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? Hello. Is it Eric? ? Erik M? Ller, yes.

? Condolences. ? N ?, it beh? Ver you do not.

? Anna M? Ller. ? Yes, you know it as well.

Shall we?

? S? Here we are again. ? It is some years ago?

We have not talked, since I was 22nd

I have never been permitted to to encounter him.

I wrote 900,000, but we need up on a million, if some purchasers leader.

? One million? ? Yes.

They had made a brand new vehicle ranks, just before he died.

I can see that.

Your father's? like it was in the family.

He can forget. For a million.

? I do not know anything your economics. ? It should not speak for loud about.

Just f? it put in v dark. Getting rid of it.

Yes.

? Not? One million. ? Yes ...

To disappear from one another in so dan a big house.

? Is it documented? ? There are lots of studies as.

The difference p? to stay together or not is that you can see and hear each other.

Or even you become a little human of staying small? t, Erik.

An architect must live in a big house.

I am not an architect p? the encounter. Why do you keep it?

I am teacher, and you disappear from each other in the large houses.

It is then also quite pl? k to use so many money? to live.

It is s? one side of it. 450 square meters.

It's too big. Final, period.

Freya ... Freya, come. We gotta per've anything. Are you following?

We have to find it, who are you? furthest away.

? Are you mad that far down. ? S? T you down.

? Should we close the door? ? That we agreed. We are f? Rst.

? S? loud you can not? ? Are you ready?

No, wait a minute.

? No mom. It's cheating. ? No.

Just a little.

Okay.

(Fl? Jter)

(Erik flew jter)

? We can easily hear you. ? It is then a completely ridiculous play.

? It's true what mom says. ? See if you can find me. Bye bye.

? Where did he go? ? Sheep! Just because you lost.

? Sheep? Where did you go? ? Erik?

? Is he gone in for, we sleep here? ? Yes, alts? just last night.

? V? K me when you get home, right? ? Jo.

Kiss.

? I love you. ? I also love you.

? Hello. ? Hello.

... after several years of terror, hijackings, killings and kidnappings.

This is mind control?

? where people are exposed for interrogation and intelligence control.

Now for news in brief. Relationship between LO? Top and the Social Democrats?

? is now s? badly that LO President threatening to break off cooperation.

Beach Road. Here stepped my childhood.

We have just not afford to v? Re here. Not even to greet anyone.

Here are tokens.

? She takes? Sterbro Lilleskole. ? I know very well where I should of.

? Anna M? Ller! An autograph? ? G? now with you. We are busy.

I have a pen.

There's harbor. K? Ft, a tennis court.

Come on. Here I have spent many years. Are you insane.

Do you remember Torben? He stayed professional. Ham, I played with.

? About p? the other side. ? You and Torben?

Lob.

? Not! ? Yes!

It is yacht club. We had our dinghy up here. An old trapeze dinghy.

If we lived here, s? you could play tennis.

? S? could you go? down here and sail. ? Honey, we do not have the money for it.

Take my panties off.

Ah!

? Wow. ? Yes.

Sol ... Sex ...

S? sun.

I've double-checked the numbers. Do not be just above the articles.

? Pardon. Do not you just? Thanks. ? I've double-checked the numbers.

The 570 kroner a way underneath the heat is too much.

We've not afford to stay in this house. It is also too big.

We will call you as just some more. We can call Ditte and Ole.

No, we can alts? not. I know what you want, Anna.

I will not stay in something collective. I get tired just at the thought.

? I am also too old. ? I've called Ole.

I'm bored, Erik. Something needs to happen.

Not? You talk all the time.

You are s? sweet, when you go, but it is as if I've heard it all before.

N ?.

I tr? Nger to hear some others say something soon.

Otherwise I become insane.

This contend, fabulous house must when filled with amazing people.

? What for some people? ? Ole.

Ole is very interested. He has not had it so well as long as.

Ole's not something amazing human being.

? You love when Ole. ? Yes, as a friend to watch football with.

As of tissue just imagine, what would happen. It's thrilling.

? Can you f? allowed to sleep on? the? ? Come on, old man.

? What the hell, there's servants? ? It was good you could come.

? This is where you grew up, Erik? ? Yes I am.

S? I can better understand ?, you are a bit worldly.

? Yes, it's a big house. ? And orangery and all, what?

? Nice to see you. You look good. ? In just encounter.

? What's in the bags? ? My clothes in one and so ...

? And leftist literature? ? She is not so? stupid, huh?

You are also skides? d. M? I f? your number?

Or you hangs perhaps together in this company?

? It is a job interview it here. ? It can as well call it.

? How are you? ? I have it as well, Anna. Thanks.

Ah ...

I have been the slightly out p? a galaxy. I have damn.

? N ?. Was it Marianne? ? Mm.

Yes, she progressed with a Sangl tears. The tall C, we called him.

There was nothing but skimmed? Lk in pencil, s? she was on.

I'm damn sorry.

It's damn funny thought to stay with you.

And then? I love you, yes, s? it fits. Not Frejsen?

? But you, Erik, in a collective? ? N ?. Do you have any money?

? I got you. ? I forgot what we were talking about.

Money are we talking about.

? We will do something great together. ? Well it here then can be huge.

? The rents are slightly deropad. ? We will find out.

Are you aware that I have seen your father faint of temper again? What?

