Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,043 --> 00:00:04,925
PREVIOUSLY ON "SIX DEGREES"...
MY HUSBAND
WAS KILLED IN IRAQ.
2
00:00:04,925 --> 00:00:08,299
HAVE YOU MOVED
HIS STUFF OUT?
3
00:00:11,682 --> 00:00:13,134
ROY IS GONE.
4
00:00:13,134 --> 00:00:15,806
NOT A TRACE IS LEFT
OF THAT LYING SON OF A BITCH.
5
00:00:15,806 --> 00:00:16,977
ON WITH MY LIFE.
6
00:00:16,977 --> 00:00:19,310
I'M TRYING TO BUILD
A STRONG CASE HERE, SHERMAN.
7
00:00:19,310 --> 00:00:21,442
BUT WITHOUT A SOLID ALIBI,
THAT'S NOT GONNA HAPPEN.
THE GUN WASN'T MINE.
8
00:00:21,442 --> 00:00:23,064
I SWEAR I FOUND IT
BY A DUMPSTER.
9
00:00:23,064 --> 00:00:25,566
I SHOT A GUY.
10
00:00:25,566 --> 00:00:28,069
I GOTTA THINK
ABOUT THIS, DAMIAN.
11
00:00:30,951 --> 00:00:34,365
♪ THREE LITTLE BIRDS... ♪
12
00:00:34,365 --> 00:00:36,997
THEY SAY
THAT IMAGE IS EVERYTHING,
13
00:00:36,997 --> 00:00:38,369
BUT IN NEW YORK,
14
00:00:38,369 --> 00:00:40,371
YOUR IMAGE CAN CHANGE
IN AN INSTANT.
15
00:00:40,371 --> 00:00:42,373
MOVE ACROSS TOWN,
TRY A NEW RESTAURANT,
16
00:00:42,373 --> 00:00:45,086
SLIP INTO AN OUTFIT
THAT'S NOT EXACTLY YOU,
17
00:00:45,086 --> 00:00:47,508
AND YOU CAN CHANGE
THE WAY PEOPLE SEE YOU
18
00:00:47,508 --> 00:00:49,130
AND THE WAY YOU SEE YOURSELF.
19
00:00:49,130 --> 00:00:51,762
I-I DON'T SEE
MYSELF THAT WAY.
20
00:00:51,762 --> 00:00:53,884
WELL, YOU SHOULD.
21
00:00:53,884 --> 00:00:55,936
WHAT IS THIS ARTICLE CALLED?
22
00:00:55,936 --> 00:00:57,938
"35 UNDER 35."
23
00:00:57,938 --> 00:01:02,483
IT'S "W" MAGAZINE'S
ANNUAL SURVEY OF--
OF THE MOST POWERFUL WOMEN
IN NEW YORK.
24
00:01:02,483 --> 00:01:07,067
YEAH, I HAVE SEEN THAT.
WHITNEY, THAT'S AMAZING.
25
00:01:07,067 --> 00:01:09,029
NO, I'M--I'M EXCITED.
I FEEL GOOD, FINALLY.
26
00:01:09,029 --> 00:01:10,451
WOW.
27
00:01:10,451 --> 00:01:12,903
HI THERE.
UH, I'M SORRY TO INTERRUPT.
28
00:01:12,903 --> 00:01:15,406
UH, I DON'T NORMALLY DO
THIS KIND OF THING, BUT, UH,
29
00:01:15,406 --> 00:01:18,199
I WAS JUST SITTING OVER THERE,
AND I COULDN'T HELP BUT NOTICE
30
00:01:18,199 --> 00:01:21,041
YOU SITTING OVER HERE--
I'M JUST TRYING TO HAVE A DRINK
WITH MY FRIEND. I'M SORRY.
31
00:01:21,041 --> 00:01:24,125
OH, ACTUALLY, I WAS, UH--
I WAS TALKING TO HER.
32
00:01:24,125 --> 00:01:26,917
T
YEAH. UH, WE MET
A FEW WEEKS AGO
33
00:01:26,917 --> 00:01:28,759
AT A HALLOWEEN PARTY.
34
00:01:28,759 --> 00:01:29,970
YOU PROBABLY
DON'T RECOGNIZE ME.
35
00:01:29,970 --> 00:01:32,673
I... I HAD
A COUPLE OF BOLTS STICKING OUT
36
00:01:32,673 --> 00:01:35,426
OF THE BACK OF MY NECK,
AND WE DANCED TO "ROCK LOBSTER."
37
00:01:35,426 --> 00:01:37,097
FRANKENSTEIN.
BINGO, YEAH.
38
00:01:37,097 --> 00:01:39,430
ANYWAY, UH,
I WAS KICKING MYSELF, UH,
39
00:01:39,430 --> 00:01:42,102
FOR NOT GETTING
YOUR NUMBER THEN...
40
00:01:42,102 --> 00:01:43,984
REALLY?
AND NOW YOU'RE HERE,
41
00:01:43,984 --> 00:01:45,986
AND, UH, I WAS WONDERING
42
00:01:45,986 --> 00:01:50,070
IF MAYBE, UH, SOMETIME,
WE COULD, UH...
43
00:01:50,070 --> 00:01:51,402
LUNCH, DINNER, DRINKS?
44
00:01:51,402 --> 00:01:54,905
YEAH. ANY OF THAT, IF YOU'RE--
IF YOU'RE EVER FREE.
45
00:01:54,905 --> 00:01:58,329
♪ GOTTA LOVE THAT AFRO HAIRDO ♪
46
00:01:58,329 --> 00:02:01,081
OH, GOD. I JUST GAVE MY NUMBER
TO A COMPLETE STRANGER.
47
00:02:01,081 --> 00:02:04,415
CUTE.
I MEAN, LUNCH IS BETTER,
RIGHT, FOR A FIRST DATE,
48
00:02:04,415 --> 00:02:07,047
DON'T YOU THINK?
NO, LUNCH IS GOOD. IT'S SAFE.
49
00:02:07,047 --> 00:02:09,210
I HAVEN'T BEEN ON A DATE SINCE
THE REAGAN ADMINISTRATION.
50
00:02:09,210 --> 00:02:12,673
HOW DO I MAKE SMALL TALK?
HOW DO I MAKE BIG TALK, TOO?
51
00:02:12,673 --> 00:02:15,216
SH-SHOULD I TELL HIM THAT
I LOST MY HUSBAND, DO YOU THINK?
52
00:02:15,216 --> 00:02:17,137
I'VE GOT SO MUCH BAGGAGE--
53
00:02:17,137 --> 00:02:19,310
LAURA, WAIT. YOU DON'T
HAVE TO SAY ANYTHING, OKAY?
54
00:02:19,310 --> 00:02:20,891
IT'S A FIRST DATE.
55
00:02:20,891 --> 00:02:24,144
OH, MY GOD.
IT'S A FIRST DATE!
56
00:02:24,144 --> 00:02:25,896
OH!
AAH!
57
00:02:31,362 --> 00:02:34,114
♪ I HOPE YOU GET YOUR DREAMS ♪
58
00:02:34,114 --> 00:02:36,867
HERE'S YOUR USUAL,
WITH AN EXTRA SHOT.
59
00:02:36,867 --> 00:02:39,119
THANKS, EVAN.
YOU HAVE A GOOD ONE.
YOU'RE WELCOME.
60
00:02:40,991 --> 00:02:43,083
HI.
61
00:02:43,083 --> 00:02:45,916
DAMN IT, ROY, YOU KNOW I COME
HERE FOR COFFEE EVERY MORNING.
62
00:02:45,916 --> 00:02:48,959
CAN'T YOU GO ANYPLACE ELSE?
ACTUALLY,
I WANTED TO TALK TO YOU.
63
00:02:48,959 --> 00:02:51,922
SO NOW YOU'RE STALKING ME.
NO. I'M HERE TO GIVE YOU
A HEADS-UP.
64
00:02:51,922 --> 00:02:53,053
THAT WHAT,
65
00:02:53,053 --> 00:02:56,136
THAT YOU'VE SLEPT WITH
THE OTHER HALF OF MANHATTAN?
66
00:02:56,136 --> 00:02:58,138
I HAVE A 10:00 A.M.
67
00:03:00,761 --> 00:03:03,224
I KNOW.
I AM YOUR 10:00 A.M.
68
00:03:04,645 --> 00:03:06,937
MY FIRM JUST ACQUIRED
TRAXX SPORTING GOODS.
69
00:03:06,937 --> 00:03:08,569
MY CLIENT?
70
00:03:08,569 --> 00:03:11,111
THE PARTNERS WANT TO OVERHAUL
THE ENTIRE BRAND IMAGE,
71
00:03:11,111 --> 00:03:13,274
CHANGE EVERYTHING ABOUT IT
EXCEPT THE P.R. FIRM.
72
00:03:13,274 --> 00:03:14,695
"THE PARTNERS," RIGHT.
73
00:03:14,695 --> 00:03:17,077
LOOK, THIS IS AS AWKWARD FOR ME
AS IT IS FOR YOU,
74
00:03:17,077 --> 00:03:20,911
BUT THEY KNOW
YOU'RE THE BEST THERE IS.
HOW COME I DON'T KNOW
ANY OF THIS?
75
00:03:20,911 --> 00:03:22,703
BECAUSE IT JUST HAPPENED,
76
00:03:22,703 --> 00:03:24,915
AND I THOUGHT
I SHOULD TELL YOU HERE,
77
00:03:24,915 --> 00:03:27,087
RATHER THAN WALK INTO YOUR
OFFICE AND, YOU KNOW, "HELLO."
78
00:03:27,087 --> 00:03:30,381
YOU HAVEN'T CAUSED ENOUGH DAMAGE
TO MY PERSONAL LIFE,
79
00:03:30,381 --> 00:03:33,834
NOW YOU'RE BRINGING IT
INTO MY OFFICE?
WE'RE LOOKING AT TWO WEEKS
OF MEETINGS, TOPS.
80
00:03:33,834 --> 00:03:35,836
I'M HOPING WE CAN JUST
BOTH GET THROUGH THIS
81
00:03:35,836 --> 00:03:38,098
AND BEHAVE
LIKE PROFESSIONALS.
82
00:03:38,098 --> 00:03:41,932
I WILL NOT PLAY NICE
WITH THAT PIG.
WHITNEY, CALM DOWN.
83
00:03:41,932 --> 00:03:43,934
DON'T TELL ME TO CALM DOWN.
84
00:03:43,934 --> 00:03:46,016
I FINALLY PURGED THAT MAN
FROM MY LIFE.
85
00:03:46,016 --> 00:03:48,188
I FINALLY STARTED FEELING BETTER
ABOUT MYSELF, AND NOW I--
86
00:03:48,188 --> 00:03:49,940
YOURSELF? HE WAS THE ONE
SCHTUPPING ANYTHING
87
00:03:49,940 --> 00:03:51,982
HE COULD GET HIS HANDS ON.
TAKE ME OFF THAT ACCOUNT.
88
00:03:51,982 --> 00:03:55,316
YOU BUILT THE BRAND.
I DON'T CARE. I AM NOT SITTING
IN A MEETING WITH THAT MAN.
89
00:03:55,316 --> 00:03:58,068
THIS IS A $5-MILLION CLIENT.
I DON'T CARE.
90
00:03:58,068 --> 00:04:01,412
THEY RELY ON YOU. AND BESIDES,
YOU GET A PERCENTAGE--
91
00:04:01,412 --> 00:04:04,625
YOU THINK I CAN BE BOUGHT?
NO, I THINK YOU HAVE
AN IMAGE TO PROTECT--
92
00:04:04,625 --> 00:04:06,627
THAT NOTHING GETS TO YOU,
93
00:04:06,627 --> 00:04:07,958
THAT YOU'RE
A SMART BUSINESSWOMAN
94
00:04:07,958 --> 00:04:13,544
WHO CAN MAN UP WHEN SHE NEEDS TO
AND THINK WITH HER HEAD.
95
00:04:13,544 --> 00:04:15,546
OKAY.
96
00:04:17,588 --> 00:04:22,052
I WANT 20% ON TOP OF MY BONUS
AND AN EXTRA WEEK'S VACATION,
97
00:04:22,052 --> 00:04:25,686
AND I WANT A CLOTHING ALLOWANCE
FOR MELANIE.
