Original subtitles

(muffled chattering over radio)

(sirens wailing)

(tense music)

(motorcycles revving)

(tense music)

(glass shattering)

(toilet flushing)

(tense music)

(muffled chattering in Spanish over speaker)

- Did you get 'em?

- [Natalie] Yeah.

- [Carsten] Let's go.

(pensive music)

(car horns honking)

(muffled chattering in Spanish on radio)

(car horns honking)

(tense music)

- How long is your stay?

- Oh, a couple days?

- Credit card, please.

- No problem, the credit card is just for security purposes.

You will pay how you like when you leave.

- Okay.

- [Receptionist] Your last name?

- Reynolds.

- Reynolds.

Your room is down the hall and to the left.

- Jesus Christ, smells like shit in here.

What a dump.

- Look, I thought maybe we could go out

for a nice dinner tonight.

It's just been a while since we've had

a nice romantic dinner.

- Yeah, sure, let's do that.

- I read about this one place in the guidebook

that was in the downtown district.

- [Carsten] El Centro.

- [Natalie] Yeah.

Well, the restaurant looked really nice.

I'll look it up again, we can go there.

- Yeah, sure, Nat, sounds like a great idea.

Jesus Christ, this place is a shit hole.

It doesn't even have a mini bar.

- Look, you said yourself we can't always stay

at the nice places.

- [Carsten] I didn't mean this dump either.

- We're gonna run out of money if we keep staying

at the places you like.

- That I like?

Me?

It doesn't matter, Nat, it's fine.

- Hey!

I love you, okay?

- We had something good, right?

- [Natalie] Yeah.

- Something special?

- We still do.

Look, we don't have to go out to dinner tonight

if you don't want to.

- Are we just pretending?

Why?

- What are you talking about?

- What are we doing?

- You told me we needed to get away.

- This, it's broken, Nat.

- No.

- Yes.

- Don't say that.

No, we're fixing it.

That's what this whole trip is about.

- No, this trip is a fantasy, Nat!

It's over, please, baby, you gotta wake up, please.

I can't do this, geez.

(Natalie crying)

- Can I help you?

- Have you seen my husband this morning?

- No.

- He checked in with me last night,

six-feet tall, brown hair, blue eyes.

- No, I don't remember.

- [Natalie] Look, he went on a walk last night.

He probably came right through here.

- No, I didn't see him, no.

- Okay, well, just keep it.

Maybe someone else will see him.

If you do, just please tell him I'm looking for him.

- [Receptionist] Okay, I'll keep a lookout.

- Okay, great, thank you.

- [Natalie] Excuse me.

Have you seen this man?

Have you seen this man?

- Carsten.

I'm looking for this man.

- Have you seen him?

Maybe he .

- [Woman] No.

- No.

(water babbling)

(truck whirring)

(truck rumbling)

(truck rumbling)

(people chattering in Spanish)

(siren wailing in distance)

- The main office?

- Can I come in to report him missing?

(police speaking in Spanish)

(people chattering in Spanish)

- I need to report a missing person.

- (speaking in Spanish) He's missing.

I don't know where my husband is.

- I need to report a missing person.

My husband, he's been missing since last night.

His name is Carsten Reynolds, I can write it down for you.

- Please.

(tense pensive music)

(men laughing)

- Hey, Miguel!

(tense music)

(tense music)

(water rushing)

(soft tense music)

- Please, is she coming back?

Is she gonna come back here?

I just need to know if she's coming back,

'cause I'll just go to the American Embassy.

I'll go if--

- [Santiago] Mrs. Reynolds?

- Yeah?

(soft tense music)

- Right this way, Mrs. Reynolds.

(soft tense music)

You can sit here.

When was the last time you saw your husband?

- Last night.

- So it hasn't been 24 hours yet.

- We got into a fight and he stormed off,

but he never stays out all night,

no matter how upset he gets.

- Does he always run from a fight?

- Don't all men?

He's left me alone before, but it was always for business.

He's not working right now, we're on vacation.

- [Santiago] I assure you, Mrs. Reynolds--

- Natalie.

- We will do everything we can to find your husband.

I'm sure you know we don't have the manpower

that you guys have in the US.

When did you enter the country?

Where did you fly into?

- We've been traveling by bus for a few weeks now.

- Are you familiar

with your husband's business associates, Mrs. Reynolds?

- Natalie, and no.

He always said I should stay out of it.

He never told me anything.

- Wait here for a moment, please.

Martinez!

(Martinez speaking in Spanish)

- I need you to take a look at these.

