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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,276 --> 00:00:09,477 [ GROANS ] McNALLY? 2 00:00:09,510 --> 00:00:11,779 YO. UP AND AT 'EM. IT'S 10 AFTER 8:00. 3 00:00:11,812 --> 00:00:12,580 WE GOT TO GET A MOVE ON! 4 00:00:12,613 --> 00:00:14,115 WHY -- WHY ARE YOU HOLLERING AT ME? 5 00:00:14,148 --> 00:00:15,349 COME UP HERE AND SAY HELLO. 6 00:00:15,383 --> 00:00:17,585 NO! YOU CAN'T SEE ME UNTIL THE CEREMONY. 7 00:00:17,618 --> 00:00:18,552 HEY. GET OVER HERE. 8 00:00:18,586 --> 00:00:20,921 THAT'S RIDICULOUS. IT'S ACTUALLY TRADITION. 9 00:00:20,954 --> 00:00:22,790 IT'S A SUPERSTITION. 10 00:00:22,823 --> 00:00:24,425 LOOK, I'M GONNA TAKE BOO FOR A WALK 11 00:00:24,458 --> 00:00:26,460 AND THEN TAKE HIM TO THE SITTER'S, OKAY? 12 00:00:26,494 --> 00:00:29,697 UH, YOU HAVE LIKE 40 MINUTES TO GET READY AND GET OUT OF HERE. 13 00:00:29,730 --> 00:00:32,032 ALSO, DON'T FORGET THAT OLIVER'S TAKING YOU, ALL RIGHT? 14 00:00:32,066 --> 00:00:33,601 TRACI'S GONNA TAKE ME. 15 00:00:33,634 --> 00:00:35,669 UH, DO YOU HAVE THE MUSIC ON YOUR PHONE? 16 00:00:35,703 --> 00:00:36,404 I DO. 17 00:00:36,437 --> 00:00:38,539 OKAY. WHAT ABOUT YOUR VOWS? 18 00:00:38,572 --> 00:00:40,574 I DO -- MEMORIZED. 19 00:00:40,608 --> 00:00:43,344 WOULD YOU PLEASE COME UP HERE AND SAY HELLO? 20 00:00:43,377 --> 00:00:45,379 [ SIGHS ] OKAY. CLOSE YOUR EYES. 21 00:00:45,413 --> 00:00:47,948 I'LL KNOW IF YOU'RE CHEATING. 22 00:00:47,981 --> 00:00:50,818 MY EYES ARE CLOSED. 23 00:00:50,851 --> 00:00:52,586 SEE? 24 00:00:52,620 --> 00:00:55,823 A PERFECT MATCH, McNALLY, YOU AND ME. 25 00:00:55,856 --> 00:00:57,057 'CAUSE YOU ARE VERY HIGH-MAINTENANCE, 26 00:00:57,091 --> 00:00:58,659 AND I CAN FIX ANYTHING. [ CHUCKLES ] 27 00:00:58,692 --> 00:01:01,129 I LOVE YOU. 28 00:01:02,530 --> 00:01:03,831 LET'S GO. 29 00:01:03,864 --> 00:01:05,833 OKAY. 30 00:01:05,866 --> 00:01:08,035 OKAY. 31 00:01:08,068 --> 00:01:09,437 LET'S DO THIS THING. 32 00:01:09,470 --> 00:01:12,673 -- Captions by VITAC -- 33 00:01:14,475 --> 00:01:16,810 NASH, WHERE ARE WE ON THE LINDSAY McCONNELL MURDER? 34 00:01:16,844 --> 00:01:18,179 UH, I'VE BEEN WORKING IT ALL NIGHT 35 00:01:18,212 --> 00:01:19,913 WITH GAIL AND DETECTIVE ANDERSON. 36 00:01:19,947 --> 00:01:21,081 GAIL WAS THE FIRST ON-SCENE. 37 00:01:21,115 --> 00:01:22,616 AND WE'RE STILL NOT SURE WHAT HAPPENED. 38 00:01:22,650 --> 00:01:24,252 WHAT ARE YOU, NEW? THE HUSBAND DID IT. 39 00:01:24,285 --> 00:01:25,319 THE HUSBAND ALWAYS DID IT. 40 00:01:25,353 --> 00:01:27,788 OKAY, BUT I'VE HAD HIM IN INTERVIEW FOR FOUR HOURS. 41 00:01:27,821 --> 00:01:28,956 HIS STORY HASN'T CHANGED. 42 00:01:28,989 --> 00:01:30,658 HE SAID HE CAME HOME FROM WORK LAST NIGHT 43 00:01:30,691 --> 00:01:32,460 AND HE FOUND HER DEAD. AND YOU BOUGHT THAT? 44 00:01:32,493 --> 00:01:34,928 OKAY, SIR, IT'S JUST THAT IT'S ANDY AND SAM'S WEDDING DAY. 45 00:01:34,962 --> 00:01:35,763 I'M THE MAID OF HONOR -- 46 00:01:35,796 --> 00:01:37,198 DO YOU KNOW WHO DANIEL McCONNELL IS? 47 00:01:37,231 --> 00:01:38,065 THE DEFENSE LAWYER? 48 00:01:38,098 --> 00:01:39,900 YEAH. HE'S ALSO THE VICTIM'S UNCLE. 49 00:01:39,933 --> 00:01:40,868 HE CALLED ME SIX TIMES. 50 00:01:40,901 --> 00:01:42,236 HE WANTS TO KNOW IF WE'RE LAYING ANY CHARGES. 51 00:01:42,270 --> 00:01:44,505 AND TONIGHT I'M HAVING DINNER AT A CHARITY FUNDRAISER. [ SIGHS ] 52 00:01:44,538 --> 00:01:45,806 GUESS WHO'S SITTING AT MY TABLE. 53 00:01:45,839 --> 00:01:47,074 BEFORE YOU GO ANYWHERE TODAY, 54 00:01:47,107 --> 00:01:48,776 I NEED A WORKING THEORY, DETECTIVE. 55 00:01:48,809 --> 00:01:50,378 I'M SORRY ABOUT THE TIMING. 56 00:01:50,411 --> 00:01:51,645 [ SIGHS ] 57 00:01:51,679 --> 00:01:53,647 TRACI. AREN'T YOU SUPPOSED TO BE HELPING ANDY? 58 00:01:53,681 --> 00:01:56,450 YEAH, I AM, BUT I'M NOT, CLEARLY. 59 00:01:56,484 --> 00:01:57,585 OKAY. WHAT DO YOU NEED? 60 00:01:57,618 --> 00:01:59,253 THE FLOWERS ARE BEING DELIVERED 61 00:01:59,287 --> 00:02:00,821 PROBABLY RIGHT NOW TO THE SALLY PORT. 62 00:02:00,854 --> 00:02:03,023 I NEED YOU AND CHRIS TO DRIVE THEM UP TO THE CHURCH. 63 00:02:03,056 --> 00:02:03,991 ALL RIGHT. 64 00:02:04,024 --> 00:02:05,559 IN MY LOCKER, YOU'RE GONNA FIND, UM, UM, UM, 65 00:02:05,593 --> 00:02:09,897 RIBBONS FOR THE MASON JARS, AND THE PROJECTOR -- 66 00:02:09,930 --> 00:02:11,031 OH, MY GOD. THE SLIDE SHOW. 67 00:02:11,064 --> 00:02:12,866 I WAS SUPPOSED TO DO IT LAST NIGHT. IT'S A SURPRISE. 68 00:02:12,900 --> 00:02:15,269 NO, IT'S COOL. I WILL STAY. HEY, I GOT YOU COVERED, RIGHT? 69 00:02:15,303 --> 00:02:17,905 OKAY, A LITTLE STAR TRANSITION, A LITTLE SLO-MO, 70 00:02:17,938 --> 00:02:19,840 A LITTLE PHIL COLLINS -- I GOT THIS. 71 00:02:19,873 --> 00:02:21,642 NASH! ANY DAY. 72 00:02:21,675 --> 00:02:22,843 TWO MINUTES? 73 00:02:22,876 --> 00:02:24,345 THANK YOU. 74 00:02:28,816 --> 00:02:30,684 WE HAVE TONS OF TIME. 75 00:02:30,718 --> 00:02:32,220 I SHOULD HAVE PICKED THE ROUTE. 76 00:02:32,253 --> 00:02:33,387 DO NOT WORRY. 77 00:02:33,421 --> 00:02:35,923 IT'S NOT US I'M WORRIED ABOUT. 78 00:02:35,956 --> 00:02:39,327 [ CELLPHONE VIBRATING ] 79 00:02:39,360 --> 00:02:40,794 HEY. DID TRACI CALL YOU? 80 00:02:40,828 --> 00:02:41,795 NO. 81 00:02:41,829 --> 00:02:43,030 It's just a little snag. 82 00:02:43,063 --> 00:02:45,466 UH, SHE GOT HELD UP AT WORK, BUT SHE'S ALREADY SENDING A CAR. 83 00:02:45,499 --> 00:02:46,534 WELL, CAN YOU PUSH IT UP? 84 00:02:46,567 --> 00:02:49,370 I-I -- TRAFFIC IS IMPOSSIBLE ALL THE WAY OUT OF TOWN. 85 00:02:49,403 --> 00:02:51,104 YOU KNOW WHAT? CHANGE OF ROUTE. 86 00:02:51,138 --> 00:02:53,407 407 TO THE 9 TO THE 5, OKAY? TELL EVERYBODY. 87 00:02:53,441 --> 00:02:54,808 YES, I GOT IT. I GOT IT. 88 00:02:54,842 --> 00:02:56,244 I LOVE YOU. I GOT TO GO. 89 00:02:56,277 --> 00:02:57,211 Don't worry. 90 00:02:57,245 --> 00:02:58,479 [ SIGHS ] LOVE YOU. 91 00:02:58,512 --> 00:03:01,349 LISTEN TO HER, BUDDY. REMEMBER MY WEDDING? 92 00:03:01,382 --> 00:03:03,617 MY COUSIN, AND HE LEFT OUR RINGS ON A CITY BUS. 93 00:03:03,651 --> 00:03:05,753 I HAD TO CHASE THAT THING FOR LIKE 10 BLOCKS. 94 00:03:05,786 --> 00:03:09,823 OKAY? THESE THINGS ALWAYS HAVE A WAY OF WORKING THEMSELVES OUT. 95 00:03:14,262 --> 00:03:16,096 Duncan: FELLAS. SUP? 96 00:03:16,129 --> 00:03:17,731 UM, I GOT A QUICK QUESTION. 97 00:03:17,765 --> 00:03:20,801 WHAT'S THE WHOLE SITUATION WITH THE PLUS-ONE? 98 00:03:20,834 --> 00:03:21,869 I'M TAKING CHLOE. 99 00:03:21,902 --> 00:03:22,870 Duncan: OH. 100 00:03:22,903 --> 00:03:24,638 WELL, SHE'S TECHNICALLY INVITED, 101 00:03:24,672 --> 00:03:25,973 SO YOU'RE SUPPOSED TO BRING SOMEBODY ELSE. 102 00:03:26,006 --> 00:03:27,241 DON'T THINK IT WORKS THAT WAY. 103 00:03:28,141 --> 00:03:29,009 DIAZ, MY MAN -- 104 00:03:29,042 --> 00:03:30,244 NOPE. 105 00:03:30,278 --> 00:03:31,979 SO, IS THIS MY LUCKY DAY OR WHAT? 106 00:03:32,012 --> 00:03:33,681 JUST IN TIME FOR THE BACHELOR PARTY. 107 00:03:33,714 --> 00:03:35,849 YOU GUYS GOT DANCERS? BETTER HOPE SO. 108 00:03:35,883 --> 00:03:37,285 Dov: SORRY. WHO ARE YOU? 109 00:03:37,318 --> 00:03:39,620 MY NAME'S JAY SWAREK. I'M THE FATHER OF THE GROOM. 110 00:03:39,653 --> 00:03:41,622 BUT I GUESS YOU GUYS WOULDN'T RECOGNIZE ME. 111 00:03:41,655 --> 00:03:44,392 I'M SURE THAT MY PICTURE DIDN'T END UP IN HIS WALLET. 112 00:03:44,425 --> 00:03:45,526 SERIOUSLY? YEAH. 113 00:03:45,559 --> 00:03:47,261 YOU'RE SAM'S DAD? YES, I AM. 114 00:03:47,295 --> 00:03:48,662 NOW, HE TOLD ME I SHOULD MEET YOU GUYS 115 00:03:48,696 --> 00:03:50,398 AND HOOK UP HERE AND WE'LL DRIVE UP TOGETHER. 116 00:03:50,431 --> 00:03:51,699 IS THAT ALL RIGHT? 117 00:03:51,732 --> 00:03:52,666 YEAH, BUT -- 118 00:03:52,700 --> 00:03:55,336 DON'T WORRY ABOUT IT. YOU RELAX, THERE, NANCY. 119 00:03:55,369 --> 00:03:58,472 SPECIAL PAROLE. JUST A DAY PASS FOR GOOD BEHAVIOR. 120 00:03:58,506 --> 00:04:01,409 IT'S A SPECIAL OCCASION. 121 00:04:01,442 --> 00:04:02,410 COME ON. LET'S GO. 122 00:04:02,443 --> 00:04:04,912 [ CAR DOOR CLOSES ] 123 00:04:07,915 --> 00:04:10,017 [ SIGHS ] 124 00:04:12,219 --> 00:04:13,587 MY VOWS. 125 00:04:20,294 --> 00:04:22,162 [ KNOCK ON DOOR ] 126 00:04:22,195 --> 00:04:23,897 UH... 127 00:04:23,931 --> 00:04:27,301 YOU'RE SUPPOSED TO CALL WHEN YOU GET HERE. 128 00:04:28,268 --> 00:04:29,603 NICK. 129 00:04:29,637 --> 00:04:30,671 WOW. 130 00:04:30,704 --> 00:04:31,739 HI. 131 00:04:31,772 --> 00:04:33,040 YOU LOOK BEAUTIFUL. 