All language subtitles for 雌虎枭雄.Colpo in canna.1975.BDRemux.1080p.en

(beeping)

(speaking in foreign language)

- Here you are.

- [Woman On Loudspeaker]
Attention, please,

ladies and gentlemen,
we're landing today--

- Would you fasten your seat belt?

- Fasten your seat belt.

- I'm afraid, you see; why
don't you sit here with me?

- Ah ah, regulations.

- And giving aid and
comfort is one of them.

- Oh yes, sir.

(air hisses)

Fasten your seat belt, please.

(jaunty music)

LOADED GUNS

(airplane engine rumbling)

- Where'd she go?
- Who?

- Nora.
- Hell, I don't know.

- Nora?

Nora.

Handsome?
- Rich.

And very generous.

He gave $100 just to deliver this letter.

- [Carmen] Oh yeah?

Maybe he gave you his own address.

- Then he wasn't generous enough.

(airplane roaring)

(faint jazz music)

It's beautiful, isn't it?

- Neapolitan men are kind
of great, aren't they?

- Oh yes, and you find them friendly.

Ciao!

Driver, can you stop here, please?

- By the way, where are you going, anyway?

To a fire?

- To Ronda Terrace, see you at the hotel.

- Ah, then you're gonna
tell me a whole big story.

- Sure, bye!

- The people of Naples have great charm,

as you'll soon discover.

You might find our our
painting primitive, though.

They'll adore you.

(jaunty music)

(coins rattle)

- Huh? (laughing)

(speaking in foreign language)

- I have a letter.

(speaking in foreign language)

A letter for Mr. Silvera.
(speaking in foreign language)

I was told to give it to him personally.

(speaking in foreign language)

(laughing)

(horn blaring)

(dog barking)

(speaking in foreign language)

I'm supposed to give this
letter to Mr. Silvera.

(horn blaring)

Mr. Silvera?

(horn honking)
(traffic rumbling)

Well, that's all.

So I'd better be going.
- No!

(blow thudding)
(Nora gasps)

- [Man In Orange] We
always send an answer.

- It's from the Americano.
- Then he's here.

- Who gave you this letter?

- A man at the airport
asked me to do him a favor.

He said he couldn't deliver it himself

because he was leaving on the next plane.

He gave 100 dollars, he
said it was very important.

- Describe him.

- [Nora] There's not much to hell.

(blow thudding)
- Not on her face!

- He was tall, heavily built.

He wore a Panama hat, and dark
glasses, big dark glasses.

I didn't really see his face,
that's all I can tell you.

(blow thudding)
- We need more!

(blow thudding)

(horn honking)

(dog barking)

- [Man In Orange] $100,
fake; British passport, fake.

Black hair?

It's a trap.

She probably works for him.

- The Americano says I'm a dead man.

But if that's his style, he's
made a mistake by warning me.

- I say he's trying to make a fool of you.

And what we should do is to ignore him.

- Stupid ass.

There's nothing sure about that one,

except whoever sees him
never lives to describe him

and he works alone.

- But he--
- Alone!

She's probably tellin' the truth.

- I'll bet she saw his face, though.

He's usin' the girl to
bring you out in the open.

Why should he leave?

I mean, he's gonna wanna be somewhere

where he can easily keep tabs on you.

Ah, no, I figure he missed that flight.

- Yes, the Americano is here.

But he'll regret not boarding that plane.

Because the girl will lead me to him.

Where are you staying?

- The company booked
us at the Holiday Inn.

- You think you could recognize
him if you saw him again?

- Maybe.

- [Silvera] Maybe yes or maybe no?

- [Nora] Yes, I think so.

- All right, you stay in
town and let him contact you.

Your plane can leave without you.

- No, I can't.

They'll want to know why.

- Because of your health, that's
why, and it can get worse.

- What do you mean?
- Now you

just get this through
your pretty little head.

We don't play games, and
I don't have to remind you

to keep your mouth shut
about what happened here.

No word to anybody, you understand that?

Now get her outta here.

(slow jaunty music)

(Nora sighs)

Follow her.

(fingers snapping in time to music)

(man in funny jacket grunts)

- [Man In Funny Jacket] Miss, Miss.

Underwear.

(speaking in foreign language)

(man in funny jacket exclaims)

(speaking in foreign language)

(shouting in foreign language)

(man in funny jacket sobbing)

(speaking in foreign language)

(horn blaring)

(speaking in foreign language)

- Get out! (speaking in foreign language)

(door latch clicks)

- Who are you?

- You just think about
getting some rest now.

This is my apartment, you're safe here.

I have to go, but I'll be back soon.

Would you like to get
out of those clothes?

- I guess I should.

Can you help me?
- Yeah, sure.

I set the alarm for eight.

I'll be back by then.

I'll have this washed and mended.

- How kind of you, I don't
know how to thank you.

- Oh, we'll think of a
way, we're bound to; bye.

