All language subtitles for Six.Degrees.S01E08.Get.a.Room.1080p.AMZN.WEB-DL.DDP5.1.H.264-KiNGS_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,253 --> 00:00:05,005 PREVIOUSLY ON "SIX DEGREES"... IF YOU HAD ANY IDEA 2 00:00:05,005 --> 00:00:07,628 HOW MUCH TROUBLE I AM, ANYA, YOU WOULD-- HOW ABOUT YOU LET ME DECIDE WHAT MISTAKES I WANT TO MAKE? 3 00:00:07,628 --> 00:00:09,630 WE'RE CLOSER IN AGE THAN YOU ARE TO MY DAD. 4 00:00:09,630 --> 00:00:11,842 MATH IS HIS BEST SUBJECT. 5 00:00:11,842 --> 00:00:13,304 ROY IS GONE. 6 00:00:13,304 --> 00:00:15,976 NOT A TRACE LEFT OF THAT LYING SON OF A BITCH. 7 00:00:15,976 --> 00:00:17,438 CAN YOU AFFORD THIS PLACE? 8 00:00:17,438 --> 00:00:19,060 I DIDN'T EVEN KNOW YOU WERE LOOKING. 9 00:00:19,060 --> 00:00:20,441 WELL, I REALLY WANT AN APARTMENT 10 00:00:20,441 --> 00:00:22,903 THAT ROY HAS NEVER SET FOOT IN, SO I GUESS I'M LOOKING. 11 00:00:22,903 --> 00:00:24,525 I WAS GONNA LEAVE NEW YORK, 12 00:00:24,525 --> 00:00:27,988 BUT I DECIDED TO STAY BECAUSE OF YOU. YOU STAYED BECAUSE OF ME? 13 00:00:27,988 --> 00:00:30,651 WHO WAS THAT GUY YOU WERE TALKING TO? HIS NAME IS CARLOS. 14 00:00:30,651 --> 00:00:32,453 CARLOS? LOOK, THERE'S SOMETHING BETWEEN US, 15 00:00:32,453 --> 00:00:35,206 AND I KNOW YOU'RE IN TROUBLE, SO JUST LET ME HELP YOU. 16 00:00:37,868 --> 00:00:39,250 ♪♪♪ 17 00:00:39,250 --> 00:00:41,252 THERE ARE 730,000 APARTMENTS 18 00:00:41,252 --> 00:00:43,254 ON THE ISLAND OF MANHATTAN 19 00:00:43,254 --> 00:00:46,167 ON 23 SQUARE MILES OF LAND-- 20 00:00:46,167 --> 00:00:49,840 HIGH-RISES, BROWNSTONES, TENEMENTS AND CONDOS... 21 00:00:49,840 --> 00:00:52,803 NEW ONES BEING PUT UP 22 00:00:52,803 --> 00:00:54,765 AND OLD ONES BEING TORN DOWN. 23 00:01:00,181 --> 00:01:01,392 ARE YOU OKAY? 24 00:01:01,392 --> 00:01:03,144 ON THE STREETS, 25 00:01:03,144 --> 00:01:05,146 WE ARE ALL INHABITANTS OF THE SAME WORLD.... 26 00:01:05,146 --> 00:01:07,278 HEY, ARE YOU OKAY? ARE YOU ALL RIGHT? I DON'T KNOW. 27 00:01:07,278 --> 00:01:09,860 LIKE IT OR NOT, AND IT DOESN'T TAKE MUCH 28 00:01:09,860 --> 00:01:12,743 TO BRING US TOGETHER. IS EVERYONE ALL RIGHT? 29 00:01:12,743 --> 00:01:15,616 IT JUST WENT BOOM! ON THIS CAR. IT WAS-- 30 00:01:15,616 --> 00:01:17,198 IT WAS BIZARRE. 31 00:01:17,198 --> 00:01:19,500 I'VE NEVER SEEN A GARGOYLE UP CLOSE. 32 00:01:19,500 --> 00:01:21,702 APPARENTLY, IT BROKE OFF WHILE THEY WERE RENOVATING. 33 00:01:21,702 --> 00:01:23,664 THEY'RE TURNING THE BUILDING INTO CONDOS 34 00:01:23,664 --> 00:01:27,668 LIKE EVERYTHING ELSE IN THIS CITY. WELL, THEN WHY CAN'T I FIND A PLACE? 35 00:01:27,668 --> 00:01:31,091 OH, YOU WILL. HEY, DO YOU WANNA GO TO A MOVIE WITH ME TONIGHT? 36 00:01:31,091 --> 00:01:32,923 UH, NO, THANKS. I'M-- OH! 37 00:01:32,923 --> 00:01:35,346 IT'S THE FIRST NIGHT IN GOD KNOWS HOW LONG 38 00:01:35,346 --> 00:01:38,219 THAT I HAVE NOTHING TO DO. NOTHING? 39 00:01:38,219 --> 00:01:40,851 ZERO--NO WORK, NO EVENTS TO STOP BY... 40 00:01:40,851 --> 00:01:44,064 NO ONE TO GO HOME TO. I'M SORRY. 41 00:01:44,064 --> 00:01:46,987 NO, IT'S GOOD. I'M TAKING A BREAK. 42 00:01:46,987 --> 00:01:50,321 I'VE BEEN WITH ONE GUY OR ANOTHER SINCE FOURTH GRADE. 43 00:01:51,692 --> 00:01:53,944 I WANT TO BE ALONE. I'M ACTUALLY EXCITED ABOUT IT. 44 00:01:53,944 --> 00:01:56,116 OH, YEAH. IT'S A BLAST. 45 00:01:58,239 --> 00:02:00,951 MY THERAPIST WENT OUT OF TOWN FOR A COUPLE OF WEEKS. 46 00:02:00,951 --> 00:02:03,003 IT'S CUT MY SOCIAL CALENDAR BY HALF. 47 00:02:03,003 --> 00:02:05,456 WELL, I THINK I'M GONNA GO FOR A RUN 48 00:02:05,456 --> 00:02:07,628 AND THEN PLANT MY BUTT ON THE COUCH 49 00:02:07,628 --> 00:02:10,130 IN FRONT OF THE TV AND ORDER SOME CHINESE 50 00:02:10,130 --> 00:02:13,674 AND JUST BLISSFULLY ENJOY AN EVENING WITH ME. 51 00:02:13,674 --> 00:02:17,258 (Teddy Geiger's "Try Too Hard" playing) 52 00:02:20,601 --> 00:02:22,813 YOU'RE, UH, PUTTING A LOT OF PRESSURE 53 00:02:22,813 --> 00:02:26,106 ON YOUR LOWER BACK AND KNEES LIKE THAT. 54 00:02:26,106 --> 00:02:29,650 ♪ AND LOVE, LIFE... ♪ 55 00:02:29,650 --> 00:02:32,032 THE WAY YOU'RE DOING THAT STRETCH IS PUTTING 56 00:02:32,032 --> 00:02:35,326 A LOT OF PRESSURE ON YOUR LOWER BACK-- I'M CELIBATE. 57 00:02:35,326 --> 00:02:36,737 EXCUSE ME? 58 00:02:36,737 --> 00:02:39,079 LOOK, NO OFFENSE, BUT I'M SWORN OFF MEN. 59 00:02:39,079 --> 00:02:41,742 SO UNLESS YOU'RE A DOCTOR OR A CERTIFIED TRAINER 60 00:02:41,742 --> 00:02:44,375 OR KNOW SOMETHING ABOUT STRETCHING THAT I DON'T, 61 00:02:44,375 --> 00:02:46,377 THEN I APPRECIATE IT, 62 00:02:46,377 --> 00:02:48,839 BUT IF YOU'RE JUST TRYING TO MAKE CONVERSATION... 63 00:02:48,839 --> 00:02:50,421 GOT IT. 64 00:02:50,421 --> 00:02:53,053 I'M JUST A RECREATIONAL JOGGER 65 00:02:53,053 --> 00:02:57,218 WHO'S GENUINELY CONCERNED ABOUT YOUR LOWER BACK. 66 00:02:57,218 --> 00:02:59,970 ♪ I GUESS I DID ALL RIGHT... ♪ 67 00:02:59,970 --> 00:03:02,353 LOOK, JUST TRY THIS. 68 00:03:02,353 --> 00:03:06,146 ♪ SHE'LL BREAK MY HEART ♪ 69 00:03:06,146 --> 00:03:10,020 ♪ SHE'LL BREAK MY HEART ♪ 70 00:03:10,020 --> 00:03:12,653 JUST KEEP YOUR KNEE SLIGHTLY BENT, 71 00:03:12,653 --> 00:03:14,655 LIFT UP OUT OF YOUR HIPS 72 00:03:14,655 --> 00:03:17,197 AND GO DOWN WITH A FLAT BACK, 73 00:03:17,197 --> 00:03:19,490 ADJUST FOR COMFORT. 74 00:03:19,490 --> 00:03:22,082 NICE. 75 00:03:22,082 --> 00:03:24,084 WOW. 76 00:03:24,084 --> 00:03:27,248 THANKS. 77 00:03:27,248 --> 00:03:28,959 HUH. 78 00:03:28,959 --> 00:03:30,210 TODD. 79 00:03:30,210 --> 00:03:33,714 I'M WHITNEY. 80 00:03:33,714 --> 00:03:38,048 ♪ TO BE THE ONE THAT'S... ♪ 81 00:03:38,048 --> 00:03:41,342 MMM. NICE PLACE. 82 00:03:41,342 --> 00:03:43,103 THANKS. I'M MOVING. 83 00:03:50,771 --> 00:03:54,355 ♪ I'VE GOTTA MOVE ♪ 84 00:03:54,355 --> 00:03:58,409 ♪ WHILE THE STREETS AHEAD ARE SUNNY ♪ 85 00:03:58,409 --> 00:04:01,031 CARLOS! YOU MADE IT. 86 00:04:01,031 --> 00:04:02,913 HI. HEY. 87 00:04:02,913 --> 00:04:04,915 THIS IS FOR YOU GUYS. OOH. 88 00:04:04,915 --> 00:04:07,167 PIÑA COLADAS? ARE THE NEW BLOODY MARYS? 89 00:04:07,167 --> 00:04:09,580 NO, NO. I HEARD SOMEWHERE THAT IT'S THE PERFECT 90 00:04:09,580 --> 00:04:12,333 SYMBOLIC HOUSEWARMING GIFT FOR GOOD LUCK IN A NEW HOME. 91 00:04:12,333 --> 00:04:14,795 SO, YOU KNOW, ALOHA. 92 00:04:14,795 --> 00:04:16,927 ALOHA. ALOHA! 93 00:04:16,927 --> 00:04:19,259 THIS PLACE IS AMAZING. 94 00:04:19,259 --> 00:04:21,011 I KNOW. WE TOOK THE PLUNGE. 95 00:04:21,011 --> 00:04:22,513 HEY. HEY. 96 00:04:22,513 --> 00:04:24,845 GLAD YOU COULD MAKE IT. 97 00:04:24,845 --> 00:04:27,308 ♪ I JUST CAN'T STAY, I'VE GOTTA... ♪ 98 00:04:27,308 --> 00:04:29,560 UH, EXCUSE ME FOR A SECOND. 99 00:04:29,560 --> 00:04:30,891 LUCAS. 100 00:04:30,891 --> 00:04:33,063 WHAT ARE YOU DOING HERE? HEY, CARLOS! 