132 00:04:33,073 --> 00:04:34,808 OH. [ CHUCKLES ] 133 00:04:34,842 --> 00:04:35,876 THANK YOU. 134 00:04:35,909 --> 00:04:37,878 I THOUGHT YOU WEREN'T SUPPOSED TO PUT THAT ON YET. 135 00:04:37,911 --> 00:04:38,779 WELL, YEAH. 136 00:04:38,812 --> 00:04:40,113 I WAS JUST TRYING IT ON ONE MORE TIME -- 137 00:04:40,147 --> 00:04:41,982 YOU KNOW, MAKE SURE IT WAS PERFECT. 138 00:04:42,015 --> 00:04:42,883 COME IN. 139 00:04:42,916 --> 00:04:45,819 YOU'RE COMING, RIGHT? 140 00:04:45,853 --> 00:04:46,954 NO. 141 00:04:46,987 --> 00:04:49,623 ACTUALLY, I'M, UH, I'M HEADING TO VANCOUVER IN TWO HOURS. 142 00:04:49,657 --> 00:04:51,692 OH. I DON'T KNOW FOR HOW LONG, 143 00:04:51,725 --> 00:04:53,226 BUT I FIGURE IT'S WORTH A SHOT, RIGHT? 144 00:04:53,260 --> 00:04:54,628 OHH. OKAY. 145 00:04:54,662 --> 00:04:56,697 DO YOU NEED ANYTHING BEFORE I, UH...BEFORE I GO? 146 00:04:56,730 --> 00:04:59,500 UH, I MEAN, SOMETHING BORROWED, SOMETHING BLUE. 147 00:04:59,533 --> 00:05:02,235 UH, MY VOWS. HOW ABOUT THOSE? 'CAUSE I LOST THEM. 148 00:05:02,269 --> 00:05:04,171 OKAY, WELL, WHERE WAS THE LAST PLACE 149 00:05:04,204 --> 00:05:05,773 YOU, UH, YOU SAW THEM? 150 00:05:05,806 --> 00:05:08,108 HERE, ACTUALLY, ON THE COUNTER. 151 00:05:08,141 --> 00:05:09,943 [ SIGHS ] 152 00:05:09,977 --> 00:05:11,512 [ FABRIC RIPS ] 153 00:05:12,713 --> 00:05:14,982 THIS IS NOT HAPPENING. 154 00:05:15,015 --> 00:05:15,649 SEWING KIT? 155 00:05:15,683 --> 00:05:18,051 EH -- MY BAG, RIGHT THERE. 156 00:05:18,085 --> 00:05:20,220 OKAY. 157 00:05:20,253 --> 00:05:22,823 [ Sighing ] OH, COME ON! 158 00:05:22,856 --> 00:05:23,824 LET'S SEE. 159 00:05:23,857 --> 00:05:25,125 HOW BAD IS IT? 160 00:05:25,158 --> 00:05:27,628 UM...YOU WANT TO TAKE THAT OFF? 161 00:05:27,661 --> 00:05:29,497 'CAUSE IF I STITCH YOU INTO THERE, 162 00:05:29,530 --> 00:05:32,099 YOU WILL NOT BE ABLE TO GET OUT. 163 00:05:32,132 --> 00:05:34,402 UH... 164 00:05:34,435 --> 00:05:36,770 UH, FINE. JUST DO IT. IT'S FINE. 165 00:05:36,804 --> 00:05:39,039 YEAH? YEAH. I DON'T HAVE TIME. 166 00:05:39,072 --> 00:05:40,874 ALL RIGHT. [ SIGHS ] 167 00:05:41,942 --> 00:05:43,877 I MEAN, YOU KNOW WHAT YOU'RE DOING, RIGHT? 168 00:05:43,911 --> 00:05:44,678 OF COURSE I DO. 169 00:05:44,712 --> 00:05:46,647 TEACH YOU HOW TO SEW IN THE ARMY? 170 00:05:46,680 --> 00:05:48,749 [ CHUCKLES ] YES, MA'AM. 171 00:05:50,183 --> 00:05:51,719 OW! 172 00:05:51,752 --> 00:05:52,753 MAN! 173 00:05:52,786 --> 00:05:53,987 DEEP BREATH IN. 174 00:05:54,021 --> 00:05:56,424 [ CHUCKLES ] 175 00:05:56,457 --> 00:05:57,825 [ SIGHS ] 176 00:05:57,858 --> 00:06:00,093 YOU'RE HAPPY, HUH? 177 00:06:00,127 --> 00:06:02,029 YEAH. YEAH, I REALLY AM. 178 00:06:02,062 --> 00:06:04,765 GOOD. I'M GLAD. 179 00:06:04,798 --> 00:06:06,133 WHAT ABOUT YOU? 180 00:06:06,166 --> 00:06:07,901 OVER THE MOON. 181 00:06:07,935 --> 00:06:11,138 I MEAN, THE MARLO STUFF IS A LITTLE TRICKY. 182 00:06:11,171 --> 00:06:13,774 UM... BUT...I DON'T KNOW. 183 00:06:13,807 --> 00:06:15,776 I ACTUALLY CAN'T BELIEVE WE MADE IT THIS FAR. 184 00:06:15,809 --> 00:06:17,978 WELL, I ACTUALLY CAN'T BELIEVE I'M STITCHING YOU 185 00:06:18,011 --> 00:06:19,379 INTO YOUR WEDDING DRESS. 186 00:06:19,413 --> 00:06:20,981 [ CHUCKLES ] 187 00:06:21,014 --> 00:06:22,015 THERE WE GO. 188 00:06:22,049 --> 00:06:23,316 THANK YOU. 189 00:06:23,350 --> 00:06:25,018 [ SIGHS ] 190 00:06:25,052 --> 00:06:25,853 THANK YOU, THANK YOU. 191 00:06:25,886 --> 00:06:27,788 IF I HAD TO ASK THE DRIVER TO DO IT, 192 00:06:27,821 --> 00:06:29,857 THAT WOULD HAVE BEEN PRETTY AWKWARD. 193 00:06:35,896 --> 00:06:37,164 SOMETHING BORROWED. 194 00:06:39,900 --> 00:06:41,268 THANK YOU. 195 00:06:41,301 --> 00:06:42,369 [ SIGHS ] 196 00:06:42,402 --> 00:06:43,904 [ CELLPHONE VIBRATING ] 197 00:06:43,937 --> 00:06:45,639 UM... 198 00:06:45,673 --> 00:06:47,174 HAVE A GREAT FLIGHT. 199 00:06:47,207 --> 00:06:49,510 YOU HAVE A GREAT, UH... WEDDING. 200 00:06:49,543 --> 00:06:50,911 BREAK -- BREAK A LEG. 201 00:06:50,944 --> 00:06:52,946 OKAY. BYE. 202 00:06:54,047 --> 00:06:56,984 I'M COMING. I'M COMING. 203 00:06:57,017 --> 00:06:58,185 HMM? 204 00:06:59,820 --> 00:07:02,422 NO, I DON'T HAVE 40 MINUTES. 205 00:07:02,456 --> 00:07:04,758 NO, IT'S MY WEDDING, GUY! 206 00:07:05,859 --> 00:07:08,361 OKAY. YOU KNOW WHAT? DON'T -- UH, DON'T EVEN COME. 207 00:07:08,395 --> 00:07:10,998 I'LL DRIVE MYSELF. 208 00:07:17,938 --> 00:07:19,640 [ SIGHS ] 209 00:07:32,753 --> 00:07:34,922 [ ENGINE TURNS OVER ] 210 00:07:36,624 --> 00:07:38,592 [ PARKING BRAKE DISENGAGES ] 211 00:07:38,626 --> 00:07:40,393 [ TIRES SQUEAL ] 212 00:07:40,427 --> 00:07:43,096 SO, WHAT DO WE KNOW? 213 00:07:43,130 --> 00:07:44,331 Gail: LINDSAY McCONNELL -- 214 00:07:44,364 --> 00:07:46,900 SHE'S FOUND DEAD LAST NIGHT, BOTTOM OF THE BASEMENT STAIRS. 215 00:07:46,934 --> 00:07:48,602 BLUNT-FORCE TRAUMA TO THE HEAD, 216 00:07:48,636 --> 00:07:50,771 BLOOD ON THE HAMMER LYING NEXT TO HER ON THE FLOOR. 217 00:07:50,804 --> 00:07:54,041 HUSBAND COMES HOME, 6:00 P.M., SAID HE FOUND HER THAT WAY. 218 00:07:54,074 --> 00:07:55,108 * DREAMING 219 00:07:55,142 --> 00:07:56,476 OH! SH-- MY BAD. 220 00:07:56,510 --> 00:07:58,411 * I MUST BE DREAMING 221 00:07:58,445 --> 00:08:00,213 SHH! SORRY. SORRY. 222 00:08:01,048 --> 00:08:03,316 CORONER'S REPORT. DEAD NINE HOURS. 223 00:08:03,350 --> 00:08:04,652 TIME OF DEATH -- 224 00:08:04,685 --> 00:08:07,788 APPROXIMATELY AN HOUR AFTER HUBBY LEFT FOR WORK. 225 00:08:07,821 --> 00:08:10,691 IF THE HUSBAND DID IT, WHAT'S HIS MOTIVE? 226 00:08:10,724 --> 00:08:12,693 WHAT DO YOU MEAN, "WHAT'S HIS MOTIVE?" THEY WERE MARRIED. 227 00:08:12,726 --> 00:08:14,662 SO THAT'S HIS MOTIVE -- THEY WERE MARRIED. 228 00:08:14,695 --> 00:08:16,296 BUT, I MEAN, IT'S ALL PRETTY THIN. 229 00:08:16,329 --> 00:08:17,698 THEY WERE MARRIED A COUPLE YEARS. 230 00:08:17,731 --> 00:08:18,799 EVERYONE SAID THEY WERE HAPPY. 231 00:08:18,832 --> 00:08:20,868 EVERYONE'S HAPPY. WHAT DOES THAT EVEN MEAN? 232 00:08:20,901 --> 00:08:23,003 YOU'RE HAPPY WHEN YOU'RE WITH SOMEONE AT FIRST 233 00:08:23,036 --> 00:08:25,272 AND ALL THEIR LITTLE QUIRKS SEEM CUTE. 234 00:08:25,305 --> 00:08:26,439 AND THEN AFTER A WHILE, 235 00:08:26,473 --> 00:08:28,609 YOU HATE THE WAY THAT THEY CHEW THEIR FOOD 236 00:08:28,642 --> 00:08:30,544 AND FIND YOURSELF HOLDING A HAMMER. 237 00:08:30,578 --> 00:08:32,179 KNOW WHAT I MEAN? 238 00:08:34,381 --> 00:08:36,584 WONDER WHAT SHE WAS MAKING FOR DINNER. 239 00:08:36,617 --> 00:08:38,451 LOOKS LIKE A MARINADE OF SOME KIND. 240 00:08:38,485 --> 00:08:39,587 MAYBE PIRI PIRI? MMM. 241 00:08:39,620 --> 00:08:41,822 THAT'S WHAT MY MOM WOULD BE MAKING. 242 00:08:41,855 --> 00:08:44,558 PORTUGUESE SPECIALTY. [ CHUCKLES ] 243 00:08:44,592 --> 00:08:46,727 WHO IS THAT MUPPET? 244 00:08:46,760 --> 00:08:50,263 [ POP MUSIC PLAYING OVER STEREO ] 245 00:08:50,297 --> 00:08:55,202 * THE COLOR IN YOUR EYES 246 00:08:55,235 --> 00:08:58,238 * OH, OH, OH, OH 247 00:08:58,271 --> 00:09:03,210 "I, ANDREA McNALLY, TAKE YOU, SAMUEL SWAREK, 248 00:09:03,243 --> 00:09:05,813 "TO BE MY PARTNER IN LIFE, 249 00:09:05,846 --> 00:09:08,682 "LOVING WHAT I KNOW OF YOU 250 00:09:08,716 --> 00:09:11,685 AND TRUSTING WHAT I DO NOT KNOW YET" -- 251 00:09:11,719 --> 00:09:14,221 WHICH BETTER NOT BE A LOT, BECAUSE I HATE SURPRISES. 252 00:09:15,956 --> 00:09:17,825 OH, MAN. 253 00:09:17,858 --> 00:09:21,194 "I PROMISE TO HONOR YOU AND CHERISH YOU" -- 254 00:09:21,228 --> 00:09:22,896 LEARN HOW TO READ A MAP. 255 00:09:32,773 --> 00:09:36,710 AND I PROMISE THAT IF WE EVER GET MARRIED AGAIN, 256 00:09:36,744 --> 00:09:40,814 I WILL LEAVE WAY MORE TIME TO GET TO YOU. 257 00:09:43,784 --> 00:09:46,419 HEY, DO ME A FAVOR. TAKE A RIGHT RIGHT HERE. 258 00:09:46,453 --> 00:09:47,621 [ CHRIS SIGHS ] A RIGHT. 259 00:09:47,655 --> 00:09:48,622 THIS ISN'T THE WAY OUT OF TOWN. 260 00:09:48,656 --> 00:09:50,523 I GOT TO MAKE A QUICK PIT STOP. DO YOU MIND? 261 00:09:50,557 --> 00:09:51,725 NOW, COME ON. IT'S A WEDDING. 262 00:09:51,759 --> 00:09:54,261 I-I'M COMING EMPTY-HANDED. I GOT TO GET A WEDDING PRESENT. 263 00:09:54,294 --> 00:09:55,262 PLEASE? 264 00:09:55,295 --> 00:09:57,064 ALL RIGHT, BUT MAKE IT QUICK. 265 00:09:57,097 --> 00:09:58,065 NO PROBLEM. 