All language subtitles for Rookie.Blue.S06E03.Uprising.1080p.AMZN.WEB-DL.DDP5.1.H264-SiGMA_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,180 --> 00:00:13,447 ARE WE WAITING FOR ANYONE ELSE? 2 00:00:13,481 --> 00:00:16,850 NOPE. JUST ME AND THE BABY. 3 00:00:16,884 --> 00:00:18,152 GOOD TO GO. 4 00:00:20,454 --> 00:00:22,323 UH, WHERE'S THE RADIOLOGIST? IS SHE COMING? 5 00:00:22,356 --> 00:00:23,524 SHE'S AT OUR OTHER CLINIC. 6 00:00:23,557 --> 00:00:25,726 SHE GOT HELD UP, BUT SHE'LL BE HERE SOON. 7 00:00:25,759 --> 00:00:27,928 I GOT A CALL TO COME BACK IN. 8 00:00:27,961 --> 00:00:29,297 IS THERE A PROBLEM? 9 00:00:29,330 --> 00:00:31,165 SHE'S JUST BEING HYPER VIGILANT. 10 00:00:31,199 --> 00:00:33,701 UH, SORRY I'M LATE. 11 00:00:33,734 --> 00:00:35,636 HEY. 12 00:00:35,669 --> 00:00:38,038 I'M THE DADDY. UH, FATHER. 13 00:00:38,072 --> 00:00:39,407 [ CHUCKLES ] 14 00:00:44,745 --> 00:00:46,647 WOW. 15 00:00:46,680 --> 00:00:48,849 THAT'S A LITTLE FACE THERE. 16 00:00:48,882 --> 00:00:50,050 IT'S GROWING SO FAST. 17 00:00:50,084 --> 00:00:51,785 SHOULD'VE BEEN HERE TWO WEEKS AGO. 18 00:00:51,819 --> 00:00:53,254 LOOKED LIKE A BIG PEANUT. 19 00:00:59,127 --> 00:01:02,563 IS...EVERYTHING ALL RIGHT? 20 00:01:02,596 --> 00:01:04,732 UM... 21 00:01:04,765 --> 00:01:05,999 [ CHUCKLES ] YEAH. 22 00:01:06,033 --> 00:01:09,270 I'M JUST GONNA GET THE IMAGES PROCESSED FOR THE RADIOLOGIST 23 00:01:09,303 --> 00:01:12,706 AND, UH, SHE'LL BE ABLE TO DISCUSS EVERYTHING WITH YOU. 24 00:01:12,740 --> 00:01:14,642 BUT YOU'D TELL US IF SOMETHING WAS WRONG, RIGHT? 25 00:01:14,675 --> 00:01:17,411 YOU KNOW, I'M NOT AT LIBERTY TO READ THE IMAGES 26 00:01:17,445 --> 00:01:19,012 AND DISCUSS THEM WITH YOU. 27 00:01:19,046 --> 00:01:21,482 UM, BUT YOU CAN WAIT HERE IF YOU LIKE. 28 00:01:24,952 --> 00:01:27,455 UH... 29 00:01:27,488 --> 00:01:29,056 [ CHUCKLES ] 30 00:01:29,089 --> 00:01:32,326 IT'S FINE. YOU DON'T HAVE TO STAY. 31 00:01:32,360 --> 00:01:34,027 I'LL LET YOU KNOW WHAT SHE SAYS. 32 00:01:34,061 --> 00:01:37,064 I'M NOT GOING ANYWHERE. 33 00:01:37,097 --> 00:01:38,399 UNLESS YOU WANT ME TO. 34 00:01:38,432 --> 00:01:39,933 NO. 35 00:01:39,967 --> 00:01:41,769 NO, IT'S YOUR BABY, TOO. 36 00:01:44,872 --> 00:01:47,074 [ SIGHS ] 37 00:01:47,107 --> 00:01:49,076 *** 38 00:01:49,109 --> 00:01:52,079 -- Captions by VITAC -- 39 00:01:52,112 --> 00:01:55,349 MORNING, SANCHEZ. LOVELY DAY. 40 00:01:55,383 --> 00:01:58,586 DAVIS, LOOKING GOOD. LOSE WEIGHT OR SOMETHING? 41 00:01:58,619 --> 00:01:59,420 [ CHUCKLES ] 42 00:01:59,453 --> 00:02:01,088 GOOD MORROW TO THEE, OFFICER MOORE. 43 00:02:01,121 --> 00:02:03,424 CHLOE PRICE. PRICE LOOKS NICE. 44 00:02:03,457 --> 00:02:04,458 LOOK AT YOU LOOKING LIKE SUNSHINE THIS MORNING. 45 00:02:04,492 --> 00:02:07,261 YEAH. I MEAN, TODAY'S THE DAY FOR A FRESH START, 46 00:02:07,295 --> 00:02:08,596 SO I'M KIND OF FEELING LIKE SUNSHINE. 47 00:02:08,629 --> 00:02:09,730 THAT'S NICE. 48 00:02:09,763 --> 00:02:11,499 HOPE YOU'RE WEARING SUNSCREEN, THOUGH. 49 00:02:11,532 --> 00:02:13,534 EVERYONE KNOWS THAT THE SUN BURNS THE SKIN. 50 00:02:13,567 --> 00:02:15,002 OH. OH. 51 00:02:15,035 --> 00:02:16,370 ONLY WHEN IT'S BARE SKIN. 52 00:02:16,404 --> 00:02:19,072 OH, THIS SUN IS SO BRIGHT, IT PENETRATES YOUR CLOTHING. 53 00:02:19,106 --> 00:02:20,674 P-PENETRATION. 54 00:02:20,708 --> 00:02:21,942 MM-HMM. 55 00:02:21,975 --> 00:02:23,444 UM, OKAY. ALL RIGHT. 56 00:02:23,477 --> 00:02:27,415 UH, WELL, YOUR SUN DOESN'T HAVE TO WORK SO HARD. 57 00:02:27,448 --> 00:02:29,082 IF IT WANTS TO BURN MY SKIN, 58 00:02:29,116 --> 00:02:30,951 I CAN JUST TAKE MY CLOTHES OFF. 59 00:02:30,984 --> 00:02:32,119 PSST! 60 00:02:32,152 --> 00:02:33,887 DON'T MAKE THE SUN'S JOB SO EASY, OKAY? 61 00:02:33,921 --> 00:02:34,955 'CAUSE I LIKE TO WORK HARD. 62 00:02:34,988 --> 00:02:37,325 [ CHUCKLES ] 63 00:02:38,826 --> 00:02:39,793 OKAY. 64 00:02:39,827 --> 00:02:41,495 OKAY. YEAH. THIS HAS GONE ON LONG ENOUGH, YEAH? 65 00:02:41,529 --> 00:02:43,264 [ CLEARS THROAT ] WHAT -- WHAT HAS? 66 00:02:43,297 --> 00:02:46,700 JUST THIS -- WHATEVER. WHATEVER'S HAPPENING HERE. 67 00:02:46,734 --> 00:02:48,068 OH, RIGHT. 68 00:02:48,101 --> 00:02:50,804 NO, I WAS -- I WAS COMPLETELY OB-- 69 00:02:50,838 --> 00:02:52,640 OBLIVIOUS TO IT UNTIL THIS -- RIGHT THIS MOMENT. 70 00:02:52,673 --> 00:02:54,408 YEAH. YEAH. BUT IT'S TIME TO GET REAL. 71 00:02:54,442 --> 00:02:55,743 MM-HMM. YOUR TIE'S CROOKED. 72 00:03:00,414 --> 00:03:01,982 RING A DING, DING. 73 00:03:02,015 --> 00:03:05,219 IT'S GONNA BE A GOOD DAY. 74 00:03:05,253 --> 00:03:07,321 GIMME THAT! 75 00:03:07,355 --> 00:03:09,457 [ SNAPS FINGERS ] DOV EPSTEIN. 76 00:03:09,490 --> 00:03:11,225 HEY. UM, QUICK QUESTION. 77 00:03:11,259 --> 00:03:13,494 DO I KNOW YOU? LIKE, TRULY, TRULY KNOW YOU? 78 00:03:13,527 --> 00:03:16,230 I DON'T KNOW. DOES ANYBODY TRULY KNOW ANYBODY? 79 00:03:16,264 --> 00:03:17,565 NOPE. WHAT'S YOUR MIDDLE NAME? 80 00:03:17,598 --> 00:03:18,699 EZEKIEL. 81 00:03:18,732 --> 00:03:19,767 EZEKIEL? SEE, LOOK. 82 00:03:19,800 --> 00:03:22,236 I FEEL LIKE I KNOW YOU SO MUCH BETTER NOW. 83 00:03:22,270 --> 00:03:23,371 WHAT'S DIAZ'S MIDDLE NAME? 84 00:03:23,404 --> 00:03:24,272 HE DOESN'T HAVE ONE. 85 00:03:24,305 --> 00:03:27,107 OH, OKAY. UH, HOW'S HE TAKE HIS COFFEE? 86 00:03:27,140 --> 00:03:28,075 BLACK. 87 00:03:28,108 --> 00:03:30,711 AH. IS IT TRUE THAT PECK HAS RETRACTABLE FANGS? 88 00:03:30,744 --> 00:03:31,845 YES. 89 00:03:31,879 --> 00:03:33,146 I KNEW THAT. 90 00:03:33,180 --> 00:03:34,047 OKAY. HOLD ON. 91 00:03:34,081 --> 00:03:35,749 UM, WE'RE JUST GETTING STARTED, BROTHER. 92 00:03:35,783 --> 00:03:37,385 UH...OKAY, WELL, HEY, 93 00:03:37,418 --> 00:03:39,119 LET ME TELL YOU A FEW TRUTHS ABOUT MYSELF. 94 00:03:39,152 --> 00:03:41,221 I AM A CERTIFIED GOLDEN DANCER. 95 00:03:41,255 --> 00:03:42,523 CHECK IT. [ SNAPS FINGERS ] 96 00:03:42,556 --> 00:03:43,991 THAT'S CALLED A BODY ROLL. 97 00:03:44,024 --> 00:03:46,794 THAT'S -- WOMEN LOVE IT. 98 00:03:46,827 --> 00:03:50,964 ANYWAY, UM, MY MIDDLE NAME IS JOAQUIN. 99 00:03:50,998 --> 00:03:52,266 AND, HEY, YOU KNOW WHAT? 100 00:03:52,300 --> 00:03:54,568 SOMETIMES I LIKE TO PEE SITTING DOWN. 101 00:03:54,602 --> 00:03:56,470 WHOA. WHOA. BACK UP. HANDS OFF. 102 00:03:56,504 --> 00:03:58,238 OKAY. I WANT TO UN-KNOW THAT. 103 00:03:58,272 --> 00:04:00,308 OKAY, BUT HOLD ON. WAIT. 104 00:04:00,341 --> 00:04:01,642 IT'S MY TURN, THOUGH. 105 00:04:01,675 --> 00:04:04,812 I-I-I WAS GON-- I WAS GONNA ASK YOU ABOUT CHLOE PRICE. 106 00:04:04,845 --> 00:04:08,616 [ CLEARS THROAT ] I SHOULDN'T HAVE TOLD HIM THAT. 107 00:04:11,419 --> 00:04:14,187 [ CLEARS THROAT ] 108 00:04:14,221 --> 00:04:15,623 Nick: MORNING. MORNING. 109 00:04:15,656 --> 00:04:17,358 MORNING. Oliver: ALL RIGHT, EVERYBODY. 110 00:04:17,391 --> 00:04:18,492 TODAY WE'RE GONNA BE ASSISTING 111 00:04:18,526 --> 00:04:20,060 WITH A COUPLE OF PRISONER TRANSFERS. 112 00:04:20,093 --> 00:04:22,029 HEY. ALL RIGHT. 113 00:04:22,062 --> 00:04:25,466 OKAY. ALL RIGHT. 114 00:04:25,499 --> 00:04:28,602 WHAT? NOBODY'S EVER SEEN A PIRATE IN A COP COSTUME BEFORE? 115 00:04:28,636 --> 00:04:30,538 [ LAUGHTER ] ALL RIGHT. 116 00:04:30,571 --> 00:04:34,174 UH, I WILL TELL THIS STORY ONCE AND ONLY ONCE. 117 00:04:34,207 --> 00:04:37,745 I GOT A CAT HAIR STUCK IN MY EYE AND I COULD NOT GET IT OUT, 118 00:04:37,778 --> 00:04:40,814 AND APPARENTLY, THERE'S SOME KIND OF GERM ON CAT HAIR 119 00:04:40,848 --> 00:04:43,484 THAT HAS GIVEN ME A CORNEAL INFECTION, 120 00:04:43,517 --> 00:04:47,120 SO LET ME STAND AS AN EXAMPLE, ALL RIGHT? 121 00:04:47,154 --> 00:04:49,056 CAT SCRATCH FEVER IS NOT JUST A SONG. 122 00:04:49,089 --> 00:04:50,591 OKAY? DO NOT PICK UP STRAY CATS, 123 00:04:50,624 --> 00:04:52,360 EVEN IF THEY WANDER INTO YOUR BACKYARD 124 00:04:52,393 --> 00:04:54,094 AND THEY'RE CUTE AS ALL GET-OUT. OKAY. 125 00:04:54,127 --> 00:04:55,496 LET'S GET DOWN TO BUSINESS. 126 00:04:55,529 --> 00:04:58,231 PINE VALLEY CORRECTIONAL CENTER FOR WOMEN, OKAY? 127 00:04:58,265 --> 00:04:59,733 THEY ARE COMPLETELY UNDERSTAFFED 128 00:04:59,767 --> 00:05:00,901 AND THEY'RE OPERATING ON A SHOESTRING. 129 00:05:00,934 --> 00:05:03,937 THEY HAVE ASKED US TO TRANSFER TWO INMATES. 130 00:05:03,971 --> 00:05:05,439 ONE IS GOING TO SANDWOOD, 131 00:05:05,473 --> 00:05:07,140 THE OTHER'S GOING TO NORTH POINT MAXIMUM. 132 00:05:07,174 --> 00:05:08,108 OKAY? 133 00:05:08,141 --> 00:05:11,178 UM, McNALLY AND WARD. 134 00:05:11,211 --> 00:05:12,613 OKAY, YOU'RE GONNA TAKE THE INMATE 135 00:05:12,646 --> 00:05:13,914 UP TO NORTH POINT MAXIMUM. 