Original subtitles

PREVIOUSLY ON "SIX DEGREES"...

I WAS GONNA LEAVE NEW YORK, BUT I DECIDED TO STAY

BECAUSE OF YOU. YOU STAYED BECAUSE OF ME?

MY HUSBAND WAS DAVID MORGAN, THE JOURNALIST.

HE WAS KILLED IN IRAQ.

THERE'S NOTHING I CAN SEE.

THERE'S NOTHING I CAN RECOGNIZE ANYWHERE I LOOK.

ALL I'M ASKING IS THAT YOU MAKE SOMETHING HAPPEN.

YOU COULD IF YOU WANTED TO.

I HAVE FAITH IN THE REAL STEVEN CASEMAN.

WILL YOU MARRY ME?

THEY SAY IN NEW YORK CITY,

YOU CAN FIND ANYTHING YOU'RE LOOKING FOR.

I CAME HERE TO FIND A SAFE HAVEN, A PLACE TO HIDE.

WHO ARE YOU LOOKING FOR? UM, THE NAME IS HANSSEN.

THEY MIGHT HAVE LIVED HERE A WHILE AGO. NOT IN THIS BUILDING.

I APPRECIATE IT. GOOD LUCK.

BUT SINCE I'VE BEEN HERE, I'VE DISCOVERED THAT

WE'RE ALL SEARCHING FOR SOMETHING.

SOME OF US ARE SEARCHING FOR A NEW BEGINNING.

SOME ARE SEARCHING TO REGAIN PAST GLORY.

SOME-- I GUESS, MOST PEOPLE--

ARE LOOKING FOR LOVE...

AND A WAY TO KEEP IT.

AND SOME OF US

ARE SEEKING THINGS THAT WE LOST LONG AGO--

THINGS WE MAY NEVER FIND,

EVEN IN NEW YORK.

...CALL IF YOU NEED TECH SUPPORT.

WE'RE CONFIRMED FOR 8:00? THANK YOU.

I GOT THE TABLE UPSTAIRS.

I ONLY HAD TO GIVE THEM MY LEFT ARM AND A KIDNEY.

HOW MANY CLIENTS ARE THERE? POTENTIAL CLIENTS. THREE.

THAT'S WHY I NEED YOU THERE. YOU'RE MY CLOSER. YEAH, YOU MEAN YOUR ARM CANDY.

I PREFER TROPHY WIFE. I'M NOT YOUR WIFE YET.

NO, BUT WE MAKE A GREAT COUPLE, BABY.

PERFECT COUPLE, REMEMBER?

WHEN IS THAT DINNER SUPPOSED TO BE? WEDNESDAY NIGHT. 8:00 SHARP.

SORRY, I JUST--WE'VE BEEN OUT EVERY SINGLE NIGHT THIS WEEK.

I WAS JUST HOPING THAT WE COULD HAVE ONE NIGHT AT HOME.

HOW ABOUT THREE WEEKS FROM THURSDAY?

IS THIS THE WAY IT'S GONNA BE? NO.

IT'S PROBABLY GONNA GET WORSE-- KIDS, IN-LAWS...

I'M KIDDING.

DARLING, OUR HONEYMOON IS RIGHT AROUND THE CORNER.

THINK ABOUT THAT--

EIGHT GLORIOUS DAYS ON AN EMPTY BEACH,

NO CLOTHES, NO PHONES...

MM. DON'T...

AHEM.

YES. YES, I'M ON MY WAY, OKAY?

I'M SORRY. I HAVE TO JUMP A CAB.

WE'LL TALK ABOUT THIS LATER, ALL RIGHT? I LOVE YOU.

I NEED A SIT-DOWN WITH SHERMAN JEFFRIES

AS SOON AS POSSIBLE.

YEAH, AND I NEED A UTILITY REPORT

FROM THE NIGHT OF THE WASHINGTON HEIGHTS SHOOTING.

UH-HUH.

ALL RIGHT. I'M ON MY WAY.

OKAY. BYE.

EXCUSE ME. I...

HAPPY BIRTHDAY.

HI. IT'S--IT'S-- IT'S NOT MY BIRTHDAY.

OH, NO. YEAH, THAT'S RIGHT. IT'S MINE.

THAT'S... THAT'S GREAT. YOU WANNA TAKE ME TO LUNCH AND CHEER ME UP?

I WISH I COULD, UH... BUT-- COME ON. LET'S GO.

LISTEN, I-I'D LOVE TO, BUT, UH,

TODAY IS LITERALLY THE WORST DAY OF ALL TIME.

I HAVE A GRAND JURY IN TWO DAYS, AND...

MY WHOLE CASE IS FALLING APART.

UM, HOW ABOUT TOMORROW?

PUT OFF GETTING OLDER FOR ONE MORE DAY?

I'D LOVE TO.

THEY WANNA SKEW IT YOUNGER.

SKEW?

THEY THREW MY IDEA OUT.

WE'RE GOING WITH SOMETHING WITH A LITTLE BIT MORE EDGE.

YOU KNOW, SEX APPEAL. YOUNGER DEMOGRAPHIC. RIGHT.

WELL, HOW ABOUT WE PUT VODKA IN A BABY BOTTLE

WITH A LITTLE PACIFIER DIPPED IN IT AT A SEXY ANGLE?

WOULD THAT... SKEW?

WHERE IS THE BOTTLE, BY THE WAY, IN THE AD ABOUT A BOTTLE?

OH, YEAH, WE'LL WORRY ABOUT THAT LATER.

YOU KNOW--

JUST, UM... ROLL WITH IT.

I'LL SHOOT ANYTHING YOU NEED. LOVE IT.

THE MEN WEAR NOTHING... MM-HMM.

THE WOMEN WEAR LESS. LOVE. LOVE IT.

LOVE IT.

LOVE IT. LOVE, LOVE.

LOVE IT.

CONSIDER YOURSELF LUCKY.

THIS MORNING THE CONCEPT INVOLVED A DOZEN PINK FLAMINGOS.

WELL, IT'S REGRESSED.

YOU KNOW MY IDEA? I--

NOT THAT ANYONE'S ACTUALLY ASKING ME, BUT, UM,

I WOULD JUST LIGHT THE BOTTLE, SHOOT IT,

YOU KNOW, KIND OF LIKE WESTON.

PLEASE TELL ME YOU'RE THE PRESIDENT OF THE COMPANY. I'M JAY'S ASSISTANT.