101 00:04:33,063 --> 00:04:34,775 HOW ARE YOU? 102 00:04:34,775 --> 00:04:37,318 GOOD, GOOD. ARE YOU STILL DOING THE A.C.L.U. THING IN CHICAGO? 103 00:04:37,318 --> 00:04:39,320 NO, I'VE JUST GONE OVER TO THE DARK SIDE. 104 00:04:39,320 --> 00:04:41,572 I'M DOING MERGERS AND ACQUISITIONS 105 00:04:41,572 --> 00:04:44,785 DOWN ON WALL STREET. OH, SO YOU'RE IN NEW YORK? THAT'S GREAT. CONGRATULATIONS. 106 00:04:44,785 --> 00:04:46,787 HEY, CARLOS, HOW'S, UH, YOUR ROOMMATE? 107 00:04:46,787 --> 00:04:49,620 SHE'S GOOD. SHE'S DOING WELL. DO YOU 108 00:04:49,620 --> 00:04:51,121 NO, NOT REALLY. 109 00:04:51,121 --> 00:04:54,715 WELL, YOU SHOULD GIVE HER A CALL. YOU THINK SHE'D ANSWER? 110 00:04:54,715 --> 00:04:56,837 YOU GUYS WERE TOGETHER FOR A LONG TIME. 111 00:04:56,837 --> 00:04:59,049 MMM. YOU KNOW WHAT? 112 00:04:59,049 --> 00:05:02,222 YOU SHOULD GIVE ME A CALL. 113 00:05:02,222 --> 00:05:05,596 "REMINICK, BELL & HERGOTT." THEY'RE HIRING. 114 00:05:05,596 --> 00:05:07,638 THEY COULD USE A TALENTED GUY LIKE YOU. 115 00:05:07,638 --> 00:05:09,480 WELL, HEY, GOOD-- GOOD SEEING YOU AGAIN, MAN. 116 00:05:09,480 --> 00:05:11,692 YEAH, IT'S NICE TO SEE YOU, TOO. ALL THE BEST. 117 00:05:11,692 --> 00:05:13,193 ALL RIGHT. 118 00:05:13,193 --> 00:05:15,606 ♪ FALL IN LOVE WITH SOME HONEY, OH, MAMA ♪ 119 00:05:15,606 --> 00:05:19,239 ♪ YEAH, I GOTTA MOVE ♪ 120 00:05:19,239 --> 00:05:23,283 ♪ WHILE THE STREETS AHEAD ARE SUNNY ♪ 121 00:05:23,283 --> 00:05:24,945 ♪ FALL IN LOVE ♪ 122 00:05:24,945 --> 00:05:30,290 ♪ I GOTTA MOVE ♪ 123 00:05:44,304 --> 00:05:47,177 IT'S MY ROOMMATE. IT'S MY ROOMMATE. 124 00:05:47,177 --> 00:05:48,308 OHH. 125 00:05:48,308 --> 00:05:50,931 DON'T GO ANYWHERE. IT'S ALL RIGHT. 126 00:06:00,320 --> 00:06:03,113 PLEASE COME BACK. 127 00:06:03,113 --> 00:06:05,536 A PICK UP OF 2 ON THE PLAY. 128 00:06:05,536 --> 00:06:07,538 IT'S SPOTTED ON THE 37-YARD LINE. 129 00:06:11,291 --> 00:06:14,545 ...BUT TO CONTINUE TO MAINTAIN, 130 00:06:14,545 --> 00:06:17,167 THEY NEED TO START THROWING ON FIRST DOWN, 131 00:06:17,167 --> 00:06:19,169 SPREAD OUT THIS DEFENSE A LITTLE BIT... HI. 132 00:06:19,169 --> 00:06:22,002 UM, COULD YOU JUST PLEASE KEEP IT DOWN A LITTLE BIT? 133 00:06:22,002 --> 00:06:25,135 COME ON, ANYA. I'M JUST TRYING TO RELAX AND WATCH THE GAME. 134 00:06:25,135 --> 00:06:28,599 OKAY. CAN YOU JUST KEEP THE VOLUME DOWN, PLEASE? ALL RIGHT. 135 00:06:28,599 --> 00:06:31,391 OH, HE DIVES ACROSS THE MIDDLE. 136 00:06:33,143 --> 00:06:34,605 OHH. 137 00:06:34,605 --> 00:06:36,687 NO. AY-YI-YI-YI. 138 00:06:36,687 --> 00:06:38,689 NO, NO. YOU DON'T HAVE TO GO. 139 00:06:38,689 --> 00:06:41,151 YOU DON'T HAVE TO GO. I HAVE TO RELIEVE THE BABYSITTER. 140 00:06:41,151 --> 00:06:43,984 ALL RIGHT. ROOMMATE, RIGHT? KILLED THE MOOD? 141 00:06:43,984 --> 00:06:45,696 DO YOU THINK SO? 142 00:06:45,696 --> 00:06:47,077 ALL RIGHT, WELL, HE'S OUT THERE. 143 00:06:47,077 --> 00:06:49,660 YOU'RE ACTUALLY GONNA HAVE TO DEAL WITH HIM. 144 00:06:49,660 --> 00:06:52,202 YOU CAN'T AVOID HIM ANYMORE. I LOOK FORWARD TO IT. 145 00:06:52,202 --> 00:06:53,624 OKAY. LISTEN... 146 00:06:53,624 --> 00:06:56,246 HMM? TOMORROW MAX HAS, UH, AFTERSCHOOL TILL ABOUT 7:00. 147 00:06:56,246 --> 00:06:58,839 OKAY. WHY DON'T YOU COME BY BEFORE THAT 148 00:06:58,839 --> 00:07:01,091 AND WE CAN HAVE SOME... TIME, MAYBE? 149 00:07:01,091 --> 00:07:03,093 OH, MAYBE? MAYBE. 150 00:07:03,093 --> 00:07:04,465 REALLY? YEP. 151 00:07:06,046 --> 00:07:08,048 LET'S MEET YOUR SORORITY SISTERS. 152 00:07:08,048 --> 00:07:10,641 OKAY. 153 00:07:10,641 --> 00:07:13,143 ...POSSIBLY A MAN AMONG BOYS OUT THERE. 154 00:07:13,143 --> 00:07:15,145 HE'S GOT THE REACH, HE'S GOT THE SPEED. 155 00:07:15,145 --> 00:07:17,898 THEY CANNOT GO MAN-TO-MAN. 156 00:07:17,898 --> 00:07:20,771 HEY. JUST WANT TO GRAB THIS. 157 00:07:20,771 --> 00:07:23,403 HOW YOU DOING? UH, GOOD. 158 00:07:23,403 --> 00:07:26,156 I'M STEVEN. YEAH, I FIGURED. I'M CARLOS. 159 00:07:26,156 --> 00:07:28,408 GOOD TO MEET YOU, CARLOS. 160 00:07:28,408 --> 00:07:30,871 SO IT'LL BE FIRST AND 10 RIGHT AT MIDFIELD... 161 00:07:30,871 --> 00:07:32,663 OKAY, LET'S GO. 162 00:07:32,663 --> 00:07:34,535 ALL RIGHT, I'LL SEE YOU LATER. 163 00:07:34,535 --> 00:07:36,667 AND THERE IS THE GRIP... 164 00:07:36,667 --> 00:07:38,669 LATER. 165 00:07:38,669 --> 00:07:41,171 ACROSS MIDFIELD... BYE. 166 00:07:41,171 --> 00:07:42,843 SEEMED LIKE A NICE GUY. 167 00:07:42,843 --> 00:07:44,885 HE GROWS ON YOU. 168 00:07:44,885 --> 00:07:46,547 HMM. 169 00:07:46,547 --> 00:07:49,850 OH, YOU KNOW WHO I RAN INTO THIS AFTERNOON? 170 00:07:49,850 --> 00:07:52,893 WHO? LUCAS FARROW. 171 00:07:52,893 --> 00:07:54,054 REALLY? 172 00:07:54,054 --> 00:07:56,096 YEAH. 173 00:07:56,096 --> 00:07:58,188 IS HE IN TOWN VISITING? 174 00:07:58,188 --> 00:07:59,980 NO, HE--HE MOVED BACK TO THE CITY. 175 00:07:59,980 --> 00:08:03,864 HUH. 176 00:08:03,864 --> 00:08:05,866 You had sex with him? 177 00:08:05,866 --> 00:08:07,277 I KNOW, I KNOW! 178 00:08:07,277 --> 00:08:10,030 You said that you wanted to be alone... I DO. 179 00:08:10,030 --> 00:08:13,163 AND THAT YOU WERE SWEARING OFF MEN. I am. 180 00:08:13,163 --> 00:08:14,665 IT JUST... HAPPENED, 181 00:08:14,665 --> 00:08:17,327 AND I GOTTA SAY, I DON'T FEEL WEIRD ABOUT IT AT ALL. 182 00:08:17,327 --> 00:08:19,329 I FEEL GREAT. 183 00:08:19,329 --> 00:08:21,251 WOW, SOUNDS KIND OF HOT... AND SLUTTY. 184 00:08:21,251 --> 00:08:22,923 HEY. In a good way, 185 00:08:22,923 --> 00:08:25,175 IN A "MOULIN ROUGE" WAY. The best thing about it 186 00:08:25,175 --> 00:08:26,837 IS THAT IT'S NEVER GONNA HAPPEN AGAIN. 187 00:08:26,837 --> 00:08:28,428 IT'S A ONE-TIME THING. Oh, really? 188 00:08:28,428 --> 00:08:30,130 WE DIDN'T EVEN EXCHANGE PHONE NUMBERS. 189 00:08:30,130 --> 00:08:32,683 IT WAS JUST SEX, NO STRINGS ATTACHED. 190 00:08:32,683 --> 00:08:35,686 PARDON ME. I WASN'T LISTENING. THAT'S NOT WHY I'M BLUSHING. 191 00:08:35,686 --> 00:08:37,057 UH, WHITNEY, YOU NEED TO GO. 192 00:08:37,057 --> 00:08:38,849 OH, UH... UH, HEY, SORRY, LAURA. 193 00:08:38,849 --> 00:08:40,641 I HAVE TO GO LOOK AT AN APARTMENT 194 00:08:40,641 --> 00:08:42,603 THAT WAS LISTED IN THE PAPER THIS WEEKEND. OH, OKAY. 195 00:08:42,603 --> 00:08:44,484 DON'T SLEEP WITH THE REALTOR. That's funny. 196 00:08:44,484 --> 00:08:48,028 SHE'S NOT MY TYPE. I'LL SEE YOU LATER. 197 00:08:48,028 --> 00:08:50,030 I THOUGHT YOU LIKED YOUR ROOMMATE. 198 00:08:50,030 --> 00:08:51,652 OH, I DO. 199 00:08:51,652 --> 00:08:54,655 IT'S JUST THAT EVER SINCE SHE STARTED SEEING THIS GUY, 200 00:08:54,655 --> 00:08:57,077 IT'S LIKE GRAND CENTRAL STATION. 201 00:08:57,077 --> 00:08:59,079 I WANNA GET MY OWN PLACE. 202 00:08:59,079 --> 00:09:02,212 CAN YOU AFFORD IT? I DON'T KNOW. I WANT TO DO SOMETHING. 203 00:09:02,212 --> 00:09:03,794 I DON'T CARE IF IT'S A SHOE BOX. 204 00:09:03,794 --> 00:09:06,216 I'M GONNA GET MY OWN PLACE. 