266 00:09:58,098 --> 00:09:59,299 OKAY, GOOD. 267 00:09:59,332 --> 00:10:00,367 THIS ONE? 268 00:10:00,400 --> 00:10:01,669 YEAH, PERFECT. 269 00:10:01,702 --> 00:10:03,436 A BUDDY OF MINE'S IN THERE. 270 00:10:03,470 --> 00:10:05,505 HE'S WAITING FOR ME. HE'S GOT IT. 271 00:10:05,538 --> 00:10:07,374 OKAY. 272 00:10:07,407 --> 00:10:09,810 BE RIGHT BACK. 273 00:10:12,913 --> 00:10:13,914 Cops. 274 00:10:13,947 --> 00:10:16,616 WE'RE SURE HE KNOWS THIS GUY, RIGHT? 275 00:10:20,788 --> 00:10:22,990 [ DOORKNOB RATTLES ] 276 00:10:24,758 --> 00:10:27,895 LOOKS LIKE NOBODY'S HOME. 277 00:10:41,842 --> 00:10:43,410 HEY! ARE YOU CRAZY? 278 00:10:43,443 --> 00:10:45,913 YOU'RE STANDING IN THE MIDDLE OF A HIGHWAY! YEAH, HI. UM, I REALLY NEED A RIDE. 279 00:10:45,946 --> 00:10:47,815 OKAY, BUT STAND ON THE SHOULDER, MAN, OKAY? 280 00:10:47,848 --> 00:10:49,917 YOU'RE GONNA GET HIT. OKAY, YEAH. GREAT. 281 00:10:49,950 --> 00:10:51,518 GEEZ. 282 00:10:51,551 --> 00:10:52,686 UH, WHOA, WHOA, WHOA. NO, NO. 283 00:10:52,720 --> 00:10:54,688 WHAT ARE YOU -- WHAT ARE YOU DOING? YOU SAID "OKAY." 284 00:10:54,722 --> 00:10:55,956 NO, I SAID, "OKAY, STAND ON THE SHOULDER," 285 00:10:55,989 --> 00:10:57,490 NOT, "OKAY, I CAN GIVE YOU A RIDE." 286 00:10:57,524 --> 00:10:58,358 LOOK. PLEASE? OKAY? 287 00:10:58,391 --> 00:10:59,727 JUST LIKE 20 MINUTES NORTH TO UXBRIDGE. 288 00:10:59,760 --> 00:11:02,562 NO! IT'S LIKE 20 MINUTES NORTH. 289 00:11:02,595 --> 00:11:03,563 PLEASE. 290 00:11:03,596 --> 00:11:05,365 FINE. BUCKLE UP. I'M IN A RUSH. 291 00:11:05,398 --> 00:11:06,366 OKAY. THANK YOU. 292 00:11:06,399 --> 00:11:09,436 [ SEAT BELT CLICKS ] 293 00:11:22,515 --> 00:11:23,717 WHERE YOU COMING FROM? 294 00:11:23,751 --> 00:11:26,186 A FRIEND'S HOUSE. 295 00:11:26,219 --> 00:11:28,355 IT'S HARD TO GET AROUND, LIVING OUT HERE. 296 00:11:28,388 --> 00:11:30,690 IT'S, UH -- USED TO RIDE MY BIKE, ACTUALLY, 297 00:11:30,724 --> 00:11:33,126 BUT THEN IT -- IT BROKE. 298 00:11:35,729 --> 00:11:37,765 IS THAT A -- IS THAT A WEDDING DRESS? 299 00:11:37,798 --> 00:11:39,867 YOU GETTING MARRIED OR SOMETHING? 300 00:11:39,900 --> 00:11:41,769 [ Chuckling ] I AM, ACTUALLY. 301 00:11:41,802 --> 00:11:42,970 TO A GUY NAMED SAM. 302 00:11:43,003 --> 00:11:44,838 THAT'S AWESOME. I'M HAPPY FOR YOU. 303 00:11:44,872 --> 00:11:46,106 WELL, THANK YOU. 304 00:11:47,074 --> 00:11:50,610 YOU HAVE A BOYFRIEND OR...? 305 00:11:50,643 --> 00:11:52,712 I-I USED TO, YEAH. HE WENT TO JAIL. 306 00:11:52,746 --> 00:11:55,783 BUT HE WAS KIND OF A JERK ANYWAYS, THOUGH, 307 00:11:55,816 --> 00:11:59,753 SO...YOU KNOW, IT'S NOT A-A GREAT LOSS. 308 00:11:59,787 --> 00:12:00,754 THAT'S GOOD. 309 00:12:00,788 --> 00:12:01,955 [ CHUCKLES ] 310 00:12:02,956 --> 00:12:05,859 OKAY, I'M IN THE KITCHEN, I'M CUTTING CHICKEN. 311 00:12:05,893 --> 00:12:07,895 MY HUSBAND WAKES UP. HE COMES DOWNSTAIRS. 312 00:12:07,928 --> 00:12:09,496 Gail: I'M THE HUSBAND. 313 00:12:09,529 --> 00:12:12,599 AND I DON'T LIKE THE WAY YOU CHEW. 314 00:12:12,632 --> 00:12:14,935 I GRAB A HAMMER. 315 00:12:14,968 --> 00:12:16,136 SMACK! 316 00:12:16,169 --> 00:12:18,872 SO, WHY AM I AT THE BOTTOM OF THE BASEMENT STAIRS? 317 00:12:18,906 --> 00:12:21,208 WHY AM I JUST GONNA, LIKE, LEAVE THE HAMMER LYING NEXT TO YOU 318 00:12:21,241 --> 00:12:22,509 AND THEN HEAD TO WORK? 319 00:12:22,542 --> 00:12:23,777 [ BLOWS NOSE ] 320 00:12:23,811 --> 00:12:25,312 WHAT'S YOUR PROBLEM? 321 00:12:25,345 --> 00:12:28,015 OH, IT'S JUST -- IT'S JUST SO SPECIAL, YOU KNOW? 322 00:12:28,048 --> 00:12:29,749 IT'S JUST THE END OF AN ERA. 323 00:12:29,783 --> 00:12:32,185 ALL THE MOMENTS JUST...COMING TOGETHER. 324 00:12:32,219 --> 00:12:33,186 [ CHUCKLES ] 325 00:12:33,220 --> 00:12:34,788 YEAH. 326 00:12:34,822 --> 00:12:37,357 YOU WEREN'T EVEN AROUND FOR ALL THOSE MOMENTS. 327 00:12:37,390 --> 00:12:40,928 YOU'RE JUST WALKING IN -- THE LAST ACT OF THE SHOW. 328 00:12:41,929 --> 00:12:43,964 IT'S THE BEST PART, GAIL. 329 00:12:47,868 --> 00:12:49,937 Sam: I-I THINK SHE SHOULD BE HERE BY NOW. 330 00:12:49,970 --> 00:12:52,205 EVEN WITH TRAFFIC, IT'S AN HOUR'S DRIVE. 331 00:12:52,239 --> 00:12:55,008 YEAH, HEY. YOU KNOW, W-W-WE'RE IN GREAT SHAPE, OKAY? 332 00:12:55,042 --> 00:12:56,476 FATHER JEAN PIERRE IS HERE. 333 00:12:56,509 --> 00:12:59,346 CHRIS AND DOV LEFT WITH THE REST OF THE FLOWERS ON SCHEDULE. 334 00:12:59,379 --> 00:13:01,714 [ Singsong voice ] AND LOOK WHO I RAN INTO. 335 00:13:01,748 --> 00:13:03,583 HEY. HEY. DID YOU GET MY PRESENT? 336 00:13:03,616 --> 00:13:05,118 IS THAT YOUR PRESENT? 337 00:13:05,152 --> 00:13:06,519 NO. NO. 338 00:13:06,553 --> 00:13:07,587 YARROW. OH. 339 00:13:07,620 --> 00:13:08,889 YOU HANG IT ABOVE YOUR BED, 340 00:13:08,922 --> 00:13:11,391 AND I GUARANTEE YOU SEVEN YEARS OF PASSION. 341 00:13:11,424 --> 00:13:12,893 OH. ONLY SEVEN YEARS? 342 00:13:12,926 --> 00:13:13,793 [ BOTH CHUCKLE ] 343 00:13:13,827 --> 00:13:16,129 HEY, UH, WHAT'S -- WHAT'S WITH THE SMOKE? 344 00:13:16,163 --> 00:13:17,664 OH, IT'S A PURIFYING RITUAL. 345 00:13:17,697 --> 00:13:19,532 IT'S GONNA CLEANSE ALL THE NEGATIVE ENERGY. 346 00:13:19,566 --> 00:13:21,068 OH. NICE. 347 00:13:23,003 --> 00:13:25,705 [ DANCE RINGTONE PLAYS ] 348 00:13:25,738 --> 00:13:27,240 [ CELLPHONE BEEPS ] 349 00:13:27,274 --> 00:13:28,041 HELLO? 350 00:13:28,075 --> 00:13:29,576 DUNCAN, IT'S EPSTEIN. 351 00:13:29,609 --> 00:13:31,711 I NEED YOU TO RUN AN ADDRESS FOR ME. 352 00:13:31,744 --> 00:13:34,314 139 WEST 22nd STREET. 353 00:13:34,347 --> 00:13:36,884 I WANT TO KNOW WHO LIVES THERE, IF THEY HAVE A CRIMINAL RECORD, 354 00:13:36,917 --> 00:13:39,853 IF THEY HAVE ANY CONNECTION TO A GUY NAMED JAY SWAREK. 355 00:13:39,887 --> 00:13:41,121 CALL ME BACK. 356 00:13:41,154 --> 00:13:42,789 OKAY. I'M ON IT. I'M ON IT. 357 00:13:42,822 --> 00:13:43,790 UM, HEY. 358 00:13:43,823 --> 00:13:46,559 UH, ANY WORD ABOUT THE WHOLE PLUS-ONE THING? 359 00:13:47,660 --> 00:13:50,330 UH... 360 00:13:50,363 --> 00:13:51,865 OKAY. 361 00:13:51,899 --> 00:13:53,266 COME ON. WE'RE GOOD. LET'S GO. 362 00:13:53,300 --> 00:13:55,268 [ CAR DOOR CLOSES ] DID YOU GET YOUR PRESENT? 363 00:13:55,302 --> 00:13:56,769 YEAH. RIGHT HERE. [ ENGINE TURNS OVER ] 364 00:13:56,803 --> 00:13:59,106 SO, LET'S SHAKE A LEG. COME ON. 365 00:14:07,380 --> 00:14:09,216 SO, WHAT'S YOUR NAME? 366 00:14:09,249 --> 00:14:10,483 STARR. 367 00:14:10,517 --> 00:14:11,651 WITH TWO R's. 368 00:14:11,684 --> 00:14:12,986 COOL. 369 00:14:14,554 --> 00:14:15,989 YOU SEEM REALLY ANXIOUS. 370 00:14:16,023 --> 00:14:16,990 AND I ACTUALLY THOUGHT 371 00:14:17,024 --> 00:14:19,492 I HAD CORNERED THE MARKET ON ANXIETY TODAY. 372 00:14:19,526 --> 00:14:21,728 I'M FINE. 373 00:14:21,761 --> 00:14:22,695 I-I, UM, I MEAN, 374 00:14:22,729 --> 00:14:25,065 I JUST HAD A-A BIT OF A BAD RIDE BEFORE YOU. 375 00:14:25,098 --> 00:14:26,733 BUT I'M ALL GOOD NOW. A BAD RIDE? 376 00:14:26,766 --> 00:14:29,736 YEAH, JUST A CREEPY DRIVER, KIND OF. 377 00:14:29,769 --> 00:14:31,504 HE, UH, HE WAS A BIG SHOT. 378 00:14:31,538 --> 00:14:32,505 [ CHUCKLES ] 379 00:14:32,539 --> 00:14:34,574 WHAT DOES THAT MEAN? 380 00:14:34,607 --> 00:14:38,211 LIKE, $100 KICKS, YOU KNOW, BIG, FANCY CONVERTIBLE, 381 00:14:38,245 --> 00:14:40,213 THOUGHT HE OWNED THE WORLD. 382 00:14:40,247 --> 00:14:41,248 [ CHUCKLES ] 383 00:14:45,818 --> 00:14:49,022 HEY, WHAT HAPPENED TO YOUR HAND? 384 00:14:49,056 --> 00:14:51,858 UH...Y-YOU KNOW, I -- YOU CAN TELL ME. IT'S OKAY. 385 00:14:51,891 --> 00:14:54,161 NO, I-I REALLY DON'T WANT TO TALK ABOUT IT, OKAY? 386 00:14:57,230 --> 00:14:58,365 [ SIGHS ] 387 00:14:58,398 --> 00:15:00,800 [ CELLPHONE CHIMES ] 388 00:15:00,833 --> 00:15:04,037 SO, HOW DID -- HOW DID YOU MEET THIS SAM GUY? 389 00:15:04,071 --> 00:15:05,305 UH, IN AN ALLEYWAY. 390 00:15:05,338 --> 00:15:07,174 I BASICALLY KICKED HIS ASS. 391 00:15:07,207 --> 00:15:10,410 UM, STARR, DID YOU GET INTO IT WITH THE DRIVER BACK THERE? 392 00:15:10,443 --> 00:15:11,945 BECAUSE I PASSED BY A RED CONVERTIBLE 393 00:15:11,979 --> 00:15:13,947 THAT WAS ON THE SIDE OF THE ROAD. 394 00:15:13,981 --> 00:15:16,783 IS THAT HIM? IS THAT WHO YOU'RE TALKING ABOUT? 395 00:15:16,816 --> 00:15:18,952 UM...YOU KNOW, I'M ACTUALLY GOOD -- 396 00:15:18,986 --> 00:15:21,354 I'M GOOD TO GET OUT HERE NOW, ACTUALLY. 397 00:15:21,388 --> 00:15:24,057 NO, THAT'S OKAY. I CAN TAKE YOU TO UXBRIDGE. 