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The Battles are here.
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In the Blinds
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it's just you on the stage.
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Next, you have to sing
with other people
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and prove you have
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what it takes to win.
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(SINGERS VOCALISE)
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In the Battles two artists
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will go head-to-head.
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Oh, my gosh.
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No, way!
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They'll sing the same song.
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But only one can win.
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Whichever one of you
breaks my heart the worst
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in this performance
is probably gonna win.
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Cool. That's good to know.
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Sorry, about that.
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So, I've got ten incredible artists
on my team,
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but I need to get that down to five.
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Oh. What am I gonna do?
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I can't let either of you go home.
I don't know what to do.
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Oh, this is brutal. This is brutal.
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I'm so glad I'm not you.
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Thank you.
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But I have a lifeline
for one lucky artist.
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Each coach gets one, save
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that they can use on any artist
from any team.
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It's time for you to be
with a female vocalist as a mentor.
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I love Ronan, but he failed you.
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It's gonna be tempting
to go with Ronan,
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the one that you know.
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All I wanna say to you
is look where that's got you.
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OK.
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I'm gonna tell you right now,
if any coach has an artist I want.
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I'm gonna take them
for Team Richard.
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I am wedged between two coaches
who have stolen my team members.
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Maybe you should have
coached them better.
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I didn't, I didn't.
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This is when the competition
really heats up.
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No, I-I disagree with Kate.
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Well, let's watch the footage back.
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Wow.
Is it cheating?
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I'm sorry, guys,
I'm-I'm really struggling.
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I feel like.
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Well, look, guys,
just give me a second,
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because I'm-I'm...
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I just...I just...
I just need to sort...
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Oh, what are you up to?
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I just need to sort something out.
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Just give me a minute.
Please. Please.
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I felt like
I was watching two greats.
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You guys just blew
the roof off this place.
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To win The Voice.
It's more than singing.
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It's heart, soul, artistry.
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This is their chance
to prove they have that.
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It was perfect.
Yes.
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I'm looking for that superstar voice
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I can take all the way.
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(THEME MUSIC)
(CHEERS AND APPLAUSE)
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Australia.
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Welcome to the Battles
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over three epic nights our artists
will go head-to-head,
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but only the best voices
will survive.
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It's do or die Australia.
And it all kicks off right now.
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(CHEERS AND APPLAUSE)
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Hello. Welcome.
Hi.
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How are you, Cecily?
I'm good. How are you?
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Great to see you. I'm well.
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I'm really well.
How are you feeling?
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Um...
Come in. Yeah.
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# Think of me... #
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In her Blind audition
Cecily had this beautiful, pure
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soprano voice.
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The kind of voice
I've been waiting to hear.
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I can't wait to get under the hood
and work with you one-on-one.
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Oh, my gosh. (CHUCKLES)
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I'm looking forward to finding out.
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Is she up for a challenge?
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Is she up for pushing herself
out of her comfort zone?
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(CHEERS AND APPLAUSE)
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I bet you want to know
who you'll be singing with.
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Yeah.
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Well, I'm super excited
to see your reaction.
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Here he is. Come on in.
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How you doing?
Oh, my gosh.
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Hi, James.
Hi, darling. How are ya?
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I'm great. How are you?
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It's good to see you.
You know, Cecily.
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Hi.
Hi, how are ya?
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Good. How are you?
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# And I won't... #
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At the Blinds
James was a four chair turn.
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He had so much originality.
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He completely reinvented
the song 'Stand By Me'.
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# Why don't you stand by me? #
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He plays guitar for other people
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and this is his chance to really
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step into the spotlight
and own it for himself.
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# Baby please, stand by me... #
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(CHEERS AND APPLAUSE)
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This is quite a contrast.
102
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Quite a contrast.
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Cecily and James
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are both amazing
in their own genres,
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but I-I'm really curious to see
if they can break out of that
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and try something new.
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So, this is a song about
challenging your versatility.
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Ooh.
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Your song for the Battle is...
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'I Was Made for Lovin' You' by Kiss.
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Whoo! Whoo-hoo!
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Here we go.
Oh, my gosh.
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Cecily, I need to see
how far you can loosen up.
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You know, where we're-we're
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out of 'Phantom of the Opera'
world right now,
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and we're in, like, a dirty, dingy
rock and roll club.
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Yeah.
You're in my turf now.
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Yeah.
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Maybe I was made to rock.
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It hasn't been me yet.
I guess we'll find out.
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Let's give it a bash
and see how we go.
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One. Two. Three.
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# Tonight
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# I wanna give it all to you... #
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I did really notice
James's accent today.
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His southern twang
that he's got going.
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# You were made for me... #
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# Ooo... #
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I could see
the terror on Cecily's face
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when she saw the lyric sheet.
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And then her part
was literally ooo, ooo, ooo, ooo.
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She is free to improvise there.
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Here's your chance to show off.
134
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So, you now have the flexibility
within that bit
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to be as impressive
as you possibly can be.
136
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So, you can do anything you like.
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I think I've got to really work on,
I don't know, loosening up.
138
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I wanna push myself to show that
I can sing more
139
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than just what's written on a page,
140
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and I can come up
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with my own stuff as well.
142
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James, you're gonna have
to find a way
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to live inside that opening verse...
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Yeah.
..and make us believe it.
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Sure.
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I feel like
you've got a kind of like,
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is it a Southern American
twang thing going on?
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I guess so.
Yeah, I-I love that stuff.
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So, yeah.
Yeah.
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What I'd ask you to consider.
Yes.
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Just dialling back
the accent a little bit.
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OK. Sure. Yeah.
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It'll feel more real to us.
For sure.
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I just want it to be as raw
and emotional as possible.
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Great, yeah.
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And then you can do
the full rock on stuff like that.
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Yeah, sure.
Yeah.
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That's just how I naturally sing.
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I think it comes from all the songs
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that I've grown up listening to
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and playing southern music,
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but hopefully I can find
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the fragility
that she kept talking about.
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I believe in you.
Alright.
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Oh, my gosh.
You got this.
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Yes.
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I've set these guys
a massive challenge
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to really stretch
what they can do as artists
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and not to just fall back
on their old tricks.
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Whoever is prepared to go deep,
do the work and push themselves
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further than they've ever
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been pushed before.
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That's the artist
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that's gonna win the Battle.
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(CHEERS AND APPLAUSE)
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# Tonight
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# I want to give it all to you
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# In the darkness
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# There's so much I wanna do
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# And tonight
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# I'm gonna lay it at your feet
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# Cause girl, I was made for you
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# Yeah, girl you were made for me
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# Ooo, ooo, ooo
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# Ooo ooo
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# I was loving you, baby
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# You were made for loving me
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# And I can't get it nothing
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# Baby, can you get it back to me? #
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# I was made for loving you, baby
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# You were made for loving me
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# And I can't get
Enough of you, baby
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# Can't you get enough of me. #
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# Tonight
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# I want to give it all to you
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# In the darkness
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# So much I want to do. #
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(CHEERS AND APPLAUSE)
199
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Wow, what a combo.
200
00:09:29,160 --> 00:09:31,400
And what a way
to kick off the Battle rounds.
201
00:09:31,560 --> 00:09:34,440
(CHEERS AND APPLAUSE)
202
00:09:36,600 --> 00:09:38,360
Kate, we're gonna get you
a decision shortly.
203
00:09:38,520 --> 00:09:39,600
But first, Richard,
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is there a clear winner
of this Battle?
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Not clear.
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First of all,
what an incredible song choice.
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And I got to brag,
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because one of my dearest friends
in the world, Paul Stanley,
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wrote that song.
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And he would be...
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he would have given you guys
a standing ovation,
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00:09:54,600 --> 00:09:59,400
because you guys each
separately made it your own.
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00:09:59,560 --> 00:10:01,680
Oh, my goodness.
Thank you, Sir.
214
00:10:01,840 --> 00:10:05,400
Cecily, for you to take that on.
215
00:10:05,560 --> 00:10:10,360
And I know that that's suc
a diametrically opposed kind of song
216
00:10:10,520 --> 00:10:11,680
that you would normally do,
217
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and you stepped up to the plate
218
00:10:14,800 --> 00:10:17,000
and smacked it out of the park.
219
00:10:17,160 --> 00:10:18,080
It was...
220
00:10:18,240 --> 00:10:19,320
(CHEERS AND APPLAUSE)
221
00:10:19,480 --> 00:10:20,760
Thank you so much.
222
00:10:20,920 --> 00:10:22,560
..it was really, really incredible.
223
00:10:24,320 --> 00:10:25,680
Ronan who came out on top for you.
224
00:10:25,840 --> 00:10:26,760
I agree with Richard.
225
00:10:26,920 --> 00:10:29,920
It was a diagonally
symmetrical performance.
226
00:10:30,080 --> 00:10:32,000
What? What?
(LAUGHTER)
227
00:10:32,160 --> 00:10:35,040
I also used a baseball reference,
which was great here in Australia.
228
00:10:36,600 --> 00:10:37,960
(APPLAUSE)
229
00:10:38,120 --> 00:10:39,000
Great performance, guys.
230
00:10:39,160 --> 00:10:41,080
Kate, great job working these guys
up to this, like seriously.
231
00:10:41,240 --> 00:10:43,120
Oh, thank you.
232
00:10:43,280 --> 00:10:46,960
It's so exciting to see the progress
from the Blinds to-to the Battles.
233
00:10:47,120 --> 00:10:50,160
And, Cecily, I can really hear
all of the different flavours
234
00:10:50,320 --> 00:10:52,400
that you know already
you've learned from Kate,
235
00:10:52,560 --> 00:10:53,640
which is so cool.
236
00:10:53,800 --> 00:10:56,360
James, you're a...
you're a...you're a star.
237
00:10:56,520 --> 00:10:58,800
You've got just enough guts,
you know.
238
00:10:58,960 --> 00:10:59,920
You just, you know...
Swagger.
239
00:11:00,080 --> 00:11:01,680
Yeah, you got it.
You know, when to push it.
240
00:11:01,840 --> 00:11:03,760
You know, when to use it.
You know, when to hold back.
241
00:11:03,920 --> 00:11:06,560
You know, when to show your heart.
It's incredibly tough for Kate.
242
00:11:06,720 --> 00:11:08,160
But if I was choosing,
it would be James.
243
00:11:08,320 --> 00:11:12,200
(CHEERS AND APPLAUSE)
244
00:11:12,360 --> 00:11:14,200
Melanie. Two great artists here.
245
00:11:14,360 --> 00:11:15,760
Who do you think had the edge?
246
00:11:15,920 --> 00:11:17,480
Oh, James and Cecily.
247
00:11:17,640 --> 00:11:20,040
The duo we never knew
we needed in our lives.
248
00:11:20,200 --> 00:11:21,160
Oh, my goodness.
249
00:11:22,640 --> 00:11:27,480
Cecily, you know, you-you showcased
the amazing voice that you have,
250
00:11:27,640 --> 00:11:29,760
but then you,
you know, you slotted into
251
00:11:29,920 --> 00:11:32,440
to the rockier vibe,
which is incredible.
252
00:11:32,600 --> 00:11:35,640
And, James, from the minute
you opened your mouth,
253
00:11:35,800 --> 00:11:36,840
didn't miss a note.
254
00:11:37,000 --> 00:11:38,120
Thank you.
255
00:11:38,280 --> 00:11:40,160
(CHEERS AND APPLAUSE)
256
00:11:42,120 --> 00:11:44,840
I'm so proud of you guys.
You've worked so, so hard.
257
00:11:45,000 --> 00:11:48,480
I mean, this song has come so far
since our initial mentoring.
258
00:11:48,640 --> 00:11:51,440
It's blown my mind
Thank you for all your amazing work.
259
00:11:51,600 --> 00:11:52,480
(CHEERS AND APPLAUSE)
260
00:11:52,640 --> 00:11:53,640
Thank you.
Thank you.
261
00:11:54,840 --> 00:11:58,120
James, the way that we saw
your-your more vulnerable side
262
00:11:58,280 --> 00:11:59,680
in those opening verses.
263
00:11:59,840 --> 00:12:03,080
And I-I really do respect to the way
that you worked on
264
00:12:03,240 --> 00:12:06,280
stripping back some of that,
sort of, Southern American drawl.
265
00:12:06,440 --> 00:12:10,160
For me, that was a bit of a barrier
to emotionally connecting with you,
266
00:12:10,320 --> 00:12:12,280
with you, James, as an artist.
267
00:12:12,440 --> 00:12:15,200
And, Cecily,
you have so much talent.
268
00:12:15,360 --> 00:12:18,320
You've shown through this process
that you're open to anything
269
00:12:18,480 --> 00:12:20,640
and took on board all the notes,
270
00:12:20,800 --> 00:12:22,400
but also made it your own.
271
00:12:22,560 --> 00:12:24,920
The sky's the limit for your career.
272
00:12:25,080 --> 00:12:26,000
Thank you.
273
00:12:26,160 --> 00:12:29,040
(CHEERS AND APPLAUSE)
274
00:12:30,440 --> 00:12:32,520
Kate. It is decision time.
275
00:12:33,800 --> 00:12:37,760
Who will you be sending through
to the Knockouts?
276
00:12:37,920 --> 00:12:41,480
Yeah.
Look, this is fairly excruciating.
277
00:12:41,640 --> 00:12:43,240
And you're so different.
278
00:12:43,400 --> 00:12:46,280
(SHOUT)
279
00:12:52,120 --> 00:12:56,160
At the artist
I'm taking through tonight...
280
00:13:00,880 --> 00:13:01,760
is...
281
00:13:01,920 --> 00:13:04,800
(SHOUT)
282
00:13:07,840 --> 00:13:08,720
..James.
283
00:13:08,880 --> 00:13:10,400
(CHEERS AND APPLAUSE)
284
00:13:10,560 --> 00:13:13,080
Congratulations, James.
285
00:13:13,240 --> 00:13:16,000
You are going through
to the Knockouts.
286
00:13:19,960 --> 00:13:21,080
How are you feeling?
287
00:13:21,240 --> 00:13:23,080
I was so nervous
to sing with Cecily.
288
00:13:23,240 --> 00:13:24,840
She's such an amazing singer.
289
00:13:25,000 --> 00:13:28,480
She knows so much about the Voice
and what she can do with hers and,
290
00:13:28,640 --> 00:13:30,480
you know, I yell in bars
for a living.
291
00:13:30,640 --> 00:13:33,760
So, you know, to sing with you
with something so special.
292
00:13:33,920 --> 00:13:35,360
And I can't believe
that we did that.
293
00:13:35,520 --> 00:13:37,560
(CHEERS AND APPLAUSE)
294
00:13:37,720 --> 00:13:38,680
Thank you.
295
00:13:38,840 --> 00:13:39,920
Congratulations, James.
296
00:13:40,080 --> 00:13:41,040
You have won the Battle
297
00:13:41,200 --> 00:13:43,240
you are going through
to the next round.
298
00:13:43,400 --> 00:13:44,960
(CHEERS AND APPLAUSE)
299
00:13:45,120 --> 00:13:47,640
Give it up one last time
for James, everyone.
300
00:13:47,800 --> 00:13:50,680
(CHEERS AND APPLAUSE)
301
00:13:53,880 --> 00:13:56,720
Now, Cecily,
you could still progress
302
00:13:56,880 --> 00:13:57,800
to the Knockouts.
303
00:13:57,960 --> 00:14:02,080
If a coach chooses
to use their save.
304
00:14:02,240 --> 00:14:07,920
Coaches, will you use your save
and keep Cecily in the competition?
305
00:14:08,080 --> 00:14:10,360
Sad to see her leave, you know.
Yeah.
306
00:14:15,880 --> 00:14:19,000
Coaches, time is up.
There are no saves there, Cecily.
307
00:14:19,160 --> 00:14:21,920
Put your hands together for Cecily.
308
00:14:26,120 --> 00:14:29,280
Thank you so much.
You should be so proud of that.
309
00:14:29,440 --> 00:14:31,480
Absolutely, smashed it. Well done.
310
00:14:33,160 --> 00:14:36,040
(CHEERS AND APPLAUSE)
311
00:14:37,560 --> 00:14:43,080
Next up on The Voice team Melanie
steps into the Battle ring.
312
00:14:43,240 --> 00:14:45,760
Don't go anywhere, Australia.
313
00:14:45,920 --> 00:14:47,800
# This is The Voice. #
314
00:14:51,320 --> 00:14:53,200
# This is The Voice. #
315
00:14:55,560 --> 00:14:58,640
It's quite unnerving looking
at those big pictures, isn't it?
316
00:15:03,480 --> 00:15:04,360
Well, hello.
317
00:15:04,520 --> 00:15:07,160
Hi.
Hi.
318
00:15:07,320 --> 00:15:11,440
This Battle is between
my powerhouse DJ Meg.
319
00:15:11,600 --> 00:15:13,160
Oh, look,
we're rocking a little sports love.
320
00:15:13,320 --> 00:15:14,880
Yeah, yeah,
we've got a little swagger.
321
00:15:16,280 --> 00:15:18,000
And my rapper, Xaz.
322
00:15:19,640 --> 00:15:21,040
I knew it.
323
00:15:21,200 --> 00:15:23,360
I had a feeling it was gonna be you.
324
00:15:23,520 --> 00:15:24,400
Hey, Mel.
Hey, you.