(door latch clicks)

(Nora sighs)

(alarm clock rings)

(Nora moans)

(alarm clock clicks)

- 21 3, please.

Carmen?

It's me, Nora.

- Nora, my God, where the
hell have you been, you rat?

Do you realize the Chief's been trying

to get you all day?

- What does he want?
- Oh,

one of the motors has hiccups.

They have to get a part from Madrid.

He just wanted to tell you we're grounded.

- How long?
- They figure three days.

Listen, I wanna know
what he's like, your man.

- What's he like?
- Yeah.

I mean, he must be pretty
good, you've been gone all day.

- How's yours?

- [Carmen] Divine, you know
him, too; very talented.

- Mine is adorable.

- How's his action?
- I don't know yet.

- You don't know?
- Carmen.

I can't talk now, see you later.

That's a girl I work with, l
thought she might be worried.

- Rough job of it, huh?

- Well, they weren't exactly gentlemen.

- Would you like a drink?

- Oh, yes, a big one.

- All right.

- [Nora] You're going to a lot of trouble

for someone you don't know.

- My pleasure.

Here.

- Thank you.

What if Mr. Silvera doesn't like the idea

of your helping me?

After all, you do work for him.

- I don't care whether he likes it or not.

I told you, I'm glad to help.

Anyway, my contract ran out yesterday.

- What's your name?

- Manuel.

What's yours?

- Nora.

And it's Nora Greenson Ford.

My mother always told me
never to talk to strangers.

The man at the airport seemed nice enough.

So I took a letter to Mr. Silvera for him.

- [Manuel] You make a
very pretty messenger.

- I certainly didn't expect
to get a beating for it.

- What did the letter say?
- I really don't know.

I didn't read it.

But the way they were talking,

it sounds like somebody
called the Americano

is threatening to kill Silvera.

And they want to use me
as bait to catch him.

- Would you like to know
more about the Americano?

- Oh God, no.

No, thanks.

- I think it's best to know all you can.

Would you like to get dressed?

- [Nora] I've got nothing to put on.

- [Manuel] Wanna bet?

- [Nora] What are you talking about?

- These.

Take your pick.

- [Nora] My God, what
are you, a closet queen?

- No, but I got a boxer friend who is.

This place is open house for everybody.

You'd be surprised what you can find here.

I think you'd look good in this.

What do you say?
- Oh, it's crazy.

(groovy jazz music)

Oh let me see.

What are all these photographs?

Were you a boxer?

- I used to be.

But I quit.

I work as an acrobat now.

It's more fun.

- How do you like it?

- Like the carnal sin.

Looks better on you than on Fernando.

Come on, we're going
to the police station.

You need more protection
than I can give you.

Hurry up, come on.
- Police station?

Not the police, I'd rather not!

- Listen, you're in trouble,

and there's an Inspector named Calogero

that can give you a hand.
- Oh,

he'd probably be attached to it.

- Sorry.

- Silvera told me not to tell anyone.

But if you really think that
the police should know...

- I do, I really do.

There you go.
- Grazie.

(traffic rumbling)

(speaking in foreign language)

(typewriter keys clacking)

(speaking in foreign language)

- Ah, Manuel, you keep good company, eh?

(speaking in foreign language)

You speak English?
- Yes.

- I not good, sorry.

Tell me, you want, wanna cigarro?

- Grazie.

(speaking in foreign language)

(Nora coughs)

Rather mild.

(speaking in foreign language)

- [Calogero] Well, you must beg me to know

how we are here to help you.

Our disposal is to serve
you in any service.

- How gallant.

- Who is the the Americano?

- Eh?

- Who is the the Americano?

- You want me to tell you?

Don't tell me you want me to tell you

about the the Americano.

Manuel, maybe you know
something coming in here, huh?

- He's in town and he
wants to kill Silvera.

- I see, that is a bad news,
the lady tell you that?

Madam, please, give me
(speaking in foreign language)

Black hair?

Is more better blond, the lady.

- [Manuel] She delivered a letter

from the Americano to Silvera.

And now Silvera's using her as bait.

- We in the police wouldn't have no power

to do nothing about that.

- All right then, why
don't you arrest Silvera?

That way the Americano leaves

and Miss Green is out of trouble.

- [Calogero] We've got to
have evidence against him.

- Arrest the Americano then.

- Si, arrest him, my God!

But don't you realize (speaks
foreign language), pardon.

Since the 12th century we've
been try to get the Americano.

The FBI with Hoover could never get him.

200, 200 men trying to capture that

(speaks foreign language)

And anyone that got a look at his face?

(speaking in foreign language)

Evidence disappears like he does.

He never leaves a trace.

One day his presence was reported

in 1 0 different parts of the world.

Istanbul, Paris, Rome,
this I heard first-hand.

Do you know who he's famous for killing?

Anastasia, barber shop.

Someone who slips so easy out of sight

is difficult to arrest.

You say he's here, the city of Napoli?

10 years I've been trying to
arrest the pimp of Via Sano.