98
00:04:25,686 --> 00:04:27,688
I THOUGHT
YOU WEREN'T FOR SALE?
99
00:04:27,688 --> 00:04:30,150
DIDN'T YOU JUST TELL ME
TO MAN UP?
100
00:04:31,942 --> 00:04:33,153
WHAT?
101
00:04:33,153 --> 00:04:34,945
I DON'T KNOW. I JUST--
I GOTTA TELL YOU,
102
00:04:34,945 --> 00:04:38,108
IT'S, UH--IT'S, UH--
IT'S NICE TO GO ON A GOOD DATE.
103
00:04:39,490 --> 00:04:41,952
ARE MOST OF YOUR DATES
NOT GOOD?
104
00:04:41,952 --> 00:04:44,705
NO. THE LAST ONE?
SHE READ MY CHART AT THE TABLE.
105
00:04:44,705 --> 00:04:46,076
NO.
OH, YEAH.
106
00:04:46,076 --> 00:04:49,580
UH, I GUESS, UH,
MY MOON AND HER MOON
107
00:04:49,580 --> 00:04:51,622
ARE BOTH IN VIRGO...
OOH.
108
00:04:51,622 --> 00:04:53,794
AND THAT'S A--
THAT'S A BAD THING.
109
00:04:53,794 --> 00:04:55,966
YOU DIDN'T
HAVE A CHANCE.
110
00:04:55,966 --> 00:04:57,968
NO. YEAH, IT'S, UH...
111
00:04:57,968 --> 00:05:01,472
IT'S NICE TO MEET
A NORMAL WOMAN.
112
00:05:01,472 --> 00:05:02,973
I DON'T KNOW ABOUT THAT.
113
00:05:02,973 --> 00:05:06,387
HEY, UM, I-I ACTUALLY
HAVE TO GO BACK TO WORK,
114
00:05:06,387 --> 00:05:09,139
BUT, UM, I NEED TO STOP BY
A GALLERY FOR MY BOSS.
115
00:05:09,139 --> 00:05:13,103
DO YOU
SURE.
116
00:05:13,103 --> 00:05:15,606
I JUST HEARD. I CAN'T BELIEVE
THEY'RE MAKING YOU WORK
117
00:05:15,606 --> 00:05:17,858
WITH THAT REVOLTING EXCUSE
FOR A HUMAN BEING.
118
00:05:17,858 --> 00:05:20,110
MELANIE, I APPRECIATE YOUR
SUPPORT, BUT I'M A PROFESSIONAL.
119
00:05:20,110 --> 00:05:21,612
WELL, THAT'S GOOD,
120
00:05:21,612 --> 00:05:23,864
BECAUSE THEY JUST SCHEDULED
A BIG CLIENT DINNER...
A DINNER?
121
00:05:23,864 --> 00:05:25,866
TONIGHT, AND THEY WANT TO KNOW
IF YOU'RE BRINGING A PLUS ONE.
122
00:05:25,866 --> 00:05:27,908
IS HE?
I DON'T KNOW.
123
00:05:27,908 --> 00:05:30,080
CAN YOU FIND OUT, PLEASE?
AND WHO IS IN MY OFFICE?
124
00:05:30,080 --> 00:05:32,453
NATHAN ENGLER.
WHO'S NATHAN ENGLER?
125
00:05:32,453 --> 00:05:34,505
THE REPORTER FROM "W."
126
00:05:34,505 --> 00:05:37,047
OH, MY GOD. I TOTALLY FORGOT.
THIS IS BAD.
127
00:05:37,047 --> 00:05:39,049
THIS IS REALLY BAD.
I CAN'T DO THIS TODAY.
128
00:05:39,049 --> 00:05:41,341
YES, YOU CAN! YOU'RE
"35 UNDER 35." GET PSYCHED!
129
00:05:41,341 --> 00:05:43,343
NO, BUT THIS ARTICLE
IS SUPPOSED TO BOOST MY IMAGE,
130
00:05:43,343 --> 00:05:44,965
AND WITH ROY HERE TODAY,
131
00:05:44,965 --> 00:05:47,388
THEY'RE GONNA ASK ME QUESTIONS
ABOUT MY PERSONAL LIFE--
132
00:05:47,388 --> 00:05:49,390
NO, THIS--THIS PIECE
IS ABOUT PROFESSIONAL WOMEN
133
00:05:49,390 --> 00:05:52,182
KICKING PROFESSIONAL ASS,
AND YOU KICK ASS.
134
00:05:52,182 --> 00:05:53,934
RIGHT. OKAY. I KICK ASS.
135
00:05:53,934 --> 00:05:57,107
I KICK ASS.
136
00:05:57,107 --> 00:05:59,480
NATHAN, HI. SO SORRY
TO KEEP YOU WAITING.
137
00:05:59,480 --> 00:06:01,151
YOU'RE BUSY. NO PROBLEM.
138
00:06:01,151 --> 00:06:02,983
IS--UH, CAN MY ASSISTANT
GET YOU ANYTHING?
139
00:06:02,983 --> 00:06:07,117
WE HAVE THESE DELICIOUS COOKIES
BROUGHT IN FRESH EVERY DAY.
I AM ALLERGIC TO GLUTEN.
140
00:06:07,117 --> 00:06:09,249
WELL, WHO ISN'T THESE DAYS?
141
00:06:09,249 --> 00:06:13,664
SO, NATHAN...
142
00:06:13,664 --> 00:06:16,166
WE'VE HAD A MINOR EMERGENCY
THIS MORNING.
143
00:06:16,166 --> 00:06:18,459
IS TODAY THE ONLY DAY
WE CAN DO THIS?
144
00:06:18,459 --> 00:06:20,591
WELL, DEADLINE'S FRIDAY.
145
00:06:20,591 --> 00:06:23,464
DON'T WORRY.
I WON'T GET IN THE WAY.
146
00:06:23,464 --> 00:06:25,466
I'LL JUST OBSERVE,
GET A SENSE
147
00:06:25,466 --> 00:06:27,808
OF WHAT YOUR DAY IS LIKE
AROUND HERE.
148
00:06:27,808 --> 00:06:29,179
BUT SINCE, OF COURSE,
149
00:06:29,179 --> 00:06:31,061
WE ALL KNOW WHAT A STAR
YOU ARE AT WORK,
150
00:06:31,061 --> 00:06:32,813
WHAT I REALLY
WANT TO GET INTO
151
00:06:32,813 --> 00:06:35,065
IS YOUR LIFE OUTSIDE OF WORK,
YOU KNOW...
152
00:06:35,065 --> 00:06:37,978
THE REAL YOU.
153
00:06:37,978 --> 00:06:41,021
WHO'S HE?
154
00:06:41,021 --> 00:06:42,903
THE CLIENT?
155
00:06:42,903 --> 00:06:46,737
OH, UH, NOBODY--
UH, YES. YES, THE--THE CLIENT.
156
00:06:46,737 --> 00:06:49,079
THE CLIENT IS NOBODY?
157
00:06:49,079 --> 00:06:51,411
NO. NO! NO.
158
00:06:51,411 --> 00:06:53,584
THE CLIENT IS, UH, EVERYTHING.
159
00:06:53,584 --> 00:06:57,207
UH, SO, MY PERSONAL LIFE...
160
00:06:57,207 --> 00:06:58,959
THE REAL ME.
161
00:06:58,959 --> 00:07:01,421
GREAT.
162
00:07:01,421 --> 00:07:03,003
SO WHAT ARE WE LOOKING FOR?
163
00:07:03,003 --> 00:07:06,096
UH, MY BOSS ALWAYS SAYS
SHE WANTS SOMETHING SURPRISING.
164
00:07:06,096 --> 00:07:08,428
OKAY.
165
00:07:08,428 --> 00:07:10,931
TELL ME
IF YOU FIND ANYTHING.
166
00:07:26,026 --> 00:07:31,071
I GOTTA TELL YOU, STEVEN,
YOUR PHOTOGRAPH IS MESMERIZING.
167
00:07:31,071 --> 00:07:34,625
AND WHO'S THE SUBJECT?
UH, I DON'T KNOW.
I NEVER MET HER.
168
00:07:34,625 --> 00:07:36,997
WELL, WE PICKED
THE RIGHT ONE TO HANG.
169
00:07:36,997 --> 00:07:40,250
I GOT A CALL EARLIER
FROM AN EDITOR AT PUTNAM BOOKS.
170
00:07:40,250 --> 00:07:41,922
OKAY.
171
00:07:41,922 --> 00:07:44,084
AND THEY WANT TO DO
AN ANTHOLOGY ON THE EXHIBIT
172
00:07:44,084 --> 00:07:46,927
AND PUT YOUR PIECE
ON THE COVER.
COVER?
173
00:07:46,927 --> 00:07:49,640
YEAH, IS SOMETHING WRONG?
NO, NO.
174
00:07:49,640 --> 00:07:51,642
THESE PIECES
ARE THE FIRST TIME
175
00:07:51,642 --> 00:07:54,094
I'VE FELT LIKE ME
IN A LONG TIME.
176
00:07:54,094 --> 00:07:57,768
I'M PROUD OF THEM.
177
00:07:57,768 --> 00:07:59,560
THAT'S GREAT.
178
00:07:59,560 --> 00:08:03,103
WOW. THAT'S, UH...
179
00:08:04,735 --> 00:08:07,107
HEY, A
180
00:08:09,109 --> 00:08:12,823
I GOT--I GOTTA GO.
181
00:08:12,823 --> 00:08:14,284
UH, LAURA?
182
00:08:14,284 --> 00:08:16,326
SO I'M THINKING
A LIMITED EDITION PORTFOLIO,
183
00:08:16,326 --> 00:08:17,958
MAYBE TEN SIGNED PRINTS...
184
00:08:17,958 --> 00:08:18,999
WOW.
185
00:08:18,999 --> 00:08:20,500
YEAH.
186
00:08:20,500 --> 00:08:24,044
WHOA. WHAT--
WHERE'S THE PHOTO?
WHERE THE HELL IS IT?
187
00:08:26,967 --> 00:08:29,509
TAXI! TAXI!
188
00:08:31,892 --> 00:08:36,727
HEY! HEY! HEY, THANKS A LOT.
THAT'S NICE. THAT'S NICE.
189
00:08:39,189 --> 00:08:41,351
HELLO?
Laura?
190
00:08:41,351 --> 00:08:44,605
OH. HEY. HEY, ANDREW. HEY.
191
00:08:44,605 --> 00:08:46,607
UH, LOOK,
I-I HAVE SOMEONE HERE
192
00:08:46,607 --> 00:08:49,029
WHO'S PRETTY EAGER
TO TALK TO YOU.
Oh, yeah?
193
00:08:49,029 --> 00:08:50,410
HELLO.
LAURA, IS IT? YEAH.
194
00:08:50,410 --> 00:08:52,362
This is Bryce Wolf
from the Wolf Gallery?
195
00:08:52,362 --> 00:08:55,075
UM, I BELIEVE YOU MAY HAVE,
UM, ACCIDENTALLY LEFT HERE
196
00:08:55,075 --> 00:08:57,077
with something
that belongs to us.
OH, NO, NO, NO, NO.
197
00:08:57,077 --> 00:09:00,080
I-I THINK THIS BELONGS TO ME
SEEING AS IT'S MY FACE,
198
00:09:00,080 --> 00:09:02,082
AND IT WAS TAKEN
WITHOUT MY PERMISSION.
199
00:09:02,082 --> 00:09:06,216
WHAT'D SHE SAY?
I'M--I'M SURE WE CAN COME TO
SOME SORT OF AMICABLE AGREEMENT.
200
00:09:06,216 --> 00:09:07,838
THIS PHOTO
IS STAYING WITH ME,
201
00:09:07,838 --> 00:09:09,469
AND IF I DON'T GET
THE NEGATIVES,
202
00:09:09,469 --> 00:09:11,972
YOU'RE GONNA BE HEARING
FROM MY LAWYER.
203
00:09:15,636 --> 00:09:18,058
WHAT?
204
00:09:18,058 --> 00:09:21,602
I REALLY JUST MET HER.
205
00:09:36,907 --> 00:09:38,659
Yeah?
206
00:09:38,659 --> 00:09:40,410
HEY, IT'S, UH,
IT'S CARLOS.