136 00:05:13,947 --> 00:05:16,316 ALL RIGHT, THERE'S NOTHING LIKE A LONG RIDE IN A HOT SQUAD CAR 137 00:05:16,350 --> 00:05:17,351 TO GET TO KNOW A PERSON. 138 00:05:17,385 --> 00:05:18,386 IT'S GONNA BE LOVELY. 139 00:05:18,419 --> 00:05:19,587 UH, PECK AND COLLINS, OKAY, 140 00:05:19,620 --> 00:05:21,689 YOU'RE GONNA TAKE THAT JAUNT OVER TO SANDWOOD. 141 00:05:21,722 --> 00:05:25,292 EVERYBODY ELSE, YOUR, UH, YOUR ASSIGNMENTS ARE ON THE BOARD. 142 00:05:25,325 --> 00:05:27,795 OKAY, PLAY SAFE AND, UH, COLOR INSIDE THE LINES. 143 00:05:27,828 --> 00:05:30,130 OKAY? REMEMBER, I GOT MY EYE ON YOU. 144 00:05:30,163 --> 00:05:33,133 Man: OOH. 145 00:05:33,166 --> 00:05:35,436 YOU DON'T NEED TO DO THIS. 146 00:05:35,469 --> 00:05:36,770 I AM FINE TO DO IT ON MY OWN. 147 00:05:36,804 --> 00:05:38,038 I KNOW YOU ARE. 148 00:05:38,071 --> 00:05:39,773 I, UH -- I WANTED TO BE HERE. 149 00:05:39,807 --> 00:05:42,309 OKAY. 150 00:05:42,342 --> 00:05:45,045 [ TELEPHONE RINGS IN DISTANCE ] 151 00:05:45,078 --> 00:05:46,514 UH... 152 00:05:46,547 --> 00:05:50,317 YOU, UH...WANT HALF? 153 00:05:50,350 --> 00:05:52,486 SURE. 154 00:05:53,887 --> 00:05:55,288 Andy: SO, MY BOYFRIEND'S GONNA BE A FATHER, 155 00:05:55,322 --> 00:05:57,591 BUT, UH, I'M NOT GONNA BE THE MOTHER. 156 00:05:57,625 --> 00:05:58,726 THE MOTHER WORKS IN INTELLIGENCE 157 00:05:58,759 --> 00:06:01,462 AND SHE'S BIPOLAR AND EVERYONE KNOWS, 158 00:06:01,495 --> 00:06:02,830 SO IT'S AWKWARD. 159 00:06:04,698 --> 00:06:07,000 UM... 160 00:06:07,034 --> 00:06:08,168 YEAH. 161 00:06:08,201 --> 00:06:10,438 UH, LOOK, WE'RE JUST GONNA BE TOGETHER THE ENTIRE DAY, 162 00:06:10,471 --> 00:06:12,372 AND SO I JUST FIGURED LET'S SKIP THE SMALL TALK 163 00:06:12,406 --> 00:06:15,108 AND GO STRAIGHT TO OVER-SHARING. 164 00:06:15,142 --> 00:06:17,077 I'M CRAZY ABOUT NICK COLLINS. 165 00:06:17,110 --> 00:06:18,145 PARDONNE MOI? 166 00:06:18,178 --> 00:06:19,279 SORRY, IS THAT WEIRD? 167 00:06:19,312 --> 00:06:21,181 'CAUSE I KNOW -- I KNOW THAT YOU USED TO DATE HIM, AND -- 168 00:06:21,214 --> 00:06:23,551 NO, YOU KNOW WHAT? I ACTUALLY SAW YOU GUYS TALKING IN PARADE. 169 00:06:23,584 --> 00:06:25,018 I WAS WONDERING WHAT THAT WAS ABOUT. 170 00:06:25,052 --> 00:06:26,219 NO, NO, NO. IT'S NOTHING. 171 00:06:26,253 --> 00:06:27,287 I MEAN, I CAN'T AND I WON'T, 172 00:06:27,320 --> 00:06:29,657 AND THAT'S WHY I'M LOOKING FOR EXCUSES TO AVOID HIM, 173 00:06:29,690 --> 00:06:33,160 AND WHO BETTER TO ASK THAN HIS EX, RIGHT? 174 00:06:33,193 --> 00:06:35,896 HE'S A GREAT GUY. YEAH. 175 00:06:35,929 --> 00:06:38,532 YEAH, BUT EVERYONE HAS THEIR FLAWS. 176 00:06:38,566 --> 00:06:40,167 FOR SURE. OKAY. 177 00:06:40,200 --> 00:06:41,569 EXCEPT FOR NICK. 178 00:06:41,602 --> 00:06:43,804 I MEAN, YOU'RE NOT GOING OUT WITH HIM ANYMORE. 179 00:06:43,837 --> 00:06:45,172 YEAH, BUT THAT'S BECAUSE OF MY HISTORY WITH SAM. 180 00:06:45,205 --> 00:06:49,510 LOOK, HE'S FUNNY AND LOYAL. 181 00:06:49,543 --> 00:06:51,545 HE'S A GREAT CATCH. 182 00:06:51,579 --> 00:06:53,714 STILL, YOU KNOW, I CAN'T DATE A COP. 183 00:06:53,747 --> 00:06:56,216 [ CHUCKLES ] THAT OLD CHESTNUT. 184 00:06:56,249 --> 00:06:57,518 YEAH. I SAID THAT, TOO. 185 00:07:01,889 --> 00:07:04,692 SO, HAVE YOU DONE MANY PRISON TRANSFERS BEFORE? 186 00:07:04,725 --> 00:07:05,859 WHAT, ARE YOU KIDDING ME? 187 00:07:05,893 --> 00:07:08,095 BEFORE THIS, I WAS PATROLLING SHAUGHNESSY IN VANCOUVER. 188 00:07:08,128 --> 00:07:10,430 MOST EXCITING THING I DID WAS STOP A FEW B&Es. 189 00:07:10,464 --> 00:07:12,500 McNALLY. YES. THAT'S ME. 190 00:07:12,533 --> 00:07:13,901 COLLINS. Nick: YES. 191 00:07:13,934 --> 00:07:14,902 PECK? 192 00:07:14,935 --> 00:07:16,604 UM, WARD? 193 00:07:16,637 --> 00:07:18,338 KEEP THESE WITH YOU AT ALL TIMES. 194 00:07:18,371 --> 00:07:22,209 PLACE YOUR FIREARMS, MAGAZINES, AND CELLPHONES IN THESE BINS 195 00:07:22,242 --> 00:07:24,678 ALONG WITH ANYTHING THAT CAN BE USED AS A WEAPON. 196 00:07:24,712 --> 00:07:28,281 SIGN THEM IN NOW AND YOU CAN PICK THEM UP ON YOUR WAY OUT. 197 00:07:28,315 --> 00:07:29,316 ANY QUESTIONS? 198 00:07:29,349 --> 00:07:30,551 JUST ONE. YOU ARE? 199 00:07:30,584 --> 00:07:32,285 JUSTINE ORDOWER. I'M THE WARDEN. 200 00:07:32,319 --> 00:07:33,654 WARDEN ORDOWER? 201 00:07:33,687 --> 00:07:35,823 YEAH, I KNOW. IT'S UNFORTUNATE. 202 00:07:35,856 --> 00:07:37,691 LET'S DO SOME QUICK PAPERWORK, 203 00:07:37,725 --> 00:07:40,060 AND THEN I'LL SHOW YOU THE CELLBLOCK. 204 00:07:47,467 --> 00:07:49,302 WE'VE HAD AN ISSUE WITH OVERCROWDING 205 00:07:49,336 --> 00:07:50,704 EVER SINCE OUR FUNDING GOT CUT. 206 00:07:50,738 --> 00:07:52,573 AS A RESULT, THE WOMEN AREN'T GETTING OUT 207 00:07:52,606 --> 00:07:53,641 AS MUCH AS THEY SHOULD. 208 00:07:53,674 --> 00:07:55,308 NEITHER AM I, IF I'M BEING HONEST. 209 00:07:55,342 --> 00:07:56,409 WE NEED A 3-TO-40 RATIO 210 00:07:56,443 --> 00:07:58,311 TO LET THE WOMEN OUT OF THE CELLBLOCK. 211 00:07:58,345 --> 00:08:00,047 HEY, THE INMATES WE'RE TRANSFERRING, 212 00:08:00,080 --> 00:08:01,148 ANYTHING WE SHOULD KNOW? 213 00:08:01,181 --> 00:08:02,282 KENZIE GRANT IS A HANDFUL. 214 00:08:02,315 --> 00:08:04,284 SHE'S FERAL, SHE'S IMPULSIVE. 215 00:08:04,317 --> 00:08:06,419 SHE STABBED AN INMATE IN THE SHOWER. 216 00:08:06,453 --> 00:08:08,589 NOW SHE'S BEING TRANSFERRED TO MAXIMUM. 217 00:08:08,622 --> 00:08:09,757 WHAT ABOUT ROCHELLE DAWBER? 218 00:08:09,790 --> 00:08:12,793 ROCHELLE IS THE OPPOSITE OF KENZIE GRANT. 219 00:08:12,826 --> 00:08:14,494 WHEN YOU COME THROUGH WITH THEM, 220 00:08:14,528 --> 00:08:15,729 WE'LL FINISH THE PAPERWORK. 221 00:08:15,763 --> 00:08:18,365 GUARD ANDERSON WILL TAKE CARE OF YOU. 222 00:08:18,398 --> 00:08:19,432 Andy: THANK YOU. 223 00:08:19,466 --> 00:08:20,668 [ LOCK BEEPS ] 224 00:08:23,336 --> 00:08:25,739 [ WOMEN WHISTLING, CATCALLING ] 225 00:08:25,773 --> 00:08:27,908 SEE? SOME WOMEN LIKE ME. 226 00:08:27,941 --> 00:08:29,810 THEY'RE WHISTLING AT ME, YOU IDIOT. 227 00:08:29,843 --> 00:08:31,078 OF COURSE WOMEN LIKE YOU. 228 00:08:31,111 --> 00:08:33,747 I'M THE ONLY POLICE OFFICER HERE YOU HAVEN'T SLEPT WITH. YET. 229 00:08:33,781 --> 00:08:35,883 Anderson: DAWBER'S IN HER CELL. GRANT'S OVER THERE. 230 00:08:35,916 --> 00:08:36,984 THANK YOU. 231 00:08:40,087 --> 00:08:41,188 MICHELLE DAWBER? 232 00:08:41,221 --> 00:08:42,322 YEAH. IT'S ME. 233 00:08:42,355 --> 00:08:43,791 DO YOU HAVE ANY BAGS OR ANYTHING? 234 00:08:43,824 --> 00:08:45,959 OH, NO. NO, THEY WERE ALREADY TAKEN TO SANDWOOD. 235 00:08:45,993 --> 00:08:47,260 I DIDN'T HAVE THAT MUCH ANYWAY. 236 00:08:47,294 --> 00:08:48,495 IS IT ALL RIGHT IF WE LEAVE NOW? 237 00:08:48,528 --> 00:08:50,030 I'D REALLY LIKE TO GET OUT OF HERE. 238 00:08:50,063 --> 00:08:51,665 KENZIE GRANT? 239 00:08:51,699 --> 00:08:54,534 YO. WHO'S ASKING? 240 00:08:54,568 --> 00:08:56,203 ME. YOU READY TO GO? 241 00:08:56,236 --> 00:08:57,004 NO, I'M NOT. 242 00:08:57,037 --> 00:08:58,338 WELL, MAYBE YOU CAN GET READY. 243 00:08:58,371 --> 00:09:00,774 HUH. I KNOW YOU. 244 00:09:00,808 --> 00:09:02,475 YEAH, YOU'RE FROM VANCOUVER. 245 00:09:02,509 --> 00:09:04,578 I DON'T THINK THAT WE KNOW EACH OTHER. 246 00:09:04,612 --> 00:09:05,913 MAYBE I LOOK FAMILIAR. 247 00:09:05,946 --> 00:09:08,481 NO. NO, I KNOW YOU FROM SOMEWHERE. 248 00:09:08,515 --> 00:09:10,450 Nick: YOU ALL GOOD? 249 00:09:10,483 --> 00:09:11,251 ALL GOOD. 250 00:09:11,284 --> 00:09:13,153 YEAH, WE'LL BE THERE IN A MINUTE. 251 00:09:13,186 --> 00:09:16,123 ALL RIGHT. LET'S GO. 252 00:09:16,156 --> 00:09:17,958 ANYTHING YOU NEED TO GRAB OUT OF YOUR CELL? 253 00:09:17,991 --> 00:09:20,427 NOTHING WORTH TAKING. ALL RIGHT, LET'S GO. 254 00:09:20,460 --> 00:09:22,229 Juliet: AFTER YOU. 255 00:09:27,400 --> 00:09:28,501 HEY! 256 00:09:28,535 --> 00:09:29,603 DON'T TOUCH ME. 257 00:09:29,637 --> 00:09:31,872 HEY! Woman: DON'T PUSH ME, BITCH. 258 00:09:31,905 --> 00:09:33,807 Juliet: WHOA, WHOA. THAT'S ENOUGH, LADIES. 259 00:09:33,841 --> 00:09:35,575 THAT'S ENOUGH. BREAK APART. LET'S GO. 260 00:09:35,609 --> 00:09:37,845 THERE YOU GO. 261 00:09:39,079 --> 00:09:40,213 [ GRUNTS ] 262 00:09:40,247 --> 00:09:42,883 Andy: HEY! STOP! BITCH! 263 00:09:42,916 --> 00:09:44,718 GUARD! 