325
00:15:24,560 --> 00:15:25,960
How are you?
Good. How are you?
326
00:15:26,120 --> 00:15:27,080
I'm good.
327
00:15:27,240 --> 00:15:29,280
Hi.
Hi. I had a feeling.
328
00:15:30,640 --> 00:15:31,840
For me, genre wise,
329
00:15:32,000 --> 00:15:34,680
Meg and Xaz being together
made total sense.
330
00:15:34,840 --> 00:15:36,400
And their performances.
331
00:15:36,560 --> 00:15:39,680
They were like,
Grammy Award worthy performances.
332
00:15:39,840 --> 00:15:45,600
# Everybody's free to feel good... #
333
00:15:45,760 --> 00:15:49,120
My Blind audition I did a mashup
of three '90s house tracks.
334
00:15:49,280 --> 00:15:50,360
And I DJ'd.
335
00:15:50,520 --> 00:15:52,440
Everyone in the place
was up dancing.
336
00:15:52,600 --> 00:15:53,680
It was absolutely killer.
337
00:15:53,840 --> 00:15:56,000
# The night I laid my eyes on you. #
338
00:15:58,320 --> 00:16:00,360
And now I am all about Team Mel.
339
00:16:00,520 --> 00:16:01,440
To be honest with you,
340
00:16:01,600 --> 00:16:03,360
if either of you
had gone anywhere else,
341
00:16:03,520 --> 00:16:04,680
I would have been really unhappy.
342
00:16:04,840 --> 00:16:05,920
Oh, that was never happening.
That would have been.
343
00:16:06,080 --> 00:16:08,360
That was never happening.
Genuinely, never happening.
344
00:16:08,520 --> 00:16:12,000
# I'm still that boy...
I'm still that boy, come on
345
00:16:12,160 --> 00:16:13,080
# Boy it's Xazzy... #
346
00:16:13,240 --> 00:16:14,400
In my Blind auditions,
347
00:16:14,560 --> 00:16:16,480
I rapped 'Savage'
by Megan Thee Stallion.
348
00:16:16,640 --> 00:16:18,560
# Sassy, moody, nasty... #
349
00:16:18,720 --> 00:16:19,880
I really loved the theatrics
350
00:16:20,040 --> 00:16:22,040
that can be added
into a rap performance,
351
00:16:22,200 --> 00:16:24,880
so, I feel like I can learn so much
of that from Melanie C.
352
00:16:25,040 --> 00:16:26,880
Both of you do
something that nobody else
353
00:16:27,040 --> 00:16:28,160
is doing in the show, right?
354
00:16:28,320 --> 00:16:31,200
This is what I'm so excited
about this particular Battle.
355
00:16:31,360 --> 00:16:33,160
It is challenging,
because this is something
356
00:16:33,320 --> 00:16:34,840
that has never been done before,
357
00:16:35,000 --> 00:16:36,920
but hey, who wants to...
who wants to follow?
358
00:16:37,080 --> 00:16:38,080
We wanna lead, right?
Yeah.
359
00:16:38,240 --> 00:16:39,200
Exactly.
OK.
360
00:16:39,360 --> 00:16:43,080
I've got a great remix
of a song everybody knows.
361
00:16:43,240 --> 00:16:44,200
Drumroll.
362
00:16:45,520 --> 00:16:48,920
'Dirty Cash, Money Talks'.
Yay! Oh, my god.
363
00:16:49,080 --> 00:16:50,840
Yes, yes, yes! That one is awesome.
364
00:16:51,000 --> 00:16:53,600
That only makes sense.
Like, the house music. The rap.
365
00:16:53,760 --> 00:16:55,800
Like, what other song
would be like, perfect for this.
366
00:16:55,960 --> 00:16:56,880
Besides that?
Yeah.
367
00:16:57,040 --> 00:16:59,880
Meg, I want you to DJ.
OK.
368
00:17:00,040 --> 00:17:02,000
I'm excited about DJing again.
For sure.
369
00:17:02,160 --> 00:17:03,760
I wanna bring the energy
370
00:17:03,920 --> 00:17:06,120
of the party again to the stage,
371
00:17:06,280 --> 00:17:09,680
and I'm really excited to do
that with Xaz this time.
372
00:17:09,840 --> 00:17:10,960
There's a rap in there.
373
00:17:11,120 --> 00:17:14,640
But we have been given clearance
374
00:17:14,800 --> 00:17:18,000
to be able to have eight bars
of an original rap.
375
00:17:18,160 --> 00:17:19,200
Oh, no way.
376
00:17:19,360 --> 00:17:21,360
If you're up for the challenge
of writing your own rap.
377
00:17:21,520 --> 00:17:22,920
Yeah, definitely.
We can do that.
378
00:17:23,080 --> 00:17:24,800
Which is such a-an honour
to be able to do that.
379
00:17:24,960 --> 00:17:27,040
Yeah. That's so good. Thank you.
Yeah.
380
00:17:27,200 --> 00:17:30,240
Writing my own ra
for 'Money Talks' is super exciting,
381
00:17:30,400 --> 00:17:32,800
but it does add a lot of pressure
at the same time,
382
00:17:32,960 --> 00:17:34,040
because, obviously,
383
00:17:34,200 --> 00:17:36,040
it's something that the coaches
wouldn't have heard before.
384
00:17:36,200 --> 00:17:37,600
So, if they love it, that's great.
385
00:17:37,760 --> 00:17:39,560
But if they don't,
it could really set me back.
386
00:17:39,720 --> 00:17:41,680
OK. Should we give it a little go?
387
00:17:41,840 --> 00:17:44,240
One, two, three, four.
388
00:17:44,400 --> 00:17:46,440
# I've got no excuse
389
00:17:46,600 --> 00:17:48,800
# I just want you to use me... #
390
00:17:48,960 --> 00:17:53,080
Meg came out 100mi/h,
and I totally get it.
391
00:17:53,240 --> 00:17:54,800
You know, she works
in electronic music.
392
00:17:54,960 --> 00:17:57,840
She's got big beats,
big bass lines to cut through.
393
00:17:58,000 --> 00:18:00,680
But I feel like with this song,
we need to build that.
394
00:18:00,840 --> 00:18:04,320
I want people to wait
to really get what they came for.
395
00:18:04,480 --> 00:18:05,960
# Dirty cash, I need you oh
396
00:18:06,120 --> 00:18:08,080
# I'm Dirty Cash
The one that you asked for
397
00:18:08,240 --> 00:18:09,920
# I want 'em all
The rich and the poor
398
00:18:10,080 --> 00:18:11,800
# Ain't all about
But you can't 'scuse it
399
00:18:11,960 --> 00:18:13,720
# The way I'm living
I gots to use it. #
400
00:18:15,800 --> 00:18:17,800
Writing is my favourite part
of creating music.
401
00:18:17,960 --> 00:18:20,320
I've already started thinking
about what I'm gonna do,
402
00:18:20,480 --> 00:18:23,240
and I really wanna
mention each coach in the rap
403
00:18:23,400 --> 00:18:24,520
in a really smart way
404
00:18:24,680 --> 00:18:26,400
that's specific
and personal to them.
405
00:18:26,560 --> 00:18:28,360
To show the coaches
why I deserve to be here.
406
00:18:28,520 --> 00:18:29,920
We're in a really good place.
407
00:18:30,080 --> 00:18:33,560
It sounds already,
I just know it's gonna be amazing.
408
00:18:33,720 --> 00:18:35,280
So, homework,
409
00:18:35,440 --> 00:18:36,360
you know, you've got
your eight bars to write.
410
00:18:36,520 --> 00:18:37,560
Write that verse, yep.
411
00:18:37,720 --> 00:18:39,080
I've already thought
of Richard Marx's one,
412
00:18:39,240 --> 00:18:40,320
what I'm gonna say.
413
00:18:40,480 --> 00:18:41,560
Brilliant.
414
00:18:41,720 --> 00:18:43,440
Meg, I'd like you
to maybe to just come in.
415
00:18:43,600 --> 00:18:45,360
Softer?
Not necessarily softer.
416
00:18:45,520 --> 00:18:46,440
Let's build to that.
417
00:18:46,600 --> 00:18:48,840
Let's not give everything
away straight away.
418
00:18:49,000 --> 00:18:50,400
Do you know what I mean?
Don't be too soon.
419
00:18:50,560 --> 00:18:51,680
Yeah.
420
00:18:51,840 --> 00:18:53,440
Mel's mentoring was so good.
421
00:18:53,600 --> 00:18:56,120
She made me kind of
alter my approach to it.
422
00:18:56,280 --> 00:18:59,120
Ease into it and let it...
let it go places.
423
00:18:59,280 --> 00:19:00,160
If you come in at 100
424
00:19:00,320 --> 00:19:01,560
there's not very many places
425
00:19:01,720 --> 00:19:02,800
that you can go from there.
426
00:19:02,960 --> 00:19:05,720
So, we've got
an amazing performance to put on.
427
00:19:05,880 --> 00:19:06,800
Yeah.
428
00:19:06,960 --> 00:19:08,720
But we've both got
a really shine in this,
429
00:19:08,880 --> 00:19:10,400
as well as working together
as a team.
430
00:19:10,560 --> 00:19:11,520
Yeah.
431
00:19:14,640 --> 00:19:15,800
To win the Battles.
432
00:19:15,960 --> 00:19:18,760
I got to go out there,
perform my ass off,
433
00:19:18,920 --> 00:19:20,800
kill my verse
434
00:19:20,960 --> 00:19:22,720
and show the coaches
why I deserve to be here.
435
00:19:26,440 --> 00:19:28,440
I feel like
436
00:19:28,600 --> 00:19:31,360
there's a lot more at stake
this time around.
437
00:19:31,520 --> 00:19:33,400
It's a Battle.
You know, like we're mates.
438
00:19:33,560 --> 00:19:34,480
That's everything.
439
00:19:34,640 --> 00:19:36,640
But I have to remember that
440
00:19:36,800 --> 00:19:38,840
it's a competition
and I wanna win it.
441
00:19:40,160 --> 00:19:41,040
It's game on.
442
00:19:45,360 --> 00:19:46,720
That's awesome.
443
00:19:46,880 --> 00:19:48,840
Love it, love it. Love it.
444
00:19:55,400 --> 00:19:57,800
Ha-ha, brilliant. They look great.
445
00:19:57,960 --> 00:19:59,840
(CHEERS AND APPLAUSE)
446
00:20:01,840 --> 00:20:03,880
# I've no excuse
447
00:20:04,040 --> 00:20:06,360
# I just want you to use me
448
00:20:06,520 --> 00:20:09,280
# Take me and abuse me
449
00:20:09,440 --> 00:20:11,320
# I've no taboo
450
00:20:11,480 --> 00:20:13,920
# I'll make a tree with you
451
00:20:14,080 --> 00:20:16,560
# I'll do anything you want me to
452
00:20:16,720 --> 00:20:20,080
# Because money talks, money talks
453
00:20:20,240 --> 00:20:24,280
# Dirty cash, want you,
Dirty cash, need you oh
454
00:20:24,440 --> 00:20:26,200
# Money talks
455
00:20:26,360 --> 00:20:27,600
# Money talks
456
00:20:27,760 --> 00:20:29,280
# Dirty cash I want you
457
00:20:29,440 --> 00:20:31,160
# Dirty cash I need you oh
458
00:20:31,320 --> 00:20:33,400
# Oh, I'm Dirty Cash
The one that you asked for
459
00:20:33,560 --> 00:20:35,080
# I'm wanted by
The rich and the poor
460
00:20:35,240 --> 00:20:37,240
# More and more,
You just can't reject it
461
00:20:37,400 --> 00:20:38,920
# You're the junkie and I inject it
462
00:20:39,080 --> 00:20:40,840
# Into your blood stream
It's like a bad dream
463
00:20:41,000 --> 00:20:43,200
# Money's the theme
Do you know what I mean
464
00:20:43,360 --> 00:20:44,320
# What I mean
465
00:20:44,480 --> 00:20:46,280
# Bitch I wrote this verse is XAZ
466
00:20:46,440 --> 00:20:48,160
# What I mean is I really,
Really want your money
467
00:20:48,320 --> 00:20:49,760
# Like scoopy I'm a loopy
For your money B
468
00:20:49,920 --> 00:20:52,000
# I want the money fast
I'm on the Sporty Team
469
00:20:52,160 --> 00:20:53,720
# Did you know
I've been kicking it with Melanie C
470
00:20:53,880 --> 00:20:55,680
# Did you know that I'm a score
And I hit the marks
471
00:20:55,840 --> 00:20:57,640
# I'm just waiting on my Grammy
Like Richard Marx
472
00:20:57,800 --> 00:20:59,560
# I'm going to preen
Like confident Ronan Keating
473
00:20:59,720 --> 00:21:01,440
# Imma ride this feeling,
Kate Miller-Heidke... #
474
00:21:01,600 --> 00:21:02,520
Woo.
475
00:21:02,680 --> 00:21:07,040
# I once had pride,
Now, oh, that's behind me
476
00:21:07,200 --> 00:21:09,920
# I want to get rich quick
477
00:21:10,080 --> 00:21:13,440
# I want success
And all that comes with it
478
00:21:13,600 --> 00:21:14,520
# Hey, hey, hey
479
00:21:14,680 --> 00:21:16,840
# I'm going to use my s-e-x
480
00:21:17,000 --> 00:21:18,040
# Money talks
481
00:21:18,200 --> 00:21:19,720
# Money what?
# Oh, money talks
482
00:21:19,880 --> 00:21:22,320
# Hey, hey
# Dirty cash I want you
483
00:21:22,480 --> 00:21:23,400
# Dirty, dirty cash
484
00:21:23,560 --> 00:21:24,560
# Come on y'all
485
00:21:24,720 --> 00:21:26,280
# Money talks
# Yeah, money
486
00:21:26,440 --> 00:21:27,960
# I said money talks
# It's Xazzy
487
00:21:28,120 --> 00:21:29,840
# Dirty cash I want you
488
00:21:30,000 --> 00:21:30,960
# Dirty cash I need you oh!
489
00:21:31,120 --> 00:21:32,000
# Dirty, dirty cash
490
00:21:32,160 --> 00:21:34,040
# People are lying
Come on in the street
491
00:21:34,200 --> 00:21:35,440
# Trying to find somebody to meet
492
00:21:35,600 --> 00:21:37,600
# Who'll get them to the top
And get them there fast
493
00:21:37,760 --> 00:21:39,200
# Trying to get that dirty cash
494
00:21:39,360 --> 00:21:41,080
# It doesn't matter, woman or man
495
00:21:41,240 --> 00:21:43,040
# Anyone who'll give them a hand
496
00:21:43,200 --> 00:21:46,680
# Cash money, that green,
Cold cash, that's the scene
497
00:21:46,840 --> 00:21:49,040
# So, tell me that you want
498
00:21:49,200 --> 00:21:51,160
# Who want it, we've known it
499
00:21:51,320 --> 00:21:52,400
# Tell me you want that
500
00:21:52,560 --> 00:21:55,200
# Dirty, dirty, dirty cash
501
00:21:55,360 --> 00:21:58,400
# I said tell me that you mean it
502
00:21:58,560 --> 00:22:00,240
# Tell me that you want
# Who need it, we breed it.
503
00:22:00,400 --> 00:22:02,440
# Dirty cash I want you all... #
504
00:22:02,600 --> 00:22:05,480
(CHEERS AND APPLAUSE)
505
00:22:11,560 --> 00:22:15,360
Team Melanie C
absolutely sending it.
506
00:22:17,400 --> 00:22:20,920
And you two really
lit up the stage tonight.
507
00:22:21,080 --> 00:22:22,440
Everybody got into that performance.
508
00:22:22,600 --> 00:22:25,440
Check out the proof
on our Shark fam cam.
509
00:22:25,600 --> 00:22:26,520
Have a look at this.
510
00:22:26,680 --> 00:22:28,120
And this was going on
511
00:22:28,280 --> 00:22:30,160
in the audience.
512
00:22:30,320 --> 00:22:31,560
Xaz, is that your mum?
513
00:22:31,720 --> 00:22:32,680
Yeah, hi, Mum.
514
00:22:35,360 --> 00:22:37,480
Kate. Who took the win?
515
00:22:37,640 --> 00:22:40,120
Oh, god.
Well, the energy in this room.
516
00:22:40,280 --> 00:22:42,320
You guys just blew the roof
off this place.
517
00:22:42,480 --> 00:22:43,560
(CHEERS AND APPLAUSE)
Thank you. thank you so much.
518
00:22:43,720 --> 00:22:46,040
Thank you. Thank you so much, Kate.
That was so cool.
519
00:22:46,200 --> 00:22:47,200
Even just, like
520
00:22:47,360 --> 00:22:50,000
walking in with your game faces,
your shoulders.
521
00:22:50,160 --> 00:22:51,120
It's like.
Yeah, these guys mean business.
522
00:22:51,280 --> 00:22:52,440
Yeah, Battle on.
523
00:22:52,600 --> 00:22:56,120
And it was so beautifully curated.
524
00:22:56,280 --> 00:22:59,960
Melanie. Like, amazing song choice.
It was perfect for these guys.
525
00:23:00,120 --> 00:23:01,200
You made it.
526
00:23:02,560 --> 00:23:03,680
Personally, I'd go with Xaz
527
00:23:03,840 --> 00:23:06,280
because he's-he's
unlike anyone else.