207
00:09:40,410 --> 00:09:42,833
Not feeling too well, Man.
208
00:09:42,833 --> 00:09:45,295
COME ON, JUST BUZZ ME UP.
209
00:09:45,295 --> 00:09:47,297
WHAT'S THE DEAL, MAN?
210
00:09:47,297 --> 00:09:50,050
I'VE BEEN TRYING
TO REACH YOU FOR DAYS.
211
00:09:50,050 --> 00:09:52,172
I BEEN BUSY.
212
00:09:55,475 --> 00:09:59,139
I CAN SEE THAT.
213
00:09:59,139 --> 00:10:01,351
YOU HEARD FROM REGINA?
AHEM.
214
00:10:01,351 --> 00:10:04,144
NO, MAN.
SHE'S DONE WITH ME.
215
00:10:04,144 --> 00:10:07,277
I DON'T BLAME HER EITHER.
216
00:10:07,277 --> 00:10:09,399
I SOLD HER
A BILL OF GOODS,
217
00:10:09,399 --> 00:10:12,572
TRIED TO PRETEND LIKE I WAS
SOMETHING THAT I'M NOT,
218
00:10:12,572 --> 00:10:14,404
SOME SQUEAKY-CLEAN CAT.
219
00:10:14,404 --> 00:10:16,997
NAH, YOU DID YOUR TIME.
IT'S--IT'S IN THE PAST.
220
00:10:16,997 --> 00:10:19,950
NAH, TRUST ME,
IT'S NEVER DONE.
221
00:10:24,875 --> 00:10:26,747
IS THERE SOMETHING ELSE?
222
00:10:26,747 --> 00:10:29,339
YOU CAME BY MY OFFICE
THE OTHER DAY
223
00:10:29,339 --> 00:10:30,961
WITH SOMETHING TO TELL ME.
224
00:10:30,961 --> 00:10:33,633
FORGET ABOUT THAT.
225
00:10:33,633 --> 00:10:36,677
COME ON. WHATEVER IT IS,
IT STAYS HERE...
226
00:10:36,677 --> 00:10:38,308
BETWEEN US.
227
00:10:47,978 --> 00:10:51,772
A COUPLE OF MONTHS AGO
I WAS IN, UM...
228
00:10:51,772 --> 00:10:54,735
I WAS UP IN WASHINGTON HEIGHTS,
FREMONT AVENUE...
229
00:10:54,735 --> 00:10:56,987
PICKING UP MY BROTHER.
230
00:10:56,987 --> 00:10:58,989
HE GOT INTO SOMETHING.
231
00:10:58,989 --> 00:11:02,622
I DON'T KNOW WHAT IT WAS,
BUT IT WENT BAD.
232
00:11:02,622 --> 00:11:06,837
HE GOT SHOT, HE WAS BLEEDING,
AND THERE WAS A GUN.
233
00:11:06,837 --> 00:11:08,338
I PANICKED.
234
00:11:08,338 --> 00:11:11,251
I SHOT THE GUY.
235
00:11:13,133 --> 00:11:16,636
I DON'T KNOW WHO HE WAS.
I DIDN'T EVEN SEE HIM.
236
00:11:16,636 --> 00:11:19,970
TED O'MALLEY.
237
00:11:19,970 --> 00:11:21,932
YOU SHOT HIM TWICE
IN THE CHEST.
238
00:11:21,932 --> 00:11:24,104
HOW THE HELL
DO YOU KNOW THAT?
239
00:11:24,104 --> 00:11:29,900
GET DRESSED, DAMIAN.
YOU'RE COMING WITH ME.
240
00:11:29,900 --> 00:11:31,902
WE DON'T LIVE IN A WORLD
241
00:11:31,902 --> 00:11:33,273
OF TRADITIONAL ATHLETICS
ANYMORE.
242
00:11:33,273 --> 00:11:35,235
THIS IS THE AGE
OF EXTREME SPORTS,
243
00:11:35,235 --> 00:11:38,078
AND IF WE'RE GONNA MAXIMIZE
THE VALUE OF THIS COMPANY,
244
00:11:38,078 --> 00:11:39,990
WE NEED AN IMAGE
THAT REFLECTS THE ATTITUDE
245
00:11:39,990 --> 00:11:42,032
OF TODAY'S YOUNG COMPETITORS,
246
00:11:42,032 --> 00:11:45,746
AN IMAGE THAT SAYS
"BREAK ALL THE RULES."
247
00:11:45,746 --> 00:11:47,537
YOU MEAN CHEAT.
248
00:11:47,537 --> 00:11:49,089
I BEG YOUR PARDON?
249
00:11:49,089 --> 00:11:53,673
YOU WANT TO CREATE A BRAND
THAT APPEALS TO CHEATERS.
250
00:11:53,673 --> 00:11:56,546
WHITNEY.
251
00:11:56,546 --> 00:12:00,390
I'M KIDDING. GUYS.
252
00:12:00,390 --> 00:12:02,933
OUR MEETINGS
ARE USUALLY LIGHTER.
253
00:12:02,933 --> 00:12:06,476
WE'RE JUST NERVOUS WITH
A REPORTER HANGING AROUND.
254
00:12:06,476 --> 00:12:10,730
ROY, I LIKE THE IDEA...
VERY MUCH.
255
00:12:10,730 --> 00:12:12,022
WE'LL GET STARTED
RIGHT AWAY.
256
00:12:12,022 --> 00:12:14,114
THANK YOU.
257
00:12:14,114 --> 00:12:17,778
I THINK THAT'S IT.
258
00:12:22,032 --> 00:12:25,035
NO, NO, NO, NO. ANYTHING
HE SAYS IS OFF THE RECORD.
259
00:12:25,035 --> 00:12:27,037
RELAX, WHITNEY.
WE'RE NOT TALKING SHOP.
260
00:12:27,037 --> 00:12:29,539
NATHAN'S MAGAZINE DID A PIECE ON
THE NEW BUILDING I MOVED INTO.
261
00:12:29,539 --> 00:12:31,922
OH. YOU MOVED?
MM-HMM.
262
00:12:31,922 --> 00:12:34,084
THE NEW RICHARD MEIER BUILDING.
FANCY.
263
00:12:34,084 --> 00:12:36,546
YEAH, WELL, I COULDN'T STAY
IN A HOTEL FOREVER.
264
00:12:36,546 --> 00:12:38,638
OH, WHY NOT?
I THOUGHT YOU LOVED HOTELS?
265
00:12:38,638 --> 00:12:40,931
HOW EXACTLY DO YOU TWO
KNOW EACH OTHER?
266
00:12:40,931 --> 00:12:44,014
UM, ACTUALLY WHITNEY AND I
USED TO--
USED TO LIVE
IN THE SAME BUILDING.
267
00:12:44,014 --> 00:12:45,725
THAT'S RIGHT.
ON THE SAME FLOOR.
YEAH.
268
00:12:45,725 --> 00:12:49,439
YEP. AND NOW IT'S ALL BUSINESS.
ALL BUSINESS ALL THE TIME.
ALL THE TIME.
269
00:12:49,439 --> 00:12:52,152
NATHAN, HAVE YOU GOTTEN
THE GRAND TOUR?
YEAH.
270
00:12:52,152 --> 00:12:54,985
GREAT.
LET'S DO IT AGAIN.
271
00:12:54,985 --> 00:12:56,446
ENJOY.
272
00:12:56,446 --> 00:12:57,988
MM-HMM.
273
00:13:01,241 --> 00:13:05,115
(Amos Lee's "Keep It Loose,
Keep It Tight" playing)
274
00:13:05,115 --> 00:13:07,037
♪ WELL, I WALKED
OVER THE BRIDGE ♪
275
00:13:07,037 --> 00:13:10,170
♪ INTO THE CITY WHERE I LIVE ♪
276
00:13:10,170 --> 00:13:13,083
OH. FOUND SOMETHING
YOU LIKED.
277
00:13:13,083 --> 00:13:15,795
OH, OH, NO, NO, NO.
THIS IS NOTHING.
278
00:13:15,795 --> 00:13:17,918
COOL.
279
00:13:17,918 --> 00:13:20,050
♪ 'CAUSE HIS RENT
I COULDN'T AFFORD ♪
280
00:13:20,050 --> 00:13:22,052
♪ WELL,
RELATIONSHIPS CHANGE ♪
281
00:13:22,052 --> 00:13:24,054
♪ THOUGH I THINK
IT'S KIND OF STRANGE ♪
282
00:13:24,054 --> 00:13:26,927
♪ HOW MONEY
MAKES A MAN GROW ♪
283
00:13:26,927 --> 00:13:30,190
♪ AH, SOME PEOPLE,
THEY CLAIM ♪
284
00:13:30,190 --> 00:13:31,811
♪ IF YOU GET ENOUGH FAME ♪
285
00:13:33,193 --> 00:13:35,275
♪ YOU LIVE OVER THE RAINBOW ♪
286
00:13:35,275 --> 00:13:37,697
OH. HELLO, ANDREW.
HEY, IT'S LAURA.
287
00:13:37,697 --> 00:13:42,032
HEY, UH...
HOW ARE YOU?
288
00:13:42,032 --> 00:13:45,035
OH, I'M FINE, FINE.
289
00:13:45,035 --> 00:13:48,038
Listen, I just wanted--
I wanted to call to apologize
290
00:13:48,038 --> 00:13:49,409
FOR WHAT HAPPENED EARLIER.
291
00:13:49,409 --> 00:13:51,041
I DON'T--I DON'T--
292
00:13:51,041 --> 00:13:52,712
I DON'T NORMALLY
END LUNCH DATES BY--
293
00:13:52,712 --> 00:13:54,834
STEALING ART?
294
00:13:54,834 --> 00:13:57,837
YEAH. EXACTLY.
THAT'S--THAT'S--THAT'S NOT--
295
00:13:57,837 --> 00:14:00,050
THAT'S NOT REALLY ME.
THAT'S NOT MY THING.
296
00:14:00,050 --> 00:14:02,052
You know, I should tell you,
I only tracked you down
297
00:14:02,052 --> 00:14:05,175
BECAUSE THEY, UH, THEY
THREATENED TO CALL THE POLICE.
298
00:14:05,175 --> 00:14:07,968
THE JEEZ.
299
00:14:07,968 --> 00:14:10,600
SO, UH, WHAT WAS THAT
ALL ABOUT ANYWAY?
300
00:14:10,600 --> 00:14:11,972
YOU KNOW,
THERE'S--THERE'S--
301
00:14:11,972 --> 00:14:13,603
THERE'S REALLY
NO BIG STORY THERE.
302
00:14:13,603 --> 00:14:16,236
I-I JUST WASN'T EXPECTING TO SEE
MYSELF HANGING ON A WALL.
303
00:14:16,236 --> 00:14:19,359
And lunch was...
really fun,
304
00:14:19,359 --> 00:14:20,820
AND YOU MENTIONED
SOMETHING ABOUT
305
00:14:20,820 --> 00:14:24,905
GOING FOR DIM SUM SOMETIME
OR SOMEWHERE?
306
00:14:24,905 --> 00:14:27,747
In
307
00:14:27,747 --> 00:14:30,080
OH, YEAH. WELL, UH,
YOU KNOW, IT TURNS OUT I'M--
308
00:14:30,080 --> 00:14:32,082
I'm kinda slammed
with work this week.
309
00:14:32,082 --> 00:14:35,165
OH, I GOT IT.
YOU THINK I'M CRAZY.
310
00:14:35,165 --> 00:14:38,088
NO, NO.
IT'S JUST, UH...
311
00:14:38,088 --> 00:14:41,091
IT SEEMS LIKE YOU GOT
A LOT GOING ON RIGHT NOW.
312
00:14:41,091 --> 00:14:45,095
UH, I DON'T. I MEAN, I DID,
BUT I DON'T ANYMORE.
313
00:14:45,095 --> 00:14:47,968
OKAY. COOL.
314
00:14:47,968 --> 00:14:49,970
SUPER COOL.
315
00:14:49,970 --> 00:14:51,181
Okay.
316
00:14:51,181 --> 00:14:52,602
TAKE CARE OF YOURSELF.
