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1
00:00:01,712 --> 00:00:04,215
WHEN THINGS
GET DIFFICULT,
2
00:00:04,215 --> 00:00:05,836
LIKE NOW,
3
00:00:05,836 --> 00:00:09,050
I KEEP REMINDING MYSELF
WHERE I AM--
4
00:00:09,050 --> 00:00:10,631
NEW YORK CITY.
5
00:00:10,631 --> 00:00:14,014
THE THING ABOUT THIS PLACE--
ANYTHING IS POSSIBLE.
6
00:00:14,014 --> 00:00:17,058
THAT'S WHY EVERYONE COMES HERE.
7
00:00:17,058 --> 00:00:21,102
YOU GOT SOME PEOPLE
WHO ARE HERE JUST TO HIDE OUT,
8
00:00:21,102 --> 00:00:23,404
TO LOSE WHATEVER BAGGAGE
THEY'VE GOT...
9
00:00:23,404 --> 00:00:25,566
♪♪♪
10
00:00:25,566 --> 00:00:28,989
TO FIND SOMETHING BETTER.
11
00:00:28,989 --> 00:00:31,702
♪ AND LAY YOUR FEET
BACK DOWN ON THE TRACK ♪
12
00:00:31,702 --> 00:00:33,364
MAE ANDERSON?
13
00:00:33,364 --> 00:00:38,869
♪ THIS IS THE PART WHERE
YOU MAY WANT TO GIVE IN ♪
14
00:00:38,869 --> 00:00:42,623
SOME PEOPLE THINK THEY'VE
ALREADY FOUND HAPPINESS.
15
00:00:42,623 --> 00:00:45,336
BUT DON'T REALLY KNOW
WHAT'S COMING...
16
00:00:45,336 --> 00:00:48,929
AND OTHERS,
WHO, DESPITE EVERYTHING,
17
00:00:48,929 --> 00:00:52,593
ARE JUST TRYING TO STAY BRAVE.
18
00:00:52,593 --> 00:00:56,807
BUT SEE, SOME PEOPLE
REALLY DO GET A SECOND CHANCE.
19
00:00:56,807 --> 00:00:59,810
AND THAT'S WHAT I LOVE,
THAT'S WHAT I NEED--
20
00:00:59,810 --> 00:01:01,812
THE IDEA THAT JUST WHEN
YOU'VE GIVEN UP,
21
00:01:01,812 --> 00:01:03,184
WHEN YOU'RE LOST...
22
00:01:03,184 --> 00:01:06,777
SOMETHING UNEXPECTED
CAN CHANGE EVERYTHING.
23
00:01:06,777 --> 00:01:11,572
♪ EASTSIDE VILLAGE
LOOKIN' GOOD FOR ITS AGE ♪
24
00:01:11,572 --> 00:01:14,365
♪ AN OUNCE OF PLEASURE
SO QUICKLY BECAME... ♪
25
00:01:14,365 --> 00:01:16,827
WHAT HAPPENED TO YOUR HAIR?
26
00:01:16,827 --> 00:01:18,579
I... WENT BROWN.
27
00:01:18,579 --> 00:01:20,201
YEAH.
28
00:01:20,201 --> 00:01:23,914
I'VE BEEN LOOKING
FOR YOU... EVERYWHERE.
29
00:01:23,914 --> 00:01:28,129
THAT'S THE THING
ABOUT THIS PLACE...
30
00:01:28,129 --> 00:01:30,010
ANYONE OF US CAN AFFECT
ANY OTHER.
31
00:01:30,010 --> 00:01:33,013
IN THAT WAY,
WE'RE ALL CONNECTED.
32
00:01:33,013 --> 00:01:35,015
I GUESS LIKE ANYBODY ELSE,
33
00:01:35,015 --> 00:01:37,218
I'M JUST TRYING
NOT TO LOSE FAITH.
34
00:01:37,218 --> 00:01:38,559
♪ WHERE YOU WILL
FIND TROUBLES ♪
35
00:01:38,559 --> 00:01:43,274
♪ BUT YOU WILL NOT
BE THE FIRST ♪
36
00:01:49,990 --> 00:01:52,193
WHY ARE YOU NERVOUS?
37
00:01:52,193 --> 00:01:53,574
BECAUSE MY FRIEND BONNIE
38
00:01:53,574 --> 00:01:56,197
PULLED A LOT OF STRINGS
TO GET ME THIS JOB,
39
00:01:56,197 --> 00:01:58,579
AND I'M GONNA BE LEARNING
FROM A WORLD-CLASS DESIGNER--
40
00:01:58,579 --> 00:02:01,001
J.T. ZEFF.
41
00:02:01,001 --> 00:02:02,373
WHAT'S J.T. STAND FOR?
42
00:02:02,373 --> 00:02:05,376
OH, UM...
WELL, PROBABLY NOTHING.
43
00:02:05,376 --> 00:02:08,128
YOU CAN HAVE INITIALS
THAT STAND FOR NOTHING
44
00:02:08,128 --> 00:02:10,130
WHEN YOU'RE DESIGNING
A 2,000-SQUARE-FOOT RESTAURANT
45
00:02:10,130 --> 00:02:11,302
IN SOHO.
46
00:02:12,713 --> 00:02:14,134
UH, DO YOU WANNA GET THAT?
47
00:02:14,134 --> 00:02:16,467
I'M PUTTING ON EYE SHADOW.
OH, OKAY.
48
00:02:17,468 --> 00:02:18,679
OH!
49
00:02:18,679 --> 00:02:20,020
OH! HI.
50
00:02:20,020 --> 00:02:21,141
OH, YOU SCARED ME.
51
00:02:21,141 --> 00:02:23,143
IT'S PROBABLY FOR YOU.
52
00:02:23,143 --> 00:02:24,725
OH, MY GOODNESS, YES.
THANK YOU.
53
00:02:26,106 --> 00:02:27,728
HELLO.
54
00:02:27,728 --> 00:02:28,939
UH-HUH.
55
00:02:28,939 --> 00:02:31,322
NICE. WE SHOULD PROBABLY
GET YOU READY FOR SCHOOL.
56
00:02:31,322 --> 00:02:32,943
YOU READY?
57
00:02:32,943 --> 00:02:35,326
OKAY, YOU GOT A LOT OF NERVE,
CALLING HERE.
58
00:02:35,326 --> 00:02:37,948
I DON'T WANT YOU
TO CALL HERE, OKAY?
59
00:02:37,948 --> 00:02:39,330
DO YOU UNDERSTAND ME?
60
00:02:39,330 --> 00:02:41,372
DON'T SAY THAT TO ME.
61
00:02:45,746 --> 00:02:48,128
LET'S DO THIS, HUH?
62
00:02:49,590 --> 00:02:53,003
♪ WELL, IT'S 4 A.M. ♪
63
00:02:54,595 --> 00:02:56,717
♪ THE PAPER BOY'S
AT IT AGAIN ♪
64
00:02:56,717 --> 00:02:59,720
♪ BUT I CAN'T GET NO SLEEP ♪
65
00:02:59,720 --> 00:03:03,013
♪ I MEAN, WHAT'S THE POINT? ♪
66
00:03:05,226 --> 00:03:06,647
♪ WELL, I'M NOT BUYING ♪
67
00:03:06,647 --> 00:03:09,810
♪ 'CAUSE THIS LIFE
IS A BEAUTIFUL ONE ♪
68
00:03:09,810 --> 00:03:11,982
♪ AND THOUGH I SEEN IT
COMIN' UNDONE ♪
69
00:03:11,982 --> 00:03:14,735
♪ WELL, I KNOW
MOST DEFINITELY ♪
70
00:03:14,735 --> 00:03:17,157
♪ THAT IT'S GONNA BE YOU,
IT'S GONNA BE ME ♪
71
00:03:17,157 --> 00:03:20,321
♪ SO, BABY,
KEEP YOUR HEAD UP ♪
72
00:03:20,321 --> 00:03:23,624
♪ KEEP IT ON THE UP AND UP
AND KNOW NOW ♪
73
00:03:23,624 --> 00:03:25,456
♪ 'CAUSE YOU GOT ALL MY... ♪
74
00:03:25,456 --> 00:03:28,829
♪ LOVE, LOVE, LOVE ♪
75
00:03:35,175 --> 00:03:37,177
EXCUSE ME.
DO YOU HAVE THE TIME?
76
00:03:37,177 --> 00:03:39,139
7:40.
77
00:03:39,139 --> 00:03:42,182
7:40?
YOU GOTTA BE KIDDING ME.
78
00:03:46,607 --> 00:03:48,849
YOU DO NOT UNDERSTAND.
79
00:03:48,849 --> 00:03:50,811
I HAD GIVEN UP ON FINDING
THIS GIRL AT ALL.
80
00:03:50,811 --> 00:03:52,613
AND THERE SHE WAS.
AND THERE SHE WAS!
81
00:03:52,613 --> 00:03:54,024
IT WAS INSANE.
82
00:03:54,024 --> 00:03:56,156
SHE COULD'VE GOTTEN ON
ANY OTHER CAR IN THAT TRAIN,
83
00:03:56,156 --> 00:03:57,778
OR ANOTHER TRAIN
OR A CAB.
84
00:03:57,778 --> 00:03:59,780
YOU CAN'T STOP SMILING.
YOU LOOK LIKE AN IDIOT.
85
00:03:59,780 --> 00:04:03,534
I KNOW. THIS IS ME
WITHOUT SLEEP.
OH, WELL, MAKE SURE
YOUR CLIENTS KNOW THAT
86
00:04:03,534 --> 00:04:05,826
'CAUSE THEY'LL BE THRILLED
FOR YOU.
87
00:04:15,175 --> 00:04:18,178
WHAT ARE YOU DOING?
THAT'S A FELONY CASE.
88
00:04:18,178 --> 00:04:20,591
YEAH, I KNOW.
89
00:04:20,591 --> 00:04:23,594
YOU WERE ASSIGNED A FELONY?
90
00:04:23,594 --> 00:04:24,975
NOPE.
91
00:04:24,975 --> 00:04:27,227
UH, HEY, UH, "MR. MEANOR,"
92
00:04:27,227 --> 00:04:29,229
THERE IS A REASON
THEY ASSIGN US THOSE.
93
00:04:29,229 --> 00:04:31,231
IT'S 'CAUSE THEY THINK
WE'RE READY.
94
00:04:31,231 --> 00:04:32,813
I'VE BEEN DEFENDING
PETTY CRIMES
95
00:04:32,813 --> 00:04:34,194
FOR OVER TWO YEARS NOW.
96
00:04:34,194 --> 00:04:36,447
IF ANYTHING... I'M READY.
97
00:04:36,447 --> 00:04:38,068
CARLOS,
PUT THE FELONY DOWN.
98
00:04:38,068 --> 00:04:39,860
POSSESSION OF
A DEADLY WEAPON.
99
00:04:39,860 --> 00:04:41,241
I LIKE THAT.
100
00:04:41,241 --> 00:04:43,033
LOOK, I'M NOT SAYING
YOU'RE NOT
101
00:04:43,033 --> 00:04:45,326
THE BEST PUBLIC DEFENDER
IN THE HISTORY OF THEM,
102
00:04:45,326 --> 00:04:48,168
BUT DON'T LET ONE DATE
WITH A PRETTY GIRL
103
00:04:48,168 --> 00:04:49,540
WHO PLAYS HARD TO GET
104
00:04:49,540 --> 00:04:51,542
BOOST YOUR EGO TO THE POINT
OF SELF-DESTRUCTION.
105
00:04:51,542 --> 00:04:54,214
NO, I'M TELLING YOU,
TODAY IS MY DAY.
106
00:04:54,214 --> 00:04:57,217
I CAN DO ANYTHING.
107
00:05:03,133 --> 00:05:05,346
♪ DA-DA-DA-DA-DA ♪
108
00:05:05,346 --> 00:05:09,189
♪ LOVE, LOVE, LOVE ♪
109
00:05:09,189 --> 00:05:13,023
WHAT DO YOU THINK
OF WRITING OUR OWN VOWS?
