24:13,756
I been meaning to tell you,
this Kenneth Crane?
357
00:24:13,881 --> 00:24:15,661
He is blowing up on twitter.
358
00:24:15,829 --> 00:24:18,206
He's got a fan page.
It's a pretty good picture, too.
359
00:24:18,374 --> 00:24:20,833
That's the problem. I can't have
my picture out there like that.
360
00:24:21,001 --> 00:24:22,635
Contrary to what y'all may believe,
361
00:24:22,760 --> 00:24:25,137
I do not control everything
that happens on the internet.
362
00:24:25,262 --> 00:24:27,392
There's a price on my head
in three different countries,
363
00:24:27,517 --> 00:24:29,358
and I'm fairly certain
a fatwa was issued!
364
00:24:29,483 --> 00:24:31,296
You are so vain, man.
365
00:24:33,413 --> 00:24:35,618
Boom. There. Fan site. No.
But you know what?
366
00:24:35,743 --> 00:24:38,136
When you get back,
we gonna have us a serious conversation
367
00:24:38,261 --> 00:24:40,291
about the difference
between caution and paranoia.
368
00:24:40,416 --> 00:24:43,031
When you've done the things I've done,
there's no such thing as paranoia.
369
00:24:49,471 --> 00:24:50,471
Seriously?
370
00:24:51,103 --> 00:24:52,073
For breakfast?
371
00:24:58,921 --> 00:25:01,076
What, did Kirkwood
just walk in or something?
372
00:25:01,201 --> 00:25:02,551
How'd he find us?
373
00:25:02,676 --> 00:25:05,024
There's probably not
a lot of five-star hotels in Memphis.
374
00:25:05,149 --> 00:25:07,824
You should probably
justact the part, ride this out,
375
00:25:08,443 --> 00:25:09,743
be in character.
376
00:25:11,291 --> 00:25:13,570
You should probably
storm off about now.
377
00:25:13,695 --> 00:25:15,304
I thought I'd givet another beat.
378
00:25:17,031 --> 00:25:17,976
Okay, then.
379
00:25:19,530 --> 00:25:20,406
Perfect.
380
00:25:20,760 --> 00:25:22,895
The other man in Memphis
I'd like to slap.
381
00:25:23,063 --> 00:25:25,235
Just relax now, little filly.
382
00:25:25,360 --> 00:25:27,326
I am perfectly aware
that you went behind my back
383
00:25:27,451 --> 00:25:30,338
to get the rights to that song.
So let's just cut to the chase.
384
00:25:30,601 --> 00:25:31,821
What do you want?
385
00:25:32,247 --> 00:25:34,293
Mr. Crane arrived just a moment ago.
386
00:25:34,418 --> 00:25:36,997
He's just setting up
in his studio now.
387
00:25:38,620 --> 00:25:41,205
- All right. Let the magic begin.
- You're not joining them.
388
00:25:42,543 --> 00:25:44,375
And risk being tainted?
389
00:25:44,925 --> 00:25:45,710
By what?
390
00:25:46,013 --> 00:25:47,013
Exactly.
391
00:25:48,605 --> 00:25:50,855
Which way to the meditation temple?
392
00:25:53,677 --> 00:25:55,404
You know, we do have a few rooms.
393
00:25:55,529 --> 00:25:57,406
Just...
Actually, right this way...
394
00:25:57,531 --> 00:25:59,265
That way's great, too.
That's perfect.
395
00:26:01,166 --> 00:26:03,686
Parker's on the loose,
but there are a lot of unfriendlies.
396
00:26:03,811 --> 00:26:05,688
Which is exactly
why we have cover stories.
397
00:26:06,190 --> 00:26:07,211
How's Eliot?
398
00:26:07,566 --> 00:26:09,901
He's good. He's about to record.
So he took his comm out.
399
00:26:13,681 --> 00:26:15,031
Too much clutter.
400
00:26:16,132 --> 00:26:17,116
You ready, man?
401
00:26:19,203 --> 00:26:20,109
All right.
402
00:26:27,961 --> 00:26:29,879
Hold up, man. It's a little pitchy.
