Original subtitles

[funeral march]

[Campana Rinocchi]

[Radio] We are six injuries mortals at the Ilva of Taranto.

Only the last in order of time It is the accident that took place a few days ago

to Claudio Fedele of 46 years, dead crushed by a carroponte

After doing 32 hours of work In just two days.

[man in Tarantino]

[radio] ... is precluded. But now let's hear the workers.

have we understood what happens?

What is the union?

The money is the union!

think only of the cards. They think about being well and we die.

- You speak and we die. - Good evening.

- [man] Good evening. - Good evening.

- [Radio] The union! - Please.

A gingerin.

[radio] in the factory you cannot not even comment.

workers are threatened, "Do this or you go" ...

- Please. - This is the situation ...

We report a behavior of the anomalous company.

workers are also threatened If they say that a staircase can fall.

Everyone is afraid.

[sounds "The Bad Touch" of The Bloodhound Gang]

[non -audible items]

[high volume music]

[man] I lower this music?

Did you talk to your uncle?

- No, though! You said you talked to him. - Then I'm talking to him.

"Then I'm talking to him, then I'm talking to him." You never talk to him!

Do you like this?

- It's nice. - I bought it today.

- When do you take me to dance? - Hey, still with this story.

- Never take me! - You say I have to go dancing?

- [man] Who is it? - Florian.

- What do you want? - I came to call Anna.

Not to find me?

You have to buy a new one.

- He ruined the whole cassette. - You broke it.

I? This is a little waterfall. Here everything is a little waterfall.

Cascetone you are you!

Anna, we have to go, hurry up.

What did I tell you yesterday, huh?

[in Romanian]

Oh, hey ... here you are in Italy and talk to Italian,

Otherwise come back to your home to do the gypsies.

We are not gypsies And she must come with me.

- Give me a cigarette. - I don't smoke.

He says he doesn't smoke!

- Give me a cigarette. - I don't have it, I don't smoke.

Come on, that I saw you.

- I don't have it, I don't smoke! - I saw what smoke!

[Anna in Romanian]

[Anna in Romanian]

He says he doesn't smoke!

[door closes]

Ilva kills

[in Tarantino]

[man 1]

[man 2]

[man 3]

[man in Tarantino]

[man 1]

[man 2]

Yes, but if you don't strike, Things will not change.

- What is this strike for? - Keep, read.

[in Tarantino]

The privatization of the factory We are paying it for workers.

Staff cuts and increased shifts.

Are you calm? I do not.

The situation is not so simple, You know it well.

Sorry ... Morra, Romanazzi, what do we do?

You have been going around for two days to break the balls to the workers!

Basile, this is union activity.

Now I make you two hours of fine For yesterday and for today, to both of them!

And the car? Who gave you the authorization?

Go back to the departments, strength.

To the departments, everyone, move!

Moving, me, I'm not! To the departments!

[in Tarantino]

[siren]

[TV] The man was close to Squarnorno number four of the Ilva di Taranto

When a machine crushed him against a wall.

It all happened in a few minutes. All help is useless.

The man died instantly. Two investigations open by the judiciary.

On the causes of the accident investigates also the work inspectorate.

The steel workers have called A strike from 11:00 to 15:00.

[Basile] Lamanna?

- Are you Dr. Vincenzo's grandson? - Yes.

- What's your name that I don't remember? - Caterino.

Caterino!

Come, I'll give you a ride.

- [Basile] How is the doctor? Well? - [Caterino] Yes, he is fine.

He retired to live at the sea now.

- That saw me grow. - Yes?

- Greet me. - Certain.

Dr. Giancarlo Basile.

- Are you in the batteries? - Yes.

Do you like it?

Sometimes they make me suffer.

For any problem, let me know.

- I don't want to disturb. - What a disturbance, Lamanna!

The doctor's nephew?

Anything!

Okay, thanks.

Do you always have animals at the farm?

A few hens, some sheep, but few.

One day I come to get a ... A few fresh egg.

How not.

In short...

Caterino.

You want to continue to throw the blood to the batteries?

I do that.

[in Tarantino]

[laugh]

[Basile] then, Caterino, we understood ourselves.

[Renato from the megaphone] We cannot affect

in industrial policies As we have done so far!

We must convince ourselves of this.

We must be sure of these limits and reason with them.

In fact, even today, as you can see, We are here to celebrate

What has become almost a ritual, that is, the death of a man!

workers should not ...

should not bend to patronal blackmail!

They want to pay workers

The price of this phantom Renovation.

Instead we must demand ...

We must demand compliance with the safety rules

because working safely means Keep the risks.

[in Tarantino]

- [excited voices] - You convinced yourself at the end.