528
00:23:06,440 --> 00:23:07,640
Thank you.
529
00:23:07,800 --> 00:23:10,120
And I think I speak for all of us.
530
00:23:10,280 --> 00:23:12,520
That's the first time I think
I've been namechecked in a rap,
531
00:23:12,680 --> 00:23:14,960
so, I loved it.
532
00:23:15,120 --> 00:23:16,360
Wonderful performance.
533
00:23:16,520 --> 00:23:18,680
And when it comes
to the performance,
534
00:23:18,840 --> 00:23:20,320
it really was neck and neck for me.
535
00:23:20,480 --> 00:23:22,440
I think it was a dead heat,
536
00:23:22,600 --> 00:23:27,680
but at the end of the day, for me
the name of the show is The Voice
537
00:23:27,840 --> 00:23:32,120
and Meg on that performance,
yours was out of this world.
538
00:23:32,280 --> 00:23:34,600
(CHEERS AND APPLAUSE)
Thank you, thank you so much.
539
00:23:34,760 --> 00:23:36,160
Thank you. Richard.
540
00:23:36,320 --> 00:23:38,200
Melanie, you can only put
541
00:23:38,360 --> 00:23:40,920
one of these artists
through to the next round.
542
00:23:41,080 --> 00:23:43,000
Oh, I don't think
I could have wished
543
00:23:43,160 --> 00:23:44,280
for anything more.
544
00:23:44,440 --> 00:23:45,960
They've worked so hard together.
545
00:23:46,120 --> 00:23:48,880
They've got a beautiful friendship,
which I think really came across.
546
00:23:49,040 --> 00:23:50,720
Yeah. Good show.
547
00:23:50,880 --> 00:23:52,880
I love seeing Meg behind the decks.
548
00:23:53,040 --> 00:23:54,440
So much more to think about
549
00:23:54,600 --> 00:23:57,000
than just that incredible vocal
that you gave.
550
00:23:57,160 --> 00:24:00,160
We wanted to keep it small
and really show that build.
551
00:24:00,320 --> 00:24:02,960
We didn't wanna give them
the-the good stuff till the end.
552
00:24:03,120 --> 00:24:04,400
And I...
I tend to peak too soon.
553
00:24:04,560 --> 00:24:06,080
It happens.
554
00:24:06,240 --> 00:24:09,320
Xaz, I think, probably
the only person in the competition
555
00:24:09,480 --> 00:24:12,600
who's actually written
their own part of the song.
556
00:24:12,760 --> 00:24:15,640
(CHEERS AND APPLAUSE)
557
00:24:17,040 --> 00:24:18,240
You know, the way you rap.
558
00:24:18,400 --> 00:24:21,080
Your flow, it's very different
to how the song is originally,
559
00:24:21,240 --> 00:24:22,160
but you nailed that.
560
00:24:22,320 --> 00:24:24,480
You really sat back in it.
Thank you. Thank you.
561
00:24:27,680 --> 00:24:30,000
I'm in that place, aren't I?
You are.
562
00:24:30,160 --> 00:24:32,360
(CHEERS AND APPLAUSE)
563
00:24:32,520 --> 00:24:35,400
(AUDIENCE SHOUT)
564
00:24:37,760 --> 00:24:39,000
I love you both.
565
00:24:46,920 --> 00:24:49,240
OK. In all honesty,
I think the person
566
00:24:49,400 --> 00:24:51,360
that truly shone
567
00:24:51,520 --> 00:24:53,480
incredibly in that performance.
568
00:24:55,680 --> 00:24:57,640
The person who wins
that Battle for me...
569
00:25:00,840 --> 00:25:01,720
is Meg.
570
00:25:01,880 --> 00:25:03,800
(CHEERS AND APPLAUSE)
571
00:25:03,960 --> 00:25:05,240
Congratulations. Thank you.
572
00:25:05,400 --> 00:25:06,720
Meg, you're the winner
of the Battle.
573
00:25:12,120 --> 00:25:13,280
Thank you so much.
574
00:25:13,440 --> 00:25:15,560
Having your mentoring
and your support
575
00:25:15,720 --> 00:25:17,640
through this process
has been so incredible.
576
00:25:17,800 --> 00:25:19,480
I adore this guy.
577
00:25:19,640 --> 00:25:21,000
He's so incredibly talented.
Thank you.
578
00:25:21,160 --> 00:25:23,280
He's such a brilliant writer
and performer.
579
00:25:23,440 --> 00:25:25,400
To be honest, I wouldn't have wanted
to do it with anyone else.
580
00:25:25,560 --> 00:25:26,480
This was so much fun.
581
00:25:26,640 --> 00:25:28,840
The whole experience
was just absolutely incredible.
582
00:25:29,000 --> 00:25:30,440
(CHEERS AND APPLAUSE)
583
00:25:32,720 --> 00:25:34,480
It's incredible.
OK, my love.
584
00:25:34,640 --> 00:25:36,280
Thank you.
So good.
585
00:25:36,440 --> 00:25:37,920
Great job.
Hold on, Meg.
586
00:25:40,680 --> 00:25:43,720
Xaz still has a chance to be saved.
587
00:25:43,880 --> 00:25:45,240
Coaches.
588
00:25:45,400 --> 00:25:48,320
You could add a new member
to your team
589
00:25:48,480 --> 00:25:51,480
by simply using your save button
in front of you.
590
00:25:51,640 --> 00:25:54,480
(AUDIENCE SHOUT)
591
00:25:54,640 --> 00:25:58,560
Oh, so hard, so hard.
592
00:26:02,160 --> 00:26:03,120
Come on, Mel.
593
00:26:04,840 --> 00:26:06,240
If anyone can, you can.
594
00:26:08,560 --> 00:26:10,800
Time is up. Unfortunately.
595
00:26:10,960 --> 00:26:12,480
You haven't been saved this time.
596
00:26:12,640 --> 00:26:17,160
But I know
we will see Xaz out there again.
597
00:26:17,320 --> 00:26:19,400
(CHEERS AND APPLAUSE)
598
00:26:19,560 --> 00:26:21,080
This experience has been so fun.
599
00:26:21,240 --> 00:26:22,640
Honestly, I've loved
every second of it.
600
00:26:22,800 --> 00:26:25,880
I wanna thank Mel so much
for all the mentoring
601
00:26:26,040 --> 00:26:27,360
and the help that you gave us.
602
00:26:29,000 --> 00:26:30,600
And congratulations to Meg.
603
00:26:30,760 --> 00:26:32,800
She did amazing.
Well done. Xaz.
604
00:26:32,960 --> 00:26:34,480
Classy.
Nice work.
605
00:26:34,640 --> 00:26:36,200
Well done, mate, good on you.
606
00:26:36,360 --> 00:26:39,080
Put your hands together
for Xaz for the last time.
607
00:26:43,400 --> 00:26:44,400
Next.
608
00:26:44,560 --> 00:26:45,920
I really wanna show Richard
609
00:26:46,080 --> 00:26:48,520
that I can win this Battle
more than anything.
610
00:26:48,680 --> 00:26:50,240
I think Bianka really wants it.
611
00:26:50,400 --> 00:26:51,280
But I want more.
612
00:26:51,440 --> 00:26:54,200
Team Richard
take to the Battle arena.
613
00:26:55,960 --> 00:26:56,880
Yes.
614
00:26:57,040 --> 00:26:58,560
I am so freaking proud of you two.
615
00:27:00,040 --> 00:27:02,640
Plus, more
electrifying performances.
616
00:27:02,800 --> 00:27:05,080
If this is where we are
at the Battles, where to next?
617
00:27:05,240 --> 00:27:06,160
It's-it's insane.
618
00:27:06,320 --> 00:27:09,280
That was a spiritual experience.
619
00:27:09,440 --> 00:27:12,360
As artists fight
to secure their place...
620
00:27:13,560 --> 00:27:15,240
You really do want your cake
and eat it too, don't you?
621
00:27:15,400 --> 00:27:16,720
Of course, it's the only way.
622
00:27:16,880 --> 00:27:18,480
..in the Knockouts.
623
00:27:22,320 --> 00:27:23,280
# This is The Voice. #
624
00:27:26,800 --> 00:27:28,040
What key are we in for this?
625
00:27:28,200 --> 00:27:29,240
E.
626
00:27:31,120 --> 00:27:32,000
Here she is.
627
00:27:32,160 --> 00:27:33,360
Hello.
Hi, Cait.
628
00:27:33,520 --> 00:27:36,880
So, this Battle
is between my country singer, Cait,
629
00:27:37,040 --> 00:27:40,680
and this undiscovered gem
of a talent named Bianka.
630
00:27:40,840 --> 00:27:43,040
How do you guys feel about
being paired against each other?
631
00:27:43,200 --> 00:27:44,200
I'm excited.
632
00:27:44,360 --> 00:27:46,200
I'm excited.
I'm super nervous though.
633
00:27:46,360 --> 00:27:47,920
So, what makes you nervous?
634
00:27:48,080 --> 00:27:50,040
Because she's got...
like, she's such an amazing singer.
635
00:27:50,200 --> 00:27:51,600
So, so amazing.
Oh, stop it, so are you.
636
00:27:51,760 --> 00:27:53,360
It's nic
when you have mutual respect, right?
637
00:27:53,520 --> 00:27:54,400
Yeah.
638
00:27:54,560 --> 00:27:58,040
# I see you next to never... #
639
00:27:58,200 --> 00:27:59,880
For the Blind auditions
Cait showed up
640
00:28:00,040 --> 00:28:01,640
and sang my song
'Right Here Waiting',
641
00:28:01,800 --> 00:28:03,400
which was quite a bold move.
642
00:28:04,800 --> 00:28:08,880
# Wherever you go,
Whatever you do... #
643
00:28:09,040 --> 00:28:10,240
I was so impressed.
644
00:28:10,400 --> 00:28:15,480
Not just with her voice
but her reinterpretation of my song.
645
00:28:15,640 --> 00:28:17,920
# How my heart breaks
646
00:28:18,080 --> 00:28:20,520
# I will be right here
647
00:28:20,680 --> 00:28:24,120
# Waiting for you... #
648
00:28:24,280 --> 00:28:26,920
# I see red, red
649
00:28:27,080 --> 00:28:28,440
# Red... #
650
00:28:28,600 --> 00:28:31,400
Bianka was really quite something.
651
00:28:31,560 --> 00:28:32,480
We were all, sort of, like,
652
00:28:32,640 --> 00:28:36,240
blown away that that voice
was coming out of that face,
653
00:28:36,400 --> 00:28:38,120
because she's so young.
654
00:28:38,280 --> 00:28:41,280
But she doesn't sound it.
She sounds like a seasoned veteran.
655
00:28:46,440 --> 00:28:47,360
Alright, let's get into it.
656
00:28:47,520 --> 00:28:49,120
Are you guys ready to know
what song you're singing?
657
00:28:49,280 --> 00:28:50,200
Yes.
Yes.
658
00:28:51,400 --> 00:28:52,280
Well, this is a...
659
00:28:52,440 --> 00:28:55,240
this is a really
special choice for me
660
00:28:55,400 --> 00:29:00,280
because it's a song by someone
who is iconic in Australia,
661
00:29:00,440 --> 00:29:02,680
but is also a really dear
friend of mine, John Farnham.
662
00:29:04,080 --> 00:29:05,680
And it's one of my favourite
John Farnham songs
663
00:29:05,840 --> 00:29:07,280
and it's called 'That's Freedom'.
664
00:29:09,640 --> 00:29:11,720
Do you guys know this song?
I don't, no.
665
00:29:11,880 --> 00:29:13,920
I know it a bit probably... Yeah.
Yeah.
666
00:29:14,080 --> 00:29:15,080
Ah, the song did come out
667
00:29:15,240 --> 00:29:16,400
before I was born.
668
00:29:16,560 --> 00:29:19,400
I do know the song, but obviously,
I don't know it super well.
669
00:29:19,560 --> 00:29:20,920
We'll just do it
in pieces a little bit, OK.
670
00:29:21,080 --> 00:29:21,960
Yep.
Yep.
671
00:29:22,120 --> 00:29:23,040
So, let's do the verse.
672
00:29:23,200 --> 00:29:24,160
When I hit them with this song,
673
00:29:24,320 --> 00:29:26,080
they both had that deer
in the headlights look.
674
00:29:26,240 --> 00:29:28,160
I don't think either of them
really know the song very well.
675
00:29:28,320 --> 00:29:30,720
I probably need to hear it
a little bit first.
676
00:29:30,880 --> 00:29:32,000
# I don't know
677
00:29:32,160 --> 00:29:33,560
# What you want from me... #
678
00:29:33,720 --> 00:29:36,080
So, it's hard for me to mentor them
679
00:29:36,240 --> 00:29:37,560
while I'm teaching them the song.
680
00:29:37,720 --> 00:29:38,760
# Love ought to be... #
681
00:29:38,920 --> 00:29:40,000
Yeah.
And the chorus.
682
00:29:40,160 --> 00:29:42,280
# From the mount... #
Is that how it goes?
683
00:29:42,440 --> 00:29:44,560
Can you go
# From the mountain... #
684
00:29:44,720 --> 00:29:46,280
# From the mountain
685
00:29:46,440 --> 00:29:48,440
# To the valley... #
686
00:29:48,600 --> 00:29:49,480
Bianka.
687
00:29:49,640 --> 00:29:52,240
# One emotion... #
Something like that.
688
00:29:52,400 --> 00:29:56,320
# One emotion to deliver
689
00:29:56,480 --> 00:29:58,000
# One... #
690
00:29:58,160 --> 00:29:59,600
You gotta come right in there.
691
00:29:59,760 --> 00:30:02,040
Three, four.
# One way... #
692
00:30:02,200 --> 00:30:05,120
They're gonna have
to figure out their take on it
693
00:30:05,280 --> 00:30:10,480
so, that it sounds like they own it,
and that it's their song
694
00:30:10,640 --> 00:30:12,320
# To share but not to chain... #
695
00:30:14,360 --> 00:30:17,320
And the key to that,
I think, is less about the notes
696
00:30:17,480 --> 00:30:20,080
and about convincing the listener
697
00:30:20,240 --> 00:30:23,400
that they're really meaning
every word that they're singing.
698
00:30:23,560 --> 00:30:26,920
In the time we have
before you perform this,
699
00:30:27,080 --> 00:30:28,920
you're gonna need to know this song
700
00:30:29,080 --> 00:30:32,120
truly like as it's
as if it's part of you,
701
00:30:32,280 --> 00:30:37,040
so, that all you're focused on
is delivering it in a way
702
00:30:37,200 --> 00:30:41,200
that knocks everybody out
and that we believe every word.
703
00:30:41,360 --> 00:30:42,800
This is a really powerful lyric,
704
00:30:42,960 --> 00:30:44,640
so, I really want you to think about
705
00:30:44,800 --> 00:30:46,800
what you're singing
and what you're saying.
706
00:30:46,960 --> 00:30:50,160
Live, breathe, eat
and sleep this song.
707
00:30:50,320 --> 00:30:52,000
Yep. Can do.
708
00:30:52,160 --> 00:30:53,120
You know, selfishly,
709
00:30:53,280 --> 00:30:55,440
it's John Farnham
is not just John Farnham.
710
00:30:55,600 --> 00:30:56,520
He's my friend.
711
00:30:56,680 --> 00:30:58,200
So, I want you guys
to do him proud, OK?
712
00:31:01,280 --> 00:31:03,440
I have a lot of work to do
before the Battle, I think.
713
00:31:03,600 --> 00:31:07,400
I just really need to knuckle down
and learn the song inside and out
714
00:31:07,560 --> 00:31:09,640
and be as confident
with it as I can be.
715
00:31:10,920 --> 00:31:12,320
In order for me to win this Battle,
716
00:31:12,480 --> 00:31:14,960
I just need to really find
that connection.
717
00:31:15,120 --> 00:31:17,640
Find the reason why I'm singing it.
718
00:31:17,800 --> 00:31:20,440
I'm gonna give this Battle
absolutely everything I can.
719
00:31:20,600 --> 00:31:22,520
Otherwise, I will be going home.
720
00:31:22,680 --> 00:31:24,320
And I can't let that happen.
721
00:31:24,480 --> 00:31:27,360
(CHEERS AND APPLAUSE)
722
00:31:43,200 --> 00:31:46,000
# I don't know what you want from me
723
00:31:46,160 --> 00:31:48,000
# Or what you think
724
00:31:48,160 --> 00:31:50,920
# Love ought to be
725
00:31:51,080 --> 00:31:52,000
# I want something
726
00:31:52,160 --> 00:31:55,960
# That's open and strong
As the country
727
00:31:56,120 --> 00:31:57,960
# This road's moving on
728
00:31:58,120 --> 00:32:01,880
# From the mountainto the valley
729
00:32:02,040 --> 00:32:06,040
# From the ocean to the alley
730
00:32:06,200 --> 00:32:09,880
# From the highway to the river
731
00:32:10,040 --> 00:32:14,000
# One emotion to deliver
732
00:32:14,160 --> 00:32:17,880
# One heart
733
00:32:18,040 --> 00:32:21,960
# One way
734
00:32:22,120 --> 00:32:26,200
# One love
735
00:32:26,360 --> 00:32:30,840
# To share but not to chain,
That's freedom
736
00:32:31,000 --> 00:32:35,440
# It's a song of the heart
A race in the wind
737
00:32:35,600 --> 00:32:38,880
# A light in the dark,
That's freedom
738
00:32:39,040 --> 00:32:43,320
# It's a reason to live,
And after the rain
739
00:32:43,480 --> 00:32:46,840
# Rekindle the spark,
Let freedom ring... #
740
00:32:47,000 --> 00:32:49,760
Oh, come on! Oh.