403
00:26:30,543 --> 00:26:32,398
It's just a scosh.
404
00:26:32,523 --> 00:26:33,633
A little pitchy.
405
00:26:37,153 --> 00:26:38,603
Not enough clutter.
406
00:26:40,958 --> 00:26:41,849
It's pitchy.
407
00:26:42,347 --> 00:26:44,613
In that very same spot, right?
408
00:26:44,738 --> 00:26:46,646
It's a little pitchy.
409
00:26:47,492 --> 00:26:48,419
Hold up, man.
410
00:26:48,544 --> 00:26:50,335
Hang on, man.
Let me get into the song.
411
00:26:50,460 --> 00:26:54,164
Did you practice your warbles?
Just put a smooth it out. Like...
412
00:27:08,907 --> 00:27:10,057
Water! Hurry!
413
00:27:16,191 --> 00:27:17,635
How's it going, parker?
414
00:27:18,204 --> 00:27:20,137
I don't think
I'm being weird enough.
415
00:27:21,231 --> 00:27:22,665
Somehow I doubt that.
416
00:27:23,531 --> 00:27:26,076
Okay, sugar, I got your water.
417
00:27:35,028 --> 00:27:36,878
This isn't from an iceberg!
418
00:27:40,325 --> 00:27:42,285
I don't think we have that here.
419
00:27:44,070 --> 00:27:44,814
Fine.
420
00:27:45,715 --> 00:27:46,526
Just...
421
00:27:47,212 --> 00:27:48,499
Bring me some champagne.
422
00:28:06,191 --> 00:28:08,365
Listen to me, man.
Say "pitchy" one more time.
423
00:28:08,490 --> 00:28:10,396
Say "pitchy" one more time
and see what happens.
424
00:28:10,521 --> 00:28:12,738
I don't even think that word means
what you think it means.
425
00:28:12,863 --> 00:28:13,622
"Pitchy".
426
00:28:13,747 --> 00:28:15,234
- Define it.
- You define it.
427
00:28:15,359 --> 00:28:17,999
I don't have to define it!
I'm not saying it every five seconds!
428
00:28:18,124 --> 00:28:19,280
I'm sorry. I can't...
429
00:28:19,790 --> 00:28:22,182
I lost you. I can't hear you.
I'm sorry...
430
00:28:23,603 --> 00:28:26,420
Maybe the safe is off-site.
I've looked everywhere.
431
00:28:33,715 --> 00:28:35,963
Isn't the recording studio
supposed to be soundproof?
432
00:28:36,295 --> 00:28:37,645
Yeah, completely.
433
00:28:44,492 --> 00:28:47,187
Here's the master
from the Kenneth Crane session.
434
00:29:02,585 --> 00:29:03,657
I don't understand.
435
00:29:04,545 --> 00:29:07,671
You just paid $ 100,000
for the rights to that song,
436
00:29:07,796 --> 00:29:10,456
and you're just gonna
give them to me for free.
437
00:29:12,810 --> 00:29:14,810
That's just about
the lay of the land.
438
00:29:15,445 --> 00:29:17,094
You must want something.
439
00:29:18,688 --> 00:29:22,009
I would like you to forget that you
ever heard the name "Kenneth Crane."
440
00:29:22,780 --> 00:29:24,022
Why would I do that?
441
00:29:24,147 --> 00:29:26,150
I'm thinking about getting back
into the spotlight,
442
00:29:26,275 --> 00:29:29,218
and I don't think there's anything
that would jump-start a career any more
443
00:29:29,343 --> 00:29:32,561
than having a song of yours sampled
by a major rap superstar.
444
00:29:33,329 --> 00:29:35,934
You're gonna steal Crane's song
for yourself?
445
00:29:37,397 --> 00:29:39,485
How are you gonna get him
to go along with that?
446
00:29:39,948 --> 00:29:42,704
I wasn't exactly gonna give him
a choice in the matter.
447
00:29:44,607 --> 00:29:47,618
I guess there is one more thing
that you can do for me.
448
00:29:49,539 --> 00:29:51,431
Stop asking questions.
449
00:29:55,530 --> 00:29:56,530
Talk to me.
