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1
00:00:01,212 --> 00:00:04,125
PREVIOUSLY ON "SIX DEGREES"...
2
00:00:04,125 --> 00:00:05,836
OH, MY GOD.
3
00:00:05,836 --> 00:00:10,301
MY DAD IS SICK. I NEED YOU
TO MAKE IT WORK WITH MAX.
OKAY, SURE.
4
00:00:10,301 --> 00:00:12,893
IT COULD BE A WEEK.
I DON'T KNOW.
IT DOESN'T MATTER.
WHATEVER YOU NEED.
5
00:00:12,893 --> 00:00:15,896
HI, I'M LISA. HOW MUCH SPACE
ARE YOU TWO LOOKING FOR?
6
00:00:15,896 --> 00:00:19,060
IT'S JUST FOR HIM.
I'M HELPING HIM LOOK.
YOU TWO AREN'T...
7
00:00:19,060 --> 00:00:20,731
WE'RE JUST FRIENDS.
MM.
8
00:00:23,234 --> 00:00:26,527
HERE I WAS
ACTUALLY STARTING TO THINK
9
00:00:26,527 --> 00:00:29,490
IT MIGHT WORK OUT WITH US.
I'M GONNA JUST SEE
WHERE IT GOES WITH HIM.
10
00:00:29,490 --> 00:00:32,243
I'M SORRY.
11
00:00:32,243 --> 00:00:34,365
GOOD NIGHT, ANYA.
12
00:00:40,371 --> 00:00:43,754
COME ON, LISA.
YOU GOTTA GET UP.
NO.
13
00:00:43,754 --> 00:00:46,837
NO.
14
00:00:46,837 --> 00:00:49,220
YOU COME BACK TO BED.
I TOLD YOU.
15
00:00:49,220 --> 00:00:51,302
I HAVE THAT INTERVIEW
TO GO TO.
16
00:00:51,302 --> 00:00:54,305
MMM... COME ON.
ONE MORE TIME.
17
00:00:54,305 --> 00:00:56,267
ONE MORE TIME?
I THINK WE'VE GOT
18
00:00:56,267 --> 00:00:59,270
A FOOTNOTE IN THE GUINNESS
BOOK OF WORLD RECORDS.
19
00:00:59,270 --> 00:01:01,892
BESIDES, DON'T YOU HAVE
TO GO TO WORK SOON?
20
00:01:01,892 --> 00:01:03,854
MNH-MNH. I GOT FIRED.
21
00:01:03,854 --> 00:01:06,357
FIRED
IN ABOUT AN HOUR,
22
00:01:06,357 --> 00:01:09,029
WHEN PAM REALIZES
THAT I HAVEN'T SHOWN UP.
23
00:01:09,029 --> 00:01:11,031
BESIDES, I HATE MY JOB.
24
00:01:11,031 --> 00:01:14,195
REAL ESTATE IS
SO NOT MY THING.
WHAT IS YOUR THING?
25
00:01:14,195 --> 00:01:15,996
MMM... YOU.
26
00:01:15,996 --> 00:01:17,998
GOOD LUCK PAYING YOUR RENT.
27
00:01:17,998 --> 00:01:19,790
MM-HMM.
28
00:01:19,790 --> 00:01:22,203
HEY...
29
00:01:22,203 --> 00:01:24,625
DO YOU WANNA GO
TO DINNER TOMORROW NIGHT?
30
00:01:24,625 --> 00:01:26,757
SURE.
31
00:01:26,757 --> 00:01:28,469
YOU KNOW, SOME PLACE FANCY,
32
00:01:28,469 --> 00:01:32,052
SO, UH,
WEAR A SUIT AND TIE, OKAY?
33
00:01:32,052 --> 00:01:34,215
WHAT ARE YOU UP TO?
NOTHING.
34
00:01:34,215 --> 00:01:36,677
YOU'RE UP TO SOMETHING.
NO, I'M NOT.
35
00:01:36,677 --> 00:01:39,220
IT'LL BE FUN.
36
00:01:39,220 --> 00:01:41,312
OKAY.
37
00:01:49,400 --> 00:01:51,071
I'M LOOKING
FOR WHITNEY CRANE.
38
00:01:51,071 --> 00:01:54,325
IS SHE EXPECTING YOU?
THAT'S HIGHLY UNLIKELY.
39
00:01:55,906 --> 00:01:58,789
THE CONTRACT LOOKS GOOD.
40
00:01:58,789 --> 00:02:01,372
LET ME CALL YOU BACK.
41
00:02:01,372 --> 00:02:03,123
DAD,
WHAT ARE YOU DOING HERE?
42
00:02:03,123 --> 00:02:05,796
HELLO, DEAR.
43
00:02:05,796 --> 00:02:08,669
THANK YOU
FOR MAKING TIME FOR ME.
44
00:02:08,669 --> 00:02:11,422
RIGHT, SURE.
45
00:02:11,422 --> 00:02:14,215
WHAT'S UP?
I NEED SOME SPIN.
46
00:02:14,215 --> 00:02:16,427
I'M GETTING KILLED IN THE PRESS
OVER THIS SEDGEWICK'S THING.
47
00:02:16,427 --> 00:02:19,390
THIS WHOLE TOWN HATES ME.
YEAH, WELL,
48
00:02:19,390 --> 00:02:21,602
NEW YORKERS DON'T LIKE
TO LOSE THEIR LANDMARKS, DAD.
49
00:02:21,602 --> 00:02:23,724
I'M INVESTING MILLIONS
OF DOLLARS IN A HOTEL
50
00:02:23,724 --> 00:02:25,936
THAT'S GOING TO CREATE
OVER 500 JOBS.
51
00:02:25,936 --> 00:02:28,269
SEDGEWICK'S
EMPLOYS 30 PEOPLE.
52
00:02:28,269 --> 00:02:30,401
IT'S NOT AN ECONOMIC ISSUE.
IT'S EMOTIONAL.
53
00:02:30,401 --> 00:02:34,154
BUT I CAN SEE HOW
YOU MIGHT NOT GET THAT.
WELL, YOU'D THINK
I WAS CLUBBING BABY SEALS.
54
00:02:34,154 --> 00:02:36,537
DAD.
THERE'S AN OP-ED PIECE
IN THE "TIMES."
55
00:02:36,537 --> 00:02:38,739
I EVEN GOT A CALL
FROM SOME GANGSTER
56
00:02:38,739 --> 00:02:40,741
WHO'S "PERTURBED."
57
00:02:40,741 --> 00:02:44,124
OKAY.
I'LL SEE WHAT I CAN DO.
58
00:02:44,124 --> 00:02:47,288
I CERTAINLY DON'T WANT YOU
TO GET RUBBED OUT.
59
00:02:47,288 --> 00:02:49,960
WELL, THANKS FOR LETTING ME
INTERRUPT YOUR DAY.
60
00:02:49,960 --> 00:02:51,752
UM...
SOMETHING ELSE ON YOUR MIND?
61
00:02:51,752 --> 00:02:53,754
WE'RE GONNA BE
GOING TO SEDGEWICK'S
62
00:02:53,754 --> 00:02:55,756
FOR DINNER TOMORROW NIGHT.
I'D LIKE YOU TO COME.
63
00:02:55,756 --> 00:02:58,098
YOU'RE EATING AT THE PLACE
YOU WANNA TEAR DOWN?
64
00:02:58,098 --> 00:03:00,641
THEY MAKE GREAT MARTINIS.
WOULDN'T HURT YOU TO SEE
65
00:03:00,641 --> 00:03:03,644
YOUR FAMILY
EVERY ONCE IN AWHILE.
THEY'RE YOUR FAMILY,
NOT MINE.
66
00:03:03,644 --> 00:03:05,396
IT REALLY WOULD
MAKE ME HAPPY.
67
00:03:05,396 --> 00:03:08,068
AS IF THAT WERE
ACTUALLY POSSIBLE, DAD.
68
00:03:08,068 --> 00:03:10,401
BYE. I HAVE TO
GET BACK TO WORK.
69
00:03:10,401 --> 00:03:12,192
ALL RIGHT.
70
00:03:17,318 --> 00:03:19,740
YOU DAD'S KIND OF HOT.
71
00:03:19,740 --> 00:03:23,324
SORRY. I'M JUST REALLY
INTO VINTAGE STUFF LATELY.
72
00:03:33,133 --> 00:03:35,636
HEY.
WHAT ARE YOU DOING HERE?
73
00:03:35,636 --> 00:03:37,428
THIS IS A SURPRISE.
74
00:03:37,428 --> 00:03:40,601
I NEED HELP.
WHAT'S UP?
75
00:03:40,601 --> 00:03:43,724
P.R. HELP. DO YOU GUYS,
UH, DO YOU DO PRO BONO?
76
00:03:43,724 --> 00:03:46,226
WELL, THAT DEPENDS.
YOU WANT SOME COFFEE?
OKAY.
77
00:03:46,226 --> 00:03:49,310
DID EVER HEAR
OF SEDGEWICK'S?
78
00:03:49,310 --> 00:03:51,852
I'M TRYING TO SAVE IT
FROM BEING TORN DOWN.
79
00:03:51,852 --> 00:03:56,407
OH. UH, WHEN DID YOU
BECOME SUCH A PRESERVATIONIST?
80
00:03:56,407 --> 00:03:58,449
ME? OH, I'VE ALWAYS
FOUGHT THE ESTABLISHMENT.
81
00:03:58,449 --> 00:04:02,283
WELL, UM,
AS MUCH AS I'D LOVE TO,
82
00:04:02,283 --> 00:04:04,665
I-I CAN'T.
83
00:04:04,665 --> 00:04:06,747
WHY?
84
00:04:06,747 --> 00:04:09,670
UH, WELL, MY FATHER
IS THE ESTABLISHMENT.
85
00:04:09,670 --> 00:04:13,544
WHAT?
HE'S, UH, FINANCING THE HOTEL
THAT'S REPLACING SEDGEWICK'S.
86
00:04:13,544 --> 00:04:15,426
WELL, YOU--
87
00:04:15,426 --> 00:04:17,298
YOU HAVE TO STOP HIM.
88
00:04:17,298 --> 00:04:19,470
WELL...
I CAN'T DO THAT.
89
00:04:19,470 --> 00:04:22,723
I PROMISED I WOULD
HELP HIM WITH P.R.
90
00:04:22,723 --> 00:04:26,347
YOU CAN'T DO THAT.
LAURA, IT'S--
IT'S JUST A BAR.