741
00:32:51,200 --> 00:32:54,080
# All I want is a fast lane to
742
00:32:54,240 --> 00:32:58,680
# Where the road across
This plain won't take you
743
00:32:58,840 --> 00:33:02,160
# I want something you understand
744
00:33:02,320 --> 00:33:05,200
# To make us stand proud
Has nothing else can
745
00:33:05,360 --> 00:33:07,120
# That's freedom
746
00:33:07,280 --> 00:33:11,000
# It's a song of the heart,
A race in the wind
747
00:33:11,160 --> 00:33:15,000
# A light in the dark,
That's freedom
748
00:33:15,160 --> 00:33:17,600
# That's a reason to live
# To live
749
00:33:17,760 --> 00:33:20,920
# After the rain, rekindle the spark
750
00:33:21,080 --> 00:33:22,880
# That's freedom... #
751
00:33:23,040 --> 00:33:27,200
# It's a measure of trust
When love is alive
752
00:33:27,360 --> 00:33:28,920
# Alive
# It's tender and tough
753
00:33:29,080 --> 00:33:30,960
# That's freedom
754
00:33:31,120 --> 00:33:33,240
# It's what love is about
755
00:33:33,400 --> 00:33:36,840
# Let's open it upand let it out
756
00:33:37,000 --> 00:33:40,360
# That's freedom. #
757
00:33:40,520 --> 00:33:43,400
(CHEERS AND APPLAUSE)
758
00:33:46,960 --> 00:33:49,520
Taking on an Aussie classic.
759
00:33:49,680 --> 00:33:52,400
Yes! Yes!
760
00:33:52,560 --> 00:33:53,880
Rich... look at your coach.
761
00:33:55,240 --> 00:33:57,120
I am so freaking proud of you two.
762
00:33:57,280 --> 00:33:59,160
Thank you.
Thank you so much.
763
00:33:59,320 --> 00:34:01,320
(CHEERS AND APPLAUSE)
764
00:34:01,480 --> 00:34:03,040
We'll get Richard's
decision in a second.
765
00:34:03,200 --> 00:34:04,960
But, Ronan, what did you think
of that performance?
766
00:34:05,120 --> 00:34:06,840
Wow.
767
00:34:07,000 --> 00:34:08,880
I mean, firstly. Song choice.
768
00:34:09,040 --> 00:34:11,560
Well, risky as hell.
The biggest voice.
769
00:34:11,720 --> 00:34:13,480
Not just in this country,
but on the planet.
770
00:34:13,640 --> 00:34:18,800
We all love John Farnham.
And that song is just unbelievable.
771
00:34:18,960 --> 00:34:21,640
Cait, you're so anchored on stage.
You're so confident.
772
00:34:21,800 --> 00:34:23,760
It-it looks effortless to you.
773
00:34:23,920 --> 00:34:25,080
Thank you.
It really is.
774
00:34:25,240 --> 00:34:27,680
You have a beautiful voice.
Gorgeous tone.
775
00:34:27,840 --> 00:34:31,240
But, Bianka, when you sing,
it's otherworldly.
776
00:34:31,400 --> 00:34:33,040
It's just so magnificent.
777
00:34:33,200 --> 00:34:34,720
So...
Thank you so much.
778
00:34:34,880 --> 00:34:36,080
I'd go for Bianka.
779
00:34:36,240 --> 00:34:37,800
Thank you so much.
780
00:34:39,880 --> 00:34:42,040
Two absolute powerhouses.
781
00:34:42,200 --> 00:34:43,120
And you know what I love?
782
00:34:43,280 --> 00:34:45,840
The voices are exquisite
and they're huge.
783
00:34:46,000 --> 00:34:47,840
But you never overshadowed
each other.
784
00:34:48,000 --> 00:34:49,520
You never took it too far.
785
00:34:49,680 --> 00:34:52,840
And-and I actually. I love you both.
786
00:34:53,000 --> 00:34:54,200
Such a difficult decision.
787
00:34:54,360 --> 00:34:59,360
I think I'd probably
maybe base it on just tonally.
788
00:34:59,520 --> 00:35:01,040
I think that would be Cait.
789
00:35:01,200 --> 00:35:02,160
Thank you.
790
00:35:03,600 --> 00:35:04,640
Yeah.
791
00:35:04,800 --> 00:35:07,720
Richard, we know that song
is very close to your heart.
792
00:35:07,880 --> 00:35:10,080
Did they deliver it
the way you'd hoped?
793
00:35:10,240 --> 00:35:14,000
I wanted to honour him
tonight on this show,
794
00:35:14,160 --> 00:35:15,880
and you guys crushed it.
795
00:35:16,040 --> 00:35:17,680
You guys crushed it.
Thank you.
796
00:35:17,840 --> 00:35:19,120
Thank you so much.
(APPLAUSE)
797
00:35:21,320 --> 00:35:23,400
When I think about where we started,
798
00:35:23,560 --> 00:35:25,520
I-I can't believe
how far this has come.
799
00:35:25,680 --> 00:35:28,960
In this performance you both went
800
00:35:29,120 --> 00:35:32,440
from zero to ten
based upon where we were.
801
00:35:32,600 --> 00:35:35,320
And you both
were individually great.
802
00:35:35,480 --> 00:35:37,480
But even more importantly,
when you sang together,
803
00:35:37,640 --> 00:35:38,960
I totally believed it.
804
00:35:39,120 --> 00:35:40,080
It was beautiful.
805
00:35:40,240 --> 00:35:42,920
It was really a beautiful thing
to...to...to witness.
806
00:35:45,520 --> 00:35:49,520
Ah, you're stalling.
You're stalling.
807
00:35:49,680 --> 00:35:50,760
Yep.
This is really, really hard.
808
00:35:50,920 --> 00:35:53,360
We will need a decision, Richard.
809
00:35:53,520 --> 00:35:56,200
Who has won that Battle for you?
810
00:35:56,360 --> 00:35:59,200
(CHEERS AND APPLAUSE)
811
00:35:59,360 --> 00:36:01,240
(AUDIENCE SHOUT)
812
00:36:02,600 --> 00:36:07,600
I have to base this decision
on that particular performance,
813
00:36:07,760 --> 00:36:10,120
and I have to think
about going forward.
814
00:36:11,560 --> 00:36:13,920
So, with that in mind.
815
00:36:16,880 --> 00:36:21,080
The artist who won this Battle is...
816
00:36:23,360 --> 00:36:24,240
Bianka.
817
00:36:24,400 --> 00:36:26,040
(CHEERS AND APPLAUSE)
818
00:36:26,200 --> 00:36:28,000
Bianka, you won the Battle.
819
00:36:30,360 --> 00:36:34,480
You're going through
to the next round, to the Knockouts.
820
00:36:34,640 --> 00:36:36,680
It means the absolute world to me.
821
00:36:36,840 --> 00:36:39,040
As you guys all know,
I'm only 16 years old
822
00:36:39,200 --> 00:36:41,440
and it's just amazing to be up here
823
00:36:41,600 --> 00:36:43,000
and to show Australia that
824
00:36:43,160 --> 00:36:45,800
it doesn't matter how old you are
or who you are, you can do it.
825
00:36:45,960 --> 00:36:47,680
So, thank you so much.
Well done.
826
00:36:47,840 --> 00:36:51,000
Well said, Bianka,
and congratulations.
827
00:36:53,280 --> 00:36:55,800
I'm so proud of you.
That was fantastic.
828
00:36:55,960 --> 00:36:57,440
Way to go.
Thank you.
829
00:36:58,960 --> 00:36:59,920
Well done.
830
00:37:05,920 --> 00:37:09,600
Oh, damnit. Wow.
831
00:37:09,760 --> 00:37:13,000
Unfortunately, Cait,
you have not been saved.
832
00:37:13,160 --> 00:37:15,480
Please give it up for Cait.
833
00:37:15,640 --> 00:37:17,880
(CHEERS AND APPLAUSE)
834
00:37:18,040 --> 00:37:20,720
You did so good.
So good. I'm so proud of you.
835
00:37:20,880 --> 00:37:21,800
Thank you.
836
00:37:21,960 --> 00:37:23,800
You're gonna... you're gonna just...
you're gonna do great
837
00:37:31,640 --> 00:37:32,680
Still to come.
838
00:37:33,960 --> 00:37:37,240
I have never witnessed
a performance.
839
00:37:37,400 --> 00:37:40,720
Forget a Battle, a performance
like that on The Voice.
840
00:37:42,120 --> 00:37:44,920
The Battle that starts a war.
841
00:37:47,560 --> 00:37:49,480
It's way too soon for you
to be going anywhere.
842
00:37:49,640 --> 00:37:51,440
Thank you. It's my turn.
You belong here.
843
00:37:51,600 --> 00:37:53,680
I love Ronan, but he failed you.
844
00:37:53,840 --> 00:37:54,760
Whoa.
845
00:37:54,920 --> 00:37:55,840
I can get you
all the way to the final.
846
00:37:56,000 --> 00:37:57,280
You really stepped in it, dude.
847
00:38:04,320 --> 00:38:05,280
# This is The Voice. #
848
00:38:09,000 --> 00:38:10,960
Oh! Oh!
849
00:38:11,120 --> 00:38:12,000
No.
850
00:38:12,160 --> 00:38:14,000
I was just checking
to make sure it works,
851
00:38:14,160 --> 00:38:15,320
because you haven't used it yet.
852
00:38:15,480 --> 00:38:16,440
Yeah, I'm waiting.
853
00:38:16,600 --> 00:38:17,800
I'm waiting.
OK, welcome back.
854
00:38:17,960 --> 00:38:19,560
Welcome back, everyone.
Ooft, my heart.
855
00:38:19,720 --> 00:38:23,040
Both of these artists
got four chair turns at the Blinds,
856
00:38:23,200 --> 00:38:25,960
and one wasn't even meant
to audition
857
00:38:26,120 --> 00:38:29,280
until Kate heard her singing
in the audience.
858
00:38:29,440 --> 00:38:31,600
And then Ronan stole.
859
00:38:31,760 --> 00:38:34,080
Hey, ha, ha, ha. Yeah.
Exactly.
860
00:38:34,240 --> 00:38:36,960
And I'm working hard on forgiveness.
861
00:38:37,120 --> 00:38:38,560
Oh, really?
862
00:38:38,720 --> 00:38:40,720
While you two work that out.
OK.
863
00:38:40,880 --> 00:38:45,480
It's time to see what song Ronan
gave his vocal powerhouses,
864
00:38:45,640 --> 00:38:47,080
Alyssa and Ellaphon.
865
00:38:48,360 --> 00:38:49,320
Alright. Let's go.
866
00:38:53,600 --> 00:38:55,720
Alyssa, welcome to the Battles.
Thank you.
867
00:38:55,880 --> 00:38:57,120
How are you feeling
after your audition?
868
00:38:57,280 --> 00:38:59,000
I mean, that must have been
a crazy moment.
869
00:38:59,160 --> 00:39:00,360
You know,
it was just a fast experience,
870
00:39:00,520 --> 00:39:03,480
like, I couldn't actually comprehend
what was actually happening.
871
00:39:03,640 --> 00:39:09,240
# I lose control... #
872
00:39:09,400 --> 00:39:11,480
I've always wanted to audition.
873
00:39:11,640 --> 00:39:14,080
So, it was a dream come true.
874
00:39:14,240 --> 00:39:15,720
And she was incredible.
875
00:39:15,880 --> 00:39:18,120
I had to have her.
I used my ultimate block.
876
00:39:20,200 --> 00:39:21,560
Whoa.
877
00:39:24,200 --> 00:39:25,080
OK.
878
00:39:25,240 --> 00:39:26,880
Ladies and gentlemen,
please welcome Ellaphon.
879
00:39:28,240 --> 00:39:30,480
Oh! Hey, dude. What's happening?
880
00:39:30,640 --> 00:39:33,000
When I found out
that I was versing Alyssa.
881
00:39:33,160 --> 00:39:35,960
I knew this was going to be
an epic Battle.
882
00:39:36,120 --> 00:39:40,640
# I'm losing my mind just a little
883
00:39:40,800 --> 00:39:41,800
# Yeah... #
884
00:39:41,960 --> 00:39:44,280
Ellaphon. Ridiculous singer.
885
00:39:44,440 --> 00:39:46,800
Four chair turn. Stunning ovation.
886
00:39:46,960 --> 00:39:49,280
One of the best Blind auditions
I've ever had.
887
00:39:49,440 --> 00:39:51,840
# Yeah... #
888
00:39:56,160 --> 00:39:58,920
I fought hard
for both of you in the Blinds.
889
00:39:59,080 --> 00:40:00,920
You've got to fight hard for me
in the Battles.
890
00:40:01,080 --> 00:40:02,120
I'm excited.
891
00:40:02,280 --> 00:40:03,160
You wanna know
what song you're singing?
892
00:40:03,320 --> 00:40:04,920
Yes.
Yes. Yes, please.
893
00:40:06,280 --> 00:40:07,440
'Gravity' by John Mayer.
894
00:40:07,600 --> 00:40:10,000
Oh, OK.
Yes.
895
00:40:10,160 --> 00:40:11,440
OK. You know, the song, right?
896
00:40:11,600 --> 00:40:13,840
Yeah.
I know the song.
897
00:40:14,000 --> 00:40:16,040
I want you to make it your own.
898
00:40:16,200 --> 00:40:19,840
# Gravity
899
00:40:20,000 --> 00:40:23,000
# Is working against me... #
900
00:40:23,160 --> 00:40:26,000
Technically,
they both have outstanding voices.
901
00:40:26,160 --> 00:40:27,680
They both have all the vocal tricks.
902
00:40:27,840 --> 00:40:28,800
# Ooo
903
00:40:28,960 --> 00:40:31,840
# Gravity, yeah,
Yeah, yeah, yeah... #
904
00:40:32,000 --> 00:40:34,080
And sometimes
with all the acrobatics,
905
00:40:34,240 --> 00:40:35,400
it's overkill.
906
00:40:35,560 --> 00:40:37,080
They can over-sing the song.
907
00:40:37,240 --> 00:40:39,840
# Just keep mewhere the light is
908
00:40:40,000 --> 00:40:43,920
# Just keep mewhere the light is
909
00:40:44,080 --> 00:40:45,680
# Yeah... #
910
00:40:45,840 --> 00:40:48,040
Using those moments
once or twice in a song.
911
00:40:48,200 --> 00:40:50,520
They blow you away
and you go, wow, that was epic.
912
00:40:50,680 --> 00:40:51,960
And then the rest of the song,
913
00:40:52,120 --> 00:40:53,600
you give us the heart and the soul
914
00:40:53,760 --> 00:40:56,000
and the emotion through your vocal.
915
00:40:56,160 --> 00:40:58,400
The thing that
I probably am most scared of is,
916
00:40:58,560 --> 00:41:00,200
is both of you over-singing it.
917
00:41:01,880 --> 00:41:04,960
You have this beautiful tone,
both of you crazy good singers.
918
00:41:05,120 --> 00:41:06,960
But just sing the song.
919
00:41:07,120 --> 00:41:09,000
Just sometimes
you just sing the melody.
920
00:41:10,560 --> 00:41:12,960
The talent between
the two of them is insane.
921
00:41:13,120 --> 00:41:15,680
But whoever moves me
the most in this performance
922
00:41:15,840 --> 00:41:17,920
will be going through
to the Knockouts.
923
00:41:18,080 --> 00:41:19,440
The pressure is seriously
on for you guys.
924
00:41:19,600 --> 00:41:21,520
You're the best I've got.
925
00:41:21,680 --> 00:41:22,920
I don't wanna lose either of you.
926
00:41:28,600 --> 00:41:31,000
If I don't stand out in my own way,
927
00:41:31,160 --> 00:41:34,320
I will most definitely be left
in the dust by Alyssa.
928
00:41:34,480 --> 00:41:36,920
The challenge is definitely
929
00:41:37,080 --> 00:41:39,160
trying to make it my own,
930
00:41:39,320 --> 00:41:42,560
but trying to stick
to the original melody
931
00:41:42,720 --> 00:41:43,800
is also really important.
932
00:41:48,560 --> 00:41:50,440
I wanna win this Battle.
933
00:41:50,600 --> 00:41:53,520
(CHEERS AND APPLAUSE)
934
00:42:03,920 --> 00:42:04,880
Let's go.
935
00:42:07,920 --> 00:42:12,320
# Gravity
936
00:42:12,480 --> 00:42:17,000
# Is working against me
937
00:42:18,680 --> 00:42:21,920
# Oh, gravity
938
00:42:24,800 --> 00:42:28,640
# Wants to bring me down... #
939
00:42:28,800 --> 00:42:30,880
(CHEERS AND APPLAUSE)
940
00:42:31,040 --> 00:42:33,360
# Oh, I'll never know
941
00:42:33,520 --> 00:42:35,200
# I'll never know
942
00:42:35,360 --> 00:42:36,640
# What makes this man
943
00:42:36,800 --> 00:42:38,360
# What makes this man
944
00:42:38,520 --> 00:42:41,120
# With all the love
945
00:42:41,280 --> 00:42:43,600
# That is hard his heartcan stand
946
00:42:43,760 --> 00:42:46,080
# Ooo dream away... #
947
00:42:46,240 --> 00:42:47,560
Whoo! Come on.