317
00:14:52,602 --> 00:14:55,725
♪ YEAH ♪
318
00:14:55,725 --> 00:14:57,277
YOUR REALTOR IS ON ONE
319
00:14:57,277 --> 00:14:58,979
AND STEVEN CASEMAN
IS ON LINE TWO.
320
00:14:58,979 --> 00:15:01,901
OKAY, TELL MY REALTOR TO
FIND ME SOMETHING SPECTACULAR,
321
00:15:01,901 --> 00:15:04,364
BETTER THAN THE RICHARD MEIER.
OH, AND, UM...
322
00:15:04,364 --> 00:15:06,947
ANYTHING COME UP
ABOUT THE DINNER?
323
00:15:06,947 --> 00:15:10,080
UM, IT LOOKS LIKE EVERYONE
IS DOWN FOR A PLUS ONE.
WHAT AM I GONNA DO?
324
00:15:10,080 --> 00:15:13,083
JUST FIND A GUY,
ANY GUY. EASY.
IT'S NOT THAT EASY,
325
00:15:13,083 --> 00:15:15,035
AND ALL OF MY GUY FRIENDS KNOW
ROY, AND THEY HATE HIS GUTS.
326
00:15:15,035 --> 00:15:18,088
I'LL FIGURE IT OUT.
STEVEN, THIS BETTER BE GOOD.
327
00:15:18,088 --> 00:15:20,090
I'M HAVING
A VERY ROUGH DAY.
328
00:15:20,090 --> 00:15:22,802
Well, it's been challenging
for all of us.
I'M LISTENING.
329
00:15:22,802 --> 00:15:24,804
I SOLD A PHOTO. NOW THE BUYER
WANTS TO LICENSE IT
330
00:15:24,804 --> 00:15:27,968
FOR THE COVER
OF AN ANTHOLOGY.
AND THAT'S BAD, WHY?
331
00:15:27,968 --> 00:15:29,349
BECAUSE THE WOMAN
IN THE PICTURE--
332
00:15:29,349 --> 00:15:30,971
THE SUBJECT
OF THE PICTURE--
333
00:15:30,971 --> 00:15:33,053
STOLE THE PICTURE
OFF THE WALL OF THE GALLERY.
334
00:15:33,053 --> 00:15:36,106
Now she's threatening me with
legal action if I try to use it.
YOU'RE MAKING THAT UP.
335
00:15:36,106 --> 00:15:38,608
I WISH I HAD THE IMAGINATION.
I NEED A LAWYER, A GOOD ONE.
Okay, well, I'll make
some calls,
336
00:15:38,608 --> 00:15:40,440
BUT I DON'T KNOW
IF YOU HAVE A CASE.
337
00:15:40,440 --> 00:15:41,982
IT'S MINE. I TOOK IT
ON A PUBLIC STREET.
338
00:15:41,982 --> 00:15:45,905
OKAY, OKAY, OKAY.
I'LL FIND YOU A SHARK.
I OWE YOU ONE. THANK YOU.
339
00:15:45,905 --> 00:15:48,948
WOULD NOW BE A GOOD TIME
FOR US TO SIT DOWN AND TALK?
340
00:15:48,948 --> 00:15:50,950
ACTUALLY, UM,
CAN WE DO THIS AFTER LUNCH?
341
00:15:50,950 --> 00:15:52,202
I'M KIND OF SWAMPED.
342
00:15:52,202 --> 00:15:54,034
THAT'S NOT A PROBLEM.
343
00:15:54,034 --> 00:15:56,786
I'LL JUST TALK TO SOME OF YOUR
COLLEAGUES IN THE MEANTIME.
OH, UH, ABOUT WHAT?
344
00:15:56,786 --> 00:15:57,998
YOU.
345
00:15:57,998 --> 00:16:00,080
RIGHT. OF COURSE.
UM, YEAH, YEAH.
346
00:16:00,080 --> 00:16:03,713
YOU CAN TALK TO ANYONE YOU LIKE
AFTER THE, UM, 2:23 MEETING.
347
00:16:03,713 --> 00:16:08,048
MELANIE, DO I HAVE THAT RIGHT?
THE, UM, 2:23 MANDATORY MEETING?
348
00:16:09,469 --> 00:16:13,853
YES, UH, THE, UH,
2:23 MANDATORY MEETING.
349
00:16:13,853 --> 00:16:15,225
WELL, CAN I SIT IN ON THAT
OR...
350
00:16:15,225 --> 00:16:17,437
UH, NO, ACTUALLY.
THAT'S, UM, EMPLOYEES ONLY,
351
00:16:17,437 --> 00:16:19,479
BUT, UM, ONCE WE'RE THROUGH,
352
00:16:19,479 --> 00:16:22,152
YOU CAN, UH,
SPEAK TO ANYONE YOU LIKE.
353
00:16:22,152 --> 00:16:23,153
MELANIE?
354
00:16:26,946 --> 00:16:30,070
UM, MOST IMPORTANTLY, ANY
QUESTIONS ABOUT MY PERSONAL LIFE
355
00:16:30,070 --> 00:16:32,412
SHOULD BE ANSWERED AS FOLLOWS.
356
00:16:36,666 --> 00:16:38,118
THESE ARE BLANK.
357
00:16:38,118 --> 00:16:40,710
THAT'S RIGHT,
BECAUSE YOU SHOULD SAY NOTHING.
358
00:16:40,710 --> 00:16:44,003
NOTHING ABOUT ROY, THOUGH
HE IS A CLIENT OF THIS AGENCY.
359
00:16:44,003 --> 00:16:46,005
UH, AND IF PRESSED,
JUST BRING THAT CONVERSATION
360
00:16:46,005 --> 00:16:48,678
RIGHT BACK TO ME
IN A POSITIVE WAY.
UM, WHAT IF WE REALLY
DON'T KNOW YOU
361
00:16:48,678 --> 00:16:50,680
OR WORK WITH YOU AT ALL?
362
00:16:50,680 --> 00:16:51,971
UH, THEN LIE.
363
00:16:54,894 --> 00:16:56,846
I'M GOING TO LUNCH.
LET'S GO GET 'EM.
364
00:16:56,846 --> 00:16:59,139
GOD, THESE VIEWS!
365
00:16:59,139 --> 00:17:02,062
THANK YOU
FOR RUNNING DOWN HERE.
AND THESE CEILINGS!
366
00:17:02,062 --> 00:17:04,354
WAIT TILL SHE SEES
THE KITCHEN.
YEAH.
367
00:17:04,354 --> 00:17:07,107
OH, THIS KITCHEN!
368
00:17:07,107 --> 00:17:10,990
CAN YOU AFFORD THIS PLACE?
OH, MAYBE.
369
00:17:10,990 --> 00:17:12,952
I DIDN'T EVEN KNOW
YOU WERE LOOKING.
370
00:17:12,952 --> 00:17:15,955
WELL, I REALLY WANT AN APARTMENT
THAT ROY HAS NEVER SET FOOT IN,
371
00:17:15,955 --> 00:17:19,038
SO I GUESS I'M LOOKING.
IT WON'T LAST, WHITNEY,
SO IF YOU'RE INTERESTED...
372
00:17:19,038 --> 00:17:20,660
YEAH, THANKS, PAM.
373
00:17:20,660 --> 00:17:23,002
I THINK WE'RE JUST GONNA
TALK ABOUT IT FOR A MOMENT.
374
00:17:23,002 --> 00:17:25,215
OKAY.
OKAY.
375
00:17:25,215 --> 00:17:27,006
YIKES.
376
00:17:27,006 --> 00:17:28,928
HEY, HOW WAS FRANKENSTEIN?
377
00:17:28,928 --> 00:17:31,431
YOU'RE NOT GONNA
BELIEVE THIS.
378
00:17:31,431 --> 00:17:36,226
UH, LUNCH WAS GREAT,
SO GREAT.
379
00:17:36,226 --> 00:17:38,098
AND THEN WE WALKED
TO THIS GALLERY
380
00:17:38,098 --> 00:17:40,100
WHERE I SAW,
HANGING ON THE WALL,
381
00:17:40,100 --> 00:17:42,562
A PHOTO OF ME.
382
00:17:42,562 --> 00:17:43,943
OF YOU?
383
00:17:43,943 --> 00:17:47,147
YEAH, YEAH.
SOME CREEP TOOK MY PICTURE
384
00:17:47,147 --> 00:17:49,449
ON ONE OF THE WORST DAYS
IN MY LIFE.
385
00:17:49,449 --> 00:17:52,652
I MEAN, THIS IS--THIS IS
MY FIRST DATE IN 12 YEARS,
386
00:17:52,652 --> 00:17:56,035
AND I SPECIFICALLY LEFT OUT
THE FACT THAT I'M A WIDOW,
387
00:17:56,035 --> 00:17:58,037
AND THERE I WAS ON THE WALL,
388
00:17:58,037 --> 00:18:01,331
CRYING MY EYES OUT
OVER MY HUSBAND.
389
00:18:01,331 --> 00:18:04,414
SO I DID SOMETHING
KINDA CRAZY.
390
00:18:04,414 --> 00:18:07,127
YOU STOLE IT OFF THE WALL.
391
00:18:07,127 --> 00:18:10,970
YEAH.
HOW DID YOU KNOW THAT?
392
00:18:10,970 --> 00:18:13,303
OH... THIS IS GONNA
GET COMPLICATED.
393
00:18:13,303 --> 00:18:14,924
YOU KNOW THIS LUNATIC?
394
00:18:14,924 --> 00:18:16,926
SHE'S NOT A LUNATIC.
SHE'S A FRIEND,
395
00:18:16,926 --> 00:18:18,928
AND SHE'S GOING THROUGH
A REALLY DIFFICULT TIME.
396
00:18:18,928 --> 00:18:20,930
OH, WHAT'S THAT LIKE,
I WONDER.
397
00:18:20,930 --> 00:18:23,643
LOOK, THIS PHOTO...
398
00:18:23,643 --> 00:18:26,025
CAN YOU
AT LEAST TALK TO HER?
399
00:18:26,025 --> 00:18:28,027
NO. I DON'T WANT
TO GET INVOLVED, STEVEN.
400
00:18:28,027 --> 00:18:31,030
CAN YOU ASK HER
TO TALK TO ME, THEN?
TO YOU?
401
00:18:31,030 --> 00:18:33,032
YEAH, JUST--
JUST THE TWO OF US.
402
00:18:33,032 --> 00:18:35,615
NO LAWYERS OR ANYTHING.
I WANT TO TALK TO HER.
403
00:18:35,615 --> 00:18:37,617
YOU THINK
THAT'S A SMART IDEA?
404
00:18:37,617 --> 00:18:39,739
YOU'RE NOT REALLY
A PEOPLE PERSON, STEVEN.
405
00:18:39,739 --> 00:18:41,120
THAT'S JUST MY REPUTATION.
406
00:18:42,242 --> 00:18:45,245
COME ON. PLEASE?
407
00:18:45,245 --> 00:18:47,417
COME ON. COME ON. COME ON.
408
00:18:47,417 --> 00:18:50,380
HIS NAME
IS SHERMAN JEFFRIES.
409
00:18:50,380 --> 00:18:53,513
HE'S IN RIKERS
ON AN ATTEMPTED MURDER CHARGE.
410
00:18:53,513 --> 00:18:55,134
HE'S YOUR CLIENT?
411
00:18:55,134 --> 00:18:58,308
CHARGED WITH WHAT YOU DID.
HIS WIFE JUST HAD A BABY.
412
00:18:58,308 --> 00:19:02,562
HE'S 23 YEARS OLD,
AND HE'S FACING 8 YEARS.
413
00:19:02,562 --> 00:19:04,934
MAN, I-I DON'T KNOW
WHAT TO SAY.
414
00:19:04,934 --> 00:19:08,147
IT'S NOT WHAT YOU'RE GONNA SAY.
IT'S WHAT YOU SHOULD DO.
415
00:19:08,147 --> 00:19:11,070
THIS WAS A MISTAKE.
I DON'T WANNA GO BACK TO JAIL.
416
00:19:11,070 --> 00:19:13,152
I'LL GET YOU
THE BEST DEAL THAT I CAN.
417
00:19:13,152 --> 00:19:15,114
THIS WASN'T EVEN
SUPPOSED TO HAPPEN.
418
00:19:15,114 --> 00:19:16,946
BUT IT DID.
