All language subtitles for The.Gilded.Age.S03E01.1080p.ENG.ITA.H264-TheWhiteQueen

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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�gGoM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���SM��S��T�gS��D��O�I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v82.0 ('I'm The President') 64-bitD��AF��Da� �[�+L�s������`s�\PM ��T�k߮�ׁsň>';r������������S_TEXT/UTF8"���en��ׁsň�D�)��I���������S_TEXT/UTF8"���enSn�.srt�DSC�u��������(INTREPID THEME MUSIC)��C�u��ﶠ����(THEME MUSIC SWELLS)���C�u��]ޠ����(THEME MUSIC SWELLS)�� `C�u��q������(THEME MUSIC ENDS)��񠞡��(MEN SPUR ON HORSES)��C�u���֠����(HOOVES CLATTER, BIRD TRILLS)�� �C�u���f�����(HOOVES POUND, CHAINS CLATTER)��4C�u��ﴠ����(HEARTENING MUSIC SWELLS)���C�u��,������(INDISTINCT CHATTER)���C�u��D�����(MUSIC BECOMES SOMBRE)���C�u��bΠ����Whoa.��Р����DRIVER: Whoa.��Р���� �(HORSE WHINNIES)���C�u@���������- Welcome to Morenci, Mr Russell. - Thank you.�� (�����- Welcome to Morenci, Mr Russell. - Thank you.�� (�����tI hope you're ready for all of this.��U�����tI hope you're ready for all of this.��UC�uA��P�����Have you brought your riding clothes?��3�����Have you brought your riding clothes?��3�̡Ɓ4Of course. I'm looking forward to seeing you on a bucking bronco.��t�̡Ƃ4Of course. I'm looking forward to seeing you on a bucking bronco.��tC�u���8�����(GRUNTS AND CRIES) (PLAYFUL MUSIC)�� �C�u���L�����(LAUGHTER)�� '����� ((INDISTINCT)�� C�u���������(SCOFFS, CHUCKLES)���C�u@��=�����Alright, alright.�� <�����(CHURCH CHUCKLES) Alright, alright.�� <����� =Back to work. Back to work.��񠥡�� =Back to work. Back to work.���C�u@��'l�����Mr church...�� �����BANNISTER: Mr church...�� ����� Yeah.��Ϡ���� Yeah. (CHUCKLES)��Ϡ�����Has there ever been snow this close to spring?�� 2������Has there ever been snow this close to spring?�� 2C�uAM�C������I agree, I was expecting cherry blossom. Not this.�� S�����I agree, I was expecting cherry blossom. Not this.�� S����� TWhat's all the activity?��堮��� T(SHUDDERS) What's all the activity?��堹���:The mistress has planned a Temperance meeting,�� ������:The mistress has planned a Temperance meeting,�� �C�u@��_i�ǡ��but I can't imagine there'll be many guests in this weather.�� '�ǡ��but I can't imagine there'll be many guests in this weather.�� '����� (Mrs Van Rhijn is a Temperance activist.�� T����� (Mrs Van Rhijn is a Temperance activist.�� TC�u@��uI�����Not quite. I was referring to Mrs Forte.�� ������Not quite. I was referring to Mrs Forte.�� ������ �But you said mistress.�������� �But you said mistress.���C�u@���x�����Yes. Uh... We've had some changes.��񠬡��Yes. Uh... We've had some changes.��񠞡��%{\an8}(BELLOWS HISS)���C�u@���L�����{\an8}(AGNES SIGHS)��u�����vI'm sorry, ma'am, I should have lit the fire earlier.�� i�����vI'm sorry, ma'am, I should have lit the fire earlier.�� iC�u@���,�����Well, it's supposed to be the start of spring.�� 1�����Well, it's supposed to be the start of spring.�� 1����� 2- It won't last long. - Well, you're all dressed up.�� ������ 2- It won't last long. - Well, you're all dressed up.�� �C�u@���꠪���Our Temperance meeting is today.��������Our Temperance meeting is today.����ɡÁ�Ah. Must we keep allowing the frozen tundra wind into my home?����ɡÂ�Ah. Must we keep allowing the frozen tundra wind into my home?���C�uA�眠����- If I can still call it that. - We need to set up.�� G�����- If I can still call it that. - We need to set up.�� G����� HYou can't mean to sponsor this absurd meeting now,�� ؠ���� HYou can't mean to sponsor this absurd meeting now,�� �C�u@��������it's nearly a blizzard.��T�����it's nearly a blizzard.��T�����USurely your merry band of teetotallers will stay home.�� ������USurely your merry band of teetotallers will stay home.�� �C�u@��������I doubt it.��������(CHUCKLES) I doubt it.���������Temperance is a cause to which we are all committed.�� &������Temperance is a cause to which we are all committed.�� &C�u@��+������To which we are all committed now.��������To which we are all committed now.����ɡÁ�But weren't you committed to the Charity Organisation Society?���ɡÂ�But weren't you committed to the Charity Organisation Society?��C�uA9�C�����- Well, yes, I was... - And before that,��U�����- Well, yes, I was... - And before that,��U�ˡŁVhadn't someone cornered you about the Settlement House Movement?�� ^�ˡłVhadn't someone cornered you about the Settlement House Movement?�� ^������That's true.���������That's true.���C�u@��[]�����But I've been convinced that Temperance can bring�� ���But I've been convinced that Temperance can bring�� ��� �unique improvements to our society.�� ?����� �unique improvements to our society.�� ?C�uA��o𠹡��So make a donation from your new-found fortune��������So make a donation from your new-found fortune�������� �and cancel this gathering. They will understand.�� ������ �and cancel this gathering. They will understand.�� ��ʡāfI am making a donation in addition to holding the meeting here.����ʡĂfI am making a donation in addition to holding the meeting here.���C�u@��������Alcohol is the scourge of many families,�� ������Alcohol is the scourge of many families,�� ��¡�� �and I want to support causes that are close to my heart�� G�¡�� �and I want to support causes that are close to my heart�� GC�u@��� �����as a way to honour Luke's memory.��������as a way to honour Luke's memory.����ǡ�� You think invoking your late husband's name will silence me?�� S�ǡ�� You think invoking your late husband's name will silence me?�� SC�u@���|�¡��It won't. Luke drank wine and he served it to thousands�� ��¡��It won't. Luke drank wine and he served it to thousands�� ������ �at communion, just like Jesus.�� ������ �at communion, just like Jesus.�� �C�uA��ʠ����Find a cause he would have cared about.��V�����Find a cause he would have cared about.��V������The point is...��Ϡ�����The point is...��Ϡ�����Luke's ministry was important to him,�� �������Luke's ministry was important to him,�� �C�u@�����աρand I want to continue his legacy by doing works that are important to me.��ؠաςand I want to continue his legacy by doing works that are important to me.��ؠ�����(SIGHS)��C�u@��q�����And if it displeases you, Agnes, then...��l�����And if it displeases you, Agnes, then...��l������- Then what? - Then, too bad.�� ٠�����- Then what? - Then, too bad.�� �C�u@��&�á��I've tried mourning in silence, and it nearly killed me.�� �á��I've tried mourning in silence, and it nearly killed me.�� �����There were nights I went to bed...��������There were nights I went to bed...���C�uA�E������...and prayed not to wake up.�� à����...and prayed not to wake up.�� à���� �(SOFT, MELANCHOLY MUSIC)��ϠˡŁ�This gives me a purpose, and I believe it would make Luke proud.���ˡł�This gives me a purpose, and I believe it would make Luke proud.��C�u@��lH�ˡŁHad he cared about money, we'd have lived a very different life.�� �ˡłHad he cared about money, we'd have lived a very different life.�� ����� But he cared about people.�� ����� But he cared about people.�� C�u���T�����And I will too.��񠦡��And I will too. (CHOKES UP)���C�uAN��d�����(MAN AND WOMAN EXCLAIM)�������- Good day, sir. - Oh, I wish you wouldn't do this.�� j�ȡ‚- PASSERBY: Good day, sir. - Oh, I wish you wouldn't do this.�� j�̡Ɓ}Are the trains across the bridge even running? There are no cabs.�� �̡Ƃ}Are the trains across the bridge even running? There are no cabs.�� C�uAi��򠩡��I must get back to 61st Street.��3�����I must get back to 61st Street.��3�ɡÁ4I promised Mrs Forte I'd help her with the Temperance meeting.�� S�ɡÂ4I promised Mrs Forte I'd help her with the Temperance meeting.�� S������Your mother shouldn't have kept you last night.��v������Your mother shouldn't have kept you last night.��vC�u@���񠾡��You'd already be there, safe and dry if she hadn't.�� ؠ����You'd already be there, safe and dry if she hadn't.�� ؠ���� �You'll catch your death walking to the station.��򠺡�� �You'll catch your death walking to the station.���C�u@���������You don't think that's a little pessimistic?��������You don't think that's a little pessimistic?���������- Ooh! - I'm going with her, Dorothy.�� ������- Ooh! (LAUGHS) - I'm going with her, Dorothy.�� C�uA%� -�����Well done on the news.��������Well done on the news.����ġ���- Thank you. - I knew it was big when I saw the envelope.�� 2�ġ���- Thank you. - I knew it was big when I saw the envelope.�� 2�����Have you told Mrs Van Rhijn?��۠����Have you told Mrs Van Rhijn?���C�u@��$"�����How? When I only opened it last night.��U�����How? When I only opened it last night.��U�����V- Alright. - Bye.�� ������V- Alright. - (CHUCKLES) Bye.�� �������- You be safe. - Mm-hm.�� _������- You be safe. - Mm-hm.�� _C�uA/�@d�ȡI want fires in every room down here and in all the passages.��s�СʂBERTHA: I want fires in every room down here and in all the passages.��s�š��t- They are not to be allowed to go out. - Very good ma'am.����š��t- They are not to be allowed to go out. - Very good ma'am.���C�uA��WԠ����Mr Serjeant comes at 3:00 for the sitting.��k�����Mr Serjeant comes at 3:00 for the sitting.��k�����lIt is your responsibility to make sure he gets here.��3�����lIt is your responsibility to make sure he gets here.��3�ϡɁ�Send the carriage, send a sleigh. Send the 7th Regiment if you must.�� 1�ϡɂ�Send the carriage, send a sleigh. Send the 7th Regiment if you must.�� 1C�uA�r������- But make sure he's here by 3:00. - Yes, ma'am.��U�����- But make sure he's here by 3:00. - Yes, ma'am.��U�����VI think he'll find he has everything he needs.��������VI think he'll find he has everything he needs.����á���Good. It must be finished by the time his grace arrives.�� t�á���Good. It must be finished by the time his grace arrives.�� tC�uA�� �����But don't mention that to Miss Gladys or Mr Larry�� 𠼡��But don't mention that to Miss Gladys or Mr Larry�� 𠽡�� Tor anyone in the household. - I understand, ma'am.��3����� Tor anyone in the household. - I understand, ma'am.��3������(FOOTSTEPS APPROACH)���C�uA?�������Larry and I are going for a walk to see the snow.��Ϡ����Larry and I are going for a walk to see the snow.��Ϡ�����- Why? And where is Larry? - Here I am.���������- Why? And where is Larry? - Here I am.���������I said we want to see the snow.�� �������I said we want to see the snow.�� �C�uA��)�����If you must go, be careful. Nothing can go wrong.�� k�����If you must go, be careful. Nothing can go wrong.�� k����� 3- Not now. - What's so special about now?��3����� 3- Not now. - What's so special about now?��3�����gNothing.��ܠ����gNothing.���C�u@��䕠ơ��And don't be late for luncheon. You're sitting is at three.�� ��ơ��And don't be late for luncheon. You're sitting is at three.�� ������E(INTRIGUING MUSIC)��VC�u�������(INDISTINCT CHATTER)���C�u��6������He's down there.��Р����He's down there.���C�u@��|F�����- Gladys. - Billy.�� T�����- Gladys. - (GASPS) Billy.�� T����� �- I'm surprised she let you come. - Only just.��v����� �- I'm surprised she let you come. - Only just.��vC�uA��u�����She was frightened by the snow.��𠳡��She was frightened by the snow. (SCOFFS)��𠾡���These days, she seems nervous if I leave the house.�� j������These days, she seems nervous if I leave the house.�� j�ˡŁ\I suppose she doesn't want anything to interfere with her plans.�� ��ˡł\I suppose she doesn't want anything to interfere with her plans.�� �C�uA3��R�ΡȁMy chief ambition in life is to interfere with your mother's plans.�� ڠΡȂMy chief ambition in life is to interfere with your mother's plans.�� ڠš��RWill I see you tonight? Did Mrs Fish give you the message?�� �š��RWill I see you tonight? Did Mrs Fish give you the message?�� �C�uA�lj�����She did and I'll try to be there.�� =�����She did and I'll try to be there. (SIGHS SOFTLY)�� =�ѡˁ�Wouldn't it be simpler if I speak to your father as soon as he's back?�� T�ѡ˂�Wouldn't it be simpler if I speak to your father as soon as he's back?�� TC�u@��� �����- As long as you're sure. - Of course.