948
00:42:47,720 --> 00:42:50,480
# Going to throw it all
949
00:42:50,640 --> 00:42:54,960
# Away
950
00:42:55,120 --> 00:42:58,080
# Oooh
951
00:42:58,240 --> 00:43:01,040
# Gravity
952
00:43:01,200 --> 00:43:04,680
# Is working against me now... #
953
00:43:04,840 --> 00:43:06,840
Wow. She's crazy.
954
00:43:07,000 --> 00:43:12,080
# Oh, seen gravity
955
00:43:13,520 --> 00:43:17,400
# Who wants to bring me down
956
00:43:18,720 --> 00:43:24,040
# Just keep me with the light is
957
00:43:25,560 --> 00:43:31,240
# Just keep me where the light is
958
00:43:31,400 --> 00:43:37,240
# Just keep me where the light is
959
00:43:37,400 --> 00:43:42,280
# Just keep me where the light is
960
00:43:44,320 --> 00:43:45,280
# Oooh
961
00:43:45,440 --> 00:43:50,000
# Oh, Gravity
962
00:43:50,160 --> 00:43:52,960
# Is working against me
963
00:43:53,120 --> 00:43:55,160
# Yeah
964
00:43:55,320 --> 00:43:57,160
# Whoa
965
00:43:57,320 --> 00:44:00,880
# Oh, gravity
966
00:44:02,520 --> 00:44:07,400
# Wants to bring me down
967
00:44:08,720 --> 00:44:12,880
# Oh, keep me
968
00:44:13,040 --> 00:44:18,920
# Where the light is shining
969
00:44:21,280 --> 00:44:23,600
# Oh, keep
970
00:44:23,760 --> 00:44:25,240
# Mee
971
00:44:25,400 --> 00:44:31,240
# Where the light is ooo
972
00:44:31,400 --> 00:44:35,720
# Yeah. #
973
00:44:35,880 --> 00:44:38,760
(CHEERS AND APPLAUSE)
974
00:44:41,160 --> 00:44:42,120
What the...
975
00:44:44,000 --> 00:44:44,960
Whoa!
976
00:44:52,000 --> 00:44:54,520
Alyssa and Ellaphon.
977
00:44:56,760 --> 00:44:59,040
(CHEERS AND APPLAUSE)
978
00:44:59,200 --> 00:45:00,160
I have been lucky enough
979
00:45:00,320 --> 00:45:02,560
to be a coach on The Voice
all around the world.
980
00:45:02,720 --> 00:45:07,240
I have never witnessed
a performance forget a Battle,
981
00:45:07,400 --> 00:45:09,640
a performance
like that on The Voice.
982
00:45:09,800 --> 00:45:12,680
(CHEERS AND APPLAUSE)
983
00:45:14,280 --> 00:45:15,880
If this is
where we are at the Battles,
984
00:45:16,040 --> 00:45:17,360
I mean, where to next?
985
00:45:17,520 --> 00:45:18,800
It's-it's insane. It was brilliant.
986
00:45:18,960 --> 00:45:21,240
Guys, I'm so proud of both of you.
It's so amazing.
987
00:45:21,400 --> 00:45:23,240
(CHEERS AND APPLAUSE)
988
00:45:23,400 --> 00:45:24,960
Good job putting them up
against each other, Ronan.
989
00:45:25,120 --> 00:45:26,800
Yeah, great idea, Ronan, well done.
990
00:45:26,960 --> 00:45:29,000
He really stepped in it, dude.
991
00:45:29,160 --> 00:45:31,600
Like, what were you thinking?
I know, I know.
992
00:45:31,760 --> 00:45:34,080
I think, there were moments
in that performance
993
00:45:34,240 --> 00:45:37,520
when I felt like I was watching,
two greats.
994
00:45:37,680 --> 00:45:39,840
Alyssa, just incredible.
995
00:45:40,000 --> 00:45:43,320
It's so natural, your voice,
it just flows out of you.
996
00:45:43,480 --> 00:45:45,160
And then Ellaphon it's like
997
00:45:45,320 --> 00:45:47,280
it just comes from the depths
of your soul,
998
00:45:47,440 --> 00:45:50,240
and it embodies
every part of your body.
999
00:45:50,400 --> 00:45:53,120
It's-it's beautiful to watch
as well as to listen to.
1000
00:45:53,280 --> 00:45:56,800
If I had to base on this performance
we've just seen
1001
00:45:56,960 --> 00:45:58,920
I think had
I'd be edging towards Ellaphon.
1002
00:45:59,080 --> 00:46:00,000
Just...
1003
00:46:00,160 --> 00:46:01,040
(CHEERS AND APPLAUSE)
1004
00:46:01,200 --> 00:46:02,640
Thank you, Mel.
1005
00:46:02,800 --> 00:46:06,080
That was a spiritual experience.
1006
00:46:06,240 --> 00:46:09,080
I mean, I barely drew breath
for that whole thing.
1007
00:46:09,240 --> 00:46:11,560
You seem so comfortable on stage.
1008
00:46:11,720 --> 00:46:15,280
And you were living and breathing
inside that song together.
1009
00:46:15,440 --> 00:46:18,720
I think this is such a tough choice,
but for me
1010
00:46:18,880 --> 00:46:20,680
I-I'll always have
a soft spot for Alyssa
1011
00:46:20,840 --> 00:46:22,960
because I-I was the one
that found her in the crowd.
1012
00:46:23,120 --> 00:46:25,120
And I think she's incredible.
Jeez.
1013
00:46:25,280 --> 00:46:27,720
Thank you.
I mean, stop milking it.
1014
00:46:27,880 --> 00:46:29,160
Sorry.
Fine, you found her.
1015
00:46:29,320 --> 00:46:32,920
It's a fact. It's just a fact.
She's just reminding you, Ronan.
1016
00:46:33,080 --> 00:46:34,560
It is now up to you, Ronan.
1017
00:46:34,720 --> 00:46:39,280
Only one of these amazing artists
can go through to the Knockouts.
1018
00:46:39,440 --> 00:46:40,680
Who's it gonna be?
1019
00:46:40,840 --> 00:46:42,360
(CHEERS AND APPLAUSE)
1020
00:46:42,520 --> 00:46:43,560
I don't know how I pick.
1021
00:46:43,720 --> 00:46:45,360
You have to.
1022
00:46:45,520 --> 00:46:48,400
(AUDIENCE SHOUT)
1023
00:46:49,800 --> 00:46:52,440
Argh.
1024
00:46:52,600 --> 00:46:55,080
Honestly,
nobody won and nobody lost.
1025
00:46:55,240 --> 00:46:57,800
It was perfect. It was so perfect.
1026
00:46:57,960 --> 00:47:02,960
Your harmonies,
your energy, your individuality.
1027
00:47:03,120 --> 00:47:04,920
It was just your tone.
It was gorgeous.
1028
00:47:05,080 --> 00:47:07,120
It was brilliant. It was beautiful.
It's everything.
1029
00:47:07,280 --> 00:47:08,720
Everything I'm looking for.
1030
00:47:08,880 --> 00:47:10,200
So, I don't know
how I lose one of you.
1031
00:47:10,360 --> 00:47:13,240
(CHEERS AND APPLAUSE)
1032
00:47:15,960 --> 00:47:17,680
The artist that won this Battle...
1033
00:47:17,840 --> 00:47:20,720
(TENSE MUSIC)
1034
00:47:26,400 --> 00:47:28,480
I can't not have you
on my team, is Ellaphon.
1035
00:47:30,440 --> 00:47:32,240
Ellaphon, you're going through
to the Knockouts.
1036
00:47:32,400 --> 00:47:34,760
Congratulations.
1037
00:47:41,120 --> 00:47:43,240
Oh, man. Well done. Wow.
1038
00:47:43,400 --> 00:47:45,400
One more time
for Ellaphon, everyone.
1039
00:47:45,560 --> 00:47:48,440
(CHEERS AND APPLAUSE)
1040
00:47:52,960 --> 00:47:56,640
Sadly, Alyssa is now at risk
of going home.
1041
00:47:58,200 --> 00:47:59,880
I didn't even get to finish!
1042
00:48:02,960 --> 00:48:04,640
I can't believe
you got in there first.
1043
00:48:07,840 --> 00:48:08,760
Oh, my god.
1044
00:48:08,920 --> 00:48:12,600
All four coaches
have decided to save you.
1045
00:48:12,760 --> 00:48:15,200
They all want you to stay
in the competition.
1046
00:48:15,360 --> 00:48:19,560
Kate, Kate, Kate,
Kate, Kate, Kate, Kate.
1047
00:48:19,720 --> 00:48:20,800
Thank you.
1048
00:48:23,520 --> 00:48:26,240
The power is now in your hands.
1049
00:48:26,400 --> 00:48:27,880
So, let's start with Kate.
1050
00:48:28,040 --> 00:48:31,400
Here we go. Well, I found you.
I've found you in the audience.
1051
00:48:31,560 --> 00:48:34,040
Thank you. It's my turn. Thank you.
1052
00:48:34,200 --> 00:48:36,560
Yeah, well, here we go.
Alyssa.
1053
00:48:36,720 --> 00:48:38,480
We belong together.
Oh.
1054
00:48:38,640 --> 00:48:40,520
(CHEERS AND APPLAUSE)
1055
00:48:42,120 --> 00:48:43,760
I know it's-it's maybe...
1056
00:48:43,920 --> 00:48:47,200
it's gonna be tempting
to-to go-go with Ronan.
1057
00:48:47,360 --> 00:48:48,720
You know, go with the one
that you know.
1058
00:48:48,880 --> 00:48:51,400
All I wanna say to you
is look where that's got you.
1059
00:48:51,560 --> 00:48:52,520
OK?
1060
00:48:54,320 --> 00:48:56,680
I'm-I'm ready.
I'm here with the safety net.
1061
00:48:56,840 --> 00:48:57,800
Ready to catch you.
1062
00:48:59,160 --> 00:49:00,960
Nice pitch, Kate.
1063
00:49:01,120 --> 00:49:03,680
I can't believe you said that.
1064
00:49:03,840 --> 00:49:05,640
Ronan, why should Alyssa
stay on your team?
1065
00:49:05,800 --> 00:49:07,440
Because you shouldn't go
to Team Kate.
1066
00:49:08,920 --> 00:49:11,320
Just as simple as that.
Just because.
1067
00:49:11,480 --> 00:49:13,600
(LAUGHS)
1068
00:49:13,760 --> 00:49:15,680
Alyssa, I know how to guide you.
1069
00:49:15,840 --> 00:49:17,400
I know what to do with your voice
1070
00:49:17,560 --> 00:49:19,600
as a mentor
I know how to get you there
1071
00:49:19,760 --> 00:49:22,440
and I'll get you all the way
to the final on Team Roman.
1072
00:49:23,680 --> 00:49:25,800
Alyssa, I love Ronan,
but he failed you.
1073
00:49:28,000 --> 00:49:29,360
He failed you miserably.
I didn't.
1074
00:49:29,520 --> 00:49:31,840
I didn't, I was 50 over 50.
I had to choose.
1075
00:49:32,000 --> 00:49:35,800
I'll tell you why
I think you were failed.
1076
00:49:35,960 --> 00:49:38,720
When you guys sang together
it was magical.
1077
00:49:38,880 --> 00:49:40,680
Because it was even.
1078
00:49:40,840 --> 00:49:43,680
What was chosen for you
to sing on your own,
1079
00:49:43,840 --> 00:49:45,960
as opposed to what Ellaphon sang.
1080
00:49:46,120 --> 00:49:49,920
I feel like it favoured him
in terms of the choice of notes,
1081
00:49:50,080 --> 00:49:52,200
the moments for you to stand out,
1082
00:49:52,360 --> 00:49:53,800
and a really good coach
1083
00:49:53,960 --> 00:49:56,960
and a really good producer
knows not to do that.
1084
00:49:58,600 --> 00:49:59,520
Interesting.
1085
00:49:59,680 --> 00:50:00,680
So, I think that going forward,
1086
00:50:00,840 --> 00:50:02,000
you need somebody
who's gonna watch out
1087
00:50:02,160 --> 00:50:03,920
for you in that way, and that's me.
1088
00:50:04,080 --> 00:50:05,560
Interesting, interesting.
1089
00:50:07,120 --> 00:50:08,680
Watching that performance tonight.
1090
00:50:08,840 --> 00:50:11,720
It was like, it's way too soon
for you to be going anywhere.
1091
00:50:11,880 --> 00:50:13,000
You belong here.
1092
00:50:13,160 --> 00:50:15,600
I haven't got anyone like you
in my team.
1093
00:50:15,760 --> 00:50:17,480
I feel like it's time for you
1094
00:50:17,640 --> 00:50:19,920
to be with a female vocalist
as a mentor.
1095
00:50:20,080 --> 00:50:22,120
Yes.
And I want that to be me.
1096
00:50:23,960 --> 00:50:27,320
(CHEERS AND APPLAUSE)
1097
00:50:27,480 --> 00:50:29,040
The question is,
1098
00:50:29,200 --> 00:50:32,360
will you stick
with your original coach, Ronan?
1099
00:50:32,520 --> 00:50:35,320
Will you move to a new team?
1100
00:50:38,720 --> 00:50:41,680
It is a really tough decision.
I do love you all.
1101
00:50:47,720 --> 00:50:52,240
Kate, Kate, Kate,
Kate, Kate, Kate, Kate.
1102
00:50:52,400 --> 00:50:54,280
# This is The Voice. #
1103
00:50:58,280 --> 00:50:59,200
# This is The Voice. #
1104
00:51:01,680 --> 00:51:03,320
(CHEERS)
1105
00:51:05,360 --> 00:51:06,760
Kate, Kate, Kate,
Kate, Kate, Kate, Kate.
1106
00:51:06,920 --> 00:51:08,840
The question is,
1107
00:51:09,000 --> 00:51:11,440
will you stick
with your original coach.
1108
00:51:11,600 --> 00:51:15,840
Ronan, will you move to a new team?
1109
00:51:16,000 --> 00:51:18,640
It is a really tough decision.
I do love you all.
1110
00:51:21,200 --> 00:51:22,120
But...
1111
00:51:24,360 --> 00:51:25,600
I think I'm gonna go with Kate.
1112
00:51:25,760 --> 00:51:26,840
Aw.
1113
00:51:28,480 --> 00:51:32,320
Congratulations.
You are now part of Team Kate.
1114
00:51:32,480 --> 00:51:34,440
Wow, amazing thank you so much.
1115
00:51:34,600 --> 00:51:36,400
You won't regret it.
1116
00:51:36,560 --> 00:51:38,560
You might regret it.
You might regret it.
1117
00:51:38,720 --> 00:51:39,680
You might regret it.
1118
00:51:40,960 --> 00:51:43,600
Well done, well done.
I'm very, very proud of you.
1119
00:51:43,760 --> 00:51:44,840
Thank you.
Well done.
1120
00:51:51,000 --> 00:51:52,160
Unbelievable.
1121
00:51:52,320 --> 00:51:54,440
Revenge is sweet.
1122
00:51:54,600 --> 00:51:56,480
I don't think Kate
had a winner on her team.
1123
00:51:56,640 --> 00:51:57,960
Now, she does.
1124
00:51:58,120 --> 00:52:01,960
Things have been rectified now,
and everyone's in their right place.
1125
00:52:10,280 --> 00:52:11,320
This Battle
1126
00:52:11,480 --> 00:52:14,840
is against
Cherie and Lilli.
1127
00:52:17,480 --> 00:52:19,720
Cherie and Lilli are my risk takers.
1128
00:52:19,880 --> 00:52:21,280
Cherie came out
1129
00:52:21,440 --> 00:52:24,160
with her beautiful samba dancing
while singing.
1130
00:52:24,320 --> 00:52:26,840
# Her lips are devil red
1131
00:52:27,000 --> 00:52:30,120
# And her skin
Is the colour of mocha... #
1132
00:52:30,280 --> 00:52:31,400
# And now all
That I want for you... #
1133
00:52:31,560 --> 00:52:34,680
And then Lilli coming out doing
a Spice Girl song for a Spice Girl.
1134
00:52:34,840 --> 00:52:36,440
That is a risk
that was worth taking.
1135
00:52:41,440 --> 00:52:42,680
For this Battle,
1136
00:52:42,840 --> 00:52:45,400
I've chosen Training Season
by Dua Lipa.
1137
00:52:46,960 --> 00:52:50,840
It's deceptively difficult.
It's quite rangy.
1138
00:52:51,000 --> 00:52:52,760
You know, there's some
real lower notes
1139
00:52:52,920 --> 00:52:54,480
and it goes right up in the range.
1140
00:52:56,200 --> 00:52:58,000
I felt that both Cherie and Lilli
1141
00:52:58,160 --> 00:53:00,880
could really showcase their vocals
on this song.
1142
00:53:02,400 --> 00:53:06,480
I really want to show Melanie C
I can have the stage presence,
1143
00:53:06,640 --> 00:53:08,320
but also nail down these vocals.