91
00:04:26,347 --> 00:04:28,349
WHY DO YOU CARE SO MUCH?
92
00:04:28,349 --> 00:04:30,351
SEDGEWICK'S IS
WHERE THE HIGH LIFE
93
00:04:30,351 --> 00:04:32,893
MET THE LOWLIFE,
SPAWNED THE GOOD LIFE--
94
00:04:32,893 --> 00:04:36,317
I'M SORRY. I-I DON'T KNOW
WHAT YOU WANT ME TO DO.
95
00:04:36,317 --> 00:04:39,320
I GUESS
WE'RE JUST GONNA HAVE TO BE
96
00:04:39,320 --> 00:04:41,452
ON OPPOSITE SIDES OF THIS,
97
00:04:41,452 --> 00:04:43,454
BECAUSE I CAN'T
DISAPPOINT MY FATHER.
98
00:04:43,454 --> 00:04:47,037
OKAY. THAT'S OKAY.
99
00:05:09,059 --> 00:05:10,431
MELANIE...
100
00:05:10,431 --> 00:05:13,063
I'M REALLY TOO BUSY
FOR THIS SEDGEWICK'S THING.
101
00:05:13,063 --> 00:05:15,396
AND YOU'VE BEEN WANTING A CHANCE
TO SHOWCASE YOUR SKILLS,
102
00:05:15,396 --> 00:05:18,649
SO WHY DON'T YOU FIGURE OUT
A WAY TO MAKE MY FATHER
103
00:05:18,649 --> 00:05:21,402
NOT LOOK LIKE
THE GREEDY ASS HE IS
104
00:05:21,402 --> 00:05:24,324
FOR DESTROYING
A NEW YORK TREASURE?
OH, MY GOD, REALLY?
THAT'D BE SO GREAT.
105
00:05:24,324 --> 00:05:29,329
THANK YOU SO MUCH, WHITNEY.
I WILL NOT LET YOU DOWN.
106
00:05:29,329 --> 00:05:31,872
(Ben Schwartz's
"I'm On Your Side" playing)
107
00:05:35,005 --> 00:05:37,378
MOM.
HI, HONEY.
GOOD TO SEE YOU.
108
00:05:37,378 --> 00:05:39,009
HEY. COME ON IN.
109
00:05:39,009 --> 00:05:41,462
COME ON IN. TAKE ONE
LAST LOOK, WILL YOU?
110
00:05:41,462 --> 00:05:44,304
GO SEE IF YOU'VE
FORGOTTEN ANYTHING.
111
00:05:44,304 --> 00:05:46,967
HOW YOU FEELING?
I'M DOING ALL RIGHT.
112
00:05:46,967 --> 00:05:50,270
I WISH MY DAD COULD HAVE
SEEN HIM ONE LAST TIME,
113
00:05:50,270 --> 00:05:52,272
BUT, YOU KNOW...
I'M SORRY.
114
00:05:52,272 --> 00:05:53,684
I KNOW.
115
00:05:53,684 --> 00:05:56,937
THANKS.
116
00:05:56,937 --> 00:05:59,980
YOU LOOK A LITTLE BEAT-UP.
THANK YOU.
117
00:05:59,980 --> 00:06:01,902
THAT'S BECAUSE HE BROKE UP
WITH HIS GIRLFRIEND.
OKAY.
118
00:06:01,902 --> 00:06:04,154
REALLY?
YES. IT'S FINE.
119
00:06:04,154 --> 00:06:07,408
REALLY?
YEAH.
IT'S NOT A BIG DEAL.
120
00:06:07,408 --> 00:06:09,249
WELL, THANKS FOR
LOOKING AFTER MAX.
121
00:06:09,249 --> 00:06:11,251
I HEARD YOU GUYS
HAD A GOOD TIME.
122
00:06:11,251 --> 00:06:14,254
YEAH, WE DID.
WE HAD A PRETTY GOOD TIME.
123
00:06:14,254 --> 00:06:16,256
SORRY ABOUT ANYA.
SHE WAS KIND OF COOL.
124
00:06:16,256 --> 00:06:19,339
YEAH, SHE WAS KIND OF COOL.
125
00:06:19,339 --> 00:06:21,381
YOU GONNA BE ALL RIGHT?
126
00:06:21,381 --> 00:06:24,214
UH, I THINK I'LL LIVE.
YES. DON'T WORRY ABOUT ME.
127
00:06:24,214 --> 00:06:26,887
REMEMBER,
THERE'S ALWAYS MOM AND ME.
128
00:06:26,887 --> 00:06:30,060
♪ OH, 'CAUSE I'M... ♪
129
00:06:30,060 --> 00:06:32,222
SEE YOU LATER.
130
00:06:33,604 --> 00:06:36,226
♪ OH, NO SHAME, YEAH ♪
131
00:06:36,226 --> 00:06:38,228
♪ AND I DON'T BELIEVE THE WAY ♪
132
00:06:38,228 --> 00:06:42,072
♪ OH, 'CAUSE I'M BY... ♪
133
00:06:42,072 --> 00:06:45,195
HEY, SIGN A PETITION
TO SAVE A NEW YORK LANDMARK.
134
00:06:45,195 --> 00:06:47,197
HISTORY MATTERS.
HELP SAVE SEDGEWICK'S.
135
00:06:47,197 --> 00:06:49,450
NO MONEY REQUIRED,
JUST A SIGNATURE.
SORRY. DON'T HAVE TIME.
136
00:06:49,450 --> 00:06:51,452
HEY, EXCUSE ME.
HELP SAVE SEDGEWICK'S.
137
00:06:51,452 --> 00:06:54,585
NO MONEY REQUIRED--
YOU JUST HAVE TO SIGN YOUR NAME.
138
00:06:54,585 --> 00:06:58,539
♪♪♪
139
00:06:58,539 --> 00:07:00,591
♪ AND I DON'T BELIEVE THE WAY ♪
140
00:07:00,591 --> 00:07:03,674
HOW ARE YOU THIS EVENING?
141
00:07:03,674 --> 00:07:05,546
YEAH.
142
00:07:05,546 --> 00:07:08,509
...A PETITION RIGHT HERE
TO HELP SAVE SEDGEWICK'S.
143
00:07:08,509 --> 00:07:11,852
DRIVE.
RELAX.
144
00:07:11,852 --> 00:07:13,393
COME BACK INSIDE.
PLEASE.
145
00:07:13,393 --> 00:07:15,435
OH, COME ON, KAREN.
146
00:07:15,435 --> 00:07:18,188
COME ON!
147
00:07:27,367 --> 00:07:29,199
HOW'S YOUR NIGHT GOING?
148
00:07:29,199 --> 00:07:31,121
PUT IT LIKE THIS--
149
00:07:31,121 --> 00:07:33,123
YOU'RE THE FIRST PERSON
TO ASK ME.
150
00:07:33,123 --> 00:07:35,335
HMM. THAT GOOD, HUH?
YEAH.
151
00:07:35,335 --> 00:07:38,338
CAN'T COMPLAIN, THOUGH.
IT'S NOT 75 BUCKS AN HOUR,
152
00:07:38,338 --> 00:07:40,340
PLUS YOU GOTTA BE NICE
TO YOUR DRIVER.
153
00:07:40,340 --> 00:07:42,793
UH, WE'RE GOING TO
75th AND PARK, RIGHT?
154
00:07:42,793 --> 00:07:45,425
NO,
I DON'T WANNA GO HOME.
155
00:07:45,425 --> 00:07:48,218
OKAY, UM,
WHERE DO YOU WANNA GO?
156
00:07:48,218 --> 00:07:50,430
I'M IN THE MOOD
FOR A BURGER.
157
00:07:50,430 --> 00:07:52,222
♪♪♪
158
00:07:52,222 --> 00:07:55,015
HOW 'BOUT YOU?
YOU ALREADY EAT?
159
00:07:56,396 --> 00:07:58,308
I MIGHT KNOW A PLACE.
160
00:08:00,360 --> 00:08:03,193
YOU WERE RIGHT.
OH, YEAH? ABOUT...
161
00:08:03,193 --> 00:08:05,275
THE PLACE.
162
00:08:05,275 --> 00:08:07,197
AH, WELL, YOU KNOW,
IT'S PART OF THE JOB,
163
00:08:07,197 --> 00:08:09,279
KNOWING THE CITY
AND EVERYTHING.
164
00:08:09,279 --> 00:08:11,612
YOU DON'T SEEM TO
LIKE YOUR JOB VERY MUCH.
165
00:08:11,612 --> 00:08:13,203
I DON'T KNOW.
166
00:08:13,203 --> 00:08:16,206
I KIND OF THOUGHT IT WOULD
BE MORE THAN JUST A JOB.
167
00:08:16,206 --> 00:08:18,208
YOU KNOW, I THOUGHT
I'D OWN MY OWN BUSINESS,
168
00:08:18,208 --> 00:08:20,040
MEET A MILLION PEOPLE.
169
00:08:20,040 --> 00:08:22,462
BUT DRIVING AROUND,
YOU KNOW, YOU JUST LOSE FAITH.
170
00:08:22,462 --> 00:08:26,046
THE COUPLE OF FEET BETWEEN
THE FRONT AND THE BACKSEAT
171
00:08:26,046 --> 00:08:27,427
CAN FEEL LIKE MILES,
172
00:08:27,427 --> 00:08:29,339
AND I END UP
FEELING INVISIBLE.
173
00:08:29,339 --> 00:08:30,931
I GET THAT.
174
00:08:35,896 --> 00:08:37,477
WHO WAS THAT BACK THERE,
175
00:08:37,477 --> 00:08:39,479
BANGING ON MY WINDOW
AT THE BAR?
176
00:08:39,479 --> 00:08:41,562
OH, NOBODY.
177
00:08:41,562 --> 00:08:44,404
HE WORKS FOR MY BOYFRIEND.
IT WAS NOTHING.
178
00:08:44,404 --> 00:08:46,276
MM-HMM.
179
00:08:46,276 --> 00:08:48,278
HOW COME
YOU DON'T GET OUT?
180
00:08:48,278 --> 00:08:49,650
OF?
181
00:08:49,650 --> 00:08:51,612
DRIVING.
182
00:08:51,612 --> 00:08:53,614
I'M KIND OF LOCKED-IN,
YOU KNOW.
183
00:08:53,614 --> 00:08:55,205
STARTING ALL OVER AGAIN--
184
00:08:55,205 --> 00:08:58,288
IT'S A LITTLE EASIER
SAID THAN DONE.
