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These are the user uploaded subtitles that are being translated: 1 00:00:02,436 --> 00:00:03,804 I HAVEN'T SPENT THE NIGHT IN A COUPLE OF WEEKS. 2 00:00:03,837 --> 00:00:05,005 BROUGHT A MALBEC. 3 00:00:05,039 --> 00:00:07,675 I WAS HOPING YOU COULD READ THE LABEL TO ME IN SPANISH. 4 00:00:07,708 --> 00:00:11,612 UH, OKAY, I'M IN YOUR KITCHEN NOW, SO I'M GONNA HANG UP. 5 00:00:11,645 --> 00:00:13,614 HEY, SAM, YOU UPSTAIRS? 6 00:00:13,647 --> 00:00:15,383 [ HORN HONKS IN DISTANCE ] 7 00:00:28,229 --> 00:00:29,930 [ SIREN WAILING IN DISTANCE ] [ BABY COOS ] 8 00:00:29,963 --> 00:00:33,000 [ CHUCKLES ] 9 00:00:33,033 --> 00:00:34,135 HEY. 10 00:00:34,168 --> 00:00:36,170 I THOUGHT YOU WERE UPSTAIRS. 11 00:00:36,204 --> 00:00:39,039 UH, MARLO SHOWED UP A FEW HOURS AGO. 12 00:00:39,073 --> 00:00:40,208 SHE'S COMPLETELY EXHAUSTED. 13 00:00:40,241 --> 00:00:42,943 THIS LITTLE FROG HAS BEEN, YOU KNOW, CRYING ALL DAY LONG, 14 00:00:42,976 --> 00:00:44,712 SO I'VE BEEN DOING LAPS AROUND THE BLOCK 15 00:00:44,745 --> 00:00:47,014 TO TRY TO CALM HER DOWN. I TRIED TO CALL YOU FIRST. 16 00:00:47,047 --> 00:00:49,417 [ EXHALES SHARPLY ] IT'S THURSDAY. 17 00:00:49,450 --> 00:00:52,386 UH... I-I COMPLETELY LOST TRACK. 18 00:00:52,420 --> 00:00:55,356 IT'S OKAY. YOU KNOW WHAT? YOU GOT A LOT ON YOUR PLATE RIGHT NOW. 19 00:00:55,389 --> 00:00:58,092 MAYBE YOU CAN SHARE THIS WITH MARLO WHEN SHE WAKES UP. 20 00:00:58,126 --> 00:00:59,026 THAT WOULD BE NICE. 21 00:00:59,059 --> 00:01:00,828 SHE HAD NO PLACE ELSE TO TAKE THE BABY. 22 00:01:00,861 --> 00:01:03,097 SHE'S GOT TO GET SOME SLEEP, OKAY? 23 00:01:03,131 --> 00:01:04,765 SO, YOU KNOW, WE DON'T WANT HER TO NOT SLEEP. 24 00:01:04,798 --> 00:01:07,368 WE'RE ALL TRYING TO FIGURE THIS OUT TOGETHER, REMEMBER? 25 00:01:07,401 --> 00:01:10,904 YEAH. YEAH. HOW COULD I FORGET? 26 00:01:10,938 --> 00:01:12,440 ANDY. ANDY, COME ON. I'M SORRY. 27 00:01:12,473 --> 00:01:13,374 GOOD NIGHT. 28 00:01:13,407 --> 00:01:14,842 PLEASE. [ DOOR SLAMS ] 29 00:01:14,875 --> 00:01:17,711 * BABY, LET ME STAY 30 00:01:17,745 --> 00:01:19,847 [ INDISTINCT CONVERSATIONS ] 31 00:01:19,880 --> 00:01:20,848 * WHEN THE WORLD IS GONE 32 00:01:20,881 --> 00:01:22,183 [ COUGHS ] 33 00:01:24,084 --> 00:01:29,123 * PROMISE I'LL BEHAVE 34 00:01:29,157 --> 00:01:30,158 * NEVER RIGHT YOUR WRONGS 35 00:01:30,191 --> 00:01:32,160 I WAS GONNA SAY, "I'LL HAVE WHAT SHE'S HAVING," 36 00:01:32,193 --> 00:01:33,894 BUT NOW I'M RECONSIDERING. 37 00:01:33,927 --> 00:01:35,363 * IS THAT WHAT YOU WANT? 38 00:01:35,396 --> 00:01:37,565 EXCUSE ME. CAN I GRAB A BEER? 39 00:01:37,598 --> 00:01:39,567 I THOUGHT YOU WERE SUPPOSED TO BE IN VANCOUVER. NOT TILL TOMORROW. 40 00:01:39,600 --> 00:01:41,335 I HAVE TO TESTIFY AT STEVE PECK'S HEARING. 41 00:01:41,369 --> 00:01:44,205 LUCKY YOU -- GET AWAY FROM ALL THIS DRAMA. 42 00:01:44,238 --> 00:01:47,175 * SOMEONE YOU CAN FLAUNT YOU KNOW, ANDY, YOU'RE PROBABLY NEVER GONNA SEE ME AGAIN... 43 00:01:47,208 --> 00:01:52,380 * LIKE THE OTHER TOYS? ...SO -- THANK YOU -- I MEAN, IF YOU WANT TO TALK... 44 00:01:53,881 --> 00:01:56,784 WE HAD PLANS... SAM AND I. 45 00:01:56,817 --> 00:02:00,120 NOT -- NOT JUST FOR TONIGHT. I MEAN FOR OUR LIFE. 46 00:02:00,154 --> 00:02:02,190 WE'RE GETTING MARRIED. 47 00:02:02,223 --> 00:02:05,426 HOW AM I SUPPOSED TO MARRY HIM IN THE MIDDLE OF ALL THIS? 48 00:02:05,459 --> 00:02:10,164 A-ANOTHER THING I'M REALLY CONFUSED ABOUT IS MARLO. 49 00:02:10,198 --> 00:02:12,166 LIKE, RIGHT FROM THE BEGINNING, 50 00:02:12,200 --> 00:02:13,701 SHE HAD PLANNED TO DO THIS ON HER OWN. 51 00:02:13,734 --> 00:02:17,438 SO, WHAT, SHE HAS NO OTHER BACKUP PLAN OTHER THAN SAM? 52 00:02:17,471 --> 00:02:19,307 * AHH 53 00:02:19,340 --> 00:02:22,176 EXCUSE ME. CAN YOU TOP HER UP? 54 00:02:22,210 --> 00:02:23,977 WELL, HAVE YOU TALKED TO SAM ABOUT IT? 55 00:02:24,011 --> 00:02:25,979 AND SAY WHAT? [ LIQUID POURING ] 56 00:02:26,013 --> 00:02:27,581 WHAT CAN HE DO? 57 00:02:27,615 --> 00:02:30,851 * AHH 58 00:02:30,884 --> 00:02:34,655 I JUST WISH I COULD FAST-FORWARD THROUGH ALL THIS, YOU KNOW? 59 00:02:34,688 --> 00:02:37,191 YOU KNOW, ANDY, 60 00:02:37,225 --> 00:02:40,294 I'M ORGANIZING A NEW U.C. OPERATION IN VANCOUVER. 61 00:02:40,328 --> 00:02:41,695 IT'S FIVE MONTHS, AND I COULD USE 62 00:02:41,729 --> 00:02:43,497 AN OPERATIVE THAT'S UNKNOWN IN THE CITY. 63 00:02:43,531 --> 00:02:47,768 YEAH, WELL, I PROMISED SAM THAT I WOULD STICK BY HIM. 64 00:02:47,801 --> 00:02:51,839 THINK OF IT AS HITTING PAUSE TILL THE DUST SETTLES. 65 00:02:51,872 --> 00:02:53,707 IT MIGHT BE GOOD. 66 00:02:53,741 --> 00:02:55,209 THINK ABOUT IT. 67 00:02:59,847 --> 00:03:01,615 * AHH 68 00:03:01,649 --> 00:03:04,818 -- Captions by VITAC -- 69 00:03:04,852 --> 00:03:07,955 * BABY, I'LL BEHAVE 70 00:03:07,988 --> 00:03:11,692 WHAT DOES MY OUTFIT SAY TO YOU? 71 00:03:11,725 --> 00:03:13,894 "I'M WEARING CLOTHES." 72 00:03:13,927 --> 00:03:16,364 DOES IT SAY THAT, "MY BROTHER IS A GOOD GUY, 73 00:03:16,397 --> 00:03:18,499 SO PLEASE DON'T SEND HIM TO PRISON" 74 00:03:18,532 --> 00:03:20,234 OR THAT, "I'M AN UNRELIABLE WITNESS, 75 00:03:20,268 --> 00:03:22,169 SO PLEASE SEND HIM TO THE ELECTRIC CHAIR"? 76 00:03:22,202 --> 00:03:23,170 HEY. HEY. 77 00:03:23,203 --> 00:03:24,505 BRING IT IN. [ SCOFFS ] 78 00:03:24,538 --> 00:03:26,440 OKAY? 79 00:03:26,474 --> 00:03:30,244 YOU'RE GONNA GO IN THERE. YOU'RE GONNA TELL THE TRUTH. 80 00:03:30,278 --> 00:03:32,813 EVERYTHING ELSE IS UP TO THE JUDGE. 81 00:03:32,846 --> 00:03:35,349 I HATE TO ADMIT THIS, 82 00:03:35,383 --> 00:03:37,751 BUT I REALLY DON'T KNOW WHAT I WOULD DO WITHOUT YOU. 83 00:03:40,821 --> 00:03:43,123 CALL ME AS SOON AS YOU'RE OUT OF COURT. 84 00:03:43,156 --> 00:03:44,392 INSPECTOR. 85 00:03:44,425 --> 00:03:46,594 Gail: DAD. CHRIS. 86 00:03:46,627 --> 00:03:48,629 HI. 87 00:03:50,431 --> 00:03:52,132 YOU LOOK NICE TODAY. 88 00:03:52,165 --> 00:03:54,535 OH. THANK YOU. YOU TOO. 89 00:03:54,568 --> 00:03:56,837 SO, DO YOU KNOW WHICH COURTROOM IT IS? 90 00:03:56,870 --> 00:03:59,573 YEAH, GAIL, I DO, BUT LET'S HAVE A SEAT 91 00:03:59,607 --> 00:04:01,842 AND TALK ABOUT WHAT YOU'RE PLANNING 92 00:04:01,875 --> 00:04:04,345 ON TELLING THE JUDGE TODAY. 93 00:04:06,013 --> 00:04:08,115 I WAS IN THE LOUNGE WITH STEVE 94 00:04:08,148 --> 00:04:09,683 AN HOUR BEFORE THE BOMB WENT OFF. 95 00:04:09,717 --> 00:04:11,552 HE'S GONNA NEED A BETTER ALIBI THAN THAT. 96 00:04:11,585 --> 00:04:12,620 DO YOU WANT ME TO LIE AND SAY 97 00:04:12,653 --> 00:04:15,289 THAT I WAS WITH STEVE IN HIS OFFICE DRINKING COFFEE 98 00:04:15,323 --> 00:04:17,024 WHEN THE BOMB WENT OFF? YEAH. 99 00:04:17,057 --> 00:04:18,459 THAT WOULD WORK. 100 00:04:18,492 --> 00:04:23,163 AS LONG AS YOU WERE WITH HIM BETWEEN 5:00 AND 6:00. 101 00:04:23,196 --> 00:04:24,164 NOW, YOU LISTEN TO ME. 102 00:04:24,197 --> 00:04:27,301 YOUR BROTHER WAS A GUNS-AND-GANGS DETECTIVE. 103 00:04:27,335 --> 00:04:29,437 HOW LONG DO YOU THINK HE'D LAST IN PRISON? 104 00:04:37,345 --> 00:04:38,446 I'D LIKE THAT, ACTUALLY. YES. 105 00:04:38,479 --> 00:04:39,780 HEY, CHECK IT OUT! 106 00:04:39,813 --> 00:04:41,915 NEW LEAF, NEW ME. 107 00:04:41,949 --> 00:04:43,717 I'M LEANER, I'M MEANER... 108 00:04:43,751 --> 00:04:46,320 AND IT'S STILL ON SLEEP MODE! 109 00:04:46,354 --> 00:04:48,322 ALL RIGHT, I'LL BITE. WHY THE NEW LEAF? 110 00:04:48,356 --> 00:04:49,823 OH, YOU KNOW, JUST EVERYTHING GOING ON 111 00:04:49,857 --> 00:04:51,592 WITH MY STEPDAD AND THE TRIAL, YOU KNOW. 112 00:04:51,625 --> 00:04:53,327 IT'S -- BUT I-I GOT TO STAY FOCUSED, 113 00:04:53,361 --> 00:04:54,862 KEEP MY EYES ON THE BALL, YOU KNOW? 114 00:04:54,895 --> 00:04:56,597 YOU KNOW, PLUS, I DON'T -- I DON'T WANT PEOPLE 115 00:04:56,630 --> 00:04:58,932 TO ASSOCIATE ME WITH WHAT HE DID, 116 00:04:58,966 --> 00:05:00,334 YOU KNOW, SO... 117 00:05:00,368 --> 00:05:02,603 BUT, I MEAN, HEY, WHATEVER HAPPENS, 118 00:05:02,636 --> 00:05:04,204 I STILL GOT YOU GUYS, RIGHT? 