Over in Bellah? Jbadet. And then? grip I tell you, Erik. Do you remember that?

And it makes me again, because I am your friend, Erik.

There I got the job. Could you dark it Frejsen what?

What the hell are you laughing?

? I m? call some other also ?. ? It shall we also ?.

What about Ditte and Steffen? She has been an associate professor.

It's too fancy for me.

? Is it Ditte Johansen, you think? ? Well s? there it here.

No! Yes Yes. It's just me, here.

? Ole? Ditte Johansen, it's her? ? Yes, she is a violation k tale.

We go just from the start, and so on? we mark where the cabinet must st ?.

Should not we call someone else? You m? know some others.

We mark utter hard. It will not be a problem.

? We mark ENTIRE?-Handedly. ? We mark ENTIRE?-Handedly from the start.

Have you made some rules of the house?

Should I? They are the s? dan slightly below ... Alts? ...

? Yes. ? They are a little under preparation.

Yeah, you could say that. They are somewhat incomplete stadigv away.

? Can you tell a little about them, perhaps? ? Yes.

Oh, yes, they are ...

? Have you made them or not? ? We have not made any yet.

? There must be some house rules. ? Yes Yes.

We would like to help with it.

Let me add, that rents enough is right in the high end.

? P? Because of the house conditions. ? It is not a problem.

It is s? long ago, I have seen you.

Honey, you can not say, your name? What?

? It is Vilads. He is six years. ? Hello, Vilads. Hello.

He has no heart, s? he it takes a little quiet sometimes.

? Okay. Oh no, it sounds serious. ? I d? R, when I become nine years.

? Can you s? Dan know? ? We dont know.

He f? R very p? the sentence. The girls love it.

? So dan! ? They gave him only a few years.

But there are some things he must, by've f? rst.

So dan it should be.

? How old is she? ? How old are you, Freya?

? I am 14th ? 14? Do you think she is sweet?

I will just nine years.

He is fast. I have probably also Once some of the heart.

N ?, what makes you?

? Voting right? ? It makes man.

? I am damn ... I'm for. ? Also? me.

? It makes me also ?. ? Also? me.

? Are you also? p ?? ? Well s? it is indeed a reality.

? Have not you got a beer for Steffen? ? Jo.

? ? L? ? I really want to ask for a? L.

? It will be damn cozy. ? Welcome to.

N ?, s? the Mona tomorrow.

Do you speak our language?

(laughter)

I per requires p? the.

What are you living on Allon?

Oh, different jobs.

I sp? Rger because the rent Located in the high end here?

? as we all have been made pay attention ?.

Do you earn ... earns money?

Alts ?, he speaks Danish, Mona. Not?

? I do not understand what he says. ? I f? R it to hang together.

? What do you say? ? He f? R it to hang together.

Steff says you work a little here, and s? you work a little there.

S? I thought of ... Why Changing constantly work?

? It is almost always petty jobs. ? Yes.

Do you like it?

I imagine things, I'd rather be doing.

? What, for example? ? What would you like to hear?

I will not trample around it all the time?

? but I f? r the feeling you not voluntarily switch between jobs?

It can simply sense?

Yes ... I can.

It makes me really quite curious.

? It makes him curious. ? What are your future plans?

What would you like?

A plan ...

? I will arrive. ? What?

What? You will arrive?

? I will arrive. ? Yes.

Arrive? What the hell is that for an answer?

? Why do crimson aesthetic? ? Will not you please answer?

I have asked you some The issue l, and those you can answer p ?.

Why would you like to stay with us?

I go out from you is the boss here?

No, I'm not the boss.

This is a collective! Here we shared the dishes! There is no boss here!

Here we shared the dishes! Can you understand? the?

? Can you understand? the? ? Erik!

? What? ? S? keeps you up.

? Pull the weather. ? I pulls as the weather constantly.

Well s? Pardon!

? It always happens to me. ? What do you say?

? It always happens to him. ? That people get irritated? me.

? It is my radiance. ? It is his radiance.

? It was nice to encounter you. ? No ...

? Come on, dammit. ? Do not answer him on? the encounter.

I'm telling him, that rents are in the high end.

? I have since asked all about. ? St whenever he and howls?

I can not talk to a man, tr? s and hoots.

Allon?

It m? sorry. It was not so dan meant.

No, it's fine. I should be choosing the right one.

? I do not have any money. ? Forget the money.

We will figure it out. I ... I vote on? Allon.

? Yes. ? Yes.

? He has no money. ? Welcome.

? Welcome, Allon. ? Come on in.

(Cars honking)

S? are you fucking come p? the polished floors.

I have not seen the design before. Is it a dairy construction?

Like you, Mona.

S? the tears you house to the other. Are you sure ?, To the road?

? Yes, I'm sure. ? Fucking Good! Well, Erik!

? Lovely! ? You make just seven copies.

S ?, Vilads, now you should damn officially with Ole.

Pr? V equal to dark, how cold my ass is.

(Loudly talk)

But Oh ... Anna? Tax? Anna?

? Anna? ? What?

I got a really good idea? Today. How to integrate the harbor.

she trenches and gizmos on him all the time.

? What did you say? Pardon. ? I think I kn awakened n? TThe.

? I have found on? a good idea ?. ? A fun id ??

