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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 0 00:00:01,000 --> 00:00:04,000 Traducido por eldolape22 para http://elblogdeldolape.blogspot.com 1 00:00:05,000 --> 00:00:08,000 Encuentra este y m�s rockumentales http://elblogdeldolape.blogspot.com 1 00:00:10,585 --> 00:00:13,713 De alguna forma, ellos han hecho el disco m�s ambicioso de su vida. 2 00:00:13,821 --> 00:00:16,585 Y ambici�n no es sin�nimo de venta de discos. 3 00:00:16,691 --> 00:00:18,090 Sabes? 4 00:00:18,192 --> 00:00:19,216 Quiero decir....esto no es.... 5 00:00:19,327 --> 00:00:23,764 Esto es una obra maestra, densa, una declaraci�n art�stica. 6 00:00:23,865 --> 00:00:25,093 Podr�a estallar. 7 00:00:33,374 --> 00:00:34,773 Necesito m�s piano. 8 00:00:34,876 --> 00:00:37,071 Menos ruido? Menos ruido. 9 00:00:37,178 --> 00:00:38,577 Yeah. Podria ser con menos ruido. 10 00:00:43,718 --> 00:00:45,777 1, 2, 3. 11 00:00:45,887 --> 00:00:48,447 # It's my father's voice dreaming # 12 00:00:48,556 --> 00:00:53,186 # Of sailors sailing off in the morning # 13 00:00:56,364 --> 00:01:02,633 # For the air-conditioned rooms at the top of the stairs # 14 00:01:07,542 --> 00:01:09,772 # His jaw's been broken # 15 00:01:09,877 --> 00:01:13,836 # And his bandage is wrapped too tight # 16 00:01:18,052 --> 00:01:20,452 # His fangs have been pulled # 17 00:01:20,555 --> 00:01:24,286 # And I really want to see you tonight # 18 00:01:30,898 --> 00:01:32,661 No. I'm sorry. 19 00:01:44,278 --> 00:01:49,341 # I am an American aquarium drinker # 20 00:01:49,450 --> 00:01:54,012 # I assassin down the avenue # 21 00:01:54,121 --> 00:01:58,649 # I'm hiding out in the big city blinking # 22 00:01:58,759 --> 00:02:02,786 # What was I thinking when I let go of you? # 23 00:02:12,273 --> 00:02:17,336 # Let's forget about the tongue-tied lightning # 24 00:02:17,445 --> 00:02:21,677 # Let's undress just like cross-eyed strangers # 25 00:02:21,782 --> 00:02:26,685 # This is not a joke, so please stop smiling # 26 00:02:26,787 --> 00:02:31,520 # What was I thinking when I said it didn't hurt? # 27 00:02:40,668 --> 00:02:45,230 # I want to crawl through those brown eyes dreaming # 28 00:02:45,339 --> 00:02:47,239 # Take you from the inside # 29 00:02:47,341 --> 00:02:50,071 # Baby, hold on tight # 30 00:02:50,177 --> 00:02:54,739 # Well, you were so right when you said I've been drinking # 31 00:02:54,849 --> 00:02:59,548 # What was I thinking when we said good night? # 32 00:03:03,991 --> 00:03:08,451 # I am trying to break your heart # 33 00:03:08,563 --> 00:03:12,966 # I am trying to break your heart # 34 00:03:13,067 --> 00:03:18,198 # But still I would be lying if I said it wasn't easy # 35 00:03:18,306 --> 00:03:22,743 # I am trying to break your heart # 36 00:03:26,514 --> 00:03:27,913 Qu� est�s haciendo?. 37 00:03:32,320 --> 00:03:33,787 Hola!. 38 00:03:33,888 --> 00:03:34,946 Hola!. 39 00:03:39,226 --> 00:03:41,285 Bienvenido a nuestra pel�cula. 40 00:03:41,395 --> 00:03:45,559 Hoy vamos a ver escenas de la pel�cula de Wilco. 41 00:03:47,935 --> 00:03:49,664 Tengo que decir que somos muy afortunados. 42 00:03:49,770 --> 00:03:53,171 Pienso que Wilco est� en una posici�n 43 00:03:53,274 --> 00:03:55,504 donde pueden hacer el disco que quieran hacer. 44 00:03:55,610 --> 00:03:57,339 quiero decir, hay definitivamente 45 00:03:57,445 --> 00:03:59,504 no se si podr�a llamarlo presion... 46 00:03:59,614 --> 00:04:01,377 pero hay definitivamente una sensaci�n 47 00:04:01,482 --> 00:04:04,178 de que este es uno de esos momentos. 48 00:04:04,285 --> 00:04:06,549 "Son tipos muy divertidos". 49 00:04:06,654 --> 00:04:08,383 Dale un cigarrillo!. 50 00:04:08,489 --> 00:04:09,751 S�, tengo uno. 51 00:04:14,962 --> 00:04:17,328 Necesito un chicle. 52 00:04:17,431 --> 00:04:20,764 Pienso... y, por supuesto, espero... 53 00:04:20,868 --> 00:04:22,768 que este disco va a ser 54 00:04:22,870 --> 00:04:26,362 una prioridad para Warner cuando salga. 55 00:04:26,474 --> 00:04:31,207 Y...uno no consigue eso cada vez que saca un disco. 56 00:04:31,312 --> 00:04:33,974 As� que, bueno, estaba de gira... 57 00:04:34,081 --> 00:04:36,276 estaba de gira en la carretera con Wilco." 58 00:04:38,219 --> 00:04:40,687 Oh, ac� tiene tu chicle de vuelta. 59 00:04:42,623 --> 00:04:43,851 One, two... 60 00:05:02,043 --> 00:05:05,342 # The cash machine # 61 00:05:05,446 --> 00:05:08,813 # Is blue and green # 62 00:05:08,916 --> 00:05:11,476 # For a hundred in twenties # 63 00:05:11,585 --> 00:05:15,146 # And a small service fee # 64 00:05:15,256 --> 00:05:18,714 # I can spend three dollars # 65 00:05:18,826 --> 00:05:22,728 # And sixty-three cents # 66 00:05:22,830 --> 00:05:26,231 # On Diet Coca-Cola # 67 00:05:26,333 --> 00:05:29,131 # And unlit cigarettes # 68 00:05:44,185 --> 00:05:47,416 # I wonder why we listen to poets # 69 00:05:47,521 --> 00:05:50,149 # When nobody gives a fuck # 70 00:05:51,525 --> 00:05:54,926 # How hot and sorrowful # 71 00:05:55,029 --> 00:05:57,725 # This machine begs for luck # 72 00:06:00,000 --> 00:06:06,564 # All my lies are always wishes # 73 00:06:06,674 --> 00:06:13,204 # I know I would die if I could come back new # 74 00:06:13,314 --> 00:06:15,373 Sabes, hay dos tipos de potencial. 75 00:06:15,483 --> 00:06:17,212 Hay un potencial art�stico. 76 00:06:17,318 --> 00:06:20,219 El cual creo es ilimitado para ellos, 77 00:06:20,321 --> 00:06:23,051 y hay un potencial comercial 78 00:06:23,157 --> 00:06:25,682 el cual es realmente un poco misterioso para nosotros 79 00:06:25,793 --> 00:06:27,420 porque existen tantos factores 80 00:06:27,528 --> 00:06:29,086 que escapan de nuestro control 81 00:06:29,196 --> 00:06:33,599 e intentamos no pensar en ello demasiado y solo... 82 00:06:33,701 --> 00:06:36,864 intentamos hacer un buen disco, 83 00:06:36,971 --> 00:06:42,739 y esperamos ayudar al sello a tomar las decisiones correctas 84 00:06:42,843 --> 00:06:45,744 y hacer las cosas adecuadas de promoci�n y todo eso. 85 00:06:45,846 --> 00:06:47,438 Esta es una banda interactiva. 86 00:06:47,548 --> 00:06:49,982 son 4 o 5 personas, ya sabes 87 00:06:50,084 --> 00:06:51,312 que hacen m�sica juntos 88 00:06:51,418 --> 00:06:53,147 y la m�sica no podr�a sonar como lo hace 89 00:06:53,254 --> 00:06:55,449 al menos que estas 5 personas est�n juntas en una habitaci�n 90 00:06:55,556 --> 00:06:57,080 al mismo tiempo hac�endola. 91 00:06:57,191 --> 00:06:58,590 Es un proceso constante 92 00:06:58,692 --> 00:07:03,595 Quiero decir, nosotros hacemos discos y ellos son,..... 93 00:07:03,697 --> 00:07:07,133 Parece que eso termina siendo una cosa que estamos haciendo, 94 00:07:07,234 --> 00:07:11,261 y uno tiene un mill�n de opciones en cuanto a lo que puede ser 95 00:07:11,372 --> 00:07:12,839 y de que forma puede ser. 96 00:07:22,483 --> 00:07:26,647 Nosotros generlamente vamos directamente hacia una versi�n definitiva 97 00:07:26,754 --> 00:07:29,314 de como deber�a ser seg�n el sonido de la canci�n 98 00:07:29,423 --> 00:07:32,483 y entonces lo deshacemos un poco 99 00:07:32,593 --> 00:07:35,494 y vemos si hay alg�n tipo de enfoque m�s excitante. 100 00:07:37,765 --> 00:07:41,826 # Echoes in my heart # 101 00:07:41,936 --> 00:07:43,995 # And gravel in my palm # 102 00:07:44,104 --> 00:07:48,666 No hay raz�n en absoluto para no destruirlo. 103 00:07:48,776 --> 00:07:50,004 Sabes? 104 00:07:50,110 --> 00:07:52,738 Nosotros lo hacemos, as� que es nuestro para destruirlo, 105 00:07:52,847 --> 00:07:54,906 y eso es liberador y excitante 106 00:07:55,015 --> 00:07:57,245 es un camino realmente creativo. 107 00:08:12,733 --> 00:08:14,860 # I need a camera # 108 00:08:14,969 --> 00:08:16,937 # To my eye # 109 00:08:17,037 --> 00:08:19,005 # To my eye # 110 00:08:19,106 --> 00:08:24,942 # Reminding which lies that I've been hiding # 111 00:08:25,045 --> 00:08:27,843 # Which echoes belong # 112 00:08:29,383 --> 00:08:32,284 # I'm counting on # 113 00:08:32,386 --> 00:08:35,355 # Two days in Central Park # 114 00:08:36,891 --> 00:08:39,382 # With gravel in my heart # 115 00:08:40,961 --> 00:08:43,589 # And echoes in my palm # 116 00:08:45,132 --> 00:08:46,565 # Phone my family # 117 00:08:46,667 --> 00:08:50,865 # Tell 'em I'm lost on the sidewalk # 118 00:08:50,971 --> 00:08:52,871 # And no, it's not okay # 119 00:08:52,973 --> 00:08:54,873 # I smashed a camera # 120 00:08:54,975 --> 00:08:57,034 # I want to know why # 121 00:08:57,144 --> 00:08:58,873 # To my eye # 122 00:08:58,979 --> 00:09:05,043 # Reminding which lies that I've been hiding # 123 00:09:05,152 --> 00:09:07,620 # Which echoes belong # 124 00:09:08,989 --> 00:09:12,186 # I'm counting on # 125 00:09:12,293 --> 00:09:15,490 # Two days in Central Park # 126 00:09:17,031 --> 00:09:20,432 # With echoes in my heart # 127 00:09:20,534 --> 00:09:22,001 # And gravel in my palm # 128 00:09:22,102 --> 00:09:25,401 Pienso que este disco es un paso m�s en el grupo. 129 00:09:25,506 --> 00:09:28,498 Es probablemente lo m�s cercano a una colaboraci�n 130 00:09:28,609 --> 00:09:30,167 que Wilco ha tenido. 131 00:09:30,277 --> 00:09:32,575 Personalmente estoy muy feliz porque Jeff y yo hemos hecho 132 00:09:32,680 --> 00:09:34,113 mucho de esto juntos. 133 00:09:34,214 --> 00:09:35,704 Es la primera vez 134 00:09:35,816 --> 00:09:37,647 que Jeff y yo hemos hecho un esfuerzo consciente 135 00:09:37,751 --> 00:09:39,582 para juntarnos en el estudio y escribir las canciones. 136 00:09:39,687 --> 00:09:43,350 No es que las cosas no ocurran espont�neamente 137 00:09:43,457 --> 00:09:45,186 con los discos de Wilco, 138 00:09:45,292 --> 00:09:48,352 pero hay mucho di�logo del uno con el otro, 139 00:09:48,462 --> 00:09:50,054 mucha deliberaci�n, 140 00:09:50,164 --> 00:09:54,498 mucha, como dec�a Jeff, destrucci�n de lo que hemos hecho, 141 00:09:54,601 --> 00:09:57,001 intent�ndolo desde la puerta de atr�s, d�ndolo vuelta. 142 00:09:57,104 --> 00:10:00,335 # I'm counting out # 143 00:10:00,441 --> 00:10:03,569 # The days to see how far # 144 00:10:05,112 --> 00:10:07,740 # I've driven in the dark # 145 00:10:09,550 --> 00:10:11,677 # Echoes in my heart # 146 00:10:13,220 --> 00:10:14,653 # Phone my family # 147 00:10:14,755 --> 00:10:19,021 # Tell 'em I'm lost on the sidewalk # 148 00:10:19,126 --> 00:10:21,492 # No, it's not okay # 149 00:10:27,368 --> 00:10:29,666 # No, it's not okay # 150 00:10:35,242 --> 00:10:37,870 # No, it's not okay # 151 00:10:45,719 --> 00:10:47,482 Uh, okay. 152 00:10:49,123 --> 00:10:50,556 Es el primer disco. 153 00:10:50,657 --> 00:10:52,682 donde realmente hemos hecho todo nosotros mismos. 154 00:10:52,793 --> 00:10:55,557 Somos nuestros propios ingenieros y lo estamos haciendo en nuestro propio lugar. 155 00:10:55,662 --> 00:10:58,756 Estamos haciendo dos cosas aparentemente contradictorias... 156 00:10:58,866 --> 00:11:02,097 estamos haciendo un disco en un ambiente relajado 157 00:11:02,202 --> 00:11:05,296 sin salidas ni entradas, pero al mismo tiempo, 158 00:11:05,406 --> 00:11:08,000 estamos aceptando un cierto tipo de presi�n 159 00:11:08,108 --> 00:11:09,837 que nos imponemos a nosotros mismos. 160 00:11:09,943 --> 00:11:13,344 Es agradable no tener un productor para Wilco 161 00:11:13,447 --> 00:11:19,317 porque somos todo, cada uno de nosotros es capaz perfectamente de ... 162 00:11:19,420 --> 00:11:23,789 dirigir o formar un "momento" musical. 163 00:11:23,891 --> 00:11:26,382 Cada cosa est� dispuesta 164 00:11:26,493 --> 00:11:28,427 para seguir haciendo el disco 165 00:11:28,529 --> 00:11:32,795 Creo que est� bueno hablar mal de tu sello de discos, sabes? 166 00:11:32,900 --> 00:11:37,462 Pero, nos est�n permitiendo hacer un disco en nuestro lugar, 167 00:11:37,571 --> 00:11:39,471 y no han o�do ni una palabra del disco. 168 00:11:41,408 --> 00:11:42,807 Nos est�n dando $85.000, 169 00:11:42,910 --> 00:11:44,639 y no han o�do hablar una palabra del disco. 170 00:11:44,745 --> 00:11:47,043 Eso es confiar, no?. Conf�an en nosotros. 171 00:11:48,082 --> 00:11:50,482 Tu siempre est�s tocando el.... 172 00:11:50,584 --> 00:11:54,486 est�s pr�cticamente haciendo 1,5,6,4 sobre todo los.... 173 00:11:54,588 --> 00:11:56,317 Muchas veces, cuando est�s tocando, 174 00:11:56,423 --> 00:11:59,153 si no tienes alg�n, como, pasaje sonoro detr�s de ti, 175 00:11:59,259 --> 00:12:01,523 todo se convierte en una canci�n folk. 176 00:12:01,628 --> 00:12:04,654 �Eso es mucho m�s de lo que haces, no?. 177 00:12:04,765 --> 00:12:05,925 Yeah. 178 00:12:12,172 --> 00:12:13,730 S�lo quer�amos que no sonara 179 00:12:13,841 --> 00:12:16,002 como un peque�o poema folk. 180 00:12:16,110 --> 00:12:17,839 As� que s�lo queremos tener, 181 00:12:17,945 --> 00:12:21,938 agun tipo de sonido de peso debajo de todo 182 00:12:22,049 --> 00:12:25,951 y...s�lo algo extra�o.. 183 00:12:26,053 --> 00:12:28,521 # It's my father's voice dreaming # 184 00:12:28,622 --> 00:12:32,752 # Of sailors sailing off in the morning # 185 00:12:32,860 --> 00:12:34,418 # To fight the war # 186 00:12:34,528 --> 00:12:36,428 That picks it up some. 187 00:12:36,530 --> 00:12:41,763 # For the air-conditioned rooms at the top of the stairs # 188 00:12:41,869 --> 00:12:44,633 # They head to the table # 189 00:12:44,738 --> 00:12:47,138 Afin� el LA con el SI y... 190 00:12:47,241 --> 00:12:49,471 # And it makes no difference to me # 191 00:12:49,576 --> 00:12:51,043 y las pones juntas 192 00:12:51,145 --> 00:12:53,113 y conseguir�s algunos momentos realmente m�gicos. 