All language subtitles for 1952 - They Came To Baghdad

Whether it's a product for home or
business, farm or factory, you can be

it's Westinghouse.

Thank you.

That is Sheil.

Anna Sheil?

Anna Sheil.

Not as so nice me old mother as her, I
would.

Oh, well.

What?

She's going into the draper shop.

I'll call in and have someone watch the
side entrance. Don't lose sight of her,

or it's your last five quid.

Madam? Good afternoon.

I'm interested in clans.

Ah, yes, madam. Any particular clan?

Carmichael.

Ah, yes, indeed.

And the material comes from Tibet?

Inspector Dakin.

I am, and you are Anna Shields.

Inspector, I thought I'd never get this
far.

You were followed, of course.

All the way from New York.

I feel as though I've been watched by
the spies of every nation on Earth. Half

of them are trying to kill me. The
others are protecting me.

Mr. Dakin, you've got to help me. Don't
move any closer.

Stand just where you are.

That's better.

You're being watched, you know.

Now, Miss Shield, if you don't mind, for
the benefit of our audience, you are an

American tourist, and I am selling you
yard goods.

Sit down, please, that's right.

Miss Shield, we are very grateful.

And may I say that you have been more
than courageous, but as you know, you

a long way to go, and the road from here
on is most dangerous.

Now I would like you to meet a young man
who I think will be very helpful Please

remember that we're being watched
through the window

Richard

are you there?

Yes, sir, Richard.

This is Anna shield Miss Shield, this is
Richard Baker. Now, don't move, either

of you.

Now, you are, I assume, looking at one
another?

And you will know each other the next
time you meet?

Yes. Yes.

Yes. Now, be careful, Richard. If you're
seen now with Miss Shield, you will be

followed from here on, and that must not
happen. Stand just where you are.

Yes, sir.

Now, Richard, you know, of course, that
Miss Shield has undertaken this journey

at great personal risk.

Yes, sir.

What else do you know about Miss Shield?

Well, I know that she's a very close
associate with Dr.

Alfred Duncan, the well -known physicist
who died a few weeks ago in Baghdad.

Mr. Baker, Dr. Duncan was murdered.

Ever hear of Dai Wan, the Tibetan
scientist and philosopher?

Yes, I think so. He died a few months
ago.

He was killed, Richard?

Because strange as it may seem, this
wonderful old man working alone in the

remoteness of a Tibetan monastery had
developed a formula for a defense

a new and very terrible weapon of war
which we have and which unfortunately

enemies have too.

You're quite busy today, aren't you? Oh,
yes. This is our busy season.

Can I help you, sir?

No, I'm just looking. I'll come back
later.

Do.

All right, Richard.

Now, where was I?

Oh, yes.

Before Diwan died...

He encoded this formula in a message,
carefully disguised so as to be quite

meaningless to anyone else on Earth,
except to his great friend, Dr. Duncan,

to Miss Shield.

I see.

You see, therefore, that Miss Shield is
of vital importance to her country and

to ours, in fact, to all the free
nations of the world. Now, Richard, do

know why you have been chosen for this
assignment?

No, sir.

But if I may say so, Miss Sheila, I'm
very glad.

What does the name Carmichael mean to
you?

Carmichael?

Carmichael? Years ago, my roommate in
college.

Yes, sir.

Known him long? Think you'd recognize
him again?

Yes, of course. We're very close
friends.

Hmm. He used to call me Owl because I
liked to stay up all night, I suppose.

He called him Yogi because he'd only
been brought up in the Near East and

oh, a dozen Arabic dialects.

Could easily pass for a native out
there.

Exactly. That is why Dai Wan entrusted
this coded message to Carmichael, who

to get it to Dr. Duncan.

Now, Russian intelligence suspected that
Carmichael had it, but he got out of

Tibet somehow and has been traveling for
some months now with the nomadic desert

tribes, working his way towards
civilization.

Now, we had word that Carmichael hopes
to get to Baghdad this week.

He'll be in the greatest danger, unaware
of Dr.

Duncan's death and unable to identify
Michelle.

Even if I don't recognize him, he'll
make himself known to me.

When do I leave, sir? On the 8 o 'clock
plane this evening.

Now, don't go back to headquarters.

Briggs will bring you your papers to the
airport.

Just a few more instructions.

Yes, she is.

What are you talking about?

Anna Shield.

Yes, she is, Arthur.

You're out of your silly mind. She's
still there in the stock. She hasn't

Look for yourself.

That bear ain't had a shield. It's what
she sees in the mirror.

Nobody sees this one. And if I can get
my hands on it, I'll be rich. I say,

I know you'll think this is dreadful of
me. I mean, we're strangers and all

that. But do you suppose you could lend
me something?

