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These are the user uploaded subtitles that are being translated: 1 00:00:02,920 --> 00:00:04,320 The Battles are here. 2 00:00:05,680 --> 00:00:06,560 In the Blinds 3 00:00:06,720 --> 00:00:07,600 it's just you on the stage. 4 00:00:07,760 --> 00:00:09,240 Next, you have to sing with other people 5 00:00:09,400 --> 00:00:10,280 and prove you have 6 00:00:10,440 --> 00:00:11,320 what it takes to win. 7 00:00:11,480 --> 00:00:13,720 (SINGERS VOCALISE) 8 00:00:15,120 --> 00:00:16,000 In the Battles two artists 9 00:00:16,160 --> 00:00:17,040 will go head-to-head. 10 00:00:17,200 --> 00:00:18,760 Oh, my gosh. 11 00:00:18,920 --> 00:00:19,880 No, way! 12 00:00:21,400 --> 00:00:22,880 They'll sing the same song. 13 00:00:23,040 --> 00:00:24,120 But only one can win. 14 00:00:24,280 --> 00:00:26,560 Whichever one of you breaks my heart the worst 15 00:00:26,720 --> 00:00:28,560 in this performance is probably gonna win. 16 00:00:28,720 --> 00:00:30,320 Cool. That's good to know. 17 00:00:30,480 --> 00:00:31,480 Sorry, about that. 18 00:00:33,240 --> 00:00:35,720 So, I've got ten incredible artists on my team, 19 00:00:35,880 --> 00:00:37,480 but I need to get that down to five. 20 00:00:37,640 --> 00:00:39,520 Oh. What am I gonna do? 21 00:00:39,680 --> 00:00:42,360 I can't let either of you go home. I don't know what to do. 22 00:00:42,520 --> 00:00:44,920 Oh, this is brutal. This is brutal. 23 00:00:45,080 --> 00:00:46,200 I'm so glad I'm not you. 24 00:00:46,360 --> 00:00:47,480 Thank you. 25 00:00:47,640 --> 00:00:50,520 But I have a lifeline for one lucky artist. 26 00:00:57,160 --> 00:00:59,160 Each coach gets one, save 27 00:00:59,320 --> 00:01:02,320 that they can use on any artist from any team. 28 00:01:02,480 --> 00:01:05,520 It's time for you to be with a female vocalist as a mentor. 29 00:01:05,680 --> 00:01:07,600 I love Ronan, but he failed you. 30 00:01:07,760 --> 00:01:09,800 It's gonna be tempting to go with Ronan, 31 00:01:09,960 --> 00:01:10,880 the one that you know. 32 00:01:11,040 --> 00:01:13,200 All I wanna say to you is look where that's got you. 33 00:01:13,360 --> 00:01:14,840 OK. 34 00:01:15,000 --> 00:01:17,960 I'm gonna tell you right now, if any coach has an artist I want. 35 00:01:18,120 --> 00:01:19,560 I'm gonna take them for Team Richard. 36 00:01:19,720 --> 00:01:23,040 I am wedged between two coaches who have stolen my team members. 37 00:01:23,200 --> 00:01:24,520 Maybe you should have coached them better. 38 00:01:26,480 --> 00:01:28,080 I didn't, I didn't. 39 00:01:28,240 --> 00:01:30,920 This is when the competition really heats up. 40 00:01:31,080 --> 00:01:32,400 No, I-I disagree with Kate. 41 00:01:32,560 --> 00:01:34,000 Well, let's watch the footage back. 42 00:01:34,160 --> 00:01:36,560 Wow. Is it cheating? 43 00:01:36,720 --> 00:01:39,080 I'm sorry, guys, I'm-I'm really struggling. 44 00:01:39,240 --> 00:01:40,240 I feel like. 45 00:01:40,400 --> 00:01:41,840 Well, look, guys, just give me a second, 46 00:01:42,000 --> 00:01:43,600 because I'm-I'm... 47 00:01:43,760 --> 00:01:44,640 I just...I just... I just need to sort... 48 00:01:44,800 --> 00:01:46,040 Oh, what are you up to? 49 00:01:46,200 --> 00:01:47,560 I just need to sort something out. 50 00:01:47,720 --> 00:01:49,320 Just give me a minute. Please. Please. 51 00:01:52,160 --> 00:01:54,680 I felt like I was watching two greats. 52 00:01:54,840 --> 00:01:57,480 You guys just blew the roof off this place. 53 00:01:57,640 --> 00:02:00,000 To win The Voice. It's more than singing. 54 00:02:01,200 --> 00:02:03,880 It's heart, soul, artistry. 55 00:02:04,040 --> 00:02:06,400 This is their chance to prove they have that. 56 00:02:09,160 --> 00:02:11,120 It was perfect. Yes. 57 00:02:11,280 --> 00:02:13,080 I'm looking for that superstar voice 58 00:02:13,240 --> 00:02:14,640 I can take all the way. 59 00:02:20,920 --> 00:02:23,280 (THEME MUSIC) (CHEERS AND APPLAUSE) 60 00:02:23,440 --> 00:02:24,360 Australia. 61 00:02:24,520 --> 00:02:26,720 Welcome to the Battles 62 00:02:26,880 --> 00:02:30,400 over three epic nights our artists will go head-to-head, 63 00:02:30,560 --> 00:02:33,280 but only the best voices will survive. 64 00:02:33,440 --> 00:02:37,680 It's do or die Australia. And it all kicks off right now. 65 00:02:37,840 --> 00:02:39,720 (CHEERS AND APPLAUSE) 66 00:02:47,320 --> 00:02:49,520 Hello. Welcome. Hi. 67 00:02:49,680 --> 00:02:51,240 How are you, Cecily? I'm good. How are you? 68 00:02:51,400 --> 00:02:53,160 Great to see you. I'm well. 69 00:02:53,320 --> 00:02:54,800 I'm really well. How are you feeling? 70 00:02:54,960 --> 00:02:57,040 Um... Come in. Yeah. 71 00:02:57,200 --> 00:02:58,240 # Think of me... # 72 00:02:59,480 --> 00:03:02,600 In her Blind audition Cecily had this beautiful, pure 73 00:03:02,760 --> 00:03:03,920 soprano voice. 74 00:03:04,080 --> 00:03:06,000 The kind of voice I've been waiting to hear. 75 00:03:06,160 --> 00:03:09,160 I can't wait to get under the hood and work with you one-on-one. 76 00:03:09,320 --> 00:03:10,800 Oh, my gosh. (CHUCKLES) 77 00:03:12,960 --> 00:03:15,080 I'm looking forward to finding out. 78 00:03:15,240 --> 00:03:16,760 Is she up for a challenge? 79 00:03:16,920 --> 00:03:19,680 Is she up for pushing herself out of her comfort zone? 80 00:03:19,840 --> 00:03:22,680 (CHEERS AND APPLAUSE) 81 00:03:22,840 --> 00:03:24,640 I bet you want to know who you'll be singing with. 82 00:03:24,800 --> 00:03:25,680 Yeah. 83 00:03:25,840 --> 00:03:29,560 Well, I'm super excited to see your reaction. 84 00:03:29,720 --> 00:03:30,880 Here he is. Come on in. 85 00:03:34,480 --> 00:03:35,640 How you doing? Oh, my gosh. 86 00:03:35,800 --> 00:03:37,000 Hi, James. Hi, darling. How are ya? 87 00:03:37,160 --> 00:03:38,240 I'm great. How are you? 88 00:03:38,400 --> 00:03:40,040 It's good to see you. You know, Cecily. 89 00:03:40,200 --> 00:03:41,720 Hi. Hi, how are ya? 90 00:03:41,880 --> 00:03:43,240 Good. How are you? 91 00:03:43,400 --> 00:03:44,320 # And I won't... # 92 00:03:44,480 --> 00:03:48,360 At the Blinds James was a four chair turn. 93 00:03:48,520 --> 00:03:50,360 He had so much originality. 94 00:03:50,520 --> 00:03:53,840 He completely reinvented the song 'Stand By Me'. 95 00:03:54,000 --> 00:03:58,120 # Why don't you stand by me? # 96 00:03:58,280 --> 00:04:00,120 He plays guitar for other people 97 00:04:00,280 --> 00:04:01,880 and this is his chance to really 98 00:04:02,040 --> 00:04:04,320 step into the spotlight and own it for himself. 99 00:04:04,480 --> 00:04:08,360 # Baby please, stand by me... # 100 00:04:09,920 --> 00:04:11,880 (CHEERS AND APPLAUSE) 101 00:04:12,040 --> 00:04:13,280 This is quite a contrast. 102 00:04:13,440 --> 00:04:14,960 Quite a contrast. 103 00:04:15,120 --> 00:04:16,280 Cecily and James 104 00:04:16,440 --> 00:04:18,880 are both amazing in their own genres, 105 00:04:19,040 --> 00:04:21,720 but I-I'm really curious to see if they can break out of that 106 00:04:21,880 --> 00:04:23,640 and try something new. 107 00:04:23,800 --> 00:04:27,040 So, this is a song about challenging your versatility. 108 00:04:27,200 --> 00:04:28,080 Ooh. 109 00:04:28,240 --> 00:04:30,360 Your song for the Battle is... 110 00:04:33,240 --> 00:04:35,000 'I Was Made for Lovin' You' by Kiss. 111 00:04:35,160 --> 00:04:37,200 Whoo! Whoo-hoo! 112 00:04:37,360 --> 00:04:38,840 Here we go. Oh, my gosh. 113 00:04:39,000 --> 00:04:43,160 Cecily, I need to see how far you can loosen up. 114 00:04:43,320 --> 00:04:44,440 You know, where we're-we're 115 00:04:44,600 --> 00:04:46,880 out of 'Phantom of the Opera' world right now, 116 00:04:47,040 --> 00:04:51,080 and we're in, like, a dirty, dingy rock and roll club. 117 00:04:51,240 --> 00:04:52,880 Yeah. You're in my turf now. 118 00:04:53,040 --> 00:04:54,000 Yeah. 119 00:04:56,360 --> 00:04:57,960 Maybe I was made to rock. 120 00:04:58,120 --> 00:05:01,720 It hasn't been me yet. I guess we'll find out. 121 00:05:01,880 --> 00:05:03,760 Let's give it a bash and see how we go. 122 00:05:05,000 --> 00:05:07,480 One. Two. Three. 123 00:05:07,640 --> 00:05:09,840 # Tonight 124 00:05:10,000 --> 00:05:13,280 # I wanna give it all to you... # 125 00:05:13,440 --> 00:05:17,200 I did really notice James's accent today. 126 00:05:17,360 --> 00:05:18,600 His southern twang that he's got going. 127 00:05:18,760 --> 00:05:21,360 # You were made for me... # 128 00:05:23,640 --> 00:05:26,360 # Ooo... # 129 00:05:26,520 --> 00:05:29,080 I could see the terror on Cecily's face 130 00:05:29,240 --> 00:05:30,440 when she saw the lyric sheet. 131 00:05:30,600 --> 00:05:33,720 And then her part was literally ooo, ooo, ooo, ooo. 132 00:05:35,400 --> 00:05:37,920 She is free to improvise there. 133 00:05:38,080 --> 00:05:40,320 Here's your chance to show off. 134 00:05:40,480 --> 00:05:44,200 So, you now have the flexibility within that bit 135 00:05:44,360 --> 00:05:47,240 to be as impressive as you possibly can be. 136 00:05:47,400 --> 00:05:49,520 So, you can do anything you like. 137 00:05:49,680 --> 00:05:53,360 I think I've got to really work on, I don't know, loosening up. 138 00:05:53,520 --> 00:05:56,560 I wanna push myself to show that I can sing more 139 00:05:56,720 --> 00:06:00,080 than just what's written on a page, 140 00:06:00,240 --> 00:06:01,360 and I can come up 141 00:06:01,520 --> 00:06:03,480 with my own stuff as well. 142 00:06:03,640 --> 00:06:06,320 James, you're gonna have to find a way 143 00:06:06,480 --> 00:06:09,000 to live inside that opening verse... 144 00:06:09,160 --> 00:06:11,080 Yeah. ..and make us believe it. 145 00:06:11,240 --> 00:06:12,120 Sure. 146 00:06:12,280 --> 00:06:13,880 I feel like you've got a kind of like, 147 00:06:14,040 --> 00:06:16,720 is it a Southern American twang thing going on? 148 00:06:16,880 --> 00:06:18,920 I guess so. Yeah, I-I love that stuff. 149 00:06:19,080 --> 00:06:19,960 So, yeah. Yeah. 150 00:06:20,120 --> 00:06:22,040 What I'd ask you to consider. Yes. 151 00:06:22,200 --> 00:06:24,040 Just dialling back the accent a little bit. 152 00:06:24,200 --> 00:06:25,360 OK. Sure. Yeah. 153 00:06:25,520 --> 00:06:28,040 It'll feel more real to us. For sure. 154 00:06:28,200 --> 00:06:31,920 I just want it to be as raw and emotional as possible. 155 00:06:32,080 --> 00:06:33,000 Great, yeah. 156 00:06:33,160 --> 00:06:34,840 And then you can do the full rock on stuff like that. 157 00:06:35,000 --> 00:06:36,520 Yeah, sure. Yeah. 158 00:06:36,680 --> 00:06:37,840 That's just how I naturally sing. 159 00:06:38,000 --> 00:06:39,360 I think it comes from all the songs 160 00:06:39,520 --> 00:06:40,720 that I've grown up listening to 161 00:06:40,880 --> 00:06:42,160 and playing southern music, 162 00:06:42,320 --> 00:06:43,920 but hopefully I can find 163 00:06:44,080 --> 00:06:46,160 the fragility that she kept talking about. 164 00:06:46,320 --> 00:06:48,160 I believe in you. Alright. 165 00:06:48,320 --> 00:06:49,600 Oh, my gosh. You got this. 166 00:06:49,760 --> 00:06:50,680 Yes. 167 00:06:55,560 --> 00:06:58,440 I've set these guys a massive challenge 168 00:06:58,600 --> 00:07:01,000 to really stretch what they can do as artists 169 00:07:01,160 --> 00:07:03,680 and not to just fall back on their old tricks. 170 00:07:03,840 --> 00:07:08,680 Whoever is prepared to go deep, do the work and push themselves 171 00:07:08,840 --> 00:07:09,720 further than they've ever 172 00:07:09,880 --> 00:07:10,760 been pushed before. 173 00:07:10,920 --> 00:07:11,800 That's the artist 174 00:07:11,960 --> 00:07:13,440 that's gonna win the Battle. 175 00:07:13,600 --> 00:07:16,480 (CHEERS AND APPLAUSE) 176 00:07:34,160 --> 00:07:36,880 # Tonight 177 00:07:37,040 --> 00:07:41,480 # I want to give it all to you 178 00:07:41,640 --> 00:07:44,920 # In the darkness 179 00:07:45,080 --> 00:07:48,760 # There's so much I wanna do 180 00:07:48,920 --> 00:07:52,320 # And tonight 181 00:07:52,480 --> 00:07:56,440 # I'm gonna lay it at your feet 182 00:07:56,600 --> 00:08:00,040 # Cause girl, I was made for you 183 00:08:00,200 --> 00:08:02,880 # Yeah, girl you were made for me 184 00:08:05,560 --> 00:08:10,360 # Ooo, ooo, ooo 185 00:08:10,520 --> 00:08:15,440 # Ooo ooo 186 00:08:31,600 --> 00:08:35,240 # I was loving you, baby 187 00:08:35,400 --> 00:08:38,680 # You were made for loving me 188 00:08:38,840 --> 00:08:41,560 # And I can't get it nothing 189 00:08:41,720 --> 00:08:46,160 # Baby, can you get it back to me? # 190 00:08:46,320 --> 00:08:50,000 # I was made for loving you, baby 191 00:08:50,160 --> 00:08:53,320 # You were made for loving me 192 00:08:53,480 --> 00:08:57,440 # And I can't get Enough of you, baby 193 00:08:57,600 --> 00:09:00,640 # Can't you get enough of me. # 194 00:09:00,800 --> 00:09:03,120 # Tonight 195 00:09:03,280 --> 00:09:06,480 # I want to give it all to you 196 00:09:08,160 --> 00:09:11,520 # In the darkness 197 00:09:11,680 --> 00:09:17,520 # So much I want to do. # 198 00:09:17,680 --> 00:09:20,560 (CHEERS AND APPLAUSE) 199 00:09:26,000 --> 00:09:27,600 Wow, what a combo. 200 00:09:29,160 --> 00:09:31,400 And what a way to kick off the Battle rounds. 201 00:09:31,560 --> 00:09:34,440 (CHEERS AND APPLAUSE) 202 00:09:36,600 --> 00:09:38,360 Kate, we're gonna get you a decision shortly. 203 00:09:38,520 --> 00:09:39,600 But first, Richard, 204 00:09:39,760 --> 00:09:42,160 is there a clear winner of this Battle? 205 00:09:42,320 --> 00:09:43,200 Not clear. 206 00:09:43,360 --> 00:09:45,760 First of all, what an incredible song choice. 207 00:09:45,920 --> 00:09:46,800 And I got to brag, 208 00:09:46,960 --> 00:09:49,120 because one of my dearest friends in the world, Paul Stanley, 209 00:09:49,280 --> 00:09:50,560 wrote that song. 210 00:09:50,720 --> 00:09:52,520 And he would be... 211 00:09:52,680 --> 00:09:54,440 he would have given you guys a standing ovation, 212 00:09:54,600 --> 00:09:59,400 because you guys each separately made it your own. 213 00:09:59,560 --> 00:10:01,680 Oh, my goodness. Thank you, Sir. 214 00:10:01,840 --> 00:10:05,400 Cecily, for you to take that on. 215 00:10:05,560 --> 00:10:10,360 And I know that that's suc a diametrically opposed kind of song 216 00:10:10,520 --> 00:10:11,680 that you would normally do, 217 00:10:11,840 --> 00:10:14,640 and you stepped up to the plate 218 00:10:14,800 --> 00:10:17,000 and smacked it out of the park. 219 00:10:17,160 --> 00:10:18,080 It was... 220 00:10:18,240 --> 00:10:19,320 (CHEERS AND APPLAUSE) 221 00:10:19,480 --> 00:10:20,760 Thank you so much. 222 00:10:20,920 --> 00:10:22,560 ..it was really, really incredible. 