Look closely.

The man you're looking at is Miguel Jimenez.

He's a known leader of a local drug ring.

Still pretty low level, but he's gaining power

in the business.

You sure you've never seen this man before?

- I'm sure.

I'd remember.

Can you please tell me what this has to do with Carsten?

What is this?

- Your husband is working with these men.

- Why didn't you tell me this right away?

- I've been working on this case for almost a year,

and I'm sorry to tell you, but I've seen your husband

work his way up in Miguel's inner circle.

He's a very dangerous man, Mrs. Reynolds.

He's a murderer.

- [Martinez] Senor.

(Martinez speaking in Spanish)

- Gracias.

He left you in hotels more than once?

That's not a vacation I'd like to go on.

- It was for work.

He's in pharmaceuticals.

- That's one word for it.

Listen, Mrs. Reyno, Natalie.

I know this isn't what you expected to hear,

but finding your husband and Miguel

is a top priority for this department.

- Do you even know where they are?

- I assure you we're working on it.

- They could have killed him already.

He never leaves without telling me how long he'll be gone.

- I promise you, there's no evidence to suggest

that he's in any danger.

Miguel's been laying low, but we've been able

to track your husband's credit card.

We were notified of a local transaction yesterday.

We hoped it could lead us to both of them.

Natalie, why don't you wait in my office

while I make a few calls?

- I was gonna give that to the embassy.

You take it.

At least you know he can't leave the country.

(people chattering) (tense music)

(tense music builds)

Taxi!

Taxi!

(tense music)

(taxi wheels screeching)

(water babbling)

(bodyguard speaking in Spanish)

(tense pensive music)

(bell dinging)

- Two nights, 600 pesos, please.

- Your change?

- No.

- Hi, I'm looking for my husband.

I was wondering if he was here?

His name is Carsten Reynolds.

- He's been missing for two days, are you sure?

- I'm looking for my husband. (guard speaking in Spanish)

- I just need to... (guard speaking in Spanish)

(tense music)

- [Miguel] Come on, guys.

(tense music)

(soft tense music)

(soft tense music)

(Miguel laughs)

(tense music)

- I never believe in second chances,

but always take care of my own.

- Stay on your good side, noted.

(Miguel laughs)

- [Family Friend] How's the trip going?

- Did Carsten call you?

- [Family Friend] Not recently, why?

- No reason.

He didn't mention anything the last time you spoke about,

about work, or--

- [Family Friend] What's going on, Natalie?

- Nothing, it's nothing to worry about.

Hey, listen,

I'm gonna need you to give Carsten a message for me.

- [Family Friend] Sure, what?

- Tell him,

tell him I'm sorry, and that I ran out again.

And tell him I love him.

- [Family Friend] You'll talk to him before I do.

- I gotta go.

- [Family Friend] Oh, okay, goodbye.

(women chattering in Spanish)

- (speaking in Spanish) For rent?

- [Natalie] Okay, what are those?

Are those public lockers?

- Is there anywhere close by?

(window clerk speaking in Spanish)

(car horns honking)

- Hey, it's me.

- [Cecilia] So, how did it go?

- Not really as expected.

He killed Ramon.

- [Cecilia] Just another part of your promotion.

Are you surprised?

- I've just never seen Miguel like that before.

- [Cecilia] Just be careful around him.

- Can I see you?

- [Cecilia] Is she still in town?

I'm not sure how much longer I can do this.

- You know it's not that easy, I can't just leave her.

- [Cecilia] I'm running out of patience.

I only see you when you need a change of clothes.

- Why don't you come see me now?

- [Cecilia] I'll be there.

(phone clicking)

(Carsten and Cecilia moaning softly)

(Carsten panting)

(Carsten and Cecilia grunting and moaning)

I miss you.

- Excuse me.

Excuse me, look, I'm not trying to hurt you.

- Who are you?

- My name is Sebastian.

I need to talk to you about Carsten.

Can we go somewhere quiet?

I don't know where to begin, I--

- If you're just gonna waste my time, I'm leaving.

- Where is it, Natalie?

- Where's what?

- The money.

My partner and I had an arrangement with your husband.

He didn't hold up to his end of the deal,

and I don't plan to go to prison for his crimes.

Miguel had been stiffing us,

giving us only half of our usual cut

to make sure that his money couldn't be traced.

Carsten thought that we should be compensated.

He was coming back with the money from the last job

so that we could split it three ways,

quarter of a million American dollars,

each.

- We've been traveling for weeks.

