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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,540 --> 00:00:04,620 PREVIOUSLY ON "SIX DEGREES"... MAGGIE NEWTON-- SHE'S MY MOTHER. 2 00:00:04,620 --> 00:00:06,960 WHY DID YOU WRITE THAT ERIC AND I DIED? 3 00:00:06,960 --> 00:00:09,540 MY PUBLISHER CONVINCED ME IT WOULD SELL BETTER AS A MEMOIR. 4 00:00:09,540 --> 00:00:12,170 YOU DON'T ACTUALLY HAVE ANY IDEA WHO I AM, DO YOU? 5 00:00:12,170 --> 00:00:13,540 WHAT? 6 00:00:13,540 --> 00:00:15,540 CARLOS. 7 00:00:15,540 --> 00:00:17,210 PARTNERS. PARTNERS. 8 00:00:17,210 --> 00:00:19,420 I DON'T THINK THIS IS GONNA WORK OUT. 9 00:00:19,420 --> 00:00:21,790 COME ALONG, LAURA. ACTUALLY, I'D LIKE LAURA TO STAY. 10 00:00:21,790 --> 00:00:25,080 I WANT HER TO DESIGN THE SPACE. HI, STEVEN, IT'S ME. 11 00:00:25,080 --> 00:00:27,290 I'M SORRY I DIDN'T HAVE TIME FOR YOU THE OTHER DAY. 12 00:00:27,290 --> 00:00:29,920 BUT I'D LOVE TO GET TOGETHER AND TALK. 13 00:00:29,920 --> 00:00:33,540 SO CALL ME. BYE. 14 00:00:33,540 --> 00:00:36,290 ♪ GOLD DIGGERS KNOW NO RIGHT OR WRONG ♪ 15 00:00:36,290 --> 00:00:39,290 ♪ CASH BOMB'S HALTED, SO IT'S SOUL FOR SOUL ♪ 16 00:00:39,290 --> 00:00:41,880 ♪ BASS DRUM MADNESS ♪ 17 00:00:41,880 --> 00:00:43,420 ♪ HITCH YOUR WAGON TO A STAR ♪ 18 00:00:43,420 --> 00:00:47,710 ♪ SEARCH YOUR TREASURE ISLAND, STEALING NONE FOR NONE...♪ 19 00:00:50,420 --> 00:00:52,420 I TOLD YOU THIS WAS A BAD IDEA. 20 00:00:52,420 --> 00:00:54,420 CHANGE OF VENUES. KIND OF SEXY, YOU SAID. 21 00:00:56,500 --> 00:00:58,290 GO. 22 00:01:00,330 --> 00:01:02,790 WE JUST CAN'T GO TO MY HOUSE, YOU KNOW, 23 00:01:02,790 --> 00:01:04,420 BECAUSE OF ELIZA. 24 00:01:04,420 --> 00:01:06,380 WE COULD GO TO... AN HOTEL. 25 00:01:06,380 --> 00:01:08,380 WHAT, ARE WE HAVING AN AFFAIR? 26 00:01:08,380 --> 00:01:10,380 IN THE OLD SENSE OF THE WORD, MAYBE. 27 00:01:10,380 --> 00:01:12,380 OKAY. GO. OKAY. 28 00:01:15,380 --> 00:01:17,750 OH, MY GOSH. 29 00:01:17,750 --> 00:01:20,420 I THINK WE SHOULD STOP HIDING. 30 00:01:20,420 --> 00:01:21,790 NO, NO. NOT... 31 00:01:21,790 --> 00:01:24,290 THESE PAST FEW WEEKS HAVE BEEN SO GREAT, BUT-- 32 00:01:24,290 --> 00:01:26,290 BUT? WE'RE WORKING TOGETHER. 33 00:01:26,290 --> 00:01:28,380 WE NEED TO KEEP THIS PROFESSIONAL. 34 00:01:29,380 --> 00:01:30,920 ARE YOU LAUGHING AT ME? 35 00:01:30,920 --> 00:01:32,880 NO, I'M... 36 00:01:32,880 --> 00:01:35,250 YOU KNOW, THIS IS A VERY BIG DEAL FOR ME. 37 00:01:35,250 --> 00:01:36,880 I KNOW. I GOT IT. 38 00:01:36,880 --> 00:01:38,960 I'LL DO WHATEVER YOU SAY. 39 00:01:38,960 --> 00:01:40,750 LET'S GO. 40 00:01:40,750 --> 00:01:43,580 OKAY. 41 00:01:46,670 --> 00:01:48,830 YOU DID A PHENOMENAL JOB WITH THIS PLACE. 42 00:01:48,830 --> 00:01:50,210 DO YOU THINK? 43 00:01:50,210 --> 00:01:51,830 YEAH. 44 00:01:59,540 --> 00:02:01,540 CONFIRM "Money" MAGAZINE FOR WEDNESDAY, 45 00:02:01,540 --> 00:02:03,170 "WALL STREET JOURNAL" FOR THURSDAY, 46 00:02:03,170 --> 00:02:05,170 AND DOUBLE-CHECK THAT HE'S THE SPEAKER 47 00:02:05,170 --> 00:02:07,170 AT THE YOUNG ENTREPRENEUR'S LUNCHEON AT THE YALE CLUB. 48 00:02:07,170 --> 00:02:09,250 DID RAY GO TO YALE? NO. HE DIDN'T FINISH COMMUNITY COLLEGE. 49 00:02:09,250 --> 00:02:11,380 YOU CAN'T SETTLE, EVER. 50 00:02:11,380 --> 00:02:14,380 YOU DRIVE AN EXTRA BLOCK TO GET A BETTER CUP OF COFFEE. 51 00:02:14,380 --> 00:02:16,380 IT'S NOT YOUR FIRST IDEA, IT'S YOUR 15th. 52 00:02:16,380 --> 00:02:18,380 THAT WAY WHEN YOU'VE REACHED YOUR GOAL, 53 00:02:18,380 --> 00:02:20,080 YOU'RE EXACTLY WHERE YOU WANT TO BE. 54 00:02:20,080 --> 00:02:22,460 SEND HIM IN WHEN HE'S DONE WITH "GQ," OKAY? 55 00:02:22,460 --> 00:02:24,460 IS HE BETTER THAN I WAS? 56 00:02:24,460 --> 00:02:26,460 CLARK? I HAVE ASSISTANT ENVY. 57 00:02:26,460 --> 00:02:28,290 YOU HAVE SO MUCH TO DO, INCLUDING A PITCH 58 00:02:28,290 --> 00:02:31,460 FOR THE OPENING PARTY. I HAVE ONE. 59 00:02:31,460 --> 00:02:34,290 GOOD. TELL ME OVER DINNER. LIKE A REAL BUSINESS DINNER? 60 00:02:34,290 --> 00:02:35,500 YEAH. ENVY GONE. 61 00:02:35,500 --> 00:02:37,500 THAT WENT GREAT. GOOD. 62 00:02:37,500 --> 00:02:39,710 NO, I MEAN GREAT, ALL OF IT. 63 00:02:39,710 --> 00:02:42,620 EVERY OUNCE OF PRESS WE'VE DONE. I'M EVERYWHERE, WHIT. 64 00:02:42,620 --> 00:02:45,170 AND I OWE IT ALL TO YOU. "GQ" HAS TO BE TOMORROW. THE ISSUE CLOSES ON THURSDAY. 65 00:02:45,170 --> 00:02:47,420 IS CASEMAN SHOOTING IT? 66 00:02:47,420 --> 00:02:49,420 I TRIED, BUT HE'S BUSY. HE'S BEEN VERY, VERY BUSY. 67 00:02:49,420 --> 00:02:51,290 I'LL TALK TO HIM. 68 00:02:51,290 --> 00:02:53,620 OH, I GOT SOMETHING FOR YOU. WHAT? 69 00:02:53,620 --> 00:02:56,210 IT'S BIGGER THAN A BREAD BOX. RAY... 70 00:02:58,250 --> 00:02:59,620 LAUNCH PARTY'S THURSDAY NIGHT. 71 00:02:59,620 --> 00:03:02,170 FRIDAY MORNING, I THINK YOU SHOULD TAKE OFF. 72 00:03:02,170 --> 00:03:03,710 OFF? I GOT A CLIENT 73 00:03:03,710 --> 00:03:06,670 WHO'S GOT A 6,000-SQUARE-FOOT VILLA IN SAINT-BARTHS. 74 00:03:06,670 --> 00:03:08,750 IT COMES WITH A COOK, A MAID A MASSEUSE, FOUR POOLS, 75 00:03:08,750 --> 00:03:10,380 ONE FOR EACH LIMB, 76 00:03:10,380 --> 00:03:12,210 AND IT'S ALL YOURS. 77 00:03:12,210 --> 00:03:15,040 I AM NOT GOING ON VACATION WITH YOU. 78 00:03:15,040 --> 00:03:17,750 I'M NOT GOING ON VACATION. I COULDN'T GO EVEN IF I WANTED TO, 79 00:03:17,750 --> 00:03:19,750 NOT WITH EVERYTHING THAT'S GOING ON HERE. 80 00:03:19,750 --> 00:03:22,710 IT'S JUST FOR YOU. NO STRINGS ATTACHED. NONE? 81 00:03:22,710 --> 00:03:24,330 ZERO. DO I KNOW YOU? 82 00:03:24,330 --> 00:03:28,250 SO BRING A GOOD BOOK, RELAX, SLEEP, DREAM, SNORKEL. 83 00:03:28,250 --> 00:03:31,170 DO YOURSELF A FAVOR. YOU DESERVE IT. 84 00:03:32,540 --> 00:03:34,670 RAY... 85 00:03:34,670 --> 00:03:37,120 THAT'S VERY GENEROUS. 86 00:03:43,750 --> 00:03:45,170 GET OUT YOUR TELESCOPES. 87 00:03:45,170 --> 00:03:47,790 THURSDAY NIGHT IS THE FIRST TOTAL LUNAR ECLIPSE VISIBLE 88 00:03:47,790 --> 00:03:49,790 FROM NEW YORK CITY IN 64 YEARS... 89 00:03:49,790 --> 00:03:53,250 I JUST GOT OFF THE PHONE WITH "ARCHITECTURAL DIGEST." 90 00:03:54,580 --> 00:03:56,830 WHITNEY GOT SOMEONE TO DO A BLURB ON ME. 91 00:03:56,830 --> 00:03:59,420 THAT'S AMAZING. YOU WANTED A CAREER. 92 00:03:59,420 --> 00:04:01,500 I KNOW. READY OR NOT, RIGHT? 93 00:04:01,500 --> 00:04:03,500 RAY'S OPENING IS JUST GETTING-- 94 00:04:03,500 --> 00:04:05,120 WELL, MY OPENING, RIGHT? 95 00:04:05,120 --> 00:04:07,460 IS GETTING SO MUCH PRESS. 96 00:04:07,460 --> 00:04:10,080 WHERE DO SOCKS DISAPPEAR TO? 97 00:04:10,080 --> 00:04:13,080 ONE OF LIFE'S GREAT MYSTERIES, 98 00:04:13,080 --> 00:04:15,080 RIGHT UP WITH STONEHENGE. THE PUBLISHING WORLD IS ABUZZ TODAY 99 00:04:15,080 --> 00:04:16,920 AS CONTROVERSY SURROUNDS BEST SELLER 100 00:04:16,920 --> 00:04:19,170 "OBJECTS IN MY MIRROR." CLAIRE. OH, MY GOD. COME HERE. 101 00:04:19,170 --> 00:04:20,790 IT'S--IT'S YOUR MOTHER'S BOOK. 102 00:04:20,790 --> 00:04:22,790 A DISGRUNTLED TEACHING ASSISTANT HAS BROKEN 103 00:04:22,790 --> 00:04:25,290 WHAT MAY BE THE LITERARY SCANDAL OF THE YEAR. 104 00:04:25,290 --> 00:04:27,670 IT APPEARS THAT MAGGIE NEWTON'S BEST-SELLING MEMOIR 105 00:04:27,670 --> 00:04:32,120 MAY BE A WORK OF FICTION AND ITS AUTHOR A FRAUD. 106 00:04:32,120 --> 00:04:34,120 SOURCES TELL US THAT THE-- 107 00:04:34,120 --> 00:04:35,670 WELL... 108 00:04:35,670 --> 00:04:38,080 LOOKS LIKE SHE'S GETTING WHAT SHE DESERVES. 109 00:04:38,080 --> 00:04:40,120 DON'T YOU THINK? 110 00:04:40,120 --> 00:04:42,420 I GOTTA RUN. ARE YOU OKAY? 111 00:04:42,420 --> 00:04:44,120 FINE. 112 00:04:44,120 --> 00:04:46,790 ALL RIGHT. I'LL CALL YOU LATER. 113 00:04:53,880 --> 00:04:55,710 MS. MORGAN. 114 00:04:55,710 --> 00:04:57,250 TED WESTON. 