HI, JAY'S ASSISTANT. I'M ST-- I KNOW EXACTLY WHO YOU ARE. I WAS REALLY EXCITED

TO HEAR THAT YOU WERE GONNA BE SHOOTING THIS AD.

I MEAN, I HAD NO IDEA THAT YOU, UH,

ACTUALLY DID THIS SORT OF THING. WELL, THERE'S A FIRST TIME FOR EVERYTHING.

YEAH.

YOU KNOW MY STUFF? YEAH. ACTUALLY, I'M A REALLY HUGE ADMIRER OF YOURS.

MY FAVORITE ARE THOSE, UH, THOSE EARLY STREET SCENES.

LOWER EAST SIDE. YOU KNOW, IT'S SORT OF, LIKE, UM,

OH, THEY'RE LIKE KERTéSZ IN PARIS OR SOMETHING.

YOU KNOW, THEY'RE JUST COMPLETELY...

THEY'RE ARRESTING.

WELL, THANK YOU.

I'D REALLY LIKE TO TAKE YOU OUT FOR COFFEE SOMETIME

AND PICK YOUR BRAIN.

YOU KNOW, IF YOU WOULD BE FREE OR...

UM...

I'M GONNA GIVE YOU MY NUMBER.

THERE YOU GO.

THANKS... ANYA.

YOU'RE WELCOME. OKAY.

OKAY.

IT'S GOOD TO MEET YOU.

IT WAS NICE TO MEET YOU, TOO.

ANYA.

LET ME GUESS. SHE'S A BIG FAN.

SHE HAD A QUESTION ABOUT A CAMERA.

MM. OF COURSE SHE DID.

THANKS.

WHEN ARE OLDER MEN GONNA FIGURE OUT THAT

BEING WITH A YOUNGER WOMAN ONLY MAKES THEM LOOK OLDER?

YOU SHOULD PUT THAT ON A COFFEE MUG AND SELL IT.

GOOD IDEA. ROY CALLED.

WHAT DID HE SAY? HE WANTED TO MAKE SURE THIS DINNER WAS ON YOUR SCHEDULE.

WEDNESDAY NIGHT? THAT'S THE ONE.

MUY IMPORTANTE. YOU MUST BE THERE.

ASIDE FROM THE 30-SECOND WALK TO THE CURB IN THE MORNING,

I HAVEN'T SEEN MY FIANCé IN ABOUT A WEEK.

WITH THE MEETINGS AND CLIENTS AND CONFERENCE CALLS TO ASIA,

WE HAVEN'T EVEN CELEBRATED OUR ENGAGEMENT.

OH.

WHAT'S "OH"? COLD FEET.

THIS GIRL, CAROL, ONE OF MY SORORITY SISTERS--

HER FIANCé STARTED WORKING 12-HOUR DAYS, THEN 15, THEN 18.

THEN ONE DAY HE CALLS HER, TELLS HER HE NEEDS ANOTHER YEAR.

THEY'RE STILL NOT MARRIED.

THAT'S A GREAT STORY.

ACCEPTING THE FIELDING AWARD FOR FOREIGN REPORTING,

BEING GIVEN TO THE LATE C.L.N. REPORTER DAVID MORGAN,

IS HIS WIFE, MRS. LAURA MORGAN. APPLAUSE, APPLAUSE, APPLAUSE.

AND THEN, LAURA, YOU MAKE YOUR WAY UP FROM TABLE ONE,

PAST THE TRUMPETS. THE TRUMPETS?

MUSICAL ACCOMPANIMENT BEFORE THE EVENT.

IT WAS A BIG HIT LAST YEAR. OKAY.

OH, AND YOUR SPEECH SHOULD BE NO MORE THAN THREE TO FIVE MINUTES.

OH. I... I THOUGHT I WOULD JUST SAY A NICE THANK YOU. OH, NO. WE WANT TO HEAR A FEW WORDS.

THAT'S THE WHOLE POINT OF HAVING YOU.

DON'T WORRY. WE'LL PUT IT ON THE TELEPROMPTER.

TELEPROMPTER? GOD. I-I MEAN, I HAVEN'T WRITTEN ANYTHING... AHEM.

YET. HELLO.

HI. OH, PLEASE TELL ME THAT

YOU ARE CHARLIE GRAHAM FROM C.L.N. THAT'S ME. SORRY I'M LATE.

YOUR GROUP'S UP NEXT. DO YOU KNOW LAURA MORGAN?

YES. MY--WE WERE-- MY HUSBAND'S COLLEAGUE.

OH. GREAT. WELL, MAYBE YOU CAN HELP LAURA WRITE HER SPEECH.

OH, I THINK SHE CAN HANDLE THAT.

LAURA, YOU'LL BE ACCEPTING RIGHT AFTER OUR HOST JON STEWART

FINISHES BEING DEVASTATING AND HILARIOUS.

GREAT. I'M FOLLOWING JON STEWART.

"BUT MOST OF ALL,

"IT WAS DAVID'S DEDICATION TO FINDING THE TRUTH

AND SEEKING OUT..."

SEE--UH, HELP. HELP.

"PEOPLE WHOSE STORIES..." AH. "PEOPLE WHOSE STORIES HADN'T BEEN TOLD--"

OH, I CAN'T DO THIS.

WHY DOES DADDY KEEP GETTING ALL THESE AWARDS?

WELL, BECAUSE HE WAS VERY GOOD AT WHAT HE DID,

AND HE GAVE A LOT TO IT,

SO THEY WANNA HONOR HIM FOR THAT.

AND IT'S A LOT OF FREE PUBLICITY FOR THE NETWORK.

SO NEW YORKERS ARE WAKING UP

TO ANOTHER BEAUTIFUL MORNING WITH MOSTLY SUNNY SKIES

AND TEMPERATURES IN THE 60s...

OH, YEAH? YEAH, YOU BET! LOOK, I STARTED OUT

TAKING MR. AND MRS. WEIDMAN TO THE THEATER.

NOW--GET THIS--THEY FLY ME WITH THEM TO ST. BARTS,

SO I CAN DRIVE THEM AROUND THERE. WHAT?

YEAH. WHEN MY FRIEND DONNIE GAVE ME THIS CLIENT,

I FELT LIKE I HIT THE JACKPOT. HUNTZINGER.

YEAH, I DON'T KNOW HIM. HUNTZINGER SHIPPING? HUNTZINGER HALL?

I MEAN, IT'S JUST THE TYPE OF JOB I NEED

TO GET THIS BUSINESS UP AND RUNNING.

TWO PICKUPS A DAY, FIVE DAYS A WEEK.

OH, THIS IS THE BIG TIME.