�� ������- As long as you're sure. - Of course.�� ������~I can't wait for you to be my wife.�� 堭���~I can't wait for you to be my wife.�� �C�u@�� ����But are you sure?�� j�����But are you sure?�� j����� kI love you. And that makes me sure.�� ������ kI love you. And that makes me sure.�� �C�uAn�+������Texas, New Mexico, Arizona.��������Texas, New Mexico, Arizona.����ˡŁ�- He's not expected back for weeks. - What's he doing out there?�� '�ˡł�- He's not expected back for weeks. - What's he doing out there?�� '������He's set on a major expansion of his railroads�� <�ġ���(CHUCKLES) He's set on a major expansion of his railroads�� <C�u@��Jɠ����all the way to California. Maybe even Mexico.�� ������all the way to California. Maybe even Mexico.�� ������ �I can't quite imagine Mr Russell in the Wild West.�� ����� �I can't quite imagine Mr Russell in the Wild West.�� C�uAE�_\�ɡÁI don't know, he's a pretty sharp shooter when he wants to be.�� i�ɡÂI don't know, he's a pretty sharp shooter when he wants to be.�� i�ӡ́ jHe's out in the desert. And here we are in what feels like a North Pole.�� �ӡ͂ jHe's out in the desert. And here we are in what feels like a North Pole.�� C�u@��v̠����Will I see you at the opera tonight?��ڠ����Will I see you at the opera tonight?��ڠ���� >It's too soon for us to be seen together in public.�� ������ >It's too soon for us to be seen together in public.�� �C�u@���������- It's been months. - Yes...�� '�����- It's been months. - Yes...�� '�Сʁ (because it's only months since I broke off my engagement to Dashiell.��S�Сʂ (because it's only months since I broke off my engagement to Dashiell.��SC�uA��������I've failed at it twice.��������I've failed at it twice.���������Well, this time you'll succeed.��@������Well, this time you'll succeed.��@������- I envy your certainty. - I wish you shared it.��������- I envy your certainty. - I wish you shared it.��C�u@���t�����I want to.��Р����I want to.��Р���� �I just can't handle scrutiny quite yet.�� ������ �I just can't handle scrutiny quite yet.�� �C�uAi��������You must understand, with all the rumours��Ġ����You must understand, with all the rumours��Ġ�����surrounding Gladys's engagement to the Duke.��w������surrounding Gladys's engagement to the Duke.��w������It's my mother's wish. But it's not what Gladys wants.���������It's my mother's wish. But it's not what Gladys wants.���C�uA��P�ʡāWe'll see. And until we do, we'll face whatever comes together.�� G�ʡĂWe'll see. And until we do, we'll face whatever comes together.�� G����� HBut please, don't make me wait too long.�� ������ HBut please, don't make me wait too long.�� �C�uA� �����I wish I could kiss you right now.��J�����I wish I could kiss you right now. (CHUCKLES)��J�����KRestrain yourself, Mr Russell.�������KRestrain yourself, Mr Russell.�������]All in good time.�� 栳���]All in good time. (GLADYS LAUGHS NEARBY)�� �C�uA<� Af�����- Will that make Mrs Russell happy? - No.�� ������- Will that make Mrs Russell happy? - (SCOFFS) No.�� ������ �My father won't mind.������� �My father won't mind.�������$I'd better go see what Gladys has promised him now.�� �����$I'd better go see what Gladys has promised him now.�� C�u�� a �����Miss Brook.�������Miss Brook. (TENDER MUSIC)��C�u�� �������Gladys.��Р����Gladys.��Р�����(MUSIC SWELLS)��3������(INDISTINCT CHATTER)���C�u@�� �֠����(MEN LAUGH AND CHATTER INDISTINCTLY)���������Where is this man? Is he late or are we early?�� ٠�����GEORGE: Where is this man? Is he late or are we early?�� �C�uA1� �H�ȡ- And why is he so important? - John Ranger is our middleman.�� �ȡ‚- And why is he so important? - John Ranger is our middleman.�� �ʡā �I found him in Tucson. He'll arrange for us to meet the miners.�� %�ʡĂ �I found him in Tucson. He'll arrange for us to meet the miners.�� %C�uA=� �R�����I want this done and done quickly.�� `�����I want this done and done quickly.�� `����� kI'm still not convinced it's worth the risk.�������� kI'm still not convinced it's worth the risk.��������hYou can make money without much trouble.��Š����hYou can make money without much trouble.���C�uA�� 造����Why not just allow yourself to do that and live well?��T�����Why not just allow yourself to do that and live well?��T�ȡUYou're not seeing the big picture. Fast freight is the future�� ��ȡ‚UYou're not seeing the big picture. Fast freight is the future�� �������and our route with one line from New York to Chicago�� ������and our route with one line from New York to Chicago�� C�uA{� h�����and the southern route from Chicago to Los Angeles��4�����and the southern route from Chicago to Los Angeles��4������will be the fastest way to get across the country.��𠽡���will be the fastest way to get across the country.��𠻡���When it's running, we can charge a huge premium,��������When it's running, we can charge a huge premium,��C�uA� ̠����and with the grants and subsidies on offer,��)�����and with the grants and subsidies on offer,��)������we can offset more than half the cost to build it.���������we can offset more than half the cost to build it.����ġ��~Maybe, but you'll have to risk an enormous amount of cash�� ��ġ��~Maybe, but you'll have to risk an enormous amount of cash�� �C�uA�� 8̠ǡ��before you get to that point. If you ever get to that point.�� ��ǡ��before you get to that point. If you ever get to that point.�� ������ �I'd rather have palaces in New York and Newport��k����� �I'd rather have palaces in New York and Newport��k������and live without Jay Gould breathing down my neck.�� ������and live without Jay Gould breathing down my neck.�� C�uA�� Sᠱ���He'd be breathing down my neck anyway.��������He'd be breathing down my neck anyway.���������- What about the copper? - Forget the copper.���������- What about the copper? - Forget the copper.����ѡˁYou've read the metallurgist report. We need the land for the railway.����ѡ˂You've read the metallurgist report. We need the land for the railway.���C�uA � q��աρ- Why not just go around the mines? - We'd have to build hundreds of miles�� �աς- Why not just go around the mines? - We'd have to build hundreds of miles�� ����� of track through the mountains.��ڠ���� of track through the mountains.���C�u@�� �������We may do something with the mines at some point.�� ������We may do something with the mines at some point.�� ������ �Right now, just get me the land.��𠪡�� �Right now, just get me the land.���C�uAw� �1�����The owners have been scrabbling for a living�������The owners have been scrabbling for a living���ǡ��for as long as they can remember, so it shouldn't take much.�� i�ǡ��for as long as they can remember, so it shouldn't take much.�� i�����}Let them rent back the mines if they want,��񠵡��}Let them rent back the mines if they want,���C�u@�� �������but make sure we own them first. - Mr Russell.�� ������but make sure we own them first. - Mr Russell.�� ������ �Granger, I'm so glad you could join us.�� =����� �Granger, I'm so glad you could join us.�� =C�u@�� �t�����They cabled you were coming today. How was New Mexico?�� ������They cabled you were coming today. How was New Mexico?�� ������ �Good. Please.��񠗡�� �Good. Please.���C�u@�� �1�����So, tell me...��۠����So, tell me...��۠���� �...will they sell? And who should we approach first?�� ������ �...will they sell? And who should we approach first?�� �C�u@�� F�����It's more complicated.�� �����It's more complicated.�� �̡Ɓ The local mine owners, or most of them, want to see you together.�� ��̡Ƃ The local mine owners, or most of them, want to see you together.�� �C�uA� T�����I set up a meeting for Friday evening.��������I set up a meeting for Friday evening.����ʡā�I don't want to meet a bunch of stupid clodhoppers all at once.�� ��ʡĂ�I don't want to meet a bunch of stupid clodhoppers all at once.�� �C�uA�� 0t�����I prefer to pick them off one by one.��������I prefer to pick them off one by one.���������They may be clodhoppers, but they're not stupid.�� 䠻����They may be clodhoppers, but they're not stupid.�� �Ρȁ}They know their copper mines will be the biggest thing in the state�� ̠ΡȂ}They know their copper mines will be the biggest thing in the state�� �C�u@�� P������if you're involved.��v�����if you're involved.��v�����wWell, don't give them any leverage.�� �����w(SIGHS) Well, don't give them any leverage.�� C�u@�� e������The land matters. The mines don't.�� ������The land matters. The mines don't.�� ������ �- You... No! - You were so scared.�� 2�ˡł �- MRS BRUCE: (laughing) You... No! - BORDEN: You were so scared.�� 2C�uA/� {������- I was not. I was not. - Did you have a good time?�� 䠾���- I was not. I was not. - Did you have a good time?�� �ӡ́ �Oh, yes. Though it seems so late for snow when spring as almost upon us.��r�ӡ͂ �Oh, yes. Though it seems so late for snow when spring as almost upon us.��rC�uAQ� �������But you had a nice walk.��������But you had a nice walk.���������More of a slide than a walk. But we did.�� S������More of a slide than a walk. But we did.�� S�ˡŁ- I feel quite invigorated. - I shall take that as a compliment,�� �ˡł- I feel quite invigorated. - I shall take that as a compliment,�� C�u@�� �|�����seeing as I pushed you into it.��������seeing as I pushed you into it. (LAUGHS)����ġ���Mr Sargent is here. She'll ring for tea in an hour or so.��ˠġ���Mr Sargent is here. She'll ring for tea in an hour or so.���C�u@�� �ՠ����And I think you should have a look at this.�� 堶���And I think you should have a look at this.�� 堩����Someone must be looking for me.��Р�����Someone must be looking for me.���C�u@�� �࠷���He asked me to confirm that you worked here.�� ������He asked me to confirm that you worked here.�� ������ �I suppose it's bad news.��T����� �I suppose it's bad news.��T������Why do you say that?��Ϡ�����Why do you say that?���C�u�� ������This kind of thing usually is.��򠨡��This kind of thing usually is.��򠜡�� �(SUSPICIOUS MUSIC)��4C�uA� ᠹ���Oh. What are you bringing those back down for?�� ��ġ��MRS BAUER: Oh. What are you bringing those back down for?�� ��ǡ�� �Put them on the credenza for Mrs Forte's Temperance meeting.�� �ǡ�� �Put them on the credenza for Mrs Forte's Temperance meeting.�� C�uA� 0 �ѡˁI did, but as I was setting it out, Mrs Van Rhijn said she didn't want�� ؠѡ˂I did, but as I was setting it out, Mrs Van Rhijn said she didn't want�� ؠ���� �her silver used for the meeting.��U����� �her silver used for the meeting.��UC�uA%� D<�á��- What should I do? - Well, it's Mrs Van Rhijn's silver.�� 1�á��- What should I do? - Well, it's Mrs Van Rhijn's silver.�� 1�ɡÁ 2- But Mrs Forte pays our wages. - We cannot serve two masters.�� ^�ɡ 2- But Mrs Forte pays our wages. - We cannot serve two masters.�� ^C�u@�� [͠����- But we do. - All right.��栤���- But we do. - All right.��栺����I'll speak to both Mrs Forte and Mrs Van Rhijn.�� &������I'll speak to both Mrs Forte and Mrs Van Rhijn.�� &C�u@�� s=�����And you'll get two different answers.��4�����And you'll get two different answers.��4������(FOOTSTEPS APPROACH)�� C�uA?� ��ϡɁI'm sorry to banish you up here, but at least you don't have to drag�� àϡɂI'm sorry to banish you up here, but at least you don't have to drag�� àʡā �the painting along when you go home. - I'm happy, I assure you.����ʡĂ �the painting along when you go home. - I'm happy, I assure you.���C�u@�� �i�����The light is excellent in here.�� ?�����The light is excellent in here.�� ?����� 'What's the point of this?�� i����� 'What's the point of this? (SIGHS)�� iC�u@�� �������I dare say Mr Sargent can answer that.�� u�����I dare say Mr Sargent can answer that.�� u����� vThere's a moment when a young girl turns into a woman.�� ͠���� vThere's a moment when a young girl turns into a woman.�� �C�uA� �>�����It doesn't last long and I'd like it caught on canvas.��נ����It doesn't last long and I'd like it caught on canvas.��נȡ�You managed it so well with your portrait of Miss Burckhardt.