For how f? R integrated quayside in havneanl? edged.

You have a lot more heat. You are much more charismatic.

? V? Rsgo. A completely with no. ? Good morning.

? Have a good time. ? Have a good day, Ole.

? Good morning. ? Hey darling.

? Take care, all. Hello. ? Hello.

Hello.

L? G guitar, and came up.

Not something to be leaking. Jesper, close the door as the last man.

S? let's be a little concrete p? your ... What did you call it?

? Note. ? The note that, yes.

Train your last Primary flow desolation Based on tipi?

Mm. (laughter)

No, but it is perhaps much fun. Teepees. Why tepees, Jesper?

A tipi is a movable space which can be placed in different sammenh long?

? and has the potential for variation and reciprocity dream mmenes world.

? Exactly as with the tribes ... ? I'm sorry, what some dreams?

All sorts of dreams. Dreams must v? re free. The feel I am important.

Have dream mmene anything with architecture to do at all? F feel you?

Your dreams in your project have absolutely nothing architecture to do.

It contains no visions of how people can live together.

Why do I hear on? it nonsense?

Why do I need 35 minutes p? to hear about your experiences in Peru?

And then? your notes on some music, something flew jtev strong of some kind.

This is interesting for? N person, Jesper. Can you guessing who it is?

(Banks upon the door) Yes?

I just came in.

I want to hear your reasons for to be so? violent in your appearance.

S? violent in my appearance? N ?, Jesper him, yes.

? Do you know him? ? Yes.

You know him. That in itself I think m? be quite unbearable.

? You do well not humiliate him? ? The humiliation he himself stood for.

He is an obtainable head. A green nskolling and get head.

What can I do for you?

? M? I borrow a cigarette? ? You m? f? one.

What's your name?

My name is Emma. I third? Rsstuderende.

? And you go in my ... ? Yes.

Hm.

Udm darkness, Emma third? Rsstuderende. What will you?

? In addition to defending your friend? ? Talk about my project.

Fine. Well, let's find a day where we can do it.

S? I think we should say p? Tuesday. The canteen, for some lunch?

What about now over a sm? G?

It's ... It can we also ?. It is then also an option.

I have not s? damn much time. I n? a bus.

? N ?. ? Thrilling, right?

Jo. Do not you think well, we can n? It Anyway?

I've looked very p? Le Corbusier's modular system?

? and his outlook on human needs.

(Snore)

It seems you are not exciting?

You have already l? St s? much on modular systems and Le Plan Voisin,?

? you do not have any SELF-EMPLOYED?-encompassing approach to it.

Find p? something else. How old are you?

Why sp? Rger you about it?

What excites you?

? I do not know. ? What you find out.

? Do you have a view of Nyhavn? ? It is Nyhavn.

It is the view. If you are leaning you until you can see Kongens Nytorv.

Lovely.

Yes.

It is København squad.

? I danced there when you were a student? ? Yes. Did not you know?

You bet p ?, I did, but it is bloody long time ago.

You m? like.

M? like what?

Give me a kiss.

I see who you are.

And him I like.

? Do you want a glass of wine? ? Yes.

I write in my essay that the end product of anarchy is order.

Anarkisme dictates precisely that no man rules over another.

? Do we have an agenda? ? Yes. "How are we doing?" Round.

I f? R butterflies in the stomach, when I wake up?

? in this fantastic house with all you fools running around.

And I'm thinking, that you actually are my family now.

Anna, how did we do it?

Well I'm happy. I am happy with you.

? Bravo! ? Beautifully.

We've talked a bit about that m? could fold, if you will not vote.

? Vilads, what should you so say? ? Bum.

S? report to neutral. Or passport. Is that it? The write down, right?

? We have something we want p ?. ? It's actually you, Mona.

There's been little traffic in and out of the house.

? A lot f? Rdsel p? cadastre. ? Yes, once in the store.

We could think of us to know how many men you really see?

What?

We want to just find out how many it is, you pay for?

Is it? N, or is it all it here bunch of men in and out of d? clean?

I'm not stingy with my body, and you know it also? Well, Ole.

You know it, Ole? N ?, it you did not know Steffen.

It is many years ago!

? Steff how we have it with you? ? Well, uh ... We have it then ...

No, it's you, right? How are you?

Well, uh ... You can write, I feel good 90% of the time.

? 90%? N ?. ? It is then much.

? Allon how we have it with you? ? I feel good.

? Although you have not paid the deposit? ? I knew you'd bring that up!

Whenever I find a job s? f? r In all my money!

You live in a cool mpestort house with a lovely garden ...

If you think I can contribute with something sweet I move just again!

Now he sits and howls again. Should I call your mother down in Gosh? oh?

Erik, what about you? How are you?

Erik?

? What? ? How are you, Eric?

How I am? Well I have it as well.

? I'm fine. Yes Yes. ? Fine.

S? ...

Yes, but it's difficult getting it is to accommodate its entirety.

I sketch and I outlines.

I'm trying to keep it simple, but makes it more complicated?

? s? it loses the clarity. It was so clear in her head.

? It was clear in a sketch. ? The one I showed you in g? R?

You collect all ministry features? n prismatic form.

As a living sculpture in the middle of the city.

Alts ?, a day is a building filled with motion and life, right?

But at night it is more a quiet lantern, located in havnel? bet.