115 00:04:57,250 --> 00:04:59,040 I'M WITH THE JUSTICE DEPARTMENT. 116 00:04:59,040 --> 00:05:02,170 I THINK YOU HAVE THE WRONG PERSON. YOU'RE DAVID MORGAN'S WIDOW? 117 00:05:02,170 --> 00:05:04,790 LISTEN, COULD I BUY YOU A CUP OF COFFEE? 118 00:05:04,790 --> 00:05:06,790 UM, YOU KNOW, I'M-- I'M OFF CAFFEINE. 119 00:05:06,790 --> 00:05:08,170 WH 120 00:05:08,170 --> 00:05:11,000 LOOK, I KNOW THIS IS A SENSITIVE SUBJECT. 121 00:05:11,000 --> 00:05:12,920 BUT DO YOU HAVE ANY OF YOUR HUSBAND'S OLD FILES, 122 00:05:12,920 --> 00:05:14,920 HIS NOTES OR UNPUBLISHED STORIES? 123 00:05:14,920 --> 00:05:16,500 DAVID--I... I DON'T UNDERSTAND-- 124 00:05:16,500 --> 00:05:20,290 WELL, WE ARE INVESTIGATING RAY JONES. 125 00:05:20,290 --> 00:05:23,790 WHAT? YOUR HUSBAND WAS WORKING ON A STORY ABOUT 126 00:05:23,790 --> 00:05:26,500 RAY'S HAVILAND CONSTRUCTION PROJECT IN DUBAI IN 2005. 127 00:05:26,500 --> 00:05:29,040 WE'D LIKE TO HAVE A LOOK AT WHATEVER HE MIGHT HAVE FOUND. 128 00:05:29,040 --> 00:05:31,040 YOU KNOW WHAT? YOU'RE--YOU'RE MAKING SOME KIND OF MISTAKE. 129 00:05:31,040 --> 00:05:34,580 DAVID WAS NOT INVESTIGATING RAY. THEY WERE FRIENDS. 130 00:05:34,580 --> 00:05:36,960 FRIENDS? WHO TOLD YOU THAT? 131 00:05:36,960 --> 00:05:38,250 UH... 132 00:05:38,250 --> 00:05:40,250 YOU KNOW WHAT? I-I DON'T KNOW-- 133 00:05:40,250 --> 00:05:42,250 I-I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 134 00:05:42,250 --> 00:05:44,960 LOOK, I CAN SUBPOENA THE FILES. 135 00:05:44,960 --> 00:05:47,380 WELL, MAYBE YOU SHOULD, BECAUSE I'M LATE. 136 00:05:55,040 --> 00:05:57,040 HERE ARE YOUR KEYS TO YOUR OFFICE 137 00:05:57,040 --> 00:05:58,620 AND THE EXECUTIVE WASHROOM. 138 00:05:58,620 --> 00:06:01,210 CITY INSPECTOR CAME THROUGH, SIGNED ALL THE PERMITS. 139 00:06:01,210 --> 00:06:04,000 SO WE'RE READY FOR BUSINESS. AHEAD OF SCHEDULE AND OVER BUDGET. 140 00:06:04,000 --> 00:06:06,000 OH, WELL, YEAH, YOU KNOW, 'CAUSE... 141 00:06:06,000 --> 00:06:08,040 GREAT JOB, DAMIAN. 142 00:06:08,040 --> 00:06:10,040 HEY, I WAS PICKING UP A TIE FOR THE PARTY 143 00:06:10,040 --> 00:06:12,170 AND, UH, GRABBED THESE FOR YOU. 144 00:06:12,170 --> 00:06:14,080 TOKEN OF MY APPRECIATION. 145 00:06:14,080 --> 00:06:16,330 HEY. WHOA. 146 00:06:16,330 --> 00:06:18,580 WOW. HEY, I WAS... 147 00:06:18,580 --> 00:06:19,960 HI, STEVEN. NO. 148 00:06:19,960 --> 00:06:21,710 COME ON. 149 00:06:21,710 --> 00:06:23,710 WHITNEY ALREADY TRIED. SHE TRIED TODAY? 150 00:06:23,710 --> 00:06:25,080 SHE TRIED AN HOUR AGO. 151 00:06:25,080 --> 00:06:27,830 IT'S MY PORTRAIT FOR "GQ," STEVEN. YOU GOTTA SHOOT IT. 152 00:06:27,830 --> 00:06:29,080 I DON'T DO PORTRAITS, RAY. 153 00:06:29,080 --> 00:06:31,540 YOU DON'T DO PORTRAITS? WHAT... WHAT ARE THESE? 154 00:06:31,540 --> 00:06:34,540 THESE ARE STRANGERS. WHO'S GOT 16? OH, I GET IT. I GET IT. 155 00:06:34,540 --> 00:06:37,080 YOU DON'T SHOOT PICTURES OF PEOPLE THAT YOU KNOW. 156 00:06:37,080 --> 00:06:39,080 WELL, THAT MUST MAKE YOUR KID FEEL REAL SPECIAL 157 00:06:39,080 --> 00:06:40,880 AT HIS BIRTHDAY. 158 00:06:40,880 --> 00:06:43,500 ALL RIGHT. YOU WON'T DO IT FOR ME. DO IT FOR WHITNEY. 159 00:06:43,500 --> 00:06:46,170 I'VE DONE A LOT FOR WHITNEY. SHE'S DONE A LOT FOR YOU. 160 00:06:46,170 --> 00:06:48,380 STEVEN, WE'VE KNOWN EACH OTHER A LONG TIME. YES. 161 00:06:48,380 --> 00:06:50,920 IT WOULD MEAN A LOT TO ME IF YOU WOULD DO THIS. 162 00:06:50,920 --> 00:06:52,920 AND I'M NOT LEAVING UNTIL YOU SAY YES. YES. 163 00:06:52,920 --> 00:06:55,790 THANK YOU. HEY, THERE SHE IS. 164 00:06:55,790 --> 00:06:57,250 OH. 165 00:06:57,250 --> 00:06:59,880 WE'LL SAY WE KNEW HER WHEN, HMM? HEY, HELLO. HOW ARE YOU? 166 00:06:59,880 --> 00:07:03,540 HELLO THERE. GOOD TO SEE YOU. UH, RAY, COULD I TALK TO YOU FOR A MINUTE? 167 00:07:03,540 --> 00:07:05,330 SURE. 168 00:07:05,330 --> 00:07:06,960 THAT'S RIDICULOUS. 169 00:07:06,960 --> 00:07:08,420 SO... YOU'RE NOT BEING INVESTIGATED? 170 00:07:08,420 --> 00:07:10,040 I MIGHT BE. 171 00:07:10,040 --> 00:07:12,420 WELL, LOOK, I DO A LOT OF BUSINESS OVERSEAS. 172 00:07:12,420 --> 00:07:14,420 THEY'RE JUST TRYING TO FLEX THEIR MUSCLES. 173 00:07:14,420 --> 00:07:16,000 BESIDES, WITH MY COMPANY LAUNCHING, 174 00:07:16,000 --> 00:07:18,040 IT SEEMS LIKE EVERYONE'S INTERESTED 175 00:07:18,040 --> 00:07:19,790 IN EVERYTHING I'VE EVER DONE. 176 00:07:19,790 --> 00:07:21,790 JUST THE OTHER DAY, A REPORTER ASKED ME 177 00:07:21,790 --> 00:07:23,750 ABOUT FLUNKING CALCULUS IN HIGH SCHOOL. 178 00:07:23,750 --> 00:07:25,830 SHE HAD MY REPORT CARD. 179 00:07:25,830 --> 00:07:28,540 YOU TOLD ME YOU AND DAVID WERE FRIENDS. 180 00:07:28,540 --> 00:07:30,120 WE WERE. IT DOESN'T SOUND LIKE IT. 181 00:07:30,120 --> 00:07:32,710 IF HE WAS WRITING A STORY ABOUT YOU-- 182 00:07:32,710 --> 00:07:33,880 THAT'S HOW WE MET. 183 00:07:33,880 --> 00:07:35,920 HE WAS POKING AROUND A CONSTRUCTION DEAL. 184 00:07:35,920 --> 00:07:37,750 THERE WERE RUMORS OF MISAPPROPRIATED FUNDS, 185 00:07:37,750 --> 00:07:39,960 BUT IT DIDN'T COME TO ANYTHING, 186 00:07:39,960 --> 00:07:41,920 AND WE HIT IT OFF. 187 00:07:41,920 --> 00:07:45,080 LAURA... DO NOT LET THIS GUY SHAKE YOU. 188 00:07:45,080 --> 00:07:47,080 ALL RIGHT? 189 00:07:47,080 --> 00:07:48,620 LOOK AT EVERYTHING 190 00:07:48,620 --> 00:07:50,830 THAT'S HAPPENING RIGHT NOW FOR ALL OF US. 191 00:07:50,830 --> 00:07:53,960 LOOK AT THIS MAGNIFICENT PLACE YOU DESIGNED. 192 00:07:53,960 --> 00:07:55,960 THIS IS A TIME OF CELEBRATION. I KNOW. 193 00:07:55,960 --> 00:07:59,380 I KNOW, AND, UM, RAY, YOU KNOW HOW MUCH... 194 00:07:59,380 --> 00:08:01,380 I APPRECIATE THIS OPPORTUNITY. 195 00:08:01,380 --> 00:08:04,120 OF COURSE. WHAT'D YOU KEEP? 196 00:08:04,120 --> 00:08:06,170 OF? DAVID'S OLD STORIES. 197 00:08:06,170 --> 00:08:08,210 I'M THINKING IF THEY DO COME WITH A SUBPOENA, 198 00:08:08,210 --> 00:08:10,210 I'D LIKE TO KNOW WHAT'S THERE. 199 00:08:10,210 --> 00:08:13,420 THEY HAVE A WAY OF TWISTING THE TRUTH, THESE PEOPLE. 200 00:08:13,420 --> 00:08:17,000 SURE. UM, I DON'T KNOW. UM, I-I--I'LL TAKE A LOOK. 201 00:08:17,000 --> 00:08:19,120 OKAY. YOU OKAY? 202 00:08:19,120 --> 00:08:21,040 YEP. GOOD. 203 00:08:21,040 --> 00:08:23,040 YOU BRINGING A DATE TO THE OPENING PARTY? 204 00:08:23,040 --> 00:08:25,040 OH, UH, NO. THAT-- JUST SOLO, JUST STAG, 205 00:08:25,040 --> 00:08:27,420 JUST ME, MYSELF AND ME, SO... 206 00:08:35,580 --> 00:08:37,710 OKAY, RAY'S PARTY, 207 00:08:37,710 --> 00:08:39,080 HERE'S THE PITCH--SYZYGY. 208 00:08:39,080 --> 00:08:40,710 SYZZA WHAT? 209 00:08:40,710 --> 00:08:42,710 SYZYGY--A RARE ALIGNMENT OF CELESTIAL OBJECTS. 210 00:08:42,710 --> 00:08:44,540 THURSDAY NIGHT IS A LUNAR ECLIPSE. 211 00:08:44,540 --> 00:08:47,880 DO YOU KNOW HOW MUCH HAS TO HAPPEN FOR THAT TO HAPPEN? 212 00:08:47,880 --> 00:08:49,960 THE MOON HAS TO PASS THROUGH THE EARTH'S UMBRA SHADOW. 213 00:08:49,960 --> 00:08:51,830 NOT THE PENUMBRA, THAT WOULD BE A PARTIAL ECLIPSE. 214 00:08:51,830 --> 00:08:54,670 THIS HAS TO DO WITH RAY HOW? IT'S A THEME, WHITNEY. 215 00:08:54,670 --> 00:08:56,670 THE PLANETS ALIGN LIKE THIS ONCE IN A LIFETIME, 216 00:08:56,670 --> 00:08:58,670 THE SAME NIGHT THAT WE LAUNCH 217 00:08:58,670 --> 00:09:00,960 RAY'S ONCE-IN-A-LIFETIME VENTURE. 218 00:09:00,960 --> 00:09:02,380 IT'S MEANT TO BE. IT'S SYZYGY. SYZZA-- 219 00:09:02,380 --> 00:09:04,000 SYZYGY. SYZYGY. 220 00:09:04,000 --> 00:09:06,000 RIGHT. OKAY, WELL, I'M NOT REALLY INTO THAT SORT OF THING, 221 00:09:06,000 --> 00:09:07,960 BUT IT'S CUTE. KEEP IT CLASSY, 222 00:09:07,960 --> 00:09:09,960 AND MAKE SURE THERE'S PLENTY OF HIGH-END VODKA. 223 00:09:09,960 --> 00:09:11,210 IT'S RAY'S FAVORITE. 224 00:09:11,210 --> 00:09:13,120 OKAY? OKAY. 225 00:09:13,120 --> 00:09:14,920 IT'S GOOD. 226 00:09:14,920 --> 00:09:16,920 RAY GOT CASEMAN TO DO THE "GQ" SHOOT. 