264 00:09:44,752 --> 00:09:47,120 BACK OFF! EVERYBODY BACK IN THEIR CELLS NOW! 265 00:09:47,154 --> 00:09:49,690 [ WOMEN SHOUTING ] 266 00:09:59,667 --> 00:10:01,568 GET OFF! GET OFF! 267 00:10:01,601 --> 00:10:02,936 GO! 268 00:10:02,970 --> 00:10:05,205 OH, MY GOD! 269 00:10:05,238 --> 00:10:07,007 WHAT THE HELL HAPPENED?! WHO DID THAT TO YOU? 270 00:10:07,040 --> 00:10:08,742 WHO HAS THE KNIFE? I DON'T KNOW! 271 00:10:08,776 --> 00:10:10,077 [ ALARM BLARING ] 272 00:10:10,110 --> 00:10:10,944 WHAT IS THAT? 273 00:10:10,978 --> 00:10:11,945 YOU KNOW WHAT? YOU TAKE HER. 274 00:10:11,979 --> 00:10:14,014 I'M GONNA GO BACK, CHECK ON McNALLY AND WARD. 275 00:10:14,047 --> 00:10:15,749 NO. I WANT TO STAY WITH YOU. 276 00:10:15,783 --> 00:10:17,317 I'LL GO BACK. 277 00:10:17,350 --> 00:10:20,187 HEY! GET BACK! MOVE! 278 00:10:20,220 --> 00:10:22,255 [ WOMEN SHOUTING ] 279 00:10:26,559 --> 00:10:27,828 [ LOCK BEEPS ] 280 00:10:27,861 --> 00:10:30,497 ALL RIGHT! GO! GO! 281 00:10:30,530 --> 00:10:32,332 LET GO! LET GO! 282 00:10:32,365 --> 00:10:34,234 LET GO! 283 00:10:34,267 --> 00:10:36,904 DO YOU HEAR ME?! 284 00:10:42,810 --> 00:10:43,811 THIS IS McNALLY. 285 00:10:43,844 --> 00:10:46,479 WE'RE GONNA NEED HELP GETTING OUT OF THIS PRISON. 286 00:10:52,019 --> 00:10:53,721 [ KNOCK ON DOOR ] WARDEN? 287 00:10:53,754 --> 00:10:55,655 STAFF SERGEANT OLIVER SHAW. TELL ME WHAT'S HAPPENING. 288 00:10:55,689 --> 00:10:57,457 THE INMATES ARE A LITTLE RESTLESS. 289 00:10:57,490 --> 00:10:59,626 THEY'RE RESTLESS? BUT I'M ORDERING A FULL LOCKDOWN. 290 00:10:59,659 --> 00:11:00,761 THEN WHAT HAPPENS? 291 00:11:00,794 --> 00:11:02,730 THEN WE WAIT FOR THE INMATES TO SETTLE BEFORE WE MOVE IN. 292 00:11:02,763 --> 00:11:04,732 WHAT IF THEY DON'T SETTLE? 293 00:11:04,765 --> 00:11:07,367 A PRISON RIOT IS LIKE A CANDLE UNDER A GLASS. 294 00:11:07,400 --> 00:11:10,303 EVENTUALLY, IT RUNS OUT OF OXYGEN AND IT GOES OUT. 295 00:11:10,337 --> 00:11:13,941 IF WE MOVE IN GUNS BLAZING, WE ADD MORE OXYGEN. 296 00:11:13,974 --> 00:11:16,043 NOW, IF YOU'LL EXCUSE ME... 297 00:11:21,148 --> 00:11:22,549 WHAT DO WE DO? 298 00:11:22,582 --> 00:11:24,084 WE GOT TO WAIT. 299 00:11:24,117 --> 00:11:25,418 WE DON'T HAVE JURISDICTION IN THIS PRISON. 300 00:11:25,452 --> 00:11:26,353 THEY'RE RUNNING THE SHOW. 301 00:11:26,386 --> 00:11:28,088 DOESN'T MEAN WE CAN'T LEAN ON THEM, THOUGH. 302 00:11:28,121 --> 00:11:29,589 CAN YOU SEE HOW DEEP IT IS? 303 00:11:29,622 --> 00:11:31,124 Andy: I-I CAN'T. THERE'S TOO MUCH BLOOD. 304 00:11:31,158 --> 00:11:32,292 WE GOT TO GO TO THE INFIRMARY. 305 00:11:32,325 --> 00:11:33,727 THERE'S A NURSE THERE. 306 00:11:33,761 --> 00:11:35,562 Woman over P.A. system: THE PRISON IS OFFICIALLY ON LOCKDOWN... 307 00:11:35,595 --> 00:11:36,730 OH, I DO KNOW YOU. 308 00:11:36,764 --> 00:11:39,399 USED TO GO WITH THAT DEALER WHO RAN WITH THE REAPERS. 309 00:11:39,432 --> 00:11:41,068 TWO YEARS AGO, GUY NAMED CUDDY. 310 00:11:41,101 --> 00:11:43,737 NO. LIKE I TOLD YOU, I THINK YOU GOT ME MIXED UP WITH SOMEONE. 311 00:11:43,771 --> 00:11:44,537 YEAH. I REMEMBER THINKING, 312 00:11:44,571 --> 00:11:46,106 "WHAT'S THIS SQUEAKY LITTLE REDHEAD 313 00:11:46,139 --> 00:11:47,540 DOING WITH A BASTARD LIKE HIM?" 314 00:11:47,574 --> 00:11:48,742 IT WAS A ROUGH CROWD. 315 00:11:48,776 --> 00:11:49,910 WHATEVER YOU SAY. 316 00:11:49,943 --> 00:11:51,912 ALL RIGHT, LET'S, UH, LET'S GET YOU TO THE INFIRMARY. 317 00:11:51,945 --> 00:11:54,614 THREE, TWO. [ GRUNTS ] 318 00:11:54,647 --> 00:11:56,984 [ WOMEN SHOUTING ] 319 00:11:57,017 --> 00:11:59,686 EVERYTHING'S LOCKED DOWN. 320 00:11:59,719 --> 00:12:02,055 WE GOT TO GET OUT OF HERE. THIS DOOR'S UNLOCKED. 321 00:12:02,089 --> 00:12:03,891 NO. NO. WE'RE NOT GOING DOWN THERE. 322 00:12:03,924 --> 00:12:05,658 Rochelle: IT JUST LEADS INTO THE BASEMENT. 323 00:12:05,692 --> 00:12:06,894 IT CUTS ACROSS THE ENTIRE PRISON 324 00:12:06,927 --> 00:12:08,495 AND THEN IT COMES OUT ON THE OTHER SIDE 325 00:12:08,528 --> 00:12:09,797 RIGHT OUTSIDE THE WARDEN'S OFFICE, 326 00:12:09,830 --> 00:12:11,664 AND A GUARD WILL BE ABLE TO LET US OUT. I PROMISE. 327 00:12:11,698 --> 00:12:13,801 UNLESS YOU WANT TO STAY HERE. 328 00:12:13,834 --> 00:12:16,369 GET AWAY FROM ME! ALL RIGHT, GO. GO. 329 00:12:16,403 --> 00:12:17,704 SURE THIS GOES SOMEWHERE? 330 00:12:17,737 --> 00:12:19,072 I'VE CUT ACROSS HERE BEFORE. 331 00:12:19,106 --> 00:12:21,641 OH, YEAH? YOU GET OUT AND ROAM THE PRISON A LOT? 332 00:12:21,674 --> 00:12:24,878 I GET OUT A BIT. 333 00:12:24,912 --> 00:12:26,713 THE GUARDS TREAT ME A BIT DIFFERENTLY. 334 00:12:26,746 --> 00:12:27,815 GOOD FOR YOU. 335 00:12:27,848 --> 00:12:29,482 NO NEED TO BE SNARKY. I'M NOT. 336 00:12:29,516 --> 00:12:32,552 I JUST FIGURE WHEN YOU'RE IN PRISON, YOU'RE IN PRISON. 337 00:12:32,585 --> 00:12:34,221 WELL, I GUESS IT'S ALL RELATIVE. 338 00:12:35,956 --> 00:12:37,825 WHAT NOW, SMARTY PANTS? 339 00:12:46,399 --> 00:12:48,902 HELLO? 340 00:12:50,770 --> 00:12:52,439 McNALLY? 341 00:12:54,808 --> 00:12:56,409 [ LOCK BEEPS ] 342 00:12:56,443 --> 00:12:58,145 [ WOMEN SHOUTING ] 343 00:13:02,382 --> 00:13:04,985 HEY, IT'S, UH, IT'S PECK. I'M STUCK IN A CELLBLOCK. 344 00:13:05,018 --> 00:13:05,986 CAN ANYONE HELP ME? 345 00:13:06,019 --> 00:13:07,620 PECK, IT'S ME. ARE YOU IN DANGER? 346 00:13:07,654 --> 00:13:09,489 NO. NOT AT THE MOMENT. 347 00:13:09,522 --> 00:13:11,524 ALL RIGHT, I WANT YOU TO STAY WHERE YOU ARE. 348 00:13:11,558 --> 00:13:14,727 I WILL TRY MY VERY BEST. 349 00:13:14,761 --> 00:13:17,264 HELLO. 350 00:13:17,297 --> 00:13:19,799 HELLO. HELLO. 351 00:13:19,833 --> 00:13:21,935 LOOK AT YOU, BLONDIE. 352 00:13:21,969 --> 00:13:23,436 WELCOME TO MY LAIR. 353 00:13:23,470 --> 00:13:25,805 LOOKS LIKE EVERYBODY ELSE TOOK OFF ON ME. 354 00:13:25,839 --> 00:13:27,774 COME IN. 355 00:13:27,807 --> 00:13:30,277 I DON'T BITE. 356 00:13:30,310 --> 00:13:32,612 WELL, I DO... 357 00:13:32,645 --> 00:13:35,048 BUT I WON'T. I PROMISE. 358 00:13:37,885 --> 00:13:41,054 I CAN'T STAND THIS WAITING. 359 00:13:41,088 --> 00:13:43,056 IF THERE'S SOMETHING WRONG, 360 00:13:43,090 --> 00:13:46,426 THEY SHOULD JUST -- THEY SHOULD JUST TELL US. 361 00:13:46,459 --> 00:13:50,030 IT'S WEIRD HOW A MINUTE IS AN EMPIRICAL THING. 362 00:13:50,063 --> 00:13:52,866 IT'S 60 SECONDS, IT NEVER CHANGES, 363 00:13:52,900 --> 00:13:55,602 AND SOMETIMES THAT MINUTE FLIES, 364 00:13:55,635 --> 00:13:58,071 AND OTHER TIMES IT JUST CRAWLS. 365 00:13:58,105 --> 00:13:59,206 KIND OF LIKE A JUNE BUG. 366 00:13:59,239 --> 00:14:02,442 YOU GROW UP WITH JUNE BUGS? 367 00:14:02,475 --> 00:14:04,477 NO. WHAT'S A JUNE BUG? 368 00:14:04,511 --> 00:14:06,413 A JUNE BUG IS A LITTLE -- 369 00:14:06,446 --> 00:14:08,715 WELL, A LARGE BROWN BEETLE WITH WINGS, 370 00:14:08,748 --> 00:14:09,682 AND THEY FLAP AROUND 371 00:14:09,716 --> 00:14:11,151 IN EVERYBODY'S, UH, PORCH LIGHTS AT NIGHT. 372 00:14:11,184 --> 00:14:13,620 YOU GOT TO DUCK THEM TO GET INTO THE HOUSE, 373 00:14:13,653 --> 00:14:16,489 AND IN THE MORNING, THEY'RE CRAWLING AROUND ON THE GROUND LIKE SLUGS. 374 00:14:16,523 --> 00:14:18,225 OH. 375 00:14:18,258 --> 00:14:19,392 ARE THERE JUNE BUGS IN THE CITY? 376 00:14:19,426 --> 00:14:23,630 I SPENT THE WEEKENDS AT MY GRANDMA'S AT CRYSTAL BEACH. 377 00:14:23,663 --> 00:14:24,564 YOU'RE KIDDING? 378 00:14:24,597 --> 00:14:27,167 I USED TO SPEND SUMMERS AT CRYSTAL BEACH. 379 00:14:27,200 --> 00:14:28,035 REALLY? 380 00:14:28,068 --> 00:14:29,402 YEAH. MY COUSINS LIVE THERE. 381 00:14:29,436 --> 00:14:30,770 I LOVE CRYSTAL BEACH. 382 00:14:30,803 --> 00:14:32,339 AND YOU DON'T KNOW JUNE BUGS? 383 00:14:32,372 --> 00:14:34,607 NO, I ONLY EVER WENT IN AUGUST. 384 00:14:34,641 --> 00:14:38,411 WE WERE PROBABLY SWIMMING THERE AT THE SAME TIME. 385 00:14:38,445 --> 00:14:40,580 YEAH. WHO KNEW? 386 00:14:44,817 --> 00:14:46,920 GET UP. I HAVE TO PAT YOU DOWN. 387 00:14:48,421 --> 00:14:49,189 GET UP. 388 00:14:49,222 --> 00:14:52,359 [ SIGHS ] BE MY GUEST. 389 00:14:52,392 --> 00:14:54,827 BEEN A WHILE SINCE I HAD A GOOD GROPE. 390 00:14:54,861 --> 00:14:56,896 I KIND OF MISS IT. 391 00:14:56,930 --> 00:14:58,932 THIS SORT OF THING HAPPEN OFTEN? 392 00:14:58,966 --> 00:14:59,967 OFTEN ENOUGH. 393 00:15:00,000 --> 00:15:01,168 BUNCH OF BABIES. 394 00:15:01,201 --> 00:15:04,037 THEY'RE ALWAYS WHINING ABOUT, "OH, THERE'S NO DESSERT." 395 00:15:04,071 --> 00:15:06,940 NOT ENOUGH TIME IN THE EXERCISE YARD. 396 00:15:06,974 --> 00:15:08,675 WE'RE IN PRISON. 397 00:15:08,708 --> 00:15:12,079 I THINK THEY THOUGHT IT WAS GONNA BE LIKE A PRINCESS BALL. 398 00:15:12,112 --> 00:15:13,380 DO YOU KNOW WHAT STARTED IT? 399 00:15:13,413 --> 00:15:16,149 OH, GOD KNOWS. 400 00:15:16,183 --> 00:15:19,219 MAYBE PRINCESS NUMBER 41576 401 00:15:19,252 --> 00:15:23,556 COULD'VE ROBBED PRINCESS NUMBER 2134's COOKIE. 402 00:15:23,590 --> 00:15:25,458 [ SIGHS ] IT'S GONNA BE FINE. YOU KNOW WHAT? 403 00:15:25,492 --> 00:15:27,027 WE'RE NOT GONNA BE IN HERE FOREVER. 