He's never had that kinda money.

- This man is not who you think he is.

- I know exactly who he is.

I got this shit from the police yesterday.

I don't need it from you.

- I wouldn't be asking you if I had any other choice.

You're the last one who's seen Carsten since the buy.

We thought that he took the money and ran,

until you turned up.

- Just tell me where he is.

- I don't know.

(Natalie scoffs)

They both stopped contacting us.

We needed to protect ourselves.

- You're helping Santiago?

You're trying to set him up?

- If we find Carsten, or Miguel, or the money,

we're free, no charges for any of it.

Santiago will let us go.

- Why should I help you?

(pensive music)

- That's the address to Carsten's lover.

- Fuck you!

(tense pensive music)

- She may know something, but we can't get close to her.

You can.

Look, if Cecilia knows where the money is,

or where Carsten is,

all of this can be over.

Don't you want to know where he is?

Do you have anywhere to stay tonight?

- No.

- I'll get you a room at the Hotel Conquistador.

Do you know where it is?

- I'll find it.

- You'll be safe there.

I'm gonna help you find Carsten, okay?

(soft pensive music)

I'll meet you tonight, around eight o'clock.

- Okay.

(tense pensive music)

- I thought it was gonna be our night.

- It won't take long.

I just gotta keep him happy, you know how he gets.

He trusts me.

- Promise me you're gonna stay here tonight.

Please don't go back to the hotel.

- Of course not.

After tomorrow, she won't have to know where I am anymore.

- She doesn't have to know you're with me?

- That's not what I meant, and you know it.

Look, you heard what he said.

After we sell the 50 kilos, we'll finally have enough money

to pack our bags and get the hell outta here for good.

We'll have a whole week before Natalie even realizes

I'm not coming back.

- I promise. (laughs)

(soft pensive music)

(knocking on door)

- Do you know who I am?

- Should I?

- [Natalie] How 'bout now?

- What do you want?

- Where is he?

- I haven't seen him in weeks.

- I know he comes here when he leaves the hotel.

I need answers.

- You want to take a look?

Bitch.

(tense music)

Satisfied?

- Where else would he go?

- I don't know.

- I know he was planning on leaving me.

Where's the money?

- What money?

- The money he stole!

- Look, believe me, I don't know where Carsten is,

and I don't know anything about the money, okay?

- Stop lying!

- I think your interpretation of a lie is flawed.

All those times he left you alone, you knew he was with me.

I make him happy, you make him miserable.

- I'm not gonna let you take him from me.

- When was the last time he threw you down

and screwed your brains out?

When was the last time he ran his tongue all over you,

giving you chills in places you didn't even know you had?

- Shut up.

- He stopped touching you years ago,

probably around the time he met me.

- He loved me.

(tense music)

- Honey, your marriage was over.

After this job with Miguel, he's coming back for me

and you'll never see him again.

Get out.

(tense music)

(Natalie grunting)

(Natalie groaning)

(Cecilia grunting)

(Cecilia gasping)

(muffled chattering) (muffled whirring)

(train clattering along track)

(clock ticking)

(tense music)

(soft knocking on door)

- Where the hell have you been?

What took you so long?

Did you go to Cecilia's?

Did you talk to her?

Hey, where were you?

What's going on?

What the fuck is going on with you?

- Don't touch me!

- What is going on with you?

(tense music)

- What the hell are you doing?

Don't touch my shit!

- Stop, stop, hold on, one sec.

Just stop, okay?

Just stop.

Look, I know we don't know each other,

but we're both looking for Carsten.

I need you to calm down.

Tell me what happened.

Natalie, what happened?

Talk to me, please.

What happened to you?

- I killed her.

- What?

What?

- [Natalie] Don't!

(Natalie panting)

- Where?

Is her body still there?

(pensive music)

Did anybody see you leave?

(tense pensive music)

Get cleaned up.

Now.

Now!

(tense pensive music)

Fuck!

Go find something to wrap her in.

(tense music)

Ready?

(tense music)

Go back to the hotel.

I'll finish this up.

(tense music)

(gun firing)

(man yelling in Spanish) (loud banging)

(tense music)

- (groans) Fuck!

I thought you had my back.

- Whoa, whoa, slow down, Miguel, slow down!

- I know you weren't trying to rip me off.

You would never do that to me!

- Shit was going south!

We could have fucking died in there!

Someone had to make sure we got away with the money!

I didn't know shit was gonna get so ugly!

- Didn't you?

Are you sure?

It wasn't your plan all along?

