Original subtitles

[Music playing]

[Horse whinnying]

[Howling]

NARRATOR: The Movie Outfit Presents "Reel Horror."

[Screaming]

[Laughing]

A truly horrible viewing experience.

[Screeching]

Filmed in genuinely terrifying 2D.

No special glasses required.

[Screaming]

Oh, children, watch it if you dare!

[Howling]

[Laughing]

Sit back and watch our movie.

[Organ playing]

[Creaking]

[Heavy breathing]

[Screaming]

[Laughing]

[Thunder crashing]

[Electricity crackling]

MURRAY MOGUL: Mother, please, you've

Got to stop calling here.

You died in 1976, I keep telling you that.

[Whimpering]

Go away.

IRVING: Presenting the one and only Hecate.

She who makes dark shiver.

She who makes the ground tremble.

She who makes [inaudible].

HECATE: That's enough, Irving.

My card.

Thank god you're here.

These creatures... they're all over the place.

Hiding, and lurking, and waiting, and attacking!

With horrible scenes, you see?

I mean the blood, and gore, and corpses, and ghosts.

There's another one.

A ghost!

HECATE: There's no one there.

Oh.

You mean Irving.

I want to make these horror movies, not live them,

But something has happened, you see?

I mean, the studio is haunted.

This is real horror.

The studio is haunted and it's scary

The living hell out of everybody who works here, including me.

Well I don't like it.

There's some... There's more of them.

Go away, go away.

They're coming after me!

There's no one here.

Don't misunderstand me.

You see, I'm no coward.

I'm not afraid to die, I just don't want

To be there when it happens.

More of them coming.

They're after me.

They say that... That after you die,

Your hair and your fingernails continue to grow,

But phone calls definitely taper off.

Murray Mogul, your troubles are over.

Irving, we have an exorcism to perform.

[Clanging]

These projectors aren't supposed to be working.

You're not even plugged in.

There's no bulb in there.

There's no film, and yet somehow...

Somehow the movie keeps playing over

And over again on that screen.

There it is again!

I can't take it.

Remember, it's only a movie.

It is?

[Music playing]

[Snarling]

[Screaming]

[Gunfire]

My damn leg is stiff, but, uh, all I need

Is some peace and quiet.

Here, Zach, I... I want to give everybody two

Weeks holiday with full pay.

Tell them I'm all right, not to worry.

I just want to be alone.

You take off, too.

Everyone is to leave tonight.

[Music playing]

NARRATOR: And now a bounty has been placed on the beast's

Head, offered by the very man who

Was almost killed by the same animal two weeks ago.

Axel MacGregor has offered $10,000

For the capture of this cat.

As a result, numerous bands of Thai hunting parties

Have embarked on a series of extremely

Dangerous expeditions.

The reward, however, is delivered only

If the beast is captured alive.

[Snarling]

[Screaming]

AXEL (VOICEOVER): That's the way I want it.

To look in your eyes again.

Yes.

Yes.

Just you and me on my island.

Do you understand?

You thought I'd let you go?

Did you think I'd let it rest?

You made a coward of me.

You made me afraid for the first time in my life,

And I don't like it.

If I can kill you, perhaps I'll be all right.

Look at me.

There's no way off this island for either of us,

You understand?

[Screaming]

It's coming, I can feel it.

It's starting again.

[Groaning]

Steve, get out of the screening room.

It's terrible!

Real horror.

Run!

Are you kidding?

I'm here to save you.

Hecate's my name, and horror's my game.

She [inaudible] and popcorn.

Ross, dear, would you mind?

This heat is one thing that I'm sure I'm never get used to,

And I really love this place.

Just wait until you see what's Axel's done with it.

You know, Leslie's an antique nut.

She's going to go crazy when she sees all the things

That Axel's collected.

GIRL: Socrates.

[Barking]

Socrates.

Socrates, come here.

Socrates.

Socrates.

[Snarling]

[Barking]

No!

Socrates.

GIRL: Socrates.

Peggy, r... run.