227 00:09:16,920 --> 00:09:18,790 THAT RAY... 228 00:09:18,790 --> 00:09:20,790 WHAT'S UP WITH YOU? "THAT RAY." 229 00:09:20,790 --> 00:09:22,670 USUALLY IT'S, "OH, RAY." 230 00:09:22,670 --> 00:09:24,040 HE'S BEEN DIFFERENT LATELY. 231 00:09:24,040 --> 00:09:26,080 I DON'T KNOW. HE'S GOT ME THINKING. 232 00:09:26,080 --> 00:09:28,920 I'M GONNA BE 35, 233 00:09:28,920 --> 00:09:31,920 AND I'M NOT DATING BECAUSE I'M NOT READY. 234 00:09:31,920 --> 00:09:34,120 BUT WHEN I AM, I'M GONNA, WHAT, 235 00:09:34,120 --> 00:09:37,210 SPEND A YEAR KISSING FROGS, AND A LOT OF THEM? 236 00:09:37,210 --> 00:09:39,000 AND IF I'M LUCKY, ONE WILL STICK, 237 00:09:39,000 --> 00:09:40,830 AND WE'LL DATE FOR A YEAR 238 00:09:40,830 --> 00:09:42,830 FOR HIM TO GET OVER HIS COMMITMENT PHOBIA 239 00:09:42,830 --> 00:09:44,460 AND POP THE QUESTION, 240 00:09:44,460 --> 00:09:47,000 AND ANOTHER YEAR TO PLAN THE WEDDING 241 00:09:47,000 --> 00:09:49,000 AND MAKE SURE THAT EVERYTHING IS RIGHT, 242 00:09:49,000 --> 00:09:52,330 AND THIS IS IF EVERYTHING GOES ABSOLUTELY PERFECTLY. IF THE PLANETS EVER ALIGN AGAIN. 243 00:09:52,330 --> 00:09:54,830 AND I'LL BE 40 BY THE TIME I HAVE A KID. 244 00:09:54,830 --> 00:09:57,250 MEANTIME, THERE'S THIS REALLY GREAT GUY 245 00:09:57,250 --> 00:09:58,960 RIGHT IN FRONT OF ME. 246 00:09:58,960 --> 00:10:00,750 RAY. 247 00:10:00,750 --> 00:10:04,000 RAY. AND I'M NOT GIVING HIM A CHANCE. 248 00:10:04,000 --> 00:10:07,920 ♪♪♪ 249 00:10:07,920 --> 00:10:09,880 THERE WERE 12 INVESTORS. 250 00:10:09,880 --> 00:10:12,880 FIND OUT IF ANY OF THEM SPOKE TO DAVID MORGAN... 251 00:10:12,880 --> 00:10:14,880 AND WHAT THEY SAID AND CALL ME BACK. 252 00:10:19,920 --> 00:10:22,420 HEY. WHAT ARE YOU DOING HERE? 253 00:10:22,420 --> 00:10:25,620 I'LL DO IT. DO WHAT? 254 00:10:25,620 --> 00:10:27,170 THE VACATION. I'M IN. 255 00:10:27,170 --> 00:10:29,170 OH, THAT'S GREAT, WHIT. THAT'S GREAT. 256 00:10:29,170 --> 00:10:31,330 I THINK YOU'RE REALLY GONNA ENJOY THAT. 257 00:10:31,330 --> 00:10:34,000 I THINK YOU SHOULD COME WITH ME. 258 00:10:34,000 --> 00:10:37,000 I KNOW YOU'RE SWAMPED, BUT JUST FOR A FEW DAYS. 259 00:10:37,000 --> 00:10:38,620 COME... WITH YOU, 260 00:10:38,620 --> 00:10:41,210 OR COME WITH YOU? 261 00:10:41,210 --> 00:10:42,830 I DON'T KNOW. 262 00:10:42,830 --> 00:10:45,830 I JUST THINK THAT WE SHOULD SPEND A LITTLE TIME TOGETHER 263 00:10:45,830 --> 00:10:48,710 AND SEE HOW IT GOES. 264 00:10:48,710 --> 00:10:50,500 WHAT DO YOU THINK? 265 00:11:03,790 --> 00:11:06,500 WHAT'S IN RIGHT NOW, THONGS? 266 00:11:06,500 --> 00:11:09,210 UH, I'M NOT REALLY QUALIFIED... 267 00:11:09,210 --> 00:11:12,880 NO, NO, NO. I'M ON THE... If you can pull it off, thongs are always in. 268 00:11:12,880 --> 00:11:14,790 THIS 1-PIECE BLACK ONE IS CUTE. 269 00:11:14,790 --> 00:11:17,830 BUT SAINT-BARTHS IS TOPLESS. MAYBE I SHOULD JUST BUY BOTTOMS. 270 00:11:17,830 --> 00:11:19,290 I'm at Ray's place. 271 00:11:19,290 --> 00:11:21,670 HEY, WHITNEY, WHAT'S THAT GUY'S NAME AGAIN 272 00:11:21,670 --> 00:11:23,290 DAMIAN, RIGHT. THANKS, BYE. 273 00:11:23,290 --> 00:11:26,290 HEY, DOES ANYONE KNOW WHERE I CAN FIND A DAMIAN? 274 00:11:26,290 --> 00:11:27,670 YOU LOOKIN' FOR ME? 275 00:11:27,670 --> 00:11:29,710 UH, YEAH. UM, MELANIE, CRANE P.R. 276 00:11:29,710 --> 00:11:31,330 MM-HMM. I'M COORDINATING THE PARTY. 277 00:11:31,330 --> 00:11:33,290 I HAVE MY LIST, BUT I'LL NEED YOUR LIST 278 00:11:33,290 --> 00:11:36,080 AND ANY OTHER LIST THAT MIGHT GO ON THE MASTER LIST. WOW, YOU TALK FAST. 279 00:11:36,080 --> 00:11:38,670 YEAH, AND I ONLY SAY THINGS ONCE. 280 00:11:38,670 --> 00:11:41,210 HERE'S THE FLOOR PLAN AND THE DELIVERY TIMELINE. 281 00:11:41,210 --> 00:11:43,170 FIRST UP IS A LUNAR FLOE. LUNAR WHAT? 282 00:11:43,170 --> 00:11:44,750 FLOE. IT'S THE PIèCE de RéSISTANCE. 283 00:11:44,750 --> 00:11:46,750 IT'S AN 8-FOOT ICE SCULPTURE SHAPED LIKE THE MOON 284 00:11:46,750 --> 00:11:48,120 THAT RECYCLES CHILLED, PREMIUM VODKA 285 00:11:48,120 --> 00:11:49,880 IN THREE DIFFERENT FLAVORS. 286 00:11:49,880 --> 00:11:51,960 WE'LL, UH, PLUG INTO YOUR POWER AND THEN RUN DRAINAGE 287 00:11:51,960 --> 00:11:54,960 THROUGH A SUMP PUMP IN THE BATHROOM. HEY, WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 288 00:11:54,960 --> 00:11:57,000 NOBODY'S PLUGGING ANYTHING ANYWHERE 289 00:11:57,000 --> 00:11:58,710 UNTIL I GET GOOD LOOK AT THESE PLANS. 290 00:11:58,710 --> 00:12:00,790 I MEAN, MAYBE YOU CAN GO BACK BY THE BATHROOM-- NO, IT'S A CENTERPIECE. 291 00:12:00,790 --> 00:12:04,380 IT HAS TO GO IN THE CENTER BECAUSE IT'S THE CENTERPIECE. IT'S A HAZARD, LADY, OKAY? 292 00:12:04,380 --> 00:12:06,380 YOU'RE NOT GONNA RUN ELECTRICITY AND WATER 293 00:12:06,380 --> 00:12:09,080 ACROSS THE FLOOR WHERE THERE'S 250 GUESTS. 294 00:12:09,080 --> 00:12:11,460 'CAUSE IF IT SPILLS AND MESSES UP MY FLOOR-- YOUR FLOOR? 295 00:12:11,460 --> 00:12:13,460 MY FLOOR. I HAVE OVERSEEN EVERY NAIL AND BRICK 296 00:12:13,460 --> 00:12:15,420 THAT YOU SEE IN THIS PLACE. 297 00:12:15,420 --> 00:12:17,620 THERE'S NOT A SPECK OF DUST IN HERE THAT I DIDN'T APPROVE. 298 00:12:17,620 --> 00:12:21,580 MY BOSS PUT ME IN CHARGE OF THIS. HEY, RAY, AT THIS PARTY, YOU WANNA SINK THE "TITANIC"? 299 00:12:21,580 --> 00:12:23,710 WHATEVER WHITNEY WANTS. 300 00:12:23,710 --> 00:12:25,380 I WORK FOR WHITNEY. 301 00:12:32,210 --> 00:12:34,670 STEVEN, YOU KNOW I GREW UP CLEAR ON THE OTHER END 302 00:12:34,670 --> 00:12:36,000 OF FLATBUSH AVENUE? 303 00:12:36,000 --> 00:12:38,120 YEAH. PUT YOUR HAND DOWN. 304 00:12:38,120 --> 00:12:41,540 FROM THERE, THIS VIEW... THAT BIG. 305 00:12:41,540 --> 00:12:43,620 YOU LOST YOUR ACCENT, HUH? CORRECT. I DID. 306 00:12:43,620 --> 00:12:46,540 USED TO PRACTICE IT IN THE MIRROR. I BET. 307 00:12:46,540 --> 00:12:48,710 6 OF US CRAMMED INTO A 3-ROOM APARTMENT. 308 00:12:48,710 --> 00:12:50,790 MY DAD USED TO SAY WE WERE UPPER LOWER CLASS 309 00:12:50,790 --> 00:12:54,380 BECAUSE OUR BATHROOM WASN'T DOWN THE HALL. HE WAS A HUMORIST. 310 00:12:54,380 --> 00:12:57,960 IF YOU KEEP TALKING LIKE THAT, THE PHOTO'S GONNA BE BLURRY. 311 00:13:00,000 --> 00:13:02,250 HOLD ON. 312 00:13:02,250 --> 00:13:04,380 HOLD ON, HOLD ON, HOLD ON. SHH. DON'T MOVE. 313 00:13:04,380 --> 00:13:05,880 LOOK AT HER. 314 00:13:05,880 --> 00:13:07,670 HAVE YOU EVER SEEN ANYTHING MORE BEAUTIFUL 315 00:13:07,670 --> 00:13:09,670 IN YOUR ENTIRE LIFE? 316 00:13:09,670 --> 00:13:12,580 SHE'S CERTAINLY MORE PHOTOGENIC THAN YOU ARE. I'LL SAY. 317 00:13:12,580 --> 00:13:14,210 EXCUSE ME. 318 00:13:14,210 --> 00:13:16,040 SURE. 319 00:13:16,040 --> 00:13:18,420 WHAT ARE YOU TWO TALKING ABOUT? 320 00:13:18,420 --> 00:13:19,790 NOTHING. NOTHING. 321 00:13:19,790 --> 00:13:21,420 NOTHING? 322 00:13:21,420 --> 00:13:23,790 CAN I TALK TO YOU? 323 00:13:23,790 --> 00:13:26,080 I THINK I'M IN TROUBLE. 324 00:13:26,080 --> 00:13:28,080 YOU DIDN'T TELL HIM, DID YOU? 325 00:13:28,080 --> 00:13:29,710 TELL HIM WHAT? 326 00:13:29,710 --> 00:13:32,170 ABOUT THE VACATION. 327 00:13:32,170 --> 00:13:34,580 YOU DON'T WANT HIM TO KNOW? 328 00:13:34,580 --> 00:13:36,580 I DON'T WANT ANYONE TO KNOW. 329 00:13:36,580 --> 00:13:39,120 I'M TRYING THIS OUT, RAY, SEEING HOW IT GOES. 330 00:13:39,120 --> 00:13:42,420 YOU DON'T WANT TO BREAK A STORY BEFORE IT'S A STORY. 331 00:13:42,420 --> 00:13:45,330 OUR SECRET. 332 00:13:45,330 --> 00:13:47,500 THANK YOU. 333 00:13:51,500 --> 00:13:52,830 EXCUSE ME ONE SECOND. 334 00:13:52,830 --> 00:13:54,830 I REACHED THE OTHER HAVILAND PARTNERS, RAY. 335 00:13:54,830 --> 00:13:56,830 IF ANYONE TALKED TO DAVID MORGAN, 336 00:13:56,830 --> 00:13:58,460 THEY'RE NOT SAYING A WORD. 337 00:13:58,460 --> 00:14:00,290 I'M A LITTLE WORRIED ABOUT THIS. 338 00:14:00,290 --> 00:14:02,380 I THINK WE SHOULD TALK, IN PERSON. 