193 00:12:53,213 --> 00:12:57,479 # They cried all over overseas # 194 00:12:57,584 --> 00:13:01,543 # And it's hot in the poor places tonight # 195 00:13:03,724 --> 00:13:05,555 # I'm not going outside # 196 00:13:05,659 --> 00:13:08,856 Y pensamos que puede ser suficientemente r�tmico para tocar. 197 00:13:10,797 --> 00:13:15,791 # There's bourbon on the breath of the singer you love # 198 00:13:15,903 --> 00:13:18,497 Est� junto con algunas de las pistas m�s ruidosas, 199 00:13:18,605 --> 00:13:19,731 pero tiene ritmo, 200 00:13:19,840 --> 00:13:22,070 as� que es algo que pueden tocar bastante. 201 00:13:22,176 --> 00:13:24,076 # He takes all his words # 202 00:13:24,178 --> 00:13:28,581 # From the books that you don't read anyway # 203 00:13:28,682 --> 00:13:30,309 Eran como las 3:00 de la ma�ana 204 00:13:30,417 --> 00:13:32,146 Por lo tanto �bamos a lograr algo grande. 205 00:13:32,252 --> 00:13:33,981 o volvernos jodidamente locos. 206 00:13:34,087 --> 00:13:36,647 Todas esa cosas estan danzando por ah�. 207 00:13:36,757 --> 00:13:38,657 Cuando hay un tipo de explosi�n. 208 00:13:38,759 --> 00:13:42,820 # They cried all over overseas # 209 00:13:43,931 --> 00:13:47,458 # And it makes no difference to me # 210 00:13:48,936 --> 00:13:52,702 # When it's hot in the poor places tonight # 211 00:13:54,308 --> 00:13:57,675 # I'm not going outside # 212 00:14:17,397 --> 00:14:21,527 # And it takes all the breath out of me # 213 00:14:22,903 --> 00:14:27,237 # When they cry all over overseas # 214 00:14:28,408 --> 00:14:33,311 # When it's hot in the poor places tonight # 215 00:14:33,413 --> 00:14:36,746 # I'm not going outside # 216 00:14:38,719 --> 00:14:42,211 # It's hot in the poor places tonight # 217 00:14:44,224 --> 00:14:47,990 # I'm not going outside # 218 00:14:49,563 --> 00:14:52,862 # I'm not going outside # 219 00:14:54,968 --> 00:14:58,335 # I'm not going outside # 220 00:15:33,440 --> 00:15:37,900 Yankee... Hotel... Foxtrot... 221 00:15:39,413 --> 00:15:43,713 Yankee... Hotel... Foxtrot... 222 00:15:45,018 --> 00:15:49,717 Yankee... Hotel... Foxtrot... 223 00:16:06,340 --> 00:16:07,364 Hey. 224 00:16:07,474 --> 00:16:09,908 C�mo est�s, amigo? qu� bueno verte. 225 00:16:10,010 --> 00:16:12,410 Ahora, la Voz Latina. 226 00:16:12,512 --> 00:16:14,707 Vamos a hacer algo con Jeff Tweedy, 227 00:16:14,815 --> 00:16:16,749 que toca Rock 'n Roll. 228 00:16:16,850 --> 00:16:19,751 # One, two, three, one, two, three # 229 00:16:19,853 --> 00:16:22,481 # Gonna rock and... # 230 00:16:22,589 --> 00:16:25,820 As� que, con la comunidad con las que est�s ahora, 231 00:16:25,926 --> 00:16:29,293 tocas m�sica, ...porque... 232 00:16:29,396 --> 00:16:32,126 �Piensas que tu m�sica... 233 00:16:32,232 --> 00:16:35,531 llega a los chicos que no han tenido una oportunidad de luchar?. 234 00:16:37,037 --> 00:16:38,265 Um... 235 00:16:38,372 --> 00:16:42,775 # The rolling perfume in the night # 236 00:16:42,876 --> 00:16:47,472 # It's not even half as nice as you # 237 00:16:47,581 --> 00:16:51,881 # Set my sights on one whispery kiss # 238 00:16:51,985 --> 00:16:52,952 Firmar� eso. 239 00:16:53,053 --> 00:16:55,954 If you know how to spell "Sim�n"... go for it. 240 00:16:56,056 --> 00:16:58,957 S-I-M-O-N-E? 241 00:16:59,059 --> 00:17:01,289 Suena bien, s�. 242 00:17:01,395 --> 00:17:02,987 "Real pal"... 243 00:17:06,800 --> 00:17:10,031 Su disco....mi...tengo una idea.. 244 00:17:10,137 --> 00:17:13,197 saldr� en.....CD. 245 00:17:13,306 --> 00:17:14,432 M m-hmm. 246 00:17:16,209 --> 00:17:20,111 # I dreamed about killing you again last night # 247 00:17:20,213 --> 00:17:23,671 # And it felt all right to me # 248 00:17:25,552 --> 00:17:29,955 # Dying on the banks of Embarcadero skies # 249 00:17:30,056 --> 00:17:34,322 # Sat and watched you bleed # 250 00:17:34,428 --> 00:17:36,896 Vamos a hacer muchos controles esta noche 251 00:17:36,997 --> 00:17:39,158 y, ya sabes, traen toda esa cosa de la pol�tica, 252 00:17:39,266 --> 00:17:40,824 mierda!... 253 00:17:40,934 --> 00:17:42,902 El asunto de los derechos de la mujer, 254 00:17:43,003 --> 00:17:44,937 derechos de las lesbianas y cosas as�. 255 00:17:45,038 --> 00:17:47,472 Vamos a tocar para ellos. Vamos a tocar para la multitud 256 00:17:47,574 --> 00:17:48,836 Copado. 257 00:17:48,942 --> 00:17:52,503 Porque, sabes, el Dow est� bajando alrededor del 30%, sabes. 258 00:17:52,612 --> 00:17:54,170 Y tan pronto como mir� eso, 259 00:17:54,281 --> 00:17:57,182 s�lo supe en que tipo de posici�n est�s tu y eso. 260 00:17:57,284 --> 00:18:00,583 He conseguido besar algunos culos grandes, sabes, 261 00:18:00,687 --> 00:18:04,179 para conseguirlo... mi portoflio regresa... 262 00:18:04,291 --> 00:18:06,191 Totalmente, lo se. 263 00:18:06,293 --> 00:18:07,726 Tengo... 264 00:18:07,828 --> 00:18:09,728 Te entiendo, amigo, totalmente... 265 00:18:09,830 --> 00:18:14,062 Estoy totalmente....Hice mi equipaje hace dos semanas. 266 00:18:14,167 --> 00:18:16,397 C�mo es el lugar de The Hamptons? Es bueno?. 267 00:18:16,503 --> 00:18:19,961 Es una casa con reformas. Quiero decir, la piscina es una mierda. 268 00:18:20,073 --> 00:18:20,971 Yeah. 269 00:18:21,074 --> 00:18:23,599 Spielberg me dijo: El es como.. "fui a lo de Jeff..." " 270 00:18:23,710 --> 00:18:26,406 Porque el sabe que tu m�sica es una mierda... 271 00:18:26,513 --> 00:18:28,811 Y �l estaba solo como: "Yo vi su jodida piscina.." 272 00:18:28,915 --> 00:18:31,179 ya sabes, �l s�lo estaba ...es gracioso. 273 00:18:31,284 --> 00:18:33,275 Me recuerda mucho a ti. 274 00:18:33,386 --> 00:18:35,217 -Eres est�pido. 275 00:18:37,324 --> 00:18:39,121 # Springtime comes # 276 00:18:39,226 --> 00:18:42,753 # And the leaves are back on the trees again # 277 00:18:43,697 --> 00:18:47,428 # Snappers are harder to see, my friends # 278 00:18:50,804 --> 00:18:53,773 # You're weeding out your weekends # 279 00:19:00,213 --> 00:19:03,944 # Summer comes and gravity undoes you # 280 00:19:04,050 --> 00:19:05,950 # You're happ y because # 281 00:19:06,052 --> 00:19:09,613 # The lovely way the sunshine bends # 282 00:19:11,725 --> 00:19:14,023 # Hiding from your close friends # 283 00:19:14,127 --> 00:19:16,595 # Weeding out your weekends # 284 00:19:23,503 --> 00:19:27,371 # Candy left over from Halloween # 285 00:19:27,474 --> 00:19:31,376 # The unified theory of everything # 286 00:19:31,478 --> 00:19:35,539 # Love left over from lovers leaving # 287 00:19:35,649 --> 00:19:39,949 # Books they all know they're not worth reading # 288 00:19:42,322 --> 00:19:44,916 # It's not for the season # 289 00:19:45,992 --> 00:19:47,050 -Eso fue... 290 00:19:48,662 --> 00:19:51,222 unas de las nuevas canciones.. 291 00:19:57,604 --> 00:20:01,335 de nuestro pr�ximo disco. el disco de Wilco. 292 00:20:04,945 --> 00:20:08,972 No suena para nada como el disco. 293 00:20:11,985 --> 00:20:13,213 Poes�a?. 294 00:20:13,320 --> 00:20:16,050 Est�s diciendo que mis letras son poes�a?. 295 00:20:18,325 --> 00:20:19,553 Me gustas. 296 00:20:24,698 --> 00:20:26,757 Aqu� tienes un poco m�s de...poes�a para ti. 297 00:20:29,903 --> 00:20:33,304 Quer�a salir y tocar algo ac�stico. 298 00:20:33,406 --> 00:20:35,237 Parec�a una buena ocasi�n para hacerlo. 299 00:20:35,342 --> 00:20:37,105 Realmente no hemos girado durante un tiempo. 300 00:20:37,210 --> 00:20:38,871 El disco todav�a se est� haciendo. 301 00:20:38,979 --> 00:20:41,311 Y tomar un peque�o descanso del disco, 302 00:20:41,414 --> 00:20:43,882 ir a tocar algo de m�sica y ver como van las cosas. 303 00:21:02,335 --> 00:21:05,736 # There are rows and rows of houses # 304 00:21:08,675 --> 00:21:12,475 # With the windows painted blue # 305 00:21:17,384 --> 00:21:21,684 # With the light from the TV # 306 00:21:26,226 --> 00:21:29,889 # Running parallel to you # 307 00:21:34,634 --> 00:21:38,764 # There is no sunken treasure # 308 00:21:43,643 --> 00:21:46,976 # Rumored to be # 309 00:21:50,817 --> 00:21:53,445 Jeff, recuerdas a Scott, de Reprise?. 310 00:21:53,553 --> 00:21:54,611 S�. C�mo est�n. 311 00:21:54,721 --> 00:21:55,949 Buen trabajo, man. 312 00:21:56,056 --> 00:21:57,250 Bien, gracias, gracias. 313 00:21:57,357 --> 00:21:58,585 Conoces a mi amiga Sarah?. 314 00:21:58,692 --> 00:22:00,091 S�, s�. Excelente. 315 00:22:00,193 --> 00:22:06,098 # In a sea # 316 00:22:08,401 --> 00:22:10,767 # Black with ink # 317 00:22:10,870 --> 00:22:12,428 Mucho gusto. Trabajo en WEA. 318 00:22:12,539 --> 00:22:13,437 Jim. 319 00:22:13,540 --> 00:22:14,472 Eso fue genial. 320 00:22:14,574 --> 00:22:16,439 Este es todo el contingente de WEA. -Mitch. 321 00:22:16,543 --> 00:22:17,441 Mitch?. De acuerdo. 322 00:22:17,544 --> 00:22:19,102 Todos de WEA?. 323 00:22:19,212 --> 00:22:20,679 No todos. 324 00:22:20,780 --> 00:22:23,681 Hoyt... Last Record Store, Santa Rosa, California. 325 00:22:23,783 --> 00:22:25,751 -Siempre apoyando a Wilco. -Bien. 326 00:22:25,852 --> 00:22:27,649 # Try to fold it over # 327 00:22:30,757 --> 00:22:34,056 # If I had a boat # 328 00:22:39,032 --> 00:22:47,269 # I'd probably... # 329 00:22:47,373 --> 00:22:49,307 # Roll over # 330 00:22:49,409 --> 00:22:51,809 el nuevo disco es m�s como... 331 00:22:51,911 --> 00:22:53,640 Va a ser m�s como "A.M."? 332 00:22:53,747 --> 00:22:57,308 O va a ser m�s como "Summer Teeth"? 333 00:22:57,417 --> 00:23:00,580 Realmente no me gusta mucho 334 00:23:00,687 --> 00:23:02,951 ninguno de esos discos, as� que, no creo... 335 00:23:03,056 --> 00:23:04,956 De verdad? 336 00:23:05,058 --> 00:23:08,653 # Surely there is somebody # 337 00:23:11,865 --> 00:23:16,632 # Who needs # 338 00:23:18,905 --> 00:23:21,669 Suena como si fuera un disco de trip-hop 339 00:23:21,775 --> 00:23:23,675 Hab�a loops y samples y... 340 00:23:23,777 --> 00:23:27,144 Hay esas cosas, pero no como en un disco de trip-hop. 341 00:23:27,247 --> 00:23:28,771 -Complicado. 342 00:23:28,882 --> 00:23:31,248 # I am so # 343 00:23:33,286 --> 00:23:35,754 # I am so # 344 00:23:37,457 --> 00:23:39,925 # Out of tune # 345 00:23:46,132 --> 00:23:48,362 # I am so # 346 00:23:50,970 --> 00:23:53,666 # Out of tune # 347 00:23:55,141 --> 00:23:57,609 # With you # 348 00:24:02,482 --> 00:24:05,610 Estoy feliz con ello y estamos casi listos, 349 00:24:05,718 --> 00:24:09,017 as� que, s�lo tienes que esperar otro mes o algo as�. 350 00:24:09,122 --> 00:24:10,680 Un mes o dos meses. 351 00:24:10,790 --> 00:24:13,350 Y tus chicos van a girar inmediatamente despu�s?. 352 00:24:13,459 --> 00:24:15,859 Puede ser, no lo se. 353 00:24:15,962 --> 00:24:18,487 Bien, esperemos que lo tengamos para Julio. 354 00:24:18,598 --> 00:24:21,761 Eso es... 355 00:24:21,868 --> 00:24:26,271 tiene un mont�n de tambores y huecos... 356 00:24:26,372 --> 00:24:29,603 y huecos dentro de las canciones. 357 00:24:29,709 --> 00:24:31,438 Eso es... 358 00:24:32,712 --> 00:24:35,272 As� que tu eres como... �Est� Courtney Love dentro? 359 00:24:35,381 --> 00:24:36,439 No. 360 00:24:38,218 --> 00:24:39,776 Lo siento. 361 00:24:39,886 --> 00:24:42,116 Demasiados espacios abiertos. 362 00:24:42,222 --> 00:24:47,023 entre lo que se supone que es, ...la parte musical. 363 00:24:48,228 --> 00:24:50,458 No lo se. Me fui!. 364 00:25:03,276 --> 00:25:09,237 # We all return # 365 00:25:11,951 --> 00:25:15,250 # Music is my savior # 366 00:25:19,993 --> 00:25:22,791 # I was maimed by rock 'n ' roll # 367 00:25:26,900 --> 00:25:31,200 # I got my name # 368 00:25:35,275 --> 00:25:38,472 # From rock 'n ' roll # 369 00:25:58,765 --> 00:26:00,357 Soy Jeff. 370 00:26:06,606 --> 00:26:07,504 Cool? 371 00:26:07,607 --> 00:26:08,835 S�, parece bueno. Magn�fico. 372 00:26:08,942 --> 00:26:11,433 Es exactamente la mezcla que ten�as por all�. 373 00:26:15,748 --> 00:26:20,310 # How can I convince you it's me I don't like # 374 00:26:20,420 --> 00:26:24,982 # And not be so indifferent to the look in your eyes # 375 00:26:25,091 --> 00:26:27,651 # When I've always been distant # 376 00:26:27,760 --> 00:26:32,060 # And I've always told lies for love? # 377 00:26:35,101 --> 00:26:40,334 # I know this isn't what you were wanting me to say # 378 00:26:40,440 --> 00:26:44,843 # How can I be closer and get further away # 379 00:26:44,944 --> 00:26:51,577 # From the truth that proves it's beautiful to lie? # 380 00:26:55,021 --> 00:27:02,689 # I've got reservations # 381 00:27:04,263 --> 00:27:07,323 # About so many things # 382 00:27:07,433 --> 00:27:11,301 # But not about you # 383 00:27:11,404 --> 00:27:12,962 Y entonces quiz�s... 384 00:27:25,151 --> 00:27:26,709 Algo as�...no se... 385 00:27:26,819 --> 00:27:28,047 Sabes?, como... 386 00:27:28,154 --> 00:27:29,052 Claro. 