It's your id ?. What you need to stick to.

It can be really impressive while sensuously.

? Not? ? Jo. You are s? clever.

I miss you. I miss you, when we are not together.

I miss also you.

Continually.

(Singing "A child is born in Bethlehem")

Look at that. It's a bit sm? T it be, right?

No, over there, man. There st year fuckin a really nice, little one.

I do not think we should take. No, st? R s? fine there.

? In addition to her mother. ? What about this?

? No ... ? Why, Mona?

I do not think you should save it.

The st? R s? beautiful here. You can see that, right?

Will you be sorry, what? I saver no bull tr ​​?, right?

(Singing "Now it's Christmas again")

Wait, stop! Vilads!

? Vilads fall! ? Pulls his breath?

? Vilads? What happens? ? Call an ambulance!

? He pulls no weather! ? We need to get him out of the car!

Vilads!

Come on!

No, we're not family. You m? then could understand ?,?

? that it is important for us to know, how he feels.

? Alts ?, they are completely closed. ? Let me just talk.

Good evening, whom am I talking?

You are talking to Anna M? Ller. Ask me on to the doctor p? department.

I am waiting.

She sounded good enough curt.

Yes.

But you can probably understand ?, that we live with Vilads.

We live in the collective. The kind you have probably heard of.

I do not understand your procedure. If I lived in a nuclear family?

? s? I had been better rights?

? What if it was my cousin? ? It is Vilads.

? They come out in the car now. ? It does not matter.

? Hello, brother Vilads. ? Just beware p ?.

? What did they say? ? At the heart rhythm to normal.

It swings the little, right? No, my boy? You swing.

? Should we not have gifts? ? Jo!

Not dancing. We dance no more. We dance no more.

? Not, thank you. ? I'll take one.

Yes we shall. Where is sk nicely here. Here are just wonderful, Ole, what?

(Footsteps)

(running water)

? Hello. ? Hello.

? Who are you? ? I am living here.

N ?. I thought you all was up in Oles? deg? rd?

I did not want. And we requires a piece of p? my school.

? Who are you? ? I am on? bes? g.

With whom?

At Erik.

I was actually also p? way home.

(the phone is ringing)

? Hello. ? Hi, it's mom.

? Hi Mom. ? Am I disturbing you?

? L? you and rested a little? ? No, I just got home.

? Went well with pre samples? ? Mm.

You can just call if you have bright. I have the house to yourself.

We have the absolutely fantastic. It is ? Too bad you could not come up with.

I've put money to you p? table for? rsruller.

Is Erik there?

? No, I'm home alone. ? We need to put aside a boat in the water.

I m? l buy. Father has come home.

? Okay, honey. Greet him. ? Hello.

Hello Freja.

Hello.

What ... Should not you sleep with Sille?

I have talked to mother about, that it was okay to v're home alone.

Yes yes, that is it also ?. It's more ... I ...

? I f waves just Emma, ​​right? ? Yes. Hello.

? Yes, it was not meant. ? What do you mean?

I know you well can figure out what is going on one here.

It was not supposed to ... She should not have been the here.

? I'll talk to mother. ? Beh? Ver you?

? Is not it best to leave it be? ? I do not think it is.

It's ... I think it works unhealthy to lie about so dan some things.

I just do not want, something happens.

I see another girl. Or I have seen another girl.

What do you say?

Yes, I have been the along with a number of times.

I have not made those konkurrenceopl smoke, as I said.

? N ?. ? It m? sorry.

It was not planned. It was ... It just happened.

Is it serious?

It m? it be otherwise beh? ver you not to tell me.

Yes I think so.

Is she beautiful? It m? she be.

Yes she is. Oh, students.

? S? m? she would be really young. ? Yes, she's young.

? Third? Rs. ? Oh boy.

G? R you from me?

? No, I go nowhere. ? Well.

But we'll have to find out with weight statements are p? one way, right?

Yes, yes, of course. That is clear, it shall we find out.

? Freja know. ? Why?

? Because I told her. ? N ?.

Because Emma ... It's her. Her name is Emma ... was over here.

I did not know Freja was here. I thought she was over at Sille.

N? ...

? But I ... ? It was when we were on? trip.

? In here, actually. ? Here?

? You makes it easy for me, Erik. ? No.

But I think we have to find out.

Good night.

Good night. I love you.

I also love you.

? Freja. Do you love him? ? Who?

Johannes.

No.

Is the helmet? He can just take it away if it is.

I go down and talk to him for you.

? See you. ? Ses lose.

? Freja? Freya, what are you doing? ? Nothing. See you.

Freya, he is too old!

What are you doing?

How long have you been following me?

Can not you talk?

I think you are too young to be out at night.

Pardon.

Well s? come in.

Just remember to take off your shoes, and dare them right of also ?.

You can just turn off the light and s? start taking the clothes off.

(He st beans)

How about the portrait of Pol Pot?

I m? man to spend 15 seconds?

Anna's birthday and she is well and it is today

Anna's birthday and it is she is today

and hair now here how we all drink will

? It will! ? hair now here how we drink will

cluck cluck cluck cluck cluck cluck cluck cluck

? Violently. Know when should I p ?? ? Yes, it was really violent.

? How old are you going to be? ? Congratulations.

You stay well. You have a great connective and a firm butt.