Run.

[Gasping]

[Growling]

[Screaming]

[Growling]

[Screaming]

[Thud]

OK, now everyone calm down.

What we have here is a classic case

Of savage predator beast who wants to be stopped

But can't be.

Together we can stop him with Hecate's famous slayspray.

IRVING: Slaypray.

Slayspray.

Slayspray.

Slayspray.

Slayspray.

Slayspray.

AXEL (VOICEOVER): I'm not afraid of you.

I can look you straight in the face.

Consider that a privilege, big boy.

That's the way I want it.

To look in your eyes again.

Forget about it, breath.

[Growling]

[Yelling]

[Click]

[Snarling]

Grandpa.

Peggy.

Peggy, my love.

Go back where you were, quickly.

You're safe there.

He won't cross the bridge.

We'll come for you.

[Snarling]

[Screaming]

Hello.

Tom, run.

Run.

Hurry, get in here.

Faster, there's a leopard out there.

Hurry up, man, she's not kidding.

Hurry up.

[Snarling]

Oh.

We've got ourselves in a cage here, man.

A cage.

If only we could reverse the situation.

If we could get... if we could get the cat in here

And ourselves out there.

I... We've got to get... We've got to get that child.

Oh my god.

AXEL (VOICEOVER): You can't smell fear, is that it?

You're right, I'm not afraid of you.

I can look you straight in the face.

All right.

[Snarling]

[Shot firing]

[Explosion]

There's only one way to perform this lobotomy,

The ancient Kutoni Kukoni chant.

What?

Oh no.

Not that.

Oh hear us, great black [inaudible]

And hunter who has run amok.

As garlic stinks and leeches suck, Hecate's here,

You're out of luck.

I call upon the great Pustastis to rid

This theater of your ostis.

My god.

Oh my god.

Oh my god.

OK, now, everybody sing.

ALL: But we don't know the words.

No problem, just follow the bouncing head.

[Music playing]

(SINGING) It's time to snack your snicker with a strud

While veeblefetzers argh your blood.

Frogs will forage through your corcas

'Till scabious mugworts burble your dorcas.

Praise the lord, free at last.

[Cheering]

We are free.

We are free.

Everybody, you're free.

You're free.

We're free.

[Crack]

Mistress, mistress.

Your film, your film.

This was a tough case.

What do you think, Irving?

If you hear a panther, don't answer.

No.

No one seems my masterpiece until it's finished.

How long have you been working on her?

I... I... I can't remember.

It seems like every time I'm almost finished,

Then this horrible vision just burns into my brain

And then I'm paralyzed until it's over.

Then I have to start my make up all over again.

And it looks so stale.

Can you describe the nightmare?

Well I... I never seem to remember afterwards.

All I remember is that I'm a-scared.

Irving, this calls for the magical mindmeld.

I hope it works.

[Crackling]

[Music playing]

I love you.

I really do.

Tell me truly, how... how do you feel about me?

I was hoping you... You can't say that about me.

I've done nothing to you.

Why not?

I'll show you why not.

[Inaudible]

That's why.

[Knocking]

[Crackling]

Relax.

I just invited you over here for a drink, sort

Of a celebration toast to the perfect crime,

To our perfect crime.

Would you, uh... would you like a little gin

Or would you... would you like sort of an exotic drink

Like a Bloody Mary?

[Cackling]

You trying to torment me, Harvey?

On the contrary.

I brought you down here to discuss

One final business proposition.

You see, Richard, when I had my first taste of love

With a real woman, not these... these mannequins,

But with a real woman, I... I found a startling change

Come over me.

I... I loved it.

I want more.

I loved it.

I want more.

You're sick.

Richard!

Two young girls.

You've got a problem, Harvey, and I

Don't intend to live with it.

Richard!

Come on now, Richard, you deal with a lot of criminal types

In your profession.

I'm sure you could find someone who wouldn't

Mind helping for a fee.

After all, since my mother died I have more money than I can

Ever spend, and for the first time I found something

I want to spend it on.