404 00:15:27,060 --> 00:15:28,628 IT'S GONNA BE FINE. GONNA SEEM LIKE FOREVER. 405 00:15:28,661 --> 00:15:33,100 EVERYBODY BREATHING THE SAME AIR OVER AND OVER, IN AND OUT. 406 00:15:33,133 --> 00:15:36,669 EVERYBODY PICKLING ON EACH OTHER'S STINKING BREATH. 407 00:15:39,206 --> 00:15:42,075 CAN SOMEONE PLEASE COME AND GET ME? 408 00:15:42,109 --> 00:15:44,577 OLIVER: Hang tight, Peck. We're working on it. 409 00:15:44,611 --> 00:15:47,214 McNALLY, YOU GUYS DOING OKAY? 410 00:15:47,247 --> 00:15:48,748 ANDY: Yeah, our inmate is injured. 411 00:15:48,781 --> 00:15:49,616 WE'RE IN A HALLWAY. 412 00:15:49,649 --> 00:15:51,518 I THINK WE'RE CLOSE TO THE ENTRANCE. 413 00:15:51,551 --> 00:15:54,254 BUT WE'RE ACTUALLY TRYING TO MAKE OUR WAY TO THE INFIRMARY. 414 00:15:54,287 --> 00:15:56,356 UH, NO, I WANT YOU OUT OF THERE RIGHT NOW. 415 00:15:56,389 --> 00:15:58,391 I WANT YOU TO HEAD TOWARD THAT ENTRANCE. 416 00:15:58,425 --> 00:16:00,793 When I see you, we'll send a guard to come get you out. 417 00:16:00,827 --> 00:16:02,795 YEAH, BUT SHE'S LOSING A LOT OF BLOOD. 418 00:16:02,829 --> 00:16:04,764 WE'LL HAVE EMS WAITING FOR HER. 419 00:16:04,797 --> 00:16:06,066 WE'RE CALLING THEM NOW. 420 00:16:06,099 --> 00:16:07,200 OKAY, YOU HEAR THAT, KENZIE? 421 00:16:07,234 --> 00:16:09,736 NO, YOU GOT TO TAKE ME TO THE INFIRMARY. 422 00:16:09,769 --> 00:16:11,138 IF WE GET YOU OUT OF HERE, 423 00:16:11,171 --> 00:16:14,007 WE'LL HAVE YOU TO A HOSPITAL IN 15 MINUTES, OKAY? 424 00:16:14,041 --> 00:16:17,544 I SAID WE'RE GOING TO THE INFIRMARY. [ SIGHS ] 425 00:16:23,550 --> 00:16:25,718 OLIVER: McNally, can you hear me? 426 00:16:25,752 --> 00:16:26,786 Ward? 427 00:16:26,819 --> 00:16:28,821 DON'T TOUCH IT! 428 00:16:28,855 --> 00:16:30,657 Open your radios. 429 00:16:30,690 --> 00:16:32,425 McNally, please confirm you're heading out, right? 430 00:16:32,459 --> 00:16:35,628 LOOK, KENZIE, WE CAN HELP YOU. 431 00:16:35,662 --> 00:16:37,364 NO. YOU'RE NOT GONNA HELP ME. 432 00:16:37,397 --> 00:16:39,499 WHAT, DO YOU THINK I'M STUPID? 433 00:16:39,532 --> 00:16:41,368 I NEED TO GET TO J-BIRD. 434 00:16:41,401 --> 00:16:42,535 WHO'S J-BIRD? 435 00:16:42,569 --> 00:16:44,737 MY BUNKY, MAN. 436 00:16:44,771 --> 00:16:45,905 I NEED TO GET THE REAL STORY. 437 00:16:45,938 --> 00:16:47,407 I DON'T KNOW WHY SHE'S PINNING THIS ON ME. 438 00:16:47,440 --> 00:16:51,444 Did you stab yourself so we'd take you to the infirmary? 439 00:16:51,478 --> 00:16:54,714 You don't got to go deep to bleed heavy. 440 00:16:54,747 --> 00:16:55,782 J-Bird lied. 441 00:16:55,815 --> 00:16:57,784 HEY, WHAT THE HELL'S GOING ON HERE? WHO'S J-BIRD? 442 00:16:57,817 --> 00:16:59,052 JODI ROBBINS. 443 00:16:59,086 --> 00:17:00,520 SHE'S THE INMATE THAT KENZIE STABBED. 444 00:17:00,553 --> 00:17:02,289 SHE'S RECOVERING IN THE INFIRMARY. WHY? 445 00:17:02,322 --> 00:17:04,324 Donnelly's lying. I don't know why. 446 00:17:04,357 --> 00:17:07,026 MAN, I KNOW HE HATES ME, BUT SHE'S MY BEST FRIEND. 447 00:17:07,060 --> 00:17:08,795 SO THERE'S GOT TO BE MORE TO IT THAN THAT, RIGHT? 448 00:17:08,828 --> 00:17:10,029 WHO'S DONNELLY? 449 00:17:10,063 --> 00:17:11,598 ONE OF THE GUARDS. HE SAW IT HAPPEN. 450 00:17:11,631 --> 00:17:12,765 SO, WHAT'S THE PROBLEM? WHY ISN'T HE HERE? 451 00:17:12,799 --> 00:17:15,135 WHY AREN'T WE TALKING TO HIM? HE RESIGNED TWO WEEKS AGO. 452 00:17:15,168 --> 00:17:17,404 MY THIRD RESIGNATION IN THE LAST MONTH. 453 00:17:17,437 --> 00:17:18,738 Kenzie, put down the knife. 454 00:17:18,771 --> 00:17:19,772 No! 455 00:17:19,806 --> 00:17:22,041 JUST TAKE THE KNIFE AWAY FROM HER THROAT, OKAY? 456 00:17:22,075 --> 00:17:23,210 TELL US WHAT HAPPENED. 457 00:17:23,243 --> 00:17:24,811 I PUT DOWN THE KNIFE, YOU'RE NOT GONNA TAKE ME THERE! 458 00:17:24,844 --> 00:17:26,113 TELL US WHAT HAPPENED. 459 00:17:26,146 --> 00:17:27,247 LAST TIME I SAW J-BIRD, 460 00:17:27,280 --> 00:17:30,150 SHE WAS LYING ON THE FLOOR IN THE SHOWER, ALL RIGHT? 461 00:17:30,183 --> 00:17:31,618 ALL THIS BLOOD'S GOING IN THE DRAIN. 462 00:17:31,651 --> 00:17:33,286 NEXT THING I KNOW, THEY SAY I DID IT. 463 00:17:33,320 --> 00:17:35,622 I DON'T TRUST THEM. I DON'T TRUST YOU. 464 00:17:35,655 --> 00:17:38,325 Juliet: OKAY. OKAY, KENZIE, YOU KNOW WHAT? 465 00:17:38,358 --> 00:17:40,960 EVEN IF YOU DIDN'T DO IT, ALL RIGHT, RIGHT NOW 466 00:17:40,993 --> 00:17:44,364 YOU HAVE A KNIFE POINTED AT MY THROAT, OKAY? 467 00:17:44,397 --> 00:17:45,932 NOW, LOOK, W-W-WE'RE GONNA -- 468 00:17:45,965 --> 00:17:47,800 WE'RE GONNA TAKE YOU TO THE INFIRMARY. 469 00:17:47,834 --> 00:17:48,735 I JUST HAVE TO CALL THEM 470 00:17:48,768 --> 00:17:50,002 AND LET THEM KNOW WHERE WE'RE GOING, OKAY? 471 00:17:50,036 --> 00:17:52,472 TAKE OFF YOUR RADIO. OKAY. 472 00:17:52,505 --> 00:17:53,673 TAKE IT OFF! 473 00:18:00,513 --> 00:18:02,482 LET'S GO! 474 00:18:02,515 --> 00:18:03,883 NOW! GO. 475 00:18:03,916 --> 00:18:05,185 McNALLY, I'M RIGHT BEHIND YOU, OKAY? 476 00:18:05,218 --> 00:18:07,220 ALL RIGHT. YEAH. 477 00:18:10,890 --> 00:18:12,759 McNALLY? 478 00:18:12,792 --> 00:18:14,261 McNALLY? 479 00:18:14,294 --> 00:18:18,298 OKAY, I GOT NO CONTACT WITH MY COPS. 480 00:18:18,331 --> 00:18:19,366 WE CAN'T JUST SIT AROUND HERE 481 00:18:19,399 --> 00:18:21,634 AND WAIT FOR THIS TO GET WORSE, YOU UNDERSTAND? 482 00:18:26,473 --> 00:18:28,441 WE HAVE A HOSTAGE SITUATION. 483 00:18:28,475 --> 00:18:31,811 AN INMATE IS HOLDING TWO POLICE OFFICERS IN CORRIDOR 7. 484 00:18:31,844 --> 00:18:33,380 GET THE NEGOTIATOR DOWN HERE. 485 00:18:33,413 --> 00:18:35,047 TRACI. 486 00:18:35,081 --> 00:18:36,449 I NEED YOU TO FIND OUT EVERYTHING YOU CAN 487 00:18:36,483 --> 00:18:38,084 ABOUT AN INMATE HERE CALLED KENZIE GRANT. 488 00:18:38,117 --> 00:18:39,586 CALL ME BACK AS SOON AS YOU CAN. 489 00:18:39,619 --> 00:18:42,054 MAYBE WE'LL HAVE SOMETHING FOR THE NEGOTIATOR 490 00:18:42,088 --> 00:18:43,055 WHEN THEY GET HERE. 491 00:18:43,089 --> 00:18:44,324 COLLINS? 492 00:18:44,357 --> 00:18:45,358 How you holding up? 493 00:18:45,392 --> 00:18:47,794 YEAH, I'M LOCKED IN THE BASEMENT, BUT I'M FINE. 494 00:18:47,827 --> 00:18:49,095 HOW'S EVERYONE ELSE? 495 00:18:49,128 --> 00:18:50,330 Peck's sitting tight. 496 00:18:50,363 --> 00:18:52,432 OKAY. WHAT ABOUT WARD AND McNALLY? 497 00:18:52,465 --> 00:18:54,701 They've got a bit of a situation on their hands. 498 00:18:54,734 --> 00:18:55,635 WHAT'S GOING ON? 499 00:18:55,668 --> 00:18:57,904 They're in there with an inmate right now. 500 00:18:57,937 --> 00:18:59,038 She's got a knife on them. 501 00:18:59,071 --> 00:19:00,473 She wants to get to the infirmary. 502 00:19:00,507 --> 00:19:02,309 We're trying to get them out of there. 503 00:19:02,342 --> 00:19:04,311 ALL RIGHT. HOW FAR AWAY IS TACTICAL? 504 00:19:04,344 --> 00:19:05,478 They're working their way through. 505 00:19:05,512 --> 00:19:07,280 THERE'S RIOTS IN MOST OF THE CELLBLOCKS. 506 00:19:07,314 --> 00:19:08,448 I'LL KEEP YOU POSTED. 507 00:19:09,949 --> 00:19:11,150 THEY'RE WITH KENZIE GRANT? 508 00:19:16,556 --> 00:19:17,790 HEY! 509 00:19:17,824 --> 00:19:20,126 OLIVER: Diaz, any way of calling the security company 510 00:19:20,159 --> 00:19:21,328 to manually override the system? 511 00:19:21,361 --> 00:19:23,863 DIAZ: Warden called the company. 512 00:19:23,896 --> 00:19:24,897 I NEED TO PEE. 513 00:19:24,931 --> 00:19:27,267 All right, copy that. 514 00:19:27,300 --> 00:19:28,935 Collins, what corridor are you in? 515 00:19:28,968 --> 00:19:30,837 THERE'S THE TOILET. GO AHEAD. 516 00:19:30,870 --> 00:19:32,605 PROMISE I WON'T LOOK. 517 00:19:32,639 --> 00:19:34,140 Stay put. We'll figure this out. 518 00:19:34,173 --> 00:19:36,209 NO, THANKS. I'D RATHER HOLD IT. 519 00:19:36,243 --> 00:19:37,410 SUIT YOURSELF. 520 00:19:39,712 --> 00:19:43,149 SO... 521 00:19:43,182 --> 00:19:45,352 ARE YOU MARRIED? 522 00:19:45,385 --> 00:19:47,387 DO -- DO YOU RIDE HORSES? 523 00:19:47,420 --> 00:19:48,455 DO YOU HAVE ANY YOUNGSTERS? 524 00:19:48,488 --> 00:19:52,792 ACTUALLY, I'M IN THE MIDDLE OF TRYING TO ADOPT. 525 00:19:52,825 --> 00:19:55,194 OH, DON'T DO IT. 526 00:19:55,228 --> 00:19:58,598 YOUNGSTERS JUST SUCK THE LIFE RIGHT OUT OF YOU. 527 00:19:58,631 --> 00:20:03,336 THEY FEED OFF YOUR HAIR AND YOUR BONES AND YOUR TEETH. 528 00:20:03,370 --> 00:20:06,339 MY JOINTS HAVEN'T BEEN THE SAME SINCE I HAD THE YOUNG ONES. 529 00:20:06,373 --> 00:20:07,340 YEAH, NO OFFENSE, ODELLE, 530 00:20:07,374 --> 00:20:09,108 BUT YOU MIGHT NOT HAVE BEEN THE BEST PARENT. 