450
00:29:56,903 --> 00:29:58,492
We have a little problem.
451
00:29:58,617 --> 00:30:01,173
- What kind of problem?
- The guy who's buying our fiddle?
452
00:30:02,609 --> 00:30:04,317
He thinks he is the fiddle.
453
00:30:05,225 --> 00:30:06,225
Yes, sir.
454
00:30:06,641 --> 00:30:08,230
I'll take care of that first.
455
00:30:16,958 --> 00:30:18,107
You're not done yet?
456
00:30:18,275 --> 00:30:19,608
He's doing one for him.
457
00:30:20,396 --> 00:30:21,402
I found it.
458
00:30:25,296 --> 00:30:26,296
Let's see.
459
00:30:26,810 --> 00:30:27,810
Got it.
460
00:30:31,231 --> 00:30:32,853
This is that song Kirkwood did.
461
00:30:33,459 --> 00:30:36,500
This is the original master.
Why is the artist's name blacked out?
462
00:30:44,933 --> 00:30:46,051
Come with me.
463
00:31:01,516 --> 00:31:03,235
Try telling this guy that.
464
00:31:11,937 --> 00:31:12,828
Get up.
465
00:31:16,041 --> 00:31:18,083
So, this is the original recording
of the song
466
00:31:18,251 --> 00:31:19,877
that made Kirkwood famous.
467
00:31:29,931 --> 00:31:32,806
And this is the recording
he released to the video.
468
00:31:40,931 --> 00:31:43,442
- It's not the same.
- Which one is Kirkwood?
469
00:31:43,610 --> 00:31:44,963
That's just it. Neither.
470
00:31:45,088 --> 00:31:47,290
It's the same song,
just with a pitch adjustment.
471
00:31:47,415 --> 00:31:49,182
Then, who's singing the song?
472
00:31:51,022 --> 00:31:54,078
I am matching
a voice print right now.
473
00:31:56,711 --> 00:31:57,825
Where's Eliot?
474
00:32:06,969 --> 00:32:08,072
Got it. Boom.
475
00:32:08,883 --> 00:32:10,083
Jesse Jenkins.
476
00:32:10,374 --> 00:32:12,818
All right. That's why Kirkwood
never recorded a second song.
477
00:32:12,943 --> 00:32:14,458
He didn't record the first one.
478
00:32:15,112 --> 00:32:16,350
Kirkwood paid him off?
479
00:32:16,972 --> 00:32:19,270
I don't think so.
Jenkins sued him.
480
00:32:19,620 --> 00:32:21,605
Copyright infringement,
harassment, fraud.
481
00:32:21,773 --> 00:32:24,582
The whole nine, but... those
charges weren't formally dropped.
482
00:32:24,707 --> 00:32:27,111
- They went to court?
- Not exactly.
483
00:32:27,697 --> 00:32:28,779
Any other guesses?
484
00:32:35,151 --> 00:32:37,324
Jenkins was killed.
Circumstances were suspicious.
485
00:32:37,449 --> 00:32:39,517
Kirkwood was implicated
but never charged.
486
00:32:39,642 --> 00:32:40,874
Dead on. How'd you know?
487
00:32:41,583 --> 00:32:44,503
Because he is about to do
the exact same thing to Eliot.
488
00:32:54,887 --> 00:32:56,660
Let's go! Now!
489
00:33:05,435 --> 00:33:07,976
All right. Good. I do love
it when a plan comes together.
490
00:33:12,978 --> 00:33:14,825
Yeah, but where's the tape?
491
00:33:16,298 --> 00:33:18,287
I think I may have left her tape
in the deck.
492
00:33:19,498 --> 00:33:21,874
- Unbelievable!
- Where are you going?
493
00:33:22,042 --> 00:33:24,745
When they find Kaye Lynn's tape, they
gonna want to ask her some questions.
494
00:33:24,870 --> 00:33:27,504
We know they don't ask
questions nicely, do they?
495
00:33:27,672 --> 00:33:29,256
Damn it, Hardison!
496
00:33:36,798 --> 00:33:37,848
You okay?
497
00:33:39,165 --> 00:33:40,971
The festival director just called.