- You shouldn't have told them you had that much product

unless you could deliver!

He had enough money for three times

the amount of coke that we had!

Why, why the fuck would he do that?

- Okay, all I'm saying is that he thought

we had more product than we could supply.

You're not Pablo Escobar, man,

you gotta stop acting like it.

- I knew you could handle yourself, okay?

- I swear, Miguel.

Look, it's over now.

- 'Cause I will find her.

(dramatic tense music)

(gun fires)

(Angel speaking in Spanish over phone)

(Angel speaking in Spanish over phone)

(Angel laughing)

(Sebastian speaking in Spanish over phone)

- Martinez!

(pounding on door)

- Natalie, it's Sebastian.

The police found Carsten.

- [Natalie] Well, where is he?

Can I see him?

- He's dead.

(tense music)

- Santiago told me he'd be safe.

He said they wouldn't hurt him!

- Apparently, he's been dead for a long time.

- Well then, it's not him.

I just saw him three days ago.

- Santiago saw his body.

- Santiago's wrong, Carsten was here.

- I've been following you for days now,

and I haven't seen Carsten once.

- That's not right.

(tense pensive music)

- What's going on?

(tense pensive music)

- I'm sick.

- What?

- Sometimes, the things I see aren't real.

- Like a schizo?

- Fuck you, you don't understand.

- You can't expect me to believe this.

It's pretty damn convenient.

Just tell me the truth!

- I am telling you the truth.

Carsten was real.

Our vacation was real, it was real to me!

- Just stop with the bullshit, Natalie!

Admit to me that you knew about the money!

- I didn't.

You think I don't know how this looks?

This is why I don't tell people.

- I don't understand.

- I don't know what you want me to say.

- When, exactly, is the last time that you saw Carsten?

- I can't do this.

He's not dead, I need to see him.

- That's not a good idea.

- Why?

- Because Santiago knows that you're lying.

(siren wailing) - I'm not lying.

- Well, he doesn't know that.

- So tell him.

- He's gonna want answers.

(tense music)

Fuck!

We gotta go!

Hurry up!

Come on, let's go, go, go, go!

(tense music)

- [Sebastian] Let's go!

(tense music)

- Where are we supposed to go, your place?

- No, that's the first place they're gonna look. (panting)

(tense music)

(cell phone ringing)

(tense music)

- We should be safe here tonight.

- Then what?

He'll never believe me.

You don't and you're on my side.

- I do now.

Leave it to me, okay?

I won't let them hurt you, Natalie.

You should get some sleep.

I'll take the couch.

You go upstairs.

(glass shattering)

(footfalls stomping on stairs)

None of this is important right now.

We need to keep you safe

until we can explain things to Santiago.

Miguel is still out there.

He'll be looking for any connection to the money,

or to Carsten.

Plus, you have the police looking for you.

Us.

We're both in danger.

- [Family Friend] I'll help in any way I can, Detective.

Let me know what I can do.

- Of course.

I'm glad he had your number in his wallet.

I didn't know how to notify his next of kin.

Thank you for your time, and again, my condolences.

- You should change if they're looking for us.

(cell phone ringing)

You'll have to answer it some time.

- Maybe.

(cell phone beeps)

- Look, I'm really sorry to put you in this position.

Not a lot of people know about my condition

besides Carsten and my family.

I'm not an idiot, I know people wouldn't believe me.

It's too damn convenient, right?

(cell phone ringing)

You should tell them.

- No.

- [Natalie] Then I will.

- They won't understand.

- My parents thought that I shouldn't tell Carsten

because he wouldn't understand, but he did.

You do.

This is me, all my cards on the table.

It's your move.

- Not yet.

This is delicate.

It's something that needs to be done face to face.

- You have voicemails,

lots of 'em.

- And I will answer them when I know what to say.

We should go.

We can't stay here.

(coughing)

(spitting)

(tense music)

(gun firing)

(man yelling in Spanish)

(punch thudding) (Miguel yelling)

(punches thudding)

- No! (gun fires)

(tense music)

- Santiago.

- [Santiago] Si?

(tense music)

- Cecilia?

- [Martinez] Okay.

(tense music)

- We're leaving.

Start packing, we gotta get the fuck outta here now!

- What the hell happened to you?

- We don't have time.

We have to get the fuck outta town.

We gotta go south, Columbia, maybe even further.

We just gotta lay low for a while.

- Just slow down a minute.

Please, tell me what happened, you're hurt.

- Nat, we don't have time.

I'll explain everything on the road.