223 00:10:24,320 --> 00:10:25,680 Ronan who came out on top for you. 224 00:10:25,840 --> 00:10:26,760 I agree with Richard. 225 00:10:26,920 --> 00:10:29,920 It was a diagonally symmetrical performance. 226 00:10:30,080 --> 00:10:32,000 What? What? (LAUGHTER) 227 00:10:32,160 --> 00:10:35,040 I also used a baseball reference, which was great here in Australia. 228 00:10:36,600 --> 00:10:37,960 (APPLAUSE) 229 00:10:38,120 --> 00:10:39,000 Great performance, guys. 230 00:10:39,160 --> 00:10:41,080 Kate, great job working these guys up to this, like seriously. 231 00:10:41,240 --> 00:10:43,120 Oh, thank you. 232 00:10:43,280 --> 00:10:46,960 It's so exciting to see the progress from the Blinds to-to the Battles. 233 00:10:47,120 --> 00:10:50,160 And, Cecily, I can really hear all of the different flavours 234 00:10:50,320 --> 00:10:52,400 that you know already you've learned from Kate, 235 00:10:52,560 --> 00:10:53,640 which is so cool. 236 00:10:53,800 --> 00:10:56,360 James, you're a... you're a...you're a star. 237 00:10:56,520 --> 00:10:58,800 You've got just enough guts, you know. 238 00:10:58,960 --> 00:10:59,920 You just, you know... Swagger. 239 00:11:00,080 --> 00:11:01,680 Yeah, you got it. You know, when to push it. 240 00:11:01,840 --> 00:11:03,760 You know, when to use it. You know, when to hold back. 241 00:11:03,920 --> 00:11:06,560 You know, when to show your heart. It's incredibly tough for Kate. 242 00:11:06,720 --> 00:11:08,160 But if I was choosing, it would be James. 243 00:11:08,320 --> 00:11:12,200 (CHEERS AND APPLAUSE) 244 00:11:12,360 --> 00:11:14,200 Melanie. Two great artists here. 245 00:11:14,360 --> 00:11:15,760 Who do you think had the edge? 246 00:11:15,920 --> 00:11:17,480 Oh, James and Cecily. 247 00:11:17,640 --> 00:11:20,040 The duo we never knew we needed in our lives. 248 00:11:20,200 --> 00:11:21,160 Oh, my goodness. 249 00:11:22,640 --> 00:11:27,480 Cecily, you know, you-you showcased the amazing voice that you have, 250 00:11:27,640 --> 00:11:29,760 but then you, you know, you slotted into 251 00:11:29,920 --> 00:11:32,440 to the rockier vibe, which is incredible. 252 00:11:32,600 --> 00:11:35,640 And, James, from the minute you opened your mouth, 253 00:11:35,800 --> 00:11:36,840 didn't miss a note. 254 00:11:37,000 --> 00:11:38,120 Thank you. 255 00:11:38,280 --> 00:11:40,160 (CHEERS AND APPLAUSE) 256 00:11:42,120 --> 00:11:44,840 I'm so proud of you guys. You've worked so, so hard. 257 00:11:45,000 --> 00:11:48,480 I mean, this song has come so far since our initial mentoring. 258 00:11:48,640 --> 00:11:51,440 It's blown my mind Thank you for all your amazing work. 259 00:11:51,600 --> 00:11:52,480 (CHEERS AND APPLAUSE) 260 00:11:52,640 --> 00:11:53,640 Thank you. Thank you. 261 00:11:54,840 --> 00:11:58,120 James, the way that we saw your-your more vulnerable side 262 00:11:58,280 --> 00:11:59,680 in those opening verses. 263 00:11:59,840 --> 00:12:03,080 And I-I really do respect to the way that you worked on 264 00:12:03,240 --> 00:12:06,280 stripping back some of that, sort of, Southern American drawl. 265 00:12:06,440 --> 00:12:10,160 For me, that was a bit of a barrier to emotionally connecting with you, 266 00:12:10,320 --> 00:12:12,280 with you, James, as an artist. 267 00:12:12,440 --> 00:12:15,200 And, Cecily, you have so much talent. 268 00:12:15,360 --> 00:12:18,320 You've shown through this process that you're open to anything 269 00:12:18,480 --> 00:12:20,640 and took on board all the notes, 270 00:12:20,800 --> 00:12:22,400 but also made it your own. 271 00:12:22,560 --> 00:12:24,920 The sky's the limit for your career. 272 00:12:25,080 --> 00:12:26,000 Thank you. 273 00:12:26,160 --> 00:12:29,040 (CHEERS AND APPLAUSE) 274 00:12:30,440 --> 00:12:32,520 Kate. It is decision time. 275 00:12:33,800 --> 00:12:37,760 Who will you be sending through to the Knockouts? 276 00:12:37,920 --> 00:12:41,480 Yeah. Look, this is fairly excruciating. 277 00:12:41,640 --> 00:12:43,240 And you're so different. 278 00:12:43,400 --> 00:12:46,280 (SHOUT) 279 00:12:52,120 --> 00:12:56,160 At the artist I'm taking through tonight... 280 00:13:00,880 --> 00:13:01,760 is... 281 00:13:01,920 --> 00:13:04,800 (SHOUT) 282 00:13:07,840 --> 00:13:08,720 ..James. 283 00:13:08,880 --> 00:13:10,400 (CHEERS AND APPLAUSE) 284 00:13:10,560 --> 00:13:13,080 Congratulations, James. 285 00:13:13,240 --> 00:13:16,000 You are going through to the Knockouts. 286 00:13:19,960 --> 00:13:21,080 How are you feeling? 287 00:13:21,240 --> 00:13:23,080 I was so nervous to sing with Cecily. 288 00:13:23,240 --> 00:13:24,840 She's such an amazing singer. 289 00:13:25,000 --> 00:13:28,480 She knows so much about the Voice and what she can do with hers and, 290 00:13:28,640 --> 00:13:30,480 you know, I yell in bars for a living. 291 00:13:30,640 --> 00:13:33,760 So, you know, to sing with you with something so special. 292 00:13:33,920 --> 00:13:35,360 And I can't believe that we did that. 293 00:13:35,520 --> 00:13:37,560 (CHEERS AND APPLAUSE) 294 00:13:37,720 --> 00:13:38,680 Thank you. 295 00:13:38,840 --> 00:13:39,920 Congratulations, James. 296 00:13:40,080 --> 00:13:41,040 You have won the Battle 297 00:13:41,200 --> 00:13:43,240 you are going through to the next round. 298 00:13:43,400 --> 00:13:44,960 (CHEERS AND APPLAUSE) 299 00:13:45,120 --> 00:13:47,640 Give it up one last time for James, everyone. 300 00:13:47,800 --> 00:13:50,680 (CHEERS AND APPLAUSE) 301 00:13:53,880 --> 00:13:56,720 Now, Cecily, you could still progress 302 00:13:56,880 --> 00:13:57,800 to the Knockouts. 303 00:13:57,960 --> 00:14:02,080 If a coach chooses to use their save. 304 00:14:02,240 --> 00:14:07,920 Coaches, will you use your save and keep Cecily in the competition? 305 00:14:08,080 --> 00:14:10,360 Sad to see her leave, you know. Yeah. 306 00:14:15,880 --> 00:14:19,000 Coaches, time is up. There are no saves there, Cecily. 307 00:14:19,160 --> 00:14:21,920 Put your hands together for Cecily. 308 00:14:26,120 --> 00:14:29,280 Thank you so much. You should be so proud of that. 309 00:14:29,440 --> 00:14:31,480 Absolutely, smashed it. Well done. 310 00:14:33,160 --> 00:14:36,040 (CHEERS AND APPLAUSE) 311 00:14:37,560 --> 00:14:43,080 Next up on The Voice team Melanie steps into the Battle ring. 312 00:14:43,240 --> 00:14:45,760 Don't go anywhere, Australia. 313 00:14:45,920 --> 00:14:47,800 # This is The Voice. # 314 00:14:51,320 --> 00:14:53,200 # This is The Voice. # 315 00:14:55,560 --> 00:14:58,640 It's quite unnerving looking at those big pictures, isn't it? 316 00:15:03,480 --> 00:15:04,360 Well, hello. 317 00:15:04,520 --> 00:15:07,160 Hi. Hi. 318 00:15:07,320 --> 00:15:11,440 This Battle is between my powerhouse DJ Meg. 319 00:15:11,600 --> 00:15:13,160 Oh, look, we're rocking a little sports love. 320 00:15:13,320 --> 00:15:14,880 Yeah, yeah, we've got a little swagger. 321 00:15:16,280 --> 00:15:18,000 And my rapper, Xaz. 322 00:15:19,640 --> 00:15:21,040 I knew it. 323 00:15:21,200 --> 00:15:23,360 I had a feeling it was gonna be you. 324 00:15:23,520 --> 00:15:24,400 Hey, Mel. Hey, you. 325 00:15:24,560 --> 00:15:25,960 How are you? Good. How are you? 326 00:15:26,120 --> 00:15:27,080 I'm good. 327 00:15:27,240 --> 00:15:29,280 Hi. Hi. I had a feeling. 328 00:15:30,640 --> 00:15:31,840 For me, genre wise, 329 00:15:32,000 --> 00:15:34,680 Meg and Xaz being together made total sense. 330 00:15:34,840 --> 00:15:36,400 And their performances. 331 00:15:36,560 --> 00:15:39,680 They were like, Grammy Award worthy performances. 332 00:15:39,840 --> 00:15:45,600 # Everybody's free to feel good... # 333 00:15:45,760 --> 00:15:49,120 My Blind audition I did a mashup of three '90s house tracks. 334 00:15:49,280 --> 00:15:50,360 And I DJ'd. 335 00:15:50,520 --> 00:15:52,440 Everyone in the place was up dancing. 336 00:15:52,600 --> 00:15:53,680 It was absolutely killer. 337 00:15:53,840 --> 00:15:56,000 # The night I laid my eyes on you. # 338 00:15:58,320 --> 00:16:00,360 And now I am all about Team Mel. 339 00:16:00,520 --> 00:16:01,440 To be honest with you, 340 00:16:01,600 --> 00:16:03,360 if either of you had gone anywhere else, 341 00:16:03,520 --> 00:16:04,680 I would have been really unhappy. 342 00:16:04,840 --> 00:16:05,920 Oh, that was never happening. That would have been. 343 00:16:06,080 --> 00:16:08,360 That was never happening. Genuinely, never happening. 344 00:16:08,520 --> 00:16:12,000 # I'm still that boy... I'm still that boy, come on 345 00:16:12,160 --> 00:16:13,080 # Boy it's Xazzy... # 346 00:16:13,240 --> 00:16:14,400 In my Blind auditions, 347 00:16:14,560 --> 00:16:16,480 I rapped 'Savage' by Megan Thee Stallion. 348 00:16:16,640 --> 00:16:18,560 # Sassy, moody, nasty... # 349 00:16:18,720 --> 00:16:19,880 I really loved the theatrics 350 00:16:20,040 --> 00:16:22,040 that can be added into a rap performance, 351 00:16:22,200 --> 00:16:24,880 so, I feel like I can learn so much of that from Melanie C. 352 00:16:25,040 --> 00:16:26,880 Both of you do something that nobody else 353 00:16:27,040 --> 00:16:28,160 is doing in the show, right? 354 00:16:28,320 --> 00:16:31,200 This is what I'm so excited about this particular Battle. 355 00:16:31,360 --> 00:16:33,160 It is challenging, because this is something 356 00:16:33,320 --> 00:16:34,840 that has never been done before, 357 00:16:35,000 --> 00:16:36,920 but hey, who wants to... who wants to follow? 358 00:16:37,080 --> 00:16:38,080 We wanna lead, right? Yeah. 359 00:16:38,240 --> 00:16:39,200 Exactly. OK. 360 00:16:39,360 --> 00:16:43,080 I've got a great remix of a song everybody knows. 361 00:16:43,240 --> 00:16:44,200 Drumroll. 362 00:16:45,520 --> 00:16:48,920 'Dirty Cash, Money Talks'. Yay! Oh, my god. 363 00:16:49,080 --> 00:16:50,840 Yes, yes, yes! That one is awesome. 364 00:16:51,000 --> 00:16:53,600 That only makes sense. Like, the house music. The rap. 365 00:16:53,760 --> 00:16:55,800 Like, what other song would be like, perfect for this. 366 00:16:55,960 --> 00:16:56,880 Besides that? Yeah. 367 00:16:57,040 --> 00:16:59,880 Meg, I want you to DJ. OK. 368 00:17:00,040 --> 00:17:02,000 I'm excited about DJing again. For sure. 369 00:17:02,160 --> 00:17:03,760 I wanna bring the energy 370 00:17:03,920 --> 00:17:06,120 of the party again to the stage, 371 00:17:06,280 --> 00:17:09,680 and I'm really excited to do that with Xaz this time. 372 00:17:09,840 --> 00:17:10,960 There's a rap in there. 373 00:17:11,120 --> 00:17:14,640 But we have been given clearance 374 00:17:14,800 --> 00:17:18,000 to be able to have eight bars of an original rap. 375 00:17:18,160 --> 00:17:19,200 Oh, no way. 376 00:17:19,360 --> 00:17:21,360 If you're up for the challenge of writing your own rap. 377 00:17:21,520 --> 00:17:22,920 Yeah, definitely. We can do that. 378 00:17:23,080 --> 00:17:24,800 Which is such a-an honour to be able to do that. 379 00:17:24,960 --> 00:17:27,040 Yeah. That's so good. Thank you. Yeah. 380 00:17:27,200 --> 00:17:30,240 Writing my own ra for 'Money Talks' is super exciting, 381 00:17:30,400 --> 00:17:32,800 but it does add a lot of pressure at the same time, 382 00:17:32,960 --> 00:17:34,040 because, obviously, 383 00:17:34,200 --> 00:17:36,040 it's something that the coaches wouldn't have heard before. 384 00:17:36,200 --> 00:17:37,600 So, if they love it, that's great. 385 00:17:37,760 --> 00:17:39,560 But if they don't, it could really set me back. 386 00:17:39,720 --> 00:17:41,680 OK. Should we give it a little go? 387 00:17:41,840 --> 00:17:44,240 One, two, three, four. 388 00:17:44,400 --> 00:17:46,440 # I've got no excuse 389 00:17:46,600 --> 00:17:48,800 # I just want you to use me... # 390 00:17:48,960 --> 00:17:53,080 Meg came out 100mi/h, and I totally get it. 391 00:17:53,240 --> 00:17:54,800 You know, she works in electronic music. 392 00:17:54,960 --> 00:17:57,840 She's got big beats, big bass lines to cut through. 393 00:17:58,000 --> 00:18:00,680 But I feel like with this song, we need to build that. 394 00:18:00,840 --> 00:18:04,320 I want people to wait to really get what they came for. 395 00:18:04,480 --> 00:18:05,960 # Dirty cash, I need you oh 396 00:18:06,120 --> 00:18:08,080 # I'm Dirty Cash The one that you asked for 397 00:18:08,240 --> 00:18:09,920 # I want 'em all The rich and the poor 398 00:18:10,080 --> 00:18:11,800 # Ain't all about But you can't 'scuse it 399 00:18:11,960 --> 00:18:13,720 # The way I'm living I gots to use it. # 400 00:18:15,800 --> 00:18:17,800 Writing is my favourite part of creating music. 401 00:18:17,960 --> 00:18:20,320 I've already started thinking about what I'm gonna do, 402 00:18:20,480 --> 00:18:23,240 and I really wanna mention each coach in the rap 403 00:18:23,400 --> 00:18:24,520 in a really smart way 404 00:18:24,680 --> 00:18:26,400 that's specific and personal to them. 405 00:18:26,560 --> 00:18:28,360 To show the coaches why I deserve to be here. 406 00:18:28,520 --> 00:18:29,920 We're in a really good place. 407 00:18:30,080 --> 00:18:33,560 It sounds already, I just know it's gonna be amazing. 408 00:18:33,720 --> 00:18:35,280 So, homework, 409 00:18:35,440 --> 00:18:36,360 you know, you've got your eight bars to write. 410 00:18:36,520 --> 00:18:37,560 Write that verse, yep. 411 00:18:37,720 --> 00:18:39,080 I've already thought of Richard Marx's one, 412 00:18:39,240 --> 00:18:40,320 what I'm gonna say. 413 00:18:40,480 --> 00:18:41,560 Brilliant. 414 00:18:41,720 --> 00:18:43,440 Meg, I'd like you to maybe to just come in. 415 00:18:43,600 --> 00:18:45,360 Softer? Not necessarily softer. 416 00:18:45,520 --> 00:18:46,440 Let's build to that. 417 00:18:46,600 --> 00:18:48,840 Let's not give everything away straight away. 418 00:18:49,000 --> 00:18:50,400 Do you know what I mean? Don't be too soon. 419 00:18:50,560 --> 00:18:51,680 Yeah. 420 00:18:51,840 --> 00:18:53,440 Mel's mentoring was so good. 421 00:18:53,600 --> 00:18:56,120 She made me kind of alter my approach to it. 422 00:18:56,280 --> 00:18:59,120 Ease into it and let it... let it go places. 423 00:18:59,280 --> 00:19:00,160 If you come in at 100 424 00:19:00,320 --> 00:19:01,560 there's not very many places 425 00:19:01,720 --> 00:19:02,800 that you can go from there. 426 00:19:02,960 --> 00:19:05,720 So, we've got an amazing performance to put on. 427 00:19:05,880 --> 00:19:06,800 Yeah. 428 00:19:06,960 --> 00:19:08,720 But we've both got a really shine in this, 429 00:19:08,880 --> 00:19:10,400 as well as working together as a team. 430 00:19:10,560 --> 00:19:11,520 Yeah. 431 00:19:14,640 --> 00:19:15,800 To win the Battles. 