110
00:05:13,023 --> 00:05:14,435
HMM?
111
00:05:14,435 --> 00:05:16,066
FOR THE WEDDING--
112
00:05:16,066 --> 00:05:18,359
YOU KNOW,
SOMETHING FROM THE HEART,
113
00:05:18,359 --> 00:05:22,993
A GREAT QUOTE FROM A SONG
OR A POEM.
114
00:05:22,993 --> 00:05:25,496
POETRY TENDS
TO PUT ME TO SLEEP.
115
00:05:27,998 --> 00:05:29,750
THAT'S JUST ME,
YOU KNOW?
116
00:05:29,750 --> 00:05:32,082
OKAY.
117
00:05:32,082 --> 00:05:34,164
WHAT WOULD YOU LIKE TO DO?
118
00:05:34,164 --> 00:05:38,379
"DO YOU?" "I DO."
"KISS THE BRIDE."
119
00:05:38,379 --> 00:05:40,381
THAT'S IT?
120
00:05:44,014 --> 00:05:47,227
OR...
121
00:05:47,227 --> 00:05:49,229
WE COULD WRITE
OUR OWN VOWS--
122
00:05:49,229 --> 00:05:50,561
LONG...
123
00:05:50,561 --> 00:05:55,476
BEAUTIFUL...
POETIC VOWS.
124
00:05:55,476 --> 00:05:57,858
JUST PROMISE ME
YOU'LL THINK ABOUT IT.
125
00:06:01,241 --> 00:06:03,784
CHECK THE AVAIL
126
00:06:03,784 --> 00:06:05,866
FOR TAVERN ON THE GREEN
MEMORIAL DAY WEEKEND,
127
00:06:05,866 --> 00:06:07,868
CIPRIANI
FOR THE 4th OF JULY.
128
00:06:07,868 --> 00:06:09,249
I WANT CAPACITIES...
129
00:06:09,249 --> 00:06:11,201
HI.
130
00:06:11,201 --> 00:06:12,913
YOU SAID YOU WANTED
TO SEE MY PORTFOLIO.
131
00:06:12,913 --> 00:06:14,915
I SAID NEXT TUESDAY.
YOU SHOULD'VE CALLED. I--
132
00:06:14,915 --> 00:06:16,256
I SAVED MYSELF A DIME.
133
00:06:16,256 --> 00:06:18,999
I WANT TO SHOW YOU
SOME OF MY NEW STUFF.
134
00:06:18,999 --> 00:06:21,051
I'M EXTREMELY BUSY,
MR. CASEMAN.
135
00:06:21,051 --> 00:06:23,053
YES, I CAN SEE
THAT YOU ARE, MS. CRANE,
136
00:06:23,053 --> 00:06:25,055
BUT I CAN'T SIT AROUND
AT HOME.
137
00:06:25,055 --> 00:06:27,057
IT'S BAD FOR ME.
YOU KNOW WHAT I MEAN?
138
00:06:27,057 --> 00:06:29,059
I DON'T KNOW
WHAT TO DO WITH MY TIME.
139
00:06:29,059 --> 00:06:31,061
YOU SAID YOU'D PUT ME
TO WORK,
140
00:06:31,061 --> 00:06:33,724
SO YOU MUST HAVE SOMETHING,
SOME LITTLE THING
141
00:06:33,724 --> 00:06:35,225
TODAY OR TOMORROW OR SOON.
142
00:06:35,225 --> 00:06:37,187
I'M SORRY. THIS IS NOT
THE WAY I DO THINGS.
143
00:06:37,187 --> 00:06:38,979
YOU'LL HAVE--
OF COURSE.
144
00:06:38,979 --> 00:06:41,281
YOU'RE A VERY PARTICULAR PERSON.
I CAN SEE THAT.
I BEG YOUR PARDON?
145
00:06:41,281 --> 00:06:43,283
BUT YOU MAKE THINGS HAPPEN
ALL DAY LONG.
146
00:06:43,283 --> 00:06:45,285
I CAN TELL THAT
ABOUT YOU, TOO, RIGHT?
147
00:06:45,285 --> 00:06:46,787
I REALIZE STALKING YOU
148
00:06:46,787 --> 00:06:48,579
IS NOT IDEAL
FOR EITHER ONE OF US,
149
00:06:48,579 --> 00:06:51,792
BUT ALL I'M ASKING IS THAT
YOU MAKE SOMETHING HAPPEN.
150
00:06:51,792 --> 00:06:54,204
YOU COULD IF YOU WANTED TO.
151
00:06:54,204 --> 00:06:55,586
WOULD YOU?
152
00:06:55,586 --> 00:06:59,089
PLEASE.
153
00:06:59,089 --> 00:07:00,711
HMM?
154
00:07:00,711 --> 00:07:03,754
HE'S CRASHING.
WE'RE LOSING HIM.
HURRY UP! HE'S CRASHING.
155
00:07:03,754 --> 00:07:06,467
WE'RE LOSING HIM.
WE'RE GOING TO I.C.U.
156
00:07:06,467 --> 00:07:10,390
WE HAVE A FULL ARREST.
157
00:07:10,390 --> 00:07:12,052
YOU SAID HE WAS GONNA LIVE.
158
00:07:12,052 --> 00:07:14,054
MICHAEL, I JUST WATCHED 'EM
159
00:07:14,054 --> 00:07:16,056
TAKE THIS MAN BACK IN
FOR MORE SURGERY.
160
00:07:16,056 --> 00:07:18,188
LOOKED LIKE
HE WAS DEAD ALREADY.
You at the damn hospital?
161
00:07:18,188 --> 00:07:21,191
YEAH, YEAH, I NEEDED--
I WANTED TO SEE FOR MYSELF.
162
00:07:21,191 --> 00:07:23,193
Damian, get your ass
outta there.
163
00:07:23,193 --> 00:07:25,195
WHAT IF HE DIES, MAN, HMM?
164
00:07:25,195 --> 00:07:27,197
WHAT THE HELL
DO WE DO THEN?
165
00:07:27,197 --> 00:07:30,200
What you do is you celebrate,
but get outta there.
166
00:07:30,200 --> 00:07:32,202
NAH, NAH.
NAH, NAH, NAH, NAH, NAH.
167
00:07:32,202 --> 00:07:33,574
I SHOT HIM.
168
00:07:33,574 --> 00:07:35,576
MAN, I SWORE I'D NEVER
SHOOT A MAN AGAIN.
169
00:07:35,576 --> 00:07:38,208
Just leave the damn hospital.
Go to Vincent.
170
00:07:38,208 --> 00:07:40,250
Pay him back
with the money I gave you.
171
00:07:40,250 --> 00:07:42,583
I OWE VINCENT
TWICE WHAT YOU GAVE ME.
Well, at least it's something.
172
00:07:42,583 --> 00:07:44,214
Look, don't worry
about getting caught.
173
00:07:44,214 --> 00:07:47,297
There's a guy who found
the gun by the dumpster,
174
00:07:47,297 --> 00:07:50,300
and I'm-a make sure he goes down
for this instead of you.
175
00:07:50,300 --> 00:07:52,142
You dig?
Just get outta there.
I'M GONNA GO.
176
00:07:52,142 --> 00:07:54,144
I SCREWED UP.
I'M THE FIRST TO ADMIT IT.
177
00:07:54,144 --> 00:07:55,766
BUT THAT GUN WASN'T MINE.
178
00:07:55,766 --> 00:07:57,357
I SWEAR.
I FOUND IT BY A DUMPSTER.
179
00:07:57,357 --> 00:07:58,979
A DUMPSTER?
180
00:07:58,979 --> 00:08:01,151
WE'RE GONNA HAVE TO DO
A LITTLE BETTER THAN THAT.
181
00:08:01,151 --> 00:08:04,234
LET'S JUST START
BY GOING OVER THE FACTS.
182
00:08:04,234 --> 00:08:06,567
WERE YOU PLANNING
ON SELLING THE GUN, SHERMAN?
183
00:08:06,567 --> 00:08:08,739
SURE.
TO BUY DRUGS?
184
00:08:08,739 --> 00:08:11,612
TO BUY DIAPERS.
MY GIRL...
185
00:08:11,612 --> 00:08:13,614
SHE'S EIGHT MONTHS PREGNANT.
186
00:08:13,614 --> 00:08:16,617
AND I AIN'T PLANNING ON
BEING THE KINDA DEADBEAT DAD
187
00:08:16,617 --> 00:08:18,539
THAT I GOT STUCK WITH.
188
00:08:20,420 --> 00:08:22,543
YOU GOTTA GET ME OUTTA HERE,
MR. GREEN.
189
00:08:25,215 --> 00:08:28,428
DR. CHAN, PLEASE CALL
EXTENSION 3351.
190
00:08:28,428 --> 00:08:33,183
DR. CHAN,
CALL EXTENSION 3351.
191
00:08:33,183 --> 00:08:35,395
UM...
192
00:08:35,395 --> 00:08:37,017
WHAT ABOUT YOUR FRIEND?
193
00:08:37,017 --> 00:08:39,019
IS HE GONNA BE
ALL RIGHT IN THERE?
194
00:08:39,019 --> 00:08:40,601
IT'S MY HUSBAND.
195
00:08:40,601 --> 00:08:42,522
GOT SHOT IN THE CHEST.
196
00:08:42,522 --> 00:08:45,525
THEY'VE GOT HIM ON A--
A LIST A MILE LONG
197
00:08:45,525 --> 00:08:46,987
TO SEE A SPECIALIST.
198
00:08:46,987 --> 00:08:48,989
IF WE COULD GET
A PRIVATE ROOM UPSTAIRS,
199
00:08:48,989 --> 00:08:50,951
THEN THEY'D SEE HIM
RIGHT AWAY.
200
00:08:50,951 --> 00:08:54,034
OUR INSURANCE WILL NOT COVER
A PRIVATE ROOM.
201
00:08:54,034 --> 00:08:59,369
I DON'T KNOW
WHAT'S GONNA HAPPEN.
202
00:08:59,369 --> 00:09:01,712
ALLEGEDLY,
THE WEAPON WAS FOUND
203
00:09:01,712 --> 00:09:03,714
IN MY CLIENT'S BACKPACK,
YOUR HONOR.
204
00:09:03,714 --> 00:09:07,127
I ASK RESPECTFULLY, WHAT WAS
THE BASIS OF THAT SEARCH?
205
00:09:07,127 --> 00:09:09,169
NOWHERE IN THE FELONY COMPLAINT
DOES IT STATE
206
00:09:09,169 --> 00:09:11,171
THAT MY CLIENT ACTED
IN ANY MANNER
207
00:09:11,171 --> 00:09:13,173
THAT WOULD WARRANT
THE OFFICER'S ATTENTION.
208
00:09:13,173 --> 00:09:15,726
YOUR HONOR, THE AREA IS
NOTORIOUS FOR DRUG DEALING.
209
00:09:15,726 --> 00:09:18,308
MY CLIENT WASN'T CHARGED
WITH DEALING DRUGS.
210
00:09:18,308 --> 00:09:21,351
YOUR HONOR, THIS IS MY CLIENT'S
FIRST ALLEGED FELONY CHARGE.
211
00:09:21,351 --> 00:09:23,143
HE HAS NO WARRANT HISTORY.
YOUR HONOR,
212
00:09:23,143 --> 00:09:25,275
MAY WE HAVE A BRIEF
SECOND CALL?
YOU MAY APPROACH.
213
00:09:27,277 --> 00:09:29,990
CARLOS, WHAT'S HAPPENING?
DON'T WORRY ABOUT IT.
I'LL TAKE CARE OF IT.
214
00:09:32,032 --> 00:09:34,655
CAN SOMEBODY PLEASE TELL ME
WHAT'S GOIN' ON HERE?
215
00:09:34,655 --> 00:09:36,036
AN EYEWITNESS HAS I.D.'ed
216
00:09:36,036 --> 00:09:38,699
YOUR CLIENT AS A SHOOTER
IN ANOTHER CASE.