387 00:27:29,155 --> 00:27:30,315 Yeah. 388 00:27:30,423 --> 00:27:31,822 S�lo es un single. 389 00:27:31,924 --> 00:27:33,482 Para la primera vez, donde va... 390 00:27:33,593 --> 00:27:36,027 # I got a reservation... # 391 00:27:36,129 --> 00:27:38,654 S�. S�, el primero es el doble. 392 00:27:47,774 --> 00:27:49,571 Okay. 393 00:27:56,749 --> 00:27:58,979 ..pienso que el va a mentenerse fuera de... 394 00:27:59,085 --> 00:28:00,814 Que es eso? 395 00:28:00,920 --> 00:28:05,823 Creo los pr�ximos... cuatro o cinco d�as. 396 00:28:07,960 --> 00:28:09,518 S�, estamos mezclando... 397 00:28:10,730 --> 00:28:12,459 No estoy en el loft. 398 00:28:12,565 --> 00:28:15,033 Estoy en el estudio. 399 00:28:16,969 --> 00:28:18,266 Tony est� aqu�. 400 00:28:18,371 --> 00:28:20,737 # I... # 401 00:28:20,840 --> 00:28:22,068 De acuerdo. 402 00:28:22,175 --> 00:28:27,078 #... got a reservation # 403 00:28:27,180 --> 00:28:28,738 De acuerdo. 404 00:28:28,848 --> 00:28:31,976 Te llamo despu�s. 405 00:28:37,090 --> 00:28:38,557 El d�a del pijama?. 406 00:28:44,997 --> 00:28:47,397 Este es, como, este es el disco 407 00:28:47,500 --> 00:28:50,901 que necesito para llevar al grupo a otro nivel. 408 00:28:51,003 --> 00:28:52,800 Si eso no ocurre, 409 00:28:52,905 --> 00:28:56,807 podria ser algo como una tr�gica oportunidad perdida 410 00:28:56,909 --> 00:28:59,309 y eso podr�a da�ar al grupo. 411 00:29:02,081 --> 00:29:05,847 Pienso que cada disco que he hecho, alguien ha dicho, 412 00:29:05,952 --> 00:29:07,852 "Este es el mejor". 413 00:29:07,954 --> 00:29:09,683 "Ustedes van a a ser grandes". 414 00:29:09,789 --> 00:29:13,520 Y cuando ve�a la realidad de la situaci�n 415 00:29:13,626 --> 00:29:16,026 me sent�a un poco tonto por creerlo. 416 00:29:17,530 --> 00:29:19,691 # Make no difference ever known # 417 00:29:19,799 --> 00:29:22,359 # Make no difference ever known to me # 418 00:29:22,468 --> 00:29:24,834 Tenemos un nuevo tipo de A&R. Mio, 419 00:29:24,937 --> 00:29:27,997 es realmente como, m�s joven y m�s copado que el �ltimo, 420 00:29:28,107 --> 00:29:29,165 As� que, qui�n sabe? 421 00:29:29,275 --> 00:29:32,142 Puede que venga y diga algo realmente bueno. 422 00:29:32,245 --> 00:29:33,303 Puede que sea copado. 423 00:29:33,412 --> 00:29:35,209 # I'm the man who loves you # 424 00:29:37,583 --> 00:29:39,642 # I'm the man who loves you # 425 00:29:39,752 --> 00:29:40,810 Creo que suena bien. 426 00:29:40,920 --> 00:29:42,182 S�, es una canci�n. 427 00:29:42,288 --> 00:29:44,415 Quieres o�r la nueva de nuevo? 428 00:29:44,524 --> 00:29:46,287 Pueden decirme que hay 429 00:29:46,392 --> 00:29:49,122 acerca del sonido de tambores que no est�n sonando?. 430 00:29:49,228 --> 00:29:51,128 Dijiste que no pod�as conseguir un buen sonido?. 431 00:29:51,230 --> 00:29:53,630 No se puede resaltarlos. 432 00:29:53,733 --> 00:29:56,600 Creo que eso es lo bueno de eso. 433 00:29:56,702 --> 00:29:58,169 Hay demasiado sonido turbio sabes?. 434 00:29:58,271 --> 00:30:00,671 Esto es todo lo que puedes sacar de ellos. -Creo que es genial. 435 00:30:00,773 --> 00:30:02,673 Si la canci�n en general te parece bien, 436 00:30:02,775 --> 00:30:03,969 te vas a enamorar 437 00:30:04,076 --> 00:30:06,306 con las peque�as partes que est�n mal. 438 00:30:06,412 --> 00:30:08,903 Para resumir lo que estoy pensando... 439 00:30:09,015 --> 00:30:10,983 -Tu no puedes cambiar una de las piezas del puzle. -De acuerdo. 440 00:30:11,083 --> 00:30:13,916 No creo que est� bien definido... tambores "brillantes" 441 00:30:14,020 --> 00:30:15,920 con presencia y definici�n 442 00:30:16,022 --> 00:30:18,889 podr�an servir al alma de la canci�n. 443 00:30:18,991 --> 00:30:21,551 Ya sabes, es un argumento de $150 la hora... 444 00:30:21,661 --> 00:30:22,719 pero esta bien. 445 00:30:24,797 --> 00:30:26,424 LO que sea que falte 446 00:30:26,532 --> 00:30:29,467 yo digo que son actualmente una virtud en esta toma. 447 00:30:29,569 --> 00:30:34,871 Si vamos con esto de nuevo no hay nada m�s que rehacerla.... 448 00:30:34,974 --> 00:30:37,909 Jeff lo pens� antes de irse, por ejemplo. 449 00:30:38,010 --> 00:30:40,240 Lo que est� viniendo justo ahora es exactamente lo que surgi� 450 00:30:40,346 --> 00:30:42,371 cuando primero comenc� a hablar con Jeff sobre ello, 451 00:30:42,481 --> 00:30:47,214 y que era, "creo que esto crea un efecto domin�". 452 00:30:47,320 --> 00:30:50,118 �Alguien ten�a alg�n problema con esta canci�n 453 00:30:50,223 --> 00:30:54,091 hasta anoche cuando intentaste EQ? -S�. Absolutamente. Siempre. 454 00:30:54,193 --> 00:30:56,024 Siempre, desde el primer d�a. 455 00:30:56,128 --> 00:30:59,620 Puede que debamos mezclar lo que sabemos que est� hecho. 456 00:30:59,732 --> 00:31:01,290 No tenemos ninguna presi�n, man. 457 00:31:01,400 --> 00:31:03,698 Es el d�a dos en el estudio para este disco. 458 00:31:03,803 --> 00:31:04,861 Tres. Tres.De acuerdo. 459 00:31:06,138 --> 00:31:09,107 Todav�a no hay presi�n. 460 00:31:09,208 --> 00:31:10,766 S�lo se que si mezclamos ambos, 461 00:31:10,876 --> 00:31:12,434 no va a ir a ninguna de las dos cosas. 462 00:31:12,545 --> 00:31:13,705 S�lo lo se. 463 00:31:13,813 --> 00:31:15,542 Pienso que ser�a magn�fico si mezcl�ramos 464 00:31:15,648 --> 00:31:17,275 y dej�ramos todas las pistas para el loft. 465 00:31:17,383 --> 00:31:18,611 Honestamente. 466 00:31:18,718 --> 00:31:20,117 Jeff est� bajando. 467 00:31:20,219 --> 00:31:21,777 Avisa a los medios. 468 00:31:21,887 --> 00:31:23,184 Tiene.... 469 00:31:23,289 --> 00:31:25,689 Ha sido...�fue alertado de la situaci�n? 470 00:31:25,791 --> 00:31:27,725 No, solo fue llamado para un informe de situaci�n. 471 00:31:27,827 --> 00:31:30,057 y tu le dijiste: "la situaci�n no es buena." 472 00:31:30,162 --> 00:31:33,859 Tuvimos un peque�o retraso en los trabajos... 473 00:31:33,966 --> 00:31:37,561 un contratiempo, como.. "Bueno, est� en espera." 474 00:31:37,670 --> 00:31:40,264 �Qu� exactamente...�C�mo se supone que vamos a hacer eso?. 475 00:31:40,406 --> 00:31:44,001 Fue como un reajuste de la forma en que se van a hacer las cosas 476 00:31:44,110 --> 00:31:46,010 cuando estamos en un entorno diferente 477 00:31:46,112 --> 00:31:50,173 de nuestro lujurioso... peque�o mundo de ensue�o. 478 00:31:50,283 --> 00:31:53,684 Estamos gastando 1000 d�lares al d�a al estar aqu�. 479 00:31:53,786 --> 00:31:56,346 Siempre que nos quedemos perplejos de aqu� en adelante, 480 00:31:56,455 --> 00:31:58,355 debemos solo....seguir adelante. 481 00:31:58,457 --> 00:32:00,391 Eso es lo que hemos decidido. 482 00:32:00,493 --> 00:32:03,189 Pienso que todos hemos decidido eso. 483 00:32:03,296 --> 00:32:05,093 Como, no quiero mezclarlos. 484 00:32:05,197 --> 00:32:07,859 Y al mismo tiempo, no me quiero colgar mucho en esto. 485 00:32:07,967 --> 00:32:10,197 Es una decisi�n importante. 486 00:32:10,303 --> 00:32:13,363 Esper�bamos hacerlo el d�a que estuvimos aqu�, 487 00:32:13,472 --> 00:32:14,871 O no. 488 00:32:14,974 --> 00:32:16,874 Ya sabes, como sea. Sigamos adelante. 489 00:32:16,976 --> 00:32:20,275 Hemos gastado 1000 d�lares en cosas est�pidas para la banda. 490 00:32:20,379 --> 00:32:23,610 Como todo ese revuelo en Amsterdam. Eso fue.... 491 00:32:23,716 --> 00:32:25,707 Bueno, debo haberlo olvidado. 492 00:32:26,385 --> 00:32:29,320 Hay m�s presi�n en Jeff, 493 00:32:29,422 --> 00:32:34,951 Ya sabes, externamente y autoimpuesta, creo. 494 00:32:35,061 --> 00:32:42,331 Es consciente de que el �xito o fracaso 495 00:32:42,435 --> 00:32:45,302 art�sticamente, principalmente, del disco.. 496 00:32:45,404 --> 00:32:47,463 se refleja mayormente en �l. 497 00:32:55,915 --> 00:32:57,940 Corta a la mezcla real de "Heavy metal drummer" 498 00:32:58,050 --> 00:32:59,108 �Por qu� no podemos hacer eso 499 00:32:59,218 --> 00:33:01,379 cuando estemos mezclando "heavy metal drummer"? 500 00:33:01,487 --> 00:33:03,387 Bueno, por qu� no lo hacemos ahora? 501 00:33:03,489 --> 00:33:05,252 Porque tenemos que estar off-line 502 00:33:05,358 --> 00:33:08,555 desilenciar todo para encontrar en que pista est�. 503 00:33:08,661 --> 00:33:11,391 �Acaso no se puede s�lo mirar y ver que pista tiene?. 504 00:33:11,497 --> 00:33:12,395 Si. 505 00:33:12,498 --> 00:33:15,331 Pero no se si es solo una pista o dos. 506 00:33:15,434 --> 00:33:17,265 O que parte del conjunto es. 507 00:33:17,370 --> 00:33:19,031 De acuerdo, c�mo podr�amos hacerlo....? 508 00:33:19,138 --> 00:33:21,698 C�mo la superponemos mezcl�ndola por separado?. 509 00:33:21,807 --> 00:33:23,206 Nos acaba de decir que la orquesta... 510 00:33:23,309 --> 00:33:25,709 que la parte superior de "heavy metal drummer" est� all� 511 00:33:25,811 --> 00:33:28,245 �No tendr�a que ser como una... cosa masterizada?. 512 00:33:28,347 --> 00:33:31,544 Bueno, no, porque la orquesta est� dentro de "Heavy metal drummer"... 513 00:33:31,650 --> 00:33:33,379 en la parte superior de "Heavy metal drummer". 514 00:33:33,486 --> 00:33:36,387 Pero parece... Me parece ir hacia atr�s.... 515 00:33:36,489 --> 00:33:39,219 �Por qu� no mezclarlo hasta el punto de corte 516 00:33:39,325 --> 00:33:42,590 en lugar de tratar de mezclar la otra 517 00:33:42,695 --> 00:33:45,755 desde un nuevo punto de inicio?. 518 00:33:45,865 --> 00:33:49,028 Por qu� no mezclarlo en la edici�n? 519 00:33:50,336 --> 00:33:51,462 Sabes lo que quiero decir? 520 00:33:51,570 --> 00:33:54,130 En vez de, es decir.. hacer una nueva edici�n para el... 521 00:33:54,240 --> 00:33:55,969 cuando mezclemos "heavy metal drummer". 522 00:33:56,075 --> 00:33:57,269 Bien, creo que... 523 00:33:57,376 --> 00:33:58,809 para m�, es la misma.... 524 00:33:58,911 --> 00:34:01,345 es exactamente lo mismo. 525 00:34:01,447 --> 00:34:04,848 Mezclas una hasta aqu�, o empiezas la otra mezcla aqu�. 526 00:34:04,950 --> 00:34:06,850 Mezclar, empezar. 527 00:34:08,821 --> 00:34:10,049 Ah� mismo. 528 00:34:10,156 --> 00:34:11,885 De acuerdo. 529 00:34:11,991 --> 00:34:14,050 No sab�a que quer�as sonar... 530 00:34:14,160 --> 00:34:15,923 exactamente como suena aqu�. 531 00:34:16,028 --> 00:34:18,997 Pens� que quer�as que el sonido fuera 532 00:34:19,098 --> 00:34:22,067 el que iba realmente en � "heavy metal drummer". 533 00:34:22,168 --> 00:34:25,695 No quiero a la orquesta dentro de "Heavy metal drummer". 534 00:34:25,805 --> 00:34:26,999 Se corta justo ah�. 535 00:34:27,106 --> 00:34:28,300 De acuerdo. Y yo... 536 00:34:28,407 --> 00:34:30,307 Bien, bien. Perm�teme explicarme a mi mismo. 537 00:34:30,409 --> 00:34:32,673 lo que yo...no sab�a que... 538 00:34:32,778 --> 00:34:35,008 Esto est� tomando demasiado tiempo. 539 00:34:35,114 --> 00:34:37,446 Lo se, pero puedo explicarlo por mi mismo, por favor?. 540 00:34:37,550 --> 00:34:38,949 No sab�a hasta ahora 541 00:34:39,051 --> 00:34:41,815 que tu quer�as empezar con un peque�o kit... 542 00:34:43,923 --> 00:34:44,981 Un gran kit. 543 00:34:45,090 --> 00:34:46,614 Bueno, podemos hacerlo en ambas formas. 544 00:34:46,725 --> 00:34:48,352 No, no podemos...una mierda. 545 00:34:48,461 --> 00:34:49,428 Tu solo, solo... 546 00:34:49,528 --> 00:34:51,257 malinterpretas lo que estaba diciendo. 547 00:34:51,363 --> 00:34:56,266 asumo, aparentemente equivocado, que era s�lo ruido 548 00:34:56,368 --> 00:34:58,427 hasta el comienzo de "heavy metal drummer". 549 00:34:58,537 --> 00:35:01,563 Pero ahora comprendo que es orquesta 550 00:35:01,674 --> 00:35:05,166 hasta el comienzo de "heavy metal drummer". 551 00:35:05,277 --> 00:35:07,472 entonces, dos medidas despu�s.. 552 00:35:07,580 --> 00:35:09,980 empieza realmente "heavy metal drummer, correcto?. 553 00:35:10,082 --> 00:35:11,743 -Eso es. -De acuerdo, no sab�a eso. 554 00:35:11,851 --> 00:35:14,251 Pens� que est�bamos diciendo: eso podr�a estar bueno 555 00:35:14,353 --> 00:35:16,617 si el ruido fuera elev�ndose en "heavy metal drummer". 556 00:35:16,722 --> 00:35:18,280 Eso tiene sentido?. 557 00:35:18,390 --> 00:35:20,221 Bien, lo que sea. No lo se. 558 00:35:20,326 --> 00:35:22,089 No se cual es el problema. 559 00:35:22,194 --> 00:35:23,559 Yo tampoco. 560 00:35:23,662 --> 00:35:25,994 S�lo quiero que me entiendas, que entiendas... 561 00:35:26,098 --> 00:35:27,065 Por qu� eso es tan importante? 562 00:35:27,166 --> 00:35:29,134 No tengo que entenderte todo el tiempo. 563 00:35:29,235 --> 00:35:30,793 Est� bien. 564 00:35:30,903 --> 00:35:34,805 Como...lo encontramos y... lo podemos hacer. 565 00:35:34,907 --> 00:35:36,101 De acuerdo. 566 00:35:36,208 --> 00:35:38,972 Me parece que est�s exagerando 567 00:35:39,078 --> 00:35:40,477 al no querer... 568 00:35:40,579 --> 00:35:42,638 No queriendo...de acuerdo... 569 00:35:42,748 --> 00:35:44,841 S�lo estaba sentado aqu� intentando.. 570 00:35:44,950 --> 00:35:47,851 He estado escuch�ndote explicarte. 571 00:35:47,953 --> 00:35:49,352 Y lo has entendido? 572 00:35:49,455 --> 00:35:51,082 Claro, lo entiendo. 573 00:35:51,190 --> 00:35:52,555 Por qu� no pudiste decir eso? 574 00:35:52,658 --> 00:35:54,626 entiendo lo que est�s diciendo... 575 00:35:54,727 --> 00:35:55,625 Lo hice. 576 00:35:57,730 --> 00:35:58,890 Hace dos segundos dijiste.. 