185
00:08:58,288 --> 00:09:01,371
DRINKING AND DRUGGING
AREN'T REALLY MY PROBLEMS.
186
00:09:01,371 --> 00:09:03,373
ALTHOUGH, LET'S BE HONEST,
187
00:09:03,373 --> 00:09:07,628
THEY AREN'T EXACTLY ASSETS,
EITHER.
188
00:09:07,628 --> 00:09:10,591
WHAT THEY ARE
ARE SYMPTOMS OF MY INABILITY
189
00:09:10,591 --> 00:09:13,383
TO TOLERATE MY OWN COMPANY...
190
00:09:13,383 --> 00:09:15,886
WHICH IS WHY I COME HERE--
191
00:09:15,886 --> 00:09:20,230
TO LEARN HOW TO BE
COMFORTABLE IN MY OWN SKIN,
192
00:09:20,230 --> 00:09:23,103
WITHOUT THE ANESTHESIA.
193
00:09:24,524 --> 00:09:26,486
THANKS FOR SHARING THAT.
194
00:09:26,486 --> 00:09:29,569
THAT WAS
A REALLY GREAT SHARE.
195
00:09:29,569 --> 00:09:32,532
IT LIVES.
HEY, JIMMY.
196
00:09:32,532 --> 00:09:35,195
HEY, YOU COST ME 20 BUCKS.
197
00:09:35,195 --> 00:09:38,198
I HAD YOU DEAD BY AUGUST
IN THE BETTING POOL.
198
00:09:38,198 --> 00:09:40,500
WELL, I'M A SPOILER.
199
00:09:40,500 --> 00:09:42,412
YOUR INSTINCTS WERE GOOD,
THOUGH.
200
00:09:42,412 --> 00:09:44,204
GOT A MINUTE?
201
00:09:44,204 --> 00:09:47,007
SURE.
202
00:09:47,007 --> 00:09:50,210
AND THEN I MET THE GIRL,
UH, WOMAN, ANYA.
THERE'S ALWAYS A GIRL.
203
00:09:50,210 --> 00:09:52,342
OH, I TRIED
TO CONVINCE MYSELF
204
00:09:52,342 --> 00:09:56,136
IT WAS FUN AND GAMES AND SEX,
WHICH IT WAS, BUT...
205
00:09:56,136 --> 00:09:59,640
I FELL HARD,
LIKE AN IDIOT.
206
00:09:59,640 --> 00:10:02,142
AND THEN MAX LEAVES.
207
00:10:02,142 --> 00:10:05,225
HE GOES HOME,
AND I'M JUST LIKE...
208
00:10:05,225 --> 00:10:07,277
IN THE APARTMENT.
YOU KNOW THE DRILL.
209
00:10:07,277 --> 00:10:09,990
YEAH. WHAT ABOUT WORK?
210
00:10:09,990 --> 00:10:12,112
NOTHING GOING ON THIS WEEK,
SO...
211
00:10:12,112 --> 00:10:15,115
IDLE HANDS.
YEAH,
YOU KNOW HOW THAT TURNS OUT.
212
00:10:15,115 --> 00:10:17,998
63 DAYS CLEAN.
63 DAYS... 63 DAYS...
213
00:10:17,998 --> 00:10:21,291
WHAT IS THAT? THE NEW MATH
THAT EVERYBODY'S TALKING ABOUT?
214
00:10:21,291 --> 00:10:25,165
YOU SAID YOU HAD
A GLASS OF WINE.
DRINKING'S NEVER BEEN
MY PROBLEM, JIMMY.
215
00:10:25,165 --> 00:10:27,167
YOU KNOW THAT.
NO,
THAT'S NOT YOUR PROBLEM...
216
00:10:27,167 --> 00:10:28,669
UNTIL YOU GET SO DRUNK
217
00:10:28,669 --> 00:10:31,802
THAT AN EIGHT BALL SEEMS LIKE
A GOOD INVESTMENT.
218
00:10:31,802 --> 00:10:34,304
YOU DID THE RIGHT THING
COMING HERE, STEVEN,
219
00:10:34,304 --> 00:10:36,596
BUT YOU GOTTA KEEP COMING.
220
00:10:36,596 --> 00:10:38,598
AND WHEN
YOU'RE NOT IN MEETINGS,
221
00:10:38,598 --> 00:10:40,971
YOU GOTTA STAY BUSY,
PRODUCTIVE THINGS.
222
00:10:40,971 --> 00:10:43,263
AND WHEN YOU FIND YOURSELF
LISTENING TO THAT VOICE
223
00:10:43,263 --> 00:10:46,977
THAT TELLS YOU TO CLIMB BACK
INTO THE BAGGIE OR THE BOTTLE,
224
00:10:46,977 --> 00:10:48,478
YOU CALL ME, 24/7.
225
00:10:48,478 --> 00:10:50,981
OKAY.
226
00:10:50,981 --> 00:10:53,363
YOU'RE GONNA BE OKAY,
STEVEN.
227
00:10:53,363 --> 00:10:57,037
OH, I'M GONNA BE OKAY.
228
00:11:12,963 --> 00:11:15,555
I CALLED THE SERVICE
AND REQUESTED YOU.
229
00:11:15,555 --> 00:11:18,558
YEAH, THEY TOLD ME.
ALL DAY?
GOT SOME ERRANDS
AND SHOPPING TO DO.
230
00:11:18,558 --> 00:11:20,640
THOUGHT I MIGHT AS WELL
231
00:11:20,640 --> 00:11:22,642
DO IT WITH SOMEONE
WHOSE COMPANY I ENJOY.
232
00:11:22,642 --> 00:11:25,605
WELL, IN THAT CASE,
MAKE YOURSELF COMFORTABLE.
233
00:11:25,605 --> 00:11:29,900
HOW ABOUT
I SIT UP HERE WITH YOU?
234
00:11:29,900 --> 00:11:33,023
YOU KNOW,
BECAUSE THE COUPLE OF FEET
235
00:11:33,023 --> 00:11:35,655
BETWEEN THE BACK
AND THE FRONT CAN BE MILES.
236
00:11:43,453 --> 00:11:45,205
YOU LIKE?
237
00:11:45,205 --> 00:11:47,087
UH...
238
00:11:47,087 --> 00:11:49,539
UH, YOU--YOU--
ARE YOU KIDDING ME?
239
00:11:49,539 --> 00:11:52,042
WHY DON'T YOU PICK OUT
SOMETHING YOU LIKE?
240
00:11:52,042 --> 00:11:54,174
OKAY.
241
00:11:54,174 --> 00:11:55,756
HMM.
242
00:11:55,756 --> 00:11:57,387
NAH.
243
00:11:57,387 --> 00:11:59,890
LET'S--LET'S SEE.
244
00:12:02,722 --> 00:12:05,976
MNH-MNH. NOT THAT ONE.
245
00:12:05,976 --> 00:12:09,399
HIS WIFE WEARS THAT DESIGNER.
246
00:12:11,351 --> 00:12:14,775
UH, OKAY.
247
00:12:18,278 --> 00:12:21,952
I FEEL LIKE I'M GOING
BACK-TO-SCHOOL SHOPPING.
248
00:12:21,952 --> 00:12:23,323
YOU KNOW?
249
00:12:23,323 --> 00:12:26,626
EXCEPT IT DEFINITELY
WASN'T ON MADISON AVENUE.
250
00:12:26,626 --> 00:12:28,248
WHAT IS THIS?
251
00:12:28,248 --> 00:12:30,710
I BOUGHT YOU SOMETHING
WHEN YOU WEREN'T LOOKING.
KAREN.
252
00:12:30,710 --> 00:12:33,173
OPEN IT.
253
00:12:33,173 --> 00:12:36,506
WOW. WOW,
THAT'S BEAUTIFUL.
254
00:12:36,506 --> 00:12:39,379
I MEAN, IT'S UNNECESSARY,
BUT THANK YOU.
255
00:12:39,379 --> 00:12:42,472
YOU'RE RESTORING
MY FAITH IN MEN.
256
00:12:42,472 --> 00:12:44,474
IT LOOKS GOOD.
257
00:12:44,474 --> 00:12:46,476
IT LOOKS GREAT.
HUH?
258
00:12:53,313 --> 00:12:54,815
HEY.
259
00:12:54,815 --> 00:12:56,817
HEY, DAD.
HI, STEVEN.
260
00:12:56,817 --> 00:13:00,030
IS EVERYTHING ALL RIGHT?
YEAH. NO, EVERYTHING'S FINE.
YEP. I KNOW IT'S NOT MY DAY.
261
00:13:00,030 --> 00:13:01,781
I JUST WAS WALKING AROUND,
262
00:13:01,781 --> 00:13:04,905
TRYING TO STAY OUT
OF MY OWN HEAD.
263
00:13:04,905 --> 00:13:07,497
I THOUGHT MAX MIGHT WANNA
GO TO A MOVIE OR SOMETHING.
264
00:13:07,497 --> 00:13:13,173
UH, WE'RE KIND OF
ON OUR WAY TO THE PARK.
OF COURSE. I'M SORRY.
I SHOULD HAVE CALLED.
265
00:13:13,173 --> 00:13:15,675
DO YOU WANNA COME WITH US?
266
00:13:18,048 --> 00:13:19,719
SURE, YEAH.
267
00:13:27,347 --> 00:13:30,190
HEY, MAX!
HEY. CAN I GO PLAY?
268
00:13:30,190 --> 00:13:33,854
I THOUGHT YOU WERE HERE TO
SPEND TIME WITH YOUR MOTHER.
IT'S FINE. JUST BE
CAREFUL OF YOUR ARM, OKAY?
269
00:13:33,854 --> 00:13:36,606
COME ON!
WE'RE GONNA WAIT RIGHT HERE.
270
00:13:36,606 --> 00:13:39,359
OH, GOD.
IT'S UNBELIEVABLE.
271
00:13:39,359 --> 00:13:42,362
THIS KID HAS FRIENDS IN
EVERY CORNER OF THE CITY.
272
00:13:42,362 --> 00:13:45,785
YEAH, HE'S AN OPERATOR.
JUST LIKE HIS DAD.
273
00:13:45,785 --> 00:13:48,618
GIRLS ARE ON THE HORIZON,
TOO, I EXPECT.
274
00:13:48,618 --> 00:13:51,451
THEN WE'RE NEVER
GONNA SEE HIM.
275
00:14:00,170 --> 00:14:01,511
WHAT?
276
00:14:01,511 --> 00:14:03,133
JUST BEFORE--
277
00:14:03,133 --> 00:14:06,136
YOU SAID YOU WERE TRYING TO
STAY OUT OF YOUR OWN HEAD.
