Original subtitles

PREVIOUSLY ON "SIX DEGREES"... MAGGIE NEWTON-- SHE'S MY MOTHER.

WHY DID YOU WRITE THAT ERIC AND I DIED?

MY PUBLISHER CONVINCED ME IT WOULD SELL BETTER AS A MEMOIR.

YOU DON'T ACTUALLY HAVE ANY IDEA WHO I AM, DO YOU?

WHAT?

CARLOS.

PARTNERS. PARTNERS.

I DON'T THINK THIS IS GONNA WORK OUT.

COME ALONG, LAURA. ACTUALLY, I'D LIKE LAURA TO STAY.

I WANT HER TO DESIGN THE SPACE. HI, STEVEN, IT'S ME.

I'M SORRY I DIDN'T HAVE TIME FOR YOU THE OTHER DAY.

BUT I'D LOVE TO GET TOGETHER AND TALK.

SO CALL ME. BYE.

♪ GOLD DIGGERS KNOW NO RIGHT OR WRONG ♪

♪ CASH BOMB'S HALTED, SO IT'S SOUL FOR SOUL ♪

♪ BASS DRUM MADNESS ♪

♪ HITCH YOUR WAGON TO A STAR ♪

♪ SEARCH YOUR TREASURE ISLAND, STEALING NONE FOR NONE...♪

I TOLD YOU THIS WAS A BAD IDEA.

CHANGE OF VENUES. KIND OF SEXY, YOU SAID.

GO.

WE JUST CAN'T GO TO MY HOUSE, YOU KNOW,

BECAUSE OF ELIZA.

WE COULD GO TO... AN HOTEL.

WHAT, ARE WE HAVING AN AFFAIR?

IN THE OLD SENSE OF THE WORD, MAYBE.

OKAY. GO. OKAY.

OH, MY GOSH.

I THINK WE SHOULD STOP HIDING.

NO, NO. NOT...

THESE PAST FEW WEEKS HAVE BEEN SO GREAT, BUT--

BUT? WE'RE WORKING TOGETHER.

WE NEED TO KEEP THIS PROFESSIONAL.

ARE YOU LAUGHING AT ME?

NO, I'M...

YOU KNOW, THIS IS A VERY BIG DEAL FOR ME.

I KNOW. I GOT IT.

I'LL DO WHATEVER YOU SAY.

LET'S GO.

OKAY.

YOU DID A PHENOMENAL JOB WITH THIS PLACE.

DO YOU THINK?

YEAH.

CONFIRM "Money" MAGAZINE FOR WEDNESDAY,

"WALL STREET JOURNAL" FOR THURSDAY,

AND DOUBLE-CHECK THAT HE'S THE SPEAKER

AT THE YOUNG ENTREPRENEUR'S LUNCHEON AT THE YALE CLUB.

DID RAY GO TO YALE? NO. HE DIDN'T FINISH COMMUNITY COLLEGE.

YOU CAN'T SETTLE, EVER.

YOU DRIVE AN EXTRA BLOCK TO GET A BETTER CUP OF COFFEE.

IT'S NOT YOUR FIRST IDEA, IT'S YOUR 15th.

THAT WAY WHEN YOU'VE REACHED YOUR GOAL,

YOU'RE EXACTLY WHERE YOU WANT TO BE.

SEND HIM IN WHEN HE'S DONE WITH "GQ," OKAY?

IS HE BETTER THAN I WAS?

CLARK? I HAVE ASSISTANT ENVY.

YOU HAVE SO MUCH TO DO, INCLUDING A PITCH

FOR THE OPENING PARTY. I HAVE ONE.

GOOD. TELL ME OVER DINNER. LIKE A REAL BUSINESS DINNER?

YEAH. ENVY GONE.

THAT WENT GREAT. GOOD.

NO, I MEAN GREAT, ALL OF IT.

EVERY OUNCE OF PRESS WE'VE DONE. I'M EVERYWHERE, WHIT.

AND I OWE IT ALL TO YOU. "GQ" HAS TO BE TOMORROW. THE ISSUE CLOSES ON THURSDAY.

IS CASEMAN SHOOTING IT?

I TRIED, BUT HE'S BUSY. HE'S BEEN VERY, VERY BUSY.

I'LL TALK TO HIM.

OH, I GOT SOMETHING FOR YOU. WHAT?

IT'S BIGGER THAN A BREAD BOX. RAY...

LAUNCH PARTY'S THURSDAY NIGHT.

FRIDAY MORNING, I THINK YOU SHOULD TAKE OFF.

OFF? I GOT A CLIENT

WHO'S GOT A 6,000-SQUARE-FOOT VILLA IN SAINT-BARTHS.

IT COMES WITH A COOK, A MAID A MASSEUSE, FOUR POOLS,

ONE FOR EACH LIMB,

AND IT'S ALL YOURS.

I AM NOT GOING ON VACATION WITH YOU.

I'M NOT GOING ON VACATION. I COULDN'T GO EVEN IF I WANTED TO,

NOT WITH EVERYTHING THAT'S GOING ON HERE.

IT'S JUST FOR YOU. NO STRINGS ATTACHED. NONE?

ZERO. DO I KNOW YOU?

SO BRING A GOOD BOOK, RELAX, SLEEP, DREAM, SNORKEL.

DO YOURSELF A FAVOR. YOU DESERVE IT.

RAY...

THAT'S VERY GENEROUS.

GET OUT YOUR TELESCOPES.

THURSDAY NIGHT IS THE FIRST TOTAL LUNAR ECLIPSE VISIBLE

FROM NEW YORK CITY IN 64 YEARS...

I JUST GOT OFF THE PHONE WITH "ARCHITECTURAL DIGEST."

WHITNEY GOT SOMEONE TO DO A BLURB ON ME.

THAT'S AMAZING. YOU WANTED A CAREER.

I KNOW. READY OR NOT, RIGHT?

RAY'S OPENING IS JUST GETTING--

WELL, MY OPENING, RIGHT?

IS GETTING SO MUCH PRESS.

WHERE DO SOCKS DISAPPEAR TO?

ONE OF LIFE'S GREAT MYSTERIES,

RIGHT UP WITH STONEHENGE. THE PUBLISHING WORLD IS ABUZZ TODAY

AS CONTROVERSY SURROUNDS BEST SELLER

"OBJECTS IN MY MIRROR." CLAIRE. OH, MY GOD. COME HERE.

IT'S--IT'S YOUR MOTHER'S BOOK.

A DISGRUNTLED TEACHING ASSISTANT HAS BROKEN

WHAT MAY BE THE LITERARY SCANDAL OF THE YEAR.

IT APPEARS THAT MAGGIE NEWTON'S BEST-SELLING MEMOIR

MAY BE A WORK OF FICTION AND ITS AUTHOR A FRAUD.

SOURCES TELL US THAT THE--

WELL...

LOOKS LIKE SHE'S GETTING WHAT SHE DESERVES.