119 00:05:04,237 --> 00:05:05,272 [ GROANS ] MWAH! 120 00:05:05,305 --> 00:05:08,108 IT TURNS OUT YOUR DEODORANT'S ON SLEEP MODE, TOO. 121 00:05:08,141 --> 00:05:09,743 HEY. GEAR UP. 122 00:05:09,777 --> 00:05:11,645 JARVIS WANTS US IN THE SQUAD ROOM. 123 00:05:11,679 --> 00:05:14,247 [ INDISTINCT CONVERSATIONS ] THANK YOU FOR ATTENTION. 124 00:05:14,281 --> 00:05:16,517 [ CLEARS THROAT ] [ CONVERSATIONS STOP ] 125 00:05:16,550 --> 00:05:18,386 IN THE WAKE OF THE CORRUPTIONS SCANDAL 126 00:05:18,419 --> 00:05:20,654 THAT ROCKED THIS POLICE SERVICE, 127 00:05:20,688 --> 00:05:23,657 EVERY DIVISION IN THE CITY IS BEING RESTRUCTURED. 128 00:05:23,691 --> 00:05:25,793 MANY OF YOU WILL BE TRANSFERRED, 129 00:05:25,826 --> 00:05:27,227 PROMOTED, OR SHUFFLED TO DIFFERENT PLATOONS. 130 00:05:27,260 --> 00:05:29,397 WHAT? Woman: WHAT? 131 00:05:29,430 --> 00:05:30,931 UM, SIR, DO WE, UH -- 132 00:05:30,964 --> 00:05:33,401 DO WE GET A SAY IN WHERE WE END UP, WHERE WE GO? 133 00:05:33,434 --> 00:05:34,535 NO, YOU DON'T. 134 00:05:34,568 --> 00:05:36,737 HOW IS SPLITTING US UP GONNA MAKE THIS DIVISION BETTER? 135 00:05:36,770 --> 00:05:38,739 WELL, IN THIS CASE, IT DOESN'T MATTER. 136 00:05:38,772 --> 00:05:40,140 THE CHIEF IS DEMANDING A SHAKE-UP, 137 00:05:40,173 --> 00:05:41,375 SO THAT'S WHAT HE'S GETTING. SHAW. 138 00:05:41,409 --> 00:05:43,110 [ POLICE RADIO CHATTER ] 139 00:05:43,143 --> 00:05:45,045 HE CANNOT BE SERIOUS RIGHT NOW. 140 00:05:45,078 --> 00:05:46,647 I WILL GIVE YOU MORE INFORMATION WHEN I HAVE IT. 141 00:05:46,680 --> 00:05:48,949 OFFICER SHAW WILL GIVE OUT YOUR ASSIGNMENTS. 142 00:05:48,982 --> 00:05:50,117 I'M NOT GOING BACK TO 27. 143 00:05:50,150 --> 00:05:51,385 SHE'S NOT GOING BACK TO 27. 144 00:05:51,419 --> 00:05:53,487 RIGHT, WELL, THINK OF IT AS AN OPPORTUNITY 145 00:05:53,521 --> 00:05:55,389 TO STEP OUTSIDE YOUR COMFORT ZONE -- 146 00:05:55,423 --> 00:05:56,524 I DON'T KNOW -- TRY SOMETHING NEW. 147 00:05:56,557 --> 00:05:58,592 IF I WANT THAT, I'LL GO TO ZUMBA. 148 00:05:58,626 --> 00:06:02,396 SEE? THAT'S THE SPIRIT, NASH. UM, LET'S DEAL WITH TODAY. 149 00:06:02,430 --> 00:06:05,065 UH, MOORE, YOU'RE ON THE FRONT DESK. 150 00:06:05,098 --> 00:06:07,668 McSTEIN, YOU GOT TO GET OVER TO CITY VIEW MUSIC FESTIVAL. 151 00:06:07,701 --> 00:06:10,070 SOME SCALPERS ARE BUGGING KIDS. WHAT? 152 00:06:10,103 --> 00:06:12,105 "DICE," YOU'RE ON PATROL. 153 00:06:12,139 --> 00:06:13,507 ARE WE "DICE"? YEAH, I'M SORRY. 154 00:06:13,541 --> 00:06:15,643 NOT EVERY ONE OF THESE NAMES CAN BE A WINNER. 155 00:06:15,676 --> 00:06:17,978 COLLINS, UH, YOU'RE IN BOOKING. 156 00:06:18,011 --> 00:06:19,447 YOU'RE WITH ME. RIGHT. 157 00:06:19,480 --> 00:06:21,849 WE GOT A JOB TO DO, FOLKS. LET'S GO DO IT. 158 00:06:33,894 --> 00:06:35,529 DON'T WORRY. 159 00:06:35,563 --> 00:06:37,465 I'M JUST TAKING IT OFF FOR WORK. 160 00:06:37,498 --> 00:06:39,933 OKAY. HOW ARE YOU? 161 00:06:39,967 --> 00:06:42,135 OTHER THAN THE BOMB THAT JARVIS DROPPED ON US, 162 00:06:42,169 --> 00:06:44,538 I GUESS I'M DOING PRETTY GREAT. 163 00:06:44,572 --> 00:06:47,407 YEAH, OLIVER CALLED ME. HE'S, UH, WORKING BOOKING TODAY. 164 00:06:47,441 --> 00:06:48,341 HE HASN'T WORKED BOOKING 165 00:06:48,375 --> 00:06:50,978 SINCE, UH, I HAD LONG HAIR AND A MUSTACHE. 166 00:06:51,011 --> 00:06:53,747 HMM. 167 00:06:53,781 --> 00:06:54,815 [ SIGHS ] 168 00:06:54,848 --> 00:06:57,618 I'M -- I'M REALLY SORRY ABOUT LAST NIGHT, OKAY? 169 00:06:57,651 --> 00:06:58,819 IT WAS LATE. I WAS TIRED. 170 00:06:58,852 --> 00:07:00,754 I WASN'T THINKING. OH, I KNOW. I KNOW. 171 00:07:00,788 --> 00:07:02,723 I KNOW. 172 00:07:02,756 --> 00:07:04,592 [ SIGHS ] 173 00:07:04,625 --> 00:07:06,994 IT'S MUCH DEEPER THAN THAT. 174 00:07:07,027 --> 00:07:08,662 OKAY. 175 00:07:08,696 --> 00:07:11,532 LAST NIGHT, I CAME OVER... 176 00:07:11,565 --> 00:07:16,136 AND I INTERRUPTED A FAMILY -- 177 00:07:16,169 --> 00:07:18,639 ONE THAT I HAVE NO PART OF. 178 00:07:20,240 --> 00:07:24,377 THE FACT IS, SAM, THE LIFE THAT I WANTED WITH YOU, 179 00:07:24,411 --> 00:07:27,380 YOU'RE ACTUALLY HAVING WITH SOMEBODY ELSE. 180 00:07:27,414 --> 00:07:29,517 AND THERE'S NOTHING I CAN DO ABOUT IT. 181 00:07:29,550 --> 00:07:30,784 UH, I DON'T THINK THAT'S RIGHT. 182 00:07:30,818 --> 00:07:33,521 UH, THE LIFE THAT YOU AND I WANT, 183 00:07:33,554 --> 00:07:35,523 I-I'M NOT HAVING WITH ANYONE ELSE, OKAY? 184 00:07:35,556 --> 00:07:37,658 WELL, IT FEELS LIKE IT. 185 00:07:37,691 --> 00:07:42,663 YOU AND I ARE GONNA HAVE THE LIFE THAT WE WANT TOGETHER. 186 00:07:42,696 --> 00:07:45,533 WE WILL HAVE THAT, BUT WE GOT TO STICK TOGETHER 187 00:07:45,566 --> 00:07:49,102 AND FIGURE IT OUT, LIKE WE PROMISED. 188 00:07:49,136 --> 00:07:50,504 FIGURE WHAT -- [ SCOFFS ] 189 00:07:50,538 --> 00:07:53,607 HOW DO YOU WANT TO ACTUALLY DO THAT, PRACTICALLY? 190 00:07:53,641 --> 00:07:55,008 I DON'T KNOW, BUT THIS IS IT. 191 00:07:55,042 --> 00:07:56,644 HERE WE ARE, WE-- WE'RE WORKING IT OUT. 192 00:07:56,677 --> 00:07:58,245 YEAH, BUT WE'RE NOT WORKING IT OUT 193 00:07:58,278 --> 00:08:01,048 'CAUSE IT'S NOT WORKING -- FOR ME. 194 00:08:01,081 --> 00:08:02,916 OKAY, THEN HOW CAN WE MAKE IT WORK FOR YOU? 195 00:08:02,950 --> 00:08:04,652 LOOK, SAM, I HAVE AN OPPORTUNITY. 196 00:08:04,685 --> 00:08:06,386 [ SIGHS ] WHAT? 197 00:08:06,419 --> 00:08:09,523 JULIET OFFERED ME A U.C. GIG IN VANCOUVER. 198 00:08:09,557 --> 00:08:11,792 ONLY BE ABOUT FIVE MONTHS. 199 00:08:11,825 --> 00:08:13,193 YOU KNOW, MAYBE I SHOULD TAKE OFF 200 00:08:13,226 --> 00:08:16,396 AND, UH, JUST PRESS PAUSE ON THIS FOR A LITTLE BIT. 201 00:08:16,429 --> 00:08:18,666 YOU SAID -- YOU PROMISED 202 00:08:18,699 --> 00:08:20,200 YOU WEREN'T GONNA DO THAT ANYMORE. 203 00:08:20,233 --> 00:08:23,937 I'M ONLY BRINGING THIS UP BECAUSE I FEEL LIKE... 204 00:08:23,971 --> 00:08:26,940 YOU MIGHT BE ABLE TO GET A HANDLE ON BEING A NEW FATHER, 205 00:08:26,974 --> 00:08:30,443 AND I WOULD HAVE SPACE TO CLEAR MY HEAD. 206 00:08:30,477 --> 00:08:33,080 CALL IT WHAT YOU WANT. THAT'S NOT WHAT THIS IS. 207 00:08:33,113 --> 00:08:38,185 THIS IS ANDY McNALLY RUNNING AWAY ONE MORE TIME. 208 00:08:38,218 --> 00:08:39,219 I'M NOT RUNNING. 209 00:08:39,252 --> 00:08:41,454 I GUESS I SHOULD HAVE SEEN THAT COMING, RIGHT? 210 00:08:41,488 --> 00:08:43,256 SHOULD I HAVE SEEN THAT COMING? 211 00:08:45,325 --> 00:08:46,159 [ SIGHS ] 212 00:08:46,193 --> 00:08:47,494 ALL RIGHT, I'VE GOT SOME WORK TO DO, 213 00:08:47,527 --> 00:08:50,263 SO I'M JUST GONNA GO AND DO THAT, OKAY? YEAH, YOU SHOULD GO DO IT. 214 00:08:50,297 --> 00:08:52,866 [ DOOR OPENS ] 215 00:08:52,900 --> 00:08:54,668 [ SIGHS ] 216 00:08:58,205 --> 00:08:59,807 NICK! 217 00:09:04,511 --> 00:09:06,814 2 MILK, 1 1/2 SUGAR? 218 00:09:06,847 --> 00:09:07,981 YEAH. 219 00:09:08,015 --> 00:09:11,318 YEAH, AND THAT EXTRA HALF SUGAR REALLY MAKES A DIFFERENCE. 220 00:09:11,351 --> 00:09:12,853 PACKING UP? 221 00:09:12,886 --> 00:09:16,256 YEAH, YEAH, I, UH -- I LEAVE TONIGHT. 222 00:09:16,289 --> 00:09:20,728 WOW, WELL, I GUESS I SHOULD SAY SOMETHING THEN. 223 00:09:20,761 --> 00:09:22,996 I JUST DON'T KNOW WHAT THAT WOULD BE. 224 00:09:23,030 --> 00:09:25,365 WELL, LOOK, THEN CAN I TALK? 225 00:09:25,398 --> 00:09:27,735 I'M REALLY SORRY... 226 00:09:27,768 --> 00:09:30,337 FOR THE 100th TIME. 227 00:09:30,370 --> 00:09:32,740 I'M SORRY. 228 00:09:32,773 --> 00:09:35,008 I MEAN, THAT'S 101. 229 00:09:35,042 --> 00:09:37,010 I'M SORRY, TOO. 230 00:09:37,044 --> 00:09:39,012 AND FOR THE RECORD, YOU KNOW, 231 00:09:39,046 --> 00:09:41,514 I TRIED TO KEEP MY DISTANCE WHEN I FIRST GOT HERE. 232 00:09:41,548 --> 00:09:43,751 YEAH, BUT YOU DIDN'T. 233 00:09:43,784 --> 00:09:45,886 LOOK, I THOUGHT I KNEW YOU. 234 00:09:45,919 --> 00:09:47,655 THE FACT YOU COULD KEEP ALL THAT HIDDEN 235 00:09:47,688 --> 00:09:49,389 WITHOUT EVEN BATTING AN EYE... 236 00:09:49,422 --> 00:09:51,458 WOW. 237 00:09:51,491 --> 00:09:55,362 I REALLY THOUGHT THAT YOU WERE GONNA SAY SOMETHING ELSE. 238 00:09:55,395 --> 00:09:57,597 YEAH, WELL, ME TOO. 239 00:09:59,132 --> 00:10:00,200 [ ROCK MUSIC PLAYING ] 240 00:10:00,233 --> 00:10:02,435 YOU THOUGHT ABOUT WHERE YOU'D GO IF YOU HAD A CHOICE? 