432 00:19:15,960 --> 00:19:18,760 I got to go out there, perform my ass off, 433 00:19:18,920 --> 00:19:20,800 kill my verse 434 00:19:20,960 --> 00:19:22,720 and show the coaches why I deserve to be here. 435 00:19:26,440 --> 00:19:28,440 I feel like 436 00:19:28,600 --> 00:19:31,360 there's a lot more at stake this time around. 437 00:19:31,520 --> 00:19:33,400 It's a Battle. You know, like we're mates. 438 00:19:33,560 --> 00:19:34,480 That's everything. 439 00:19:34,640 --> 00:19:36,640 But I have to remember that 440 00:19:36,800 --> 00:19:38,840 it's a competition and I wanna win it. 441 00:19:40,160 --> 00:19:41,040 It's game on. 442 00:19:45,360 --> 00:19:46,720 That's awesome. 443 00:19:46,880 --> 00:19:48,840 Love it, love it. Love it. 444 00:19:55,400 --> 00:19:57,800 Ha-ha, brilliant. They look great. 445 00:19:57,960 --> 00:19:59,840 (CHEERS AND APPLAUSE) 446 00:20:01,840 --> 00:20:03,880 # I've no excuse 447 00:20:04,040 --> 00:20:06,360 # I just want you to use me 448 00:20:06,520 --> 00:20:09,280 # Take me and abuse me 449 00:20:09,440 --> 00:20:11,320 # I've no taboo 450 00:20:11,480 --> 00:20:13,920 # I'll make a tree with you 451 00:20:14,080 --> 00:20:16,560 # I'll do anything you want me to 452 00:20:16,720 --> 00:20:20,080 # Because money talks, money talks 453 00:20:20,240 --> 00:20:24,280 # Dirty cash, want you, Dirty cash, need you oh 454 00:20:24,440 --> 00:20:26,200 # Money talks 455 00:20:26,360 --> 00:20:27,600 # Money talks 456 00:20:27,760 --> 00:20:29,280 # Dirty cash I want you 457 00:20:29,440 --> 00:20:31,160 # Dirty cash I need you oh 458 00:20:31,320 --> 00:20:33,400 # Oh, I'm Dirty Cash The one that you asked for 459 00:20:33,560 --> 00:20:35,080 # I'm wanted by The rich and the poor 460 00:20:35,240 --> 00:20:37,240 # More and more, You just can't reject it 461 00:20:37,400 --> 00:20:38,920 # You're the junkie and I inject it 462 00:20:39,080 --> 00:20:40,840 # Into your blood stream It's like a bad dream 463 00:20:41,000 --> 00:20:43,200 # Money's the theme Do you know what I mean 464 00:20:43,360 --> 00:20:44,320 # What I mean 465 00:20:44,480 --> 00:20:46,280 # Bitch I wrote this verse is XAZ 466 00:20:46,440 --> 00:20:48,160 # What I mean is I really, Really want your money 467 00:20:48,320 --> 00:20:49,760 # Like scoopy I'm a loopy For your money B 468 00:20:49,920 --> 00:20:52,000 # I want the money fast I'm on the Sporty Team 469 00:20:52,160 --> 00:20:53,720 # Did you know I've been kicking it with Melanie C 470 00:20:53,880 --> 00:20:55,680 # Did you know that I'm a score And I hit the marks 471 00:20:55,840 --> 00:20:57,640 # I'm just waiting on my Grammy Like Richard Marx 472 00:20:57,800 --> 00:20:59,560 # I'm going to preen Like confident Ronan Keating 473 00:20:59,720 --> 00:21:01,440 # Imma ride this feeling, Kate Miller-Heidke... # 474 00:21:01,600 --> 00:21:02,520 Woo. 475 00:21:02,680 --> 00:21:07,040 # I once had pride, Now, oh, that's behind me 476 00:21:07,200 --> 00:21:09,920 # I want to get rich quick 477 00:21:10,080 --> 00:21:13,440 # I want success And all that comes with it 478 00:21:13,600 --> 00:21:14,520 # Hey, hey, hey 479 00:21:14,680 --> 00:21:16,840 # I'm going to use my s-e-x 480 00:21:17,000 --> 00:21:18,040 # Money talks 481 00:21:18,200 --> 00:21:19,720 # Money what? # Oh, money talks 482 00:21:19,880 --> 00:21:22,320 # Hey, hey # Dirty cash I want you 483 00:21:22,480 --> 00:21:23,400 # Dirty, dirty cash 484 00:21:23,560 --> 00:21:24,560 # Come on y'all 485 00:21:24,720 --> 00:21:26,280 # Money talks # Yeah, money 486 00:21:26,440 --> 00:21:27,960 # I said money talks # It's Xazzy 487 00:21:28,120 --> 00:21:29,840 # Dirty cash I want you 488 00:21:30,000 --> 00:21:30,960 # Dirty cash I need you oh! 489 00:21:31,120 --> 00:21:32,000 # Dirty, dirty cash 490 00:21:32,160 --> 00:21:34,040 # People are lying Come on in the street 491 00:21:34,200 --> 00:21:35,440 # Trying to find somebody to meet 492 00:21:35,600 --> 00:21:37,600 # Who'll get them to the top And get them there fast 493 00:21:37,760 --> 00:21:39,200 # Trying to get that dirty cash 494 00:21:39,360 --> 00:21:41,080 # It doesn't matter, woman or man 495 00:21:41,240 --> 00:21:43,040 # Anyone who'll give them a hand 496 00:21:43,200 --> 00:21:46,680 # Cash money, that green, Cold cash, that's the scene 497 00:21:46,840 --> 00:21:49,040 # So, tell me that you want 498 00:21:49,200 --> 00:21:51,160 # Who want it, we've known it 499 00:21:51,320 --> 00:21:52,400 # Tell me you want that 500 00:21:52,560 --> 00:21:55,200 # Dirty, dirty, dirty cash 501 00:21:55,360 --> 00:21:58,400 # I said tell me that you mean it 502 00:21:58,560 --> 00:22:00,240 # Tell me that you want # Who need it, we breed it. 503 00:22:00,400 --> 00:22:02,440 # Dirty cash I want you all... # 504 00:22:02,600 --> 00:22:05,480 (CHEERS AND APPLAUSE) 505 00:22:11,560 --> 00:22:15,360 Team Melanie C absolutely sending it. 506 00:22:17,400 --> 00:22:20,920 And you two really lit up the stage tonight. 507 00:22:21,080 --> 00:22:22,440 Everybody got into that performance. 508 00:22:22,600 --> 00:22:25,440 Check out the proof on our Shark fam cam. 509 00:22:25,600 --> 00:22:26,520 Have a look at this. 510 00:22:26,680 --> 00:22:28,120 And this was going on 511 00:22:28,280 --> 00:22:30,160 in the audience. 512 00:22:30,320 --> 00:22:31,560 Xaz, is that your mum? 513 00:22:31,720 --> 00:22:32,680 Yeah, hi, Mum. 514 00:22:35,360 --> 00:22:37,480 Kate. Who took the win? 515 00:22:37,640 --> 00:22:40,120 Oh, god. Well, the energy in this room. 516 00:22:40,280 --> 00:22:42,320 You guys just blew the roof off this place. 517 00:22:42,480 --> 00:22:43,560 (CHEERS AND APPLAUSE) Thank you. thank you so much. 518 00:22:43,720 --> 00:22:46,040 Thank you. Thank you so much, Kate. That was so cool. 519 00:22:46,200 --> 00:22:47,200 Even just, like 520 00:22:47,360 --> 00:22:50,000 walking in with your game faces, your shoulders. 521 00:22:50,160 --> 00:22:51,120 It's like. Yeah, these guys mean business. 522 00:22:51,280 --> 00:22:52,440 Yeah, Battle on. 523 00:22:52,600 --> 00:22:56,120 And it was so beautifully curated. 524 00:22:56,280 --> 00:22:59,960 Melanie. Like, amazing song choice. It was perfect for these guys. 525 00:23:00,120 --> 00:23:01,200 You made it. 526 00:23:02,560 --> 00:23:03,680 Personally, I'd go with Xaz 527 00:23:03,840 --> 00:23:06,280 because he's-he's unlike anyone else. 528 00:23:06,440 --> 00:23:07,640 Thank you. 529 00:23:07,800 --> 00:23:10,120 And I think I speak for all of us. 530 00:23:10,280 --> 00:23:12,520 That's the first time I think I've been namechecked in a rap, 531 00:23:12,680 --> 00:23:14,960 so, I loved it. 532 00:23:15,120 --> 00:23:16,360 Wonderful performance. 533 00:23:16,520 --> 00:23:18,680 And when it comes to the performance, 534 00:23:18,840 --> 00:23:20,320 it really was neck and neck for me. 535 00:23:20,480 --> 00:23:22,440 I think it was a dead heat, 536 00:23:22,600 --> 00:23:27,680 but at the end of the day, for me the name of the show is The Voice 537 00:23:27,840 --> 00:23:32,120 and Meg on that performance, yours was out of this world. 538 00:23:32,280 --> 00:23:34,600 (CHEERS AND APPLAUSE) Thank you, thank you so much. 539 00:23:34,760 --> 00:23:36,160 Thank you. Richard. 540 00:23:36,320 --> 00:23:38,200 Melanie, you can only put 541 00:23:38,360 --> 00:23:40,920 one of these artists through to the next round. 542 00:23:41,080 --> 00:23:43,000 Oh, I don't think I could have wished 543 00:23:43,160 --> 00:23:44,280 for anything more. 544 00:23:44,440 --> 00:23:45,960 They've worked so hard together. 545 00:23:46,120 --> 00:23:48,880 They've got a beautiful friendship, which I think really came across. 546 00:23:49,040 --> 00:23:50,720 Yeah. Good show. 547 00:23:50,880 --> 00:23:52,880 I love seeing Meg behind the decks. 548 00:23:53,040 --> 00:23:54,440 So much more to think about 549 00:23:54,600 --> 00:23:57,000 than just that incredible vocal that you gave. 550 00:23:57,160 --> 00:24:00,160 We wanted to keep it small and really show that build. 551 00:24:00,320 --> 00:24:02,960 We didn't wanna give them the-the good stuff till the end. 552 00:24:03,120 --> 00:24:04,400 And I... I tend to peak too soon. 553 00:24:04,560 --> 00:24:06,080 It happens. 554 00:24:06,240 --> 00:24:09,320 Xaz, I think, probably the only person in the competition 555 00:24:09,480 --> 00:24:12,600 who's actually written their own part of the song. 556 00:24:12,760 --> 00:24:15,640 (CHEERS AND APPLAUSE) 557 00:24:17,040 --> 00:24:18,240 You know, the way you rap. 558 00:24:18,400 --> 00:24:21,080 Your flow, it's very different to how the song is originally, 559 00:24:21,240 --> 00:24:22,160 but you nailed that. 560 00:24:22,320 --> 00:24:24,480 You really sat back in it. Thank you. Thank you. 561 00:24:27,680 --> 00:24:30,000 I'm in that place, aren't I? You are. 562 00:24:30,160 --> 00:24:32,360 (CHEERS AND APPLAUSE) 563 00:24:32,520 --> 00:24:35,400 (AUDIENCE SHOUT) 564 00:24:37,760 --> 00:24:39,000 I love you both. 565 00:24:46,920 --> 00:24:49,240 OK. In all honesty, I think the person 566 00:24:49,400 --> 00:24:51,360 that truly shone 567 00:24:51,520 --> 00:24:53,480 incredibly in that performance. 568 00:24:55,680 --> 00:24:57,640 The person who wins that Battle for me... 569 00:25:00,840 --> 00:25:01,720 is Meg. 570 00:25:01,880 --> 00:25:03,800 (CHEERS AND APPLAUSE) 571 00:25:03,960 --> 00:25:05,240 Congratulations. Thank you. 572 00:25:05,400 --> 00:25:06,720 Meg, you're the winner of the Battle. 573 00:25:12,120 --> 00:25:13,280 Thank you so much. 574 00:25:13,440 --> 00:25:15,560 Having your mentoring and your support 575 00:25:15,720 --> 00:25:17,640 through this process has been so incredible. 576 00:25:17,800 --> 00:25:19,480 I adore this guy. 577 00:25:19,640 --> 00:25:21,000 He's so incredibly talented. Thank you. 578 00:25:21,160 --> 00:25:23,280 He's such a brilliant writer and performer. 579 00:25:23,440 --> 00:25:25,400 To be honest, I wouldn't have wanted to do it with anyone else. 580 00:25:25,560 --> 00:25:26,480 This was so much fun. 581 00:25:26,640 --> 00:25:28,840 The whole experience was just absolutely incredible. 582 00:25:29,000 --> 00:25:30,440 (CHEERS AND APPLAUSE) 583 00:25:32,720 --> 00:25:34,480 It's incredible. OK, my love. 584 00:25:34,640 --> 00:25:36,280 Thank you. So good. 585 00:25:36,440 --> 00:25:37,920 Great job. Hold on, Meg. 586 00:25:40,680 --> 00:25:43,720 Xaz still has a chance to be saved. 587 00:25:43,880 --> 00:25:45,240 Coaches. 588 00:25:45,400 --> 00:25:48,320 You could add a new member to your team 589 00:25:48,480 --> 00:25:51,480 by simply using your save button in front of you. 590 00:25:51,640 --> 00:25:54,480 (AUDIENCE SHOUT) 591 00:25:54,640 --> 00:25:58,560 Oh, so hard, so hard. 592 00:26:02,160 --> 00:26:03,120 Come on, Mel. 593 00:26:04,840 --> 00:26:06,240 If anyone can, you can. 594 00:26:08,560 --> 00:26:10,800 Time is up. Unfortunately. 595 00:26:10,960 --> 00:26:12,480 You haven't been saved this time. 596 00:26:12,640 --> 00:26:17,160 But I know we will see Xaz out there again. 597 00:26:17,320 --> 00:26:19,400 (CHEERS AND APPLAUSE) 598 00:26:19,560 --> 00:26:21,080 This experience has been so fun. 599 00:26:21,240 --> 00:26:22,640 Honestly, I've loved every second of it. 600 00:26:22,800 --> 00:26:25,880 I wanna thank Mel so much for all the mentoring 601 00:26:26,040 --> 00:26:27,360 and the help that you gave us. 602 00:26:29,000 --> 00:26:30,600 And congratulations to Meg. 603 00:26:30,760 --> 00:26:32,800 She did amazing. Well done. Xaz. 604 00:26:32,960 --> 00:26:34,480 Classy. Nice work. 605 00:26:34,640 --> 00:26:36,200 Well done, mate, good on you. 606 00:26:36,360 --> 00:26:39,080 Put your hands together for Xaz for the last time. 607 00:26:43,400 --> 00:26:44,400 Next. 608 00:26:44,560 --> 00:26:45,920 I really wanna show Richard 609 00:26:46,080 --> 00:26:48,520 that I can win this Battle more than anything. 610 00:26:48,680 --> 00:26:50,240 I think Bianka really wants it. 611 00:26:50,400 --> 00:26:51,280 But I want more. 612 00:26:51,440 --> 00:26:54,200 Team Richard take to the Battle arena. 613 00:26:55,960 --> 00:26:56,880 Yes. 614 00:26:57,040 --> 00:26:58,560 I am so freaking proud of you two. 615 00:27:00,040 --> 00:27:02,640 Plus, more electrifying performances. 616 00:27:02,800 --> 00:27:05,080 If this is where we are at the Battles, where to next? 617 00:27:05,240 --> 00:27:06,160 It's-it's insane. 618 00:27:06,320 --> 00:27:09,280 That was a spiritual experience. 619 00:27:09,440 --> 00:27:12,360 As artists fight to secure their place... 620 00:27:13,560 --> 00:27:15,240 You really do want your cake and eat it too, don't you? 621 00:27:15,400 --> 00:27:16,720 Of course, it's the only way. 622 00:27:16,880 --> 00:27:18,480 ..in the Knockouts. 623 00:27:22,320 --> 00:27:23,280 # This is The Voice. # 624 00:27:26,800 --> 00:27:28,040 What key are we in for this? 625 00:27:28,200 --> 00:27:29,240 E. 626 00:27:31,120 --> 00:27:32,000 Here she is. 627 00:27:32,160 --> 00:27:33,360 Hello. Hi, Cait. 628 00:27:33,520 --> 00:27:36,880 So, this Battle is between my country singer, Cait, 629 00:27:37,040 --> 00:27:40,680 and this undiscovered gem of a talent named Bianka. 630 00:27:40,840 --> 00:27:43,040 How do you guys feel about being paired against each other? 631 00:27:43,200 --> 00:27:44,200 I'm excited. 632 00:27:44,360 --> 00:27:46,200 I'm excited. I'm super nervous though. 633 00:27:46,360 --> 00:27:47,920 So, what makes you nervous? 634 00:27:48,080 --> 00:27:50,040 Because she's got... like, she's such an amazing singer. 635 00:27:50,200 --> 00:27:51,600 So, so amazing. Oh, stop it, so are you. 636 00:27:51,760 --> 00:27:53,360 It's nic when you have mutual respect, right? 637 00:27:53,520 --> 00:27:54,400 Yeah. 638 00:27:54,560 --> 00:27:58,040 # I see you next to never... # 639 00:27:58,200 --> 00:27:59,880 For the Blind auditions Cait showed up 640 00:28:00,040 --> 00:28:01,640 and sang my song 'Right Here Waiting', 641 00:28:01,800 --> 00:28:03,400 which was quite a bold move. 642 00:28:04,800 --> 00:28:08,880 # Wherever you go, Whatever you do... # 643 00:28:09,040 --> 00:28:10,240 I was so impressed. 644 00:28:10,400 --> 00:28:15,480 Not just with her voice but her reinterpretation of my song. 645 00:28:15,640 --> 00:28:17,920 # How my heart breaks 646 00:28:18,080 --> 00:28:20,520 # I will be right here 647 00:28:20,680 --> 00:28:24,120 # Waiting for you... # 648 00:28:24,280 --> 00:28:26,920 # I see red, red 649 00:28:27,080 --> 00:28:28,440 # Red... # 650 00:28:28,600 --> 00:28:31,400 Bianka was really quite something. 651 00:28:31,560 --> 00:28:32,480 We were all, sort of, like, 652 00:28:32,640 --> 00:28:36,240 blown away that that voice was coming out of that face, 653 00:28:36,400 --> 00:28:38,120 because she's so young. 