398 00:15:26,659 --> 00:15:27,760 WHY ARE YOU TURNING AROUND? 399 00:15:27,794 --> 00:15:28,861 BECAUSE. OKAY, PULL OVER. 400 00:15:28,895 --> 00:15:30,630 LET ME OUT OF THIS TRUCK. NO! HEY, HEY, HEY, HEY, HEY! 401 00:15:30,663 --> 00:15:31,598 LET ME OUT! HEY! 402 00:15:31,631 --> 00:15:33,800 TELL ME WHAT HAPPENED! 403 00:15:33,833 --> 00:15:34,867 WHAT HAPPENED TO YOU? 404 00:15:34,901 --> 00:15:38,105 LOOK, THE GUY WAS WASTED, OKAY? 405 00:15:38,138 --> 00:15:40,107 HE PULLED ME ONTO THIS SIDE ROAD, 406 00:15:40,140 --> 00:15:42,142 UH, I PUNCHED HIM IN THE NOSE, AND THEN I TOOK OFF. 407 00:15:42,175 --> 00:15:44,044 OKAY. [ CELLPHONE CHIRPS ] 408 00:15:44,077 --> 00:15:45,678 ARE YOU GONNA STOP NOW? 409 00:15:45,712 --> 00:15:47,347 HEY, CAN YOU JUST -- DO ME A FAVOR. 410 00:15:47,380 --> 00:15:49,983 GRAB THE CHARGER OUT OF THE GLOVE COMPARTMENT, PLEASE. 411 00:15:50,017 --> 00:15:50,984 NO, THERE'S NO -- JUST -- 412 00:15:51,018 --> 00:15:52,552 THERE'S NO PHONE CHARGER. 413 00:15:52,585 --> 00:15:53,586 [ SIGHS ] 414 00:15:53,620 --> 00:15:55,788 LOOK, I DON'T WANT TO GO BACK AND SEE HIM, OKAY? 415 00:15:55,822 --> 00:15:57,024 I-I UNDERSTAND THAT. 416 00:15:57,057 --> 00:16:00,893 BUT IF THIS GUY ASSAULTED YOU, THEN HE SHOULD BE ARRESTED. 417 00:16:00,927 --> 00:16:04,264 I'M A POLICE OFFICER. I CAN HANDLE HIM. 418 00:16:12,039 --> 00:16:13,440 I'M NOT GETTING OUT OF THE TRUCK. 419 00:16:13,473 --> 00:16:16,009 THAT'S FINE. YOU DON'T HAVE TO. I'LL TAKE CARE OF IT. 420 00:16:18,911 --> 00:16:20,413 HEY! 421 00:16:20,447 --> 00:16:22,815 I'M A POLICE OFFICER. I WANT TO TALK TO YOU FOR A SECOND. 422 00:16:22,849 --> 00:16:25,018 GET OUT OF THE CAR. 423 00:16:25,052 --> 00:16:26,219 [ GROANING ] 424 00:16:26,253 --> 00:16:27,887 I-I CAN'T MOVE. GET OUT OF THE CAR. 425 00:16:27,920 --> 00:16:29,422 I CAN'T M-M-MOVE. 426 00:16:30,690 --> 00:16:32,525 STARR! 427 00:16:33,526 --> 00:16:34,894 HEY! 428 00:16:34,927 --> 00:16:37,530 NO -- 429 00:16:37,564 --> 00:16:40,033 [ GROANS ] 430 00:16:40,067 --> 00:16:41,534 COME ON!! 431 00:16:41,568 --> 00:16:44,037 IT'S MY WEDDING!! 432 00:16:52,812 --> 00:16:55,048 GET OUT OF THE CAR -- NOW. 433 00:16:55,082 --> 00:16:56,316 I CAN'T. 434 00:16:56,349 --> 00:16:58,085 WHY NOT? 435 00:16:58,118 --> 00:17:00,153 S-SHE STABBED ME. 436 00:17:07,827 --> 00:17:10,530 [ DANCE RINGTONE PLAYS ] 437 00:17:10,563 --> 00:17:11,664 ANDY. 438 00:17:11,698 --> 00:17:12,432 HELLO? 439 00:17:12,465 --> 00:17:13,933 DUNCAN. IT'S ANDY. [ GROANING ] 440 00:17:13,966 --> 00:17:15,735 HEY, I ONLY HAVE A FEW SECONDS RIGHT NOW -- 441 00:17:15,768 --> 00:17:18,338 ANDY, LISTEN, LIKE, I'M HONORED TO BE ON YOUR MIND RIGHT NOW, 442 00:17:18,371 --> 00:17:20,673 BUT LOOK, PLEASE, TODAY'S ABOUT YOU, OKAY? 443 00:17:20,707 --> 00:17:21,541 YOU NEED TO FOCUS. 444 00:17:21,574 --> 00:17:22,542 No, you need to listen to me right now! 445 00:17:22,575 --> 00:17:25,445 I AM AT A DEAD-END ROAD OFF OF CONCESSION 5, 446 00:17:25,478 --> 00:17:28,848 UH, PROBABLY ABOUT THREE KLICKS EAST OF WHITEVALE. 447 00:17:28,881 --> 00:17:29,882 I WAS DRIVING SAM'S TRUCK, 448 00:17:29,916 --> 00:17:32,985 AND I-I'M WITH THIS GUY RIGHT NOW, AND HE'S -- 449 00:17:33,019 --> 00:17:33,986 DUNCAN? 450 00:17:34,020 --> 00:17:36,489 HELLO? 451 00:17:36,523 --> 00:17:38,325 ANDY? 452 00:17:39,592 --> 00:17:40,760 [ SIGHS ] 453 00:17:40,793 --> 00:17:41,961 OKAY, OKAY, UH... 454 00:17:41,994 --> 00:17:43,896 DO YOU HAVE A SHIRT IN YOUR DUFFEL BAG? 455 00:17:43,930 --> 00:17:45,132 [ Weakly ] YEAH. 456 00:17:45,165 --> 00:17:47,700 LOOK, THE KID WAS JUST STANDING IN THE MIDDLE OF THE HIGHWAY, 457 00:17:47,734 --> 00:17:48,968 AND SHE FLAGGED ME DOWN. 458 00:17:49,001 --> 00:17:50,570 S-S-SHE SAID SHE NEEDED A RIDE HOME, 459 00:17:50,603 --> 00:17:52,572 AND SHE WANTED ME TO TURN DOWN THIS ROAD HERE. 460 00:17:52,605 --> 00:17:54,907 THEN SHE PULLED OUT A KNIFE AND THEN -- OKAY. OKAY. 461 00:17:54,941 --> 00:17:56,576 I NEED YOU TO PUT PRESSURE ON HERE, OKAY? 462 00:17:56,609 --> 00:17:59,712 AND KEEP THE PRESSURE ON. SHE SAID SHE WANTED MY WALLET AND MY PHONE, AND I SAID NO. 463 00:17:59,746 --> 00:18:02,249 AND THEN SHE -- SHE HIT ME WITH THE BUTT OF THE KNIFE, 464 00:18:02,282 --> 00:18:03,516 AND THEN -- AND THEN SHE -- SHE -- 465 00:18:03,550 --> 00:18:05,818 OW! NO, NO, NO! YOU CAN'T -- YOU HAVE TO LET GO! PLEASE! 466 00:18:05,852 --> 00:18:07,053 DON'T TOUCH IT, OKAY? 467 00:18:07,086 --> 00:18:09,356 WE HAVE TO LEAVE IT IN BECAUSE I DON'T KNOW WHAT IT'S HIT. 468 00:18:09,389 --> 00:18:11,023 ARE YOU JUST GONNA LEAVE IT IN ME? 469 00:18:11,057 --> 00:18:12,225 YES, WE'RE GONNA WRAP IT UP, OKAY? 470 00:18:12,259 --> 00:18:14,294 DON'T LOOK. DON'T LOOK DOWN. KEEP PRESSURE. 471 00:18:14,327 --> 00:18:15,662 [ BREATHING SHAKILY ] 472 00:18:15,695 --> 00:18:16,863 WHERE ARE YOUR CAR KEYS? 473 00:18:16,896 --> 00:18:18,898 SHE -- SHE TOOK THEM WITH HER. 474 00:18:18,931 --> 00:18:20,633 [ PANTING ] 475 00:18:22,602 --> 00:18:23,803 [ CELLPHONE BUZZES ] 476 00:18:23,836 --> 00:18:24,937 YEAH? 477 00:18:24,971 --> 00:18:27,374 SO, THE HOUSE BELONGS TO A KNOWN ASSOCIATE OF JAY SWAREK. 478 00:18:27,407 --> 00:18:29,376 THEY HAD A COUPLE OF B&Es BACK IN THE '90s. 479 00:18:29,409 --> 00:18:30,910 REALLY? THAT'S VERY INTERESTING. 480 00:18:30,943 --> 00:18:32,179 Yeah, it's crazy. Listen. 481 00:18:32,212 --> 00:18:35,215 UM, ANY WORD ABOUT THE WHOLE PLUS-ONE SITUATION? 482 00:18:35,248 --> 00:18:37,083 BECAUSE, I MEAN, I TRIED TO ASK ANDY, 483 00:18:37,116 --> 00:18:39,118 BUT HER PHONE CUT OUT. 484 00:18:39,152 --> 00:18:41,921 SHOULD I BE WORRIED? 485 00:18:41,954 --> 00:18:42,855 HELLO? 486 00:18:42,889 --> 00:18:44,524 JAY, YOU LIED TO US. 487 00:18:44,557 --> 00:18:47,827 THAT HOUSE BACK THERE BELONGS TO A KNOWN CRIMINAL. 488 00:18:47,860 --> 00:18:49,162 CRIMINAL? STEWART? 489 00:18:49,196 --> 00:18:51,164 [ Chuckling ] STEWART'S NOT A KNOWN CRIMINAL. 490 00:18:51,198 --> 00:18:52,632 HE'S A KNOWN YELLOWBELLY. 491 00:18:52,665 --> 00:18:54,234 AND HE WASN'T HOME, SO TECHNICALLY, 492 00:18:54,267 --> 00:18:55,768 I WASN'T ASSOCIATING WITH ANYBODY, RIGHT? 493 00:18:55,802 --> 00:18:57,837 SO, WHAT? YOU DECIDE TO BREAK INTO HIS HOUSE? 494 00:18:57,870 --> 00:18:59,772 LOOK. 495 00:18:59,806 --> 00:19:02,074 THIS WATCH IS ORIGINALLY MY SON'S WATCH. 496 00:19:02,108 --> 00:19:03,042 I GAVE IT TO HIM. 497 00:19:03,075 --> 00:19:04,911 THIS WATCH MEANS MORE TO HIM THAN ANYTHING. 498 00:19:04,944 --> 00:19:07,647 I GOT TO GET IT TO HIM. I GOT TO GET IT TO HIM TODAY. 499 00:19:07,680 --> 00:19:08,448 WHY? 500 00:19:08,481 --> 00:19:10,317 'CAUSE A LONG TIME AGO, 501 00:19:10,350 --> 00:19:12,685 I TOOK THIS WATCH AWAY FROM HIM, OKAY? 502 00:19:12,719 --> 00:19:15,588 HE BROKE A WINDOW IN MY HOUSE AFTER I WARNED HIM, 503 00:19:15,622 --> 00:19:18,124 SO I TOOK IT OFF HIM AS PAYMENT. 504 00:19:18,157 --> 00:19:19,526 IT'S TOUGH LOVE. 505 00:19:19,559 --> 00:19:21,594 OKAY, MAYBE TOO TOUGH. 506 00:19:21,628 --> 00:19:23,596 BUT LOOK HOW IT ALL TURNED OUT. 507 00:19:23,630 --> 00:19:27,234 AND I NEVER HAD THE CHANCE AS A FATHER 508 00:19:27,267 --> 00:19:29,602 TO SHOW HIM HOW ABSOLUTELY PROUD I AM OF HIM. 509 00:19:29,636 --> 00:19:32,239 AND I FIGURED THIS MIGHT DO THE TRICK. 510 00:19:34,241 --> 00:19:37,210 WE DON'T NEED TO CHARGE SOMEONE. WE JUST NEED A THEORY. 511 00:19:37,244 --> 00:19:39,946 OKAY, SO YOU WANT TO JUST FLIP A COIN AND PICK ONE? 512 00:19:39,979 --> 00:19:41,848 Gail: DO YOU HAVE A BETTER IDEA? 513 00:19:43,115 --> 00:19:44,217 WHAT'S THE KNIFE FOR? 514 00:19:44,251 --> 00:19:45,785 SHE WAS MAKING PIRI PIRI, RIGHT? 515 00:19:45,818 --> 00:19:48,120 NO ONE NEVER SAID SHE WAS MAKING PIRI PIRI. 516 00:19:48,154 --> 00:19:49,322 SHUT UP. 517 00:19:49,356 --> 00:19:50,623 PIRI PIRI, YOU MARINATE THE WHOLE CHICKEN, 518 00:19:50,657 --> 00:19:52,725 WHICH IS WHY YOU DON'T NEED A KNIFE. 519 00:19:52,759 --> 00:19:55,962 PLUS, IT'S A LOT OF CHICKEN FOR TWO PEOPLE. 520 00:19:55,995 --> 00:19:57,630 IT WAS FROZEN. 521 00:19:57,664 --> 00:19:59,799 IT WAS FROZEN. SHE WAS USING THE KNIFE TO SEPARATE IT. 522 00:19:59,832 --> 00:20:01,868 I DO IT ALL THE TIME 'CAUSE I LIVE ALONE. 523 00:20:01,901 --> 00:20:02,935 WELL, YOU DON'T SAY. 524 00:20:02,969 --> 00:20:03,836 I'M CONSTANTLY FORGETTING 525 00:20:03,870 --> 00:20:05,104 TO PUT THE CHICKEN OUT THE NIGHT BEFORE, 526 00:20:05,137 --> 00:20:06,506 SO IT'S ALWAYS ROCK-SOLID, 527 00:20:06,539 --> 00:20:08,608 SO I HAVE TO USE THE KNIFE TO WEDGE IT APART. 