I want two young girls.

There's nothing I can do for you, Harvey,

You may as well get off my back.

RICHARD (ON RECORDER): OK, Harvey,

Let's go over it once more, and please pay careful attention

To these details because you won't be hearing from me again,

Understand?

I'll be leaving my house no later than 9:15.

Now you wait until I pull away and take this key,

It's to my house, and let yourself in.

But make sure nobody sees you.

HARVEY (ON RECORDER): And then, Richard, I can...

RICHARD (ON RECORDER): I don't care what you do,

I just want her dead.

[Music playing]

I don't understand it right now.

Why does he have to kill her?

It's how he gets his kicks.

[Buzzing]

[Crackling]

Oh no, not them.

You two want a lift?

[Music playing]

What are we stopping here for?

How about a little wine to help you relax?

No, please, I don't drink.

Look, why don't you let us go?

You don't have to drive us, we'll find our own way back.

[Mockingly mumbling]

[Crackling]

All I'm asking you to do is take

Off your clothes, that's all.

After you do that, I'll let you go home.

How can I believe you?

You already lied about letting us...

Calling me a liar?

Man, she didn't mean that.

I'm getting tired of you sticking up

For these two trash.

Let's go.

Come on.

Now you two strip, or you can remain

Permanent guests in my house.

OK?

Now what's it going to be?

[Crackling]

[Cackling]

Yeah, do it.

MAN: Isn't that sweet.

Come on, baby.

Don't stop there, take it all off.

Come on.

[Laughing]

Take it off, baby.

[Laughing]

Go on.

Take it off, take it all off.

Come on, take it off girl.

[Crackling]

Ain't you done yet?

I'm still thirsty.

Well that's just too god damn ba...

[Yelling]

MAN: Irish, don't it, man.

I'm going to kill this rotten little piece

Of poontang for what she did.

Stay out of this.

Don't do it, Irish.

Nobody cuts Irish and lives.

- She... - Nobody!

She ain't going to live.

That's what this is all about.

Don't try to con me, Prance.

Listen to me, Irish.

The score ain't for what you think it is.

We're going to turn them over to a sex freak

And he's going to waste them.

No problems?

Ten thousand.

No!

Shut up.

Shut up.

[Crying]

[Crackling]

[Music playing]

I'm sorry.

I hope they're pretty.

Oh, I... I hope they're pretty.

I... I love music, preferably the classics.

How about you two?

Do you have any choices?

[Crackling]

Here, huh?

This is... This is what's known as a disaster bag.

This is used by the coroner's office

To pick up the victims of accidents

On the... on the freeway.

Those who aren't all in one piece afterwards.

Do you know something?

I love you.

I really do.

WOMAN: Please let us go.

You hate me, don't you?

No.

Really.

I like you.

Don't lie to me, you little slut.

I won't permit it.

You know you can't stand the sight of me.

That's not true.

You're a liar.

No.

You liar.

I'm going to show you.

I'm going to kill you, but I'm going to take my sweet time.

You're going to curse the day that you were ever born.

I never did anything to you.

Won't you leave me alone?

Please. Hey.

- Please. - Hey.

Please.

Come on. [Shouting] Say it.

Say...

[Crashing]

[Crackling]

[Screech]

[Yelling]

Daddy, I've cut my hand.

[Crashing]

Are you OK?

Are you OK?

Come on, let's go.

WOMAN: Wait.

I'm going to kill you.

BOY (VOICEOVER): Mommy.

Mommy, mommy.

WOMAN (VOICEOVER): I love you.

BOY (VOICEOVER): Mommy.

WOMAN (VOICEOVER): Now Harvey.

BOY (VOICEOVER): Mommy.

HARVEY (VOICEOVER): Know you can't stand the sight of me.

BOY (VOICEOVER): Mommy, do you love me?

WOMAN (VOICEOVER): I love you.

WOMAN (VOICEOVER): Mustn't upset mommy.

[Laughing]

BOY (VOICEOVER): Mommy, I hurt myself.