He lives around the
corner; I can't find him.

And I have a hope of
arresting the Americano?

(laughing)

To me, it's most important that I know

I'm able to prove against
him, but I don't got a case.

I can't do nothing.

- Can you wait just a second?

(smack resounds)

(coin clinks)

- Good evening.

(speaks foreign language)
I said, good evening.

- Huh?
- Are you blind or deaf?

- Okay.

(speaking in foreign language)

(audience laughing)

(speaking in foreign language)

(audience laughing)

(speaking in foreign language)

(audience laughing)

(speaking in foreign language)

- Arrivederci!

(audience applauding)

Ciao! (laughing)

Grazie, grazie. (laughing)

- Ciao, Rosy.

(speaking in foreign language)

- This is your newest conquest, huh?

You are lucky, Signorina.

There are many long,
long nights ahead of you.

His endurance is--

- The Americano's in town
and he wants Silvera dead.

- May I ask, do any other people know?

- Just Calogero, Silvera, and us.

- You and Madam Mata Hari?

- My name is Nora.

Happy to know you.
- Ciao.

My name's Rosy. (smooches)

Happy to know you, you
are a very pretty lady.

- [Nora] Coming from you,
that's a very nice compliment.

- Rosy, you always seem
to know what goes on

in certain circles, they say.

What's gonna happen next?

(speaking in foreign language)

- And yet each man wants to do it alone.

Suddenly we got the Americano.

Which means there is going
to be trouble for everyone.

That information I will
give to you gratis.

But more will cost you;
money talk-y. (laughing)

A Neapolitan proverb.

- Rosy, those two cops over there.

- [Rosy] What about them?

- See if you can keep
them busy, would you mind?

- Mm!
- Ciao.

- [Rosy] Bye!

Ah, Signore, (speaking
in foreign language).

- Who is she?

- She used to be Silvera's
plaything, then Calo's.

Some people say she's with
Inspector Calogero now,

but no one knows for sure.

She knows everything about everybody.

(speaking in foreign language)

- Well, Manuel! (laughing)

You call this place home, eh?

They even give you a
toilet, eh? (laughing)

Well, well, how I envy you, Manuel.

Bravo, I didn't know you
lived in such luxury.

(speaking in foreign language)
it was not nice of you

to take our lady tourist
here to the police station.

You shouldn't have done that.
(speaking in foreign language)

Silvera told her not to
talk about certain things.

But she didn't listen.

Silvera said he want you
to wait in your hotel.

You might hear from the Americano.

When you do, we wanted to be
able to find you, all right?

(speaking in foreign language)

(blows thudding)
(jaunty jazz music)

(exclaiming)

- Manuel!

(yelling)

(clattering)

(yelling)

(blows thudding)
(exclaiming)

(clattering)
(yelling)

(blows thudding)
(exclaiming)

(yelling)

- You try again, bubi.

There, Tiger!

(exclaiming)

Inspector Calogero?

There are very nasty men
here, they smell of garlic.

- Do not be alarmed, Signorina.

I posted some police
there, they're below you.

Outside the house of Manuel.

(jaunty jazz music)

(speaking in foreign language)

(blows thudding)
(exclaiming)

(knife clicks)

(exclaiming)

(blows thudding)
(exclaiming)

(speaking in foreign language)

(blows thudding)
(exclaiming)

(speaking in foreign language)

(blows thudding)
(exclaiming)

- Oh well, one is in the closet,

the other two are under the sink.

They just came over for a drink,

but had a little bit too much

and started breaking the place up.

You're in trouble because
of me, aren't you?

- I'm in trouble, yes,
but not because of you.

- How disappointing.

- Trouble in the air for some time now.

- What did you say was in the air?

- I can't remember.

(slow jazz music)

(high heels tapping)

(Nora gasps)

- Ah, could you put your
finger on the knot, please?

(speaking in foreign language)

- Don Calo?

It's me, Manuel.

Yeah, she's leaving now, right now.

(speaking in foreign language)

- Where are we going, boys?
- Dancing.

- Okay, just watch you
don't get out of step.

(groovy music)

(crowd speaking faintly)

- The name is Calo; a real
pleasure to know you, Miss Green.

- [Nora] Oh well, let's wait and see.

(light jazz music)

- Tonight I was told about
a letter you have brought

to Silvera, and the way they handled you.

- Really?

But I also told your
friend everything I know.

So I'm sure you heard that too.

- Silvera is not my amigo,
I prefer to ignore him.

I had you brought here so
that I could make a proposal.

- You must be joking, I had
enough mugging for one day.

Thanks, it's not worth the risk.

- It depends on your take.

I think you agree with me, it's unusual.

There are no letters to deliver.

You just take the money and spend it.

10,000 dollars.

- There is nothing I can tell
you that's worth $10,000.

- And I don't want to buy anything for it.

It's a payment, a little part.

For the pleasure of meeting you.

When the Americano moves against Silvera,

should it ever happen.

Or should Silvera move
against the Americano.