528 00:20:08,641 --> 00:20:10,843 IT'S ACTUALLY REALLY DANGEROUS, WHICH IS WHY... 529 00:20:10,877 --> 00:20:12,111 WHICH IS WHY WHAT? WHAT? 530 00:20:12,144 --> 00:20:13,480 WHICH IS WHY I USE A HAMMER 531 00:20:13,513 --> 00:20:16,749 TO POUND ON THE END OF THE KNIFE. 532 00:20:16,783 --> 00:20:19,786 SHE WAS -- SHE WAS -- SHE WAS CARRYING THE HAMMER. 533 00:20:19,819 --> 00:20:22,389 THAT'S WHY HER PRINTS ARE ALL OVER IT. 534 00:20:22,422 --> 00:20:25,992 AND SHE WAS BRINGING IT BACK DOWNSTAIRS. 535 00:20:26,025 --> 00:20:29,061 SO, SHE TRIPPED... SHE FELL... 536 00:20:29,095 --> 00:20:32,999 SHE LANDED ON THE HAMMER, AND SHE SMASHED HER HEAD OPEN? 537 00:20:34,634 --> 00:20:36,403 SO, MAYBE THEY WERE HAPPILY MARRIED. 538 00:20:36,436 --> 00:20:38,671 MAYBE NOT EVERY RELATIONSHIP IS A PIECE OF CRAP! HA. 539 00:20:38,705 --> 00:20:41,474 STILL VERY TRAGIC, BUT MAYBE -- MAYBE IT WASN'T A MURDER. 540 00:20:41,508 --> 00:20:43,142 IT'S A THEORY. I'M GONNA TAKE IT. 541 00:20:43,175 --> 00:20:44,677 OKAY, I'M TELLING JARVIS. YOU GUYS JUST GO. 542 00:20:44,711 --> 00:20:46,813 FORGET IT. WE'RE LATE. YOU DRIVE LIKE A MANIAC. 543 00:20:46,846 --> 00:20:48,214 YOU'RE MY PLUS-ONE. 544 00:20:48,247 --> 00:20:50,850 You can thank me later, by the way. 545 00:20:50,883 --> 00:20:52,619 OH, I DON'T LIKE HER. 546 00:20:52,652 --> 00:20:55,655 OKAY. I'M JUST GONNA RECLINE YOU A LITTLE BIT, OKAY? 547 00:20:55,688 --> 00:20:56,456 OKAY. 548 00:20:56,489 --> 00:20:57,824 JUST KEEP BREATHING. 549 00:20:57,857 --> 00:20:59,559 [ GROANING ] 550 00:20:59,592 --> 00:21:01,894 D-DID YOU JUST GET MARRIED OR SOMETHING? 551 00:21:01,928 --> 00:21:03,396 UH, I'M ABOUT TO. 552 00:21:03,430 --> 00:21:04,997 I HAVE ABOUT 15 MINUTES. 553 00:21:05,031 --> 00:21:07,033 I-I'M SORRY. IT'S OKAY. IT'S OKAY. YOU KNOW WHAT? 554 00:21:07,066 --> 00:21:08,301 SOMEONE'S GONNA COME SOON, 555 00:21:08,335 --> 00:21:10,637 BUT UNTIL THEN, I'VE GOT YOU, ALL RIGHT? 556 00:21:10,670 --> 00:21:12,772 SO, WE JUST NEED TO KEEP PRESSURE ON HERE. OKAY. 557 00:21:12,805 --> 00:21:14,574 I NEED YOU TO TALK TO ME, ALL RIGHT? 558 00:21:14,607 --> 00:21:16,376 WHAT WERE YOU GONNA DO TODAY? 559 00:21:16,409 --> 00:21:20,680 UH, I-I RENTED THIS S-SILLY RED CAR 560 00:21:20,713 --> 00:21:24,417 SO I COULD SURPRISE MY GIRLFRIEND, L-LINDA. 561 00:21:24,451 --> 00:21:26,386 I WAS ON MY WAY TO THE COTTAGE. 562 00:21:26,419 --> 00:21:29,021 AND -- AND SHE WASN'T EXPECTING ME TILL TOMORROW, 563 00:21:29,055 --> 00:21:31,223 BUT I-I COULDN'T WAIT. 564 00:21:31,257 --> 00:21:33,526 OH, YEAH? WHY NOT? 565 00:21:33,560 --> 00:21:35,628 'CAUSE I MISSED HER. 566 00:21:35,662 --> 00:21:39,566 I WANTED TO -- I WANTED TO GO FOR ONE LAST SWIM 567 00:21:39,599 --> 00:21:41,233 BEFORE IT GETS TOO COLD, YOU KNOW? 568 00:21:41,267 --> 00:21:42,335 YEAH. 569 00:21:42,369 --> 00:21:44,771 I FIGURED THAT COULD BE 74. 570 00:21:44,804 --> 00:21:46,373 74 WHAT? 571 00:21:46,406 --> 00:21:50,843 E-EPIPHANIES. 572 00:21:50,877 --> 00:21:53,846 JUST...LIKE... 573 00:21:53,880 --> 00:21:56,048 MOMENTS. 574 00:21:56,082 --> 00:21:58,117 YOU KNOW? BIG OR -- OR SMALL. 575 00:21:58,150 --> 00:22:03,956 JUST...THINGS I WOULDN'T HAVE NOTICED BEFORE I MET HER. 576 00:22:06,125 --> 00:22:07,860 ANGUS? 577 00:22:07,894 --> 00:22:08,761 ANGUS, HOLD ON. 578 00:22:08,795 --> 00:22:10,763 ANGUS, COME ON. YOU GOT TO STAY WITH ME. 579 00:22:10,797 --> 00:22:11,798 OKAY, YOU KNOW WHAT WE'RE GONNA DO? 580 00:22:11,831 --> 00:22:13,766 WE'RE GONNA, UH, GET YOU OUT OF HERE RIGHT NOW. 581 00:22:13,800 --> 00:22:15,768 YOU'RE GONNA COME WITH ME TO THE HIGHWAY, OKAY? 582 00:22:15,802 --> 00:22:17,770 I'M GONNA GET YOU UP. YES. WE'RE GONNA COUNT TO THREE. NO, I C-- I CAN'T. 583 00:22:17,804 --> 00:22:19,839 ONE, TWO, THREE. COME ON, ANGUS. 584 00:22:19,872 --> 00:22:20,907 [ GROANING ] 585 00:22:20,940 --> 00:22:21,641 COME ON. LET'S GO. AAH! 586 00:22:21,674 --> 00:22:22,975 YOU'RE OKAY. YOU GOT IT. 587 00:22:23,009 --> 00:22:24,276 [ GROANING ] 588 00:22:24,310 --> 00:22:25,845 COME ON. OH, NO, NO. I CAN'T. 589 00:22:25,878 --> 00:22:26,813 PLEASE. I CAN'T. 590 00:22:26,846 --> 00:22:29,682 THAT'S SO WEIRD. I CAN'T EVEN MOVE. 591 00:22:29,716 --> 00:22:32,785 OKAY, OKAY. LOOK, I'M GONNA GO OUT TO THE ROAD. 592 00:22:32,819 --> 00:22:34,654 I'M GONNA FLAG SOMEBODY DOWN AND GET US SOME HELP. 593 00:22:34,687 --> 00:22:36,389 I NEED YOU TO KEEP PRESSURE ON THIS. 594 00:22:36,423 --> 00:22:38,858 I'M GONNA DIE HERE, AREN'T I? 595 00:22:38,891 --> 00:22:39,792 NO! NO, YOU'RE NOT. 596 00:22:39,826 --> 00:22:41,661 NO, LISTEN. I'M GONNA GO OUT TO THE ROAD. 597 00:22:41,694 --> 00:22:43,496 I'M, I'M -- I'M GONNA BE RIGHT BACK. 598 00:22:43,530 --> 00:22:44,564 OKAY? I PROMISE, OKAY? 599 00:22:44,597 --> 00:22:46,265 KEEP PRESSURE. PLEASE. 600 00:22:46,298 --> 00:22:47,634 OKAY? 601 00:22:56,909 --> 00:22:58,010 [ SIGHS ] 602 00:22:58,044 --> 00:23:00,413 YOU KNOW, ONE TIME, I HAD A BRIDE SHOW UP ON A SATURDAY 603 00:23:00,447 --> 00:23:02,114 WHEN THE WEDDING WAS ACTUALLY ON A SUNDAY. 604 00:23:02,148 --> 00:23:03,883 THAT'S PRETTY WEIRD. 605 00:23:03,916 --> 00:23:05,017 Father: MM-HMM. 606 00:23:05,051 --> 00:23:06,519 SHE'S GONNA BE HERE. 607 00:23:06,553 --> 00:23:09,789 UH, THE WEDDING'S IN, UH, 10 -- 10 MINUTES. 608 00:23:09,822 --> 00:23:11,390 COME ON. YOU KNOW THE GIRL. 609 00:23:11,424 --> 00:23:13,560 SHE'S PROBABLY WORKING ON ONE OF HER LISTS. 610 00:23:13,593 --> 00:23:15,294 SHE WANTS EVERYTHING TO BE PERFECT 611 00:23:15,327 --> 00:23:17,029 BEFORE SHE WALKS THROUGH THE DOOR. 612 00:23:17,063 --> 00:23:18,030 YEAH, YOU THINK? 613 00:23:18,064 --> 00:23:19,031 YEAH, I DO. 614 00:23:19,065 --> 00:23:20,767 SHE LOVES YOU. 615 00:23:20,800 --> 00:23:23,703 I, UM...I JUST TALKED TO THE GUYS IN NORTHBROOK, 616 00:23:23,736 --> 00:23:25,805 AND THERE'S BEEN NO REPORTED ACCIDENTS. 617 00:23:25,838 --> 00:23:28,307 SO...SAM, DO YOU WANT US TO GO AND LOOK FOR HER? 618 00:23:28,340 --> 00:23:30,109 LIKE, PUT AN APB OUT ON THE TRUCK? 619 00:23:30,142 --> 00:23:32,144 Jay: SAMMY! 620 00:23:32,178 --> 00:23:33,780 SAMMY! 621 00:23:35,882 --> 00:23:37,884 I MADE IT. 622 00:23:37,917 --> 00:23:38,985 SURPRISE. 623 00:23:39,018 --> 00:23:40,820 [ CHUCKLES ] 624 00:23:40,853 --> 00:23:42,154 WHAT ARE YOU DOING? I COME IN PEACE! 625 00:23:42,188 --> 00:23:43,155 Shh! 626 00:23:43,189 --> 00:23:44,991 SAMMY, I BROUGHT YOU SOMETHING. 627 00:23:45,024 --> 00:23:45,992 WHERE IS IT? 628 00:23:46,025 --> 00:23:47,426 H-HOW DID YOU GET HERE? 629 00:23:47,460 --> 00:23:48,561 WE DROVE HIM. 630 00:23:48,595 --> 00:23:50,162 THAT WASN'T THE PLAN? 631 00:23:50,196 --> 00:23:51,598 THANKS, GUYS. 632 00:23:51,631 --> 00:23:52,932 DID SARAH TELL YOU ABOUT THIS? 633 00:23:52,965 --> 00:23:55,535 YEAH. SHE PROBABLY THOUGHT I'D JUST SEND YOU A CARD. 634 00:23:55,568 --> 00:23:56,669 LOOK AT THIS. 635 00:23:56,703 --> 00:23:58,738 BUDDY, YOU JUST GOT TO BREATHE, ALL RIGHT? BREATHE. 636 00:23:58,771 --> 00:24:00,707 [ EXHALES SHARPLY ] SAMMY. 637 00:24:00,740 --> 00:24:04,443 AFTER ALL THIS TIME, LOOK WHAT I GOT FOR YOU RIGHT HERE. 638 00:24:04,477 --> 00:24:05,678 IT'S YOUR WATCH. 639 00:24:05,712 --> 00:24:06,846 REMEMBER HOW YOU LOVED THAT? 640 00:24:06,879 --> 00:24:09,516 I FIGURED TODAY WOULD BE A GOOD DAY FOR YOU TO HAVE IT, 641 00:24:09,549 --> 00:24:10,416 BRING YOU LUCK. 642 00:24:10,449 --> 00:24:12,585 THAT'S FUNNY, DAD. UM [CHUCKLES] THANKS. 643 00:24:12,619 --> 00:24:14,453 I ALREADY HAVE ONE, FUNNILY ENOUGH. 644 00:24:14,487 --> 00:24:16,856 FRIEND OF MINE GAVE IT TO ME -- BEFORE HE DIED. 645 00:24:16,889 --> 00:24:18,324 WELL... 646 00:24:18,357 --> 00:24:20,026 IT'S KIND OF AN OLIVE BRANCH, ANYWAY. 647 00:24:20,059 --> 00:24:23,630 I DON'T MEAN TO BE A BURDEN, BUT I DO NEED TO INFORM YOU 648 00:24:23,663 --> 00:24:27,466 THAT WE HAVE A FUNERAL HERE AT 3:00 P.M. 649 00:24:27,500 --> 00:24:29,235 OKAY? 650 00:24:29,268 --> 00:24:31,470 [ HORN HONKS ] 651 00:24:33,372 --> 00:24:34,541 DID WE MISS IT? 652 00:24:34,574 --> 00:24:36,342 [ CAR DOORS CLOSE ] NO. 653 00:24:36,375 --> 00:24:38,578 WHERE'S ANDY? 654 00:24:43,883 --> 00:24:45,217 HEY! 655 00:24:45,251 --> 00:24:46,686 STOP! 656 00:24:46,719 --> 00:24:48,688 PLEASE, PLEASE, PLEASE! I NEED YOUR HELP! 657 00:24:48,721 --> 00:24:50,857 [ HORN BLARES ] HEY! NO, NO, NO! I NEED YOUR HELP! 658 00:24:50,890 --> 00:24:52,324 UNBELIEVABLE! 