HARVEY: I'm bleeding.

BOY (VOICEOVER): Mommy.

I'm bleeding.

[Laughing]

[Crackling]

It worked.

I'm finished.

Oho, look.

Behold, my masterpiece.

Mistress, mistress.

A film.

Nice.

Nice.

Maybe a little more mascara.

[Grunting]

Hi-ya!

WOMAN: Whoa.

[Labored breathing]

Have you come to rescue me or to cancel my contract?

Who are you?

What are you talking about?

Don't you recognize me?

I'm... I'm the famous actress, Zena Zoft.

(SINGING) Falling in love again.

I used to be big, but then I got fat,

And you can't be big and fat at the same time.

I'm not getting any more roles.

I'd say she's got one roll too many.

Oh, no, no, no, no, no.

You don't understand.

I hardly eat anything every time I go into the studio.

I get fatter and fatter and fatter.

And one day, I'll get rid of this dress, and [inaudible].

And then... and then, an hour later, I was

Too fat to get out the door.

Help me, help me.

I've been trapped in here ever since.

Growing... growing forever.

Have any other weird things been happening here?

Oh, yes.

Every time... every time I look into the mirror,

Something... something starts.

I have this weird grizzly vision, and then...

And then I hear this music.

It goes something like...

[Humming]

[Crying]

[Humming]

[Clucking]

MAN: Hold it, hold it, hold it.

All right.

[Clucking]

[Mumbling]

MAN: We go get beef.

[Crying]

[Knocking]

You... you... you want me to bring her in?

No?

MAN: Anyway, she can't talk, so don't worry about it.

Well, OK.

She was working at the barbershop.

[Mumbling]

[Thudding]

MAN (VOICEOVER): [inaudible].

Careful.

[Mumbling]

WOMAN: Watch your hand, sir.

It's hot.

[Thudding]

How are you doing, kid?

What the hell is that?

What the hell do you call that?

What are you, a dumb-head?

If you are going to practice on meat, use your own meat.

This is all hamburger now.

Look, hamburger.

No good.

Beef, beef.

I...

You use beef if you want to make hamburger, not lamb.

No.

You want... you want to be butcher?

You want to be butcher?

Keep your hands off the meat.

You start with chicken, chicken.

You know chicken?

Damn chicken?

[Clucking]

Come on, Finn.

How long does it take you to get one chicken?

Come on.

I want you to watch very, very carefully.

I want you to do this job from now.

OK?

You bring chicken over here, you size him up... all right?

For you.

Then you bring it up and... chop, chop.

No head, you bring body over here.

You get rid of blood.

Don't hold high, you'll get blood on all the floor.

All right.

Try it.

I... I... I... I... I...

I what?

Try it.

Come on.

But I... I... I...

Want me to do it?

Yeah.

All right.

Give me chicken, put it down, line it up...

You know where you want to cut, right?

And chop, chop.

[Crying]

[Screeching]

Give us steak here.

These people are thirsty.

You know, my father... My father was a butcher,

And his father... his father was butcher also.

That's why I am butcher.

Oh, I see.

You know, let me tell you something.

Butcher, in all countries, sometimes does work of doctor.

[Crashing]

And butcher... there, in our country,

Get more respect than in this country.

That's true.

Hmm, never thought of that before.

Yes.

You are... you are surgeon?

No, I'm a GP with a master's in psychology.

Ah.

You might say that I'm a medical consulting

Psychologist.

Medical, uh...

Consulting psychologist.

It's a mouthful.

I don't know any of these titles are.

Neither do I.

That's very good.

[Laughing]

Here, take it out of here.

It's tongue smacking.

To the new neighbors.

Thank you very much.

[Clucking]

Tender or tough, meat is meat any way you want to cut it.

I'm going to end up Zena Cutlass.

Come on, where are you?

[Clucking]

[Yelling]

Get the... what the hell is... feathers?

Blood?

Wha... what the hell is... you better tell

Me what is going on in here.

What is this?

What is this?