577 00:35:58,998 --> 00:36:01,091 "Por que es tan importante que te entienda?" 578 00:36:01,200 --> 00:36:02,599 Bueno, porque no parece 579 00:36:02,701 --> 00:36:04,601 como si fueras a dejarme que te entienda. 580 00:36:04,703 --> 00:36:06,603 Vas a tener que explic�rmelo 581 00:36:06,705 --> 00:36:08,570 una y otra vez... 582 00:36:08,674 --> 00:36:12,633 # Who will rock the cradle, who will sing the song? # 583 00:36:12,745 --> 00:36:15,475 # Who will rock the cradles when I'm gone? # 584 00:36:15,581 --> 00:36:18,243 # Who will rock the cradle when I'm gone? # 585 00:36:18,350 --> 00:36:21,615 # I will rock the cradle, I will sing the song # 586 00:36:21,720 --> 00:36:25,451 # I will rock the cradle when you're gone # 587 00:36:25,558 --> 00:36:28,186 Creo que voy a ir a vomitar. 588 00:36:41,407 --> 00:36:44,968 # Done all I can do and I've said all I can say # 589 00:36:45,077 --> 00:36:47,637 # I'll tell it to your mother next payday # 590 00:36:47,746 --> 00:36:50,806 # I'll tell it to your mother next payday # 591 00:37:00,125 --> 00:37:03,185 # I've got no sugar baby now # 592 00:37:03,295 --> 00:37:07,356 # I've said all I can say and I've done all I can do # 593 00:37:07,466 --> 00:37:09,832 # I can't get along with you # 594 00:37:09,935 --> 00:37:11,664 Es por la medicaci�n? 595 00:37:11,770 --> 00:37:12,668 No. 596 00:37:12,771 --> 00:37:15,501 No, s�lo vomito todo el tiempo cuando tengo migra�as. 597 00:37:15,608 --> 00:37:18,839 Cuando era ni�o, vomitaba... 598 00:37:18,944 --> 00:37:22,277 sol�a vomitar unas 30 veces por noche 599 00:37:22,381 --> 00:37:25,748 y me hospitalizaban por deshidrataci�n. 600 00:37:25,851 --> 00:37:29,412 # Who will rock the cradle, who will sing the song? # 601 00:37:29,521 --> 00:37:32,581 Eso se siente mejor. 602 00:37:32,691 --> 00:37:35,421 Tienes raz�n. Las seis de uno, media docena de los otros. 603 00:37:35,527 --> 00:37:36,653 Lo siento. 604 00:37:36,762 --> 00:37:39,026 S�, me parece que no me estoy explicando 605 00:37:39,131 --> 00:37:41,964 Mira, ahora todos podemos hacer todos nuestros silencios 606 00:37:42,067 --> 00:37:43,159 en todo lo dem�s. 607 00:37:43,268 --> 00:37:44,326 Por qu�? 608 00:37:46,271 --> 00:37:48,739 Bueno, porque tenemos un mont�n de otras cosas pendientes. 609 00:37:48,841 --> 00:37:50,900 Quiero decir, s�lo corta justo aqu�. 610 00:37:51,010 --> 00:37:52,739 No, hasta ah�. Sabes lo que quiero decir? 611 00:37:52,845 --> 00:37:54,073 -Bien. -Hasta ah�. 612 00:37:54,179 --> 00:37:56,340 Bueno, habr�amos tenido que hacer eso de todas maneras. 613 00:37:56,448 --> 00:37:58,439 S�, algo de eso tendr�amos que hacer, si. 614 00:37:58,550 --> 00:37:59,949 Pero estaba...si. 615 00:38:00,052 --> 00:38:01,451 S�lo estaba pensando que podr�a ser... 616 00:38:01,553 --> 00:38:03,646 Podr�amos empezar "heavy metal drumer" de esa forma... 617 00:38:03,756 --> 00:38:05,485 era lo que estaba pensando, sabes? 618 00:38:14,700 --> 00:38:17,294 Soy copado, es... Soy re copado, okey?. 619 00:38:17,403 --> 00:38:18,461 Se acab�. 620 00:38:18,570 --> 00:38:20,663 Ahora, emmm. 621 00:38:20,773 --> 00:38:24,539 Reprise Records est� en un grave estado de cambio 622 00:38:24,643 --> 00:38:26,634 con el cual estoy un poco nervioso. 623 00:38:26,745 --> 00:38:29,373 Quiero decir, no estoy preocupado sobre la salida del disco. 624 00:38:29,481 --> 00:38:30,778 El disco saldr�. 625 00:38:30,883 --> 00:38:33,613 pero no sabes si vamos a conseguir 626 00:38:33,719 --> 00:38:36,279 alg�n tipo de entusiasmo 627 00:38:36,388 --> 00:38:38,413 de quien quiera que sea el sustituto. 628 00:38:38,524 --> 00:38:40,048 Es un misterio. 629 00:38:40,693 --> 00:38:43,958 Qu� hay sobre "Must be High" o "Casino Queen"? 630 00:38:44,063 --> 00:38:45,291 Nah. 631 00:38:45,397 --> 00:38:47,695 Pensaba s�lo en t�rminos rockeros, man. 632 00:38:47,800 --> 00:38:48,994 Yeah. 633 00:38:49,101 --> 00:38:51,569 Si conseguimos f�cilmente rockeros, probablemente podr�amos... 634 00:38:51,670 --> 00:38:53,604 No quiero hacerlo nunca m�s. 635 00:38:53,706 --> 00:38:55,936 No quieres rock? 636 00:38:56,041 --> 00:38:57,941 No, s�lo no quiero caer 637 00:38:58,043 --> 00:38:59,601 en un grupo de rockeros simples. 638 00:38:59,712 --> 00:39:02,272 No, s�lo estoy pensando con cuatro d�as para ensayar 639 00:39:02,381 --> 00:39:03,439 y cuatro shows. 640 00:39:14,393 --> 00:39:17,954 # Why, I wonder, is my heart full of holes # 641 00:39:20,999 --> 00:39:25,902 # And the feeling goes but my hair keeps growing # 642 00:39:28,607 --> 00:39:33,909 # Will I set the sun # 643 00:39:34,012 --> 00:39:37,413 # On a big-wheeled wagon? # 644 00:39:37,516 --> 00:39:39,416 # I'm bragging # 645 00:39:39,518 --> 00:39:41,713 # I'm always in love # 646 00:39:48,660 --> 00:39:52,653 # When I let go of your throat-sweet throttle # 647 00:39:56,201 --> 00:40:00,467 # Clean the lash of your black-belt model # 648 00:40:03,075 --> 00:40:06,909 # Will I catch the moon # 649 00:40:08,413 --> 00:40:12,076 # Like a bird in a cage # 650 00:40:12,184 --> 00:40:14,152 # It's for you I swoon # 651 00:40:14,253 --> 00:40:16,380 # I'm always in love # 652 00:40:23,028 --> 00:40:27,590 # I don't get the connection # 653 00:40:27,699 --> 00:40:31,260 # This is only a test # 654 00:40:31,370 --> 00:40:35,329 # I hope I do my best # 655 00:40:35,440 --> 00:40:37,635 # You know I won't forget # 656 00:40:54,092 --> 00:40:57,994 # Fold the cold in my jet-lag palm # 657 00:41:01,700 --> 00:41:06,137 # And I soak so long I forget my mother # 658 00:41:09,208 --> 00:41:14,475 # Will I set the sun # 659 00:41:14,580 --> 00:41:18,016 # On a big-wheeled wagon? # 660 00:41:18,116 --> 00:41:20,016 # I'm bragging # 661 00:41:20,118 --> 00:41:22,746 # I'm always in love # 662 00:41:25,591 --> 00:41:27,821 # Drag I sang # 663 00:41:27,926 --> 00:41:29,826 # I'm always in love # 664 00:41:29,928 --> 00:41:33,364 # Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh # 665 00:41:33,465 --> 00:41:35,695 # I'm worried # 666 00:41:35,801 --> 00:41:38,429 # I'm always in love # 667 00:41:45,911 --> 00:41:47,811 # I'm worried # 668 00:41:47,913 --> 00:41:49,813 # I'm worried # 669 00:41:49,915 --> 00:41:51,507 # I'm worried # 670 00:41:51,617 --> 00:41:53,517 # I'm always in love # 671 00:41:53,619 --> 00:41:55,519 # I'm worried # 672 00:41:55,621 --> 00:41:57,521 # I'm worried # 673 00:41:57,623 --> 00:41:59,022 # I'm worried # 674 00:41:59,124 --> 00:42:01,422 # I'm always in love # 675 00:42:01,526 --> 00:42:03,221 # I'm worried # 676 00:42:03,328 --> 00:42:05,125 # I'm worried # 677 00:42:05,230 --> 00:42:06,595 # I'm worried # 678 00:42:06,698 --> 00:42:09,292 # I'm always in love # 679 00:42:09,401 --> 00:42:10,959 # I'm worried # 680 00:42:11,069 --> 00:42:12,969 # I'm worried # 681 00:42:13,071 --> 00:42:16,472 # I'm worried 'cause I'm always in love # 682 00:42:18,243 --> 00:42:20,473 # Whoo-hoo, whoo-hoo-hoo # 683 00:42:22,114 --> 00:42:24,412 # Whoo-hoo, whoo-hoo-hoo # 684 00:42:25,517 --> 00:42:28,315 # Whoo-hoo, whoo-hoo-hoo # 685 00:42:29,554 --> 00:42:31,886 # Whoo-hoo, whoo-hoo-hoo # 686 00:42:36,828 --> 00:42:38,625 Me gustar�a ir en ambos sentidos. 687 00:42:39,398 --> 00:42:41,332 Cuando acabemos el disco se habr� acabado, 688 00:42:41,433 --> 00:42:44,891 realmente me sent� m�s fresco de lo que me hab�a sentido durante meses. 689 00:42:45,003 --> 00:42:50,100 Despu�s... hicimos la mayor parte de la grabaci�n en un...ya sabes... 690 00:42:50,208 --> 00:42:51,971 en un a�o o as�, 691 00:42:52,077 --> 00:42:54,807 y en alg�n punto hacia el final de ese a�o, 692 00:42:54,913 --> 00:42:57,677 lleg� a ser un poco pedante 693 00:42:57,783 --> 00:43:00,411 y volvimos atr�s y remezclamos las canciones 694 00:43:00,519 --> 00:43:04,080 y sabiendo exactamente hacia d�nde est�bamos yendo.....menos exploraci�n. 695 00:43:04,189 --> 00:43:08,285 Y... eso estaba empezando a enrarecerse 696 00:43:08,393 --> 00:43:11,021 cuando fuimos a CRC a mezclar. 697 00:43:11,129 --> 00:43:13,029 Llegamos ajustados en algunas cosas 698 00:43:13,131 --> 00:43:16,100 como, rehacer tambores, o, ya sabes... 699 00:43:16,201 --> 00:43:19,534 algunas llamadas que fueron buenas que nos ayudaron m�s tarde. 700 00:43:19,638 --> 00:43:23,096 Pero, por la raz�n que fuera, s�lo nos atascaron. 701 00:43:23,208 --> 00:43:27,406 Haciendo el disco... las mezclas finales... en Soma 702 00:43:27,512 --> 00:43:31,642 y oy�ndolas a trav�s del o�do de Jim O'Rourke, 703 00:43:31,750 --> 00:43:35,151 en realidad, oy�ndolo con alguien 704 00:43:35,253 --> 00:43:38,518 que viene con otra perspectiva 705 00:43:38,623 --> 00:43:41,683 y siendo capaz de colaborar en la mezcla final 706 00:43:41,793 --> 00:43:43,260 es un poco como... 707 00:43:43,362 --> 00:43:45,956 Bueno, nosotros estamos como lanzando todo por la ventana 708 00:43:46,064 --> 00:43:47,793 pero tambi�n estamos haciendo un tipo de vuelta atr�s 709 00:43:47,899 --> 00:43:49,628 de lo que era la idea original. 710 00:43:49,735 --> 00:43:51,965 Al escucharlas Jim, 711 00:43:52,070 --> 00:43:53,833 lo hizo de forma diferente, 712 00:43:53,939 --> 00:43:56,533 y de inmediato, tan pronto como escuchamos como �l estaba mezclando... 713 00:43:56,641 --> 00:43:58,336 como "Trying to Break Your Heart," 714 00:43:58,443 --> 00:43:59,603 la primera que fue mezclada, 715 00:43:59,711 --> 00:44:01,736 fue como, "Oh, esto realmente funciona. " 716 00:44:01,847 --> 00:44:03,872 Por eso los grupos no mezclan sus propios discos. 717 00:44:03,982 --> 00:44:05,381 Definitivamente era como... 718 00:44:05,484 --> 00:44:08,214 Era la etapa final de colaboraci�n. 719 00:44:08,320 --> 00:44:09,685 Mezclando el disco... 720 00:44:09,788 --> 00:44:12,621 Eso es lo que siempre sent� sobre como debe ser la mezcla... 721 00:44:12,724 --> 00:44:15,818 como deber�a ser la �ltima etapa de...inspiraci�n. 722 00:44:15,927 --> 00:44:17,656 Pienso que intentamos hacerlo poderoso, 723 00:44:17,763 --> 00:44:18,730 como con dos guitarras. 724 00:44:18,830 --> 00:44:21,390 Puedes subir tu tono un poco, entonces, o algo? 725 00:44:21,500 --> 00:44:22,626 - Yeah, yeah. - Okay, okay. 726 00:44:22,734 --> 00:44:23,962 Esto est� firme por ahora. 727 00:44:24,069 --> 00:44:26,401 Yeah. Se sent�a bien, man. 728 00:44:26,505 --> 00:44:28,234 Dios, se sent�a muy bien. 729 00:44:28,340 --> 00:44:30,399 No, quiero decir, podemos intentar las dos guitarras de nuevo 730 00:44:30,509 --> 00:44:31,567 si parece demasiado d�bil.. 731 00:44:31,676 --> 00:44:33,473 S�lo creo que hemos intentado las dos... 732 00:44:33,578 --> 00:44:35,978 Creo que la cosa con las dos guitarras est�, como.... 733 00:44:36,081 --> 00:44:38,345 Como...obsoleta, no? 734 00:44:39,751 --> 00:44:42,276 No estoy seguro de lo que eso significa, pero lo probar�. 735 00:44:42,387 --> 00:44:43,945 No, yo s�lo... 736 00:44:44,056 --> 00:44:45,956 Eso es justo lo que estaba... Qu� es eso? 737 00:44:46,058 --> 00:44:47,685 Eso fue grandioso para mi.. Eso es todo. 738 00:44:47,793 --> 00:44:49,590 Se sinti� como que est�bamos fukin' rockeando, sabes? 739 00:44:50,629 --> 00:44:51,857 Eso es todo. 740 00:45:03,008 --> 00:45:04,976 # Jesus, don't cry # 741 00:45:07,646 --> 00:45:11,377 # You can rely on me, honey # 742 00:45:11,483 --> 00:45:15,749 # You can combine anything you want # 743 00:45:17,589 --> 00:45:20,149 # I'll be around # 744 00:45:22,527 --> 00:45:27,089 # You were right about the stars # 745 00:45:27,199 --> 00:45:31,067 # Each one is a setting sun # 746 00:45:35,040 --> 00:45:38,009 # Tall buildings shake # 747 00:45:38,110 --> 00:45:42,012 # Voices escape singing sad, sad songs # 748 00:45:42,114 --> 00:45:43,411 # Tuned to chords # 749 00:45:43,515 --> 00:45:45,176 # Strung down your cheeks # 750 00:45:45,283 --> 00:45:47,945 Nosotros de hecho oficialmente entregamos el disco... 751 00:45:48,053 --> 00:45:50,180 no enviamos las mezclas finales del disco. 752 00:45:50,555 --> 00:45:53,854 He debido haber tenido 50, 60 posibilidades concretas 753 00:45:53,959 --> 00:45:57,156 para determinadas revistas, apariciones televisivas, 754 00:45:57,262 --> 00:45:59,492 las cuales estamos empezando... Las ofertas van llegando. 755 00:45:59,598 --> 00:46:02,465 Y yo s�lo pienso, "esto va a ser grande, 756 00:46:02,567 --> 00:46:03,795 sabes, est� todo listo. " 757 00:46:03,902 --> 00:46:06,496 La prensa siempre ha amado a Wilco, 758 00:46:06,605 --> 00:46:08,835 pero ahora vamos a llevarlo incluso hacia otro nivel. 759 00:46:08,940 --> 00:46:10,635 Cuando entregamos el disco, creo 760 00:46:10,742 --> 00:46:13,142 no supimos de ellos durante un par de semanas, sabes? 761 00:46:13,245 --> 00:46:16,806 As� que... pensamos que no era probablemente algo bueno. 762 00:46:16,915 --> 00:46:19,213 Sab�a que estaba sentado sobre algo 763 00:46:19,317 --> 00:46:21,717 por lo que la gente iba a echar la puerta abajo por conseguir. 764 00:46:21,820 --> 00:46:23,913 Y despu�s, los avances no llegaron. 