�� _�ȡ‚�You managed it so well with your portrait of Miss Burckhardt.�� _C�uA7� �v�š��- I'm glad you liked it. - I liked its dark and its light.�� �š��- I'm glad you liked it. - I liked its dark and its light.�� �СʁSI liked how you showed that youth is complicated and not just pretty.����СʂSI liked how you showed that youth is complicated and not just pretty.���C�uA9�  ɡÁAnd that is what you want to see in a picture of Miss Russell?�� �ɡÂAnd that is what you want to see in a picture of Miss Russell?�� �͡ǁ JWith a hint of what's to come when she takes her place in society.����͡ǂ JWith a hint of what's to come when she takes her place in society.���C�u�� " ����Oh, Mother.��b�����Oh, Mother.��b����� �- Excuse me. - Mm.��Р���� �- Excuse me. - Mm.���C�u@�� D������It troubles me that I never mentioned a slight...�� ������It troubles me that I never mentioned a slight...�� ������ �commotion at the Paris Salon this year.�� G����� �commotion at the Paris Salon this year.�� GC�u@�� ]ࠩ���About your portrait of Madame X�� ������About your portrait of Madame X�� ��š�� �with her loose strap falling away from her naked shoulder.�� S�š�� �with her loose strap falling away from her naked shoulder.�� SC�uA� r������I had to repaint it back in place.��Ϡ����I had to repaint it back in place.��Ϡ�����It will only drive up your price.��������It will only drive up your price. (CHUCKLES)��������I wish I had your confidence.���������I wish I had your confidence.���C�u@�� �1�����I wish I'd had my confidence when I was your age.�� =�����I wish I'd had my confidence when I was your age.�� =C�u�� �=�����(OPTIMISTIC MUSIC)���C�u�� �0�����(SHUDDERS)�� _����� `OK...��񠩡�� `(softly) OK... (CLEARS THROAT)���C�uA*� ������Oh, Miss Scott.��)�����Oh, Miss Scott. (EXHALES)��)�����*- I was getting worried. - I hope I'm in time.��3�����*- I was getting worried. - I hope I'm in time.��3�����^I'm afraid my mother persuaded me to stay.��Ϡ����^I'm afraid my mother persuaded me to stay.���C�uA��H�ơ��- She didn't want me to travel through the snowstorm. - Mm.��ڠơ��- She didn't want me to travel through the snowstorm. - Mm.��ڠɡÁ >And was the letter that was waiting for you worth the journey?�� �ɡ >And was the letter that was waiting for you worth the journey?�� 格����It was from the editor of the Christian Recorder.��٠�����It was from the editor of the Christian Recorder.���C�uA8� ������Uh, Mr Benjamin Tucker Tanner.��Ϡ����Uh, Mr Benjamin Tucker Tanner.��Ϡ�����He's offered to publish an extract from my novel.�� 堼����He's offered to publish an extract from my novel.�� 堦����What? But that's incredible.���������What? But that's incredible. (CHUCKLES SOFTLY)���C�uA!�;\�����- How did he know about it? - I wrote to him,�� >�����- How did he know about it? - I wrote to him,�� >�ҡ́ Isent him a few pages and a synopsis, but I never thought I'd hear back.�� ��ҡ̂ Isent him a few pages and a synopsis, but I never thought I'd hear back.�� �C�u@��SQ�����It's such great news. Not just for you,�� �����It's such great news. Not just for you,�� ����� but for a lot of people. - I believe it could be.�� ����� but for a lot of people. - I believe it could be.�� C�uA�it�ơ��- We'll see. - You must need warming up after that journey.�� (�ơ��- We'll see. - You must need warming up after that journey.�� (����� �Bannister, can you fetch a brandy for Miss Scott?�� ������ �Bannister, can you fetch a brandy for Miss Scott?�� �C�u@��~�����Of course, ma'am, but if I could...��Ϡ����Of course, ma'am, but if I could...��Ϡơ���Miss Scott has agreed to be part of our Temperance meeting.�� ^�ơ���Miss Scott has agreed to be part of our Temperance meeting.�� ^C�uAW��5�����You have joined this absurd cause.�� >�����You have joined this absurd cause.�� >����� ?Mrs Forte just asked me to take notes.��報��� ?Mrs Forte just asked me to take notes.���ơ��%Because you did such an excellent job with the invitations.�� '�ơ��%Because you did such an excellent job with the invitations.�� 'C�u@���堲���You used my secretary on this nonsense.�� à����You used my secretary on this nonsense.�� àǡ�� �- Who is in charge here? - That's rather what I wanted to...�� Πǡ�� �- Who is in charge here? - That's rather what I wanted to...�� �C�uAG��x�ɡÁAgnes, I won't remind you why I have the right to give orders.�� �ɡÂAgnes, I won't remind you why I have the right to give orders.�� �ԡ΁�- Is this enough chairs? -Oh, I think we need to create more space first.����ԡ΂�- Is this enough chairs? -Oh, I think we need to create more space first.���C�uA�砠̡Ɓ- Perhaps we could move this table. - How many of them are there?�� ��̡Ƃ- Perhaps we could move this table. - How many of them are there?�� ������ �Have you advertised this meeting to teetotallers��٠���� �Have you advertised this meeting to teetotallers���C�uA ��&�����in every part of the state. - It may be funny to you,�� ������in every part of the state. - It may be funny to you,�� ������ �but it's a cause many people feel passionate about.�������� �but it's a cause many people feel passionate about.���C�uA!�Р����Well, this is not the Coliseum. It is a private home.�� &�����Well, this is not the Coliseum. It is a private home.�� &�ʡā �If there are so many people keen on spoiling the country's fun,�� ��ʡĂ �If there are so many people keen on spoiling the country's fun,�� �C�uA+�+������you'll need a bigger tent. - Agnes, I ask that you be�� �����you'll need a bigger tent. - Agnes, I ask that you be�� �ϡɁ on your best behaviour this afternoon and if you cannot manage that,��נϡɂ on your best behaviour this afternoon and if you cannot manage that,���C�uA�C�á��please have the courtesy to stay in your room or go out.�� �á��please have the courtesy to stay in your room or go out.�� ����� - I'm being banished from my own home. - Not exactly.�� 2����� - I'm being banished from my own home. - Not exactly.�� 2C�uA�[@�ΡȁMay I remind you of the time when this house was your only shelter?�� <�ΡȂMay I remind you of the time when this house was your only shelter?�� <����� =- I've never been ungrateful. - Until now.�� ����� =- I've never been ungrateful. - Until now.�� C�u@��rm�����(BANNISTER CLEARS THROAT)������� �Bridget was given conflicting orders for the silver...��\����� �Bridget was given conflicting orders for the silver...��\C�u@���v�����ma'am. - What's the problem?�� 堧���ma'am. - What's the problem?�� 堻��� �I do not wish for those people to use my silver.�� 𠻡�� �I do not wish for those people to use my silver.�� �C�u@���������Are you really that petty?��I�����Are you really that petty?��I�����JI'm discerning. There is a difference.�� �����JI'm discerning. There is a difference.�� C�u@���������Besides, no-one will come in this weather.��������Besides, no-one will come in this weather.���������(DOORBELL RINGS)��?�����<Hmm.�� ?�����<Hmm. (SIGHS HEAVILY)�� ?C�u@��������Let the sober circus begin.�� ������Let the sober circus begin.�� ������ �(SCEPTICAL MUSIC)����ġ���Alcohol is to blame for crime, violence and even disease.��F�ġ���Alcohol is to blame for crime, violence and even disease.��FC�u@��������We cannot sit idly by�� à����(MURMURS OF AGREEMENT) We cannot sit idly by�� à���� �while this scourge damages our children's future.�� ����� �while this scourge damages our children's future.�� C�u@��9�����Is it God's will��k�����(LADIES MURMUR) Is it God's will��k�ɡÁlfor our great nation to have more saloons than public schools.�� ��ɡÂlfor our great nation to have more saloons than public schools.�� �C�uA2�.Q�����I don't believe so. We must act,�� ������(MURMURS OF ASSENT) I don't believe so. We must act,�� ������ �or this sin will be our undoing.��𠪡�� �or this sin will be our undoing.��𠲡���We have to save those who can be saved.�� >������We have to save those who can be saved.�� >C�u@��K�����What about the ones that won't stop drinking?��u�����WOMAN: What about the ones that won't stop drinking?��u�����vThe Bible says transgressors will be destroyed.��R�����vThe Bible says transgressors will be destroyed.��RC�u@��aᠵ���So I'm afraid those who partake of alcohol�� ������So I'm afraid those who partake of alcohol�� ������ kare destined to the fury of Hell.�� ����� kare destined to the fury of Hell. (LADIES EXCLAIM)�� C�u@��z������I want to thank our new benefactor, Mrs Forte,�� i�����I want to thank our new benefactor, Mrs Forte,�� i����� �for opening her home to our cause.��ڠ���� �for opening her home to our cause.���C�u@���h�ơ��And to all of you who braved the elements to join us today.���ơ��And to all of you who braved the elements to join us today.�������(EXCITED CHATTER)���C�uA[��������Are we supposed to applaud our eternal damnation�� �����Are we supposed to applaud our eternal damnation�� ����� if we have wine with dinner?��I����� if we have wine with dinner?��I�ġ��QMy applause was in gratitude that she's finally finished.�� S�ġ��QMy applause was in gratitude that she's finally finished.�� SC�u@���b�̡ƁAnd now, will you please join us in the dining room for some tea?��]�̡ƂAnd now, will you please join us in the dining room for some tea?��]�����^(INDISTINCT CHATTER)���C�u@���������I need a real drink.�� ������(SIGHS) I need a real drink.�� ������ �Have Bannister bring the decanter up to my room.����ơ�� �(CHUCKLES) Have Bannister bring the decanter up to my room.���C�u@���Сʁ- I hope you'll come down for dinner. - I might have a tray upstairs.��~�Сʂ- I hope you'll come down for dinner. - I might have a tray upstairs.��~�����I must leave, too.��������(SCOFFS) I must leave, too.���C�uAO�+������Charles and I are going to the opera tonight.��������Charles and I are going to the opera tonight.���������- Oh. - Thank you for coming, dear.�� ������- Oh. - Thank you for coming, dear.�� �����We must get you over here for dinner sometime.�� >�����We must get you over here for dinner sometime.�� >C�u��F�����Not if we aren't serving wine.��񠨡��Not if we aren't serving wine.���C�uA=�[�Сʁ- I've had a letter from Hector. - Don't say he's coming to New York.�� '�Сʂ- I've had a letter from Hector. - Don't say he's coming to New York.�� '�ȡ �Well, I suppose dukes are allowed to travel like anyone else.����ȡ‚ �Well, I suppose dukes are allowed to travel like anyone else.���C�uAA�x"�����He asks after you in the letter.��������He asks after you in the letter.���������- I thought I might invite him to stay. - Why?��w������- I thought I might invite him to stay. - Why?��w�����- I don't like him. - You hardly know him.��𠵡��- I don't like him. - You hardly know him.���C�u@���������Then, he hardly knows me.��򠣡��Then, he hardly knows me.��򠾡��tI'm going to catch the last act at The Met tonight.��������tI'm going to catch the last act at The Met tonight.���C�u@���f�����- Can I go with him? - No.��������- (GASPS) Can I go with him? - No.�������� �It's Traviata with Marcella Sembrich singing Violetta�� t����� �It's Traviata with Marcella Sembrich singing Violetta�� tC�uA��f�����and there's always a good crowd for her.�� >�����and there's always a good crowd for her.�� >�ȡ ?I know we'll find one of your friends for Gladys to sit with.�� �ȡ‚ ?I know we'll find one of your friends for Gladys to sit with.�� C�u@���q�ʡāI suppose you'll want me to entertain your Duke when he's here.�� H�ʡĂI suppose you'll want me to entertain your Duke when he's here.�� H������Oh, very well.���������Oh, very well.���C�uAg����š��I saw Aurora Fane at Mrs Goelet's, she said they're going.�� �š��I saw Aurora Fane at Mrs Goelet's, she said they're going.�� ����� k- Look out for her. - Thank you, Mother.��񠳡�� k- Look out for her. - Thank you, Mother.��񠳡���Now, what can I do when you bully me so.��Р�����Now, what can I do when you bully me so.���C�u@��������Oh, there you are. I've been worried sick!�� <�����Oh, there you are. I've been worried sick!�� <����� =With all the snow, I had you overturned in a ditch.�� ����� =With all the snow, I had you overturned in a ditch.�� C�u@��+������I should have sent a message.