339 00:14:02,380 --> 00:14:05,330 OKAY. OKAY, GREAT. 340 00:14:05,330 --> 00:14:07,920 DAVID MORGAN--HE WAS MARRIED TO LAURA MORGAN, RIGHT? 341 00:14:07,920 --> 00:14:10,620 YEAH. YOU KNOW HER? 342 00:14:10,620 --> 00:14:13,290 YEAH, I DO. 343 00:14:13,290 --> 00:14:15,920 CAN WE GO TO THE PARK TODAY? 344 00:14:15,920 --> 00:14:19,290 OF COURSE, IF YOU PRACTICE YOUR CLARINET. 345 00:14:19,290 --> 00:14:22,460 HI! MARY ALICE EDWARDS, OR DO YOU GO BY MAE? 346 00:14:22,460 --> 00:14:24,750 HAVE YOU ACTUALLY READ YOUR MOTHER'S BOOK? IS IT TRUE THAT YOU'RE FROM COLORADO? 347 00:14:24,750 --> 00:14:26,620 EXCUSE ME. HAVE YOU EVER WORKED WITH YOUR MOM AT ALL? 348 00:14:26,620 --> 00:14:28,830 MAE--OH, LITTLE GIRL, DO YOU HAVE A NAME? 349 00:14:28,830 --> 00:14:30,830 WHAT IS YOUR NAME, LITTLE GIRL? WHY'D YOU CHANGE YOUR NAME, MAE? 350 00:14:30,830 --> 00:14:32,830 WHAT ABOUT YOUR BROTHER? HAVE YOU SPOKEN TO HIM? 351 00:14:32,830 --> 00:14:35,540 HOW DO YOU FEEL ABOUT THE BOOK? IS IT TRUE YOU'RE FROM COLORADO? 352 00:14:35,540 --> 00:14:37,170 I HAVE TO GO. 353 00:14:37,170 --> 00:14:38,540 GO 354 00:14:38,540 --> 00:14:40,460 LOOK, IT'S A COUPLE OF REPORTERS. 355 00:14:40,460 --> 00:14:42,670 IF YOU CLOSE THE DOOR, THEY WILL GO AWAY. 356 00:14:42,670 --> 00:14:45,170 NO. THEY'RE GONNA DIG UP THINGS. 357 00:14:45,170 --> 00:14:47,170 YOU'RE GONNA FIND OUT THINGS ABOUT ME. 358 00:14:47,170 --> 00:14:50,540 LIKE WHAT? HEY, LIKE WHAT? 359 00:14:50,540 --> 00:14:53,000 IT DOESN'T MATTER. 360 00:14:53,000 --> 00:14:55,000 CLAIRE, YOU CANNOT JUST RUN OUT ON US. 361 00:14:55,000 --> 00:14:58,210 ELIZA AND I DEPEND ON YOU. 362 00:14:58,210 --> 00:15:03,120 MY NAME IS MAE. 363 00:15:03,120 --> 00:15:05,750 I'M SO SORRY. 364 00:15:09,460 --> 00:15:11,460 WHAT'S UP WITH YOU AND RAY? 365 00:15:11,460 --> 00:15:13,500 WHAT 366 00:15:13,500 --> 00:15:16,500 INTUITION. 367 00:15:16,500 --> 00:15:18,710 NOTHING. I'M JUST HAPPY FOR HIM. 368 00:15:18,710 --> 00:15:21,000 UH-HUH. OH. 369 00:15:21,000 --> 00:15:22,620 OH, WHAT? 370 00:15:22,620 --> 00:15:24,000 OH, MY CAR IS GONE. 371 00:15:24,000 --> 00:15:26,210 WHAT? MY CAR IS GONE. 372 00:15:26,210 --> 00:15:28,670 I PARKED IT RIGHT THERE IN FRONT OF THE PARK. YOU PARKED ON THE STREET? 373 00:15:28,670 --> 00:15:31,710 YEAH, RIGHT THERE. I TOLD YOU TO PARK IN THE LOT. 374 00:15:31,710 --> 00:15:34,710 THAT'S $30 FOR 2 HOURS, WHITNEY. YOU CAN EXPENSE THAT, STEVEN. 375 00:15:34,710 --> 00:15:36,460 IT WAS A GREAT PARKING SPOT. FOR GOD SAKES. 376 00:15:36,460 --> 00:15:39,040 CALL THE COPS. CALL THE COPS. NO. WHY? 377 00:15:39,040 --> 00:15:41,710 BECAUSE YOUR CAR WAS STOLEN. IT'S NOT STOLEN. 378 00:15:41,710 --> 00:15:44,750 HOW DO YOU KNOW IT'S NOT-- 379 00:15:44,750 --> 00:15:48,380 I THOUGHT YOU SAID IT WAS A GREAT PARKING SPOT. 380 00:15:48,380 --> 00:15:51,210 WELL, I DROPPED YOU OFF. IT WAS RUSH-RUSH THIS MORNING. OH, SO NOW IT'S MY FAULT? 381 00:15:51,210 --> 00:15:53,460 I-I HAD--I WAS DISORIENTED. STE-STEVEN, MY LAPTOP IS IN THE CAR. 382 00:15:53,460 --> 00:15:56,330 EVERYTHING IS IN THE CAR-- MY PURSE, MY PASSPORT. 383 00:15:56,330 --> 00:15:58,500 PASSPORT? WHAT, ARE YOU GOING SOMEWHERE? 384 00:15:58,500 --> 00:16:00,460 WHERE IS THE CAR? 385 00:16:10,120 --> 00:16:12,120 THIS IS A TOW POUND? YEAH. 386 00:16:12,120 --> 00:16:14,420 IT'S VERY WELL APPOINTED INSIDE. TRUST ME. 387 00:16:14,420 --> 00:16:16,040 HELLO. 388 00:16:16,040 --> 00:16:18,120 HI. UM, WE NEED OUR CAR AS FAST AS POSSIBLE, 389 00:16:18,120 --> 00:16:19,500 'CAUSE WE'RE ON A JOB 390 00:16:19,500 --> 00:16:22,330 THAT NEEDS TO BE DELIVERED FIRST THING IN THE MORNING. 391 00:16:22,330 --> 00:16:25,540 UM... DO YOU READ "GQ" MAGAZINE? 392 00:16:25,540 --> 00:16:28,460 LICENSE PLATE NUMBER? WHAT'S YOUR LICENSE PLATE NUMBER? 393 00:16:30,460 --> 00:16:32,670 3... I DON'T KNOW. 394 00:16:32,670 --> 00:16:34,500 YOU DON'T KNOW YOUR PLATE NUMBER? 395 00:16:34,500 --> 00:16:36,500 NO. HOW DO YOU NOT KNOW YOUR PLATE NUMBER? 396 00:16:36,500 --> 00:16:37,880 RAISE YOUR HAND 397 00:16:37,880 --> 00:16:39,880 IF YOU KNOW YOUR LICENSE PLATE NUMBER BY HEART. 398 00:16:39,880 --> 00:16:41,000 ANYBODY? 399 00:16:41,000 --> 00:16:43,000 I WRITE MINE DOWN AND PUT IT IN MY WALLET. 400 00:16:43,000 --> 00:16:44,540 YOU DON'T EVEN HAVE A CAR. 401 00:16:44,540 --> 00:16:46,540 WHEN I HAD A CAR. LET ME JUST HANDLE THIS. 402 00:16:46,540 --> 00:16:49,620 THE NAME IS STEVEN CASEMAN. 403 00:16:49,620 --> 00:16:51,620 YOUR WIFE'S GOT A MOUTH ON HER. 404 00:16:51,620 --> 00:16:53,460 OH, WE'RE NOT MARRIED. 405 00:16:53,460 --> 00:16:56,420 OH, YOU ARGUE LIKE YOU'RE MARRIED. 406 00:16:56,420 --> 00:16:58,040 YES, WE DO. 407 00:16:58,040 --> 00:17:01,040 IS THERE ANY WAY YOU COULD SORT OF BUMP US UP 408 00:17:01,040 --> 00:17:03,040 TO THE TOP OF THE LIST? MNH-MNH. 409 00:17:03,040 --> 00:17:05,500 UM... CAN YOU TELL ME WHERE THE CAR IS 410 00:17:05,500 --> 00:17:07,500 SO I COULD GET MY PURSE AND MY LAPTOP 411 00:17:07,500 --> 00:17:09,460 AND JUST TAKE A CAB BACK TO THE CITY? 412 00:17:09,460 --> 00:17:11,500 NOPE. 413 00:17:11,500 --> 00:17:13,920 WHAT ARE YOU LOOKING AT? 414 00:17:16,290 --> 00:17:19,250 HEY, HEY, HEY, HEY. EASY WITH THAT. 415 00:17:19,250 --> 00:17:21,210 HEY, WAIT, WAIT, WAIT, WAIT, WAIT. 416 00:17:21,210 --> 00:17:23,380 WHAT ARE YOU PLUGGING THAT IN TO? WE'RE TYING INTO THE ELEVATOR LINE 417 00:17:23,380 --> 00:17:25,790 TO POWER THE FREEZER PLATES FOR THE ICE THINGAMAJIG. 418 00:17:25,790 --> 00:17:28,580 WHO SAID YOU COULD DO THAT? SHE DID. 419 00:17:28,580 --> 00:17:32,000 IS THAT RIGHT? DAMIAN, THESE MEN ARE TRAINED PROFESSIONALS. 420 00:17:32,000 --> 00:17:34,000 I THINK THEY KNOW WHAT THEY'RE DOING. YOU DO? 421 00:17:34,000 --> 00:17:36,080 YES, I DO. IT'S IMPORTANT TO TRUST OTHER PEOPLE SOMETIMES. 422 00:17:36,080 --> 00:17:38,500 YEAH? WELL, TRUST ME, I DON'T LIKE THIS ONE SINGLE BIT. 423 00:17:38,500 --> 00:17:41,000 WELL, I THINK YOU'RE GONNA LIKE IT TOMORROW NIGHT 424 00:17:41,000 --> 00:17:43,080 WHEN YOU'RE DRINKING ICE-COLD VODKA. 425 00:17:43,080 --> 00:17:44,880 TURN 'EM ON. 426 00:17:44,880 --> 00:17:47,080 YEAH, YEAH, I GOT IT. DOES THAT WORK? 427 00:17:49,330 --> 00:17:51,830 OH, NO. YOU GOTTA BE KIDDING. 428 00:17:51,830 --> 00:17:53,420 LISTEN, I GOT A PROBLEM. 429 00:17:53,420 --> 00:17:55,040 WHATEVER YOU NEED, RAY. 430 00:17:55,040 --> 00:17:58,330 GOOD. I NEED YOU TO PAY A VISIT TO LAURA MORGAN. 431 00:17:58,330 --> 00:18:00,420 HER HUSBAND WAS INVESTIGATING 432 00:18:00,420 --> 00:18:02,420 A CONSTRUCTION DEAL I WAS INVOLVED IN, 433 00:18:02,420 --> 00:18:05,420 AND HE HAS SOME NOTES THAT I'D LIKE YOU TO TAKE A LOOK AT. 434 00:18:05,420 --> 00:18:07,290 DID YOU ASK LAURA ABOUT THEM? 435 00:18:07,290 --> 00:18:09,920 OF COURSE. I DON'T WANT TO ASK HER TWICE. 436 00:18:09,920 --> 00:18:12,290 SO I'D LIKE YOU, IN THE MOST GRACIOUS WAY POSSIBLE, 437 00:18:12,290 --> 00:18:15,380 TO ASK HER AGAIN. OKAY, MAYBE I SHOULD READ UP ON THE DEAL 438 00:18:15,380 --> 00:18:17,000 AND JUST GET ACQUAINTED-- SHE WON'T ASK, CARLOS. 439 00:18:17,000 --> 00:18:19,460 LISTEN, YOU SEEM LIKE A NICE GUY. JUST GO TALK TO HER. 440 00:18:19,460 --> 00:18:21,460 LET HER KNOW IT'S ALL ON THE UP-AND-UP. 441 00:18:21,460 --> 00:18:24,000 I'D JUST FEEL MORE COMFORTABLE IF I HAD SOME MORE INFORMATION. 442 00:18:24,000 --> 00:18:26,000 I UNDERSTAND. I'D BE MORE COMFORTABLE 443 00:18:26,000 --> 00:18:28,080 IF I WAS GETTING A MASSAGE RIGHT NOW, BUT I'M NOT. 444 00:18:28,080 --> 00:18:30,420 FIRST I NEED THIS DONE. 445 00:18:30,420 --> 00:18:33,040 THERE'S A REASON PEOPLE TELL LAWYER JOKES, CARLOS. 