1144
00:53:10,320 --> 00:53:13,160
It is a bit of a hard song.
There's a lot of pressure.
1145
00:53:13,320 --> 00:53:15,200
Lilli is an incredible performer,
1146
00:53:15,360 --> 00:53:17,240
but I have to make sure
that I'm better.
1147
00:53:20,000 --> 00:53:22,120
Whoever can prove
they've got a powerful
1148
00:53:22,280 --> 00:53:24,560
and adaptable voice
will win this Battle.
1149
00:53:27,160 --> 00:53:28,560
Beautiful. Awesome.
1150
00:53:28,720 --> 00:53:29,960
They look awesome.
1151
00:53:30,120 --> 00:53:33,000
(APPLAUSE)
1152
00:53:35,240 --> 00:53:37,160
# Are you
1153
00:53:37,320 --> 00:53:41,120
# Someone that
I can give my heart to
1154
00:53:41,280 --> 00:53:45,080
# Or just the poison
That I'm drawn to
1155
00:53:45,240 --> 00:53:50,720
# It can be hard to tell
The difference late at night
1156
00:53:50,880 --> 00:53:52,960
# Play fair
1157
00:53:53,120 --> 00:53:56,800
# Is that a compass in your nature
1158
00:53:56,960 --> 00:53:58,200
# Or are you tricky
1159
00:53:58,360 --> 00:54:00,480
# 'Cause I've been there
1160
00:54:00,640 --> 00:54:06,280
# And baby I don't need
To learn my lesson twice
1161
00:54:06,440 --> 00:54:12,280
# Ooo are you somebody
Who can go there
1162
00:54:12,440 --> 00:54:16,520
# 'Cause I don't wanna
Have to show you
1163
00:54:16,680 --> 00:54:19,680
# If that ain't you,
Then let me know, yeah
1164
00:54:19,840 --> 00:54:23,680
# 'Cause you should know,
People want to hold me close... #
1165
00:54:23,840 --> 00:54:24,920
# Deeper than I've ever known
1166
00:54:25,080 --> 00:54:26,240
# Deeper than I've ever known
1167
00:54:26,400 --> 00:54:27,640
# Like a rodeo
1168
00:54:27,800 --> 00:54:30,160
# Knows just how to take control
1169
00:54:30,320 --> 00:54:33,360
# When I'm vulnerable,
He's straight-talking to my soul
1170
00:54:33,520 --> 00:54:35,360
# Conversation overload
1171
00:54:35,520 --> 00:54:39,240
# Because trainingseason's over
1172
00:54:39,400 --> 00:54:41,760
# Training season's ooh
1173
00:54:41,920 --> 00:54:43,400
# Training season's ooh
1174
00:54:43,560 --> 00:54:46,520
# Training season's over. #
1175
00:54:46,680 --> 00:54:49,560
(CHEERS AND APPLAUSE)
1176
00:54:56,200 --> 00:54:59,560
For Cherie and Lilli
1177
00:54:59,720 --> 00:55:01,800
training season
is definitely over I think.
1178
00:55:01,960 --> 00:55:04,280
Look at these amazing outfits.
1179
00:55:06,000 --> 00:55:07,680
Guys, you were awesome.
The energy was great.
1180
00:55:07,840 --> 00:55:09,520
You got the four of us
standing up dancing.
1181
00:55:09,680 --> 00:55:10,720
That's very rare.
1182
00:55:10,880 --> 00:55:11,960
(CHEERS AND APPLAUSE)
1183
00:55:12,120 --> 00:55:15,680
So, the energy was brilliant.
You both channelling Dua Lipa.
1184
00:55:15,840 --> 00:55:17,000
It's a duo Dua.
Yeah.
1185
00:55:19,440 --> 00:55:20,720
Lilli, I think
1186
00:55:20,880 --> 00:55:23,280
sometimes you were just
trying to force the vocal
1187
00:55:23,440 --> 00:55:24,360
and I know why.
1188
00:55:24,520 --> 00:55:26,800
You've got 90 seconds to shine.
1189
00:55:26,960 --> 00:55:28,960
You have the talent,
you have the ability.
1190
00:55:29,120 --> 00:55:31,640
Sit back in your vocal a little bit,
because when you force it
1191
00:55:31,800 --> 00:55:34,080
it's just it seems a little harsh
at times.
1192
00:55:34,240 --> 00:55:36,640
Um, Cherie, I think
you're just born to be on the stage.
1193
00:55:36,800 --> 00:55:38,760
It's who you are.
You're a performer. I can see that.
1194
00:55:38,920 --> 00:55:41,240
(CHEERS AND APPLAUSE)
1195
00:55:41,400 --> 00:55:43,400
From that performance,
I would choose Cherie.
1196
00:55:43,560 --> 00:55:44,480
Sorry.
1197
00:55:44,640 --> 00:55:46,600
(CHEERS AND APPLAUSE)
1198
00:55:46,760 --> 00:55:48,960
I actually have to disagree.
1199
00:55:49,120 --> 00:55:51,560
For my money. I mean, I...
Don't disagree with me.
1200
00:55:51,720 --> 00:55:53,320
Just don't.
1201
00:55:53,480 --> 00:55:57,680
I-I mean, both of you
have magnificent voices,
1202
00:55:57,840 --> 00:56:00,960
but I love the-the depth,
the roundness,
1203
00:56:01,120 --> 00:56:04,160
the, sort of, chocolatey
alto-y thing
1204
00:56:04,320 --> 00:56:05,240
that you have going on.
1205
00:56:05,400 --> 00:56:06,680
Lily, you're both amazing.
1206
00:56:06,840 --> 00:56:08,880
But if it were me,
I'd be going with Lilli.
1207
00:56:09,040 --> 00:56:11,120
(CHEERS AND APPLAUSE)
1208
00:56:11,280 --> 00:56:13,120
Thank you, well, Melanie,
1209
00:56:13,280 --> 00:56:14,920
that's what
the other coaches thought.
1210
00:56:15,080 --> 00:56:16,320
Have you worked out
1211
00:56:16,480 --> 00:56:18,960
who you're taking through
to the next round?
1212
00:56:19,120 --> 00:56:22,480
Well, you've both made it
so hard for me.
1213
00:56:22,640 --> 00:56:24,360
Gosh, gosh, gosh.
1214
00:56:24,520 --> 00:56:27,960
Lilli! Lilli! Lilli!
1215
00:56:28,120 --> 00:56:30,880
I'm so proud
you've both come so far.
1216
00:56:31,040 --> 00:56:32,000
It was really important,
1217
00:56:32,160 --> 00:56:33,800
we wanted to bring it back
to the vocals, didn't we?
1218
00:56:33,960 --> 00:56:35,120
We wanted to clean things up.
1219
00:56:35,280 --> 00:56:38,240
You listened.
You took everything onboard.
1220
00:56:38,400 --> 00:56:40,280
You've literally surpassed
my expectations tonight.
1221
00:56:40,440 --> 00:56:41,360
It was so good.
1222
00:56:41,520 --> 00:56:44,400
(CHEERS AND APPLAUSE)
1223
00:56:48,080 --> 00:56:52,000
The artist who won this Battle
1224
00:56:52,160 --> 00:56:54,240
for me is...
1225
00:56:59,240 --> 00:57:00,160
Lilli.
1226
00:57:00,320 --> 00:57:01,600
(CHEERS AND APPLAUSE)
1227
00:57:01,760 --> 00:57:03,920
Well done, Lilli.
Well done. Wow!
1228
00:57:04,080 --> 00:57:07,160
You are progressing
to the next round
1229
00:57:07,320 --> 00:57:09,240
on Team Melanie C.
1230
00:57:09,400 --> 00:57:11,040
Oh, my god.
1231
00:57:11,200 --> 00:57:12,960
Thanks so much.
1232
00:57:13,120 --> 00:57:16,080
Tears? No, tears.
We can't have tears.
1233
00:57:16,240 --> 00:57:17,440
This is a happy moment,
1234
00:57:17,600 --> 00:57:18,520
you're going through
to the next round.
1235
00:57:18,680 --> 00:57:20,040
It is, it's happy tears, oh, my god.
1236
00:57:20,200 --> 00:57:22,080
Thank you so much
for believing in me
1237
00:57:22,240 --> 00:57:24,040
and wanting to me go further,
1238
00:57:24,200 --> 00:57:27,240
because I love you
and I'd love to show you more.
1239
00:57:27,400 --> 00:57:28,320
Thank you.
1240
00:57:28,480 --> 00:57:29,400
My pleasure.
1241
00:57:29,560 --> 00:57:31,240
Put your hands together
one more time for Lilli.
1242
00:57:31,400 --> 00:57:34,040
Darling. You were brilliant.
You were brilliant.
1243
00:57:36,200 --> 00:57:37,640
Cherie, no saves for tonight.
1244
00:57:37,800 --> 00:57:40,400
But let's make some noise
for Cherie.
1245
00:57:40,560 --> 00:57:41,680
(CHEERS AND APPLAUSE)
1246
00:57:41,840 --> 00:57:42,800
Well done.
1247
00:57:44,080 --> 00:57:45,720
Oh, my love.
1248
00:57:45,880 --> 00:57:48,600
Oh, I'm sorry. You were brilliant.
You're so good.
1249
00:57:48,760 --> 00:57:51,920
Please keep singing. Keep dancing.
1250
00:57:52,080 --> 00:57:53,040
Well done, Cherie.
1251
00:58:00,680 --> 00:58:05,200
Next up on The Voice,
Team Kate step into the Battle ring.
1252
00:58:05,360 --> 00:58:07,280
Don't go anywhere, Australia.
1253
00:58:07,440 --> 00:58:09,160
(CHEERS AND APPLAUSE)
1254
00:58:09,320 --> 00:58:11,000
# This is The Voice. #
1255
00:58:15,320 --> 00:58:16,280
# This is The Voice. #
1256
00:58:22,840 --> 00:58:25,680
So, this Battle is between
my two true blue Aussies,
1257
00:58:25,840 --> 00:58:27,840
Charlie and Brenton.
1258
00:58:28,000 --> 00:58:29,040
I grouped Charlie
1259
00:58:29,200 --> 00:58:30,480
and Brenton together,
1260
00:58:30,640 --> 00:58:33,720
because they both have
this beautiful Aussie
1261
00:58:33,880 --> 00:58:37,040
salt of the earth character
about them.
1262
00:58:37,200 --> 00:58:38,680
Oh, yeah.
1263
00:58:40,320 --> 00:58:43,640
# Life's going nowhere
1264
00:58:43,800 --> 00:58:48,920
# Somebody help me... #
1265
00:58:50,160 --> 00:58:53,760
# You take the man out of the city
1266
00:58:53,920 --> 00:58:56,720
# Not the city out the man... #
1267
00:58:56,880 --> 00:58:58,240
But they're also capable
1268
00:58:58,400 --> 00:59:01,440
of being really raw
and vulnerable on stage.
1269
00:59:01,600 --> 00:59:07,440
# Not the city out the man
1270
00:59:07,600 --> 00:59:08,480
# Oh... #
1271
00:59:08,640 --> 00:59:10,400
My dad had an accident at work.
1272
00:59:10,560 --> 00:59:13,200
Pretty much half his brain
is gone forever.
1273
00:59:13,360 --> 00:59:14,240
Music.
1274
00:59:14,400 --> 00:59:17,200
It's something me and dad
can do together.
1275
00:59:17,360 --> 00:59:19,160
Play guitar together.
1276
00:59:19,320 --> 00:59:22,360
So, the song you'll be singing
for your Battle
1277
00:59:22,520 --> 00:59:24,440
is 'Fade Into You' by Mazzy Star.
1278
00:59:25,760 --> 00:59:27,040
Do you know that song?
Love it.
1279
00:59:27,200 --> 00:59:28,360
Yeah, I love it too.
That's exciting.
1280
00:59:28,520 --> 00:59:31,200
Cool, it's like
it's a bit of a left field choice.
1281
00:59:31,360 --> 00:59:32,680
I love a bit of a left field choice.
1282
00:59:32,840 --> 00:59:37,080
You know, it's a female vocalist.
It's like an iconic '90s song.
1283
00:59:37,240 --> 00:59:38,480
That'll be great.
Amazing. Hell, yeah.
1284
00:59:38,640 --> 00:59:42,000
And the gist of this song
is how beautiful
1285
00:59:42,160 --> 00:59:46,600
and also how strange
it is to almost evaporate
1286
00:59:46,760 --> 00:59:50,120
into another person,
that-that, sort of, transformational
1287
00:59:50,280 --> 00:59:51,720
feeling of being in love.
1288
00:59:51,880 --> 00:59:55,880
It's a very exposed piece of music.
There's nowhere to hide as a singer.
1289
00:59:56,040 --> 00:59:57,160
You ready to give it a go?
1290
00:59:57,320 --> 00:59:59,720
I'm ready. Are you?
Sure. Yes, absolutely.
1291
01:00:02,360 --> 01:00:07,280
# I wanna hold the hand
Inside you... #
1292
01:00:07,440 --> 01:00:09,240
This song is deceptively simple.
1293
01:00:09,400 --> 01:00:11,360
It's the same melody over and over.
1294
01:00:11,520 --> 01:00:15,000
# I look to you
To see the truth... #
1295
01:00:15,160 --> 01:00:17,360
So, they're going to have to bring
1296
01:00:17,520 --> 01:00:21,680
a high level of artistry
to keep that compelling for us.
1297
01:00:21,840 --> 01:00:24,760
To show us what they can do vocally.
1298
01:00:24,920 --> 01:00:27,720
How they can stay connected
to the emotion of that song
1299
01:00:27,880 --> 01:00:30,440
to transcend the simplicity of it.
1300
01:00:30,600 --> 01:00:36,080
# Strange you never knew... #
1301
01:00:36,240 --> 01:00:37,760
It's going to be a challenge.
1302
01:00:37,920 --> 01:00:39,880
Should we just try
the harmony verse?
1303
01:00:40,040 --> 01:00:42,120
# You live your life.
You live your life. #
1304
01:00:42,280 --> 01:00:43,240
Yeah.
1305
01:00:43,400 --> 01:00:48,000
# You live your life
And go in shadows... #
1306
01:00:48,160 --> 01:00:49,960
# In shadows... #
Just don't overshoot.
1307
01:00:50,120 --> 01:00:51,440
Yeah, yeah, yeah.
OK, yeah, yeah. Sorry.
1308
01:00:51,600 --> 01:00:53,720
They've both got great voices.
1309
01:00:53,880 --> 01:00:55,240
This song is so emotional,
1310
01:00:55,400 --> 01:00:58,560
so, whoever can tell that story
will win the Battle.
1311
01:00:58,720 --> 01:01:01,040
Which one is gonna move me the most?
1312
01:01:02,800 --> 01:01:05,600
There is nowhere to hide
in this song.
1313
01:01:05,760 --> 01:01:09,600
It's delicate and every word
1314
01:01:09,760 --> 01:01:11,000
and phrase counts.
1315
01:01:12,360 --> 01:01:14,840
I think my emotional side
1316
01:01:15,000 --> 01:01:20,160
is gonna be an advantage for me
singing this song.
1317
01:01:23,440 --> 01:01:24,520
Being able to tell the story
1318
01:01:24,680 --> 01:01:26,280
is going to be really crucial
1319
01:01:26,440 --> 01:01:28,000
in order to win this Battle.
1320
01:01:28,160 --> 01:01:29,720
Going up against
such a big powerhouse
1321
01:01:29,880 --> 01:01:30,880
voice like Brenton's,
1322
01:01:31,040 --> 01:01:34,200
I definitely need to make sure that
all the subtleties in my voice
1323
01:01:34,360 --> 01:01:38,960
are spot on to impress Kate enough
to be her choice moving forward.
1324
01:01:39,120 --> 01:01:41,560
(CHEERS AND APPLAUSE)
1325
01:01:56,040 --> 01:02:00,880
# I wanna hold
The hand inside you... #
1326
01:02:04,600 --> 01:02:06,800
# I want to take the breath
1327
01:02:06,960 --> 01:02:10,160
# That's true... #
1328
01:02:10,320 --> 01:02:11,240
So, Aussie, hey?
Yeah.
1329
01:02:11,400 --> 01:02:13,080
It's great.
1330
01:02:13,240 --> 01:02:18,280
# I look to you when I see nothing
1331
01:02:21,680 --> 01:02:25,720
# I look to you to see the truth
1332
01:02:29,760 --> 01:02:35,440
# You live your life,
You go in shadows
1333
01:02:38,800 --> 01:02:43,680
# You'll come apart
And you'll go blind... #
1334
01:02:43,840 --> 01:02:44,800
Nice.
1335
01:02:47,200 --> 01:02:51,680
# Some kind of night
Into your darkness
1336
01:02:51,840 --> 01:02:55,320
# Your darkness
1337
01:02:55,480 --> 01:03:00,720
# Colours your eyes
With what's not there
1338
01:03:04,760 --> 01:03:10,320
# Fade into you
1339
01:03:10,480 --> 01:03:12,480
# Whoa
1340
01:03:12,640 --> 01:03:14,120
# I think it's strange
1341
01:03:14,280 --> 01:03:16,160
# I think it's strange
1342
01:03:16,320 --> 01:03:18,920
# You never knew
1343
01:03:19,080 --> 01:03:21,640
# Whoa
1344
01:03:21,800 --> 01:03:27,680
# Fade into you
1345
01:03:30,640 --> 01:03:35,320
# Strange you never knew. #
1346
01:03:35,480 --> 01:03:38,360
(CHEERS AND APPLAUSE)
1347
01:03:46,040 --> 01:03:50,000
So much emotion
from Brenton and Charlie.