Well, I... My name is Victoria Jones,
and it's truly to be alone. You see,

just had the most frightful experience.

I popped into Selfridges to buy a new
hat. And like a fool, I left my

in my flat. And the hat was a guinea,
and all I had was a pound. And I like...

this hat, and they were so nice about
the extra shilling that I just had to

it. And now I haven't a sou, and I just
must phone for my chauffeur.

I'm so sorry, dear. I shall never forget
you.

I shall never, never forget you.

Now, you must give me your name and
address so that I can send it to you and

prove I'm not an adventurist. Oh, now, I
hardly think an adventurist would ask

for trippins. Oh, but you must. I can't
bear to have you. Now, please, you bring

up your chauffeur. I'll be here when you
come out.

You will be?

Please do be. I shall.

Who was that?

Anna Scheel. I don't care who's in the
draper's shop. No, Miss Scheel is still

there. Now listen to me.

I want you to stay right where you are.

And when Miss Scheel does come out,
follow her and report to our friends.

Do you know the number?

I know it.

We can just get this one out of sight.
What a British American spotter. My dad

was here.

Did you get your connections?

Oh, I'm just ever so obliged.

But now you must give me your name and
address and I will send you threepens,

really. Now, really, Miss Jones, I'm
happy to... But you must, after all,

strangers. Now, if you insist.

Surely your chauffeur will have
threepens. Oh, well, you see,

haven't a thing to do right now.

Why don't we wait just across there in
the park? It's a lovely day.

Oh, but really, we are strangers.

Of course, it is a lovely day, isn't it?

And Miss Sheil will leave tomorrow and
be at Tears Hotel on Thursday.

Tears Hotel, Bagdas.

Good luck, Miss Sheil. Thanks. And
please, don't forget what I look like.

Miss Sheil, I shall never forget you.
Thank you, Mr. Baker. You're very kind.

I'm deeply grateful.

I feel safer already.

Don?

You've been so very kind, it makes me
feel just awful.

Oh, why?

Because you believe what I told you
about buying a new hat, didn't you?

yes, of course. And about the phone call
for my chauffeur? Yes.

Because I haven't any chauffeur, or car,
or even tram fare.

So I must have been lying about the new
hat, don't you think?

Well, yes, I suppose so.

Here, let me lend you tram fare. Oh, no,
really, you don't understand.

I'll have plenty of money this evening
because I'm being fired.

Oh.

Now I'm telling the truth and you're
getting all mixed up, aren't you?

Oh, dear, I'm always doing that.

Doing what?

Telling the truth to people and nobody
believes me. That's why it's so much

simpler to lie. Because the most
unbelievable things happen to me. They

Yes. Only this time the truth isn't a
bit interesting.

You see, I've had about six jobs since I
came over. I'm really from Dayton.

That's in Ohio.

And now I work for a stuffy firm called
Taunton and Bradbury. It's on South

Martin Street.

Or I did until old Mr. Bradbury caught
me doing this at him.

Only now I have to finish out the day.
And then I thought this help wanted in

the globe and I needed trippin' for the
telephone and then I met you. And that's

the truth.

Only I wish it weren't. I'd love a new
hat.

I hope you get a fine new position. Oh,
I will.

Because I'm always getting attacked for
making fun of the boss.

And I'll have scads more, you'll see.

Oh, I'm afraid I shall be around to find
out. You see, I'm leaving for Baghdad.

Leaving? Oh, I am sorry.

Baghdad!

Honestly. Oh, how thrilling. I wish I
were leaving for Baghdad.

Oh, I say, why don't you? Wish I could.
Would you like to? Would I like to?

But... I went to Marseille for a weekend
last summer, and aside from that, I've

never been anywhere the Bloomsbury tram
doesn't go.

But how does one get to Baghdad? Oh, it
would take a miracle.

Miracles happen. Or one makes them
happen.

I say, I'd like to take your picture.

Do you mind?

What? What is it for?

I've never met anyone quite like you
before.

Please don't be angry with me for saying
that. I'm leaving directly, so it's

really quite safe.

At any rate, I'd like to have your
picture. Do hold still. Yes.

Well, if it's safe to say things because
you're going away, then I'd like to say

I've never met anybody like you either.

Oh, what's your name? I don't even know
your name.

Edward. Edward Goring. Hold still,
please.

Yes.

Oh,

I say, I must fly visas and all that.

I'm cabbing. Thank you, no.

No, I have to go back and try not to
make faces at old Mr.

Bradbury until I collect my wages.

Goodbye. I hope the picture brings you
good fortune. It will bring me five

million pounds.

Goodbye. Goodbye.

That Anna Shield.