278
00:14:06,136 --> 00:14:08,728
THAT'S PROGRAM TALK.
YES.
279
00:14:08,728 --> 00:14:10,730
YOU BACK IN A.A.?
280
00:14:10,730 --> 00:14:12,232
YES, I AM.
281
00:14:15,065 --> 00:14:17,027
GOOD FOR YOU, STEVEN.
282
00:14:17,027 --> 00:14:18,608
THAT'S GREAT.
283
00:14:20,240 --> 00:14:23,033
DID YOU HEAR
SEDGEWICK'S IS CLOSING?
284
00:14:23,033 --> 00:14:25,035
OH, I READ THAT.
285
00:14:25,035 --> 00:14:27,197
WHAT WAS THAT,
LIKE, OUR SECOND DATE?
286
00:14:27,197 --> 00:14:28,989
NO, FIRST OFFICIAL DATE.
287
00:14:28,989 --> 00:14:31,371
THE NIGHT
I STOLE YOU FROM HENRI
288
00:14:31,371 --> 00:14:34,204
WAS AN ACT OF PIRACY,
NOT A DATE.
289
00:14:40,961 --> 00:14:42,802
YOU WANNA
TAKE MAX OVER THERE
290
00:14:42,802 --> 00:14:45,505
AND GET A TABLE
BEFORE IT'S GONE FOREVER?
291
00:14:49,469 --> 00:14:51,471
PROBABLY NOT.
292
00:14:51,471 --> 00:14:53,473
IT'S A SCHOOL NIGHT.
293
00:14:55,645 --> 00:14:57,317
OKAY.
294
00:15:03,233 --> 00:15:06,236
(Jenny Bruce's
"I Hear Your Voice" playing)
295
00:15:12,242 --> 00:15:14,914
♪ I STAND UP ♪
296
00:15:14,914 --> 00:15:18,588
♪ BUT I FEEL LIKE
I'M FALLING ♪
297
00:15:18,588 --> 00:15:21,381
SORRY I'M LATE.
OH, GLAD YOU MADE IT.
298
00:15:21,381 --> 00:15:23,253
HI, DAD.
HELLO.
299
00:15:23,253 --> 00:15:25,345
KATHY.
300
00:15:25,345 --> 00:15:27,257
HEY. HOW ARE YOU?
301
00:15:27,257 --> 00:15:29,719
GOOD. HOW ARE YOU?
GOOD.
302
00:15:29,719 --> 00:15:31,851
OH, THIS IS CARLOS.
303
00:15:31,851 --> 00:15:33,853
CARLOS,
THIS IS MY SISTER WHITNEY.
HALF-SISTER.
304
00:15:33,853 --> 00:15:35,355
HI.
NICE TO MEET YOU.
305
00:15:35,355 --> 00:15:38,318
NICE TO MEET YOU.
SO YOU LOOK GOOD.
DIFFERENT, THOUGH.
306
00:15:38,318 --> 00:15:39,519
DID YOU CHANGE YOUR HAIR?
307
00:15:39,519 --> 00:15:42,942
UH, WELL, I MEAN, WHEN WAS
THE LAST TIME WE SAW EACH OTHER?
308
00:15:42,942 --> 00:15:46,616
RIGHT.
309
00:15:46,616 --> 00:15:50,620
SO HOW LONG HAVE YOU TWO
BEEN SEEING EACH OTHER?
310
00:15:50,620 --> 00:15:52,662
A WEEK.
311
00:15:52,662 --> 00:15:55,875
WOW. AND YOU'RE
ALREADY MEETING THE FAMILY.
312
00:15:55,875 --> 00:15:57,957
KIND OF CRAZY, I KNOW.
313
00:15:57,957 --> 00:15:59,959
CARLOS IS MAD AT ME.
314
00:15:59,959 --> 00:16:02,042
I INVITED HIM
UNDER FALSE PRETENSES.
315
00:16:02,042 --> 00:16:04,754
BUT I HAD A GOOD REASON.
316
00:16:04,754 --> 00:16:07,257
I GOT FIRED.
317
00:16:07,257 --> 00:16:09,889
AND CARLOS
IS A DEFENSE ATTORNEY,
318
00:16:09,889 --> 00:16:12,182
AND I THOUGHT
HE COULD GET ME
319
00:16:12,182 --> 00:16:14,224
A REDUCED SENTENCE
WITH THE JUDGE.
320
00:16:14,224 --> 00:16:17,807
HMM. A LITIGATOR. THAT'S CLEVER.
WISH I HAD THOUGHT OF THAT.
321
00:16:17,807 --> 00:16:20,190
SO, LISA,
HAVE YOU GIVEN ANY THOUGHT
322
00:16:20,190 --> 00:16:23,603
TO WHAT YOU'RE GOING TO DO NOW
THAT YOU'RE UNEMPLOYED AGAIN?
323
00:16:23,603 --> 00:16:26,366
EASY, DAD.
THERE'S A CIVILIAN PRESENT.
324
00:16:26,366 --> 00:16:28,198
HONEY, IT'S ALWAYS THE SAME
THING WITH YOUR SISTER--
325
00:16:28,198 --> 00:16:31,411
A LOT OF CHARM UP FRONT,
NO FOLLOW-THROUGH.
326
00:16:31,411 --> 00:16:34,244
WITH ALL DUE RESPECT, SIR,
327
00:16:34,244 --> 00:16:36,456
IF YOUR DAUGHTER'S
NOT PASSIONATE ABOUT HER JOB,
328
00:16:36,456 --> 00:16:38,618
SHOULDN'T SHE FIND
SOMETHING SHE CARES ABOUT?
329
00:16:38,618 --> 00:16:40,420
MM.
330
00:16:40,420 --> 00:16:42,252
SEE?
331
00:16:42,252 --> 00:16:44,754
I TOLD YOU HE WAS GOOD.
332
00:16:44,754 --> 00:16:48,007
SO, WHIT,
HOW'S OUR LITTLE PROJECT GOING?
333
00:16:48,007 --> 00:16:51,091
GOOD, GOOD.
WE'VE GOTTEN A LOT OF WORK DONE
334
00:16:51,091 --> 00:16:54,264
SINCE THIS MORNING WHEN
YOU DUMPED IT ON MY LAP.
335
00:16:54,264 --> 00:16:56,846
HE'LL NEVER BE HAPPY,
NO MATTER WHAT YOU DO.
336
00:16:56,846 --> 00:16:59,229
I'M NOT GOING TO APOLOGIZE
FOR HAVING HIGHER STANDARDS...
337
00:16:59,229 --> 00:17:02,021
CERTAINLY NOT TO YOU,
MY DEAR.
338
00:17:02,021 --> 00:17:06,236
♪ I'D BE CRAZY
TO LET YOU GO ♪
339
00:17:06,236 --> 00:17:09,109
♪ AND HOW I NEED YOU,
YOU WILL NEVER KNOW ♪
340
00:17:09,109 --> 00:17:11,111
WHY DON'T YOU
COME INTO RALSTON?
341
00:17:11,111 --> 00:17:13,323
MAYBE WE CAN FIND
SOMETHING FOR YOU.
342
00:17:13,323 --> 00:17:16,866
SERIOUSLY?
YEAH, THAT WOULD BE GREAT.
343
00:17:16,866 --> 00:17:19,419
THANK YOU.
ARE YOU SURE
YOU WANT TO DO THAT?
344
00:17:19,419 --> 00:17:22,082
YEAH, WHY NOT? WHAT ELSE
IS FAMILY FOR, RIGHT?
345
00:17:22,082 --> 00:17:24,964
IT'S YOUR FUNERAL.
346
00:18:00,750 --> 00:18:03,753
HEY, IT'S STEVEN. HI.
347
00:18:03,753 --> 00:18:06,336
YEAH, I REALLY NEED TO SEE YOU.
348
00:18:06,336 --> 00:18:08,838
HEY.
HEY.
349
00:18:08,838 --> 00:18:10,550
EVERYTHING ALL RIGHT?
350
00:18:10,550 --> 00:18:12,552
YEAH, I'M SORRY. I'M JUST
HAVING A LITTLE DIFFICULTY
351
00:18:12,552 --> 00:18:14,174
BEING IN MY APARTMENT
352
00:18:14,174 --> 00:18:17,137
OR ANYWHERE, ACTUALLY,
ALONE.
STEVEN, I...
353
00:18:17,137 --> 00:18:20,390
I'M NOT TRYING TO BE GREEDY.
I JUST...
354
00:18:20,390 --> 00:18:22,562
I JUST
WANNA BE NEAR YOU GUYS.
355
00:18:22,562 --> 00:18:25,435
I'LL SLEEP ON THE COUCH...
356
00:18:25,435 --> 00:18:27,607
JUST TO BE HOME, I...
357
00:18:34,364 --> 00:18:37,327
COME ON IN.
358
00:18:37,327 --> 00:18:38,908
THANKS.
359
00:18:47,126 --> 00:18:48,508
TODAY WAS FUN.
360
00:18:48,508 --> 00:18:51,591
YEAH, IT WAS.
UH, THANK YOU.
361
00:18:51,591 --> 00:18:53,343
IT'S JUST A SCARF.
362
00:18:53,343 --> 00:18:55,925
NAH. THANKS FOR NOT
TREATING ME LIKE A DRIVER.
363
00:18:55,925 --> 00:18:59,179
SO YOU--YOU WANNA
COME IN FOR A DRINK?
364
00:18:59,179 --> 00:19:01,311
MM...
365
00:19:01,311 --> 00:19:03,313
HEY, JUST 'CAUSE
HE PAYS THE RENT--
366
00:19:03,313 --> 00:19:04,934
IT'S STILL MY APARTMENT.
367
00:19:04,934 --> 00:19:07,317
I CAN ENTERTAIN
ANYONE I WANT.
368
00:19:09,319 --> 00:19:11,271
(Jenny Bruce's "Cross My Heart"
playing)
369
00:19:11,271 --> 00:19:13,323
♪ THERE YOU GO ♪
370
00:19:13,323 --> 00:19:16,616
♪ WITH THAT SILLY SMILE ♪
371
00:19:16,616 --> 00:19:18,238
WOW.
372
00:19:20,200 --> 00:19:21,831
THANK YOU.