��Š����I should have sent a message.��ŠˡŁ)I've eaten, but I can get them to bring a tray while you change.�� �ˡł)I've eaten, but I can get them to bring a tray while you change.�� C�u@��?������Or should we abandon the opera?�� (�����Or should we abandon the opera?�� (�š�� �Of course. We were going to see the third act of Traviata.�� àš�� �Of course. We were going to see the third act of Traviata.�� �C�uA+�W �����We don't have to. I think we both know��J�����We don't have to. I think we both know��J�����Khow the story comes out.�������Khow the story comes out.������� iI'm just relieved you're home and in one piece.�������� iI'm just relieved you're home and in one piece.���C�uA'�l�����There's something I need to say.�������There's something I need to say.�������First, let me have them bring some supper.��I�����First, let me have them bring some supper.��I����� ^Aurora, stop. Just sit and listen.�� ������ ^Aurora, stop. Just sit and listen.�� �C�u���8�����What is it?��Р����What is it?���C�uA��"�����This is extremely hard for me to say, and I'm sorry,��1�ǡ��(SIGHS) This is extremely hard for me to say, and I'm sorry,��1�¡��2but you will have noticed that for the past few months,�� �¡��2but you will have noticed that for the past few months,�� �C�uA ��9�����I've been away from the house a great deal.�������I've been away from the house a great deal.���ɡÁ- Well, you're very busy, I know that. - I'm busy, yes, but...�� i�ɡÂ- Well, you're very busy, I know that. - I'm busy, yes, but...�� iC�u@���ꠠ���I've also met someone.��Р����I've also met someone.��Р����$And I've been spending a lot of time with her.�� S�����$And I've been spending a lot of time with her.�� SC�u@���b�����But I thought we were happy.�� '�����But I thought we were happy.�� '����� (I've been happy, haven't you?�� ?����� (I've been happy, haven't you?�� ?C�u@�� X�����Don't make me say something unkind.��4�����Don't make me say something unkind.��4�����rThe fact is, we've decided to marry.�� 㠮���rThe fact is, we've decided to marry.�� �C�u@��+������And for that, I need a divorce.��������And for that, I need a divorce.��������^A...A divorce f-f-from me.�� 堤���^A...A divorce f-f-from me.�� �C�u@��J͠����Is there someone else I should be divorcing?�� �����Is there someone else I should be divorcing?�� ������Oh, what a fool you must think me.��T������Oh, what a fool you must think me.��TC�uA�d������- What a fool I've been. - You've tried, I know...�� ������- What a fool I've been. - You've tried, I know...�� ��ˡŁ �but we don't care about the same things or even the same people.����ˡł �but we don't care about the same things or even the same people.���C�u��������The fact is, we don't want the same life.�� �����The fact is, we don't want the same life.�� C�uAE��}�����You'll divorce me, of course.��Ϡ����You'll divorce me, of course.��Ϡ�����Why? I-It's what you want. I don't.���������Why? I-It's what you want. I don't.����ơ��hThat's how it's done. A gentleman doesn't divorce his wife.�� ��ơ��hThat's how it's done. A gentleman doesn't divorce his wife.�� �C�uA��������Maybe. But he can treat her badly, can't he?��������Maybe. But he can treat her badly, can't he?����ҡ́tYou'll be protected. Nothing will be done that is not as you'd have it.�� ��ҡ̂tYou'll be protected. Nothing will be done that is not as you'd have it.�� �C�uA!�Ѳ�ǡ��That's not true, is it? Because I don't want to be divorced.�� u�ǡ��That's not true, is it? Because I don't want to be divorced.�� u�á�� vAurora, the only accepted cause for divorce is adultery.�� ��á�� vAurora, the only accepted cause for divorce is adultery.�� �C�uA���ՠӡ́- And I can't very well accuse, you. - No, because I have been faithful.�� t�ӡ͂- And I can't very well accuse, you. - No, because I have been faithful.�� t����� uAnd I have not, which I freely admit,��Ϡ���� uAnd I have not, which I freely admit,��Ϡ����Eso you must bring the charge. - Well, I won't. I...�� ������Eso you must bring the charge. - Well, I won't. I...�� �C�u@��������I don't want to ruin my life. Why should I?�� ������I don't want to ruin my life. Why should I?�� ������ HThings are not as they used to be.�������� HThings are not as they used to be.���C�uA���š��Among our people, things are very much as they used to be.�� �š��Among our people, things are very much as they used to be.�� ��� �- So you want us to go to war? - You march in here�� '�ơ�� �- So you want us to go to war? - (SCOFFS) You march in here�� 'C�uA-�/������and tell me my life is over and I'm supposed to agree?�� H�����and tell me my life is over and I'm supposed to agree?�� H�ϡɁ I- I don't mean to be unreasonable... - Then stop being unreasonable.�� ��ϡɂ I- I don't mean to be unreasonable... - Then stop being unreasonable.�� �C�u@��F������And the answer is no. I won't do it.��񠯡��And the answer is no. I won't do it.��񠪡�� �You'll be unhappy as well as me.��𠪡�� �You'll be unhappy as well as me.���C�uA�[�����And so will your inamorata, I suppose.�� ?�����And so will your inamorata, I suppose.�� ?�ʡā - Who is she? May I know? - Elsa Lipton, Carter Lipton's widow.�� &�ʡĂ - Who is she? May I know? - Elsa Lipton, Carter Lipton's widow.�� &C�uA�u=�����Oh, I knew it would be someone shady.��Ġ����Oh, I knew it would be someone shady.��Ġ�����There's no need to be unpleasant.��۠�����There's no need to be unpleasant.��۠���� �It's the truth.������� �It's the truth.���¡���With her history, it would just be one more battle scar��ڠ¡���With her history, it would just be one more battle scar���C�uAe��ؠ����when it would ruin me. - You exaggerate.��𠳡��when it would ruin me. - You exaggerate.��������Really? Do you think I would be welcome in the circles�� j������Really? Do you think I would be welcome in the circles�� j�����\where I am welcome now as a divorced woman?�� (�����\where I am welcome now as a divorced woman?�� (C�u@���$�����(SOBS)��m�����QI never thought I would be glad to have no children.�� ������QI never thought I would be glad to have no children.�� �C�u��ҙ�����Oh. I'm going up.�� ������Oh. I'm going up.�� ������How strange.��ܠ����(SCOFFS) How strange.���C�uA"�輠����When I bedecked myself in these geegaws,�� �����When I bedecked myself in these geegaws,�� ����� I was looking forward to your coming home.�� >����� I was looking forward to your coming home.�� >�����\Little did I know.��񠥡��\(SIGHS) Little did I know.���C�u@�� U�����I'm so sorry Oscar didn't come down to dinner again.��ʠġ��ADA: I'm so sorry Oscar didn't come down to dinner again.���C�uAA�4 �����- I hope he's not ill. - I think he's just tired.�� 1�����- I hope he's not ill. - I think he's just tired.�� 1����� 2He had a tray in his room.�������� 2He had a tray in his room.��������0Yes. It must have been exhausting ruining me.�� ���0Yes. It must have been exhausting ruining me.�� �C�u@��P@�����Agnes! He paid a high price.�� ������Agnes! He paid a high price.�� ������ �He's lost his place at the bank.�� (����� �He's lost his place at the bank.�� (C�uAY�g������He's given up his rooms and his valet.��������He's given up his rooms and his valet.���������I'm afraid he's just given up.�� �������I'm afraid he's just given up.�� ��ˡŁ~- He never comes out of his room. - Do you mind him living here?�� <�ˡł~- He never comes out of his room. - Do you mind him living here?�� <C�uA��I�ɡÁ- Should I ask him to move out? - How can he? He has no money.�� G�ɡÂ- Should I ask him to move out? - How can he? He has no money.�� G����� HWell, I know what that's like.�������� H(SCOFFS SOFTLY) Well, I know what that's like.���C�u@��������Anyway, I don't want him to.�� >�����Anyway, I don't want him to.�� >����� ?But he does need to find a plan.��砪��� ?But he does need to find a plan.���C�uA��������- Marian, may I ask you something? - Of course.��3�����- Marian, may I ask you something? - Of course.��3�ɡÁ4It might be helpful for Oscar to see more of young Mr Russell.���ɡÂ4It might be helpful for Oscar to see more of young Mr Russell.��C�uA��A�ȡHe must have plenty of money to play with, but he works away.�� �ȡ‚He must have plenty of money to play with, but he works away.�� ���SI don't think Mr Russell gives him much money,��(�����SI don't think Mr Russell gives him much money,��(C�uA�߽�����but he certainly does work hard. - Better and better.��ڠ����but he certainly does work hard. - Better and better.��ڠ�����Would you invite him to dinner? Say Tuesday night?�� S������Would you invite him to dinner? Say Tuesday night?�� SC�uA+���СʁYou do remember he's in business with John, trying to sell the clock.�� �СʂYou do remember he's in business with John, trying to sell the clock.�� ����� �Which will only render the evening more interesting.�� ����� �Which will only render the evening more interesting.�� C�u@�� }�����Hmm. I'm not sure I agree.�� ������Hmm. I'm not sure I agree.�� ������<Invite him.�� ������<(softly) Invite him.�� �C�u��%$�����(OPERATIC MUSIC PLAYS)���C�u��O�����(INDISTINCT WHISPERING)��Р���� �(SONG ENDS) (CHEERING AND APPLAUSE)���C�u@��x6�����Oh, that was magnificent.�� 2�����Oh, that was magnificent.�� 2����� 3- Thank you for including us. - Of course.�������� 3- Thank you for including us. - Of course.���C�uA��"�����My son was keen to see Miss Russell.�� �����My son was keen to see Miss Russell.�� �͡ǁ Yes, I could hear the whispers all the way through the second act.��~�͡ǂ Yes, I could hear the whispers all the way through the second act.��~C�u@���"�����We cannot contain young love.�� ������We cannot contain young love.�� ������ �- If you'll excuse me. - Of course.�� ����� �- (chuckling) If you'll excuse me. - Of course.�� C�uA���z�����If you want to marry me and I want to marry you,��Ϡ����If you want to marry me and I want to marry you,��Ϡ�����we're already engaged. So why not just tell her.�� ������we're already engaged. So why not just tell her.�� �š���I can't while father's away and you have to ask him first.�� ��š���I can't while father's away and you have to ask him first.�� �C�u@����á��I want it settled before her Duke gets back to New York.�� u�á��I want it settled before her Duke gets back to New York.�� u����� vWhat? How did you know about that?�� ����� vWhat? How did you know about that?�� C�u@���b�����I read it. Some paper.��砠���I read it. Some paper.��砹���KShe's not going to win. Not against my father.��������K(SIGHS) She's not going to win. Not against my father.���C�uA� ��ġ��- I promise. - His mother seems to think they're in love.��  ġ��- I promise. - His mother seems to think they're in love.��  ���� �- She would not be wrong. - Don't tell Bertha that.������� �- She would not be wrong. - Don't tell Bertha that.��C�u@��'y�ǡ��I assume she was not aware that Billy Carlton would be here.��  ǡ��I assume she was not aware that Billy Carlton would be here.��  ���� �We never said we were meeting him.�� t����� �We never said we were meeting him.�� tC�uA9�?������If she finds out the truth, I'll pay.��������If she finds out the truth, I'll pay.���������She can't keep Gladys locked up forever.���������She can't keep Gladys locked up forever.��������QNot forever, no, just for long enough.�� S�����QNot forever, no, just for long enough.�� SC�u@��\V�����Why? What's mother done now?�� ������Why? What's mother done now?�� ��á�� �She started to leak the details of the Duke's next stay.�� i�á�� �She started to leak the details of the Duke's next stay.�� iC�u@��pB�����An outing here, a dinner there.�� ������An outing here, a dinner there.�� ��ˡŁ �Soon, if it doesn't come off, it'll look as if Gladys has failed�� S�ˡł �Soon, if it doesn't come off, it'll look as if Gladys has failed�� SC�uA �������to land him. - I thought the newspaper articles�� 䠺���to land him. - I thought the newspaper articles�� �ơ�� �were planted against her wishes. - The less dignified ones,����ơ�� �were planted against her wishes. - The less dignified ones,���C�uA=��������maybe, but she plays a long game, your mother.