MY CELL PHONE. ALL RIGHT. TAKE IT EASY, MAN.

ARE YOU FOR ME? WHAT?

ARE YOU THE DRIVER? OH, YEAH, I'M A DRIVER, BUT NOT YOUR DRIVER, SWEETIE.

HUNTZINGER?

I'M ALLEGRA HUNTZINGER, AND I'M LATE FOR SCHOOL.

SO SHALL WE?

YOU TOLD ME THE NIGHT OF THE SHOOTING

YOU WERE WITH YOUR BUDDY ROG AT HIS LIQUOR STORE.

YEAH. ALL NIGHT.

BUT THE STORE CLOSES AT 10:00. TO ME,

THERE'S A BIG DIFFERENCE BETWEEN ALL NIGHT AND 10:00. WE WENT UPSTAIRS.

WE WAS WATCHING MOVIES. REALLY?

ALL RIGHT. WHAT IS THIS ALL ABOUT?

POWER FAILURE THAT NIGHT-- THE WHOLE BLOCK.

YOU'VE GOT NO ALIBI, AND YOUR GRAND JURY'S TOMORROW.

LOOK, I'M TRYING TO BUILD A STRONG CASE HERE, SHERMAN,

BUT WITHOUT A SOLID ALIBI, THAT'S NOT GONNA HAPPEN-- BUT I DO HAVE AN ALIBI.

BUT SHE'LL NEVER VOUCH FOR ME.

ALL RIGHT. IT'S MAGGIE.

WHO'S MAGGIE?

MY EX. YOU CAN'T TELL MY WIFE.

COME ON, SHERMAN.

BESIDES, ALL RIGHT, MAGGIE HATES MY GUTS.

SHE'LL NEVER TALK TO YOU.

LOOK, I'M SORRY. ALL RIGHT, I'M SORRY.

LOOK, I MESSED UP. WHERE CAN I FIND HER?

MAGGIE? SHE WORKS AT A DINER IN FLUSHING.

LUNCH SHIFT. SHE-- SHE'S ONLY THERE TILL 3:00.

LUNCH. TODAY. YEAH, IT'S PERFECT.

EXCUSE ME.

MAGGIE, HOW YOU DOIN'?

HI. UH, DO I KNOW YOU? ACTUALLY, YEAH.

CAN I TALK TO YOU ABOUT A FRIEND OF YOURS

I DON'T TALK TO COPS. I'M NOT A COP.

I'M A LAWYER-- SHERMAN'S LAWYER.

LOOK, I-I JUST NEED A BRIEF STATEMENT

TO PROVE THAT HE WAS WITH YOU ON THE NIGHT-- TALK TO HIS WIFE.

ALL RIGHT, HERE YOU GO. YEAH, WELL DONE.

WE'RE NOT HERE FOR MY BIRTHDAY, ARE WE?

I... I THOUGHT I COULD DO BOTH, BUT...

I REALLY NEED TO NAIL DOWN THIS ALIBI BY TOMORROW,

AND SHE'S NOT TALKING.

EXCUSE ME?

WHAT DO YOU-- RELAX. I'M ORDERING.

MAY AS WELL GET A MEAL OUT OF THIS.

HI. BETWEEN THE FRIED CHICKEN

AND THE CALAMARI, WHICH WOULD YOU RECOMMEND? THEY'RE BOTH GOOD.

OKAY. I CAN'T DECIDE. YOU GO.

UH, I'LL HAVE THE BURGER. LOOK, IT'LL JUST TAKE A SECOND.

YOU JUST GOTTA SIGN A PIECE OF PAPER. I SAID I'M STAYING OUT OF IT.

YEAH, I DON'T BLAME YOU BECAUSE IT SOUNDS LIKE

YOU'VE BEEN JERKED AROUND ENOUGH. YOU HAVE NO IDEA. SO WHAT WILL IT BE?

YOU KNOW WHAT? I WILL GO FOR THE FRIED CHICKEN.

THIS WAS SUPPOSED TO BE MY BIRTHDAY LUNCH.

DOES THIS LOOK LIKE A BIRTHDAY LUNCH TO YOU? HERE? NO.

RIGHT? I THINK I LEARNED MY LESSON--

NOT TO TRUST THIS GUY. THAT'S NOTHING. HIS BUDDY SHERMAN

CAN'T OPEN HIS BIG MOUTH WITHOUT LYING TO ME. OH, THAT'S TYPICAL.

YEAH.

HANG ON, THAT'S--

YOU STAY OUT OF THIS. CARLOS HERE DOESN'T UNDERSTAND WOMEN.

THEY NEVER DO. RIGHT? GO ON.

SO HE TOLD ME-- AND THIS IS ALL I'M GONNA SAY

'CAUSE I'M DONE WITH HIM.

BUT ANYWAY, HE CAME CRAWLING BACK TO ME.

TALKING ABOUT REGRET AND, YOU KNOW,

CRYING LIKE A LITTLE BABY, AND OF COURSE, YOU KNOW MEN...

THAT WAS UNBELIEVABLE.

THAT GIRL WAS A BRICK WALL. THE NEXT THING I KNOW,

SHE'S POURING OUT HER LIFE STORY TO YOU. YOU KNOW, PEOPLE LIKE TO TALK ABOUT THEMSELVES.

SHE JUST NEEDED A LITTLE WARMING UP. YEAH, WELL, YOU SAVED MY ASS--

HOPEFULLY MY CLIENT'S, TOO, WITH THIS STATEMENT.

I'M--I'M JUST SORRY ABOUT YOUR BIRTHDAY.

LET ME MAKE IT UP TO YOU TOMORROW NIGHT.

BY THEN THIS GRAND JURY CHAOS WILL BE OVER,

AND I'LL TAKE YOU SOMEWHERE NICE. I PROMISE. NICER THAN THAT?

YEAH, YOU KNOW, I'LL BUMP IT UP A NOTCH. OKAY. I'LL ASK FOR THE NIGHT OFF.

HEY, CARLOS, WHEN YOU WANNA FIND SOMEONE LIKE THAT

OR EVEN FIND OUT IF THEY'RE STILL ALIVE OR NOT, I MEAN-- AH. HERE IT COMES--THE FAVOR.

FOR A SECOND THERE I ACTUALLY THOUGHT IT WAS YOUR BIRTHDAY. IT WAS.

ALL I HAVE IS, UM, A NAME AND AN OLD ADDRESS.

MARGARET HANSSEN.

WHO IS SHE?

YOU TELL ME.