- I am Aldo. - Caterino.

[confused cries]

[indistinct voice]

[shout]

[tinnitus]

[confused cries]

[cry]

Everything OK?

Do you think everything is okay?

- I also lost a day of work. - I am sorry.

The cock that you sorry.

Salt, I give you a ride.

Go, go, wait for the bus. Go!

- [Anna] What did you do? - Nothing.

- Did you make a barrel? - Anna, please!

Please!

What are you doing here?

It was raining, I wanted to expect.

Do you really love me?

- Are you pregnant? - No.

I am trying to say,

Are you a normal couple?

- What does "normal" mean? - It means like everyone else!

If we are a normal couple, Why don't we live in a normal house?

I don't want us to get married and stay In that house there, in the countryside.

All right.

- Good morning. - Good morning.

- Look for someone? - Dr. Basile.

- Are you Mr. Lamanna? - Yes.

Follow me, he is waiting for her.

- [Basile] Next. - [woman] Excuse me.

- Mr. Lamanna arrived. - Lamanna, come.

Our director, Our head of.

- Good morning. - Dr. Moretti.

- I will sit down. - What did you do in the face?

You understand the speech What did Dr. Basile made you?

You just have to keep us informed. The less you point out, the better.

- Lamanna is a good Christian. - Yes, but he must calm down.

[Caterino] Of course.

[phone rings]

Understood that the doctor said? Yes.

[Basile] Do it pass.

- They put me in the middle. - But ...

[Bussano]

[Aldo] Good morning, Dr. Moretti. Good morning, Giancarlo.

[Basile] Then, Aldo.

Did we put ourselves to strike?

You did Even in blows with security?

You know that I never strike, But this time the motivation was right.

The motivation ...

Aldo, the new property could consider hostile certain behaviors.

- Forget the union. - The problem is Morra, the trade unionist.

Let's solve it once For all, Romanozzi.

- Meaning what? - Leave it in the middle.

[Basile] Lamanna, you can go.

The secretary has a delivery to give you.

Romanozzi ...

[knock]

- Basile told me to come here. - [woman] Yes, I know. Come.

This is for the delivery of the machine corporate. It is at the parking number eight.

- A car for me? - For her.

[Moretti] The company has great expectations about her.

does not betray our trust.

It would be a shame.

When you work at night,

because I know instead of working do an hour of rest,

When it's up to Morra, You leave the door open

And then we think about ...

Eh?

I have a head of the area.

All right?

[Aldo] Morra had A big problem in the family.

The father had the stroke And only he takes care of it.

[woman] this instead, I signs it here.

Yes?

It is the modification of his contract with the update of his new role.

It seems surprised.

Foreman?

Yes.

Dr. Basile Didn't he say anything to her?

Congratulations.

- Sign this. - Things?

- [Moretti] We move it. - How, do you move?

Its sector is too strategic, We can't leave it there.

Do you send me into steel? I can't sign, I'm a computer scientist.

I don't have skills to stay in steel.

Do you want to give us a hand with Morra?

Do you think.

[horn]

[in Tarantino]

[Aldo] Good morning.

[Domenico]

[Basile] This is another that goes to the Laf building.

I tell you.

[verses of fatigue]

[deep breaths]

[Renato] It's all polluted. Trade union activity.

All.

- [Man 1] Lamanna. Good morning. - Good morning.

[Renato] Union activity.

[in Tarantino]

[Renato] Union activity, thanks.

[Renato] You don't know that ...

[man 2] If it is not us To want to change ...

[Summary] Avvocato d'Alò.

[Caterino] Now, leave it alone Which is dirty, but it is perfect.

Is fine.

It's as if it were mine.

I only put gasoline, Not even the insurance is paying.

- Did they make you a foreman? - Yes.

- So they pay you more. - Eh!

[In Tarantino] I am beautiful, I don't! They make you go down the milk.

- [Man 1] Mè, beautiful! - [Man 2] Do you want to move?

[horn]

Who is? It is Aldo that.

- [Man 3] We calm down. - [Aldo] How do I calm down?

[Aldo] is an infringement that I have not committed!

I went with yellow.

- The traffic light was still yellow. - Calm.

- What happens? - I don't understand anything.

I saw those who laughed it while they made me this absurd fine.

They take it with those who respect the rules.

- Calm down. He is a good person. - Here, I am a good person.

I'm not a fool! Is it clear?

- Write it as well. - I didn't write any reports.

Now. When you write it, Write: "Aldo Romanazzi is not a fool"!

Do you calm down? Don't you see you're giving show?

[horn]

- [Caterino] I will get on the car. - I...

Don't worry, I'm talking to him. Can you go?