241 00:10:02,469 --> 00:10:05,038 YEAH, BACK IN TIME 9 1/2 MONTHS. 242 00:10:05,072 --> 00:10:06,173 YOU? 243 00:10:06,206 --> 00:10:07,174 I DON'T KNOW. 244 00:10:07,207 --> 00:10:08,842 I KIND OF LIKED WORKING INTELLIGENCE WITH MARLO. 245 00:10:08,876 --> 00:10:11,712 SORRY TO BRING HER UP. IT'S FINE. 246 00:10:11,745 --> 00:10:13,446 YOU WANT TO TALK ABOUT IT? 247 00:10:13,480 --> 00:10:16,483 NO, I REALLY DON'T. I JUST WANT TO WORK. 248 00:10:16,516 --> 00:10:18,752 WELL, I DON'T SEE ANY SCALPERS. 249 00:10:18,786 --> 00:10:20,921 HEY. I DO SEE A DRUNK GIRL. 250 00:10:20,954 --> 00:10:24,624 COME ON, TAMMY. THIS WAY. 251 00:10:24,658 --> 00:10:25,659 HEY, IS SHE OKAY? 252 00:10:25,693 --> 00:10:27,527 UH, YEAH, I'M SORRY, OFFICER...S. 253 00:10:27,560 --> 00:10:29,396 UH, SHE'S JUST A LITTLE DRUNK. 254 00:10:29,429 --> 00:10:30,798 I NEED TO GO HOME. 255 00:10:30,831 --> 00:10:31,799 NO, I KNOW. I KNOW. WE'RE LEAVING. 256 00:10:31,832 --> 00:10:34,334 UH, WE'RE JUST GONNA GO WAIT FOR THE BUS, OKAY? 257 00:10:34,367 --> 00:10:36,603 RADIO'S QUIET. 258 00:10:36,636 --> 00:10:38,638 YOU KNOW WHAT? WE'LL GIVE YOU A RIDE. 259 00:10:38,672 --> 00:10:40,173 OH. CAR'S OVER HERE. 260 00:10:40,207 --> 00:10:44,044 WOW. THANKS. UH, I DON'T HAVE A CAR 261 00:10:44,077 --> 00:10:47,214 'CAUSE, UH, WE'RE SAVING UP FOR OUR OWN PLACE. 262 00:10:47,247 --> 00:10:50,818 AND A DOG -- A SPRINGER. THAT'S TAMMY'S LAST NAME. 263 00:10:50,851 --> 00:10:52,085 VERY COOL. I LOVE DOGS. 264 00:10:52,119 --> 00:10:54,054 TAMMY, DON'T THROW UP IN THE CAR, PLEASE. 265 00:10:54,087 --> 00:10:55,723 OH, MY PURSE. 266 00:10:55,756 --> 00:10:57,524 MY PURSE -- I LEFT IT IN THE MEDICAL TENT. I NEED -- 267 00:10:57,557 --> 00:10:58,625 YEAH. OKAY, I'LL COME BACK AND GET IT. IT'S MY MOM'S. 268 00:10:58,658 --> 00:11:01,695 I'LL COME BACK AND GET IT WHEN YOU'RE HOME SAFE, OKAY? 269 00:11:01,729 --> 00:11:03,931 [ CROWD CHEERING ] 270 00:11:10,237 --> 00:11:11,471 TAMMY? TAMMY? 271 00:11:11,504 --> 00:11:13,306 WHOA. HEY. 272 00:11:13,340 --> 00:11:15,843 [ GRUNTING ] DOV? 273 00:11:15,876 --> 00:11:16,977 HEY, HER PULSE IS RACING. 274 00:11:17,010 --> 00:11:18,846 THIS IS 1511. GIVE ME YOUR SWEATER. 275 00:11:18,879 --> 00:11:20,981 WE NEED EMS TO THE CITY VIEW MUSIC FESTIVAL. 276 00:11:21,014 --> 00:11:23,751 WE'RE BACKSTAGE, NEAR THE HOLDING AREA. PUT IT UNDER HER HEAD. 277 00:11:23,784 --> 00:11:25,152 MAN: Copy that. 1504. OKAY. 278 00:11:25,185 --> 00:11:29,156 We're dispatching EMS... IS SHE GONNA BE OKAY? 279 00:11:33,293 --> 00:11:36,263 AAH! 280 00:11:36,296 --> 00:11:37,998 SAM. 281 00:11:38,031 --> 00:11:39,532 SAM! 282 00:11:39,566 --> 00:11:41,201 [ SIGHS ] 283 00:11:41,234 --> 00:11:44,504 YOU GOT TO GO EASY ON THIS BABY, ALL RIGHT? 284 00:11:44,537 --> 00:11:47,674 I'M A REASONABLE MAN. AM I NOT? 285 00:11:47,707 --> 00:11:50,210 UH...YEAH, UM... 286 00:11:50,243 --> 00:11:53,080 I TELL THEM, "SAM SWAREK, HE LOVES HIS SALT AND VINEGAR. 287 00:11:53,113 --> 00:11:54,547 "YOU GOT TO GO HEAVY ON THOSE THINGS. 288 00:11:54,581 --> 00:11:57,350 YOU KNOW, TWO ROWS AT LEAST." 289 00:11:57,384 --> 00:12:01,354 YOU STICK TOGETHER EVEN THROUGH THE DIFFICULT TIMES, RIGHT? 290 00:12:01,388 --> 00:12:03,023 YES. YEAH. 291 00:12:03,056 --> 00:12:06,994 THAT'S -- THAT'S THE PLAN, RIGHT, IN THEORY, 292 00:12:07,027 --> 00:12:10,130 BUT THERE'S GONNA BE -- THERE'S GONNA BE TRANSFERS. 293 00:12:10,163 --> 00:12:13,400 THERE'S GONNA BE THE ODD NEW DIVISION, NEW PLATOONS. 294 00:12:13,433 --> 00:12:15,635 YOU KNOW, I JUST -- I KEEP TELLING MYSELF, 295 00:12:15,668 --> 00:12:18,305 "WE'LL ALWAYS HAVE THE PENNY." 296 00:12:18,338 --> 00:12:20,273 WELL, YOU CAN'T SHOW UP AT THE PENNY IF YOU'RE WORKING IN VANCOUVER. 297 00:12:20,307 --> 00:12:22,742 NONE OF US ARE GOING TO VANCOUVER. NOT US. 298 00:12:22,776 --> 00:12:24,744 McNALLY. 299 00:12:24,778 --> 00:12:26,646 WARD OFFERED HER A U.C. GIG. 300 00:12:26,679 --> 00:12:28,748 IN VANCOUVER? 301 00:12:31,018 --> 00:12:32,652 HAVE YOU -- YOU GUYS TALKED ABOUT THIS? 302 00:12:32,685 --> 00:12:34,754 YES. LIKE REALLY TALKED ABOUT IT? 303 00:12:34,788 --> 00:12:36,289 YEAH, I-I TALKED WITH HER, OKAY? 304 00:12:36,323 --> 00:12:38,158 OKAY, AND? AND IT DIDN'T MAKE ANY DIFFERENCE. 305 00:12:38,191 --> 00:12:39,726 SHE IS REALLY, REALLY UPSET 306 00:12:39,759 --> 00:12:41,394 ABOUT THE WHOLE "MARLO AND THE BABY" THING, 307 00:12:41,428 --> 00:12:44,097 AND APPARENTLY, I'VE MISSED HOW UPSET SHE IS. 308 00:12:44,131 --> 00:12:46,366 WAIT. OKAY. LISTEN, BUDDY. 309 00:12:46,399 --> 00:12:48,368 WHEN MY KIDS WERE BORN, FIRST FEW WEEKS, 310 00:12:48,401 --> 00:12:51,471 I DIDN'T -- I-I BARELY NOTICED IF I WAS WEARING PANTS. 311 00:12:51,504 --> 00:12:54,607 OKAY, THAT STUFF... 312 00:12:54,641 --> 00:12:58,111 ANDY McNALLY LOVES YOU. 313 00:12:59,512 --> 00:13:03,083 AND IF SHE GOES... YOU GUYS -- 314 00:13:03,116 --> 00:13:07,220 THE -- YOU -- SHE -- YOU CAN, UM... 315 00:13:07,254 --> 00:13:10,090 I DON'T -- I DON'T KNOW. I DON'T KNOW. 316 00:13:10,123 --> 00:13:12,893 THAT'S IT? 317 00:13:14,561 --> 00:13:15,528 OKAY, THANKS, PAL. 318 00:13:15,562 --> 00:13:17,664 THANKS FOR THE GOOD TALK. [ STAMMERS, SIGHS ] 319 00:13:17,697 --> 00:13:19,166 IT -- [ SIGHS ] 320 00:13:19,199 --> 00:13:20,901 [ ROCK MUSIC PLAYING ] [ INDISTINCT CONVERSATIONS ] 321 00:13:20,934 --> 00:13:22,369 I THINK SHE LEFT IT OVER THERE. 322 00:13:22,402 --> 00:13:24,504 ALL RIGHT. 323 00:13:29,709 --> 00:13:30,677 EASY. E-EASY. 324 00:13:30,710 --> 00:13:31,811 HEY, DO YOU NEED SOME HELP? 325 00:13:31,845 --> 00:13:34,447 NO, NO, NO. I'M GOOD. THANKS. 326 00:13:36,016 --> 00:13:39,119 DRUGS ARE A BIG PROBLEM AT THESE FESTIVALS. 327 00:13:39,152 --> 00:13:40,720 YOU KNOW, I TRY TO KEEP THEM OUT, 328 00:13:40,753 --> 00:13:43,456 BUT THERE'S ONLY SO MUCH I CAN DO. 329 00:13:43,490 --> 00:13:45,325 UH, PEYTON O'BRIEN. ANDY. 330 00:13:45,358 --> 00:13:46,393 I'M THE PROMOTER. 331 00:13:46,426 --> 00:13:47,861 BEEN MAKING THE ROUNDS THIS MORNING, 332 00:13:47,895 --> 00:13:50,430 BRINGING IN ANY KIDS WHO SEEM OFF. 333 00:13:50,463 --> 00:13:51,899 OR UNCONSCIOUS. YEAH. 334 00:13:51,932 --> 00:13:55,035 FOUND THIS ONE DEAD ON HER FEET LIKE A ZOMBIE, 335 00:13:55,068 --> 00:13:57,437 NO CLUE WHERE SHE WAS OR HOW SHE GOT HERE. 336 00:13:57,470 --> 00:13:59,772 SHE WASN'T THE ONLY ONE. YOU BROUGHT THEM IN, TOO? 337 00:13:59,806 --> 00:14:01,841 LAST NIGHT. 338 00:14:01,875 --> 00:14:03,243 WHAT'S THAT EXPRESSION? 339 00:14:03,276 --> 00:14:05,712 UH, ONE TIME'S AN INCIDENT, TWO TIMES A COINCIDENCE... 340 00:14:05,745 --> 00:14:07,014 THREE'S A PATTERN. EXACTLY. 341 00:14:07,047 --> 00:14:08,148 [ CELLPHONE VIBRATING ] EXCUSE ME. 342 00:14:08,181 --> 00:14:09,516 YEAH. HEY, DOV. WHAT'S UP? 343 00:14:09,549 --> 00:14:11,985 TAMMY'S TOX-SCREEN RESULTS JUST CAME BACK IN. 344 00:14:12,019 --> 00:14:15,222 HER BLOOD TESTED POSITIVE FOR TWO TYPES OF DRUGS -- 345 00:14:15,255 --> 00:14:18,858 ECSTASY, WHICH IS PRETTY COMMON AT MUSIC FESTIVALS, 346 00:14:18,892 --> 00:14:20,127 and flunitrazepam. 347 00:14:20,160 --> 00:14:22,729 SORRY, WHAT'S THAT? ROOFIES. 348 00:14:22,762 --> 00:14:23,997 SOMEBODY ROOFIED HER, 349 00:14:24,031 --> 00:14:25,432 OR AT LEAST THAT'S WHAT IT LOOKS LIKE. 350 00:14:25,465 --> 00:14:28,035 WELL, SHE MIGHT NOT BE THE ONLY ONE. 351 00:14:28,068 --> 00:14:29,036 I'M GONNA CALL SAM. 352 00:14:29,069 --> 00:14:30,870 KEEP ME UPDATED ON TAMMY'S CONDITION, OKAY? 353 00:14:30,904 --> 00:14:32,339 WILL DO. 354 00:14:32,372 --> 00:14:34,874 [ MONITOR BEEPING ] 355 00:14:39,746 --> 00:14:40,981 HEY. 356 00:14:41,014 --> 00:14:43,716 [ CHUCKLES ] THIS IS SO GREAT. 357 00:14:43,750 --> 00:14:45,953 THIS IS EXACTLY WHAT I NEED. 358 00:14:45,986 --> 00:14:49,089 OKAY, SO, UH, THAT'S HOW THIS IS GONNA BE. 359 00:14:49,122 --> 00:14:51,624 HOW DID YOU THINK THAT THIS WAS GONNA BE? 360 00:14:51,658 --> 00:14:54,962 YOU LIED, YOU SNUCK AROUND COLLECTING ALL OUR SECRETS, 361 00:14:54,995 --> 00:14:57,230 AND NOW YOU'RE ABOUT TO SHARE THEM WITH A JUDGE. 