205 00:09:06,216 --> 00:09:09,169 WHY ARE WE STILL TALKING ABOUT IT? 206 00:09:09,169 --> 00:09:11,171 ARE YOU SURE YOU WANNA DO THIS WITH ME? 207 00:09:11,171 --> 00:09:13,303 YES, OF COURSE. I'M A TOUGH NEGOTIATOR. 208 00:09:15,225 --> 00:09:16,807 HI. 209 00:09:16,807 --> 00:09:18,438 GOOD AFTERNOON. 210 00:09:18,438 --> 00:09:20,060 HI, I'M PAM STILES. CAN I HELP YOU? 211 00:09:20,060 --> 00:09:22,683 I'M NOT SURE. 212 00:09:22,683 --> 00:09:24,394 WE ARE LOOKING FOR AN APARTMENT. 213 00:09:24,394 --> 00:09:27,107 OKAY, DO YOU KNOW WHAT YOU'RE LOOKING FOR? 214 00:09:27,107 --> 00:09:29,279 I'D LIKE TO BE DOWNTOWN. 215 00:09:29,279 --> 00:09:31,451 OKAY, AND WHAT ARE YOU LOOKING TO SPEND? 216 00:09:31,451 --> 00:09:34,074 I'D SAY ABOUT $1,200... 217 00:09:34,074 --> 00:09:35,696 A MONTH. 218 00:09:35,696 --> 00:09:38,078 LISA, RENTAL. 219 00:09:38,078 --> 00:09:40,580 EXCUSE ME. 220 00:09:40,580 --> 00:09:43,704 HI, I'M LISA. 221 00:09:43,704 --> 00:09:46,877 HI. CARLOS. NICE TO MEET YOU. 222 00:09:46,877 --> 00:09:49,339 SO $1,200 A MONTH? YEAH, IF THAT'S POSSIBLE. 223 00:09:49,339 --> 00:09:50,470 SURE... 224 00:09:50,470 --> 00:09:53,423 IN ALLENTOWN, PENNSYLVANIA. 225 00:09:53,423 --> 00:09:56,096 SO A BIG STUDIO OVER A TINY BEDROOM? 226 00:09:56,096 --> 00:09:58,268 UH, YEAH, YEAH. THAT'S GOOD. 227 00:09:58,268 --> 00:10:00,981 AND MURPHY BEDS-- ABSOLUTE NO? YES. 228 00:10:00,981 --> 00:10:02,933 MEANING--MEANING NO. 229 00:10:02,933 --> 00:10:04,895 NO TO MURPHY. 230 00:10:04,895 --> 00:10:06,897 TELL ME SOMETHING-- 231 00:10:06,897 --> 00:10:09,029 HOW MUCH SPACE ARE YOU TWO LOOKING FOR? 232 00:10:09,029 --> 00:10:10,490 WELL-- 233 00:10:10,490 --> 00:10:13,033 IT'S JUST FOR HIM. I'M HELPING HIM LOOK. 234 00:10:13,033 --> 00:10:16,116 OH. YOU TWO AREN'T... 235 00:10:16,116 --> 00:10:17,738 WE'RE--WE'RE JUST-- 236 00:10:17,738 --> 00:10:20,911 WE'RE JUST FRIENDS. HMM. 237 00:10:25,005 --> 00:10:28,008 I'M TELLING YOU, WHITNEY, THIS IS A GOOD MOVE FOR YOU. 238 00:10:28,008 --> 00:10:30,510 WINDOWS WEST AND SOUTH, LOTS OF LIGHT. 239 00:10:30,510 --> 00:10:33,093 I LOVE THESE FLOORS AND THE CEILING. 240 00:10:33,093 --> 00:10:34,885 AND THE NEIGHBORHOOD'S TO DIE FOR. 241 00:10:34,885 --> 00:10:38,018 THE SELLERS? TWO GUYS WHO WORK FOR MARTHA STEWART. 242 00:10:38,018 --> 00:10:40,220 THEY DECIDED TO TURN IT INTO A REPLICA 243 00:10:40,220 --> 00:10:42,222 OF THE BASILICA OF ST. FRANCIS OF ASSISI. 244 00:10:42,222 --> 00:10:44,434 THE BOARD REFUSED, SO NOW THEY WANT TO UNLOAD 245 00:10:44,434 --> 00:10:46,026 AND MOVE TO BUCKS COUNTY. 246 00:10:46,026 --> 00:10:49,399 THIS IS LITERALLY PERFECT. I WOULDN'T CHANGE A THING. 247 00:10:49,399 --> 00:10:51,651 I'M GLAD TO HEAR THAT. WE CAN MAKE AN OFFER, 248 00:10:51,651 --> 00:10:54,654 GET THINGS STARTED. YOU HAVE TO GET PAST THE CO-OP BOARD. 249 00:10:54,654 --> 00:10:57,407 ARE THEY TOUGH? OH, NOTORIOUSLY. BUT YOU'RE IN P.R.-- 250 00:10:57,407 --> 00:11:00,540 MAKE A GREAT PRESENTATION, THE APARTMENT IS YOURS. 251 00:11:00,540 --> 00:11:04,084 HMM. I CAN BARELY AFFORD THIS... 252 00:11:04,084 --> 00:11:07,958 BUT WHAT THE HECK? I'VE HAD AN IMPULSIVE 24 HOURS. 253 00:11:07,958 --> 00:11:09,549 LET'S DO IT. 254 00:11:15,055 --> 00:11:16,386 WHITNEY? 255 00:11:16,386 --> 00:11:18,969 OH... 256 00:11:18,969 --> 00:11:21,221 WOW. TODD, RIGHT? 257 00:11:21,221 --> 00:11:23,854 FROM THE PARK. WHAT ARE YOU DOING HERE? 258 00:11:23,854 --> 00:11:26,186 OH, I'M, UH, I'M LOOKING AT AN APARTMENT. 259 00:11:26,186 --> 00:11:29,149 ON THIS FLOOR? YEAH, 206. 260 00:11:29,149 --> 00:11:30,690 I'M 205. 261 00:11:30,690 --> 00:11:33,073 OH. WOW. 262 00:11:33,073 --> 00:11:35,695 HELLO, NEIGHBOR. 263 00:11:35,695 --> 00:11:40,530 YEAH. WELL, I-I'M NOT ENTIRELY SOLD ON IT. 264 00:11:40,530 --> 00:11:43,413 YEAH, IT'S GOT SOME PROBLEMS. IT'S, UM-- 265 00:11:43,413 --> 00:11:45,916 SO IT PROBABLY ACTUALLY WON'T WORK OUT. 266 00:11:45,916 --> 00:11:48,128 UM, I'VE GOT TO GET BACK TO THE OFFICE, 267 00:11:48,128 --> 00:11:51,251 SO IT WAS GREAT RUNNING INTO YOU. YEAH. 268 00:12:22,202 --> 00:12:24,204 WHITNEY, DIDN'T YOU SAY YOUR FRIEND 269 00:12:24,204 --> 00:12:26,036 ALMOST GOT HIT BY A GARGOYLE? 270 00:12:26,036 --> 00:12:28,248 YEAH, LAURA. IS SHE BLONDE? WAS SHE WEARING BLUE? 271 00:12:28,248 --> 00:12:30,500 I DON'T KNOW WHAT SHE WAS WEARING. WHY? 272 00:12:30,500 --> 00:12:32,042 I THINK SHE HAD A MISSED CONNECTION. 273 00:12:32,042 --> 00:12:33,173 A WHAT? A MISSED CONNECTION. 274 00:12:33,173 --> 00:12:35,005 IT'S, LIKE, THE MOST ROMANTIC THING IN THE WORLD. 275 00:12:35,005 --> 00:12:37,047 I CHECK IT EVERY DAY ON craigslist. 276 00:12:37,047 --> 00:12:39,049 YOU KNOW, IF YOU SEE SOMEONE ON THE STREET OR ON THE SUBWAY, 277 00:12:39,049 --> 00:12:41,051 AND YOU ALMOST SAY HELLO, BUT YOU DON'T, OR YOU WISH YOU DID, 278 00:12:41,051 --> 00:12:43,053 AND YOU DESPERATELY WANT TO FIND THEM, 279 00:12:43,053 --> 00:12:45,055 YOU POST IT ON "MISSED CONNECTIONS." SO SOME RANDOM GUY 280 00:12:45,055 --> 00:12:47,147 SAW LAURA ALMOST GET SQUASHED BY FALLING MASONRY, 281 00:12:47,147 --> 00:12:49,519 AND HE WANTS TO MEET HER? YES. ISN'T THAT SWEET? 282 00:12:52,392 --> 00:12:55,025 WHITNEY CRANE'S OFFICE. PLEASE HOLD. 283 00:12:55,025 --> 00:12:56,656 IT'S YOUR REALTOR. 284 00:12:56,656 --> 00:12:59,029 OH, YEAH. HELLO? 285 00:12:59,029 --> 00:13:02,032 HI. I GOT THE OFFER HERE. JUST NEED YOUR SIGNATURE. 286 00:13:02,032 --> 00:13:04,034 UH... YEAH, I MIGHT BE CHANGING MY MIND. 287 00:13:04,034 --> 00:13:05,906 Really? 288 00:13:05,906 --> 00:13:08,078 YOU SAID YOU LOVED IT. 289 00:13:08,078 --> 00:13:10,080 YEAH, I DO, I LOVE THAT SPACE. 290 00:13:10,080 --> 00:13:13,213 IT'S... I'M NOT SO SURE ABOUT THE NEIGHBOR--UH, HOOD. 291 00:13:13,213 --> 00:13:15,465 WELL, I SUGGEST YOU DECIDE. THERE'S AN OPEN HOUSE TOMORROW. 292 00:13:15,465 --> 00:13:17,467 THEY COULD GET TWO, THREE MORE OFFERS. 293 00:13:17,467 --> 00:13:20,800 THIS PLACE IS GONNA GO FAST. OKAY. I'LL GET BACK TO YOU. 294 00:13:20,800 --> 00:13:22,802 SO SHE ACTUALLY SAID THAT TO YOU? 295 00:13:22,802 --> 00:13:25,475 YEAH, AND I QUOTE, "WE'RE JUST FRIENDS." 296 00:13:25,475 --> 00:13:27,477 OOH, DAMN. SHE DROPPED THE "F" BOMB ON YOU, MAN. 297 00:13:27,477 --> 00:13:30,230 YEAH, RIGHT IN FRONT OF THIS OTHER GIRL, TOO. WHO YOU SAID WAS SMOKIN'. 298 00:13:30,230 --> 00:13:31,982 YEAH, BUT THAT'S BESIDES THE POINT. 299 00:13:31,982 --> 00:13:33,984 SUDDENLY I'M THINKING, LIKE, WHAT ARE WE, YOU KNOW? 300 00:13:33,984 --> 00:13:35,986 BECAUSE ONE MINUTE SHE'S ACTING LIKE WE'RE A COUPLE 301 00:13:35,986 --> 00:13:37,988 LOOKING FOR A PLACE TOGETHER. 302 00:13:37,988 --> 00:13:39,900 NEXT MINUTE SHE'S PUTTING UP THIS WALL AGAIN. 303 00:13:39,900 --> 00:13:41,781 LOOK, YOU KNOW WHAT YOUR PROBLEM IS, CARLOS? 