�� H�����maybe, but she plays a long game, your mother.�� H����� II don't dislike her. Not at all.��v����� II don't dislike her. Not at all.��v������But she's sure this is for Gladys' good.�� �������But she's sure this is for Gladys' good.�� �C�u@���X�����And she won't let her daughter wreck her own future.�� 䠿���And she won't let her daughter wreck her own future.�� 䠵��� �Let us pray your father gets back in time.�� I����� �Let us pray your father gets back in time.�� IC�u��� �����(INTRIGUING MUSIC)��Р�����(PEGGY COUGHS, CLEARS THROAT)�� �C�u@���¡��- Jack, you need more light. - It's very late for that.�� G�¡��- Jack, you need more light. - It's very late for that.�� G����� HMr Larry needs 'em for the presentation.�������� HMr Larry needs 'em for the presentation.���C�uA/���ɡÁThis clock, it'll never live and, apparently, it'll never die.��2�ɡÂThis clock, it'll never live and, apparently, it'll never die.��2�ȡ�Oh, Mrs Van Rhijn gave me the menu for the dinner on Tuesday.��%�ȡ‚�Oh, Mrs Van Rhijn gave me the menu for the dinner on Tuesday.��%C�uAA�+������Oh, but Mrs Forte has given me quite a different one.�� ������Oh, but Mrs Forte has given me quite a different one.�� ������ �Oh, this can't go on.��Š���� �Oh, this can't go on.��Š����\We all need to know who we're working for now.�� `�����\We all need to know who we're working for now.�� `C�uAQ�H�����- Yeah. - That's your job, Mr Bannister.�� ������- Yeah. - That's your job, Mr Bannister.�� ������ �You have to get it settled.��k����� �You have to get it settled.��k�ȡ�I wonder who will win in the end, Mrs Forte or Mrs Van Rhijn.�� ^�ȡ‚�I wonder who will win in the end, Mrs Forte or Mrs Van Rhijn.�� ^C�uAk�eP�����Miss Ada has the money now.��l�����Miss Ada has the money now.��l�����mBut does that mean she'll have the final say?��񠸡��mBut does that mean she'll have the final say?���Сʁ �Mrs Van Rjihn won't give that up. And she always speaks quite loudly.��0�Сʂ �Mrs Van Rjihn won't give that up. And she always speaks quite loudly.��0C�uA+���ѡˁ- Well, you go to the presentations. - I'm sure Miss Ada will let you.�� �ѡ˂- Well, you go to the presentations. - I'm sure Miss Ada will let you.�� 㠾��� �- Probably. She's soft enough. - Find out the date.������� �- Probably. She's soft enough. - Find out the date.��C�u@���栖���(BELL RINGS)���ɡÁ �- Oh. It's Mr Oscar for Jack. - Again? Jack was just up there.��;�ɡ �- Oh. It's Mr Oscar for Jack. - Again? Jack was just up there.��;C�uA@��������He'll want another glass of whisky.��Ϡ����BANNISTER: He'll want another glass of whisky.��Ϡ�����What does he do all day? Just lie around and drink.�� ������What does he do all day? Just lie around and drink.�� ������It is not for us to comment.�� �������It is not for us to comment.�� �C�u@��ڀ�����If you'll excuse me, I'll go up.��  ����(SIGHS, HOARSELY) If you'll excuse me, I'll go up.��  ���� �- Are you quite well? - My mother was right.�������� �- Are you quite well? - My mother was right.���C�uA!�����I must have caught a chill on my way to the train.�� ������I must have caught a chill on my way to the train.�� ��͡ǁ �- I'll make you a hot lemon and honey. - Oh, thank you. Goodnight.�� H�͡ǂ �- I'll make you a hot lemon and honey. - Oh, thank you. Goodnight.�� HC�u��~�����(SOFT MUSIC)���C�u��/������(COUGHING)���C�u��R)�����(EXHALES)���C�uA�m`�����- I don't understand. - Which bit is not clear?�� ��ɡÂ- AGNES: I don't understand. - AURORA: Which bit is not clear?�� ��ǡ�� �- None of it is clear. - I suppose Charles has been unhappy.��[�ǡ�� �- None of it is clear. - I suppose Charles has been unhappy.��[C�u@���]�����Unhappy? What is this babble?�� ������Unhappy? What is this babble?�� ������ �You have a nice house. You have money.�������� �You have a nice house. You have money.���C�uA����¡��People come to your dinners. You're invited everywhere.����¡��People come to your dinners. You're invited everywhere.����ơ�� �- What more is there? - Some people want more. I know I do.����ơ�� �- What more is there? - Some people want more. I know I do.���C�u@���2�����Take a ride around five points of Hell's Kitchen�� j�����Take a ride around five points of Hell's Kitchen�� j����� kand tell me you're not satisfied with your life.�� ����� kand tell me you're not satisfied with your life.�� C�u@��Ϯ�����But what about this Mrs Lipton?��������But what about this Mrs Lipton?����Сʁ�These things can be managed without the horses skidding off the road.���Сʂ�These things can be managed without the horses skidding off the road.���C�u@��荠����Really, Agnes, you sound like Madame de Pompadour.�� Π����Really, Agnes, you sound like Madame de Pompadour.�� Π���� �But she would have known how to sort this out.�� ͠���� �But she would have known how to sort this out.�� �C�uA/��*�ˡŁ- Now, what do you propose? - He wants me to establish residency�� ��ˡł- Now, what do you propose? - He wants me to establish residency�� ��ơ�� �in Newport. I've told him no. - He wants you to sit quietly�� <�ơ�� �in Newport. I've told him no. - He wants you to sit quietly�� <C�uAa�������in Newport, waiting to be ruined.�������in Newport, waiting to be ruined.�������We're trying to be helpful, Agnes.�� ������We're trying to be helpful, Agnes.�� ��ѡˁ�I'm ruined already, to be honest. Or I will be when the rumours start.�� �ѡ˂�I'm ruined already, to be honest. Or I will be when the rumours start.�� C�uA'�5�����But why do you have to do anything?�� >�����But why do you have to do anything?�� >����� ?He has no grounds. He needs me to divorce him.�� H����� ?He has no grounds. He needs me to divorce him.�� H������That's what the law states.���������That's what the law states.���C�u@��Q������And if it comes to it, Newport is better.�� ������And if it comes to it, Newport is better.�� �������It can be settled in private there.��l������It can be settled in private there.��lC�uA�hj�����In New York the press is allowed into the court.��Ϡ����In New York the press is allowed into the court.��Ϡ�����Oh.��a������Oh. (SIGHS)��a�����2Let's hope it doesn't come to that.�� �����2Let's hope it doesn't come to that.�� C�uA��������Try to save the marriage if you can.�������Try to save the marriage if you can.���̡ƁThere's no logic in this at all. You haven't done anything wrong.�� '�̡ƂThere's no logic in this at all. You haven't done anything wrong.�� 'C�u@���@�����Society is not known for its logic.��������Society is not known for its logic.�������� =Especially where women are concerned.�������� =Especially where women are concerned.���C�u@���y�����We'll still ask you. Aunt Agnes,��𠪡��We'll still ask you. Aunt Agnes,��𠸡���you'll ask Aurora to your dinners, won't you?���������you'll ask Aurora to your dinners, won't you?���C�u@���B�ҡ́Well, if the divorce goes through, she may not want to come in a group.����ҡ̂Well, if the divorce goes through, she may not want to come in a group.���������She may be happier alone.�� �������She may be happier alone.�� �C�u��ܱ�����(MELANCHOLY MUSIC)�� C�u@��𾠞���Well, I told him no.��������Well, I told him no.�������� �So now we just have to see what happens.�� ?����� �So now we just have to see what happens.�� ?C�u@��$�����I hope my intentions are clear.��堩���I hope my intentions are clear.���ǡ���Sure you intend to buy our mines cheap, make a pile of money���ǡ���Sure you intend to buy our mines cheap, make a pile of money��C�uA#��ġ��and go back to New York to spend it. - And you represent?�� �ġ��and go back to New York to spend it. - And you represent?�� �ǡ�� T- Arizona Central Mining Company. - What Mr Russell wants...�� ��ǡ�� T- Arizona Central Mining Company. - What Mr Russell wants...�� �C�uA!�2�����Your businesses are underfunded.��?�����Your businesses are underfunded.��?�����@Your transport belongs to the last century.�� I�����@Your transport belongs to the last century.�� I������There's hardly a mine owned by��*������There's hardly a mine owned by��*C�uA+�G4�����any of you that hasn't gone bust in the past 20 years.��3�����any of you that hasn't gone bust in the past 20 years.��3�Ρȁ4- And you think you can change that? - Why do you need all of them?��s�ΡȂ4- And you think you can change that? - Why do you need all of them?��sC�uA�]ܠ����- What's your mine? - Montezuma.��������- What's your mine? - Montezuma.����š���Here's the thing, Mr Russell. They may not be much to you,�� _�š���Here's the thing, Mr Russell. They may not be much to you,�� _�ǡ��Qbut these mines are all we have. We won't give them up easy.�� ��ǡ��Qbut these mines are all we have. We won't give them up easy.�� �C�uAU�z堰���And we don't want to waste your time.��(�����And we don't want to waste your time.��(�ġ��)You need to find a way to make us all rich alongside you.�� ��ġ��)You need to find a way to make us all rich alongside you.�� �������Not as rich as you, maybe, but rich.�� u������Not as rich as you, maybe, but rich.�� uC�u@��������Come up with that, we'll reconvene.��������Come up with that, we'll reconvene.���������Yeah, you'd better.��������MAN: Yeah, you'd better.��������(INDISTINCT CHATTER)��lC�uA����Ρȁ- They know who you are. - They also know you're their only chance.�� ��ΡȂ- They know who you are. - They also know you're their only chance.�� ������ �- Indeed. - A cable for Mr Russell.�� ������ �- Indeed. - A cable for Mr Russell.�� �C�uAy��~�����- I must go home. - Why? What's happened?�� ���- I must go home. - Why? What's happened?�� ��� �There's a run on the Metropolitan National Bank.��3����� �There's a run on the Metropolitan National Bank.��3�š��$- They've accused the president of stealing funds. - What?�� ��š��$- They've accused the president of stealing funds. - What?�� �C�uA�P�ơ��We've only just survived the failure of the Marine National�� 1�ơ��We've only just survived the failure of the Marine National�� 1����� 2and John Eno taking millions from the Second National.�� _����� 2and John Eno taking millions from the Second National.�� _C�uA��ȡ- What's going on? - I know George Seney. He's an honest man.���ȡ‚- What's going on? - I know George Seney. He's an honest man.�������And I'll lose a fortune if that bank goes down.��Ϡ����And I'll lose a fortune if that bank goes down.���C�u@��, ɡÁ- What about the negotiations? - You want your cut, don't you?�� ��ɡÂ- What about the negotiations? - You want your cut, don't you?�� ������ �Clay will stay here. Pay them.�� ����� �Clay will stay here. Pay them.�� C�uA��A��á��But make sure I keep the lion's share and all the power.����á��But make sure I keep the lion's share and all the power.�������� �When you succeed, bring the contracts and I'll sign.�������� �When you succeed, bring the contracts and I'll sign.����͡ǁ\- Well, suppose we don't succeed? - Then you won't get your money.�� S�͡ǂ\- Well, suppose we don't succeed? - Then you won't get your money.�� SC�u@��_H�¡��- And Clay will be out of a job. - You don't mean that.���¡��- And Clay will be out of a job. - You don't mean that.��񠧡�� &Mr Russell is a one-man band.�� j����� &Mr Russell is a one-man band.�� jC�uAQ�v٠����The rest of us are disposable.��J�����The rest of us are disposable.��J�����KNow find me a coach to get me to Yuma.�� �����KNow find me a coach to get me to Yuma.�� �ǡ��QI can get a train from there. Shall we get something to eat?�� ��ǡ��QI can get a train from there. Shall we get something to eat?�� �C�u@���.�ɡÁ- Could they manage a steak? - You won't like it, but alright.��R�ɡÂ- Could they manage a steak? - You won't like it, but alright.��R�����SBarkeep, two steaks and more beer.�� ������SBarkeep, two steaks and more beer.�� �C�u@���9�����Full house! Whoo!�� �����(COWBOY SLAMS CARDS DOWN) Full house! Whoo! (GUNSHOT)�� ����� (LAUGHTER)�� �������- Easy there. - He's enjoying himself.�� �������- BARKEEP: Easy there. - He's enjoying himself.�� �C�uA1��堿���- Are we the first? - Oh. I made Marion take a bath.��⠿���- Are we the first? - Oh. I made Marion take a bath.