- Yes, to the asylum. - Here, go.

- Thank you. - Please.

[horn]

Oh, what do you play? Hurry up, go!

[In Tarantino] he is a good person. I'm talking to the commander!

The driving license has forgotten it.

- Even the license. - [Man 3] Go, go.

[indistinct to shout]

Who are you looking for?

- Aldo Romanozzi where is he? - He's no longer here, they moved it.

When?

It will be a couple of days.

He said he had a promotion.

A promotion? Where?

He didn't tell me, But in my opinion they put it to the Laf.

Oh! What are you doing here?

- No, I have to give a license to one. - You can't stay here.

- Can't I be here? - You can't stay.

- Why? - Because I say it.

- What do we play that I enter? - We see.

- [Man 1 in Tarantino] Take it! - [Man 2] Yes, head.

[Vociare]

[In Tarantino] Take it in the ass!

[Man 1] Come here!

[shots at the door]

[woman] oh, but you ...

Finally a nice young man here.

- What happened? - Nothing.

- Where is Aldo Romanazzi? - Am I his mom? Go see inside.

Young, do you courte of me?

See if it remained a little coffee, if they are not done.

Good morning!

- Oh! Where is Aldo Romanozzi? - [Man 2] He is at the bottom.

Permit.

[Together] "Ave Maria, full of grace, The Lord is with you.

[Together] you are blessed among women And Benedetto is the fruit ... "

- [Man 1] One entered. Where is he? - [Man 2] beyond.

[Man 1] Stay there! Walk, come here!

- [Man 1] Walk! - Taken!

Lamanna, you here too?

- Oh! Oh! - Let's go.

- You lost your license. - [Man 3] Luckily he found it.

- Let's go! - It went well.

- Oh, let it stay! - What the fuck do you do?

- What the fuck do you do? - Leave it to be.

We will protect with the director!

Fuck Mammeta!

- Why did you do it? - [Caterino] I wanted to see how you were.

Well? Have you seen? We are all on vacation here, Caterino.

Ué, leave it alone! Do it badly!

Lamanna, how should I do with you, huh?

What the fuck did you do there? Can you know?

You really had to give The license to Romanozzi?

Lamanna!

You treat it too well.

To Romanazzi?

To Romanozzi.

You have promoted him, to him.

You put it there,

where the salary will take home without doing anything all day,

in the face of those like us that they make a deck like this!

[Basile] Ah, yes?

You think that it helps you.

- Instead... - What?

Instead if he understands it with Morra.

He was there too, in that room.

I saw them, they were making it sign cards to other colleagues.

- [Basile] Yes? - Eh.

- Was there also Morra? - Yes.

In my opinion they are combining something.

[Basile] mmh ...

I followed Morra the other day And I saw where it went.

Do you know where's going? By a lawyer.

By the lawyer d'Alò.

Of alò.

And good Lamanna.

I had underestimated you.

And then, you're right.

I keep you in the batteries And I'm doing so well.

You want to go too among the employees?

To scratch your balls all day?

Where? To the laf?

To the Laf, sissignor. Do you want to go?

- Do you send me to the LAF? - Lamanna.

If you really want to go there, I send you.

Truly?

Sissignore, Lamanna.

I send you to the Laf.

But tell me everything that happens there.

Available, it's okay.

I want to know everything. You have to tell me everything they do.

All right. Are you happy?

Bravo, Lamanna.

Go.

Then, Lamanna.

Tomorrow a supervisory machine he will accompany him to his new department.

I sign?

No, this does not.

I recommend, if he needs to move away or a permit,

must warn exclusively Dr. Basile.

All right.

Good luck.

[man] The patient number 48 arrived, dead that speaks.

[Caterino] In the ass to Mammeta.

[Man 2] Are you still here? Then you are fool.

- Now I'm here too, Madam! - Congratulations!

- Thank you. - He hurled me!

This is another fucking problem!

What does he have? Have you lost to cards?

Do you also play money here? It is fine!

- It was clear that you too here too. - You and I don't?

- It's ready. Do you want to favor? - No, maybe later.

- I feel guilty a little. - Don't start, it's all my credit.

[Aldo] I made a mess that day.

Here you have to get by. Listen, put here with me.

- I'll keep me company. - Oh, what a company!

I'm fine alone, other than company!

What's in here?

Oh!

- What's in here? - It is closed.

It is closed.

[In Tarantino] What is this doing?

[Sferragliamento]

From today Caterino Lamanna has his office!

This is already inguate with his.

If someone is looking for me, he must first knock.

Otherwise I don't let him in. I also write it here, Caterino Lamanna!

- [man] Lamanna? - [Caterino] Oh.