304 00:13:41,781 --> 00:13:43,153 YOU'RE TOO DAMN NICE. 305 00:13:43,153 --> 00:13:45,155 ALWAYS THINKING ABOUT EVERYBODY ELSE. 306 00:13:45,155 --> 00:13:46,786 YOU KNOW, MAYBE IT'S TIME 307 00:13:46,786 --> 00:13:49,079 TO START THINKING ABOUT YOURSELF FOR A CHANGE. 308 00:13:49,079 --> 00:13:51,041 YEAH. 309 00:13:51,041 --> 00:13:54,164 LISTEN, MAYBE WITH THIS GIRL, MIGHT BE TIME TO MOVE ON. 310 00:13:54,164 --> 00:13:56,126 KNOW WHAT I MEAN? 311 00:14:00,921 --> 00:14:03,924 SO THIS IS WHAT YOU GET FOR $1,200 A MONTH, HUH? 312 00:14:03,924 --> 00:14:05,926 WELL, IT'S ONLY 3 BLOCKS FROM THE SUBWAY, 313 00:14:05,926 --> 00:14:08,178 AND THEY ALLOW PETS. I DON'T HAVE ANY PETS. 314 00:14:08,178 --> 00:14:10,891 PERFECT, THEN. WHAT'S IN HERE? 315 00:14:10,891 --> 00:14:13,273 UH, BATHROOM. THERE'S NOT EVEN A TUB. 316 00:14:13,273 --> 00:14:16,856 IT'S OVER HERE. IT DOUBLES AS THE KITCHEN TABLE. 317 00:14:16,856 --> 00:14:20,190 KITCHEN TABLE. 318 00:14:20,190 --> 00:14:24,784 NOT MUCH OF A VIEW. WELL, AT LEAST IT'S QUIET. 319 00:14:24,784 --> 00:14:28,078 (headboard banging against wall) 320 00:14:30,160 --> 00:14:33,203 WELL, MAYBE THE WALLS ARE A BIT THIN. 321 00:14:33,203 --> 00:14:35,255 HAVE YOU CHECKED OUT THE APPLIANCES? 322 00:14:40,460 --> 00:14:42,963 WELL... 323 00:14:44,264 --> 00:14:48,558 YOU KNOW WHAT THEY SAY-- IF YOU CAN'T BEAT 'EM, JOIN 'EM. 324 00:14:48,558 --> 00:14:50,680 EXCUSE ME? 325 00:14:50,680 --> 00:14:53,643 OH... OH, YEAH... 326 00:14:53,643 --> 00:14:55,775 OH, YEAH, BABY... 327 00:14:55,775 --> 00:14:57,147 RIGHT THERE. 328 00:14:57,147 --> 00:15:00,230 YEAH, THAT'S THE SPOT. OH, YES! 329 00:15:00,230 --> 00:15:01,942 YES... YES... 330 00:15:01,942 --> 00:15:04,024 OH... OH, OH! 331 00:15:04,024 --> 00:15:06,286 OH, MY GOD! 332 00:15:06,286 --> 00:15:10,740 AHH... MM. HMM. 333 00:15:10,740 --> 00:15:13,833 WOW. 334 00:15:15,205 --> 00:15:18,128 OH, THIS IS, UH, SOME GREAT ATMOSPHERE, 335 00:15:18,128 --> 00:15:21,041 BUT I JUST DON'T THINK THIS PLACE IS RIGHT FOR ME. 336 00:15:21,041 --> 00:15:24,504 THE NEXT PLACE IS RATED P.G., I PROMISE. NO, NO, NO, IT'S COOL. 337 00:15:24,504 --> 00:15:27,347 THAT'S THE BEST FAKE SEX I'VE HAD IN A VERY LONG TIME. 338 00:15:27,347 --> 00:15:30,050 I THINK I NEED A COCKTAIL. YOU... 339 00:15:30,050 --> 00:15:31,761 DEFINITELY. 340 00:15:31,761 --> 00:15:33,183 OKAY. 341 00:15:33,183 --> 00:15:35,185 HEY, WE'RE LEAVING. 342 00:15:35,185 --> 00:15:37,437 IT'S ALL YOURS. 343 00:15:37,437 --> 00:15:39,189 BYE-BYE, NOW. 344 00:15:39,189 --> 00:15:41,611 OKAY, IT'S NOT ANY QUIETER OVER HERE. IT'S JUST NOT. 345 00:15:41,611 --> 00:15:44,484 THEY'RE TRYING TO RENT THE APARTMENT NEXT DOOR, 346 00:15:44,484 --> 00:15:47,697 APPARENTLY TO PORN STARS, I GUESS. YOU SHOULD TAKE IT. 347 00:15:47,697 --> 00:15:50,570 YOU COULD KNOCK DOWN THIS WALL AND BUILD A BIGGER CLOSET. WHAT? 348 00:15:50,570 --> 00:15:53,953 YEAH, I'D CONSIDER MOVING IN WITH YOU. 349 00:15:53,953 --> 00:15:57,627 THAT WAS A JOKE. 350 00:15:59,629 --> 00:16:01,631 WOULD YOU? 351 00:16:03,793 --> 00:16:06,136 DO YOU EVER THINK ABOUT WHERE THIS THING IS GOING? 352 00:16:06,136 --> 00:16:09,349 I'M REALLY JUST TRYING TO GET THROUGH EACH WEEK. 353 00:16:09,349 --> 00:16:14,014 I... I... 354 00:16:14,014 --> 00:16:16,016 NO, IT'S OKAY. 355 00:16:20,980 --> 00:16:23,063 LIVING TOGETHER IS COMPLICATED-- 356 00:16:23,063 --> 00:16:25,065 I KNOW. I'VE DONE IT BEFORE. 357 00:16:31,161 --> 00:16:33,323 WE CAN TALK ABOUT IT-- 358 00:16:39,079 --> 00:16:41,251 OH, MY GOD. 359 00:16:41,251 --> 00:16:44,174 HEY. 360 00:16:44,174 --> 00:16:46,626 WHAT HAPPENED TO AFTERSCHOOL? 361 00:16:46,626 --> 00:16:49,179 TEACHER GOT SICK. 362 00:16:49,179 --> 00:16:51,841 UH, ARE--ARE YOU SLEEPING OVER? 363 00:16:51,841 --> 00:16:52,842 NO. NO. 364 00:16:52,842 --> 00:16:55,515 MNH-MNH. JUST A SECOND. 365 00:16:58,017 --> 00:17:02,021 I SHOULD GO. IT'S A LITTLE CROWDED IN HERE. 366 00:17:02,021 --> 00:17:04,023 REAL ESTATE IS A BIOLOGICAL IMPERATIVE. 367 00:17:04,023 --> 00:17:06,486 IT'S ONE OF THE BIG THREE. 368 00:17:06,486 --> 00:17:09,699 YOU FILL YOUR STOMACH, YOU PROCREATE, 369 00:17:09,699 --> 00:17:13,203 YOU SEEK SHELTER... AT REASONABLE RATES. 370 00:17:13,203 --> 00:17:15,495 SO IT SOUNDS LIKE YOU LIKE YOUR JOB. 371 00:17:15,495 --> 00:17:17,497 YEAH, EXCEPT FOR WISHY-WASHY PEOPLE. 372 00:17:17,497 --> 00:17:20,120 THIS GUY WAS ABOUT TO SIGN PAPERS 373 00:17:20,120 --> 00:17:22,792 ON A GREAT APARTMENT IN THE UPPER WEST SIDE, 374 00:17:22,792 --> 00:17:24,624 AND THEN--JUST TODAY-- 375 00:17:24,624 --> 00:17:26,626 AT THE LAST MINUTE, HE BACKED OUT 376 00:17:26,626 --> 00:17:29,008 BECAUSE A GARGOYLE FELL OFF THE BUILDING. 377 00:17:29,008 --> 00:17:32,262 HE THOUGHT THE PLACE WAS CURSED. 378 00:17:33,633 --> 00:17:36,226 EXCUSE ME. 379 00:17:36,226 --> 00:17:37,847 HELLO? 380 00:17:37,847 --> 00:17:39,269 Carlos? It's Mae. 381 00:17:39,269 --> 00:17:41,641 DID I CATCH YOU AT A BAD TIME? 382 00:17:41,641 --> 00:17:42,982 UH, NO, NOT AT ALL. 383 00:17:42,982 --> 00:17:46,486 OKAY, SO HOW'S THE APARTMENT SEARCH GOING? 384 00:17:46,486 --> 00:17:48,778 WELL, WE'RE, UH, JUST GETTING STARTED. 385 00:17:48,778 --> 00:17:51,241 She show you anything good yet? 386 00:17:51,241 --> 00:17:53,993 UH, NO, NO, UH, NOT YET. 387 00:17:53,993 --> 00:17:57,117 WELL, UM, LAURA TOOK ELIZA TO SEE THAT NEW PENGUIN MOVIE. 388 00:17:57,117 --> 00:17:58,998 I'M FREE. YOU WANT TO TAKE ME 389 00:17:58,998 --> 00:18:01,080 TO SEE SOMETHING A LITTLE MORE GROWN UP? 390 00:18:01,080 --> 00:18:05,004 TONIGHT? UH, WELL, ACTUALLY, UM... 391 00:18:05,004 --> 00:18:08,007 I-I HAVE TO GET BACK TO WORK. 392 00:18:08,007 --> 00:18:09,169 Now? 393 00:18:09,169 --> 00:18:11,171 YEAH, YEAH, I GOT-- I GOT NIGHT COURT. 394 00:18:11,171 --> 00:18:14,093 HOW ABOUT A RAIN CHECK? 395 00:18:14,093 --> 00:18:15,635 YEAH, SURE. 396 00:18:15,635 --> 00:18:17,267 LET'S TALK TOMORROW. 397 00:18:17,267 --> 00:18:18,978 All right. Bye. 398 00:18:18,978 --> 00:18:21,721 BYE. 399 00:18:24,484 --> 00:18:27,187 LET ME GUESS--YOUR FRIEND. 400 00:18:27,187 --> 00:18:29,149 YEAH, MAE. 401 00:18:29,149 --> 00:18:30,650 WHAT'S THE STORY WITH YOU TWO? 402 00:18:30,650 --> 00:18:32,442 THERE'S NO STORY. 403 00:18:32,442 --> 00:18:35,195 SO IF YOU GUYS ARE REALLY JUST "FRIENDS," 404 00:18:35,195 --> 00:18:38,158 WHY DID YOU LIE TO HER JUST NOW? 405 00:18:55,094 --> 00:18:57,597 HEY, TODD. 406 00:18:57,597 --> 00:19:00,180 HI. CAN I TALK TO YOU FOR A MOMENT? 407 00:19:00,180 --> 00:19:02,101 SURE. EVERYTHING ALL RIGHT? 408 00:19:02,101 --> 00:19:04,314 UH, WE HAVE A SERIOUS PROBLEM. 