���ӡ́�She's been in the cold, and I don't want her coming down with something.�� ��ӡ͂�She's been in the cold, and I don't want her coming down with something.�� �C�uA� ������Very sensible.�� 1�����Very sensible. (CHUCKLES SOFTLY)�� 1����� 2How are you getting on?��3����� 2How are you getting on?��3�����fHave you managed to find any new prospects?�� `�����fHave you managed to find any new prospects?�� `C�u@��.��ʡāI must confess it is quite hard to create the right impression.��;�ʡĂI must confess it is quite hard to create the right impression.��;�����<Meaning what, exactly?��w�����<Meaning what, exactly?��wC�uA#�J��ʡāWell, I'm up against all these fellows with money and position.�� �ʡĂWell, I'm up against all these fellows with money and position.�� �����SWell, you have position? Even if you don't have money.�� ������SWell, you have position? Even if you don't have money.�� �C�u@��e������That's the thing. Without money, you just don't count.��3�����That's the thing. Without money, you just don't count.��3�����4Well, then you must find a way to make some.��������4Well, then you must find a way to make some.���C�uAI�z������It's not quite as easy as all that.��3�����It's not quite as easy as all that.��3�����4I'm sure, but it can be done.�� Ġ����4I'm sure, but it can be done.�� Ġȡ\They say Mr Gould started with scarcely a dollar to his name.�� ��ȡ‚\They say Mr Gould started with scarcely a dollar to his name.�� �C�u@���젯���So you... won't give me an allowance.�� I�����So you... won't give me an allowance.�� I������Oscar...���������Oscar...���C�uA�������I will house you and feed you, and even clothe you.�������I will house you and feed you, and even clothe you.���ʡāhYou are safe from real poverty, which is the curse of millions.��נʡĂhYou are safe from real poverty, which is the curse of millions.���C�u@���D�����But the rest, you must do for yourself.�� ������But the rest, you must do for yourself.�� ������ �You might be inspired by young Mr Russell.�� ٠���� �You might be inspired by young Mr Russell.�� �C�u@�������(CLEARS THROAT)�� ������ kMore wine, ma'am.��3����� kBANNISTER: More wine, ma'am.��3������Thank you, Bannister.��񠟡���Thank you, Bannister.���C�u@��%0�����This is so kind of you, Mrs Forte.�� ������This is so kind of you, Mrs Forte.�� ��ʡā �We want to hear about all your new projects Marion talks about.����ʡĂ �We want to hear about all your new projects Marion talks about.���C�u@��?\�����And how your father supports you.��Р����And how your father supports you.��Р���� �Oh, he does where he can. Yes.�� '����� �Oh, he does where he can. Yes.�� 'C�uA�W��š��How nice it must be to feel that everyone is on your side.�� �š��How nice it must be to feel that everyone is on your side.�� ����� We'd all be on your side if you tried to find a job.�� ������ We'd all be on your side if you tried to find a job.�� �C�uAz�r$�ơ��- What draws you to a new idea. - Like our footman's clock?��  ͡ǂ- What draws you to a new idea. - OSCAR: Like our footman's clock?��  ���� &- Yes. - Well, that's easy.��򠦡�� &- Yes. - Well, that's easy.���š��Mr Trotter is a genius. His clock is unique in the market,�� G�š��Mr Trotter is a genius. His clock is unique in the market,�� GC�uAO����Сʁand I have meetings planned over the coming weeks, which is exciting.��1�Сʂand I have meetings planned over the coming weeks, which is exciting.��1�ѡˁ�You won't mind if John has some time off for that, will you, Aunt Ada?�� ��ѡ˂�You won't mind if John has some time off for that, will you, Aunt Ada?�� �C�uA����ҡ́- Oh, no, of course not. - Oh, no, I'm going to go alone at this stage.�� ��ҡ̂- Oh, no, of course not. - Oh, no, I'm going to go alone at this stage.�� ������ �- I don't want to overwhelm them. - Oh.�� ؠ���� �- I don't want to overwhelm them. - Oh.�� �C�uA'��z�����Well, we look forward to hearing how it all comes out.�� ������Well, we look forward to hearing how it all comes out.�� ��̡Ɓ �And I hope you'll all be glad to hear I have a new position, too.�� ��̡Ƃ �And I hope you'll all be glad to hear I have a new position, too.�� �C�u@��������What? Where?�� _�����What? Where?�� _����� `The Female Normal and High School.��J����� `The Female Normal and High School.��JC�uAS��ՠ����That sounds like a mistranslation.��3�����That sounds like a mistranslation.��3�����4Why can't you keep teaching watercolours��4�����4Why can't you keep teaching watercolours��4�¡���to nicely brought up young ladies? That was bad enough.�� ��¡���to nicely brought up young ladies? That was bad enough.�� �C�uAG� D�����Honestly, Aunt Agnes, you chastise me for working�� =�����Honestly, Aunt Agnes, you chastise me for working�� =����� >and Oscar for not working. Which is it?��Š���� >and Oscar for not working. Which is it?��Š����Well, you are a lady. Oscar is not.��l�����Well, you are a lady. Oscar is not.��lC�uA_�'Ƞ����- Well, it's only three times a week. - Agnes...��3�����- Well, it's only three times a week. - Agnes...��3�����4the Normal School is special.��Ġ����4the Normal School is special.��Ġš���It educates young women of every race, class and religion.��;�š���It educates young women of every race, class and religion.��;C�uA3�E������We should be very proud of Marian.��𠬡��We should be very proud of Marian.��𠩡���But won't she need a bodyguard?��3������But won't she need a bodyguard?��3�����%You'd be surprised at what we all have in common.�� �����%You'd be surprised at what we all have in common.�� C�uA�_@�����- Such as? - Suffrage, for one.��Ϡ����- Such as? - Suffrage, for one.��Ϡ�����A group of women have organised to support AWSA.�� _������A group of women have organised to support AWSA.�� _�����0AWSA? What's that?��������0AWSA? What's that?���C�u@��v*�����The American Woman Suffrage Association.�� Π����The American Woman Suffrage Association.�� Πš��;- Mama, you astound me. - It is a cause that interests me.�� ��š��;- Mama, you astound me. - It is a cause that interests me.�� �C�uAI��������- Really? - Why?�������- Really? - Why?�������Am I not allowed to have my causes? You have so many.�� ������Am I not allowed to have my causes? You have so many.�� ������0I should think suffering more important than suffrage.�� ������0I should think suffering more important than suffrage.�� �C�u@���٠����Well, I apologise for having principles.�� Ϡ����Well, I apologise for having principles.�� Ϡ���� 3Does this mean you approve of Marian's new position?�� ������ 3Does this mean you approve of Marian's new position?�� �C�u@��Ƣ�����- No. - Oh.�� ������- No. (SIGHS) - Oh.�� ������ �By the way, Jack, Mr Weston wrote today.�������� �By the way, Jack, Mr Weston wrote today.���C�u@���>�����He's definitely interested.��������He's definitely interested.�������� k- That's good, sir. - I'm glad for this, Mr Weston,�� ������ k- That's good, sir. - I'm glad for this, Mr Weston,�� �C�uA ��@�á��whoever he may be, but can we revert to traditional ways�� G�á��whoever he may be, but can we revert to traditional ways�� G����� Hand allow the footman to bring round more sauce?�� H����� Hand allow the footman to bring round more sauce?�� HC�u�� Ѡ����Of course, ma'am.�� ������(CLEARS THROAT) Of course, ma'am.�� �C�uA� !�š��- Sounds rather awkward. - It was unusual, I can say that.��ˠСʂ- ARMSTRONG: Sounds rather awkward. - It was unusual, I can say that.��ˠ�����It's wrong you're not at the meetings, Jack.�� ������It's wrong you're not at the meetings, Jack.�� C�u@�� ;Ҡ����He doesn't know how it works. Not really.�� J�����He doesn't know how it works. Not really.�� J����� - He'll have the drawings. - But is that enough?�� i����� - He'll have the drawings. - But is that enough?�� iC�uA�� QN�����You keep saying Mr Larry is your partner.��������You keep saying Mr Larry is your partner.����á���So let him act like a partner and show you some respect.�� ؠá���So let him act like a partner and show you some respect.�� ؠȡ�- Mm. - Mrs Van Rhijn and Mrs Forte were at it again tonight.��1�ȡ‚�- Mm. - Mrs Van Rhijn and Mrs Forte were at it again tonight.��1C�uA^� s�����You must get things settled.�� Ġ����(SIGHS) You must get things settled.�� Ġ���� �You think it'll go away, but it won't.������� �You think it'll go away, but it won't.���ˡŁ}- I know. - Miss Scott's not coming down so we can start supper.�� ��ˡł}- I know. - Miss Scott's not coming down so we can start supper.�� �C�u@�� ���š��- She's no better then. - I'm afraid not. She looks worse.�� '�š��- She's no better then. - I'm afraid not. She looks worse.�� '�����Q(SIGHS)���C�u@�� �ՠ����- How was your evening? - I enjoyed it,�� ������- How was your evening? - I enjoyed it,�� ��¡�� �but they'll never make a worker out of Oscar Van Rhijn.�� ��¡�� �but they'll never make a worker out of Oscar Van Rhijn.�� �C�uA�� ������That was a lucky escape for me.��v�����That was a lucky escape for me.��v�ʡāwDid mother say anything more about when father was coming home?�� ΠʡĂwDid mother say anything more about when father was coming home?�� Πǡ��FNo. She's so taken with getting ready for her wretched Duke.�� ��ǡ��FNo. She's so taken with getting ready for her wretched Duke.�� �C�uA� �ޠ����Doesn't it worry you?��V�����Doesn't it worry you?��V������I'll be safe once father's back.���������I'll be safe once father's back.��������^He won't let her force me, I promise.�������^He won't let her force me, I promise.��C�u@��!N�����She can be awfully persuasive when she wants to be.�� S�����She can be awfully persuasive when she wants to be.�� S����� T- Mrs Fish says that... - Fish loves the drama.�� ������ T- Mrs Fish says that... - Fish loves the drama.�� �C�uA�!.�ҡ́She's longing to see father and the Duke tussle it out in Union Square.����ҡ̂She's longing to see father and the Duke tussle it out in Union Square.��������gYou don't think you should elope with Billy��3�����gYou don't think you should elope with Billy��3C�u@��!1ɠ����to some state where it would be legal?�������to some state where it would be legal?�������1Would you elope with Marion?��������1Would you elope with Marion?���C�u@��!M��ơ��You may be keeping it secret, but I can tell. You love her.���ơ��You may be keeping it secret, but I can tell. You love her.���C�u@��!f�����It's different for us.��������It's different for us.����ʡā�Marion and I just have to wait, but you're running out of time.�� ΠʡĂ�Marion and I just have to wait, but you're running out of time.�� �C�u@��!~������Will you plead my case with mother?��������(SIGHS) Will you plead my case with mother?���������I'll try, but don't hold out much hope.�� �������I'll try, but don't hold out much hope.�� �C�u@��!�젩���When mother's made her mind up,��񠩡��When mother's made her mind up,��񠴡���it takes an act of Congress to change it.���������it takes an act of Congress to change it.���C�u@��!�������- Are you headed for the bathroom? - No. No, no.�� ^�����- Are you headed for the bathroom? - No. No, no.�� ^����� _- You go. - I'm in no hurry.��I����� _- You go. - I'm in no hurry.��IC�uA�!Þ�����Although this seems like an early bedtime for you.�� '�����Although this seems like an early bedtime for you.�� '�̡Ɓ (Well, that's my new life. Early bed and queuing for the bathroom.��1�̡Ƃ (Well, that's my new life. Early bed and queuing for the bathroom.��1C�u��!�������(CHUCKLES)�������� �- Oscar... - Mm.��Р���� �- Oscar... - Mm.���C�uA�!�������I'm sad if you don't like Mr Russell.�� �����I'm sad if you don't like Mr Russell.�� ����� uHe's nice enough.��Ϡ���� uHe's nice enough.��Ϡ����EThe fact is, we're not cut from the same cloth.��0�����EThe fact is, we're not cut from the same cloth.��0C�u@��"*�����I was born to be rich.��������I was born to be rich.����á���I was not born to make a fortune. It's a different gift.����á���I was not born to make a fortune. It's a different gift.���C�uA�"1A�����I need another way.�� H�����I need another way.�� H����� IWell, we know of one other way.��v����� IWell, we know of one other way.