[raspberry]

[laughter]

[Vincenzo] Look where the field lies.

It seems normal to you train under the altars,

In the midst of mineral parks? Can you?

Your wife, the same disease?

There you only die of this.

Oh well, but now things are changing.

Yes, of course, how not!

Remember Giancarlo Basile?

[Vincenzo] Giancarlo, The son of the surveyor.

It has become a big piece.

Greets you.

Do you really want to go to live in drums?

The house is close to the plant, uncle.

He is also close to Anna's work. It is more comfortable.

We are thinking of getting married.

[Vincenzo] The house has been closed for three years.

Oh well, we make them take A little air.

[Vincenzo] Eh, air.

Okay, go and see it.

If you like ...

Then we agree, come on.

[Bussano]

Compliments! What a nice office You did.

Have you put here too?

No, I don't.

It is still hot.

Thank you.

I take an hour of union permit To come and see how you are.

- The others are beyond. - I arrive.

Then, gentlemen.

Good news. The lawyer accepted the assignment.

Now it's about understanding how to proceed,

But we must organize ourselves.

[Renato] If they do a job proposal, You have to tell me immediately.

- Yesterday they called me. - [Renato] What did they say?

Here are there by mistake And they found a solution.

- [In Tarantino] they make fun of us. - How much should we stay here?

- How much? - The chairs are also missing.

- I know, Aldo, but I can't tell you. - [woman] I have been here for seven months.

I am tired! If they ask me To clean the toilets, I do it.

But where is the union?

The union? Here it is, the union.

[Renato] You must sign the proxies If we want to proceed.

[Renato] Take.

[indistinct buzz]

Lamanna.

[Basile] Aldo, bring us two beers.

At that time?

- Morra said that ... - [Summer] Wait.

He said that the lawyer accepted the assignment ...

[non -audible items]

[Bus bell]

You are still happy, huh?

You will see that the nausea will go up Right back at you.

- The nausea? To me? - Yes.

- Do you know where I was? - Where?

To clean the ovens of the Cokeria.

The nausea comes to you that you can no longer do The cape behind the desk.

What do you know?

Do you know why you're sick in there?

You understand that to get out there you have to put the worker's suit

and go to work, but really no more command anyone.

- I've never commanded anyone. - Eh ...

Instead why don't we clean the building?

We remove the mold, so we are better.

What the fuck do you have to clean?

I am already a lot that I have not set everything on fire.

Really?

What the fuck is going on?

[siren]

Misery! Leave them, what costs you?

You think you are At the recreational circle here?

Look here, look here. The ball.

To your age still games to ball?

The ball ... look.

- You were organizing the tournament. - We closed here something we have to do.

- Are you now running? - We are working. What do you do?

Nice craft of shit you chose, But be careful.

- Be careful of you. - [woman] put their hands on us!

- [In Tarantino] Enough! - [woman] eh, enough.

We are working. Let's do what they tell us from above.

You stop making controversy.

- You don't laugh. - You don't make me laugh.

- Let's go. - Fuck face.

- What did they get on their heads? - This is a prison.

Why?

Why?

[Fracasso]

What is this smell?

The house was closed three years, It's normal.

- [Florian] is the stench of the factory. - What do you know? Look at that.

[in Romanian]

[Florian]

[Anna]

- Always... - [talk to Romanian]

Oh! Just a little.

[woman in Romanian]

[Anna]

[BEATI]

[BEATI]

[Tapy breath]

[indistinct noise]

[wind hiss]

[watch ticking]

[deep breath]

[hit]

[deep breath]

[hit]

[deep breath]

[deep breath]

[deep breaths]

[indistinct noise]

[man] Meanwhile you have promoted Variale And you wanted to punish me.

Why? Eh? Because I told the truth, that's why.

Oh, I'm telling you.

[hit]

[whisper]

[Together] "Our daily bread and put our debts back to us ... "

[blows]

They made a mistake to send you here.

Ready, Dr. Basile?

[burp]

We liked, thank you.

The phone is only a receiver. He does it every day, after eating.

Do you do it every day?

[music from the stereo]

[Caterino] Anna!

Hey! Who gave you permission to take my things?

- What is this? - What do you care?

Why do you get angry?

Here are secrets that no one has to know.

[in Tarantino] has arrived, takes and reads.

- [laugh] - Don't laugh.

- Come on, let me see. - No.

- Let me see. - You can't.

- Let me see. - I said you can't. Come on!

Let me see! Don't you show me?

"The phone doesn't work,

But Franco Orlando pretends to call in Basile and make him cliffs "?

"Leonardo Morra spoke with the lawyer to sue the company. "

"Ha" is written with the Acca.