419
00:19:16,946 --> 00:19:19,239
YOU SAY YOU'RE SICK
OF LIVING A LIE,
420
00:19:19,239 --> 00:19:23,203
THEN...
DO SOMETHING ABOUT IT.
421
00:19:41,511 --> 00:19:44,514
I THOUGHT I TOLD YOU
I NEED SOME SPACE, DAMIAN.
422
00:19:44,514 --> 00:19:46,516
I'M--I'M GIVING YOU
YOUR SPACE, I JUST...
423
00:19:46,516 --> 00:19:49,188
CAME BY TO TELL YOU
THAT I'M...
424
00:19:49,188 --> 00:19:51,190
GIVING MYSELF UP.
425
00:19:56,075 --> 00:19:58,077
WHAT'S GONNA HAPPEN TO YOU?
426
00:19:58,077 --> 00:20:02,081
I DON'T KNOW. I'LL PROBABLY
GO AWAY FOR A LITTLE WHILE.
427
00:20:02,081 --> 00:20:04,284
I WANTED TO SAY GOOD-BYE
428
00:20:04,284 --> 00:20:06,286
AND SAY THAT I'M SORRY.
429
00:20:06,286 --> 00:20:08,748
I'M REALLY SORRY, REGINA.
430
00:20:08,748 --> 00:20:11,040
LOOK,
I NEVER MEANT TO HURT YOU.
431
00:20:11,040 --> 00:20:13,793
I JUST WANTED
TO BE THE MAN YOU WANTED.
432
00:20:13,793 --> 00:20:18,298
I DON'T KNOW
WHO THAT IS.
433
00:20:18,298 --> 00:20:21,050
BUT YOU WILL.
434
00:20:21,050 --> 00:20:23,803
I-I--I'LL TAKE
MY LUMPS ON THIS,
435
00:20:23,803 --> 00:20:27,106
DO WHATEVER IT TAKES
TO WIPE THE SLATE CLEAN.
436
00:20:28,938 --> 00:20:31,731
I'M PROUD OF YOU,
DAMIAN.
437
00:20:31,731 --> 00:20:33,112
YEAH?
438
00:20:35,695 --> 00:20:38,948
IT'S JUST, WHEN YOU TOLD ME
WHAT YOU DID...
439
00:20:38,948 --> 00:20:41,411
IT REALLY SCARED ME,
DAMIAN.
440
00:20:41,411 --> 00:20:45,285
I SAW YOU AS SOMETHING
COMPLETELY DIFFERENT, AND I...
441
00:20:46,956 --> 00:20:52,962
I DON'T KNOW IF I CAN
PUT THOSE TWO THINGS TOGETHER.
442
00:20:53,082 --> 00:20:55,545
AS HARD AS I TRY, I...
443
00:20:59,088 --> 00:21:01,090
I GET IT.
444
00:21:01,090 --> 00:21:02,802
YEAH, LOOK...
445
00:21:02,802 --> 00:21:05,224
ALL RIGHT, ALL RIGHT.
446
00:21:07,887 --> 00:21:10,310
SO YOU TAKE CARE
OF YOURSELF.
447
00:21:13,693 --> 00:21:15,485
YOU, TOO.
448
00:21:24,954 --> 00:21:28,538
(José González's "Heartbeats"
playing)
449
00:21:38,297 --> 00:21:41,381
LAURA?
450
00:21:41,381 --> 00:21:43,262
HI, STEVEN CASEMAN.
451
00:21:43,262 --> 00:21:45,054
HELLO.
452
00:21:45,054 --> 00:21:47,186
HI. HOW ARE YOU?
453
00:21:47,186 --> 00:21:48,688
PLEASE.
454
00:21:48,688 --> 00:21:51,981
♪ ONE NIGHT TO SPEED UP TRUTH ♪
455
00:21:51,981 --> 00:21:54,564
♪ WE HAD A PROMISE MADE ♪
456
00:21:54,564 --> 00:21:56,275
♪ FOUR HANDS AND THEN AWAY... ♪
457
00:21:56,275 --> 00:21:58,107
YOU WANT SOME COFFEE?
458
00:21:58,107 --> 00:21:59,359
NO, THANK YOU.
459
00:21:59,359 --> 00:22:02,281
YOU DON'T SEEM LIKE
YOUR AVERAGE KLEPTOMANIAC.
460
00:22:02,281 --> 00:22:04,784
OH, GOD. I'M SORRY
THAT I TOOK IT OFF THE WALL.
461
00:22:04,784 --> 00:22:06,245
I JUST--I...
462
00:22:06,245 --> 00:22:07,747
APOLOGY ACCEPTED.
463
00:22:07,747 --> 00:22:09,749
NO, NO, I'M NOT ACTUALLY--
464
00:22:09,749 --> 00:22:13,042
I'M NOT ACTUALLY SORRY
THAT I TOOK IT. I--I'M...
465
00:22:13,042 --> 00:22:15,545
I DON'T KNOW
WHAT I'M SAYING.
466
00:22:15,545 --> 00:22:17,917
I'M... I MEAN, YOU WANTED
TO MEET WITH ME.
467
00:22:17,917 --> 00:22:21,340
YES, I DID.
WELL, WHAT DO YOU WANT?
468
00:22:21,340 --> 00:22:25,134
THEY WANT TO USE THE PHOTO
ON THE COVER OF A--
469
00:22:25,134 --> 00:22:29,308
OF A VERY PRESTIGIOUS BOOK.
470
00:22:29,308 --> 00:22:30,890
♪♪♪
471
00:22:30,890 --> 00:22:33,933
I WON'T AGREE
TO ANY USE OF THAT PHOTO.
472
00:22:35,565 --> 00:22:38,107
OKAY, THEN.
473
00:22:38,107 --> 00:22:39,028
OKAY WHAT?
474
00:22:39,028 --> 00:22:42,572
I CAME PREPARED
WITH A BIG SPIEL ABOUT...
475
00:22:42,572 --> 00:22:44,944
BUT I'LL SAVE IT
FOR MY MEMOIRS.
476
00:22:44,944 --> 00:22:47,577
I'M KIDDING.
477
00:22:49,699 --> 00:22:53,292
I LOOKED YOU UP ON THE INTERNET.
THERE ARE TWO STEVEN CASEMANS.
478
00:22:53,292 --> 00:22:54,624
THAT'S IT?
479
00:22:54,624 --> 00:22:56,626
ONE IS A SAUSAGE MAKER
IN MARYLAND.
480
00:22:56,626 --> 00:22:58,838
HE'S SOMEWHAT FAMOUS.
481
00:23:00,710 --> 00:23:03,132
AND THEN THERE'S YOU--
THE PHOTOGRAPHER WHO...
482
00:23:03,132 --> 00:23:05,555
MAKES A CAREER OUT OF THIS,
OUT OF EXPOSING PEOPLE.
483
00:23:05,555 --> 00:23:07,507
I DON'T SEE IT THAT WAY.
484
00:23:07,507 --> 00:23:09,969
OKAY.
485
00:23:09,969 --> 00:23:11,601
♪ TO CALL FOR HANDS
OF ABOVE... ♪
486
00:23:11,601 --> 00:23:16,015
LOOK, I'M A HAPPY PERSON.
487
00:23:16,015 --> 00:23:17,396
AND THAT MOMENT--
488
00:23:17,396 --> 00:23:21,150
THAT WAS A VERY,
VERY SAD MOMENT FOR ME,
489
00:23:21,150 --> 00:23:23,823
AND I DON'T WANNA
BE SEEN LIKE THAT,
490
00:23:23,823 --> 00:23:27,657
AND I DON'T WANT MY DAUGHTER
WALKING INTO A PLAYDATE
491
00:23:27,657 --> 00:23:30,990
AND SEEING ME ON THE COFFEE
TABLE SOBBING MY EYES OUT.
492
00:23:30,990 --> 00:23:32,792
HOW OLD IS SHE?
HOW OLD IS--
493
00:23:32,792 --> 00:23:34,163
SHE'S 8.
494
00:23:34,163 --> 00:23:36,205
THAT SECOND GRADE
OR THIRD GRADE?
495
00:23:36,205 --> 00:23:38,377
DO YOU UNDERSTAND
WHAT I'M SAYING TO YOU?
496
00:23:38,377 --> 00:23:41,501
I WAS NOT TRYING TO EMBARRASS
YOU WHEN I TOOK THAT PHOTO,
497
00:23:41,501 --> 00:23:42,962
BELIEVE ME.
498
00:23:42,962 --> 00:23:45,595
I WAS IN A RELATIVELY DIFFICULT
STATE MYSELF AT THE TIME.
499
00:23:45,595 --> 00:23:48,137
I SAW YOU. I... COULDN'T
HELP MYSELF. THAT'S...
500
00:23:48,137 --> 00:23:52,351
THAT'S THE FIRST GOOD SERIES
I'VE TAKEN IN A LONG TIME.
501
00:23:52,351 --> 00:23:54,223
VERY GOOD.
VERY, VERY GOOD PHOTOS.
502
00:23:54,223 --> 00:23:56,856
YOU KNOW, A GOOD PHOTO
HAS VERY LITTLE TO DO
503
00:23:56,856 --> 00:23:58,858
WITH WHO TAKES IT
AND WHO'S IN IT.
504
00:23:58,858 --> 00:24:00,980
SO BELIEVE ME,
505
00:24:00,980 --> 00:24:02,982
WHEN PEOPLE
LOOK AT THAT PICTURE,
506
00:24:02,982 --> 00:24:05,364
THEY WILL NOT SEE YOU.
THEY WILL SEE THEMSELVES.
507
00:24:05,364 --> 00:24:07,116
WELL, I-I WILL SEE ME.
508
00:24:07,116 --> 00:24:09,489
I RECOGNIZE THAT, BUT--
SORRY.
509
00:24:09,489 --> 00:24:10,950
JUST...
510
00:24:10,950 --> 00:24:13,202
♪ ...ABOVE ♪
511
00:24:13,202 --> 00:24:14,834
♪ TO LEAN ON ♪
512
00:24:14,834 --> 00:24:18,668
♪ WOULDN'T BE GOOD ENOUGH ♪
513
00:24:21,130 --> 00:24:22,341
THINK, MELANIE.
514
00:24:22,341 --> 00:24:23,963
OKAY.
WHAT ABOUT RANDY?
515
00:24:23,963 --> 00:24:25,294
WHO'S RANDY?
516
00:24:25,294 --> 00:24:28,087
THE SECURITY GUARD
ON THE WEEKENDS.
AS MY DATE?
517
00:24:28,087 --> 00:24:30,640
HE'S TASTY.
518
00:24:30,640 --> 00:24:32,431
OKAY, OKAY.
MY COUSIN GARY.
519
00:24:32,431 --> 00:24:34,894
HE'S GOOD-LOOKING, HE'S TALL
AND HE'S ENGAGED,
520
00:24:34,894 --> 00:24:37,056
BUT I STILL THINK
HE'D DO IT.
521
00:24:37,056 --> 00:24:40,059
OKAY, SEE, ROY IS GONNA SHOW UP
WITH A SUPERMODEL ON HIS ARM,
522
00:24:40,059 --> 00:24:43,022
SO I NEED SOMEONE WHO IS
IMPRESSIVE AND GOOD-LOOKING
523
00:24:43,022 --> 00:24:46,155
AND MIGHT ACTUALLY
PISS ROY OFF.
524
00:24:46,155 --> 00:24:48,027
LIKE WHO?
525
00:24:53,993 --> 00:24:54,954
HI.
526
00:24:54,954 --> 00:24:57,537
WHEN I SAID
I OWED YOU A FAVOR,
527
00:24:57,537 --> 00:25:00,209
THIS ISN'T EXACTLY
WHAT I HAD IN MIND.
528
00:25:00,209 --> 00:25:02,211
JUST SMILE
AND BE CHARMING.
529
00:25:02,211 --> 00:25:06,385
THANK YOU.
I'LL DO MY BEST.
530
00:25:06,385 --> 00:25:07,426
HI.
531
00:25:07,426 --> 00:25:08,968
HELLO, ROY.
532
00:25:08,968 --> 00:25:11,010
YOU LOOK BEAUTIFUL.
533
00:25:11,010 --> 00:25:14,013
THANK YOU.
THIS IS STEVEN CASEMAN...