��v������Which you've tried twice now, without success.�� �������Which you've tried twice now, without success.�� �C�uA�"R٠����- Ouch! Don't remind me. - Will you have another go?��S�����- Ouch! Don't remind me. - Will you have another go?��S�����I have less to offer these days. Penniless as I am.�� ؠ����I have less to offer these days. Penniless as I am.�� �C�uA9�"m͠ΡȁSomething will turn up. And besides, Aunt Ada won't let you starve.�� '�ΡȂSomething will turn up. And besides, Aunt Ada won't let you starve.�� '�ȡ �I won't starve. But she'd like me to work for every mouthful.����ȡ‚ �I won't starve. But she'd like me to work for every mouthful.���C�u@��"�������- Are you going to Miss Scott? - Yes, miss.��3�����- Are you going to Miss Scott? - Yes, miss.��3�����4I'll take that.��Р����4I'll take that.���C�uA)�"��ˡŁ- Oh, you shouldn't have done that. - Bridget was on her way up,�� H�ˡł- Oh, you shouldn't have done that. - Bridget was on her way up,�� H�á�� Ibut I wanted to see how you are. - Oh, I've been better.�� �á�� Ibut I wanted to see how you are. - Oh, I've been better.�� �C�u@��"�U�����I just can't seem to shake it. Thank you.�� >�����I just can't seem to shake it. Thank you.�� >����� ?- Aunt Agnes was asking after you. - Mm.�� ����� ?- Aunt Agnes was asking after you. - Mm.�� C�uA?�"ᰠ����- Perhaps you should see a doctor. - Oh, no.��4�����- Perhaps you should see a doctor. - Oh, no.��4������It's such an expense if it's just a cold.�� _������It's such an expense if it's just a cold.�� _�����\Promise me you'll sleep when I go.�� i�����\Promise me you'll sleep when I go.�� iC�uA�"�v�ʡāThey have asked for another chapter that I haven't written yet.�� ��ʡĂThey have asked for another chapter that I haven't written yet.�� ������ �- Then they'll just have to wait. - Mm, well...��񠺡�� �- Then they'll just have to wait. - Mm, well...���C�u@��#������Oh, wait. How was your dinner?�� k�����(COUGHS) Oh, wait. How was your dinner?�� k�ɡÁAunt Ada hoped that Larry would inspire Oscar to throw himself��R�ɡÂAunt Ada hoped that Larry would inspire Oscar to throw himself��RC�uAK�#8��͡ǁinto the world of work. Which only shows how little she knows him.�� &�͡ǂinto the world of work. Which only shows how little she knows him.�� &�ҡ́ 'I thought you might have announced your engagement to young Mr Russell.���ҡ̂ 'I thought you might have announced your engagement to young Mr Russell.���C�uAM�#Z�����There's plenty of time for that.�� ������There's plenty of time for that. (CHUCKLES, COUGHS)�� ������ �So you're not in a hurry, then?�������� �So you're not in a hurry, then?��������EI've made two mistakes. The first because I was blind.�� �����EI've made two mistakes. The first because I was blind.�� C�uAe�#ya�̡ƁSecond, I thought I could settle for something less than perfect.�� ��̡ƂSecond, I thought I could settle for something less than perfect.�� ��¡�� �I was wrong both times. I don't want to be wrong again.��v�¡�� �I was wrong both times. I don't want to be wrong again.��v�����I like Mr Russell.��񠜡��I like Mr Russell.���C�u��#�t�����So do I.�� i�����So do I. (CHUCKLES)�� i����� jVery, very much.�� k����� jVery, very much. (CHUCKLES)�� kC�u@��#��ơ��- But I felt the same for Mr Raikes. - He is not Mr Raikes.��Q�ơ��- But I felt the same for Mr Raikes. - He is not Mr Raikes.��Q�����RHe's honourable, for one thing.�������RHe's honourable, for one thing.��C�u@��#�i�����And kind-hearted, and he's always been my friend.�� ������And kind-hearted, and he's always been my friend.�� �C�u@��#䬠����- But there's no rush. - All right.�� G�����- But there's no rush. - All right.�� G����� HNow finish that and get some sleep.��ڠ���� HNow finish that and get some sleep.���C�u@��$9�����(DOOR CLOSES)���������- There's a new element. - What's the name of that?�� �������- There's a new element. - What's the name of that?�� �C�uAQ�$��ϡɁMrs Russell is serving coffee for her committee in the drawing room.�� �ϡɂMrs Russell is serving coffee for her committee in the drawing room.�� �ӡ́ �- She thought you'd like some, sir. - Thank you. I'm sure we both would.�� ��ӡ͂ �- She thought you'd like some, sir. - Thank you. I'm sure we both would.�� �C�u@��$7������You mean, Mr Trotter is to have a cup of coffee, too?��v�����You mean, Mr Trotter is to have a cup of coffee, too?��v�����wI'm sure that's what Mrs Russell intended.��������wI'm sure that's what Mrs Russell intended.���C�u@��$R �š��- I don't need any coffee. - Of course you'll have coffee.�� _�š��- I don't need any coffee. - Of course you'll have coffee.�� _����� `Thank you, James.��񠛡�� `Thank you, James.���C�uA�$n �ǡ��You'd think we were at the court of Franz Joseph of Austria.�� ^�ǡ��You'd think we were at the court of Franz Joseph of Austria.�� ^����� _I suppose it takes some getting used to for him.��T����� _I suppose it takes some getting used to for him.��TC�u@��$���š��You'll have your own footman before I'm finished with you.�� �š��You'll have your own footman before I'm finished with you.�� ��� �And your own house on 61st Street.�� 2����� �And your own house on 61st Street.�� 2C�u@��$�ᠤ���I won't fight you on that.�� à����I won't fight you on that.�� àʡā �Now, can you make one drawing concentrating on the new element?�� ��ʡĂ �Now, can you make one drawing concentrating on the new element?�� �C�u@��$�ɠ����I did that here.�� H�����I did that here.�� H����� IOh...������� IOh...�������hYes.�������hYes. (CHUCKLES AWKWARDLY)��C�u@��$�P�����I didn't see it.��Ġ����I didn't see it.��Ġ�����Uh, and so this bit here is the same as that?�� =������Uh, and so this bit here is the same as that?�� =C�uA�$澠����You sure you don't want me to be there.�� ������You sure you don't want me to be there.�� ������ �In case they ask any technical questions?�������� �In case they ask any technical questions?��������I think I can manage.�������I think I can manage.��C�u��%������Thank you, Mr Bevan.��Р����Thank you, Mr Bevan.���C�uA-�%)��š��We should be pleased. We're in good shape for next season.�� 2�͡ǂBERTHA: We should be pleased. We're in good shape for next season.�� 2�ǡ�� 3And we're already established as one of the key opera houses�� ��ǡ�� 3And we're already established as one of the key opera houses�� �C�u@��%@T�����in the world.��񠮡��in the world. (EXCLAIMS OF DELIGHT)��񠾡���I agree, well done us. It's something to celebrate.���������I agree, well done us. It's something to celebrate.���C�u@��%aʠ����- Yes. - I'm rather hoping Mrs Russell and I��U�����- Yes. - I'm rather hoping Mrs Russell and I��U�����Vwill soon have another cause for celebration.�� ������Vwill soon have another cause for celebration.�� �C�u@��%yᠲ���- What's this? - I was saying you and I�� H�����- What's this? - I was saying you and I�� H����� Imay soon be drinking a toast for a different reason.�� ������ Imay soon be drinking a toast for a different reason.�� �C�u@��%��ơ��I'm sorry I don't follow you. Well, from what Billy said...�� ٠ơ��I'm sorry I don't follow you. Well, from what Billy said...�� ٠���� �You mean your son Billy?�������� �You mean your son Billy?���C�u@��%���ʡāHe was talking the other night when he got back from the opera.�� S�ʡĂHe was talking the other night when he got back from the opera.�� S����� T- Talking about what? - Gladys.�� ����� T- Talking about what? - Gladys.�� C�uAO�%�������He'd seen her there with Mrs Fish.��J�����He'd seen her there with Mrs Fish.��J�����KBut I don't want you to misunderstand.�������KBut I don't want you to misunderstand.���¡��^We're all devoted to Gladys. We couldn't like her more.�� <�¡��^We're all devoted to Gladys. We couldn't like her more.�� <C�uAo�%ٕ�̡Ɓ- What's this? They met with you. - The young were milling about.�� Π̡Ƃ- What's this? They met with you. - The young were milling about.�� Π���� �Larry brought Gladys to sit with me,��𠮡�� �Larry brought Gladys to sit with me,��𠵡���and the others came in and out of the box.�� 䠵����and the others came in and out of the box.�� �C�u@��%�:�š��- You know how it is. - I don't know anything of the sort.�� ��š��- You know how it is. - I don't know anything of the sort.�� ������ �Mrs Gardiner, are you leaving?�� ������ �Mrs Gardiner, are you leaving?�� �C�u@��&Z�����- I'll suffer for that. - But Billy was so sure.�� ������- I'll suffer for that. - But Billy was so sure.�� ������ �What about the Duke of Buckingham?��ڠ���� �What about the Duke of Buckingham?���C�uAY�&(������I know there was talk, but I thought that was gossip�� ������I know there was talk, but I thought that was gossip�� ������ �and Billy had been accepted.�������� �and Billy had been accepted.��������\We were just waiting for him to speak to Mr Russell.�� t�����\We were just waiting for him to speak to Mr Russell.�� tC�u@��&F��ѡˁIn this house, nothing is accepted that isn't proposed by Mrs Russell.��̠ѡ˂In this house, nothing is accepted that isn't proposed by Mrs Russell.���C�u��&j�����(INDISTINCT CHATTER) (CHURCH BELLS RING DISTANTLY)�� �C�uA;�&ܠ����- Hello, Adelheid. - Your meeting's done, then?�� ������- Hello, Adelheid. - Your meeting's done, then?�� ������ �Yes.�������� �Yes.����͡ǁ:And do you have a date set for the manufacture of the Great Clock?�� u�͡ǂ:And do you have a date set for the manufacture of the Great Clock?�� uC�u��&�������We're still looking for investors.�� ������We're still looking for investors.�� �C�u@��&�񠹡��Mr Larry's playing with you like a doll, Jack.�� _�����Mr Larry's playing with you like a doll, Jack.�� _����� `He won't help you to make your clock.��U����� `He won't help you to make your clock.��UC�uAe�&Ɏ�����I don't agree. Of course he needs to...�� ������I don't agree. Of course he needs to...�� ������ �Why do you have to make a fool of Mr Bevan?�� ����� �Why do you have to make a fool of Mr Bevan?�� �¡���- What's he done to you? - I didn't make a fool of him.��R�¡���- What's he done to you? - I didn't make a fool of him.��RC�uA#�&ꀠʡā- He offered me a cup of coffee. - Mr Larry offered you coffee,��t�ʡĂ- He offered me a cup of coffee. - Mr Larry offered you coffee,��t�����<and you should have refused and not made Mr Bevan wait�� H�����<and you should have refused and not made Mr Bevan wait�� HC�u@��'�ơ��on a junior footman from a smaller house across the street.�� ͠ơ��on a junior footman from a smaller house across the street.�� �C�u@��'�ơ��In America, you don't have to live like your parents lived.�� �ơ��In America, you don't have to live like your parents lived.�� ���\Maybe I'm on my way to that.�� J�����\Maybe I'm on my way to that.�� JC�u@��'Az�����You're getting above yourself, Jack.��4�����You're getting above yourself, Jack.��4�ˡŁ �Mr Larry may invite you for dinner and the night for all I care,����ˡł �Mr Larry may invite you for dinner and the night for all I care,���C�u��'[頮���but you're not in favour downstairs.�������but you're not in favour downstairs.��C�u@��'�!�����Good. We can talk on our own.�� à����Good. We can talk on our own.�� à���� �- What about? - Thank you, Andrew.��񠭡�� �- What about? - Thank you, Andrew.���C�uAE�'�z�СʁMrs Carlton was here this morning. She thinks we're about to announce�� ��СʂMrs Carlton was here this morning. She thinks we're about to announce�� ��̡Ɓ �- Gladys's engagement to her son. - She told you about the opera?��R�̡Ƃ �- Gladys's engagement to her son. - She told you about the opera?��RC�uAU�'�d�����She didn't know why it should be a secret.�������She didn't know why it should be a secret.��������Nor do I, unless it's because it's not happening.�� �������Nor do I, unless it's because it's not happening.�� ������QLet her live her own life, mother.��S�����Q(SCOFFS) Let her live her own life, mother.��SC�u@��'�l�����If I had been given what I've planned for Gladys,��T�����If I had been given what I've planned for Gladys,��T�����UI would have finished up Queen Of The World.�� ������UI would have finished up Queen Of The World.