1348
01:03:51,200 --> 01:03:54,160
Ronan in your eyes,
who stood out the most?
1349
01:03:54,320 --> 01:03:56,920
Oh, look. Yeah. Nah. Sucked in.
1350
01:03:57,080 --> 01:04:00,000
Um, it was just so Aussie,
I loved it.
1351
01:04:00,160 --> 01:04:01,960
Brenton, I love your tone, man.
1352
01:04:02,120 --> 01:04:03,920
You just. It's...
Thanks, man.
1353
01:04:05,520 --> 01:04:07,560
Charlie, I mean, you're so dynamic.
1354
01:04:07,720 --> 01:04:10,280
You're-you're only
in the infancy of your career,
1355
01:04:10,440 --> 01:04:12,600
but you've got so much talent
and ability.
1356
01:04:12,760 --> 01:04:14,160
Thank you very much.
1357
01:04:14,320 --> 01:04:16,080
But if I was to choose.
1358
01:04:16,240 --> 01:04:19,280
I think Brenton won this Battle.
1359
01:04:19,440 --> 01:04:22,040
Yeah, I do.
(CHEERS AND APPLAUSE)
1360
01:04:22,200 --> 01:04:23,760
I have to be honest.
1361
01:04:23,920 --> 01:04:25,840
I love that song, but I thought
it was an odd song choice
1362
01:04:26,000 --> 01:04:27,360
for the two of you,
1363
01:04:27,520 --> 01:04:30,720
and it frankly left me cold.
1364
01:04:30,880 --> 01:04:33,560
Neither of you really embodied it.
1365
01:04:33,720 --> 01:04:35,240
It's such a vibey song,
1366
01:04:35,400 --> 01:04:37,680
and I heard
all the thinking going on
1367
01:04:37,840 --> 01:04:40,960
instead of just surrendering
to this beautiful melody.
1368
01:04:41,120 --> 01:04:43,720
Like, I wanted to love it
and I didn't.
1369
01:04:43,880 --> 01:04:45,720
So, that performance
didn't really do anything for me.
1370
01:04:45,880 --> 01:04:48,480
But if I'm gonna pick, it's Charlie.
1371
01:04:48,640 --> 01:04:50,000
(CHEERS AND APPLAUSE)
Thank you.
1372
01:04:50,160 --> 01:04:51,560
Thank you, Richard.
1373
01:04:51,720 --> 01:04:52,960
Kate, did you...
1374
01:04:53,120 --> 01:04:55,040
did you wanna counter anything
that Richard just said?
1375
01:04:56,360 --> 01:05:00,480
Look, I mean, I can't help,
but agree on some level,
1376
01:05:00,640 --> 01:05:02,360
and it's my fault.
1377
01:05:02,520 --> 01:05:05,360
And it's tricky
in that it's a mid-tempo,
1378
01:05:05,520 --> 01:05:08,120
mesmerising song
without a big money note
1379
01:05:08,280 --> 01:05:10,320
or without a lot of dynamics,
actually.
1380
01:05:10,480 --> 01:05:12,720
But personally,
I love the way you sang it.
1381
01:05:12,880 --> 01:05:14,760
(CHEERS AND APPLAUSE)
1382
01:05:16,280 --> 01:05:18,560
Brenton, I love your Aussie accent
1383
01:05:18,720 --> 01:05:21,560
when you sing,
you do it so effortlessly.
1384
01:05:21,720 --> 01:05:24,320
It's really you.
You found your sound.
1385
01:05:24,480 --> 01:05:26,320
You're a true artist.
1386
01:05:26,480 --> 01:05:27,440
Thank you.
1387
01:05:27,600 --> 01:05:29,800
(APPLAUSE)
1388
01:05:29,960 --> 01:05:32,040
And, Charlie, you have a gift.
1389
01:05:32,200 --> 01:05:33,960
You're born communicator,
1390
01:05:34,120 --> 01:05:36,960
and you are a channel
for that emotion
1391
01:05:37,120 --> 01:05:38,120
in a beautiful way.
1392
01:05:38,280 --> 01:05:39,760
At times I feel
during that performance
1393
01:05:39,920 --> 01:05:41,640
you lost contact with that.
1394
01:05:41,800 --> 01:05:44,360
And maybe it's nerves.
Maybe it's inexperience.
1395
01:05:44,520 --> 01:05:46,880
I think that's something tha
you would need to work on in future.
1396
01:05:47,040 --> 01:05:50,960
Just keeping that
that focus on the communication.
1397
01:05:51,120 --> 01:05:54,720
This is a nerve-wracking environment
so, it is...it's hard
1398
01:05:54,880 --> 01:05:57,600
This is the hardest stage
you can ever perform on, I think.
1399
01:05:58,920 --> 01:06:01,360
I'm so torn about this.
1400
01:06:01,520 --> 01:06:04,440
I-I really am so conflicted.
1401
01:06:04,600 --> 01:06:08,400
Ultimately, I need to take
forward the artists that I think
1402
01:06:08,560 --> 01:06:10,040
I can do the most with.
1403
01:06:10,200 --> 01:06:12,760
But I think you both
have careers in music.
1404
01:06:12,920 --> 01:06:15,000
Absolutely.
There's no doubt about that.
1405
01:06:20,560 --> 01:06:23,440
(CHEERS AND APPLAUSE)
1406
01:06:26,880 --> 01:06:31,040
The artist who won this Battle is...
1407
01:06:35,520 --> 01:06:36,440
Charlie.
1408
01:06:36,600 --> 01:06:39,440
(CHEERS AND APPLAUSE)
1409
01:06:39,600 --> 01:06:42,720
Good job, man.
17, but he's won the Battle.
1410
01:06:44,200 --> 01:06:46,840
Congratulations, Charlie.
1411
01:06:47,000 --> 01:06:48,360
How do you feel?
1412
01:06:48,520 --> 01:06:50,440
I feel on top of the world. Really?
1413
01:06:50,600 --> 01:06:54,080
Um, this whole experience
is mind blowing for me.
1414
01:06:54,240 --> 01:06:56,800
Oh, nah, but you were so up for it.
1415
01:06:56,960 --> 01:06:57,880
Thank you.
1416
01:06:58,040 --> 01:07:00,680
What was it like for you to sing
in front of your mum and dad?
1417
01:07:00,840 --> 01:07:02,480
Oh, it's-it's really special.
1418
01:07:02,640 --> 01:07:05,880
It's just they're always
at all my show I play
1419
01:07:06,040 --> 01:07:08,240
and any gig it is just,
they're always there.
1420
01:07:08,400 --> 01:07:10,000
The best support I have.
1421
01:07:10,160 --> 01:07:11,160
Aw.
1422
01:07:12,720 --> 01:07:14,480
Put your hands together
for Charlie everyone.
1423
01:07:14,640 --> 01:07:15,560
(CHEERS AND APPLAUSE)
Well done, mate.
1424
01:07:15,720 --> 01:07:16,600
Well done.
Good on you.
1425
01:07:16,760 --> 01:07:17,720
That was incredible.
1426
01:07:18,920 --> 01:07:20,440
So proud. Well done.
1427
01:07:20,600 --> 01:07:23,480
(APPLAUSE)
1428
01:07:30,560 --> 01:07:34,160
Brenton, I'm afraid your time
in the competition is over.
1429
01:07:34,320 --> 01:07:36,960
Thank you so much.
Put your hands together for Brenton.
1430
01:07:37,120 --> 01:07:39,160
Thanks so much. See you guys.
1431
01:07:40,520 --> 01:07:41,480
Well done.
1432
01:07:41,640 --> 01:07:45,360
It was so lovely to work with you.
And I absolutely love your voice.
1433
01:07:45,520 --> 01:07:47,360
Thank you.
You did such a fantastic job.
1434
01:07:47,520 --> 01:07:48,520
Cheers. Appreciate it.
1435
01:07:59,960 --> 01:08:00,880
Next...
1436
01:08:01,040 --> 01:08:03,080
This is the Battle of the behemoths.
1437
01:08:03,240 --> 01:08:07,080
..it's family man
versus family member.
1438
01:08:09,200 --> 01:08:11,080
Well, I can't let
either of you go home.
1439
01:08:11,240 --> 01:08:12,120
I don't know what to do.
1440
01:08:12,280 --> 01:08:15,400
We do need a decision right now.
This is brutal.
1441
01:08:15,560 --> 01:08:16,800
I'm so glad I'm not you.
1442
01:08:20,080 --> 01:08:24,160
The artist that won this Battle...
1443
01:08:24,320 --> 01:08:26,760
Came from the bottom,
now I'm the king.
1444
01:08:32,280 --> 01:08:33,240
# This is The Voice. #
1445
01:08:38,480 --> 01:08:39,840
Mitchell, welcome to the Battles.
1446
01:08:40,000 --> 01:08:41,520
Guess you want to know
who your bottle partner is?
1447
01:08:41,680 --> 01:08:42,600
I'm dying to know.
1448
01:08:42,760 --> 01:08:45,400
OK, well, please welcome Chris.
1449
01:08:45,560 --> 01:08:47,960
Hey, mate. How are you?
1450
01:08:48,120 --> 01:08:49,360
No, way, man.
1451
01:08:50,600 --> 01:08:52,360
This is the Battle of the behemoths.
1452
01:08:52,520 --> 01:08:54,360
Oh, we're gonna have fun, man.
1453
01:08:54,520 --> 01:08:56,640
I put Chris and Mitchell together,
1454
01:08:56,800 --> 01:08:59,240
because they're
both massive singers.
1455
01:08:59,400 --> 01:09:01,000
In Mitchell, what a vocalist.
1456
01:09:01,160 --> 01:09:02,520
# These beautiful things
1457
01:09:02,680 --> 01:09:07,720
# That I've got, please, say
1458
01:09:07,880 --> 01:09:10,440
# I want you,
I need you oh, god... #
1459
01:09:10,600 --> 01:09:13,200
And Chris. I mean, he's incredible.
1460
01:09:13,360 --> 01:09:15,000
# Ain't nobody
1461
01:09:15,160 --> 01:09:20,640
# Gonna steal this all away... #
1462
01:09:20,800 --> 01:09:23,600
You know, if you don't pick me.
There's gonna be family trouble.
1463
01:09:23,760 --> 01:09:26,040
If you go anywhere else
I'm gonna be so hurt.
1464
01:09:26,200 --> 01:09:27,480
I need to fill you in, Mitchell.
1465
01:09:27,640 --> 01:09:30,880
You won't have known this,
but we are related.
1466
01:09:33,200 --> 01:09:34,160
What?
Yes.
1467
01:09:34,320 --> 01:09:35,640
My wife's cousin.
1468
01:09:35,800 --> 01:09:37,280
Yeah.
Is Chris's partner.
1469
01:09:37,440 --> 01:09:39,280
No, way.
1470
01:09:39,440 --> 01:09:40,760
It's a little bit intimidating
1471
01:09:40,920 --> 01:09:42,000
that Chris has a personal
1472
01:09:42,160 --> 01:09:43,080
connection with Ronan.
1473
01:09:43,240 --> 01:09:44,440
It's good to see you, buddy.
1474
01:09:44,600 --> 01:09:45,840
I hope he can put that aside
1475
01:09:46,000 --> 01:09:48,200
and-and just watch
what's on the stage.
1476
01:09:48,360 --> 01:09:50,320
But this is a fair Battle.
Yeah.
1477
01:09:50,480 --> 01:09:52,080
You know, I have my coaches head on,
1478
01:09:52,240 --> 01:09:53,120
so, don't be worrying.
1479
01:09:53,280 --> 01:09:54,800
OK, alright, alright.
Ronan.
1480
01:09:54,960 --> 01:09:56,960
He's making it a super fair fight.
1481
01:09:57,120 --> 01:09:59,960
Whoever gets the job done
makes it through.
1482
01:10:01,160 --> 01:10:02,040
OK.
1483
01:10:02,200 --> 01:10:03,880
The song that you'll be singing for
1484
01:10:04,040 --> 01:10:07,800
your Battle is
'Bed of Roses' by Bon Jovi.
1485
01:10:07,960 --> 01:10:09,680
Oh.
Aw.
1486
01:10:09,840 --> 01:10:11,880
Maybe one of the most
epic songs of all time.
1487
01:10:12,040 --> 01:10:14,120
Honestly. No pressure.
1488
01:10:14,280 --> 01:10:17,360
Jon Bon Jovi.
One of the great vocalists.
1489
01:10:17,520 --> 01:10:19,720
Those high notes that
he could hit in the '80s.
1490
01:10:19,880 --> 01:10:20,760
Ooft.
1491
01:10:20,920 --> 01:10:22,640
I have put so much pressure
on these fellas.
1492
01:10:22,800 --> 01:10:24,040
I feel guilty, actually.
1493
01:10:24,200 --> 01:10:26,600
So, let's do the first chorus
together a cappella.
1494
01:10:26,760 --> 01:10:28,040
Mitch, so, you can hear the harmony.
1495
01:10:28,200 --> 01:10:29,600
Let's get that right for you.
Yep.
1496
01:10:29,760 --> 01:10:30,800
Just give him the note.
1497
01:10:33,520 --> 01:10:37,240
# I wanna lay you down
1498
01:10:37,400 --> 01:10:40,280
# In a bed of roses... #
1499
01:10:43,480 --> 01:10:44,440
Oh, shit.
1500
01:10:46,480 --> 01:10:48,160
I-I don't think
1501
01:10:48,320 --> 01:10:51,240
I've ever had anyone come out
and nail it in the first time.
1502
01:10:52,560 --> 01:10:54,840
Not like that. Not like that.
1503
01:10:55,000 --> 01:10:57,560
Oh, man.
This is gonna be something else.
1504
01:10:57,720 --> 01:10:59,560
# For the night
1505
01:10:59,720 --> 01:11:05,000
# I'll sleep on a bed, I'm not... #
1506
01:11:07,120 --> 01:11:09,640
That high C is not in my range.
1507
01:11:09,800 --> 01:11:11,440
Chris, anythin
you're worried about in this Battle?
1508
01:11:11,600 --> 01:11:13,720
Just that, that one note.
The high C?
1509
01:11:13,880 --> 01:11:15,920
Yeah, the high C. Yeah.
Just the high speed.
1510
01:11:16,080 --> 01:11:18,680
That note,
warm up properly before hand.
1511
01:11:18,840 --> 01:11:20,600
Don't reach with your neck
when you go for it.
1512
01:11:20,760 --> 01:11:21,960
Yeah. So, just stay relax?
1513
01:11:22,120 --> 01:11:23,880
Yeah. Keep it down.
Don't stretch your vocal cords.
1514
01:11:24,040 --> 01:11:25,280
Mitchell.
Anything you're worried about?
1515
01:11:25,440 --> 01:11:27,680
Um, just the harmonies.
1516
01:11:27,840 --> 01:11:28,840
Why would you be
worried about the harm...
1517
01:11:29,000 --> 01:11:32,640
Listen, man, you just literally
a cappella dropped straight in.
1518
01:11:32,800 --> 01:11:37,840
Don't let your mind look for
the harmony note or the lyrics.
1519
01:11:38,000 --> 01:11:39,480
It's there. You know, you know it.
1520
01:11:39,640 --> 01:11:40,520
And it's that moment
1521
01:11:40,680 --> 01:11:42,320
where you go panicking,
looking for it.
1522
01:11:42,480 --> 01:11:43,520
Did you go? (GASP)
1523
01:11:43,680 --> 01:11:44,800
And then you go in the wrong place.
1524
01:11:44,960 --> 01:11:46,480
When you have the talent
and the ability.
1525
01:11:46,640 --> 01:11:47,880
Have faith in that.
1526
01:11:48,040 --> 01:11:51,200
That's really good advice.
It's-it's in my brain, I know it.
1527
01:11:51,360 --> 01:11:54,400
I just have to rely on
that coming out.
1528
01:11:57,000 --> 01:11:59,040
I love the energy
between the two of you.
1529
01:11:59,200 --> 01:12:01,440
I do want you to shine,
though, individually as well,
1530
01:12:01,600 --> 01:12:02,480
because I have to choose.
1531
01:12:02,640 --> 01:12:03,520
Yep.
1532
01:12:03,680 --> 01:12:04,560
So, show me you deserve to be here.
1533
01:12:04,720 --> 01:12:05,640
Go smash it. Yeah?
1534
01:12:11,600 --> 01:12:14,440
It is so, so important
1535
01:12:14,600 --> 01:12:15,480
that I win this Battle
1536
01:12:15,640 --> 01:12:17,200
and make it through the next round.
1537
01:12:20,080 --> 01:12:22,240
If there can only be one winner.
1538
01:12:22,400 --> 01:12:24,680
I have to think of my family.
I have to think of me first.
1539
01:12:24,840 --> 01:12:25,720
And I'm pretty desperate
1540
01:12:25,880 --> 01:12:26,760
to win this Battle.
1541
01:12:26,920 --> 01:12:27,800
I want to win.