654 00:28:38,280 --> 00:28:41,280 But she doesn't sound it. She sounds like a seasoned veteran. 655 00:28:46,440 --> 00:28:47,360 Alright, let's get into it. 656 00:28:47,520 --> 00:28:49,120 Are you guys ready to know what song you're singing? 657 00:28:49,280 --> 00:28:50,200 Yes. Yes. 658 00:28:51,400 --> 00:28:52,280 Well, this is a... 659 00:28:52,440 --> 00:28:55,240 this is a really special choice for me 660 00:28:55,400 --> 00:29:00,280 because it's a song by someone who is iconic in Australia, 661 00:29:00,440 --> 00:29:02,680 but is also a really dear friend of mine, John Farnham. 662 00:29:04,080 --> 00:29:05,680 And it's one of my favourite John Farnham songs 663 00:29:05,840 --> 00:29:07,280 and it's called 'That's Freedom'. 664 00:29:09,640 --> 00:29:11,720 Do you guys know this song? I don't, no. 665 00:29:11,880 --> 00:29:13,920 I know it a bit probably... Yeah. Yeah. 666 00:29:14,080 --> 00:29:15,080 Ah, the song did come out 667 00:29:15,240 --> 00:29:16,400 before I was born. 668 00:29:16,560 --> 00:29:19,400 I do know the song, but obviously, I don't know it super well. 669 00:29:19,560 --> 00:29:20,920 We'll just do it in pieces a little bit, OK. 670 00:29:21,080 --> 00:29:21,960 Yep. Yep. 671 00:29:22,120 --> 00:29:23,040 So, let's do the verse. 672 00:29:23,200 --> 00:29:24,160 When I hit them with this song, 673 00:29:24,320 --> 00:29:26,080 they both had that deer in the headlights look. 674 00:29:26,240 --> 00:29:28,160 I don't think either of them really know the song very well. 675 00:29:28,320 --> 00:29:30,720 I probably need to hear it a little bit first. 676 00:29:30,880 --> 00:29:32,000 # I don't know 677 00:29:32,160 --> 00:29:33,560 # What you want from me... # 678 00:29:33,720 --> 00:29:36,080 So, it's hard for me to mentor them 679 00:29:36,240 --> 00:29:37,560 while I'm teaching them the song. 680 00:29:37,720 --> 00:29:38,760 # Love ought to be... # 681 00:29:38,920 --> 00:29:40,000 Yeah. And the chorus. 682 00:29:40,160 --> 00:29:42,280 # From the mount... # Is that how it goes? 683 00:29:42,440 --> 00:29:44,560 Can you go # From the mountain... # 684 00:29:44,720 --> 00:29:46,280 # From the mountain 685 00:29:46,440 --> 00:29:48,440 # To the valley... # 686 00:29:48,600 --> 00:29:49,480 Bianka. 687 00:29:49,640 --> 00:29:52,240 # One emotion... # Something like that. 688 00:29:52,400 --> 00:29:56,320 # One emotion to deliver 689 00:29:56,480 --> 00:29:58,000 # One... # 690 00:29:58,160 --> 00:29:59,600 You gotta come right in there. 691 00:29:59,760 --> 00:30:02,040 Three, four. # One way... # 692 00:30:02,200 --> 00:30:05,120 They're gonna have to figure out their take on it 693 00:30:05,280 --> 00:30:10,480 so, that it sounds like they own it, and that it's their song 694 00:30:10,640 --> 00:30:12,320 # To share but not to chain... # 695 00:30:14,360 --> 00:30:17,320 And the key to that, I think, is less about the notes 696 00:30:17,480 --> 00:30:20,080 and about convincing the listener 697 00:30:20,240 --> 00:30:23,400 that they're really meaning every word that they're singing. 698 00:30:23,560 --> 00:30:26,920 In the time we have before you perform this, 699 00:30:27,080 --> 00:30:28,920 you're gonna need to know this song 700 00:30:29,080 --> 00:30:32,120 truly like as it's as if it's part of you, 701 00:30:32,280 --> 00:30:37,040 so, that all you're focused on is delivering it in a way 702 00:30:37,200 --> 00:30:41,200 that knocks everybody out and that we believe every word. 703 00:30:41,360 --> 00:30:42,800 This is a really powerful lyric, 704 00:30:42,960 --> 00:30:44,640 so, I really want you to think about 705 00:30:44,800 --> 00:30:46,800 what you're singing and what you're saying. 706 00:30:46,960 --> 00:30:50,160 Live, breathe, eat and sleep this song. 707 00:30:50,320 --> 00:30:52,000 Yep. Can do. 708 00:30:52,160 --> 00:30:53,120 You know, selfishly, 709 00:30:53,280 --> 00:30:55,440 it's John Farnham is not just John Farnham. 710 00:30:55,600 --> 00:30:56,520 He's my friend. 711 00:30:56,680 --> 00:30:58,200 So, I want you guys to do him proud, OK? 712 00:31:01,280 --> 00:31:03,440 I have a lot of work to do before the Battle, I think. 713 00:31:03,600 --> 00:31:07,400 I just really need to knuckle down and learn the song inside and out 714 00:31:07,560 --> 00:31:09,640 and be as confident with it as I can be. 715 00:31:10,920 --> 00:31:12,320 In order for me to win this Battle, 716 00:31:12,480 --> 00:31:14,960 I just need to really find that connection. 717 00:31:15,120 --> 00:31:17,640 Find the reason why I'm singing it. 718 00:31:17,800 --> 00:31:20,440 I'm gonna give this Battle absolutely everything I can. 719 00:31:20,600 --> 00:31:22,520 Otherwise, I will be going home. 720 00:31:22,680 --> 00:31:24,320 And I can't let that happen. 721 00:31:24,480 --> 00:31:27,360 (CHEERS AND APPLAUSE) 722 00:31:43,200 --> 00:31:46,000 # I don't know what you want from me 723 00:31:46,160 --> 00:31:48,000 # Or what you think 724 00:31:48,160 --> 00:31:50,920 # Love ought to be 725 00:31:51,080 --> 00:31:52,000 # I want something 726 00:31:52,160 --> 00:31:55,960 # That's open and strong As the country 727 00:31:56,120 --> 00:31:57,960 # This road's moving on 728 00:31:58,120 --> 00:32:01,880 # From the mountainto the valley 729 00:32:02,040 --> 00:32:06,040 # From the ocean to the alley 730 00:32:06,200 --> 00:32:09,880 # From the highway to the river 731 00:32:10,040 --> 00:32:14,000 # One emotion to deliver 732 00:32:14,160 --> 00:32:17,880 # One heart 733 00:32:18,040 --> 00:32:21,960 # One way 734 00:32:22,120 --> 00:32:26,200 # One love 735 00:32:26,360 --> 00:32:30,840 # To share but not to chain, That's freedom 736 00:32:31,000 --> 00:32:35,440 # It's a song of the heart A race in the wind 737 00:32:35,600 --> 00:32:38,880 # A light in the dark, That's freedom 738 00:32:39,040 --> 00:32:43,320 # It's a reason to live, And after the rain 739 00:32:43,480 --> 00:32:46,840 # Rekindle the spark, Let freedom ring... # 740 00:32:47,000 --> 00:32:49,760 Oh, come on! Oh. 741 00:32:51,200 --> 00:32:54,080 # All I want is a fast lane to 742 00:32:54,240 --> 00:32:58,680 # Where the road across This plain won't take you 743 00:32:58,840 --> 00:33:02,160 # I want something you understand 744 00:33:02,320 --> 00:33:05,200 # To make us stand proud Has nothing else can 745 00:33:05,360 --> 00:33:07,120 # That's freedom 746 00:33:07,280 --> 00:33:11,000 # It's a song of the heart, A race in the wind 747 00:33:11,160 --> 00:33:15,000 # A light in the dark, That's freedom 748 00:33:15,160 --> 00:33:17,600 # That's a reason to live # To live 749 00:33:17,760 --> 00:33:20,920 # After the rain, rekindle the spark 750 00:33:21,080 --> 00:33:22,880 # That's freedom... # 751 00:33:23,040 --> 00:33:27,200 # It's a measure of trust When love is alive 752 00:33:27,360 --> 00:33:28,920 # Alive # It's tender and tough 753 00:33:29,080 --> 00:33:30,960 # That's freedom 754 00:33:31,120 --> 00:33:33,240 # It's what love is about 755 00:33:33,400 --> 00:33:36,840 # Let's open it upand let it out 756 00:33:37,000 --> 00:33:40,360 # That's freedom. # 757 00:33:40,520 --> 00:33:43,400 (CHEERS AND APPLAUSE) 758 00:33:46,960 --> 00:33:49,520 Taking on an Aussie classic. 759 00:33:49,680 --> 00:33:52,400 Yes! Yes! 760 00:33:52,560 --> 00:33:53,880 Rich... look at your coach. 761 00:33:55,240 --> 00:33:57,120 I am so freaking proud of you two. 762 00:33:57,280 --> 00:33:59,160 Thank you. Thank you so much. 763 00:33:59,320 --> 00:34:01,320 (CHEERS AND APPLAUSE) 764 00:34:01,480 --> 00:34:03,040 We'll get Richard's decision in a second. 765 00:34:03,200 --> 00:34:04,960 But, Ronan, what did you think of that performance? 766 00:34:05,120 --> 00:34:06,840 Wow. 767 00:34:07,000 --> 00:34:08,880 I mean, firstly. Song choice. 768 00:34:09,040 --> 00:34:11,560 Well, risky as hell. The biggest voice. 769 00:34:11,720 --> 00:34:13,480 Not just in this country, but on the planet. 770 00:34:13,640 --> 00:34:18,800 We all love John Farnham. And that song is just unbelievable. 771 00:34:18,960 --> 00:34:21,640 Cait, you're so anchored on stage. You're so confident. 772 00:34:21,800 --> 00:34:23,760 It-it looks effortless to you. 773 00:34:23,920 --> 00:34:25,080 Thank you. It really is. 774 00:34:25,240 --> 00:34:27,680 You have a beautiful voice. Gorgeous tone. 775 00:34:27,840 --> 00:34:31,240 But, Bianka, when you sing, it's otherworldly. 776 00:34:31,400 --> 00:34:33,040 It's just so magnificent. 777 00:34:33,200 --> 00:34:34,720 So... Thank you so much. 778 00:34:34,880 --> 00:34:36,080 I'd go for Bianka. 779 00:34:36,240 --> 00:34:37,800 Thank you so much. 780 00:34:39,880 --> 00:34:42,040 Two absolute powerhouses. 781 00:34:42,200 --> 00:34:43,120 And you know what I love? 782 00:34:43,280 --> 00:34:45,840 The voices are exquisite and they're huge. 783 00:34:46,000 --> 00:34:47,840 But you never overshadowed each other. 784 00:34:48,000 --> 00:34:49,520 You never took it too far. 785 00:34:49,680 --> 00:34:52,840 And-and I actually. I love you both. 786 00:34:53,000 --> 00:34:54,200 Such a difficult decision. 787 00:34:54,360 --> 00:34:59,360 I think I'd probably maybe base it on just tonally. 788 00:34:59,520 --> 00:35:01,040 I think that would be Cait. 789 00:35:01,200 --> 00:35:02,160 Thank you. 790 00:35:03,600 --> 00:35:04,640 Yeah. 791 00:35:04,800 --> 00:35:07,720 Richard, we know that song is very close to your heart. 792 00:35:07,880 --> 00:35:10,080 Did they deliver it the way you'd hoped? 793 00:35:10,240 --> 00:35:14,000 I wanted to honour him tonight on this show, 794 00:35:14,160 --> 00:35:15,880 and you guys crushed it. 795 00:35:16,040 --> 00:35:17,680 You guys crushed it. Thank you. 796 00:35:17,840 --> 00:35:19,120 Thank you so much. (APPLAUSE) 797 00:35:21,320 --> 00:35:23,400 When I think about where we started, 798 00:35:23,560 --> 00:35:25,520 I-I can't believe how far this has come. 799 00:35:25,680 --> 00:35:28,960 In this performance you both went 800 00:35:29,120 --> 00:35:32,440 from zero to ten based upon where we were. 801 00:35:32,600 --> 00:35:35,320 And you both were individually great. 802 00:35:35,480 --> 00:35:37,480 But even more importantly, when you sang together, 803 00:35:37,640 --> 00:35:38,960 I totally believed it. 804 00:35:39,120 --> 00:35:40,080 It was beautiful. 805 00:35:40,240 --> 00:35:42,920 It was really a beautiful thing to...to...to witness. 806 00:35:45,520 --> 00:35:49,520 Ah, you're stalling. You're stalling. 807 00:35:49,680 --> 00:35:50,760 Yep. This is really, really hard. 808 00:35:50,920 --> 00:35:53,360 We will need a decision, Richard. 809 00:35:53,520 --> 00:35:56,200 Who has won that Battle for you? 810 00:35:56,360 --> 00:35:59,200 (CHEERS AND APPLAUSE) 811 00:35:59,360 --> 00:36:01,240 (AUDIENCE SHOUT) 812 00:36:02,600 --> 00:36:07,600 I have to base this decision on that particular performance, 813 00:36:07,760 --> 00:36:10,120 and I have to think about going forward. 814 00:36:11,560 --> 00:36:13,920 So, with that in mind. 815 00:36:16,880 --> 00:36:21,080 The artist who won this Battle is... 816 00:36:23,360 --> 00:36:24,240 Bianka. 817 00:36:24,400 --> 00:36:26,040 (CHEERS AND APPLAUSE) 818 00:36:26,200 --> 00:36:28,000 Bianka, you won the Battle. 819 00:36:30,360 --> 00:36:34,480 You're going through to the next round, to the Knockouts. 820 00:36:34,640 --> 00:36:36,680 It means the absolute world to me. 821 00:36:36,840 --> 00:36:39,040 As you guys all know, I'm only 16 years old 822 00:36:39,200 --> 00:36:41,440 and it's just amazing to be up here 823 00:36:41,600 --> 00:36:43,000 and to show Australia that 824 00:36:43,160 --> 00:36:45,800 it doesn't matter how old you are or who you are, you can do it. 825 00:36:45,960 --> 00:36:47,680 So, thank you so much. Well done. 826 00:36:47,840 --> 00:36:51,000 Well said, Bianka, and congratulations. 827 00:36:53,280 --> 00:36:55,800 I'm so proud of you. That was fantastic. 828 00:36:55,960 --> 00:36:57,440 Way to go. Thank you. 829 00:36:58,960 --> 00:36:59,920 Well done. 830 00:37:05,920 --> 00:37:09,600 Oh, damnit. Wow. 831 00:37:09,760 --> 00:37:13,000 Unfortunately, Cait, you have not been saved. 832 00:37:13,160 --> 00:37:15,480 Please give it up for Cait. 833 00:37:15,640 --> 00:37:17,880 (CHEERS AND APPLAUSE) 834 00:37:18,040 --> 00:37:20,720 You did so good. So good. I'm so proud of you. 835 00:37:20,880 --> 00:37:21,800 Thank you. 836 00:37:21,960 --> 00:37:23,800 You're gonna... you're gonna just... you're gonna do great 837 00:37:31,640 --> 00:37:32,680 Still to come. 838 00:37:33,960 --> 00:37:37,240 I have never witnessed a performance. 839 00:37:37,400 --> 00:37:40,720 Forget a Battle, a performance like that on The Voice. 840 00:37:42,120 --> 00:37:44,920 The Battle that starts a war. 841 00:37:47,560 --> 00:37:49,480 It's way too soon for you to be going anywhere. 842 00:37:49,640 --> 00:37:51,440 Thank you. It's my turn. You belong here. 843 00:37:51,600 --> 00:37:53,680 I love Ronan, but he failed you. 844 00:37:53,840 --> 00:37:54,760 Whoa. 845 00:37:54,920 --> 00:37:55,840 I can get you all the way to the final. 846 00:37:56,000 --> 00:37:57,280 You really stepped in it, dude. 847 00:38:04,320 --> 00:38:05,280 # This is The Voice. # 848 00:38:09,000 --> 00:38:10,960 Oh! Oh! 849 00:38:11,120 --> 00:38:12,000 No. 850 00:38:12,160 --> 00:38:14,000 I was just checking to make sure it works, 851 00:38:14,160 --> 00:38:15,320 because you haven't used it yet. 852 00:38:15,480 --> 00:38:16,440 Yeah, I'm waiting. 853 00:38:16,600 --> 00:38:17,800 I'm waiting. OK, welcome back. 854 00:38:17,960 --> 00:38:19,560 Welcome back, everyone. Ooft, my heart. 855 00:38:19,720 --> 00:38:23,040 Both of these artists got four chair turns at the Blinds, 856 00:38:23,200 --> 00:38:25,960 and one wasn't even meant to audition 857 00:38:26,120 --> 00:38:29,280 until Kate heard her singing in the audience. 858 00:38:29,440 --> 00:38:31,600 And then Ronan stole. 859 00:38:31,760 --> 00:38:34,080 Hey, ha, ha, ha. Yeah. Exactly. 860 00:38:34,240 --> 00:38:36,960 And I'm working hard on forgiveness. 861 00:38:37,120 --> 00:38:38,560 Oh, really? 862 00:38:38,720 --> 00:38:40,720 While you two work that out. OK. 863 00:38:40,880 --> 00:38:45,480 It's time to see what song Ronan gave his vocal powerhouses, 864 00:38:45,640 --> 00:38:47,080 Alyssa and Ellaphon. 865 00:38:48,360 --> 00:38:49,320 Alright. Let's go. 866 00:38:53,600 --> 00:38:55,720 Alyssa, welcome to the Battles. Thank you. 867 00:38:55,880 --> 00:38:57,120 How are you feeling after your audition? 868 00:38:57,280 --> 00:38:59,000 I mean, that must have been a crazy moment. 