362 00:14:57,264 --> 00:14:59,299 GAIL... 363 00:14:59,332 --> 00:15:01,801 I DIDN'T PUT YOUR BROTHER IN THIS SITUATION. 364 00:15:01,834 --> 00:15:03,803 HE PUT HIMSELF HERE. 365 00:15:03,836 --> 00:15:06,073 JULIET. MM-HMM? 366 00:15:06,106 --> 00:15:08,675 HOW'S MY EX DOING? 367 00:15:08,708 --> 00:15:11,278 SORRY? NICHOLAS -- HOW HE'S DOING? 368 00:15:11,311 --> 00:15:13,480 OH, I FORGOT. 369 00:15:13,513 --> 00:15:16,683 HE WANTS NOTHING TO DO WITH YOU, EITHER. 370 00:15:16,716 --> 00:15:19,419 YEAH. 371 00:15:19,452 --> 00:15:21,955 AND I DON'T BLAME HIM. 372 00:15:21,989 --> 00:15:24,091 PLEASE DON'T DO THAT. 373 00:15:24,124 --> 00:15:25,959 IT IS MUCH HARDER FOR ME TO HATE YOU 374 00:15:25,993 --> 00:15:28,561 WHEN YOU HATE YOURSELF. 375 00:15:34,101 --> 00:15:38,505 SO, UM, HOW IS THE -- HOW'S THE ADOPTION GOING? 376 00:15:38,538 --> 00:15:39,839 OH, MY GOD. 377 00:15:39,872 --> 00:15:41,308 WHAT? 378 00:15:41,341 --> 00:15:42,575 OH, MY GOD. 379 00:15:42,609 --> 00:15:43,676 IS EVERYTHING OKAY? 380 00:15:43,710 --> 00:15:45,979 NO, I WAS SUPPOSED TO MEET MY CASE WORKER THIS MORNING. 381 00:15:46,013 --> 00:15:47,947 [ GASPS ] 382 00:15:50,450 --> 00:15:53,586 LAURALEE, I KNOW. I KNOW. I'M SO SORRY. 383 00:15:53,620 --> 00:15:54,988 [ BREATHES DEEPLY ] 384 00:15:55,022 --> 00:15:56,723 NO, I CAN'T BECAUSE I'M AT THE -- 385 00:15:56,756 --> 00:15:59,126 I'M AT THE COURTHOUSE RIGHT NOW. 386 00:15:59,159 --> 00:16:01,228 YEAH, NO, I CAN MEET YOU HERE. 387 00:16:01,261 --> 00:16:02,762 UM... 388 00:16:02,795 --> 00:16:06,366 YEAH, LAURALEE, I'M -- I'M SO SORRY. 389 00:16:06,399 --> 00:16:08,401 [ SIGHS ] 390 00:16:12,105 --> 00:16:14,707 I HOPE THAT EVERYTHING'S OKAY. 391 00:16:17,177 --> 00:16:19,546 YOU'RE TRYING TO PUT MY BROTHER IN PRISON, 392 00:16:19,579 --> 00:16:22,749 SO WHY DON'T YOU JUST STOP BEING NICE TO ME? 393 00:16:22,782 --> 00:16:26,553 I JUST FIND IT VERY CONFUSING. 394 00:16:26,586 --> 00:16:30,123 BRYCE, UH, WHEN DID TAMMY START ACTING ERRATICALLY. 395 00:16:30,157 --> 00:16:32,425 I DON'T KNOW WHAT HAPPENED. 396 00:16:32,459 --> 00:16:34,761 YOU WEREN'T WITH HER LAST NIGHT, WERE YOU? 397 00:16:34,794 --> 00:16:37,297 HER PARENTS WOULD HAVE FREAKED OUT 398 00:16:37,330 --> 00:16:38,765 IF THEY KNEW SHE WAS HERE ALONE, 399 00:16:38,798 --> 00:16:40,033 SO SHE ASKED ME TO COVER FOR HER. 400 00:16:40,067 --> 00:16:42,035 SHE CAME TO THE FESTIVAL BY HERSELF? 401 00:16:42,069 --> 00:16:42,969 [ SIGHS ] 402 00:16:43,002 --> 00:16:44,671 SHE LOVES THE BAND THAT PLAYED LAST NIGHT, 403 00:16:44,704 --> 00:16:47,107 SO SHE BOUGHT A V.I.P. PASS FROM A SCALPER. 404 00:16:47,140 --> 00:16:48,375 THEN THIS MORNING, SHE CALLED ME 405 00:16:48,408 --> 00:16:49,776 AND SAID SHE WASN'T FEELING WELL, 406 00:16:49,809 --> 00:16:50,977 ASKED ME TO COME AND PICK HER UP. 407 00:16:51,010 --> 00:16:52,679 WHY DIDN'T YOU COME WITH HER LAST NIGHT? 408 00:16:52,712 --> 00:16:53,880 I WAS AT WORK. 409 00:16:53,913 --> 00:16:56,949 I'M WORKING EXTRA SHIFTS SO I CAN BUY TAMMY A VINTAGE RING. 410 00:16:56,983 --> 00:16:59,086 IT'S DIAMONDS AND SAPPHIRES. [ CHUCKLES ] 411 00:16:59,119 --> 00:17:01,121 DIAMONDS 'CAUSE THEY LAST FOREVER 412 00:17:01,154 --> 00:17:03,823 AND SAPPHIRES 'CAUSE THEY'RE BLUE LIKE HER EYES. 413 00:17:03,856 --> 00:17:05,558 DETECTIVE, YOU GOT A MINUTE? 414 00:17:05,592 --> 00:17:07,560 [ POLICE RADIO CHATTER ] 415 00:17:07,594 --> 00:17:08,628 UH, YEAH. 416 00:17:08,661 --> 00:17:10,930 BRYCE, PLEASE TRY TO REMEMBER EVERYTHING YOU CAN 417 00:17:10,963 --> 00:17:13,933 ABOUT WHAT HAPPENED AND TELL IT TO OFFICER McNALLY, OKAY? 418 00:17:13,966 --> 00:17:16,936 THANK YOU. 419 00:17:16,969 --> 00:17:19,206 JUST FINISHED TALKING TO THE MEDIC. 420 00:17:19,239 --> 00:17:20,940 THE ONLY THING THOSE TWO GIRLS HAD IN COMMON 421 00:17:20,973 --> 00:17:22,909 WAS THE V.I.P. PASS. 422 00:17:22,942 --> 00:17:24,644 [ INDISTINCT CONVERSATIONS ] 423 00:17:24,677 --> 00:17:26,313 HUH. TAMMY HAD ONE, TOO. 424 00:17:26,346 --> 00:17:29,316 MM-HMM. OFFICERS... 425 00:17:29,349 --> 00:17:31,184 THIS MIGHT ACTUALLY BE MY FAULT. 426 00:17:31,218 --> 00:17:33,086 UM, LOOK, I-I'VE BEEN TAKING STEPS 427 00:17:33,120 --> 00:17:35,788 TO CLEAN UP THE FESTIVAL, BUT I SHOULD HAVE KNOWN. 428 00:17:35,822 --> 00:17:37,324 SHOULD HAVE KNOWN WHAT? 429 00:17:37,357 --> 00:17:41,328 THIS HAS HAPPENED BEFORE. 430 00:17:41,361 --> 00:17:44,464 THERE WAS AN INCIDENT LAST TIME THESE GUYS WERE HERE. 431 00:17:44,497 --> 00:17:46,466 INCIDENT? WHAT KIND OF INCIDENT? 432 00:17:46,499 --> 00:17:49,336 THEY GOT CAUGHT WITH SOME UNDERAGE GIRLS ON THE BUS. 433 00:17:49,369 --> 00:17:52,239 GAVE THEM BOOZE AND PILLS AND, WELL, YOU KNOW THE REST. 434 00:17:52,272 --> 00:17:54,241 [ BOTH GRUNTING ] 435 00:17:54,274 --> 00:17:55,975 HEY! HEY, BREAK IT UP! 436 00:17:56,008 --> 00:17:57,644 [ INDISTINCT SHOUTING ] HEY. HEY! DUMMIES! 437 00:17:57,677 --> 00:18:00,113 USUALLY WHEN YOU'RE DOING SOMETHING ILLEGAL 438 00:18:00,147 --> 00:18:02,349 AND YOU SEE THE POLICE, YOU STOP AND RUN 439 00:18:02,382 --> 00:18:04,217 OR YOU ACT LIKE YOU'RE INNOCENT. 440 00:18:04,251 --> 00:18:05,352 BASIC RULES OF CRIME-ING. 441 00:18:05,385 --> 00:18:07,887 HE THREW THE FIRST PUNCH, OFFICER. 442 00:18:07,920 --> 00:18:09,522 HAUL HIM IN. YOU BIT ME. 443 00:18:09,556 --> 00:18:11,724 YOU CALL THAT A BITE? THAT WAS NOTHING. 444 00:18:11,758 --> 00:18:13,260 I'LL SHOW YOU A BITE. 445 00:18:13,293 --> 00:18:14,794 YOU GUYS THE STONE BROTHERS? 446 00:18:14,827 --> 00:18:17,230 YEAH, WHAT? YOU WANT AN AUTOGRAPH OR SOMETHING? 447 00:18:17,264 --> 00:18:18,965 DETECTIVE SWAREK, METRO POLICE. 448 00:18:18,998 --> 00:18:20,032 I'VE GOT SOME QUESTIONS FOR YOU. 449 00:18:20,066 --> 00:18:22,001 I NEED YOU TO COME DOWN TO THE STATION WITH ME. 450 00:18:22,034 --> 00:18:23,670 YOU WANT TO QUESTION SOMEONE, 451 00:18:23,703 --> 00:18:27,274 ASK HIM WHERE'S OUR MONEY FROM LAST NIGHT'S SHOW. 452 00:18:27,307 --> 00:18:28,541 WE PUT OUR BLOOD, SWEAT, AND GUTS IN THAT SHOW! 453 00:18:28,575 --> 00:18:29,876 OH, DID YOU, NOW? THAT'S GROSS. CALM DOWN. 454 00:18:29,909 --> 00:18:31,378 IT'S A METAPHOR, HONEY. 455 00:18:31,411 --> 00:18:33,580 OH, I THINK IT'S AN IDIOM. OH, YOU' AN IDIOM! 456 00:18:35,047 --> 00:18:36,015 [ INDISTINCT SHOUTING ] HEY! HEY! 457 00:18:36,048 --> 00:18:38,017 ALL RIGHT! ALL RIGHT! ALL RIGHT! ALL RIGHT! 458 00:18:38,050 --> 00:18:39,686 BRENT STONE, MIKE STONE... SHUT UP! 459 00:18:39,719 --> 00:18:42,289 ...YOU'RE BOTH UNDER ARREST FOR ASSAULT. 460 00:18:42,322 --> 00:18:43,756 WHAT, FOR BITING? 461 00:18:43,790 --> 00:18:44,557 WE'LL START WITH THAT. 462 00:18:44,591 --> 00:18:47,494 DIAZ, PRICE, GET THEM OUT OF HERE. 463 00:18:54,000 --> 00:18:56,169 THIS WILL NOT -- 464 00:18:56,203 --> 00:18:58,171 IT WILL NOT HAPPEN AGAIN. I PROMISE. 465 00:18:58,205 --> 00:18:59,439 THIS IS ALREADY THE SECOND APPOINTMENT 466 00:18:59,472 --> 00:19:00,440 THAT YOU'VE MISSED WITH SOPHIE. 467 00:19:00,473 --> 00:19:03,476 YEAH, BUT MY LIFE IS JUST VERY CHAOTIC RIGHT NOW. 468 00:19:03,510 --> 00:19:05,712 WELL, HOW IS IT GONNA BE WHEN YOU HAVE AN 8-YEAR-OLD? 469 00:19:05,745 --> 00:19:07,714 YEAH, BUT THESE ARE EXTRAORDINARY CIRCUMSTANCES, 470 00:19:07,747 --> 00:19:09,516 AND MY LIFE IS GONNA GO BACK TO NORMAL. 471 00:19:09,549 --> 00:19:11,784 EVERYTHING -- EVERYTHING IS GONNA GO BACK TO NORMAL. 472 00:19:11,818 --> 00:19:16,356 GAIL, THERE'S ANOTHER FAMILY INTERESTED IN ADOPTING SOPHIE. 473 00:19:16,389 --> 00:19:19,125 NO. 474 00:19:19,158 --> 00:19:21,861 THEY'RE A GOOD FAMILY. THEY'RE RELIABLE. 475 00:19:21,894 --> 00:19:23,996 NO, I'M S-- 476 00:19:24,030 --> 00:19:25,465 I CAN'T HEAR ABOUT THEM. 477 00:19:25,498 --> 00:19:28,635 LOOK, I HAVE TO THINK ABOUT WHAT'S BEST FOR SOPHIE. 478 00:19:28,668 --> 00:19:30,570 PLEASE. 