765 00:46:24,022 --> 00:46:25,421 As� que Junio est� en marcha, 766 00:46:25,524 --> 00:46:27,617 y yo voy como: "Bueno, estamos perdiendo el tiempo, 767 00:46:27,726 --> 00:46:30,024 "estamos perdiendo... estamos perdiendo personas en el corto plazo. 768 00:46:30,128 --> 00:46:32,323 "No van a hacer capaces de hacer este disco 769 00:46:32,430 --> 00:46:33,829 si no se apuran". 770 00:46:33,932 --> 00:46:36,162 Y luego, sobre la tercera semana de Junio 771 00:46:36,268 --> 00:46:38,498 podr�a oir, "hay un problema. " 772 00:46:38,603 --> 00:46:43,165 La pr�xima cosa que o� fue que... 773 00:46:43,275 --> 00:46:45,334 ellos nos consultaron para cambiar el disco. 774 00:46:45,443 --> 00:46:48,503 No se como ellos... lo quer�an cambiar. 775 00:46:48,613 --> 00:46:53,778 Y Tony me dijo que... que esa era su respuesta, 776 00:46:53,885 --> 00:46:56,353 y... y yo le dije 777 00:46:56,454 --> 00:46:59,355 que no est�bamos interesados en cambiar el disco. 778 00:46:59,457 --> 00:47:01,516 Su representante en A&R era Mio Vuchovich, 779 00:47:01,626 --> 00:47:03,389 y lo que yo hab�a o�do... como dije, 780 00:47:03,495 --> 00:47:06,191 nunca habl� con Wilco sobre como sucedieron las cosas, 781 00:47:06,298 --> 00:47:07,856 pero lo que o� desde mi lado 782 00:47:07,966 --> 00:47:11,834 era que Mio ten�a algunas ideas sobre cambios en el disco 783 00:47:11,937 --> 00:47:15,429 o grabaciones adicionales o mezclas, o cosas como esas, 784 00:47:15,540 --> 00:47:18,236 y la banda ten�a una sensaci�n como, "Ese es el disco... 785 00:47:18,343 --> 00:47:19,776 est� terminado", sabes? 786 00:47:19,878 --> 00:47:22,904 "No tenemos pensado hacer cambios, 787 00:47:23,014 --> 00:47:25,676 es algo como lo tomas o lo dejas. " 788 00:47:25,784 --> 00:47:29,584 Y pienso que lleg� hasta el jefe de Mio, David Kahne, 789 00:47:29,688 --> 00:47:31,883 la cabeza de A&R para Warner's y Reprise, 790 00:47:31,990 --> 00:47:33,548 creo que Mio ten�a raz�n 791 00:47:33,658 --> 00:47:35,956 y esos cambios necesitaban hacerse, 792 00:47:36,061 --> 00:47:38,529 y si la banda no estaba interesada en hacerlos, 793 00:47:38,630 --> 00:47:40,860 entonces ellos deber�an probablemente estar en otro sello. 794 00:47:40,966 --> 00:47:42,228 Lo siguiente que o� 795 00:47:42,334 --> 00:47:45,531 fue que ellos quer�an saber si nos quer�amos ir. 796 00:47:45,904 --> 00:47:48,634 Bueno, hemos estado en esta situaci�n varias veces 797 00:47:48,740 --> 00:47:51,106 y esta es la �ltima manipulaci�n. 798 00:47:51,209 --> 00:47:54,007 Ya sabes, como "vamos a despedirte", mierda 799 00:47:54,112 --> 00:47:57,138 o lo que sea "puedes conseguirlo fuera del sello." 800 00:47:57,249 --> 00:48:00,241 De cualquier manera que lo ves, est� todav�a... 801 00:48:00,352 --> 00:48:04,379 siendo mayormente manipulada, y...ya sabes.. 802 00:48:04,489 --> 00:48:08,653 Por qu� deber�a pensar que las cosas iban a cambiar? 803 00:48:08,760 --> 00:48:10,489 En realidad, cuando Tony me dijo primero 804 00:48:10,595 --> 00:48:12,187 que esto era un posibilidad... 805 00:48:12,297 --> 00:48:15,095 Tengo que ser completamente honesto... me sent� dolido. 806 00:48:15,200 --> 00:48:17,100 Es como un sentimiento de rechazo. 807 00:48:17,202 --> 00:48:20,228 Tiene que ser algo m�s que una promesa, sabes 808 00:48:20,372 --> 00:48:22,863 "Te queremos y vamos a cuidar de ti". 809 00:48:24,209 --> 00:48:26,769 Sabes lo que quiero decir? 810 00:48:26,878 --> 00:48:28,778 Por que ya escuchamos todo eso antes, 811 00:48:28,880 --> 00:48:32,111 y pienso que la herida de ese primer episodio 812 00:48:32,217 --> 00:48:35,209 de grabar este disco, de entregar este disco, 813 00:48:35,320 --> 00:48:38,551 consiguiendo, b�sicamente, nada, excepto dolores de cabeza a cambio 814 00:48:38,657 --> 00:48:41,182 es bastante profunda y va a tardar bastante en sanar, 815 00:48:41,293 --> 00:48:43,386 y no est�s tratando s�lo... sabes, 816 00:48:43,495 --> 00:48:46,191 Yo no soy la �nica persona a la que tienes que hacer sentir bien. 817 00:48:46,298 --> 00:48:49,699 Nunca conseguimos saber espec�ficamente 818 00:48:49,801 --> 00:48:54,704 sobre lo que, exactamente, eh, hicimos para odiarlo. 819 00:48:54,806 --> 00:48:56,273 Okay, pero yo s�lo quer�a... 820 00:48:56,374 --> 00:48:58,103 Quiero que comprendas una cosa. 821 00:48:58,209 --> 00:48:59,767 Es realmente importante. 822 00:48:59,878 --> 00:49:03,370 Ahora mismo, creo que lo mejor para la banda es... 823 00:49:03,481 --> 00:49:06,882 para la banda... para el presente y el futuro de la banda... 824 00:49:06,985 --> 00:49:09,545 es estar lejos de Reprise Records. 825 00:49:09,654 --> 00:49:13,556 Fue un momento extra�o en el c�rculo interno de Reprise 826 00:49:13,658 --> 00:49:15,216 porque Howie Klein, 827 00:49:15,327 --> 00:49:18,262 quien ha sido presidente de Reprise por mucho tiempo... 828 00:49:18,363 --> 00:49:20,297 desde que Reprise fue reactivada... 829 00:49:20,398 --> 00:49:23,390 el tambi�n hab�a estado en Sire cuando Uncle Tupelo estaba en Sire 830 00:49:23,501 --> 00:49:26,698 y un gran fan de la banda... hab�a justo abandonado el sello. 831 00:49:26,805 --> 00:49:30,036 De hecho, creo que el d�a ese en el que la banda entr� a grabar.. 832 00:49:30,141 --> 00:49:32,735 finales de junio... por esos d�as, �l... 833 00:49:32,844 --> 00:49:34,402 ese fue su �ltimo d�a. 834 00:49:34,512 --> 00:49:37,948 Un d�a o dos despu�s de mi retirada recib� una llamada 835 00:49:38,049 --> 00:49:41,416 de uno de los muchos, muchos, muchos, muchos fans de Wilco 836 00:49:41,519 --> 00:49:42,918 en Warner Brothers... 837 00:49:43,021 --> 00:49:45,751 y esa fue la primera de muchas llamadas que recib�.. 838 00:49:45,857 --> 00:49:47,984 cont�ndome que Wilco hab�a sido despedido. 839 00:49:48,093 --> 00:49:52,325 Suponiendo que si era un ejecutivo de una compa��a de discos.. 840 00:49:52,430 --> 00:49:53,988 un alto ejecutivo... 841 00:49:54,099 --> 00:49:56,329 no me refiero a la gente que trabaja en las trincheras, 842 00:49:56,434 --> 00:49:58,664 sino a los tipos con, ya sabes, 843 00:49:58,770 --> 00:50:01,261 los moviles dorados y plateados sabes?. 844 00:50:01,373 --> 00:50:04,103 Su yo hubiese estado all� y o�do "Yankee Hotel Foxtrot," 845 00:50:04,209 --> 00:50:05,608 probablemente no lo hubiera entendido. 846 00:50:05,710 --> 00:50:07,075 Por qu� no? 847 00:50:07,178 --> 00:50:09,669 Porque no me contaba exactamente para quien era, 848 00:50:09,781 --> 00:50:12,079 no me dec�a exactamente sobre que iba, 849 00:50:12,183 --> 00:50:14,913 y no me dec�a exactamente cu�nto iba a vender. 850 00:50:15,019 --> 00:50:17,078 Por lo que deduzco, creo 851 00:50:17,188 --> 00:50:19,850 que ni siquiera pensaban que hab�a un single en camino. 852 00:50:19,958 --> 00:50:22,358 Hay bastante sustancia all�, hay sustancia pesada all�, 853 00:50:22,460 --> 00:50:24,189 hay un misterio ah� hay... 854 00:50:24,295 --> 00:50:27,526 realmente hay melod�as....dulces. 855 00:50:27,632 --> 00:50:32,035 Y hay, ya sabes, algo que abrasa tambi�n. 856 00:50:32,137 --> 00:50:33,536 Pero todo eso est� all�, 857 00:50:33,638 --> 00:50:37,699 y realmente tienes que sentarte con ello.. 858 00:50:37,809 --> 00:50:40,607 Tienes que permitirte a ti mismo el tiempo 859 00:50:40,712 --> 00:50:42,771 para conseguir algo de ello. 860 00:50:42,881 --> 00:50:46,442 No es casualidad que Wilco no hubiera sido cuestionado 861 00:50:46,551 --> 00:50:49,145 Cuando yo era presidente de Reprise Records. 862 00:50:49,254 --> 00:50:52,485 Ahora estamos en... una cultura... 863 00:50:52,590 --> 00:50:54,455 no s�lo de negocio, sino una cultura... 864 00:50:54,559 --> 00:50:56,493 en la cual esperamos que todo ocurra 865 00:50:56,594 --> 00:50:58,152 as�. 866 00:50:58,263 --> 00:51:00,288 Y sabes, tienes gente afuera 867 00:51:00,398 --> 00:51:02,628 andando alrededor, hablando con sus celulares. 868 00:51:02,734 --> 00:51:05,066 Y sabes, la escencia de la conversaci�n es, 869 00:51:05,170 --> 00:51:07,434 "Estar� all� en cinco minutos. " 870 00:51:07,539 --> 00:51:08,938 A qui�n mierda le importa? 871 00:51:09,040 --> 00:51:10,940 S�lo estate ah� en cinco minutos. 872 00:51:11,042 --> 00:51:12,600 No hables sobre ello. 873 00:51:12,710 --> 00:51:14,439 Ya sabes, es... consigues... 874 00:51:14,546 --> 00:51:20,576 la gente est� tan impaciente y como resultado de ello, ya sabes 875 00:51:20,685 --> 00:51:23,813 nosotros estamos buscando cosas en caminos como, 876 00:51:23,922 --> 00:51:27,153 "Bien, cu�nto tiempo tengo para dedicarle a esto?" 877 00:51:27,258 --> 00:51:31,217 y es realmente triste, porque ya sabes, la m�sica, el arte, 878 00:51:31,329 --> 00:51:34,025 la literatura, la poes�a, sabes 879 00:51:34,132 --> 00:51:37,226 incluso toda la tecnolog�a... los inventos tecnol�gicos... 880 00:51:37,335 --> 00:51:39,803 no est�n destinados a ser 881 00:51:39,904 --> 00:51:42,998 hechos con esa rapidez. 882 00:51:43,107 --> 00:51:45,507 Era, como, un tipo de shock 883 00:51:45,610 --> 00:51:50,138 como ser abofeteado en la cara con... 884 00:51:50,248 --> 00:51:52,682 um... 885 00:51:52,784 --> 00:51:59,519 este mundo calculado de... empresas, 886 00:51:59,624 --> 00:52:01,148 internacionales, multinacionales... lo que sea. 887 00:52:02,694 --> 00:52:05,026 # I'd like to thank you all # 888 00:52:05,129 --> 00:52:07,529 # For nothin ' # 889 00:52:07,632 --> 00:52:11,227 # I'd like to thank you all for nothin ' at all # 890 00:52:11,336 --> 00:52:13,634 # I'd like to thank you # 891 00:52:13,738 --> 00:52:14,796 # Nothin ' # 892 00:52:14,906 --> 00:52:16,373 # Nothin ' # 893 00:52:16,474 --> 00:52:17,236 # Nothin ' # 894 00:52:17,342 --> 00:52:18,900 # Nothin ' # 895 00:52:19,010 --> 00:52:20,170 # Nothin ' # 896 00:52:20,278 --> 00:52:21,302 # Nothin ' # 897 00:52:21,412 --> 00:52:22,811 # Nothin ' # 898 00:52:22,914 --> 00:52:24,142 # Nothin ' # 899 00:52:24,249 --> 00:52:25,477 # Nothin ' # 900 00:52:25,583 --> 00:52:26,811 # Nothin ' # 901 00:52:26,918 --> 00:52:28,146 # Nothin ' # 902 00:52:28,253 --> 00:52:29,379 # Nothin ' # 903 00:52:29,487 --> 00:52:30,715 # Nothin ' # 904 00:52:30,822 --> 00:52:31,914 # Nothin ' # 905 00:52:32,023 --> 00:52:33,251 # Nothin ' # 906 00:52:33,358 --> 00:52:34,484 # Nothin ' # 907 00:52:34,592 --> 00:52:35,752 # Nothin ' # 908 00:52:35,860 --> 00:52:36,918 # Nothin ' # 909 00:52:37,028 --> 00:52:38,086 # Nothin ' # 910 00:52:38,196 --> 00:52:39,424 # Nothin ' # 911 00:52:39,531 --> 00:52:40,691 # Nothin ' # 912 00:52:40,798 --> 00:52:41,992 # Nothin ' # 913 00:52:42,100 --> 00:52:43,158 # Nothin ' # 914 00:52:43,268 --> 00:52:44,462 # Nothin ' # 915 00:52:44,569 --> 00:52:45,797 # Nothin ' # 916 00:52:45,904 --> 00:52:46,962 # Nothin ' # 917 00:52:47,071 --> 00:52:48,299 # Nothin ' # 918 00:52:48,406 --> 00:52:49,566 # Nothin ' # 919 00:52:49,674 --> 00:52:50,800 # Nothin ' # 920 00:52:50,909 --> 00:52:52,069 # Nothin ' # 921 00:52:52,176 --> 00:52:53,336 # Nothin ' # 922 00:52:53,444 --> 00:52:54,604 # Nothin ' # 923 00:52:54,712 --> 00:52:55,872 # Nothin ' # 924 00:52:55,980 --> 00:52:57,140 # Nothin ' # 925 00:52:57,248 --> 00:52:58,476 # Nothin ' # 926 00:52:58,583 --> 00:53:00,983 # Nothin ' at all # 927 00:53:12,196 --> 00:53:16,098 Veo una banda que es realmente ambiciosa art�sticamente 928 00:53:16,200 --> 00:53:19,431 No es una historia VH1 "Behind the Music". 929 00:53:19,537 --> 00:53:23,940 No es una historia de de esas de drogas, grupies y celebridades. 930 00:53:24,042 --> 00:53:26,704 La historia de esta banda es la m�sica. 931 00:53:26,811 --> 00:53:28,244 Dentro de 20 a�os, 932 00:53:28,346 --> 00:53:31,406 probablemente van a recibir m�s debido a lo que son ahora. 933 00:53:31,516 --> 00:53:33,541 No creo que sea una banda que se ajusta dentro 934 00:53:33,651 --> 00:53:36,085 de un mont�n de m�sica que se da por la radio. 935 00:53:36,187 --> 00:53:38,917 La apreciaci�n de sus discos va a incrementarse 936 00:53:39,023 --> 00:53:40,490 con el paso del tiempo. 937 00:53:57,609 --> 00:54:00,669 En la realizaci�n de este disco, siento que no tuve apoyo... 938 00:54:00,778 --> 00:54:01,676 en nada. 939 00:54:01,779 --> 00:54:05,010 Emocional, financiero... lo que sea. 940 00:54:05,116 --> 00:54:07,209 Luego, en alg�n momento del proceso, 941 00:54:07,318 --> 00:54:10,776 empiezas a preguntarte a ti mismo: �por qu� estamos...?�Qu� est�n haciendo? 942 00:54:10,888 --> 00:54:12,287 No necesitamos el dinero. 943 00:54:12,390 --> 00:54:14,449 La banda puede salir y dar conciertos 944 00:54:14,559 --> 00:54:18,620 y hacer dinero para pagar los discos... 945 00:54:18,730 --> 00:54:22,757 No est�n recibiendo a la banda en la radio. 946 00:54:22,867 --> 00:54:27,668 Um... sabes, realmente... en este momento, para m�, 947 00:54:27,772 --> 00:54:32,106 su valor es realmente, es realmente cuestionable para nosotros. 