We're not going to interfere.

- I get it; looks like I'm going
to lose either way it goes.

May I join my friends?

- Miss Green?

Let me warn you; it's a dangerous game.

- You're not afraid, are you?

- Not me, no, just for you.

- I love playing games.

(crowd speaking faintly)

(groovy music)

Hi, ta, Father, let's go and dance.

- No, I'm afraid I can't--
- Yes, come on.

It won't hurt, negotiate the shag, Padre.

- No, no, stop.

- Let's have the scarf, Padre.
- No, stop, you see, a cold!

- (laughing) Come on, Padre.
- Please!

(Nora and Carmen laughing)

- What are you doing here, Padre?

- Praying for you.

(crowd speaking faintly)

- Bye bye!

(speaking faintly)

You boys don't even know how to kiss.

You must be a virgin.

(speaking in foreign language)

- Signorina Green.

(speaking in foreign language)

(telephone buzzing)

- Hello?

- [Clerk] Some people
downstairs to see you.

- For me?
- I think

they're from the police.

- Oh.
- Yes.

- I'll come right down, thank you.

(jazz music)

You shouldn't have put
yourself out, Inspector.

- It's my job.

- [Nora] And you work such long hours.

- I get overtime.
- You're entitled.

It seems I'm constantly being followed.

I haven't figured out if it's myself

or the Americano that's the attraction.

- Signorina, what made you

take that money from Don Calo, eh?

- The 10,000 dollars?

- Miss Green.
- For me?

Excuse me, darling.

Yes?
- Here, Miss.

- Hello.

Yes, one moment.

It's the man I've been sleeping with.

He wants to know whether
he should come here

or I should just go over to his place.

- Uh, I don't know.

- Here, there, huh?

- Wherever you think,
it's no affair of mine.

- Ciao.

Hello?

Mon amour, you come here.

Now let me get some sleep first.

(speaking in foreign language)

(jaunty music)

The Eiffel Tower.
(speaking in foreign language)

♪ Sunshine in her eyes ♪

♪ And when I see her, then I realize ♪

- Oh, my God, it's hot.

- Take off some clothes, Signorina.

You much, much cooler,
don't mind me. (chuckling)

(tires squealing)

- Excuse me, are you married?

- Ah, si, when you're young and innocent,

you're a fool. (laughing)

- Do you have a mistress?

- I got two dozen I'd
change for you. (chuckling)

(horn blaring)

- Listen, we're being followed
by a Citroen and a Fiat.

My husband is the Citroen,

and my lover's wife is in the Fiat.

- Ah, yes, they both a good car.

- Now I want you to imagine
that the man in the Citroen

is your mistress's husband,
and the woman in the Fiat

is your wife, what would you do?

- Don't know, Signorina but right now,

there's another person
that's on your trail,

in an Alfa Romeo, eh?

(tires squealing)

- Really, who could that be?

- [Driver] Maybe it is my wife. (laughing)

- Let's see, if my lover's
wife is in the one car,

my husband in the second,

then maybe the third car is the police.

(speaking in foreign language)

- There is something tell me
we're gonna make some fun.

(laughing)

(tires squealing)

(speaking in foreign language)
look at those three go.

Might as well be in Monza, huh?

(tires squealing)

- I've got to lose them.
- Si, si,

but don't you worry, Signorina.

I have to stop at a red light.

And just before I'm ready to go,

you open the door and run, huh?

- Mm, you're sweet.
- Thank you.

♪ Sunshine in her eyes ♪

♪ Da da da dee, da da da dee da ♪

(speaking in foreign language)

(speaking foreign language) Signorina,

longest stop light in Napoli.

(speaking foreign language)
(horns blaring)

(speaking in foreign language)

- [Woman] Oh, it's you.

Come and join me.

- [Nora] What are you playing, solitaire?

- You could call it that.

- [Nora] What happened?

- You know, star-crossed love.

- Anything I can do?

- No, grazie, 'cause it
is Manuel, but he's taken.

- [Nora] He doesn't belong to me.

- [Woman In Black] I can't
see without my contacts.

Tell me, are those pounds,
dollars, or francs?

- Dollars, sweetie-pie,
and dollars are up again.

- [Woman In Black] Mm, you're
right, I can see them now.

Lovely color, aren't they, hmm?

- Well.

Place your bet.

- I deal another game.

- Who's who?

- Don Calo and Silvera have
their eye on the ports,

the airport, all the stations.

You could never get out of here
if you tried, you know that?

You don't believe me, huh?

- No.

- Let's see.

I win, the smile of fate! (laughing)

- Go on.

- They know the American
wants their territory,

and they know the American
will have to dispose of them.

They think you're the angel of death.

Let's see if Mama Luck still smiles at me.

- Looks like she loves you.
- Never count on it,

for she only smiles a while.

Remember, you're right in the middle.

- [Nora] What next?

- You're safe here, at
least till the bullets fly.

- One more question, who is
directing the flow of drugs?