This is how I teach you how to kill chickens?

This is what I teach you?

What is this?

You can't speak?

What is this?

Talk.

You play games with the chickens?

Is that what you do, huh?

What's the matter with you?

Tell me, tell me what is the matter with you?

You [inaudible].

I killed the chickens.

I know you... what the hell's the matter with your face?

Tell me, tell me.

What... what this is all about.

You know?

They all got a... Got... got... got away.

One at a time you're supposed to welcome.

One at a time.

Didn't I tell you that?

You kill...

I had to kill them.

I had to run all over the place.

One at a time, I tell you.

You hear me?

You stay there, and don't you move.

You want to bite?

Go ahead, bite.

Flap it like that.

You see it?

Like that.

That's right.

Oh no.

Come on.

Flap, flap your wings little chicken.

You little chicken.

MAN: Chop.

[Laughing]

Hello?

G... g... guess who, Mr. Smedke?

Don't... don't... don't... Don't... don't-be mad at me

Because you... you don't know... you

Don't know who I have sitting right here in front of me.

[Laughing]

Now stop laughing and bring her here, and hurry.

Where... where you... Where you going?

Get back here.

Get back.

[Thudding]

[Screaming]

My tongue.

MAN: Come on.

Come on, you're all right.

Come on.

Look.

Look, you want a piece of pepperoni?

I'd leave you alone, OK?

Maybe some cheese?

You like cheese?

I'll bring you some cheese.

What are you doing?

Now wa... wait a minute.

Look... look, put it down.

Put it down.

Don't play games.

Don't play, don't play.

[Sirens blaring]

[Screaming]

No wonder the food at Mel's Diner tasted so lousy.

Did you... did you see that butcher?

I know he's coming after me.

I'm going to be next.

I'm going to end up Zena Cutlass.

Loins of Zena.

Yeah, loins of Zena.

Listen, sweetheart, this is strictly a case of phantom fat.

What?

The film.

The film.

The fat.

The fat.

[Yelp]

I feel so pretty.

Hey, I'm gorgeous.

(SINGING) I feel pretty, so pretty.

I'm sexy, eat your heart out everyone in the world.

Here I come and you just wait for me and see.

Bye-bye room.

It's something trapped inside this wall.

Come on, Duke, let's go.

I'll let you out, just one second.

Wait, Duke, wait.

There you are.

Good boy.

Don't run away too far.

It's not legal to park here, ma'am.

I know that, Bob.

Suzie?

Sue?

Suzie?

Where is that girl?

Well I'll tell you one thing, she's

Not going to go to the house because I'm going to be

Keeping her company all night.

I'm going to stay with the little bitch,

And I'm going to be nice to her, and I'm going to take her

To the beach the next morning.

That's why.

So no way.

No way she can be there.

[Jingling]

[Horn honking]

Oh, how lovely.

Here's the little bedroom.

GIRL: Yeah.

WOMAN: Listen, what's this obsession with animals?

You've got them everywhere.

GIRL: I know.

I was brought up in a country, though,

And I sort of... I felt like I identified with them

And I love things that are warm and soft.

WOMAN: Warm and soft, huh?

GIRL: Yeah.

I really like animals.

WOMAN: That's very sweet.

[Jingling]

WOMAN (VOICEOVER): Oh, they love each other.

The cloud comes to Quibbletown.

The cloud will come, the pessimists tell us,

On a hot and muggy day.

No one will see it coming because it

Will be shapeless, mild looking, just a gray film in the sky.

Muggy day, people will say.

It's not the heat, it's the humidity.

[Jingling]

The little bitch, she could dance huh?

She could do it all right, unless the [inaudible] loved it

Too.

She's got not right to do that.

Damn it, she's got no right.

Oh, damn it.

Why do they keep the light on so long?

Why, it's quite obvious what they're doing.

Hippy fools [inaudible].

It's not that heat, it's the humidity.

[Screaming]

[Barking]

Suzie!

[Shouting]

Stop it.

[Screaming]

Stop it.