479 00:19:30,603 --> 00:19:33,773 YOU HAVE TO JUST LET ME GET THROUGH THIS DAY. 480 00:19:33,806 --> 00:19:36,576 I'M BEGGING YOU. 481 00:19:36,609 --> 00:19:40,046 THERE'S NOTHING THAT I WANT MORE THAN TO BE HER MOM. 482 00:19:40,079 --> 00:19:42,582 JUST -- JUST LET ME PROVE IT. 483 00:19:45,518 --> 00:19:48,020 PLEASE. 484 00:19:48,054 --> 00:19:49,756 OKAY. 485 00:19:49,789 --> 00:19:52,959 [ SIGHS ] 486 00:19:52,992 --> 00:19:55,094 SO, HOW WAS YOUR SHOW LAST NIGHT? 487 00:19:55,127 --> 00:19:56,229 IT WAS FINE. 488 00:19:56,263 --> 00:19:59,366 [ SCOFFS ] WELL...HE WAS FINE. 489 00:19:59,399 --> 00:20:00,433 I WAS EXCELLENT. 490 00:20:00,467 --> 00:20:03,903 YOU GUYS MUST HAVE SOME CRAZY, YOUNG GROUPIES, HUH? 491 00:20:03,936 --> 00:20:06,038 NOT INTO THE YOUNG GIRLS. 492 00:20:06,072 --> 00:20:09,276 NOTHING TO TALK ABOUT, NOTHING IN COMMON. 493 00:20:09,309 --> 00:20:10,277 IS THAT RIGHT? 494 00:20:10,310 --> 00:20:11,278 IS THAT WHAT YOU LIKE TO DO 495 00:20:11,311 --> 00:20:13,446 WITH THE YOUNG GIRLS THAT COME TO YOUR SHOWS? 496 00:20:13,480 --> 00:20:15,715 YOU LIKE TO TALK? WE DON'T MESS AROUND WITH THE KIDS, MAN. 497 00:20:15,748 --> 00:20:20,887 WE WERE TOLD ABOUT, UH, AN INCIDENT ON YOUR TOUR BUS 498 00:20:20,920 --> 00:20:22,489 TWO YEARS AGO WITH SOME MINORS. 499 00:20:22,522 --> 00:20:26,225 BUT LUCKILY YOU HAD THE MONEY TO MAKE IT GO AWAY. 500 00:20:26,259 --> 00:20:28,261 WE WERE AS HIGH AS A KITE THAT NIGHT. 501 00:20:28,295 --> 00:20:29,862 WERE YOU HIGH LAST NIGHT? 502 00:20:31,831 --> 00:20:35,268 SO, YOU DON'T KNOW HOW FOUR TEENAGE GIRLS 503 00:20:35,302 --> 00:20:37,270 GOT ROOFIED BACKSTAGE AT YOUR SHOW? 504 00:20:37,304 --> 00:20:40,139 IT COULDN'T HAVE BEEN US, OKAY, BECAUSE -- 505 00:20:40,172 --> 00:20:41,808 DON'T. BRENT, DON'T. NO, MAN. 506 00:20:41,841 --> 00:20:44,277 YOU CAN GO TO PRISON WITH A SEX-OFFENDER TARGET 507 00:20:44,311 --> 00:20:46,012 ON YOUR BACK IF YOU WANT TO, NOT ME. 508 00:20:46,045 --> 00:20:47,447 KEEP TALKING. 509 00:20:47,480 --> 00:20:48,715 WE'RE IN THE PROGRAM, 510 00:20:48,748 --> 00:20:50,850 AND WE'VE BEEN CLEAN SINCE THAT NIGHT. 511 00:20:50,883 --> 00:20:53,820 I MEAN, WE DON'T EVEN HANG OUT BACKSTAGE AFTER OUR SHOWS NOW. 512 00:20:53,853 --> 00:20:56,423 IT'S JUST TOO EASY TO SLIP BACK INTO BAD HABITS. 513 00:20:56,456 --> 00:20:57,924 SO, YOU'RE CLEAN AND SOBER? 514 00:20:59,125 --> 00:21:00,627 YEAH. 515 00:21:06,399 --> 00:21:08,234 [ CHUCKLES ] WHAT'S THAT? 516 00:21:08,267 --> 00:21:09,902 THAT'S 20 ROOFIES. 517 00:21:09,936 --> 00:21:13,105 THEY WERE FOUND IN A CRATE OF SPARKLING WATER 518 00:21:13,139 --> 00:21:15,174 ON YOUR TOUR BUS. 519 00:21:15,207 --> 00:21:17,444 OBVIOUSLY, THEY'RE NOT OURS. 520 00:21:17,477 --> 00:21:20,246 SO, YOU'RE SAYING THAT SOMEONE ROOFIED A BUNCH OF GIRLS, 521 00:21:20,279 --> 00:21:23,916 UH, AFTER YOUR SHOW LAST NIGHT AND STASHED THOSE ON YOUR BUS? 522 00:21:23,950 --> 00:21:25,585 THAT'S WHAT WE'RE SAYING. 523 00:21:25,618 --> 00:21:27,454 WHY WOULD SOMEBODY DO THAT? 524 00:21:27,487 --> 00:21:31,157 BECAUSE WE'RE JERKS, ALL RIGHT? 525 00:21:31,190 --> 00:21:34,093 OR AT LEAST, WE USED TO BE. 526 00:21:34,126 --> 00:21:37,430 THE AMOUNT OF PEOPLE WE'VE SCREWED OVER IN OUR LIVES -- 527 00:21:37,464 --> 00:21:39,599 I WOULDN'T KNOW WHERE TO START. 528 00:21:39,632 --> 00:21:42,702 YEAH, BUT THERE IS ONE GUY. 529 00:21:42,735 --> 00:21:44,236 [ SCOFFS ] 530 00:21:44,270 --> 00:21:46,506 A SECURITY GUY NAMED RUSTY. 531 00:21:46,539 --> 00:21:49,241 HE'S BEEN IN AND OUT OF OUR BUS. 532 00:21:49,275 --> 00:21:53,112 I'M LOOKING FOR A SECURITY GUARD NAMED RUSTY. 533 00:21:53,145 --> 00:21:55,382 UH, YEAH, HE'S ON THE, UH, NIGHT SHIFT. 534 00:21:55,415 --> 00:21:56,949 HE'S PROBABLY HOME SLEEPING. [ CHUCKLES ] 535 00:21:56,983 --> 00:21:58,851 I'M GONNA NEED HIS ADDRESS. 536 00:21:58,885 --> 00:22:00,387 YEAH. 537 00:22:00,420 --> 00:22:02,522 I KEEP ALL THE EMPLOYEE RECORDS ON MY LAPTOP. 538 00:22:02,555 --> 00:22:03,356 GREAT. 539 00:22:03,390 --> 00:22:05,858 PLEASE. [ CLEARS THROAT ] 540 00:22:09,396 --> 00:22:10,763 WELL, THEY'RE RIGHT. 541 00:22:10,797 --> 00:22:12,965 THERE'S PLENTY OF PEOPLE WITH A REASON TO HATE THOSE TWO. 542 00:22:12,999 --> 00:22:14,634 WHERE DO YOU EVEN START? 543 00:22:14,667 --> 00:22:16,235 I'M, UH, GONNA START ON THE TOUR BUS 544 00:22:16,268 --> 00:22:17,637 WITH THOSE UNDERAGE GIRLS. 545 00:22:17,670 --> 00:22:19,639 RECORDS IS SENDING ME THE INCIDENT REPORT. 546 00:22:19,672 --> 00:22:21,974 LET'S HOPE YOU HAVE BETTER LUCK THAN I'VE BEEN HAVING. 547 00:22:22,008 --> 00:22:23,009 YEAH, LET'S HOPE. 548 00:22:23,042 --> 00:22:25,912 DAMN. 549 00:22:25,945 --> 00:22:27,914 SHE'S SHOWING MORE BELLY THAN SHAKIRA. 550 00:22:27,947 --> 00:22:30,049 AREN'T YOU ON RECEPTION. 551 00:22:30,082 --> 00:22:32,852 YEAH, BUT, DETECTIVE NASH... 552 00:22:34,921 --> 00:22:37,757 ...I'VE MESSED UP SO MUCH SINCE BEING HERE, YOU KNOW? 553 00:22:37,790 --> 00:22:39,792 AND NOW MY STEPDAD IS GOING TO TRIAL FOR -- 554 00:22:39,826 --> 00:22:43,095 YOU ARE NOTHING LIKE HIM. YOU'RE A GOOD COP. 555 00:22:46,032 --> 00:22:48,267 [ STAMMERS ] 556 00:22:48,300 --> 00:22:51,137 NO ONE'S EVER SAID THAT TO ME BEFORE. 557 00:22:51,170 --> 00:22:53,039 THANK YOU. 558 00:22:55,041 --> 00:22:57,009 HEY, TAKE A LOOK AT THIS. 559 00:22:57,043 --> 00:22:58,110 [ CLEARS THROAT ] 560 00:22:58,144 --> 00:23:00,680 THESE WERE TAKEN LAST NIGHT, BACKSTAGE, AFTER THE SHOW. 561 00:23:00,713 --> 00:23:03,650 I PULLED THEM FROM THE VICTIM'S SOCIAL-MEDIA ACCOUNTS. 562 00:23:03,683 --> 00:23:04,584 OKAY. 563 00:23:04,617 --> 00:23:06,819 THE PROBLEM IS THE BAND'S NOT IN ANY OF THEM, 564 00:23:06,853 --> 00:23:08,688 WHICH MEANS THEY'RE TELLING THE TRUTH -- 565 00:23:08,721 --> 00:23:10,690 WE DON'T HAVE A SUSPECT. 566 00:23:10,723 --> 00:23:12,959 OKAY, WELL, WHAT ABOUT THAT GUY? 567 00:23:12,992 --> 00:23:14,694 I MEAN, HE'S IN MOST OF THESE PHOTOS. 568 00:23:14,727 --> 00:23:16,295 WELL, HE'S A PROMOTER. IT'S HIS FESTIVAL. 569 00:23:16,328 --> 00:23:19,298 MY COUSIN IS ONE OF THE ORGANIZERS 570 00:23:19,331 --> 00:23:20,933 AT THE ELVISFEST IN MICHIGAN. 571 00:23:20,967 --> 00:23:22,101 OKAY. 572 00:23:22,134 --> 00:23:25,071 POINT IS, HE'S GOT ACCESS TO ALL THE BUSES. 573 00:23:25,104 --> 00:23:29,241 Sam: NASH, REPORT'S IN. 574 00:23:29,275 --> 00:23:34,046 UH...ANY CONNECTION TO A PEYTON O'BRIEN? 575 00:23:34,080 --> 00:23:37,249 LOOK -- ONE OF THE VICTIMS ON THE TOUR-BUS ASSAULT. 576 00:23:37,283 --> 00:23:39,251 KIRSTEN O'BRIEN. YEP. 577 00:23:39,285 --> 00:23:42,188 McNALLY. 578 00:23:42,221 --> 00:23:43,590 ARE YOU WITH PEYTON? 579 00:23:43,623 --> 00:23:45,191 PEYTON IS THE ONE WHO DRUGGED THE GIRLS. 580 00:23:45,224 --> 00:23:47,727 I GUESS I AM A GOOD COP. YEP. 581 00:23:47,760 --> 00:23:49,996 PEYTON THE PROMOTER? ARE YOU SURE? 582 00:23:50,029 --> 00:23:52,465 WHY WOULD HE DRUG GIRLS AT HIS OWN FESTIVAL? 583 00:23:52,499 --> 00:23:54,601 IT'S BAD PRESS. YEAH, WE'LL GO GRAB HIM. 584 00:23:54,634 --> 00:23:58,237 HEY. SO, IT WAS PEYTON WHO DRUGGED TAMMY. 585 00:23:58,270 --> 00:23:59,839 HE'S TRYING TO PIN IT ON THE BAND. 586 00:23:59,872 --> 00:24:03,075 OFFICER, WHY ARE YOU NOT AT THE HOSPITAL? 587 00:24:05,478 --> 00:24:09,582 BRYCE, I NEED YOU TO SIT DOWN. 588 00:24:09,616 --> 00:24:11,450 WHY ARE YOU NOT AT THE HOSPITAL? 589 00:24:11,484 --> 00:24:13,052 HAVE A SEAT. 590 00:24:13,085 --> 00:24:15,087 [ ROCK MUSIC PLAYING ] 591 00:24:28,200 --> 00:24:30,069 TAMMY PASSED AWAY. 592 00:24:33,806 --> 00:24:35,174 WHAT? 593 00:24:35,207 --> 00:24:36,976 SHE WENT INTO CARDIAC ARREST. 594 00:24:37,009 --> 00:24:40,312 DOCTORS WEREN'T ABLE TO REVIVE HER. 595 00:24:40,346 --> 00:24:44,450 YOU SEE, HER -- HER -- HER HEART IS, 596 00:24:44,483 --> 00:24:47,687 UH, SO STRONG. 597 00:24:50,056 --> 00:24:52,058 SHE WOULDN'T LEAVE ME. 598 00:24:58,965 --> 00:25:02,134 [ CRIES ] 599 00:25:05,805 --> 00:25:08,107 Dov: IS THERE ANYBODY YOU WANT US TO CALL? 600 00:25:10,042 --> 00:25:12,679 WHY DIDN'T I JUST GO WITH HER LAST NIGHT? 601 00:25:12,712 --> 00:25:14,280 BRYCE, THIS ISN'T YOUR FAULT. 