"Almost everyone plays cards And maybe even money. "

- Why do you write these things? - So, why ...

I have to remind me of things, then I write them.

[deep breaths]

[woman] Good morning.

Excuse me...

I was assigned here.

The patient number 52 has arrived.

- Mom. - Good morning.

Are you not the secretary of Basile?

Yes.

Here, we lacked another that cries here!

- I didn't expect it. - by whom? From Basile?

Madam, come with me.

- Don't worry, everything will be fine. - Thank you.

- What a good, it's so caring! - Leave this hand!

Come here, lady, everything will be resolved. You don't be ashamed, huh?

People are sick And you make the caricature.

Schifosis, rude, skimmed! Come, lady.

Really!

La Liaci.

What does it do here?

If it allows me, it seems strange to me who punished her for a contract.

Mr. Basile is crazy. We all here are controlled by the madmen.

Oh, doctor, good morning. Did you look for someone? News for me?

- How are you? - How should we be?

Ah, Orlando!

- There is Basile. - Basile?

There is Basile.

Did you want to tell me something on the phone?

- I stay here. - No! Come, Madam, nothing happens.

How is digestion today? Everything OK?

You think I have it with you.

On the personal level, in short.

But what do I have to do? I have to do Even the interests of the company or not?

I am looking for in every way A solution.

- We know your solutions. - Aldo, please.

Look how you have reduced.

[Basile] to play games And weirds on the phone.

The tourist village, instead of working! Don't you be ashamed?

[Summer] What a shit. Stay stop or slap it in the front!

- Wait, we hear where he wants to arrive. - Get it to speak!

It is impossible.

- Can I talk? - Come on, speak.

Do you make me talk?

I know very well That you are not workers, I know.

I'm asking you only to adapt a little

At this historical moment who is experiencing the company.

- You want to work, yes or not? - [Man 1] I yes.

- Let me work. - Doctor, I too want to work.

[Man 2] Me too. Where do you want to send us?

Festinant!

Festinant ...

[Basile] Then ... oh, in steel two.

- Do you want to go? - I?

As a loading crane.

[In Tarantino] he is an engineer And do you send it to the steel tree?

We are in renovation!

- Do you want to understand it, yes or not? - This is old!

Orlando, you want to be a buffoon here Or do you want to work?

- Go to the maintenance of the Nastri train? - I? As?

- [Orlando] with this leg? - What leg?

With this leg send me there? I go there, I really want to see!

[Basile] Take a turn alongside Before saying no.

- Take it a support turn! - [Renato] Franco ...

Take a turn alongside.

What does it cost you? So much to him What the fuck cares, the life is yours.

You sent here qualified staff With the excuse of the exuber

What do you want to send the workers now without any competence

And in them you put your friends.

Which redundant? My friends? Here we went crazy!

They are the choices of the company

for the reorganization of the production structure.

- Ah, yes? Is that so? - I wonder, you should know well.

You have signed the agreements Or did you forget it?

Can you tell you to these people?

We act in the most complete legality.

It is a right of the Tutelary company The turnover in addition to jobs.

[in Tarantino] we still Are we feeling it?

No, you hear him which certainly resolves the situation.

I told you, the job is there. Then...

[In Tarantino] Do as you want.

[Man 3] Always discussions, Morra!

Now we are point and at the head And now we will also have the rest.

He is right.

It will always be worse. Always worse will be, I tell you.

Here you don't live anymore,

And people continue to arrive.

I do what I can.

[Renato] The lawyer gave up to the assignment.

He doesn't even answer me on the phone anymore.

[Dog Abboia]

Lamanna.

Come, come.

[Basile] Sit.

Who writes these things here? Have you seen them?

"Basile Bastardo and Negriero" to me?

Find me the manager of this thing.

You control Morra's computer

And you see if it comes From the building, 'I'm sucks.

Bastards!

- What do you say? Do I do bad impression? - No, but it speaks little.

- I'm curious to meet them. - ssh ...

- Good evening. - Good evening.

- She is Anna. - Pleasure, Aldo.

- He is Aldo. - Accommodated. The others have already arrived.

[Anna] Thanks.

[Summer] Don't talk about the building. Here at home they know nothing.

All right.

Dioxin and asbestos kill you. The Ilva bought us with few pennies.

- Thousands of families feed. - [Woman 1] They care.

The alternative is the closure, Many people without work.

Didn't you have to reach your brother?

Yes, in fact. It's better if I go.

[Renato] Oh well.

Maybe it's the case that ... oh well.

- All very good anyway. - [Woman 2] Thanks.

Sorry, it is now a continuous one. With his father it is a war every day.

Maria, enough, don't start. Come on, prepare coffee for everyone.