869 00:38:59,160 --> 00:39:00,360 You know, it was just a fast experience, 870 00:39:00,520 --> 00:39:03,480 like, I couldn't actually comprehend what was actually happening. 871 00:39:03,640 --> 00:39:09,240 # I lose control... # 872 00:39:09,400 --> 00:39:11,480 I've always wanted to audition. 873 00:39:11,640 --> 00:39:14,080 So, it was a dream come true. 874 00:39:14,240 --> 00:39:15,720 And she was incredible. 875 00:39:15,880 --> 00:39:18,120 I had to have her. I used my ultimate block. 876 00:39:20,200 --> 00:39:21,560 Whoa. 877 00:39:24,200 --> 00:39:25,080 OK. 878 00:39:25,240 --> 00:39:26,880 Ladies and gentlemen, please welcome Ellaphon. 879 00:39:28,240 --> 00:39:30,480 Oh! Hey, dude. What's happening? 880 00:39:30,640 --> 00:39:33,000 When I found out that I was versing Alyssa. 881 00:39:33,160 --> 00:39:35,960 I knew this was going to be an epic Battle. 882 00:39:36,120 --> 00:39:40,640 # I'm losing my mind just a little 883 00:39:40,800 --> 00:39:41,800 # Yeah... # 884 00:39:41,960 --> 00:39:44,280 Ellaphon. Ridiculous singer. 885 00:39:44,440 --> 00:39:46,800 Four chair turn. Stunning ovation. 886 00:39:46,960 --> 00:39:49,280 One of the best Blind auditions I've ever had. 887 00:39:49,440 --> 00:39:51,840 # Yeah... # 888 00:39:56,160 --> 00:39:58,920 I fought hard for both of you in the Blinds. 889 00:39:59,080 --> 00:40:00,920 You've got to fight hard for me in the Battles. 890 00:40:01,080 --> 00:40:02,120 I'm excited. 891 00:40:02,280 --> 00:40:03,160 You wanna know what song you're singing? 892 00:40:03,320 --> 00:40:04,920 Yes. Yes. Yes, please. 893 00:40:06,280 --> 00:40:07,440 'Gravity' by John Mayer. 894 00:40:07,600 --> 00:40:10,000 Oh, OK. Yes. 895 00:40:10,160 --> 00:40:11,440 OK. You know, the song, right? 896 00:40:11,600 --> 00:40:13,840 Yeah. I know the song. 897 00:40:14,000 --> 00:40:16,040 I want you to make it your own. 898 00:40:16,200 --> 00:40:19,840 # Gravity 899 00:40:20,000 --> 00:40:23,000 # Is working against me... # 900 00:40:23,160 --> 00:40:26,000 Technically, they both have outstanding voices. 901 00:40:26,160 --> 00:40:27,680 They both have all the vocal tricks. 902 00:40:27,840 --> 00:40:28,800 # Ooo 903 00:40:28,960 --> 00:40:31,840 # Gravity, yeah, Yeah, yeah, yeah... # 904 00:40:32,000 --> 00:40:34,080 And sometimes with all the acrobatics, 905 00:40:34,240 --> 00:40:35,400 it's overkill. 906 00:40:35,560 --> 00:40:37,080 They can over-sing the song. 907 00:40:37,240 --> 00:40:39,840 # Just keep mewhere the light is 908 00:40:40,000 --> 00:40:43,920 # Just keep mewhere the light is 909 00:40:44,080 --> 00:40:45,680 # Yeah... # 910 00:40:45,840 --> 00:40:48,040 Using those moments once or twice in a song. 911 00:40:48,200 --> 00:40:50,520 They blow you away and you go, wow, that was epic. 912 00:40:50,680 --> 00:40:51,960 And then the rest of the song, 913 00:40:52,120 --> 00:40:53,600 you give us the heart and the soul 914 00:40:53,760 --> 00:40:56,000 and the emotion through your vocal. 915 00:40:56,160 --> 00:40:58,400 The thing that I probably am most scared of is, 916 00:40:58,560 --> 00:41:00,200 is both of you over-singing it. 917 00:41:01,880 --> 00:41:04,960 You have this beautiful tone, both of you crazy good singers. 918 00:41:05,120 --> 00:41:06,960 But just sing the song. 919 00:41:07,120 --> 00:41:09,000 Just sometimes you just sing the melody. 920 00:41:10,560 --> 00:41:12,960 The talent between the two of them is insane. 921 00:41:13,120 --> 00:41:15,680 But whoever moves me the most in this performance 922 00:41:15,840 --> 00:41:17,920 will be going through to the Knockouts. 923 00:41:18,080 --> 00:41:19,440 The pressure is seriously on for you guys. 924 00:41:19,600 --> 00:41:21,520 You're the best I've got. 925 00:41:21,680 --> 00:41:22,920 I don't wanna lose either of you. 926 00:41:28,600 --> 00:41:31,000 If I don't stand out in my own way, 927 00:41:31,160 --> 00:41:34,320 I will most definitely be left in the dust by Alyssa. 928 00:41:34,480 --> 00:41:36,920 The challenge is definitely 929 00:41:37,080 --> 00:41:39,160 trying to make it my own, 930 00:41:39,320 --> 00:41:42,560 but trying to stick to the original melody 931 00:41:42,720 --> 00:41:43,800 is also really important. 932 00:41:48,560 --> 00:41:50,440 I wanna win this Battle. 933 00:41:50,600 --> 00:41:53,520 (CHEERS AND APPLAUSE) 934 00:42:03,920 --> 00:42:04,880 Let's go. 935 00:42:07,920 --> 00:42:12,320 # Gravity 936 00:42:12,480 --> 00:42:17,000 # Is working against me 937 00:42:18,680 --> 00:42:21,920 # Oh, gravity 938 00:42:24,800 --> 00:42:28,640 # Wants to bring me down... # 939 00:42:28,800 --> 00:42:30,880 (CHEERS AND APPLAUSE) 940 00:42:31,040 --> 00:42:33,360 # Oh, I'll never know 941 00:42:33,520 --> 00:42:35,200 # I'll never know 942 00:42:35,360 --> 00:42:36,640 # What makes this man 943 00:42:36,800 --> 00:42:38,360 # What makes this man 944 00:42:38,520 --> 00:42:41,120 # With all the love 945 00:42:41,280 --> 00:42:43,600 # That is hard his heartcan stand 946 00:42:43,760 --> 00:42:46,080 # Ooo dream away... # 947 00:42:46,240 --> 00:42:47,560 Whoo! Come on. 948 00:42:47,720 --> 00:42:50,480 # Going to throw it all 949 00:42:50,640 --> 00:42:54,960 # Away 950 00:42:55,120 --> 00:42:58,080 # Oooh 951 00:42:58,240 --> 00:43:01,040 # Gravity 952 00:43:01,200 --> 00:43:04,680 # Is working against me now... # 953 00:43:04,840 --> 00:43:06,840 Wow. She's crazy. 954 00:43:07,000 --> 00:43:12,080 # Oh, seen gravity 955 00:43:13,520 --> 00:43:17,400 # Who wants to bring me down 956 00:43:18,720 --> 00:43:24,040 # Just keep me with the light is 957 00:43:25,560 --> 00:43:31,240 # Just keep me where the light is 958 00:43:31,400 --> 00:43:37,240 # Just keep me where the light is 959 00:43:37,400 --> 00:43:42,280 # Just keep me where the light is 960 00:43:44,320 --> 00:43:45,280 # Oooh 961 00:43:45,440 --> 00:43:50,000 # Oh, Gravity 962 00:43:50,160 --> 00:43:52,960 # Is working against me 963 00:43:53,120 --> 00:43:55,160 # Yeah 964 00:43:55,320 --> 00:43:57,160 # Whoa 965 00:43:57,320 --> 00:44:00,880 # Oh, gravity 966 00:44:02,520 --> 00:44:07,400 # Wants to bring me down 967 00:44:08,720 --> 00:44:12,880 # Oh, keep me 968 00:44:13,040 --> 00:44:18,920 # Where the light is shining 969 00:44:21,280 --> 00:44:23,600 # Oh, keep 970 00:44:23,760 --> 00:44:25,240 # Mee 971 00:44:25,400 --> 00:44:31,240 # Where the light is ooo 972 00:44:31,400 --> 00:44:35,720 # Yeah. # 973 00:44:35,880 --> 00:44:38,760 (CHEERS AND APPLAUSE) 974 00:44:41,160 --> 00:44:42,120 What the... 975 00:44:44,000 --> 00:44:44,960 Whoa! 976 00:44:52,000 --> 00:44:54,520 Alyssa and Ellaphon. 977 00:44:56,760 --> 00:44:59,040 (CHEERS AND APPLAUSE) 978 00:44:59,200 --> 00:45:00,160 I have been lucky enough 979 00:45:00,320 --> 00:45:02,560 to be a coach on The Voice all around the world. 980 00:45:02,720 --> 00:45:07,240 I have never witnessed a performance forget a Battle, 981 00:45:07,400 --> 00:45:09,640 a performance like that on The Voice. 982 00:45:09,800 --> 00:45:12,680 (CHEERS AND APPLAUSE) 983 00:45:14,280 --> 00:45:15,880 If this is where we are at the Battles, 984 00:45:16,040 --> 00:45:17,360 I mean, where to next? 985 00:45:17,520 --> 00:45:18,800 It's-it's insane. It was brilliant. 986 00:45:18,960 --> 00:45:21,240 Guys, I'm so proud of both of you. It's so amazing. 987 00:45:21,400 --> 00:45:23,240 (CHEERS AND APPLAUSE) 988 00:45:23,400 --> 00:45:24,960 Good job putting them up against each other, Ronan. 989 00:45:25,120 --> 00:45:26,800 Yeah, great idea, Ronan, well done. 990 00:45:26,960 --> 00:45:29,000 He really stepped in it, dude. 991 00:45:29,160 --> 00:45:31,600 Like, what were you thinking? I know, I know. 992 00:45:31,760 --> 00:45:34,080 I think, there were moments in that performance 993 00:45:34,240 --> 00:45:37,520 when I felt like I was watching, two greats. 994 00:45:37,680 --> 00:45:39,840 Alyssa, just incredible. 995 00:45:40,000 --> 00:45:43,320 It's so natural, your voice, it just flows out of you. 996 00:45:43,480 --> 00:45:45,160 And then Ellaphon it's like 997 00:45:45,320 --> 00:45:47,280 it just comes from the depths of your soul, 998 00:45:47,440 --> 00:45:50,240 and it embodies every part of your body. 999 00:45:50,400 --> 00:45:53,120 It's-it's beautiful to watch as well as to listen to. 1000 00:45:53,280 --> 00:45:56,800 If I had to base on this performance we've just seen 1001 00:45:56,960 --> 00:45:58,920 I think had I'd be edging towards Ellaphon. 1002 00:45:59,080 --> 00:46:00,000 Just... 1003 00:46:00,160 --> 00:46:01,040 (CHEERS AND APPLAUSE) 1004 00:46:01,200 --> 00:46:02,640 Thank you, Mel. 1005 00:46:02,800 --> 00:46:06,080 That was a spiritual experience. 1006 00:46:06,240 --> 00:46:09,080 I mean, I barely drew breath for that whole thing. 1007 00:46:09,240 --> 00:46:11,560 You seem so comfortable on stage. 1008 00:46:11,720 --> 00:46:15,280 And you were living and breathing inside that song together. 1009 00:46:15,440 --> 00:46:18,720 I think this is such a tough choice, but for me 1010 00:46:18,880 --> 00:46:20,680 I-I'll always have a soft spot for Alyssa 1011 00:46:20,840 --> 00:46:22,960 because I-I was the one that found her in the crowd. 1012 00:46:23,120 --> 00:46:25,120 And I think she's incredible. Jeez. 1013 00:46:25,280 --> 00:46:27,720 Thank you. I mean, stop milking it. 1014 00:46:27,880 --> 00:46:29,160 Sorry. Fine, you found her. 1015 00:46:29,320 --> 00:46:32,920 It's a fact. It's just a fact. She's just reminding you, Ronan. 1016 00:46:33,080 --> 00:46:34,560 It is now up to you, Ronan. 1017 00:46:34,720 --> 00:46:39,280 Only one of these amazing artists can go through to the Knockouts. 1018 00:46:39,440 --> 00:46:40,680 Who's it gonna be? 1019 00:46:40,840 --> 00:46:42,360 (CHEERS AND APPLAUSE) 1020 00:46:42,520 --> 00:46:43,560 I don't know how I pick. 1021 00:46:43,720 --> 00:46:45,360 You have to. 1022 00:46:45,520 --> 00:46:48,400 (AUDIENCE SHOUT) 1023 00:46:49,800 --> 00:46:52,440 Argh. 1024 00:46:52,600 --> 00:46:55,080 Honestly, nobody won and nobody lost. 1025 00:46:55,240 --> 00:46:57,800 It was perfect. It was so perfect. 1026 00:46:57,960 --> 00:47:02,960 Your harmonies, your energy, your individuality. 1027 00:47:03,120 --> 00:47:04,920 It was just your tone. It was gorgeous. 1028 00:47:05,080 --> 00:47:07,120 It was brilliant. It was beautiful. It's everything. 1029 00:47:07,280 --> 00:47:08,720 Everything I'm looking for. 1030 00:47:08,880 --> 00:47:10,200 So, I don't know how I lose one of you. 1031 00:47:10,360 --> 00:47:13,240 (CHEERS AND APPLAUSE) 1032 00:47:15,960 --> 00:47:17,680 The artist that won this Battle... 1033 00:47:17,840 --> 00:47:20,720 (TENSE MUSIC) 1034 00:47:26,400 --> 00:47:28,480 I can't not have you on my team, is Ellaphon. 1035 00:47:30,440 --> 00:47:32,240 Ellaphon, you're going through to the Knockouts. 1036 00:47:32,400 --> 00:47:34,760 Congratulations. 1037 00:47:41,120 --> 00:47:43,240 Oh, man. Well done. Wow. 1038 00:47:43,400 --> 00:47:45,400 One more time for Ellaphon, everyone. 1039 00:47:45,560 --> 00:47:48,440 (CHEERS AND APPLAUSE) 1040 00:47:52,960 --> 00:47:56,640 Sadly, Alyssa is now at risk of going home. 1041 00:47:58,200 --> 00:47:59,880 I didn't even get to finish! 1042 00:48:02,960 --> 00:48:04,640 I can't believe you got in there first. 1043 00:48:07,840 --> 00:48:08,760 Oh, my god. 1044 00:48:08,920 --> 00:48:12,600 All four coaches have decided to save you. 1045 00:48:12,760 --> 00:48:15,200 They all want you to stay in the competition. 1046 00:48:15,360 --> 00:48:19,560 Kate, Kate, Kate, Kate, Kate, Kate, Kate. 1047 00:48:19,720 --> 00:48:20,800 Thank you. 1048 00:48:23,520 --> 00:48:26,240 The power is now in your hands. 1049 00:48:26,400 --> 00:48:27,880 So, let's start with Kate. 1050 00:48:28,040 --> 00:48:31,400 Here we go. Well, I found you. I've found you in the audience. 1051 00:48:31,560 --> 00:48:34,040 Thank you. It's my turn. Thank you. 1052 00:48:34,200 --> 00:48:36,560 Yeah, well, here we go. Alyssa. 1053 00:48:36,720 --> 00:48:38,480 We belong together. Oh. 1054 00:48:38,640 --> 00:48:40,520 (CHEERS AND APPLAUSE) 1055 00:48:42,120 --> 00:48:43,760 I know it's-it's maybe... 1056 00:48:43,920 --> 00:48:47,200 it's gonna be tempting to-to go-go with Ronan. 1057 00:48:47,360 --> 00:48:48,720 You know, go with the one that you know. 1058 00:48:48,880 --> 00:48:51,400 All I wanna say to you is look where that's got you. 1059 00:48:51,560 --> 00:48:52,520 OK? 1060 00:48:54,320 --> 00:48:56,680 I'm-I'm ready. I'm here with the safety net. 1061 00:48:56,840 --> 00:48:57,800 Ready to catch you. 1062 00:48:59,160 --> 00:49:00,960 Nice pitch, Kate. 1063 00:49:01,120 --> 00:49:03,680 I can't believe you said that. 1064 00:49:03,840 --> 00:49:05,640 Ronan, why should Alyssa stay on your team? 1065 00:49:05,800 --> 00:49:07,440 Because you shouldn't go to Team Kate. 1066 00:49:08,920 --> 00:49:11,320 Just as simple as that. Just because. 1067 00:49:11,480 --> 00:49:13,600 (LAUGHS) 1068 00:49:13,760 --> 00:49:15,680 Alyssa, I know how to guide you. 1069 00:49:15,840 --> 00:49:17,400 I know what to do with your voice 1070 00:49:17,560 --> 00:49:19,600 as a mentor I know how to get you there 1071 00:49:19,760 --> 00:49:22,440 and I'll get you all the way to the final on Team Roman. 1072 00:49:23,680 --> 00:49:25,800 Alyssa, I love Ronan, but he failed you. 1073 00:49:28,000 --> 00:49:29,360 He failed you miserably. I didn't. 1074 00:49:29,520 --> 00:49:31,840 I didn't, I was 50 over 50. I had to choose. 1075 00:49:32,000 --> 00:49:35,800 I'll tell you why I think you were failed. 1076 00:49:35,960 --> 00:49:38,720 When you guys sang together it was magical. 1077 00:49:38,880 --> 00:49:40,680 Because it was even. 1078 00:49:40,840 --> 00:49:43,680 What was chosen for you to sing on your own, 1079 00:49:43,840 --> 00:49:45,960 as opposed to what Ellaphon sang. 1080 00:49:46,120 --> 00:49:49,920 I feel like it favoured him in terms of the choice of notes, 1081 00:49:50,080 --> 00:49:52,200 the moments for you to stand out, 1082 00:49:52,360 --> 00:49:53,800 and a really good coach 1083 00:49:53,960 --> 00:49:56,960 and a really good producer knows not to do that. 1084 00:49:58,600 --> 00:49:59,520 Interesting. 1085 00:49:59,680 --> 00:50:00,680 So, I think that going forward, 1086 00:50:00,840 --> 00:50:02,000 you need somebody who's gonna watch out 1087 00:50:02,160 --> 00:50:03,920 for you in that way, and that's me. 1088 00:50:04,080 --> 00:50:05,560 Interesting, interesting. 1089 00:50:07,120 --> 00:50:08,680 Watching that performance tonight. 1090 00:50:08,840 --> 00:50:11,720 It was like, it's way too soon for you to be going anywhere. 