1542
01:12:28,960 --> 01:12:31,040
Mitchell, I hope you
bring your A game,
1543
01:12:31,200 --> 01:12:33,600
because me and my high C are coming.
1544
01:12:40,080 --> 01:12:41,960
(CHEERS AND APPLAUSE)
1545
01:12:46,560 --> 01:12:47,520
Come on.
1546
01:12:51,360 --> 01:12:54,440
# Sitting here wasted and wounded
1547
01:12:54,600 --> 01:12:56,640
# With this old piano. #
1548
01:12:56,800 --> 01:12:57,920
Come on, Mitchell.
1549
01:12:59,480 --> 01:13:00,560
# Trying hard
1550
01:13:00,720 --> 01:13:02,120
# To capture the moment. #
1551
01:13:02,280 --> 01:13:03,160
Better.
1552
01:13:03,320 --> 01:13:05,320
# This morning I don't know. #
1553
01:13:06,720 --> 01:13:08,000
Alright, Chris, let's go.
1554
01:13:08,160 --> 01:13:10,080
#'Cause a bottle of vodka's
1555
01:13:10,240 --> 01:13:12,000
# Still lodged in my head
1556
01:13:12,160 --> 01:13:14,760
# And some blonde gave me nightmares
1557
01:13:14,920 --> 01:13:18,080
# And I think
She's still in my bed. #
1558
01:13:18,240 --> 01:13:19,160
Come on.
1559
01:13:21,080 --> 01:13:23,000
# As I dream about movies
1560
01:13:23,160 --> 01:13:24,800
# They won't make of me
1561
01:13:24,960 --> 01:13:26,840
# When I'm dead. #
1562
01:13:29,000 --> 01:13:31,680
# I wanna lay
1563
01:13:31,840 --> 01:13:35,720
# You down in a bed of roses. #
1564
01:13:38,040 --> 01:13:39,840
# For tonight
1565
01:13:40,000 --> 01:13:44,080
# I sleep on a bed of nails. #
1566
01:13:44,240 --> 01:13:45,640
Yeah.
1567
01:13:45,800 --> 01:13:48,160
# I wanna be. #
1568
01:13:48,320 --> 01:13:50,040
# Just as close
1569
01:13:50,200 --> 01:13:55,280
# As the Holy Ghost is
1570
01:13:55,440 --> 01:13:58,920
# Lay you down
1571
01:13:59,080 --> 01:14:00,960
# Ooh
1572
01:14:03,160 --> 01:14:07,000
# I wanna lay you down
1573
01:14:07,160 --> 01:14:10,040
# In a bed of roses. #
1574
01:14:12,120 --> 01:14:13,160
# For tonight. #
1575
01:14:13,320 --> 01:14:14,200
Come on.
1576
01:14:14,360 --> 01:14:18,240
# I sleep on the bed of nails
1577
01:14:20,360 --> 01:14:22,640
# I wanna be. #
1578
01:14:22,800 --> 01:14:25,200
# Just as close as
1579
01:14:25,360 --> 01:14:29,560
# The Holy Ghost is
1580
01:14:29,720 --> 01:14:35,040
# And lay you down
1581
01:14:37,000 --> 01:14:42,520
# On a bed of roses. #
1582
01:14:42,680 --> 01:14:44,560
(CHEERS AND APPLAUSE)
1583
01:14:55,320 --> 01:14:58,840
Gentlemen. That was spectacular.
1584
01:14:59,000 --> 01:15:03,880
Ronan, I can see that
your brain is ticking over here.
1585
01:15:04,040 --> 01:15:05,760
Why did you do this to yourself?
1586
01:15:05,920 --> 01:15:07,640
I know. This is ridiculous.
1587
01:15:07,800 --> 01:15:09,320
Stupid idea.
Dude.
1588
01:15:09,480 --> 01:15:11,200
I know.
This is a tough one.
1589
01:15:11,360 --> 01:15:12,960
Amazing, boys. Well done.
Proud of you.
1590
01:15:13,120 --> 01:15:14,040
Nice work.
1591
01:15:14,200 --> 01:15:15,480
(CHEERS AND APPLAUSE)
Thank you, Ronan.
1592
01:15:15,640 --> 01:15:16,520
Stunning.
1593
01:15:16,680 --> 01:15:18,680
I always loved the sound of
1594
01:15:18,840 --> 01:15:21,360
Jon Bon Jovi and Richie Sambora's
voices together.
1595
01:15:21,520 --> 01:15:24,080
I forgot all about them
during that performance.
1596
01:15:24,240 --> 01:15:27,680
Chris, when you start singing,
you don't sound like anybody else.
1597
01:15:27,840 --> 01:15:29,080
You sound like you.
1598
01:15:29,240 --> 01:15:30,280
(CHEERS AND APPLAUSE)
1599
01:15:30,440 --> 01:15:31,640
Thank you.
1600
01:15:31,800 --> 01:15:37,400
And that that alone
gives you an edge in my ears.
1601
01:15:37,560 --> 01:15:41,520
And Mitchell, I was really impressed
with you in the Blinds.
1602
01:15:41,680 --> 01:15:43,560
I had no idea
what you were capable of
1603
01:15:43,720 --> 01:15:44,920
until that performance.
1604
01:15:45,080 --> 01:15:48,200
Like, you're so much better than
I...even I thought you were.
1605
01:15:48,360 --> 01:15:49,240
I was...
1606
01:15:49,400 --> 01:15:50,880
(CHEERS AND APPLAUSE)
1607
01:15:51,040 --> 01:15:52,440
..I was really impressed.
1608
01:15:52,600 --> 01:15:54,080
Thank you so much.
1609
01:15:54,240 --> 01:15:57,000
You both rocked
the crap out of that.
1610
01:15:58,880 --> 01:16:02,760
But by a hair I got to go,
Chris, on that one.
1611
01:16:02,920 --> 01:16:05,040
(CHEERS AND APPLAUSE)
1612
01:16:05,200 --> 01:16:08,440
Melanie, Ronan has a very
pained expression on his face,
1613
01:16:08,600 --> 01:16:10,640
and I can hear him breathing,
which is, sort of, annoying.
1614
01:16:10,800 --> 01:16:13,040
Let me...let me just take that in.
1615
01:16:13,200 --> 01:16:15,960
Let me just soak that in the pain.
1616
01:16:16,120 --> 01:16:18,000
Ronan in pain, that gives me joy.
It's awful, it's awful.
1617
01:16:18,160 --> 01:16:19,080
It happens a lot.
1618
01:16:20,320 --> 01:16:22,040
Thanks, Mel.
Goodness me.
1619
01:16:22,200 --> 01:16:25,240
I mean, remarkable vocals
from both of you.
1620
01:16:25,400 --> 01:16:27,520
And, Mitchell, your voice is like,
1621
01:16:27,680 --> 01:16:31,080
oh, it's just so warm and beautiful
and so commanding.
1622
01:16:31,240 --> 01:16:32,960
And then with Chris,
I was like, oh, you know,
1623
01:16:33,120 --> 01:16:35,120
I, I'm not sure about this song.
1624
01:16:35,280 --> 01:16:38,040
I want...I want more soul.
Do you know what I mean?
1625
01:16:38,200 --> 01:16:40,440
But then when you hit
that huge note,
1626
01:16:40,600 --> 01:16:42,600
I was like, this boy can rock.
1627
01:16:42,760 --> 01:16:45,440
So, I think because
Chris surprised me
1628
01:16:45,600 --> 01:16:46,560
with where he took it,
1629
01:16:46,720 --> 01:16:49,520
I think he would be
my Battle winner tonight.
1630
01:16:49,680 --> 01:16:51,040
(CHEERS AND APPLAUSE)
Thank you.
1631
01:16:54,080 --> 01:16:57,120
I-I'm struggling like, Chris,
your tone is so unique.
1632
01:16:57,280 --> 01:16:58,640
It's so impressive,
what you've been through.
1633
01:16:58,800 --> 01:17:00,320
And to get here
and to be on this stage.
1634
01:17:00,480 --> 01:17:03,280
I'm so proud of you and, Mitchell,
you sang with so much heart.
1635
01:17:03,440 --> 01:17:04,320
You always do.
1636
01:17:04,480 --> 01:17:06,080
The emotion that you bring
in the performance.
1637
01:17:06,240 --> 01:17:07,240
I totally believe you.
1638
01:17:07,400 --> 01:17:09,280
(AUDIENCE SHOUT)
1639
01:17:11,360 --> 01:17:13,320
Well, I can't
let either of you go home.
1640
01:17:13,480 --> 01:17:14,400
I don't know what to do.
1641
01:17:16,560 --> 01:17:17,720
I'm so glad I'm not you.
1642
01:17:17,880 --> 01:17:19,400
Thank you.
1643
01:17:19,560 --> 01:17:21,800
We do need a decision, Ronan.
1644
01:17:21,960 --> 01:17:23,840
(AUDIENCE SHOUT)
1645
01:17:27,720 --> 01:17:29,200
I have to go on this Battle.
1646
01:17:30,400 --> 01:17:31,720
It's the only way I can decide.
1647
01:17:34,440 --> 01:17:37,440
The artist that won this Battle...
1648
01:17:50,360 --> 01:17:52,240
# This is The Voice. #
1649
01:17:56,520 --> 01:17:58,800
We do need a decision, Ronan.
1650
01:18:00,280 --> 01:18:01,880
I have to go on this Battle.
1651
01:18:03,160 --> 01:18:04,760
It's the only way I can decide.
1652
01:18:04,920 --> 01:18:08,000
The artist that won this Battle...
1653
01:18:13,480 --> 01:18:14,520
is Mitchell.
1654
01:18:14,680 --> 01:18:16,560
(CHEERS AND APPLAUSE)
1655
01:18:18,400 --> 01:18:20,200
Oh.
Tough choice.
1656
01:18:20,360 --> 01:18:22,240
I'm gonna be excommunicated
from the family now.
1657
01:18:22,400 --> 01:18:23,440
That's me out.
1658
01:18:23,600 --> 01:18:26,000
Mitchell, you've won the Battle.
1659
01:18:26,160 --> 01:18:27,360
You're going to the Knockouts.
1660
01:18:27,520 --> 01:18:29,120
I did not expect that at all.
1661
01:18:29,280 --> 01:18:30,400
Wow! I'm over the moon.
1662
01:18:30,560 --> 01:18:31,880
Thank you so much, Ronan.
Thank you.
1663
01:18:32,040 --> 01:18:33,040
Thank you, Mitchell.
Great job. Great job.
1664
01:18:33,200 --> 01:18:34,360
Well done. Good job, well done.
1665
01:18:34,520 --> 01:18:35,920
Put your hands together
for Mitchell.
1666
01:18:36,080 --> 01:18:37,960
He's going through to the Knockouts.
1667
01:18:38,120 --> 01:18:40,280
Well done, mate.
That was beautiful.
1668
01:18:40,440 --> 01:18:41,360
Totally engaged.
1669
01:18:43,960 --> 01:18:45,840
(AUDIENCE SHOUT)
1670
01:18:48,000 --> 01:18:49,240
Save, save, save.
1671
01:18:49,400 --> 01:18:50,320
You can save him!
1672
01:19:00,880 --> 01:19:02,880
I didn't even have to ask.
1673
01:19:03,040 --> 01:19:06,040
I see what you're up to.
I mean, it was the only way.
1674
01:19:06,200 --> 01:19:07,480
You really do wan
your cake and eat it too, don't you?
1675
01:19:07,640 --> 01:19:09,120
Of course, it's the only way.
1676
01:19:10,320 --> 01:19:13,360
So, Ronan, Richard and Melanie
have all pressed their save button.
1677
01:19:13,520 --> 01:19:15,520
They all want you on their team.
1678
01:19:15,680 --> 01:19:19,000
Now, you get to decide
because they have to pitch.
1679
01:19:19,160 --> 01:19:20,560
The power is in your hands.
1680
01:19:20,720 --> 01:19:22,440
Chris, do you want to
hear from first?
1681
01:19:22,600 --> 01:19:24,040
I'll start with my family member.
1682
01:19:25,600 --> 01:19:27,080
Go, go your heart. Ronan.
You know, it's fine.
1683
01:19:27,240 --> 01:19:29,720
I don't even have to pitch.
We're family. It's fine.
1684
01:19:29,880 --> 01:19:31,960
He's obviously coming back to me,
you know.
1685
01:19:33,480 --> 01:19:35,600
No, look, Chris,
you know, I love your voice.
1686
01:19:35,760 --> 01:19:37,600
Forget-forget our connection.
1687
01:19:37,760 --> 01:19:40,760
I had no idea in the Blinds,
it was you.
1688
01:19:40,920 --> 01:19:42,680
I turned because of your voice.
1689
01:19:42,840 --> 01:19:45,080
I love, I love what you can do.
1690
01:19:45,240 --> 01:19:46,120
I love how you deliver.
1691
01:19:46,280 --> 01:19:48,000
That performance was magical.
1692
01:19:48,160 --> 01:19:50,880
It was mesmerising.
And I know how far we can go.
1693
01:19:51,040 --> 01:19:52,480
I can get you all
the way to the final.
1694
01:19:52,640 --> 01:19:55,560
So, come back here
and I'll get you there.
1695
01:19:57,200 --> 01:19:58,760
Chris. Listen, man.
1696
01:19:58,920 --> 01:20:00,320
Everybody makes mistakes.
1697
01:20:01,880 --> 01:20:04,160
And you clearly made one
when you chose Ronan over me.
1698
01:20:04,320 --> 01:20:07,120
(LAUGHTER)
1699
01:20:07,280 --> 01:20:10,520
The key is to not make
the same mistake twice.
1700
01:20:12,000 --> 01:20:14,840
I've said it to you from the minute
I heard you sing in the Blinds.
1701
01:20:15,000 --> 01:20:17,200
I believe that
I am the perfect coach for you.
1702
01:20:17,360 --> 01:20:18,680
I believe I am.
1703
01:20:18,840 --> 01:20:19,840
I don't care what you believe.
1704
01:20:21,680 --> 01:20:24,440
Melanie C,
why should Chris choose you?
1705
01:20:24,600 --> 01:20:28,560
I was so moved
in your Blind audition.
1706
01:20:28,720 --> 01:20:32,200
And then here tonight
you did take my breath away.
1707
01:20:32,360 --> 01:20:36,120
But I-I don't believe tha
that was the best direction for you.
1708
01:20:36,280 --> 01:20:39,480
Genre wise and at Team Melanie C,
1709
01:20:39,640 --> 01:20:41,600
I think we could explore things
that would really,
1710
01:20:41,760 --> 01:20:45,240
truly make you shine
beyond anything we've heard yet.
1711
01:20:46,760 --> 01:20:48,960
Wow. OK. Three good pitches.
1712
01:20:49,120 --> 01:20:52,600
Will you stick with
your original coach Ronan?
1713
01:20:52,760 --> 01:20:56,160
Or will you move to a new team?
1714
01:20:56,320 --> 01:20:57,840
Tell us what you're
going to do, Chris.
1715
01:20:58,000 --> 01:20:59,600
(AUDIENCE SHOUT)
1716
01:20:59,760 --> 01:21:01,080
The coach I will choose...
1717
01:21:11,040 --> 01:21:12,320
We need a decision.
1718
01:21:15,640 --> 01:21:16,600
Richard!
1719
01:21:22,080 --> 01:21:23,000
..is Richard.
1720
01:21:33,600 --> 01:21:34,560
In your face.
1721
01:21:36,160 --> 01:21:37,840
So, now you're on Team Richard.
1722
01:21:39,040 --> 01:21:40,000
He's laughing.
1723
01:21:42,280 --> 01:21:45,560
You are going through
to the next round, Chris, well done.
1724
01:21:45,720 --> 01:21:46,680
Go and celebrate.
1725
01:21:49,680 --> 01:21:51,240
Yes.
1726
01:21:51,400 --> 01:21:54,400
Celebrate. Commiserate.
1727
01:21:54,560 --> 01:21:55,640
Thank you.
1728
01:21:57,880 --> 01:21:58,840
Sorry.
1729
01:22:00,120 --> 01:22:01,880
It's OK.
I'll forgive you, I forgive you.
1730
01:22:07,840 --> 01:22:09,200
I think I need to make a call.
1731
01:22:10,440 --> 01:22:12,440
Unbelievable. Nasty moves.
1732
01:22:12,600 --> 01:22:16,040
Two of Ronan's team
have now gone to other coaches.
1733
01:22:16,200 --> 01:22:18,440
OK. You have to bring
that up as well.
1734
01:22:18,600 --> 01:22:19,880
They're fleeing like rats.
1735
01:22:21,080 --> 01:22:23,160
I am wedged between two coaches
1736
01:22:23,320 --> 01:22:25,560
who have stolen my team members.
1737
01:22:25,720 --> 01:22:26,840
This is a terrible place to be.
1738
01:22:27,000 --> 01:22:28,280
Maybe you should have
coached them better.
1739
01:22:28,440 --> 01:22:30,200
Ha, ha.
Oh.
1740
01:22:30,360 --> 01:22:34,200
Oh, Richard and Ronan,
will you ever be friends again?
1741
01:22:34,360 --> 01:22:35,240
We weren't friends before.
1742
01:22:35,400 --> 01:22:36,480
We were never friends.
1743
01:22:40,040 --> 01:22:41,920
# This is The Voice. #
194518
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