- Ali, he runs La Tigra nightclub.

His specialty is syphilis and clap.

It's right on the border, if
you're thinking of going there.

And don't forget to wear a gun.

Don't get lost, huh?

If you see the Americano,
give me some publicity.

Tell him I gave you a hand, huh?

- Who do you work for?
- For you, him,

I offer service to anyone who can pay.

I'm only a small fish, though.

- Stay small, honey.
- Mm-hmm.

- Bye!
- Bye.

(speaking faintly)

- Miss Green, Signor Manuel has asked you

to telephone him.
- Oh, thank you.

- I hope you aren't trying to leave town.

- Don't worry, I'll
let you know when I do,

whether your boss likes it or not.

Ciao, handsome, you still
need to work on that kiss.

(Nora inhales sharply)

(door latch clicks)

(shoes squeak)

Ooh!

Well, look who's here.

- I bring something! (laughing)

- Well, what is it?

What do you want?

(speaking in foreign language)

(laughing)

What are you doing?
- Something for you.

I've got it, see?

See?

- Who do you work for?

- l, l, just for me!

But if you want, I work for you.

By loving your tummy, mm mm.

- A very special offer.

- Si, special!

- Let's do it to music.

- Si! (laughing)

♪ Whoa, rock and roll ♪

(clattering)

- This is Nora, listen,
everything is okay,

except for one little thing.

My bathtub is clogged up, you
better send somebody, okay?

In there.

(man in tub groaning)

Is he all right?

- [Valet] Yeah, I think so.

- Manuel?

Yes, okay?

(naked man groaning)

I can't right now, but later on.

Have everything ready for me.

(jaunty music)

- Pardon me, huh?

(birds twittering)

- Who is Manuel with?

- Who knows, Calo or Silvera.

Otherwise, I'd say he was in thick

with the (speaking in foreign language)

Still, you're in a
position to feel that out,

if you work it right.

- You obviously don't.

Uh, excuse me, that priest
just tried to molest me.

(speaking in foreign language)

- Look, uh, listen, uh,
I speak English only.

You see, I was trained here.

(speaking in foreign language)

(blows thudding)
(exclaiming)

(speaking in foreign language)

Dust thou wert and to
dust thou shalt return!

(men groaning)
So long, fellas!

Take care now!

(speaking in foreign language)

(air hisses from tire)
- Bang, you're dead.

(air hisses from tire)

(speaking in foreign language)

(singing in foreign language)

- Oh, it's you!

(speaking in foreign language)

- Yeah, quickly.
(speaking foreign language)

(tires squealing)

- [Driver] Signorina, this
is not nice place, very bad.

- I know, I would never
bring my boyfriend here.

- [Driver] Yeah, he might
like it; what you gonna do?

- Wait for me over there.

- Si.
- I'll pay you later.

- You don't gotta pay, Signorina.

I stay here, don't worry;
you call me, I come, no?

(laughing)

(speaking in foreign language)

Maybe she love me.

♪ Yeah ♪

(rock music)

♪ Mm ♪

(speaking in foreign language)

♪ Mm ♪

- You're a Yankee?
- Yeah.

What's a nice hooker like you
doing in a place like this?

- Hooking.

- Wow, baby, tell me something,
how much do you want?

- Depends what you've got.

- The works.

- Hey, what about me?

- Ha.
- One at a time.

I'm first, you can have him later.

♪ I wanna give you the ♪

- [Customer] Are you French or German?

- Who me, oh come on.
- Oh, you're better than that.

♪ Yeah, baby ♪

♪ Well, you got no ♪

- Are you going to take
on my buddy afterwards?

- Is he worth it?

- How the hell should I know?

- Well, these days you never know.

- In here.

(Nora laughing)

- Easy, sailor.

(faint rock music)

- [Customer] Well. (groans)

What is that stuff?
(spray hissing)

- Ether.
(body thuds)

(faint rock music)

♪ Mm-hmm ♪

♪ Good, good good good ♪

♪ Baby, baby ♪

- [Customer] Come here, you, you bitch!

You're nothing but a rip-off!

- Yes, I know, you're right, darling.

Listen, believe me, I'm
more sorry than you are.

(man groans)

(blow thudding)
(man groans)

Pity.

You looked promising.

- [Driver] That bump was nice,

but the front was even better. (laughing)

- Holiday Inn, and slowly.

- Prego, Signorina.

Of course it's better that l
go faster, I keep in practice.

You ready, huh?

(singing in foreign language)

- [Nora] Watch out!

- He didn't see me. (laughing)

(horn blaring)

(static hissing)

- [Man In Pink] Gimme a cigarette.

- Sure, here.

- The mike's already in place, 27 megs.

If you haven't got anything, don't worry.

There's nobody there
now, it's not till later.

(static buzzes)

(knocking at door)

- Who is it?

- [Manuel] It's me, Manuel.

- Come in.

- Hi.
- Hello.

- [Manuel] Here's your dress.