602 00:25:14,313 --> 00:25:15,848 YOU CAN'T BLAME YOURSELF FOR THIS. 603 00:25:15,882 --> 00:25:19,719 I DON'T HAVE ANYONE ELSE. 604 00:25:19,752 --> 00:25:22,689 I NEED TO CALL TAMMY'S PARENTS. 605 00:25:22,722 --> 00:25:25,658 YOU SHOULD CALL CHLOE. 606 00:25:28,094 --> 00:25:29,862 [ KEYS CLACKING ] 607 00:25:29,896 --> 00:25:32,331 UGH. GENERATOR CONKED OUT. 608 00:25:32,364 --> 00:25:34,333 BATTERY'S DEAD. 609 00:25:34,366 --> 00:25:35,868 WELL, YOU MUST HAVE HARD COPIES 610 00:25:35,902 --> 00:25:38,070 OF THE EMPLOYEE RECORDS HERE SOMEWHERE, NO? 611 00:25:38,104 --> 00:25:42,408 YEAH, WHY DON'T YOU, UM, CHECK THAT FILING CABINET? 612 00:25:42,441 --> 00:25:44,143 [ CLEARS THROAT ] OKAY. 613 00:25:44,176 --> 00:25:46,178 [ CELLPHONE VIBRATING ] 614 00:25:48,214 --> 00:25:49,448 HEY, DOV. 615 00:25:49,481 --> 00:25:51,550 YEAH, I'M STILL LOOKING FOR THE ADDRESS. 616 00:25:55,087 --> 00:25:56,856 OKAY, UM... 617 00:25:56,889 --> 00:26:00,927 YEAH, NO, I GOT IT. [ DRAWER CLOSES ] 618 00:26:00,960 --> 00:26:03,596 WHO WAS THAT? 619 00:26:03,630 --> 00:26:04,731 WHO'S THIS? 620 00:26:04,764 --> 00:26:06,565 [ POLICE RADIO CHATTER ] 621 00:26:07,533 --> 00:26:09,468 THAT'S MY LITTLE SISTER -- KIRSTY. 622 00:26:09,501 --> 00:26:11,971 SHE HAS A BEAUTIFUL SMILE. 623 00:26:12,004 --> 00:26:16,108 YEAH, THAT, UH... PHOTO WAS TAKEN A LONG TIME AGO. 624 00:26:16,142 --> 00:26:19,445 SO, YOU GUYS CLOSE? 625 00:26:19,478 --> 00:26:22,048 AS CLOSE AS CAN BE, CONSIDERING. 626 00:26:22,081 --> 00:26:25,584 CONSIDERING? CONSIDERING WHAT? 627 00:26:25,618 --> 00:26:29,121 SOMETHING HAPPENED TO HER A COUPLE OF YEARS AGO, 628 00:26:29,155 --> 00:26:32,224 AND SHE -- SHE NEVER REALLY RECOVERED. 629 00:26:32,258 --> 00:26:34,460 WHAT HAPPENED? 630 00:26:34,493 --> 00:26:37,596 I THINK YOU KNOW. 631 00:26:37,630 --> 00:26:39,131 WHAT I KNOW IS THAT YOU TRIED 632 00:26:39,165 --> 00:26:42,034 TO SET UP MIKE AND BRENT BECAUSE OF WHAT THEY DID. 633 00:26:42,068 --> 00:26:44,637 YEAH, WHAT THEY DID NEVER EVEN WENT TO COURT 634 00:26:44,671 --> 00:26:47,339 BECAUSE THERE WAS NO RELIABLE WITNESSES. 635 00:26:47,373 --> 00:26:49,876 DID YOU KNOW THAT, UM -- 636 00:26:49,909 --> 00:26:53,145 THAT BEING DRUGGED MAKES YOU UNRELIABLE? 637 00:26:53,179 --> 00:26:55,748 [ CHUCKLES ] THE SYSTEM FAILED. YOU TRIED TO GET EVEN. 638 00:26:55,782 --> 00:26:56,816 I GET IT. YEAH, JUST BECAUSE THEY'RE SOBER, 639 00:26:56,849 --> 00:27:01,187 I'M SUPPOSED TO, WHAT, JUST FORGIVE AND MOVE ON? 640 00:27:01,220 --> 00:27:03,422 MY SISTER HASN'T LEFT THE HOUSE IN TWO YEARS. 641 00:27:03,455 --> 00:27:04,456 THE THING IS, PEYTON, 642 00:27:04,490 --> 00:27:07,293 ONE OF THE GIRLS THAT YOU ROOFIED -- SHE DIED. 643 00:27:07,326 --> 00:27:09,829 NO. 644 00:27:09,862 --> 00:27:12,131 NO, I-I-I MADE SURE THEY WERE OKAY. 645 00:27:12,164 --> 00:27:13,332 I LOOKED AFTER THEM. 646 00:27:13,365 --> 00:27:15,134 LOOK, I'M REALLY SORRY ABOUT WHAT HAPPENED TO YOUR SISTER, 647 00:27:15,167 --> 00:27:18,237 BUT I NEED YOU TO TURN AROUND AND GET DOWN ON YOUR KNEES. 648 00:27:19,839 --> 00:27:22,408 [ EXHALES SHARPLY ] 649 00:27:22,441 --> 00:27:25,244 [ POLICE RADIO CHATTER ] 650 00:27:25,277 --> 00:27:26,312 [ HANDCUFFS CLINKING ] 651 00:27:26,345 --> 00:27:31,183 PEYTON O'BRIEN, YOU'RE UNDER ARREST FOR MURDER. 652 00:27:31,217 --> 00:27:34,754 DO YOU SMELL SOMETHING? 653 00:27:35,822 --> 00:27:37,990 [ DOORKNOB RATTLING ] 654 00:27:38,024 --> 00:27:38,991 WHAT THE HELL? 655 00:27:39,025 --> 00:27:40,860 WHAT? 656 00:27:47,834 --> 00:27:50,536 HEY, I JUST FOUND OUT 657 00:27:50,569 --> 00:27:51,804 THE PROMOTER'S TRAILER'S BACKSTAGE. 658 00:27:51,838 --> 00:27:54,206 CHLOE'S NOT PICKING UP. HAVE YOU SEEN BRYCE? 659 00:27:54,240 --> 00:27:55,808 HE WAS MAKING A CALL, AND NOW I CAN'T FIND HIM. 660 00:27:55,842 --> 00:27:57,043 CHLOE: This is Chloe. 10-33. 661 00:27:57,076 --> 00:27:58,711 I am trapped in the promoter's trailer. 662 00:27:58,745 --> 00:28:01,814 It's on fire. The trailer is on fire. LET'S GO. 663 00:28:04,884 --> 00:28:07,053 WE NEED TO FIND SOMETHING TO BREAK THE DOOR DOWN, OKAY? 664 00:28:07,086 --> 00:28:08,755 YEAH. 665 00:28:14,260 --> 00:28:15,527 [ BOTH COUGHING ] 666 00:28:15,561 --> 00:28:16,662 HEY, BRYCE! 667 00:28:16,695 --> 00:28:19,732 BRYCE! GET AWAY FROM THERE! 668 00:28:19,766 --> 00:28:20,933 MOVE BACK! 669 00:28:20,967 --> 00:28:23,269 HE KILLED TAMMY. WHAT ARE YOU DOING? 670 00:28:23,302 --> 00:28:24,603 Chris: I'M GONNA GRAB THE FIRE EXTINGUISHER 671 00:28:24,636 --> 00:28:25,604 FROM THE BACK OF THE CAR. OKAY. 672 00:28:25,637 --> 00:28:27,006 CHLOE! CHLOE, HANG ON! 673 00:28:27,039 --> 00:28:28,941 WE'RE GONNA GET YOU OUT OF THERE! 674 00:28:28,975 --> 00:28:30,409 GREAT! THAT WOULD BE GREAT! 675 00:28:30,442 --> 00:28:32,244 Andy: DISPATCH, WE NEED FIRE AND EMS TO THE SOUTH LOT 676 00:28:32,278 --> 00:28:34,380 OF THE CITY VIEW MUSIC FESTIVAL NOW! 677 00:28:34,413 --> 00:28:36,749 MOVE ANYTHING FLAMMABLE AWAY FROM THE DOOR. 678 00:28:36,783 --> 00:28:39,285 [ POLICE RADIO CHATTER ] CHLOE, ARE YOU OKAY?! 679 00:28:41,253 --> 00:28:42,488 NO, DON'T! 680 00:28:46,425 --> 00:28:47,659 CHLOE! 681 00:28:47,693 --> 00:28:50,396 [ POLICE RADIO CHATTER ] 682 00:28:50,429 --> 00:28:52,664 SHE'S NOT BREATHING. 683 00:28:52,698 --> 00:28:54,466 I NEED THAT FIRE OUT NOW! 684 00:28:54,500 --> 00:28:56,869 CHRIS: Yeah, I got it. I'm here. 685 00:28:56,903 --> 00:28:58,370 [ FIRE EXTINGUISHER BLOWING ] 686 00:29:04,243 --> 00:29:05,845 IT'S CLEAR. 687 00:29:13,119 --> 00:29:15,087 [ GRUNTS ] 688 00:29:15,121 --> 00:29:17,990 [ COUGHING ] 689 00:29:20,192 --> 00:29:21,961 CHLOE. CHLOE. 690 00:29:21,994 --> 00:29:24,931 OKAY, CHLOE, BREATHE. BREATHE. 691 00:29:24,964 --> 00:29:26,198 CHLOE? COME ON. [ COUGHING ] 692 00:29:26,232 --> 00:29:28,367 YOU'RE GONNA BE FINE. JUST TAKE A BREATH. 693 00:29:30,702 --> 00:29:33,906 CHLOE, I NEED YOU TO TAKE A BREATH, OKAY? 694 00:29:35,707 --> 00:29:37,176 [ COUGHING ] 695 00:29:46,819 --> 00:29:49,121 WHAT TOOK YOU SO LONG? 696 00:29:49,155 --> 00:29:52,024 [ COUGHS ] 697 00:29:55,294 --> 00:29:57,796 [ CAMERA BEEPS, SHUTTER CLICKS ] 698 00:29:57,830 --> 00:29:59,198 ALL RIGHT, JUST STICK HIM IN THE BULLPEN 699 00:29:59,231 --> 00:30:01,167 TILL THE D's ARE READY FOR HIM. 700 00:30:06,405 --> 00:30:08,440 THAT KID HAD HIS WHOLE LIFE AHEAD OF HIM. 701 00:30:08,474 --> 00:30:10,977 NOT ANYMORE. 702 00:30:11,010 --> 00:30:13,245 BUT YOU'RE JUST HANGING OUT HERE LIKE YOU GOT 703 00:30:13,279 --> 00:30:15,014 ALL THE TIME IN THE WORLD TO CHOOSE THE RIGHT ONE. 704 00:30:15,047 --> 00:30:18,650 I JUST DON'T KNOW IF I COULD TRUST HER AGAIN. 705 00:30:18,684 --> 00:30:19,785 ISN'T THAT SOMETHING 706 00:30:19,818 --> 00:30:22,188 YOU'RE GONNA WANT TO KNOW FOR SURE? 707 00:30:22,221 --> 00:30:26,425 LISTEN, NICK, IF JULIA LEAVES, YOU'RE NEVER GONNA KNOW HER. 708 00:30:38,570 --> 00:30:39,805 [ DOOR CLOSES ] 709 00:30:39,838 --> 00:30:40,839 YOU KNOW, GAIL, 710 00:30:40,873 --> 00:30:43,209 I DIDN'T WANT TO FIND ANYTHING WHEN I CAME TO 15. 711 00:30:43,242 --> 00:30:44,977 I WANTED TO BE HAPPY WITH NICK. 712 00:30:45,011 --> 00:30:46,812 I WANTED TO BE PART OF THE FAMILY. 713 00:30:46,845 --> 00:30:48,948 BUT I HAD A JOB TO DO. 714 00:30:48,981 --> 00:30:51,317 SO, AFTER EVERYTHING THAT IT COST YOU, 715 00:30:51,350 --> 00:30:53,886 YOU'RE OKAY WITH THE CHOICES YOU MADE? 716 00:30:53,920 --> 00:30:57,489 HERE'S WHAT I DO KNOW -- 717 00:30:57,523 --> 00:30:59,758 I CAN LIVE WITH MYSELF. 718 00:30:59,791 --> 00:31:03,329 I CAN LOOK IN THE MIRROR AND STILL SEE ME. 719 00:31:03,362 --> 00:31:07,699 AND SOMETIMES THAT'S ALL YOU CAN HOPE FOR. 720 00:31:07,733 --> 00:31:10,569 [ FOOTSTEPS DEPART ] 721 00:31:10,602 --> 00:31:13,039 [ DOOR OPENS ] Bill: GAIL. 722 00:31:13,072 --> 00:31:15,141 THEY'RE READY FOR YOU. 723 00:31:20,412 --> 00:31:23,382 DO YOU SWEAR TO TELL THE TRUTH, THE WHOLE TRUTH, 724 00:31:23,415 --> 00:31:25,251 AND NOTHING BUT THE TRUTH, SO HELP YOU GOD? 725 00:31:25,284 --> 00:31:26,785 I DO. 726 00:31:26,818 --> 00:31:27,954 Judge: LET'S BEGIN. 