1091 00:50:11,880 --> 00:50:13,000 You belong here. 1092 00:50:13,160 --> 00:50:15,600 I haven't got anyone like you in my team. 1093 00:50:15,760 --> 00:50:17,480 I feel like it's time for you 1094 00:50:17,640 --> 00:50:19,920 to be with a female vocalist as a mentor. 1095 00:50:20,080 --> 00:50:22,120 Yes. And I want that to be me. 1096 00:50:23,960 --> 00:50:27,320 (CHEERS AND APPLAUSE) 1097 00:50:27,480 --> 00:50:29,040 The question is, 1098 00:50:29,200 --> 00:50:32,360 will you stick with your original coach, Ronan? 1099 00:50:32,520 --> 00:50:35,320 Will you move to a new team? 1100 00:50:38,720 --> 00:50:41,680 It is a really tough decision. I do love you all. 1101 00:50:47,720 --> 00:50:52,240 Kate, Kate, Kate, Kate, Kate, Kate, Kate. 1102 00:50:52,400 --> 00:50:54,280 # This is The Voice. # 1103 00:50:58,280 --> 00:50:59,200 # This is The Voice. # 1104 00:51:01,680 --> 00:51:03,320 (CHEERS) 1105 00:51:05,360 --> 00:51:06,760 Kate, Kate, Kate, Kate, Kate, Kate, Kate. 1106 00:51:06,920 --> 00:51:08,840 The question is, 1107 00:51:09,000 --> 00:51:11,440 will you stick with your original coach. 1108 00:51:11,600 --> 00:51:15,840 Ronan, will you move to a new team? 1109 00:51:16,000 --> 00:51:18,640 It is a really tough decision. I do love you all. 1110 00:51:21,200 --> 00:51:22,120 But... 1111 00:51:24,360 --> 00:51:25,600 I think I'm gonna go with Kate. 1112 00:51:25,760 --> 00:51:26,840 Aw. 1113 00:51:28,480 --> 00:51:32,320 Congratulations. You are now part of Team Kate. 1114 00:51:32,480 --> 00:51:34,440 Wow, amazing thank you so much. 1115 00:51:34,600 --> 00:51:36,400 You won't regret it. 1116 00:51:36,560 --> 00:51:38,560 You might regret it. You might regret it. 1117 00:51:38,720 --> 00:51:39,680 You might regret it. 1118 00:51:40,960 --> 00:51:43,600 Well done, well done. I'm very, very proud of you. 1119 00:51:43,760 --> 00:51:44,840 Thank you. Well done. 1120 00:51:51,000 --> 00:51:52,160 Unbelievable. 1121 00:51:52,320 --> 00:51:54,440 Revenge is sweet. 1122 00:51:54,600 --> 00:51:56,480 I don't think Kate had a winner on her team. 1123 00:51:56,640 --> 00:51:57,960 Now, she does. 1124 00:51:58,120 --> 00:52:01,960 Things have been rectified now, and everyone's in their right place. 1125 00:52:10,280 --> 00:52:11,320 This Battle 1126 00:52:11,480 --> 00:52:14,840 is against Cherie and Lilli. 1127 00:52:17,480 --> 00:52:19,720 Cherie and Lilli are my risk takers. 1128 00:52:19,880 --> 00:52:21,280 Cherie came out 1129 00:52:21,440 --> 00:52:24,160 with her beautiful samba dancing while singing. 1130 00:52:24,320 --> 00:52:26,840 # Her lips are devil red 1131 00:52:27,000 --> 00:52:30,120 # And her skin Is the colour of mocha... # 1132 00:52:30,280 --> 00:52:31,400 # And now all That I want for you... # 1133 00:52:31,560 --> 00:52:34,680 And then Lilli coming out doing a Spice Girl song for a Spice Girl. 1134 00:52:34,840 --> 00:52:36,440 That is a risk that was worth taking. 1135 00:52:41,440 --> 00:52:42,680 For this Battle, 1136 00:52:42,840 --> 00:52:45,400 I've chosen Training Season by Dua Lipa. 1137 00:52:46,960 --> 00:52:50,840 It's deceptively difficult. It's quite rangy. 1138 00:52:51,000 --> 00:52:52,760 You know, there's some real lower notes 1139 00:52:52,920 --> 00:52:54,480 and it goes right up in the range. 1140 00:52:56,200 --> 00:52:58,000 I felt that both Cherie and Lilli 1141 00:52:58,160 --> 00:53:00,880 could really showcase their vocals on this song. 1142 00:53:02,400 --> 00:53:06,480 I really want to show Melanie C I can have the stage presence, 1143 00:53:06,640 --> 00:53:08,320 but also nail down these vocals. 1144 00:53:10,320 --> 00:53:13,160 It is a bit of a hard song. There's a lot of pressure. 1145 00:53:13,320 --> 00:53:15,200 Lilli is an incredible performer, 1146 00:53:15,360 --> 00:53:17,240 but I have to make sure that I'm better. 1147 00:53:20,000 --> 00:53:22,120 Whoever can prove they've got a powerful 1148 00:53:22,280 --> 00:53:24,560 and adaptable voice will win this Battle. 1149 00:53:27,160 --> 00:53:28,560 Beautiful. Awesome. 1150 00:53:28,720 --> 00:53:29,960 They look awesome. 1151 00:53:30,120 --> 00:53:33,000 (APPLAUSE) 1152 00:53:35,240 --> 00:53:37,160 # Are you 1153 00:53:37,320 --> 00:53:41,120 # Someone that I can give my heart to 1154 00:53:41,280 --> 00:53:45,080 # Or just the poison That I'm drawn to 1155 00:53:45,240 --> 00:53:50,720 # It can be hard to tell The difference late at night 1156 00:53:50,880 --> 00:53:52,960 # Play fair 1157 00:53:53,120 --> 00:53:56,800 # Is that a compass in your nature 1158 00:53:56,960 --> 00:53:58,200 # Or are you tricky 1159 00:53:58,360 --> 00:54:00,480 # 'Cause I've been there 1160 00:54:00,640 --> 00:54:06,280 # And baby I don't need To learn my lesson twice 1161 00:54:06,440 --> 00:54:12,280 # Ooo are you somebody Who can go there 1162 00:54:12,440 --> 00:54:16,520 # 'Cause I don't wanna Have to show you 1163 00:54:16,680 --> 00:54:19,680 # If that ain't you, Then let me know, yeah 1164 00:54:19,840 --> 00:54:23,680 # 'Cause you should know, People want to hold me close... # 1165 00:54:23,840 --> 00:54:24,920 # Deeper than I've ever known 1166 00:54:25,080 --> 00:54:26,240 # Deeper than I've ever known 1167 00:54:26,400 --> 00:54:27,640 # Like a rodeo 1168 00:54:27,800 --> 00:54:30,160 # Knows just how to take control 1169 00:54:30,320 --> 00:54:33,360 # When I'm vulnerable, He's straight-talking to my soul 1170 00:54:33,520 --> 00:54:35,360 # Conversation overload 1171 00:54:35,520 --> 00:54:39,240 # Because trainingseason's over 1172 00:54:39,400 --> 00:54:41,760 # Training season's ooh 1173 00:54:41,920 --> 00:54:43,400 # Training season's ooh 1174 00:54:43,560 --> 00:54:46,520 # Training season's over. # 1175 00:54:46,680 --> 00:54:49,560 (CHEERS AND APPLAUSE) 1176 00:54:56,200 --> 00:54:59,560 For Cherie and Lilli 1177 00:54:59,720 --> 00:55:01,800 training season is definitely over I think. 1178 00:55:01,960 --> 00:55:04,280 Look at these amazing outfits. 1179 00:55:06,000 --> 00:55:07,680 Guys, you were awesome. The energy was great. 1180 00:55:07,840 --> 00:55:09,520 You got the four of us standing up dancing. 1181 00:55:09,680 --> 00:55:10,720 That's very rare. 1182 00:55:10,880 --> 00:55:11,960 (CHEERS AND APPLAUSE) 1183 00:55:12,120 --> 00:55:15,680 So, the energy was brilliant. You both channelling Dua Lipa. 1184 00:55:15,840 --> 00:55:17,000 It's a duo Dua. Yeah. 1185 00:55:19,440 --> 00:55:20,720 Lilli, I think 1186 00:55:20,880 --> 00:55:23,280 sometimes you were just trying to force the vocal 1187 00:55:23,440 --> 00:55:24,360 and I know why. 1188 00:55:24,520 --> 00:55:26,800 You've got 90 seconds to shine. 1189 00:55:26,960 --> 00:55:28,960 You have the talent, you have the ability. 1190 00:55:29,120 --> 00:55:31,640 Sit back in your vocal a little bit, because when you force it 1191 00:55:31,800 --> 00:55:34,080 it's just it seems a little harsh at times. 1192 00:55:34,240 --> 00:55:36,640 Um, Cherie, I think you're just born to be on the stage. 1193 00:55:36,800 --> 00:55:38,760 It's who you are. You're a performer. I can see that. 1194 00:55:38,920 --> 00:55:41,240 (CHEERS AND APPLAUSE) 1195 00:55:41,400 --> 00:55:43,400 From that performance, I would choose Cherie. 1196 00:55:43,560 --> 00:55:44,480 Sorry. 1197 00:55:44,640 --> 00:55:46,600 (CHEERS AND APPLAUSE) 1198 00:55:46,760 --> 00:55:48,960 I actually have to disagree. 1199 00:55:49,120 --> 00:55:51,560 For my money. I mean, I... Don't disagree with me. 1200 00:55:51,720 --> 00:55:53,320 Just don't. 1201 00:55:53,480 --> 00:55:57,680 I-I mean, both of you have magnificent voices, 1202 00:55:57,840 --> 00:56:00,960 but I love the-the depth, the roundness, 1203 00:56:01,120 --> 00:56:04,160 the, sort of, chocolatey alto-y thing 1204 00:56:04,320 --> 00:56:05,240 that you have going on. 1205 00:56:05,400 --> 00:56:06,680 Lily, you're both amazing. 1206 00:56:06,840 --> 00:56:08,880 But if it were me, I'd be going with Lilli. 1207 00:56:09,040 --> 00:56:11,120 (CHEERS AND APPLAUSE) 1208 00:56:11,280 --> 00:56:13,120 Thank you, well, Melanie, 1209 00:56:13,280 --> 00:56:14,920 that's what the other coaches thought. 1210 00:56:15,080 --> 00:56:16,320 Have you worked out 1211 00:56:16,480 --> 00:56:18,960 who you're taking through to the next round? 1212 00:56:19,120 --> 00:56:22,480 Well, you've both made it so hard for me. 1213 00:56:22,640 --> 00:56:24,360 Gosh, gosh, gosh. 1214 00:56:24,520 --> 00:56:27,960 Lilli! Lilli! Lilli! 1215 00:56:28,120 --> 00:56:30,880 I'm so proud you've both come so far. 1216 00:56:31,040 --> 00:56:32,000 It was really important, 1217 00:56:32,160 --> 00:56:33,800 we wanted to bring it back to the vocals, didn't we? 1218 00:56:33,960 --> 00:56:35,120 We wanted to clean things up. 1219 00:56:35,280 --> 00:56:38,240 You listened. You took everything onboard. 1220 00:56:38,400 --> 00:56:40,280 You've literally surpassed my expectations tonight. 1221 00:56:40,440 --> 00:56:41,360 It was so good. 1222 00:56:41,520 --> 00:56:44,400 (CHEERS AND APPLAUSE) 1223 00:56:48,080 --> 00:56:52,000 The artist who won this Battle 1224 00:56:52,160 --> 00:56:54,240 for me is... 1225 00:56:59,240 --> 00:57:00,160 Lilli. 1226 00:57:00,320 --> 00:57:01,600 (CHEERS AND APPLAUSE) 1227 00:57:01,760 --> 00:57:03,920 Well done, Lilli. Well done. Wow! 1228 00:57:04,080 --> 00:57:07,160 You are progressing to the next round 1229 00:57:07,320 --> 00:57:09,240 on Team Melanie C. 1230 00:57:09,400 --> 00:57:11,040 Oh, my god. 1231 00:57:11,200 --> 00:57:12,960 Thanks so much. 1232 00:57:13,120 --> 00:57:16,080 Tears? No, tears. We can't have tears. 1233 00:57:16,240 --> 00:57:17,440 This is a happy moment, 1234 00:57:17,600 --> 00:57:18,520 you're going through to the next round. 1235 00:57:18,680 --> 00:57:20,040 It is, it's happy tears, oh, my god. 1236 00:57:20,200 --> 00:57:22,080 Thank you so much for believing in me 1237 00:57:22,240 --> 00:57:24,040 and wanting to me go further, 1238 00:57:24,200 --> 00:57:27,240 because I love you and I'd love to show you more. 1239 00:57:27,400 --> 00:57:28,320 Thank you. 1240 00:57:28,480 --> 00:57:29,400 My pleasure. 1241 00:57:29,560 --> 00:57:31,240 Put your hands together one more time for Lilli. 1242 00:57:31,400 --> 00:57:34,040 Darling. You were brilliant. You were brilliant. 1243 00:57:36,200 --> 00:57:37,640 Cherie, no saves for tonight. 1244 00:57:37,800 --> 00:57:40,400 But let's make some noise for Cherie. 1245 00:57:40,560 --> 00:57:41,680 (CHEERS AND APPLAUSE) 1246 00:57:41,840 --> 00:57:42,800 Well done. 1247 00:57:44,080 --> 00:57:45,720 Oh, my love. 1248 00:57:45,880 --> 00:57:48,600 Oh, I'm sorry. You were brilliant. You're so good. 1249 00:57:48,760 --> 00:57:51,920 Please keep singing. Keep dancing. 1250 00:57:52,080 --> 00:57:53,040 Well done, Cherie. 1251 00:58:00,680 --> 00:58:05,200 Next up on The Voice, Team Kate step into the Battle ring. 1252 00:58:05,360 --> 00:58:07,280 Don't go anywhere, Australia. 1253 00:58:07,440 --> 00:58:09,160 (CHEERS AND APPLAUSE) 1254 00:58:09,320 --> 00:58:11,000 # This is The Voice. # 1255 00:58:15,320 --> 00:58:16,280 # This is The Voice. # 1256 00:58:22,840 --> 00:58:25,680 So, this Battle is between my two true blue Aussies, 1257 00:58:25,840 --> 00:58:27,840 Charlie and Brenton. 1258 00:58:28,000 --> 00:58:29,040 I grouped Charlie 1259 00:58:29,200 --> 00:58:30,480 and Brenton together, 1260 00:58:30,640 --> 00:58:33,720 because they both have this beautiful Aussie 1261 00:58:33,880 --> 00:58:37,040 salt of the earth character about them. 1262 00:58:37,200 --> 00:58:38,680 Oh, yeah. 1263 00:58:40,320 --> 00:58:43,640 # Life's going nowhere 1264 00:58:43,800 --> 00:58:48,920 # Somebody help me... # 1265 00:58:50,160 --> 00:58:53,760 # You take the man out of the city 1266 00:58:53,920 --> 00:58:56,720 # Not the city out the man... # 1267 00:58:56,880 --> 00:58:58,240 But they're also capable 1268 00:58:58,400 --> 00:59:01,440 of being really raw and vulnerable on stage. 1269 00:59:01,600 --> 00:59:07,440 # Not the city out the man 1270 00:59:07,600 --> 00:59:08,480 # Oh... # 1271 00:59:08,640 --> 00:59:10,400 My dad had an accident at work. 1272 00:59:10,560 --> 00:59:13,200 Pretty much half his brain is gone forever. 1273 00:59:13,360 --> 00:59:14,240 Music. 1274 00:59:14,400 --> 00:59:17,200 It's something me and dad can do together. 1275 00:59:17,360 --> 00:59:19,160 Play guitar together. 1276 00:59:19,320 --> 00:59:22,360 So, the song you'll be singing for your Battle 1277 00:59:22,520 --> 00:59:24,440 is 'Fade Into You' by Mazzy Star. 1278 00:59:25,760 --> 00:59:27,040 Do you know that song? Love it. 1279 00:59:27,200 --> 00:59:28,360 Yeah, I love it too. That's exciting. 1280 00:59:28,520 --> 00:59:31,200 Cool, it's like it's a bit of a left field choice. 1281 00:59:31,360 --> 00:59:32,680 I love a bit of a left field choice. 1282 00:59:32,840 --> 00:59:37,080 You know, it's a female vocalist. It's like an iconic '90s song. 1283 00:59:37,240 --> 00:59:38,480 That'll be great. Amazing. Hell, yeah. 1284 00:59:38,640 --> 00:59:42,000 And the gist of this song is how beautiful 1285 00:59:42,160 --> 00:59:46,600 and also how strange it is to almost evaporate 1286 00:59:46,760 --> 00:59:50,120 into another person, that-that, sort of, transformational 1287 00:59:50,280 --> 00:59:51,720 feeling of being in love. 1288 00:59:51,880 --> 00:59:55,880 It's a very exposed piece of music. There's nowhere to hide as a singer. 1289 00:59:56,040 --> 00:59:57,160 You ready to give it a go? 1290 00:59:57,320 --> 00:59:59,720 I'm ready. Are you? Sure. Yes, absolutely. 1291 01:00:02,360 --> 01:00:07,280 # I wanna hold the hand Inside you... # 1292 01:00:07,440 --> 01:00:09,240 This song is deceptively simple. 1293 01:00:09,400 --> 01:00:11,360 It's the same melody over and over. 1294 01:00:11,520 --> 01:00:15,000 # I look to you To see the truth... # 1295 01:00:15,160 --> 01:00:17,360 So, they're going to have to bring 1296 01:00:17,520 --> 01:00:21,680 a high level of artistry to keep that compelling for us. 1297 01:00:21,840 --> 01:00:24,760 To show us what they can do vocally. 1298 01:00:24,920 --> 01:00:27,720 How they can stay connected to the emotion of that song 1299 01:00:27,880 --> 01:00:30,440 to transcend the simplicity of it. 1300 01:00:30,600 --> 01:00:36,080 # Strange you never knew... # 1301 01:00:36,240 --> 01:00:37,760 It's going to be a challenge. 1302 01:00:37,920 --> 01:00:39,880 Should we just try the harmony verse? 1303 01:00:40,040 --> 01:00:42,120 # You live your life. You live your life. # 1304 01:00:42,280 --> 01:00:43,240 Yeah. 1305 01:00:43,400 --> 01:00:48,000 # You live your life And go in shadows... # 1306 01:00:48,160 --> 01:00:49,960 # In shadows... # Just don't overshoot. 1307 01:00:50,120 --> 01:00:51,440 Yeah, yeah, yeah. OK, yeah, yeah. Sorry. 