Hello? HI, BABE. IT'S ME.

Hi. HI. UM, DO YOU THINK WE CAN MEET UP LATER AT HOME?

WHIT, I'D LOVE TO, BUT I CAN'T-- Do you think, um...

just hoping that we could discuss the wedding, you know,

and hammer out some of the details. WHIT, WOULD YOU LISTEN TO ME?

I have to prepare for this client dinner tomorrow. YEAH, I'M TALKING ABOUT TONIGHT.

Whit--

ROY.

I'LL SEE YOU AT 9:00.

Whit. Whit--

SORRY, DARLING, WE'RE GONNA HAVE TO MAKE THIS QUICK.

YOU KNOW I DON'T LIKE TO BE RUSHED, ROY.

THIS MUST BE VERY PAINFUL FOR YOU.

IT'S TORTUROUS. THANK YOU.

STILL A LITTLE DARK.

YOU MIND IF I CHANGE THIS SETUP A LITTLE?

YEAH, GO FOR IT. LET'S TAKE FIVE.

DO YOU NEED HELP?

UH, SURE, YEAH, OKAY. OH.

I JUST WANNA FILL THAT OUT A LITTLE. DOES THAT WORK?

YEP.

LET ME HELP YOU WITH THAT.

OH!

THAT WAS IMPRESSIVE. THANK YOU.

WHERE'D YOU LEARN THAT?

THAT'S A LITTLE TECHNIQUE OF MINE LEARNED IN...

PHOTOGRAPHING SCHOOL.

SO YOU MENTIONED YOU WANNA TALK A LITTLE ABOUT, UH...

I'D BE HAPPY TO GIVE YOU SOME... IF THAT'S WHAT YOU HAD IN MIND.

ARE YOU ASKING ME OUT? HUH? WELL, UH...

YOU KNOW, BECAUSE IF YOU ARE, I'M FREE TONIGHT.

TONIGHT? MM.

WELL, CAN'T IT BE SOONER?

YEAH, OKAY, WE'LL TALK. SUPER.

DO NOT, UNDER ANY CIRCUMSTANCES, SLEEP WITH THAT ASSISTANT.

I'M NOT SURE WHAT YOU'RE TALKING ABOUT RIGHT NOW.

YOU DON'T THINK I SEE WHAT'S GOING ON HERE?

STEVEN, THIS IS A VERY IMPORTANT JOB FOR YOU.

DO NOT SCREW IT UP.

NOT TO MENTION, THAT KIND OF BEHAVIOR IS A LITTLE... CLICHé.

DON'T YOU HAVE A WEDDING TO PLAN?

WHO'S NEXT? KAITLIN

HEY.

HI.

I DIDN'T SHOW UP AT THAT REHEARSAL

'CAUSE YOU WERE THERE. I--

CHARLIE, I'M HERE ABOUT DAVID.

THAT WAS A WEEK BEFORE DAVID DIED.

I KNOW.

DON'T WORRY. I KNOW WHAT I'M DOING.

THAT'S THE ROAD OUTSIDE OF KHABOR.

UP HERE, GO RIGHT! LEFT!

CHARLIE, WHAT DO YOU MAKE OF THIS?

WHO WOULD'VE SENT THIS? I MEAN, THIS--THIS NOTE--

"YOUR HUSBAND IS NO HERO."

ANYONE. A WRITER TRYING TO SOLICIT A COMMENT,

OR SOME BITTER REPORTER WHO THINKS HE DESERVES

THAT FIELDING AWARD MORE THAN DAVID.

NO, NO, NO, WHAT ABOUT SOMEONE ON THE CREW?

WHAT ABOUT--WHAT ABOUT WALTER OR CRAIG? THEY WERE IN THE NORTH.

IT WAS PROBABLY A LOCAL HIRE OR SOMETHING.

SOMETHING IS GOING ON HERE.

THE WAY THIS IS SHOT-- THIS IS NOT MEANT FOR BROADCAST,

AND, I MEAN, DAVID DOESN'T SOUND LIKE HIMSELF.

REALLY? TO ME, THAT'S VINTAGE DAVID--

PUSHING LIKE HELL TO GET A STORY. ALL RIGHT, THIS TAPE WAS SENT FOR A REASON,

AND I GUESS I WILL FIGURE IT OUT ON MY OWN.

LAURA-- WHAT?

JUST... LEAVE IT ALONE.

YOU KNOW SOMETHING.

I GOTTA GO. I'M LATE FOR A MEETING.

UH...

I WANT THIS BACK.

SORRY.

WAIT, YOU TOLD ME WITH THAT ALIBI

WE CAN GET A DEAL. WHAT HAPPENED?

THE D.A.'s BEING A HARD-ASS.

WHAT ABOUT YOU? AREN'T YOU A HARD

LISTEN, SHERMAN, YOU HAVE A VERY STRONG CASE,

AND I'M WORKING LIKE CRAZY TO MAKE IT EVEN STRONGER, OKAY?

BUT, LOOK, IF WE REJECT THE PLEA,

IT'S GONNA BUY US MORE TIME-- NO, IT BUYS YOU MORE TIME!

WHAT ABOUT ME? LOOK, I'M ROTTING IN HERE!

LOOK, FORGET ABOUT IT. I'M DONE WITH YOU.

WHAT IS THAT SUPPOSED TO MEAN?

YO, WHO DO I TALK TO? I WANT ANOTHER LAWYER.

YO! YO, I KNOW Y'ALL HEAR ME, MAN!

I'M TALKING TO YOU. I WANT ANOTHER LAWYER!

YOU KNOW, IN THAT BOOK THAT YOU DID ON TRUCK STOPS,

I COMPLETELY LOVE THAT ONE.

OH, YES, THE OLD STUFF. UH, YEAH.

YOU KNOW, IT WAS ONE OF THOSE BOOKS

THAT YOU WOULD JUST STARE AT ON YOUR PARENTS' SHELF, YOU KNOW?

AND THEN ONE DAY, YOU'D TAKE IT OFF,

AND YOU COMPLETELY FALL IN LOVE WITH IT.

YEAH, THAT, UH...

YEAH, THAT WAS ABOUT TEN WEEKS TO SHOOT THAT SERIES,

UP AND DOWN I-95, FROM MAINE TO MIAMI,

BACK AND FORTH. I WAS JUST OUT OF COLLEGE.

YOU WERE PROBABLY STILL A FIGMENT

IN YOUR PARENTS' IMAGINATION.

SO, UH, DID YOU DO THE TRIP ALONE?