She left ten minutes ago. Took a cab
right there. Told the cabbie, Royal

That's her hotel. Did you report it?

Of course.

Tell me, did you say anything about this
other girl looking like her?

Not a blinking word.

Good man, that'll be an extra five quid
for you. Now listen to me.

I don't want you to mention anything
about this other girl to anyone.

Not even when you report.

Do you understand?

For five quid, I'd forget my mother's
maiden name.

London.

Bad in Baghdad.

John. Truly.

I met him on Toveridge Road and asked
him for trip, and he took my picture.

going to Baghdad.

You know, I wish you hadn't got the
sack, Miss Jones.

I'm going to miss you and your fanciful
tales.

What really happened?

Well, if you must know, he's a tram
conductor I met at a dance.

Oh, is he handsome? Does he dance nice?

Oh, type it, will you, dearie? I'll make
you a nice hot cup of tea.

Bradbury, good evening.

Miss Jones, please.

One moment, please.

Oh, you mean me?

Oh, is this Miss Jones? Oh, I'm so glad
I caught you in.

Dear Edward said if I called right away,
I'd find you there.

I'm Mrs. Hamilton Clip.

Clip with two Ps.

And I've had a sort of stupid accident
in the bus.

My arm, my poor right arm, is in a
plaster cast right up to the shoulder.

must have someone to do for me.

Well, it's frightfully good of you and
Mr.

Edward to think of me, but I'm not sure.
I mean, this sort of work is... Oh,

don't say no, child, please.

I have reservations to Baghdad and
everything's arranged.

Baghdad? Yes.

Of course, there's just one thing.

My husband's motoring up from Basra to
fetch me at Baghdad, so I shan't need

after that.

But dear Edward tells me you know
someone there.

Would the one -way idea appeal to you?
You do have someone there, Miss Jones.

Of course. Of course. My uncle, Mr.
Jones.

Oh, yes, Mrs. Cliff, I'll go. Yes, for
my expenses one way. I already have a

passport for my summer trip to
Marseilles.

Well, I'm so glad.

Now, I'm at the Exeter Arms.

Could you come up this evening? And then
tomorrow you can attend to your visa

and we'll leave the following day.

Oh, thank you, Miss Jones.

Well, how dare you thank me, Charles.

Very well.

Goodbye.

Excellent.

Shall I go into the bath now and break
my arm?

I brought some plaster of Paris and
bandages along with me, so you'd better

as though you'd broken your arm by this
evening.

Edward.

She said she had an uncle in Baghdad.
She's a liar. She told me so herself.

She makes up things in the spur of the
moment and all that.

No, she has no one there.

And no money.

So I'll stay quite out of the way until
she's really frightened and ready to do

just what we want her to do.

Oh, Edward.

Goodbye, Thornton and Bradbury.

Goodbye, Bloomsbury Tram. Vicki, Mr.
Thornton wants you right away.

I'm sorry.

Here, where are you going?

Oh, Baghdad.

Dad.

Now that you've seen part one of They
Came to Baghdad, let's turn to our

Westinghouse program.

Come have a cup of coffee.

Hey, what do you expect us to do, Betty?
Walk right into the screen?

No. Tomorrow morning, walk down to your
Westinghouse dealers, and he'll give you

a delicious cup of coffee, piping hot,
and prepared in just one single minute.

You can fix it that fast, too, if you
have a new Westinghouse electric range.

Because only Westinghouse has the
sensational new Super Corox unit.

It's by far the fastest cooking surface
unit on the market today. It gets hot

instantly and red hot in 30 seconds.

Now, first, you just pour a cup of water
into a tea kettle.

Then put the tea kettle on the Super
Corox unit.

Turn the control here to high.

And in just exactly one minute, that...
kettle will start whistling to tell you

that the water is hot enough for instant
coffee.

The Super Corox unit is so fast that you
can prepare soup for four in just two

and a half minutes, or fry bacon and
eggs, or bring frozen vegetables to

steaming in just three minutes.

Now that means that there's no more
waiting around for foods that you want

hurry. Oh, and I simply have to show you
this miracle oven that's exclusive with

Westinghouse. You see, All around here,
there's a new fiberglass seal.

It seals the heat in, and it gives you
balanced heat for perfect baking and

roasting results.

See? In any rack position.

And that's true only of a Westinghouse
range.

Picture yourself with a wonderful
Westinghouse electric range in your

Cooking faster, more easily, and with
perfect confidence that everything you

cook will turn out exactly the way you
want it.

Oh! Yes, our cup of coffee.

In just 60 seconds from a cold start,
that water is piping hot.

See this miracle for yourself.

Go to your Westinghouse dealer tomorrow
and enjoy your faster cup of coffee. And

remember, you can be sure if it's
Westinghouse.