I was 43 when I went in menopause. You must v? Re happy.

Now with that dissolve g to the portrait not of Pol Pot, s? thinking I ...

? Eight ... ? I'm ready.

Seven, six?

? five, four, three,?

? two, one.

TV? Newspaper. Good evening.

I need to see What I have found today.

No! No, where is him. Is that you, Kirsten?

We just wanted to make sure that you were celebrated.

There are lots of people. Congratulations.

Congratulations Congratulations.

Hello.

The others are waiting. Do we just see you at home?

Should we not v? Re together us three little?

How did my husband that? I have not seen you for weeks.

? You look tired out. ? I'm fine.

? We live on? school, s? it's difficult. ? Yes, that's clear.

But alts ?, I ... yes.

I miss you.

It makes me actually. I shall not say, but it makes me.

? Yes, that m? you'd say. ? I can not live without you two.

But it doesn. I must also find something else to live.

We have a daughter together.

She's door, right? But ...

I am bloody completely confused.

I think you should do it, you need to do.

What feels like right. Things come in phases.

You do not know what happens the n next few months.

We can not stay on? a floor. P? a school under a desk.

We have since done. It was kinda romantic.

? It was after all an apartment. ? What did your brother it?

We must find another place to stay. I love her damn. It makes me.

If she can not ... be a little with us?

Well ... it, yes ... It ...

Yes, perhaps. I do not fucking.

? It makes Mads and Kirsten also ?. ? I know.

? But she can not stay with us. ? Not, but stay and stay.

Right now we live together nevertheless p? one encounter.

There must also v make room for you. That's what it's all about.

Take her. Take her out, and s? we find out.

Freja. We go now.

? What about Dad? ? He also comes ?, I think.

? Take my cigarettes. ? Do we have an agenda?

We start with "How's it." Allon how we have it with you?

Yes, I have a little problem. I've lost some things.

(Steffen laughs)

? What have you lost? ? My brown jacket.

Yes, and one LP with the French chansons.

? And then? holster for my guitar. ? Yes.

? What happened to those things? ? What happened to them?

? But you have burned them, Ole. ? You are a red vhul.

When things flowing, people have not need them, and so they are burned.

S? Allon feel good because He has no other problems.

? I do not have any problems. ? Anna!

Anna!

There are housewives they!

? Lregnskabet is gone utter in coke.

? You do not set lines. ? We have looked at? the.

Did you not a line for me? A, right?

? That's what I got. ? I was also put my strokes.

Hello.

There are drinking more beer, than to be incorrect strokes.

Hello.

? Hello. ? Hello.

? It's Emma. ? Hello.

? You seem skides? D. ? Hi, I'm Ditte.

? Hello. Emma. ? Oh, she's fine, what?

Steffen. Nice to meet you.

In just encounter.

? Wow cool ft. ? Allon.

? You look like a French k? Rlighedsfilm. ? The f? R you are not allowed to see.

We were just doing a housewives they. I am Ole. I'm the flock leader.

? He is not. ? Yes, come, Ole.

? We were doing a? Lregnskab. ? My name is Mona.

? I suggested a r? L? Amnesty. ? What?

Where remember assen exceptionally makes into and d rows deficit? lkassen.

S? us who do not drink? l, must s? pay?

It's gone utter bananas, s? ...

? Yes. ? Well, s? it is adopted.

? We start on? a fresh p? Monday. ? It is such, we go here.

? S? you remember to put the dashes. ? Yes, now stop it.

? N next point, it's you, Emma. ? Yes.

Erik and you've paired some time gradually,?

? and now Erik expressed desire, that you move into the collective.

S ?, Emma ... what are you for?

? Me? ? Mm.

? I am ... No, whew, it's hard. ? Yes.

I do not know.

? How old are you? ? I am 24th

Alright.

I went on? Eriks course for the Rational architecture.

It must be s? look after? with.

? It is a very exciting course. ? Are you here only for Eric's sake?

Or is the whole idea of ​​living here in a collective appealing to you?

? Now it's Eric, I'm in love. ? I would just make me get finished.

? I have the joy to me to meet you. ? In just encounter.

N ?. But Anna, we've been through? lregnskabet.

? And it went well. ? No, it did not.

S? there is a proposal about Emma tenant as possible,?

? and s? Steffen will talk something about her dishwasher.

? Got something to the agenda? ? No.

There forts put into action.

? Possible tenant? ? Yes.

? N ?. ? Anna, we've discussed this.

You suggested it yourself. I have said, that we should discuss it today.

I do not understand it's a? specific. I said she could be there a little.

? But it sounds as otherwise thrilling. ? That's what you have suggested one, right?

Yes, it is perhaps. Sorry, I've been a little busy.

? I'm sorry, Emma. ? It is fine.

I actually do not know that we need vote on a possible tenant,?

? if we do not have same presuppose phrases for it.

It is fine. It is just me. I did not know it was now.

? You just have not seen it. ? So Dan says not for me.

It is such, it is true, s? let's just go? further.

Perhaps Anna has no desire to to understand the. It might be difficult.

? What are you at? Ver saying? ? I think it might be difficult.

? I do not understand anything. ? I'll get a couple of beers.

? Should we proceed with the point? ? We will vote on it.

Should we not vote about Emma's occupation?

No, now we are voting damn right about if we vote on it.