YEP, JUST ME AND MY LEICA M5. THAT'S A GREAT CAMERA.

I WAS IN A LIME GREEN PICKUP TRUCK.

IT WAS EXTREMELY GLAMOROUS.

NOT THAT GLAMOUR WAS IN BACK THEN,

UNLESS YOU COUNT BOWIE AND HIS EYE SHADOW PHASE,

WHICH I'D RATHER NOT. BOWIE WHO?

I'M KIDDING.

I'M KIDDING. I'M SORRY. I KNOW WHO DAVID BOWIE IS.

I AM NOT THAT YOUNG.

HOW OLD ARE YOU?

I'M 25.

SO AM I.

GOOD!

MAYBE SHERMAN'S RIGHT.

MAYBE HE DOES NEED A MORE EXPERIENCED LAWYER.

WHOEVER HIS LAWYER IS, HE'S STILL SCREWED

BECAUSE THE SYSTEM'S BUILT TO PUT KIDS LIKE HIM IN JAIL.

I MEAN, ME, I HAD EVERYTHING ON MY SIDE.

MM.

I HAD EVERYTHING GOING FOR ME, AND...

YOU'RE DOING IT AGAIN.

WHAT?

GETTING OTHER PEOPLE TO TALK ABOUT THEMSELVES.

YOU'RE VERY GOOD AT THAT.

HAPPY BIRTHDAY.

AW.

THANK YOU.

WHAT IS THIS?

IT'S EVERYTHING I COULD FIND ABOUT MARGARET HANSSEN.

SHE MOVED AROUND A BIT IN THE LATE '80s TO MID '90s,

ALL IN THE NEW YORK AREA.

LAST ADDRESS I COULD FIND WAS ON IRVING PLACE IN '99.

SO, WAIT... SHE MIGHT BE ALIVE?

THERE'S NO DEATH CERTIFICATE ON RECORD.

YOU'RE NOT GONNA TELL ME WHO SHE IS, ARE YOU?

MAYBE. SOMEDAY.

DO YOU THINK WE'LL KNOW EACH OTHER THAT LONG?

I'LL TELL YOU WHAT I THINK.

STAY WITH THAT CASE...

ANY WAY YOU CAN. YOUR CLIENT

UH, SHERMAN.

HE'S LUCKY TO HAVE YOU.

HELLO?

Hi, it's me. I didn't wake you, did I?

OH, NO, I CAN'T-- I CAN'T SLEEP.

WHY

OH, I'M--I'M GOING THROUGH SOME OF MY HUSBAND'S OLD PAPERWORK.

I'M TRYING TO GET IN TOUCH WITH SOME OF HIS OLD CREW MEMBERS

FOR THIS... THIS SPEECH THAT I'M WRITING.

Uh, what's-- what's going on?

NO, IT'S JUST THAT...

I'VE BEEN TRYING TO PIN DOWN ROY FOR THE LAST TWO DAYS,

AND I ASKED HIM TO BE HOME BY 9:00,

AND I JUST GOT A TEXT THAT HE'S STILL AT WORK,

AND I JUST FEEL LIKE HE'S AVOIDING ANY ALONE TIME

BECAUSE HE KNOWS THAT WE'RE GONNA TALK ABOUT THE WEDDING,

AND-- OKAY, LOOK, OKAY, OKAY, WHITNEY, TAKE A BREATH.

EVERYBODY FREAKS OUT BEFORE THEY GET MARRIED,

INCLUDING YOU.

YOU THINK THAT I'M FREAKING ABOUT GETTING--

YES, I DO. LISTEN TO YOURSELF.

I DON'T KNOW.

I JUST HAVE THIS FEELING THAT SOMETHING IS NOT RIGHT.

OKAY, THE WEEK BEFORE MY WEDDING,

I CALLED ALL SEVEN OF MY EX-BOYFRIENDS

JUST TO REMIND MYSELF WHY THEY WERE EXES.

AND I STILL SAID I DO.

YEAH, YOU'RE-- YOU'RE PROBABLY RIGHT.

OKAY!

THAT WOULD BE UNTOWARD.

UM, ALL RIGHT, SO CAN I GET YOU SOMETHING TO DRINK?

WINE

UH, I MIGHT HAVE SOME ORANGE JUICE

THAT'S PROBABLY GONE BAD.

JUST WATER IS OKAY. WATER. OKAY. HOLD ON ONE SEC.

♪♪♪

OR ACTUALLY, SOME WINE WOULD BE GOOD.

UH, RED WINE, IF YOU HAVE IT. YES! THAT'S EASY.

UH, WILL YOU PLEASE MOVE ALL THE STUFF ON THE COUCH?

I'M SORRY IT'S SO MESSY. IT'S MY ROOMMATE'S.

IS SHE AROUND TO DEFEND HERSELF?

HE, AND NO, HE WORKS CRAZY HOURS.

ALL RIGHT.

OH, UH, LET ME JUST GET THIS.

OKAY. ALL RIGHT.

LOOK, UM...

I FEEL REALLY DUMB.

ARE YOU SURE THAT THIS IS, LIKE, OKAY?

WHAT? LET'S SEE WHAT YOU GOT.

OKAY. UH...

ALL RIGHT.

UM, THANKS.

WELL, IT'S JUST SOMETHING THAT I'VE BEEN NOODLING WITH LATELY.

UH-HUH. NOODLE IS GOOD.

UH...

OH, THAT'S GOOD.

THERE'S THIS CHURCH, YOU KNOW?

IT'S ON THE UPPER EAST SIDE.

I SORT OF, YOU KNOW, STOPPED AT IT ONE DAY AND STARTED SHOOTING

THE SISTERS AS THEY WERE, YOU KNOW, COMING IN AND OUT.

UH-HUH.

♪ WHAT IT'S DOING TO ME ♪

WAIT A SECOND. I DON'T KNOW WHY,

BUT SOMETHING SORT OF JUST KEPT MAKING ME COME BACK TO IT.

♪♪♪

YOU KNOW, I SHOULD GO.

REALLY?

YEAH.

UM... WAS IT SOMETHING THAT I SAID OR, UM...

THE NUNS? I...

WE'RE WORKING TOGETHER, ANYA. IT'S, UH...

OH, BUT WE'RE NOT WORKING TOGETHER RIGHT NOW.

YOU'RE TOO YOUNG FOR ME.

THANKS FOR THE WINE.

WHO ARE THESE GIRLS? YOU'RE ALREADY AN HOUR LATE.

WHY AREN'T YOU GOING INTO SCHOOL?