Oh no.

Stop it, Duke.

[Barking]

HECATE: There's something trapped inside this wall.

[Groaning]

HECATE: I think it's in here.

[Panting]

WOMAN: Oh, Christ.

Oh gosh damn it.

What am I doing?

I've got to think of... I'm going to have an accident.

I must stop.

Stopping's a mistake.

Oh god.

I blew it.

God damn [inaudible].

Oh, if only they had a terrace.

Lady.

Oh!

Are you all right?

Can I help you?

She is crazy.

WOMAN (VOICEOVER): The town is full of freaks.

I've got to get the map.

I've got to change clothes.

Oh my god, I'm never going to get out.

Oh, Christ.

I've got to take the other car.

The other car.

Oh god, I hope nobody recognizes me. [Mumbling]

HECATE: Hurry up.

Come on, it's in that room.

Does Sue know about the row that you had with Fletcher.

No.

She doesn't know about it.

She was gone already.

And soon after, just immediately after the row, Fletcher left.

He left for the airport.

He couldn't have called, he was already late for his plane.

He could have stopped on the road to call you.

I don't see how.

MAN: Well is there any chance that Sue will go to your house?

Why the hell would she go to the house?

All right, Nicole, I... I still don't like it.

You've got a very nice little alibi,

You know where that leaves me?

No alibi at all.

You're fine.

You're fine.

I don't like him.

I don't like him, not a bit.

I think it's over there.

Hurry.

Hurry.

WOMAN (VOICEOVER): Got to hurry.

Oh, if I get to him tonight, I swear I'll get rid of it

By then.

Oh, this is when I would get all the red lights.

All the red lights.

What are we, rats?

Red light, stop!

Green light, go!

There we go.

Go!

Get out of my way.

Stop kissing, you fools.

I want to stop someone!

OK.

Now keep calm.

Maybe Malcolm will get there on time.

Maybe he'll have changed his mind.

That's right.

No, he won't.

I know him.

He just carried out.

He just does it all.

He just get there on time.

Your husband.

I didn't know that you were married, Nicole.

I was.

Oh, where... where is he?

He's dead.

[Music playing]

WOMAN (VOICEOVER): God, he's telephoning right now,

I'll bet he is.

I'll bet he is.

Those detectives, that's all they need, an extra clue.

Oh, god, what a... What an idiot, I am.

I blew it.

I know that's what he needed, the detective.

The fat one.

Yeah, that's all he needed.

Just a few more clues.

God.

I should've gone back with Sue.

I should've gone back and looked!

Oh god.

Oh, what an idiot I am.

All they needed was just those clues.

All they needed was just... I know that crazy old lady called

Them.

I know she did.

Oh god.

My face.

They're going to report me.

They're going to describe me.

I know it.

They're going to describe me.

What should I do?

Maybe I can bleach my hair.

Oh, what's the matter with me?

I'm just having nightmares.

I haven't slept.

That's what it is.

Fletcher?

Fletcher!

Fletcher, my darling.

Where are you?

Fletcher.

No!

Malcolm!

Malcolm!

Malcolm, stop!

Malcolm, stop!

Where are you?

Malcolm, answer me!

Malcolm!

Oh, Fletcher, where are you?

Fletcher!

Fletcher!

Malcolm!

Malcolm!

No, don't!

Malcolm, don't!

No!

Malcolm!

Oh god.

Oh!

What did you do?

I did what the hell you asked.

There's something trapped inside this wall, Irving.

I can feel it.

Hurry, that door.

I did what the hell you asked.

Why did you do that?

Will you shut up for Chri...

You monster!

Oh, Fletcher.

Nicole, what the hell are you thinking?

Get away!

For Christ's sake!

Get away from me!

Oh, sweetheart.

Please.

Please, answer me.

Don't look at me like that.

Oh, darling.

He didn't mean to hurt you.

My baby.

My sweetheart.

He didn't mean to hurt you.

Oh, please don't look at me like that.

Oh, my sweetheart.