446 00:18:33,040 --> 00:18:38,210 TELL HER WHATEVER YOU GOT TO, JUST GET WHAT I ASKED. 447 00:18:38,210 --> 00:18:39,830 NEXT. 448 00:18:46,750 --> 00:18:48,750 YOU'RE NEVER GONNA GET YOUR CAR BACK. 449 00:18:48,750 --> 00:18:50,380 YOU KNOW THAT, RIGHT? 450 00:18:50,380 --> 00:18:52,290 C-2-43... 451 00:18:52,290 --> 00:18:54,290 YOU DON'T HAVE A CAR? MOPED. 452 00:18:54,290 --> 00:18:56,380 MY MOPED GOT TOWED. 453 00:18:56,380 --> 00:18:59,170 HOW DO YOU TOW A MOPED? THEY CARRY IT AWAY, I GUESS. 454 00:18:59,170 --> 00:19:00,420 HMM. 455 00:19:00,420 --> 00:19:03,750 I GOT IT WHEN I QUIT MY JOB. I JUST NEEDED TO BE FREE. 456 00:19:03,750 --> 00:19:05,830 WIND IN MY HAIR, YOU KNOW? 457 00:19:05,830 --> 00:19:07,420 YES, I DO. 458 00:19:07,420 --> 00:19:09,330 THIS CITY'S THE WORST. 459 00:19:09,330 --> 00:19:12,210 EVERY TIME YOU THINK YOU GOT ONE INCH, IT SMACKS YOU DOWN. 460 00:19:12,210 --> 00:19:14,460 SOMEONE COULD'VE EASILY PUT A QUARTER IN MY METER, 461 00:19:14,460 --> 00:19:16,460 SAVED MY DAY, SAVED MY ASS. 462 00:19:16,460 --> 00:19:19,880 BUT NO, THEY JUST KEEP WALKING, JUST KEEP WALKING. 463 00:19:19,880 --> 00:19:23,290 I JUST FEEL LONELY. IT'S A LONELY CITY. 464 00:19:23,290 --> 00:19:25,960 NOT HERE AT THE IMPOUND LOT. 465 00:19:27,120 --> 00:19:29,170 I'M STEVEN. 466 00:19:29,170 --> 00:19:30,710 EDIE CAMBRIDGE? OH, YAY. THAT'S ME. 467 00:19:30,710 --> 00:19:32,250 ALL RIGHT. 468 00:19:32,250 --> 00:19:34,960 IT'S NICE TO MEET YOU, STEVEN. NICE TO MEET YOU, EDIE. 469 00:19:34,960 --> 00:19:36,290 GOOD LUCK. 470 00:19:37,500 --> 00:19:39,120 MAKING FRIENDS? 471 00:19:39,120 --> 00:19:42,120 I'LL TAKE IT WHERE I CAN GET IT. 472 00:19:42,120 --> 00:19:43,750 YOU'RE HAVING FUN. 473 00:19:43,750 --> 00:19:45,500 OH, I LIKE PEOPLE. 474 00:19:45,500 --> 00:19:47,420 NO, YOU DON'T. NO, I DON'T. 475 00:19:50,750 --> 00:19:52,750 STEVEN CASEMAN? AHH. 476 00:19:54,380 --> 00:19:57,330 WE STILL NEED TO GET TO THE LAB, RUSH THE FILM, EDIT SELECTS. 477 00:19:57,330 --> 00:19:59,920 WE'RE GONNA BE UP ALL NIGHT. YEAH, WE'LL GET IT DONE. 478 00:19:59,920 --> 00:20:01,330 HELLO. 479 00:20:01,330 --> 00:20:04,040 Um, what are you doing? Can I see you? 480 00:20:04,040 --> 00:20:06,040 I'VE--I HAVE HAD THE WORST DAY, STEVEN. 481 00:20:06,040 --> 00:20:07,290 YOU WON'T BELIEVE IT. 482 00:20:07,290 --> 00:20:10,250 WHAT HAPPENED? I'll tell you when I see you. 483 00:20:10,250 --> 00:20:12,040 I KNOW IT'S KIND OF BREAKING THE RULES, 484 00:20:12,040 --> 00:20:14,710 but, um, do you want to come over to my house? 485 00:20:14,710 --> 00:20:16,710 WHAT-- UH, YOUR PLACE, REALLY? 486 00:20:16,710 --> 00:20:18,710 WOW. I'D LOVE TO, BUT, YOU KNOW, 487 00:20:18,710 --> 00:20:20,710 I'VE BEEN SHOOTING THIS THING FOR RAY, 488 00:20:20,710 --> 00:20:22,960 AND I HAVE TO WORK ALL NIGHT. OH. 489 00:20:22,960 --> 00:20:26,120 BUT DEPENDING ON WHAT HAPPENS, YOU WANT ME TO CALL YOU LATER? NO. THAT'S OKAY. ANOTHER TIME. 490 00:20:26,120 --> 00:20:28,120 YOU SURE? GOOD LUCK TONIGHT. 491 00:20:28,120 --> 00:20:30,290 Okay. Bye-bye. 492 00:20:30,290 --> 00:20:32,290 THANK YOU VERY MUCH. 493 00:20:42,670 --> 00:20:44,290 HEY. 494 00:20:44,290 --> 00:20:47,710 IT'S ALL OVER THE NEWS. 495 00:20:47,710 --> 00:20:52,080 YEAH. I SAW. 496 00:20:52,080 --> 00:20:54,210 ARE YOU ALL RIGHT? 497 00:20:54,210 --> 00:20:58,170 I DON'T KNOW WHAT TO DO, CARLOS. 498 00:21:00,210 --> 00:21:02,920 I DON'T KNOW WHERE TO GO. 499 00:21:15,330 --> 00:21:18,330 YOU SURE YOU DON'T WANT TO SLEEP IN ANYA'S ROOM? 500 00:21:18,330 --> 00:21:19,920 SHE'S AT HER BOYFRIEND'S. 501 00:21:19,920 --> 00:21:21,920 NO, IT'S FINE. IT'S JUST FOR A NIGHT. 502 00:21:26,210 --> 00:21:28,170 WHERE ARE YOU GONNA GO? 503 00:21:28,170 --> 00:21:29,540 I DON'T KNOW. 504 00:21:29,540 --> 00:21:32,420 THIS BOOK THING, IT'S A SPECTACLE. 505 00:21:32,420 --> 00:21:34,540 EVERYTHING'S GONNA COME OUT-- 506 00:21:34,540 --> 00:21:36,620 WHO I WAS... 507 00:21:36,620 --> 00:21:38,580 THE LIES I'VE TOLD... 508 00:21:38,580 --> 00:21:40,250 TO EVERYONE... 509 00:21:40,250 --> 00:21:42,040 EXCEPT YOU. 510 00:21:42,040 --> 00:21:44,040 YOU COULD TALK TO LAURA. 511 00:21:44,040 --> 00:21:46,120 I CAN'T. SHE'S GONNA HATE ME WHEN SHE FINDS OUT. 512 00:21:46,120 --> 00:21:48,880 YOU DON'T KNOW THAT. I REMEMBER WHEN WE FIRST MET-- 513 00:21:48,880 --> 00:21:50,250 I APOLOGIZED FOR THAT. 514 00:21:50,250 --> 00:21:52,250 AND I'M OVER IT. 515 00:21:52,250 --> 00:21:55,250 LOOK, WHOEVER YOU WERE WHEN YOU FIRST GOT HERE, 516 00:21:55,250 --> 00:21:58,920 YOU'VE CHANGED. 517 00:21:58,920 --> 00:22:00,750 THAT'S GOTTA COUNT FOR SOMETHING. 518 00:22:00,750 --> 00:22:03,080 ♪♪♪ 519 00:22:03,080 --> 00:22:05,080 YOU'RE ALWAYS HERE FOR ME. 520 00:22:05,080 --> 00:22:07,080 I'M A GLUTTON FOR PUNISHMENT. 521 00:22:07,080 --> 00:22:11,170 ♪ WE FELT THE WEIGHT ♪ 522 00:22:11,170 --> 00:22:14,880 YOU KNOW... 523 00:22:14,880 --> 00:22:16,750 MY BIGGEST MISTAKE? 524 00:22:16,750 --> 00:22:19,170 ♪ ...WITH THE TWIST OF FATE ♪ 525 00:22:19,170 --> 00:22:21,250 PUSHING YOU AWAY. 526 00:22:21,250 --> 00:22:23,580 ♪♪♪ 527 00:22:23,580 --> 00:22:25,790 ♪ TIME IS RUNNING OUT ♪ 528 00:22:25,790 --> 00:22:30,000 ♪ OUR WORK HERE IS DONE ♪ 529 00:22:32,210 --> 00:22:35,620 ♪ BUT NOW THERE AIN'T NO DOUBT ♪ 530 00:22:35,620 --> 00:22:41,620 ♪ THAT YOU'RE THE ONE ♪ 531 00:22:42,120 --> 00:22:46,960 ♪ TAKE ME WITH YOU ♪ 532 00:22:46,960 --> 00:22:51,620 ♪ I WANNA BE THERE, TOO ♪ 533 00:22:51,620 --> 00:22:53,000 THAT... 534 00:22:53,000 --> 00:22:54,620 TRY THAT ONE. 535 00:22:54,620 --> 00:22:56,000 THAT'S, UH... 536 00:22:56,000 --> 00:22:58,210 HMM. HUH? 537 00:22:58,210 --> 00:23:01,290 DON'T BE MAD. I JUST THINK IT'S A LITTLE TOO WIDE. 538 00:23:01,290 --> 00:23:03,250 YEAH. LEAVES ROOM FOR HIS EGO. 539 00:23:03,250 --> 00:23:04,880 WHY WOULD I BE MAD? 540 00:23:04,880 --> 00:23:07,250 IF I WAS MAD, I'D BE POLITE TO YOU. 541 00:23:07,250 --> 00:23:08,880 WE'RE BACK TO THAT ONE. 542 00:23:08,880 --> 00:23:12,920 THAT'S--NO. THAT ONE? NO. 543 00:23:12,920 --> 00:23:15,000 THAT'S IT. 544 00:23:15,000 --> 00:23:16,380 YEAH? THAT'S THE ONE. 545 00:23:16,380 --> 00:23:18,000 YOU THINK? MM-HMM. 546 00:23:18,000 --> 00:23:19,380 CIRCLE IT. 547 00:23:19,380 --> 00:23:21,000 ♪♪♪ 548 00:23:21,000 --> 00:23:22,380 WE GOT THAT DONE. 549 00:23:22,380 --> 00:23:23,790 YEP. 550 00:23:23,790 --> 00:23:25,750 AND IT'S JUST... WHAT TIME IS IT? 551 00:23:25,750 --> 00:23:27,120 I DON'T KNOW. 552 00:23:27,120 --> 00:23:29,120 I'M SORRY TODAY WAS SO CRAZY. 553 00:23:29,120 --> 00:23:31,290 WHEN I'M WITH YOU, NOTHING GOES AS PLANNED. 554 00:23:31,290 --> 00:23:32,920 YEAH, WELL, THAT'S MY CHARM. 555 00:23:32,920 --> 00:23:35,580 WHY DOES IT NEVER SEEM TO BOTHER ME? 556 00:23:35,580 --> 00:23:37,710 BECAUSE I'VE TOTALLY WORN YOU DOWN. 557 00:23:37,710 --> 00:23:39,710 THAT'S YOUR-- YOU'RE TAKING THAT. THAT'S NOT IT. 558 00:23:39,710 --> 00:23:42,040 TAKING YOUR PENCIL. I'VE GOT MINE. YOU-- 559 00:23:42,040 --> 00:23:45,710 ♪♪♪ 560 00:23:45,710 --> 00:23:50,000 ♪ TAKE ME WITH YOU ♪ 561 00:23:51,210 --> 00:23:55,830 ♪ I WANNA SEE YOU ♪ 562 00:23:55,830 --> 00:23:58,120 IT'S NOT YOU. I... 563 00:23:59,880 --> 00:24:02,330 I'M, UH... 564 00:24:02,330 --> 00:24:04,620 WHITNEY, I'M WITH LAURA. 565 00:24:04,620 --> 00:24:08,000 ♪ TAKE ME WITH YOU ♪ 566 00:24:08,000 --> 00:24:11,040 LAURA AND I ARE TOGETHER. 567 00:24:13,420 --> 00:24:16,420 I DON'T WANT TO CALL A SERVICE. 568 00:24:16,420 --> 00:24:18,420 ELIZA WAS REALLY ATTACHED TO CLAIRE, 569 00:24:18,420 --> 00:24:20,420 AND I NEED SOMEBODY SPECIAL. 570 00:24:20,420 --> 00:24:22,830 UH... OH, CAN I CALL YOU RIGHT BACK? 571 00:24:22,830 --> 00:24:23,880 OKAY. 572 00:24:25,620 --> 00:24:28,620 HOW COULD YOU NOT TELL ME ABOUT YOU AND STEVEN? 