IT'S A SNOW DAY. WE'RE GOING SHOPPING.

HEY!

NO, NO, NO, NO.

OH, I LOVE YOUR STUDS! THANK YOU.

THIS IS NOT COOL, PEOPLE. LADIES, I CAN'T HAVE ANY MORE

THAN FOUR OF YOU IN THE CAR AT A TIME. IT'S ILLEGAL.

DONNIE DID THIS ALL THE TIME. IT'S NO BIGGIE.

I DON'T CARE WHAT DONNIE DID. ALL RIGHT? I AM MY OWN BOSS.

I COULD LOSE MY LICENSE.

BUT TWO OF YOU

BETTER MAKE YOURSELVES INVISIBLE BACK THERE.

LITTLE MAMA, GET YOUR FEET OFF MY SEATS.

I JUST GOT THOSE CLEANED.

OKAY...

I'LL TELL HER.

OH, ELIZA STEPPED IN A HUGE PUDDLE ON THE WAY TO SCHOOL.

OH, THE DRAMA!

WELL, YOU JUST GOT A PHONE CALL REMINDER

FOR A PARTY TONIGHT.

OH, YEAH, I MEANT TO CALL AND SAY I CAN'T GO.

I'VE GOTTA GO TO THIS AWARD THING.

YOU MIND IF I MAKE A PHONE CALL? NO, GO RIGHT AHEAD.

OKAY, I'LL USE THE ONE UPSTAIRS.

OH.

YOU DIDN'T ANSWER MY QUESTION.

IS THERE ANY CHANCE THAT MOM'S STILL ALIVE?

Mae--

ERIC, SHE WAS HERE. SHE WAS IN NEW YORK CITY.

It wasn't her.

I NEED TO KNOW THAT... FOR SURE.

I HAVE SOMEONE-- I HAVE A FRIEND

WHO'S HELPING ME OUT. MAYBE HE CAN--

If she were alive and wanted us

to know where she was, we'd know.

I'LL CALL YOU SOON.

WHOA! WHOA! WHOA! LEFT!

DON'T WORRY. I KNOW WHAT I'M DOING.

GO RIGHT.

UP HERE, GO RIGHT!

CRAIG LAHEY.

WHAT'S THAT? WHAT?

THAT, RIGHT THERE. THAT, ON THE SEAT.

GUM.

YEAH, YOUR GUM, ON MY SEAT.

WELL, I DON'T EVEN CHEW GUM. I HAVE T.M.J.

YOU, YOU,

ALL OF YOU, LISTEN VERY CLOSELY.

THIS CAR IS THE FIRST THING AND THE ONLY THING

I'VE EVER OWNED IN MY LIFE, AND ONE OF YOU JUST STUCK GUM

ALL OVER THE SEAT. SO GUESS WHAT? PARTY'S OVER.

I'M TAKING YOU BACK TO SCHOOL.

WHAT I WANT IS EACH AND EVERY ONE OF YOU

TO GET YOUR SKINNY ASSES BACK IN THE CAR.

YOU GOT 30 SECONDS. 29...

BUT I STILL NEED EARRINGS FOR THE PARTY!

NOW! 28... 27... 26...

DON'T LOOK AT ME. GET IN THE CAR.

SO HOW HAVE YOU BEEN DOING, CRAIG?

OH, GOOD DAYS AND BAD.

NETWORK STILL CALLS ME IN TO SHOOT STATIC STUFF.

IT KEEPS ME WORKING.

THAT'S GREAT NEWS ABOUT DAVID BEING HONORED.

AH.

ALL RIGHT, CRAIG, I KNOW YOU'VE BEEN THROUGH A LOT,

TO SAY THE LEAST, BUT...

DID YOU-- DID YOU SEND THIS TO ME?

I DON'T KNOW WHAT THAT IS.

YOU SHOT IT.

MAY 19th, THE WEEK BEFORE DAVID DIED.

YOU WERE GOING SOMEWHERE IN A CAR.

IT WAS NIGHTTIME. THERE WAS AN IRAQI DRIVER.

I KNEW I SHOULD'VE DESTROYED THAT FOOTAGE.

I HAVE NO IDEA WHO SENT YOU THAT TAPE.

I'M SORRY. YOU SHOULD NEVER HAVE SEEN THAT.

WHAT ARE YOU SAYING?

THAT WAS HOW HE WORKED-- NOT ALWAYS,

BUT IN THOSE LAST FEW MONTHS, IT'S HOW HE GOT INFORMATION.

WHAT WAS DAVID MIXED UP IN?

YOU DO A FAVOR.

YOU GIVE SOMEONE WHAT THEY NEED.

WE WERE ON OUR WAY TO AN ARMS BUY.

GUNS?

HE WAS TRYING TO UNCOVER ALL THE HORRIBLE THINGS

THAT ARE HAPPENING OVER THERE, AND HE LOST PERSPECTIVE.

HE DIDN'T REALIZE HE PUT PEOPLE IN DANGER,

INCLUDING US,

AND THAT'S WHAT'S ON THE TAPE.

GET THAT PETAL OFF-- OFF YOUR FACE.

UH, I THINK THE ROSE PETALS ARE A LITTLE MUCH.

IT'S VERY ROMANCE NOVEL-ISH.

WHAT DO YOU SAY WE GET RID OF THOSE? HANG ON, GUYS.

TRUST ME. IT'S DECADENT. IT'S SUMPTUOUS.

IT'S EXACTLY WHAT WE NEED. YEAH, IT'S NOT WHAT I NEED.

LET'S STRIP IT. WHAT?

THE BED--LET'S STRIP IT.

LET'S, UH, GET THE SHEETS PARTLY OFF OF IT,

LIKE THEY'VE ALREADY HAD SEX, LIKE THEY'RE EXHAUSTED FROM IT.

YES. ANYA?

THANK YOU.

JERRY SAYS IT'S GOING FANTASTICALLY.

I'M SURE HE DOES.

I GUESS THERE'S NO COMPLAINTS SO FAR.

NO, NO, NOT FROM THE TOP. ANYA? NOT FROM THE TOP.

FROM THE BOTTOM, LIKE THEIR FEET

HAVE KICKED THE SHEETS OFF. THANK YOU.

IS THAT WHAT YOU WANT? HOLD ON.

LET ME DO IT.

DO YOU HAVE A PROBLEM WITH ME?

NO. IT JUST HAS TO BE RIGHT, THAT'S ALL.

ALL RIGHT, WELL, YOU SHOULD'VE JUST SAID IT. WHAT?