How many think we should proceed conversation and so taking a vote?

Well, s? continues we call, before we proceed to the vote.

That, I thought I had done. Alts ?, I go just again.

It's not you, that makes it difficult.

It was fine to encounter you, but it is a conversation, I need without me.

I f following you right out.

? Hello. ? Hello Emma.

? Clearly minus points that she makes. ? Plus Point, I think.

It's fucking dignified. I think of so dan here about it.

Emma is part of Erik Now, Erik is an inseparable part of this house.

If we suppress it, traitor we Because the idea of ​​living in a commune.

? Not, I think damn, she's cute. ? You know her also? very good.

It would be easier if it was a new person who came with two women.

Coming in and had two women. It would v be fine.

Yes, in theory, right? S? is it's fine for me ?, but also alts? ...

Anna, alts ?. Whenever I see you s? dan there, s? makes it worse.

I would like to give it a try.

I think it should be feasible for all to stay here.

I can also well understand ?, Erik has fallen for Emma.

I am not naive. I know that ...

... That people have the kinds of needs, s? let's see what happens.

? Well, well, s? depart the well matter? ? We're damn right n have to vote.

Is there anyone who has something against Emma moves in with a probation?

? Mona, come on. ? I ...

? I vote bum. ? Fine. One two three four five.

The community is not prepared to take against Emma as anything other than go st.

S? it is you Steffen. The dishwasher?

I have looked at? one copy at Mrs. Flint, and she waiting for? US ?

? in order ?, we can buy her.

Take some dishwashing with.

? Is not it great? ? It is contend.

Steffen, I just think ... I like to do the dishes.

But there is just so? very b? vl.

? Come back again. ? We're going to ...

? Come back again. ? Now?

? Come back in and so t you down. ? We're on way over to Mrs. Flint.

Come back in and so t you down.

? Come back in and so t you down. ? I thought we were f-righteous now.

How long do you need to package and find another place to stay?

How long do you need to package and find another place to stay?

This is my house. I have lived here since I was a boy.

I will not dictate how I to live my life. This is my house!

? You gave the house to the community! ? Getting there papers on? the?

? It is technically Eric's house. ? Why did not the paper on? the?

Only half of you have paid your share!

I and Anna pays every penny for this!

? S? you are still the boss now. ? It may v be, I'm the boss.

What you do not get involved in! G? S what I say!

Find another place to stay! This is my house!

Be quiet, Ole! Be quiet, Allon! Listen to what I say!

I'm tired of your shit, s? I need to find another place to stay!

I need to pack your things and find some others, I can decide over!

I do not want to anymore! I do not want to anymore! I do not want to anymore!

? I f? R it badly ... ? Now he faints.

No! No, no, no!

Take just some water, Mona. Erik, Erik, Erik?

S? ...

? Here is some water. ? We find out, Eric.

? I do not want this anymore. ? S? m? we damn right ...

S? T you right down, friends.

? It makes we. ? I do not want this anymore.

Hall? J.

Hello.

? Are you going to the party? ? N ?.

? I will just nine years. ? N ?, it was not so? much.

Tell me, do you know where the others are?

Should we fuck?

What do you say? What do you say?

Not, I think just, we must wait a bit.

Hello Freja. I'm here a little early, but your father come with flyttel? sset.

? N ?. ? Is your mom home?

Yes, she's up upstairs ?.

Want to follow along me up there? I would like to say a proper hello.

N ?, she's not here. I believe she is gone.

? I walk her down again. ? G? R you? N ?.

? Hello. ? Hello.

Sorry, I would like to have taken properly against you.

Thanks. Freja has just followed me up here.

? N ?. I am on? way out and buy in. ? Yes.

It is me who is cooking tonight. Do you want to?

? Out and buy into? ? Yes, I would like this.

? Yes. ? Well.

? Now? ? Yes.

S? are we down to our butcher.

The applying to fascinate him, s? f? r you a good price.

He is to fold for beautiful ladies.

? So dan. Thank you. ? Should I wear it? I f? R the gold.

We know Ole completely from the old days. He was the very first, I called.

? N ?. That has Erik not told. ? No.

I've always had a secret dream to live with Ole.

I can well understand ?.

? You have brown eyes. ? Yes.

You have blue ?.

Have I even suggested a, that you had to move into.

? Yes, he was happy. ? Yes.

I imagine yes, that we may be here all three.

I think after all that Erik must and be allowed to ...

? To pursue his feelings, right? ? I am very grateful.

Alts ?, if you do not think it becomes uncomfortable.

? It m? you say to. ? I think it will be exciting.

I also have joy to me to encounter you. I've seen you on? the screen.

Yes Yes ...

You have so dan a good empathy, when you ran looking up.

Do you think so? It was so dt said. I's been there for many years.

Yes, I remember you, I was a very little.

N? ...

? It is also you good, Anna. ? It is Anna who made it.

It tastes really good. Give your son some more gravy.

? I am opposed to leather looks doorway. ? I think also ?.

? Do you have a schedule? ? We have a meal plan, right?

? If you have to, s? should do. ? Where is the silly.

It is rarely, it is so l? kkert here.

? When someone something about locks? ? Locks?

? It may be, Steffen knows. ? There is no one who knows anything?

We M? sl? up in Fr? ken Jensen.

? Now be careful p ?. ? Know when you are l? Maturity?