573 00:24:28,620 --> 00:24:29,790 WHAT? 574 00:24:29,790 --> 00:24:31,920 YOU SAID NOTHING WAS HAPPENING. 575 00:24:31,920 --> 00:24:34,040 WELL, WAIT, HANG ON. 576 00:24:34,040 --> 00:24:36,040 DID STEVEN TELL YOU? 577 00:24:36,040 --> 00:24:37,500 YES. WHY DIDN'T YOU TELL ME? 578 00:24:37,500 --> 00:24:39,500 WHEN--WHEN-- WHEN DID THIS COME UP? 579 00:24:39,500 --> 00:24:42,000 WE WERE WORKING LAST NIGHT, AND IT JUST CAME UP. 580 00:24:42,000 --> 00:24:44,960 YOU AND STEVEN WERE WORKING TOGETHER LAST NIGHT? 581 00:24:44,960 --> 00:24:46,960 YES. LAURA, YOU AND I ARE FRIENDS. 582 00:24:46,960 --> 00:24:49,500 WHY WOULD YOU KEEP THIS A SECRET? 583 00:24:49,500 --> 00:24:51,790 BECAUSE EVERY TIME I-I TALK TO YOU ABOUT HIM, 584 00:24:51,790 --> 00:24:54,830 I GET THIS WEIRD FEELING THAT YOU'RE INTERESTED IN HIM. I'M NOT. 585 00:24:54,830 --> 00:24:58,540 YOU KEEP SAYING THAT. LAURA, I'M NOT. I'M GOING ON VACATION WITH RAY TOMORROW. 586 00:24:58,540 --> 00:25:01,000 THEN WHAT ARE YOU SO UPSET ABOUT? 587 00:25:03,830 --> 00:25:07,580 I JUST WISH I HAD KNOWN. 588 00:25:10,580 --> 00:25:12,290 POWER'S BACK ON. 589 00:25:12,290 --> 00:25:14,290 THANK YOU. THAT'S GREAT. NOT EXACTLY. 590 00:25:14,290 --> 00:25:16,290 YOU SEE, WHEN YOU PLUGGED THESE FREEZER PLATES 591 00:25:16,290 --> 00:25:18,290 INTO THE 220-VOLT, YOU WERE ALREADY RUNNING 592 00:25:18,290 --> 00:25:20,290 A HYDRAULIC PUMP OUTTA THE BATHROOM, 593 00:25:20,290 --> 00:25:22,290 WHICH IS TIED TO THE ELEVATOR LINE. 594 00:25:22,290 --> 00:25:24,830 THE ELEVATOR MOTOR GIVES OFF A LOT OF HEAT. 595 00:25:24,830 --> 00:25:26,580 THE A.C. KICKS IN TO COMPENSATE--BA-BOOM. 596 00:25:26,580 --> 00:25:28,580 YOU TRIP THE WHOLE TRANSFORMER. UH, SO YOUR POINT IS? 597 00:25:28,580 --> 00:25:31,330 BASICALLY, AN IMPOSSIBLE CONFLUENCE OF ELECTRICAL EVENTS 598 00:25:31,330 --> 00:25:33,330 HAS EXPOSED A SERIOUS FLAW 599 00:25:33,330 --> 00:25:35,380 IN THE POWER GRID OF YOUR BUILDING. 600 00:25:35,380 --> 00:25:37,380 I'M GONNA HAVE TO RESCIND YOUR C-OF-O. 601 00:25:37,380 --> 00:25:39,830 WE CAN'T OPEN THIS PLACE FOR BUSINESS 602 00:25:39,830 --> 00:25:42,420 UNTIL YOU GET THAT TRANSFORMER UP TO CODE. W 603 00:25:42,420 --> 00:25:45,040 WE HAVE 250 PARTY PEOPLE COMING HERE IN 12 HOURS. 604 00:25:45,040 --> 00:25:46,670 HEY, I'M SORRY. 605 00:25:46,670 --> 00:25:48,670 I TOLD YOU. I TOLD YOU! 606 00:25:48,670 --> 00:25:50,580 WHAT? NOT TO MESS WITH THE POWER. 607 00:25:50,580 --> 00:25:53,420 I'M DOING YOU A FAVOR. HOW IS THAT A FAVOR? 608 00:25:53,420 --> 00:25:55,790 "AN IMPOSSIBLE CONFLUENCE OF ELECTRICAL EVENTS"? 609 00:25:55,790 --> 00:25:57,540 IT'S SYZYGY. SYZZA WHAT? 610 00:25:57,540 --> 00:26:00,330 THE THIS, THE THAT, THE BA-BOOM--IT'S MEANT TO BE. 611 00:26:00,330 --> 00:26:02,330 IF THIS DIDN'T HAPPEN TODAY, THIS MIGHT HAVE HAPPENED 612 00:26:02,330 --> 00:26:04,880 ON THE BUSIEST DAY OF BUSINESS, AND THEN WHERE WOULD YOU BE? 613 00:26:04,880 --> 00:26:06,250 ARE YOU OUT OF YOUR MIND? HMM? 614 00:26:06,250 --> 00:26:08,250 'CAUSE IF THIS PARTY DOESN'T GO DOWN, WE'RE DONE. 615 00:26:08,250 --> 00:26:10,460 NO JOB, FOR ME OR FOR YOU. 616 00:26:10,460 --> 00:26:12,620 PLEASE TELL ME HOW THAT'S MEANT TO BE. 617 00:26:12,620 --> 00:26:14,670 SYZYGY. STOP SAYING THAT. 618 00:26:18,830 --> 00:26:20,250 HELLO. 619 00:26:20,250 --> 00:26:23,250 I'm thinking of wearing a tie tonight. 620 00:26:23,250 --> 00:26:25,620 OKAY. 621 00:26:25,620 --> 00:26:29,960 SOMETHING TO MATCH MY 10-GALLON COWBOY HAT. 622 00:26:31,460 --> 00:26:32,880 HELLO? 623 00:26:32,880 --> 00:26:35,830 HEY. SOMETHING WRONG? 624 00:26:35,830 --> 00:26:37,330 UM... 625 00:26:37,330 --> 00:26:39,290 UH, I DON'T KNOW. UH, MAYBE. 626 00:26:39,290 --> 00:26:42,080 UM... 627 00:26:42,080 --> 00:26:43,750 WHY DID YOU TELL WHITNEY? 628 00:26:43,750 --> 00:26:46,750 ABOUT? ABOUT US. 629 00:26:46,750 --> 00:26:49,790 I-I DON'T EVEN KNOW WHY WE'RE HIDING IT, LAURA. 630 00:26:49,790 --> 00:26:51,670 I-I mean, I'm trying to imagine 631 00:26:51,670 --> 00:26:53,750 HOW THIS CONVERSATION EVEN CAME UP. 632 00:26:53,750 --> 00:26:57,540 WE WERE WORKING. You never told me you were working with her. 633 00:26:57,540 --> 00:27:00,540 I DIDN'T NOT TELL YOU. IT JUST DIDN'T COME UP. 634 00:27:00,540 --> 00:27:01,920 I-- Didn't come up, huh? 635 00:27:01,920 --> 00:27:04,790 I really want to trust you, Steven. 636 00:27:04,790 --> 00:27:06,380 YOU CAN, BABE. No. 637 00:27:06,380 --> 00:27:07,750 YOU DON'T UNDERSTAND. 638 00:27:07,750 --> 00:27:10,380 I'M JUST GETTING BACK ON MY FEET AGAIN. 639 00:27:10,380 --> 00:27:12,420 I CAN'T GET HURT. 640 00:27:12,420 --> 00:27:16,250 I'M JUST NOT READY TO DO THIS. 641 00:27:16,250 --> 00:27:18,960 I'm gonna see you tonight. 642 00:27:18,960 --> 00:27:22,460 LET'S BE WHAT EVERYONE THINKS WE ARE... 643 00:27:22,460 --> 00:27:23,830 FRIENDS. 644 00:27:23,830 --> 00:27:25,460 LAURA. LAURA. 645 00:27:43,750 --> 00:27:46,790 HEY, RAY. 646 00:27:46,790 --> 00:27:48,170 EVERYTHING OKAY? 647 00:27:48,170 --> 00:27:49,830 OF COURSE. 648 00:27:49,830 --> 00:27:52,830 I ALWAYS GET A LITTLE NERVOUS BEFORE A BIG PARTY. 649 00:27:52,830 --> 00:27:54,210 OH. 650 00:27:54,210 --> 00:27:57,210 WE ALL SET FOR TONIGHT? 651 00:27:57,210 --> 00:27:59,790 UH... ABSOLUTELY. 652 00:27:59,790 --> 00:28:03,080 YEAH. DON'T, UM, DON'T WORRY ABOUT A THING. 653 00:28:06,250 --> 00:28:09,250 WHAT'D HE SAY? I DIDN'T TELL HIM. 654 00:28:09,250 --> 00:28:12,250 DAMIAN, THEN I HAVE TO TELL WHITNEY. NO. YOU'RE NOT CALLING ANYBODY. 655 00:28:12,250 --> 00:28:14,250 LOOK, WE ARE NOT CANCELING THIS THING. 656 00:28:14,250 --> 00:28:16,250 YOU SAID YOU FOUND A CIRCUIT BREAKER. 657 00:28:16,250 --> 00:28:18,210 BUT I DON'T HAVE ANYONE TO INSTALL IT. 658 00:28:18,210 --> 00:28:20,210 WE'VE CALLED EVERYONE IN THE PHONE BOOK. 659 00:28:20,210 --> 00:28:21,830 I GOT A GUY. WHERE? 660 00:28:21,830 --> 00:28:23,790 HE'S IN CHERRY HILL, NEW JERSEY. THAT'S NEAR PHILADELPHIA. 661 00:28:23,790 --> 00:28:25,790 WELL, THEN YOU BETTER HOPE THAT THERE'S NO TRAFFIC. 662 00:28:25,790 --> 00:28:28,960 LOOK, WE ARE NOT GIVING UP ON THIS THING. 663 00:28:28,960 --> 00:28:30,960 WE BOTH WORKED TOO HARD TO GET HERE. 664 00:28:30,960 --> 00:28:32,580 SO YOU'RE GONNA GO, 665 00:28:32,580 --> 00:28:35,670 GET DRESSED AND COME BACK HERE AS FAST AS YOU CAN. 666 00:28:35,670 --> 00:28:38,250 'CAUSE SOMEHOW, SOME WAY, WE'RE GONNA MAKE THIS PARTY HAPPEN. 667 00:28:38,250 --> 00:28:39,620 YOU'RE MY HERO. 668 00:28:41,830 --> 00:28:43,620 RAY PUT ME ON IT. 669 00:28:43,620 --> 00:28:46,710 HE WAS WONDERING IF YOU HAD A CHANCE 670 00:28:46,710 --> 00:28:48,710 TO LOOK AT YOUR LATE HUSBAND'S FILES, 671 00:28:48,710 --> 00:28:50,620 WITH REGARDS TO THE HAVILAND DEAL. 672 00:28:50,620 --> 00:28:53,000 I FOUND HIS OLD LAPTOP, I OPENED IT UP, 673 00:28:53,000 --> 00:28:55,790 I SAW HIS OLD SCREENSAVER, AND I... 674 00:28:55,790 --> 00:28:57,420 CLOSED IT BACK UP AGAIN. 675 00:28:58,500 --> 00:29:00,540 I MEAN, I-I FEEL I SHOULD GO THROUGH IT. 676 00:29:00,540 --> 00:29:01,920 UH, YOU KNOW, 677 00:29:01,920 --> 00:29:04,540 IF THERE'S SOMETHING WRONG, I WANT TO KNOW. 678 00:29:04,540 --> 00:29:05,920 IT'S JUST HARD. 679 00:29:05,920 --> 00:29:09,580 I COMPLETELY UNDERSTAND. I KNOW IT MUST BE DIFFICULT. 680 00:29:13,330 --> 00:29:15,330 BUT THAT'S WHY YOU HAVE US. 681 00:29:15,330 --> 00:29:17,330 WE CAN GO THROUGH IT FOR YOU 682 00:29:17,330 --> 00:29:19,330 AND TELL YOU EXACTLY WHAT'S THERE. 683 00:29:19,330 --> 00:29:23,380 GOD. OF ALL THE WEEKS TO HAVE TO DEAL WITH THIS... 684 00:29:23,380 --> 00:29:25,920 HAVE YOU HEARD ANYTHING FROM, UH, 685 00:29:25,920 --> 00:29:28,500 WELL, I-I GUESS HER NAME IS MAE? 686 00:29:28,500 --> 00:29:30,620 YEAH, YEAH. ACTUALLY, I HAVE. 687 00:29:30,620 --> 00:29:32,460 IS SHE OKAY? 688 00:29:32,460 --> 00:29:34,460 YEAH, WELL, YOU KNOW, SHE FEELS TERRIBLE 689 00:29:34,460 --> 00:29:36,460 ABOUT LEAVING YOU IN A LURCH. 