531 00:20:09,141 --> 00:20:10,277 OH, MAYBE, MAYBE NOT. 532 00:20:10,310 --> 00:20:12,211 MAYBE I WAS TOO GOOD. 533 00:20:12,245 --> 00:20:15,415 ONE THING -- IF I HAD MY TIME BACK, 534 00:20:15,448 --> 00:20:17,484 I'D TRY TO GET MORE OF MY LIFE 535 00:20:17,517 --> 00:20:20,353 BEFORE THE YOUNGSTERS CAME ALONG, YOU KNOW? 536 00:20:20,387 --> 00:20:21,854 I'D -- I'D -- I SHOULD PROBABLY -- 537 00:20:21,888 --> 00:20:24,190 SHOULD PROBABLY HAVE MADE A LIST OF STUFF TO DO. 538 00:20:24,223 --> 00:20:26,293 YOU MEAN LIKE A -- LIKE A BUCKET LIST? 539 00:20:26,326 --> 00:20:28,027 YEAH, SOMETHING LIKE THAT. 540 00:20:28,060 --> 00:20:31,097 ALL THE THINGS I NEVER GOT DONE ONCE THE YOUNGSTERS CAME. 541 00:20:31,130 --> 00:20:32,265 LIKE WHAT? 542 00:20:32,299 --> 00:20:35,268 I NEVER GOT TO RIDE IN A HOT-AIR BALLOON. 543 00:20:35,302 --> 00:20:37,236 I NEVER EVEN GOT TO DRINK A MAI TAI, 544 00:20:37,270 --> 00:20:39,038 I NEVER SLEPT WITH A BLACK MAN, 545 00:20:39,071 --> 00:20:41,608 I NEVER PINCHED A STRANGER ON THE BUTT 546 00:20:41,641 --> 00:20:43,776 JUST BECAUSE I WANTED TO. 547 00:20:43,810 --> 00:20:44,744 WHAT? 548 00:20:44,777 --> 00:20:47,347 YOU CAN'T GO AROUND GIVING IN TO YOUR WHIMS 549 00:20:47,380 --> 00:20:49,181 ONCE YOU BECOME A MOTHER. 550 00:20:49,215 --> 00:20:51,784 I MEAN, ONCE THE YOUNGSTERS TAKE OVER, 551 00:20:51,818 --> 00:20:52,985 YOU'RE IN SECOND PLACE, 552 00:20:53,019 --> 00:20:55,355 AND IF YOU HAVEN'T DONE EVERYTHING YOU WANT TO DO 553 00:20:55,388 --> 00:20:56,456 BY THEN [SCOFFS] 554 00:20:56,489 --> 00:20:59,559 YOU MIGHT AS WELL JUST FORGET IT 'CAUSE IT'S GAME OVER. 555 00:21:02,061 --> 00:21:05,197 GO. LET'S GO. 556 00:21:05,231 --> 00:21:07,033 ALL RIGHT, KENZIE, OKAY. YOU KNOW WHAT? 557 00:21:07,066 --> 00:21:08,335 JUST PLEASE PUT DOWN THE KNIFE 558 00:21:08,368 --> 00:21:10,202 'CAUSE WE'RE TAKING YOU THERE RIGHT NOW. 559 00:21:10,236 --> 00:21:11,471 OH, YEAH? I DON'T THINK SO. 560 00:21:11,504 --> 00:21:12,939 YOU'VE BEEN LYING TO ME SINCE THE MOMENT YOU WALKED IN HERE. 561 00:21:12,972 --> 00:21:14,874 I'M NOT LISTENING TO YOU. 562 00:21:14,907 --> 00:21:17,109 ALL RIGHT, YOU KNOW WHAT? YOU KNOW WHAT? 563 00:21:17,143 --> 00:21:18,811 YOU WERE RIGHT. YOU'RE RIGHT. 564 00:21:18,845 --> 00:21:19,646 I DO. I REMEMBER YOU. 565 00:21:19,679 --> 00:21:20,847 OH, YEAH, YOU'RE FULL OF IT. 566 00:21:20,880 --> 00:21:21,881 NO, NO, NO. FORWARD. 567 00:21:21,914 --> 00:21:23,350 THERE WAS -- THERE WAS THAT -- THERE WAS THAT BAR 568 00:21:23,383 --> 00:21:24,351 ON THE NORTH SIDE OF HASTINGS, RIGHT? 569 00:21:24,384 --> 00:21:26,586 IT WAS THAT LITTLE -- LITTLE HOLE IN THE WALL. 570 00:21:26,619 --> 00:21:29,255 IT HAD -- IT HAD LICENSE PLATES NAILED TO THE DOOR, RIGHT? 571 00:21:29,288 --> 00:21:31,591 AND MAYBE WE EVEN GOT DRUNK TOGETHER. 572 00:21:31,624 --> 00:21:33,660 NO, YOU GOT DRUNK. YOU GOT DRUNK. 573 00:21:33,693 --> 00:21:35,562 I WAS JUST WAITING FOR CUDDY TO BRING ME MY DOPE. 574 00:21:35,595 --> 00:21:37,029 RIGHT. BUT WE GOT ALONG. 575 00:21:37,063 --> 00:21:38,965 NO, YOU WERE A BITCH. 576 00:21:38,998 --> 00:21:40,299 YEAH. 577 00:21:40,333 --> 00:21:41,801 OKAY, WELL, WHAT DID YOU EXPECT? 578 00:21:41,834 --> 00:21:43,736 YOU WERE A CLIENT AND CUDDY ALWAYS TOLD ME 579 00:21:43,770 --> 00:21:45,271 NOT TO GET CLOSE TO CLIENTS. 580 00:21:45,304 --> 00:21:47,306 YEAH, WELL, CUDDY WAS A MEAN SON OF A BITCH. 581 00:21:47,340 --> 00:21:48,741 YES. YES, HE IS. 582 00:21:48,775 --> 00:21:51,310 AND HE WOULDN'T BE HAPPY IF HE FOUND OUT ABOUT THIS. 583 00:21:51,344 --> 00:21:52,945 OH, YEAH? WELL, GUESS WHAT? 584 00:21:52,979 --> 00:21:54,347 A WOMAN'S PRISON IS ONE PLACE 585 00:21:54,381 --> 00:21:55,815 WHERE CUDDY CAN'T GET ME, ALL RIGHT? 586 00:21:55,848 --> 00:21:56,949 NOW, I'M NOT GETTING OUT ANY TIME SOON, 587 00:21:56,983 --> 00:21:58,585 SO THE LEAST I CAN DO IS FIND OUT WHY MY BEST FRIEND 588 00:21:58,618 --> 00:22:00,019 IS SAYING I TRIED TO KILL HER. 589 00:22:00,052 --> 00:22:01,988 LET'S GO. GO! 590 00:22:02,021 --> 00:22:03,122 COME ON, BITCH. 591 00:22:03,155 --> 00:22:05,625 STAFF. HOW'S IT GOING DOWN THERE? 592 00:22:05,658 --> 00:22:07,326 OLIVER: Well, your guess is as good as mine. 593 00:22:07,360 --> 00:22:08,761 Apparently, this isn't their first rodeo, 594 00:22:08,795 --> 00:22:10,329 which is supposed to tell me something. 595 00:22:10,363 --> 00:22:11,831 Anyway, what did you find out? 596 00:22:11,864 --> 00:22:13,766 WELL, I TALKED TO KENZIE'S PUBLIC DEFENDER. 597 00:22:13,800 --> 00:22:15,368 KENZIE GRANT'S BEEN IN AND OUT OF PRISON 598 00:22:15,402 --> 00:22:16,603 SINCE SHE WAS A TEENAGER. 599 00:22:16,636 --> 00:22:20,106 HER ONLY FRIEND IN THERE IS THIS J-BIRD PERSON, JODI ROBBINS. 600 00:22:20,139 --> 00:22:23,275 THE GUARD WHO WITNESSED THE STABBING SAYS IT WAS KENZIE, 601 00:22:23,309 --> 00:22:25,378 and J-Bird corroborated that from the hospital. 602 00:22:25,412 --> 00:22:27,313 ALL RIGHT, KENZIE IS ADAMANT THAT SHE DID NOT DO THIS. 603 00:22:27,346 --> 00:22:28,815 MAYBE WE OUGHT TO TALK TO THAT GUARD. 604 00:22:28,848 --> 00:22:29,749 ON IT. 605 00:22:29,782 --> 00:22:31,083 GREG DONNELLY IS ON HIS WAY DOWN HERE NOW. 606 00:22:31,117 --> 00:22:32,852 YOU SAID HE RESIGNED, RIGHT? 607 00:22:32,885 --> 00:22:34,086 YEAH. WHY? 608 00:22:34,120 --> 00:22:35,221 Well, employment records are vague, 609 00:22:35,254 --> 00:22:37,023 but there are a number of complaints filed against him. 610 00:22:37,056 --> 00:22:38,190 OH, YEAH? WHAT FOR? 611 00:22:38,224 --> 00:22:40,993 APPARENTLY, HE WAS HAVING AN INAPPROPRIATE RELATIONSHIP 612 00:22:41,027 --> 00:22:42,228 with one of the inmates. 613 00:22:42,261 --> 00:22:43,563 THEY SAY WHO WITH? 614 00:22:45,097 --> 00:22:47,233 ROCHELLE DAWBER. 615 00:22:47,266 --> 00:22:49,636 WOMAN: Diaz, you hear from McNally yet? 616 00:22:49,669 --> 00:22:51,838 YOU REALIZE I DON'T BELONG IN HERE. 617 00:22:51,871 --> 00:22:53,372 NEITHER DO I. 618 00:22:53,406 --> 00:22:55,041 NO. I MEAN IN PRISON. 619 00:22:56,776 --> 00:22:58,911 NORMALLY, GOOD THINGS COME INTO MY LIFE. 620 00:22:58,945 --> 00:23:00,346 I'M AN INDIGO CHILD. 621 00:23:00,379 --> 00:23:01,280 EXCUSE ME? 622 00:23:01,313 --> 00:23:05,785 MORE LIGHT FALLS ON ME THAN ON MOST PEOPLE. 623 00:23:05,818 --> 00:23:07,654 IT MEANS I CAST A VERY LARGE SHADOW. 624 00:23:07,687 --> 00:23:10,557 WELL, THERE'S NOT A LOT OF LIGHT SHINING ON YOU DOWN HERE. 625 00:23:10,590 --> 00:23:12,792 WOULD YOU LET ME SHOW YOU SOMETHING? 626 00:23:15,562 --> 00:23:18,130 OF THAT LIGHT THAT SHINES IN HERE, 627 00:23:18,164 --> 00:23:21,400 MOST OF IT'S SHINING ON ME. 628 00:23:21,434 --> 00:23:24,370 IN FACT, I HAVE BEEN TOLD 629 00:23:24,403 --> 00:23:30,443 THAT I JUST CAST THIS ENERGY AURA ALL AROUND ME. 630 00:23:30,477 --> 00:23:35,147 AND IF I STAND AGAINST A LIGHT, YOU CAN SEE IT. 631 00:23:35,181 --> 00:23:37,416 LOOK, NO OFFENSE, BUT I REALLY DON'T WANT TO HEAR 632 00:23:37,450 --> 00:23:38,518 ABOUT YOUR AURA RIGHT NOW. 633 00:23:38,551 --> 00:23:40,219 WELL, I THINK YOU DO, 634 00:23:40,252 --> 00:23:43,189 BECAUSE I FORGOT TO MENTION ONE THING. 635 00:23:43,222 --> 00:23:44,924 AND THAT'S THAT I HAVE A KEY. 636 00:23:44,957 --> 00:23:46,025 [ LOCK BEEPS ] 637 00:24:00,973 --> 00:24:02,709 Kenzie: GET IN THERE. GET IN THERE. 638 00:24:02,742 --> 00:24:04,477 J. Andy: WHERE IS EVERYBODY? 639 00:24:04,511 --> 00:24:06,212 TURN AROUND. GET ON THE WALL. 640 00:24:06,245 --> 00:24:08,314 DON'T MOVE. J? 641 00:24:08,347 --> 00:24:11,117 J, BUDDY. 642 00:24:11,150 --> 00:24:12,719 HEY, IT'S ME. 643 00:24:12,752 --> 00:24:13,620 KENZIE? 644 00:24:13,653 --> 00:24:15,955 YEAH. YOU LOOK AWFUL. 645 00:24:15,988 --> 00:24:17,123 WHAT'S GOING ON? 646 00:24:17,156 --> 00:24:19,692 LISTEN, THAT DAY IN THE SHOWERS, WHO WAS IT? 647 00:24:19,726 --> 00:24:22,529 LISTEN, THEY GOT TO HEAR IT FROM YOU, OKAY? 648 00:24:22,562 --> 00:24:23,663 'CAUSE IF YOU TELL THEM THE TRUTH, 649 00:24:23,696 --> 00:24:26,999 THEY'RE NOT GONNA TRANSFER ME. OKAY? 650 00:24:27,033 --> 00:24:27,834 I-I-I ALREADY SAID. 651 00:24:27,867 --> 00:24:30,036 [ SIRENS WAILING IN DISTANCE ] 652 00:24:32,004 --> 00:24:34,140 IT WAS YOU. 653 00:24:34,173 --> 00:24:35,508 WHAT? 654 00:24:35,542 --> 00:24:37,076 IT WAS HER. 655 00:24:37,109 --> 00:24:38,578 IT WAS YOU. YOU DID IT. 656 00:24:39,779 --> 00:24:42,014 WHAT ARE YOU DOING THIS TO ME FOR, MAN?! 657 00:24:42,048 --> 00:24:43,983 THEY'RE TRYING TO CHARGE ME WITH ATTEMPTED MURDER! 658 00:24:44,016 --> 00:24:45,552 I'M SORRY. YOU KNOW WHAT THAT MEANS?! 659 00:24:45,585 --> 00:24:46,553 DO YOU KNOW WHAT THEY'RE GONNA DO TO ME? 660 00:24:46,586 --> 00:24:48,755 I'M NEVER GONNA GET OUT, MAN! 661 00:24:48,788 --> 00:24:50,990 I'M NEVER GONNA HAVE A CHANCE! 