534
00:25:14,013 --> 00:25:15,014
MY DATE.
535
00:25:15,014 --> 00:25:18,017
OH, GOOD.
NICE TO MEET YOU.
536
00:25:18,017 --> 00:25:20,189
YOU, TOO.
IS THAT YOUR DATE?
537
00:25:20,189 --> 00:25:23,563
UH, NO. NO,
I DIDN'T, UH, BRING ANYONE.
538
00:25:23,563 --> 00:25:26,525
I THOUGHT IT WOULD BE
IN BAD TASTE...
539
00:25:26,525 --> 00:25:28,107
CONSIDERING...
540
00:25:28,107 --> 00:25:34,113
YOU WERE HERE, BUT, UH...
IT'S REALLY NICE TO MEET YOU.
541
00:25:34,153 --> 00:25:36,616
LET'S HAVE A DRINK.
542
00:25:36,616 --> 00:25:38,578
SURE.
543
00:25:52,672 --> 00:25:54,553
SO, ROY, YOU ARE,
UH, BRITISH?
544
00:25:54,553 --> 00:25:57,306
THAT'S RIGHT.
HAVE YOU EVER BEEN?
545
00:25:57,306 --> 00:26:00,059
YES, I HAVE, MANY TIMES.
SHOCKING WE NEVER MET THERE.
546
00:26:00,059 --> 00:26:02,061
WHAT ARE THE ODDS? I'M SURE
I'D HAVE REMEMBERED YOU.
547
00:26:02,061 --> 00:26:04,814
WHAT?
STOP BEING SO NICE.
548
00:26:04,814 --> 00:26:07,857
I THOUGHT I WAS SUPPOSED
TO BE CHARMING.
NOT TO ROY.
549
00:26:07,857 --> 00:26:09,238
NOW PRETEND
550
00:26:09,238 --> 00:26:11,280
I'M SAYING SOMETHING
REALLY HILARIOUS.
551
00:26:11,280 --> 00:26:13,903
WHAT?
552
00:26:13,903 --> 00:26:16,906
OH.
553
00:26:16,906 --> 00:26:18,908
OH, YOU. YOU...
554
00:26:18,908 --> 00:26:21,460
YOU SAID HE'D HAVE A DATE.
HE DOESN'T HAVE A DATE.
555
00:26:21,460 --> 00:26:23,122
I DON'T KNOW
WHAT HE'S DOING.
556
00:26:23,122 --> 00:26:26,295
SO, STEVEN, TELL ME, UH, WHAT
KIND OF PHOTOGRAPHY DO YOU DO?
557
00:26:26,295 --> 00:26:29,468
UH, HE DOES EVERYTHING.
HE HAS AN OPENING THIS WEEKEND,
558
00:26:29,468 --> 00:26:32,051
HAS, UM,
FOUR BOOKS PUBLISHED.
559
00:26:32,051 --> 00:26:35,715
THANK YOU, WHITNEY.
DON'T BE SHY. HE HAS
A PIECE HANGING IN THE MoMA.
560
00:26:35,715 --> 00:26:37,927
AND, UH, HE WON
A MacARTHUR GRANT.
561
00:26:37,927 --> 00:26:40,269
WOW. I'M IMPRESSED.
562
00:26:40,269 --> 00:26:43,312
ME, TOO.
SOME MORE CHAMPAGNE,
MA'AM?
563
00:26:43,312 --> 00:26:44,644
MMM. YEAH. THANK YOU.
564
00:26:44,644 --> 00:26:46,856
YEAH, THAT'S A GREAT IDEA.
565
00:26:46,856 --> 00:26:49,899
GOOD EVENING, EVERYBODY. UH, I
CAN'T RESIST A CAPTIVE AUDIENCE,
566
00:26:49,899 --> 00:26:52,281
SO I JUST WANNA SAY
A FEW WORDS--
567
00:26:52,281 --> 00:26:53,993
ACTUALLY,
MAYBE I'LL MAKE THE TOAST.
568
00:26:53,993 --> 00:26:57,496
YOU ALWAYS MAKE THE TOAST.
I'M NOT SURE
THAT'S A GOOD IDEA.
569
00:26:57,496 --> 00:27:00,499
OH, NO, NO. IT'S GONNA BE FINE.
I'M REALLY GOOD AT IT.
570
00:27:00,499 --> 00:27:03,122
I GAVE ONE AT MY DAD'S 60th
BIRTHDAY. I MADE MY UNCLE CRY.
571
00:27:03,122 --> 00:27:05,084
UM, I JUST WANNA SAY
THAT, UM,
572
00:27:05,084 --> 00:27:10,920
WHEN, UH, TWO COMPANIES COME
TOGETHER, UH, TO WORK TOGETHER,
573
00:27:10,920 --> 00:27:14,674
IT'S A PARTNERSHIP...
A MARRIAGE.
574
00:27:14,674 --> 00:27:18,137
AND, UH, I JUST WANNA TELL YOU
WHAT YOU CAN EXPECT
575
00:27:18,137 --> 00:27:20,930
FROM YOUR PARTNERS
HERE AT RALSTON P.R.--
576
00:27:20,930 --> 00:27:24,063
UH, HONESTY, LOYALTY,
577
00:27:24,063 --> 00:27:27,977
AN UNDYING TRUST
THAT WE'D NEVER LIE TO YOU.
578
00:27:27,977 --> 00:27:30,900
CHEERS.
NO, I'M NOT DONE.
579
00:27:30,900 --> 00:27:34,944
UM, THIS COMPANY
WAS FOUNDED ON LOVE
580
00:27:34,944 --> 00:27:39,078
AND RESPECT, WHICH IS WHY
I LOVE IT HERE,
581
00:27:39,078 --> 00:27:43,202
AND I LOVE EACH
AND EVERY ONE OF YOU.
582
00:27:43,202 --> 00:27:45,875
AHEM.
583
00:27:45,875 --> 00:27:48,627
UH, WHAT WAS I SAYING?
YOU LOVE EACH
AND EVERY ONE OF US--
584
00:27:48,627 --> 00:27:50,960
YES, I DO. I LOVE EACH
AND EVERY ONE OF YOU,
585
00:27:50,960 --> 00:27:53,713
AND I HOPE THAT NEVER CHANGES.
L'CHAIM!
586
00:27:53,713 --> 00:27:57,136
I'M GOING OUT FOR SOME AIR.
587
00:28:01,640 --> 00:28:04,103
WHAT'S THE MATTER,
THE TRUTH HURT?
588
00:28:04,103 --> 00:28:06,435
NO, THAT'S FINE.
THAT I CAN TAKE.
589
00:28:06,435 --> 00:28:08,067
IT'S JUST SEEING YOU--
590
00:28:08,067 --> 00:28:10,069
I KNEW
THIS WAS A LOUSY IDEA,
591
00:28:10,069 --> 00:28:12,111
WORKING ON THE SAME PROJECT,
AND--
NO, YOU DON'T UNDERSTAND.
592
00:28:12,111 --> 00:28:15,154
LOOK, YOU DESERVE
TO BE HAPPY, OKAY?
593
00:28:15,154 --> 00:28:18,778
AND LORD KNOWS I'VE MADE
A HUGE MESS OF EVERYTHING.
594
00:28:18,778 --> 00:28:21,620
BUT STILL, IT'S HARD FOR ME
TO SEE YOU WITH ANOTHER MAN.
595
00:28:21,620 --> 00:28:22,992
WHAT?
596
00:28:22,992 --> 00:28:25,745
THERE YOU ARE.
WHATEVER YOU MAY THINK,
597
00:28:25,745 --> 00:28:28,127
I'M STILL A HUMAN BEING,
WHITNEY, OKAY?
NO, NO, NO. WHAT--
WHAT DID YOU SAY?
598
00:28:28,127 --> 00:28:30,589
THIS IS A LITTLE TRICKY.
TIME TO CALL IT A NIGHT.
599
00:28:30,589 --> 00:28:32,591
HARD FOR YOU?
YEAH, OH, MY GOD.
600
00:28:32,591 --> 00:28:35,094
I AM SO SORRY
THAT THIS IS HARD FOR YOU.
601
00:28:35,094 --> 00:28:38,137
IMAGINE IF I WAS SLEEPING
WITH EVERYTHING WITH TWO LEGS.
602
00:28:38,137 --> 00:28:39,548
IMAGINE THAT--IF I WAS SLEEPING
WITH THIS GUY HERE, HUH?
603
00:28:39,548 --> 00:28:41,550
HOW DO YOU THINK
THAT WOULD MAKE YOU FEEL?
604
00:28:41,550 --> 00:28:44,433
HOW ABOUT HIM? HEY! YEAH,
WHAT IF I WAS SLEEPING WITH HIM?
605
00:28:44,433 --> 00:28:46,555
WOULD IT MATTER TO YOU?
HOW ABOUT HIM RIGHT THERE?
606
00:28:46,555 --> 00:28:49,518
HI! HI! YOU WANT SOME OF THIS?
HE DOESN'T WANT IT!
607
00:28:49,518 --> 00:28:52,191
IT WAS
AN EXCELLENT MEAL. UM...
MAYBE SHE COULD
GIVE IT TO YOU.
608
00:28:52,191 --> 00:28:54,233
SHE LOOKS AVAILABLE.
SHE HAS A PULSE.
609
00:28:54,233 --> 00:28:58,067
IT WAS NICE TO MEET YOU.
I DON'T FEEL BAD FOR HIM.
610
00:29:04,623 --> 00:29:08,417
I JUST WOULD LIKE
IF HE WOULD JUST DISAPPEAR
611
00:29:08,417 --> 00:29:10,920
OFF THE FACE OF THE THING,
YOU KNOW?
612
00:29:10,920 --> 00:29:12,541
JUST THE...
THE PLANET?
613
00:29:12,541 --> 00:29:14,673
IT WOULD BE SO NICE...
YEP.
614
00:29:14,673 --> 00:29:16,926
IF HE WOULD JUST BE GONE,
YOU KNOW?
615
00:29:16,926 --> 00:29:20,049
JUST LIKE--JUST IN AN INSTANT,
JUST POOF!
616
00:29:20,049 --> 00:29:21,300
LIKE A VAPOR.
617
00:29:21,300 --> 00:29:24,093
"DARLING, DARLING,
618
00:29:24,093 --> 00:29:25,554
"I'VE BEEN VAPORIZED.
619
00:29:25,554 --> 00:29:27,146
"HOW AM I GONNA SCREW
620
00:29:27,146 --> 00:29:30,099
THE REST OF MANHATTAN
IF I'M JUST A VAPOR?"
621
00:29:33,312 --> 00:29:36,315
I WAS SUCH AN IDIOT
AT THAT DINNER, WASN'T I?
622
00:29:36,315 --> 00:29:38,527
OH, WHO CARES?
623
00:29:38,527 --> 00:29:40,199
I DO.
624
00:29:40,199 --> 00:29:43,112
WHOA. WELL,
MAYBE THAT'S YOUR PROBLEM.
625
00:29:43,112 --> 00:29:44,904
WHAT?
626
00:29:44,904 --> 00:29:47,406
YOU CARE TOO MUCH
ABOUT WHAT OTHER PEOPLE THINK.
627
00:29:47,406 --> 00:29:51,080
AND YOU DON'T CARE
WHAT OTHER PEOPLE THINK?
NO, I DON'T.
628
00:29:51,080 --> 00:29:53,963
HERE, THIS IS A TALL...
GLASS OF WATER.
629
00:29:53,963 --> 00:29:56,966
AND OH, LOOK,
630
00:29:56,966 --> 00:29:59,218
A SMOOTH RECEPTACLE
IN CASE OF EMERGENCIES.
631
00:29:59,218 --> 00:30:00,920
NOW I'LL JUST--
632
00:30:00,920 --> 00:30:02,551
I THINK YOU CARE.
633
00:30:02,551 --> 00:30:03,923
I THINK YOU CARE
634
00:30:03,923 --> 00:30:06,425
THAT PEOPLE KNOW YOU'RE
THE GREAT STEVEN CASEMAN.
635
00:30:06,425 --> 00:30:07,806
YEAH.
636
00:30:07,806 --> 00:30:09,929
I'M SURE YOU THINK
THAT I THINK THAT.
637
00:30:09,929 --> 00:30:13,312
UM, YOU'RE GONNA BE EMBARRASSED
IN THE MORNING A LITTLE.