948 00:55:07,645 --> 00:55:11,376 # I've got you and it's all I need # 949 00:55:11,482 --> 00:55:15,282 # I've got you and it's all I need # 950 00:55:15,386 --> 00:55:19,186 # I've got you and it's all I need # 951 00:55:19,290 --> 00:55:20,917 # I got you # 952 00:55:22,927 --> 00:55:26,658 # I got you and I still believe # 953 00:55:26,764 --> 00:55:30,165 # That you are all I will ever need # 954 00:55:30,268 --> 00:55:31,292 # It's you # 955 00:55:34,138 --> 00:55:35,264 # All # 956 00:55:37,875 --> 00:55:42,107 # All the way back in the Seventies # 957 00:55:42,213 --> 00:55:45,944 # You were my little TV queen # 958 00:55:46,050 --> 00:55:49,781 # Your Tarzan and your friend Janine # 959 00:55:49,887 --> 00:55:51,684 # I got you # 960 00:55:53,725 --> 00:55:57,627 # I got you and I still believe # 961 00:55:57,729 --> 00:56:00,789 # That you are all I will ever need # 962 00:56:00,898 --> 00:56:02,058 # It's you # 963 00:56:04,736 --> 00:56:05,964 # All # 964 00:56:37,935 --> 00:56:41,666 # It's the end of the century # 965 00:56:41,773 --> 00:56:44,970 # And I can't think of anything # 966 00:56:49,013 --> 00:56:51,243 # Ex cept you # 967 00:56:52,683 --> 00:56:56,915 # Now it's the end of the century # 968 00:56:57,021 --> 00:56:59,717 # And I can't think of anything # 969 00:56:59,824 --> 00:57:01,314 # But you # 970 00:57:03,995 --> 00:57:05,462 # All # 971 00:57:07,832 --> 00:57:09,129 # All # 972 00:57:11,602 --> 00:57:13,069 # I # 973 00:57:15,573 --> 00:57:23,708 # Ne-e-e-e-ed # 974 00:57:46,237 --> 00:57:48,205 # I got you # 975 00:57:50,174 --> 00:57:52,642 # I got you, babe # 976 00:57:52,743 --> 00:57:55,541 # Whoo-hoo-hoo-hoo # 977 00:57:57,281 --> 00:58:00,341 # Whoo-hoo, hoo-hoo # 978 00:58:00,451 --> 00:58:02,851 Aah! 979 00:58:27,211 --> 00:58:28,940 Muchas gracias. Que tengan una buena noche. 980 00:59:04,048 --> 00:59:06,107 Que bueno verte, hermano. 981 00:59:06,217 --> 00:59:07,946 Aw. 982 00:59:08,052 --> 00:59:09,417 Whoa, whoa, whoa. 983 00:59:09,520 --> 00:59:11,249 Espera, espera, espera, espera. 984 00:59:18,129 --> 00:59:20,757 No podr�an s�lo permitirles hacerlo por su propia cuenta? 985 00:59:22,833 --> 00:59:23,891 Acaparamiento, cerdo. 986 00:59:24,001 --> 00:59:25,901 Le estoy robando la pizza a la banda. 987 00:59:26,003 --> 00:59:27,732 Oh, me descubrieron 988 00:59:27,838 --> 00:59:29,237 Lo siento, amigo. 989 00:59:29,340 --> 00:59:31,900 - Est� todo bien? Todo bien? - Alguien tiene una lapicera? 990 00:59:37,014 --> 00:59:39,915 No tengo nada para que me firmes! 991 00:59:40,017 --> 00:59:41,575 Dile que te firme en el culo. 992 00:59:41,686 --> 00:59:43,244 S�lo bromeaba. 993 00:59:43,354 --> 00:59:44,753 Yeah, puedo hacer eso. 994 00:59:44,855 --> 00:59:46,254 Me tienes que firmar las tetas. 995 00:59:46,357 --> 00:59:48,052 En realidad... lo har�as? 996 00:59:48,159 --> 00:59:49,854 No se Nunca .... 997 00:59:49,961 --> 00:59:52,521 De hecho, alguien de la banda lo hizo una vez. 998 00:59:52,630 --> 00:59:55,428 Me puedes firmar el culo. No tengo otra cosa para que me firmes. 999 00:59:55,533 --> 00:59:56,625 - En serio? - Quieres? 1000 00:59:56,734 --> 00:59:58,964 Si le firmas el culo a ella, tendr�s que firmar el m�o. 1001 00:59:59,070 --> 01:00:01,561 Y si le firmas el culo a ella, tendr�s que firmar el m�o. 1002 01:00:01,672 --> 01:00:03,833 Puedes firmarme el pecho. 1003 01:00:04,205 --> 01:00:06,969 Eso es lo que Jimmy... Oh, vimos a Jimmy en el, uh... 1004 01:00:07,074 --> 01:00:09,770 - Estamos probando la iluminaci�n? - Prueba de sonido. 1005 01:00:09,877 --> 01:00:12,539 ...con Straitjackets en el ascensor la otra noche. 1006 01:00:12,646 --> 01:00:13,943 Recuerdas el tipo que estaba... 1007 01:00:14,048 --> 01:00:15,948 - Oh. Oh, dios m�o!. - Jimmy Lester? 1008 01:00:16,050 --> 01:00:18,109 - Qu�? - Lo siento. Lo siento. 1009 01:00:18,219 --> 01:00:19,117 Esto es un... 1010 01:00:19,220 --> 01:00:22,986 M encontr� con Bob de "Sesame Street" ayer... 1011 01:00:23,090 --> 01:00:24,148 anoche. 1012 01:00:24,258 --> 01:00:25,316 - Bob? - Oh. 1013 01:00:25,426 --> 01:00:27,326 Conoces a Bob? Alguien sabe qui�n es Bob? 1014 01:00:27,428 --> 01:00:28,656 - Yeah. - No lo recuerdo. 1015 01:00:28,762 --> 01:00:30,491 - C�mo te lo encontraste? - Estaba en nuestro hotel. 1016 01:00:30,598 --> 01:00:32,828 Est� haciendo un show para chicos mientras nosotros hablamos. 1017 01:00:32,933 --> 01:00:33,900 Oh, man. 1018 01:00:34,001 --> 01:00:35,593 El es como, "Yeah, consegu� a... 1019 01:00:35,703 --> 01:00:38,171 Big Bird, viene ma�ana, y estamos... " 1020 01:00:39,773 --> 01:00:42,071 All� esta Jay ahora mismo mientras hablamos. 1021 01:00:43,611 --> 01:00:46,808 as� que, aunque ya se haya quemado, 1022 01:00:46,914 --> 01:00:49,439 pero J. P.pregunt� si podr�amos salvarle 1023 01:00:49,550 --> 01:00:51,415 del escenario por un rato. 1024 01:00:51,519 --> 01:00:52,486 hasta... 1025 01:00:52,586 --> 01:00:54,144 hasta que termine la prueba de sonido? 1026 01:00:54,255 --> 01:00:57,349 Hasta que Jay conisga, uh, hacerlo? 1027 01:00:57,458 --> 01:00:59,858 Ha estado aqu� desde las 6:00 de la ma�ana? 1028 01:01:05,966 --> 01:01:09,902 caballeros, tenemos como 35 minutos para hacer todo esto. 1029 01:01:13,507 --> 01:01:18,001 Si, vamos, Glenn, vamos a... Jay Bennett, 1030 01:01:18,112 --> 01:01:21,513 todo el teclado entero la guitarra el�ctrica de Jay Bennett. 1031 01:01:21,615 --> 01:01:22,877 Mantenlos all�. 1032 01:01:22,983 --> 01:01:25,144 Despu�s de Jay, haremos lo de Johnny bien r�pido, 1033 01:01:25,252 --> 01:01:27,948 Mr. Tweedy, permite que Leroy consiga lo que �l requiera. 1034 01:01:28,055 --> 01:01:30,683 S�lo vamos a tener tiempo de hacer dos canciones. 1035 01:01:40,634 --> 01:01:42,363 Listo. Hey, hey, hey. 1036 01:01:43,304 --> 01:01:45,204 El delay no est� funcionando. 1037 01:01:45,306 --> 01:01:48,867 # You have to learn how to die # 1038 01:01:48,976 --> 01:01:53,106 # If you want to want to be alive # 1039 01:01:58,018 --> 01:02:00,316 # You have to die # 1040 01:02:01,555 --> 01:02:04,183 # You have to die # 1041 01:02:07,127 --> 01:02:10,961 # You have to learn how to die # 1042 01:02:11,065 --> 01:02:14,865 # If you want to want to be alive # 1043 01:02:38,292 --> 01:02:40,590 - Whoo! - Whoo! 1044 01:02:50,104 --> 01:02:52,800 # I know we don't talk much # 1045 01:02:52,906 --> 01:02:54,965 # But you're such a good talker # 1046 01:02:55,075 --> 01:02:56,474 # Oh, oh # 1047 01:02:56,577 --> 01:02:59,978 # Well, I know we should take a walk # 1048 01:03:00,080 --> 01:03:02,048 # But you're such a fast walker # 1049 01:03:02,149 --> 01:03:03,343 # Oh, oh # 1050 01:03:03,450 --> 01:03:04,576 # Well, all right # 1051 01:03:07,054 --> 01:03:10,023 # I know where I'll be tonight # 1052 01:03:10,124 --> 01:03:11,853 # All right # 1053 01:03:14,395 --> 01:03:17,387 # Outta mind, outtasite # 1054 01:03:17,498 --> 01:03:19,398 No, no. John me est� presntando. 1055 01:03:19,500 --> 01:03:21,092 - Oh, okay. - Y entonces ir� por ti. 1056 01:03:21,201 --> 01:03:22,532 - Okay. - Okay? 1057 01:03:22,636 --> 01:03:24,570 Cu�ndo estar� el nuevo album disponible para que la gente 1058 01:03:24,672 --> 01:03:25,570 vaya y lo compre? 1059 01:03:25,673 --> 01:03:26,901 Es una buena pregunta. 1060 01:03:27,007 --> 01:03:28,565 # I know you probably hate me # 1061 01:03:28,676 --> 01:03:30,906 # That's okay with me # 1062 01:03:31,011 --> 01:03:32,808 # All right # 1063 01:03:35,282 --> 01:03:36,840 # I know where I'll be tonight # 1064 01:03:36,950 --> 01:03:38,508 Buenas tardes, buenas noches, 1065 01:03:38,619 --> 01:03:41,520 y Feliz D�a de la Independencia para todos. 1066 01:03:41,622 --> 01:03:43,180 Por favor, den la bienvenida 1067 01:03:43,290 --> 01:03:48,387 a una de las bandas m�s excitantes e innovadoras de America, 1068 01:03:48,495 --> 01:03:49,985 Wilco! 1069 01:03:54,768 --> 01:04:00,263 # You don't see me now-ow-ow # 1070 01:04:01,642 --> 01:04:08,571 # You don't want to any... # 1071 01:04:08,682 --> 01:04:10,309 # how-ow-ow # 1072 01:04:14,988 --> 01:04:16,888 # Well, look out # 1073 01:04:16,990 --> 01:04:20,824 # Here I come again and I'm bringing my friends # 1074 01:04:22,129 --> 01:04:24,029 # I said look out # 1075 01:04:24,131 --> 01:04:25,860 # Here I come again # 1076 01:04:25,966 --> 01:04:27,866 # I'm bringing my friends # 1077 01:04:27,968 --> 01:04:29,435 # Okay? All right? Okay? # 1078 01:04:29,536 --> 01:04:31,299 # All right I # 1079 01:04:32,873 --> 01:04:35,034 # I know where I'll be tonight # 1080 01:04:36,076 --> 01:04:37,270 # All right # 1081 01:04:39,747 --> 01:04:43,308 # Outta mind, outtasite # 1082 01:04:43,417 --> 01:04:46,648 # Outta mind, outtasite # 1083 01:04:46,754 --> 01:04:51,282 # Outta mind, outtasite # 1084 01:04:51,392 --> 01:04:53,257 # All right I # 1085 01:05:00,968 --> 01:05:03,368 1086 01:05:18,685 --> 01:05:20,050 Hablemos sobre Jay. 1087 01:05:20,154 --> 01:05:22,782 Bueno. Probablemente no tenga mucho para decir. 1088 01:05:22,890 --> 01:05:24,118 - Okay. - Te advierto. 1089 01:05:24,224 --> 01:05:25,452 Okay. 1090 01:05:25,559 --> 01:05:29,154 Seg�n entiendo, de loq ue he escuchado en el "gravepine" 1091 01:05:29,263 --> 01:05:31,493 eso era una especie de separaci�n amigable 1092 01:05:31,598 --> 01:05:33,896 y eso....eh..yo... 1093 01:05:34,001 --> 01:05:35,559 no se si eso es cierto 1094 01:05:35,669 --> 01:05:37,864 pero es el tipo de rumores que no se siente 1095 01:05:37,971 --> 01:05:40,337 que haya tenido tanta importancia en las canciones 1096 01:05:40,441 --> 01:05:42,432 como deber�a haber tenido, uh... 1097 01:05:42,543 --> 01:05:45,068 Pienso que, hay algo de verdad en todo eso, 1098 01:05:45,179 --> 01:05:47,704 y creo que hay un esfuerzo... 1099 01:05:47,815 --> 01:05:50,181 hay un esfuerzo hecho por ello para ser amigable. 1100 01:05:50,284 --> 01:05:54,015 Des de que Jeff'gira en solitario y Glenn se uni� a la banda, 1101 01:05:54,121 --> 01:05:58,023 uh, algunas din��micas en el grupo se han alterado 1102 01:05:58,125 --> 01:06:00,525 en.....muchas formas. 1103 01:06:00,627 --> 01:06:04,461 Pienso que la contribuci�n de Jay a la banda en el tiempo 1104 01:06:04,565 --> 01:06:07,500 y nuestra colaboraci�n fueron importantes 1105 01:06:07,601 --> 01:06:09,694 y fue valorada por la banda. 1106 01:06:09,803 --> 01:06:14,240 En cuanto a las circunstancias, dej�ndole a un lado, 1107 01:06:14,341 --> 01:06:17,071 realmente pienso que eso ayuda a Jay a definirse. 1108 01:06:17,177 --> 01:06:22,410 En cuando a mi,...mi percepci�n 1109 01:06:22,516 --> 01:06:24,484 no podr�a estar m�s feliz. 1110 01:06:24,585 --> 01:06:25,517 Jeff estaba convencido 1111 01:06:25,619 --> 01:06:27,519 de que realmente necesitaba hablar con Jay directamente 1112 01:06:27,621 --> 01:06:29,316 y necesitaba ser �l quien lo hiciera. 1113 01:06:29,423 --> 01:06:30,981 NOs sentamos y dijo, 1114 01:06:31,091 --> 01:06:34,788 "Creo ya no puedo hacer m�sica contigo. " 1115 01:06:34,895 --> 01:06:36,624 Y yo le dije, "Por qu�?" 1116 01:06:36,730 --> 01:06:40,496 y, uh... 1117 01:06:40,601 --> 01:06:45,334 No estoy seguro de tener una respuesta que tenga sentido para mi. 1118 01:06:45,439 --> 01:06:48,840 Jay llev� a cabo su bienvenida de muchas formas. 1119 01:06:48,942 --> 01:06:54,903 Es dif�cil trabajar con alguien... 1120 01:06:56,783 --> 01:06:59,650 que... necesita m�s de lo que puedes .. 1121 01:06:59,753 --> 01:07:01,482 de lo que puedes darle. 1122 01:07:01,588 --> 01:07:05,490 Y, sabes, estoy m�s interesado en...... 1123 01:07:05,592 --> 01:07:07,992 tocar m�sica con gente con la que puedo compartir 1124 01:07:08,095 --> 01:07:09,688. que entrega cosas 1125 01:07:09,796 --> 01:07:12,526 Jeff se sent�a amenazado por mi. 1126 01:07:12,633 --> 01:07:14,191 Eso est� claro. 1127 01:07:14,301 --> 01:07:17,862 Por la atenci�n que yo estaba recibiendo. 1128 01:07:17,971 --> 01:07:22,533 Um... 1129 01:07:22,643 --> 01:07:25,203 Quer�a a la banda de vuelta. As� de simple. 1130 01:07:25,312 --> 01:07:26,870 Esa es una respuesta simple.. 1131 01:07:26,980 --> 01:07:29,881 Sabes, Jeff entr� en esta larga analog�a 1132 01:07:29,983 --> 01:07:32,816 sobre como un c�rculo necesita un centro, sabes? 1133 01:07:32,920 --> 01:07:35,218 Buneo, �l iba a ser ese centro, no? 1134 01:07:35,322 --> 01:07:36,880 Y no iba a ser el centro. 1135 01:07:36,990 --> 01:07:39,891 Es dif�cil para mi hablar de ello. 1136 01:07:39,993 --> 01:07:45,260 Um, quiero decir, conozco a Jay desde hace...16 a�os?? 1137 01:07:45,365 --> 01:07:47,230 17 a�os? 1138 01:07:47,367 --> 01:07:54,967 y... nuestra amistad tuvo, uh... 1139 01:07:55,075 --> 01:07:56,975 sigui� su curso. 1140 01:07:57,077 --> 01:08:00,513 Hay mucho poder relacionado en los asuntos de Wilco, 1141 01:08:00,614 --> 01:08:02,013 y las personas son... 1142 01:08:02,115 --> 01:08:04,675 ellos no quieren perder su grandeza, man. 1143 01:08:04,785 --> 01:08:07,686 Y as� que ellos no quieren quedarse afuera 1144 01:08:07,788 --> 01:08:12,088 de sus peque�os, uh, um... 1145 01:08:12,192 --> 01:08:15,753 uh... roles encasillados. 1146 01:08:15,862 --> 01:08:19,457 porque si lo hacen, esto es lo que ocurre. 1147 01:08:19,566 --> 01:08:22,933 Pienso que todos nosotros supimos que ser�amos m�s felices al final, 1148 01:08:23,036 --> 01:08:25,334 y pienso que Jay estar�a totalmente de acuerdo conmigo. 1149 01:08:26,173 --> 01:08:28,107 No fue un shock total para mi 1150 01:08:28,208 --> 01:08:30,267 que me sugirieran abandonar Wilco. 