DON'T YOU THINK?

I GOTTA RUN. ARE YOU OKAY?

FINE.

ALL RIGHT. I'LL CALL YOU LATER.

MS. MORGAN.

TED WESTON.

I'M WITH THE JUSTICE DEPARTMENT.

I THINK YOU HAVE THE WRONG PERSON. YOU'RE DAVID MORGAN'S WIDOW?

LISTEN, COULD I BUY YOU A CUP OF COFFEE?

UM, YOU KNOW, I'M-- I'M OFF CAFFEINE.

WH

LOOK, I KNOW THIS IS A SENSITIVE SUBJECT.

BUT DO YOU HAVE ANY OF YOUR HUSBAND'S OLD FILES,

HIS NOTES OR UNPUBLISHED STORIES?

DAVID--I... I DON'T UNDERSTAND--

WELL, WE ARE INVESTIGATING RAY JONES.

WHAT? YOUR HUSBAND WAS WORKING ON A STORY ABOUT

RAY'S HAVILAND CONSTRUCTION PROJECT IN DUBAI IN 2005.

WE'D LIKE TO HAVE A LOOK AT WHATEVER HE MIGHT HAVE FOUND.

YOU KNOW WHAT? YOU'RE--YOU'RE MAKING SOME KIND OF MISTAKE.

DAVID WAS NOT INVESTIGATING RAY. THEY WERE FRIENDS.

FRIENDS? WHO TOLD YOU THAT?

UH...

YOU KNOW WHAT? I-I DON'T KNOW--

I-I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

LOOK, I CAN SUBPOENA THE FILES.

WELL, MAYBE YOU SHOULD, BECAUSE I'M LATE.

HERE ARE YOUR KEYS TO YOUR OFFICE

AND THE EXECUTIVE WASHROOM.

CITY INSPECTOR CAME THROUGH, SIGNED ALL THE PERMITS.

SO WE'RE READY FOR BUSINESS. AHEAD OF SCHEDULE AND OVER BUDGET.

OH, WELL, YEAH, YOU KNOW, 'CAUSE...

GREAT JOB, DAMIAN.

HEY, I WAS PICKING UP A TIE FOR THE PARTY

AND, UH, GRABBED THESE FOR YOU.

TOKEN OF MY APPRECIATION.

HEY. WHOA.

WOW. HEY, I WAS...

HI, STEVEN. NO.

COME ON.

WHITNEY ALREADY TRIED. SHE TRIED TODAY?

SHE TRIED AN HOUR AGO.

IT'S MY PORTRAIT FOR "GQ," STEVEN. YOU GOTTA SHOOT IT.

I DON'T DO PORTRAITS, RAY.

YOU DON'T DO PORTRAITS? WHAT... WHAT ARE THESE?

THESE ARE STRANGERS. WHO'S GOT 16? OH, I GET IT. I GET IT.

YOU DON'T SHOOT PICTURES OF PEOPLE THAT YOU KNOW.

WELL, THAT MUST MAKE YOUR KID FEEL REAL SPECIAL

AT HIS BIRTHDAY.

ALL RIGHT. YOU WON'T DO IT FOR ME. DO IT FOR WHITNEY.

I'VE DONE A LOT FOR WHITNEY. SHE'S DONE A LOT FOR YOU.

STEVEN, WE'VE KNOWN EACH OTHER A LONG TIME. YES.

IT WOULD MEAN A LOT TO ME IF YOU WOULD DO THIS.

AND I'M NOT LEAVING UNTIL YOU SAY YES. YES.

THANK YOU. HEY, THERE SHE IS.

OH.

WE'LL SAY WE KNEW HER WHEN, HMM? HEY, HELLO. HOW ARE YOU?

HELLO THERE. GOOD TO SEE YOU. UH, RAY, COULD I TALK TO YOU FOR A MINUTE?

SURE.

THAT'S RIDICULOUS.

SO... YOU'RE NOT BEING INVESTIGATED?

I MIGHT BE.

WELL, LOOK, I DO A LOT OF BUSINESS OVERSEAS.

THEY'RE JUST TRYING TO FLEX THEIR MUSCLES.

BESIDES, WITH MY COMPANY LAUNCHING,

IT SEEMS LIKE EVERYONE'S INTERESTED

IN EVERYTHING I'VE EVER DONE.

JUST THE OTHER DAY, A REPORTER ASKED ME

ABOUT FLUNKING CALCULUS IN HIGH SCHOOL.

SHE HAD MY REPORT CARD.

YOU TOLD ME YOU AND DAVID WERE FRIENDS.

WE WERE. IT DOESN'T SOUND LIKE IT.

IF HE WAS WRITING A STORY ABOUT YOU--

THAT'S HOW WE MET.

HE WAS POKING AROUND A CONSTRUCTION DEAL.

THERE WERE RUMORS OF MISAPPROPRIATED FUNDS,

BUT IT DIDN'T COME TO ANYTHING,

AND WE HIT IT OFF.

LAURA... DO NOT LET THIS GUY SHAKE YOU.

ALL RIGHT?

LOOK AT EVERYTHING

THAT'S HAPPENING RIGHT NOW FOR ALL OF US.

LOOK AT THIS MAGNIFICENT PLACE YOU DESIGNED.

THIS IS A TIME OF CELEBRATION. I KNOW.

I KNOW, AND, UM, RAY, YOU KNOW HOW MUCH...

I APPRECIATE THIS OPPORTUNITY.

OF COURSE. WHAT'D YOU KEEP?

OF? DAVID'S OLD STORIES.

I'M THINKING IF THEY DO COME WITH A SUBPOENA,

I'D LIKE TO KNOW WHAT'S THERE.

THEY HAVE A WAY OF TWISTING THE TRUTH, THESE PEOPLE.

SURE. UM, I DON'T KNOW. UM, I-I--I'LL TAKE A LOOK.

OKAY. YOU OKAY?

YEP. GOOD.

YOU BRINGING A DATE TO THE OPENING PARTY?

OH, UH, NO. THAT-- JUST SOLO, JUST STAG,

JUST ME, MYSELF AND ME, SO...

OKAY, RAY'S PARTY,

HERE'S THE PITCH--SYZYGY.

SYZZA WHAT?

SYZYGY--A RARE ALIGNMENT OF CELESTIAL OBJECTS.

THURSDAY NIGHT IS A LUNAR ECLIPSE.

DO YOU KNOW HOW MUCH HAS TO HAPPEN FOR THAT TO HAPPEN?

THE MOON HAS TO PASS THROUGH THE EARTH'S UMBRA SHADOW.

NOT THE PENUMBRA, THAT WOULD BE A PARTIAL ECLIPSE.

THIS HAS TO DO WITH RAY HOW? IT'S A THEME, WHITNEY.

THE PLANETS ALIGN LIKE THIS ONCE IN A LIFETIME,

THE SAME NIGHT THAT WE LAUNCH

RAY'S ONCE-IN-A-LIFETIME VENTURE.