409 00:19:04,314 --> 00:19:05,765 WE... DO? 410 00:19:05,765 --> 00:19:07,767 WELL, I LOVE THAT APARTMENT, 411 00:19:07,767 --> 00:19:10,360 THE, UH, THE ONE ACROSS THE HALL FROM YOU. 412 00:19:10,360 --> 00:19:12,192 I-I COULDN'T LOVE IT MORE. 413 00:19:12,192 --> 00:19:14,194 AND, UM... 414 00:19:14,194 --> 00:19:16,196 I--JUST BEFORE I PUT A BID ON IT, 415 00:19:16,196 --> 00:19:19,369 I THOUGHT WE SHOULD CLEAR THE AIR. OKAY. 416 00:19:19,369 --> 00:19:21,781 I HAD A GREAT TIME WITH YOU THE OTHER NIGHT, 417 00:19:21,781 --> 00:19:23,783 AND YOU SEEM LIKE A TERRIFIC GUY, 418 00:19:23,783 --> 00:19:26,045 BUT I'M REALLY NOT READY FOR ANYTHING SERIOUS AND-- 419 00:19:26,045 --> 00:19:28,958 HOLD IT, WHITNEY. WHAT HAPPENED WITH US WAS FUN, 420 00:19:28,958 --> 00:19:31,211 BUT THAT'S ALL IT WAS. 421 00:19:31,211 --> 00:19:34,003 I JUST CAME OUT OF A REALLY LONG RELATIONSHIP. 422 00:19:34,003 --> 00:19:37,677 THE LAST THING I NEED RIGHT NOW IS ANOTHER ONE. REALLY? 423 00:19:37,677 --> 00:19:40,260 LIKE A HOLE IN THE HEAD. 424 00:19:40,260 --> 00:19:41,891 SO... FRIENDS? 425 00:19:41,891 --> 00:19:44,434 SURE. BORROW A CUP OF SUGAR ANY DAY, ANY TIME. 426 00:19:44,434 --> 00:19:46,726 PERFECT. OH! 427 00:19:46,726 --> 00:19:49,979 OH, HEY, WOULD YOU HAVE ANY INTEL ON THE CO 428 00:19:49,979 --> 00:19:52,232 I HEAR THEY'RE KIND OF INTENSE. 429 00:19:52,232 --> 00:19:53,943 ACTUALLY, I'M ON THE CO-OP BOARD. 430 00:19:53,943 --> 00:19:57,737 OH. I DIDN'T MEAN ANYTHING WITH THE-- 431 00:19:57,737 --> 00:19:59,319 WE'RE NOT SO BAD ONCE YOU GET TO KNOW US. 432 00:19:59,319 --> 00:20:02,161 SO DO YOU HAVE ANY POINTERS? 433 00:20:02,161 --> 00:20:05,585 SURE. YOU WANT TO WALK WITH ME WHILE I COOL DOWN? 434 00:20:05,585 --> 00:20:07,457 SURE. 435 00:20:09,919 --> 00:20:12,131 GREAT PAINT JOB. 436 00:20:12,131 --> 00:20:16,175 VENETIAN PLASTER. I DID IT MYSELF. 437 00:20:19,048 --> 00:20:22,722 OH, MY GOD, I LOVE THE CROWN MOLDINGS. 438 00:20:30,770 --> 00:20:32,151 I COULDN'T HELP MYSELF. 439 00:20:32,151 --> 00:20:33,773 YOU LIKE THIS GUY. 440 00:20:33,773 --> 00:20:36,776 NO, I DON'T EVEN KNOW HIM. WE'RE JUST... YOU KNOW. 441 00:20:36,776 --> 00:20:39,319 GOD, I SHOULD GET A NEW APARTMENT. 442 00:20:39,319 --> 00:20:41,321 ARE YOU SURE THAT IT ISN'T BECOMING 443 00:20:41,321 --> 00:20:42,952 MORE THAN JUST CASUAL SEX? NO? 444 00:20:42,952 --> 00:20:45,204 NO, IT'S A REBOUND. OKAY. 445 00:20:45,204 --> 00:20:46,826 I'M GETTING OVER ROY, 446 00:20:46,826 --> 00:20:48,828 HE'S GETTING OVER A BAD RELATIONSHIP. 447 00:20:48,828 --> 00:20:50,209 HE'S TOTALLY COOL WITH IT. 448 00:20:50,209 --> 00:20:52,211 AND ARE YOU STILL GONNA TAKE THAT PLACE? 449 00:20:52,211 --> 00:20:55,675 MM-HMM. I HAVE THE BOARD MEETING TONIGHT. OOH, KNOCK 'EM DEAD. 450 00:20:55,675 --> 00:20:57,046 OH, THAT GARGOYLE INCIDENT? 451 00:20:57,046 --> 00:20:58,047 YEAH. 452 00:20:58,047 --> 00:21:00,219 APPARENTLY YOU HAVE AN ADMIRER. 453 00:21:02,762 --> 00:21:05,094 HEY, GET A LOAD OF THIS. 454 00:21:05,094 --> 00:21:07,096 "AT THE GARGOYLE'S MERCY. 455 00:21:07,096 --> 00:21:08,648 "YOU WERE THE BLONDE IN BLUE. 456 00:21:08,648 --> 00:21:12,021 YOU LOOKED TO SEE IF WE WERE ALL ALL RIGHT." 457 00:21:12,021 --> 00:21:15,154 I-I DID. 458 00:21:15,154 --> 00:21:17,897 "I WON'T BE ALL RIGHT UNTIL I MEET YOU." 459 00:21:17,897 --> 00:21:20,109 WOW. DO YOU REMEMBER HIM? 460 00:21:20,109 --> 00:21:24,324 I... I REMEMBER A MAN WITH GRAY HAIR 461 00:21:24,324 --> 00:21:28,117 AND--AND THIS WOMAN WITH SHORT BLONDE HAIR. 462 00:21:28,117 --> 00:21:30,119 YOU WOULD THINK IF THE MAN OF MY DREAMS 463 00:21:30,119 --> 00:21:31,871 WAS STANDING A FEW FEET AWAY 464 00:21:31,871 --> 00:21:34,293 I WOULD REMEMBER HIM, RIGHT? 465 00:21:42,882 --> 00:21:44,884 THE OTHER DAY AT THE REALTY OFFICE, 466 00:21:44,884 --> 00:21:46,265 YOU SAID WE'RE FRIENDS. 467 00:21:46,265 --> 00:21:49,018 WE ARE. YEAH, YEAH, OF COURSE WE ARE, 468 00:21:49,018 --> 00:21:51,230 BUT... IS THAT ALL WE ARE? 469 00:21:51,230 --> 00:21:54,434 I MEAN, TELL ME, BECAUSE FROM THE MOMENT I MET YOU, 470 00:21:54,434 --> 00:21:56,436 ALL I'VE GOTTEN FROM YOU ARE MIXED SIGNALS. 471 00:21:56,436 --> 00:21:58,608 THAT'S NOT TRUE. 472 00:21:58,608 --> 00:22:00,740 NO, IT IS. 473 00:22:00,740 --> 00:22:03,282 I-I JUST NEED TO KNOW, 474 00:22:03,282 --> 00:22:05,615 ONE WAY OR THE OTHER. 475 00:22:13,212 --> 00:22:16,125 I DON'T... KNOW. 476 00:22:20,800 --> 00:22:23,803 SOMETIMES I LET MYSELF GO 477 00:22:23,803 --> 00:22:26,926 AND JUST THINK, WHY NOT, YOU KNOW? 478 00:22:26,926 --> 00:22:31,180 BUT, UM, OTHER TIMES, 479 00:22:31,180 --> 00:22:33,352 I REALLY DON'T FEEL LIKE TRUSTING ANYBODY, SO... 480 00:22:33,352 --> 00:22:35,354 THE IDEA OF JUMPING INTO SOMETHING, IT-- 481 00:22:35,354 --> 00:22:38,277 IT SCARES THE LIVING HELL OUT OF ME. 482 00:22:53,162 --> 00:22:56,375 I CAN'T. 483 00:22:59,419 --> 00:23:01,761 I'M SORRY. 484 00:23:01,761 --> 00:23:04,213 OKAY. 485 00:23:05,675 --> 00:23:07,306 CARLOS-- 486 00:23:07,306 --> 00:23:11,100 NO, IT'S--IT'S FINE. 487 00:23:11,100 --> 00:23:13,603 IT IS. 488 00:23:13,603 --> 00:23:15,775 I JUST NEEDED TO KNOW. 489 00:23:35,084 --> 00:23:37,086 NO PETS? 490 00:23:37,086 --> 00:23:38,838 NO PETS, MR. GRANSKY. 491 00:23:38,838 --> 00:23:40,419 NO FUR IN THE CLOSET, EITHER, FOR THAT MATTER. 492 00:23:40,419 --> 00:23:44,634 WORKING IN P.R., YOU MUST BE VERY... SOCIAL? 493 00:23:44,634 --> 00:23:46,255 IF YOU'RE WORRIED ABOUT PARTIES, 494 00:23:46,255 --> 00:23:49,258 I THROW THEM FOR A LIVING, I DON'T HAVE THEM. 495 00:23:49,258 --> 00:23:51,260 WHEN I'M HOME, I'M HOME. 496 00:23:51,260 --> 00:23:54,223 TODD HAS MENTIONED YOUR CONNECTION TO EACH OTHER. 497 00:23:54,223 --> 00:23:56,315 HAS HE? 498 00:23:56,315 --> 00:23:58,187 THE CHELSEA MARKET COMMITTEE. 499 00:23:58,187 --> 00:24:01,941 OH, YES. YES, I'M A BIG FAN OF SUPPORTING LOCAL GROWERS. 500 00:24:01,941 --> 00:24:04,153 I DONATE TIME AND MONEY. 501 00:24:04,153 --> 00:24:07,116 WELL, YOUR APPLICATION IS VERY IMPRESSIVE. 502 00:24:07,116 --> 00:24:10,490 ANYTHING ELSE YOU'D LIKE TO TELL US? 503 00:24:10,490 --> 00:24:14,243 JUST THAT THERE'S MORE TO MY DESIRE TO LIVE HERE 504 00:24:14,243 --> 00:24:16,576 THAN YOU CAN FIND IN THE CREDENTIALS AND FINANCIALS. 505 00:24:16,576 --> 00:24:19,338 I MEAN, SOMETIMES YOU JUST KNOW, 506 00:24:19,338 --> 00:24:23,292 YOU... YOU'RE DRAWN TO A PLACE LIKE YOU'RE DRAWN 507 00:24:23,292 --> 00:24:25,424 TO A PERSON YOU CAN'T LIVE WITHOUT, 508 00:24:25,424 --> 00:24:29,088 AND THAT'S THE WAY I FELT THE FIRST TIME I WALKED IN HERE. 509 00:24:29,088 --> 00:24:31,300 I'M NOT LOOKING AT THIS AS AN INVESTMENT 510 00:24:31,300 --> 00:24:33,432 OR A WAY TO IMPRESS MY FRIENDS. 511 00:24:33,432 --> 00:24:36,355 I'M... I'M LOOKING TO PUT DOWN SOME ROOTS. 512 00:24:36,355 --> 00:24:39,148 OKAY, WE'LL BE IN TOUCH. 