1151 01:08:30,377 --> 01:08:33,369 Lo hab�a tenido presente antes. 1152 01:08:33,480 --> 01:08:37,041 De hecho, habl� con Leroy sobre esto extensamente... 1153 01:08:37,150 --> 01:08:42,213 que, y cit�ndome a mi mismo, "Mis d�as en Wilco est�n contados. " 1154 01:08:42,322 --> 01:08:44,722 Yo pensaba muy, muy en serio 1155 01:08:44,825 --> 01:08:46,554 acerca de abandonar el grupo. 1156 01:08:46,660 --> 01:08:49,060 S�lo he pasado de estar golpeado a el golpe. 1157 01:08:49,162 --> 01:08:54,065 Cuando eres Jay Bennett o quienquiera y abandonas el grupo, 1158 01:08:54,167 --> 01:08:56,692 tienes que empezar todo de nuevo. 1159 01:08:56,803 --> 01:09:00,432 Vas a volver a toca para 35 personas 1160 01:09:00,540 --> 01:09:04,704 o 100 o lo que sea despu�s de haber llenado teatros. 1161 01:09:04,811 --> 01:09:08,212 # So sleep now # 1162 01:09:08,315 --> 01:09:10,715 # M y darlin ' # 1163 01:09:10,817 --> 01:09:16,778 # And I will keep all the bad dreams away # 1164 01:09:17,991 --> 01:09:21,518 # And breathe now # 1165 01:09:21,628 --> 01:09:24,461 # Breathe easy # 1166 01:09:24,564 --> 01:09:29,695 # And I will say all the right things to say # 1167 01:09:30,837 --> 01:09:34,830 # Because we made you # 1168 01:09:34,941 --> 01:09:37,569 # M y darlin ' # 1169 01:09:37,678 --> 01:09:44,083 # From a love that was in our hearts # 1170 01:09:44,184 --> 01:09:48,211 # We were a family # 1171 01:09:48,321 --> 01:09:52,553 # M y darlin ', right from the start # 1172 01:10:04,304 --> 01:10:07,467 # Grow up now # 1173 01:10:07,574 --> 01:10:10,475 # M y darlin ' # 1174 01:10:10,577 --> 01:10:15,640 # J ust don't grow up so fast # 1175 01:10:17,417 --> 01:10:20,648 # Be careful # 1176 01:10:20,754 --> 01:10:23,723 # M y darlin ' # 1177 01:10:23,824 --> 01:10:27,624 # But make all the good times last # 1178 01:10:27,728 --> 01:10:29,628 Ellos entregaron un buen disco, 1179 01:10:29,730 --> 01:10:31,891 y pienso que es un disco de una compa��a que, 1180 01:10:31,998 --> 01:10:33,056 por la raz�n que sea, 1181 01:10:33,166 --> 01:10:35,566 no puede manejar este tipo de grandes discos. 1182 01:10:35,669 --> 01:10:39,799 As� que, fant�stico. Vamos a hacer algo m�s. 1183 01:10:39,906 --> 01:10:40,372 No se como hacer 1184 01:10:40,474 --> 01:10:41,372 1185 01:10:41,508 --> 01:10:43,533 algo distinto al disco que hicimos, 1186 01:10:43,643 --> 01:10:47,545 y creo que entretener 1187 01:10:47,647 --> 01:10:53,847 a toda esa mierda temerosa y asustada 1188 01:10:53,954 --> 01:10:58,789 ser�a comprometer algo que es una gran parte de mi alma. 1189 01:10:58,892 --> 01:11:01,622 Sabes? Es como una parte de mi coraz�n. 1190 01:11:01,728 --> 01:11:05,164 Y no estoy interesado en hacer eso nunca m�s. 1191 01:11:05,265 --> 01:11:07,825 Pienso que es un disco muy, muy fuerte. 1192 01:11:07,934 --> 01:11:09,333 Pienso que es una declaraci�n. 1193 01:11:09,436 --> 01:11:11,802 Pienso que es el disco adecuado para ellos para hacer... 1194 01:11:11,905 --> 01:11:13,463 ahora, en su carrera. 1195 01:11:13,573 --> 01:11:16,303 Y pienso que hay docenas de sellos 1196 01:11:16,409 --> 01:11:19,139 que estar�an extasiados de tenerlos 1197 01:11:19,246 --> 01:11:21,840 y quienes, si les entregas este disco, 1198 01:11:21,948 --> 01:11:24,508 Podr�an llamarte y, ya sabes podr�an excitarse. 1199 01:11:24,618 --> 01:11:25,516 Eso es todo. 1200 01:11:25,619 --> 01:11:28,679 Ya sabes, eso es de lo que estoy cansado, de estar sin entusiasmo. 1201 01:11:28,789 --> 01:11:32,691 Por qu� se dej� a Wilco, uh, 24 horas despu�s de entregar 1202 01:11:32,793 --> 01:11:34,852 un disco como "Yankee Hotel Foxtrot"? 1203 01:11:34,961 --> 01:11:37,361 Um... quiero decir, 1204 01:11:37,464 --> 01:11:39,523 hemos contemplado esa cuesti�n durante un largo tiempo 1205 01:11:39,633 --> 01:11:41,032 durante el verano, y al final 1206 01:11:41,134 --> 01:11:43,398 creo que Tony yo s�lo pusimos las manos arriba 1207 01:11:43,503 --> 01:11:45,698 y dijimos, "supongo que estamos contentos con que ocurriera, 1208 01:11:45,806 --> 01:11:47,671 "y no vamos a tratar de analizarlo intensivamente 1209 01:11:47,774 --> 01:11:49,071 m�s. " 1210 01:11:49,176 --> 01:11:50,973 Pero, realmente creo, mirando atr�s 1211 01:11:51,077 --> 01:11:52,567 fue debido al marketing. 1212 01:11:52,679 --> 01:11:55,409 Y es debido a que tienes un artista como Jeff Tweedy 1213 01:11:55,515 --> 01:11:57,642 que saca, tu sabes... 1214 01:11:57,751 --> 01:12:02,211 cuatro o cinco discos en fila con una compa��a de discos 1215 01:12:02,322 --> 01:12:05,223 y ellos han sido capaces de llevar las ventas a un nivel 1216 01:12:05,325 --> 01:12:08,783 donde eso est� realmente afectando su l�nea de base. 1217 01:12:08,895 --> 01:12:10,192 Ellos, supongo, 1218 01:12:10,297 --> 01:12:13,323 dejaron de pensar en ellos desde un punto de vista art�stico 1219 01:12:13,433 --> 01:12:16,163 y s�lo dijeron, "No ganamos dinero con este tipo. " 1220 01:12:16,269 --> 01:12:19,898 Y entonces entrega un disco el cual, por las razones que sea 1221 01:12:20,006 --> 01:12:24,238 ellos lo eval�an como un comienzo dif�cil de llevar 1222 01:12:24,344 --> 01:12:27,836 al siguiente nivel de atenci�n p�blica, 1223 01:12:27,948 --> 01:12:31,008 as� que dijeron, "Bien, okay, no vamos a... " 1224 01:12:31,117 --> 01:12:34,644 Supongo, por usar una frase... "malgastar el dinero." 1225 01:12:34,754 --> 01:12:37,951 "Hemos gastado $ 200, 000 grabando este disco, 1226 01:12:38,058 --> 01:12:40,618 "pero nos va costarr $300, 000 o lo que sea 1227 01:12:40,727 --> 01:12:43,127 "para lanzar una campa�a de marketing, 1228 01:12:43,230 --> 01:12:46,597 y �nicamente pensamos que no vamos a traer el dinero de vuelta. " 1229 01:12:46,700 --> 01:12:49,100 As� que despedimos al artista. 1230 01:12:49,202 --> 01:12:53,036 Um, esto, por supuesto crea una situaci�n para nosotros 1231 01:12:53,139 --> 01:12:55,869 donde tenemos un disco acabado y queremos sacarlo. 1232 01:12:55,976 --> 01:12:58,376 "Yankee Hotel Foxtrot" est� actualmente transform�ndose 1233 01:12:58,478 --> 01:12:59,877 en una especie de met�fora. 1234 01:12:59,980 --> 01:13:03,780 Es ahora una medida de lo que las discogr�ficas... 1235 01:13:03,884 --> 01:13:05,943 o ni siquiera tanto las discogr�ficas, 1236 01:13:06,052 --> 01:13:08,816 sino las corporaciones que manejas las discogr�ficas... 1237 01:13:08,922 --> 01:13:10,651 est�n dispuestas a soportar. 1238 01:13:10,757 --> 01:13:13,157 En �ltima instancia, lo que se reduce a que 1239 01:13:13,260 --> 01:13:15,922 le hab�an dicho a Jeff Tweedy, "No nos gusta tu album. 1240 01:13:16,029 --> 01:13:17,428 no queremos sacarlo. " 1241 01:13:17,530 --> 01:13:20,021 Al final, sabes, 1242 01:13:20,133 --> 01:13:23,034 realmente no importa quien saca el disco. 1243 01:13:23,136 --> 01:13:27,197 Eventualmente, ya sea en el futuro pr�ximo 1244 01:13:27,307 --> 01:13:31,209 o en un futuro muy lejano, 1245 01:13:31,311 --> 01:13:32,869 alguien va a hacerlo. 1246 01:13:32,979 --> 01:13:36,176 Mientras la m�sica est� disponible, alguien la va a escuchar. 1247 01:13:36,283 --> 01:13:38,183 El sello debe encontrarlo por ser 1248 01:13:38,285 --> 01:13:40,480 algo relacionado con las relaciones p�blicas, 1249 01:13:40,587 --> 01:13:43,147 porque la prensa realmente se siente sobre la situaci�n 1250 01:13:43,256 --> 01:13:45,986 como algo de un.. 1251 01:13:46,092 --> 01:13:48,356 usando Jeff como un poster boy en cuanto a los problemas 1252 01:13:48,461 --> 01:13:50,691 que le correspond�an a las compa��as de discos... 1253 01:13:50,797 --> 01:13:52,662 y en particular Warner Brothers... 1254 01:13:52,766 --> 01:13:54,165 con su lista de artistas 1255 01:13:54,267 --> 01:13:57,168 Y no lo quer�an echar a perder m�s de lo que ya lo hab�an hecho. 1256 01:13:57,270 --> 01:14:02,003 As� que ellos, um, despu�s de un mont�n de, uh, 1257 01:14:02,108 --> 01:14:03,905 conversaciones ansiosas, 1258 01:14:04,010 --> 01:14:05,671 dijeron, "Pensamos que lo correcto 1259 01:14:05,779 --> 01:14:07,838 "es permitirte tener el control de tu disco donde sea... 1260 01:14:07,948 --> 01:14:09,006 como tu quieras. " 1261 01:14:09,115 --> 01:14:10,514 Cada vez que sacamos un disco, 1262 01:14:10,617 --> 01:14:13,381 el tiempo que una compa��a est� dispuesta a 1263 01:14:13,486 --> 01:14:16,683 a realmente a�n, uh, entusiasmarte 1264 01:14:16,790 --> 01:14:18,724 sobre, como trabajar en tu disco 1265 01:14:18,825 --> 01:14:20,053 se vuelve cada vez m�s corto. 1266 01:14:20,160 --> 01:14:24,893 La m�sica no est� limitada a lo que ocrre en un cuarto de negocios. 1267 01:14:24,998 --> 01:14:26,625 Y... 1268 01:14:30,236 --> 01:14:31,794 Sabes... 1269 01:14:31,905 --> 01:14:35,136 esto es un disco, okay? 1270 01:14:35,241 --> 01:14:37,835 Esto es algo que, probablemente, alguien compre 1271 01:14:37,944 --> 01:14:40,435 Pagar�n 15, 16... lo que sea... el dinero que sea por ello. 1272 01:14:40,547 --> 01:14:42,447 Y eso est� bien, pero, sabes, 1273 01:14:42,549 --> 01:14:45,109 lo que est� codificado en alg�n... sitio en el fondo de esto 1274 01:14:45,218 --> 01:14:48,619 este peque�o disco... sabes, eso es lo que impora. 1275 01:14:48,722 --> 01:14:52,783 Este... el artefacto, este objeto... no lo es. 1276 01:14:52,892 --> 01:14:56,453 LO que est� codificado ah�, si no es bueno... 1277 01:14:56,563 --> 01:14:58,121 sabes, lo escuchar�s. 1278 01:14:58,231 --> 01:15:00,529 Y lo entender�s, o no 1279 01:15:00,633 --> 01:15:05,002 y s�lo como... como un... como un escritor, como un fan 1280 01:15:05,105 --> 01:15:07,369 como un tipo que s�lo escucha demasiada m�sica 1281 01:15:07,474 --> 01:15:09,533 sabes, si no lo entiendes 1282 01:15:09,642 --> 01:15:13,237 sabes, s�lo pienso que eso es muy malo. 1283 01:15:19,719 --> 01:15:23,120 # There's a magazine called Sunset # 1284 01:15:23,223 --> 01:15:26,681 # And a tape machine that won't let # 1285 01:15:26,793 --> 01:15:32,629 # Me ever forget this impossible longing for you # 1286 01:15:32,732 --> 01:15:35,724 "Yankee Hotel Foxtrot" ha estado listo 1287 01:15:35,835 --> 01:15:37,530 desde hace 6 meses. 1288 01:15:37,637 --> 01:15:41,596 La banda ha girado un poco, um... 1289 01:15:41,708 --> 01:15:44,438 cosa que sali� de la banda que estaba fuera del trato, 1290 01:15:44,544 --> 01:15:46,705 y empezamos a recibir un mont�n de llamadas, 1291 01:15:46,813 --> 01:15:50,806 um, y b�sicamente empezamos a hablar con la gente. 1292 01:15:50,917 --> 01:15:54,045 Creo que estamos hablando de unos... 1293 01:15:54,154 --> 01:15:58,318 25 o 30 sellos inicialmente, y enotnces, cuando pase el tiempo 1294 01:15:58,425 --> 01:16:01,553 hemos estado bajando gradualmente en las listas, 1295 01:16:01,661 --> 01:16:05,688 estamos hablando del 5 puesto o algo as� 1296 01:16:05,799 --> 01:16:10,031 y espero que se resuelva en una semana o dos. 1297 01:16:10,136 --> 01:16:12,366 No tengo dinero. 1298 01:16:12,472 --> 01:16:14,269 No mucho. 1299 01:16:16,876 --> 01:16:19,845 Oh! s�lo tengo $6. 1300 01:16:19,946 --> 01:16:21,504 Quieres algo de comer, Sammy? 1301 01:16:21,614 --> 01:16:22,512 Si. 1302 01:16:22,615 --> 01:16:24,446 Quiero algo de comer. 1303 01:16:24,551 --> 01:16:25,609 Qu� quieres? 1304 01:16:25,718 --> 01:16:27,117 Gaseosa. 1305 01:16:27,220 --> 01:16:28,778 Gaseosa. 1306 01:16:28,888 --> 01:16:30,788 Cari�o, no tenemos tanto dinero. 1307 01:16:30,890 --> 01:16:31,948 Lo se. 1308 01:16:32,058 --> 01:16:33,787 Conseguir� algo de dinero. 1309 01:16:33,893 --> 01:16:37,920 Nunca en mi mejor... en mi momento m�s optimista 1310 01:16:38,031 --> 01:16:39,862 pens� que iba a estar sentado aqu� 1311 01:16:39,966 --> 01:16:41,729 en la posici�n que estamos ahora, 1312 01:16:41,835 --> 01:16:44,565 que es con un disco terminado 1313 01:16:44,671 --> 01:16:49,631 que...es nuestro para hacer lo que queramos. 1314 01:16:49,742 --> 01:16:53,143 Podr�as decir, ciertamente que la cagaron 1315 01:16:53,246 --> 01:16:56,340 dejando que el grupo se fuera con un disco. 1316 01:16:56,449 --> 01:16:58,178 Es realmente una oportunidad 1317 01:16:58,284 --> 01:17:01,014 que quiz�s se de una sola vez en tu carrera. 1318 01:17:01,121 --> 01:17:04,352 La m�quina de juegos est� apagada. 1319 01:17:05,558 --> 01:17:06,786 No se puede jugar? 1320 01:17:06,893 --> 01:17:11,455 No, se..... se fue para abajo sola. 1321 01:17:11,564 --> 01:17:12,963 Tony, huele el culo de Sam. 1322 01:17:13,066 --> 01:17:14,124 No, gracias. 1323 01:17:14,234 --> 01:17:16,202 Necesito sabe si necesita un pa�al. 1324 01:17:16,302 --> 01:17:17,860 Creo que si. 1325 01:17:19,739 --> 01:17:24,972 Me sorprend� con el n�mero de compa��as 1326 01:17:25,078 --> 01:17:27,842 que estaban dispuestas a pagar una gran cantidad de dinero 1327 01:17:27,947 --> 01:17:30,074 para tener la imagen de Wilco 1328 01:17:30,183 --> 01:17:31,810 # Oh, yeah # 1329 01:17:35,021 --> 01:17:36,613 Lo reconoces? 1330 01:17:36,723 --> 01:17:38,452 Que es? 1331 01:17:38,558 --> 01:17:41,425 - Adivina. Es una de tus canciones. - Una de mis canciones? 1332 01:17:41,528 --> 01:17:43,086 "I'm Trying to Break Your Heart"? 