IT'S MEANT TO BE. IT'S SYZYGY. SYZZA--

SYZYGY. SYZYGY.

RIGHT. OKAY, WELL, I'M NOT REALLY INTO THAT SORT OF THING,

BUT IT'S CUTE. KEEP IT CLASSY,

AND MAKE SURE THERE'S PLENTY OF HIGH-END VODKA.

IT'S RAY'S FAVORITE.

OKAY? OKAY.

IT'S GOOD.

RAY GOT CASEMAN TO DO THE "GQ" SHOOT.

THAT RAY...

WHAT'S UP WITH YOU? "THAT RAY."

USUALLY IT'S, "OH, RAY."

HE'S BEEN DIFFERENT LATELY.

I DON'T KNOW. HE'S GOT ME THINKING.

I'M GONNA BE 35,

AND I'M NOT DATING BECAUSE I'M NOT READY.

BUT WHEN I AM, I'M GONNA, WHAT,

SPEND A YEAR KISSING FROGS, AND A LOT OF THEM?

AND IF I'M LUCKY, ONE WILL STICK,

AND WE'LL DATE FOR A YEAR

FOR HIM TO GET OVER HIS COMMITMENT PHOBIA

AND POP THE QUESTION,

AND ANOTHER YEAR TO PLAN THE WEDDING

AND MAKE SURE THAT EVERYTHING IS RIGHT,

AND THIS IS IF EVERYTHING GOES ABSOLUTELY PERFECTLY. IF THE PLANETS EVER ALIGN AGAIN.

AND I'LL BE 40 BY THE TIME I HAVE A KID.

MEANTIME, THERE'S THIS REALLY GREAT GUY

RIGHT IN FRONT OF ME.

RAY.

RAY. AND I'M NOT GIVING HIM A CHANCE.

♪♪♪

THERE WERE 12 INVESTORS.

FIND OUT IF ANY OF THEM SPOKE TO DAVID MORGAN...

AND WHAT THEY SAID AND CALL ME BACK.

HEY. WHAT ARE YOU DOING HERE?

I'LL DO IT. DO WHAT?

THE VACATION. I'M IN.

OH, THAT'S GREAT, WHIT. THAT'S GREAT.

I THINK YOU'RE REALLY GONNA ENJOY THAT.

I THINK YOU SHOULD COME WITH ME.

I KNOW YOU'RE SWAMPED, BUT JUST FOR A FEW DAYS.

COME... WITH YOU,

OR COME WITH YOU?

I DON'T KNOW.

I JUST THINK THAT WE SHOULD SPEND A LITTLE TIME TOGETHER

AND SEE HOW IT GOES.

WHAT DO YOU THINK?

WHAT'S IN RIGHT NOW, THONGS?

UH, I'M NOT REALLY QUALIFIED...

NO, NO, NO. I'M ON THE... If you can pull it off, thongs are always in.

THIS 1-PIECE BLACK ONE IS CUTE.

BUT SAINT-BARTHS IS TOPLESS. MAYBE I SHOULD JUST BUY BOTTOMS.

I'm at Ray's place.

HEY, WHITNEY, WHAT'S THAT GUY'S NAME AGAIN

DAMIAN, RIGHT. THANKS, BYE.

HEY, DOES ANYONE KNOW WHERE I CAN FIND A DAMIAN?

YOU LOOKIN' FOR ME?

UH, YEAH. UM, MELANIE, CRANE P.R.

MM-HMM. I'M COORDINATING THE PARTY.

I HAVE MY LIST, BUT I'LL NEED YOUR LIST

AND ANY OTHER LIST THAT MIGHT GO ON THE MASTER LIST. WOW, YOU TALK FAST.

YEAH, AND I ONLY SAY THINGS ONCE.

HERE'S THE FLOOR PLAN AND THE DELIVERY TIMELINE.

FIRST UP IS A LUNAR FLOE. LUNAR WHAT?

FLOE. IT'S THE PIèCE de RéSISTANCE.

IT'S AN 8-FOOT ICE SCULPTURE SHAPED LIKE THE MOON

THAT RECYCLES CHILLED, PREMIUM VODKA

IN THREE DIFFERENT FLAVORS.

WE'LL, UH, PLUG INTO YOUR POWER AND THEN RUN DRAINAGE

THROUGH A SUMP PUMP IN THE BATHROOM. HEY, WAIT, WAIT, WAIT, WAIT, WAIT, WAIT.

NOBODY'S PLUGGING ANYTHING ANYWHERE

UNTIL I GET GOOD LOOK AT THESE PLANS.

I MEAN, MAYBE YOU CAN GO BACK BY THE BATHROOM-- NO, IT'S A CENTERPIECE.

IT HAS TO GO IN THE CENTER BECAUSE IT'S THE CENTERPIECE. IT'S A HAZARD, LADY, OKAY?

YOU'RE NOT GONNA RUN ELECTRICITY AND WATER

ACROSS THE FLOOR WHERE THERE'S 250 GUESTS.

'CAUSE IF IT SPILLS AND MESSES UP MY FLOOR-- YOUR FLOOR?

MY FLOOR. I HAVE OVERSEEN EVERY NAIL AND BRICK

THAT YOU SEE IN THIS PLACE.

THERE'S NOT A SPECK OF DUST IN HERE THAT I DIDN'T APPROVE.

MY BOSS PUT ME IN CHARGE OF THIS. HEY, RAY, AT THIS PARTY, YOU WANNA SINK THE "TITANIC"?

WHATEVER WHITNEY WANTS.

I WORK FOR WHITNEY.

STEVEN, YOU KNOW I GREW UP CLEAR ON THE OTHER END

OF FLATBUSH AVENUE?

YEAH. PUT YOUR HAND DOWN.

FROM THERE, THIS VIEW... THAT BIG.

YOU LOST YOUR ACCENT, HUH? CORRECT. I DID.

USED TO PRACTICE IT IN THE MIRROR. I BET.

6 OF US CRAMMED INTO A 3-ROOM APARTMENT.

MY DAD USED TO SAY WE WERE UPPER LOWER CLASS

BECAUSE OUR BATHROOM WASN'T DOWN THE HALL. HE WAS A HUMORIST.

IF YOU KEEP TALKING LIKE THAT, THE PHOTO'S GONNA BE BLURRY.

HOLD ON.

HOLD ON, HOLD ON, HOLD ON. SHH. DON'T MOVE.

LOOK AT HER.

HAVE YOU EVER SEEN ANYTHING MORE BEAUTIFUL

IN YOUR ENTIRE LIFE?

SHE'S CERTAINLY MORE PHOTOGENIC THAN YOU ARE. I'LL SAY.

EXCUSE ME.

SURE.

WHAT ARE YOU TWO TALKING ABOUT?

NOTHING. NOTHING.

NOTHING?

CAN I TALK TO YOU?

I THINK I'M IN TROUBLE.