659 00:24:52,358 --> 00:24:54,727 WHAT IS WRONG WITH YOU?! 660 00:24:54,761 --> 00:24:56,996 YOU ARE WHAT'S WRONG WITH THE WORLD! 661 00:24:57,029 --> 00:24:58,164 I'M GETTING MARRIED! 662 00:25:04,436 --> 00:25:07,139 [ DOOR OPENS ] 663 00:25:07,173 --> 00:25:09,008 [ DOOR CLOSES ] 664 00:25:09,041 --> 00:25:10,009 Jay: WELL. 665 00:25:10,042 --> 00:25:13,012 WE ALL DIE ALONE. 666 00:25:13,045 --> 00:25:14,847 THAT'S WHAT THEY SAY. 667 00:25:16,783 --> 00:25:18,585 THAT'S VERY HELPFUL, DAD. THANKS. 668 00:25:18,618 --> 00:25:20,687 WELL, WE -- WE MIGHT ALL DIE ALONE, 669 00:25:20,720 --> 00:25:22,589 BUT THAT DOESN'T MEAN WE HAVE TO LIVE ALONE. 670 00:25:22,622 --> 00:25:23,623 AND YOU KNOW WHAT? 671 00:25:23,656 --> 00:25:25,357 IF WE'RE GONNA CHOOSE TO LIVE WITH OTHER PEOPLE, 672 00:25:25,391 --> 00:25:28,094 CHANCES ARE WE'RE GONNA HAVE TO MAKE A COMPROMISE AT SOME POINT. 673 00:25:28,127 --> 00:25:30,663 AND YOU KNOW WHAT? I'VE LEARNED HOW TO COMPROMISE. 674 00:25:30,697 --> 00:25:32,531 I'VE ALSO LEARNED HOW TO BE VULNERABLE. 675 00:25:32,565 --> 00:25:35,568 YOU KNOW WHAT? YOU DON'T HAVE TO ACT LIKE A FRUIT TO CATCH A WOMAN. 676 00:25:35,602 --> 00:25:37,570 [ LAUGHS ] YOU REALLY DON'T. 677 00:25:37,604 --> 00:25:39,739 ACTUALLY, THEY HATE IT, IN MY EXPERIENCE. 678 00:25:39,772 --> 00:25:42,709 WELL, THANKS FOR THE DATING TIPS FROM, UH, MILLBURN PRISON. 679 00:25:42,742 --> 00:25:45,311 HEY, AT LEAST YOUR MOTHER SHOWED UP FOR OUR WEDDING. 680 00:25:45,344 --> 00:25:47,079 OHH. 681 00:25:48,615 --> 00:25:51,450 BUT, HEY, IF YOUR GIRL DOESN'T SHOW UP, 682 00:25:51,483 --> 00:25:52,819 WHAT YOU'RE GONNA DO 683 00:25:52,852 --> 00:25:55,321 IS PICK YOURSELF UP ON YOUR OWN TWO FEET, 684 00:25:55,354 --> 00:25:56,455 ACT LIKE A MAN. 685 00:25:56,488 --> 00:25:59,458 YOU KNOW THAT BECAUSE I HAD TO SHOW YOU HOW HARD LIFE IS. 686 00:25:59,491 --> 00:26:01,460 OH, YOU SHOWED ME HOW HARD LIFE IS. 687 00:26:01,493 --> 00:26:02,461 THANK YOU. 688 00:26:02,494 --> 00:26:03,596 THAT'S FINE. 689 00:26:03,630 --> 00:26:05,497 SO, WHAT ABOUT THE WATCH? I CAN GIVE IT BACK TO STEWART? 690 00:26:05,531 --> 00:26:09,035 YOU'RE OUT OF PRISON ONE DAY, YOU'RE ALREADY ROBBING PEOPLE? 691 00:26:09,068 --> 00:26:10,536 EH, SO WHAT? 692 00:26:10,569 --> 00:26:12,438 SO I GO BACK TO PRISON. 693 00:26:12,471 --> 00:26:14,473 WHAT ELSE WAS I REALLY GONNA DO? 694 00:26:14,506 --> 00:26:16,275 WORK IN A DOLLAR STORE? PAY RENT? 695 00:26:16,308 --> 00:26:19,111 OH! I CAN SIT AROUND YOUR, UH, HIGHFALUTIN CONDO. 696 00:26:19,145 --> 00:26:22,749 WE COULD TALK ABOUT BEING VULNERABLE ALL NIGHT. 697 00:26:22,782 --> 00:26:26,418 LOOK, THANK YOUR LUCKY STARS YOU DIDN'T END UP LIKE ME. 698 00:26:26,452 --> 00:26:27,754 THAT'S PRETTY HUGE. 699 00:26:27,787 --> 00:26:30,456 AND IF YOUR GIRL KNEW HOW HARD THAT WAS, 700 00:26:30,489 --> 00:26:33,693 I THINK SHE'D BE HERE RIGHT NOW. 701 00:26:34,761 --> 00:26:36,028 WELL, THANKS, POP. 702 00:26:36,062 --> 00:26:37,163 YEAH. 703 00:26:46,005 --> 00:26:46,973 HEY! 704 00:26:47,006 --> 00:26:48,340 STOP! 705 00:26:54,914 --> 00:26:56,148 HEY! 706 00:26:56,182 --> 00:26:57,349 DUNCAN? 707 00:26:57,383 --> 00:26:58,985 ANDY. 708 00:27:00,219 --> 00:27:01,921 WHAT ARE YOU DOING OUT HERE, ANDY? YOU'RE GONNA GET SQUASHED. 709 00:27:01,954 --> 00:27:03,656 I HAVE NEVER BEEN SO HAPPY TO SEE SOMEONE IN MY WHOLE LIFE, 710 00:27:03,690 --> 00:27:05,024 LISTEN, THE FIRST RULE IN ROAD SAFETY 711 00:27:05,057 --> 00:27:05,892 IS YOU DON'T STAND IN THE MIDDLE OF IT. HOW -- HOW DID YOU FIND ME? 712 00:27:05,925 --> 00:27:08,227 I TRACKED THE NAV SYSTEM IN SAM'S TRUCK. 713 00:27:08,260 --> 00:27:09,061 [ SIGHS ] 714 00:27:09,095 --> 00:27:10,763 YOU SOUNDED STRESSED OUT ON THE PHONE, 715 00:27:10,797 --> 00:27:12,431 SO I FIGURED, YOU KNOW -- I MEAN, I KNOW I'M A DUMMY, 716 00:27:12,464 --> 00:27:13,933 BUT I'M NOT DEAF, YOU KNOW, AND I FIGURED I'D COME OUT 717 00:27:13,966 --> 00:27:15,935 [ ENGINE TURNS OVER ] AND MAKE SURE YOU'RE OKAY. 718 00:27:15,968 --> 00:27:16,803 WAIT. 719 00:27:24,076 --> 00:27:25,411 ANGUS. 720 00:27:25,444 --> 00:27:27,279 ANGUS! 721 00:27:27,313 --> 00:27:28,447 HEY! 722 00:27:28,480 --> 00:27:30,282 HEY, HEY, HEY! ANGUS! 723 00:27:30,316 --> 00:27:32,384 CAN YOU HEAR ME? 724 00:27:32,418 --> 00:27:33,452 [ GROANS WEAKLY ] 725 00:27:33,485 --> 00:27:35,021 HEY. 726 00:27:35,054 --> 00:27:36,588 YOU CAME BACK. 727 00:27:36,622 --> 00:27:39,558 'COURSE I DID. I PROMISED. 728 00:27:39,591 --> 00:27:41,694 BIG DAY FOR PROMISES, HUH? 729 00:27:41,728 --> 00:27:42,762 YEAH, IT IS. 730 00:27:42,795 --> 00:27:43,830 [ CHUCKLES ] 731 00:27:43,863 --> 00:27:45,932 [ SIRENS WAILING ] 732 00:27:50,803 --> 00:27:51,738 THESE GUYS ARE GONNA CALL YOUR GIRL, 733 00:27:51,771 --> 00:27:52,739 LET HER KNOW WHERE YOU ARE. 734 00:27:52,772 --> 00:27:53,840 THANK YOU. YOU'RE WELCOME. 735 00:27:53,873 --> 00:27:55,141 [ SIREN CHIRPS ] 736 00:27:55,174 --> 00:27:56,943 HEY, DUNCAN. CAN I USE YOUR PHONE? 737 00:27:58,945 --> 00:28:00,179 PSSH. 738 00:28:00,212 --> 00:28:02,815 [ BELLS TOLLING ] 739 00:28:05,818 --> 00:28:06,919 Oliver: [ COUGHS ] SAM? 740 00:28:06,953 --> 00:28:11,290 WE'RE GONNA -- WE'RE GONNA GO AND WE'RE GONNA FIND HER. 741 00:28:11,323 --> 00:28:12,358 OKAY. OKAY. 742 00:28:12,391 --> 00:28:14,927 [ CELLPHONE VIBRATING ] 743 00:28:14,961 --> 00:28:15,728 MOORE. 744 00:28:15,762 --> 00:28:17,463 UH, SAM. IT'S ME. 745 00:28:18,664 --> 00:28:20,299 McNALLY. 746 00:28:20,332 --> 00:28:21,467 WHERE ARE YOU? 747 00:28:21,500 --> 00:28:22,468 EEE. 748 00:28:22,501 --> 00:28:23,736 UH, CONCESSION 5 ROAD, 749 00:28:23,770 --> 00:28:25,704 JUST THIS ADORABLE LITTLE DEAD END. 750 00:28:25,738 --> 00:28:27,740 UM, THERE WAS THIS GIRL. SHE STABBED THIS GUY. 751 00:28:27,774 --> 00:28:29,776 Actually, it's a really long story. 752 00:28:29,809 --> 00:28:31,577 IS IT? IS IT A LONG STORY? 753 00:28:31,610 --> 00:28:32,511 I'M SORRY. 754 00:28:32,544 --> 00:28:35,114 UH, DID YOU THINK I WASN'T GONNA SHOW UP? 755 00:28:36,148 --> 00:28:38,851 SWEETHEART, I NEVER DOUBTED YOU FOR A SECOND. 756 00:28:38,885 --> 00:28:40,719 ALL RIGHT. WE STILL GOOD TO DO THIS THING? 757 00:28:40,753 --> 00:28:43,155 WELL, UH, WE MISSED OUR FIRST WINDOW, 758 00:28:43,189 --> 00:28:46,058 BUT GIVE IT ABOUT 45 MINUTES, WE COULD BE BACK IN BUSINESS. 759 00:28:46,092 --> 00:28:48,194 OKAY. 760 00:28:48,227 --> 00:28:50,362 McNALLY? 761 00:28:50,396 --> 00:28:51,764 ARE YOU OKAY? 762 00:28:51,798 --> 00:28:52,832 I'M GREAT. 763 00:28:52,865 --> 00:28:54,366 I LOVE YOU. 764 00:28:54,400 --> 00:28:56,502 I LOVE YOU, TOO. 765 00:28:59,205 --> 00:29:00,940 SHE'S ON HER WAY. 766 00:29:02,541 --> 00:29:03,976 * GOING TO FIND JUST ONE 767 00:29:04,010 --> 00:29:05,244 OKAY. 768 00:29:05,277 --> 00:29:06,846 THANK YOU. 769 00:29:08,414 --> 00:29:09,381 YOU LOOK PERFECT. 770 00:29:09,415 --> 00:29:11,617 [ CHUCKLES ] 771 00:29:11,650 --> 00:29:12,785 SOMETHING BLUE. 772 00:29:12,819 --> 00:29:15,754 * SEEMS TO BE THE GOAL OF EVERYONE * 773 00:29:15,788 --> 00:29:16,789 READY? YEAH. 774 00:29:16,823 --> 00:29:18,490 SEE YOU IN A MINUTE. 775 00:29:18,524 --> 00:29:20,726 * FROM THE SEARCH TO THE HURT 776 00:29:20,759 --> 00:29:24,030 * I BELIEVED I COULD TAKE YOU ON * 777 00:29:24,063 --> 00:29:25,764 [ SIGHS ] 778 00:29:25,798 --> 00:29:27,834 * WE WOULD DRINK, WE WOULD DANCE * 779 00:29:27,867 --> 00:29:32,972 * AND YOU WOULD WATCH ME WHENEVER YOU WANT * 780 00:29:33,005 --> 00:29:34,706 * AND CAN YOU GIVE ME 781 00:29:34,740 --> 00:29:40,079 * EVERYTHING, EVERYTHING, EVERYTHING? * 782 00:29:40,112 --> 00:29:43,549 * 'CAUSE I CAN'T GIVE YOU ANYTHING * 783 00:29:48,420 --> 00:29:52,691 * AND IF YOU WAIT 784 00:29:52,724 --> 00:29:56,562 * IF YOU WA-A-A-A-A-IT 785 00:29:56,595 --> 00:29:57,864 I LOVE YOU. 786 00:29:57,897 --> 00:30:02,801 * I WILL TRUST IN TIME THAT WE WILL MEET AGAIN * 787 00:30:02,835 --> 00:30:06,672 * IF YOU WAIT 788 00:30:06,705 --> 00:30:10,142 DEARLY BELOVED... 789 00:30:10,176 --> 00:30:15,081 WE ARE GATHERED HERE TODAY TO WITNESS THE UNION 790 00:30:15,114 --> 00:30:18,717 OF SAMUEL JAY SWAREK... 791 00:30:18,750 --> 00:30:21,553 ANDREA GRACE McNALLY... 