- Oh thank you, how kind.

(phone dial whirring)

- Pronto.
- This is Silvera,

let me speak to Ali.

(speaking in foreign language)

- Hello, Silvera?
- Yeah.

- [Ali] Hold on just a sec, I'm callin'.

- [Nora] Just sit down.

- Yeah, so, it's me, Silvera.

- I wanna know when the shipment is due.

- It belongs to Don Calo.

- Come on, Ali, I'll triple
what he's payin' for it.

- [Ali] Don't be a fool,
it's not worth it, buddy.

Besides, I can't go against Don Calo.

- [Silvera] Listen to me,
the Americano's in town,

so we can put the blame on him.

- You're mad, Silvera,
what if they find us out?

If I have to die, it's
going to be of old age.

You're asking me to commit suicide.

- Now get this.

I'm gonna eliminate the
Americano by using Don Calo.

And if I fail, you're gonna
have him on your back.

I can always tell 'em
it was your suggestion

how to get rid of him.

- No, you're bluffing, you
wouldn't do that, Silvera!

- Don't count on it, you rotten bastard.

I need that stuff for the people in Miami,

or they'll be on my back too.

The main thing is to
get Don Calo mad enough

to go after the Americano.

- [Ali] But you don't why he's here.

- I don't know nothin'
except he's out to get me.

I'll give you 25% this time,
that's a lot of money, Ali.

- The price of a man's life, Silvera.

- Your life won't be worth
shit, unless you tell me

where Don Calo's stuff is being delivered.

- Very well, Silvera, if I must.

But I can't get mixed
up with the Americano.

I want nothing to do with him.

I can tell Don Calo that I lost contact

with the boat from Tunis.

It's supposed to dock
at Cala Blanca, 6:30.

- [Silvera] All right,
don't change anything.

How many men are there?

- Three, there are always three.

Silvera, don't get me in
bad with the Americano.

- Don't worry, Ali.

- [Manuel] You wanted me to hear that.

And you're not really
a stewardess, are you?

- I thought only women were curious.

Forget it, Manuel; you're
too young, too handsome,

and too good in bed, why kill yourself?

- [Manuel] Who do you work for?

- Get out of here, and go
away, as far as you can.

You can read the whole story
in the papers later on.

What else can you do, work-wise, I mean?

- [Manuel] Nothin'.

- Then you won't have any
problem finding a job.

This is Nora, get over here immediately.

- Are you a cop?

You work for those guys in Miami?

Or do you work for the Americano?

That's it, isn't it?

Tell me.

Why don't you tell me?

- Forget it, lover.

(door latch clicks)

(blow thudding)

(Manuel gasps)
Take care of him,

he's mine, I want him back in one piece.

(light music)

(gunshots booming)
(men yelling)

(engine rumbling)

(gunshots booming)

(man groans)

(birds twittering)

It's going according to
plan, get ready to move.

The merchandise has already changed hands.

Men are on the way up; over and out.

(light music)

(gunshots booming)
(men groaning)

(jaunty music)

Kung fu!
(man groans)

- Prepare to meet thy maker,
sinner, go thee forth.

Amen.
- Amen.

(gunshot booming)
(man groans)

- [Priest] Amen.

(jaunty music)

(gunshots booming)
(yelling)

(blow thudding)
(exclaiming)

(gunshots booming)

(man groans)

(traffic rumbling)
(horns honking)

- Hello, Mr. Silvera?

This is Goldilocks.

I've got something you
might be interested in.

I may have my vices but
snow isn't one of them.

So I thought I'd let you have it.

For a price, naturally.
- Any price!

You name it!
- Let's say 100,000.

Send your boys away and
they'll bring you part of it.

- What do you mean, part of it?

- You get all the rest as
soon as I've left the country.

You realize I can't take any chances.

Goodbye, oh, uh, Mr. Silvera?

No Italian play money, I want dollars.

- You goddamned beautiful bitch!

- Hello, Inspector Calogero?

You like the port of Cala Blanca?

- Miss Green, I called you at the hotel,

only they couldn't find you there.

- I'm out having a coffee.

- But don't you realize
my men have been looking

for you (speaking in foreign language)?

- Inspector.

- I'm sorry, Signorina,
the words slipped out.

Where are you, exactly?

- Just looking at people and wandering

all over the city, Inspector.

(speaking foreign language)
Hello?

- Si?

- You should learn to whisper, Inspector.

Besides, you won't have time to trace it.

Now how would you like to
clean things up for me?

By catching Silvera and Calo red-handed.

- No, you I want, not they.

- I'm not your type;
listen, Calo is on his way

to Silvera's, and they'll
probably tear each other apart.

By the way, you'll find
the cocaine there too.

- Huh?
- Arrivederci.

- Okay, arriv-, (speaking in
foreign language) arrivederci.

- Try not to get there before Don Calo.

Ciao-ciao.

(speaking in foreign language)

- That's you, eh?

(horn blaring)

- I was right in the middle this time.