513 00:24:39,148 --> 00:24:41,020 THANK YOU. 514 00:24:43,482 --> 00:24:45,154 HEY, IT'S ME. Hey. 515 00:24:45,154 --> 00:24:46,606 SORRY TO CALL SO LATE. 516 00:24:46,606 --> 00:24:48,608 LISTEN, WE DIDN'T REALLY FINISH OUR CONVERSATION. 517 00:24:48,608 --> 00:24:51,611 CAN YOU MEET ME IN THE MORNING FOR SOME COFFEE? 518 00:24:51,611 --> 00:24:54,033 UM, YEAH, THAT--THAT SOUNDS GOOD. 519 00:24:54,033 --> 00:24:55,995 9th Street? OKAY. 520 00:24:55,995 --> 00:24:59,168 OH, ACTUALLY, CAN I--CAN I CALL YOU BACK A LITTLE LATER? 521 00:24:59,168 --> 00:25:01,751 OKAY. Okay, bye. 522 00:25:07,837 --> 00:25:10,129 HI. 523 00:25:10,129 --> 00:25:12,131 HI. 524 00:25:12,131 --> 00:25:14,393 I-I HOPE YOU DON'T MIND ME STOPPING BY. 525 00:25:14,393 --> 00:25:18,017 WHAT ARE YOU DOING HERE? 526 00:25:18,017 --> 00:25:21,190 WHAT DO YOU THINK? 527 00:25:35,655 --> 00:25:36,656 HEY. 528 00:25:36,656 --> 00:25:38,037 HEY. 529 00:25:38,037 --> 00:25:39,659 HI. HOW ARE YOU DOING? 530 00:25:39,659 --> 00:25:42,922 SIT DOWN. I'M GOOD. I HAVE TO, UH, GO TO--BACK TO WORK, 531 00:25:42,922 --> 00:25:44,253 SO, UM... OKAY. 532 00:25:44,253 --> 00:25:46,756 WHAT'S UP? YOU WANT SOMETHING? YOU WANT A LITTLE-- 533 00:25:46,756 --> 00:25:48,127 UM, NO. ACTUALLY, I'M FINE. 534 00:25:48,127 --> 00:25:51,050 I GOT ONE WORD FOR YOU. OKAY, WHAT IS THAT? 535 00:25:51,050 --> 00:25:52,551 "CHELLAGE." 536 00:25:52,551 --> 00:25:56,095 "CHELLAGE." I DON'T KNOW WHAT THAT IS. WHAT IS THAT? 537 00:25:56,095 --> 00:25:58,307 THAT'S THE BORDER BETWEEN CHELSEA AND THE WEST VILLAGE. 538 00:25:58,307 --> 00:26:01,270 YOU CAN GET A 2-BEDROOM APARTMENT THERE FOR $2,700. 539 00:26:01,270 --> 00:26:03,272 ACTUALLY, I MADE IT UP AT ABOUT 2:00 A.M. 540 00:26:03,272 --> 00:26:05,735 MY EYES WERE STARTING TO BLUR-- OKAY, WHAT EXACTLY ARE YOU-- 541 00:26:05,735 --> 00:26:07,737 I WAS ACTUALLY LISTENING TO YOU THE OTHER NIGHT, 542 00:26:07,737 --> 00:26:11,490 AND I THINK I--WE-- NEED SOME MORE SPACE. 543 00:26:11,490 --> 00:26:13,492 HMM. SO I HAVE SOME MORE MONEY. 544 00:26:13,492 --> 00:26:15,494 I'M STARTING TO LOOK FOR A NEW APARTMENT. 545 00:26:15,494 --> 00:26:19,328 OKAY, UM, STEVEN-- NOT TO MOVE IN TOGETHER, BUT, YOU KNOW, 546 00:26:19,328 --> 00:26:21,330 A 2-BEDROOM APARTMENT WOULD GIVE MAX HIS OWN ROOM, 547 00:26:21,330 --> 00:26:23,703 WHICH HE NEEDS, GIVE US A LITTLE PRIVACY, 548 00:26:23,703 --> 00:26:26,045 WHICH WE NEED. LISTEN, I THINK IT'S REALLY GREAT THAT YOU'RE-- 549 00:26:26,045 --> 00:26:28,127 IT'S VERY SWEET THAT YOU'RE SAYING ALL OF THIS, 550 00:26:28,127 --> 00:26:30,129 BUT YOU--YOU JUST--UM, YOU DON'T HAVE TO DO IT. 551 00:26:30,129 --> 00:26:32,131 I'M SORRY ABOUT WHAT I SAID THE OTHER DAY. I'M FINE. 552 00:26:32,131 --> 00:26:34,343 WHY? I THOUGHT YOU-- YOU KNOW, I HAD A WHOLE OTHER LIFE 553 00:26:34,343 --> 00:26:35,975 BEFORE YOU SHOWED UP. 554 00:26:35,975 --> 00:26:37,977 I MEAN, I HAVE A WHOLE LIFE NOW, 555 00:26:37,977 --> 00:26:39,889 AND I, UM... 556 00:26:39,889 --> 00:26:42,221 WHAT'S GOING ON? 557 00:26:44,023 --> 00:26:46,936 I JUST HAVE A LOT ON MY MIND, I GUESS. 558 00:26:46,936 --> 00:26:48,027 UM... 559 00:26:48,027 --> 00:26:50,730 ANYA? 560 00:26:50,730 --> 00:26:53,112 I HAVE TO GO. 561 00:26:53,112 --> 00:26:55,074 I'LL SEE YOU LATER. BYE. 562 00:27:26,645 --> 00:27:28,027 HI. 563 00:27:28,027 --> 00:27:29,769 HELLO. 564 00:27:29,769 --> 00:27:31,821 YOU DO LOOK GOOD IN BLUE. 565 00:27:31,821 --> 00:27:34,533 I BEG YOUR PARDON? 566 00:27:34,533 --> 00:27:38,197 OH... 567 00:27:38,197 --> 00:27:40,039 I'M CHRIS. 568 00:27:40,039 --> 00:27:41,410 LAURA. 569 00:27:41,410 --> 00:27:43,082 THAT'S A PRETTY NAME. 570 00:27:43,082 --> 00:27:44,453 OH, THANK YOU. YEAH. 571 00:27:44,453 --> 00:27:46,625 OH, CHRIS, HOW OLD ARE YOU? 572 00:27:46,625 --> 00:27:48,247 I KNOW WHAT YOU'RE THINKING. 573 00:27:48,247 --> 00:27:50,880 BUT PEOPLE HAVE SAID THAT I'M REALLY MATURE FOR MY AGE. 574 00:27:50,880 --> 00:27:52,882 OH, I'M SURE, I'M SURE. 575 00:27:52,882 --> 00:27:54,884 AND WHEN I SAW YOU, I DON'T KNOW... 576 00:27:54,884 --> 00:27:57,136 IT DIDN'T EVEN MATTER. 577 00:27:57,136 --> 00:27:59,138 I'M FLATTERED. 578 00:27:59,138 --> 00:28:00,930 JUST PUTTING IT OUT THERE, YOU KNOW? 579 00:28:00,930 --> 00:28:02,852 YEAH, YEAH. I'M-- THAT'S WHAT I'M DOING. 580 00:28:02,852 --> 00:28:04,603 YOU GOTTA PUT IT OUT THERE. YEAH. 581 00:28:06,565 --> 00:28:09,268 I JUST MOVED HERE FROM VIRGINIA, THREE MONTHS AGO. 582 00:28:09,268 --> 00:28:12,111 OH, YEAH? I THOUGHT, WITH ALL THESE PEOPLE IN THIS CITY, 583 00:28:12,111 --> 00:28:14,653 IT'D BE EASY TO MEET ONE, 584 00:28:14,653 --> 00:28:16,695 BUT DATING SUCKS. 585 00:28:16,695 --> 00:28:19,118 YEAH. 586 00:28:19,118 --> 00:28:22,621 UM, YOU KNOW, I'M PRETTY-- I'M PRETTY SURE 587 00:28:22,621 --> 00:28:25,034 THAT WE'RE NOT, YOU KNOW, REALLY RIGHT FOR EACH OTHER, 588 00:28:25,034 --> 00:28:27,626 BUT I COULD TELL YOU ABOUT A BUNCH OF PLACES 589 00:28:27,626 --> 00:28:32,211 IN THIS NEIGHBORHOOD WHERE YOU MIGHT MEET SOMEBODY. 590 00:28:32,211 --> 00:28:34,834 YOU--YOU WANNA GET SOME COFFEE? 591 00:28:34,834 --> 00:28:36,836 HELL YEAH. 592 00:28:38,547 --> 00:28:40,509 LET'S DO IT, AND I'M BUYING. OH. 593 00:28:40,509 --> 00:28:44,053 NO PRESSURE, THOUGH. ALL RIGHT? 594 00:28:48,227 --> 00:28:50,900 OKAY, ONE MORE. 595 00:28:54,693 --> 00:28:57,486 BOBBY FULLER HAS A CRUSH ON ME. 596 00:28:57,486 --> 00:28:59,949 WHAT? 597 00:28:59,949 --> 00:29:04,163 HE WAITED UNTIL RECESS AND TOLD MELISSA NOT TO TELL ME... 598 00:29:04,163 --> 00:29:06,415 YEAH. BUT SHE TOLD ME. 599 00:29:06,415 --> 00:29:09,578 BOBBY WITH THE CURLY HAIR? 600 00:29:09,578 --> 00:29:12,962 YEAH. AND WHAT DO YOU THINK OF BOBBY FULLER? 601 00:29:12,962 --> 00:29:14,373 WELL, I DON'T WANT A BOYFRIEND. 602 00:29:14,373 --> 00:29:17,216 BELIEVE IT OR NOT, SOMEDAY YOU MIGHT. 603 00:29:20,299 --> 00:29:22,761 DO YOU HAVE ONE? 604 00:29:22,761 --> 00:29:25,434 NOPE... 605 00:29:25,434 --> 00:29:27,937 NOT RIGHT NOW. 606 00:29:27,937 --> 00:29:31,060 HEY, LISA, IT'S CARLOS GREEN. Hello, Carlos. 607 00:29:31,060 --> 00:29:33,062 HEY, WHAT--WHAT IF I TOLD YOU 608 00:29:33,062 --> 00:29:35,394 I CAN PAY... $500 MORE A MONTH? 609 00:29:35,394 --> 00:29:37,396 Well, I could find you a place 610 00:29:37,396 --> 00:29:40,279 WITH A WINDOW THAT ACTUALLY LOOKS AT SOMETHING. That's great. 611 00:29:40,279 --> 00:29:43,282 LET'S DO IT. WHAT, DID YOU WIN THE POWER BALL OR SOMETHING? 612 00:29:43,282 --> 00:29:45,074 No, no, it's just, uh... 613 00:29:45,074 --> 00:29:47,076 YOU CAN'T LET LIFE PASS YOU BY. 614 00:29:47,076 --> 00:29:48,707 GOTTA GO AFTER IT. 615 00:29:48,707 --> 00:29:50,709 Well, let me do a little research, 616 00:29:50,709 --> 00:29:52,331 and I'll get back to you. 617 00:29:52,331 --> 00:29:54,333 ALL RIGHT. 618 00:29:58,797 --> 00:30:00,679 HELLO? 619 00:30:02,301 --> 00:30:05,474 HI, I GOT YOUR MESSAGE. WHAT'S UP? 620 00:30:05,474 --> 00:30:08,427 CONGRATULATIONS. 