373
00:19:21,831 --> 00:19:23,283
♪ WHEN YOU LAUGH ♪
374
00:19:23,283 --> 00:19:27,287
♪ MY WHOLE WORLD FREEZES ♪
375
00:19:27,287 --> 00:19:31,130
♪ CROSS MY HEART
AND HOPE TO DIE ♪
376
00:19:31,130 --> 00:19:33,132
LET ME ASK YOU A QUESTION.
377
00:19:33,132 --> 00:19:36,296
WHY AM I
WITH A MARRIED MAN?
378
00:19:36,296 --> 00:19:39,349
YEAH. YEAH, THAT.
379
00:19:39,349 --> 00:19:43,102
IT WASN'T THE PLAN
I DREW UP ON THE BUS.
380
00:19:43,102 --> 00:19:46,896
I WAS GONNA
TAKE THE TOWN BY STORM,
381
00:19:46,896 --> 00:19:48,808
BUT THAT DIDN'T HAPPEN.
382
00:19:48,808 --> 00:19:52,232
AND HENRY RESCUED ME...
383
00:19:52,232 --> 00:19:55,405
SHOWED ME A BIG WORLD,
THE GOOD LIFE,
384
00:19:55,405 --> 00:19:57,487
GAVE ME AN APPETITE.
385
00:19:57,487 --> 00:20:01,821
MAYBE HE MADE SURE YOU
FORGOT HOW TO FEED YOURSELF.
386
00:20:01,821 --> 00:20:03,993
I'M SORRY.
387
00:20:03,993 --> 00:20:05,495
♪ LIKE COUNTING STARS OUT... ♪
388
00:20:05,495 --> 00:20:07,377
NO. IT'S OKAY.
389
00:20:07,377 --> 00:20:11,421
♪ UNTIL THE MORNING COMES ♪
390
00:20:11,421 --> 00:20:13,963
♪ AND STEALS THEM... ♪
391
00:20:13,963 --> 00:20:16,796
I HAD THIS BROTHER,
RIGHT?
392
00:20:16,796 --> 00:20:19,839
NOT REALLY WHAT YOU'D CALL
AN UPSTANDING CITIZEN.
393
00:20:19,839 --> 00:20:23,513
HE HAD NICE THINGS,
AND I WANTED 'EM.
394
00:20:23,513 --> 00:20:26,185
SO I DID WHAT HE TOLD ME TO,
395
00:20:26,185 --> 00:20:29,559
TILL I GOT LOCKED UP.
396
00:20:29,559 --> 00:20:31,771
AND WHEN I GOT OUT,
397
00:20:31,771 --> 00:20:34,774
I HAD TO LEARN TO DO THINGS
THE WAY EVERYBODY ELSE DID.
398
00:20:34,774 --> 00:20:36,696
♪ AND GOD KNOWS WHERE... ♪
399
00:20:36,696 --> 00:20:39,949
I HAD TO TURN MY BACK
ON MY BROTHER.
400
00:20:39,949 --> 00:20:42,622
HARDEST THING
I EVER HAD TO DO.
401
00:20:42,622 --> 00:20:44,664
♪ WITHOUT KNOWING ♪
402
00:20:44,664 --> 00:20:46,666
BUT NOW I DON'T LOOK OVER
MY SHOULDER ANYMORE.
403
00:20:46,666 --> 00:20:50,370
I GOT NO PROBLEM
LOOKING IN THE MIRROR.
404
00:20:54,083 --> 00:20:56,085
THAT--THAT'S PROBABLY HENRY.
405
00:20:56,085 --> 00:21:00,680
♪ LIKE COUNTING STARS OUT
ONE BY ONE ♪
406
00:21:00,680 --> 00:21:02,302
YEAH.
407
00:21:02,302 --> 00:21:05,224
♪ UNTIL THE MORNING COMES ♪
408
00:21:05,224 --> 00:21:07,727
♪ AND STEALS THEM ALL... ♪
409
00:21:07,727 --> 00:21:09,809
I HAD A NICE TIME TONIGHT.
410
00:21:09,809 --> 00:21:11,391
♪ AWAY ♪
411
00:21:11,391 --> 00:21:13,192
SEE YOU LATER.
412
00:21:20,490 --> 00:21:23,493
(Joe Faraci's "Say I'm the One"
playing)
413
00:21:32,251 --> 00:21:34,173
♪ I BROUGHT YOU UP ♪
414
00:21:37,296 --> 00:21:40,720
♪ WHEN YOU FELL ♪
415
00:21:40,720 --> 00:21:42,722
♪ WHEN YOU FELL ♪
416
00:21:42,722 --> 00:21:46,726
♪ YOU GAVE ME YOUR SECRETS ♪
417
00:21:48,848 --> 00:21:50,430
HEY.
418
00:21:50,430 --> 00:21:53,232
HEY.
419
00:21:53,232 --> 00:21:57,897
♪ SAY I'M THE ONE ♪
420
00:21:57,897 --> 00:22:01,070
HOW MANY TIMES
HAVE I TAKEN YOU BACK?
421
00:22:03,783 --> 00:22:05,615
TOO MANY.
422
00:22:05,615 --> 00:22:09,038
YEAH.
423
00:22:09,038 --> 00:22:12,081
♪ AND HEAVEN ABOVE ♪
424
00:22:12,081 --> 00:22:14,083
♪ AND HEAVEN ABOVE ♪
425
00:22:14,083 --> 00:22:17,006
♪ DO YOU WANT ME NOW? ♪
426
00:22:17,006 --> 00:22:19,719
♪ DO YOU WANT ME HERE? ♪
427
00:22:19,719 --> 00:22:25,054
♪ DO YOU WANT ME
LIKE YOU NEVER HAD? ♪
428
00:22:25,054 --> 00:22:27,767
♪ DO YOU WANT ME NOW? ♪
429
00:22:27,767 --> 00:22:30,770
♪ DO YOU WANT ME HERE? ♪
430
00:22:52,371 --> 00:22:54,253
MMM.
431
00:22:54,253 --> 00:22:57,256
WHAT TIME IS IT?
432
00:22:57,256 --> 00:22:59,669
IT'S 6:44.
433
00:23:01,501 --> 00:23:03,463
YOU GOTTA GET OUT OF HERE.
434
00:23:03,463 --> 00:23:06,596
MAX CAN'T SEE US LIKE THIS.
435
00:23:06,596 --> 00:23:09,268
OKAY.
436
00:23:09,268 --> 00:23:12,101
OR--OR WE COULD...
437
00:23:12,101 --> 00:23:13,352
WHAT?
438
00:23:15,354 --> 00:23:17,607
TRY BEING A FAMILY AGAIN.
439
00:23:19,398 --> 00:23:21,400
OH, STEVEN.
COME ON.
440
00:23:21,400 --> 00:23:22,732
WHY NOT?
441
00:23:22,732 --> 00:23:24,734
YOU'RE JUST DOWN.
YOUR GIRLFRIEND LEFT YOU.
442
00:23:24,734 --> 00:23:26,866
THIS HAS NOTHING
TO DO WITH THAT.
443
00:23:26,866 --> 00:23:29,489
WE'VE BEEN OVER THIS
SO MANY TIMES.
WELL, IT'S DIFFERENT NOW.
444
00:23:29,489 --> 00:23:32,291
I'M SOBER, CHRIS.
I AM TRULY SOBER. I AM WORKING.
445
00:23:32,291 --> 00:23:35,164
NO, IT'S--IT'S LIKE
THE DEFINITION OF INSANITY,
446
00:23:35,164 --> 00:23:38,127
AND IT'S ALWAYS
THE SAME RESULT WITH US.
447
00:23:38,127 --> 00:23:40,249
LAST NIGHT WAS...
448
00:23:40,249 --> 00:23:41,921
LOVELY.
449
00:23:44,093 --> 00:23:48,307
LAST NIGHT WAS LOVELY,
BUT IT WAS JUST ONE NIGHT.
450
00:23:48,307 --> 00:23:50,009
LISTEN TO ME,
451
00:23:50,009 --> 00:23:52,682
EITHER ONE OF US COULD HAVE
SOMEBODY ELSE TOMORROW.
452
00:23:52,682 --> 00:23:54,684
MAX COULD HAVE
A STEPFATHER.
453
00:23:54,684 --> 00:23:56,225
FOR RIGHT NOW...
454
00:23:58,688 --> 00:24:01,230
IT COULD BE
JUST THE THREE OF US.
455
00:24:03,402 --> 00:24:06,826
TELL ME THAT DOESN'T
FEEL RIGHT.
456
00:24:06,826 --> 00:24:08,197
TELL ME THAT,
457
00:24:08,197 --> 00:24:10,830
AND I WON'T SAY
ANOTHER WORD ABOUT IT.
458
00:24:12,331 --> 00:24:14,373
MELANIE.
459
00:24:14,373 --> 00:24:17,206
HANG ON.
I'M ON A ROLL.
460
00:24:17,206 --> 00:24:20,209
OKAY, HOW DOES THIS SOUND?
"NOTED FINANCIER HENRY CRANE
461
00:24:20,209 --> 00:24:22,041
"IS COMMITTED
TO CREATING HOUSING AND JOBS
462
00:24:22,041 --> 00:24:25,384
FOR THE PEOPLE OF NEW YORK."
NO, IT NEEDS MORE SIZZLE.
MELANIE.
463
00:24:25,384 --> 00:24:27,346
OH. HI.
464
00:24:27,346 --> 00:24:29,719
HI.
THIS IS MY SISTER LISA.
465
00:24:29,719 --> 00:24:31,761
WOW. DOES EVERYONE
IN YOUR FAMILY
466
00:24:31,761 --> 00:24:34,804
HAVE THOSE
INCREDIBLE CHEEKBONES?
SHE'S STARTING WORK HERE
AS AN INTERN.
467
00:24:34,804 --> 00:24:36,435
OH, REALLY? THAT'S GREAT.
468
00:24:36,435 --> 00:24:39,268
YEAH, I WAS HOPING YOU
COULD SHOW HER THE ROPES,
469
00:24:39,268 --> 00:24:41,981
LET HER TRAIL YOU,
ANSWER ALL HER QUESTIONS.
470
00:24:41,981 --> 00:24:45,404
MELANIE IS ACTUALLY TAKING POINT
IN THE SEDGEWICK'S PROJECT,
471
00:24:45,404 --> 00:24:48,277
YOU KNOW, THE SPIN
FOR DAD'S COMPANY?
RIGHT. THAT'S PERFECT.
472
00:24:48,277 --> 00:24:52,702
I MEAN, WHY NOT KEEP
EVERYTHING IN THE FAMILY?
473
00:24:55,164 --> 00:24:57,166
HISTORY MATTERS.