�� �C�u@��( X�ҡ́- Do you think father would agree? - When I've explained things to him.�� 1�ҡ̂- Do you think father would agree? - When I've explained things to him.�� 1����� 2I'm not so sure.�������� 2I'm not so sure.���C�uA��( D�����You were wrong to involve Mrs Fish in your schemes.��٠����You were wrong to involve Mrs Fish in your schemes.��٠�����She'll spread it all over New York and Newport.��)������She'll spread it all over New York and Newport.��)�ġ��- I don't think so. She likes Gladys. - She likes gossip.�� ��ġ��- I don't think so. She likes Gladys. - She likes gossip.�� �C�uA �(<�ȡYou're young and you're foolish. I don't hold it against you,��;�ȡ‚You're young and you're foolish. I don't hold it against you,��;�����<since the two go together. But I'm neither.�������<since the two go together. But I'm neither.��C�uA/�(T8�̡ƁAnd I see that your sister can live a powerful, interesting life.�� %�̡ƂAnd I see that your sister can live a powerful, interesting life.�� %�š�� &Do you know what it means to be the Duchess of Buckingham?�� '�š�� &Do you know what it means to be the Duchess of Buckingham?�� 'C�u@��(k������She can influence politics, shape events, set fashions�� �����She can influence politics, shape events, set fashions�� ����� in clothing and art or anything else.�������� in clothing and art or anything else.���C�uA �(0�����But to do this, she has to be sensible now��4�����But to do this, she has to be sensible now��4�ʡā�and avoid stupid choices. - A stupid choice like Billy Carlton?���ʡĂ�and avoid stupid choices. - A stupid choice like Billy Carlton?��C�uA)�(�0�ɡÁDo you not think it enough that Gladys just wants to be happy?�� �ɡÂDo you not think it enough that Gladys just wants to be happy?�� �š���Happiness as a by-product of a well-ordered life may last.����š���Happiness as a by-product of a well-ordered life may last.���C�u��(�ޠ����As a goal, it is invariably doomed to failure.�� ������As a goal, it is invariably doomed to failure.�� �C�u��(� �����(SIGHS)��堚����(PEGGY COUGHING)���C�u@��(�P�����Miss Scott?�� (�����(KNOCK ON DOOR) AGNES: Miss Scott?�� (�����Oh. Mrs Van Rhijn,��������(weakly) Oh. Mrs Van Rhijn,���C�uAk�(������you shouldn't have come all the way up here.��3�����you shouldn't have come all the way up here.��3�ġ��4- I can still climb the stairs. - Peggy, you're no better�� ��ġ��4- I can still climb the stairs. - Peggy, you're no better�� �������and it's clearly much more than a cold.��?������and it's clearly much more than a cold.��?C�uA3�)$�����- Indeed. I shall call the doctor. - Oh, Please don't.�� ������- Indeed. I shall call the doctor. - Oh, Please don't.�� ��ҡ́\I'm just a little tired. I think I caught a little cold on top of that.�� ��ҡ̂\I'm just a little tired. I think I caught a little cold on top of that.�� �C�u��)7������(COUGHING)���C�u��)P������Try and sleep.��Р����Try and sleep.��Р���� �(WOEFUL MUSIC)���C�u@��)i �Ρȁ- Can we send for the doctor now? - I'll write to Dr Lewis at once.�� S�ΡȂ- Can we send for the doctor now? - I'll write to Dr Lewis at once.�� S����� T- Dr Lewis? - Oh, he knows her.�������� T- Dr Lewis? - Oh, he knows her.���C�u@��)}�����And he won't want to get on the wrong side of me.�� I�����And he won't want to get on the wrong side of me.�� IC�uA�)�@�����- You must be glad how it's going. - I'm glad.�� �����- You must be glad how it's going. - I'm glad.�� �ȡ - You don't look very glad. - It was something Adelheid said.�� ̠ȡ‚ - You don't look very glad. - It was something Adelheid said.�� �C�uA�)������What do we have to thank her for now?�������What do we have to thank her for now?�������It was when I was leaving.��������It was when I was leaving.���������She said I'm getting above my station.��ڠ�����She said I'm getting above my station.���C�u@��)љ�����She thinks I made a fool of myself.��񠭡��She thinks I made a fool of myself.���ɡÁU- Have you said this to Mr Larry? - No. Do you think I should?�� ͠ɡÂU- Have you said this to Mr Larry? - No. Do you think I should?�� �C�u@��)缠����I do not. Not one syllable of it.�� ������I do not. Not one syllable of it.�� ��ġ�� �This is your chance, Jack, and there's no room for doubt.�� ��ġ�� �This is your chance, Jack, and there's no room for doubt.�� �C�uA%�)������I don't doubt the clock.��������I don't doubt the clock.���������It's good and someone will see that one day.���������It's good and someone will see that one day.���������I just wonder about my own part in it.�� S������I just wonder about my own part in it.�� SC�uAo�*�¡��When Mr Larry was here and I was holding a dish for him��ڠ¡��When Mr Larry was here and I was holding a dish for him��ڠ�����to serve himself, it did make me think.��������to serve himself, it did make me think.��������It should only make you think of the road ahead.�� ؠ�����It should only make you think of the road ahead.�� �C�uA3�*8��ϡɁWe believe in you and Miss Marion, Mrs Forte and even Mrs Van Rhijn.��[�ϡɂWe believe in you and Miss Marion, Mrs Forte and even Mrs Van Rhijn.��[�ġ��\- Everyone's ready to celebrate. - Except Miss Armstrong.�� ؠġ��\- Everyone's ready to celebrate. - Except Miss Armstrong.�� �C�u��*V���Maybe. But everyone else.�� _�����(ALL CHUCKLE) Maybe. But everyone else.�� _C�u@��*t������(DOOR CLOSES)��Р���� �- Dr Lewis. - How very good of you, doctor.�� ������ �- Dr Lewis. - How very good of you, doctor.�� �C�uA�*�:�����- Thank you. - My pleasure.��򠦡��- Thank you. - My pleasure.��򠱡���Marion, would you escort him upstairs?��(������Marion, would you escort him upstairs?��(����� - Of course. - Thank you.��򠤡�� - Of course. - Thank you.���C�u@��*��á��It might be wise to write to Miss Scott's parents, Mama.�� G�á��It might be wise to write to Miss Scott's parents, Mama.�� G����� HMarion seems to think she's really ill.��(����� HMarion seems to think she's really ill.��(C�u@��*Æ�����Of course. Her father runs a pharmacy.�� Π����Of course. Her father runs a pharmacy.�� Π���� �I wish we'd written before now. What is it, Bannister?�� h����� �I wish we'd written before now. What is it, Bannister?�� hC�uA�*۾�����Should Mrs Bauer continue to hold dinner, ma'am?�� ���Should Mrs Bauer continue to hold dinner, ma'am?�� �Ρȁ �Yes. We should wait for Miss Marion and Dr Lewis to come back down.�� �ΡȂ �Yes. We should wait for Miss Marion and Dr Lewis to come back down.�� C�u@��*�.�á��I agree. Otherwise, we might have to ask him to join us.�� ��á��I agree. Otherwise, we might have to ask him to join us.�� ������;Well, that was very quick.��3�����;Well, that was very quick.��3C�uA�+ ������Have you discovered what is wrong with her?�� >�����Have you discovered what is wrong with her?�� >�š�� ?Dr Lewis is refusing to treat her because she is coloured.�� ��š�� ?Dr Lewis is refusing to treat her because she is coloured.�� �C�u@��+"֠����You said in your note she was your secretary.�� ������(SCOFFS) You said in your note she was your secretary.�� ������ Miss Scott is my secretary and she is coloured.�������� Miss Scott is my secretary and she is coloured.���C�uA�+8������- You have met her before. - I must have forgotten.�� >�����- You have met her before. - I must have forgotten.�� >�ˡŁ ?I'm afraid I do not take coloured patients. Good evening to you.����ˡł ?I'm afraid I do not take coloured patients. Good evening to you.���C�u@��+Pi�����Oh.��Ϡ����Oh.��Ϡ�����Isn't that against the Hippocratic Oath?�� >������Isn't that against the Hippocratic Oath?�� >�����When he's here already.��I�����When he's here already.��IC�uA�+h ǡ��- What are we to do now? - Send for her parents and quickly.�� S�ǡ��- What are we to do now? - Send for her parents and quickly.�� S����� TI'll write a letter and have John deliver it tonight.�� Π���� TI'll write a letter and have John deliver it tonight.�� �C�u@��+~報���I hope Doctor Lewis regrets his choice��T�����I hope Doctor Lewis regrets his choice��T�����Uwhen he realises what it will cost him.��V�����Uwhen he realises what it will cost him.��VC�u@��+�a�����John, take this to Brooklyn right away.��Ϡ����John, take this to Brooklyn right away.��Ϡ�����To Mr and Mrs Scott. I'll find you a cab.���������To Mr and Mrs Scott. I'll find you a cab.���C�uA��+���ǡ��Mrs Van Rhijn must have known the doctor wouldn't treat her.�� H�ǡ��Mrs Van Rhijn must have known the doctor wouldn't treat her.�� H����� IShe thinks rules don't apply to her.�������� IShe thinks rules don't apply to her.����ʡā�You can't ask people to change their ways at a moment's notice.�� 2�ʡĂ�You can't ask people to change their ways at a moment's notice.�� 2C�u@��+�������They should have sent for her parents before now.�� 𠼡��They should have sent for her parents before now.�� �C�uA;�+�*�̡ƁYou married father for love. You chose your husband, why can't I?�� H�̡ƂYou married father for love. You chose your husband, why can't I?�� H�ˡŁ2Because I was nothing special. You're George Russell's daughter.�� i�ˡł2Because I was nothing special. You're George Russell's daughter.�� iC�uA��+�ƠɡÁ- You need someone worthy of that. - I'm not like you, mother.�� �ɡÂ- You need someone worthy of that. - I'm not like you, mother.�� ����� I don't want to be at the head of society.������� I don't want to be at the head of society.���ӡ́<But you already are. And that is why you cannot be ruled by infatuation.�� �ӡ͂<But you already are. And that is why you cannot be ruled by infatuation.�� C�uAQ�,������What I reel for Billy is real.��������What I reel for Billy is real.���������Billy will never achieve anything of note.��𠵡���Billy will never achieve anything of note.���á��And he will grow to resent you for his own shortcomings.�� ��á��And he will grow to resent you for his own shortcomings.�� �C�uA��,*��ơ��He's from a good family. Three years ago, you'd have begged��v�ơ��He's from a good family. Three years ago, you'd have begged��v�͡ǁwto be invited into their drawing room. - We've overtaken them now.����͡ǂwto be invited into their drawing room. - We've overtaken them now.��������- My sweet girl... - I'm not a girl.�� ������- My sweet girl... - I'm not a girl.�� �C�uA �,F�����Not anymore. When will you see that.��Ϡ����Not anymore. When will you see that.��ϠСʁ�You're a girl if I say. And I pray, that's why you have no judgement.��נСʂ�You're a girl if I say. And I pray, that's why you have no judgement.���C�uA�,\Š̡Ɓ- Please, God, you'll grow out of it. - While you have no values.�� ؠ̡Ƃ- Please, God, you'll grow out of it. - While you have no values.�� ؠ���� �- Will you grow out of that? - Why?�� ����� �- Will you grow out of that? - Why?�� C�uAC�,q������Do you think I should stand aside and watch you marry��������Do you think I should stand aside and watch you marry���������some worthless non-entity?�� �������some worthless non-entity?�� ������:Don't you know a bad marriage is a prison?��������:Don't you know a bad marriage is a prison?���C�u@��,�U�����I couldn't agree more. Goodnight.��Р����I couldn't agree more. Goodnight.��Р���� �Gladys...��Р���� �(SIGHS) Gladys...���C�u��,�f�����(OMINOUS MUSIC)���C�u��,������(SIGHS)���C�u��-.̠����(MUSIC SWELLS)���S�k ������������G��������ﶷ����r����л���]޷��������� `����q�����������񻕳��ķ�������#�������ַ���� ���� ϻ����f�����@����4����ﴷ����t����л���,�����������л���D����������л���bη���������л���bη���������л���n���������/��������������I���� (�����������I��@�� (�����������I��{��U�����������I�����U�����P�����*����3�����P�����*��7��3�����������*��i��t�����������*�����t�����8�����5���� Ļ����L�����n���� '�����t�����n���� ����������������л���=���������� <����=��������"�� <����z��������R��񻕳�z��������y��񻕳�'l�����t���� ����'l�����t���� ����0������t��@��ϻ���0������t��Q��ϻ���8Y�����t��n�� 2����8Y�����t����� 2����C������^���� S����C������^��D�� S����N෎���^�����廕��N෎���^�����廕��UƷ����^��ײ� �����UƷ����^���� �����_i���������� '����_i��������N�� '����i������������ T����i���������˲� T����uI���������� �����uI��������:�� 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