A SHOOTER?
217
00:09:38,699 --> 00:09:40,961
I'D LIKE TO THROW HIM
IN A LINEUP
218
00:09:40,961 --> 00:09:43,834
AND CHARGE HIM
WITH ATTEMPTED MURDER.
219
00:09:59,680 --> 00:10:01,141
ELIZA...
220
00:10:01,141 --> 00:10:03,223
IT'S ALMOST TIME FOR SCHOOL.
221
00:10:03,223 --> 00:10:05,686
ELIZA?
222
00:10:09,029 --> 00:10:10,490
ELIZA?
223
00:10:14,574 --> 00:10:16,496
SERIOUSLY?
224
00:10:19,119 --> 00:10:20,290
HELLO.
225
00:10:20,290 --> 00:10:22,292
Oh, hey, it's Laura.
How's everything going?
226
00:10:22,292 --> 00:10:24,294
GOOD. ELIZA AND I ARE
JUST PLAYING
227
00:10:24,294 --> 00:10:26,296
A QUICK GAME
OF HIDE AND SEEK BEFORE SCHOOL.
228
00:10:26,296 --> 00:10:28,298
OH, FANTASTIC. OKAY.
I'LL CHECK IN WITH YOU LATER.
229
00:10:28,298 --> 00:10:29,299
BYE.
230
00:10:31,802 --> 00:10:33,093
EXCUSE ME.
231
00:10:33,093 --> 00:10:35,806
COULD YOU TELL ME
WHERE I COULD FIND J.T. ZEFF?
232
00:10:35,806 --> 00:10:37,177
CAN I HELP YOU?
233
00:10:37,177 --> 00:10:40,681
OH, YES, HI.
I'M HERE TO SEE J.T.
234
00:10:40,681 --> 00:10:42,683
OH, SORRY.
THAT'S GONNA BE IMPOSSIBLE.
235
00:10:42,683 --> 00:10:45,395
J.T.'s TIED UP
IN MEETINGS ALL DAY.
236
00:10:47,067 --> 00:10:49,900
OH, UH, ACTUALLY,
I'M HERE TO START WORK.
237
00:10:49,900 --> 00:10:51,441
I'M--I'M LAURA--
238
00:10:51,441 --> 00:10:54,114
MORGAN. RIGHT.
PUT YOUR BAG DOWN.
239
00:10:54,114 --> 00:10:56,907
I HAVE SOME THINGS TO GET YOU
STARTED ON RIGHT AWAY.
240
00:10:56,907 --> 00:10:58,909
WELL--WELL...
WHY DON'T I START
241
00:10:58,909 --> 00:11:01,161
BY INTRODUCING MYSELF TO J.T.?
242
00:11:01,161 --> 00:11:02,783
OKAY.
243
00:11:02,783 --> 00:11:05,205
EVERYONE TALKS TO ME...
AND I TALK TO J.T.
244
00:11:05,205 --> 00:11:07,587
SPEAKING OF WHOM--
IT'S JUICE TIME.
245
00:11:07,587 --> 00:11:09,920
I WANT YOU TO RUN OUT,
GET J.T. AN ORANGE BURST
246
00:11:09,920 --> 00:11:11,291
WITH A SHOT OF WHEATGRASS.
247
00:11:11,291 --> 00:11:13,844
THERE'S A JUICE JOINT
TWO BLOCKS NORTH.
248
00:11:13,844 --> 00:11:16,506
GET A RECEIPT. THANKS.
249
00:11:16,506 --> 00:11:19,059
OKAY?
250
00:11:19,059 --> 00:11:20,640
HURRY BACK.
251
00:11:28,568 --> 00:11:30,610
STEVEN CASEMAN
IS A LIABILITY.
252
00:11:30,610 --> 00:11:33,113
HE'LL WORK HARD.
HE COMES CHEAP.
UH-HUH.
253
00:11:33,113 --> 00:11:34,484
AND IT'S A GREAT STORY.
254
00:11:34,484 --> 00:11:36,616
COME ON, A RESURRECTION
OF A MAJOR TALENT?
255
00:11:36,616 --> 00:11:38,318
DID YOU SLEEP WITH HIM?
256
00:11:38,318 --> 00:11:40,030
I DON'T SLEEP.
257
00:11:40,030 --> 00:11:42,032
THERE IS SOMETHING
INSIDE THIS GUY.
258
00:11:42,032 --> 00:11:44,034
I WANT TO GIVE HIM
A CHANCE.
259
00:11:44,034 --> 00:11:45,746
SINCE WHEN DO YOU LEAVE
ANYTHING TO CHANCE?
260
00:11:45,746 --> 00:11:48,168
WHAT, I CAN'T GO
WITH A GUT FEELING,
261
00:11:48,168 --> 00:11:50,630
SHOW A LITTLE FAITH
IN OTHERS? I MEAN, I...
262
00:11:50,630 --> 00:11:53,964
I DON'T HAVE TIME.
IS THIS MY DECISION OR NOT?
263
00:11:53,964 --> 00:11:55,715
ALL YOURS.
THANK YOU.
264
00:11:55,715 --> 00:11:57,427
JUST DON'T SCREW IT UP.
265
00:11:57,427 --> 00:11:58,759
GOTCHA!
266
00:12:01,972 --> 00:12:06,226
WHAT DID THE ZERO
SAY TO THE 8?
267
00:12:06,226 --> 00:12:08,228
NICE BELT.
268
00:12:08,228 --> 00:12:10,190
I'VE HEARD
THAT ONE BEFORE.
269
00:12:10,190 --> 00:12:11,731
NOT MY ROOM.
270
00:12:14,064 --> 00:12:16,696
WHAT'S IN THIS THING?
271
00:12:16,696 --> 00:12:18,859
OKAY, GET OUT OF THERE.
TELL ME.
272
00:12:18,859 --> 00:12:21,661
I SAID GET OUT OF THERE NOW!
273
00:12:24,284 --> 00:12:26,206
THESE ARE MY THINGS.
274
00:12:26,206 --> 00:12:28,919
THIS IS MY ROOM.
NO, IT ISN'T!
275
00:12:28,919 --> 00:12:30,750
THIS IS MY DAD'S ROOM!
276
00:12:43,804 --> 00:12:46,766
SORRY I...
277
00:12:46,766 --> 00:12:49,599
RAISED MY VOICE.
278
00:12:49,599 --> 00:12:52,062
I SHOULDN'T HAVE DONE THAT.
279
00:12:56,156 --> 00:12:58,658
I USED TO HIDE IN THIS TREE
280
00:12:58,658 --> 00:13:02,072
WHEN I DIDN'T WANT
MY STEPMOM TO FIND ME.
281
00:13:02,072 --> 00:13:07,998
IT'S NICE
TO BE INVISIBLE SOMETIMES...
282
00:13:07,998 --> 00:13:09,870
ISN'T IT?
283
00:13:15,675 --> 00:13:20,010
THERE'S A LOT OF BOOKS
IN YOUR DAD'S STUDY.
284
00:13:20,010 --> 00:13:21,681
SCI-FI.
285
00:13:21,681 --> 00:13:23,053
WAS HE A FAN?
286
00:13:23,053 --> 00:13:24,424
DUH.
287
00:13:28,308 --> 00:13:30,690
WOULD HE EVER READ TO YOU?
288
00:13:30,690 --> 00:13:32,392
I CAN READ MYSELF.
289
00:13:36,146 --> 00:13:38,198
"PIRX THE PILOT"...
290
00:13:41,201 --> 00:13:44,034
THAT ONE'S FUNNY.
291
00:13:44,034 --> 00:13:47,868
WE USED TO STAY UP
ALL NIGHT READING.
292
00:13:47,868 --> 00:13:51,791
WELL, IT'S TOO LATE
TO GO TO SCHOOL NOW.
293
00:13:53,543 --> 00:13:56,006
MAYBE YOU COULD READ TO ME.
294
00:14:00,130 --> 00:14:02,132
IGNORE THE SYCOPHANTS AND FOCUS
ON THE CREATIVE DIRECTOR.
295
00:14:02,132 --> 00:14:03,763
HIS NAME IS BRAND.
296
00:14:03,763 --> 00:14:05,765
LOOK HIM IN THE EYE.
HE LIKES A STRAIGHT SHOOTER.
297
00:14:05,765 --> 00:14:07,137
GOT IT.
298
00:14:07,137 --> 00:14:10,140
ANOTHER THING, YOU COULD STAND
TO BE A BIT MORE EFFUSIVE.
299
00:14:10,140 --> 00:14:12,142
"GOT IT."
YOU SOUND VERY SERIOUS.
300
00:14:12,142 --> 00:14:13,773
I AM SERIOUS.
301
00:14:13,773 --> 00:14:15,105
NOT TODAY.
302
00:14:15,105 --> 00:14:17,107
YOU MUST'VE HAD A SENSE
OF HUMOR AT SOME POINT.
303
00:14:17,107 --> 00:14:19,109
IN 1994. I TOLD A JOKE.
PEOPLE SEEMED TO ENJOY IT.
304
00:14:19,109 --> 00:14:21,111
YOU KNOW WHAT IT IS?
IT'S YOUR TONE.
305
00:14:21,111 --> 00:14:23,113
WE NEED TO WATCH THAT.
306
00:14:23,113 --> 00:14:25,115
IT MAKES YOU SOUND LIKE
YOU KNOW BETTER.
307
00:14:25,115 --> 00:14:27,948
BUT HOW COULD I
WHEN YOU KNOW BEST?
308
00:14:29,039 --> 00:14:30,951
I THOUGHT THE OBJECTIVE
WAS HUMOR.
309
00:14:30,951 --> 00:14:33,253
IN THE ROOM.
310
00:14:33,253 --> 00:14:35,255
THE CLIENT WILL HAVE DONE
THEIR DUE DILIGENCE.
311
00:14:35,255 --> 00:14:36,876
YOUR REPUTATION IS AWFUL,
312
00:14:36,876 --> 00:14:39,259
AND YOU'VE NEVER DONE
A COMMERCIAL SHOOT.
313
00:14:39,259 --> 00:14:41,261
SO IN ORDER TO LAND THIS JOB,
314
00:14:41,261 --> 00:14:44,134
WE'RE GONNA HAVE TO CREATE
AN ENTIRELY NEW STEVEN CASEMAN,
315
00:14:44,134 --> 00:14:46,136
WHICH MEANS A NEW OUTFIT.
316
00:14:46,136 --> 00:14:48,178
BURNT OUT IS... OUT.
317
00:14:48,178 --> 00:14:50,770
(K.T. Tunstall's
"Suddenly I See" playing)
318
00:14:50,770 --> 00:14:52,772
♪ SUDDENLY I SEE ♪
319
00:14:52,772 --> 00:14:54,224
♪ SUDDENLY I SEE ♪
320
00:14:54,224 --> 00:14:56,146
♪ THIS IS WHAT
I WANNA BE ♪
321
00:14:56,146 --> 00:14:59,319
♪ SUDDENLY I SEE ♪
♪ SUDDENLY I SEE ♪
322
00:14:59,319 --> 00:15:01,942
♪ WHY THE HELL
IT MEANS SO MUCH TO ME ♪
323
00:15:01,942 --> 00:15:03,483
♪ SUDDENLY I SEE ♪
324
00:15:03,483 --> 00:15:05,195
♪ THIS IS WHAT I WANNA BE ♪
325
00:15:05,195 --> 00:15:08,238
♪ SUDDENLY I SEE ♪
♪ SUDDENLY I SEE ♪
326
00:15:08,238 --> 00:15:10,490
♪ WHY THE HELL
IT MEANS SO MUCH TO ME ♪
327
00:15:10,490 --> 00:15:12,412
♪ SUDDENLY I SEE ♪
♪ OH, YEAH ♪
328
00:15:12,412 --> 00:15:14,454
♪ YEAH, YEAH ♪
329
00:15:14,454 --> 00:15:16,666
♪ SUDDENLY I SEE ♪
330
00:15:16,666 --> 00:15:18,038
♪ SUDDENLY I SEE ♪
331
00:15:19,839 --> 00:15:21,671
♪ WHY THE HELL
IT MEANS SO MUCH TO ME ♪
332
00:15:21,671 --> 00:15:23,673
YOU HAVEN'T SHOT IN A WHILE,
333
00:15:23,673 --> 00:15:26,676
SO THE BIG QUESTION WE'RE GONNA
GET IS "WHERE HAVE YOU BEEN?"
334
00:15:26,676 --> 00:15:28,258
WHAT WOULD
YOU LIKE ME TO SAY?
335
00:15:28,258 --> 00:15:30,260
WELL, WHERE HAVE YOU BEEN?
336
00:15:30,260 --> 00:15:32,262
THE REAL ANSWER TO THAT
WOULD NOT HELP OUR CAUSE.
337
00:15:32,262 --> 00:15:33,643
OKAY, UM...
338
00:15:33,643 --> 00:15:36,056
LAST YEAR...
339
00:15:36,056 --> 00:15:38,108
WHAT DO YOU THINK
OF SHOOTING TRAVEL GUIDES
340
00:15:38,108 --> 00:15:39,689
IN... JAPAN?
341
00:15:39,689 --> 00:15:42,112
THE ICE SCULPTURES IN HOKKAIDO
ARE MAGNIFICENT IN THE WINTER.
342
00:15:43,693 --> 00:15:45,065
THE JACKET DOESN'T FIT RIGHT.
343
00:15:45,065 --> 00:15:46,987
NO, I THOUGHT
THAT LOOKED GREAT.
344
00:15:46,987 --> 00:15:48,618
I'D RATHER NOT
TRY ON MORE CLOTHES.
345
00:15:48,618 --> 00:15:50,490
IT'S BEEN MEMORABLE,
BUT I HAVE MY OWN CLOTHES.
346
00:15:50,490 --> 00:15:52,122
I CAN'T TRUST YOUR CLOTHES.
347
00:15:52,122 --> 00:15:54,124
YOU KNOW WHAT?
I'M A GROWN MAN, MS. CRANE.
348
00:15:54,124 --> 00:15:55,915
I HAVE A JACKET I CAN WEAR.
349
00:15:55,915 --> 00:15:57,917
I HAVE A NUMBER OF JACKETS
THAT WILL DO FINE.
350
00:15:57,917 --> 00:15:59,919
SO THE MEETING'S AT 5:00.
I'LL BE THERE AT 4:45?
351
00:15:59,919 --> 00:16:02,042
4:15. WE HAVE MORE
TO GO OVER.
352
00:16:02,042 --> 00:16:03,583
4:40?
4:15.
353
00:16:03,583 --> 00:16:05,465
4:35? SEE YOU THERE.
354
00:16:08,008 --> 00:16:10,010
I'M HAVING--WHOOPS--
A REALLY BUSY FIRST DAY.
355
00:16:10,010 --> 00:16:13,393
WHOA. OH, MY GOD.
DID YOU DO THAT?
356
00:16:13,393 --> 00:16:16,226
BAD DOG.
357
00:16:16,226 --> 00:16:18,018
OKAY.
358
00:16:21,361 --> 00:16:24,904
OKAY, LET'S GO.
LET'S GO. QUICK. QUICK.
359
00:16:29,159 --> 00:16:32,162
EVERYONE ELSE IS LONG,
AND MY CLIENTS THINK I'M CRAZY,
360
00:16:32,162 --> 00:16:33,613
BUT I'M TELLING YOU--
361
00:16:33,613 --> 00:16:35,615
HEY! HEY, HEY,
YOU JUST BLEW PAST IT.
362
00:16:35,615 --> 00:16:38,748
OH. UH, SORRY, SIR.
UH, I'LL COME BACK AROUND.
363
00:16:48,007 --> 00:16:49,719
HEADS UP.
364
00:16:49,719 --> 00:16:51,551
IT'S YOUR LUCKY DAY,
RIGHT?
365
00:16:59,018 --> 00:17:01,101
AND THEY'RE OFF.
366
00:17:01,101 --> 00:17:04,734
TRANQUILO BROKE WELL, BUT THEN
BOBBLED JUST AFTER THE START,
367
00:17:04,734 --> 00:17:06,736
SO SWISS ARROW
AND HOT OFF THE BENCH
368
00:17:06,736 --> 00:17:08,108
WILL SET THE PACE.
369
00:17:08,108 --> 00:17:10,110
FRONT, WALL STREET,
WHISPER AWAY, THIRD.
370
00:17:10,110 --> 00:17:12,112
TRANQUILO RECOVERS
AND RACES FOURTH...
371
00:17:12,112 --> 00:17:14,114
WHAT DO YOU KNOW?
HEY.
372
00:17:14,114 --> 00:17:15,155
I CAME INTO SOME CASH.
373
00:17:15,155 --> 00:17:17,577
IT'S BURNING A HOLE
IN MY POCKET, PETE.
374
00:17:17,577 --> 00:17:20,039
I NEED TO HIT IT BIG
ONE TIME.
THIS IS JUST THE TIP.
375
00:17:20,039 --> 00:17:23,793
FIFTH RACE, HOLLYWOOD PARK,
LADY SLIPPERS.
376
00:17:23,793 --> 00:17:27,046
WHAT ARE THE ODDS?
8 TO 1.
377
00:17:29,629 --> 00:17:32,011
HEY, LISTEN, MAN,
PUT ABOUT...
378
00:17:32,011 --> 00:17:34,634
PUT 10 GRAND ON TOP
OF WHATEVER YOU'RE BETTING.
379
00:17:34,634 --> 00:17:36,676
10 GRAND?
380
00:17:36,676 --> 00:17:40,019
TODAY'S MY DAY.
IT'S GOTTA BE. ALL OF IT.
381
00:17:40,019 --> 00:17:42,021
THE LINEUP IS SET
FOR THIS AFTERNOON.
382
00:17:42,021 --> 00:17:44,023
SO JUST TRY TO RELAX,
OKAY?
383
00:17:44,023 --> 00:17:46,065
HOW AM I
SUPPOSED TO DO THAT?
384
00:17:46,065 --> 00:17:48,528
OKAY, LOOK,
385
00:17:48,528 --> 00:17:51,361
IN A LINEUP,
NERVOUS MIGHT LOOK GUILTY.
386
00:17:51,361 --> 00:17:53,993
YOU'RE NOT GUILTY, OKAY?
SO JUST TAKE IT EASY,
387
00:17:53,993 --> 00:17:56,075
AND I'LL SEE YOU
IN A COUPLE OF HOURS.
388
00:17:56,075 --> 00:17:57,157
HEY.
389
00:17:59,119 --> 00:18:02,872
YOU GOT MY BACK, RIGHT?
390
00:18:04,504 --> 00:18:07,086
YEAH. OF COURSE I DO.
391
00:18:18,678 --> 00:18:21,681
HERE AT RACE FOUR
HERE AT HOLLYWOOD PARK,
392
00:18:21,681 --> 00:18:25,064
THE HORSES ARE IN POSITION,
THE JOCKEYS ARE READY.
COME ON.
393
00:18:26,065 --> 00:18:27,277
AND THEY'RE OFF.
394
00:18:27,277 --> 00:18:30,230
AND LADY SLIPPERS
STUMBLED BADLY
395
00:18:30,230 --> 00:18:32,031
TWO STRIDES OUT OF THE GATE.
NO. NO, NO, NO!
396
00:18:32,031 --> 00:18:34,113
STRIKING COBRA RIGHT OUT FOR
THE FRONT AND CLEARS OFF...
397
00:18:34,113 --> 00:18:36,115
SHE'S ALREADY DEAD LAST!
398
00:18:36,115 --> 00:18:37,997
BUT IT'S NORTHERN DOT...
399
00:18:49,799 --> 00:18:53,012
VINCENT, IT'S ME, DAMIAN.
YOU WANT ME?
400
00:18:53,012 --> 00:18:56,015
I'M PARKED ON THE CORNER
OF KING AND GREENWICH.
401
00:18:56,015 --> 00:18:58,057
SEND YOUR GOONS.
402
00:19:15,985 --> 00:19:19,409
YEAH, YEAH, MAN, I KNOW.
THERE'S ALWAYS TOMORROW.
403
00:19:19,409 --> 00:19:21,411
I CAN'T REMEMBER
THE LAST TIME
404
00:19:21,411 --> 00:19:24,244
I SAW A HORSE COME
FROM 12 FURLONGS BACK
405
00:19:24,244 --> 00:19:25,875
TO WIN A RACE.
406
00:19:27,247 --> 00:19:29,168
OH...
407
00:19:31,461 --> 00:19:34,754
IT'S YOURS! TAKE IT.
408
00:19:43,223 --> 00:19:45,855
HE'S NOT PICKING UP.
I'M GONNA KILL HIM.
WHO?
409
00:19:45,855 --> 00:19:47,937
THIS PHOTOGRAPHER
I'M WORKING WITH.
410
00:19:47,937 --> 00:19:49,939
ANYWAY, YOU WERE SAYING...
I WAS VENTING.
411
00:19:49,939 --> 00:19:51,311
VENT, PLEASE.
412
00:19:51,311 --> 00:19:53,313
IT'S JUST THAT THIS
WAS SUPPOSED TO BE
413
00:19:53,313 --> 00:19:54,944
MY BIG DAY, YOU KNOW?
414
00:19:54,944 --> 00:19:56,946
THIS FRIEND OF MINE
HOOKED ME UP WITH THIS JOB
415
00:19:56,946 --> 00:19:58,818
THAT I WOULD--
I WOULD NEVER GET MYSELF.
416
00:19:58,818 --> 00:20:02,662
I'M LEARNING FROM THIS FROM THIS
AMAZING DESIGNER J.T. ZEFF.
OH, GOD.
417
00:20:02,662 --> 00:20:04,033
YOU KNOW J.T.?
418
00:20:04,033 --> 00:20:05,034
YEAH.
419
00:20:05,034 --> 00:20:07,417
WELL, DO YOU KNOW
THIS HORRIBLE KID
420
00:20:07,417 --> 00:20:09,959
WHO WORKS WITH--
YEAH, ROSS.
YES, THE ASSISTANT.
421
00:20:09,959 --> 00:20:12,632
WELL, I'M HIS ASSISTANT.
NO.
422
00:20:12,632 --> 00:20:15,635
I MEAN, HOW DID I--
HOW DID I GET HERE?
423
00:20:15,635 --> 00:20:17,797
MIDDLE-AGED GOPHERS,
TODAY ON "OPRAH."
424
00:20:17,797 --> 00:20:20,099
DOES YOUR EX-HUSBAND
HELP YOU OUT?
425
00:20:22,011 --> 00:20:23,683
OH, MAN.
426
00:20:23,683 --> 00:20:25,184
WHITNEY, I HAVEN'T--
427
00:20:25,184 --> 00:20:27,186
I HAVEN'T
EXPLAINED THAT TO YOU.
428
00:20:27,186 --> 00:20:28,558
EXPLAINED WHAT?
429
00:20:28,558 --> 00:20:30,149
MY HUSBAND...
430
00:20:30,149 --> 00:20:32,191
HE WAS KILLED IN IRAQ.
431
00:20:32,191 --> 00:20:33,813
DAVID MORGAN,
THE JOURNALIST.
432
00:20:33,813 --> 00:20:36,155
THAT WAS YOUR...
433
00:20:36,155 --> 00:20:38,197
OH... LAURA, I--
434
00:20:38,197 --> 00:20:40,199
DON'T--DON'T FEEL LIKE
YOU HAVE TO SAY SOMETHING.
435
00:20:40,199 --> 00:20:41,571
YOU KNOW WHAT?
436
00:20:41,571 --> 00:20:43,573
I THINK PART OF ME
DIDN'T EVEN WANT YOU TO KNOW
437
00:20:43,573 --> 00:20:45,785
BECAUSE I DIDN'T WANT YOU
TO LOOK AT ME THAT WAY,
438
00:20:45,785 --> 00:20:47,787
THE WAY
EVERYBODY ELSE DOES.
439
00:20:47,787 --> 00:20:49,128
LARGE LATTE,
TRIPLE SHOT.
440
00:20:49,128 --> 00:20:51,130
I THINK YOU HAVE
THE WRONG TABLE.
441
00:20:51,130 --> 00:20:54,133
OH, I'M SORRY. SIR.
442
00:20:54,133 --> 00:20:55,755
OH, THANK YOU.
443
00:20:55,755 --> 00:20:57,757
I'M ALONE.
I'M REALLY ALONE.
444
00:20:57,757 --> 00:20:59,759
I NEED
TO MAKE THIS THING WORK.
445
00:20:59,759 --> 00:21:01,220
I JUST
446
00:21:01,220 --> 00:21:03,222
I NEED--
I NEED TO PACE MYSELF.
447
00:21:03,222 --> 00:21:05,435
I JUST--I CAN'T EXPECT IT
TO HAPPEN OVERNIGHT.
448
00:21:05,435 --> 00:21:07,437
ROSS--HE IS NOT
A REAL OBSTACLE, OKAY?
449
00:21:07,437 --> 00:21:11,060
HE'S UNDERESTIMATING YOU.
DON'T LET HIM.
450
00:21:13,693 --> 00:21:18,067
♪ DO YOU FEEL ♪
451
00:21:18,067 --> 00:21:22,071
♪ DO YOU FEEL LOVE? ♪
452
00:21:25,164 --> 00:21:26,616
MS. ROLLINS?
453
00:21:26,616 --> 00:21:29,118
I DIDN'T ORDER A CAR.
454
00:21:29,118 --> 00:21:31,501
SURPRISE.
ONE'S HERE FOR YOU.
455
00:21:31,501 --> 00:21:33,463
OH.
456
00:21:41,881 --> 00:21:43,843
YOU NOTICE
ANYTHING DIFFERENT?
457
00:21:43,843 --> 00:21:45,845
OKAY, LET ME SEE.
HOLD ON.
458
00:21:45,845 --> 00:21:48,057
AH, NOT ME, NOT ME.
459
00:21:48,057 --> 00:21:49,058
WHAT?
460
00:21:49,058 --> 00:21:51,060
THE CAR--
IT'S BRAND-NEW, BABY.
461
00:21:51,060 --> 00:21:52,732
YOU BOUGHT IT?
462
00:21:52,732 --> 00:21:55,525
WELL, I'M LEASING IT
TO OWN.
463
00:21:55,525 --> 00:21:58,438
AND AS OF TODAY...
464
00:21:58,438 --> 00:22:00,610
I AM MY OWN NEW BOSS.
465
00:22:00,610 --> 00:22:03,363
DAMIAN...
466
00:22:03,363 --> 00:22:05,825
I DON'T--
I DON'T KNOW WHAT TO SAY!
467
00:22:05,825 --> 00:22:08,618
DID YOU WIN THE LOTTERY
OR SOMETHING?
468
00:22:08,618 --> 00:22:11,080
NAH, I'VE JUST, UH,
YOU KNOW, BEEN SAVING UP
469
00:22:11,080 --> 00:22:13,082
FOR A REAL LONG TIME NOW.
470
00:22:13,082 --> 00:22:15,625
WHY DIDN'T YOU TELL ME?
471
00:22:15,625 --> 00:22:18,548
A MAN'S GOTTA HAVE
SOME SECRETS, RIGHT?
472
00:22:18,548 --> 00:22:22,221
I'M VERY PROUD OF YOU,
DAMIAN.
473
00:22:25,385 --> 00:22:29,018
NO ONE'S
EVER GIVEN YOU ANYTHING.
474
00:22:29,018 --> 00:22:31,020
AM I THE FIRST PERSON
YOU'VE TOLD?
475
00:22:31,020 --> 00:22:34,524
WHO DO I HAVE IN THIS WORLD
OTHER THAN YOU, BABY?
476
00:22:47,366 --> 00:22:49,409
YOU SEE MY BROTHER
RIGHT HERE?
477
00:22:49,409 --> 00:22:51,200
YEAH, LOOK.
478
00:22:51,200 --> 00:22:53,543
LET ME GET
MY TWO MINUTES ALONE.
479
00:22:53,543 --> 00:22:55,164
FINE.
480
00:22:55,164 --> 00:22:57,256
BUT I'M WATCHING.
481
00:23:01,210 --> 00:23:03,092
YOU WON THAT BET
8 TO 1.
482
00:23:03,092 --> 00:23:06,175
ONE MINUTE YOU DEEP,
THE NEXT YOU FLUSH.
483
00:23:06,175 --> 00:23:08,718
IT'S FUN, AIN'T IT?
484
00:23:12,221 --> 00:23:14,223
THAT'S THE MONEY
YOU LOANED ME
485
00:23:14,223 --> 00:23:16,065
TO PAY OFF VINCENT.
THAT WASN'T NO LOAN, BRO.
486
00:23:16,065 --> 00:23:18,778
YEAH, WELL, I DIDN'T LIKE
THE WAY I EARNED IT.
487
00:23:18,778 --> 00:23:20,650
I COVERED YOUR TRACKS, D.
DON'T WORRY ABOUT IT.
488
00:23:20,650 --> 00:23:22,401
YOU STILL SQUEAKY CLEAN.
489
00:23:22,401 --> 00:23:25,194
BESIDES, I AIN'T GONNA LET
YOUR PAROLE OFFICER KNOW
490
00:23:25,194 --> 00:23:28,077
YOU SHOT A MAN.
491
00:23:29,449 --> 00:23:32,371
LISTEN, MIKE, I KNOW...
492
00:23:32,371 --> 00:23:34,874
I KNOW YOU WANT THINGS
TO BE THE WAY
493
00:23:34,874 --> 00:23:36,876
THEY USED TO BE
BETWEEN US.
494
00:23:36,876 --> 00:23:39,709
BUT I NEED MY SPACE.
WHAT, YOU BREAKING UP
WITH ME?
495
00:23:39,709 --> 00:23:41,461
I JUST DON'T WANT
ANY TROUBLE.
496
00:23:41,461 --> 00:23:44,213
THAT'S ALL I AM TO YOU?
497
00:23:46,385 --> 00:23:48,387
WHAT YOU GOT
THAT'S SO GREAT, D.,
498
00:23:48,387 --> 00:23:50,009
THAT YOU DON'T WANT
499
00:23:50,009 --> 00:23:54,013
NOTHIN' TO DO WITH
YOUR OWN FLESH AND BLOOD?
500
00:23:54,013 --> 00:23:55,394
IT DOESN'T MATTER.
501
00:23:55,394 --> 00:23:58,017
NAH, NAH, NAH, TELL ME.
I WANNA KNOW.
502
00:23:58,017 --> 00:24:01,110
NOW WHAT DON'T YOU WANT ME
TO BE A PART OF?
503
00:24:04,153 --> 00:24:06,155
YOU THINK YOU KNOW BETTER
THAN ME, HUH?
504
00:24:06,155 --> 00:24:08,157
WELL, GO AHEAD, DAMIAN,
GET OUTTA HERE.
505
00:24:08,157 --> 00:24:09,529
BUT YOU'LL BE BACK.
506
00:24:09,529 --> 00:24:13,623
'CAUSE YOU AIN'T GOT NO IDEA
HOW MUCH YOU REALLY NEED ME.
507
00:24:25,174 --> 00:24:27,006
HEY, LISTEN, MAN,
YOU SURE YOU COOL WITH THIS?
508
00:24:27,006 --> 00:24:29,008
BECAUSE I CAN'T GET
MY LIMO SERVICE WITHOUT IT.
YEAH, YEAH, IT'S FINE.
509
00:24:29,008 --> 00:24:30,590
I KNOW SOME GUYS
AT THE PERMIT OFFICE.
510
00:24:30,590 --> 00:24:32,892
I CAN PROBABLY PUSH IT THROUGH
FOR YOU IN A COUPLE OF WEEKS.
511
00:24:32,892 --> 00:24:34,894
OH, GOOD.
THAT SOUNDS REAL GOOD.
512
00:24:34,894 --> 00:24:36,896
TWO DOGS, UH, MUSTARD
AND SAUERKRAUT.
513
00:24:36,896 --> 00:24:39,859
WAIT, WAIT. MAKE THAT FOUR
WITH A COUPLE OF SODAS, TOO.
514
00:24:39,859 --> 00:24:42,271
EASY, EASY. COME ON, MAN.
YOU GET ME THESE PERMITS,
515
00:24:42,271 --> 00:24:45,314
I WILL OWE YOU LUNCH
FOR THE REST OF YOUR LIFE.
THANKS.
516
00:24:45,314 --> 00:24:47,316
WHAT'S UP WITH YOU, MAN?
YOU ALL RIGHT?
517
00:24:47,316 --> 00:24:51,160
UH... NOTHIN'.
518
00:24:51,160 --> 00:24:52,532
NAH, YOU COOL?
519
00:24:52,532 --> 00:24:54,534
I MADE A HUGE MISTAKE
AT WORK.
520
00:24:54,534 --> 00:24:57,076
I-I TOOK ON SOMETHING
I PROBABLY SHOULDN'T HAVE,
521
00:24:57,076 --> 00:24:59,078
AND NOW I FEEL LIKE
THERE'S A HOLE
522
00:24:59,078 --> 00:25:00,790
BURNING THROUGH MY STOMACH.
523
00:25:00,790 --> 00:25:03,793
AND YOU'RE ABOUT TO EAT
TWO DOGS WITH SAUERKRAUT?
524
00:25:03,793 --> 00:25:05,885
AND TO TOP IT OFF,
THAT GIRL STILL HASN'T CALLED.
525
00:25:05,885 --> 00:25:08,257
LET ME TELL YOU
SOMETHING, MAN. HERE.
526
00:25:08,257 --> 00:25:11,180
I'M GONNA SPARE YOU ALL
THE MELODRAMA AND ALL OF THAT,
527
00:25:11,180 --> 00:25:12,802
BUT, UH, I'M...
528
00:25:12,802 --> 00:25:14,804
I'M KIND OF
IN A ROUGH PATCH
529
00:25:14,804 --> 00:25:16,475
IN MY LIFE
RIGHT NOW, TOO.
530
00:25:16,475 --> 00:25:18,097
FOR A MINUTE THERE,
531
00:25:18,097 --> 00:25:19,979
I DIDN'T THINK
I WAS GON' MAKE IT.
532
00:25:19,979 --> 00:25:21,981
BUT, LIKE, THE CRAZIEST
THING HAPPENED, MAN.
533
00:25:21,981 --> 00:25:24,143
I-I GOT LUCKY,
534
00:25:24,143 --> 00:25:26,025
THAT...
RANDOM NEW YORK LUCK.
535
00:25:26,025 --> 00:25:28,407
IT'S LIKE THE CITY WAS
TELLING ME "DON'T GIVE UP."
536
00:25:28,407 --> 00:25:30,199
BUT I NEEDED THAT.
537
00:25:30,199 --> 00:25:32,992
I-I NEEDED TO BE
REMINDED THAT, YOU KNOW,
538
00:25:32,992 --> 00:25:36,115
AS BAD AS THINGS CAN GET...
539
00:25:36,115 --> 00:25:38,868
NEVER GIVE UP HOPE.
540
00:25:45,004 --> 00:25:46,796
THANKS.
541
00:25:46,796 --> 00:25:49,879
"HER HEART
BEAT REGULARLY,
542
00:25:49,879 --> 00:25:52,011
"BLOOD COURSED THROUGH
HER VEINS.
543
00:25:52,011 --> 00:25:53,382
"WHATEVER HAPPENED,
544
00:25:53,382 --> 00:25:56,015
"WHATEVER MISTAKE
HAD BEEN MADE,
545
00:25:56,015 --> 00:25:57,386
"IT WAS OVER NOW.
546
00:25:57,386 --> 00:25:59,018
"SHE HOT--
547
00:25:59,018 --> 00:26:02,441
SHE THOUGHT SHE HEARD
CAR..."
548
00:26:02,441 --> 00:26:04,894
YOU NEED HELP?
549
00:26:04,894 --> 00:26:06,946
WHAT DO YOU KEEP
IN THAT BOX?
550
00:26:09,188 --> 00:26:11,320
THINGS THAT ARE SPECIAL
TO ME.
551
00:26:11,320 --> 00:26:13,192
CAN YOU SHOW ME?
552
00:26:14,193 --> 00:26:16,455
NO, IT'S LOCKED.
553
00:26:16,455 --> 00:26:18,658
YOU DON'T HAVE A KEY?
554
00:26:18,658 --> 00:26:21,500
I HAVE A KEY,
BUT THERE ARE TWO LOCKS.
555
00:26:21,500 --> 00:26:23,122
WHO HAS THE OTHER ONE?
556
00:26:23,122 --> 00:26:25,584
MY BROTHER.
557
00:26:25,584 --> 00:26:27,296
ERIC.
558
00:26:28,968 --> 00:26:31,050
HEY, MAYBE WE COULD
MAKE YOU A BOX,
559
00:26:31,050 --> 00:26:34,053
PUT ALL THE THINGS IN IT
THAT MATTER MOST TO YOU,
560
00:26:34,053 --> 00:26:36,055
SHOW IT TO YOUR MOM?
YEAH.
561
00:26:36,055 --> 00:26:37,056
DEAL?
562
00:26:37,056 --> 00:26:38,427
SHAKE ON IT.
563
00:26:41,140 --> 00:26:42,351
NOT NOW.
564
00:26:42,351 --> 00:26:44,393
YES, NOW.
ABOUT THE PACKING SLIPS--
LAURA--
565
00:26:44,393 --> 00:26:46,025
J.T. ASKED YOU TO MAKE SURE
566
00:26:46,025 --> 00:26:47,857
THE FURNITURE WAS HERE
BY THE END OF THE WEEK.
567
00:26:47,857 --> 00:26:49,188
WELL, IT'S NOT COMING,
568
00:26:49,188 --> 00:26:51,610
BECAUSE I HAVE REROUTED
EVERY CHAIR,
569
00:26:51,610 --> 00:26:53,943
EVERY RUG,
EVEN THE MILANESE TILE
570
00:26:53,943 --> 00:26:56,445
TO EVERY CONTINENT
ON THE GLOBE.
LAURA--
571
00:26:56,445 --> 00:26:58,077
ROSS...
572
00:26:58,077 --> 00:27:00,079
I DID NOT GO TO
ART CENTER PASADENA,
573
00:27:00,079 --> 00:27:03,082
BUT I HAVE BEEN THROUGH
A GREAT DEAL IN MY LIFE.
574
00:27:03,082 --> 00:27:05,084
AND FOR THE LAST EIGHT YEARS,
575
00:27:05,084 --> 00:27:07,086
I HAVE BEEN
A STAY-AT-HOME MOM,
576
00:27:07,086 --> 00:27:08,457
SO I AM WELL VERSED
577
00:27:08,457 --> 00:27:10,379
IN HOW TO DEAL
WITH A PETULANT CHILD.
578
00:27:10,379 --> 00:27:13,462
THE FATE OF YOUR FURNITURE
RESTS IN MY HANDS.
579
00:27:13,462 --> 00:27:15,464
YOU WANT IT BACK,
IT'S SIMPLE--
580
00:27:15,464 --> 00:27:17,466
INTRODUCE ME TO J.T.
581
00:27:17,466 --> 00:27:20,559
AND GET AN INTERN
TO DO YOUR CRAP WORK.
582
00:27:20,559 --> 00:27:22,311
MEET J.T.
583
00:27:27,356 --> 00:27:30,770
HAS ANYONE EVER HELD FURNITURE
HOSTAGE BEFORE, ROSS?
584
00:27:30,770 --> 00:27:32,942
I DIDN'T REALLY
REROUTE ANYTHING.
585
00:27:32,942 --> 00:27:34,323
I KNOW.
586
00:27:34,323 --> 00:27:35,945
I HAVE TWO SONS.
587
00:27:35,945 --> 00:27:40,039
I UNDERSTAND THE VALUE
OF A WELL-PLACED THREAT.
588
00:27:40,039 --> 00:27:42,661
NOW WE WERE RIGHT IN
THE MIDDLE OF SOMETHING, LAURA.
589
00:27:42,661 --> 00:27:45,124
WOULD YOU LIKE TO SIT?
590
00:27:52,341 --> 00:27:53,963
BABE.
YEAH.
591
00:27:53,963 --> 00:27:55,965
HEY, BABY, CHECK IT OUT.
I GOT, UH...
592
00:27:55,965 --> 00:27:57,967
WAIT, I GOT 2% MILK,
SKIM MILK, WHOLE MILK
593
00:27:57,967 --> 00:27:59,388
OR THIS SOY STUFF
594
00:27:59,388 --> 00:28:01,060
THAT KINDA, YOU KNOW,
PRETENDS IT'S MILK.
595
00:28:01,060 --> 00:28:02,641
REGULAR OLD MILK.
596
00:28:02,641 --> 00:28:04,513
I'LL GO PUT
THIS STUFF BACK.
597
00:28:04,513 --> 00:28:06,565
OKAY.
OKAY.
598
00:28:06,565 --> 00:28:10,689
FRESH PEACHES,
3 FOR $1.
599
00:28:10,689 --> 00:28:12,071
THAT'S THE SPECIAL.
600
00:28:12,071 --> 00:28:13,692
I GUESS I'M REALLY TRYING
601
00:28:13,692 --> 00:28:15,694
TO FIND A WAY
TO INTRODUCE MYSELF.
602
00:28:15,694 --> 00:28:17,076
MY NAME IS MICHAEL.
603
00:28:17,076 --> 00:28:19,658
I'M SORRY.
I'M HERE WITH MY BOYFRIEND.
604
00:28:22,371 --> 00:28:24,493
IF I WAS HIM,
I WOULDN'T LET YOU
605
00:28:24,493 --> 00:28:26,996
OUT MY SIGHT FOR A MINUTE.
606
00:28:28,627 --> 00:28:30,629
DID YOU
FIND EVERYTHING, BABY?
YEAH.
607
00:28:30,629 --> 00:28:32,001
WELL, I'LL BE.
608
00:28:32,001 --> 00:28:34,884
THIS YOUR BOYFRIEND?
WELL, HELLO, DAMIAN.
609
00:28:34,884 --> 00:28:36,675
YOU TWO KNOW EACH OTHER?
"KNOW EACH OTHER"?
610
00:28:36,675 --> 00:28:38,097
MAN, ME AND HIM, WE--
611
00:28:38,097 --> 00:28:40,389
USED TO WORK TOGETHER.
612
00:28:40,389 --> 00:28:42,802
WORK, YEP.
613
00:28:42,802 --> 00:28:44,723
BACK IN THE DAY,
WHEN WE WAS JUST KIDS, RIGHT?
614
00:28:44,723 --> 00:28:46,936
YOUNG BUCKS.
615
00:28:46,936 --> 00:28:48,397
ANYWAY, BRO,
616
00:28:48,397 --> 00:28:50,399
IT'S BEEN GOOD
SEEING YOU, MAN.
617
00:28:50,399 --> 00:28:52,401
BEEN A PLEASURE
MEETING YOU, TOO, SWEETHEART.
618
00:28:52,401 --> 00:28:53,983
SAY, I DIDN'T CATCH
YOUR NAME.
619
00:28:53,983 --> 00:28:55,614
REGINA.
620
00:28:55,614 --> 00:28:58,657
AH, REGINA, RIGHT.
THAT'S RIGHT. GOT IT.
621
00:28:58,657 --> 00:29:00,699
YEAH.
622
00:29:04,123 --> 00:29:06,075
HE'S CREEPY.
623
00:29:06,075 --> 00:29:08,707
LET'S, UH, LET'S GET
THE REST OF THIS STUFF
624
00:29:08,707 --> 00:29:10,079
OFF THIS LIST,
625
00:29:10,079 --> 00:29:11,710
GET OUTTA HERE.
626
00:29:11,710 --> 00:29:14,673
HERE, YOU HOLD THE LIST.
627
00:29:14,673 --> 00:29:18,297
♪ A THOUSAND
EMPTY WINDOWS ♪
628
00:29:18,297 --> 00:29:23,762
♪ AND ONLY HALF THE LIGHTS
ARE OUT ♪
629
00:29:25,594 --> 00:29:28,687
♪ I WONDER WHAT
THESE PEOPLE'S LIVES ♪
630
00:29:28,687 --> 00:29:30,059
HELLO?
631
00:29:30,059 --> 00:29:34,984
♪ WHAT THEY MIGHT
BE ALL ABOUT ♪
632
00:29:38,157 --> 00:29:41,780
♪ DO THEY GOT A LOVER? ♪
633
00:29:41,780 --> 00:29:43,362
CHRIS?
634
00:29:43,362 --> 00:29:47,166
♪ AND COULD THEY HAVE
A FAMILY? ♪
635
00:29:50,579 --> 00:29:56,085
♪ COULD IT BE
THEY'RE JUST AS LONESOME... ♪
636
00:29:56,085 --> 00:29:58,467
HEY, CHRISTINE.
637
00:30:03,552 --> 00:30:05,094
YOU'RE ALIVE.
638
00:30:14,894 --> 00:30:16,896
SORRY. I DIDN'T KNOW
YOU WERE HERE.
639
00:30:16,896 --> 00:30:18,277
YOU DIDN'T CARE.
640
00:30:18,277 --> 00:30:19,778
I'M LOOKIN' FOR A JACKET--
641
00:30:19,778 --> 00:30:21,901
THAT 40th-BIRTHDAY JACKET
YOU GOT ME, THE 3-BUTTON ONE.
642
00:30:21,901 --> 00:30:24,443
WHEN DID YOU GET BACK?
ABOUT THREE WEEKS AGO.
643
00:30:24,443 --> 00:30:25,995
DOES MAX KNOW YOU'RE HERE?
644
00:30:28,577 --> 00:30:30,579
UH, HE MIGHT.
645
00:30:30,579 --> 00:30:32,041
HAVE YOU SEE HIM?
646
00:30:32,041 --> 00:30:34,043
DID YOU PUT
ALL MY STUFF SOMEPLACE?
647
00:30:34,043 --> 00:30:35,664
I GAVE IT AWAY...
648
00:30:35,664 --> 00:30:37,046
ALL OF IT.
649
00:30:39,959 --> 00:30:42,051
YOU KNOW,
I TOLD HIM YOU WERE SICK,
650
00:30:42,051 --> 00:30:45,634
THAT IN ALL LIKELIHOOD,
YOU WOULDN'T BE BACK.
651
00:30:45,634 --> 00:30:47,726
I SPARED HIM
THE GORY DETAILS--
652
00:30:47,726 --> 00:30:50,179
THE NOTE, THE PHONE CALL
FROM
653
00:30:50,179 --> 00:30:51,891
MEXICO, WAS THAT IT?
654
00:30:51,891 --> 00:30:54,183
CHRISTINE--
DO NOT SAY I'M SORRY.
655
00:30:57,186 --> 00:30:58,857
I GOT A JOB.
656
00:30:58,857 --> 00:31:00,109
REALLY?
657
00:31:00,109 --> 00:31:02,571
WELL, IT'S AN INTERVIEW,
ACTUALLY,
658
00:31:02,571 --> 00:31:05,824
BUT THAT'S WHY
I WANTED THAT JACKET.
659
00:31:05,824 --> 00:31:08,197
YOU THINK YOU'RE GONNA GET
THIS JOB?
660
00:31:08,197 --> 00:31:10,159
IT DOESN'T MATTER.
661
00:31:10,159 --> 00:31:11,951
'CAUSE YOU'LL WRECK IT.
662
00:31:11,951 --> 00:31:14,954
YOU'LL RUIN IT.
663
00:31:14,954 --> 00:31:17,296
I GOTTA GET READY FOR WORK.
664
00:31:17,296 --> 00:31:20,589
YOU CAN SHOW YOURSELF OUT.
665
00:31:20,589 --> 00:31:22,051
YOU KNOW THE WAY.
666
00:31:33,602 --> 00:31:34,934
BUT MORE THAN P.R.,
667
00:31:34,934 --> 00:31:36,936
WE'D LOVE TO BRING YOU
A STRATEGIC POINT OF VIEW
668
00:31:36,936 --> 00:31:39,018
AND CREATE A WHOLE NEW
PERSONALITY FOR YOUR PRODUCT.
669
00:31:39,018 --> 00:31:40,399
UM... STEVEN CASEMAN,
OUR PHOTOGRAPHER,
670
00:31:40,399 --> 00:31:42,021
IS RIGHT DOWN THE HALL,
671
00:31:42,021 --> 00:31:44,023
SO I'LL JUST GRAB HIM.
672
00:31:46,285 --> 00:31:48,117
TELL ME YOU FOUND HIM.
673
00:31:48,117 --> 00:31:50,909
I'M CALLING IN
ON BOTH OF HIS LINES.
Leave a message.
674
00:31:50,909 --> 00:31:52,911
I'VE GOT A CAR SERVICE
RINGING HIS DOORBELL.
675
00:31:52,911 --> 00:31:54,293
TRUST MY GUT?
TRUST MY GUT?
676
00:31:54,293 --> 00:31:55,914
WHAT WAS I THINKING?
677
00:31:55,914 --> 00:31:57,916
I WENT OUT ON A LIMB
FOR YOU, MR. CASEMAN,
678
00:31:57,916 --> 00:31:59,918
AND YOU DON'T EVEN HAVE
THE DECENCY TO SHOW UP.
679
00:31:59,918 --> 00:32:01,380
YOU ARE WORTHLESS.
680
00:32:01,380 --> 00:32:03,002
YOU'RE A HAPLESS,
OBNOXIOUS,
681
00:32:03,002 --> 00:32:05,004
WRETCHED EXCUSE
FOR A HUMAN BEING AND I--
682
00:32:05,004 --> 00:32:07,506
"HAPLESS?" WOW.
683
00:32:07,506 --> 00:32:09,098
I'M SEVEN MINUTES LATE.
I'M SORRY.
684
00:32:09,098 --> 00:32:11,890
CAN WE DROP IT?
685
00:32:11,890 --> 00:32:15,144
THE BOTTLE DESIGN IS--
IS, UH, IMPRESSIVE.
686
00:32:15,144 --> 00:32:17,316
IT'S SLICK, IT'S SLEEK
687
00:32:17,316 --> 00:32:19,898
AND, UH, VERY...
688
00:32:19,898 --> 00:32:21,940
IT'S VERY...
689
00:32:21,940 --> 00:32:24,193
VERY PHOTOGENIC.
690
00:32:24,193 --> 00:32:27,026
I SHOULD HOPE SO,
MR. CASEMAN.
691
00:32:27,026 --> 00:32:29,908
WHITNEY SENT OVER
SOME OF YOUR BOOKS.
692
00:32:29,908 --> 00:32:31,490
BRILLIANT.
693
00:32:31,490 --> 00:32:34,913
BUT IT HAS BEEN SOME YEARS
SINCE YOU'VE WORKED.
694
00:32:41,380 --> 00:32:44,383
I'VE BEEN SHOOTING TRAVEL GUIDES
IN, UH, IN ASIA,
695
00:32:44,383 --> 00:32:46,005
JAPAN, SPECIFICALLY.
696
00:32:46,005 --> 00:32:49,138
IT'S SORT OF A--
IT'S BEEN A DEPARTURE FOR ME.
697
00:32:49,138 --> 00:32:53,052
NOT SO MUCH OF A DEPARTURE,
BUT A-A JUMPING--
698
00:32:53,052 --> 00:32:56,095
MORE OF A JUMPING OFF POINT
FOR SOMETHING, UH--
699
00:32:56,095 --> 00:32:57,646
NOT A DEPARTURE, REALLY.
700
00:32:57,646 --> 00:33:00,149
STEVEN, UM--
BUT THAT'S NEITHER
HERE NOR THERE.
701
00:33:00,149 --> 00:33:02,561
WHAT?
LET'S TELL THEM THE TRUTH.
702
00:33:02,561 --> 00:33:04,103
I'M SORRY?
703
00:33:05,404 --> 00:33:08,697
"TRAVEL GUIDES IN JAPAN"
WAS MY BAD IDEA.
704
00:33:08,697 --> 00:33:11,070
I PUT HIM UP TO THAT.
705
00:33:13,992 --> 00:33:16,455
I HAVE FAITH
IN THE REAL STEVEN CASEMAN,
706
00:33:16,455 --> 00:33:20,329
SO... TELL US
WHERE YOU'VE REALLY BEEN.
707
00:33:25,384 --> 00:33:26,795
UH...
708
00:33:26,795 --> 00:33:29,588
WELL, IF THERE'S A PLACE
I KNOW EXCEPTIONALLY WELL,
709
00:33:29,588 --> 00:33:31,760
IT'S THE INSIDE
OF THAT BOTTLE.
710
00:33:41,100 --> 00:33:44,143
AND, UH... ANYWAY...
711
00:33:44,143 --> 00:33:46,145
HERE'S--
I'LL TELL YOU WHAT I THINK.
712
00:33:46,145 --> 00:33:49,148
AND YOU FEEL FREE TO TELL ME
IF YOU THINK IT SUCKS.
713
00:33:49,148 --> 00:33:52,201
MS. CRANE DIDN'T BRING ME HERE
TO... STATE THE OBVIOUS.
714
00:33:52,201 --> 00:33:53,572
SHE'S SMARTER THAN THAT.
715
00:33:53,572 --> 00:33:56,205
UM...
716
00:33:56,205 --> 00:33:57,576
WHAT ABOUT PETALS?
717
00:33:57,576 --> 00:33:59,748
OR BUDS, ACTUALLY,
WOULD BE BETTER.
718
00:33:59,748 --> 00:34:01,290
FILL THE BOTTLE WITH 'EM,
719
00:34:01,290 --> 00:34:04,373
AND I CAN SHOOT COLOR NEGATIVE
720
00:34:04,373 --> 00:34:06,004
AND CROSS-PROCESS IT,
721
00:34:06,004 --> 00:34:08,377
WHICH'LL MAKE IT VERY BOLD--
THE COLORS.
722
00:34:08,377 --> 00:34:11,049
UH, WE'LL MAKE THE ETCHING
ON THE BOTTLE HUGE.
723
00:34:11,049 --> 00:34:13,132
CONTRAST BETWEEN THAT
AND THE FLOWERS
724
00:34:13,132 --> 00:34:15,134
WOULD BE PROVOCATIVE,
TO SAY THE LEAST.
725
00:34:15,134 --> 00:34:18,807
IT'LL SAY REBIRTH, SPRING...
726
00:34:18,807 --> 00:34:20,769
SECOND CHANCES.
727
00:34:20,769 --> 00:34:22,601
WHAT'S THAT EZRA POUND THING?
728
00:34:22,601 --> 00:34:24,603
"THE APPARITION OF THESE
FACES IN THE CROWD--
729
00:34:24,603 --> 00:34:26,605
PETALS ON A WET, BLACK BOUGH."
730
00:34:26,605 --> 00:34:28,857
I'VE ALWAYS LOVED
THAT IMAGE.
731
00:34:28,857 --> 00:34:30,859
IT'S THE CONFLUENCE
OF WHAT'S NATURAL
732
00:34:30,859 --> 00:34:33,902
AND WHAT'S MAN-MADE.
733
00:34:46,545 --> 00:34:48,547
HI, I'M, UH, CARLOS GREEN.
734
00:34:48,547 --> 00:34:50,048
I REPRESENT SHERMAN--
735
00:34:50,048 --> 00:34:53,262
THE SHOOTER
IN WASHINGTON HEIGHTS.
ALLEGED SHOOTER.
736
00:34:53,262 --> 00:34:55,924
PERP'S LAWYER
IS IN THE HOUSE.
HOLD ON
TO YOUR WALLET.
737
00:34:55,924 --> 00:34:58,807
WHAT'S WITH THESE FILLERS?
738
00:34:58,807 --> 00:35:00,389
YOU HAVE A PROBLEM?
739
00:35:00,389 --> 00:35:03,272
YEAH. NUMBER 2 IS BALD.
740
00:35:03,272 --> 00:35:05,854
3 HAS GOT 20 POUNDS
ON MY GUY.
THEY'RE FINE.
741
00:35:05,854 --> 00:35:07,726
BRING IN THE EYE WITNESS.
742
00:35:09,988 --> 00:35:12,991
WHAT DO YOU THINK
YOU'RE DOING?
743
00:35:12,991 --> 00:35:15,534
IT'S PREJUDICIAL. I'M
DOCUMENTING IT FOR THE JUDGE.
744
00:35:15,534 --> 00:35:17,366
WE TAKE THE PHOTOS HERE.
745
00:35:17,366 --> 00:35:20,659
THE WITNESS IS COMING IN.
LET'S MAKE A LITTLE ROOM, BOYS.
746
00:35:22,241 --> 00:35:24,042
OKAY?
747
00:35:24,042 --> 00:35:25,164
YEAH.
748
00:35:30,509 --> 00:35:32,211
NUMBER 4.
WAIT, HANG ON.
749
00:35:32,211 --> 00:35:35,304
HE BARELY EVEN
LOOKED AT 'EM.
SHUT YOUR MOUTH, COUNSELOR,
750
00:35:35,304 --> 00:35:37,676
OR I'LL SLAP YOU
WITH OBSTRUCTION.
751
00:35:37,676 --> 00:35:39,178
WHERE DO YOU KNOW HIM FROM?
752
00:35:39,178 --> 00:35:41,180
THAT'S THE GUY
WHO SHOT THE GUARD.
753
00:35:41,180 --> 00:35:43,182
WE GOT HIM. NUMBER 4.
754
00:35:44,853 --> 00:35:47,145
THAT WASN'T A LINEUP.
THAT WAS A SETUP.
755
00:35:47,145 --> 00:35:48,767
FORCING ISSUES,
756
00:35:48,767 --> 00:35:50,769
CAN'T ACCEPT THINGS
THE WAY THEY REALLY ARE.
757
00:35:50,769 --> 00:35:52,771
I'M TRYING TO DEFEND
AN INNOCENT MAN.
758
00:35:52,771 --> 00:35:54,773
MAKES SENSE
YOU ENDED UP A P.D.
759
00:35:54,773 --> 00:35:57,236
HE THINKS ALL PERPS
ARE VICTIM.
760
00:36:01,740 --> 00:36:05,244
LET IT GO.
LET IT GO!
761
00:36:19,388 --> 00:36:21,009
YO, WHERE YOU BEEN?
762
00:36:21,009 --> 00:36:23,011
I GOT DETAINED
AT THE PRECINCT.
763
00:36:23,011 --> 00:36:26,515
HOW COULD SOMEONE I.D. ME?
I DIDN'T DO IT.
764
00:36:26,515 --> 00:36:28,607
I KNOW.
SOMEONE'S FRAMING ME.
765
00:36:28,607 --> 00:36:30,859
YEAH, THAT'S A POSSIBILITY.
I'M ON IT.
766
00:36:30,859 --> 00:36:32,981
WHAT ARE YOU GONNA DO?
YOU GONNA SAY YOU OBJECT?
767
00:36:32,981 --> 00:36:35,153
YEAH, THAT'S HOW IT WORKS.
WELL, IT DOESN'T
MEAN JACK, MAN!
768
00:36:35,153 --> 00:36:36,735
I KNOW HOW YOU FEEL.
NO, YOU DON'T,
769
00:36:36,735 --> 00:36:38,527
IN YOUR PRESSED SUIT
AND YOUR IVY LEAGUE TIE.
770
00:36:38,527 --> 00:36:41,780
BECAUSE I WEAR A TIE,
I CAN'T RELATE?
YOU DON'T KNOW
WHAT IT'S LIKE!
771
00:36:41,780 --> 00:36:44,953
IT'S ALL GOIN' AGAINST ME.
772
00:36:44,953 --> 00:36:48,707
SHERMAN, THERE'S A LOT
YOU DON'T KNOW ABOUT ME.
773
00:36:48,707 --> 00:36:52,040
BELIEVE ME,
I'VE BEEN THERE.
774
00:36:55,594 --> 00:36:59,388
WHAT I'M TRYING TO SAY IS...
775
00:36:59,388 --> 00:37:04,182
BEING THE VICTIM,
IT'S A WASTE.
776
00:37:04,182 --> 00:37:06,184
TODAY I LET THAT GET TO ME,
777
00:37:06,184 --> 00:37:09,017
BUT THAT'S NOT
GONNA HAPPEN AGAIN.
778
00:37:09,017 --> 00:37:12,230
AND I PROMISE YOU...
779
00:37:12,230 --> 00:37:15,734
I'M GONNA GET YOU
OUTTA HERE.
780
00:37:19,948 --> 00:37:21,360
YEAH.
781
00:37:21,360 --> 00:37:23,572
Carlos.
782
00:37:23,572 --> 00:37:24,953
MAE?
783
00:37:24,953 --> 00:37:27,496
YEAH.
IS THIS A BAD TIME?
784
00:37:27,496 --> 00:37:29,127
UH, NO, NO.
785
00:37:29,127 --> 00:37:31,670
I'M--I'M JUST, UH--
NO. H
786
00:37:31,670 --> 00:37:33,041
Good.
787
00:37:33,041 --> 00:37:36,044
I JUST CALLED TO THANK YOU
FOR RUNNING INTO ME...
788
00:37:36,044 --> 00:37:38,046
FOR--
FOR LOOKING FOR ME,
789
00:37:38,046 --> 00:37:39,678
FOR DINNER, FOR EVERYTHING.
790
00:37:39,678 --> 00:37:41,089
Don't thank me,
791
00:37:41,089 --> 00:37:43,091
JUST TELL ME
WE CAN DO IT AGAIN.
792
00:37:43,091 --> 00:37:44,513
I'd like that.
793
00:37:44,513 --> 00:37:46,184
YEAH, ME, TOO.
794
00:37:46,184 --> 00:37:48,186
I WAS GONNA LEAVE NEW YORK,
795
00:37:48,186 --> 00:37:49,978
BUT I DECIDED TO STAY
BECAUSE OF YOU.
796
00:37:49,978 --> 00:37:53,732
YOU STAYED BECAUSE OF ME?
797
00:37:55,734 --> 00:37:58,106
LOOK, UM, I GOT A KID
I GOTTA PICK UP.
798
00:37:58,106 --> 00:37:59,528
So I need to go.
799
00:37:59,528 --> 00:38:01,069
LISTEN, LET ME GET
YOUR NUMBER.
800
00:38:01,069 --> 00:38:03,281
I'LL CALL YOU.
Come on, damn it.
801
00:38:03,281 --> 00:38:05,404
GIVE ME YOUR NUMBER.
Bye.
802
00:38:14,913 --> 00:38:16,294
♪♪♪
803
00:38:16,294 --> 00:38:19,217
LISTEN, MAN,
DON'T TEST ME, RIGHT?
804
00:38:19,217 --> 00:38:22,220
JUST HAVE MY MONEY,
AND JUST--WE GON' BE STRAIGHT.
805
00:38:23,592 --> 00:38:25,844
YOU FOLLOWED ME TODAY?
806
00:38:27,596 --> 00:38:30,018
NICE CAR YOU BOUGHT.
807
00:38:30,018 --> 00:38:31,890
NICE GIRL, TOO.
808
00:38:31,890 --> 00:38:33,982
SHE KNOW YOU BEEN IN JAIL?
809
00:38:33,982 --> 00:38:37,526
NAH. SHE DON'T KNOW YOU
AT ALL, DOES SHE?
810
00:38:37,526 --> 00:38:41,279
BUT THAT'S YOU,
ALWAYS BEEN.
811
00:38:41,279 --> 00:38:43,111
COWARD.
812
00:38:43,111 --> 00:38:44,993
WE AIN'T BROTHERS
AT ALL, ARE WE?
813
00:38:44,993 --> 00:38:46,405
HUH?
814
00:38:46,405 --> 00:38:48,997
I MEAN, I CAN'T BE RELATED
TO A COWARD,
815
00:38:48,997 --> 00:38:51,830
SOMEONE WHO'S ALWAYS TRYING
TO BE SOMETHING THEY NOT,
816
00:38:51,830 --> 00:38:54,583
SOMEONE WHO WON'T EVEN
PUSH BACK!
817
00:38:54,583 --> 00:38:56,214
OH!
818
00:38:59,718 --> 00:39:03,171
YOU STAY AWAY FROM ME
AND WHATEVER IS MINE,
819
00:39:03,171 --> 00:39:04,803
OR YOU'RE GONNA REGRET IT.
820
00:39:04,803 --> 00:39:06,385
YOU UNDERSTAND ME?
821
00:39:06,385 --> 00:39:08,767
♪ ...BUT IT AIN'T
THE SAME, NO ♪
822
00:39:08,767 --> 00:39:10,138
♪ EVERYTHING'S CHANGING ♪
823
00:39:10,138 --> 00:39:11,930
♪ YOU WANNA POINT YOUR FINGER ♪
824
00:39:11,930 --> 00:39:14,142
♪ BUT WHO IS... ♪
♪ EVERYTHING'S CHANGING ♪
825
00:39:14,142 --> 00:39:15,974
♪ THAT'S HOW IT BE ♪
826
00:39:15,974 --> 00:39:17,976
♪ WORK FOR YOURSELF,
STAY TRUE TO YOU ♪
827
00:39:17,976 --> 00:39:20,939
♪ STAY TRUE TO YOU ♪
♪ EVERYTHING'S CHANGING ♪
828
00:39:25,153 --> 00:39:27,155
CHRISTINE.
829
00:39:28,987 --> 00:39:31,700
MAX.
830
00:39:39,257 --> 00:39:41,670
YOU CHANGED THE LOCK.
831
00:39:41,670 --> 00:39:43,592
WHAT DO YOU WANT, STEVEN?
832
00:39:45,594 --> 00:39:48,216
I GOT THAT JOB
I TOLD YOU ABOUT.
833
00:39:48,216 --> 00:39:50,809
I'M HAPPY FOR YOU.
834
00:39:50,809 --> 00:39:52,811
I THOUGHT I'D COME BY
835
00:39:52,811 --> 00:39:55,854
AND TAKE YOU AND MAX
TO DINNER, CELEBRATE.
836
00:39:55,854 --> 00:39:58,477
I DON'T THINK
THAT'S SUCH A GOOD IDEA.
837
00:39:58,477 --> 00:40:01,189
IS HE HERE?
IT'S JUST DINNER, CHRISTINE.
838
00:40:01,189 --> 00:40:02,691
NO, IT'S NOT.
839
00:40:04,282 --> 00:40:05,444
GOOD NIGHT.
840
00:40:05,444 --> 00:40:07,195
LOOK, CHRIS--HOLD IT.
841
00:40:07,195 --> 00:40:09,788
STEVEN, STOP IT.
842
00:40:11,329 --> 00:40:14,202
DON'T SLAM THE DOOR
IN MY FACE.
843
00:40:14,202 --> 00:40:15,834
CHRIS...
844
00:40:20,669 --> 00:40:22,671
IF WE HAVE TO CELEBRATE
845
00:40:22,671 --> 00:40:24,673
EACH AND EVERY ONE
OF YOUR SUCCESSES,
846
00:40:24,673 --> 00:40:28,006
I'M GONNA END UP 300 POUNDS
WITH AN INFECTED LIVER.
847
00:40:28,006 --> 00:40:30,469
WELL, THEN... HERE'S TO
YOUR SPEEDY DECLINE.
848
00:40:30,469 --> 00:40:31,470
CHEERS.
849
00:40:33,472 --> 00:40:36,014
AND I DECIDED,
850
00:40:36,014 --> 00:40:39,107
I DON'T WANT TO PLAN
THE WEDDING.
YOU DON'T?
851
00:40:39,107 --> 00:40:40,268
NO.
852
00:40:40,268 --> 00:40:43,982
THE HEADACHES,
THE COUNTLESS DETAILS...
853
00:40:43,982 --> 00:40:47,115
LET'S JUST GET MARRIED.
854
00:40:47,115 --> 00:40:49,277
I WAS THINKING THE 30th.
855
00:40:49,277 --> 00:40:52,030
OF?
THIS MONTH.
856
00:40:52,030 --> 00:40:53,411
NICE, SIMPLE CEREMONY
857
00:40:53,411 --> 00:40:55,624
AT THE FOOT
OF THE BROOKLYN BRIDGE.
858
00:40:55,624 --> 00:40:58,416
IT'LL BE NICE.
WE'LL PLAN IT OVER LUNCH.
859
00:40:58,416 --> 00:41:02,541
WOW.
860
00:41:02,541 --> 00:41:05,083
THAT'S REALLY SOON.
861
00:41:12,801 --> 00:41:14,222
WOW.
862
00:41:14,222 --> 00:41:16,054
THIS IS VERY GENEROUS
OF YOU.
863
00:41:16,054 --> 00:41:18,016
HEY, IT'S, UH,
IT'S MY PLEASURE.
864
00:41:18,016 --> 00:41:21,690
ARE YOU SURE YOU DON'T WANT
THE FAMILY TO KNOW?
865
00:41:26,364 --> 00:41:27,986
EXCUSE ME.
866
00:41:27,986 --> 00:41:29,367
I'LL BE RIGHT WITH YOU.
867
00:41:30,779 --> 00:41:32,821
THANKS AGAIN.
868
00:41:34,823 --> 00:41:37,245
HI, I'M LOOKING
FOR TED O'MALLEY.
869
00:41:37,245 --> 00:41:39,117
HE'S A GUNSHOT VICTIM
FROM WASHINGTON HEIGHTS.
870
00:41:39,117 --> 00:41:40,999
TED O'MALLEY.
871
00:41:40,999 --> 00:41:42,080
OH.
872
00:41:42,080 --> 00:41:43,251
WHAT?
873
00:41:43,251 --> 00:41:45,253
IT SAYS HE'S BEING MOVED
TO THE "G" WING.
874
00:41:45,253 --> 00:41:47,335
IS THAT BAD?
875
00:41:47,335 --> 00:41:50,048
NO, IT'S FANTASTIC.
THAT'S THE V.I.P. FLOOR.
876
00:41:50,048 --> 00:41:52,681
UH, IT SAYS HERE IT WAS
AN ANONYMOUS DONATION.
877
00:41:52,681 --> 00:41:55,684
AND THEY SAY THERE ARE
NO NICE PEOPLE IN THIS CITY.
878
00:41:55,684 --> 00:41:57,265
ROOM 257.
879
00:41:57,265 --> 00:42:01,139
♪ IF I COULD OPEN MY ARMS ♪
880
00:42:01,139 --> 00:42:02,520
♪ AND SPAN THE LENGTH ♪
881
00:42:02,520 --> 00:42:05,353
♪ OF THE ISLE OF MANHATTAN ♪
882
00:42:05,353 --> 00:42:10,238
♪ I'D BRING IT
TO WHERE YOU ARE ♪
883
00:42:10,238 --> 00:42:11,860
♪ MAKING A LAKE ♪
884
00:42:11,860 --> 00:42:15,784
♪ OF THE EAST RIVER
AND HUDSON ♪
885
00:42:15,784 --> 00:42:18,787
♪♪♪
62321
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