HELP SAVE SEDGEWICK'S.
474
00:24:57,166 --> 00:24:59,879
SIGN A PETITION TO SAVE
A NEW YORK TREASURE?
475
00:24:59,879 --> 00:25:01,581
I'LL SIGN.
476
00:25:01,581 --> 00:25:04,584
OH, THANK YOU. OH.
HEY. HOW ARE YOU?
477
00:25:04,584 --> 00:25:06,385
HOW YOU DOING?
GOOD.
478
00:25:06,385 --> 00:25:08,257
HISTORY DOES MATTER,
BY THE WAY.
479
00:25:08,257 --> 00:25:11,130
IT'S THE VICTORS
WHO WRITE IT.
YEAH, IT'S TERRIBLE, ISN'T IT?
480
00:25:11,130 --> 00:25:13,432
WELL, I ADMIRE YOU
FOR TAKING A STAND.
481
00:25:13,432 --> 00:25:15,304
THAT'S ME, TAKER OF STANDS.
482
00:25:15,304 --> 00:25:16,936
HOW HAVE YOU BEEN?
483
00:25:16,936 --> 00:25:18,938
VERY GOOD. HOW ARE YOU?
484
00:25:18,938 --> 00:25:21,731
I AM...
POTENTIALLY BUOYANT TODAY.
485
00:25:21,731 --> 00:25:24,443
BUOYANT? WELL, THAT'S--THAT'S
BETTER THAN GOOD, ISN'T IT?
486
00:25:24,443 --> 00:25:27,276
I'D BUY A T-SHIRT OFF YOU,
IF YOU HAD ONE.
487
00:25:27,276 --> 00:25:29,238
I HAVE AN OLD
"SAVE THE WHALES" T-SHIRT.
488
00:25:29,238 --> 00:25:31,240
I CAN GIVE THAT TO YOU.
ALL RIGHT.
489
00:25:31,240 --> 00:25:34,453
UH, I'M SURE WE'LL
SEE EACH OTHER AGAIN.
I HOPE SO.
490
00:25:34,453 --> 00:25:36,455
HEY, IF WE, UH,
KEEP THIS PLACE OPEN,
491
00:25:36,455 --> 00:25:39,368
WE'LL HAVE TO HAVE A DRINK
TO CELEBRATE THERE.
492
00:25:39,368 --> 00:25:41,290
THAT WOULD BE MANDATORY.
493
00:25:41,290 --> 00:25:43,462
I'LL LEAVE THIS AT HOME.
494
00:25:43,462 --> 00:25:46,375
OKAY.
495
00:25:55,384 --> 00:25:58,477
GET SOMEONE ELSE
TO DO IT, DOUG.
496
00:25:58,477 --> 00:26:01,350
I'M WRAPPED UP IN THIS THING
FOR WHITNEY'S DAD.
497
00:26:01,350 --> 00:26:03,272
HEY.
498
00:26:03,272 --> 00:26:05,895
OH, SORRY. UH, I WAS
JUST CHECKING MY E-MAIL.
499
00:26:05,895 --> 00:26:08,147
I DON'T HAVE
A COMPUTER YET.
500
00:26:08,147 --> 00:26:10,449
RIGHT. NO--NO PROBLEM.
501
00:26:13,242 --> 00:26:15,284
SO I THINK
WE'VE COME UP WITH
502
00:26:15,284 --> 00:26:18,197
SOME SIMPLE BUT EFFECTIVE WAYS
TO IMPROVE YOUR IMAGE.
503
00:26:18,197 --> 00:26:20,199
UM, MELANIE,
WHY DON'T YOU GO AHEAD?
504
00:26:20,199 --> 00:26:23,202
OKAY, SO WELL, FIRST OF ALL,
I WOULD JUST LIKE TO SAY
505
00:26:23,202 --> 00:26:25,755
IT IS SUCH AN HONOR
TO WORK FOR YOU.
506
00:26:25,755 --> 00:26:28,377
UH, MELANIE, DO YOU MIND
IF I TOSS A FEW IDEAS OUT?
507
00:26:28,377 --> 00:26:31,170
SURE, I GUESS.
508
00:26:31,170 --> 00:26:33,552
OKAY, DAD,
509
00:26:33,552 --> 00:26:36,175
FIRST, YOU GOTTA KEEP
THE BARTENDER, TOM VAN RAKE,
510
00:26:36,175 --> 00:26:38,718
FOR THE HOTEL BAR.
THE GUY'S AS MUCH
511
00:26:38,718 --> 00:26:41,981
OF AN INSTITUTION
AS THE BAR ITSELF.
512
00:26:41,981 --> 00:26:45,314
IT'LL WARM A FEW HEARTS.
TWO, GET THE MAYOR INVOLVED.
513
00:26:45,314 --> 00:26:46,936
HE'S UP FOR REELECTION
514
00:26:46,936 --> 00:26:48,938
AND CREATING JOBS
IS A MAJOR CAMPAIGN ISSUE.
515
00:26:48,938 --> 00:26:50,940
YOU'LL GET A NICE SOUND BITE
516
00:26:50,940 --> 00:26:54,493
ABOUT HOW THE HOTEL WILL BE GOOD
FOR THE CITY'S ECONOMY.
YOU ACTUALLY HAVE A LINE TO HIM?
517
00:26:54,493 --> 00:26:59,869
OF COURSE. YEAH.
AND LAST,
GET A CELEBRITY SPOKESPERSON.
518
00:26:59,869 --> 00:27:02,201
CELEBRITIES--THEY...
DISTRACT.
519
00:27:02,201 --> 00:27:05,334
THANK YOU, AND THEY DAZZLE.
520
00:27:05,334 --> 00:27:07,126
DAZZLE.
521
00:27:07,126 --> 00:27:09,298
YES, THEY--THEY DAZZLE,
522
00:27:09,298 --> 00:27:12,842
AND THEY KEEP PEOPLE'S MINDS
OFF THE ISSUES.
523
00:27:12,842 --> 00:27:15,214
SO I SUGGEST De NIRO,
524
00:27:15,214 --> 00:27:17,967
OR IF YOU WANT A HOTTIE,
MAYBE CHRISTY TURLINGTON.
525
00:27:17,967 --> 00:27:22,351
I KNOW I'M NOT THE EASIEST MAN
IN THE WORLD TO PLEASE,
526
00:27:22,351 --> 00:27:25,935
AND I HOLD YOU BOTH
TO IMPOSSIBLY HIGH STANDARDS,
527
00:27:25,935 --> 00:27:28,227
BUT, WHIT, I CAN'T TELL YOU
HOW HAPPY IT MAKES ME
528
00:27:28,227 --> 00:27:32,191
TO SEE HOW YOU'VE TAKEN LISA ON
AND PROVEN ME WRONG.
529
00:27:32,191 --> 00:27:34,904
I'M VERY PROUD
OF BOTH OF YOU.
530
00:27:38,367 --> 00:27:39,739
WELL,
THAT WAS TERRIFIC.
531
00:27:39,739 --> 00:27:41,741
YEAH,
I THOUGHT SO, TOO.
532
00:27:41,741 --> 00:27:43,743
SO I'LL CALL YOU LATER
FOR AN UPDATE.
533
00:27:43,743 --> 00:27:45,745
OR JUST TO SAY HI.
OKAY. BYE-BYE.
534
00:27:45,745 --> 00:27:47,626
BYE, HONEY.
BYE.
535
00:27:47,626 --> 00:27:50,169
ONE IN EACH NEIGHBORHOOD,
HENRY?
536
00:27:50,169 --> 00:27:53,592
IS THAT HOW IT WORKS?
537
00:27:53,592 --> 00:27:55,634
THAT'S MY DAUGHTER,
FOR GOD SAKE.
538
00:27:55,634 --> 00:27:58,427
DON'T TOUCH ME.
COME ON. COME ON, PLEASE.
539
00:27:58,427 --> 00:28:01,100
IT'S TIME FOR YOU
TO MAKE UP YOUR MIND, HENRY...
PLEASE, KAREN.
540
00:28:01,100 --> 00:28:02,511
ME OR YOUR WIFE.
541
00:28:02,511 --> 00:28:04,974
THANK YOU.
JUST GET IN THE CAR.
542
00:28:21,120 --> 00:28:23,162
YOU WANTED TO SEE ME?
543
00:28:23,162 --> 00:28:25,414
WHY DON'T YOU HAVE A SEAT?
544
00:28:28,247 --> 00:28:30,709
I KNOW THAT YOU STOLE
MELANIE'S IDEAS.
545
00:28:30,709 --> 00:28:32,421
SHE TOLD YOU.
546
00:28:32,421 --> 00:28:34,713
I HAD TO DRAG IT
OUT OF HER.
547
00:28:34,713 --> 00:28:36,715
WHAT YOU DID
WAS INEXCUSABLE.
548
00:28:36,715 --> 00:28:40,970
I KNOW IT WAS WRONG...
549
00:28:40,970 --> 00:28:43,302
BUT YOU, OF ALL PEOPLE,
550
00:28:43,302 --> 00:28:45,765
YOU'VE GOTTA
UNDERSTAND WHY.
551
00:28:48,347 --> 00:28:50,940
MY WHOLE LIFE,
552
00:28:50,940 --> 00:28:54,693
HE'S BRAGGED ABOUT
HOW SMART YOU ARE.
553
00:28:54,693 --> 00:28:57,316
I JUST WANTED HIM
TO THINK OF ME
554
00:28:57,316 --> 00:29:00,359
THE SAME WAY
THAT HE THINKS OF YOU.
555
00:29:00,359 --> 00:29:03,072
PLEASE, GIVE ME
ANOTHER CHANCE, WHITNEY.
556
00:29:10,329 --> 00:29:12,131
OKAY.
557
00:29:12,131 --> 00:29:14,423
HERE'S THE DEAL--
558
00:29:14,423 --> 00:29:16,635
YOU SO MUCH AS TELL A JOKE
THAT SOMEBODY ELSE TOLD
559
00:29:16,635 --> 00:29:19,338
AND NOT GIVE THEM CREDIT,
I WILL FIRE YOU.
560
00:29:19,338 --> 00:29:22,721
ONE SLIPUP, AND YOU'RE
OUT OF HERE. YOU GET IT?
561
00:29:22,721 --> 00:29:25,224
GO APOLOGIZE TO MELANIE.
562
00:29:25,224 --> 00:29:28,307
BEG FOR HER FORGIVENESS.
DO WHATEVER SHE WANTS.