727 00:31:27,987 --> 00:31:30,689 MS. SWAIN. 728 00:31:30,722 --> 00:31:31,623 THANK YOU, YOUR HONOR. 729 00:31:31,657 --> 00:31:33,825 OFFICER PECK, CAN YOU TELL US WHAT HAPPENED 730 00:31:33,859 --> 00:31:36,228 THE DAY OF THE EVIDENCE-ROOM EXPLOSION? 731 00:31:36,262 --> 00:31:38,797 AFTER WE CAUGHT TED McDONALD, 732 00:31:38,830 --> 00:31:41,934 WE ALL TOOK A BREATHER 733 00:31:41,968 --> 00:31:44,736 WHILE DETECTIVE SWAREK TRIED TO GET A CONFESSION. 734 00:31:44,770 --> 00:31:49,408 THEN I WENT TO THE LOUNGE, AND THAT'S WHERE I SAW STEVE. 735 00:31:49,441 --> 00:31:51,077 AND DID YOU TALK? 736 00:31:51,110 --> 00:31:52,945 YES. ABOUT WHAT? 737 00:31:52,979 --> 00:31:56,215 I ASKED HIM TO BE THE GODFATHER 738 00:31:56,248 --> 00:31:58,517 OF THE CHILD I'M ABOUT TO ADOPT. 739 00:31:58,550 --> 00:32:02,821 AND HE MADE SOME STUPID JOKE ABOUT MARLON BRANDO 740 00:32:02,854 --> 00:32:05,091 AND THEN HE -- 741 00:32:05,124 --> 00:32:07,626 HE HUGGED ME AND HE SAID HE WOULD BE HONORED. 742 00:32:07,659 --> 00:32:09,128 AND WHAT TIME WAS THAT? 743 00:32:09,161 --> 00:32:11,030 THAT WAS ABOUT AN HOUR BEFORE THE BOMB WENT OFF. 744 00:32:11,063 --> 00:32:13,332 AND HOW LONG WERE YOU WITH YOUR BROTHER? 745 00:32:13,365 --> 00:32:15,667 IT WAS A WHILE. 746 00:32:15,701 --> 00:32:17,103 CAN YOU BE MORE SPECIFIC? 747 00:32:17,136 --> 00:32:18,370 THERE WAS JUST A LOT GOING ON, 748 00:32:18,404 --> 00:32:20,939 SO I-I WASN'T PAYING ATTENTION TO THE TIME. 749 00:32:20,973 --> 00:32:24,143 DID YOU TWO GO ANYWHERE ELSE AFTER THE, UH, LOUNGE? 750 00:32:24,176 --> 00:32:25,311 YEAH, WE WERE GONNA GRAB A COFFEE, 751 00:32:25,344 --> 00:32:26,478 AND WE WERE GONNA GO TO HIS OFFICE. 752 00:32:26,512 --> 00:32:28,880 SO, YOU WERE WITH STEVE IN HIS OFFICE, 753 00:32:28,914 --> 00:32:31,150 DRINKING COFFEE, WHEN THE BOMB WENT OFF? 754 00:32:31,183 --> 00:32:34,186 THAT'S NOT WHAT I SAID. 755 00:32:34,220 --> 00:32:36,655 SORRY. I'M HAVING TROUBLE FOLLOWING. 756 00:32:36,688 --> 00:32:38,557 GAIL, WERE YOU WITH YOUR BROTHER 757 00:32:38,590 --> 00:32:42,028 BETWEEN 5:00 AND 6:00 P.M. ON THE DATE IN QUESTION? 758 00:32:42,061 --> 00:32:44,463 STEVE AND I WERE -- 759 00:32:44,496 --> 00:32:46,265 GAIL. WE -- 760 00:32:46,298 --> 00:32:47,933 ANSWER THE DAMN QUESTION. 761 00:32:47,966 --> 00:32:49,601 Judge: SIT DOWN, INSPECTOR. 762 00:32:57,643 --> 00:32:59,878 MS. PECK... 763 00:32:59,911 --> 00:33:01,280 GO ON. 764 00:33:03,282 --> 00:33:06,518 I-I WAS -- STEVE AND -- 765 00:33:06,552 --> 00:33:09,255 YOUR HONOR, I'D LIKE TO SPEAK WITH YOU, 766 00:33:09,288 --> 00:33:11,757 WITH MY COUNSEL, AND THE PROSECUTION IN PRIVATE. 767 00:33:11,790 --> 00:33:13,525 IF THIS IS A STALLING TACTIC -- 768 00:33:13,559 --> 00:33:14,460 IT'S NOT, YOUR HONOR. 769 00:33:14,493 --> 00:33:16,162 YOU'LL WANT TO HEAR WHAT I HAVE TO SAY. 770 00:33:16,195 --> 00:33:18,764 YOU'VE GOT FIVE MINUTES. 771 00:33:18,797 --> 00:33:20,032 MS. PECK... YEAH? 772 00:33:20,066 --> 00:33:21,167 ...YOU'RE DISMISSED FOR THE TIME BEING. 773 00:33:21,200 --> 00:33:22,534 DON'T GO ANYWHERE. 774 00:33:30,176 --> 00:33:32,878 [ DOOR OPENS ] 775 00:33:32,911 --> 00:33:35,147 DAD, WHAT HAPPENED? 776 00:33:35,181 --> 00:33:37,015 Bill: HE CONFESSED. 777 00:33:37,049 --> 00:33:40,419 HE TOOK A PLEA DEAL. 778 00:33:40,452 --> 00:33:42,488 HE'S GONNA TESTIFY AGAINST COMMISSIONER SANTANA 779 00:33:42,521 --> 00:33:44,356 AND AIDAN KELLY FOR A SLAP ON THE WRIST. 780 00:33:44,390 --> 00:33:46,158 S-SO, THAT'S -- THAT'S GOOD. 781 00:33:46,192 --> 00:33:47,926 YOU THINK THAT'S GOOD, GAIL? 782 00:33:47,959 --> 00:33:51,663 DO YOU? REALLY? 783 00:33:51,697 --> 00:33:53,199 [ INDISTINCT WHISPERING ] 784 00:33:53,232 --> 00:33:55,367 STEVE. OH, HE HAS -- HE HAS NOTHING TO SAY TO YOU. 785 00:33:55,401 --> 00:33:57,469 I'M NOT A REPORTER. I'M HIS SISTER. 786 00:33:57,503 --> 00:33:59,971 CAN YOU JUST GIVE US A SECOND, PLEASE? SURE. 787 00:34:00,005 --> 00:34:01,807 PLEASE TELL ME THAT EVERYTHING'S JUST -- 788 00:34:01,840 --> 00:34:03,075 IT'S GONNA BLOW OVER, RIGHT? 789 00:34:03,109 --> 00:34:05,344 NO, NO, IT'S NOT. 790 00:34:05,377 --> 00:34:07,213 YOU DON'T KNOW WHAT I GOT MYSELF IN THE MIDDLE OF. 791 00:34:07,246 --> 00:34:11,083 NO. OUR PARENTS AND SANTANA -- IT'S, UH... 792 00:34:11,117 --> 00:34:12,518 [ SIGHS ] 793 00:34:12,551 --> 00:34:15,621 I'M REALLY SORRY. 794 00:34:15,654 --> 00:34:18,390 YEAH, ME TOO. 795 00:34:31,570 --> 00:34:33,305 NEED A RIDE HOME? 796 00:34:36,007 --> 00:34:38,710 I CAN'T GO HOME. 797 00:34:46,918 --> 00:34:49,455 [ FOOTSTEPS APPROACHING ] 798 00:34:49,488 --> 00:34:52,090 HEY. 799 00:34:53,692 --> 00:34:55,194 HEY. 800 00:34:55,227 --> 00:34:56,462 SHE SLEEPING? 801 00:34:56,495 --> 00:35:00,432 UH, YEAH, AS LONG AS I KEEP MOVING AROUND. 802 00:35:00,466 --> 00:35:04,970 THE SECOND I LIE DOWN, SHE WANTS TO PLAY. 803 00:35:05,003 --> 00:35:09,007 YEAH. MUST BE TOUGH. 804 00:35:09,040 --> 00:35:12,544 LOOK, ANDY, I'M... 805 00:35:12,578 --> 00:35:15,013 SO SORRY ABOUT LAST NIGHT, OKAY? 806 00:35:15,046 --> 00:35:16,415 THAT'LL NEVER HAPPEN AGAIN. 807 00:35:16,448 --> 00:35:19,751 I'M JUST...TRYING TO FIGURE IT OUT, YOU KNOW? 808 00:35:19,785 --> 00:35:23,289 I KNOW. ME TOO. 809 00:35:23,322 --> 00:35:26,425 [ ZIPPER CLOSES ] ANY LUCK? 810 00:35:26,458 --> 00:35:30,762 [ CHUCKLES ] NO. NOT REALLY. 811 00:35:30,796 --> 00:35:33,299 [ SIGHS ] 812 00:35:33,332 --> 00:35:34,833 I CAN'T HELP BUT THINK, WOULD IT JUST BE EASIER 813 00:35:34,866 --> 00:35:37,836 FOR EVERYBODY IF I GOT OUT OF TOWN FOR A BIT? 814 00:35:37,869 --> 00:35:41,740 WELL, I DON'T THINK THAT WOULD BE EASIER FOR SAM. 815 00:35:44,075 --> 00:35:46,445 YOU KNOW, AND IF IT WASN'T FOR YOU, 816 00:35:46,478 --> 00:35:50,182 THE TWO OF US WOULDN'T EVEN BE HERE. 817 00:35:50,216 --> 00:35:52,718 LOOK, MY, UH -- MY SISTER'S COMING 818 00:35:52,751 --> 00:35:55,187 TO STAY WITH ME FOR A COUPLE WEEKS. 819 00:35:55,221 --> 00:35:58,857 SO YOU AND SAM CAN SEE THE BABY AS OFTEN AS YOU WANT. 820 00:35:58,890 --> 00:36:02,661 AND I GOT TO START WORKING ON BUILDING MY OWN LIFE, YOU KNOW? 821 00:36:02,694 --> 00:36:05,531 [ BABY CRYING ] 822 00:36:05,564 --> 00:36:07,333 OKAY. 823 00:36:07,366 --> 00:36:09,468 WE GOT TO GET GOING. 824 00:36:09,501 --> 00:36:11,837 BUT I'LL SEE YOU AROUND, ALL RIGHT? 825 00:36:11,870 --> 00:36:14,573 YEAH. 826 00:36:14,606 --> 00:36:16,608 OKAY. 827 00:36:21,513 --> 00:36:24,350 EXCUSE ME. CAN YOU GO ANY FASTER? I'M GONNA MISS MY PLANE. 828 00:36:24,383 --> 00:36:25,951 [ SIGHS, CLEARS THROAT ] 829 00:36:25,984 --> 00:36:28,954 [ SIREN WAILS, CHIRPS ] 830 00:36:28,987 --> 00:36:31,590 OH. SERIOUSLY? 831 00:36:35,026 --> 00:36:37,496 [ POLICE RADIO CHATTER ] 832 00:36:39,731 --> 00:36:41,967 UNREAL. 833 00:36:42,000 --> 00:36:45,437 [ KNOCK ON WINDOW ] 834 00:36:45,471 --> 00:36:46,905 HI. 835 00:36:46,938 --> 00:36:48,974 YOUR PHONE'S OFF. 836 00:36:49,007 --> 00:36:51,843 I KNOW. I WAS IN COURT. WHAT ARE -- IS EVERYTHING OKAY? 837 00:36:51,877 --> 00:36:55,514 NICK, HOW DID YOU KNOW THAT THIS WAS MY CAR? 838 00:36:55,547 --> 00:36:56,848 I DIDN'T. 839 00:36:56,882 --> 00:36:59,585 YOU'RE THE FOURTH AIRPORT LIMO I'VE PULLED OVER. 840 00:36:59,618 --> 00:37:02,020 WANT TO STEP OUT OF THE CAR FOR ME, PLEASE, MA'AM? 841 00:37:02,053 --> 00:37:04,523 UM... I'LL BE RIGHT BACK. 842 00:37:04,556 --> 00:37:07,793 LOOK, NICK, I'M -- I MEAN, I'M GONNA MISS MY FLIGHT, SO -- 843 00:37:07,826 --> 00:37:09,261 DOESN'T MATTER. THERE'S A MILLION FLIGHTS, RIGHT? 844 00:37:09,295 --> 00:37:11,330 WHAT? LOOK, JUST HEAR ME OUT. 845 00:37:11,363 --> 00:37:15,066 YOU DID TRY TO KEEP YOUR DISTANCE. 846 00:37:15,100 --> 00:37:16,268 I DIDN'T LET YOU. 847 00:37:16,302 --> 00:37:19,471 I THOUGHT YOU WERE PULLING AWAY 'CAUSE YOU WERE SCARED. 848 00:37:19,505 --> 00:37:21,773 BUT IF I'M HONEST, IT'S ME THAT WAS SCARED. 849 00:37:21,807 --> 00:37:24,175 ME TOO. YEAH? 850 00:37:24,209 --> 00:37:25,143 YES. 851 00:37:25,176 --> 00:37:28,647 YES, BUT I -- I STILL -- I WANT THIS TO WORK. 852 00:37:28,680 --> 00:37:30,449 GOOD. 853 00:37:30,482 --> 00:37:32,250 WELL, I'LL -- I'LL COME WITH YOU. 854 00:37:32,284 --> 00:37:34,553 [ STAMMERS ] I'LL MEET YOU THERE. 