I don't see how we can
do anything to save her.

- I don't care, why
should we save her neck?

Because little Nora
decided to call Calogero?

And invited them to the festivities?

- To me, Nora's a big
risk more than anything,

because she plays around
and we can't afford it.

- You two sing the same song.

- We worked 20 years,

buildin' up our image to the Americano.

You tell me what we're supposed to do.

Because the police are
right in the middle.

That means they'll know
at every organization,

all over the States and Europe,

that the Americano is a paper
tiger and he never existed.

Nora, Nora, she can expose us.

And no tail is worth that.

He gets an acrobat from
France to fool with.

- [Man] Jealous, are we?

- Boy, now, I'll be frank with you.

If she don't make that
plane, I wouldn't miss her.

- No?

Well I would miss her.

- Silvera, Silvera!

Don Calo is on his way.

- Warn everybody, but no shooting.

(man in orange exclaims)

- [Nora] Am I late?

- You outsmarted us all, goddamn bitch!

- Mr. Silvera, what
language, I'm here, aren't I?

- Here's your dollars.

What more do you want?

(blow thudding)
(Silvera groans)

- Careful, I wouldn't like to hurt you.

- You double-crosser, you!

The Americano's not here
to save you this time.

(blows thudding)
(Silvera groans)

- You've got good timing, thanks.

- Only our duty, as your collaborators.

You ready?
- I guess so.

- Ah.
- You want some?

- It's that rate, taste it.

- Meet you at the airport.
- With the green stuff.

Don't forget, dear.

- [Nora] Don't worry, it'll all be there.

(brass-heavy classical music)

- (whistles) Ya!

(speaking in foreign language)

Nico, Nico, (speaking in
foreign language) Don Calo!

(drum roll rattling)

(speaking in foreign language)

(blows thudding)
(exclaiming)

(jaunty circus music)

(speaking in foreign language) Don Calo!

(blows thudding)
(speaking foreign language)

(jaunty circus music)

(yelling)

(speaking in foreign language)

(blows thudding)
(exclaiming)

- [Priest] What's good is a broken cane?

- [Man With Sunglasses] You never know.

- [Priest] The natives are coming.

(jaunty piano music)

(man in center whimpers)

(exclaiming)

(blows thudding)
(exclaiming)

Here they are.

Yes, what is it, my son?

(exclaiming)

(blows thudding)
(exclaiming)

Okay.
(man groans)

(speaking in foreign language)

(jaunty piano music)

(man with dark glasses gasps)

(fire-breather groans)

(blows thudding)
(exclaiming)

(yelling)

(jaunty circus music)

(blows thudding)
(exclaiming)

(speaking in foreign language)

(monkeys howling)

(speaking in foreign language)

(blows thudding)
(exclaiming)

(speaking in foreign language)

(tango music)
(speaking foreign language)

(blow thudding)
(speaking in foreign language)

(yelling)
(blow thudding)

(blows thudding)
(exclaiming)

(dog barking)

(yelling in foreign language)

(jaunty circus music)
(yelling in foreign language)

(blows thudding)
(exclaiming)

(speaking in foreign language)

(exclaiming)

(blow thudding)
(exclaiming)

(alarm blares)

(speaking in foreign language)

(jaunty music)

(blows thudding)
(exclaiming)

- Watch me, huh?

♪ Da da da da ♪

(blow thudding)
(man groaning)

(flames roaring)

(exclaiming)
(weapon clanging)

(man in orange yelling)

(classical music)

(speaking in foreign language)

(blows thudding)
(Silvera laughing)

Just a moment.

(Silvera laughing)

(blow thudding)
(exclaiming)

(bones snapping)
(man groaning)

(blow thudding)
(Silvera laughing)

(jaunty music)

♪ Da da da da da da ♪

(exclaiming)
(blow thudding)

(Silvera yelling)

(men groaning)

♪ Da da da da da ♪

(blow thudding)
(exclaiming)

(jaunty music)

(blows thudding)
(exclaiming)

♪ Da da da da ♪

(blow thudding)
(exclaiming)

(blows thudding)
(exclaiming)

(Silvera laughing)
(blows thudding)

(man in blue yelling)

(blows thudding)
(exclaiming)

(jaunty music)

♪ Da da da da da ♪

(blow thudding)
(exclaiming)

(fast percussion music)

(jaunty music)

(blows thudding)
(men groaning)

(jaunty music)

(blows thudding)
(exclaiming)

(man in blue whistles)

(blows thudding)
(exclaiming)

(man in blue laughing)

- [Man] No, no.

(exclaiming)
(metal clanging)

(blows thudding)
(exclaiming)

(Silvera laughing)
(man in blue exclaiming)

- Here's where you belong.
- No!

- [Silvera] In a cage.

How are you?

(blow thudding)

Here we go.

- [Man In Blue] No!

(Silvera laughing)
(man in blue yells)

Stop it at once, let me go, please, oh!

Let me go!