563
00:29:28,307 --> 00:29:30,309
ARE WE CLEAR?
564
00:29:30,309 --> 00:29:32,151
YES.
565
00:29:40,609 --> 00:29:42,992
MELANIE, I'M SORRY.
566
00:29:42,992 --> 00:29:44,363
I WILL DO ANYTHING
567
00:29:44,363 --> 00:29:46,906
AND EVERYTHING I CAN
TO MAKE IT UP.
568
00:29:46,906 --> 00:29:49,368
OKAY.
569
00:29:49,368 --> 00:29:50,749
OKAY.
570
00:29:50,749 --> 00:29:53,712
HOW ABOUT
A TRIPLE NONFAT LATTE,
571
00:29:53,712 --> 00:29:56,585
HALF CAF, HALF DECAF,
ONE HALF-PACKET OF SUGAR,
572
00:29:56,585 --> 00:29:58,717
ONE HALF-PACKET
OF BROWN SUGAR,
573
00:29:58,717 --> 00:30:02,221
AND SOME CELERY STICKS
WITH PEANUT BUTTER
574
00:30:02,221 --> 00:30:04,884
AND THREE SLICES
OF GREEN APPLE?
575
00:30:04,884 --> 00:30:06,345
OKAY.
576
00:30:12,271 --> 00:30:14,643
UH, WHERE TO, SIR?
577
00:30:14,643 --> 00:30:16,435
UH, KAREN'S PLACE.
578
00:30:18,107 --> 00:30:19,438
I BEG YOUR PARDON?
579
00:30:19,438 --> 00:30:21,360
OH, YOU KNOW
WHERE IT IS.
580
00:30:21,360 --> 00:30:24,493
ACCORDING TO THE DOORMAN,
YOU'VE BEEN THERE A LOT LATELY.
581
00:30:24,493 --> 00:30:27,496
YOU EVEN SPENT SOME TIME
IN HER APARTMENT LAST NIGHT,
582
00:30:27,496 --> 00:30:31,250
FILLING HER HEAD
WITH COMPLETE NONSENSE.
583
00:30:31,250 --> 00:30:33,252
STAY AWAY FROM HER.
584
00:30:33,252 --> 00:30:36,505
SHE'S NOT A PIECE OF PROPERTY,
AND NEITHER AM I.
585
00:30:36,505 --> 00:30:38,257
HEY, LISTEN, I GET IT.
586
00:30:38,257 --> 00:30:40,259
A GUY LIKE YOU MEETS
A GIRL LIKE THAT--
587
00:30:40,259 --> 00:30:42,511
SOPHISTICATED, BEAUTIFUL--
SHE TREATS YOU NICE.
588
00:30:42,511 --> 00:30:45,634
YOU START FORGETTING
YOU'RE JUST A DRIVER.
589
00:30:45,634 --> 00:30:48,017
YOU THINK YOU KNOW ME?
590
00:30:48,017 --> 00:30:50,019
YOU DON'T KNOW ME,
ALL RIGHT?
591
00:30:50,019 --> 00:30:52,021
AND YOU FOR DAMN SURE
DON'T KNOW HER.
592
00:30:52,021 --> 00:30:55,394
BOTTOM LINE--YOU'RE MAKING
MY LIFE DIFFICULT,
593
00:30:55,394 --> 00:30:57,396
AND ALL I HAVE TO DO
594
00:30:57,396 --> 00:31:00,399
IS MAKE ONE CALL TO THE TAXI
AND LIMOUSINE COMMISSION,
595
00:31:00,399 --> 00:31:03,072
AND YOU'LL FIND YOURSELF
WITHOUT A HACK LICENSE.
596
00:31:03,072 --> 00:31:05,194
THEN WHERE WILL YOU BE?
597
00:31:10,369 --> 00:31:12,411
MY FATHER IS SUCH AN ASS.
598
00:31:12,411 --> 00:31:13,792
OKAY.
599
00:31:13,792 --> 00:31:17,876
HE'S CHEATING
ON YET ANOTHER WIFE.
600
00:31:17,876 --> 00:31:20,259
CAN YOU BELIEVE THAT?
COME IN.
601
00:31:20,259 --> 00:31:22,631
WHAT WAS I THINKING?
THAT...
602
00:31:22,631 --> 00:31:25,634
I'M JUST SO SORRY THAT
I DIDN'T HELP YOU BEFORE.
HEY.
603
00:31:25,634 --> 00:31:28,097
SO WORRIED ABOUT
MAKING HIM HAPPY
604
00:31:28,097 --> 00:31:30,769
THAT I FORGOT
WHAT WAS REALLY IMPORTANT.
605
00:31:30,769 --> 00:31:32,771
HEY, WHAT ELSE
ARE PARENTS FOR
606
00:31:32,771 --> 00:31:35,774
BUT TO GIVE US FODDER
FOR SHRINKS, RIGHT?
YEAH.
607
00:31:35,774 --> 00:31:37,396
YOU WANT TEA?
608
00:31:37,396 --> 00:31:38,938
YES.
609
00:31:38,938 --> 00:31:41,941
SO HOW IS THAT, UH,
PETITION DRIVE GOING?
610
00:31:41,941 --> 00:31:44,023
OH, GREAT.
I'VE GOT 2,000 SIGNATURES,
611
00:31:44,023 --> 00:31:46,986
BUT IT'S NOT GONNA
MAKE ANY DIFFERENCE.
612
00:31:46,986 --> 00:31:49,328
WHY IS THIS
SO IMPORTANT TO YOU?
613
00:31:49,328 --> 00:31:51,200
IT'S PART
OF THIS CITY'S HISTORY.
614
00:31:51,200 --> 00:31:55,124
COME ON, IT'S ME. YOU'VE BEEN
SO WORKED UP ABOUT THIS.
615
00:31:55,124 --> 00:31:56,665
WHAT'S GOING ON?
616
00:31:56,665 --> 00:32:00,169
OH, WELL, YOU KNOW,
IT'S ALSO PART OF MY HISTORY.
617
00:32:02,251 --> 00:32:05,174
IT'S WHERE
I FIRST SAW DAVID.
618
00:32:05,174 --> 00:32:08,547
OH, LAURA.
619
00:32:08,547 --> 00:32:10,549
OF COURSE, IT TOOK ME
ANOTHER SIX MONTHS
620
00:32:10,549 --> 00:32:14,353
TO WORK UP THE COURAGE
TO ACTUALLY SPEAK TO HIM.
621
00:32:14,353 --> 00:32:16,976
THAT'S WHAT SEDGEWICK'S IS,
THOUGH, YOU KNOW?
622
00:32:16,976 --> 00:32:19,148
WHEN THE CITY
IS SO OVERWHELMING,
623
00:32:19,148 --> 00:32:22,521
IT'S THIS PLACE...
624
00:32:22,521 --> 00:32:28,407
WHERE TWO STRANGERS COULD MEET
AND HAVE A DRINK AND...
625
00:32:30,869 --> 00:32:34,203
AND MAYBE FALL IN LOVE.
626
00:32:34,203 --> 00:32:37,246
DOES THAT SOUND SILLY TO YOU?
627
00:32:37,246 --> 00:32:39,418
NO.
628
00:32:46,045 --> 00:32:48,047
YOU STILL WANT MY HELP?
629
00:32:48,047 --> 00:32:50,969
ARE YOU KIDDING ME?
I'M ALL YOURS.
630
00:32:53,972 --> 00:32:55,644
THINK FAST.
631
00:32:55,644 --> 00:32:58,437
OH! WHERE'S MY, UH...
OKAY. OH!
632
00:32:58,437 --> 00:33:00,859
LA SEÑORA
DE LA CASA HAS ARRIVED.
633
00:33:00,859 --> 00:33:04,103
GO, MEET HER! MEET HER, BAMBINO.
WITH YOUR ARM, BRING HER LIMES.
634
00:33:04,103 --> 00:33:06,655
HEY, MOM. DAD'S MAKING
GREAT MEXICAN FOOD.
635
00:33:06,655 --> 00:33:08,197
YEAH? HEY, SWEETIE.
HI.
636
00:33:08,197 --> 00:33:11,200
LISTEN, I NEED TO TALK
TO DADDY FOR A SECOND.
637
00:33:11,200 --> 00:33:13,322
COULD YOU GO
TO YOUR ROOM?
OKAY.
638
00:33:13,322 --> 00:33:14,953
THANKS.
MM-HMM.
639
00:33:14,953 --> 00:33:16,245
HEY.
640
00:33:16,245 --> 00:33:17,416
HI.
641
00:33:19,498 --> 00:33:21,330
WHAT'S WRONG?
642
00:33:21,330 --> 00:33:24,383
THIS ISN'T GONNA WORK.
643
00:33:24,383 --> 00:33:26,385
WHAT?
644
00:33:26,385 --> 00:33:28,257
US.
645
00:33:28,257 --> 00:33:30,049
I CAN'T.
646
00:33:31,550 --> 00:33:33,842
YOU SHOULD GO.
647
00:33:33,842 --> 00:33:36,225
WHAT HAPPENED?
648
00:33:36,225 --> 00:33:37,976
NOTHING.
649
00:33:37,976 --> 00:33:41,400
OKAY, UH, I DON'T...
650
00:33:41,400 --> 00:33:43,312
UNDERSTAND WHAT'S GOING ON.
651
00:33:43,312 --> 00:33:45,104
ST--
652
00:33:47,196 --> 00:33:50,239
IT'S JUST--
IT DOESN'T FEEL RIGHT.
653
00:33:52,651 --> 00:33:54,743
I SPEND THE NIGHT
WITH YOU,
654
00:33:54,743 --> 00:33:58,036
AND I WAKE UP AND I HAVE
THE SAME KNOT IN MY STOMACH
655
00:33:58,036 --> 00:34:01,290
THAT I HAD FOR THE LAST
TEN YEARS WE WERE MARRIED.
656
00:34:01,290 --> 00:34:04,293
I DON'T THINK I'LL EVER BE ABLE
TO COMPLETELY TRUST YOU.
657
00:34:04,293 --> 00:34:05,664
WHY
658
00:34:05,664 --> 00:34:09,047
PART OF ME WILL ALWAYS
LOVE YOU, STEVEN,
659
00:34:09,047 --> 00:34:12,841
AND WE WILL ALWAYS
BE MAX'S PARENTS,
660
00:34:12,841 --> 00:34:15,554
BUT THAT'S IT.
661
00:34:15,554 --> 00:34:17,266
I'M SORRY.