- Do you want coffee? - I'm not, I'm fine.

- [Maria] well. - Limoncello.

- You do the limoncello, Maria? - Yes.

[Voices from TV]

But ... have you seen this?

- Where did you get it? - [Caterino] is everywhere.

To the concierge ...

- At the canteen, to the changing rooms, everywhere. - Who gave it to you?

- of the former colleagues. - Yes?

Who knows who writes them.

What is written is true. Basile is exaggerating.

It is better if he is careful.

[Tension music]

[non -audible items]

[in Tarantino]

Oh! Oh!

Forget it.

No, here if you don't get respect, They put your feet on your head.

Oh! But...

Open!

[excited voices]

[Renato] No, this is a persecution! This is a persecution this!

No, I report you! You can't do it, it's a persecution!

Have you seen? Have you seen they are doing me?

It's a persecution!

[Aldo] What happened?

I had to check his computer,

he lost his head And vigilance has come.

- Why? Was there anything on the computer? - I do not know.

- Where do they bring it? - I shouldn't have.

Are you happy with what you do?

- What do I do? - We are doing the spies!

[in Tarantino]

Here a technician of the seventh level all the bones fell and fractured.

He didn't have to stay on the carroponte. They sent it to us by punishment.

How far do we want to arrive?

I do not know. Why, what do you want to do?

I don't make a spy anymore.

Then they say they don't become terrorist.

Violence is not a good solution.

They took them, cut his legs. Bum, Bum.

Those resolved it immediately.

See if one has to think certain things ...

But we have to do something! We have to do it!

That's better that none of us has done badly so far.

There are many at the building that could make a bullshit.

- Really? - Festinant is one of those.

Let's channel! Caterino, Do we want to make the hunger strike?

I want to see if they don't listen to us.

Aldo.

We chain here.

You are an asshole you put on her head Some things! Now that is thrown away!

- Aldo! It is better if we chain each other. - [Caterino] again?

- What should I do? - Aldo?

- Aldo, hey! Go down! - They kill themselves, do something.

- I? And what do I do? - I don't know, do something.

Don't throw yourself, crazy!

- [Caterino] crazy, don't throw yourself! - [Aldo] Who throws himself?

- [Caterino] Didn't you want to throw yourself? - [Aldo] I have family, but do you think?

Have you ever wondered why next to it to the largest steel mill in Europe

Isn't there even a fork factory?

Our steel serves to build someone else's wealth.

Only the monnezza remains to us.

I have an idea.

[Aldo] What idea?

The bishop comes to celebrate the mass for employees to the shed.

Well?

We write to him a letter And do we personally deliver it there?

[sounds "dream love" by A. Laszlo de Simone]

♪ There is no one ♪

♪ and I loved a shadow ♪

[Sing] ♪ There is no one ♪

♪ A kiss in the air ♪

♪ There is no one ♪

♪ I learned ♪

♪ that to dream ♪

♪ You must have your eyes closed ♪

♪ and feel the breath ♪

♪ To be able to imagine what ... ♪

I liked to sing, now I don't sing anymore.

♪ There is no one ... ♪

She has a beautiful voice, do you know?

- No. - It is true.

But go!

♪ There is no one ... ♪

What does he do?

- Do you want to dance? - Hand!

Come on.

♪ A kiss in the air ♪

♪ I will give ♪

♪ There is no one ♪

♪ I loved a shadow ♪

♪ There is no one ♪

♪ A kiss in the air ♪

♪ I will give ... ♪

Do you want to know one thing?

♪ It doesn't matter Which are alone ... ♪

Yes.

Here is a spy.

It is impossible.

♪ I know you don't even want ♪

♪ This deck of flowers ♪

♪ which I took out here ♪

♪ How many flowers ♪

♪ that I bought ... ♪

[Basile] Lamanna?

So what happened? You don't see you anymore, you don't feel you anymore.

- Everything OK? - Everything OK.

How is our work?

I'm doing it.

- You're doing it. - Yes.

Don't you have to tell me anything?

Listen to me.

[non -audible items]

[Liaci] If you want, I can write the letter.

- [Liaci] I have a nice calligraphy. - Leonarda da Vinci arrived!

- Do you prefer to write her? - [woman] no, face.

Madam, write. Excellence...

- [Man] No, it is better eminence. - No, Franco.

- Eminence is the Pope. - [Liaci] excellent monsignor?

[man 2] Dear Monsignor, We pray it ...

I save us from Ilva.

Because we do not ship it Instead of doing this mess?

[Orlando] Here is the coward. Instead no!

We have to do it in front of everyone! Everyone must see!

[Man 2] He is right. You give it to you, Franco?

You have to decide here, it's important.