YOU DIDN'T TELL HIM, DID YOU?

TELL HIM WHAT?

ABOUT THE VACATION.

YOU DON'T WANT HIM TO KNOW?

I DON'T WANT ANYONE TO KNOW.

I'M TRYING THIS OUT, RAY, SEEING HOW IT GOES.

YOU DON'T WANT TO BREAK A STORY BEFORE IT'S A STORY.

OUR SECRET.

THANK YOU.

EXCUSE ME ONE SECOND.

I REACHED THE OTHER HAVILAND PARTNERS, RAY.

IF ANYONE TALKED TO DAVID MORGAN,

THEY'RE NOT SAYING A WORD.

I'M A LITTLE WORRIED ABOUT THIS.

I THINK WE SHOULD TALK, IN PERSON.

OKAY. OKAY, GREAT.

DAVID MORGAN--HE WAS MARRIED TO LAURA MORGAN, RIGHT?

YEAH. YOU KNOW HER?

YEAH, I DO.

CAN WE GO TO THE PARK TODAY?

OF COURSE, IF YOU PRACTICE YOUR CLARINET.

HI! MARY ALICE EDWARDS, OR DO YOU GO BY MAE?

HAVE YOU ACTUALLY READ YOUR MOTHER'S BOOK? IS IT TRUE THAT YOU'RE FROM COLORADO?

EXCUSE ME. HAVE YOU EVER WORKED WITH YOUR MOM AT ALL?

MAE--OH, LITTLE GIRL, DO YOU HAVE A NAME?

WHAT IS YOUR NAME, LITTLE GIRL? WHY'D YOU CHANGE YOUR NAME, MAE?

WHAT ABOUT YOUR BROTHER? HAVE YOU SPOKEN TO HIM?

HOW DO YOU FEEL ABOUT THE BOOK? IS IT TRUE YOU'RE FROM COLORADO?

I HAVE TO GO.

GO

LOOK, IT'S A COUPLE OF REPORTERS.

IF YOU CLOSE THE DOOR, THEY WILL GO AWAY.

NO. THEY'RE GONNA DIG UP THINGS.

YOU'RE GONNA FIND OUT THINGS ABOUT ME.

LIKE WHAT? HEY, LIKE WHAT?

IT DOESN'T MATTER.

CLAIRE, YOU CANNOT JUST RUN OUT ON US.

ELIZA AND I DEPEND ON YOU.

MY NAME IS MAE.

I'M SO SORRY.

WHAT'S UP WITH YOU AND RAY?

WHAT

INTUITION.

NOTHING. I'M JUST HAPPY FOR HIM.

UH-HUH. OH.

OH, WHAT?

OH, MY CAR IS GONE.

WHAT? MY CAR IS GONE.

I PARKED IT RIGHT THERE IN FRONT OF THE PARK. YOU PARKED ON THE STREET?

YEAH, RIGHT THERE. I TOLD YOU TO PARK IN THE LOT.

THAT'S $30 FOR 2 HOURS, WHITNEY. YOU CAN EXPENSE THAT, STEVEN.

IT WAS A GREAT PARKING SPOT. FOR GOD SAKES.

CALL THE COPS. CALL THE COPS. NO. WHY?

BECAUSE YOUR CAR WAS STOLEN. IT'S NOT STOLEN.

HOW DO YOU KNOW IT'S NOT--

I THOUGHT YOU SAID IT WAS A GREAT PARKING SPOT.

WELL, I DROPPED YOU OFF. IT WAS RUSH-RUSH THIS MORNING. OH, SO NOW IT'S MY FAULT?

I-I HAD--I WAS DISORIENTED. STE-STEVEN, MY LAPTOP IS IN THE CAR.

EVERYTHING IS IN THE CAR-- MY PURSE, MY PASSPORT.

PASSPORT? WHAT, ARE YOU GOING SOMEWHERE?

WHERE IS THE CAR?

THIS IS A TOW POUND? YEAH.

IT'S VERY WELL APPOINTED INSIDE. TRUST ME.

HELLO.

HI. UM, WE NEED OUR CAR AS FAST AS POSSIBLE,

'CAUSE WE'RE ON A JOB

THAT NEEDS TO BE DELIVERED FIRST THING IN THE MORNING.

UM... DO YOU READ "GQ" MAGAZINE?

LICENSE PLATE NUMBER? WHAT'S YOUR LICENSE PLATE NUMBER?

3... I DON'T KNOW.

YOU DON'T KNOW YOUR PLATE NUMBER?

NO. HOW DO YOU NOT KNOW YOUR PLATE NUMBER?

RAISE YOUR HAND

IF YOU KNOW YOUR LICENSE PLATE NUMBER BY HEART.

ANYBODY?

I WRITE MINE DOWN AND PUT IT IN MY WALLET.

YOU DON'T EVEN HAVE A CAR.

WHEN I HAD A CAR. LET ME JUST HANDLE THIS.

THE NAME IS STEVEN CASEMAN.

YOUR WIFE'S GOT A MOUTH ON HER.

OH, WE'RE NOT MARRIED.

OH, YOU ARGUE LIKE YOU'RE MARRIED.

YES, WE DO.

IS THERE ANY WAY YOU COULD SORT OF BUMP US UP

TO THE TOP OF THE LIST? MNH-MNH.

UM... CAN YOU TELL ME WHERE THE CAR IS

SO I COULD GET MY PURSE AND MY LAPTOP

AND JUST TAKE A CAB BACK TO THE CITY?

NOPE.

WHAT ARE YOU LOOKING AT?

HEY, HEY, HEY, HEY. EASY WITH THAT.

HEY, WAIT, WAIT, WAIT, WAIT, WAIT.

WHAT ARE YOU PLUGGING THAT IN TO? WE'RE TYING INTO THE ELEVATOR LINE

TO POWER THE FREEZER PLATES FOR THE ICE THINGAMAJIG.

WHO SAID YOU COULD DO THAT? SHE DID.

IS THAT RIGHT? DAMIAN, THESE MEN ARE TRAINED PROFESSIONALS.

I THINK THEY KNOW WHAT THEY'RE DOING. YOU DO?

YES, I DO. IT'S IMPORTANT TO TRUST OTHER PEOPLE SOMETIMES.

YEAH? WELL, TRUST ME, I DON'T LIKE THIS ONE SINGLE BIT.

WELL, I THINK YOU'RE GONNA LIKE IT TOMORROW NIGHT

WHEN YOU'RE DRINKING ICE-COLD VODKA.

TURN 'EM ON.

YEAH, YEAH, I GOT IT. DOES THAT WORK?

OH, NO.

YOU GOTTA BE KIDDING.

LISTEN, I GOT A PROBLEM.

WHATEVER YOU NEED, RAY.

GOOD. I NEED YOU TO PAY A VISIT TO LAURA MORGAN.

HER HUSBAND WAS INVESTIGATING

A CONSTRUCTION DEAL I WAS INVOLVED IN,

AND HE HAS SOME NOTES THAT I'D LIKE YOU TO TAKE A LOOK AT.