621 00:30:08,427 --> 00:30:11,190 I GOT IT? THE BOARD APPROVED YOU-- UNANIMOUS. 622 00:30:11,190 --> 00:30:14,353 YOU'RE KIDDING. THAT'S FANTASTIC! 623 00:30:14,353 --> 00:30:17,356 THANK YOU! 624 00:30:17,356 --> 00:30:20,199 IT'S KIND OF KISMET, ISN'T IT? 625 00:30:20,199 --> 00:30:22,201 WHAT IS? 626 00:30:22,201 --> 00:30:24,323 THE WAY WE MET, AND THEN MET AGAIN, 627 00:30:24,323 --> 00:30:26,035 AND NOW HERE YOU ARE, 628 00:30:26,035 --> 00:30:28,787 LITERALLY THE GIRL NEXT DOOR. 629 00:30:28,787 --> 00:30:31,160 TODD... 630 00:30:33,212 --> 00:30:37,216 I THOUGHT YOU SAID YOU DIDN'T WANT TO GET INVOLVED. 631 00:30:37,216 --> 00:30:40,089 I DIDN'T, BUT I WAS LISTENING TO YOU AT THE BOARD MEETING, 632 00:30:40,089 --> 00:30:42,091 AND WHAT YOU SAID IS TRUE. 633 00:30:42,091 --> 00:30:44,053 IT IS SO HARD TO FIND THE RIGHT THING. 634 00:30:44,053 --> 00:30:46,675 I WAS TALKING ABOUT THE APARTMENT. I KNOW, 635 00:30:46,675 --> 00:30:49,428 BUT THERE'S GOTTA BE A REASON THIS ALL WORKED OUT LIKE THIS. 636 00:30:49,428 --> 00:30:51,140 TODD... 637 00:30:51,140 --> 00:30:53,232 YEAH? 638 00:31:07,076 --> 00:31:08,867 I HAVE A PROBLEM. 639 00:31:08,867 --> 00:31:11,040 WHAT--YOU LOVE THE APARTMENT? No, a bigger problem, 640 00:31:11,040 --> 00:31:12,831 A LIFELONG PROBLEM. 641 00:31:12,831 --> 00:31:14,203 CHECK THIS OUT-- 642 00:31:14,203 --> 00:31:17,416 WHITNEY AND MATT, CHRIS AND WHITNEY, 643 00:31:17,416 --> 00:31:20,709 STU AND WHITNEY, WHITNEY AND ROY. 644 00:31:20,709 --> 00:31:22,461 MY WHOLE LIFE IS DEFINED 645 00:31:22,461 --> 00:31:24,463 BY ONE OF THOSE LITTLE "AND" SYMBOLS. 646 00:31:24,463 --> 00:31:25,714 THE AMPERSAND. 647 00:31:25,714 --> 00:31:27,886 A WHAT? Oh, nothing. I get it. 648 00:31:27,886 --> 00:31:30,269 WHAT IS IT WITH ME, THAT I CAN'T BE ALONE, 649 00:31:30,269 --> 00:31:32,141 NOT EVEN FOR FIVE MINUTES? 650 00:31:32,141 --> 00:31:33,892 WELL, WE ALL SAY WE WANT TO BE ALONE, 651 00:31:33,892 --> 00:31:37,476 BUT BEING ALONE IS, WELL... IT'S LONELY. 652 00:31:37,476 --> 00:31:40,109 UGH, I DON'T KNOW. 653 00:31:40,109 --> 00:31:42,231 HEY, HOW WAS THAT "MISSED CONNECTION"? 654 00:31:42,231 --> 00:31:44,233 OH, IT WAS GREAT. Really? 655 00:31:44,233 --> 00:31:47,236 YEAH, IT WAS A NO-GO, BUT HE WAS REALLY SWEET. 656 00:31:47,236 --> 00:31:49,828 BUT, UM, LET ME TELL YOU ABOUT IT LATER 657 00:31:49,828 --> 00:31:51,200 BECAUSE ELIZA JUST CAME HOME. 658 00:31:51,200 --> 00:31:53,332 OKAY, BYE. HEY, HOW WAS THE PARK? 659 00:31:53,332 --> 00:31:56,875 WE HAD FUN. HEY, DID ANYONE CALL FOR ME? 660 00:31:56,875 --> 00:31:59,538 MM, NO, NOT THAT I KNOW OF. 661 00:31:59,538 --> 00:32:02,341 OKAY. IS EVERYTHING OKAY? 662 00:32:02,341 --> 00:32:06,505 I THINK I MESSED THINGS UP... WITH CARLOS. 663 00:32:06,505 --> 00:32:08,427 WHAT HAPPENED? 664 00:32:08,427 --> 00:32:11,470 I GOT IN MY OWN WAY. 665 00:32:11,470 --> 00:32:14,183 HE BASICALLY TOLD ME HOW HE FELT, 666 00:32:14,183 --> 00:32:15,684 AND I COULDN'T DEAL WITH IT. 667 00:32:15,684 --> 00:32:17,056 WHY? 668 00:32:17,056 --> 00:32:19,688 I DON'T KNOW. I PUSHED HIM AWAY. 669 00:32:22,271 --> 00:32:26,025 WELL, IF YOU DON'T FEEL THAT WAY ABOUT HIM-- I DO. 670 00:32:26,025 --> 00:32:29,028 I DO, IT'S JUST... 671 00:32:31,660 --> 00:32:34,373 SOMETIMES I THINK ABOUT 672 00:32:34,373 --> 00:32:36,575 THE LAST RELATIONSHIP THAT I WAS IN, 673 00:32:36,575 --> 00:32:40,379 AND IT WAS... 674 00:32:40,379 --> 00:32:43,542 IT JUST DIDN'T TURN OUT SO WELL. 675 00:32:43,542 --> 00:32:46,505 YEAH, BUT FROM EVERYTHING YOU'VE TOLD ME ABOUT CARLOS, 676 00:32:46,505 --> 00:32:49,298 HE SEEMS LIKE A MAN THAT YOU CAN TRUST... 677 00:32:49,298 --> 00:32:51,140 AND HE'S SO CUTE. 678 00:32:53,182 --> 00:32:55,144 YEAH, HE IS, ISN'T HE? 679 00:32:55,144 --> 00:32:58,057 YEAH, SO WHY NOT TRY, YOU KNOW? 680 00:32:58,057 --> 00:33:00,229 I MET THIS GUY TODAY, 681 00:33:00,229 --> 00:33:03,232 AND HE WANTS TO BE AN AEROSPACE ENGINEER. 682 00:33:03,232 --> 00:33:06,065 ANYWAY, HE'S BEEN IN THE CITY FOR ABOUT--ABOUT THREE MONTHS, 683 00:33:06,065 --> 00:33:07,906 AND HE'S SO LONELY, 684 00:33:07,906 --> 00:33:10,909 AND I THINK THAT THERE ARE A LOT OF PEOPLE WHO ARE LIKE THAT. 685 00:33:10,909 --> 00:33:14,073 I-I WENT ON THAT WEB SITE AGAIN, 686 00:33:14,073 --> 00:33:16,825 AND--AND THERE WERE ABOUT 50 NEW POSTINGS, TODAY ALONE. 687 00:33:16,825 --> 00:33:19,078 I MEAN, I THINK THERE ARE MORE PEOPLE 688 00:33:19,078 --> 00:33:21,920 LOOKING FOR LOVE IN THIS CITY 689 00:33:21,920 --> 00:33:23,712 THAN THERE ARE LOOKING FOR APARTMENTS. 690 00:33:23,712 --> 00:33:25,714 I MEAN, PEOPLE ARE JUST SO DESPERATE 691 00:33:25,714 --> 00:33:28,677 TO MAKE A REAL CONNECTION WITH SOMEONE. 692 00:33:28,677 --> 00:33:32,010 AND YOU ALREADY HAVE. 693 00:33:38,016 --> 00:33:41,640 WOW, THIS PLACE IS AMAZING. 694 00:33:41,640 --> 00:33:44,233 YEAH, IT'S GREAT, RIGHT? ARE YOU KIDDING ME? 695 00:33:44,233 --> 00:33:46,445 SO A PLACE LIKE THIS COULD BE GOOD 696 00:33:46,445 --> 00:33:48,907 FOR YOU AND YOUR FRIEND. 697 00:33:48,907 --> 00:33:51,570 YEAH, THAT'S-- THAT'S NOT HAPPENING. 698 00:33:51,570 --> 00:33:53,572 SORRY. 699 00:33:53,572 --> 00:33:55,824 HEY, FEEL FREE TO LOOK AROUND, 700 00:33:55,824 --> 00:33:58,207 CHECK THINGS OUT, SEE WHAT YOU THINK. 701 00:33:58,207 --> 00:34:01,039 ALL RIGHT. 702 00:34:01,039 --> 00:34:04,042 THIS PLACE IS CRAZY. 703 00:34:07,796 --> 00:34:10,219 NICE VIEW. 704 00:34:10,219 --> 00:34:12,881 HOW MUCH IS IT? IT'S NOT FOR RENT. 705 00:34:12,881 --> 00:34:15,053 HOW COME? 706 00:34:15,053 --> 00:34:18,137 BECAUSE IT'S MINE. 707 00:34:18,137 --> 00:34:20,139 I LIVE HERE. 708 00:34:22,851 --> 00:34:24,853 ONE BEDROOM, I TAKE IT? 709 00:34:24,853 --> 00:34:28,527 CROSS YOUR FINGERS, AND YOU JUST MIGHT FIND OUT. 710 00:34:42,911 --> 00:34:45,464 SOLD. 711 00:34:50,088 --> 00:34:52,131 OKAY. 712 00:34:55,174 --> 00:34:56,555 HEY. 713 00:34:56,555 --> 00:34:58,016 HEY. 714 00:34:58,016 --> 00:34:59,518 CAN I COME IN? 715 00:34:59,518 --> 00:35:02,221 UM... 716 00:35:02,221 --> 00:35:04,853 YOU KNOW, I'M NOT REALLY FEELING WELL RIGHT NOW. 717 00:35:04,853 --> 00:35:08,187 WHAT'S WRONG I'M JUST NOT FEELING THAT GREAT. 718 00:35:08,187 --> 00:35:11,109 UM... I'M GONNA JUST TURN IN A LITTLE EARLY-- 719 00:35:11,109 --> 00:35:13,031 CAN WE DISCUSS THIS INSIDE? 720 00:35:13,031 --> 00:35:14,863 UM, CARLOS IS IN HERE, SO I REALLY DON'T 721 00:35:14,863 --> 00:35:16,865 ACTUALLY EVEN THINK THAT'S SUCH A GOOD IDEA. 722 00:35:16,865 --> 00:35:19,077 WELL, I'VE MADE THE ROOMMATE'S ACQUAINTANCE. I UNDERSTAND. 