Jesus Christ, why does everything

have to be such a big deal with you?

(woman speaking in Spanish)

(Angel speaking in Spanish over phone)

(Angel speaking in Spanish over phone)

(Angel speaking in Spanish over phone)

(truck rumbling)

(car revving)

(people chattering)

- Hola. - Hola.

- Locker?

You have lockers here?

- Yes, it's there.

(tense music)

- Natalie, come on.

Are you serious?

Will you just stop?

(tense music)

(banging on locker) (Natalie groaning)

(Natalie panting)

(tense music)

- Hey.

Hey, calm down.

Sorry.

(cell phone vibrating)

(tense music)

(tense music)

(tense music)

(tense music)

(operator speaking in Spanish over phone)

(tense music)

(operator speaking in Spanish over phone)

- [Natalie] Hey.

- So how long have you been a redhead?

- What does it matter?

- I'm just trying to work it out.

Carsten disappears and you create this delusional fantasy

of you and him being on vacation together.

And you change your hair amidst all of it?

- I told you, I don't understand half the shit I do.

I thought you trusted me--

- Don't.

(tense music)

- Carsten and I had something real.

We really loved each other.

But after a while, everything started to fall apart,

and the whole marriage started to crumble.

(tense music)

You keep bringing me on these vacations

and then you just leave me alone for days.

- This is not a vacation, Nat.

This is business, you're my cover.

You know that, we've been over this.

- I know.

I just don't like being away from you so long.

It was different when we were out there together.

It was exciting.

Now I never see the outside of a hotel room.

- You were a liability, Nat.

If Miguel found out the real reason why you stopped,

he would have done a lot worse than just replace you.

- I feel like you're slipping away from me.

(tense music)

- I've been gone for a long time now, Nat.

I'm done.

I can't keep taking care of you.

(tense music)

- Are you going back to your whore?

Please don't let her replace me.

She can have my job, I don't care!

She can't have you, she can't have my whole life.

(tense music)

What's the point?

You don't even care that I'm here anymore.

(tense music)

- Then you shouldn't be.

Before I cross the border,

I'm gonna get you on the next flight home.

When I get back, I'll file the papers.

After that, I'll be outta your life for good.

Come on, Nat.

You had to know that this day was coming.

(tense music)

(Natalie crying)

(glass shattering) (Carsten grunting)

(tense ringing)

You crazy fucking bitch!

- Baby, I'm sorry.

Carsten, don't, please.

Carsten, Carsten!

(Carsten groaning)

Baby?

(Carsten grunting)

I'm so sorry, baby, I didn't mean it!

Tell me what to do.

Carsten?

Baby, baby, please.

I'm sorry.

Oh, my God!

Baby, please!

I didn't mean it, I didn't mean it.

I swear, I didn't mean it!

No, no, no, no, no, no, no, no.

Don't leave me, please!

(tense music)

(water running)

(truck beeping)

(truck rumbling)

And you wonder why I question my reality.

- I just wish you woulda have told me everything.

- How could I?

I wasn't even sure it was real.

- You know what?

Let's get outta here.

I don't give a shit about the money anymore.

It's tainted.

I mean, how do we know that Miguel

hasn't already found it, huh?

Maybe he's just waiting for us.

- Carsten's smarter than that.

- This whole situation is so fucked up!

How far do you really think we're gonna get, Natalie?

Natalie.

Are you listening to me?

Fuck this key!

(key clattering on floor)

(tense music)

- This is all that I have left of him.

- Carsten is dead.

We are in danger, why can't you get that

through your fucking head?

(flesh squelching) (Sebastian grunting)

(tense music)

(policemen speaking in Spanish)

(cell phone beeps) (tense music)

(Sebastian groaning)

- Carsten told me I was a liability.

I can't blame him for asking Miguel to replace me.

He wanted to protect me, to keep me safe.

Miguel would be looking for me.

(tense music)

(knocking on door) (Natalie gasps)

(glass shattering)

(toilet flushing)

(labored breathing) (tense pensive music)

- Natalie,

please.

Take me to the hospital, please.

I won't say anything.

(Sebastian crying)

Please help me! (crying)

(dispatcher speaking in Spanish over radio)

(car revving)

(Sebastian crying) (melancholic pensive music)

Please help!

(tense music)

(pounding on door)

(Santiago grunts angrily)

(tense music)

(warm pensive music)

(Jeep owner speaking in Spanish)

- Okay.

(warm pensive music)

(dramatic tense music)

(ominous tense music)