DID YOU ASK LAURA ABOUT THEM?

OF COURSE. I DON'T WANT TO ASK HER TWICE.

SO I'D LIKE YOU, IN THE MOST GRACIOUS WAY POSSIBLE,

TO ASK HER AGAIN. OKAY, MAYBE I SHOULD READ UP ON THE DEAL

AND JUST GET ACQUAINTED-- SHE WON'T ASK, CARLOS.

LISTEN, YOU SEEM LIKE A NICE GUY. JUST GO TALK TO HER.

LET HER KNOW IT'S ALL ON THE UP-AND-UP.

I'D JUST FEEL MORE COMFORTABLE IF I HAD SOME MORE INFORMATION.

I UNDERSTAND. I'D BE MORE COMFORTABLE

IF I WAS GETTING A MASSAGE RIGHT NOW, BUT I'M NOT.

FIRST I NEED THIS DONE.

THERE'S A REASON PEOPLE TELL LAWYER JOKES, CARLOS.

TELL HER WHATEVER YOU GOT TO, JUST GET WHAT I ASKED.

NEXT.

YOU'RE NEVER GONNA GET YOUR CAR BACK.

YOU KNOW THAT, RIGHT?

C-2-43...

YOU DON'T HAVE A CAR? MOPED.

MY MOPED GOT TOWED.

HOW DO YOU TOW A MOPED? THEY CARRY IT AWAY, I GUESS.

HMM.

I GOT IT WHEN I QUIT MY JOB. I JUST NEEDED TO BE FREE.

WIND IN MY HAIR, YOU KNOW?

YES, I DO.

THIS CITY'S THE WORST.

EVERY TIME YOU THINK YOU GOT ONE INCH, IT SMACKS YOU DOWN.

SOMEONE COULD'VE EASILY PUT A QUARTER IN MY METER,

SAVED MY DAY, SAVED MY ASS.

BUT NO, THEY JUST KEEP WALKING, JUST KEEP WALKING.

I JUST FEEL LONELY. IT'S A LONELY CITY.

NOT HERE AT THE IMPOUND LOT.

I'M STEVEN.

EDIE CAMBRIDGE? OH, YAY. THAT'S ME.

ALL RIGHT.

IT'S NICE TO MEET YOU, STEVEN. NICE TO MEET YOU, EDIE.

GOOD LUCK.

MAKING FRIENDS?

I'LL TAKE IT WHERE I CAN GET IT.

YOU'RE HAVING FUN.

OH, I LIKE PEOPLE.

NO, YOU DON'T. NO, I DON'T.

STEVEN CASEMAN? AHH.

WE STILL NEED TO GET TO THE LAB, RUSH THE FILM, EDIT SELECTS.

WE'RE GONNA BE UP ALL NIGHT. YEAH, WE'LL GET IT DONE.

HELLO.

Um, what are you doing? Can I see you?

I'VE--I HAVE HAD THE WORST DAY, STEVEN.

YOU WON'T BELIEVE IT.

WHAT HAPPENED? I'll tell you when I see you.

I KNOW IT'S KIND OF BREAKING THE RULES,

but, um, do you want to come over to my house?

WHAT-- UH, YOUR PLACE, REALLY?

WOW. I'D LOVE TO, BUT, YOU KNOW,

I'VE BEEN SHOOTING THIS THING FOR RAY,

AND I HAVE TO WORK ALL NIGHT. OH.

BUT DEPENDING ON WHAT HAPPENS, YOU WANT ME TO CALL YOU LATER? NO. THAT'S OKAY. ANOTHER TIME.

YOU SURE? GOOD LUCK TONIGHT.

Okay. Bye-bye.

THANK YOU VERY MUCH.

HEY.

IT'S ALL OVER THE NEWS.

YEAH. I SAW.

ARE YOU ALL RIGHT?

I DON'T KNOW WHAT TO DO, CARLOS.

I DON'T KNOW WHERE TO GO.

YOU SURE YOU DON'T WANT TO SLEEP IN ANYA'S ROOM?

SHE'S AT HER BOYFRIEND'S.

NO, IT'S FINE. IT'S JUST FOR A NIGHT.

WHERE ARE YOU GONNA GO?

I DON'T KNOW.

THIS BOOK THING, IT'S A SPECTACLE.

EVERYTHING'S GONNA COME OUT--

WHO I WAS...

THE LIES I'VE TOLD...

TO EVERYONE...

EXCEPT YOU.

YOU COULD TALK TO LAURA.

I CAN'T. SHE'S GONNA HATE ME WHEN SHE FINDS OUT.

YOU DON'T KNOW THAT. I REMEMBER WHEN WE FIRST MET--

I APOLOGIZED FOR THAT.

AND I'M OVER IT.

LOOK, WHOEVER YOU WERE WHEN YOU FIRST GOT HERE,

YOU'VE CHANGED.

THAT'S GOTTA COUNT FOR SOMETHING.

♪♪♪

YOU'RE ALWAYS HERE FOR ME.

I'M A GLUTTON FOR PUNISHMENT.

♪ WE FELT THE WEIGHT ♪

YOU KNOW...

MY BIGGEST MISTAKE?

♪ ...WITH THE TWIST OF FATE ♪

PUSHING YOU AWAY.

♪♪♪

♪ TIME IS RUNNING OUT ♪

♪ OUR WORK HERE IS DONE ♪

♪ BUT NOW THERE AIN'T NO DOUBT ♪

♪ THAT YOU'RE THE ONE ♪

♪ TAKE ME WITH YOU ♪

♪ I WANNA BE THERE, TOO ♪

THAT...

TRY THAT ONE.

THAT'S, UH...

HMM. HUH?

DON'T BE MAD. I JUST THINK IT'S A LITTLE TOO WIDE.

YEAH. LEAVES ROOM FOR HIS EGO.

WHY WOULD I BE MAD?

IF I WAS MAD, I'D BE POLITE TO YOU.

WE'RE BACK TO THAT ONE.

THAT'S--NO. THAT ONE? NO.

THAT'S IT.

YEAH? THAT'S THE ONE.

YOU THINK? MM-HMM.

CIRCLE IT.

♪♪♪

WE GOT THAT DONE.

YEP.

AND IT'S JUST... WHAT TIME IS IT?

I DON'T KNOW.

I'M SORRY TODAY WAS SO CRAZY.

WHEN I'M WITH YOU, NOTHING GOES AS PLANNED.

YEAH, WELL, THAT'S MY CHARM.

WHY DOES IT NEVER SEEM TO BOTHER ME?

BECAUSE I'VE TOTALLY WORN YOU DOWN.

THAT'S YOUR-- YOU'RE TAKING THAT. THAT'S NOT IT.

TAKING YOUR PENCIL. I'VE GOT MINE. YOU--

♪♪♪

♪ TAKE ME WITH YOU ♪

♪ I WANNA SEE YOU ♪

IT'S NOT YOU. I...