- [Nora] Oh darling, poor
darling, what happened?

Did somebody push you in the water?

Like this.
(man yelling)

(man coughing)

(jaunty music)

(mumbling)

(blows thudding)
(exclaiming)

- No!

- [Man] Say.

(blows thudding)
(exclaiming)

- Hey!

Silvera!

(somber orchestral music)

(dog whining)

(engine rumbling)
(tires squealing)

- [Man] There she is, that's the one.

- [Man] No wait, I gotta take a pee.

(speaking in foreign language)

(sirens wailing)

- [Man In Jacket] (speaking
in foreign language) let's go.

(dog whines)

(sirens wailing)

- I'd like to know where
the hell she's going.

And I'd like to know what
the hell she's doing.

And why are the police the last to know?

(man with bow tie laughs weakly)

Hurry!

(jaunty music)
(sirens wailing)

(man in bow tie squeals)

That's a mini with a maxi engine.

(jaunty music)
(sirens wailing)

(men exclaim)

- [Man In Bow Tie] She's crazy!

(sirens wailing)

- But hey, come on, what am l, a gumshoe?

My God, here we go again.

Oh!

(tires squealing)

(men yelling)

What do you think you're
doing, you fat-head?

(tires squealing)

This stupid fool drives like
my brother, too too too.

He's a (speaking in foreign language).

What are you trying to do?
- But you said follow the car.

- You do that again and you're fired!

This idiot thinks he's using an airplane.

(speaking in foreign
language) we gotta catch up.

♪ Dum da dum da dum ♪

♪ Oh, Margherita ♪

♪ Da da da da da da da ♪

(man humming)
(Nora groans)

(horn honks)
- Get over!

(tires squealing)

- Once in a while you
can use the brake, no?

(horn honks)

(speaking in foreign language)

- [Nora] You wanna play?

Okay.

(man in blue car hums)

(singing in foreign language)

(tires squealing)

(inspector yells)

(clattering)

(jaunty music)

(tires squealing)

Ooh!

- Don't let her do that, stop!

Stop!

Use your brake!

Oh no wait, come back here!

(speaks foreign language) How
could you let her do that?

Go on, follow her, hurry up!

Let's go, come on.

Wait, idiot, ait, you forgot me!

Come back!

Get in.

Hurry!

My arm, you're hurting
my arm, will you let go?

(jaunty music)

(engine rumbling)

(tires squealing)

(engines rumbling)
(tires squealing)

(clattering)

(tires squealing)

The price of this today, what a waste.

(tires squealing)

- [Man On Toilet] No no no, no!

What are you doing, I ain't finished!

I ain't finished, what's going on?

Stop the car, stop, stop!

No, what's the world coming to?

A man can't shit in peace.
- What are you doing up there?

- I got hemorrhoids.
- I arrest you for obscenity.

- [Man On Toilet] I'm very nervous.

- [Inspector] Get down off there!

- But I ain't finished.
- Get down, hurry up.

- What about my uh--
- Give it to him.

- [Man With Toilet] Fascist.

- All right, let's go,
(speaking in foreign language)

(shouting in foreign language)

Manuel is running after that female,

that, it'll be simple
to catch them together.

I'll get them sooner or later.

(tires squealing)

- I mean I got these
two girlfriends I know

to go and live together.

So one trip, I do them both. (laughing)

Next week I put another one in there.

(engine rumbling)
(tires squealing)

- [Nora] Ciao!

- Ciao!

- Wait for me there!

- Si, si, I wait. (laughing)

See what I mean?

They come because I make 'em happy.

- Don't tell me you--
- Sure, every Monday.

- What about Tuesday?

- Tuesday I go see your mother. (laughing)

(tires squealing)

- Go ahead, do as I say.

(speaking in foreign language)

You heard what I said, you
stupid (speaks foreign language)

drive up that ramp!

(tomatoes squelching)

Where are we?

Look what you done, look-y you.

Look what you've done,
great thing, you know.

- Guillermo.
- Si, si, Sylvia.

- [Nora] It's the police again.

- (speaking in foreign language) We hurry.

- [Nora] Inspector Calogero.

- Well what are you
worried about, Signorina?

Don't be afraid, the (speaking
in foreign language)'s

my twin brother, don't worry.

- Come on, hurry, hurry!
- Si si, si si.

(speaking in foreign language)

- I'm ruined.

20 years (speaking in foreign language)

(speaking in foreign language)

They're not for sale,
they're not for sale!

(speaking in foreign language)

(jaunty music)

(speaking in foreign language)

Go away!

- Thanks for everything.

Bye bye!

(jaunty music)

(speaking in foreign language)

- [Carmen] Hurry up!

(speaking in foreign language)

Ladies and gentlemen,

the captain wishes you a pleasant trip.

The passengers are kindly requested

to fasten their safety belts

and to refrain from smoking.

Thank you, (speaking in foreign language)

(slow music)

(stately music)

(jaunty music)

(slow jazz fanfare music)