YOU THINK I'M A LOUSY PHOTOGRAPHER.

IT HAS NOTHING TO DO WITH YOUR PHOTOGRAPHS.

I SHOULDN'T HAVE BEEN THERE IN THE FIRST PLACE, OKAY?

YOU'RE GUTLESS.

DON'T. I WASN'T--

HERE, YOU WANNA TAKE THE PICTURES? GO AHEAD.

PLEASE, CLICK AWAY. I CAN PRETEND THIS NEVER HAPPENED.

OKAY, LET'S GO.

ROY, I'M NOT COMING TO DINNER.

Because?

BECAUSE I'VE GOT A PHOTOGRAPHER WHO'S ACTING UP,

AND A PHOTO SHOOT THAT IS GOING LONGER THAN I EXPECTED

AND... BECAUSE I HAVE TOLD YOU FOR TWO DAYS

THAT WE NEED TO TALK, AND YOU WON'T LISTEN.

SO GUESS WHAT? I'M NOT GONNA COME.

WHITNEY, YOU NEED TO RELAX, OKAY?

THIS IS A BIG DEAL TONIGHT.

I NEED TO BE AT THIS DINNER, AND I NEED YOU THERE.

I love you, and we'll talk about all this later.

ROY, I...

ROY?

NO, YOU DID NOT JUST HANG UP ON ME.

YOU HAVE FLOUR IN YOUR HAIR.

GETTING A HARD TIME FROM THE WIFE?

FIANCéE.

RIGHT.

CAN I HELP YOU?

I'M BILL HUNTZINGER, ALLEGRA'S FATHER.

OH, HEY. I WAS EXPECTING ALLEGRA,

BUT IT'S A PLEASURE TO MEET YOU, SIR.

I HEARD YOU YELLED AT MY DAUGHTER.

WELL, YES, SIR, BUT THEY--SHE--

LET'S GET SOMETHING STRAIGHT. YOU'RE NOT HER FATHER.

YOU'RE NOT HER TEACHER. YOU'RE HER DRIVER, ALL RIGHT?

UM... WHEN I GOT THIS GIG,

I THOUGHT DRIVING FOR THE HUNTZINGERS

WAS GONNA BE A BIG OPPORTUNITY FOR ME,

BUT I'M NOT JUST A DRIVER.

I'M A BUSINESSMAN.

I OWN THIS CAR. THIS IS MY DOMAIN.

SO WHETHER YOU'RE A ROCK STAR OR A ROCKEFELLER,

YOU SLIDE ON MY BACKSEAT, YOU RESPECT WHAT'S MINE.

I THINK YOU BETTER FIND YOUR DAUGHTER ANOTHER DRIVER.

I THINK SO, TOO, 'CAUSE YOU'RE DRIVING ME NOW.

I HAVE TO BE AT THE CORNER OF BROADWAY AND REED.

HOW FAST CAN YOU GET ME THERE?

YOU BETTER BUCKLE YOUR SEAT BELT.

HEY, SHOULDN'T YOU BE GETTING ALL DOLLED UP

FOR THE AWARDS BANQUET?

I'M THINKING OF ASKING DAVID'S FRIEND CHARLIE

TO ACCEPT THE AWARD.

OH.

IT MAKES MORE SENSE

BECAUSE CHARLIE WAS IN THAT PART OF DAVID'S LIFE.

SURE.

IT TURNS OUT I DIDN'T REALLY KNOW

AS MUCH ABOUT DAVID'S WORK AS I THOUGHT THAT I DID.

HE MAY HAVE...

MADE CHOICES THAT I WOULD FIND REPREHENSIBLE,

AND WHAT IS THE POINT IN KNOWING THAT?

I MEAN, I REALIZE I'M IN DENIAL, BUT...

I'D RATHER REMEMBER HIM AS A DOTING FATHER.

I DON'T REALLY HAVE ANY MEMORIES OF MY MOTHER.

NOT REALLY.

I HAVE A POSTCARD--

A RATTY, OLD TOURIST POSTCARD SHE SENT ME FROM NEW YORK CITY

WHEN I WAS ABOUT ELIZA'S AGE.

I'M SORRY, CLAIRE.

I DID NOT KNOW THAT.

WHO WAS SHE AT THAT TIME, YOU KNOW?

WHERE--WHERE WAS SHE WHEN SHE WAS WRITING IT?

STUPID THINGS, LIKE...

WAS HER HAIR UP?

BUT IF I HAD ANY REAL, SOLID MEMORIES OF HER...

I WOULDN'T LET ANYONE TAKE 'EM FROM ME EITHER.

HI. HI.

I SHOULD'VE CALLED BEFORE I CAME OVER,

BUT YOU WOULD'VE HUNG UP ON ME.

YOU SHOULD'VE HUNG UP ON ME.

CAN I, UM, COME IN?

♪♪♪

I'M WORKING, SO...

YES.

SO...

UH...

HOW'D YOU TAKE THAT, MULTIPLE EXPOSURES? WHAT ARE YOU DOING HERE?

YES, WHAT AM I DOING HERE?

YOU SCARE ME.

YOUR WORK SCARES ME.

YOU'RE GOOD. YOU'RE VERY GOOD AT WHAT YOU DO.

OH, COME ON, STEVEN.

AND YOU'RE AT A GOOD PLACE IN YOUR LIFE, AND...

YOU HAVE A LOT AHEAD OF YOU, EVEN YOUR MISTAKES.

YOU HAVE TALENT, YOU HAVE DRIVE,

YOU HAVE A RELENTLESS OPTIMISM.

YOU HAVE...

A LOT OF THINGS I USED TO HAVE.

YOU STILL HAVE IT...

FACING UP TO A VODKA AD WITH HALF-NAKED MODELS

AND SOMEHOW MAKING ART OUT OF IT.

IT WAS MULTIPLE EXPOSURE.

I LEFT THE LENS OPEN.

THE PHOTO JUST SORT OF RECORDS, YOU KNOW,

THE ARC OF HER PRAYER.

IT'S BEAUTIFUL.

WHERE'S YOUR ROOMMATE?

NOT HOME.

♪♪♪

IF YOU HAD ANY IDEA HOW MUCH TROUBLE I AM...

HOW ABOUT... THEN YOU WOULD FLEE.

YOU LET ME DECIDE WHAT MISTAKES I WANNA MAKE?

♪♪♪

ACCEPTING THE FIELDING AWARD

FOR EXCELLENCE IN FOREIGN COVERAGE

IS LAURA MORGAN,

WIFE OF THE LATE C.L.N. CORRESPONDENT

DAVID MORGAN.