I'M, UH...

WHITNEY, I'M WITH LAURA.

♪ TAKE ME WITH YOU ♪

LAURA AND I ARE TOGETHER.

I DON'T WANT TO CALL A SERVICE.

ELIZA WAS REALLY ATTACHED TO CLAIRE,

AND I NEED SOMEBODY SPECIAL.

UH... OH, CAN I CALL YOU RIGHT BACK?

OKAY.

HOW COULD YOU NOT TELL ME ABOUT YOU AND STEVEN?

WHAT?

YOU SAID NOTHING WAS HAPPENING.

WELL, WAIT, HANG ON.

DID STEVEN TELL YOU?

YES. WHY DIDN'T YOU TELL ME?

WHEN--WHEN-- WHEN DID THIS COME UP?

WE WERE WORKING LAST NIGHT, AND IT JUST CAME UP.

YOU AND STEVEN WERE WORKING TOGETHER LAST NIGHT?

YES. LAURA, YOU AND I ARE FRIENDS.

WHY WOULD YOU KEEP THIS A SECRET?

BECAUSE EVERY TIME I-I TALK TO YOU ABOUT HIM,

I GET THIS WEIRD FEELING THAT YOU'RE INTERESTED IN HIM. I'M NOT.

YOU KEEP SAYING THAT. LAURA, I'M NOT. I'M GOING ON VACATION WITH RAY TOMORROW.

THEN WHAT ARE YOU SO UPSET ABOUT?

I JUST WISH I HAD KNOWN.

POWER'S BACK ON.

THANK YOU. THAT'S GREAT. NOT EXACTLY.

YOU SEE, WHEN YOU PLUGGED THESE FREEZER PLATES

INTO THE 220-VOLT, YOU WERE ALREADY RUNNING

A HYDRAULIC PUMP OUTTA THE BATHROOM,

WHICH IS TIED TO THE ELEVATOR LINE.

THE ELEVATOR MOTOR GIVES OFF A LOT OF HEAT.

THE A.C. KICKS IN TO COMPENSATE--BA-BOOM.

YOU TRIP THE WHOLE TRANSFORMER. UH, SO YOUR POINT IS?

BASICALLY, AN IMPOSSIBLE CONFLUENCE OF ELECTRICAL EVENTS

HAS EXPOSED A SERIOUS FLAW

IN THE POWER GRID OF YOUR BUILDING.

I'M GONNA HAVE TO RESCIND YOUR C-OF-O.

WE CAN'T OPEN THIS PLACE FOR BUSINESS

UNTIL YOU GET THAT TRANSFORMER UP TO CODE. W

WE HAVE 250 PARTY PEOPLE COMING HERE IN 12 HOURS.

HEY, I'M SORRY.

I TOLD YOU. I TOLD YOU!

WHAT? NOT TO MESS WITH THE POWER.

I'M DOING YOU A FAVOR. HOW IS THAT A FAVOR?

"AN IMPOSSIBLE CONFLUENCE OF ELECTRICAL EVENTS"?

IT'S SYZYGY. SYZZA WHAT?

THE THIS, THE THAT, THE BA-BOOM--IT'S MEANT TO BE.

IF THIS DIDN'T HAPPEN TODAY, THIS MIGHT HAVE HAPPENED

ON THE BUSIEST DAY OF BUSINESS, AND THEN WHERE WOULD YOU BE?

ARE YOU OUT OF YOUR MIND? HMM?

'CAUSE IF THIS PARTY DOESN'T GO DOWN, WE'RE DONE.

NO JOB, FOR ME OR FOR YOU.

PLEASE TELL ME HOW THAT'S MEANT TO BE.

SYZYGY. STOP SAYING THAT.

HELLO.

I'm thinking of wearing a tie tonight.

OKAY.

SOMETHING TO MATCH MY 10-GALLON COWBOY HAT.

HELLO?

HEY. SOMETHING WRONG?

UM...

UH, I DON'T KNOW. UH, MAYBE.

UM...

WHY DID YOU TELL WHITNEY?

ABOUT? ABOUT US.

I-I DON'T EVEN KNOW WHY WE'RE HIDING IT, LAURA.

I-I mean, I'm trying to imagine

HOW THIS CONVERSATION EVEN CAME UP.

WE WERE WORKING. You never told me you were working with her.

I DIDN'T NOT TELL YOU. IT JUST DIDN'T COME UP.

I-- Didn't come up, huh?

I really want to trust you, Steven.

YOU CAN, BABE. No.

YOU DON'T UNDERSTAND.

I'M JUST GETTING BACK ON MY FEET AGAIN.

I CAN'T GET HURT.

I'M JUST NOT READY TO DO THIS.

I'm gonna see you tonight.

LET'S BE WHAT EVERYONE THINKS WE ARE...

FRIENDS.

LAURA. LAURA.

HEY, RAY.

EVERYTHING OKAY?

OF COURSE.

I ALWAYS GET A LITTLE NERVOUS BEFORE A BIG PARTY.

OH.

WE ALL SET FOR TONIGHT?

UH... ABSOLUTELY.

YEAH. DON'T, UM, DON'T WORRY ABOUT A THING.

WHAT'D HE SAY?

I DIDN'T TELL HIM.

DAMIAN, THEN I HAVE TO TELL WHITNEY. NO. YOU'RE NOT CALLING ANYBODY.

LOOK, WE ARE NOT CANCELING THIS THING.

YOU SAID YOU FOUND A CIRCUIT BREAKER.

BUT I DON'T HAVE ANYONE TO INSTALL IT.

WE'VE CALLED EVERYONE IN THE PHONE BOOK.

I GOT A GUY. WHERE?

HE'S IN CHERRY HILL, NEW JERSEY. THAT'S NEAR PHILADELPHIA.

WELL, THEN YOU BETTER HOPE THAT THERE'S NO TRAFFIC.

LOOK, WE ARE NOT GIVING UP ON THIS THING.

WE BOTH WORKED TOO HARD TO GET HERE.

SO YOU'RE GONNA GO,

GET DRESSED AND COME BACK HERE AS FAST AS YOU CAN.

'CAUSE SOMEHOW, SOME WAY, WE'RE GONNA MAKE THIS PARTY HAPPEN.

YOU'RE MY HERO.

RAY PUT ME ON IT.

HE WAS WONDERING IF YOU HAD A CHANCE

TO LOOK AT YOUR LATE HUSBAND'S FILES,

WITH REGARDS TO THE HAVILAND DEAL.

I FOUND HIS OLD LAPTOP, I OPENED IT UP,

I SAW HIS OLD SCREENSAVER, AND I...

CLOSED IT BACK UP AGAIN.

I MEAN, I-I FEEL I SHOULD GO THROUGH IT.

UH, YOU KNOW,

IF THERE'S SOMETHING WRONG, I WANT TO KNOW.