723 00:35:19,077 --> 00:35:22,040 I DON'T THINK HE'D MIND IF I COME IN. WHAT'S GOING ON, ANYA? 724 00:35:22,040 --> 00:35:25,123 PLE--STEVEN, PLEASE DON'T DO THIS-- 725 00:35:25,123 --> 00:35:28,167 CARLOS, YOU'VE CHANGED. CAN YOU NOT DO THIS TO ME-- 726 00:35:28,167 --> 00:35:30,339 ARE YOU KIDDING ME? HEY, LOOK, PAL, SHE OBVIOUSLY DOESN'T WANT YOU HERE. 727 00:35:30,339 --> 00:35:31,960 LOOK, CAN YOU PLEASE JUST GO? DON'T. 728 00:35:31,960 --> 00:35:33,302 CAN YOU PLEASE GO? PLEASE. 729 00:35:33,302 --> 00:35:36,595 HOW MANY ROOMMATES DO YOU HAVE? PLEASE, CAN YOU PLEASE GO? 730 00:35:48,227 --> 00:35:49,938 ♪ LOVE, LIFE ♪ 731 00:35:49,938 --> 00:35:53,071 ♪ ONE SPEAKS FOR THE OTHER ONE NOW... ♪ 732 00:35:53,071 --> 00:35:55,073 THIS IS NICE, 733 00:35:55,073 --> 00:35:58,076 A REAL DATE IN A PUBLIC PLACE. 734 00:36:01,039 --> 00:36:04,162 SO... WHEN ARE YOU MOVING IN? 735 00:36:04,162 --> 00:36:07,706 I'M NOT. 736 00:36:07,706 --> 00:36:11,250 OH. 737 00:36:11,250 --> 00:36:13,842 THIS IS NOT A DATE. 738 00:36:13,842 --> 00:36:16,094 ♪ WELL, I GUESS I DID ♪ 739 00:36:16,094 --> 00:36:18,887 I AM SO SORRY. I REALLY AM. 740 00:36:18,887 --> 00:36:22,180 AND BELIEVE ME, I LOVE THAT APARTMENT, 741 00:36:22,180 --> 00:36:25,103 AND EVERY BONE IN MY BODY IS TELLING ME TO TAKE IT. 742 00:36:25,103 --> 00:36:27,105 SO WHY AREN'T YOU? 743 00:36:27,105 --> 00:36:33,111 BECAUSE, TODD, MY SERIAL MONOGAMY HAS TO END. 744 00:36:33,312 --> 00:36:36,695 IT'S NOT YOUR FAULT. IT'S ME. 745 00:36:36,695 --> 00:36:38,076 IT'S--IT'S WHAT I DO. 746 00:36:38,076 --> 00:36:40,078 I GET OUT OF ONE RELATIONSHIP, 747 00:36:40,078 --> 00:36:43,242 AND I FALL RIGHT INTO THE NEXT. 748 00:36:43,242 --> 00:36:46,455 WHO DOESN'T? 749 00:36:46,455 --> 00:36:49,127 THIS COULD WORK BETWEEN US. 750 00:36:54,212 --> 00:36:56,925 NO, IT CAN'T. 751 00:36:56,925 --> 00:36:59,338 I HAVE TO BE ALONE, 752 00:36:59,338 --> 00:37:04,182 AND IT'S HARD, BUT I HAVE TO DO IT. 753 00:37:04,182 --> 00:37:06,975 I JUST HAVE TO SPEND SOME TIME 754 00:37:06,975 --> 00:37:09,398 BY MYSELF, YOU KNOW? 755 00:37:09,398 --> 00:37:15,274 AND FIGURE OUT WHAT I ACTUALLY WANT. 756 00:37:15,274 --> 00:37:17,856 I'M SORRY. 757 00:37:19,488 --> 00:37:22,491 ♪ DID ANYONE TRY TOO HARD? WELL, I GUESS I DID ♪ 758 00:37:22,491 --> 00:37:25,994 ♪ I GUESS I DID, ALL RIGHT ♪ 759 00:37:25,994 --> 00:37:28,166 ♪ SHE'LL BREAK MY HEART ♪ 760 00:37:28,166 --> 00:37:31,630 BYE. BYE. 761 00:37:31,630 --> 00:37:35,584 ♪ SHE'LL BREAK MY HEART ♪ 762 00:37:35,584 --> 00:37:38,216 ♪ SHE'LL BREAK MY HEART ♪ 763 00:37:43,181 --> 00:37:44,803 HEY. 764 00:37:44,803 --> 00:37:46,144 HEY. 765 00:37:46,144 --> 00:37:48,687 YOU GOT MY MESSAGE, HUH? 766 00:37:48,687 --> 00:37:51,099 HERE I AM. 767 00:37:51,099 --> 00:37:56,695 UM... LOOK, NOTHING'S ACTUALLY HAPPENED WITH LUCAS-- 768 00:37:56,695 --> 00:38:00,319 I HAVE A FEELING A LOT HAS HAPPENED WITH YOU AND LUCAS. 769 00:38:02,861 --> 00:38:05,033 IS HE 770 00:38:05,033 --> 00:38:08,787 HE IS. 771 00:38:11,249 --> 00:38:13,251 LOOK, IT'S JUST REALLY IMPORTANT TO ME 772 00:38:13,251 --> 00:38:15,334 THAT YOU KNOW THAT, UM, 773 00:38:15,334 --> 00:38:18,797 HE'S NOT JUST, LIKE, SOME OTHER GUY. WHAT IS HE? 774 00:38:18,797 --> 00:38:20,799 LOOK, YOU KNOW, 775 00:38:20,799 --> 00:38:23,342 HE LEFT NEW YORK TWO YEARS AGO, 776 00:38:23,342 --> 00:38:26,635 RIGHT AFTER HE BROKE MY HEART, 777 00:38:26,635 --> 00:38:29,227 AND, UM, I DIDN'T REALLY EVEN KNOW HE WAS IN TOWN 778 00:38:29,227 --> 00:38:31,560 UNTIL CARLOS TOLD ME THAT HE RAN INTO HIM. 779 00:38:31,560 --> 00:38:34,563 I'M SORRY. I KNOW THAT I SHOULD HAVE TOLD YOU. 780 00:38:34,563 --> 00:38:38,066 I JUST... I DIDN'T KNOW WHAT TO SAY. 781 00:38:40,108 --> 00:38:43,402 SEEING HIM IS JUST, UM... 782 00:38:43,402 --> 00:38:46,244 IT SORT OF JUST, YOU KNOW, 783 00:38:46,244 --> 00:38:48,747 TURNED EVERYTHING REALLY UPSIDE DOWN FOR ME. 784 00:39:00,509 --> 00:39:03,131 HERE I WAS, ACTUALLY STARTING TO THINK 785 00:39:03,131 --> 00:39:05,464 IT MIGHT WORK OUT WITH US. 786 00:39:05,464 --> 00:39:08,226 YOU MEAN YOU REALLY THOUGHT THAT? 787 00:39:08,226 --> 00:39:10,429 I DON'T KNOW. 788 00:39:10,429 --> 00:39:12,811 I DON'T KNOW, EITHER. I JUST DON'T, 789 00:39:12,811 --> 00:39:14,683 BECAUSE SOMETIMES IT SORT OF FEELS LIKE 790 00:39:14,683 --> 00:39:16,475 WE'RE JUST KIND OF PLAYING HOUSE, YOU KNOW? 791 00:39:16,475 --> 00:39:19,147 I MEAN, I'M TRYING TO, LIKE, HANDLE AN 11 YEAR OLD? 792 00:39:19,147 --> 00:39:22,150 I MEAN... 793 00:39:22,150 --> 00:39:25,243 GOD, AND THEN I LOOK AT YOU AND I JUST... 794 00:39:31,369 --> 00:39:33,371 I'VE LEARNED A LOT FROM YOU. 795 00:39:36,705 --> 00:39:40,459 YOU COMPLETELY--YOU JUST COMPLETELY INSPIRE ME. 796 00:39:40,459 --> 00:39:45,213 I'M GLAD I COULD HELP OUT. 797 00:39:45,213 --> 00:39:47,305 I'M SERIOUS. WHAT ARE YOU GONNA DO, ANYA? 798 00:39:47,305 --> 00:39:50,008 WHAT ARE YOU GONNA DO? I'M JUST GONNA... 799 00:39:50,008 --> 00:39:53,061 I'M GONNA JUST SEE WHERE IT GOES WITH HIM. 800 00:39:53,061 --> 00:39:56,274 IT WAS LEFT VERY UNRESOLVED. 801 00:40:08,907 --> 00:40:11,079 I'M SORRY. 802 00:40:18,747 --> 00:40:20,879 GOOD NIGHT, ANYA. 803 00:40:40,939 --> 00:40:43,732 ARE YOU--OH, GOD, YOU'RE LOOKING FOR CARLOS. 804 00:40:43,732 --> 00:40:46,905 YOU'RE MAE, RIGHT? I'M ANYA. YEAH, UM-- ANYA. HI. 805 00:40:46,905 --> 00:40:49,948 HI. HE'S, UH, HE'S ACTUALLY-- 806 00:40:49,948 --> 00:40:53,071 HE'S OUT LOOKING FOR APARTMENTS. 807 00:40:53,071 --> 00:40:55,373 UM, I'M SORRY. WOULD-- DO YOU WANNA COME IN? 808 00:40:55,373 --> 00:40:58,206 DO YOU WANNA COME INSIDE AND WAIT FOR HIM? 809 00:40:58,206 --> 00:41:00,839 NO, DON'T WORRY ABOUT IT. THANK YOU. YOU SURE? 810 00:41:00,839 --> 00:41:02,841 YEAH, THAT'S ALL RIGHT. OKAY. 811 00:41:08,386 --> 00:41:12,681 (Phoenix's "Love For Granted" playing) 812 00:41:12,681 --> 00:41:16,184 ♪ OH, THESE DAYS ARE GONE ♪ 813 00:41:16,184 --> 00:41:19,437 ♪ LOUD ENOUGH TO HOLD ON ♪ 814 00:41:19,437 --> 00:41:22,861 ♪ I THINK ABOUT THE TIME WE WASTED ♪ 815 00:41:22,861 --> 00:41:26,735 ♪ I THINK ABOUT THE YEARS TO COME ♪ 816 00:41:26,735 --> 00:41:30,318 ♪ IT'S GETTING LATE AND I CAN'T CALL ♪ 817 00:41:30,318 --> 00:41:34,032 ♪ IT'S GETTING LATE TO FACE IT ALL ♪ HOLD ON. 818 00:41:34,032 --> 00:41:37,035 ♪ I THINK ABOUT THE TIME WE WASTED ♪ 819 00:41:37,035 --> 00:41:41,169 ♪ MY LONELINESS HAS SLOWLY GROWN ♪ 820 00:41:41,169 --> 00:41:44,833 ♪ I TOLD YOU NOT TO CROSS THE LINE ♪ 821 00:41:44,833 --> 00:41:49,047 ♪ AND LEAVE ME WITH YOUR LOVE FOR GRANTED ♪ 822 00:41:49,047 --> 00:41:52,260 ♪ THE LETTERS FROM YOUR BROKEN HEART ♪ 823 00:41:52,260 --> 00:41:55,473 ♪ I THINK I MIGHT HAVE LOST THEM SOMEWHERE ♪ 824 00:41:55,473 --> 00:41:57,475 ♪ OOH-OOH ♪ BYE. 825 00:41:57,475 --> 00:42:00,518 BYE. 826 00:42:00,518 --> 00:42:06,104 ♪ DON'T TELL ME ABOUT YOUR LIES ♪ 827 00:42:06,104 --> 00:42:12,110 ♪ OOH ♪ 828 00:42:12,450 --> 00:42:15,033 ♪ DON'T TELL ME ABOUT YOUR SECRETS ♪ 59357

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