690 00:29:36,460 --> 00:29:37,830 'CAUSE SHE DIDN'T EVEN EXPLAIN. 691 00:29:37,830 --> 00:29:39,620 WELL, MAE'S BEEN THROUGH A LOT. 692 00:29:39,620 --> 00:29:41,580 I KNOW SHE LOVES YOUR DAUGHTER VERY MUCH 693 00:29:41,580 --> 00:29:43,580 AND NEVER WANTED TO HURT YOU. 694 00:29:43,580 --> 00:29:45,210 THAT'S FOR SURE. 695 00:29:45,210 --> 00:29:48,210 BUT, YOU KNOW, SOMETIMES SITUATIONS ARISE FOR ALL OF US 696 00:29:48,210 --> 00:29:51,580 WHERE... THERE ISN'T A CLEAR ANSWER. 697 00:29:54,080 --> 00:29:55,920 YEAH. 698 00:29:57,580 --> 00:30:01,580 DAVID'S LAPTOP IS UPSTAIRS. I CAN--I CAN GET IT FOR YOU. 699 00:30:01,580 --> 00:30:03,250 ARE YOU SURE? 700 00:30:03,250 --> 00:30:07,000 I MEAN, IF YOU THINK THAT'S BEST. 701 00:30:07,000 --> 00:30:09,880 I DON'T KNOW IF I TRUST RAY JONES. 702 00:30:09,880 --> 00:30:11,710 BUT I DO TRUST YOU. 703 00:30:28,330 --> 00:30:30,080 IT'S DAVID MORGAN'S. 704 00:30:31,920 --> 00:30:34,880 GREAT JOB, CARLOS. 705 00:30:34,880 --> 00:30:36,880 WANT TO COME IN AND HAVE A DRINK? 706 00:30:36,880 --> 00:30:38,920 NO. ALL RIGHT. WE'LL CELEBRATE TONIGHT. 707 00:30:38,920 --> 00:30:41,540 YOU'RE COMING, RIGHT? WOULDN'T MISS IT. 708 00:30:41,540 --> 00:30:43,580 HEY... 709 00:30:43,580 --> 00:30:46,170 YOU'RE GONNA MAKE A HELL OF A LAWYER. 710 00:30:50,500 --> 00:30:54,330 OH! LOOK, LOOK, I GOTTA KNOW IF THIS IS GONNA WORK 711 00:30:54,330 --> 00:30:56,330 OR IF I NEED TO CANCEL THIS PARTY. 712 00:30:56,330 --> 00:30:58,830 OH, MAN. OH, MAN NO. WHAT NOW? 713 00:30:58,830 --> 00:31:01,040 I'M OUT OF SOLDER. YOU--YOU GOTTA BE KIDDING ME. 714 00:31:01,040 --> 00:31:03,880 NO. LISTEN, UH, I CAN BE BACK IN AN HOUR. 715 00:31:03,880 --> 00:31:06,750 NO. NO, NO, NO, NO, NO, NO. THERE IS NOT ENOUGH TIME. 716 00:31:06,750 --> 00:31:09,420 UH, IS THERE SOMETHING ELSE WE CAN DO? NOT REALLY, MAN. 717 00:31:09,420 --> 00:31:11,380 DON'T TELL ME "NOT REALLY." DON'T TELL ME "NO." 718 00:31:11,380 --> 00:31:13,960 THERE HAS GOTTA BE A WAY. THERE IS ALWAYS A WAY. 719 00:31:13,960 --> 00:31:15,960 THERE'S GOTTA BE SOMETHING ELSE WE CAN USE. 720 00:31:15,960 --> 00:31:17,790 LET'S PUT OUR COLLECTIVE MINDS TOGETHER 721 00:31:17,790 --> 00:31:19,580 AND THINK OF SOMETHING RIGHT NOW. 722 00:31:19,580 --> 00:31:21,750 WELL, ANY METAL WITH HIGH CONDUCTIVITY WILL WORK. 723 00:31:21,750 --> 00:31:24,710 UH, YOU GOT YOUR GRANDMOTHER'S SILVER SET SITTING AROUND? 724 00:31:31,170 --> 00:31:32,540 HEY. 725 00:31:32,540 --> 00:31:33,880 HI. 726 00:31:37,330 --> 00:31:39,330 I THOUGHT YOU MIGHT COME WITH ME TONIGHT. 727 00:31:39,330 --> 00:31:41,120 I'D LOVE TO. 728 00:31:41,120 --> 00:31:43,500 LAURA'S GONNA BE THERE. 729 00:31:45,750 --> 00:31:47,750 I'M GONNA LEAVE IN THE MORNING. 730 00:31:47,750 --> 00:31:50,250 RIGHT. 731 00:31:55,460 --> 00:31:57,500 WHAT ABOUT US? 732 00:32:00,920 --> 00:32:02,540 I DON'T-- 733 00:32:02,540 --> 00:32:04,540 I DON'T KNOW WHERE I AM RIGHT NOW, CARLOS. I-- 734 00:32:04,540 --> 00:32:06,540 THAT'S GREAT. 735 00:32:06,540 --> 00:32:08,670 GREAT 736 00:32:08,670 --> 00:32:10,880 NO, IT'S GREAT. JUST, UH, RUN AWAY. IT'S EASIER. 737 00:32:10,880 --> 00:32:13,670 IT'S NOT LIKE I WANT TO. THIS IS-- 738 00:32:13,670 --> 00:32:16,040 JUST RUN AWAY LIKE YOUR MOM DID. 739 00:32:18,460 --> 00:32:21,920 I'M SORRY. I JUST-- I DIDN'T MEAN TO-- 740 00:32:21,920 --> 00:32:24,460 IT'S OKAY. 741 00:32:39,000 --> 00:32:41,080 WHAT ARE YOU DOING HERE? 742 00:32:41,080 --> 00:32:43,080 YOU HAVE TO GET DRESSED. YOU HAVE TO PACK. 743 00:32:43,080 --> 00:32:44,710 I CAN'T GET DRESSED. I CAN'T PACK. 744 00:32:44,710 --> 00:32:47,420 I DON'T KNOW WHAT I'M DOING. 745 00:32:47,420 --> 00:32:49,420 YOU ALWAYS KNOW WHAT YOU'RE DOING. 746 00:32:49,420 --> 00:32:52,330 NO. I FEEL COMPLETELY OUT OF CONTROL. 747 00:32:52,330 --> 00:32:55,040 I MEAN, IF WE TAKE YOUR WHOLE ECLIPSE THING, 748 00:32:55,040 --> 00:32:58,540 THEN THE PLANETS ALIGNED TO PUT ME IN THAT IMPOUND LOT 749 00:32:58,540 --> 00:33:01,540 ON A DAY WHEN I HAD A MILLION THINGS TO DO 750 00:33:01,540 --> 00:33:04,960 WITH A MAN I HAVE NO BUSINESS BEING WITH 751 00:33:04,960 --> 00:33:07,210 TO... REMIND ME THAT 752 00:33:07,210 --> 00:33:09,580 THAT'S THE WAY THINGS ARE SUPPOSED TO HAPPEN. 753 00:33:09,580 --> 00:33:11,170 YOU CAN'T PLAN THEM, 754 00:33:11,170 --> 00:33:13,170 AND IT'S NOT ALWAYS AT THE RIGHT TIME, 755 00:33:13,170 --> 00:33:16,960 BUT YOU CAN'T... DENY THE WAY IT FEELS. 756 00:33:16,960 --> 00:33:19,880 ARE YOU SAYING WHAT I THINK YOU'RE SAYING? 757 00:33:19,880 --> 00:33:22,500 I DON'T KNOW WHAT I'M SAYING. I JUST... 758 00:33:22,500 --> 00:33:26,290 I'M READY TO BE IN A RELATIONSHIP AGAIN. 759 00:33:26,290 --> 00:33:27,920 WITH STEVEN. 760 00:33:27,920 --> 00:33:30,500 HE'S WITH SOMEONE ELSE, 761 00:33:30,500 --> 00:33:34,120 SOMEONE I REALLY... DON'T WANT TO HURT. 762 00:33:34,120 --> 00:33:36,250 IF IT'S REALLY RIGHT... 763 00:33:36,250 --> 00:33:38,000 YOU HAVE TO TELL HIM. 764 00:33:53,380 --> 00:33:57,500 (instrumental jazz music playing) 765 00:33:59,830 --> 00:34:02,330 HANG ON. YOU HAVEN'T SAID A WORD THE WHOLE RIDE 766 00:34:02,330 --> 00:34:04,500 EXCEPT "CHEERS." 767 00:34:04,500 --> 00:34:06,290 I'M FINE. 768 00:34:10,500 --> 00:34:14,500 WE'RE NOT GOING ON VACATION, ARE WE? 769 00:34:16,420 --> 00:34:19,460 I'M SORRY. I DON'T THINK I CAN DO THIS. 770 00:34:19,460 --> 00:34:20,880 BUT YOU HAVEN'T TRIED THIS. 771 00:34:20,880 --> 00:34:22,500 I KNOW. I KNOW. 772 00:34:22,500 --> 00:34:26,290 AND I'M SORRY FOR LEADING YOU ON, RAY. 773 00:34:26,290 --> 00:34:29,290 I'VE HAD IT IN MY HEAD THAT I COULD MAKE THIS-- 774 00:34:29,290 --> 00:34:31,460 US--THE RIGHT THING RIGHT NOW, 775 00:34:31,460 --> 00:34:35,620 AND... IF I WERE TO GO AWAY AND PRETEND, 776 00:34:35,620 --> 00:34:39,330 IT WOULD BE EVEN MORE UNFAIR TO YOU. 777 00:34:43,330 --> 00:34:45,330 I'LL SEE YOU INSIDE. 778 00:34:49,880 --> 00:34:52,880 (photographers shouting indistinctly) 779 00:35:01,960 --> 00:35:03,960 HI. HEY, RAY. GOOD TO SEE YOU. 780 00:35:03,960 --> 00:35:06,710 HOW ARE YOU? HI, NICE TO MEET YOU. NICE TO SEE YOU. 781 00:35:06,710 --> 00:35:09,330 HEY, HOW ARE YOU? WANT TO TAKE A PICTURE HERE? 782 00:35:09,330 --> 00:35:11,420 ALL RIGHT. 783 00:35:11,420 --> 00:35:13,380 I'LL SEE YOU GUYS IN A BIT. 784 00:35:13,380 --> 00:35:15,290 YOU SHOULD TALK TO LAURA MORGAN. 785 00:35:15,290 --> 00:35:18,250 SHE'S--IT WAS HER INNOVATION TO INTEGRATE ALL OF IT 786 00:35:18,250 --> 00:35:20,210 INTO A DESIGN. 787 00:35:20,210 --> 00:35:22,210 WHITNEY. MELANIE. 788 00:35:22,210 --> 00:35:24,880 THE PARTY, IT'S HAPPENING. YEAH. 789 00:35:24,880 --> 00:35:26,880 DID YOU SEE IT? IT LOOKS GREAT. 790 00:35:26,880 --> 00:35:29,290 I DIDN'T DO IT ALONE. 791 00:35:29,290 --> 00:35:32,170 UM, ISN'T HE SO, UH, EXCELLENT? 792 00:35:32,170 --> 00:35:33,540 EXCUSE ME. 793 00:35:33,540 --> 00:35:36,710 ♪♪♪ 794 00:35:36,710 --> 00:35:38,330 ...INNOVATION, I THINK. HEY. 795 00:35:38,330 --> 00:35:40,290 HI. UH, CAN I SPEAK WITH YOU, PLEASE? 796 00:35:40,290 --> 00:35:42,670 IT'S REALLY QUITE IMPORTANT. 797 00:35:42,670 --> 00:35:45,000 OKAY. WILL YOU EXCUSE US FOR A SECOND? 798 00:35:45,000 --> 00:35:47,000 ACTUALLY, I JUST STARTED WORKING 799 00:35:47,000 --> 00:35:48,380 ON RAY'S ACCOUNT. 800 00:35:48,380 --> 00:35:50,960 BEEN AT THE FIRM FOR ABOUT A MONTH, AND-- CARLOS. 801 00:35:50,960 --> 00:35:53,080 HEY, LISA. 802 00:35:53,080 --> 00:35:55,380 I'VE BEEN CALLING YOU. YEAH, I KNOW. I'M SORRY. 