662
00:34:19,388 --> 00:34:21,810
I JUST--I CAN'T
LET MYSELF GET HURT AGAIN.
663
00:34:21,810 --> 00:34:24,563
I WON'T.
664
00:34:40,409 --> 00:34:42,581
WHITNEY?
665
00:34:42,581 --> 00:34:44,583
WHAT IS ALL THIS?
666
00:34:44,583 --> 00:34:47,336
HUH? "SAVE SEDGEWICK'S"
IS EVERYWHERE.
667
00:34:47,336 --> 00:34:50,339
YOU KNOW, I CAME TO YOU TO MAKE
ALL THE BAD PRESS GO AWAY.
668
00:34:50,339 --> 00:34:52,341
NOW IT'S ON THE FRONT PAGE,
669
00:34:52,341 --> 00:34:54,092
AND WHO IS THIS
LAURA MORGAN PERSON
670
00:34:54,092 --> 00:34:56,595
CALLING ME
A DEMONIC DEVELOPER?
671
00:34:56,595 --> 00:34:59,478
COME ON. YOU'VE GOT
TO DO SOMETHING.
I DID. I DID THAT.
672
00:34:59,478 --> 00:35:01,480
YOU? YOU'RE--
YOU'RE BEHIND THIS?
673
00:35:01,480 --> 00:35:03,602
PUBLIC RELATIONS,
THAT'S WHAT I DO.
674
00:35:03,602 --> 00:35:05,604
WHY WOULD YOU DO THAT?
675
00:35:05,604 --> 00:35:08,607
BECAUSE, DAD, YOU'VE NEVER
IN YOUR ENTIRE LIFE,
676
00:35:08,607 --> 00:35:10,989
DONE ANYTHING FOR ANYONE ELSE
BUT YOURSELF.
677
00:35:10,989 --> 00:35:13,692
WHAT ARE YOU TALKING ABOUT?
I SAW YOUR "FRIEND," REMEMBER?
678
00:35:13,692 --> 00:35:15,904
IT'S NO WONDER YOUR KIDS
ARE SO MESSED UP.
679
00:35:15,904 --> 00:35:17,286
YOU KNOW THAT IDEA,
680
00:35:17,286 --> 00:35:19,448
THE ONE OF LISA'S,
THE ONE THAT YOU LOVED?
681
00:35:19,448 --> 00:35:21,370
SHE STOLE IT
FROM MY ASSISTANT.
682
00:35:21,370 --> 00:35:24,243
WHY? BECAUSE SHE'LL DO ANYTHING
TO GET YOUR APPROVAL. AND ME?
683
00:35:24,243 --> 00:35:27,376
NO WONDER I DATE MEN
WHO LIE TO ME. IT'S ALL I KNOW.
684
00:35:27,376 --> 00:35:30,299
YOU'VE REALLY
LET ME DOWN HERE, WHITNEY.
685
00:35:30,299 --> 00:35:32,961
WELL, THAT'S OKAY, DAD,
BECAUSE OTHER PEOPLE--
686
00:35:32,961 --> 00:35:37,306
PEOPLE I CARE ABOUT--
REALLY APPRECIATE ME.
687
00:35:37,306 --> 00:35:39,518
I DON'T NEED YOUR APPROVAL,
NOT ANYMORE.
688
00:35:59,278 --> 00:36:01,990
WHERE TO TODAY?
689
00:36:01,990 --> 00:36:06,044
I DON'T NEED A RIDE. JUST WANTED
TO SEE YOU TO SAY "THANK YOU."
690
00:36:06,044 --> 00:36:07,456
YEAH
691
00:36:07,456 --> 00:36:09,087
FOR WHAT YOU SAID
THE OTHER NIGHT.
692
00:36:09,087 --> 00:36:12,381
I REALLY NEEDED TO HEAR IT.
I NEEDED TO MAKE A CHANGE.
693
00:36:12,381 --> 00:36:14,383
MM.
694
00:36:14,383 --> 00:36:16,885
I FINALLY STOOD UP
TO HENRY.
695
00:36:16,885 --> 00:36:18,427
GOOD.
696
00:36:18,427 --> 00:36:20,259
YEAH. GOOD FOR YOU.
697
00:36:20,259 --> 00:36:24,223
HE'S FINALLY LEAVING HIS WIFE,
LIKE HE PROMISED.
698
00:36:27,436 --> 00:36:30,269
UH, YEAH, THAT'S, UM...
699
00:36:30,269 --> 00:36:33,402
HEY, THAT'S--THAT'S GREAT,
IF THAT'S, UH, WHAT YOU WANT.
700
00:36:33,402 --> 00:36:35,314
THANK YOU.
701
00:36:35,314 --> 00:36:36,445
NAH.
702
00:36:40,369 --> 00:36:42,321
HEY, YOU KNOW,
703
00:36:42,321 --> 00:36:45,324
YOU SHOULD TAKE A LITTLE
OF YOUR OWN ADVICE, DAMIAN.
704
00:36:45,324 --> 00:36:47,205
YOU THINK?
705
00:36:47,205 --> 00:36:48,877
DON'T WAIT.
706
00:36:48,877 --> 00:36:52,791
IF YOU'RE NOT HAPPY WHERE
YOU ARE, DO SOMETHING ABOUT IT.
707
00:36:59,097 --> 00:37:02,100
So hot off the press,
The mayor withdrew his support,
708
00:37:02,100 --> 00:37:04,263
my father pulled
his money out--
709
00:37:04,263 --> 00:37:06,224
SEDGEWICK'S LIVES.
710
00:37:06,224 --> 00:37:09,768
GET OUT OF HERE!
WHITNEY, YOU ARE THE GREATEST.
711
00:37:09,768 --> 00:37:11,400
WELL, LUCKY FOR US,
712
00:37:11,400 --> 00:37:13,732
HE HAD A PERSONAL CRISIS
THAT CAME TO A HEAD.
713
00:37:13,732 --> 00:37:16,194
DID YOU--DID YOU SEE
MY PICTURE IN THE NEWSPAPER?
714
00:37:16,194 --> 00:37:19,278
DOES--DID MY HAIR
LOOK REALLY FLAT?
LAURA, YOU WERE BEAUTIFUL,
715
00:37:19,278 --> 00:37:22,281
AND ANYONE WITH A LOST CAUSE IS
GONNA BE BEATING DOWN YOUR DOOR.
716
00:37:22,281 --> 00:37:25,414
SPEAKING OF,
GUESS WHO I RAN INTO.
717
00:37:25,414 --> 00:37:28,246
YOUR PHOTOGRAPHER FRIEND,
STEVEN CASEMAN.
718
00:37:28,246 --> 00:37:30,919
OH, YEAH?
Yeah, what is
the deal with him?
719
00:37:30,919 --> 00:37:33,251
I MEAN, IS HE...
IS HE SINGLE?
720
00:37:33,251 --> 00:37:36,965
ARE YOU SERIOUS, LAURA?
721
00:37:36,965 --> 00:37:38,337
Well, I don't know.
722
00:37:38,337 --> 00:37:41,340
IT'S JUST--HE'S SMART,
AND HE'S FUNNY AND--AND...
723
00:37:41,340 --> 00:37:43,722
WELL, I DON'T KNOW.
WHAT DO YOU THINK?
724
00:37:43,722 --> 00:37:46,805
WELL, YEAH, HE'S, UM...
A PIECE OF WORK.
725
00:37:46,805 --> 00:37:50,439
HE'S GOOD-LOOKING
AND TALENTED.
726
00:37:50,439 --> 00:37:53,312
But in the interest
of full disclosure,
727
00:37:53,312 --> 00:37:55,314
I SHOULD TELL YOU THAT...
728
00:37:55,314 --> 00:37:58,737
WE WENT TO THIS BUSINESS DINNER
A FEW WEEKS AGO,
729
00:37:58,737 --> 00:38:00,819
And I got a little tipsy,
and I...
730
00:38:00,819 --> 00:38:02,361
KISSED HIM.
731
00:38:02,361 --> 00:38:05,614
OH. OH. SO--
732
00:38:05,614 --> 00:38:08,617
NO! NO, NO, NO, NO, NO.
IT WAS NO BIG DEAL,
733
00:38:08,617 --> 00:38:11,620
AND I'M--I'M NOT PURSUING IT,
BUT I THOUGHT YOU SHOULD KNOW.
734
00:38:11,620 --> 00:38:14,413
HE WAS A GOOD KISSER.
735
00:38:14,413 --> 00:38:16,124
GOOD TO KNOW.
736
00:38:35,354 --> 00:38:39,197
♪ REVELRY ♪
737
00:38:39,197 --> 00:38:45,203
♪ FOLLOWING THE PAST
YOUR LEAVE ♪
738
00:38:46,405 --> 00:38:52,411
♪ FOR A VALLEY'S
OVER ALL THE SKY ♪
739
00:38:55,414 --> 00:38:57,956
♪ HERE I WAIT... ♪
740
00:38:57,956 --> 00:39:00,839
WELL,
YOU CAME TO CELEBRATE.
741
00:39:00,839 --> 00:39:02,921
I WAS JUST WALKING BY,
ACTUALLY.
742
00:39:02,921 --> 00:39:04,222
CONGRATULATIONS.
743
00:39:04,222 --> 00:39:06,224
WELL, WE STILL NEEDED
95 MORE SIGNATURES,
744
00:39:06,224 --> 00:39:08,266
SO IT'S KIND OF A MIRACLE.
745
00:39:08,266 --> 00:39:10,639
YEAH, RIGHT UP THERE
WITH LOAVES AND FISHES...
746
00:39:10,639 --> 00:39:12,310
THE '69 METS.
747
00:39:12,310 --> 00:39:14,433
COME ON IN.
748
00:39:14,433 --> 00:39:18,356
♪♪♪
749
00:39:18,356 --> 00:39:21,359
HEY, LONG TIME NO SEE,
STEVEN.
750
00:39:21,359 --> 00:39:23,281
THE USUAL?
751
00:39:23,281 --> 00:39:24,483
UM...
752
00:39:24,483 --> 00:39:26,194
WHY NOT?
753
00:39:28,617 --> 00:39:31,119
♪ YOU CAME ♪
754
00:39:31,119 --> 00:39:35,664
♪ OH, YOU CAME FOR ME ♪
755
00:39:35,664 --> 00:39:38,086
THANKS.
756
00:39:38,086 --> 00:39:41,420
WELL, HERE'S TO SAVING
SOMETHING WORTHWHILE.
757
00:39:41,420 --> 00:39:43,422
CHEERS.
54245
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