662 00:24:51,023 --> 00:24:52,124 COME ON, J! 663 00:24:52,158 --> 00:24:53,893 [ Straining ] I-I'M SORRY! 664 00:24:53,926 --> 00:24:54,794 J! HEY. 665 00:24:54,827 --> 00:24:57,396 WHAT'S HAPPENING? WHAT'S HAPPENING? 666 00:24:57,429 --> 00:24:59,498 HEY! 667 00:24:59,532 --> 00:25:01,067 DO SOMETHING! 668 00:25:04,336 --> 00:25:06,272 I CAN'T FIND A PULSE. 669 00:25:06,305 --> 00:25:09,008 SAVE HER. IF J DIES... NO. 670 00:25:09,041 --> 00:25:09,942 ...SO DOES THIS ONE. 671 00:25:09,976 --> 00:25:11,210 Andy: OKAY, OKAY, OKAY. HOLD ON A SECOND. 672 00:25:11,243 --> 00:25:13,580 YOU GOT TO LET HER GO THEN. YOU NEED TO PUT DOWN THE KNIFE. 673 00:25:13,613 --> 00:25:14,881 I'M NOT GONNA BE ABLE TO CONCENTRATE 674 00:25:14,914 --> 00:25:16,115 AND I NEED HER HELP, OKAY? 675 00:25:16,148 --> 00:25:17,817 YOU WANT ME TO SAVE HER, 676 00:25:17,850 --> 00:25:19,786 TAKE THE KNIFE AWAY FROM HER NECK. 677 00:25:19,819 --> 00:25:22,288 DON'T DO ANYTHING STUPID. 678 00:25:22,321 --> 00:25:24,190 START COMPRESSIONS. HURRY UP! 679 00:25:24,223 --> 00:25:27,960 HURRY UP. 680 00:25:27,994 --> 00:25:29,395 OH, MY GOD. 681 00:25:29,428 --> 00:25:31,564 OKAY, SO TAKE ME THROUGH IT AGAIN. 682 00:25:31,598 --> 00:25:34,667 UH, WELL, I RAN IN WHEN I HEARD THE SCREAM. 683 00:25:34,701 --> 00:25:36,769 KENZIE WAS THERE HOLDING THE KNIFE. 684 00:25:36,803 --> 00:25:38,437 SHE RAN OFF. I LET HER GO. 685 00:25:38,470 --> 00:25:40,106 WHY DIDN'T YOU STOP HER? 686 00:25:40,139 --> 00:25:41,974 [ SCOFFS ] WHERE IS SHE GONNA GO? SHE'S IN A PRISON. 687 00:25:42,008 --> 00:25:46,579 OKAY. UH, DO YOU KNOW WHY KENZIE WENT AFTER JODI? 688 00:25:46,613 --> 00:25:48,380 PROBABLY A LOVER'S QUARREL. 689 00:25:48,414 --> 00:25:50,416 I THINK THEY WERE INTO EACH OTHER. 690 00:25:50,449 --> 00:25:52,284 YOU THINK? 691 00:25:52,318 --> 00:25:53,786 I LIKE TO THINK SO, YEAH. 692 00:25:53,820 --> 00:25:57,289 HEY, LOVE IS LOVE. IT HAPPENS WHEN IT HAPPENS. 693 00:25:57,323 --> 00:25:59,626 ARE YOU IN LOVE, MR. DONNELLY? 694 00:25:59,659 --> 00:26:00,693 [ SIGHS ] 695 00:26:00,727 --> 00:26:02,461 LOOK, YOU DIDN'T BRING ME HERE 696 00:26:02,494 --> 00:26:03,963 TO TALK ABOUT MY LOVE LIFE. 697 00:26:03,996 --> 00:26:06,432 YOU WANT A CONFIRMATION THAT KENZIE TRIED TO DO IN J-BIRD, 698 00:26:06,465 --> 00:26:08,200 AND I'M TELLING YOU THAT, YES, SHE DID. 699 00:26:08,234 --> 00:26:10,036 CAN I GO? 700 00:26:10,069 --> 00:26:13,172 WE'RE ALMOST DONE. JUST GIVE ME A MINUTE. 701 00:26:17,276 --> 00:26:18,577 HE'S LYING. I CAN FEEL IT. 702 00:26:18,611 --> 00:26:19,445 WHY WOULD HE LIE? 703 00:26:19,478 --> 00:26:20,379 I WANT TO DIG 704 00:26:20,412 --> 00:26:22,782 INTO THIS INAPPROPRIATE RELATIONSHIP MORE. 705 00:26:22,815 --> 00:26:24,516 DOV, CAN YOU LOOK INTO ROCHELLE DAWBER 706 00:26:24,550 --> 00:26:26,085 WHILE I GO OVER HIS EMPLOYMENT RECORDS, 707 00:26:26,118 --> 00:26:28,454 AND, DUNCAN, JUST KEEP THIS YO-YO ENTERTAINED SOMEHOW. 708 00:26:28,487 --> 00:26:30,222 HOW AM I SUPPOSED TO KEEP HIM ENTERTAINED? 709 00:26:30,256 --> 00:26:31,290 I DON'T KNOW. 710 00:26:31,323 --> 00:26:33,525 GET HIM TO TELL YOU ABOUT HIMSELF, SHARE HIS TRUTHS. 711 00:26:33,559 --> 00:26:35,061 SEE IF HE PEES SITTING DOWN. 712 00:26:40,332 --> 00:26:41,333 [ DOOR CLOSES ] 713 00:26:41,367 --> 00:26:44,036 HEY, DIAZ, WHAT'S THE STATUS? 714 00:26:44,070 --> 00:26:46,538 RIOT SQUAD HASN'T CAUGHT UP TO YOU YET? 715 00:26:46,572 --> 00:26:49,208 NO, THEY HAVE NOT. 716 00:26:49,241 --> 00:26:51,443 I, UH... I LOST MY INMATE. 717 00:26:51,477 --> 00:26:52,611 SHE GOT A KEY. 718 00:26:52,645 --> 00:26:53,512 She locked me down here. 719 00:26:53,545 --> 00:26:54,446 ALL RIGHT, I'M COMING TO GET YOU OUT. 720 00:26:54,480 --> 00:26:56,448 I'M COMING, TOO. I'M DONE HANGING OUT HERE. 721 00:26:56,482 --> 00:26:58,718 SIR, TWO WORDS. 722 00:26:58,751 --> 00:27:00,653 EYE PATCH? DEPTH PERCEPTION. 723 00:27:00,687 --> 00:27:05,057 OKAY. OKAY, BE CAREFUL, DIAZ. 724 00:27:07,359 --> 00:27:08,995 YOU GOT ANYTHING? YEAH. 725 00:27:09,028 --> 00:27:12,298 ROCHELLE DAWBER IS IN FOR A D.U.I. AND HIT AND RUN. 726 00:27:12,331 --> 00:27:14,867 SHE WAS ALSO CHARGED WITH MANSLAUGHTER IN THE ACCIDENT, 727 00:27:14,901 --> 00:27:16,502 BUT THOSE CHARGES WERE DROPPED. 728 00:27:16,535 --> 00:27:17,937 WHY? PLEA BARGAIN. 729 00:27:17,970 --> 00:27:19,839 SHE HAD ANOTHER D.U.I. TWO YEARS AGO 730 00:27:19,872 --> 00:27:23,342 AND STALKING AND CRIMINAL HARASSMENT CHARGES IN 2010. 731 00:27:23,375 --> 00:27:24,877 ALSO DROPPED. 732 00:27:24,911 --> 00:27:26,178 HUH. SHE'S GOT A HISTORY 733 00:27:26,212 --> 00:27:28,280 OF WEASELING HER WAY OUT OF TROUBLE. 734 00:27:28,314 --> 00:27:29,348 WHAT ABOUT DONNELLY? 735 00:27:29,381 --> 00:27:31,217 THERE WERE A NUMBER OF COMPLAINTS FILED AGAINST HIM 736 00:27:31,250 --> 00:27:32,184 BY OTHER GUARDS 737 00:27:32,218 --> 00:27:33,886 SAYING HE WAS GIVING HER SPECIAL PRIVILEGES. 738 00:27:33,920 --> 00:27:35,722 ONE INMATE SAID SHE SAW THEM HAVING SEX. 739 00:27:35,755 --> 00:27:37,924 HOW DO WE GET HIM TO TALK? WE WING IT. 740 00:27:40,760 --> 00:27:42,061 [ DOOR BUZZES ] 741 00:27:45,331 --> 00:27:46,398 MR. DONNELLY. 742 00:27:46,432 --> 00:27:48,735 WE'VE BEEN TALKING TO AN INMATE YOU'RE FAMILIAR WITH. 743 00:27:48,768 --> 00:27:49,936 I'M FAMILIAR WITH A LOT OF INMATES. 744 00:27:49,969 --> 00:27:52,038 WE MEAN THE ONE YOU'RE SLEEPING WITH -- ROCHELLE DAWBER. 745 00:27:52,071 --> 00:27:54,173 UNLESS YOU'RE SLEEPING WITH A LOT OF INMATES. 746 00:27:54,206 --> 00:27:55,274 WHAT'S ROCHELLE SAY? 747 00:27:55,307 --> 00:27:56,175 A LOT, ACTUALLY. 748 00:27:56,208 --> 00:27:57,509 WE HAVE AN OFFICER WITH HER RIGHT NOW. 749 00:27:57,543 --> 00:27:58,778 THEY SPENT THE MORNING TOGETHER. 750 00:27:58,811 --> 00:27:59,912 YOU KNOW, SHE'S A SWEET GIRL. 751 00:27:59,946 --> 00:28:02,982 MM, AND SINCE SHE'S GETTING READY TO LEAVE THE PRISON, 752 00:28:03,015 --> 00:28:04,683 SOUNDS LIKE SHE'S GOT A LOT TO SAY. 753 00:28:04,717 --> 00:28:05,885 WHAT ARE YOU TALKING ABOUT? 754 00:28:05,918 --> 00:28:09,021 WE KNOW YOU LIED ABOUT SEEING KENZIE STAB JODI ROBBINS. 755 00:28:09,055 --> 00:28:10,957 WHY WOULD I LIE ABOUT THAT? 756 00:28:10,990 --> 00:28:13,225 'CAUSE YOU DID IT YOURSELF. 757 00:28:13,259 --> 00:28:15,795 WHAT? 758 00:28:15,828 --> 00:28:18,264 WHY WOULD I SHANK SOME CHICK IN THE SHOWER? 759 00:28:18,297 --> 00:28:21,768 I DON'T KNOW, BUT YOU SHOULD PROBABLY CALL YOUR LAWYER, 760 00:28:21,801 --> 00:28:23,335 'CAUSE IF THIS LEAD PANS OUT, 761 00:28:23,369 --> 00:28:25,337 YOU'RE LOOKING AT SECOND-DEGREE MURDER MINIMUM. 762 00:28:25,371 --> 00:28:26,572 HEY, HOW DO YOU THINK THEY TREAT FORMER GUARDS 763 00:28:26,605 --> 00:28:27,606 WHEN THEY'RE IN PRISON? 764 00:28:27,639 --> 00:28:28,908 OOH, NOT SO GOOD. 765 00:28:28,941 --> 00:28:31,610 HEY, LOOK, I DIDN'T STAB ANYONE. 766 00:28:31,643 --> 00:28:33,679 I MIGHT'VE SAID I SAW SOMETHING I DIDN'T SEE, 767 00:28:33,712 --> 00:28:34,881 BUT THAT'S IT. 768 00:28:34,914 --> 00:28:37,049 OFFICER MOORE, CAN YOU GET STARTED ON THAT WARRANT, PLEASE? 769 00:28:37,083 --> 00:28:38,017 ABSOLUTELY. 770 00:28:38,050 --> 00:28:40,352 NO, WAIT, HEY! WAIT! WAIT! LOOK. 771 00:28:40,386 --> 00:28:41,988 IF ROCHELLE IS POINTING THE FINGER AT ME, 772 00:28:42,021 --> 00:28:43,489 IT'S 'CAUSE SHE WANTS TO TAKE THE ATTENTION 773 00:28:43,522 --> 00:28:44,490 OFF OF HERSELF, OKAY? 774 00:28:44,523 --> 00:28:46,292 WHAT DO YOU MEAN? 775 00:28:46,325 --> 00:28:47,026 [ SIGHS ] 776 00:28:47,059 --> 00:28:49,128 JODI WANTED A FAVOR FROM ME, 777 00:28:49,161 --> 00:28:52,031 SO I GOT A LITTLE FAVOR FROM HER, IF YOU KNOW WHAT I MEAN. 778 00:28:52,064 --> 00:28:54,433 BUT THEN ROCHELLE CAUGHT US TOGETHER. 779 00:28:54,466 --> 00:28:55,567 SHE FREAKS, SHE GOES NUTS, 780 00:28:55,601 --> 00:28:57,904 SHE THINKS THAT JODI'S ENCROACHING ON HER TERRITORY. 781 00:28:57,937 --> 00:28:59,105 SHE'S ACTING LIKE AN ANIMAL. 782 00:28:59,138 --> 00:29:01,140 OKAY, SO WHAT ARE YOU SAYING -- THAT ROCHELLE STABBED JODI? 783 00:29:01,173 --> 00:29:04,076 IF THAT'S TRUE, WHY WOULD JODI LIE? 784 00:29:04,110 --> 00:29:05,477 WHY WOULD SHE BLAME HER BEST FRIEND? 785 00:29:05,511 --> 00:29:07,146 'CAUSE ROCHELLE FORCED HER TO. 786 00:29:07,179 --> 00:29:10,716 SHE SAID THAT SHE'D KILL KENZIE IF JODI DIDN'T PLAY ALONG. 787 00:29:10,749 --> 00:29:11,984 JODI FREAKED. 