803 00:35:55,380 --> 00:35:58,080 IT'S--IT'S BEEN KIND OF A CRAZY WEEK, 804 00:35:58,080 --> 00:36:00,290 BUT I WANT TO TALK TO YOU. I NEED TO TALK TO YOU. 805 00:36:00,290 --> 00:36:03,750 I'M IN THE MIDDLE OF, UH... CAN 806 00:36:03,750 --> 00:36:05,540 I GUESS. 807 00:36:05,540 --> 00:36:07,500 ♪♪♪ 808 00:36:09,420 --> 00:36:13,250 JUST ANYWHERE YOU CAN, OKAY? 809 00:36:13,250 --> 00:36:15,670 ♪♪♪ 810 00:36:20,040 --> 00:36:21,040 LAURA. 811 00:36:21,040 --> 00:36:23,000 HOLD ON. HOLD ON. 812 00:36:23,000 --> 00:36:25,000 NO. LET ME JUST TALK TO HER. LAURA. 813 00:36:25,000 --> 00:36:27,120 I DON'T CARE, WHITNEY. YES, YOU DO. 814 00:36:27,120 --> 00:36:29,620 I'M NOT GONNA FIGHT YOU FOR HIM. YOU DON'T HAVE TO. HE WANTS YOU. 815 00:36:29,620 --> 00:36:31,540 LOOK, ALL I WAS DOING 816 00:36:31,540 --> 00:36:33,540 WAS APOLOGIZING FOR THIS MESS. 817 00:36:33,540 --> 00:36:36,000 I MEAN... 818 00:36:36,000 --> 00:36:38,170 YES, I HAVE FEELINGS FOR HIM. 819 00:36:38,170 --> 00:36:40,670 THE OTHER NIGHT, I ACTED ON THEM-- 820 00:36:40,670 --> 00:36:42,670 WHY ARE YOU TELLING ME THIS? BECAUSE HE CHOSE YOU. 821 00:36:42,670 --> 00:36:46,290 HE DID? HE ADORES YOU, LAURA. 822 00:36:46,290 --> 00:36:48,290 AND I KNOW YOU'RE SCARED, BUT DON'T BE. 823 00:36:48,290 --> 00:36:50,330 THIS DOESN'T HAPPEN ALL THE TIME, 824 00:36:50,330 --> 00:36:53,210 BUT IT IS NOW, FOR YOU. 825 00:36:55,080 --> 00:36:58,540 AND I WOULD NEVER, EVER GET IN THE WAY OF THAT. 826 00:37:00,330 --> 00:37:02,120 YOU GONNA BE OKAY? 827 00:37:02,120 --> 00:37:06,210 I KNOW IT WILL HAPPEN FOR ME SOMEDAY. 828 00:37:06,210 --> 00:37:08,460 IT WILL. 829 00:37:11,540 --> 00:37:14,330 OKAY, THE WINNING RAFFLE TICKET IS... 830 00:37:16,120 --> 00:37:18,120 AS A KID WITH A 35-CENT ALLOWANCE 831 00:37:18,120 --> 00:37:21,040 AND THE ATTENTION SPAN OF A HUMMING BIRD, 832 00:37:21,040 --> 00:37:24,120 I COULD'VE NEVER IMAGINED A NIGHT LIKE THIS. 833 00:37:24,120 --> 00:37:26,120 AS WE GET OLDER, WE FACE THE REALITY, 834 00:37:26,120 --> 00:37:28,040 FRANKLY, THAT... 835 00:37:28,040 --> 00:37:31,080 MOST OF OUR DREAMS SLIP AWAY AT THE LAST MOMENT, 836 00:37:31,080 --> 00:37:34,080 OR WE GET THERE, WE WORK SO HARD FOR 'EM, 837 00:37:34,080 --> 00:37:36,000 BUT WHEN WE DO, WE FIND OUT 838 00:37:36,000 --> 00:37:38,750 IT'S NOT WHAT WE THOUGHT THEY'D BE. 839 00:37:38,750 --> 00:37:40,750 WHICH IS WHY TONIGHT IS SO SPECIAL. 840 00:37:40,750 --> 00:37:43,920 IT'S A RARE MOMENT WHEN A DREAM ACTUALLY DOES COME TRUE. 841 00:37:43,920 --> 00:37:48,000 MY FATHER, MAY HE REST IN PEACE, 842 00:37:48,000 --> 00:37:52,000 HE USED TO SAY A LIFE IS MEASURED... 843 00:37:52,000 --> 00:37:54,250 BY THE PEOPLE YOU BRING INTO IT. 844 00:37:54,250 --> 00:37:57,080 WELL, I'D LIKE TO TELL YOU ALL THAT FEEL INCREDIBLY BLESSED 845 00:37:57,080 --> 00:37:58,790 AND HONORED 846 00:37:58,790 --> 00:38:01,170 TO SPEND THIS EVENING WITH ALL OF YOU. 847 00:38:01,170 --> 00:38:03,920 THANK YOU. CHEERS. ENJOY. CHEERS. 848 00:38:03,920 --> 00:38:06,880 ♪♪♪ 849 00:38:06,880 --> 00:38:09,040 HEY, YOU LOST A CUFFLINK. 850 00:38:10,500 --> 00:38:12,120 YOU HAVE NICE WRISTS. 851 00:38:12,120 --> 00:38:14,120 DO YOU HAVE ANY, UH, ANY TATTOOS? 852 00:38:14,120 --> 00:38:15,250 I MIGHT. 853 00:38:15,250 --> 00:38:17,960 CAN I SEE 'EM? 854 00:38:17,960 --> 00:38:21,120 ♪♪♪ 855 00:38:21,120 --> 00:38:23,710 IT'S BEAUTIFUL, THIS PLACE. 856 00:38:23,710 --> 00:38:26,120 OH. 857 00:38:28,080 --> 00:38:29,710 PARTY'S GREAT, ISN'T IT? 858 00:38:29,710 --> 00:38:32,670 OH, YEAH. YEAH, YEAH. WE PULLED IT OFF. 859 00:38:32,670 --> 00:38:36,000 WE DID, DIDN'T WE? YES. 860 00:38:36,000 --> 00:38:38,080 HEY, YOU WANT TO GET OUTTA HERE? 861 00:38:38,080 --> 00:38:39,290 UH, YES. 862 00:38:39,290 --> 00:38:42,210 I'M ALREADY GONE. 863 00:38:42,210 --> 00:38:47,000 ♪♪♪ 864 00:38:47,000 --> 00:38:49,040 ♪ UP ALL NIGHT ♪ 865 00:38:49,040 --> 00:38:51,670 ♪ WITH AN ACHING MIND ♪ 866 00:38:51,670 --> 00:38:57,670 ♪ HAVE I TRAVELED NOW TOO FAR? ♪ 867 00:38:58,000 --> 00:39:01,120 ♪ A LITTLE LOST LIKE SOME... ♪ 868 00:39:01,120 --> 00:39:02,540 DO YOU WANT TO DANCE? 869 00:39:02,540 --> 00:39:04,210 I HAVE THREE LEFT FEET. 870 00:39:05,830 --> 00:39:07,790 I'LL TAKE THEM. 871 00:39:07,790 --> 00:39:13,620 ♪ WHEN STOLEN MOMENTS ARE ALL WE GET ♪ 872 00:39:13,620 --> 00:39:19,330 ♪ AND WITH EVERY TURN WE TAKE ♪ 873 00:39:19,330 --> 00:39:21,500 ♪ WE FIND OURSELVES ♪ 874 00:39:21,500 --> 00:39:24,250 ♪ ON AN OPEN ROAD ♪ 875 00:39:24,250 --> 00:39:30,250 ♪ ALIVE AND WIDE AWAKE ♪ 876 00:39:30,670 --> 00:39:34,620 ♪ GOOD-BYE AGAIN ♪ 877 00:39:34,620 --> 00:39:40,620 ♪ AS THE PRESENT TURNS TO PAST ♪ 878 00:39:42,790 --> 00:39:44,290 CAT'S OUT OF THE BAG. 879 00:39:44,290 --> 00:39:46,120 NO MORE SECRETS. 880 00:39:46,120 --> 00:39:48,120 ♪ 'CAUSE THE MOMENTS ♪ 881 00:39:48,120 --> 00:39:54,120 ♪ NEVER LAST ♪ 882 00:39:59,040 --> 00:40:03,710 ♪♪♪ 883 00:40:03,710 --> 00:40:07,040 RAY JONES? 884 00:40:07,040 --> 00:40:09,710 WOW. YOU HAVE THE MOST INCREDIBLE TIMING. 885 00:40:09,710 --> 00:40:13,290 GREAT PARTY, RAY. THANKS. DO I KNOW YOU? 886 00:40:13,290 --> 00:40:14,920 NOT YET. I'M DIANA VOSS 887 00:40:14,920 --> 00:40:16,790 WITH THE SECURITIES AND EXCHANGE COMMISSION. 888 00:40:16,790 --> 00:40:20,250 THIS IS OFFICIAL NOTIFICATION. YOU'RE BEING CHARGED 889 00:40:20,250 --> 00:40:22,540 WITH MISAPPROPRIATION OF GOVERNMENT FUNDS. BASED ON WHAT? 890 00:40:22,540 --> 00:40:24,500 NEW EVIDENCE ON THE HAVILAND DEAL. 891 00:40:24,500 --> 00:40:26,500 ENJOY THE PARTY. WE'LL BE TALKING. 892 00:40:41,250 --> 00:40:44,000 ♪♪♪ 893 00:40:44,000 --> 00:40:46,790 I'M GLAD TO SEE YOU. 894 00:40:46,790 --> 00:40:48,170 YOU WERE RIGHT. 895 00:40:48,170 --> 00:40:50,080 I'M NOT GONNA RUN ANYMORE. 896 00:40:50,080 --> 00:40:54,750 ♪ TO THE RIVER THAT'S RUNNING SLOW ♪ 897 00:40:54,750 --> 00:40:55,750 CHAMPAGNE? 898 00:40:55,750 --> 00:40:56,920 ♪ I'M YOUR GIRL... ♪ 899 00:40:56,920 --> 00:40:58,500 NO. CLUB SODA. 900 00:40:58,500 --> 00:40:59,880 YOU'RE BORING. 901 00:40:59,880 --> 00:41:01,500 NO, ACTUALLY. 902 00:41:01,500 --> 00:41:04,920 I'M PREGNANT. 903 00:41:04,920 --> 00:41:07,880 ♪ NO, NO, NO EASY GAME ♪ 904 00:41:07,880 --> 00:41:10,670 ♪ NO, NO, NO ♪ 905 00:41:10,670 --> 00:41:13,830 ♪ NO, NO ♪ 906 00:41:13,830 --> 00:41:16,830 ♪♪♪ 907 00:41:28,290 --> 00:41:32,960 ♪ IT TOOK A LONG TIME TO REMEMBER ♪ 908 00:41:35,460 --> 00:41:39,830 ♪ IT'D TAKE A LONG TIME TO BELIEVE ♪ 909 00:41:42,290 --> 00:41:43,920 ♪ KNEW I'D NEVER... ♪ 910 00:41:43,920 --> 00:41:46,420 HEY, I THINK IT'S THE MOON RIGHT UP THERE. 911 00:41:46,420 --> 00:41:48,210 IT'S HARD TO SEE. 912 00:41:48,210 --> 00:41:50,210 I CAN'T SEE IT. IT'S CLOUDY. 913 00:41:50,210 --> 00:41:53,710 YOU GOTTA GIVE IT A MINUTE. 914 00:41:53,710 --> 00:41:56,710 ♪♪♪ 915 00:41:58,670 --> 00:42:01,960 HEY... DO I KNOW YOU? 916 00:42:01,960 --> 00:42:03,330 NO. I-I DON'T THINK SO. 917 00:42:03,330 --> 00:42:04,960 NO, WAIT. NO, WAIT. 918 00:42:04,960 --> 00:42:07,460 I KNOW THIS IS GONNA SOUND CRAZY, 919 00:42:07,460 --> 00:42:10,830 BUT WERE YOU AT THE IMPOUND LOT IN BROOKLYN YESTERDAY? 920 00:42:10,830 --> 00:42:12,790 YES, ACTUALLY. I WAS. 921 00:42:12,790 --> 00:42:14,830 I THOUGHT SO. 922 00:42:14,830 --> 00:42:17,380 DID YOU, UH... DID YOU NOTICE ME? 923 00:42:17,380 --> 00:42:19,000 NO, I'M SORRY. 924 00:42:19,000 --> 00:42:21,380 THAT'S ALL RIGHT. UM, WOW. THAT'S WILD. 925 00:42:21,380 --> 00:42:23,000 YEAH. THAT'S REALLY GREAT. 926 00:42:23,000 --> 00:42:25,000 WELL, IT WAS NICE MEETING YOU. 927 00:42:25,000 --> 00:42:27,000 YOU, TOO. HAVE A GOOD NIGHT. 928 00:42:27,000 --> 00:42:28,830 YEAH. YEAH, YOU, TOO. 929 00:42:28,830 --> 00:42:30,620 ♪ HEY NOW ♪ 930 00:42:30,620 --> 00:42:35,210 ♪ YOU LEAVE IT UP TO ME ♪ 67499

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