498
00:33:41,711 --> 00:33:44,063
Kirkwood took my spot
in the showcase.
499
00:33:44,652 --> 00:33:46,440
He's gonna sing my brother's song.
500
00:33:46,792 --> 00:33:49,506
And you told me you were gonna get
our money and our songs back,
501
00:33:49,631 --> 00:33:52,392
but all you did was lose
the only thing I had left!
502
00:33:59,971 --> 00:34:02,706
Come with me. Trust me.
What's the plan?
503
00:34:03,254 --> 00:34:04,500
Come back to the hotel.
504
00:34:04,668 --> 00:34:07,344
We're rework the approach.
Hit him hard in a couple of days.
505
00:34:07,469 --> 00:34:09,201
Kirkwood's getting ready
to sing this song
506
00:34:09,326 --> 00:34:11,173
in front of the who's
who of country music.
507
00:34:11,341 --> 00:34:12,965
It's too late to stop him tonight.
508
00:34:13,090 --> 00:34:15,861
No, I hacked into his truck's
navigation system. He's on the move.
509
00:34:16,088 --> 00:34:17,471
- It's game over.
- Eliot,
510
00:34:17,639 --> 00:34:19,598
if he plays that song
in front of those A&R's,
511
00:34:19,911 --> 00:34:22,452
- I'll lose it forever.
- Eliot, it's too late.
512
00:34:22,938 --> 00:34:25,295
Help don't help,
but don't tell me it's too late!
513
00:34:25,420 --> 00:34:26,355
Put that on.
514
00:34:34,952 --> 00:34:36,031
Sometimes,
515
00:34:36,199 --> 00:34:38,796
you don't get a second chance
to get it right.
516
00:34:39,845 --> 00:34:41,877
- Why not?
- Rule of life.
517
00:34:42,704 --> 00:34:44,493
But that's exactly what we do.
518
00:34:44,618 --> 00:34:46,041
We change the rules.
519
00:34:54,681 --> 00:34:57,052
Where's Kirkwood right about now?
520
00:35:08,616 --> 00:35:10,482
We got three blocks, Jesse. Go on.
521
00:35:10,850 --> 00:35:11,608
Go!
522
00:35:11,776 --> 00:35:14,194
- I can't move.
- Give me the CD.
523
00:35:17,592 --> 00:35:19,651
All right, come on, girls!
Get out of my...
524
00:35:19,776 --> 00:35:22,032
I'm trying to get somewhere.
Get out of here!
525
00:35:26,075 --> 00:35:28,022
Eliot, I used your fans
to stall Kirkwood.
526
00:35:28,147 --> 00:35:29,773
I bought you like two minutes.
527
00:35:36,761 --> 00:35:38,844
- We're here.
- Is Kirkwood there?
528
00:35:39,886 --> 00:35:42,055
I don't see him.
Wait.
529
00:35:45,869 --> 00:35:47,177
He just walked in.
530
00:35:53,086 --> 00:35:54,086
Got it.
531
00:35:56,681 --> 00:35:59,573
- All right. A few more minutes.
- Eliot, I'm sorry.
532
00:35:59,741 --> 00:36:01,346
We did everything we can.
533
00:36:02,426 --> 00:36:03,794
Maybe not everything.
534
00:36:50,596 --> 00:36:53,116
- Surprised to see me?
- Why would you say that?
535
00:36:53,509 --> 00:36:55,059
You tried to kill me.
536
00:36:56,085 --> 00:36:57,714
Same way you killed Jesse Jenkins.
537
00:37:01,781 --> 00:37:03,387
You're unstable, Kenneth.
538
00:37:03,555 --> 00:37:05,357
And I'd really like to help you...
539
00:37:07,293 --> 00:37:08,753
If you'd let me.
540
00:37:14,439 --> 00:37:18,189
You think I'm gonna confess to
a murder in a roomful of microphones?
541
00:37:19,779 --> 00:37:23,002
If I was that stupid,
I never would have gotten away with it.
542
00:37:27,412 --> 00:37:29,198
Let's put an end to amateur night
543
00:37:29,323 --> 00:37:32,441
and give a warm welcome
to Mitchell Kirkwood!