788 00:29:12,018 --> 00:29:13,485 WHY DID YOU GO ALONG WITH IT? 789 00:29:13,519 --> 00:29:15,487 [ SIGHS ] 790 00:29:15,521 --> 00:29:17,957 SHE GOT ME BY THE BALLS, OKAY? 791 00:29:17,990 --> 00:29:20,526 LOOK, WHEN I FIRST MET HER, I DIDN'T THINK MUCH. 792 00:29:20,559 --> 00:29:22,328 OKAY? A BALLERINA TYPE. 793 00:29:22,361 --> 00:29:25,164 I DID HER A COUPLE OF FAVORS. I LIKED HER. 794 00:29:25,197 --> 00:29:27,900 THEN I FOUND OUT WHAT SHE'S REALLY LIKE. 795 00:29:27,934 --> 00:29:29,668 AND WHAT DOES THAT MEAN? WHAT IS SHE REALLY LIKE? 796 00:29:29,701 --> 00:29:32,004 ROCHELLE'S A SOCIOPATH. 797 00:29:32,038 --> 00:29:35,341 NOT KIDDING, MAN. BITCH IS CRAZY. 798 00:29:35,374 --> 00:29:37,309 IF SHE WANTS JODI TO PAY, SHE'S GONNA PAY. 799 00:29:37,343 --> 00:29:41,347 AND IF ANYONE GETS IN HER WAY, SHE'LL KILL THEM. 800 00:29:41,380 --> 00:29:43,015 OKAY. HERE. 801 00:29:43,049 --> 00:29:44,416 CUT OFF HER SHIRT. I'LL TAKE OVER. 802 00:29:44,450 --> 00:29:45,484 READY? YEP. 803 00:29:45,517 --> 00:29:47,987 GO. [ PANTING ] 804 00:29:53,725 --> 00:29:55,461 ALL RIGHT, READY? YEP. 805 00:29:57,997 --> 00:29:59,331 ALL RIGHT, CAN YOU WORK AROUND ME? 806 00:29:59,365 --> 00:30:00,432 YEAH. 807 00:30:03,435 --> 00:30:04,536 ATTACHING PADS. 808 00:30:07,473 --> 00:30:08,540 PLUGGING IN. 809 00:30:08,574 --> 00:30:09,641 CAN YOU SPEED IT UP? 810 00:30:09,675 --> 00:30:11,410 LOOK, WE'RE NOT DOCTORS, ALL RIGHT? 811 00:30:11,443 --> 00:30:12,879 CLEAR. 812 00:30:12,912 --> 00:30:14,213 SHOCKING! 813 00:30:14,246 --> 00:30:16,248 [ THUMP ] 814 00:30:16,282 --> 00:30:18,284 OKAY. 815 00:30:19,818 --> 00:30:21,453 IS THERE A PULSE? 816 00:30:21,487 --> 00:30:22,621 NOTHING. 817 00:30:22,654 --> 00:30:23,923 COME ON, J. SHE CAN'T DIE. 818 00:30:23,956 --> 00:30:25,191 SHE'S MY BEST FRIEND. 819 00:30:27,193 --> 00:30:28,527 OH, MY GOSH. 820 00:30:29,528 --> 00:30:31,197 OH! NO! 821 00:30:31,230 --> 00:30:33,099 DOWN! NO! 822 00:30:33,132 --> 00:30:35,067 DOWN! 823 00:30:41,340 --> 00:30:43,542 Juliet: SHOCKING. [ THUMP ] 824 00:30:50,182 --> 00:30:52,318 DO YOU GUYS THINK JODI'S GONNA BE OKAY? 825 00:30:52,351 --> 00:30:53,319 I DON'T KNOW. 826 00:30:57,023 --> 00:30:58,290 READY? YEAH. 827 00:31:00,392 --> 00:31:02,161 CLEAR. SHOCKING. 828 00:31:02,194 --> 00:31:03,762 [ THUMP ] 829 00:31:03,795 --> 00:31:05,364 ANYTHING? 830 00:31:05,397 --> 00:31:07,133 NO PULSE? COME ON. 831 00:31:12,504 --> 00:31:13,973 LOOK, STAND BACK, OKAY? 832 00:31:14,006 --> 00:31:16,675 OKAY. READY? GO. 833 00:31:16,708 --> 00:31:17,776 [ BANGS ] OH! 834 00:31:17,809 --> 00:31:18,978 WHAT'S THAT? THEY'RE HERE. 835 00:31:19,011 --> 00:31:21,247 WHO? WHAT DO THEY WANT? KENZIE? 836 00:31:21,280 --> 00:31:22,681 Kenzie: NO, THEY'RE LOOKING FOR DRUGS. 837 00:31:22,714 --> 00:31:23,482 IF THERE'S DRUGS IN THE PRISON, 838 00:31:23,515 --> 00:31:25,017 THEY'RE GONNA BE IN THE INFIRMARY. 839 00:31:25,051 --> 00:31:27,453 RIOT POLICE ARE GONNA BE HERE IN A MINUTE ANYWAY. 840 00:31:27,486 --> 00:31:28,520 [ BANGING CONTINUES ] 841 00:31:35,094 --> 00:31:36,395 Radiologist: I CALLED YOU BACK IN 842 00:31:36,428 --> 00:31:38,264 BECAUSE I WAS CONCERNED AFTER OUR LAST MEETING 843 00:31:38,297 --> 00:31:40,399 ABOUT A POTENTIAL NEURAL TUBE DEFECT. 844 00:31:40,432 --> 00:31:41,934 WHAT DOES THAT MEAN? 845 00:31:41,968 --> 00:31:43,035 IT'S A DEFECT OF THE FETAL SPINE, 846 00:31:43,069 --> 00:31:46,205 WHICH CAN LEAD TO SIGNIFICANT DEVELOPMENT ISSUES. 847 00:31:46,238 --> 00:31:47,806 OKAY. 848 00:31:47,839 --> 00:31:48,807 SHE'S SMALL. 849 00:31:48,840 --> 00:31:51,677 BUT AS OF RIGHT NOW, I THINK THE BABY'S FINE. 850 00:31:51,710 --> 00:31:54,680 I'M STILL GONNA WANT TO SEE YOU EVERY FEW WEEKS 851 00:31:54,713 --> 00:31:56,348 JUST TO MONITOR HER GROWTH. 852 00:31:56,382 --> 00:31:58,450 HER? 853 00:31:58,484 --> 00:32:00,619 IT'S A GIRL? 854 00:32:00,652 --> 00:32:04,590 AND WE -- WE CAN ALL JUST PRETEND I DIDN'T SLIP UP THERE. 855 00:32:04,623 --> 00:32:06,292 NO, WE CAN'T. 856 00:32:06,325 --> 00:32:07,926 A BABY GIRL? 857 00:32:07,960 --> 00:32:09,261 [ BOTH CHUCKLE ] 858 00:32:09,295 --> 00:32:10,396 I'LL HAVE OUR OFFICE CALL YOU, 859 00:32:10,429 --> 00:32:12,831 BOOK YOU IN FOR ANOTHER APPOINTMENT IN THREE WEEKS. 860 00:32:12,864 --> 00:32:15,567 CONGRATULATIONS. 861 00:32:15,601 --> 00:32:16,668 [ CHUCKLES ] 862 00:32:16,702 --> 00:32:19,405 THANK YOU. 863 00:32:19,438 --> 00:32:21,040 [ DOOR OPENS ] 864 00:32:21,073 --> 00:32:22,608 [ CHUCKLES ] 865 00:32:26,445 --> 00:32:27,413 A GIRL. 866 00:32:27,446 --> 00:32:30,916 [ CHUCKLES ] 867 00:32:30,949 --> 00:32:34,320 OH. 868 00:32:34,353 --> 00:32:36,122 I DON'T... 869 00:32:36,155 --> 00:32:38,290 I DON'T WANT TO TELL ANYONE ABOUT THIS. 870 00:32:38,324 --> 00:32:40,959 SURE. 871 00:32:40,993 --> 00:32:42,961 I'M GONNA TELL ANDY. 872 00:32:42,995 --> 00:32:45,531 YEAH, SEE, UM... 873 00:32:45,564 --> 00:32:50,036 THIS IS WHY I WANTED TO COME ALONE TODAY. 874 00:32:50,069 --> 00:32:53,172 WHAT ARE YOU -- WHAT ARE YOU SAYING? 875 00:32:53,205 --> 00:32:56,142 HOW'S THIS SUPPOSED TO HAPPEN, SAM? 876 00:32:56,175 --> 00:32:59,278 US HAVING A BABY TOGETHER, BUT WE'RE NOT TOGETHER. 877 00:32:59,311 --> 00:33:01,347 YOU'RE BUILDING A LIFE WITH ANDY. 878 00:33:01,380 --> 00:33:02,948 I MEAN, HOW IS IT SUPPOSED TO WORK? 879 00:33:02,981 --> 00:33:03,982 IT'S SIMPLE. 880 00:33:04,016 --> 00:33:07,186 I WILL ALWAYS BE THERE FOR YOU AND FOR THE BABY. 881 00:33:08,820 --> 00:33:10,522 BUT ANDY CAN'T COME THIRD. 882 00:33:10,556 --> 00:33:15,427 YEAH, WELL, THAT'S A VERY BIG PROMISE YOU'RE MAKING. 883 00:33:15,461 --> 00:33:17,096 TO YOU OR TO HER? 884 00:33:17,129 --> 00:33:19,231 TO ALL OF US. 885 00:33:19,265 --> 00:33:21,733 I'M OKAY WITH THAT. 886 00:33:26,638 --> 00:33:28,240 WE GOT TO DO SOMETHING, OR THEY'RE GONNA BUST IN. 887 00:33:28,274 --> 00:33:30,008 Andy: HOLD ON. I THINK WE GOT HER BACK. 888 00:33:30,042 --> 00:33:32,444 OH. YOU'RE ALIVE. 889 00:33:33,812 --> 00:33:34,780 ARE YOU ALL DEAF? 890 00:33:34,813 --> 00:33:37,149 [ WOMEN SHOUTING ] 891 00:33:37,183 --> 00:33:38,784 YOU WANT SOME OF THIS?! 892 00:33:38,817 --> 00:33:39,918 EVERYONE STAND BACK! 893 00:33:39,951 --> 00:33:41,220 HEY! GET BACK! GET BACK! 894 00:33:41,253 --> 00:33:42,954 NO! STAND BACK! 895 00:33:42,988 --> 00:33:43,955 Woman: LET ME SEE WHAT YOU GOT! 896 00:33:43,989 --> 00:33:44,990 HEY! 897 00:33:45,023 --> 00:33:47,559 LET'S DO THIS! 898 00:33:47,593 --> 00:33:49,295 NO! STOP! 899 00:34:06,044 --> 00:34:08,280 [ MEN SHOUTING ] 900 00:34:24,863 --> 00:34:26,598 OLIVER: Peck, are you all right? 901 00:34:26,632 --> 00:34:28,434 NEVER BETTER. 902 00:34:28,467 --> 00:34:31,870 I'M CURRENTLY GETTING PARENTING TIPS FROM A LIFER. 903 00:34:31,903 --> 00:34:32,771 Take notes, Peck. 904 00:34:32,804 --> 00:34:34,206 They're starting to move everybody back 905 00:34:34,240 --> 00:34:35,141 to the cellblock now. 906 00:34:35,174 --> 00:34:36,175 I want you out of there. 907 00:34:36,208 --> 00:34:37,976 ALL RIGHT, I'M ON MY WAY. 908 00:34:38,009 --> 00:34:40,779 WELL... 909 00:34:40,812 --> 00:34:43,982 THANKS FOR KEEPING TIME WITH ME. 910 00:34:44,015 --> 00:34:46,652 A STUCK-UP, SNOOTY COPPER. 911 00:34:46,685 --> 00:34:47,719 BETTER THAN NOTHING. 912 00:34:50,122 --> 00:34:52,291 ODELLE. 913 00:34:52,324 --> 00:34:53,759 WHY ARE YOU HERE? 914 00:34:56,128 --> 00:34:59,998 I GOT 20 YEARS FOR SECOND-DEGREE MURDER. 915 00:35:00,031 --> 00:35:01,300 REALLY? 916 00:35:01,333 --> 00:35:04,903 YEAH. KILLED MY HUSBAND -- THE DINK. 917 00:35:04,936 --> 00:35:06,138 BUT ONLY AFTER THEY DIED. 918 00:35:06,172 --> 00:35:08,907 AFTER WHO DIED? 919 00:35:08,940 --> 00:35:12,043 MY KIDS, IN A FIRE. 920 00:35:12,077 --> 00:35:14,146 HE FELL ASLEEP SMOKING A CIGARETTE. 921 00:35:14,180 --> 00:35:16,982 I WAS DOING A NIGHT SHIFT AT THE OLD-AGE HOME. 922 00:35:17,015 --> 00:35:21,153 AND WHEN I FOUND OUT, I KILLED HIM. 923 00:35:21,187 --> 00:35:24,790 THAT'S THE HARDEST THING ABOUT BEING A MOTHER. 924 00:35:24,823 --> 00:35:27,893 YOU CAN'T PROTECT THEM. 925 00:35:27,926 --> 00:35:30,729 NOT FOREVER. 926 00:35:30,762 --> 00:35:32,097 THEY BECOME YOUR LIFE, 927 00:35:32,130 --> 00:35:37,603 AND WHEN YOU LOSE THEM... IT'S HARD. 928 00:35:37,636 --> 00:35:45,211 IT'S HARD TO...KNOW, YOU KNOW...HOW TO KEEP LIVING. 929 00:35:46,011 --> 00:35:49,147 [ CHUCKLES ] 930 00:35:53,051 --> 00:35:55,020 I'LL SEE YOU AROUND. 931 00:35:55,053 --> 00:35:56,322 [ SMACKS LIPS ] 932 00:35:59,658 --> 00:36:01,727 YEAH. 933 00:36:05,864 --> 00:36:07,566 [ SIRENS WAILING ] 934 00:36:07,599 --> 00:36:09,735 HEY, IF YOU'RE STILL LOOKING FOR A GOOD REASON 935 00:36:09,768 --> 00:36:12,003 TO AVOID DATING NICK, I'VE GOT ONE FOR YOU. 936 00:36:12,037 --> 00:36:13,639 OH, YEAH? WHAT'S THAT? 937 00:36:13,672 --> 00:36:15,173 YOU'RE A LIAR. 938 00:36:15,207 --> 00:36:16,242 UH, EXCUSE ME? 939 00:36:16,275 --> 00:36:17,843 WHAT WAS THAT WITH KENZIE? 