638
00:30:13,312 --> 00:30:16,275
DON'T BE. I'VE BEEN
THROUGH THIS A MILLION TIMES,
639
00:30:16,275 --> 00:30:19,358
AND THERE IS
ABSOLUTELY NOTHING--
I THINK YOU CARE.
640
00:30:19,358 --> 00:30:21,700
I SEE THROUGH YOU, STEVEN.
641
00:30:21,700 --> 00:30:23,152
I'M SURE YOU DO.
642
00:30:36,755 --> 00:30:39,919
YOU NEED
TO GET SOME SLEEP.
643
00:30:57,316 --> 00:30:59,858
HARRY! WAIT A MINUTE!
644
00:30:59,858 --> 00:31:02,321
WHAT IF I TOLD YOU
I COULD DELIVER
645
00:31:02,321 --> 00:31:03,943
THE REAL WASHINGTON HEIGHTS
SHOOTER?
646
00:31:03,943 --> 00:31:05,945
I'D DO FLYING CARTWHEELS
647
00:31:05,945 --> 00:31:08,037
ACROSS CHAMBERS STREET
AT RUSH HOUR.
648
00:31:08,037 --> 00:31:10,369
YOU'D DROP THE CHARGES AGAINST
MY CLIENT SHERMAN JEFFRIES?
649
00:31:10,369 --> 00:31:12,871
ALL RIGHT, JOKE'S OVER.
I HAVE ACTUAL WORK TO DO.
650
00:31:12,871 --> 00:31:15,164
COME ON,
I'M TRYING TO PLEAD HERE.
651
00:31:15,164 --> 00:31:16,585
YOU DIDN'T HEAR?
652
00:31:16,585 --> 00:31:19,128
THE VIC WOKE UP
THIS MORNING--O'MALLEY.
653
00:31:19,128 --> 00:31:21,130
TOOK A LOOK
AT THE JEFFRIES MUG SHOT
654
00:31:21,130 --> 00:31:23,052
AND DIDN'T KNOW HIM FROM ADAM.
655
00:31:23,052 --> 00:31:25,965
SAID IT WAS TWO BLACK GUYS,
DROVE OFF IN A TOWN CAR.
SO... MY GUY'S FREE.
656
00:31:25,965 --> 00:31:29,348
CUTTING HIM LOOSE AS SOON
AS WE CAN FILE THE PAPERWORK.
657
00:31:29,348 --> 00:31:32,431
NOW GO AHEAD. MAKE MY DAY.
WHO'S THE REAL SHOOTER?
658
00:31:35,604 --> 00:31:39,939
YOU KNOW WHAT? YOU GOT ME.
I WAS BLUFFING.
659
00:31:39,939 --> 00:31:42,321
YOU'RE LEARNING, KID.
660
00:31:46,365 --> 00:31:48,327
YOU SHOULD HAVE SEEN HIM
STARING AT ME
661
00:31:48,327 --> 00:31:51,530
WITH THOSE SAD, PUPPY-DOG EYES
LIKE A WOUNDED ANIMAL.
662
00:31:51,530 --> 00:31:53,162
I WOULD HAVE KICKED HIM.
663
00:31:53,162 --> 00:31:55,624
LIKE I'M THE BAD GUY.
LIKE I SHOULD FEEL BAD FOR HIM.
664
00:31:55,624 --> 00:31:58,958
HOW WAS STEVEN CASEMAN,
THE DATE?
665
00:31:58,958 --> 00:32:00,879
HE WAS FINE. A GENTLEMAN.
666
00:32:00,879 --> 00:32:03,172
WHAT, IS ALL THIS STUFF
MULTIPLYING?
667
00:32:03,172 --> 00:32:05,174
WE JUST GOT A NEW SHIPMENT.
668
00:32:05,174 --> 00:32:07,596
THIS IS FOR THE THIRD WAVE
OF THE CAMPAIGN.
669
00:32:07,596 --> 00:32:10,009
YOU KNOW,
ARCHERY USED TO BE MY THING.
670
00:32:10,009 --> 00:32:11,680
I USED TO BE
671
00:32:11,680 --> 00:32:13,973
CAMP WISSAHICKON'S CHAMPION
THREE SUMMERS IN A ROW.
672
00:32:13,973 --> 00:32:15,314
WHITNEY, WE REALLY...
673
00:32:21,940 --> 00:32:25,114
YOU DID NOT.
674
00:32:37,336 --> 00:32:40,629
SO THE ARROW'S BEEN REMOVED,
AND THERE'S NO PERMANENT DAMAGE.
675
00:32:40,629 --> 00:32:43,672
OH, THANK GOD.
HE'S RESTING COMFORTABLY.
LUCKY GUY.
676
00:32:43,672 --> 00:32:45,964
A FEW INCHES TO THE RIGHT,
677
00:32:45,964 --> 00:32:48,347
AND HE'D BE
SINGING MEZZO-SOPRANO.
SHE'S GOT BAD AIM.
678
00:32:48,347 --> 00:32:50,589
IT WAS AN ACCIDENT.
MM-HMM.
679
00:32:50,589 --> 00:32:53,472
IT WAS.
IN ANY CASE, WE EXPECT HIM
TO MAKE A FULL RECOVERY.
680
00:32:53,472 --> 00:32:56,055
THANK YOU, DOCTOR.
681
00:32:56,055 --> 00:33:00,059
TWO WEEKS. I ASKED YOU TO KEEP
IT TOGETHER FOR TWO WEEKS.
682
00:33:00,059 --> 00:33:02,941
DO YOU HONESTLY THINK
THAT I DID THIS ON PURPOSE?
683
00:33:02,941 --> 00:33:05,104
WHAT KIND OF PERSON
DO YOU THINK I AM?
684
00:33:05,104 --> 00:33:07,736
WELL, RIGHT NOW, I'M NOT
SO SURE. BUT IT DOESN'T MATTER,
685
00:33:07,736 --> 00:33:09,368
BECAUSE YOU'VE GOTTA
GET IN THERE,
686
00:33:09,368 --> 00:33:11,370
AND YOU'VE GOTTA
MAKE THIS RIGHT.
687
00:33:11,370 --> 00:33:12,951
HE COULD PULL
THE TRAXX ACCOUNT.
688
00:33:12,951 --> 00:33:15,164
HE COULD SUE US.
HE COULD SUE YOU.
689
00:33:15,164 --> 00:33:17,326
OKAY, FINE.
I WILL TALK TO HIM,
690
00:33:17,326 --> 00:33:21,330
BUT YOU HAVE TO BELIEVE THAT
I DID NOT DO THIS ON PURPOSE.
KEEP TELLING YOURSELF THAT.
691
00:33:31,470 --> 00:33:33,972
HI.
UH, HELLO.
692
00:33:33,972 --> 00:33:36,805
I GOT YOUR ADDRESS
FROM WHITNEY. I, UM...
693
00:33:36,805 --> 00:33:39,308
I DON'T MEAN TO BOTHER YOU
AT HOME.
694
00:33:39,308 --> 00:33:42,020
I HAVE A THING ABOUT SENDING
THESE THROUGH THE MAIL.
695
00:33:42,020 --> 00:33:44,483
THEY'RE YOUR NEGATIVES--
ALL OF THEM, OF YOU.
696
00:33:44,483 --> 00:33:47,606
THANK--THANK YOU.
SOMETIMES I HAVE
A LITTLE DIFFICULTY
697
00:33:47,606 --> 00:33:51,700
SEEING OUTSIDE OF THE FRAME,
YOU KNOW WHAT I MEAN?
698
00:33:51,700 --> 00:33:53,572
BUT I'M GRATEFUL
FOR THE INSPIRATION.
699
00:33:53,572 --> 00:33:56,575
(Rosie Thomas' "Since You've
Been Around" playing)
700
00:34:05,124 --> 00:34:08,006
♪ I'M WANDERING,
I'M CRAWLING ♪
701
00:34:08,006 --> 00:34:11,720
♪ I'M TWO STEPS AWAY
FROM FALLING ♪
702
00:34:11,720 --> 00:34:15,554
♪ I JUST CAN'T SEEM
TO GET AROUND... ♪
703
00:34:15,554 --> 00:34:16,595
OUCH.
704
00:34:16,595 --> 00:34:19,057
ROY, I AM SO SORRY.
I'M SO SORRY.
705
00:34:19,057 --> 00:34:21,230
I DIDN'T MEAN TO DO THAT.
706
00:34:21,230 --> 00:34:24,983
OH, WHAT'S IT MATTER?
I DESERVED IT.
707
00:34:24,983 --> 00:34:27,446
SO WE'RE EVEN, RIGHT?
708
00:34:27,446 --> 00:34:30,279
JOKE.
THAT'S WHAT'S WEIRD--
709
00:34:30,279 --> 00:34:33,071
I SHOT YOU WITH AN ARROW,
AND I DON'T FEEL ANY BETTER.
710
00:34:33,071 --> 00:34:36,495
YEAH, WELL, I GUESS YOU'RE
LIKELY TO BE ROYALLY PISSED OFF
711
00:34:36,495 --> 00:34:41,079
WITH ME FOR, WELL,
THE REST OF OUR LIVES.
712
00:34:41,079 --> 00:34:42,961
MAYBE.
713
00:34:42,961 --> 00:34:48,877
BUT I'M SITTING HERE
WATCHING YOU, THINKING...
714
00:34:48,877 --> 00:34:51,170
I MEAN, I'M ANGRY WITH YOU,
715
00:34:51,170 --> 00:34:54,973
BUT I AM REALLY ANGRY
WITH MYSELF.
716
00:34:54,973 --> 00:34:57,055
♪ I'M RUNNING,
I'M HIDING... ♪
717
00:34:57,055 --> 00:34:59,097
WHY
718
00:34:59,097 --> 00:35:01,520
FOR NOT LISTENING TO MY GUT...
719
00:35:01,520 --> 00:35:03,982
THE LITTLE VOICE
THAT KEPT TELLING ME
720
00:35:03,982 --> 00:35:07,526
THAT I COULDN'T TRUST YOU.
721
00:35:07,526 --> 00:35:09,688
♪ I'M SINKING, I'M DROWNING ♪
722
00:35:09,688 --> 00:35:11,940
♪ I'M SO AFRAID OF LOSING... ♪
723
00:35:11,940 --> 00:35:15,614
I WANTED SO DESPERATELY TO BE
PART OF THIS PERFECT COUPLE
724
00:35:15,614 --> 00:35:17,946
AND MARRY THE PERFECT GUY
WITH A PERFECT JOB
725
00:35:17,946 --> 00:35:21,119
THAT I JUST COULDN'T SEE...
726
00:35:21,119 --> 00:35:26,004
DIDN'T WANT TO SEE
WHAT WAS SO OBVIOUS.
727
00:35:28,167 --> 00:35:31,129
♪ OOH ♪
728
00:35:31,129 --> 00:35:34,463
♪ OOH ♪
729
00:35:34,463 --> 00:35:35,964
♪ OOH ♪
730
00:35:35,964 --> 00:35:39,758
I WANT YOU TO GET BETTER,
GET BACK ON YOUR FEET.
731
00:35:39,758 --> 00:35:44,223
AND I WILL, TOO,
732
00:35:44,223 --> 00:35:46,225
SOON, I HOPE.
733
00:35:46,225 --> 00:35:50,439
♪ JUST THINK THAT MAYBE I'VE
GOT A LOT OF THINGS... ♪
734
00:35:50,439 --> 00:35:53,572
BUT ALL I KNOW IS THAT
735
00:35:53,572 --> 00:35:57,446
I CAN'T HAVE
ANYTHING TO DO WITH YOU.
736
00:35:57,446 --> 00:36:01,039
I UNDERSTAND.
737
00:36:01,039 --> 00:36:03,121
I MEAN...
738
00:36:03,121 --> 00:36:05,494
EVER.
739
00:36:05,494 --> 00:36:07,836
♪ ...TILL YOU CAME AROUND ♪
740
00:36:07,836 --> 00:36:09,588
I UNDERSTAND.
741
00:36:09,588 --> 00:36:12,591
♪♪♪
742
00:36:28,066 --> 00:36:30,108
WHAT ABOUT BOOKS?
WHAT'S ON YOUR NIGHTSTAND?