IT'S JUST HARD.

I COMPLETELY UNDERSTAND. I KNOW IT MUST BE DIFFICULT.

BUT THAT'S WHY YOU HAVE US.

WE CAN GO THROUGH IT FOR YOU

AND TELL YOU EXACTLY WHAT'S THERE.

GOD. OF ALL THE WEEKS TO HAVE TO DEAL WITH THIS...

HAVE YOU HEARD ANYTHING FROM, UH,

WELL, I-I GUESS HER NAME IS MAE?

YEAH, YEAH. ACTUALLY, I HAVE.

IS SHE OKAY?

YEAH, WELL, YOU KNOW, SHE FEELS TERRIBLE

ABOUT LEAVING YOU IN A LURCH.

'CAUSE SHE DIDN'T EVEN EXPLAIN.

WELL, MAE'S BEEN THROUGH A LOT.

I KNOW SHE LOVES YOUR DAUGHTER VERY MUCH

AND NEVER WANTED TO HURT YOU.

THAT'S FOR SURE.

BUT, YOU KNOW, SOMETIMES SITUATIONS ARISE FOR ALL OF US

WHERE... THERE ISN'T A CLEAR ANSWER.

YEAH.

DAVID'S LAPTOP IS UPSTAIRS. I CAN--I CAN GET IT FOR YOU.

ARE YOU SURE?

I MEAN, IF YOU THINK THAT'S BEST.

I DON'T KNOW IF I TRUST RAY JONES.

BUT I DO TRUST YOU.

IT'S DAVID MORGAN'S.

GREAT JOB, CARLOS.

WANT TO COME IN AND HAVE A DRINK?

NO. ALL RIGHT. WE'LL CELEBRATE TONIGHT.

YOU'RE COMING, RIGHT? WOULDN'T MISS IT.

HEY...

YOU'RE GONNA MAKE A HELL OF A LAWYER.

OH! LOOK, LOOK, I GOTTA KNOW IF THIS IS GONNA WORK

OR IF I NEED TO CANCEL THIS PARTY.

OH, MAN. OH, MAN NO. WHAT NOW?

I'M OUT OF SOLDER. YOU--YOU GOTTA BE KIDDING ME.

NO. LISTEN, UH, I CAN BE BACK IN AN HOUR.

NO. NO, NO, NO, NO, NO, NO. THERE IS NOT ENOUGH TIME.

UH, IS THERE SOMETHING ELSE WE CAN DO? NOT REALLY, MAN.

DON'T TELL ME "NOT REALLY." DON'T TELL ME "NO."

THERE HAS GOTTA BE A WAY. THERE IS ALWAYS A WAY.

THERE'S GOTTA BE SOMETHING ELSE WE CAN USE.

LET'S PUT OUR COLLECTIVE MINDS TOGETHER

AND THINK OF SOMETHING RIGHT NOW.

WELL, ANY METAL WITH HIGH CONDUCTIVITY WILL WORK.

UH, YOU GOT YOUR GRANDMOTHER'S SILVER SET SITTING AROUND?

HEY.

HI.

I THOUGHT YOU MIGHT COME WITH ME TONIGHT.

I'D LOVE TO.

LAURA'S GONNA BE THERE.

I'M GONNA LEAVE IN THE MORNING.

RIGHT.

WHAT ABOUT US?

I DON'T--

I DON'T KNOW WHERE I AM RIGHT NOW, CARLOS. I--

THAT'S GREAT.

GREAT

NO, IT'S GREAT. JUST, UH, RUN AWAY. IT'S EASIER.

IT'S NOT LIKE I WANT TO. THIS IS--

JUST RUN AWAY LIKE YOUR MOM DID.

I'M SORRY. I JUST-- I DIDN'T MEAN TO--

IT'S OKAY.

WHAT ARE YOU DOING HERE?

YOU HAVE TO GET DRESSED. YOU HAVE TO PACK.

I CAN'T GET DRESSED. I CAN'T PACK.

I DON'T KNOW WHAT I'M DOING.

YOU ALWAYS KNOW WHAT YOU'RE DOING.

NO. I FEEL COMPLETELY OUT OF CONTROL.

I MEAN, IF WE TAKE YOUR WHOLE ECLIPSE THING,

THEN THE PLANETS ALIGNED TO PUT ME IN THAT IMPOUND LOT

ON A DAY WHEN I HAD A MILLION THINGS TO DO

WITH A MAN I HAVE NO BUSINESS BEING WITH

TO... REMIND ME THAT

THAT'S THE WAY THINGS ARE SUPPOSED TO HAPPEN.

YOU CAN'T PLAN THEM,

AND IT'S NOT ALWAYS AT THE RIGHT TIME,

BUT YOU CAN'T... DENY THE WAY IT FEELS.

ARE YOU SAYING WHAT I THINK YOU'RE SAYING?

I DON'T KNOW WHAT I'M SAYING. I JUST...

I'M READY TO BE IN A RELATIONSHIP AGAIN.

WITH STEVEN.

HE'S WITH SOMEONE ELSE,

SOMEONE I REALLY... DON'T WANT TO HURT.

IF IT'S REALLY RIGHT...

YOU HAVE TO TELL HIM.

(instrumental jazz music playing)

HANG ON. YOU HAVEN'T SAID A WORD THE WHOLE RIDE

EXCEPT "CHEERS."

I'M FINE.

WE'RE NOT GOING ON VACATION, ARE WE?

I'M SORRY. I DON'T THINK I CAN DO THIS.

BUT YOU HAVEN'T TRIED THIS.

I KNOW. I KNOW.

AND I'M SORRY FOR LEADING YOU ON, RAY.

I'VE HAD IT IN MY HEAD THAT I COULD MAKE THIS--

US--THE RIGHT THING RIGHT NOW,

AND... IF I WERE TO GO AWAY AND PRETEND,

IT WOULD BE EVEN MORE UNFAIR TO YOU.

I'LL SEE YOU INSIDE.

(photographers shouting indistinctly)

HI. HEY, RAY. GOOD TO SEE YOU.

HOW ARE YOU? HI, NICE TO MEET YOU. NICE TO SEE YOU.

HEY, HOW ARE YOU? WANT TO TAKE A PICTURE HERE?

ALL RIGHT.

I'LL SEE YOU GUYS IN A BIT.

YOU SHOULD TALK TO LAURA MORGAN.

SHE'S--IT WAS HER INNOVATION TO INTEGRATE ALL OF IT

INTO A DESIGN.

WHITNEY. MELANIE.

THE PARTY, IT'S HAPPENING. YEAH.

DID YOU SEE IT? IT LOOKS GREAT.

I DIDN'T DO IT ALONE.

UM, ISN'T HE SO, UH, EXCELLENT?

EXCUSE ME.

♪♪♪

...INNOVATION, I THINK. HEY.

HI. UH, CAN I SPEAK WITH YOU, PLEASE?

IT'S REALLY QUITE IMPORTANT.