1308 01:00:51,600 --> 01:00:53,720 They've both got great voices. 1309 01:00:53,880 --> 01:00:55,240 This song is so emotional, 1310 01:00:55,400 --> 01:00:58,560 so, whoever can tell that story will win the Battle. 1311 01:00:58,720 --> 01:01:01,040 Which one is gonna move me the most? 1312 01:01:02,800 --> 01:01:05,600 There is nowhere to hide in this song. 1313 01:01:05,760 --> 01:01:09,600 It's delicate and every word 1314 01:01:09,760 --> 01:01:11,000 and phrase counts. 1315 01:01:12,360 --> 01:01:14,840 I think my emotional side 1316 01:01:15,000 --> 01:01:20,160 is gonna be an advantage for me singing this song. 1317 01:01:23,440 --> 01:01:24,520 Being able to tell the story 1318 01:01:24,680 --> 01:01:26,280 is going to be really crucial 1319 01:01:26,440 --> 01:01:28,000 in order to win this Battle. 1320 01:01:28,160 --> 01:01:29,720 Going up against such a big powerhouse 1321 01:01:29,880 --> 01:01:30,880 voice like Brenton's, 1322 01:01:31,040 --> 01:01:34,200 I definitely need to make sure that all the subtleties in my voice 1323 01:01:34,360 --> 01:01:38,960 are spot on to impress Kate enough to be her choice moving forward. 1324 01:01:39,120 --> 01:01:41,560 (CHEERS AND APPLAUSE) 1325 01:01:56,040 --> 01:02:00,880 # I wanna hold The hand inside you... # 1326 01:02:04,600 --> 01:02:06,800 # I want to take the breath 1327 01:02:06,960 --> 01:02:10,160 # That's true... # 1328 01:02:10,320 --> 01:02:11,240 So, Aussie, hey? Yeah. 1329 01:02:11,400 --> 01:02:13,080 It's great. 1330 01:02:13,240 --> 01:02:18,280 # I look to you when I see nothing 1331 01:02:21,680 --> 01:02:25,720 # I look to you to see the truth 1332 01:02:29,760 --> 01:02:35,440 # You live your life, You go in shadows 1333 01:02:38,800 --> 01:02:43,680 # You'll come apart And you'll go blind... # 1334 01:02:43,840 --> 01:02:44,800 Nice. 1335 01:02:47,200 --> 01:02:51,680 # Some kind of night Into your darkness 1336 01:02:51,840 --> 01:02:55,320 # Your darkness 1337 01:02:55,480 --> 01:03:00,720 # Colours your eyes With what's not there 1338 01:03:04,760 --> 01:03:10,320 # Fade into you 1339 01:03:10,480 --> 01:03:12,480 # Whoa 1340 01:03:12,640 --> 01:03:14,120 # I think it's strange 1341 01:03:14,280 --> 01:03:16,160 # I think it's strange 1342 01:03:16,320 --> 01:03:18,920 # You never knew 1343 01:03:19,080 --> 01:03:21,640 # Whoa 1344 01:03:21,800 --> 01:03:27,680 # Fade into you 1345 01:03:30,640 --> 01:03:35,320 # Strange you never knew. # 1346 01:03:35,480 --> 01:03:38,360 (CHEERS AND APPLAUSE) 1347 01:03:46,040 --> 01:03:50,000 So much emotion from Brenton and Charlie. 1348 01:03:51,200 --> 01:03:54,160 Ronan in your eyes, who stood out the most? 1349 01:03:54,320 --> 01:03:56,920 Oh, look. Yeah. Nah. Sucked in. 1350 01:03:57,080 --> 01:04:00,000 Um, it was just so Aussie, I loved it. 1351 01:04:00,160 --> 01:04:01,960 Brenton, I love your tone, man. 1352 01:04:02,120 --> 01:04:03,920 You just. It's... Thanks, man. 1353 01:04:05,520 --> 01:04:07,560 Charlie, I mean, you're so dynamic. 1354 01:04:07,720 --> 01:04:10,280 You're-you're only in the infancy of your career, 1355 01:04:10,440 --> 01:04:12,600 but you've got so much talent and ability. 1356 01:04:12,760 --> 01:04:14,160 Thank you very much. 1357 01:04:14,320 --> 01:04:16,080 But if I was to choose. 1358 01:04:16,240 --> 01:04:19,280 I think Brenton won this Battle. 1359 01:04:19,440 --> 01:04:22,040 Yeah, I do. (CHEERS AND APPLAUSE) 1360 01:04:22,200 --> 01:04:23,760 I have to be honest. 1361 01:04:23,920 --> 01:04:25,840 I love that song, but I thought it was an odd song choice 1362 01:04:26,000 --> 01:04:27,360 for the two of you, 1363 01:04:27,520 --> 01:04:30,720 and it frankly left me cold. 1364 01:04:30,880 --> 01:04:33,560 Neither of you really embodied it. 1365 01:04:33,720 --> 01:04:35,240 It's such a vibey song, 1366 01:04:35,400 --> 01:04:37,680 and I heard all the thinking going on 1367 01:04:37,840 --> 01:04:40,960 instead of just surrendering to this beautiful melody. 1368 01:04:41,120 --> 01:04:43,720 Like, I wanted to love it and I didn't. 1369 01:04:43,880 --> 01:04:45,720 So, that performance didn't really do anything for me. 1370 01:04:45,880 --> 01:04:48,480 But if I'm gonna pick, it's Charlie. 1371 01:04:48,640 --> 01:04:50,000 (CHEERS AND APPLAUSE) Thank you. 1372 01:04:50,160 --> 01:04:51,560 Thank you, Richard. 1373 01:04:51,720 --> 01:04:52,960 Kate, did you... 1374 01:04:53,120 --> 01:04:55,040 did you wanna counter anything that Richard just said? 1375 01:04:56,360 --> 01:05:00,480 Look, I mean, I can't help, but agree on some level, 1376 01:05:00,640 --> 01:05:02,360 and it's my fault. 1377 01:05:02,520 --> 01:05:05,360 And it's tricky in that it's a mid-tempo, 1378 01:05:05,520 --> 01:05:08,120 mesmerising song without a big money note 1379 01:05:08,280 --> 01:05:10,320 or without a lot of dynamics, actually. 1380 01:05:10,480 --> 01:05:12,720 But personally, I love the way you sang it. 1381 01:05:12,880 --> 01:05:14,760 (CHEERS AND APPLAUSE) 1382 01:05:16,280 --> 01:05:18,560 Brenton, I love your Aussie accent 1383 01:05:18,720 --> 01:05:21,560 when you sing, you do it so effortlessly. 1384 01:05:21,720 --> 01:05:24,320 It's really you. You found your sound. 1385 01:05:24,480 --> 01:05:26,320 You're a true artist. 1386 01:05:26,480 --> 01:05:27,440 Thank you. 1387 01:05:27,600 --> 01:05:29,800 (APPLAUSE) 1388 01:05:29,960 --> 01:05:32,040 And, Charlie, you have a gift. 1389 01:05:32,200 --> 01:05:33,960 You're born communicator, 1390 01:05:34,120 --> 01:05:36,960 and you are a channel for that emotion 1391 01:05:37,120 --> 01:05:38,120 in a beautiful way. 1392 01:05:38,280 --> 01:05:39,760 At times I feel during that performance 1393 01:05:39,920 --> 01:05:41,640 you lost contact with that. 1394 01:05:41,800 --> 01:05:44,360 And maybe it's nerves. Maybe it's inexperience. 1395 01:05:44,520 --> 01:05:46,880 I think that's something tha you would need to work on in future. 1396 01:05:47,040 --> 01:05:50,960 Just keeping that that focus on the communication. 1397 01:05:51,120 --> 01:05:54,720 This is a nerve-wracking environment so, it is...it's hard 1398 01:05:54,880 --> 01:05:57,600 This is the hardest stage you can ever perform on, I think. 1399 01:05:58,920 --> 01:06:01,360 I'm so torn about this. 1400 01:06:01,520 --> 01:06:04,440 I-I really am so conflicted. 1401 01:06:04,600 --> 01:06:08,400 Ultimately, I need to take forward the artists that I think 1402 01:06:08,560 --> 01:06:10,040 I can do the most with. 1403 01:06:10,200 --> 01:06:12,760 But I think you both have careers in music. 1404 01:06:12,920 --> 01:06:15,000 Absolutely. There's no doubt about that. 1405 01:06:20,560 --> 01:06:23,440 (CHEERS AND APPLAUSE) 1406 01:06:26,880 --> 01:06:31,040 The artist who won this Battle is... 1407 01:06:35,520 --> 01:06:36,440 Charlie. 1408 01:06:36,600 --> 01:06:39,440 (CHEERS AND APPLAUSE) 1409 01:06:39,600 --> 01:06:42,720 Good job, man. 17, but he's won the Battle. 1410 01:06:44,200 --> 01:06:46,840 Congratulations, Charlie. 1411 01:06:47,000 --> 01:06:48,360 How do you feel? 1412 01:06:48,520 --> 01:06:50,440 I feel on top of the world. Really? 1413 01:06:50,600 --> 01:06:54,080 Um, this whole experience is mind blowing for me. 1414 01:06:54,240 --> 01:06:56,800 Oh, nah, but you were so up for it. 1415 01:06:56,960 --> 01:06:57,880 Thank you. 1416 01:06:58,040 --> 01:07:00,680 What was it like for you to sing in front of your mum and dad? 1417 01:07:00,840 --> 01:07:02,480 Oh, it's-it's really special. 1418 01:07:02,640 --> 01:07:05,880 It's just they're always at all my show I play 1419 01:07:06,040 --> 01:07:08,240 and any gig it is just, they're always there. 1420 01:07:08,400 --> 01:07:10,000 The best support I have. 1421 01:07:10,160 --> 01:07:11,160 Aw. 1422 01:07:12,720 --> 01:07:14,480 Put your hands together for Charlie everyone. 1423 01:07:14,640 --> 01:07:15,560 (CHEERS AND APPLAUSE) Well done, mate. 1424 01:07:15,720 --> 01:07:16,600 Well done. Good on you. 1425 01:07:16,760 --> 01:07:17,720 That was incredible. 1426 01:07:18,920 --> 01:07:20,440 So proud. Well done. 1427 01:07:20,600 --> 01:07:23,480 (APPLAUSE) 1428 01:07:30,560 --> 01:07:34,160 Brenton, I'm afraid your time in the competition is over. 1429 01:07:34,320 --> 01:07:36,960 Thank you so much. Put your hands together for Brenton. 1430 01:07:37,120 --> 01:07:39,160 Thanks so much. See you guys. 1431 01:07:40,520 --> 01:07:41,480 Well done. 1432 01:07:41,640 --> 01:07:45,360 It was so lovely to work with you. And I absolutely love your voice. 1433 01:07:45,520 --> 01:07:47,360 Thank you. You did such a fantastic job. 1434 01:07:47,520 --> 01:07:48,520 Cheers. Appreciate it. 1435 01:07:59,960 --> 01:08:00,880 Next... 1436 01:08:01,040 --> 01:08:03,080 This is the Battle of the behemoths. 1437 01:08:03,240 --> 01:08:07,080 ..it's family man versus family member. 1438 01:08:09,200 --> 01:08:11,080 Well, I can't let either of you go home. 1439 01:08:11,240 --> 01:08:12,120 I don't know what to do. 1440 01:08:12,280 --> 01:08:15,400 We do need a decision right now. This is brutal. 1441 01:08:15,560 --> 01:08:16,800 I'm so glad I'm not you. 1442 01:08:20,080 --> 01:08:24,160 The artist that won this Battle... 1443 01:08:24,320 --> 01:08:26,760 Came from the bottom, now I'm the king. 1444 01:08:32,280 --> 01:08:33,240 # This is The Voice. # 1445 01:08:38,480 --> 01:08:39,840 Mitchell, welcome to the Battles. 1446 01:08:40,000 --> 01:08:41,520 Guess you want to know who your bottle partner is? 1447 01:08:41,680 --> 01:08:42,600 I'm dying to know. 1448 01:08:42,760 --> 01:08:45,400 OK, well, please welcome Chris. 1449 01:08:45,560 --> 01:08:47,960 Hey, mate. How are you? 1450 01:08:48,120 --> 01:08:49,360 No, way, man. 1451 01:08:50,600 --> 01:08:52,360 This is the Battle of the behemoths. 1452 01:08:52,520 --> 01:08:54,360 Oh, we're gonna have fun, man. 1453 01:08:54,520 --> 01:08:56,640 I put Chris and Mitchell together, 1454 01:08:56,800 --> 01:08:59,240 because they're both massive singers. 1455 01:08:59,400 --> 01:09:01,000 In Mitchell, what a vocalist. 1456 01:09:01,160 --> 01:09:02,520 # These beautiful things 1457 01:09:02,680 --> 01:09:07,720 # That I've got, please, say 1458 01:09:07,880 --> 01:09:10,440 # I want you, I need you oh, god... # 1459 01:09:10,600 --> 01:09:13,200 And Chris. I mean, he's incredible. 1460 01:09:13,360 --> 01:09:15,000 # Ain't nobody 1461 01:09:15,160 --> 01:09:20,640 # Gonna steal this all away... # 1462 01:09:20,800 --> 01:09:23,600 You know, if you don't pick me. There's gonna be family trouble. 1463 01:09:23,760 --> 01:09:26,040 If you go anywhere else I'm gonna be so hurt. 1464 01:09:26,200 --> 01:09:27,480 I need to fill you in, Mitchell. 1465 01:09:27,640 --> 01:09:30,880 You won't have known this, but we are related. 1466 01:09:33,200 --> 01:09:34,160 What? Yes. 1467 01:09:34,320 --> 01:09:35,640 My wife's cousin. 1468 01:09:35,800 --> 01:09:37,280 Yeah. Is Chris's partner. 1469 01:09:37,440 --> 01:09:39,280 No, way. 1470 01:09:39,440 --> 01:09:40,760 It's a little bit intimidating 1471 01:09:40,920 --> 01:09:42,000 that Chris has a personal 1472 01:09:42,160 --> 01:09:43,080 connection with Ronan. 1473 01:09:43,240 --> 01:09:44,440 It's good to see you, buddy. 1474 01:09:44,600 --> 01:09:45,840 I hope he can put that aside 1475 01:09:46,000 --> 01:09:48,200 and-and just watch what's on the stage. 1476 01:09:48,360 --> 01:09:50,320 But this is a fair Battle. Yeah. 1477 01:09:50,480 --> 01:09:52,080 You know, I have my coaches head on, 1478 01:09:52,240 --> 01:09:53,120 so, don't be worrying. 1479 01:09:53,280 --> 01:09:54,800 OK, alright, alright. Ronan. 1480 01:09:54,960 --> 01:09:56,960 He's making it a super fair fight. 1481 01:09:57,120 --> 01:09:59,960 Whoever gets the job done makes it through. 1482 01:10:01,160 --> 01:10:02,040 OK. 1483 01:10:02,200 --> 01:10:03,880 The song that you'll be singing for 1484 01:10:04,040 --> 01:10:07,800 your Battle is 'Bed of Roses' by Bon Jovi. 1485 01:10:07,960 --> 01:10:09,680 Oh. Aw. 1486 01:10:09,840 --> 01:10:11,880 Maybe one of the most epic songs of all time. 1487 01:10:12,040 --> 01:10:14,120 Honestly. No pressure. 1488 01:10:14,280 --> 01:10:17,360 Jon Bon Jovi. One of the great vocalists. 1489 01:10:17,520 --> 01:10:19,720 Those high notes that he could hit in the '80s. 1490 01:10:19,880 --> 01:10:20,760 Ooft. 1491 01:10:20,920 --> 01:10:22,640 I have put so much pressure on these fellas. 1492 01:10:22,800 --> 01:10:24,040 I feel guilty, actually. 1493 01:10:24,200 --> 01:10:26,600 So, let's do the first chorus together a cappella. 1494 01:10:26,760 --> 01:10:28,040 Mitch, so, you can hear the harmony. 1495 01:10:28,200 --> 01:10:29,600 Let's get that right for you. Yep. 1496 01:10:29,760 --> 01:10:30,800 Just give him the note. 1497 01:10:33,520 --> 01:10:37,240 # I wanna lay you down 1498 01:10:37,400 --> 01:10:40,280 # In a bed of roses... # 1499 01:10:43,480 --> 01:10:44,440 Oh, shit. 1500 01:10:46,480 --> 01:10:48,160 I-I don't think 1501 01:10:48,320 --> 01:10:51,240 I've ever had anyone come out and nail it in the first time. 1502 01:10:52,560 --> 01:10:54,840 Not like that. Not like that. 1503 01:10:55,000 --> 01:10:57,560 Oh, man. This is gonna be something else. 1504 01:10:57,720 --> 01:10:59,560 # For the night 1505 01:10:59,720 --> 01:11:05,000 # I'll sleep on a bed, I'm not... # 1506 01:11:07,120 --> 01:11:09,640 That high C is not in my range. 1507 01:11:09,800 --> 01:11:11,440 Chris, anythin you're worried about in this Battle? 1508 01:11:11,600 --> 01:11:13,720 Just that, that one note. The high C? 1509 01:11:13,880 --> 01:11:15,920 Yeah, the high C. Yeah. Just the high speed. 1510 01:11:16,080 --> 01:11:18,680 That note, warm up properly before hand. 1511 01:11:18,840 --> 01:11:20,600 Don't reach with your neck when you go for it. 1512 01:11:20,760 --> 01:11:21,960 Yeah. So, just stay relax? 1513 01:11:22,120 --> 01:11:23,880 Yeah. Keep it down. Don't stretch your vocal cords. 1514 01:11:24,040 --> 01:11:25,280 Mitchell. Anything you're worried about? 1515 01:11:25,440 --> 01:11:27,680 Um, just the harmonies. 1516 01:11:27,840 --> 01:11:28,840 Why would you be worried about the harm... 1517 01:11:29,000 --> 01:11:32,640 Listen, man, you just literally a cappella dropped straight in. 1518 01:11:32,800 --> 01:11:37,840 Don't let your mind look for the harmony note or the lyrics. 1519 01:11:38,000 --> 01:11:39,480 It's there. You know, you know it. 1520 01:11:39,640 --> 01:11:40,520 And it's that moment 1521 01:11:40,680 --> 01:11:42,320 where you go panicking, looking for it. 1522 01:11:42,480 --> 01:11:43,520 Did you go? (GASP) 1523 01:11:43,680 --> 01:11:44,800 And then you go in the wrong place. 