(Sexlyde)

? Hello. ? I'm going home to Sille and eat.

? Want something to eat? ? H been set up for shenanigans.

I'm going home to Sille and eat. I'm just going home to Sille.

? You become totally red on the head. ? Is he just as r? d in the head?

Now I think I am a little strict. You do not hear on? them.

? What time are you home? ? I go now.

Where is it's red.

Come here.

Although the Vietnam War is over, increases sp? ndingerne.

Attempt p? to avoid? war between Vietnam and Cambodia are stranded.

A new war is fact.

As of tissue to hear. We are up on? 17.48 now.

If you need a liveg? Tr, s? thinking I max. 2.40.

It's almost lunch. We have a deadline.

The main story, we a proper peel. Cambodia.

If Cambodia is ... It is fine enough.

How many dead children should there be in the feature?

Do not show the dead children. D? Dstal p? million.

? Millions? ? Yes, when this is Translate? A.

S? we take the v first pictures from, and s? we say three minutes.

Last we had something there, there was seer storm.

It was then cut nt.

I would be delighted 3.30 for s? this will have on? 27.42.

(St beans)

(Is cry)

? Is there something wrong? ? I do not know exactly what is happening.

? You must have some wine. ? I have something stronger in my bag.

This, s ?.

? We have a good time. ? Yes, it is fine.

? I take it yourself. ? Yes.

We have a good time.

? It will be fine. ? Yes.

There was once a king who ... made a terribly experiment.

Where he took 60 newborn children and gave them food and s? further,?

? but half of them saturate not r? res of any people.

Alts? no physical contact p? no encounter ever.

But otherwise they were just as very s sleep and food and vitamins as the others.

? What happened? ? Yes?

They died.

? Should not he have a hug? ? We need to s? Res!

Up to father.

We are ready now.

Ten, nine?

? eight, seven ...

... Six ...

... Five ...

... Four ...

... Three ...

... Two ...

I can not.

F? Anna just out. We take Preben his place. You'll fix Preben.

I can not.

Come on.

Come on? signposted.

I'm going to DR.

You've got the message? It is I, like just about have to.

? It will not n? Dt to Leif. ? You have it not so? good for the time.

? Yes, but alts? ... ? It has been at? road for a while.

You m? not take care of. It m? you alts? not.

? Alts ?, adoption. ? You can not do that.

You should not decide over my life on the encounter.

? I do not decide anything. ? You have no right to take me out!

Calm. Pull Breathe deeply into your stomach, and look deep into yourself.

? Drop it there. ? You have some problems.

I can easily perform it here. I'm a professional. You know that.

You tired? Nger to to do something else.

You must do something good for yourself and do some common things.

? Take to India, talk with Sai Baba. ? Do not talk so dan me!

I's been here in s? many years, and you must not talk so dan me!

(St beans)

Will not you give me Vilads' plate?

? Yes sorry. ? Where's Erik?

? P? school. He works late. ? Do you want chicken, Freya?

I will also like some. I usually have that glass.

Thank you. Hey darling.

Hi Anna.

Hello.

There is little food, if you want.

? M? I ... ? Yes, v? Rsgo.

Where have you been?

Where have you been, baby?

What do you mean? I've been at? work.

I have not seen you for several days.

You have some sand on? your fingertips. Have you beaten you?

What do you care?

? What? ? Pardon.

How are you?

I have not seen you on? the screen.

N ?.

I go on? work, and she makes s? in school, ?

? but apart from that, s? makes me much the same.

We st? S up in the morning, and we eat at the table?

? and we drink some wine and going to bed ...

... With Erik.

What do you say?

No, it's not p? the encounter. So Dan, it's not been the l long.

Only in my small, stupid, ? Ndssvage, old head.

No.

I lie in my bed alone, but Apart from that, s? g? r we the same.

I should probably also soon have some children?

? No, I'm not pregnant. ? N ?.

I know that you all the time ... Or I can hear ...

? That the whole time ... ? All the time what?

? Located and ... ? Do you listen at their door, darling?

No, I have come just to to stand little t? t p? doorway.

You should not do. No, that's wrong.

You should not do.

? Anna, are you sad? ? N ?.

I dream very much for the time. You know, so dan half-page mention.

I dream for example, to ...

That he makes further up the stairs.

While you sleep, s? you do not bem? marks it.

? Who? ? Erik.

Perhaps s? you know it well. But you accept it in your s sleep.

He makes further up the stairs?

? determined with so dan a firm grip on gel? nderet.

He opener doorway In my's room ...

And he bev books themselves certainly in the darkness.

He knows how to take me, for he knows my body.

And he knows that ...

... That he will keep me hard fast p? so dan a very specific encounter.

And then? it only takes three minutes, s? I come.

? Take your plate, Vilads. ? G? and eat, Vilads.

More would not take. Just once in a while.

Sp? Rger you Emma about it? What?

Sp? Rger you Emma, ​​you also? m? g? in bed with Erik?

Yes.

Yes, but it was just a dream.

N? yes, it was just a dream.

? Lovely food. ? Yes.

? Is there more chicken outside in chilly the Kitchen? ? No, there is what is.

I could eat a piece of.

? Hello. ? Hello.

? What now? ? Erik, can not we just talk?

Honey, I have alts? really busy. It m? wait.