OKAY. WILL YOU EXCUSE US FOR A SECOND?

ACTUALLY, I JUST STARTED WORKING

ON RAY'S ACCOUNT.

BEEN AT THE FIRM FOR ABOUT A MONTH, AND-- CARLOS.

HEY, LISA.

I'VE BEEN CALLING YOU. YEAH, I KNOW. I'M SORRY.

IT'S--IT'S BEEN KIND OF A CRAZY WEEK,

BUT I WANT TO TALK TO YOU. I NEED TO TALK TO YOU.

I'M IN THE MIDDLE OF, UH... CAN

I GUESS.

♪♪♪

JUST ANYWHERE YOU CAN, OKAY?

♪♪♪

LAURA.

HOLD ON. HOLD ON.

NO. LET ME JUST TALK TO HER. LAURA.

I DON'T CARE, WHITNEY. YES, YOU DO.

I'M NOT GONNA FIGHT YOU FOR HIM. YOU DON'T HAVE TO. HE WANTS YOU.

LOOK, ALL I WAS DOING

WAS APOLOGIZING FOR THIS MESS.

I MEAN...

YES, I HAVE FEELINGS FOR HIM.

THE OTHER NIGHT, I ACTED ON THEM--

WHY ARE YOU TELLING ME THIS? BECAUSE HE CHOSE YOU.

HE DID? HE ADORES YOU, LAURA.

AND I KNOW YOU'RE SCARED, BUT DON'T BE.

THIS DOESN'T HAPPEN ALL THE TIME,

BUT IT IS NOW, FOR YOU.

AND I WOULD NEVER, EVER GET IN THE WAY OF THAT.

YOU GONNA BE OKAY?

I KNOW IT WILL HAPPEN FOR ME SOMEDAY.

IT WILL.

OKAY, THE WINNING RAFFLE TICKET IS...

AS A KID WITH A 35-CENT ALLOWANCE

AND THE ATTENTION SPAN OF A HUMMING BIRD,

I COULD'VE NEVER IMAGINED A NIGHT LIKE THIS.

AS WE GET OLDER, WE FACE THE REALITY,

FRANKLY, THAT...

MOST OF OUR DREAMS SLIP AWAY AT THE LAST MOMENT,

OR WE GET THERE, WE WORK SO HARD FOR 'EM,

BUT WHEN WE DO, WE FIND OUT

IT'S NOT WHAT WE THOUGHT THEY'D BE.

WHICH IS WHY TONIGHT IS SO SPECIAL.

IT'S A RARE MOMENT WHEN A DREAM ACTUALLY DOES COME TRUE.

MY FATHER, MAY HE REST IN PEACE,

HE USED TO SAY A LIFE IS MEASURED...

BY THE PEOPLE YOU BRING INTO IT.

WELL, I'D LIKE TO TELL YOU ALL THAT FEEL INCREDIBLY BLESSED

AND HONORED

TO SPEND THIS EVENING WITH ALL OF YOU.

THANK YOU. CHEERS. ENJOY. CHEERS.

♪♪♪

HEY, YOU LOST A CUFFLINK.

YOU HAVE NICE WRISTS.

DO YOU HAVE ANY, UH, ANY TATTOOS?

I MIGHT.

CAN I SEE 'EM?

♪♪♪

IT'S BEAUTIFUL, THIS PLACE.

OH.

PARTY'S GREAT, ISN'T IT?

OH, YEAH. YEAH, YEAH. WE PULLED IT OFF.

WE DID, DIDN'T WE? YES.

HEY, YOU WANT TO GET OUTTA HERE?

UH, YES.

I'M ALREADY GONE.

♪♪♪

♪ UP ALL NIGHT ♪

♪ WITH AN ACHING MIND ♪

♪ HAVE I TRAVELED NOW TOO FAR? ♪

♪ A LITTLE LOST LIKE SOME... ♪

DO YOU WANT TO DANCE?

I HAVE THREE LEFT FEET.

I'LL TAKE THEM.

♪ WHEN STOLEN MOMENTS ARE ALL WE GET ♪

♪ AND WITH EVERY TURN WE TAKE ♪

♪ WE FIND OURSELVES ♪

♪ ON AN OPEN ROAD ♪

♪ ALIVE AND WIDE AWAKE ♪

♪ GOOD-BYE AGAIN ♪

♪ AS THE PRESENT TURNS TO PAST ♪

CAT'S OUT OF THE BAG.

NO MORE SECRETS.

♪ 'CAUSE THE MOMENTS ♪

♪ NEVER LAST ♪

♪♪♪

RAY JONES?

WOW. YOU HAVE THE MOST INCREDIBLE TIMING.

GREAT PARTY, RAY. THANKS. DO I KNOW YOU?

NOT YET. I'M DIANA VOSS

WITH THE SECURITIES AND EXCHANGE COMMISSION.

THIS IS OFFICIAL NOTIFICATION. YOU'RE BEING CHARGED

WITH MISAPPROPRIATION OF GOVERNMENT FUNDS. BASED ON WHAT?

NEW EVIDENCE ON THE HAVILAND DEAL.

ENJOY THE PARTY. WE'LL BE TALKING.

♪♪♪

I'M GLAD TO SEE YOU.

YOU WERE RIGHT.

I'M NOT GONNA RUN ANYMORE.

♪ TO THE RIVER THAT'S RUNNING SLOW ♪

CHAMPAGNE?

♪ I'M YOUR GIRL... ♪

NO. CLUB SODA.

YOU'RE BORING.

NO, ACTUALLY.

I'M PREGNANT.

♪ NO, NO, NO EASY GAME ♪

♪ NO, NO, NO ♪

♪ NO, NO ♪

♪♪♪

♪ IT TOOK A LONG TIME TO REMEMBER ♪

♪ IT'D TAKE A LONG TIME TO BELIEVE ♪

♪ KNEW I'D NEVER... ♪

HEY, I THINK IT'S THE MOON RIGHT UP THERE.

IT'S HARD TO SEE.

I CAN'T SEE IT. IT'S CLOUDY.

YOU GOTTA GIVE IT A MINUTE.

♪♪♪

HEY... DO I KNOW YOU?

NO. I-I DON'T THINK SO.

NO, WAIT. NO, WAIT.

I KNOW THIS IS GONNA SOUND CRAZY,

BUT WERE YOU AT THE IMPOUND LOT IN BROOKLYN YESTERDAY?

YES, ACTUALLY. I WAS.

I THOUGHT SO.

DID YOU, UH... DID YOU NOTICE ME?

NO, I'M SORRY.

THAT'S ALL RIGHT. UM, WOW. THAT'S WILD.

YEAH. THAT'S REALLY GREAT.

WELL, IT WAS NICE MEETING YOU.

YOU, TOO. HAVE A GOOD NIGHT.

YEAH. YEAH, YOU, TOO.

♪ HEY NOW ♪

♪ YOU LEAVE IT UP TO ME ♪