743
00:36:30,108 --> 00:36:32,110
"WUTHERING HEIGHTS."
IT'S MY FAVORITE BRONTE.
744
00:36:32,110 --> 00:36:34,403
I TRY TO READ IT ONCE A YEAR.
HMM.
745
00:36:34,403 --> 00:36:38,116
I'M SORRY. UH, SCRATCH THAT.
746
00:36:41,410 --> 00:36:44,243
SEE, THE TRUTH IS, NATHAN,
I HAVE BEEN RUNNING AROUND HERE
747
00:36:44,243 --> 00:36:46,585
FOR THE PAST TWO DAYS
TRYING TO IMPRESS YOU
748
00:36:46,585 --> 00:36:49,998
SO THAT YOU'D WRITE THE MOST
FLATTERING PROFILE ON ME.
749
00:36:49,998 --> 00:36:51,960
THE FACT IS,
750
00:36:51,960 --> 00:36:55,754
I AM GOING THROUGH THE MOST
DIFFICULT TIME OF MY LIFE.
751
00:36:55,754 --> 00:36:57,796
I'VE GOTTEN MY HEART BROKEN,
752
00:36:57,796 --> 00:37:01,139
AND I'M SINGLE AGAIN,
WHICH IS TERRIFYING.
753
00:37:01,139 --> 00:37:04,893
SO I COULD SIT HERE
AND TELL YOU ABOUT
754
00:37:04,893 --> 00:37:07,726
ALL THESE GLAMOROUS PARTIES
AND PREMIERES THAT I'M GOING TO,
755
00:37:07,726 --> 00:37:11,149
BUT IN THE PAST FEW WEEKS,
I'VE BEEN GOING HOME.
756
00:37:11,149 --> 00:37:13,942
I SIT ON THE COUCH WITH
A BIG BOWL OF SUGARED CEREAL,
757
00:37:13,942 --> 00:37:15,854
AND I WATCH "TOP CHEF."
758
00:37:15,854 --> 00:37:18,947
IT'S NOT VERY GLAMOROUS,
BUT THAT'S WHERE I'M AT.
759
00:37:18,947 --> 00:37:21,450
AND I COMPLETELY UNDERSTAND
760
00:37:21,450 --> 00:37:24,363
IF I AM NOT
"35 UNDER 35" MATERIAL,
761
00:37:24,363 --> 00:37:28,126
BUT THAT'S ME RIGHT NOW.
762
00:37:28,126 --> 00:37:30,038
WHICH ONE?
WHAT?
763
00:37:30,038 --> 00:37:32,080
WHICH CEREAL?
764
00:37:32,080 --> 00:37:35,253
UH... UH, ALL OF 'EM.
I-I MAKE A MEDLEY.
765
00:37:35,253 --> 00:37:38,677
OKAY.
766
00:37:38,677 --> 00:37:42,381
WELL, THANK YOU, WHITNEY.
767
00:37:42,381 --> 00:37:45,434
IT'S, UM... BEEN A RIDE.
768
00:37:45,434 --> 00:37:48,186
OH... YEAH.
769
00:37:48,186 --> 00:37:51,480
YOU KNOW,
UH, I HAVE TO TELL YOU--
770
00:37:51,480 --> 00:37:54,353
YOU'RE THE ONLY "35 UNDER 35"
771
00:37:54,353 --> 00:37:58,697
THAT DIDN'T GIVE ME
A PREPARED SPEECH.
772
00:37:58,697 --> 00:38:02,110
IT'S GONNA BE A GREAT PIECE.
773
00:38:02,110 --> 00:38:05,113
(Citizen Cope's
"Pablo Picasso" playing)
774
00:38:06,785 --> 00:38:10,038
OHH!
775
00:38:10,038 --> 00:38:11,410
♪ UH-HUH ♪
776
00:38:11,410 --> 00:38:15,003
♪ OH ♪
777
00:38:15,003 --> 00:38:17,255
♪ YEAH ♪
778
00:38:17,255 --> 00:38:20,298
IT'S KIND OF WARM.
779
00:38:20,298 --> 00:38:23,722
IT'S THE THOUGHT
THAT COUNTS.
YEAH.
780
00:38:23,722 --> 00:38:26,595
♪ SHE'S ALL IN THE PAPERS ♪
781
00:38:26,595 --> 00:38:28,597
♪ AND EVERYWHERE I GO ♪
782
00:38:28,597 --> 00:38:31,189
SO HOW LONG
AM I GOING AWAY FOR?
783
00:38:31,189 --> 00:38:34,022
YOU'RE NOT.
784
00:38:34,022 --> 00:38:35,934
YOU GOT LUCKY.
785
00:38:35,934 --> 00:38:39,938
MY CLIENT GOT OFF,
SO, UH, I SUPPOSE
786
00:38:39,938 --> 00:38:43,031
THERE'S NO REASON
TO TURN YOURSELF IN ANYMORE.
787
00:38:43,031 --> 00:38:45,944
YEAH, BUT I STILL DID
WHAT I DID.
788
00:38:45,944 --> 00:38:47,946
YEAH, I KNOW.
I'M NOT A PROSECUTOR.
789
00:38:47,946 --> 00:38:52,160
I'M NOT A JUDGE AND A JURY.
I JUST...
790
00:38:52,160 --> 00:38:54,833
YOU WERE READY TO STAND UP
WHEN IT MATTERED,
791
00:38:54,833 --> 00:38:58,757
AND...
THAT'S WHAT MATTERS TO ME.
792
00:38:58,757 --> 00:39:02,090
♪ AND, MR. OFFICER ♪
793
00:39:02,090 --> 00:39:05,424
♪ IF YOU'VE COME TO TAKE HER
THEN THAT MEANS ♪
794
00:39:05,424 --> 00:39:08,967
♪ ONE OF US GONNA END UP
IN A STRETCHER ♪
795
00:39:08,967 --> 00:39:12,811
OKAY, WELL, LET ME CHECK
THAT ORDER SLIP AGAIN.
796
00:39:12,811 --> 00:39:16,935
J.T., CAN I CALL YOU
RIGHT BACK? OKAY.
797
00:39:24,443 --> 00:39:27,656
HONEY, WHAT ARE YOU
DOING WITH THAT?
798
00:39:27,656 --> 00:39:30,078
I WAS LOOKING
FOR MY ROLLER SKATES.
799
00:39:30,078 --> 00:39:33,201
MOMMY, WHY ARE YOU CRYING?
800
00:39:33,201 --> 00:39:35,994
BECAUSE I WAS SAD.
801
00:39:35,994 --> 00:39:37,546
WHY?
802
00:39:43,962 --> 00:39:46,965
BECAUSE I MISS DADDY.
803
00:39:46,965 --> 00:39:50,218
ME, TOO.
804
00:39:50,218 --> 00:39:53,181
WHY'D YOU PUT IT
UNDER THE BED?
805
00:39:53,181 --> 00:39:56,184
WELL, BECAUSE I DON'T--
I DON'T REALLY LIKE THE WAY
806
00:39:56,184 --> 00:40:00,018
I LOOK IN IT, AND I DIDN'T
WANT YOU TO SEE IT--
807
00:40:00,018 --> 00:40:02,110
OR ANYBODY ELSE,
FOR THAT MATTER.
808
00:40:02,110 --> 00:40:05,944
BUT DON'T YOU ALWAYS SAY
THAT IT'S OKAY TO BE SAD?
809
00:40:08,116 --> 00:40:11,029
YOU'RE RIGHT.
I DO SAY THAT.
810
00:40:12,531 --> 00:40:15,914
AND I THINK YOU LOOK PRETTY.
811
00:40:27,095 --> 00:40:29,758
I'M GONNA GO
AND GET MY ROLLER SKATES.
812
00:40:29,758 --> 00:40:32,601
OKAY. THEY'RE DOWNSTAIRS,
RIGHT BY YOUR BACKPACK.
813
00:40:32,601 --> 00:40:34,603
OKAY.
814
00:40:41,980 --> 00:40:44,483
(Frou Frou's
"Breathe In" playing)
815
00:40:54,122 --> 00:40:57,876
HEY, ANDREW. THIS IS LAURA.
816
00:40:57,876 --> 00:41:00,499
SO THIS IS ME.
817
00:41:00,499 --> 00:41:02,921
I JUST WANTED YOU
TO KNOW THE REAL STORY.
818
00:41:02,921 --> 00:41:06,134
IT'S BEEN A PRETTY ROUGH TIME,
AS YOU CAN SEE.
819
00:41:06,134 --> 00:41:08,547
I THINK IT'S A NICE PICTURE.
820
00:41:08,547 --> 00:41:11,139
♪ SHAPES IN AIR ♪
821
00:41:11,139 --> 00:41:13,852
♪ GO PRESS THAT DISSONANCE ♪
822
00:41:13,852 --> 00:41:15,303
♪ IF YOU DARE ♪
823
00:41:15,303 --> 00:41:16,935
HOW WE DOING?
824
00:41:16,935 --> 00:41:18,056
HEY.
825
00:41:18,056 --> 00:41:19,898
THANK YOU.
826
00:41:19,898 --> 00:41:22,861
SO CONGRATULATIONS.
THANK YOU VERY MUCH.
I SEE WE'RE STICKING
827
00:41:22,861 --> 00:41:25,023
WITH THE SELTZER
THIS EVENING.
828
00:41:25,023 --> 00:41:28,907
LAST NIGHT
AT MY APARTMENT--
829
00:41:28,907 --> 00:41:30,819
I WANT TO APOLOGIZE.
830
00:41:30,819 --> 00:41:33,912
♪ TO RIDE A WAVE ON YOUR... ♪
831
00:41:33,912 --> 00:41:37,075
I'M NOT SURE
WHAT YOU'RE REFERRING TO.
832
00:41:37,075 --> 00:41:39,117
♪ AND I'M HIGH ENOUGH
FROM ALL... ♪
833
00:41:39,117 --> 00:41:42,000
STEVEN?
834
00:41:42,000 --> 00:41:45,083
I'M BEING SUMMONED.
THE KID'S
STILL IN THE PICTURE?
835
00:41:45,083 --> 00:41:47,295
THANKS FOR COMING.
836
00:41:47,295 --> 00:41:51,970
♪ WHAT PART OF NO
DON'T YOU UNDERSTAND? ♪
837
00:41:51,970 --> 00:41:54,012
HEY.
YOU HOLDING UP OKAY?
838
00:41:54,012 --> 00:41:56,134
I AM, I THINK.
839
00:41:56,134 --> 00:41:57,055
YEAH?
840
00:41:57,055 --> 00:41:58,977
HEY, WHAT HAPPENED
WITH THE APARTMENT?
841
00:41:58,977 --> 00:42:01,139
OH, I PULLED THAT BID.
NO. REALLY?
842
00:42:01,139 --> 00:42:03,942
YEAH. I JUST FIGURED
I'D BE SPENDING A TON OF MONEY
843
00:42:03,942 --> 00:42:05,644
TO LIVE AT A CERTAIN ADDRESS.
844
00:42:05,644 --> 00:42:07,355
WASN'T REALLY ME.
MMM.
845
00:42:07,355 --> 00:42:09,197
HEY, LAURA?
846
00:42:09,197 --> 00:42:12,611
NO, THANKS.
847
00:42:12,611 --> 00:42:14,242
SO?
848
00:42:14,242 --> 00:42:16,995
HE'S SWEET, BUT...
849
00:42:16,995 --> 00:42:19,117
WELL, MAYBE YOU'RE
NOT READY TO DATE YET.
850
00:42:19,117 --> 00:42:21,459
NO. ACTUALLY,
I THINK I MIGHT BE.
851
00:42:21,459 --> 00:42:25,543
♪ TO RIDE A WAVE
ON YOUR INHALING ♪
852
00:42:25,543 --> 00:42:29,047
♪ AND I'M HIGH ENOUGH
FOR ALL THE WAITING ♪
853
00:42:30,669 --> 00:42:34,803
♪ TO RIDE A WAVE
ON YOUR INHALING ♪
854
00:42:34,803 --> 00:42:39,598
I JUST NEED TO MEET
THE RIGHT GUY.
855
00:42:39,598 --> 00:42:43,602
♪ CAN'T HELP BUT LOVE YOU, NO ♪
63700
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof