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These are the user uploaded subtitles that are being translated: 1 00:00:02,253 --> 00:00:03,884 LET ME ASK YOU THIS-- 2 00:00:03,884 --> 00:00:06,927 DO YOU THINK YOU CAN FALL IN LOVE WITH SOMEONE 3 00:00:06,927 --> 00:00:08,929 THAT YOU DON'T REALLY KNOW AT ALL? 4 00:00:08,929 --> 00:00:12,133 THE REASON I ASK-- I LIVE IN NEW YORK CITY 5 00:00:12,133 --> 00:00:16,016 WITH ALMOST EIGHT MILLION OTHER PEOPLE. 6 00:00:16,016 --> 00:00:18,018 AND I ALWAYS THOUGHT, WHO KNOWS? 7 00:00:18,018 --> 00:00:20,020 THE PERSON SITTING NEXT TO YOU ON THE SUBWAY 8 00:00:20,020 --> 00:00:22,733 COULD BE YOUR SOUL MATE. 9 00:00:24,445 --> 00:00:26,447 MY POINT IS, 10 00:00:26,447 --> 00:00:28,449 THE INSTANT BEFORE YOU DO MEET THEM, 11 00:00:28,449 --> 00:00:30,451 THEY'RE A STRANGER TO YOU, 12 00:00:30,451 --> 00:00:34,205 AND YOU TO THEM. 13 00:00:34,205 --> 00:00:36,657 STRANGERS... 14 00:00:36,657 --> 00:00:38,709 IN THIS CITY, 15 00:00:38,709 --> 00:00:42,083 AN ABSOLUTE STRANGER CAN INSPIRE YOU. 16 00:00:44,795 --> 00:00:47,798 YOU CAN WALK PAST THE SAME BUILDING EVERY DAY 17 00:00:47,798 --> 00:00:50,341 AND NOT EVEN REALIZE THAT THE PERSON WHO LIVES THERE 18 00:00:50,341 --> 00:00:52,843 IS ONE DAY GONNA BE YOUR BEST FRIEND... 19 00:00:52,843 --> 00:00:54,725 (man speaking indistinctly on TV) 20 00:00:54,725 --> 00:00:57,728 MAYBE SOMEONE WHO DESPERATELY NEEDS A BEST FRIEND. 21 00:00:57,728 --> 00:00:59,730 A MORTAR EXPLOSION NOT MORE THAN 100 YARDS AWAY 22 00:00:59,730 --> 00:01:01,352 LITERALLY SHOOK THE GROUND... 23 00:01:01,352 --> 00:01:03,354 IT'S MY FAVORITE THING ABOUT NEW YORK-- 24 00:01:03,354 --> 00:01:06,897 YOU'VE GOT SOME PEOPLE ON TOP OF THE WORLD... 25 00:01:06,897 --> 00:01:10,030 OTHERS ARE SCRAPING ROCK BOTTOM. 26 00:01:15,116 --> 00:01:16,497 ON ANY GIVEN DAY, 27 00:01:16,497 --> 00:01:19,370 YOU NEVER KNOW WHO YOU'RE GONNA MEET. 28 00:01:19,370 --> 00:01:21,001 MAYBE IT'LL BE SOMEONE 29 00:01:21,001 --> 00:01:23,003 JUST TRYING TO CLEAN UP THEIR ACT, 30 00:01:23,003 --> 00:01:25,916 AS TOUGH AS THAT MIGHT BE... 31 00:01:29,710 --> 00:01:31,712 OR MAYBE SOMEONE LIVING THEIR LIFE 32 00:01:31,712 --> 00:01:32,973 WITH RECKLESS ABANDON... 33 00:01:32,973 --> 00:01:34,345 WHAT IS THIS? 34 00:01:34,345 --> 00:01:37,598 SOMEONE TRYING TO LOSE THEMSELVES COMPLETELY. 35 00:01:37,598 --> 00:01:40,271 WHOO! 36 00:01:42,723 --> 00:01:45,146 WHOO! 37 00:01:45,146 --> 00:01:46,106 WHOO! 38 00:01:46,106 --> 00:01:47,938 WHOO! 39 00:01:47,938 --> 00:01:49,320 OH, MY GOD! 40 00:01:58,499 --> 00:02:01,502 BUT WE'RE ALL FORCED TOGETHER EVERY DAY... 41 00:02:01,502 --> 00:02:03,123 (group singing "Happy Birthday to You") 42 00:02:03,123 --> 00:02:05,546 AND THE ONLY THING THAT SEPARATES US IS CHANCE, 43 00:02:05,546 --> 00:02:07,708 FATE MAYBE. 44 00:02:07,708 --> 00:02:09,340 ALL RIGHT. 45 00:02:09,340 --> 00:02:11,011 MAKE A WISH. 46 00:02:18,719 --> 00:02:21,262 ALL RIGHT, ALL RIGHT. EAT FAST. LET'S GO. 47 00:02:21,262 --> 00:02:23,264 THERE'S A NEW BATCH IN HOLDING. 48 00:02:23,264 --> 00:02:24,895 HAPPY BIRTHDAY. 49 00:02:24,895 --> 00:02:26,267 THANKS. 50 00:02:26,267 --> 00:02:29,109 YOU GO THROUGH YOUR LIFE, YOUR DAILY STRUGGLES, 51 00:02:29,109 --> 00:02:31,822 YOU THINK YOU'RE ALONE, BUT YOU'RE NOT. 52 00:02:31,822 --> 00:02:33,944 MAE ANDERSON? 53 00:02:36,076 --> 00:02:39,700 EIGHT MILLION PEOPLE IN THIS CITY... 54 00:02:39,700 --> 00:02:42,283 AND ANY ONE OF THEM-- 55 00:02:42,283 --> 00:02:46,787 ANY ONE, AT ANY TIME-- CAN WALK INTO YOUR LIFE 56 00:02:46,787 --> 00:02:49,290 AND CHANGE IT... 57 00:02:49,290 --> 00:02:52,293 FOREVER. 58 00:02:59,009 --> 00:03:02,142 "INDECENT EXPOSURE." 59 00:03:02,142 --> 00:03:03,974 YEAH, I KNOW. 60 00:03:03,974 --> 00:03:05,976 THE COP ALSO GOT YOU FOR RESISTING ARREST. 61 00:03:05,976 --> 00:03:08,359 WHAT--WHAT HAPPENED, YOU RAN? 62 00:03:08,359 --> 00:03:10,271 I DIDN'T THINK HE WAS SERIOUS. 63 00:03:10,271 --> 00:03:11,902 HE WAS. 64 00:03:11,902 --> 00:03:14,865 HOW COME YOU--YOU, UH-- 65 00:03:14,865 --> 00:03:17,197 I TOOK IT OFF. 66 00:03:17,197 --> 00:03:18,579 I-I GOT CAUGHT UP. 67 00:03:18,579 --> 00:03:20,581 JUST ONE OF THOSE MOMENTS, YOU KNOW, 68 00:03:20,581 --> 00:03:22,993 WHERE THE CITY KINDA COMES ALIVE AROUND YOU AND... 69 00:03:25,246 --> 00:03:27,248 IT HAD JUST RAINED, YOU KNOW, 70 00:03:27,248 --> 00:03:29,250 SO ALL THE LIGHTS, ALL THE COLORS 71 00:03:29,250 --> 00:03:30,881 WERE EVERYWHERE IN THE STREET, 72 00:03:30,881 --> 00:03:33,384 AND I JUST--I WANTED TO BE A PART OF IT. 73 00:03:33,384 --> 00:03:35,386 I WANTED TO BE LIKE A STATUE, 74 00:03:35,386 --> 00:03:38,178 LIKE ONE OF THOSE LADIES ON THE FRONT OF A SHIP. 75 00:03:38,178 --> 00:03:41,342 SO... MR. GREEN-- 76 00:03:41,342 --> 00:03:42,803 CARLOS. 77 00:03:42,803 --> 00:03:44,265 CARLOS... 78 00:03:44,265 --> 00:03:45,896 WHAT HAPPENS NEXT? 79 00:03:55,115 --> 00:03:57,278 UH, HARRY, I NEED A FAVOR. 80 00:03:57,278 --> 00:04:00,240 OH, I GAVE THOSE UP FOR LENT. 81 00:04:00,240 --> 00:04:02,703 LOOK, I HAVE A COUSIN MAE ON MY MOTHER'S SIDE, OKAY? 82 00:04:02,703 --> 00:04:05,125 SHE GOT BROUGHT IN THIS MORNING ON A NOTHIN' CHARGE. 83 00:04:05,125 --> 00:04:07,127 SHE'S A GOOD KID, OKAY? NO PRIORS. 84 00:04:07,127 --> 00:04:08,749 AND WHY DO I CARE? 85 00:04:08,749 --> 00:04:10,871 BECAUSE SHE'S NOT PART OF THE PARADE. 86 00:04:10,871 --> 00:04:13,464 ALL THIS GIRL DID WAS DISROBE... 87 00:04:13,464 --> 00:04:15,255 IN PUBLIC. 88 00:04:15,255 --> 00:04:18,339 IS SHE HOT? IT'S MY COUSIN. 89 00:04:18,339 --> 00:04:20,681 IS SHE HOT? 90 00:04:22,222 --> 00:04:23,844 YOU, MY FRIEND, 91 00:04:23,844 --> 00:04:26,687 YOU ARE A TRUE-BLUE KNIGHT IN SHINING ARMOR. 92 00:04:26,687 --> 00:04:28,979 THANK YOU SO MUCH, CARLOS. 93 00:04:28,979 --> 00:04:30,441 OH. 94 00:04:32,022 --> 00:04:34,395 UH, WAIT. MAYBE I CAN, UH, SEE YOU SOMETIME. 95 00:04:34,395 --> 00:04:36,026 OF COURSE YOU WILL. 96 00:04:38,319 --> 00:04:40,781 EXCUSE ME. SORRY. 97 00:04:47,618 --> 00:04:50,621 HEY, THIS POSTCARD-- FIND WHO SHOT IT, PLEASE. 98 00:04:50,621 --> 00:04:52,623 STOP. HOLD IT. RALSTON'S CALLED FOUR TIMES. 99 00:04:52,623 --> 00:04:54,174 GROWLED, ACTUALLY. 100 00:04:54,174 --> 00:04:57,628 HE WANTS YOU UPSTAIRS, IMMEDIAMENTO. 101 00:04:57,628 --> 00:04:59,259 HERE. 102 00:05:02,302 --> 00:05:04,475 I UNDERSTAND YOU'RE STILL PISSED ABOUT NUANCE, 103 00:05:04,475 --> 00:05:07,187 AND YOU SHOULD BE, EXCEPT, RALSTON... WHITNEY-- 104 00:05:07,187 --> 00:05:09,690 THAT CLIENT WAS USING US TO GET FOSTER AND LYNNE TO LOWBALL. 105 00:05:09,690 --> 00:05:11,311 AND NOT TO MENTION, 106 00:05:11,311 --> 00:05:13,894 GERARD PINCHING MY ASS GETTING OUT OF THAT TOWN CAR. 107 00:05:13,894 --> 00:05:15,065 WHIT-- 108 00:05:15,065 --> 00:05:17,067 SO, YES, WE LOST A CLIENT, BUT WE AVOIDED 109 00:05:17,067 --> 00:05:19,149 A VERY TIME-CONSUMING AND MESSY LAWSUIT, 110 00:05:19,149 --> 00:05:21,321 AND NOT SEXUAL HARASSMENT. 111 00:05:21,321 --> 00:05:22,903 ASSAULT--BECAUSE HE WOULD'VE DONE IT AGAIN, 112 00:05:22,903 --> 00:05:24,284 AND I WOULD'VE BROKEN HIS NOSE. 113 00:05:24,284 --> 00:05:26,707 AND WE WOULD'VE BEEN DRAGGED INTO COURT, AND IT WOULD'VE BEEN 114 00:05:26,707 --> 00:05:28,829 "PAGE SIX" FOR BOTH OF US, AND NO ONE WANTS THAT. 115 00:05:28,829 --> 00:05:30,711 AND TO BE HONEST... PLEASE. 116 00:05:30,711 --> 00:05:32,713 AFTER THE YEAR THAT I HAVE HAD, 117 00:05:32,713 --> 00:05:34,715 I SHOULD BE HAVING MY ASS KISSED NOT PINCHED-- 118 00:05:34,715 --> 00:05:37,217 LA MER, SWAROVSKI-- THE CHANEL LAUNCH. 119 00:05:37,217 --> 00:05:40,090 SERIOUSLY. IF WE'RE GONNA TALK ABOUT ANYTHING, 120 00:05:40,090 --> 00:05:42,132 WE SHOULD BE TALKING ABOUT A PROMOTION. I AM PROMOTING YOU. 121 00:05:42,132 --> 00:05:45,345 DO NOT PATRONIZE ME. AS IF THAT WERE POSSIBLE. WHITNEY! 122 00:05:45,345 --> 00:05:47,678 I AM PROMOTING YOU. 123 00:05:52,523 --> 00:05:53,524 TO? 124 00:05:53,524 --> 00:05:55,476 TO PARTNER. 125 00:05:55,476 --> 00:05:57,107 WHAT? 126 00:05:57,107 --> 00:05:59,940 YOUNGEST IN THE FIRM'S HISTORY-- I KNOW YOUR NEED TO QUANTIFY. 127 00:05:59,940 --> 00:06:03,614 AND ALL I WANTED TO SAY THIS MORNING WAS... 128 00:06:03,614 --> 00:06:06,196 CONGRATULATIONS. 129 00:06:06,196 --> 00:06:07,828 OH, MY GOD. 130 00:06:08,829 --> 00:06:11,662 THANK YOU. 131 00:06:17,498 --> 00:06:19,129 RIGHT ON TIME, MR. IWANEK. 132 00:06:19,129 --> 00:06:20,921 DAMIAN, YOU'RE THE BEST. 133 00:06:20,921 --> 00:06:23,924 I-I PROMISED YOU I'D GET YOU HERE BY 9:45, SIR. 134 00:06:23,924 --> 00:06:24,925 9:30. 135 00:06:24,925 --> 00:06:26,306 YES, IT IS. 136 00:06:26,306 --> 00:06:28,509 THANKS. 137 00:06:33,564 --> 00:06:36,276 SHOOT, MAN. THAT'LL BE GONE BY DINNERTIME. 138 00:06:38,979 --> 00:06:41,111 HEAR YOU ON A REAL LOSING STREAK. 139 00:06:41,111 --> 00:06:42,943 SPOKE TO VINCENT. 140 00:06:42,943 --> 00:06:46,156 HE TOLD ME YOU AIN'T WON A BET IN ABOUT A MONTH. 141 00:06:46,156 --> 00:06:48,158 WHAT, YOU ABOUT 10 GRAND IN THE HOLE? 142 00:06:48,158 --> 00:06:50,160 GET OUTTA HERE, MAN. I GOT WORK TO DO. 143 00:06:50,160 --> 00:06:52,162 I'M SORRY, D., BUT YOU DIDN'T RETURN MY CALLS. 144 00:06:52,162 --> 00:06:54,164 YOU GOT ME TALKIN' TO YOUR DISPATCH 145 00:06:54,164 --> 00:06:56,587 TO GET FIVE MINUTES WITH MY LITTLE BROTHER. 146 00:06:56,587 --> 00:06:58,208 HOW'S BUSINESS? 147 00:06:58,208 --> 00:07:00,210 IT'S COOL-- THE PAY IS ALL RIGHT, 148 00:07:00,210 --> 00:07:02,713 MEET A LOT OF INTERESTING PEOPLE. IS THAT RIGHT? 149 00:07:02,713 --> 00:07:04,134 YEAH. 150 00:07:04,134 --> 00:07:06,467 SEEMS TO ME LIKE YOU MORE LIKE A SERVANT, A DOORMAT. 151 00:07:06,467 --> 00:07:09,219 I TELL YOU WHAT, WHY DON'T YOU COME WORK FOR ME, 152 00:07:09,219 --> 00:07:11,311 AND I'LL PAY OFF THAT DEBT? YEAH. NO THANKS, MAN. 153 00:07:14,394 --> 00:07:16,016 THINGS HAVE CHANGED, DAMIAN. 154 00:07:16,016 --> 00:07:18,769 WE BIG TIME NOW, BRO. AIN'T NO CHOPPIN' CARS 155 00:07:18,769 --> 00:07:20,771 AND RUNNIN' FROM THE COPS NO MORE. 156 00:07:20,771 --> 00:07:22,823 MAN, I NEED YOU. 157 00:07:22,823 --> 00:07:25,405 I NEED SOMEBODY I COULD TRUST. WHO BETTER THAN FAMILY, HUH? 158 00:07:25,405 --> 00:07:27,277 EXCUSE ME. 159 00:07:30,330 --> 00:07:34,785 YOU KNOW, IT'S A DAMN SHAME... 160 00:07:34,785 --> 00:07:36,787 YOU AIN'T GO GET YOURSELF BUSTED, 161 00:07:36,787 --> 00:07:39,840 ME AND YOU COULDA BEEN CHILLIN' IN THE BACK OF ONE OF THESE. 162 00:07:39,840 --> 00:07:41,131 THINK ABOUT IT THOUGH, DAMIAN. 163 00:07:41,131 --> 00:07:43,714 MY OFFER'S OPEN ANYTIME, BRO. 164 00:07:54,224 --> 00:07:56,687 AM I STILL ALIVE? 165 00:07:59,229 --> 00:08:02,022 YES. 166 00:08:04,104 --> 00:08:06,446 HEY, MAX. 167 00:08:08,198 --> 00:08:10,531 ARE YOU OKAY? 168 00:08:10,531 --> 00:08:12,492 YEAH, I'M... 169 00:08:12,492 --> 00:08:14,615 I AM. I'M BETTER. 170 00:08:14,615 --> 00:08:17,117 IF MOM KNEW YOU WERE HERE-- 171 00:08:17,117 --> 00:08:19,119 I REALLY DON'T-- UH, I DON'T CARE, MAX. 172 00:08:19,119 --> 00:08:21,041 I HAVEN'T SEEN YOU IN FOUR MONTHS. 173 00:08:21,041 --> 00:08:23,043 I DIDN'T THINK I HAD TO ASK PERMISSION. 174 00:08:23,043 --> 00:08:25,125 ARE YOU COMING HOME? 175 00:08:25,125 --> 00:08:26,757 I GOT MY OWN PLACE. 176 00:08:26,757 --> 00:08:29,259 AHEM. IT'S A LITTLE SMALL, OTHERWISE I'D HAVE YOU OVER. 177 00:08:29,259 --> 00:08:30,631 YOU KNOW WHAT I MEAN? 178 00:08:30,631 --> 00:08:32,683 I GOT YOU SOMETHING. 179 00:08:35,185 --> 00:08:37,477 TRY NOT TO GET BEHIND IT. 180 00:08:42,022 --> 00:08:45,195 ALL RIGHT. SO YOU THINK MAYBE WE SHOULD HANG OUT? 181 00:08:45,195 --> 00:08:47,527 WELL, DAD, I HAVE GUITAR LESSONS, 182 00:08:47,527 --> 00:08:48,528 SO... 183 00:08:48,528 --> 00:08:50,150 YOU PLAY GUITAR? 184 00:08:51,572 --> 00:08:54,114 RIGHT. I KNOW YOU PLAY GUITAR. 185 00:08:54,114 --> 00:08:56,246 OKAY. I'M GONNA BE IN TOUCH, OKAY? 186 00:08:56,246 --> 00:08:57,868 I'M AROUND. 187 00:08:57,868 --> 00:08:59,539 OKAY. 188 00:08:59,539 --> 00:09:01,251 OKAY. 189 00:09:13,133 --> 00:09:16,136 OH. 190 00:09:16,136 --> 00:09:18,138 FOUR. 191 00:09:18,138 --> 00:09:19,730 OH. 192 00:09:19,730 --> 00:09:21,351 I'VE BEEN TAKING PILATES 193 00:09:21,351 --> 00:09:23,143 AND GOING TO FRENCH COOKING SCHOOL. 194 00:09:23,143 --> 00:09:25,275 I-I RETILED MY BATHROOM, 195 00:09:25,275 --> 00:09:27,277 AND I'M THINKING OF GOING BACK TO WORK. 196 00:09:27,277 --> 00:09:28,949 REALLY? 197 00:09:28,949 --> 00:09:31,652 I WAS ACTUALLY THINKING... 198 00:09:31,652 --> 00:09:33,403 INTERIOR DESIGN. 199 00:09:33,403 --> 00:09:35,405 NOW I KNOW 200 00:09:35,405 --> 00:09:37,407 YOU HAVE MORE CLIENTS THAN YOU CAN HANDLE. 201 00:09:37,407 --> 00:09:40,500 AND YOU'RE ALWAYS SAYING THAT I HAVE GREAT TASTE, SO-- 202 00:09:40,500 --> 00:09:43,754 YOU HAVE SUPERB TASTE, LAURA, 203 00:09:43,754 --> 00:09:46,126 BUT CLIENTS CAN TELL WHEN-- WHEN YOU'RE NOT 100%. 204 00:09:46,126 --> 00:09:49,339 YEAH. BUT, YOU KNOW, I AM. I AM. 205 00:09:49,339 --> 00:09:52,052 I JUST-- OH, I NEED TO GET OUT NOW 206 00:09:52,052 --> 00:09:54,344 AND START SOMETHING NEW... 207 00:09:54,344 --> 00:09:57,888 SOMETHING WHERE PEOPLE WON'T THINK "LAURA AND DAVID" 208 00:09:57,888 --> 00:09:59,890 EVERY TIME THEY LOOK AT ME. 209 00:10:01,481 --> 00:10:03,644 HAVE YOU MOVED HIS STUFF OUT? 210 00:10:06,226 --> 00:10:08,188 LADIES, YOUR TABLE'S READY. 211 00:10:08,188 --> 00:10:10,490 OH, GOOD. 212 00:10:13,403 --> 00:10:15,035 I'M SORRY, SIR. 213 00:10:15,035 --> 00:10:17,037 OUR ONLY OPENINGS ARE AT 5:30 AND 11:00. 214 00:10:17,037 --> 00:10:18,408 5:30 or 11:00, that's it? 215 00:10:18,408 --> 00:10:20,040 OH, ALL RIGHT, LOOK, 216 00:10:20,040 --> 00:10:22,042 I'VE MET THE COOLEST GIRL ON EARTH, RIGHT? 217 00:10:22,042 --> 00:10:25,045 AND INSTEAD OF ASKING HER OUT FOR A SLICE AND A BEER, 218 00:10:25,045 --> 00:10:27,047 I FIGURED I'D HAVE A BETTER SHOT WITH, 219 00:10:27,047 --> 00:10:30,050 "I GOT A TABLE AT THE HOTTEST SPOT IN TOWN." 220 00:10:30,050 --> 00:10:32,052 SO... HELLO? 221 00:10:35,055 --> 00:10:37,427 YOU GONNA GET HER A CORSAGE? 222 00:10:37,427 --> 00:10:39,760 EDIE, SERIOUSLY, GET A LIFE. 223 00:10:39,760 --> 00:10:41,762 YOU GOTTA SETTLE DOWN, ALL RIGHT? 224 00:10:41,762 --> 00:10:43,934 UH... 225 00:10:45,315 --> 00:10:48,438 OH, MAE, IT'S CARLOS-- 226 00:10:48,438 --> 00:10:50,110 MR. GREEN-- 227 00:10:50,110 --> 00:10:51,481 CARLOS GREEN. 228 00:10:51,481 --> 00:10:53,113 HUH, WHASSUP? 229 00:10:54,484 --> 00:10:56,116 We're sorry. 230 00:10:56,116 --> 00:10:58,118 Your call cannot be completed as dialed. 231 00:10:58,118 --> 00:10:59,950 Please check the number and dial again. 232 00:10:59,950 --> 00:11:02,783 THAT GIRL GAVE YOU A WRONG NUMBER? 233 00:11:02,783 --> 00:11:04,835 THERE'S A SHOCKER. 234 00:11:07,788 --> 00:11:09,790 I DON'T KNOW WHAT I WAS THINKING, ERIC. 235 00:11:09,790 --> 00:11:11,171 I GOT COMFORTABLE. 236 00:11:11,171 --> 00:11:13,173 I WENT OUT FOR A NIGHT WITH SOME FRIENDS AND-- 237 00:11:13,173 --> 00:11:14,795 Did the cops book you? 238 00:11:14,795 --> 00:11:17,257 NO. NO, I GOT THEM TO DROP THE CHARGE. 239 00:11:17,257 --> 00:11:20,180 But did they take your picture when they booked you? 240 00:11:20,180 --> 00:11:23,183 You should leave. 241 00:11:23,183 --> 00:11:24,805 I DON'T WANT TO. 242 00:11:24,805 --> 00:11:26,186 You don't have a choice. 243 00:11:26,186 --> 00:11:29,649 I'M SICK OF RUNNING, MAN. I... 244 00:11:29,649 --> 00:11:32,312 I JUST STARTED TO FEEL NORMAL HERE. 245 00:11:32,312 --> 00:11:33,944 I STARTED TO FEEL SAFE. 246 00:11:33,944 --> 00:11:36,656 He said he would never stop looking. 247 00:11:36,656 --> 00:11:38,739 He won't. 248 00:11:41,872 --> 00:11:43,874 I'LL FIGURE IT OUT. 249 00:11:56,256 --> 00:11:58,178 I LIKE TO CALL THIS THE "MAGIC HOUR." 250 00:11:58,178 --> 00:12:00,260 WORK RUSH IS OVER, 251 00:12:00,260 --> 00:12:02,262 PEOPLE HAVEN'T GONE OUT FOR THE NIGHT. 252 00:12:02,262 --> 00:12:04,304 THEY'RE STILL IN THE SHOWER, YOU KNOW, GETTING DRESSED. 253 00:12:04,304 --> 00:12:07,187 IT'S THE ONE TIME OF THE DAY YOU CAN CATCH A BREAK 254 00:12:07,187 --> 00:12:09,479 GOING ACROSS TOWN OR SQUARE THROUGH TIMES SQUARE. 255 00:12:09,479 --> 00:12:11,772 POINT BEING, ANY WAY YOU WANT ME TO TAKE YOU HOME, 256 00:12:11,772 --> 00:12:13,113 JUST SAY THE WORD. 257 00:12:13,113 --> 00:12:14,444 WHATEVER. 258 00:12:16,857 --> 00:12:18,698 HELLO. 259 00:12:30,750 --> 00:12:33,083 WHAT IS ALL THIS? 260 00:12:33,083 --> 00:12:35,375 A LITTLE CELEBRATION. 261 00:12:35,375 --> 00:12:36,676 WHIT. 262 00:12:40,140 --> 00:12:41,261 MM. 263 00:12:41,261 --> 00:12:44,184 THEY'RE BEAUTIFUL. THANK YOU. 264 00:12:44,184 --> 00:12:45,806 COME ON, SIT. 265 00:12:45,806 --> 00:12:47,808 I WANTED TO TAKE YOU OUT. TONIGHT'S YOUR NIGHT. 266 00:12:47,808 --> 00:12:49,810 I DIDN'T WANT TONIGHT TO BE ALL ABOUT ME. 267 00:12:49,810 --> 00:12:54,104 I MEAN, YES, I DID HAVE A GREAT DAY. 268 00:12:54,104 --> 00:12:59,529 BUT... I WOULDN'T HAVE ANYTHING 269 00:12:59,529 --> 00:13:01,321 WITHOUT YOU. 270 00:13:09,459 --> 00:13:10,460 WHITNEY... 271 00:13:10,460 --> 00:13:12,082 IT'S TIME, DON'T YOU THINK? 272 00:13:12,082 --> 00:13:15,255 IT'S BEEN SO LONG, MY MOTHER STOPPED PRESSURING ME. 273 00:13:15,255 --> 00:13:17,087 BUT YOU WANTED TO WAIT. 274 00:13:17,087 --> 00:13:20,090 I KNOW. IT'S JUST THAT THINGS HAVE FALLEN INTO PLACE. 275 00:13:20,090 --> 00:13:22,472 IT FEELS RIGHT, ROY. 276 00:13:22,472 --> 00:13:24,224 WHIT, COME HERE. 277 00:13:31,641 --> 00:13:35,435 I CAN'T WAIT... TO MARRY YOU. 278 00:13:35,435 --> 00:13:37,107 BUT... 279 00:13:37,107 --> 00:13:39,109 ISN'T IT A GUY'S INALIENABLE RIGHT 280 00:13:39,109 --> 00:13:41,111 TO, LIKE, DO THE ASKING? 281 00:13:41,111 --> 00:13:43,113 IT'S 2006. 282 00:13:43,113 --> 00:13:45,205 MEN MARRY MEN. 283 00:13:45,205 --> 00:13:47,447 TRUE. 284 00:13:47,447 --> 00:13:50,080 BUT I'D ALWAYS IMAGINED... 285 00:13:50,080 --> 00:13:53,163 PICKING OUT A RING, YOU KNOW, AND... 286 00:13:53,163 --> 00:13:55,956 SURPRISING YOU. 287 00:13:55,956 --> 00:13:57,958 BUT LISTEN TO ME, 288 00:13:57,958 --> 00:13:59,669 IT'S GONNA HAPPEN. 289 00:13:59,669 --> 00:14:00,760 OKAY? 290 00:14:00,760 --> 00:14:02,342 YEAH. 291 00:14:02,342 --> 00:14:03,263 OKAY. 292 00:14:12,682 --> 00:14:13,643 UH... 293 00:14:13,643 --> 00:14:15,235 YOU HERE WITH THE HARD DRIVES? 294 00:14:15,235 --> 00:14:16,686 UM, NO. 295 00:14:16,686 --> 00:14:19,239 OH, YOU READ MY BLOG. YOU'RE A FAN. 296 00:14:19,239 --> 00:14:22,242 NO. I AM LOOKING FOR MAE. 297 00:14:22,242 --> 00:14:24,114 MAE? OH. WELL, SHE'S GONE. 298 00:14:24,114 --> 00:14:27,037 MOVED OUT THIS MORNING, IN A FLASH. 299 00:14:27,037 --> 00:14:28,538 TOOK HER MEAGER BELONGINGS WITH HER AND LEFT. 300 00:14:28,538 --> 00:14:30,120 BUT SHE WAS A DREAM TENANT, THOUGH. 301 00:14:30,120 --> 00:14:33,703 SHE PAID IN CASH AND RESPECTED MY SIDE OF THE REFRIGERATOR. 302 00:14:33,703 --> 00:14:37,127 UM... DO YOU KNOW WHERE SHE WORKS? 303 00:14:41,671 --> 00:14:43,673 THEY STILL PAYING YOU OFF THE BOOKS? 304 00:14:43,673 --> 00:14:45,305 OH, YEAH. 305 00:14:45,305 --> 00:14:47,097 SO HOW'S THE NEW APARTMENT? 306 00:14:47,097 --> 00:14:50,430 BIG, BEAUTIFUL, GREAT. GOURMET KITCHEN. 307 00:14:50,430 --> 00:14:52,432 MY ROOM'S RIGHT DOWN THE HALL FROM THE CHILDREN. 308 00:15:23,383 --> 00:15:25,005 YOU MUST BE CLAIRE. 309 00:15:25,005 --> 00:15:26,006 UH-HUH. 310 00:15:26,006 --> 00:15:27,807 I'M LAURA. COME IN. 311 00:15:29,179 --> 00:15:31,181 YOU'RE NOT AS OLD AS THE OTHER LADY 312 00:15:31,181 --> 00:15:32,812 WHO CAME TO MEET US. 313 00:15:32,812 --> 00:15:34,144 OH. 314 00:15:34,144 --> 00:15:35,515 I'M OLDER THAN YOU THINK. 315 00:15:35,515 --> 00:15:37,187 I AGE BACKWARDS. 316 00:15:37,187 --> 00:15:39,269 LIKE MERLIN, YOU KNOW, FROM "KING ARTHUR"? 317 00:15:40,820 --> 00:15:43,113 HEY, LET ME TALK TO CLAIRE FOR A MINUTE BY MYSELF, OKAY? 318 00:15:43,113 --> 00:15:44,484 YOU WANT TO GO UPSTAIRS? 319 00:15:44,484 --> 00:15:45,485 OKAY. 320 00:15:45,485 --> 00:15:47,117 SO I CHECKED YOUR REFERENCES. 321 00:15:47,117 --> 00:15:49,119 I, UH, I SPOKE, UM, WITH THE KYLES, 322 00:15:49,119 --> 00:15:51,201 WITH MR. KYLE, ACTUALLY. 323 00:15:51,201 --> 00:15:54,204 I LOVE THOSE KIDS. THEY E-MAIL ME ALL THE TIME. 324 00:15:54,204 --> 00:15:55,835 WELL, THEY'RE REALLY SAD 325 00:15:55,835 --> 00:15:57,497 THAT YOU COULDN'T MAKE THE MOVE WITH THEM. 326 00:15:57,497 --> 00:15:59,919 YOU KNOW, IT TOOK MY WHOLE LIFE TO GET TO NEW YORK CITY. 327 00:15:59,919 --> 00:16:01,841 I'M NOT READY TO LEAVE YET. 328 00:16:01,841 --> 00:16:03,213 YEAH, I HEAR THAT. 329 00:16:03,213 --> 00:16:06,296 UM, THAT'S ELIZA'S DAD. 330 00:16:06,296 --> 00:16:08,798 HE'S GONE AND HE'S NOT COMING BACK. 331 00:16:08,798 --> 00:16:12,222 IT'S JUST ME AND ELIZA NOW, SO THAT'S THE DEAL THERE. 332 00:16:12,222 --> 00:16:15,145 MY DAUGHTER'S BEEN THROUGH A LOT, 333 00:16:15,145 --> 00:16:18,098 AND I'M JUST LOOKING FOR SOMEBODY THAT I CAN TRUST 334 00:16:18,098 --> 00:16:19,899 TO BE WITH HER. 335 00:16:19,899 --> 00:16:21,481 WELL, YEAH. 336 00:16:21,481 --> 00:16:24,194 WELL, YOU CAN TRUST ME. 337 00:16:28,238 --> 00:16:30,780 THAT'S WHAT I'M TALKING ABOUT. 338 00:16:30,780 --> 00:16:32,572 YEAH, SEPARATE YOURSELF FROM THE PACK. 339 00:16:32,572 --> 00:16:35,875 YES! OH, THIS IS LOOKING GOOD. OH, YEAH. WE'RE GONNA GET PAID. 340 00:16:35,875 --> 00:16:38,378 YEAH! GO! GO! CAN YOU SHUT UP, PLEASE? 341 00:16:38,378 --> 00:16:40,880 ...MIDDLE OF THE COURSE, AND HERE SHE COMES... 342 00:16:40,880 --> 00:16:42,292 WHOA. HOLD UP. NO. 343 00:16:42,292 --> 00:16:44,174 OH, WAIT. NO, NO, NO, NO, NO, NO, NO. 344 00:16:44,174 --> 00:16:46,126 WAIT, WAIT, WAIT, WAIT, WAIT! 345 00:16:46,126 --> 00:16:47,677 OH! 346 00:16:47,677 --> 00:16:48,928 OH. 347 00:16:48,928 --> 00:16:50,800 OH, MAN. 348 00:16:50,800 --> 00:16:54,264 (man speaking indistinctly on TV) 349 00:16:58,438 --> 00:17:00,019 HELLO. 350 00:17:00,019 --> 00:17:03,063 WHO'S THIS? 351 00:17:03,063 --> 00:17:06,066 NO, I'M--I'M WONDERING HOW YOU GOT MY NUMBER. 352 00:17:06,066 --> 00:17:07,697 DO YOU HAVE A PEN I CAN BORROW? 353 00:17:10,070 --> 00:17:13,863 HI. I'M STEVEN CASEMAN. UH, 2:30. 354 00:17:13,863 --> 00:17:16,656 LITERALLY FOUND YOUR PHOTOGRAPH ON A POSTCARD. 355 00:17:16,656 --> 00:17:18,788 I HAD NO IDEA THE BODY OF YOUR WORK. 356 00:17:21,081 --> 00:17:24,124 I TOOK THAT AT TOMPKINS SQUARE PARK... 357 00:17:24,124 --> 00:17:26,126 ABOUT A HUNDRED YEARS AGO. 358 00:17:26,126 --> 00:17:28,928 WHAT HAVE YOU BEEN DOING RECENTLY? 359 00:17:28,928 --> 00:17:30,300 SHOOTING FOR MYSELF. 360 00:17:30,300 --> 00:17:33,133 WELL, I'M ALWAYS LOOKING FOR NEW PEOPLE TO WORK WITH. 361 00:17:33,133 --> 00:17:35,135 NOT THAT YOU'RE NEW, BUT... UH-HUH. 362 00:17:35,135 --> 00:17:37,137 WE HAVE A CLIENT LAUNCHING A NEW FRAGRANCE. 363 00:17:37,137 --> 00:17:38,558 YOU'D BE PERFECT. 364 00:17:38,558 --> 00:17:40,180 WHAT EXACTLY DO THEY WANT? 365 00:17:40,180 --> 00:17:42,142 WHAT YOU DO, YOUR PORTRAITS-- 366 00:17:42,142 --> 00:17:44,484 PEOPLE ON THE STREET FULL OF EMOTION, 367 00:17:44,484 --> 00:17:46,106 THE WORLD BUSTLING AROUND THEM. 368 00:17:46,106 --> 00:17:48,108 I MEAN, YOU SHOULD SEE THE MOCK-UP. 369 00:17:48,108 --> 00:17:50,110 IT'S EXACTLY WHAT THEY'RE LOOKING FOR. 370 00:17:50,110 --> 00:17:52,152 WELL, YOU WAIT FOR THOSE MOMENTS, YOU KNOW. 371 00:17:52,152 --> 00:17:53,533 YOU CAN'T FORCE THEM. 372 00:17:53,533 --> 00:17:55,155 OH. OKAY. 373 00:17:55,155 --> 00:17:58,288 UM... CAN WE TRY? 374 00:18:04,334 --> 00:18:06,005 I'M NOT INTERESTED. 375 00:18:06,005 --> 00:18:08,588 MR. CASEMAN... 376 00:18:08,588 --> 00:18:10,420 MR. CASEMAN... 377 00:18:10,420 --> 00:18:12,422 DID I SAY SOMETHING TO OFFEND YOU? 378 00:18:12,422 --> 00:18:14,634 I DON'T LIKE BEING PATRONIZED, OKAY? 379 00:18:14,634 --> 00:18:17,637 I CAN SAVE SOME TIME FOR BOTH OF US. I JUST THOUGHT IT WAS SUCH KISMET, HOW I FOUND YOU. 380 00:18:17,637 --> 00:18:20,059 WHAT'S KISMET? BATHWATER IN A LITTLE BOTTLE? 381 00:18:20,059 --> 00:18:21,641 THAT'S WHAT YOU WANT ME TO SHOOT? 382 00:18:21,641 --> 00:18:23,603 YOU FOUND A LITTLE POSTCARD? THAT'S VISIONARY. 383 00:18:23,603 --> 00:18:25,435 SMALL THINKING, SMALL MINDS LIKE YOURS 384 00:18:25,435 --> 00:18:28,067 PERVERT ANYTHING WORTH ANYTHING. 385 00:18:28,067 --> 00:18:29,279 THANKS. 386 00:18:36,075 --> 00:18:38,117 ASK WHITNEY. IS THIS GUY LAME? 387 00:18:38,117 --> 00:18:39,539 WHAT IS THAT? 388 00:18:39,539 --> 00:18:41,120 OH, MY GOSH. IT'S A DATING SITE. 389 00:18:41,120 --> 00:18:43,583 A BOY MENU. 390 00:18:43,583 --> 00:18:45,415 OH, ALYSSA LIKES THAT ONE. 391 00:18:45,415 --> 00:18:46,836 BIG FOREHEAD. 392 00:18:46,836 --> 00:18:48,338 OH, MY GOSH. 393 00:18:48,338 --> 00:18:50,049 WAIT, WAIT, WAIT, GO BACK. 394 00:18:50,049 --> 00:18:53,092 JU--SCROLL UP. 395 00:18:54,804 --> 00:18:57,217 "Paul 174." 396 00:18:57,217 --> 00:18:58,848 HE'S HOT. 397 00:18:58,848 --> 00:19:01,641 OH, YEAH. I THINK HE'S CUTE. ISN'T HE CUTE? 398 00:19:01,641 --> 00:19:04,143 BET HE HAS A GOOD JOB, TOO. 399 00:19:04,143 --> 00:19:06,145 (women whispering indistinctly) 400 00:19:16,446 --> 00:19:18,157 HEY. SORRY I'M LATE. 401 00:19:18,157 --> 00:19:21,080 THE CLIENT HATED THE WHOLE THING. 402 00:19:21,080 --> 00:19:23,243 WHAT DOES Paul 174 STAND FOR? 403 00:19:23,243 --> 00:19:24,624 PAUL WHAT? 404 00:19:24,624 --> 00:19:25,835 OH. 405 00:19:25,835 --> 00:19:28,338 GEE, THAT'S A HORRIBLE PICTURE. 406 00:19:28,338 --> 00:19:29,669 ROY. 407 00:19:29,669 --> 00:19:31,341 WAIT. RELAX. IT'S A JOKE. 408 00:19:31,341 --> 00:19:32,882 I DON'T GET IT. 409 00:19:32,882 --> 00:19:34,884 THE INTERNS AT WORK STARTED THIS THING. 410 00:19:34,884 --> 00:19:36,256 THEY'VE GOT EVERYONE INTO IT. 411 00:19:36,256 --> 00:19:37,887 THEY MAKE UP PROFILES, 412 00:19:37,887 --> 00:19:40,350 LIKE THE GUY WHO'S INTO ACTION FIGURES 413 00:19:40,350 --> 00:19:42,352 OR THE ONE THAT LOVES DISCO. 414 00:19:42,352 --> 00:19:44,564 THEY STUCK MY FACE ON ONE. JUST STUPID, HARMLESS FUN. 415 00:19:44,564 --> 00:19:46,476 IT MAKES THE DAYS GO BY FASTER. 416 00:19:48,728 --> 00:19:51,311 WHITNEY, YOU KNOW WHAT? I'M GONNA CALL WALLY. 417 00:19:51,311 --> 00:19:53,313 HE'S STILL IN THE OFFICE. NO. 418 00:19:53,313 --> 00:19:54,944 HE'LL EXPLAIN. 419 00:19:54,944 --> 00:19:57,317 LET'S JUST... ORDER. 420 00:19:57,317 --> 00:19:58,698 COME ON. 421 00:19:58,698 --> 00:20:01,621 YOU KNOW I WOULD NEVER DO ANYTHING TO MESS THIS UP, 422 00:20:01,621 --> 00:20:03,323 EVER. 423 00:20:08,288 --> 00:20:10,129 I'M STARVING. 424 00:20:27,687 --> 00:20:29,228 EXCUSEZ-MOI EN SECONDE. 425 00:20:32,231 --> 00:20:35,234 I THOUGHT I ASKED YOU NEVER TO DARKEN MY DOOR AGAIN. 426 00:20:35,234 --> 00:20:37,236 I NEED A FAVOR FROM YOU. 427 00:20:37,236 --> 00:20:39,238 I BELIEVE YOU USED THOSE UP, 428 00:20:39,238 --> 00:20:41,240 AND THEN SOME, AND THEN SOME MORE. 429 00:20:41,240 --> 00:20:42,622 DON'T BE AN ASS-- 430 00:20:42,622 --> 00:20:45,455 I MADE A LOT OF MONEY FOR YOU ONCE. 431 00:20:45,455 --> 00:20:48,077 YOU KNOW, I-I RAN INTO NANCY BOWDEN LAST WEEK. 432 00:20:48,077 --> 00:20:50,630 IT REMINDED ME OF THE NIGHT WHEN YOU PUBLICLY INVITED HER 433 00:20:50,630 --> 00:20:52,632 INTO THE LADIES' ROOM FOR SOME COCAINE 434 00:20:52,632 --> 00:20:54,253 AND A THREESOME. 435 00:20:54,253 --> 00:20:56,255 SHE'S STILL AN ART CRITIC. DID YOU KNOW THAT? 436 00:20:56,255 --> 00:20:57,507 I'M CLEAN, CHARLES. TWO MONTHS. 437 00:20:57,507 --> 00:20:59,509 AND, UH, WHAT'S THIS, YOU'RE HERE TO APOLOGIZE? 438 00:20:59,509 --> 00:21:02,051 WHAT IS IT, THE FIFTH STEP? I WANNA PUT UP A SHOW, 439 00:21:02,051 --> 00:21:03,433 ANY OF MY OLD PRINTS, ANYTHING. 440 00:21:03,433 --> 00:21:05,435 YOU CAN HAVE ANYTHING YOU WANT. 441 00:21:05,435 --> 00:21:08,187 JUST TO REMIND THE WORLD I STILL EXIST, HUH? 442 00:21:08,187 --> 00:21:09,769 FANTASTIC IDEA. 443 00:21:09,769 --> 00:21:12,772 YEAH, WE'LL CALL THE SHOW "HOW THE MIGHTY HAVE FALLEN-- 444 00:21:12,772 --> 00:21:17,817 A RETROSPECTIVE IN SHAMEFUL AND EGOTISTICAL BEHAVIOR." 445 00:21:17,817 --> 00:21:20,700 WHAT DO YOU WANT ME TO SAY, HUH? 446 00:21:20,700 --> 00:21:22,902 ALL I CAN DO IS START OVER. 447 00:21:22,902 --> 00:21:25,284 YOU WANT TO START OVER? SHOOT SOMETHING NEW. 448 00:21:25,284 --> 00:21:27,286 PEOPLE TEND TO FORGIVE BRILLIANCE. 449 00:21:27,286 --> 00:21:29,789 SHOOT WHAT? I CAN'T SHOOT. I CAN'T SHOOT. 450 00:21:29,789 --> 00:21:31,170 CHARLES, I CAN'T. 451 00:21:31,170 --> 00:21:32,792 THERE'S NOTHING I CAN SEE. 452 00:21:32,792 --> 00:21:34,173 THERE'S NOTHING I CAN RECOGNIZE 453 00:21:34,173 --> 00:21:36,756 ANYWHERE I LOOK. 454 00:21:36,756 --> 00:21:39,799 I CAN'T FIND IT, ALL RIGHT? 455 00:21:41,421 --> 00:21:44,053 NO ONE'S GONNA HELP YOU, STEVEN. 456 00:21:44,053 --> 00:21:46,305 YOU'RE GONNA HAVE TO HELP YOURSELF. 457 00:21:53,983 --> 00:21:56,646 THANKS. 458 00:21:56,646 --> 00:21:59,779 I NEED A PEDICURE AND A MANICURE, OKAY? 459 00:21:59,779 --> 00:22:02,992 AT LEAST I'LL LOOK GOOD WHEN MY LIFE FALLS APART. 460 00:22:02,992 --> 00:22:04,614 PICK YOUR COLOR. 461 00:22:04,614 --> 00:22:07,076 UH... 462 00:22:07,076 --> 00:22:08,448 WHAT COLOR IS THAT? 463 00:22:08,448 --> 00:22:12,832 UH, I LAYERED MARSHMALLOW WITH BALLET SLIPPERS. 464 00:22:12,832 --> 00:22:15,415 LAYERED, HUH? OKAY, UM, I'LL TAKE THAT. 465 00:22:15,415 --> 00:22:17,046 YOU DON'T-- YOU DON'T MIND? 466 00:22:17,046 --> 00:22:18,418 GO CRAZY. 467 00:22:18,418 --> 00:22:20,339 DRY CUTICLE, VERY DRY. I CUT? 468 00:22:20,339 --> 00:22:22,802 NO, NO. JUST PUSH IT BACK, OKAY? 469 00:22:22,802 --> 00:22:24,884 (women speaking foreign language) 470 00:22:24,884 --> 00:22:27,226 NO, I'M NOT A CHICKEN. I JUST THINK THAT IT'S GROSS. 471 00:22:27,226 --> 00:22:28,598 PLUS, IT REALLY HURTS. 472 00:22:28,598 --> 00:22:30,229 YEAH, IT DOES HURT. 473 00:22:31,350 --> 00:22:33,352 HEY, DID YOU GET THAT SONIC YOUTH T-SHIRT 474 00:22:33,352 --> 00:22:35,354 AT THAT VINTAGE PLACE ON HUDSON AND 12th? 475 00:22:35,354 --> 00:22:37,356 UH, NO. I WAS AT THE SHOW. 476 00:22:37,356 --> 00:22:38,978 AT ROSELAND? 477 00:22:38,978 --> 00:22:40,980 YEAH, THE FALL OF '95, THE NIGHT BEFORE THANKSGIVING. 478 00:22:40,980 --> 00:22:42,572 THANKSGIVING. I WAS THERE. 479 00:22:42,572 --> 00:22:43,573 REALLY? 480 00:22:43,573 --> 00:22:45,194 YEAH. FOUR ENCORES, FINISHED WITH... 481 00:22:45,194 --> 00:22:47,196 THEY FINISHED WITH "RAIN KING." "RAIN KING." 482 00:22:47,196 --> 00:22:49,579 AND THEN STEVE SHELLEY CHUCKED HIS DRUMSTICK INTO THE CROWD. 483 00:22:49,579 --> 00:22:51,160 MY HUSBAND WENT HOME WITH IT. 484 00:22:51,160 --> 00:22:52,792 NO KIDDING? 485 00:22:53,793 --> 00:22:55,254 THAT'S CRAZY. 486 00:22:55,254 --> 00:22:56,876 I'M WHITNEY. 487 00:22:56,876 --> 00:22:59,128 LAURA. PUNK GODDESS. 488 00:22:59,128 --> 00:23:00,590 NICE TO MEET YOU. 489 00:23:00,590 --> 00:23:03,262 YOU, TOO. 490 00:23:03,262 --> 00:23:05,264 SO YOU START LOOKING FOR A NEW JOB ON MONDAY? MM-HMM. 491 00:23:05,264 --> 00:23:06,886 ARE YOU NERVOUS? 492 00:23:06,886 --> 00:23:08,888 NOT WITH MY FANCY MANICURE, I'M NOT. 493 00:23:08,888 --> 00:23:10,269 OH, LOOK AT THAT RING. 494 00:23:10,269 --> 00:23:11,270 OH. 495 00:23:11,270 --> 00:23:13,853 THAT IS BEAUTIFUL. 496 00:23:13,853 --> 00:23:15,645 THANKS. 497 00:23:18,778 --> 00:23:20,690 WHAT? 498 00:23:20,690 --> 00:23:23,072 NO, I... 499 00:23:23,072 --> 00:23:25,074 YOU DO NOT NEED TO HEAR MY PROBLEMS. 500 00:23:25,074 --> 00:23:26,446 YOU KNOW WHAT? 501 00:23:26,446 --> 00:23:29,449 I WOULD BE GLAD TO TAKE A BREAK FROM MY OWN. 502 00:23:29,449 --> 00:23:32,241 SERIOUSLY. SPILL. 503 00:23:32,241 --> 00:23:34,794 OKAY. WELL, I'M NOT 100% SURE, 504 00:23:34,794 --> 00:23:37,246 BUT THERE'S THIS THING, A WEB SITE-- 505 00:23:37,246 --> 00:23:39,919 dateblizzard.com OR SOMETHING. 506 00:23:39,919 --> 00:23:42,341 OH, MY SISTER MET HER CLINGY, NEUROTIC 507 00:23:42,341 --> 00:23:44,303 BUT HANDSOME BOYFRIEND ONLINE. 508 00:23:44,303 --> 00:23:45,304 REALLY? 509 00:23:45,304 --> 00:23:47,176 YEAH. WHY? 510 00:23:49,509 --> 00:23:52,431 HAS ANYONE EVER CHEATED ON YOU? 511 00:23:54,223 --> 00:23:56,225 I WASN'T SURE YOU HAD THE CHOPS, ERIC, 512 00:23:56,225 --> 00:23:58,608 BUT YOU DID A GOOD JOB AS MY REFERENCE. 513 00:23:58,608 --> 00:24:00,229 I GOT THE JOB. 514 00:24:00,229 --> 00:24:02,321 Mae, I been thinking about this. 515 00:24:02,321 --> 00:24:03,693 I don't like it. 516 00:24:03,693 --> 00:24:05,695 IT'S FINE. I CHANGED EVERYTHING UP. 517 00:24:05,695 --> 00:24:07,697 I'M GETTING PAID IN CASH, NO NAME ON THE LEASE. 518 00:24:07,697 --> 00:24:09,699 I'M GOOD WITH KIDS. This is a bad idea. 519 00:24:09,699 --> 00:24:12,331 You're putting other people in danger. I'LL KEEP IN TOUCH. 520 00:24:12,331 --> 00:24:16,035 Wait, do you have the box? YEAH, OF COURSE. IT GOES WHERE I GO. 521 00:24:22,131 --> 00:24:24,133 I THOUGHT ABOUT BUSTING THIS THING OPEN 522 00:24:24,133 --> 00:24:25,755 MORE THAN ONCE. 523 00:24:25,755 --> 00:24:27,757 I'M DYING TO KNOW WHAT YOU KEEP IN THERE. 524 00:24:27,757 --> 00:24:30,760 IF I TOLD YOU, I'D HAVE TO KILL YOU. 525 00:24:30,760 --> 00:24:32,972 YOU BE GOOD. EXCUSE ME. 526 00:24:34,433 --> 00:24:36,015 EXCUSE ME. 527 00:24:36,015 --> 00:24:38,017 UH, MY FRIEND MAE WORKS HERE. 528 00:24:38,017 --> 00:24:40,019 YEAH, RIGHT. LIKE YOU KNOW MAE. 529 00:24:40,019 --> 00:24:42,021 COME ON. I-- I KNOW MAE. 530 00:24:42,021 --> 00:24:43,022 NO. 531 00:24:53,202 --> 00:24:55,665 WHOA. HEY, HEY, HEY, HEY. EXCUSE ME. 532 00:24:55,665 --> 00:24:57,076 SORRY. 533 00:24:57,076 --> 00:24:59,168 $35 IN THE CITY, $60 IF YOU WANNA GO TO BROOKLYN. 534 00:24:59,168 --> 00:25:01,420 UH, HOW MUCH TO DRIVE ME DOWN THE BLOCK? 535 00:25:01,420 --> 00:25:04,293 YOU COULD WALK DOWN THE BLOCK FOR FREE. 536 00:25:04,293 --> 00:25:06,716 YEAH, I KNOW. BUT, LOOK, I'M TRYING TO GET INTO THAT CLUB. 537 00:25:06,716 --> 00:25:08,718 AND I FIGURE, YOU KNOW, IF I ROLL UP IN FRONT 538 00:25:08,718 --> 00:25:12,181 LIKE A V.I.P.-- COME ON, MAN. THAT'S NOT THE ONLY CLUB IN TOWN, MAN. 539 00:25:12,181 --> 00:25:13,553 THERE'S A GIRL IN THERE. 540 00:25:13,553 --> 00:25:16,305 OH. AND YOU... 541 00:25:16,305 --> 00:25:17,897 ALL RIGHT, MAN, LOOK, 542 00:25:17,897 --> 00:25:20,399 I'LL TELL YOU WHAT I'LL DO FOR YOU. 543 00:25:20,399 --> 00:25:23,402 FOR 20 BUCKS, I'LL GIVE YOU THE V.I.P. ROLL UP. 544 00:25:23,402 --> 00:25:26,105 BUT FOR 50, I'LL LET YOU BORROW MY CHAIN, 545 00:25:26,105 --> 00:25:28,487 MY SUNGLASSES AND MY JACKET, 546 00:25:28,487 --> 00:25:31,490 WHICH MIGHT, JUST MIGHT, GIVE YOU A BETTER SHOT 547 00:25:31,490 --> 00:25:34,533 THAN THAT ZIPPY THING YOU GOT GOING THERE. 548 00:25:34,533 --> 00:25:36,956 ALL RIGHT. 549 00:25:36,956 --> 00:25:38,658 OKAY. 550 00:25:38,658 --> 00:25:40,459 SO WHAT'S YOUR NAME, MAN? CARLOS. 551 00:25:40,459 --> 00:25:42,461 CARLOS, LET ME HOLD SOMETHING OF YOURS, MAN, 552 00:25:42,461 --> 00:25:44,253 SO YOU DON'T RUN OFF WITH MY STUFF. 553 00:25:44,253 --> 00:25:46,295 HOW ABOUT A WATCH? YEAH, THAT'LL WORK. 554 00:25:46,295 --> 00:25:47,506 GOOD? 555 00:25:47,506 --> 00:25:49,879 (Gorillaz "Feel Good Inc." playing) 556 00:25:49,879 --> 00:25:51,260 ♪ LADIES, HOMIES AT THE TRACK ♪ 557 00:25:51,260 --> 00:25:52,882 ♪ IT'S MY CHOCOLATE ATTACK ♪ 558 00:25:52,882 --> 00:25:54,263 ♪ I'M STEPPIN' IN THE HEART OF THIS HERE ♪ 559 00:25:54,263 --> 00:25:56,095 ♪ CARE BEAR BUMPING IN THE HEART OF THIS HERE ♪ 560 00:25:56,095 --> 00:25:57,677 ♪ WATCH ME AS I GRAVITATE ♪ 561 00:25:57,677 --> 00:25:59,268 ♪ HA HA HA ♪ 562 00:25:59,268 --> 00:26:02,021 ♪ WE GONNA GO GHOST TOWN, THIS MOTOWN ♪ 563 00:26:02,021 --> 00:26:03,392 ♪ WITH YO SOUND, YOU'RE IN THE PLACE ♪ 564 00:26:03,392 --> 00:26:05,024 ♪ YOU GONNA BIT THE DUST, CAN'T FIGHT WITH US ♪ 565 00:26:05,024 --> 00:26:06,686 ♪ WITH YO SOUND, YOU KILL THE INC. ♪ 566 00:26:06,686 --> 00:26:08,818 ♪ SO DON'T STOP, GET IT, GET IT ♪ 567 00:26:08,818 --> 00:26:10,239 ♪ UNTIL YOU'RE JET AHEAD ♪ 568 00:26:10,239 --> 00:26:12,241 ♪ YO, WATCH THE WAY I NAVIGATE ♪ 569 00:26:12,241 --> 00:26:13,402 ♪ HA HA HA ♪ 570 00:26:13,402 --> 00:26:16,285 ♪ WINDMILL, WINDMILL, FOR THE LAND ♪ 571 00:26:16,285 --> 00:26:17,617 HEY, HEY. I-- EXCUSE ME. 572 00:26:17,617 --> 00:26:19,619 DO YOU KNOW WHERE MAE IS? WHAT? 573 00:26:19,619 --> 00:26:20,620 MAE! 574 00:26:20,620 --> 00:26:22,251 YOU JUST MISSED HER. 575 00:26:22,251 --> 00:26:23,623 WHEN DOES SHE WORK NEXT? 576 00:26:23,623 --> 00:26:25,254 NEVER. SHE QUIT. 577 00:26:25,254 --> 00:26:30,009 ♪ LOVE FOREVER, LOVE IS FREE ♪ 578 00:26:30,009 --> 00:26:31,340 ♪ LET'S TURN... ♪ 579 00:26:36,135 --> 00:26:39,098 OH, I CANNOT CATCH A BREAK. 580 00:26:39,098 --> 00:26:40,429 DAMIAN... 581 00:26:40,429 --> 00:26:42,061 YOU LOST AGAIN TONIGHT. 582 00:26:42,061 --> 00:26:43,643 DID I? 583 00:26:43,643 --> 00:26:45,144 WELL, YOU KNOW, THANK GOD 584 00:26:45,144 --> 00:26:47,146 FOR A LITTLE THING CALLED TOMORROW, RIGHT? 585 00:26:47,146 --> 00:26:49,148 VINCENT DOESN'T THINK YOU'RE VERY FUNNY. 586 00:26:49,148 --> 00:26:51,150 HE SENT US TO COME TAKE YOUR CAR 587 00:26:51,150 --> 00:26:52,822 AS COLLATERAL. 588 00:26:52,822 --> 00:26:55,404 UH, COLLATERAL? WOW, THAT'S A-- 589 00:26:55,404 --> 00:26:57,616 OH! THAT'S ALL YOU-- 590 00:27:01,911 --> 00:27:03,202 COME ON, MAN. COME ON, MAN. 591 00:27:03,202 --> 00:27:05,204 GET IN THE CAR. GET IN THE CAR. 592 00:27:09,839 --> 00:27:12,802 INTENSE FIGHTING HAS ERUPTED IN NORTHERN IRAQ 593 00:27:12,802 --> 00:27:15,214 WHERE THE INSURGENCY HAS TAKEN CONTROL 594 00:27:15,214 --> 00:27:17,216 OF THE MAIN HIGHWAY INTO THE TOWN OF KHABOR. 595 00:27:17,216 --> 00:27:18,597 AMERICAN MARINES ARE ON THE-- 596 00:27:20,219 --> 00:27:22,431 HEY. YOU'RE STILL UP. 597 00:27:22,431 --> 00:27:24,023 YEAH, I CAN'T SLEEP. 598 00:27:24,023 --> 00:27:25,394 YOU ALL MOVED IN? 599 00:27:25,394 --> 00:27:27,396 YEP. JUST GOT THE LAST OF MY THINGS. 600 00:27:27,396 --> 00:27:29,648 SEE YOU IN THE MORNING. 601 00:27:29,648 --> 00:27:31,530 SURE. GOOD NIGHT. 602 00:27:31,530 --> 00:27:33,152 GOOD NIGHT. 603 00:27:41,620 --> 00:27:44,453 ...IS EMBEDDED WITH THE SECOND MARINE DIVISION. 604 00:27:44,453 --> 00:27:47,126 WE GO LIVE TO HIM NOW. DAVID. 605 00:27:47,126 --> 00:27:48,667 THE REPORTS WE ARE RECEIVING NOW 606 00:27:48,667 --> 00:27:50,289 ARE THAT THERE ARE 607 00:27:50,289 --> 00:27:52,211 FOUR AMERICAN MILITARY CONFIRMED DEAD 608 00:27:52,211 --> 00:27:54,794 AND UPWARDS OF 15 CIVILIANS. 609 00:27:54,794 --> 00:27:57,927 AND, UH, GUNFIRE IS ERUPTING NOW-- 610 00:27:57,927 --> 00:27:59,508 LET'S GO! LET'S GO! 611 00:27:59,508 --> 00:28:01,801 UH, THE ENTIRE CONVOY BEING ORDERED AT THIS TIME 612 00:28:01,801 --> 00:28:03,763 TO, UH, SEEK MORE ADEQUATE COVER. 613 00:28:03,763 --> 00:28:05,684 (explosion and static crackling) 614 00:28:07,226 --> 00:28:09,809 IT SEEMS WE HAVE LOST THE FEED. 615 00:28:09,809 --> 00:28:11,811 I'M SURE EVERYTHING'S GONNA BE JUST FINE 616 00:28:11,811 --> 00:28:14,153 AND WE HOPE TO REESTABLISH CONTACT WITH-- 617 00:28:17,486 --> 00:28:19,118 ...SEEK MORE ADEQUATE COVER. 618 00:28:23,162 --> 00:28:24,703 ...MORE ADEQUATE COVER. 619 00:28:33,212 --> 00:28:35,214 LISTEN, CARLOS, MAN, YOU KNOW, SORRY. 620 00:28:35,214 --> 00:28:37,596 MAN, I'M SORRY ABOUT THAT. I REALLY AM. I OWE YOU. 621 00:28:37,596 --> 00:28:39,598 I GOTTA MAKE THAT UP TO YOU. 622 00:28:39,598 --> 00:28:41,600 LOOK, ARE YOU IN SOME KIND OF TROUBLE, YOU KNOW? 623 00:28:41,600 --> 00:28:43,602 BECAUSE, UH, I WORK DOWNTOWN, CENTER STREET. 624 00:28:43,602 --> 00:28:45,554 MAYBE I CAN HELP YOU OUT. 625 00:28:45,554 --> 00:28:48,187 NO, NO, NO, NO, NO, NO. IT'S OKAY, MAN. IT'S COOL. 626 00:28:48,187 --> 00:28:50,109 IT'S COOL. I'LL TAKE CARE OF IT MYSELF. 627 00:28:50,109 --> 00:28:52,481 PUT SOME ICE ON THAT EYE OR YOU'LL END UP 628 00:28:52,481 --> 00:28:55,484 WAKING UP IN THE MORNING LOOKING LIKE THE ELEPHANT MAN. 629 00:28:57,276 --> 00:28:59,278 OH. LET ME GIVE YOU THIS. 630 00:28:59,278 --> 00:29:00,359 WATCH. 631 00:29:00,359 --> 00:29:01,360 WATCH. 632 00:29:01,360 --> 00:29:02,992 LITTLE COLLATERAL THERE. 633 00:29:02,992 --> 00:29:04,363 ALL RIGHT, THANKS, DAMIAN. 634 00:29:04,363 --> 00:29:05,995 YEAH, NO DOUBT. ALL RIGHT. 635 00:29:05,995 --> 00:29:07,997 LISTEN, MAN, I'M SORRY ABOUT THE WHOLE, YOU KNOW... 636 00:29:07,997 --> 00:29:09,999 YEAH. DON'T WORRY ABOUT IT, MAN. 637 00:29:09,999 --> 00:29:11,370 YEAH. 638 00:29:37,196 --> 00:29:38,818 Yeah. 639 00:29:38,818 --> 00:29:40,199 MICHAEL, UH, YOU AWAKE? 640 00:29:40,199 --> 00:29:42,491 Hey, Little Brother. 641 00:29:51,120 --> 00:29:52,581 I CAN'T BELIEVE I'M DOING THIS. 642 00:29:52,581 --> 00:29:54,874 I MADE UP A NAME-- Juliette72-- 643 00:29:54,874 --> 00:29:56,966 BLONDE, BLUE EYES, THE WHOLE NINE YARDS. 644 00:29:56,966 --> 00:29:59,258 I JUST HAVE TO MAKE UP A PROFILE. 645 00:29:59,258 --> 00:30:01,260 WELL, WHAT DOES ROY LIKE? 646 00:30:01,260 --> 00:30:03,262 MANCHESTER UNITED, "THE BIG SLEEP." 647 00:30:03,262 --> 00:30:07,136 Okay, so Juliette72 loves soccer... 648 00:30:07,136 --> 00:30:10,059 AND SHE HAS A NOIR BOOK COLLECTION 649 00:30:10,059 --> 00:30:12,061 and, uh, a ton of sexy underwear, 650 00:30:12,061 --> 00:30:13,392 and... 651 00:30:13,392 --> 00:30:15,354 YOU JUST PICK A TIME AND A PLACE AND YOU SEND IT. 652 00:30:15,354 --> 00:30:17,356 IF HE SHOWS, THAT MEANS HE'S CHEATING. 653 00:30:17,356 --> 00:30:19,148 He's not gonna show. 654 00:30:19,148 --> 00:30:21,240 BUT WHAT IF HE DOES? 655 00:30:21,240 --> 00:30:23,242 YOU KNOW WHAT? I'M GONNA COME WITH YOU. 656 00:30:23,242 --> 00:30:25,244 You don't have to do that. 657 00:30:25,244 --> 00:30:27,246 TRUST ME, BY TONIGHT, I'M GONNA-- 658 00:30:27,246 --> 00:30:28,868 I'M GONNA NEED A DRINK. 659 00:30:28,868 --> 00:30:30,870 THIS IS GONNA TURN OUT TO BE NOTHING. 660 00:30:30,870 --> 00:30:34,163 THEN WE CAN JUST HAVE A GIRLS' NIGHT OUT ON THE TOWN, OKAY? 661 00:30:34,163 --> 00:30:35,584 OKAY. 662 00:30:35,584 --> 00:30:37,216 OKAY. CALL ME BACK. 663 00:30:37,216 --> 00:30:38,337 BYE. 664 00:30:40,129 --> 00:30:42,421 I LOVE THE ROLLING STONES. 665 00:30:42,421 --> 00:30:44,093 YOU DO? YOU'RE 8. 666 00:30:44,093 --> 00:30:46,225 WHAT ABOUT BRITNEY? 667 00:30:46,225 --> 00:30:48,227 MY MOM SAYS THAT BRITNEY'S THE DEVIL 668 00:30:48,227 --> 00:30:51,100 AND THAT KEITH RICHARDS IS GOD. 669 00:30:51,100 --> 00:30:55,774 YOUR MOM'S A SMART LADY. 670 00:31:03,192 --> 00:31:06,405 CLAIRE. 671 00:31:06,405 --> 00:31:08,117 IT'S OKAY. OH. 672 00:31:08,117 --> 00:31:10,659 WHAT'S WRONG? 673 00:31:10,659 --> 00:31:12,201 CLAIRE! IT'S OKAY. 674 00:31:25,464 --> 00:31:28,267 I DID SOME CHECKING ON YOUR FRIEND MAE. 675 00:31:28,267 --> 00:31:30,349 HER SOCIAL SECURITY NUMBER, 676 00:31:30,349 --> 00:31:33,512 IT BELONGS TO A LADY THAT DIED IN 1937. 677 00:31:35,314 --> 00:31:37,316 COME ON, CARLOS. YOU KNOW THIS TOWN. 678 00:31:37,316 --> 00:31:40,519 YOU COULD BE KEN FROM KENOSHA BY DINNER... FOR A PRICE. 679 00:31:40,519 --> 00:31:44,073 MAN... HOW DID I NOT SEE THAT COMING? 680 00:31:44,073 --> 00:31:45,654 MY ADVICE? 681 00:31:45,654 --> 00:31:48,697 DON'T LOOK FOR DATES IN THE HOLDING TANK. 682 00:32:58,147 --> 00:33:02,021 (The Goo Goo Dolls' "Better Days" playing) 683 00:33:18,167 --> 00:33:22,621 ♪ AND YOU ASKED ME WHAT I WANT THIS YEAR ♪ 684 00:33:22,621 --> 00:33:26,585 ♪ AND I'LL TRY TO MAKE THIS KIND AND CLEAR ♪ 685 00:33:26,585 --> 00:33:30,179 ♪ JUST A CHANCE THAT MAYBE ♪ 686 00:33:30,179 --> 00:33:35,304 ♪ WE'LL FIND BETTER DAYS ♪ 687 00:33:35,304 --> 00:33:39,518 ♪ SO TAKE THESE WORDS ♪ 688 00:33:39,518 --> 00:33:43,402 ♪ AND SING OUT LOUD ♪ 689 00:33:43,402 --> 00:33:47,776 ♪ 'CAUSE EVERYONE ♪ 690 00:33:47,776 --> 00:33:52,151 ♪ IS FORGIVEN NOW ♪ 691 00:33:52,151 --> 00:33:54,453 ♪ 'CAUSE TONIGHT'S THE NIGHT ♪ 692 00:33:54,453 --> 00:33:59,118 ♪ THE WORLD BEGINS AGAIN ♪ 693 00:33:59,118 --> 00:34:01,210 HE'S NOT COMING. I'M TELLING YOU. 694 00:34:01,210 --> 00:34:04,213 I KNOW. I KNOW. I'M JUST CHECKING. 695 00:34:04,213 --> 00:34:05,794 I KNOW. 696 00:34:05,794 --> 00:34:07,926 I DON'T KNOW HOW TO THANK YOU FOR BEING HERE. 697 00:34:07,926 --> 00:34:09,718 OH, DON'T WORRY ABOUT IT. 698 00:34:09,718 --> 00:34:11,800 CAN I GET A LYCHEE MARTINI, PLEASE? 699 00:34:11,800 --> 00:34:13,722 SHALL WE? 700 00:34:13,722 --> 00:34:16,675 WE WILL HAVE TWO LYCHEE MARTINIS AS WELL, 701 00:34:16,675 --> 00:34:18,637 TO CELEBRATE THE DEMISE OF Juliette72. 702 00:34:20,519 --> 00:34:24,313 HEY, WHERE IS YOUR RING? I TOOK IT OFF. 703 00:34:24,313 --> 00:34:26,315 THIS IS A VERY BIG NIGHT FOR ME AS WELL. 704 00:34:26,315 --> 00:34:30,649 I WANTED TO TELL YOU ABOUT MY HUSBAND-- 705 00:34:30,649 --> 00:34:32,281 OH, MY GOD. 706 00:34:35,864 --> 00:34:37,286 IS THAT HIM? 707 00:34:37,286 --> 00:34:40,789 OKAY, STAY HERE WITH ME. HEY, Paul 174. 708 00:34:40,789 --> 00:34:43,792 I WANT YOU OUT OF OUR HOUSE, OUT OF MY LIFE! 709 00:34:43,792 --> 00:34:46,335 WOULD YOU HOLD ON A SECOND? WOULD YOU LISTEN? NO, WHITNEY! 710 00:34:46,335 --> 00:34:49,298 WHITNEY, WOULD YOU--WOULD YOU LET ME EXPLAIN A SECOND? HOW COULD YOU DO THIS TO ME? 711 00:34:49,298 --> 00:34:50,669 LISTEN TO ME. LISTEN TO ME. 712 00:34:50,669 --> 00:34:52,341 I KNEW, OKAY? I KNEW. 713 00:34:52,341 --> 00:34:53,972 THE PROFILE WAS TOO PERFECT-- 714 00:34:53,972 --> 00:34:56,385 RAYMOND CHANDLER FICTION, PREMIER LEAGUE SOCCER-- 715 00:34:56,385 --> 00:34:58,347 COME ON, I'M NOT A FOOL. 716 00:34:58,347 --> 00:35:01,390 NO, NO. I DON'T BELIEVE YOU. YOU DON'T BELIEVE ME? 717 00:35:01,390 --> 00:35:03,392 OKAY, WELL, IF I WAS GONNA CHEAT ON YOU, 718 00:35:03,392 --> 00:35:05,984 WHY WOULD I HAVE BROUGHT THIS? 719 00:35:05,984 --> 00:35:09,067 I TOLD YOU I WANTED TO SURPRISE YOU. 720 00:35:09,067 --> 00:35:12,281 WILL YOU MARRY ME? 721 00:35:39,468 --> 00:35:41,220 WHAT'S UP? 722 00:35:51,069 --> 00:35:52,150 MICHAEL... 723 00:35:52,150 --> 00:35:54,573 I'M AT THE SPOT YOU TOLD ME TO MEET YOU, 724 00:35:54,573 --> 00:35:56,325 BUT I DON'T SEE YOU-- 725 00:35:56,325 --> 00:35:58,537 HEY, YO, MY MAN... 726 00:35:58,537 --> 00:36:01,159 NO ONE INSIDE HERE NEEDS A RIDE. 727 00:36:01,159 --> 00:36:03,202 I SUGGEST YOU GET OUTTA HERE LIKE RIGHT NOW. 728 00:36:03,202 --> 00:36:06,705 WELL, GET OUTTA HERE, MAN! 729 00:36:10,919 --> 00:36:13,342 WHAT THE HELL'S GOIN' ON IN THERE, MAN? COME HERE. I WANT TO SHOW YOU SOMETHIN'. 730 00:36:13,342 --> 00:36:16,215 LOOK, I DON'T WANT ANY PART OF THIS. 731 00:36:16,215 --> 00:36:18,887 YOU SEE WHY I NEED SOMEBODY I COULD TRUST? 732 00:36:20,259 --> 00:36:21,720 AAH! 733 00:36:21,720 --> 00:36:23,392 OH, NO! SHOOT HIM, D.! 734 00:36:28,897 --> 00:36:30,309 YO, DAMIAN. 735 00:36:32,771 --> 00:36:36,945 YO, DAMIAN, YOU ALL RIGHT? 736 00:36:36,945 --> 00:36:39,408 HUH? 737 00:36:50,168 --> 00:36:51,790 HAVE THEY STARTED ALREADY? 738 00:36:51,790 --> 00:36:55,714 THEY'VE BEEN WAITING. CONFERENCE ROOM "B." 739 00:36:55,714 --> 00:36:57,215 HI. 740 00:36:57,215 --> 00:36:59,217 MY SMALL MIND IS LATE FOR A MEETING. 741 00:36:59,217 --> 00:37:01,300 JUST--MS. CRANE... 742 00:37:03,972 --> 00:37:07,185 LISTEN... 743 00:37:07,185 --> 00:37:09,187 THE WORD IS "SORRY," MR. CASEMAN. 744 00:37:09,187 --> 00:37:11,310 I'D LIKE TO WORK. I'M READY TO WORK. 745 00:37:11,310 --> 00:37:14,313 I WASN'T READY LAST WEEK, BUT I AM READY NOW... 746 00:37:14,313 --> 00:37:16,154 THANKS TO YOU, ACTUALLY. 747 00:37:16,154 --> 00:37:17,736 ME? HUH. 748 00:37:17,736 --> 00:37:19,908 YOU FOUND THAT POSTCARD... 749 00:37:19,908 --> 00:37:22,911 AND SEARCHED OUT A GUY WHO A LOT OF OTHER PEOPLE 750 00:37:22,911 --> 00:37:24,493 WOULD BE HAPPY TO FORGET. 751 00:37:26,365 --> 00:37:28,497 THE FRAGRANCE JOB IS GONE. 752 00:37:30,459 --> 00:37:31,670 OKAY. 753 00:37:31,670 --> 00:37:33,502 BUT I HAVE THREE OTHER ASSIGNMENTS, 754 00:37:33,502 --> 00:37:35,504 SO COME IN ON TUESDAY WITH A PORTFOLIO 755 00:37:35,504 --> 00:37:37,926 AND THAT MOUTH OF YOURS ZIPPED TIGHT. 756 00:37:50,058 --> 00:37:52,100 HEY, WHAT UP, BRO? 757 00:37:54,102 --> 00:37:56,655 THAT SHOULD COVER THAT DEBT. 758 00:37:58,737 --> 00:38:01,279 I DON'T WANT YOUR MONEY. 759 00:38:01,279 --> 00:38:04,202 YOU SAVED MY LIFE LAST NIGHT. I SHOT A MAN LAST NIGHT. 760 00:38:04,202 --> 00:38:06,615 TWO SHOTS, DEAD CENTER. 761 00:38:06,615 --> 00:38:08,367 YOU CAN'T CHANGE WHO YOU ARE, D. 762 00:38:08,367 --> 00:38:11,330 THAT'S NOT WHO I AM, NOT ANYMORE. 763 00:38:11,330 --> 00:38:13,041 DON'T BET ON THAT. 764 00:38:15,213 --> 00:38:18,176 LISTEN, I GOT SOME FRIENDS. THEY LOOKIN' FOR A RUNAWAY. 765 00:38:18,176 --> 00:38:21,179 COME ON, MAN. YOU MIGHT SPOT HER DRIVING AROUND. 766 00:38:21,179 --> 00:38:24,182 PUT SOME REAL MONEY IN YOUR POCKET. 767 00:38:38,066 --> 00:38:41,109 WELL, HERE GOES NOTHING. MY FIRST JOB INTERVIEW. 768 00:38:41,109 --> 00:38:42,110 LAURA. 769 00:38:42,110 --> 00:38:43,742 YEAH. 770 00:38:43,742 --> 00:38:45,904 UM... 771 00:38:45,904 --> 00:38:48,577 I... 772 00:38:48,577 --> 00:38:50,579 I DON'T WANT TO INCONVENIENCE YOU, 773 00:38:50,579 --> 00:38:52,911 BUT I DON'T THINK I CAN STAY. 774 00:38:52,911 --> 00:38:54,913 WHAT? 775 00:38:54,913 --> 00:38:57,916 I THOUGHT--I THOUGHT IT WAS GOING REALLY WELL. 776 00:38:57,916 --> 00:38:59,297 IT IS. 777 00:38:59,297 --> 00:39:03,592 I JUST--I HAVE SOME THINGS THAT I NEED TO WORK OUT. 778 00:39:03,592 --> 00:39:05,764 WHAT'S GOIN' ON, CLAIRE? 779 00:39:10,098 --> 00:39:13,061 MM. 780 00:39:13,061 --> 00:39:16,064 UM, YOU KNOW, WHEN DAVID DIED SIX MONTHS AGO, 781 00:39:16,064 --> 00:39:19,147 THE BOTTOM JUST DROPPED OUT OF MY LIFE. 782 00:39:24,282 --> 00:39:28,116 BUT I CAN TELL YOU THAT THERE'S A WAY BACK... 783 00:39:28,116 --> 00:39:32,290 FROM... ANYTHING. 784 00:39:32,290 --> 00:39:34,292 AND IF YOU WANT TO STAY HERE WITH US 785 00:39:34,292 --> 00:39:37,085 WHILE YOU'RE DEALING WITH WHATEVER IT IS, 786 00:39:37,085 --> 00:39:39,087 WE WOULD LOVE TO HAVE YOU. 787 00:39:39,087 --> 00:39:41,880 BUT IF YOU DON'T... 788 00:39:41,880 --> 00:39:43,341 I UNDERSTAND. 789 00:39:43,341 --> 00:39:44,342 OKAY? 790 00:39:44,342 --> 00:39:45,504 OKAY. 791 00:39:45,504 --> 00:39:47,175 OKAY. 792 00:39:56,314 --> 00:39:59,107 HEY, THERE HE IS. 793 00:39:59,107 --> 00:40:01,069 THERE'S THE MAN RIGHT THERE. 794 00:40:02,070 --> 00:40:03,442 HOW YOU DOIN'? 795 00:40:03,442 --> 00:40:06,114 HEY, MAN, ALL THE BEERS YOU CAN DRINK ON ME. 796 00:40:06,114 --> 00:40:07,696 OH, DUDE. THANKS FOR CALLING. 797 00:40:07,696 --> 00:40:09,327 AW, MAN, NO DOUBT. 798 00:40:09,327 --> 00:40:11,329 GOT ME OUT OF A TIGHT SPOT. HOW'S EVERYTHING? 799 00:40:11,329 --> 00:40:12,701 EVERYTHING'S GOOD. 800 00:40:12,701 --> 00:40:14,663 I JUST HAD THE CRAZIEST WEEK, THOUGH, YOU KNOW? 801 00:40:14,663 --> 00:40:16,665 I PUT MY ENTIRE CAREER IN JEOPARDY, 802 00:40:16,665 --> 00:40:19,337 I GOT INTO THAT COOL CLUB, WHICH WAS GREAT, YOU KNOW, 803 00:40:19,337 --> 00:40:21,339 GOT IN A FISTFIGHT, AND, UH, I GOTTA SAY, 804 00:40:21,339 --> 00:40:23,341 I FEEL MORE LIKE MYSELF THAN I HAVE IN 805 00:40:23,341 --> 00:40:26,094 I DON'T KNOW HOW LONG. HMM. 806 00:40:26,094 --> 00:40:27,966 AND IT'S ALL BECAUSE OF THAT GIRL. THE GIRL. 807 00:40:27,966 --> 00:40:29,718 YEAH. WHAT WAS HER NAME AGAIN? 808 00:40:29,718 --> 00:40:30,679 MAE. 809 00:40:30,679 --> 00:40:31,970 HEY, CHEERS TO MAE. 810 00:40:31,970 --> 00:40:33,141 CHEERS. 811 00:40:33,141 --> 00:40:35,684 OOH, AND CHEERS TO THAT GUY OVER THERE. 812 00:40:35,684 --> 00:40:37,856 HE'S, LIKE, EATING HER FACE. JUST TAKE A BREATH, MAN. 813 00:40:37,856 --> 00:40:39,437 JUST A BREATH. PLEASE. 814 00:40:39,437 --> 00:40:41,189 BREATHE, YOU KNOW WHAT I'M SAYIN'? JEALOUS. WE'RE JUST JEALOUS. 815 00:40:41,189 --> 00:40:43,021 HE'S HAVING A GREAT WEEK. 816 00:40:43,021 --> 00:40:45,063 OH. 817 00:40:45,063 --> 00:40:49,237 ♪ MEET ME OUT IN THE OPEN SKY ♪ 818 00:40:49,237 --> 00:40:54,072 ♪ PERFECT STORM IS ON THE RISE ♪ 819 00:40:54,072 --> 00:40:55,243 ♪ BEYOND THE CITY ♪ 820 00:40:55,243 --> 00:40:57,375 ♪ MOVING IN AS PLANNED ♪ 821 00:40:57,375 --> 00:41:03,381 ♪ SOMETHING COMES FROM A STRANGE LAND ♪ 822 00:41:05,003 --> 00:41:08,887 ♪ THERE'S A TRAIL OF DUST ON THE BUILDING TOPS ♪ 823 00:41:08,887 --> 00:41:11,259 ♪ IT'S EVERYTHING YOU'VE WANTED ♪ 824 00:41:11,259 --> 00:41:15,804 ♪ HERE IT COMES NOW ♪ 825 00:41:15,804 --> 00:41:19,477 ♪ READY OR NOT ♪ 826 00:41:19,477 --> 00:41:22,561 ♪ THE FUTURE COMES 'ROUND ♪ 827 00:41:22,561 --> 00:41:26,484 ♪ MUCH SOONER THAN YOU THOUGHT ♪ 828 00:41:26,484 --> 00:41:31,700 ♪ HERE IT COMES NOW ♪ 829 00:41:31,700 --> 00:41:34,953 ♪ READY OR NOT ♪ 830 00:41:34,953 --> 00:41:38,957 ♪ THE FUTURE COMES 'ROUND ♪ 831 00:41:38,957 --> 00:41:42,330 ♪ MUCH SOONER THAN YOU THOUGHT ♪ 832 00:41:42,330 --> 00:41:47,175 ♪ HERE IT COMES NOW ♪ 833 00:41:47,175 --> 00:41:51,049 ♪ READY OR NOT ♪ 834 00:41:51,049 --> 00:41:55,263 ♪ THE FUTURE COMES 'ROUND ♪ 835 00:41:55,263 --> 00:41:59,097 ♪ MUCH SOONER THAN YOU THOUGHT ♪ 836 00:41:59,097 --> 00:42:01,940 ♪ HERE IT COMES NOW ♪ 837 00:42:01,940 --> 00:42:04,272 THERE IS A THEORY 838 00:42:04,272 --> 00:42:06,274 THAT ANYONE ON THE PLANET CAN BE CONNECTED 839 00:42:06,274 --> 00:42:09,447 TO ANY OTHER PERSON THROUGH A CHAIN OF SIX PEOPLE. 840 00:42:09,447 --> 00:42:14,112 NO ONE IS A STRANGER... FOR LONG. 58188

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