Everything will be all right.

Please don't look at me like that.

I'm here.

Irving, open the door.

[Wailing]

Throw it in!

Quick!

Close the door!

Please, hurry!

Oh.

Ah!

Spirit, spirit, spirit.

This is Hecate calling.

Collect.

What is this evil that lurks?

Help us to understand, oh spirits.

Oh, spirits.

Oh, spirits?

Yoo hoo.

I'm not mad.

[Thump]

Oh.

You win a few, you lose a few.

The spirits, the spirits.

TOGETHER: The spirits!

[Humming]

How long have you been feeling like this?

I don't remember.

[Screaming]

Now look, Lynn.

You've got to realize...

[Screaming]

WOMAN: No.

No.

No.

Your father is dead.

WOMAN: That's a lie.

All right.

We'll try again tomorrow.

[Screaming]

[Humming]

MAN: Hello, Diane.

Why, hello.

You're all red.

[Humming]

[Babbling]

[Clanging]

MAN: The pigs get hungry.

Yes.

I... I got to do it.

They got used to eating human flesh.

I... I got to do it.

I'm sorry.

You know, the first time it happened it was an accident.

They got loose in the field.

There was a drunk, he was asleep.

Yeah.

He was asleep.

[Squealing]

You hear that?

[Squealing]

They know you're here.

They smelled you out.

I'm very sorry.

Hello?

Anybody here?

[Wind whooshing]

I'm looking for work.

MAN: You, uh, want a job, eh?

I guess.

How... how come you stopped at my place?

I saw your sign outside.

Somebody after you?

Why would anyone be after me?

MAN: I didn't ask why you did.

[Babbling]

[Knocking]

Dan? DAN: Yes, ma'am.

Come in.

Did you see them?

Miss Macy, I didn't see anything.

They were there.

The pigs are loose.

They've been snorting around the house.

They even came up to the door, didn't they Annette?

All right, Miss Macy, I'll stop by Zam Brady's and I'll

Tell him it's got to stop.

They're not pigs, you know.

They're dead people.

He feeds those pigs dead people, and then he eats the pigs.

Now, Miss Macy, where would you say that he

Gets these dead people from?

From the cemetery.

From people he kills.

[Creaking]

[Screaming]

Is that your Volkswagen out there?

Yes.

How long have you owned it?

About a year.

It's a missing car.

It's missing?

You're driving the last year's license.

Oh come on.

- This year's license is missing. - What are you trying to do?

What are you trying to do?

What, are you going to arrest her for that?

No, I didn't say that.

I'll give you a chance to ride away before I do.

Oh.

I'll do that.

- She don't feel so... - I will report.

She won't feel so well.

Why don't you go lie down?

Thank you.

Would you excuse me?

Sure.

Hope to see you again when you're feeling better.

Well, what else is, uh... what else is new?

Well, a dead body mysteriously disappeared from the morgue.

[Babbling]

Mr. Webster, please.

His daughter.

Yes, I'll hold on.

Hello, dad?

I can't hear you, please speak up.

Of course I want to be with you, but I can't come right now.

I have to grow up, I have to be alone.

You're blowing my mind, baby.

WOMAN: Am I?

You certainly surprised me.

WOMAN: I like surprises.

Yeah, me too.

WOMAN: I'm sorry about the other night.

Forget it, baby.

Forget it.

WOMAN: Sure you don't mind?

No, no complaint at all.

WOMAN: I was just thinking how rotten I behaved

And how lovely you were.

I wanted to make it up to you.

Yeah.

WOMAN: Oh, would you give me a second?

Yeah.

(SINGING) Papa bear, tell me what do you see?

One little girl as deadly as can be.

[Humming]

[Yelling]

[Heartbeat thumping]

MAN: Shh.

I didn't do anything, daddy.

I didn't do anything.

I didn't do anything.

Please don't ground me.

I didn't do anything.

MAN: Shh.

I don't... I don't blame you.

I didn't do anything.

I didn't do anything.