792 00:30:21,587 --> 00:30:23,355 IN HOLY MATRIMONY. 793 00:30:23,389 --> 00:30:25,324 INTO THIS ESTATE, 794 00:30:25,357 --> 00:30:27,994 THESE TWO PRESENT COME NOW TO BE JOINED. 795 00:30:28,027 --> 00:30:29,595 IF ANYONE CAN SHOW JUST CAUSE 796 00:30:29,628 --> 00:30:33,599 WHY THESE TWO SHOULD NOT BE LAWFULLY JOINED TOGETHER, 797 00:30:33,632 --> 00:30:35,767 LET THEM SPEAK NOW, 798 00:30:35,801 --> 00:30:38,037 OR THEY CAN FOREVER HOLD THEIR PEACE. 799 00:30:40,806 --> 00:30:43,042 [ LIGHT LAUGHTER ] 800 00:30:44,376 --> 00:30:45,544 SAM? 801 00:30:48,680 --> 00:30:49,815 [ INHALES ] 802 00:30:49,848 --> 00:30:54,420 I, SAMUEL JAY SWAREK... 803 00:30:54,453 --> 00:30:56,755 TAKE YOU, McNALLY... 804 00:30:56,788 --> 00:30:59,025 [ BOTH LAUGH ] 805 00:30:59,058 --> 00:31:04,130 ...ANDREA GRACE McNALLY... 806 00:31:04,163 --> 00:31:07,199 AS MY LAWFULLY WEDDED WIFE... 807 00:31:07,233 --> 00:31:10,136 TO LOVE AND TO CHERISH... 808 00:31:12,939 --> 00:31:16,742 ...TO...EMBRACE... 809 00:31:16,775 --> 00:31:19,445 AND TO SET FREE. 810 00:31:19,478 --> 00:31:23,682 YOU TOOK A BROKEN MAN AND YOU MADE HIM WHOLE. 811 00:31:23,715 --> 00:31:28,487 AND EACH DAY, I WILL BE GRATEFUL. 812 00:31:28,520 --> 00:31:32,658 I AM GRATEFUL FOR EVERYTHING YOU'VE GIVEN TO ME. 813 00:31:32,691 --> 00:31:35,294 SO, NOW I TAKE YOU -- 814 00:31:35,327 --> 00:31:40,732 MY FRIEND, MY BEST FRIEND, MY PARTNER, 815 00:31:40,766 --> 00:31:44,270 AND THE LOVE OF MY LIFE -- 816 00:31:44,303 --> 00:31:47,773 FOR BETTER OR FOR WORSE, IN SICKNESS AND IN HEALTH, 817 00:31:47,806 --> 00:31:52,378 FOR NOW, FOREVER, FOR ALWAYS. 818 00:31:56,448 --> 00:31:57,683 [ SNIFFLES ] 819 00:31:57,716 --> 00:32:00,486 [ CHUCKLES ] 820 00:32:00,519 --> 00:32:04,723 [ Voice breaking ] I HAD THE GREATEST VOWS EVER. 821 00:32:04,756 --> 00:32:06,258 AND I CAN'T FIND THEM. 822 00:32:06,292 --> 00:32:08,327 [ SIGHS ] 823 00:32:08,360 --> 00:32:10,729 SO... 824 00:32:10,762 --> 00:32:13,732 HERE I AM... 825 00:32:13,765 --> 00:32:17,536 LOOKING AT YOU. 826 00:32:17,569 --> 00:32:20,506 AND THIS IS WHAT I KNOW. 827 00:32:20,539 --> 00:32:25,177 I HAVE LOVED YOU SINCE THE MOMENT I SAW YOU. 828 00:32:25,211 --> 00:32:26,812 LOVED YOU AND FEARED YOU. 829 00:32:26,845 --> 00:32:29,681 WELL, NOT YOU, BUT THIS. 830 00:32:29,715 --> 00:32:31,417 [ SNIFFLES ] 831 00:32:31,450 --> 00:32:36,955 I HAVE BEEN SO TERRIFIED TO LOVE...THIS PROFOUNDLY. 832 00:32:38,924 --> 00:32:40,892 BUT NOT ANYMORE. 833 00:32:40,926 --> 00:32:42,561 [ SIGHS ] 834 00:32:42,594 --> 00:32:46,565 FOR GOOD AND FOR BAD... 835 00:32:46,598 --> 00:32:49,701 FOR GREAT AND FOR HARD... 836 00:32:49,735 --> 00:32:51,470 FOR DREAMS... 837 00:32:51,503 --> 00:32:55,907 AND THE TRUTH BEHIND THE DREAMS... 838 00:32:55,941 --> 00:32:58,444 I AM HERE. 839 00:32:58,477 --> 00:33:00,179 I AM YOURS. 840 00:33:02,481 --> 00:33:04,850 SAM SWAREK... 841 00:33:04,883 --> 00:33:08,354 I CHOOSE YOU. 842 00:33:08,387 --> 00:33:14,126 I PROMISE TO HONOR YOU AND CHERISH YOU. 843 00:33:17,663 --> 00:33:20,966 AND WHILE I WILL NOT OBEY YOU, PER SE... 844 00:33:20,999 --> 00:33:22,301 [ BOTH CHUCKLE ] 845 00:33:22,334 --> 00:33:25,704 ...I WILL ALWAYS HEAR YOU. 846 00:33:25,737 --> 00:33:28,907 AND I WILL KEEP LOVING YOU... 847 00:33:28,940 --> 00:33:31,810 ONE MOMENT AFTER ANOTHER... 848 00:33:31,843 --> 00:33:34,012 ONE EPIPHANY AT A TIME. 849 00:33:37,883 --> 00:33:39,985 WE GOT ANY RINGS? 850 00:33:40,018 --> 00:33:42,188 YEAH. 851 00:33:42,221 --> 00:33:45,057 HERE YOU GO, PAL. 852 00:33:47,826 --> 00:33:52,030 WITH THIS RING, I THEE WED. 853 00:33:52,064 --> 00:33:53,465 THANK YOU. 854 00:33:53,499 --> 00:33:56,835 [ Laughing ] BUT I THINK YOU HAVE THE WRONG RING. 855 00:33:56,868 --> 00:33:58,837 Oliver: SORRY. [ CHUCKLES ] 856 00:33:58,870 --> 00:34:00,038 [ CLEARS THROAT ] 857 00:34:00,072 --> 00:34:05,677 * FROM THE MEANING, THE MOMENT YOU TRIED TO TAKE ME ON * 858 00:34:05,711 --> 00:34:06,912 Sam: ONCE AGAIN. OKAY. 859 00:34:06,945 --> 00:34:08,347 [ CHUCKLES ] 860 00:34:08,380 --> 00:34:11,817 * FROM THE AIR TO THE ROOM, A BED THAT I OWN * 861 00:34:11,850 --> 00:34:14,920 WITH THIS RING, I THEE WED. 862 00:34:14,953 --> 00:34:17,055 * AND CAN YOU GIVE ME 863 00:34:17,089 --> 00:34:22,428 * EVERYTHING, EVERYTHING, EVERYTHING? * 864 00:34:22,461 --> 00:34:25,564 * 'CAUSE I CAN'T GIVE YOU ANYTHING * 865 00:34:25,597 --> 00:34:27,199 [ SIGHS ] 866 00:34:27,233 --> 00:34:30,569 WITH THIS RING, I THEE WED. 867 00:34:30,602 --> 00:34:34,806 * AND IF YOU WAIT 868 00:34:34,840 --> 00:34:36,842 * IF YOU WA-A-A-A-A-IT 869 00:34:36,875 --> 00:34:38,577 BY THE POWER VESTED IN ME, 870 00:34:38,610 --> 00:34:42,548 I NOW PRONOUNCE YOU HUSBAND AND WIFE. 871 00:34:42,581 --> 00:34:43,849 [ CHUCKLES ] 872 00:34:43,882 --> 00:34:46,752 [ CHEERS AND APPLAUSE ] 873 00:34:56,795 --> 00:34:58,730 [ GLASS CLINKING ] 874 00:34:58,764 --> 00:35:02,033 LADIES AND GENTLEMEN, IF I COULD HAVE YOUR ATTENTION. 875 00:35:02,067 --> 00:35:04,636 TROOPS, THIS IS, UH, LIKE PARADE, I GUESS. 876 00:35:04,670 --> 00:35:06,472 [ LAUGHTER ] AND NO ONE LISTENS ANYWAY. 877 00:35:06,505 --> 00:35:07,473 [ CHUCKLES ] 878 00:35:07,506 --> 00:35:08,440 ALL RIGHT. 879 00:35:08,474 --> 00:35:11,743 I AM HONORED -- NO, I AM THRILLED -- 880 00:35:11,777 --> 00:35:12,844 TO PRESENT -- 881 00:35:12,878 --> 00:35:14,012 WHERE ARE THEY? 882 00:35:14,045 --> 00:35:17,816 UH, MR. AND MRS... 883 00:35:17,849 --> 00:35:20,286 UH...ANDY AND SAM! 884 00:35:20,319 --> 00:35:22,888 [ CHEERS AND APPLAUSE ] 885 00:35:22,921 --> 00:35:24,690 YEAH! 886 00:35:24,723 --> 00:35:27,092 [ CHEERS AND APPLAUSE ] 887 00:35:27,125 --> 00:35:33,131 * A CERTAIN KIND OF LIGHT NEVER SHONE ON ME * 888 00:35:35,801 --> 00:35:42,341 * BUT I WANT MY LIFE TO BE LIVED WITH YOU* 889 00:35:43,875 --> 00:35:46,878 * LIVED WITH YOU 890 00:35:49,348 --> 00:35:51,783 Frankie: YOU KNOW, THE WORST PART ABOUT THIS MARRIAGE THING 891 00:35:51,817 --> 00:35:53,985 IS THAT IT COULD ACTUALLY HAPPEN TO US NOW. 892 00:35:54,019 --> 00:35:55,954 LIKE, IT'S A POSSIBILITY. 893 00:35:55,987 --> 00:35:58,590 [ Laughing ] WHOA. 894 00:35:58,624 --> 00:36:01,260 YOU JUST NEED TO, LIKE, RELAX, STRING BEAN. 895 00:36:01,293 --> 00:36:02,861 WE'RE NOT GETTING MARRIED. 896 00:36:02,894 --> 00:36:05,197 I ALREADY DON'T LIKE THE WAY YOU CHEW. 897 00:36:05,231 --> 00:36:07,599 I DIDN'T MEAN YOU AND ME. 898 00:36:07,633 --> 00:36:10,702 OH, DID YOU MEAN "THE GAYS"? 899 00:36:10,736 --> 00:36:13,272 YEAH. SURE YOU DID. 900 00:36:13,305 --> 00:36:15,807 EQUALITY IS A TERRIBLE THING. 901 00:36:15,841 --> 00:36:17,008 UH, HEY, LADIES. 902 00:36:17,042 --> 00:36:19,545 HAVE EITHER OF YOU SEEN JAY SWAREK? 903 00:36:19,578 --> 00:36:22,180 I DON'T KNOW WHO THAT IS. 904 00:36:23,148 --> 00:36:24,750 OKAY. 905 00:36:27,586 --> 00:36:33,359 * WHEN I SAY THE TRUTH IS WRITTEN ON MY SKIN * 906 00:36:33,392 --> 00:36:35,561 * GIRL, YOU'RE LIKE A PEARL ON THE OUTSIDE * 907 00:36:35,594 --> 00:36:36,762 HEY, ANDY. 908 00:36:36,795 --> 00:36:38,997 UM, CAN I TALK TO YOU FOR A QUICK SECOND? 909 00:36:39,030 --> 00:36:40,532 YEAH. 910 00:36:40,566 --> 00:36:41,533 UM... 911 00:36:41,567 --> 00:36:44,102 I JUST WANT TO SAY THANK YOU FOR EVERYTHING. 912 00:36:44,135 --> 00:36:47,005 YEAH. I SHOULD BE THANKING YOU. 913 00:36:47,038 --> 00:36:48,474 I DID SAVE THE DAY, DIDN'T I? 914 00:36:49,375 --> 00:36:50,276 I'M JUST PLAYING. 915 00:36:50,309 --> 00:36:54,380 UM, BUT BEING INVITED TO THIS MEANS A LOT. 916 00:36:54,413 --> 00:36:56,114 OH. [ CHUCKLES ] 917 00:36:56,147 --> 00:36:57,949 I-I DIDN'T INVITE YOU. 918 00:36:57,983 --> 00:36:59,351 OKAY. 919 00:36:59,385 --> 00:37:01,820 WELL, I MEAN, BEING INCLUDED FEELS NICE, TOO. 920 00:37:01,853 --> 00:37:03,722 UM... 921 00:37:03,755 --> 00:37:05,891 I'M BEING TRANSFERRED TO 16 DIVISION. 922 00:37:05,924 --> 00:37:08,594 I WANTED TO WAIT UNTIL AFTER THE CEREMONY TO LET YOU KNOW, 923 00:37:08,627 --> 00:37:12,130 BUT...YOU KNOW, JUST IN CASE YOU GOT TOO DISTRACTED 924 00:37:12,163 --> 00:37:14,633 AND FORGOT YOUR VOWS OR SOMETHING... 925 00:37:14,666 --> 00:37:17,269 WHICH WERE AWESOME. THEY ALMOST MADE ME CRY. 926 00:37:17,303 --> 00:37:19,137 I'M ACTUALLY GONNA MISS YOU. 927 00:37:19,170 --> 00:37:22,073 I'M GONNA MISS YOU, TOO. COME HERE. 928 00:37:22,107 --> 00:37:24,242 YOU TAUGHT ME EVERYTHING I KNOW. 929 00:37:26,278 --> 00:37:27,813 BUT I GOT TO FIND JAY, OKAY? 930 00:37:27,846 --> 00:37:30,349 YOU HAVE AN AMAZING WEDDING, ALL RIGHT? 