Fine, we take it now.

? S? T you right down. ? Where have I done now by the little books?

? How are you? ? Come on.

Anna is going crazy. You m? do something.

Well I have not time, Hell. I have not time.

I have a competition, I must hand.

I do not v? Re teacher and can not take care of woman problems.

Can Ditte not talk to her? It is id? One with the whole collective.

Man back each other up. It is that which is id? One with it.

Can Ditte not talk to her? I am the last person who can fix it.

Erik, I's been together for 15 years.

S? I understand well, she makes in pieces.

She is completely out of it. She is very unhappy.

She can not imagine to live without you.

It is different for women.

I listen to your problems continually. Incessantly.

I sit in a hole in my own house and trying to work?

? but I must relate to some women's problems all the time.

I can not! Where the hell ... I have to work.

Know when I have to work? Know when should I sleep?

There is nothing, I f? R peace. Know when I have to work?

? Take it easy. ? Hell!

? N ?, how we have it so at ... ? Steffen, no.

? It was as much relevant. ? That's fine, Anna.

It's gonna g ?.

Okay. It works damn as if that things are l? bet a little off track.

And I work incredibly sad, and it is pisses? distressing, simply.

I think we should keep an encounter. I think we should find the book forward.

Let's just f? cleared out a little.

If you would like, the house to best ?,?

? s? we need to find out who of you to remain, I think.

Otherwise, we have extended further. It is also fine.

? It is well s? Dan, right? ? Jo.

We are voting on who should move? Yes, well, s? g? r we have it.

We take a round, right? Mona?

No I will not ...

? Ditte. ? Bum.

? Steffen. ? Also? bum.

? Bum. ? Yes, bum.

Well alts? ... S? come we are not on.

No, it goes we do not. Because it is you who must locks it here.

We can not fucking vote one out, we care about, dammit.

I m? l read it yourself. That is it, we at? ver to say to you.

S? I m? find out, you two or three.

? Hi Anna. ? Hello, Erik.

Yeah ... so? n toed we s? much.

Yes.

Would you like to move?

No.

What about you, Erik? Would you move?

No. No, I will not move.

I do not think there is anyone to move at all.

I will also like to stay with my daughter here?

? s? a long time is possible.

I will also like.

And what do you say, Freya? What?

You are perhaps the, as this means the most to.

? It should Freja as not decide the. ? For now quiet. Let her say anything.

? What do you say? ? It is irresponsible.

Who is irresponsible? You shut me utter out.

You will not stir me. You will not stir at my skin!

? Let however be to scream so dan. ? You can not figure it out here!

Who was it who would do this?

S? T you now down, and stop to shout.

Quiet now.

Erik, dammit. The leather does look not something that I shout at each other.

It was you who wanted it here. It is your fault.

I would like to just say something.

I've never seen anyone v? Re s? sad that mom is right now.

Mom, I think, this place? part are putting you.

You are not yourself anymore. I can see that.

It's actually quite terribly.

S? therefore I think you should move. S? fast you can.

Well, I think you can.

Mom, I think well, you can do it.

? Freja, honey. ? She just went.

Freja ...

Freja?

Freja?

We can just do it quietly.

? G're what? ? Burn her things.

Mom, come on! Mother! Now let v be!

Be here now!

? I burner it just! ? Mom, we burner not!

(Anna screams)

S? ...

S ?, mother. S? ...

It's gonna g ?. It's gonna g ?. S? ...

It's gonna g ?. S? ...

S? ...

It's gonna g ?. S? ...

I would like to say sorry, Freya.

You have helped me. What you need to know.

Travelling s ??

Yes, but f? Rst in a few weeks. I gotta just find something to stay in.

I love you.

Come on.

? Ole! ? What are you doing?

Have you seen?

? It is a dishwasher. ? Allon has purchased it.

Where did you get a money to go?

? What is it? ? A dishwasher.

? What's ?, Ole? ? I'm not interested in it.

Why engines come and take over?

Not, Allon.

You are cold as an icicle and ubeh? vlet.

S? you can wash your shit up yourself.

? Hey darling. ? Hello Freja.

? Sorry, we're late. ? It m? you damn well say.

Peter. Sit down.

What the hell, you get a lady p ?, Freja?

She is damn skides? D, man.

Now stop it alts ?, Ole.

Pardon. I am joking.

? I think so ... ? What do you think?

It is a lovely dish. Allon, sorry. I love you.

Stop it. Come here, sorry.

I love you!

Fixes to the newspaper, you experience exactly?

? how the love disappears in the world?

? and a new and exciting time begins.

Perhaps it is precisely why Vilads have found a better place to be.

Vilads could only live i k? rlighedens time.

Peter waiting for? me. I go now.

N ?.

S? feel good, darling. Hi there.

See you. Hello.

? See you later? ? No, I'm leaving now.

? See you. ? Yes. Hello.

? Hello Emma. ? It was really beautiful, I think.

(Erik cry)

Sorry Sorry.

That's fine, Erik.

Hello.

As of tissue to take them here p ?.

What is it?

Peter.

I love you.

Here.

S? should the damn have the legs to go? p ?, the gallop pretzel.

Why do not we just send a small, friendly thought up to Vilads?

Sk? L.

Danish texts: Louise Munk Commonly Scandinavian Text Service 2015

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