[In Tarantino] Your dead.

French fury and Spanish retreat. I carry the letter.

[Together] Brava!

[deep breaths]

Monsignor ...

She doesn't know us.

We are workers Ilva.

We are the confines of the Laf building.

The exiles.

Contrary to that which is said to the factory,

We are not incapable or washing workers,

But high -level professionals ...

than against all our will

We are forced to spend the days working in a disused building,

forced to do nothing, all the time.

To get us out of here, To some of us, provocatively,

assigned assignments have been entrusted who have nothing to do with it

with our skills

And in this way we are humiliated a second time.

[Sirena alarm]

All this leads us to believe that the proposals,

Far from being aimed to actually relocate someone,

they only serve to provide alibi to property

to have offered a possible relocation

to people who must appear ...

little or not available.

[thunder]

Come on, forward! On this side, in a row for two.

Fast, come on!

[man] Let's go, those behind, come on!

[man] Mè, Guaglioni, They are waiting for you!

[man] I don't raise the step! Come on!

[buzz]

Your places are at the bottom.

- Why do we have to stay there? - Because I say it.

- I want to be in the front row. - No, you there.

- Do you realize how you treat us? - Yes, certainly.

- Monsignor, sorry ... - Madam, what are you doing?

[Monsignor] "Father, truly holy, source of all holiness,

sanctify these gifts with the effusion of your spirit

so that they become the body for us And the blood of Jesus Christ.

[monsignor] while waiting that the blessed hope is fulfilled

And our Savior Jesus Christ comes. "

[indistinct voice]

[Monsignor] "This is my body offered in sacrifice for you. "

[Monsignor] The body of Christ.

The body of Christ.

The body of Christ.

The body of Christ.

The body of Christ.

The body of Christ.

The body of Christ.

The body of Christ.

Don't make cracks, Rosalba.

[Basile] Don't make cracks.

[Monsignor] The body of Christ.

- Hey! - The body of Christ.

Good.

- The body of Christ. - Amen.

These knew everything!

- How is it possible? - They were waiting for us!

We write to the President of the Republic, At the command of the carabinieri, to the newspapers!

- If they discover us again? - [Orlando] What do you have to lose?

In your opinion they answer us.

[Aldo] We have to go to Morra. You have to talk to him.

- When? - Tomorrow.

No, tomorrow I can't.

[Anna speaks in Romanian]

[talk to Romanian]

Love?

Everything OK?

[Garrito]

[deep breaths]

[cadenced strokes]

[indistinct to shout]

[funeral march]

[cadenced strokes]

[cadenced strokes]

[shots caded in crescendo]

[deep breaths]

- Good morning. - [Liaci] Good morning.

- What happens? - Maybe because he has to ...

Maybe it's on this side.

- What happens? Is there any problem? - [Liaci] does not accept the badge.

- give me. - [Liaci] Thanks.

Did you sleep well?

The usual.

Mrs. Liaci, this is for you.

Is it for me?

They put me in extraordinary layoffs.

- In layoffs? - for the surplus of staff.

I wanted to plant flowers.

She plays them.

- Oh, leave me! - It can't stay here!

- Hey! - Dr. Basile, I'm sorry.

I was unable to block it.

Don't worry, Veronica. Come, Lamanna.

You come!

Do you want to understand that you can't do this? This is not your home!

Aspects, Basile. Maybe he came to tell us something.

Tell us.

Because you put it In layoffs?

- Who? - Nothing, the secretary, Liaci.

Do you want to separate us? Of the truth.

But what ...

When will you ever understand something, Lamanna?

But here ...

- Here a mess is about to happen! - Basile.

Lamanna, someone contacted The Public Prosecutor's Office.

They will come to make an inspection. She knew nothing about it.

- No. - What do we want to do it in?

You return to his work, Lamanna. Go.

Me...

[woman] I brought some coffee.

Anyway I'm sorry for Liaci.

It wasn't so nice to me, though ...

- But in the end we are so bad here? - Well ...

It seems to me to be in a water bath.

[Together] ♪ You are my life ♪

♪ Other I don't have ♪

♪ You are my road ♪

♪ My truth ♪

♪ in your word ♪

♪ I will walk ♪

♪ As long as I have the breath ♪

♪ until I live ♪

♪ I will not be afraid, you know ♪

♪ If you are with me ♪

♪ Please, stay with me ... ♪

[woman] Is there anyone inside?

But how many are you?

Seventy -nine, doctor. 'O mariuolo.

Good morning everyone.

- [Aldo] Have you seen who is back? - Oh, are you here too?

The letter you have written for the bishop

I brought it to the prosecutor And the car has set in motion!

Caterino, we go from here.