931 00:37:30,382 --> 00:37:31,983 THANK YOU. SEE YOU. 932 00:37:32,017 --> 00:37:33,552 STAY OUT OF TROUBLE. 933 00:37:33,585 --> 00:37:36,988 [ DANCE MUSIC PLAYING ] 934 00:37:37,022 --> 00:37:39,358 HOW YOU DOING? 935 00:37:40,926 --> 00:37:42,027 JAY? DUNCAN. 936 00:37:42,060 --> 00:37:43,061 THAT'S YOU. 937 00:37:43,094 --> 00:37:44,062 OKAY. 938 00:37:44,095 --> 00:37:45,964 OH! OHH! 939 00:37:45,997 --> 00:37:47,833 [ LAUGHS ] 940 00:37:47,866 --> 00:37:48,800 [ LAUGHTER ] 941 00:37:48,834 --> 00:37:49,668 GO, DUNCAN! 942 00:37:49,701 --> 00:37:53,104 * I'M GONNA FIND A BETTER WAY 943 00:37:53,138 --> 00:37:55,073 WHAT'S ON YOUR MIND, McNALLY? 944 00:37:55,106 --> 00:37:56,107 Traci: WHOO! 945 00:37:56,141 --> 00:38:01,146 JUST THAT EVERYONE WE LOVE IS HERE -- TOGETHER. 946 00:38:01,179 --> 00:38:04,215 AND WE'RE HERE -- TOGETHER. 947 00:38:04,249 --> 00:38:05,684 I FEEL LIKE I'M GONNA EXPLODE 948 00:38:05,717 --> 00:38:08,153 INTO, LIKE, A MILLION SHINY PIECES. 949 00:38:08,186 --> 00:38:10,055 I THINK THAT'S CALLED "JOY." 950 00:38:10,088 --> 00:38:11,690 [ Chuckling ] YEAH. 951 00:38:13,024 --> 00:38:14,826 YO. PRICE. 952 00:38:16,227 --> 00:38:18,764 UH-OHHHHHH! 953 00:38:18,797 --> 00:38:20,532 [ LAUGHS ] 954 00:38:30,642 --> 00:38:33,712 * LATELY, I'VE BEEN, I'VE BEEN LOSING SLEEP * 955 00:38:33,745 --> 00:38:37,082 * DREAMING ABOUT THE THINGS THAT WE COULD BE * 956 00:38:37,115 --> 00:38:38,316 [ CHUCKLES ] 957 00:38:38,350 --> 00:38:41,186 * BABY, I'VE BEEN, I'VE BEEN THINKING HARD * 958 00:38:41,219 --> 00:38:43,655 GOOD MORNING, MRS. SWAREK. 959 00:38:43,689 --> 00:38:46,392 GOOD MORNING... MR. McNALLY. 960 00:38:46,425 --> 00:38:47,993 [ CHUCKLES ] 961 00:38:50,662 --> 00:38:54,332 * YEAH, WE'LL BE COUNTING STARS * 962 00:38:59,538 --> 00:39:01,607 [ COFFEE POURS ] 963 00:39:04,275 --> 00:39:05,243 WHAT? 964 00:39:05,276 --> 00:39:06,478 NOTHING. 965 00:39:07,278 --> 00:39:09,648 OKAY, THEN. 966 00:39:09,681 --> 00:39:11,750 HEY. WALK HERE TODAY? 967 00:39:11,783 --> 00:39:12,918 YEAH. YOU? 968 00:39:12,951 --> 00:39:16,187 YEAH. EXERCISE. KEEPS THE ANXIETY DOWN. 969 00:39:16,221 --> 00:39:17,389 YOU'RE TELLING ME. 970 00:39:17,423 --> 00:39:19,290 * OLD, BUT I'M NOT THAT OLD 971 00:39:19,324 --> 00:39:21,893 * YOUNG, BUT I'M NOT THAT BOLD 972 00:39:21,927 --> 00:39:23,094 YOU BELIEVE THIS? 973 00:39:23,128 --> 00:39:25,864 SIX YEARS AT THIS PLACE. 974 00:39:25,897 --> 00:39:26,965 SIX YEARS TOGETHER. 975 00:39:26,998 --> 00:39:30,969 WHATEVER HAPPENS, YOU'RE A SOLID COP, McNALLY. 976 00:39:31,002 --> 00:39:32,137 A GREAT PARTNER. 977 00:39:32,170 --> 00:39:33,439 YOU TOO. 978 00:39:33,472 --> 00:39:37,909 * I COULDN'T LIE, COULDN'T LIE, COULDN'T LIE * 979 00:39:37,943 --> 00:39:38,877 READY? 980 00:39:38,910 --> 00:39:40,011 [ SIGHS ] NO. 981 00:39:40,045 --> 00:39:41,780 [ CHUCKLES ] 982 00:39:41,813 --> 00:39:43,014 MORNING. 983 00:39:43,048 --> 00:39:45,451 * I'VE BEEN LOSING SLEEP 984 00:39:45,484 --> 00:39:47,152 UH, EXCUSE ME. THAT'S MY LOCKER. 985 00:39:47,185 --> 00:39:48,987 OH. 986 00:39:49,020 --> 00:39:49,821 OKAY. 987 00:39:49,855 --> 00:39:51,657 THEY JUST GAVE ME A NUMBER, SO I -- 988 00:39:51,690 --> 00:39:53,659 I WONDERED WHY THERE WAS STUFF IN HERE. 989 00:39:53,692 --> 00:39:55,260 SO YOU WERE JUST GOING THROUGH MY PERSONAL THINGS? 990 00:39:55,293 --> 00:39:57,729 * WE'LL BE COUNTING STARS 991 00:39:57,763 --> 00:39:58,430 NO, I -- 992 00:39:58,464 --> 00:40:00,466 MOVE IT, CHILD. 993 00:40:01,132 --> 00:40:02,901 OH, MY GOD. I KNEW IT. 994 00:40:02,934 --> 00:40:05,103 THEY'RE TRANSFERRING ME -- 27 DIVISION. 995 00:40:05,136 --> 00:40:06,505 SHOOT ME NOW. 996 00:40:06,538 --> 00:40:09,107 DO NOT SAY THAT UNLESS YOU MEAN IT, CHLOE. 997 00:40:09,140 --> 00:40:12,711 YOU'RE RIGHT. IT'S JUST AN UNFORTUNATE FIGURE OF SPEECH. 998 00:40:12,744 --> 00:40:14,412 [ Voice breaking ] OH, MY GOD. 999 00:40:14,446 --> 00:40:16,648 I'M GONNA MISS YOU GUYS SO MUCH. 1000 00:40:16,682 --> 00:40:19,451 * I FEEL SOMETHING SO WRONG 1001 00:40:19,485 --> 00:40:21,386 SAME DIVISION. 1002 00:40:21,419 --> 00:40:23,789 ME TOO. ANDY? 1003 00:40:23,822 --> 00:40:24,590 SAME. 1004 00:40:24,623 --> 00:40:26,191 MY NAME'S NOT EVEN ON HERE. 1005 00:40:26,224 --> 00:40:27,859 CHECK OVER THERE. 1006 00:40:29,495 --> 00:40:30,662 DETECTIVE IN TRAINING. 1007 00:40:30,696 --> 00:40:32,664 IT'S WHAT YOU WANTED, RIGHT? YOU'VE DONE ALL THE COURSES. 1008 00:40:32,698 --> 00:40:33,899 THE NEW STAFF SAID YOU WERE READY. 1009 00:40:33,932 --> 00:40:35,767 * BABY, I'VE BEEN, I'VE BEEN LOSING SLEEP * 1010 00:40:35,801 --> 00:40:37,469 IT'S FINE. 27 DIVISION'S FINE. 1011 00:40:37,503 --> 00:40:39,204 AT LEAST I KNOW MY WAY AROUND. 1012 00:40:39,237 --> 00:40:40,772 CAN IT, PRICE. YOU'RE STAYING. 1013 00:40:40,806 --> 00:40:43,008 SAME PLATOON? SAME PLATOON. 1014 00:40:43,041 --> 00:40:44,843 REALLY? 1015 00:40:46,044 --> 00:40:48,847 [ Laughing ] WOW. THAT WAS TOTALLY WORTH IT. 1016 00:40:48,880 --> 00:40:51,149 YOU HAVE SOME GOOD MOVES THERE, PRICE. 1017 00:40:51,182 --> 00:40:52,317 YOU READY TO GO? 1018 00:40:52,350 --> 00:40:53,685 WHAT HAPPENED? 1019 00:40:53,719 --> 00:40:55,921 I KIND OF MISSED BOSSING YOU GUYS AROUND. 1020 00:40:55,954 --> 00:40:57,989 NOW, I DIG THAT CORNER OFFICE. 1021 00:40:58,023 --> 00:40:59,658 IT'S THE DRAWERS. 1022 00:40:59,691 --> 00:41:01,793 AND THE GLASS. SO MUCH GLASS. 1023 00:41:01,827 --> 00:41:03,662 IS THAT WHY WE'RE STILL HERE? 1024 00:41:03,695 --> 00:41:05,463 UH, ONLY THING THAT I SAID TO JARVIS -- 1025 00:41:05,497 --> 00:41:08,667 YOU GUYS ARE NOT THE PROBLEM. YOU ARE THE SOLUTION. 1026 00:41:08,700 --> 00:41:11,670 LET'S GO MEET YOUR ROOKIES. 1027 00:41:11,703 --> 00:41:12,671 WHAT DO YOU MEAN, "OUR"? 1028 00:41:12,704 --> 00:41:14,740 I MEAN YOU'RE GONNA BE TRAINING THEM, DIAZ -- 1029 00:41:14,773 --> 00:41:15,974 YOU AND PECK, McNALLY. 1030 00:41:16,007 --> 00:41:17,876 AND TODAY, YOU ARE GONNA BE REPORTING 1031 00:41:17,909 --> 00:41:20,712 TO DETECTIVE SERGEANT TRACI NASH, 1032 00:41:20,746 --> 00:41:22,681 OUR BRAND-NEW HEAD OF GUNS AND GANGS. 1033 00:41:22,714 --> 00:41:24,850 THAT'S RIGHT. GET IN THERE. THERE'S BEEN A LOT OF -- 1034 00:41:24,883 --> 00:41:26,585 DETECTIVE -- DON'T EVEN TALK TO ME RIGHT NOW. 1035 00:41:26,618 --> 00:41:28,654 ALL RIGHT, THAT IS WHERE WE'RE GONNA FOCUS OUR DAY. 1036 00:41:28,687 --> 00:41:31,056 HEY! COME ON, CHILDREN, INSIDE. CLASS IS ABOUT TO START. 1037 00:41:32,758 --> 00:41:34,593 ALL RIGHT, EVERYBODY. LISTEN UP. 1038 00:41:34,626 --> 00:41:36,127 "A" PLATOON IS REPORTING FOR PARADE. 1039 00:41:36,161 --> 00:41:38,530 SO, EVERYBODY ELSE, YOU KNOW WHAT THAT MEANS. 1040 00:41:38,564 --> 00:41:40,532 I WILL BE AVAILABLE RIGHT AFTER THIS 1041 00:41:40,566 --> 00:41:42,400 TO DISCUSS NEXT MOVES, ALL RIGHT? 1042 00:41:42,433 --> 00:41:43,669 * WE COULD BE 1043 00:41:43,702 --> 00:41:45,470 UH, ANYONE THAT DOESN'T KNOW WHO I AM, 1044 00:41:45,503 --> 00:41:46,872 I'M ACTING STAFF SERGEANT OLIVER SHAW, 1045 00:41:46,905 --> 00:41:49,340 AND I WILL BE YOUR HOSTESS TODAY, OKAY? 1046 00:41:49,374 --> 00:41:51,342 UH, THERE ARE FRESH FACES HERE, AND I WILL TELL YOU, 1047 00:41:51,376 --> 00:41:53,679 WE ARE GLAD THAT YOU ARE HERE. 1048 00:41:53,712 --> 00:41:55,480 OKAY, DOWN TO BUSINESS. 1049 00:41:55,513 --> 00:41:57,583 McNALLY, YOU'RE TAKING CONNOR. 1050 00:41:57,616 --> 00:41:58,884 DIAZ, WITH ZETTEL. 1051 00:41:58,917 --> 00:42:00,886 PECK, YOU'RE ROLLING WITH FOX, 1052 00:42:00,919 --> 00:42:03,689 WHO LOOKS A LITTLE BIT NERVOUS, SO YOU WILL GO GENTLE ON HIM. 1053 00:42:03,722 --> 00:42:05,256 Traci: STAFF? YES? 1054 00:42:05,290 --> 00:42:06,792 MORE SHOTS FIRED ON RICHMOND. 1055 00:42:06,825 --> 00:42:08,293 ALL RIGHT, GET OUT THERE. 1056 00:42:08,326 --> 00:42:09,861 T.O.s, KEEP EYES ON YOUR ROOKIES. 1057 00:42:09,895 --> 00:42:11,930 ROOKIES, KEEP EYES ON YOUR T.O.s. 1058 00:42:11,963 --> 00:42:13,932 STAY TOGETHER. 1059 00:42:13,965 --> 00:42:15,901 SERVE, PROTECT... 1060 00:42:18,069 --> 00:42:18,937 ...AND DON'T SCREW UP. 1061 00:42:18,970 --> 00:42:20,972 * TAKE THAT MONEY, WATCH IT BURN * 1062 00:42:21,006 --> 00:42:21,973 * SINK IN THE RIVER THE LESSONS ARE LEARNED * 72881

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