1333 01:17:43,196 --> 01:17:44,094 No. 1334 01:17:44,197 --> 01:17:45,721 Uh, "I Need a Camera"? 1335 01:17:45,832 --> 01:17:46,730 No. 1336 01:17:46,833 --> 01:17:48,892 - "Dreamer in my Dreams"? - No. 1337 01:17:53,306 --> 01:17:54,204 No? 1338 01:17:54,307 --> 01:17:56,241 - "Casino Queen"? - Unh-unh. 1339 01:17:56,342 --> 01:17:58,401 - "California Stars"? - No. 1340 01:17:58,511 --> 01:17:59,739 Dime. 1341 01:17:59,846 --> 01:18:02,747 Es una con un tambor.. 1342 01:18:02,849 --> 01:18:04,612 "Heavy Metal Drummer. " 1343 01:18:04,717 --> 01:18:05,615 Yes! 1344 01:18:05,718 --> 01:18:07,276 Como fue eso? 1345 01:18:12,859 --> 01:18:16,260 # I sincerely miss those heavy metal bands # 1346 01:18:16,362 --> 01:18:20,765 # I used to go see on the landing in the summer # 1347 01:18:20,867 --> 01:18:22,596 # She fell in love with the drummer # 1348 01:18:22,702 --> 01:18:24,602 # She fell in love with the drummer # 1349 01:18:24,704 --> 01:18:26,331 # She fell in love # 1350 01:18:28,541 --> 01:18:33,137 # Shiny, shiny pants and bleached-blond hair # 1351 01:18:33,246 --> 01:18:36,909 # A double kick drum by the river in the summer # 1352 01:18:37,016 --> 01:18:38,916 # She fell in love with the drummer # 1353 01:18:39,018 --> 01:18:40,576 # Another, then another # 1354 01:18:40,687 --> 01:18:42,655 # She fell in love # 1355 01:18:45,525 --> 01:18:50,224 # I miss the innocence I've known # 1356 01:18:52,565 --> 01:18:57,593 # Playing Kiss covers, beautiful and stoned # 1357 01:19:05,278 --> 01:19:09,112 # Unlock my body and move myself to dance # 1358 01:19:09,215 --> 01:19:13,151 # Into warm liquid, flowing, blowing glass # 1359 01:19:13,253 --> 01:19:17,349 # Classical music blasting masks the ringing in my ears # 1360 01:19:17,457 --> 01:19:19,823 The record had started to leak a little bit 1361 01:19:19,926 --> 01:19:21,120 from labels and so on, 1362 01:19:21,227 --> 01:19:23,491 and copies were starting to float around. 1363 01:19:23,596 --> 01:19:27,498 And initially we tried to slow it down... 1364 01:19:27,600 --> 01:19:30,160 we knew we couldn't stop it... and then, at some point, 1365 01:19:30,270 --> 01:19:32,966 I think we just decided, "You know what? It's out there. 1366 01:19:33,072 --> 01:19:35,006 "Let's embrace it and make it available 1367 01:19:35,108 --> 01:19:37,770 through our website if people want to hear it. " 1368 01:19:37,877 --> 01:19:40,607 A lot of people were really aware of the new songs, 1369 01:19:40,713 --> 01:19:43,181 to the point where, I think, a lot of people, 1370 01:19:43,283 --> 01:19:45,808 in the front rows, at least, knew all the words. 1371 01:19:45,918 --> 01:19:50,753 # Playing Kiss covers, beautiful and stoned # 1372 01:19:53,660 --> 01:19:58,791 # I miss the innocence I've known # 1373 01:20:01,634 --> 01:20:06,833 # Playing Kiss covers, beautiful and stoned # 1374 01:20:09,776 --> 01:20:14,941 # Playing Kiss covers, beautiful and stoned # 1375 01:20:18,117 --> 01:20:23,521 # Playing Kiss covers, beautiful and stoned # 1376 01:20:23,623 --> 01:20:25,352 # Whoo-hoo # 1377 01:20:25,458 --> 01:20:27,688 # Whoo-hoo # 1378 01:20:27,794 --> 01:20:31,025 # Whoo-hoo, hey # 1379 01:20:31,130 --> 01:20:33,496 # Whoo-hoo # 1380 01:20:33,599 --> 01:20:35,362 # Whoo-hoo # 1381 01:20:35,468 --> 01:20:38,232 # Whoo-hoo, hey # 1382 01:20:59,926 --> 01:21:06,354 Despu�s de meses de... discusiones y pensamientos, 1383 01:21:06,466 --> 01:21:08,627 hemos decidido firmar... 1384 01:21:08,735 --> 01:21:10,965 La banda va a firmar con Nonesuch Records. 1385 01:21:11,070 --> 01:21:13,971 hemos acordado la mayor�a de los t�rminos, 1386 01:21:14,073 --> 01:21:18,737 as� que el disco saldr� por Nonesuch en abril. 1387 01:21:18,845 --> 01:21:23,339 lo encuntro ir�nico y un poco humor�stico 1388 01:21:23,449 --> 01:21:25,849 que Time Warner sea la compa��a matriz 1389 01:21:25,952 --> 01:21:28,546 de estos dos sellos... Reprise y Nonesuch. 1390 01:21:28,654 --> 01:21:30,713 - Tu eres Jeff? - Yeah. 1391 01:21:30,823 --> 01:21:32,381 - Encantado de conocerte. - Yo tambi�n. 1392 01:21:32,492 --> 01:21:35,120 Una de las razones para firmar con Nonesuch 1393 01:21:35,228 --> 01:21:37,025 es que ten�an la mejor combinaci�n 1394 01:21:37,130 --> 01:21:40,566 de un sello de negocios y una casa creativa. 1395 01:21:40,666 --> 01:21:43,533 Oyendo el disco, ya sabes en los primeros 30 segundos 1396 01:21:43,636 --> 01:21:46,537 sent� que hab�a algo en este disco 1397 01:21:46,639 --> 01:21:48,869 que no hab�a o�do en Wilco antes. 1398 01:21:48,975 --> 01:21:52,536 y eso era, ya sabes... sonaba muy valiente para mi. 1399 01:21:52,645 --> 01:21:55,614 Ya sabes, puede que hayan sido los mismos 30 segundos 1400 01:21:55,715 --> 01:21:56,875 que convencieron a Reprise 1401 01:21:56,983 --> 01:21:58,951 de que no quer�an sacar el disco. 1402 01:22:05,091 --> 01:22:07,958 De acuerdo, est�s preparado para empezar a firmar cosas? 1403 01:22:08,060 --> 01:22:09,084 M m-hmm. 1404 01:22:11,531 --> 01:22:13,829 Yeah, se ve bien. 1405 01:22:13,933 --> 01:22:16,299 Espera. 1406 01:22:16,402 --> 01:22:18,768 Una m�s. 1407 01:22:18,871 --> 01:22:20,998 Esto es para que te paguen. 1408 01:22:21,107 --> 01:22:22,836 Definitivamente firmar� esa. 1409 01:22:22,942 --> 01:22:24,341 Y aqu�. 1410 01:22:24,444 --> 01:22:26,207 Tu firma ah�. 1411 01:22:29,015 --> 01:22:30,573 Y ya est�s de vuelta en el ruedo. 1412 01:22:30,683 --> 01:22:31,741 Gracias. 1413 01:22:31,851 --> 01:22:33,512 Est� hecho. 1414 01:22:36,055 --> 01:22:38,956 # Be not so nervous # 1415 01:22:39,058 --> 01:22:42,118 # Be not so pale # 1416 01:22:42,228 --> 01:22:45,254 # Someone watches you # 1417 01:22:45,364 --> 01:22:48,629 # You will not fail # 1418 01:22:48,734 --> 01:22:52,170 # Be not so nervous, be not so pale # 1419 01:22:54,941 --> 01:22:58,399 # Be not so nervous, be not so pale # 1420 01:23:01,113 --> 01:23:05,914 # Be not so sorry for what you've done # 1421 01:23:07,620 --> 01:23:09,679 # You must forget them now # 1422 01:23:09,789 --> 01:23:11,256 # It's done # 1423 01:23:13,993 --> 01:23:18,692 # And when you wake up, you will find that you can run # 1424 01:23:18,798 --> 01:23:22,165 Hace como dos meses que sali� el disco. 1425 01:23:22,268 --> 01:23:23,826 Los avances est�n aqu�. 1426 01:23:23,936 --> 01:23:25,665 Jeff est� en la ciudad haciendo prensa. 1427 01:23:25,771 --> 01:23:27,830 Se va a Europa la semana que viene para seguir haci�ndolo. 1428 01:23:27,940 --> 01:23:29,669 Ahora empieza todo. 1429 01:23:29,775 --> 01:23:32,801 # Be not so fearful # 1430 01:23:32,912 --> 01:23:36,143 # Be not so frail # 1431 01:23:36,249 --> 01:23:38,479 # Someone watches you # 1432 01:23:38,584 --> 01:23:40,415 # You will not leave the rails # 1433 01:23:40,520 --> 01:23:42,886 Qu� han pasado.. ocho o nueve meses 1434 01:23:42,989 --> 01:23:45,287 desde que plane�ramos sacar el disco 1435 01:23:45,391 --> 01:23:46,688 en otro sello? 1436 01:23:46,792 --> 01:23:50,057 ha sido un largo camino, pero este es s�lo el comienzo 1437 01:23:50,162 --> 01:23:53,461 # Be not so fearful, be not so pale # 1438 01:23:56,168 --> 01:24:00,798 # Be not so sorry for what you've done # 1439 01:24:02,542 --> 01:24:04,510 # You must forget them now # 1440 01:24:04,610 --> 01:24:05,668 # It's done # 1441 01:24:05,778 --> 01:24:07,678 Nosotros... no podr�amos estar m�s excitados 1442 01:24:07,780 --> 01:24:09,008 acerca de las perspectivas a largo plazo 1443 01:24:09,115 --> 01:24:10,844 de ser capaces de trabajar en esta banda. 1444 01:24:10,950 --> 01:24:15,512 # And when you wake up you will find that you can run # 1445 01:24:15,621 --> 01:24:18,852 # Be not so sorry for what you've done # 1446 01:24:18,958 --> 01:24:20,926 Es una largo camino por recorrer, 1447 01:24:21,027 --> 01:24:23,518 pero, sabes, es otra historia ahora, 1448 01:24:23,629 --> 01:24:24,493 y, uh, nosotros, um... no podr�amos ser m�s optimistas. 1449 01:24:41,347 --> 01:24:44,578 # Choo-choo Charlie had a plenty good band # 1450 01:24:44,684 --> 01:24:48,484 # But he couldn't understand why no one would go # 1451 01:24:52,124 --> 01:24:55,685 # The World Record Players on a tour of Japan # 1452 01:24:55,795 --> 01:24:59,856 # Charlie's fixin ' his van with the left arm tan # 1453 01:25:02,368 --> 01:25:07,271 # He said, "Monday, I'm all high # 1454 01:25:07,373 --> 01:25:10,274 # "Get me out of F. L. A. # 1455 01:25:10,376 --> 01:25:14,642 # "In school, yeah, I fooled ya # 1456 01:25:14,747 --> 01:25:17,215 # Now I know I made a mistake" # 1457 01:25:25,691 --> 01:25:27,249 # Blister on the turnpike # 1458 01:25:27,360 --> 01:25:28,918 # Let me by # 1459 01:25:29,028 --> 01:25:32,987 # I only want to wonder why when I don't die # 1460 01:25:36,535 --> 01:25:38,560 # Ooh, I shot ya # 1461 01:25:38,671 --> 01:25:40,400 # Yeah, I know # 1462 01:25:40,506 --> 01:25:44,135 # I only want to go where my wheels roll # 1463 01:25:48,014 --> 01:25:51,916 # Monday, I'm all high # 1464 01:25:52,018 --> 01:25:54,578 # Get me out of F. L. A. # 1465 01:25:54,687 --> 01:25:58,919 # Well, I fooled ya in school, yeah # 1466 01:25:59,025 --> 01:26:01,220 # Now I know I made a mistake # 1467 01:26:35,828 --> 01:26:38,695 # Everybody's wonderin ', "Where'd he go? # 1468 01:26:38,798 --> 01:26:43,098 # He must be down in Pensacola hidin ' from the snow" # 1469 01:26:46,739 --> 01:26:49,902 # The World Record Players on a tour of Japan # 1470 01:26:50,009 --> 01:26:52,307 # Charlie's fixin ' his van # 1471 01:26:52,411 --> 01:26:54,538 # He's waitin ' for a postcard # 1472 01:26:56,849 --> 01:27:01,582 # He said, "Monday, I'm all high # 1473 01:27:01,687 --> 01:27:04,451 # "Get me out of T. L. A. # 1474 01:27:04,557 --> 01:27:08,288 # "I cut class in school, yeah # 1475 01:27:08,394 --> 01:27:11,192 # Now I know I made a mistake" # 1476 01:27:12,698 --> 01:27:14,928 Comet� un gran error. 1477 01:27:15,034 --> 01:27:16,433 Whoo! 1478 01:27:16,535 --> 01:27:17,559 Whoo! 1479 01:27:31,450 --> 01:27:32,348 Whoo! 1480 01:27:45,898 --> 01:27:47,957 Whoo! 1481 01:27:48,067 --> 01:27:49,796 # All right I # 1482 01:27:49,902 --> 01:27:51,335 # All right I # 1483 01:27:51,437 --> 01:27:53,371 # All right I # 1484 01:27:53,472 --> 01:27:55,201 # All right I # 1485 01:27:55,307 --> 01:27:57,036 # All right I # 1486 01:27:57,143 --> 01:27:58,838 # All right I # 1487 01:27:58,944 --> 01:28:00,309 # All right I # 1488 01:28:00,412 --> 01:28:01,811 # All right I # 1489 01:28:10,322 --> 01:28:11,721 Ese es el golpe. 1490 01:28:11,824 --> 01:28:15,817 Ese es como el golpe de todos los tiempos para nosotros. 1491 01:28:15,928 --> 01:28:18,829 Para conseguir b�sicamente, ya sabes 1492 01:28:18,931 --> 01:28:21,331 una de las m�s grandes empresas de entretenimiento 1493 01:28:21,433 --> 01:28:22,627 en el mundo 1494 01:28:22,735 --> 01:28:27,263 para liberarnos de un contrato esencialmente "scot-free" 1495 01:28:27,373 --> 01:28:29,739 con un disco que ellos ya ten�an pagado 1496 01:28:29,842 --> 01:28:32,777 y entonces vend�rselo de nuevo a tres veces su precio. 1497 01:28:32,878 --> 01:28:34,812 S�lo les gustaba tanto el disco 1498 01:28:34,914 --> 01:28:36,347 que pagaron el doble por �l. 1499 01:28:47,293 --> 01:28:49,193 Mant�n tu respiraci�n. 1500 01:28:49,295 --> 01:28:50,523 Pide un deseo. 1501 01:28:50,629 --> 01:28:52,392 Cuenta hasta tres. 1502 01:28:52,498 --> 01:28:56,059 # Come with me and you'll be # 1503 01:28:56,168 --> 01:29:00,229 # In a world of pure imagination # 1504 01:29:00,339 --> 01:29:07,802 # Take a look and you'll see into your imagination # 1505 01:29:13,419 --> 01:29:17,446 # We'll begin with a spin # 1506 01:29:17,556 --> 01:29:21,788 # Traveling in the world of my creation # 1507 01:29:21,894 --> 01:29:26,456 # What we'll see will defy # 1508 01:29:26,565 --> 01:29:30,023 # Explanation # 1509 01:29:39,011 --> 01:29:42,811 # If you want to view paradise # 1510 01:29:42,915 --> 01:29:47,318 # Simply look around and view it # 1511 01:29:47,419 --> 01:29:51,048 # Anything you want to, do it # 1512 01:29:51,156 --> 01:29:55,115 # Want to change the world? # 1513 01:29:55,227 --> 01:29:57,957 # There's nothing to it # 1514 01:30:15,381 --> 01:30:18,282 # There is no life I know # 1515 01:30:18,384 --> 01:30:21,444 # To compare with pure imagination # 1516 01:30:21,553 --> 01:30:29,119 # Living there, you'll be free if you truly wish to be # 1517 01:31:09,735 --> 01:31:13,603 # If you want to view paradise # 1518 01:31:13,706 --> 01:31:17,267 # Simply look around and view it # 1519 01:31:17,376 --> 01:31:21,403 # Anything you want to, do it # 1520 01:31:21,513 --> 01:31:24,141 # Want to change the world? # 1521 01:31:24,249 --> 01:31:29,209 # There's nothing... to it # 1522 01:31:39,932 --> 01:31:45,029 # There is no life I know # 1523 01:31:45,137 --> 01:31:51,872 # To compare with pure imagination # 1524 01:31:51,977 --> 01:31:58,143 # Living there, you'll be free # 1525 01:31:58,250 --> 01:32:10,185 # If you truly wish to be # 1526 01:32:11,185 --> 01:32:21,185 Traducido por eldolape22 para http://elblogdeldolape.blogspot.com 114395