855 00:37:34,586 --> 00:37:36,021 I'LL MEET -- I GOT TO PACK, ANYWAY. 856 00:37:36,054 --> 00:37:37,489 OKAY. GOOD. WE'LL FIGURE IT OUT. 857 00:37:37,523 --> 00:37:39,791 OKAY. 858 00:37:45,331 --> 00:37:48,033 * LOVER, COME ROUND 859 00:37:48,066 --> 00:37:49,535 HEY. HEY. 860 00:37:49,568 --> 00:37:50,569 * LIE WITH THE LAMB 861 00:37:50,602 --> 00:37:53,439 THANK YOU VERY, VERY MUCH FOR MEETING ME HERE. 862 00:37:53,472 --> 00:37:55,841 * YOU'LL FIND IT'S THE SLOW DANCE * YEAH, NO PROBLEM. 863 00:37:55,874 --> 00:37:57,909 * THAT HARBINGER OF ROMANCE IS EVERYTHING OKAY? 864 00:37:57,943 --> 00:38:00,045 OH, YEAH, IT'S GREAT. 865 00:38:00,078 --> 00:38:02,514 IT'S GREAT. 866 00:38:02,548 --> 00:38:04,783 * YOU BARELY KEEP THE WILD AT BAY * 867 00:38:04,816 --> 00:38:06,084 WHAT HAPPENED? 868 00:38:06,117 --> 00:38:07,953 * WHAT EASY PREY 869 00:38:07,986 --> 00:38:09,220 WELL, I HAD, UM... 870 00:38:09,254 --> 00:38:12,491 * YOU BARELY SEE YOUR OWN BETRAY YOU * ...I HAD TWO STORIES 871 00:38:12,524 --> 00:38:14,593 THAT I WAS GONNA TELL IN COURT TODAY. 872 00:38:14,626 --> 00:38:16,695 * WHEN THE DARK CAME FOR MORE * 873 00:38:16,728 --> 00:38:19,197 * SAME AS BEFORE ONE WAS THE TRUTH, 874 00:38:19,230 --> 00:38:20,198 AND THEN ONE WAS... 875 00:38:20,231 --> 00:38:21,066 * OH, MY, MY ...LIKE -- 876 00:38:21,099 --> 00:38:25,471 WELL, IT WAS FURTHER AWAY FROM THE TRUTH. 877 00:38:27,005 --> 00:38:28,707 * I KNOW YOU WANTED SOMETHING BAD * AND I DON'T REALLY KNOW WHICH ONE 878 00:38:28,740 --> 00:38:31,142 I WOULD HAVE TOLD -- [ SIGHS ] -- 879 00:38:31,176 --> 00:38:33,044 HAD I BEEN GIVEN THE CHANCE. 880 00:38:33,078 --> 00:38:34,513 * YOU HAD TO KNOW YOUR LUCK WAS * 881 00:38:34,546 --> 00:38:38,717 AND I DON'T KNOW WHAT THAT SAYS ABOUT ME AS A PERSON. 882 00:38:38,750 --> 00:38:40,352 * LEAVING 883 00:38:40,386 --> 00:38:43,088 * WHEN THE DARK CAME FOR MORE * WHY DON'T YOU TELL ME ABOUT THE FAMILY... 884 00:38:43,121 --> 00:38:45,824 * SAME AS BEFORE ...THE ONE THAT IS INTERESTED IN ADOPTING SOPHIE? 885 00:38:45,857 --> 00:38:46,825 [ CLEARS THROAT ] 886 00:38:46,858 --> 00:38:47,826 * OH, MY, MY 887 00:38:47,859 --> 00:38:50,228 THE MOTHER'S A TEACHER. 888 00:38:50,261 --> 00:38:53,231 THE FATHER IS A CONTRACTOR. 889 00:38:53,264 --> 00:38:56,668 THEY LIVE IN THE SAME NEIGHBORHOOD AS SOPHIE, 890 00:38:56,702 --> 00:38:58,937 SO SHE WON'T HAVE TO SWITCH SCHOOLS. 891 00:38:58,970 --> 00:39:03,742 THEY HAVE ANOTHER ADOPTED CHILD, TWO YEARS OLDER, 892 00:39:03,775 --> 00:39:09,515 AND THEY'RE LOOKING TO EXPAND THEIR FAMILY. 893 00:39:09,548 --> 00:39:12,384 * WHEN I LOOK BACK 894 00:39:12,418 --> 00:39:16,755 * IF I LOOK BACK, I'LL BREAK THE RULES * 895 00:39:16,788 --> 00:39:20,191 * THAT HASTEN MY REBELLION [ GASPS ] 896 00:39:20,225 --> 00:39:23,462 [ Crying ] THEY SOUND PERFECT. 897 00:39:23,495 --> 00:39:26,398 * YOU BARELY KEEP THE WILD AT BAY * 898 00:39:26,432 --> 00:39:30,436 * WHAT EASY PREY 899 00:39:30,469 --> 00:39:33,439 HEY, STILL HAVE YOUR KEY. THOUGHT I'D COME BY. 900 00:39:33,472 --> 00:39:34,806 YOU CAN TAKE SOME MORE SHOTS AT ME 901 00:39:34,840 --> 00:39:36,442 IN CASE YOU DIDN'T GET YOUR FILL TODAY. 902 00:39:36,475 --> 00:39:37,576 WHAT TIME'S YOUR FLIGHT? 903 00:39:37,609 --> 00:39:39,545 DON'T HAVE A FLIGHT. OH, YEAH? 904 00:39:39,578 --> 00:39:40,746 TAKING A TRAIN TO VANCOUVER? I'M NOT TAKING THE TRAIN. 905 00:39:40,779 --> 00:39:43,649 LOOK, I ONLY TOLD YOU ABOUT THE OFFER TO GIVE YOU AN OUT. 906 00:39:43,682 --> 00:39:48,253 GIVING ME AN OUT. I DON'T WANT AN OUT. 907 00:39:48,286 --> 00:39:49,921 I NEVER DID, OKAY? 908 00:39:49,955 --> 00:39:51,623 I ALSO DON'T WANT YOU TO FEEL LIKE CRAP, 909 00:39:51,657 --> 00:39:53,659 BUT APPARENTLY THERE'S NOTHING I CAN DO ABOUT THAT. 910 00:39:53,692 --> 00:39:55,927 WELL, MAYBE WE SHOULD STOP TALKING, YOU KNOW? 911 00:39:55,961 --> 00:39:57,663 NO, NO, NO, I'M HAPPY TO TALK, OKAY? 912 00:39:57,696 --> 00:39:59,431 BUT I'M NOT GONNA TALK TO YOUR BACK 913 00:39:59,465 --> 00:40:00,866 AS YOU'RE RUNNING OUT THE DOOR. 914 00:40:00,899 --> 00:40:02,868 CLEARLY, I'M NOT RUNNING OUT THE DOOR. 915 00:40:02,901 --> 00:40:04,903 OKAY, WELL, TALK THEN. YOU TALK. 916 00:40:04,936 --> 00:40:07,906 NO, YOU TALK! 917 00:40:10,909 --> 00:40:12,410 OKAY. 918 00:40:12,444 --> 00:40:14,613 THE ONLY REASON I EVER THOUGHT I COULD BE A DAD 919 00:40:14,646 --> 00:40:16,482 IN THE FIRST PLACE IS BECAUSE OF YOU. 920 00:40:16,515 --> 00:40:18,617 BEING WITH YOU HAS CHANGED ME. 921 00:40:18,650 --> 00:40:19,518 I'M A BETTER MAN... 922 00:40:19,551 --> 00:40:21,553 WHICH MEANS I MIGHT ACTUALLY BE ABLE TO 923 00:40:21,587 --> 00:40:23,689 BE THE DAD I NEVER THOUGHT I COULD BE. 924 00:40:23,722 --> 00:40:25,691 AND I WANT TO SHOW THAT TO YOU. 925 00:40:25,724 --> 00:40:29,661 I WANT TO BE THAT... WITH YOU. 926 00:40:29,695 --> 00:40:32,531 SO PLEASE DON'T GO AWAY AGAIN, 927 00:40:32,564 --> 00:40:34,500 NOT FOR FIVE MONTHS OR FIVE MINUTES, OKAY? 928 00:40:34,533 --> 00:40:40,038 * I CAN'T HOLD YOU CLOSE, AND I CAN'T HAVE YOU HERE * SAM...I JUST... 929 00:40:40,071 --> 00:40:41,306 * OR LET YOU GO 930 00:40:41,339 --> 00:40:42,574 MISS YOU. 931 00:40:42,608 --> 00:40:44,976 * OR KEEP YOU HERE 932 00:40:45,010 --> 00:40:46,845 * AND I CAN'T CHANGE A THING BUT I DON'T KNOW HOW TO SAY THAT TO YOU 933 00:40:46,878 --> 00:40:48,279 WITHOUT FEELING LIKE I'M ASKING YOU 934 00:40:48,313 --> 00:40:51,016 TO CHOOSE BETWEEN ME AND YOUR FAMILY. * AND I CAN'T CHANGE YOUR MIND 935 00:40:51,049 --> 00:40:56,354 * OR SAVE THE DAY OR GO BACK IN TIME * 936 00:40:56,387 --> 00:40:58,289 [ Voice breaking ] ANDY McNALLY, 937 00:40:58,323 --> 00:41:03,094 YOU ARE MY FAMILY, OKAY? * BECAUSE WHERE WE ARE IS JUST WHERE WE ARE * 938 00:41:03,128 --> 00:41:04,896 YES, I LOVE THAT BABY. 939 00:41:04,930 --> 00:41:06,097 * FALLING FARTHER FROM SO FAR [ Voice breaking ] SO DO I. 940 00:41:06,131 --> 00:41:10,769 YEAH, WELL, I LOVE THAT BABY SO MUCH THAT I WANT MORE BABIES. 941 00:41:10,802 --> 00:41:14,339 * UNDERNEATH MORNING SHEETS I WANT OUR BABIES. 942 00:41:14,372 --> 00:41:17,543 WE'VE BOTH TRIED RUNNING AWAY. 943 00:41:17,576 --> 00:41:20,178 * TELL ME, TELL ME YOU NEED ME WE'VE BOTH TRIED BEING WITH OTHER PEOPLE, 944 00:41:20,211 --> 00:41:24,049 BUT WE KEEP FINDING OUR WAY BACK TO EACH OTHER. 945 00:41:24,082 --> 00:41:27,519 SO LET'S PLEASE, ANDY, TRY THE ONE THING WE HAVEN'T. 946 00:41:27,553 --> 00:41:31,256 LET'S STAY TOGETHER. 947 00:41:31,289 --> 00:41:34,526 I'M OBVIOUSLY GONNA STAY. 948 00:41:34,560 --> 00:41:36,862 I LOVE YOU. 949 00:41:36,895 --> 00:41:39,130 OKAY. 950 00:41:39,164 --> 00:41:40,632 I LOVE YOU, TOO. 951 00:41:46,171 --> 00:41:47,939 [ SIGHS ] 952 00:41:47,973 --> 00:41:49,541 * WHERE WE ARE IS JUST WHERE WE ARE * WHAT IS HAPPENING? 953 00:41:49,575 --> 00:41:52,010 [ DOG WHIMPERS ] THAT'S A GOLDENDOODLE. 954 00:41:52,043 --> 00:41:53,812 YOU BOUGHT A PUPPY? 955 00:41:53,845 --> 00:41:54,846 * FALLING FARTHER FROM SO FAR I ORDERED IT SIX MONTHS AGO 956 00:41:54,880 --> 00:41:57,816 AND GOT THE CALL THAT IT WAS READY TO BE PICKED UP. 957 00:41:57,849 --> 00:42:00,351 [ CHUCKLES ] SO, BOO RADLEY, MEET ANDY McNALLY. 958 00:42:00,385 --> 00:42:03,822 * UNDERNEATH MIDNIGHT SHEETS WELL, CLEARLY I CAN'T LEAVE NOW. 959 00:42:03,855 --> 00:42:05,657 I GOT TO TAKE CARE OF THIS GUY. 960 00:42:05,691 --> 00:42:07,392 * TELL ME, TELL ME YOU NEED ME [ SIGHS ] 961 00:42:07,425 --> 00:42:09,861 CAN WE PLEASE GET MARRIED? WE ARE. 962 00:42:09,895 --> 00:42:11,429 FASTER? 963 00:42:11,462 --> 00:42:12,964 OKAY. OKAY? 964 00:42:12,998 --> 00:42:16,568 OKAY. * TELL ME, TELL ME YOU NEED ME 965 00:42:16,602 --> 00:42:18,303 SHOULD WE TAKE THIS LITTLE GUY FOR A WALK? 966 00:42:18,336 --> 00:42:19,571 YEAH, WE CAN DO WHATEVER YOU WANT. 967 00:42:19,605 --> 00:42:20,338 WE'RE ALL YOURS. [ DOG PANTING ] 69884

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