THANK YOU.

IT'S FUNNY, BECAUSE I THOUGHT I KNEW

EVERYTHING THERE WAS TO KNOW ABOUT DAVID.

BUT IN PREPARING FOR THIS,

I ACTUALLY LEARNED THAT

NO MATTER HOW WELL YOU THINK YOU KNOW SOMEONE,

THERE IS ALWAYS MORE TO UNCOVER.

AND I THINK DAVID WOULD'VE APPRECIATED THAT,

BECAUSE HE KNEW

THE ONLY WAY TO BE A GOOD REPORTER

IS TO DIG WAY BENEATH THE SURFACE.

EVEN IF YOU THOUGHT YOU'D DUG ALL THE WAY TO THE BOTTOM,

HE WOULD SAY, "KEEP DIGGING,"

EVEN IF IT TAKES YOU

TO SOMEPLACE YOU DIDN'T WANNA GO.

COME ON, COME ON, COME ON. WHIT, WHERE ARE YOU? LISTEN--

I'M SORRY I'M LATE.

WHAT IS WITH YOU TODAY?

WE NEED TO HAVE A SERIOUS CONVERSATION.

NO. NO, NO, NO, NO, NO. THEY'RE WAITING. WE NEED TO SIT.

ROY, I DON'T FEEL UP TO THIS.

PLEASE, PLEASE, JUST-- JUST COME FOR A DRINK.

IS THAT COCONUT? COME ON.

ROY, WE NEED TO MAKE SURE THAT WE'RE OKAY,

AND I'M NOT SURE THAT WE ARE, OR THAT I AM.

AND, ROY, WE NEVER STOP.

AND WE'RE GETTING MARRIED--

WHY? SO WE CAN TAG TEAM POTENTIAL CLIENTS?

I WANNA BE HAPPY, NOT JUST LOOK HAP--

SURPRISE!

OH, MY!

HAPPY ENGAGEMENT, MY LOVE. YOU KNOW WHAT?

YOU ARE ALMOST IMPOSSIBLE TO SURPRISE.

OH!

CONGRATULATIONS, WHIT!

KIM! OH!

MWAH!

UH, LYCHEE TRIFLE-- YOUR FAVORITE.

IT WAS ROY'S IDEA. HE EVEN HELPED ME.

I ALMOST KILLED MYSELF MAKING IT.

OH!

I LOVE YOU, SWEETHEART. I LOVE YOU.

HEY, HOW WAS IT?

UM... STUFFY,

BUT I WAS A BREATH OF FRESH AIR.

I SKIPPED OUT BEFORE DINNER

BECAUSE I DIDN'T MUCH FEEL LIKE MAKING SMALL TALK

WITH DAVID'S FRIENDS.

WHAT ABOUT YOUR FRIENDS? WHAT DO YOU MEAN?

DIDN'T YOU GET INVITED TO A PARTY TONIGHT?

ACTUALLY, YEAH.

WHY DON'T YOU GO? I GOT THINGS COVERED HERE.

UM... WAIT, YOU THINK I CAN GO LIKE THIS?

UPTOWN OR DOWNTOWN?

DOWNTOWN. BETTER CHANGE.

HI. HI.

THE CRANE PARTY? IF I'M NOT TOO LATE. OH, STILL GOING STRONG.

OH, GREAT. AND THE LADIES ROOM? RIGHT THERE.

THANK YOU. YOU'RE WELCOME.

♪♪♪

HEY, EXCUSE ME,

CAN WE GET TWO MORE BOTTLES OF CHAMPAGNE, PLEASE?

THANK YOU.

HEY, UH, IS THE BARTENDER IGNORING YOU?

OH, NO, NO, NOT AT ALL. WHAT ARE YOU DRINKING?

OH, NO, NO, NO, WAIT, WAIT, WAIT, LET ME GUESS...

I'M USUALLY PRETTY GOOD AT NAILING A WOMAN'S DRINK

WHEN I PUT MY MIND TO IT.

I WOULD GUESS...

KIR ROYALE OR...

COSMOS, DEPENDING ON YOUR MOOD.

YOU KNOW, UM, MY FAVORITE BARTENDER

MIXES AT THIS LITTLE PUB

OVER ON EAST 6th.

WE COULD MAYBE MEET THERE SOMETIME.

I'M ROY.

LAURA...

MORGAN.

I'M A FRIEND OF WHITNEY'S.

YOU LEFT ME A MESSAGE ABOUT THE PARTY.

YES.

YES.

Y-YES, I DID. LAURA. WOW.

I... I THOUGHT IT WAS YOU. LAURA!

HI! HI! I'M SO GLAD YOU MADE IT!

OH! HAVE YOU GUYS MET?

WE DID. WE--WE DID.

GREAT. I'M SORRY I'M SO LATE.

NO, THAT'S OKAY.

ISN'T ROY A SNEAK, GETTING ALL THE NUMBERS FROM MY PHONE?

PRETTY SNEAKY.

COME ON, COME DANCE. UH, I'M GONNA STOP IN THE LOO, SO...

I CAN'T BELIEVE YOU CALLED HER!

IS

YEAH. WHY?

WELL, I WAS JUST JOKING AROUND,

AND I THINK SHE MIGHT HAVE TAKEN IT THE WRONG WAY.

OH, DON'T WORRY ABOUT IT. COME ON. GET THE BOTTLES.

MM. I'LL SEE YOU UP THERE.

HANSSEN?

YEAH, I REMEMBER HER LIKE YESTERDAY.

A BEAUTY.

(I Am Kloot's "Astray" playing)

UH, DO YOU REMEMBER WHERE SHE MOVED TO?

OH, HONEY, THAT WAS IN THE MID-'80s.

SHE JUST UP AND DISAPPEARED.

LEFT HER DEPOSIT.

DID SHE HAVE ANY FRIENDS OR A...

A JOB?

WELL, THAT I DON'T RECALL.

YOU MUST HAVE SOME...

RENTAL RECORDS OR ANYTHING LIKE THAT?

I'M NOT THE I.R.S.

YOU KNOW WHAT?

IF YOU THINK OF ANYTHING, WOULD YOU CALL ME?

IT'S REALLY IMPORTANT. SURE.

HEY!

SORRY IT LED TO A DEAD END.

IF IT'S ANY CONSOLATION,

YOU LOOK JUST LIKE HER.

♪ ASTRAY ♪

♪ THE BALD RAGING FLAME OF YOUR HEART ♪

♪ IS MAKING ME STAY ♪