[Oinking]

[Babbling]

Three nights ago Tuesday, you saw

A Benz pick up truck from the window but it never came back?

WOMAN: That's right, and then the pigs started in.

We... We didn't sleep at all.

They snorted and squealed all night.

I'll bet that Zambrini has a new pig now.

That young man is dead, and he's a pig now.

That young man is a pig.

[Squealing]

Mr. Zambrini.

Yes.

My name is Jess Winter.

I'm here on behalf of Denville Hospital and Miss Webster.

Huh?

Who, uh... who's that?

Who is Mr. Webster?

MAN: Well she's the girl working for you.

Oh, Lynn.

Yes, Lynn.

How long has she worked here?

MAN: A couple of weeks, why?

Mr. Zambrini, I work for this hospital

And, uh, Lynn was a patient there.

She's sick. Sick?

What kind of disease she got?

Not that kind of disease.

She's sick mentally, in the head.

What's that mean?

What's that mean?

Cause she ran away from an asylum, Mr. Zambrini.

An insane asylum.

So what?

Everybody's sick, everybody's running away from everything.

What are you?

What are you, a troublemaker?

Eh?

MAN: No, no, no no.

I'm just telling you what I think you should know

And that she's going to come back.

[Humming]

(SINGING) What do you see?

One little girl as lovely as can be.

Papa bear tell me who do you love?

One little girl as soft as a dove.

Uh-huh.

Right.

He wants to talk to you.

Are you all right?

Uh-huh.

You sure?

Uh-huh.

Hello, Don.

Hello?

Hello?

I think I got cut off.

Operator?

Hello?

Hello?

There's something wrong with this phone.

Hello?

[Squealing]

[Babbling]

Daddy?

Daddy?

Daddy?

[Screaming]

You lie.

OPERATOR (ON PHONE): I'm sorry.

You have reached a disconnected number.

I love you very much, daddy.

OPERATOR (ON PHONE): This is a recording.

Daddy?

[Squealing]

(SINGING) Papa bear tell me what do you see?

[Squealing]

One little girl as deadly as can be.

[Squealing]

[Babbling]

MAN: Death report, Lynn Hart, summation.

[Operator on phone]

MAN: Only small parts of the bodies were recovered.

This is real nice and friendly of you.

You know, most girls would be too

Frightened to give a guy a lift, especially as big as I am.

I'm not afraid of you.

You remind me of my daddy.

[Squealing]

There's only one thing to do with a pig actor that

Doesn't know when to retire.

ALL: What?

Can that ham.

[Squealing]

[Babbling]

[Music playing]

[Heartbeat thumping]

HECATE: The time has come.

Irving, the deceased film.

Isn't it the craziest thing you've ever seen?

Very original.

HECATE: At last, the horror is over.

[Creaking]

[Music playing]

ALL: (SINGING) Reel horror, we'll make you feel horror.

WOMAN: (SINGING) When you see ugly oozing slime,

While icy fingers pinch your spine.

And they cut out your heart for a Valentine.

ALL: (SINGING) That's reel horror, you'll feel horror.

MAN: (SINGING) When you can yuck and glugh,

You utter while you palpitate and shudder.

And you scream please help me, mother.

ALL: (SINGING) You'll feel horror.

That's reel horror.

[Screaming]

MAN: (SINGING) Rock 'till you putrefy.

WOMAN: (SINGING) Rise. MAN: (SINGING) Scream.

WOMAN: (SINGING) Blood.

[Belching]

MAN: (SINGING) Maggots to make you sick inside.

[Retching]

[Burp]

ALL: (SINGING) Reel horror, we'll make you feel horror.

WOMAN: (SINGING) When everybody's

Been hacked and slashed, and your brain

Screams, this can't last.

The monster's lot...

ALL: (SINGING) The surprise attacks.

A-reel horror, you'll feel horror.

Reel horror, you'll feel horror.

Reel horror, you'll feel horror.

[Moaning]

Reel horror, you'll feel horror.

Reel horror, you'll feel horror.

Reel horror.