940 00:36:17,876 --> 00:36:18,877 WHAT DO YOU MEAN? 941 00:36:18,910 --> 00:36:20,011 OH, COME ON. 942 00:36:20,045 --> 00:36:21,547 I WOULD'VE SAID ANYTHING TO GET HER 943 00:36:21,580 --> 00:36:23,682 TO TAKE THE KNIFE OFF MY THROAT. 944 00:36:23,715 --> 00:36:24,550 OKAY? 945 00:36:24,583 --> 00:36:26,518 WHAT'S WITH THE TWO PHONES? 946 00:36:26,552 --> 00:36:28,687 ONE OF THEM IS MY VANCOUVER NUMBER, OKAY, 947 00:36:28,720 --> 00:36:30,589 AND I CAN'T BEAR TO DISCONNECT IT. 948 00:36:30,622 --> 00:36:34,326 [ SCOFFS ] I DON'T BUY THAT. 949 00:36:35,294 --> 00:36:37,829 LOOK, ANDY. 950 00:36:37,863 --> 00:36:40,266 I, UM... 951 00:36:42,468 --> 00:36:47,038 ...I WENT UNDERCOVER AND THINGS GOT REALLY MESSY. 952 00:36:47,072 --> 00:36:48,740 AND I GOT INVOLVED WITH A GUY. 953 00:36:48,774 --> 00:36:49,908 WITH JUST THE WRONG GUY. 954 00:36:49,941 --> 00:36:52,678 SORRY, YOU WERE -- YOU WERE INVOLVED WITH THE REAPERS? 955 00:36:52,711 --> 00:36:53,645 I WASN'T INVOLVED WITH THE GANG. 956 00:36:53,679 --> 00:36:57,549 BUT I FELL IN LOVE WITH ONE OF THEIR DEALERS. 957 00:36:57,583 --> 00:37:01,587 THAT'S WHY I'M SO CAREFUL ABOUT WHO I GET INVOLVED WITH. 958 00:37:01,620 --> 00:37:03,322 BUT I GOT MYSELF OUT OF IT. 959 00:37:03,355 --> 00:37:05,023 YOU GOT YOURSELF OUT OF IT. 960 00:37:05,056 --> 00:37:08,126 BUT NO DEBTS, NO TIES? 961 00:37:08,159 --> 00:37:09,261 NOTHING. NO, I JUST WALKED AWAY. 962 00:37:09,295 --> 00:37:10,396 I WALKED AWAY WITH A BROKEN HEART 963 00:37:10,429 --> 00:37:16,502 AND [SIGHS] AN EMPTY BANK ACCOUNT, BUT...I WALKED AWAY. 964 00:37:18,870 --> 00:37:20,071 OH, MY GOD, OKAY. 965 00:37:20,105 --> 00:37:22,341 I DON'T KNOW WHAT YOU'RE GONNA DO WITH THIS INFORMATION, 966 00:37:22,374 --> 00:37:25,477 BUT IT WAS A REALLY DARK TIME IN MY LIFE. 967 00:37:25,511 --> 00:37:29,114 AND I'M ASHAMED OF IT. 968 00:37:29,147 --> 00:37:31,182 AND I WOULD BE REALLY GRATEFUL 969 00:37:31,216 --> 00:37:33,819 IF YOU COULD FIND A WAY TO KEEP IT TO YOURSELF. 970 00:37:40,225 --> 00:37:42,428 DOV EZEKIEL EPSTEIN. 971 00:37:42,461 --> 00:37:44,363 IT WAS GOOD WORKING WITH YOU TODAY, MAN. 972 00:37:44,396 --> 00:37:46,064 YEAH, IT WAS GOOD WORKING WITH YOU, TOO. 973 00:37:46,097 --> 00:37:47,265 I GUESS. 974 00:37:47,299 --> 00:37:49,601 UM, I GOT A QUESTION. OKAY, CHECK IT OUT. 975 00:37:49,635 --> 00:37:50,602 IF A GIRL SAYS 976 00:37:50,636 --> 00:37:51,603 THAT SHE WANTS TO TOUCH YOUR SKIN WITH HER EYES, 977 00:37:51,637 --> 00:37:53,405 BUT SHE DOESN'T WANT YOU TO TAKE YOUR CLOTHES OFF 978 00:37:53,439 --> 00:37:54,506 BECAUSE, YOU KNOW, THAT'S -- THAT'S -- 979 00:37:54,540 --> 00:37:56,174 THAT'S HALF THE FUN RIGHT THERE, 980 00:37:56,207 --> 00:37:57,576 DOES THAT MEAN SHE'S INTO YOU? 981 00:37:57,609 --> 00:37:59,511 YEAH, I THINK THAT MEANS SHE'S VERY INTO YOU. 982 00:37:59,545 --> 00:38:02,013 I KNEW IT. OKAY. OKAY. 983 00:38:02,047 --> 00:38:05,317 SO, ARE YOU SAYING THAT YOU AND CHLOE ARE, LIKE, DONE DONE? 984 00:38:05,351 --> 00:38:06,852 I'M SORRY, WAIT. ARE YOU TALKING ABOUT -- 985 00:38:06,885 --> 00:38:08,019 PRICE! 986 00:38:08,053 --> 00:38:08,720 WHAT'S UP? 987 00:38:08,754 --> 00:38:09,988 HEY. WHAT'S UP? GIMME THAT. 988 00:38:10,021 --> 00:38:11,457 YOU DOWN FOR SOME BEERS? UH -- 989 00:38:11,490 --> 00:38:13,359 MAYBE YOU CAN SPREAD SOME OF THAT SUNSHINE ON ME. 990 00:38:13,392 --> 00:38:15,927 [ CHUCKLES ] UH, OKAY. UM... 991 00:38:15,961 --> 00:38:17,663 YEAH, IS, UM... 992 00:38:17,696 --> 00:38:19,798 IS EVERYBODY GOING TO THE PENNY, OR -- 993 00:38:19,831 --> 00:38:21,900 UH, NO. DOV DOESN'T WANT TO COME OUT TONIGHT. 994 00:38:21,933 --> 00:38:23,402 UM, SO IT LOOKS LIKE 995 00:38:23,435 --> 00:38:24,470 IT'S JUST GONNA BE YOU AND ME. 996 00:38:24,503 --> 00:38:27,539 OKAY. YEAH, UM... 997 00:38:27,573 --> 00:38:28,540 YEAH, I MEAN, WHY NOT, RIGHT? 998 00:38:28,574 --> 00:38:29,508 YEAH. LET'S HIT IT. 999 00:38:29,541 --> 00:38:30,676 COOL. ALL RIGHT, DOV. 1000 00:38:30,709 --> 00:38:32,911 SEE YOU LATER, MAN. THANKS FOR THE ADVICE. 1001 00:38:32,944 --> 00:38:33,679 NIGHT, DOV. 1002 00:38:33,712 --> 00:38:35,381 YEAH, HAVE A GOOD NIGHT. YEAH. 1003 00:38:42,921 --> 00:38:43,889 LAUR-- LAURALEE? 1004 00:38:43,922 --> 00:38:45,724 HEY, GAIL. HI. 1005 00:38:45,757 --> 00:38:47,192 YOU'RE -- YOU'RE NOT -- ARE YOU LOOKING -- 1006 00:38:47,225 --> 00:38:48,093 ARE YOU LOOKING FOR ME? 1007 00:38:48,126 --> 00:38:49,861 NO, THERE'S A GUY IN CELLS WENT DRINKING, 1008 00:38:49,895 --> 00:38:52,097 LEFT HIS KID IN THE CAR. I'M HERE TO PICK HER UP. 1009 00:38:52,130 --> 00:38:54,165 FUN. YEAH. [ CHUCKLES ] 1010 00:38:54,199 --> 00:38:55,801 DO YOU HAVE PARENTING CLASS TOMORROW? 1011 00:38:55,834 --> 00:38:56,535 YES. 1012 00:38:56,568 --> 00:38:58,804 EQUALLY FUN. YEAH. 1013 00:38:58,837 --> 00:39:01,740 [ CHUCKLES ] SO, I'LL SEE YOU TOMORROW. 1014 00:39:01,773 --> 00:39:03,875 YEAH, SURE. 1015 00:39:06,645 --> 00:39:07,679 SORRY. 1016 00:39:07,713 --> 00:39:12,050 I-I'VE NEVER DONE THAT EVER, AND I'M VERY SORRY. 1017 00:39:12,083 --> 00:39:13,419 [ CHUCKLES ] 1018 00:39:21,993 --> 00:39:22,761 [ SIGHS ] 1019 00:39:22,794 --> 00:39:24,630 IT WAS CLOSE. IT WAS REALLY CLOSE. 1020 00:39:24,663 --> 00:39:26,364 YOU KNOW, I ALMOST COULDN'T EXPLAIN IT AWAY. 1021 00:39:26,398 --> 00:39:27,533 BUT YOU DID IT. 1022 00:39:27,566 --> 00:39:29,735 WELL, I DID MY BEST, BUT I... 1023 00:39:29,768 --> 00:39:32,103 I DON'T KNOW WHAT KIND OF SNOOPING AROUND 1024 00:39:32,137 --> 00:39:32,971 SHE'S GONNA DO NOW. 1025 00:39:33,004 --> 00:39:35,407 [ CHUCKLES ] DON'T WORRY ABOUT THAT. 1026 00:39:35,441 --> 00:39:37,443 I'LL COVER YOUR TRACKS. 1027 00:39:39,110 --> 00:39:40,679 I DON'T LIKE IT. 1028 00:39:40,712 --> 00:39:42,514 I DON'T WANT TO BE LYING TO THESE PEOPLE. 1029 00:39:42,548 --> 00:39:44,215 YOU DON'T HAVE TO LIKE IT. 1030 00:39:44,249 --> 00:39:45,751 JUST HAVE TO DO IT. 1031 00:39:49,187 --> 00:39:50,689 YEAH. 1032 00:39:52,357 --> 00:39:56,862 Sam: OKAY, SO YOU GOT CAUGHT IN A PRISON RIOT, 1033 00:39:56,895 --> 00:39:59,264 NEW GIRL GOT A KNIFE TO HER THROAT. 1034 00:39:59,297 --> 00:40:00,866 ANYTHING ELSE? 1035 00:40:00,899 --> 00:40:04,202 YEAH. DON'T FORGET ABOUT OLIVER'S EYE PATCH. 1036 00:40:04,235 --> 00:40:06,705 [ BOTH CHUCKLE ] 1037 00:40:06,738 --> 00:40:09,007 I WISH I COULD'VE SEEN THAT. 1038 00:40:09,040 --> 00:40:11,309 WHAT ABOUT THE NEW GIRL? 1039 00:40:11,342 --> 00:40:14,813 WHAT'S, UH -- WHAT'S SHE ALL ABOUT? 1040 00:40:14,846 --> 00:40:18,416 SHE'S, UH... SHE'S ALL RIGHT. 1041 00:40:18,450 --> 00:40:19,518 ALL RIGHT? THAT'S IT? 1042 00:40:19,551 --> 00:40:21,319 YOU SPENT A WHOLE DAY WITH HER. 1043 00:40:21,352 --> 00:40:23,589 SHE'S ALL RIGHT? THAT'S ABOUT IT. 1044 00:40:23,622 --> 00:40:26,825 NOT MUCH OF A DETECTIVE, ARE YOU? 1045 00:40:26,858 --> 00:40:27,759 WHAT ABOUT YOU? 1046 00:40:27,793 --> 00:40:29,928 HOW WAS THE RADIOLOGIST TODAY? 1047 00:40:29,961 --> 00:40:32,998 MARLO WAS A LITTLE FREAKED OUT 'CAUSE THE RADIOLOGIST 1048 00:40:33,031 --> 00:40:35,233 THOUGHT THERE MIGHT BE SOMETHING WRONG WITH THE BABY. 1049 00:40:35,266 --> 00:40:36,367 IS EVERYTHING OKAY? 1050 00:40:36,401 --> 00:40:38,837 EVERYTHING'S FINE. IT WAS A FALSE ALARM. 1051 00:40:38,870 --> 00:40:40,506 GOOD. 1052 00:40:40,539 --> 00:40:44,209 [ SIGHS ] 1053 00:40:44,242 --> 00:40:45,744 IT'S A GIRL. 1054 00:40:49,114 --> 00:40:51,082 WOW. 1055 00:40:51,116 --> 00:40:53,519 THAT'S AMAZING. 1056 00:40:53,552 --> 00:40:59,157 * DROWNED OUT MY SORROWS AND WORRY ABOUT TOMORROW * 1057 00:40:59,190 --> 00:41:01,126 WOW. YEAH. 1058 00:41:01,159 --> 00:41:02,628 [ SIGHS ] 1059 00:41:02,661 --> 00:41:05,497 YOU'RE GONNA HAVE A DAUGHTER? 1060 00:41:05,531 --> 00:41:07,866 * I COULD CRY 1061 00:41:09,735 --> 00:41:13,138 SHE'S GOING TO ADORE YOU. 1062 00:41:14,873 --> 00:41:16,942 SHE'S GONNA ADORE YOU, TOO. 1063 00:41:16,975 --> 00:41:19,645 * OOOOH 1064 00:41:27,553 --> 00:41:29,254 IT'S PRETTY COMPLICATED, HUH? 1065 00:41:31,422 --> 00:41:35,360 * OOOOH 1066 00:41:35,393 --> 00:41:37,162 YEAH. 1067 00:41:37,195 --> 00:41:41,466 * OOOOH 1068 00:41:41,499 --> 00:41:43,068 * OOOOH 1069 00:41:43,101 --> 00:41:46,972 WHERE ARE THINGS GONNA GO...WITH US? 1070 00:41:48,506 --> 00:41:50,041 UP. 1071 00:41:50,075 --> 00:41:52,077 * OH, OH 1072 00:41:52,110 --> 00:41:53,478 HOW? 1073 00:41:53,511 --> 00:41:55,581 HEARTS. 1074 00:41:55,614 --> 00:41:59,551 * MAKES ME FORGET 1075 00:41:59,585 --> 00:42:00,185 * I DIDN'T PRAY FOR THAT 74892

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