544
00:39:01,330 --> 00:39:02,756
How about it?
545
00:39:03,569 --> 00:39:05,302
She's wonderful! Isn't she?
546
00:39:07,157 --> 00:39:09,221
The same way you killed
Jesse Jenkins.
547
00:39:09,630 --> 00:39:12,983
You think I'm gonna confess to
a murder In a roomful of microphones?
548
00:39:13,445 --> 00:39:16,603
If I was that stupid,
I wouldn't have gotten away with it.
549
00:39:19,615 --> 00:39:23,276
You think I'm gonna confess to
a murder In a roomful of microphones?
550
00:39:23,687 --> 00:39:26,294
- If I was that stupid...
- And you make fun of earbuds.
551
00:39:29,173 --> 00:39:30,367
That was a...
552
00:39:30,880 --> 00:39:34,385
That was a joke, ladies and gentlemen.
Very funny joke. I'll be right back.
553
00:39:34,779 --> 00:39:36,875
How about that?
Give it up for her.
554
00:39:40,259 --> 00:39:43,547
Let me explain something to you.
Next time you hit somebody in the stomach
555
00:39:43,715 --> 00:39:46,661
and you want 'em to stay down.
You gotta hit him in the solar plexus!
556
00:39:52,084 --> 00:39:53,300
See the difference?
557
00:40:01,357 --> 00:40:02,397
Easy, buddy.
558
00:40:03,854 --> 00:40:05,669
This is a number
where you can reach me at.
559
00:40:05,794 --> 00:40:07,946
All right. Just a sec.
560
00:40:11,226 --> 00:40:14,084
There's a lot of A&R's
who want to meet with me.
561
00:40:14,348 --> 00:40:16,091
Thank you. For my brother, too.
562
00:40:16,216 --> 00:40:18,373
For what?
It was all you.
563
00:40:19,001 --> 00:40:20,834
Thank you for keeping your promise.
564
00:40:21,332 --> 00:40:22,586
Speaking of that...
565
00:40:26,498 --> 00:40:29,176
That's yours.
That's for your trip to Nashville.
566
00:40:31,616 --> 00:40:33,221
You can come with me, you know.
567
00:40:33,389 --> 00:40:36,058
You're a natural-born country star
if I've ever seen one.
568
00:40:37,233 --> 00:40:39,102
Maybe the next Johnny and June?
569
00:40:53,270 --> 00:40:54,335
Some roads,
570
00:40:54,811 --> 00:40:57,294
you start going down,
you can't turn back, and...
571
00:40:58,078 --> 00:41:00,247
I'm about 10 miles down
one of those right now, so...
572
00:41:00,372 --> 00:41:01,603
Excuse us. Kaye Lynn?
573
00:41:03,002 --> 00:41:04,644
I sound like a bad country song.
574
00:41:06,945 --> 00:41:08,932
I have some folks
I'd like for you to meet.
575
00:41:09,057 --> 00:41:10,634
We have so many ideas for you.
576
00:41:20,155 --> 00:41:21,155
Ready?
577
00:41:24,903 --> 00:41:27,026
How'd you take
those two guys out by yourself?
578
00:41:27,151 --> 00:41:29,184
- They got into a fight.
- How'd you do it?
579
00:41:29,309 --> 00:41:31,803
- Can't say it any plainer.
- You're not gonna tell me.
580
00:41:31,928 --> 00:41:33,812
And where were you
when all this going on?
581
00:41:33,937 --> 00:41:37,399
What? I was getting notes
from Kaye Lynn on my performance.
582
00:41:38,328 --> 00:41:40,605
- How were you?
- No complaints.
583
00:41:40,730 --> 00:41:42,073
Excuse me, sir?
584
00:41:45,024 --> 00:41:47,254
All right.
This is the last one, sweetie.
585
00:41:47,422 --> 00:41:49,131
I just wanted to know
what time it was.
586
00:41:50,153 --> 00:41:51,303
Yeah, I know.
587
00:41:51,871 --> 00:41:55,134
It's late.
Go home. It's past your bedtime.
45363
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