It is true that you told Liaci What was a spy here?

- No, what spies on? - If you know, you have to tell it.

- It is true? - No, I don't know anything! What is the spy?

I am happy that everything is over. Here you didn't breathe anymore, good.

I am really happy.

[woman] Sorry.

[Moretti] We needed better staff organization,

full of redundancies.

We inherited from the state A company in pieces.

It was not a private war against those workers.

[Basile] according to Romanozzi I would have it damaged if he had not agreed

to my request to leave The open door of its department.

But what sense does it make?

I already have my own of all the keys,

of all the doors of the departments.

[woman] non -work produces a worrying level of stress.

Can you talk to me about symptoms?

I found a reactive depression to the working environment,

sleep loss, suppressive car ideas.

[Woman] All effects attributable to a mobbing situation.

What do you mean by mobbing?

[woman] I mean a situation in which they undergo harassment

and physical and verbal abuses in the workplace.

[Moretti] we were unable to offer working activities to those people

to which it has always been given

full company availability to wait, at home,

completely paid, A new location.

Is this mobbing this?

If you were the subject of this request, Why didn't they transfer it to the LAF?

As union delegate, I could not suffer similar treatments.

To get rid of me, They had to catch me in the foul.

What motivation gave her Basile For this transfer?

[Liaci] said to me: "There is no more place for you as an employee.

If you want to continue working here,

You have to transform your contract from employee to worker. "

[coughing strokes]

[woman] she is Caterino Lamanna,

by Enrico, born in 1957?

Yes.

[woman] Mr. Lamanna, What is its qualification

Inside the Taranto steelmate?

- I did not understand. - What system does it work in? What work does it do?

Worker. Maintenance and renovation of ovens.

[woman] I know which has recently been promoted.

[woman] has been promoted Capiturno or am I wrong?

Ah, yes, the foreman.

But she was also placed In the Laf building, right?

Yes.

[woman] but unlike her colleagues,

She had the task of referring to Basile What happened there, I say good?

- Some time. - [woman] how sometimes?

- She said she usually did it. - Mr. Judge ...

- I did what they told me to do. - Why?

Madam, lady! The company needed me

- [BRUSIO] - [Caterino] That there is the redundant, there is ...

You can no longer stay a little here, a little beyond.

- A moment, what is there? - What?

You just said: "We are a company Important, here is there ... "is there?

Redundancies.

- What does it mean? - That you have to work.

Mr. Judge, you have to work well.

What does it have to do with it? I asked her if he was a spy.

What is the spy?

They had given me a car.

They had taken me out of the cookies where I breathed the shit!

Mr. Lamanna, model the terms.

Mr. Judge, it's the truth.

But the promotion to me It has never been recognized.

I had the office, I had become an employee.

I was part of the staff office.

Mr. Lamanna, please. Which means it was part

of the staff office?

Basile and I stay like this.

Mr. Lamanna, answer me this question.

She was aware that his delations would get worse

The living conditions of his colleagues in the building?

[deep breaths]

[deep breaths]

Yes.

They played, while I was working. I was the only one who worked in there!

The company has become important And you don't want to do a fuck!

- Mr. Lamanna! - Traitor!

Ah, so she was in competition with the defendants.

In competition, but how do you speak? In competition!

- Did you agree with Basile? - Yes!

- So now it is clear to me. - Oh!

[woman] I have no other questions.

- [judge] can go. - Can I go?

[judge] Yes, it can go. Do you have a lawyer?

You are looking for one, it's important.

View? We recognized the importance of its role. Is it happy?

- Yes, oh well, but how much do you give me? - [laughter]

- [judge] gentlemen. - We will give them what it deserves.

[in Tarantino]

I should introduce myself to decapaggio for support.

[man]

Their dead!

[man 2]

- Where do you have to go? - I have to introduce myself to the decapaggio.

- Are you one of the acid? - Do you know where I have to go?

I don't know anything, nice. Give yourself to do.

[Caterino in Tarantino]

[in Tarantino]

[siren]

[coughing strokes]

[coughing strokes]

[coughing strokes]

[man 1] says: "Take its personal effects

and from tomorrow he moved In a building

Waiting to find a new accommodation. "

[man 2] The company considers us His men.

says: "Claudio, forget it The union thinks about the family. "

[man 3] There was those who looked at the wall and prayed,

Whoever looked at the wall and cried, who kicked the wall.

At that moment I convinced myself who, truly, goes crazy there.

[sigh]

are ugly memories.

[man 4] I had a crisis of depression.

Consequently you always remember it. I still remember it today.

[man] I can't tell it because I go into crisis,

Then I'm no longer serene.

[Ring "My land" of Diodato]