1524 01:11:44,960 --> 01:11:46,480 When you have the talent and the ability. 1525 01:11:46,640 --> 01:11:47,880 Have faith in that. 1526 01:11:48,040 --> 01:11:51,200 That's really good advice. It's-it's in my brain, I know it. 1527 01:11:51,360 --> 01:11:54,400 I just have to rely on that coming out. 1528 01:11:57,000 --> 01:11:59,040 I love the energy between the two of you. 1529 01:11:59,200 --> 01:12:01,440 I do want you to shine, though, individually as well, 1530 01:12:01,600 --> 01:12:02,480 because I have to choose. 1531 01:12:02,640 --> 01:12:03,520 Yep. 1532 01:12:03,680 --> 01:12:04,560 So, show me you deserve to be here. 1533 01:12:04,720 --> 01:12:05,640 Go smash it. Yeah? 1534 01:12:11,600 --> 01:12:14,440 It is so, so important 1535 01:12:14,600 --> 01:12:15,480 that I win this Battle 1536 01:12:15,640 --> 01:12:17,200 and make it through the next round. 1537 01:12:20,080 --> 01:12:22,240 If there can only be one winner. 1538 01:12:22,400 --> 01:12:24,680 I have to think of my family. I have to think of me first. 1539 01:12:24,840 --> 01:12:25,720 And I'm pretty desperate 1540 01:12:25,880 --> 01:12:26,760 to win this Battle. 1541 01:12:26,920 --> 01:12:27,800 I want to win. 1542 01:12:28,960 --> 01:12:31,040 Mitchell, I hope you bring your A game, 1543 01:12:31,200 --> 01:12:33,600 because me and my high C are coming. 1544 01:12:40,080 --> 01:12:41,960 (CHEERS AND APPLAUSE) 1545 01:12:46,560 --> 01:12:47,520 Come on. 1546 01:12:51,360 --> 01:12:54,440 # Sitting here wasted and wounded 1547 01:12:54,600 --> 01:12:56,640 # With this old piano. # 1548 01:12:56,800 --> 01:12:57,920 Come on, Mitchell. 1549 01:12:59,480 --> 01:13:00,560 # Trying hard 1550 01:13:00,720 --> 01:13:02,120 # To capture the moment. # 1551 01:13:02,280 --> 01:13:03,160 Better. 1552 01:13:03,320 --> 01:13:05,320 # This morning I don't know. # 1553 01:13:06,720 --> 01:13:08,000 Alright, Chris, let's go. 1554 01:13:08,160 --> 01:13:10,080 #'Cause a bottle of vodka's 1555 01:13:10,240 --> 01:13:12,000 # Still lodged in my head 1556 01:13:12,160 --> 01:13:14,760 # And some blonde gave me nightmares 1557 01:13:14,920 --> 01:13:18,080 # And I think She's still in my bed. # 1558 01:13:18,240 --> 01:13:19,160 Come on. 1559 01:13:21,080 --> 01:13:23,000 # As I dream about movies 1560 01:13:23,160 --> 01:13:24,800 # They won't make of me 1561 01:13:24,960 --> 01:13:26,840 # When I'm dead. # 1562 01:13:29,000 --> 01:13:31,680 # I wanna lay 1563 01:13:31,840 --> 01:13:35,720 # You down in a bed of roses. # 1564 01:13:38,040 --> 01:13:39,840 # For tonight 1565 01:13:40,000 --> 01:13:44,080 # I sleep on a bed of nails. # 1566 01:13:44,240 --> 01:13:45,640 Yeah. 1567 01:13:45,800 --> 01:13:48,160 # I wanna be. # 1568 01:13:48,320 --> 01:13:50,040 # Just as close 1569 01:13:50,200 --> 01:13:55,280 # As the Holy Ghost is 1570 01:13:55,440 --> 01:13:58,920 # Lay you down 1571 01:13:59,080 --> 01:14:00,960 # Ooh 1572 01:14:03,160 --> 01:14:07,000 # I wanna lay you down 1573 01:14:07,160 --> 01:14:10,040 # In a bed of roses. # 1574 01:14:12,120 --> 01:14:13,160 # For tonight. # 1575 01:14:13,320 --> 01:14:14,200 Come on. 1576 01:14:14,360 --> 01:14:18,240 # I sleep on the bed of nails 1577 01:14:20,360 --> 01:14:22,640 # I wanna be. # 1578 01:14:22,800 --> 01:14:25,200 # Just as close as 1579 01:14:25,360 --> 01:14:29,560 # The Holy Ghost is 1580 01:14:29,720 --> 01:14:35,040 # And lay you down 1581 01:14:37,000 --> 01:14:42,520 # On a bed of roses. # 1582 01:14:42,680 --> 01:14:44,560 (CHEERS AND APPLAUSE) 1583 01:14:55,320 --> 01:14:58,840 Gentlemen. That was spectacular. 1584 01:14:59,000 --> 01:15:03,880 Ronan, I can see that your brain is ticking over here. 1585 01:15:04,040 --> 01:15:05,760 Why did you do this to yourself? 1586 01:15:05,920 --> 01:15:07,640 I know. This is ridiculous. 1587 01:15:07,800 --> 01:15:09,320 Stupid idea. Dude. 1588 01:15:09,480 --> 01:15:11,200 I know. This is a tough one. 1589 01:15:11,360 --> 01:15:12,960 Amazing, boys. Well done. Proud of you. 1590 01:15:13,120 --> 01:15:14,040 Nice work. 1591 01:15:14,200 --> 01:15:15,480 (CHEERS AND APPLAUSE) Thank you, Ronan. 1592 01:15:15,640 --> 01:15:16,520 Stunning. 1593 01:15:16,680 --> 01:15:18,680 I always loved the sound of 1594 01:15:18,840 --> 01:15:21,360 Jon Bon Jovi and Richie Sambora's voices together. 1595 01:15:21,520 --> 01:15:24,080 I forgot all about them during that performance. 1596 01:15:24,240 --> 01:15:27,680 Chris, when you start singing, you don't sound like anybody else. 1597 01:15:27,840 --> 01:15:29,080 You sound like you. 1598 01:15:29,240 --> 01:15:30,280 (CHEERS AND APPLAUSE) 1599 01:15:30,440 --> 01:15:31,640 Thank you. 1600 01:15:31,800 --> 01:15:37,400 And that that alone gives you an edge in my ears. 1601 01:15:37,560 --> 01:15:41,520 And Mitchell, I was really impressed with you in the Blinds. 1602 01:15:41,680 --> 01:15:43,560 I had no idea what you were capable of 1603 01:15:43,720 --> 01:15:44,920 until that performance. 1604 01:15:45,080 --> 01:15:48,200 Like, you're so much better than I...even I thought you were. 1605 01:15:48,360 --> 01:15:49,240 I was... 1606 01:15:49,400 --> 01:15:50,880 (CHEERS AND APPLAUSE) 1607 01:15:51,040 --> 01:15:52,440 ..I was really impressed. 1608 01:15:52,600 --> 01:15:54,080 Thank you so much. 1609 01:15:54,240 --> 01:15:57,000 You both rocked the crap out of that. 1610 01:15:58,880 --> 01:16:02,760 But by a hair I got to go, Chris, on that one. 1611 01:16:02,920 --> 01:16:05,040 (CHEERS AND APPLAUSE) 1612 01:16:05,200 --> 01:16:08,440 Melanie, Ronan has a very pained expression on his face, 1613 01:16:08,600 --> 01:16:10,640 and I can hear him breathing, which is, sort of, annoying. 1614 01:16:10,800 --> 01:16:13,040 Let me...let me just take that in. 1615 01:16:13,200 --> 01:16:15,960 Let me just soak that in the pain. 1616 01:16:16,120 --> 01:16:18,000 Ronan in pain, that gives me joy. It's awful, it's awful. 1617 01:16:18,160 --> 01:16:19,080 It happens a lot. 1618 01:16:20,320 --> 01:16:22,040 Thanks, Mel. Goodness me. 1619 01:16:22,200 --> 01:16:25,240 I mean, remarkable vocals from both of you. 1620 01:16:25,400 --> 01:16:27,520 And, Mitchell, your voice is like, 1621 01:16:27,680 --> 01:16:31,080 oh, it's just so warm and beautiful and so commanding. 1622 01:16:31,240 --> 01:16:32,960 And then with Chris, I was like, oh, you know, 1623 01:16:33,120 --> 01:16:35,120 I, I'm not sure about this song. 1624 01:16:35,280 --> 01:16:38,040 I want...I want more soul. Do you know what I mean? 1625 01:16:38,200 --> 01:16:40,440 But then when you hit that huge note, 1626 01:16:40,600 --> 01:16:42,600 I was like, this boy can rock. 1627 01:16:42,760 --> 01:16:45,440 So, I think because Chris surprised me 1628 01:16:45,600 --> 01:16:46,560 with where he took it, 1629 01:16:46,720 --> 01:16:49,520 I think he would be my Battle winner tonight. 1630 01:16:49,680 --> 01:16:51,040 (CHEERS AND APPLAUSE) Thank you. 1631 01:16:54,080 --> 01:16:57,120 I-I'm struggling like, Chris, your tone is so unique. 1632 01:16:57,280 --> 01:16:58,640 It's so impressive, what you've been through. 1633 01:16:58,800 --> 01:17:00,320 And to get here and to be on this stage. 1634 01:17:00,480 --> 01:17:03,280 I'm so proud of you and, Mitchell, you sang with so much heart. 1635 01:17:03,440 --> 01:17:04,320 You always do. 1636 01:17:04,480 --> 01:17:06,080 The emotion that you bring in the performance. 1637 01:17:06,240 --> 01:17:07,240 I totally believe you. 1638 01:17:07,400 --> 01:17:09,280 (AUDIENCE SHOUT) 1639 01:17:11,360 --> 01:17:13,320 Well, I can't let either of you go home. 1640 01:17:13,480 --> 01:17:14,400 I don't know what to do. 1641 01:17:16,560 --> 01:17:17,720 I'm so glad I'm not you. 1642 01:17:17,880 --> 01:17:19,400 Thank you. 1643 01:17:19,560 --> 01:17:21,800 We do need a decision, Ronan. 1644 01:17:21,960 --> 01:17:23,840 (AUDIENCE SHOUT) 1645 01:17:27,720 --> 01:17:29,200 I have to go on this Battle. 1646 01:17:30,400 --> 01:17:31,720 It's the only way I can decide. 1647 01:17:34,440 --> 01:17:37,440 The artist that won this Battle... 1648 01:17:50,360 --> 01:17:52,240 # This is The Voice. # 1649 01:17:56,520 --> 01:17:58,800 We do need a decision, Ronan. 1650 01:18:00,280 --> 01:18:01,880 I have to go on this Battle. 1651 01:18:03,160 --> 01:18:04,760 It's the only way I can decide. 1652 01:18:04,920 --> 01:18:08,000 The artist that won this Battle... 1653 01:18:13,480 --> 01:18:14,520 is Mitchell. 1654 01:18:14,680 --> 01:18:16,560 (CHEERS AND APPLAUSE) 1655 01:18:18,400 --> 01:18:20,200 Oh. Tough choice. 1656 01:18:20,360 --> 01:18:22,240 I'm gonna be excommunicated from the family now. 1657 01:18:22,400 --> 01:18:23,440 That's me out. 1658 01:18:23,600 --> 01:18:26,000 Mitchell, you've won the Battle. 1659 01:18:26,160 --> 01:18:27,360 You're going to the Knockouts. 1660 01:18:27,520 --> 01:18:29,120 I did not expect that at all. 1661 01:18:29,280 --> 01:18:30,400 Wow! I'm over the moon. 1662 01:18:30,560 --> 01:18:31,880 Thank you so much, Ronan. Thank you. 1663 01:18:32,040 --> 01:18:33,040 Thank you, Mitchell. Great job. Great job. 1664 01:18:33,200 --> 01:18:34,360 Well done. Good job, well done. 1665 01:18:34,520 --> 01:18:35,920 Put your hands together for Mitchell. 1666 01:18:36,080 --> 01:18:37,960 He's going through to the Knockouts. 1667 01:18:38,120 --> 01:18:40,280 Well done, mate. That was beautiful. 1668 01:18:40,440 --> 01:18:41,360 Totally engaged. 1669 01:18:43,960 --> 01:18:45,840 (AUDIENCE SHOUT) 1670 01:18:48,000 --> 01:18:49,240 Save, save, save. 1671 01:18:49,400 --> 01:18:50,320 You can save him! 1672 01:19:00,880 --> 01:19:02,880 I didn't even have to ask. 1673 01:19:03,040 --> 01:19:06,040 I see what you're up to. I mean, it was the only way. 1674 01:19:06,200 --> 01:19:07,480 You really do wan your cake and eat it too, don't you? 1675 01:19:07,640 --> 01:19:09,120 Of course, it's the only way. 1676 01:19:10,320 --> 01:19:13,360 So, Ronan, Richard and Melanie have all pressed their save button. 1677 01:19:13,520 --> 01:19:15,520 They all want you on their team. 1678 01:19:15,680 --> 01:19:19,000 Now, you get to decide because they have to pitch. 1679 01:19:19,160 --> 01:19:20,560 The power is in your hands. 1680 01:19:20,720 --> 01:19:22,440 Chris, do you want to hear from first? 1681 01:19:22,600 --> 01:19:24,040 I'll start with my family member. 1682 01:19:25,600 --> 01:19:27,080 Go, go your heart. Ronan. You know, it's fine. 1683 01:19:27,240 --> 01:19:29,720 I don't even have to pitch. We're family. It's fine. 1684 01:19:29,880 --> 01:19:31,960 He's obviously coming back to me, you know. 1685 01:19:33,480 --> 01:19:35,600 No, look, Chris, you know, I love your voice. 1686 01:19:35,760 --> 01:19:37,600 Forget-forget our connection. 1687 01:19:37,760 --> 01:19:40,760 I had no idea in the Blinds, it was you. 1688 01:19:40,920 --> 01:19:42,680 I turned because of your voice. 1689 01:19:42,840 --> 01:19:45,080 I love, I love what you can do. 1690 01:19:45,240 --> 01:19:46,120 I love how you deliver. 1691 01:19:46,280 --> 01:19:48,000 That performance was magical. 1692 01:19:48,160 --> 01:19:50,880 It was mesmerising. And I know how far we can go. 1693 01:19:51,040 --> 01:19:52,480 I can get you all the way to the final. 1694 01:19:52,640 --> 01:19:55,560 So, come back here and I'll get you there. 1695 01:19:57,200 --> 01:19:58,760 Chris. Listen, man. 1696 01:19:58,920 --> 01:20:00,320 Everybody makes mistakes. 1697 01:20:01,880 --> 01:20:04,160 And you clearly made one when you chose Ronan over me. 1698 01:20:04,320 --> 01:20:07,120 (LAUGHTER) 1699 01:20:07,280 --> 01:20:10,520 The key is to not make the same mistake twice. 1700 01:20:12,000 --> 01:20:14,840 I've said it to you from the minute I heard you sing in the Blinds. 1701 01:20:15,000 --> 01:20:17,200 I believe that I am the perfect coach for you. 1702 01:20:17,360 --> 01:20:18,680 I believe I am. 1703 01:20:18,840 --> 01:20:19,840 I don't care what you believe. 1704 01:20:21,680 --> 01:20:24,440 Melanie C, why should Chris choose you? 1705 01:20:24,600 --> 01:20:28,560 I was so moved in your Blind audition. 1706 01:20:28,720 --> 01:20:32,200 And then here tonight you did take my breath away. 1707 01:20:32,360 --> 01:20:36,120 But I-I don't believe tha that was the best direction for you. 1708 01:20:36,280 --> 01:20:39,480 Genre wise and at Team Melanie C, 1709 01:20:39,640 --> 01:20:41,600 I think we could explore things that would really, 1710 01:20:41,760 --> 01:20:45,240 truly make you shine beyond anything we've heard yet. 1711 01:20:46,760 --> 01:20:48,960 Wow. OK. Three good pitches. 1712 01:20:49,120 --> 01:20:52,600 Will you stick with your original coach Ronan? 1713 01:20:52,760 --> 01:20:56,160 Or will you move to a new team? 1714 01:20:56,320 --> 01:20:57,840 Tell us what you're going to do, Chris. 1715 01:20:58,000 --> 01:20:59,600 (AUDIENCE SHOUT) 1716 01:20:59,760 --> 01:21:01,080 The coach I will choose... 1717 01:21:11,040 --> 01:21:12,320 We need a decision. 1718 01:21:15,640 --> 01:21:16,600 Richard! 1719 01:21:22,080 --> 01:21:23,000 ..is Richard. 1720 01:21:33,600 --> 01:21:34,560 In your face. 1721 01:21:36,160 --> 01:21:37,840 So, now you're on Team Richard. 1722 01:21:39,040 --> 01:21:40,000 He's laughing. 1723 01:21:42,280 --> 01:21:45,560 You are going through to the next round, Chris, well done. 1724 01:21:45,720 --> 01:21:46,680 Go and celebrate. 1725 01:21:49,680 --> 01:21:51,240 Yes. 1726 01:21:51,400 --> 01:21:54,400 Celebrate. Commiserate. 1727 01:21:54,560 --> 01:21:55,640 Thank you. 1728 01:21:57,880 --> 01:21:58,840 Sorry. 1729 01:22:00,120 --> 01:22:01,880 It's OK. I'll forgive you, I forgive you. 1730 01:22:07,840 --> 01:22:09,200 I think I need to make a call. 1731 01:22:10,440 --> 01:22:12,440 Unbelievable. Nasty moves. 1732 01:22:12,600 --> 01:22:16,040 Two of Ronan's team have now gone to other coaches. 1733 01:22:16,200 --> 01:22:18,440 OK. You have to bring that up as well. 1734 01:22:18,600 --> 01:22:19,880 They're fleeing like rats. 1735 01:22:21,080 --> 01:22:23,160 I am wedged between two coaches 1736 01:22:23,320 --> 01:22:25,560 who have stolen my team members. 1737 01:22:25,720 --> 01:22:26,840 This is a terrible place to be. 1738 01:22:27,000 --> 01:22:28,280 Maybe you should have coached them better. 1739 01:22:28,440 --> 01:22:30,200 Ha, ha. Oh. 1740 01:22:30,360 --> 01:22:34,200 Oh, Richard and Ronan, will you ever be friends again? 1741 01:22:34,360 --> 01:22:35,240 We weren't friends before. 1742 01:22:35,400 --> 01:22:36,480 We were never friends. 1743 01:22:40,040 --> 01:22:41,920 # This is The Voice. # 194518

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