We return now to Westinghouse Studio
One.

And they came to Baghdad.

Ah,

there you are.

The London plane is in. An entire
limousine full of thirsty people will

upon us.

Vas -y, see to their lunch.

Yes, sir.

I say, is Mr.

Richard Baker here?

But certainly, sir. And I, Marcus, the
proprietor himself, shall take you to

him. May I ask who... Oh, just point him
out to me like a good chap, will you?

At that small table, monsieur, behind
the palms.

Thank you.

Absalom!

Absalom!

Yes, a good imbecile.

A good boy, a fine boy.

You're Fitzsimmons, aren't you? Yes.

Just worked from Basra.

Any word?

Well, we've heard that a party of 12
natives was ambushed in the desert

here and Basra about two days ago.

Only 11 bodies were found.

We believe that Carmichael was the 12th
member of that party and that he

escaped.

If he's alive, he's probably here in
Baghdad right now.

I wouldn't blame him for not showing
himself. The whole place is full of

and intelligence men.

And for every one we know, there are
about three that we don't.

Aha.

There's one I jolly well do know,
though.

See that smiling morning face?

That's Edward Goring, by heaven.

Who does he work for?

Slimy self, mostly.

Gets paid in rubles, too.

Dangerous man, Baker. Watch out for him.
Yes, I shall.

Anything else?

Nope. Just came to report to you about
your friend Carmichael.

Even my regard. Will you beg her?

Goodbye. Goodbye.

No, no, not those bags, please. The
other ones. Oh, don't speak English.

Nobody understands a word.

I say, America, where is the manager?

Hi. Marcus.

I'm at your service, madame.

I'm the proprietor. Ah.

Now, I want Miss Jones' bags brought in,
and I do not want my bags brought in. I

can't make that creature understand.

Now, that's Miss Jones.

And I'm Mrs. Clip.

Mrs. Hamilton Clip. I'm so honored,
madame.

For Marcus, the sun has risen three
times today.

Once for Baghdad, and twice again to see
such lovely ladies.

But you are not stopping at the hotel to
you, Mrs. Cliff?

Dear me, no. My husband's melting up in
Basra, upset me.

But Miss Jones will stay here, won't
she, dear? Well, I'm not sure if I can

afford to. Don't be silly, child. Your
uncle will attend to all that. Besides,

there's no place else to stay. Well,
perhaps for a little while. Why, of

she will. This is a jolly spot.

She'll stay here until she locates her
uncle.

Oh. Well, I mean, I... Wonderful man,
her uncle. She told me all about him on

the slip down.

Mr. Jones.

Jones.

It's so lovely here.

But warm. I'm so thirsty.

I am vicious. I am cruel.

I am worse than that. I'm inhospitable.
Sit down here, Miss Jones and Miss Clip.

And I shall give you such a drink as you
have only dreamed about.

It was stolen by Marcus from Mount
Olympus.

And it is ambrosia dissolved in nectar.

Absalom, deux marques spéciales, deux.

Isn't it marvelous?

I can hardly believe it. Fake dance.

Horrid place, really. Though I suppose
one finds it rather exciting the first

time out.

Now, my dear, I have to fly and find the
car.

No need in Mr. Clip rummaging about the
lobby for me.

There's a bit of something for you. Oh,
Mrs. Clip, you shouldn't. You've done so

much already.

Taken care of my expenses of my...
Nonsense, my dear. You were wonderful.

Now, I'm going to motor off before that
flowery little man comes back here.

Goodbye, Miss Jones. Goodbye.

Goodbye. Thank you so much.

Goodbye, Miss Jones.

Goodbye, sir. Taking care of Miss Jones
and Mrs. Clips. Oh, why, she's gone.

Yes, Mr.

Marcus. Mrs. Clips had to run. Her car
has arrived.

Everything's all right now.

Mrs. Clipp has been most generous, and I
believe I shall stay.

But of course you stay.

I mean until I find my uncle.

Uncle? Oh, yes, the wonderful Mr.

Jones. Jones.

Mr. Pondsfoot Jones, the archaeologist.

Is he in Baghdad?

Oh, no. He was here only last week.

He went back to the desert. He comes
here every six weeks when he gets

Such a sweet man.

Oh, but I wouldn't think of disturbing
him. He just buries himself in his

diggings, you know.

Shards of old pottery and all that. No,
I'll just wait here until he returns.

Delighted. Marcus is fortunate you have
made me happy. Absalom.

I go now to see that your room is ready.
You will have a nice one.

Bye. Dressing room.

Well, really.

Nice.

But not too nice.

You shall have the best, Miss Jones. The
very best.

Rest here but a moment and all shall be
ready for you.

Merci beaucoup, monsieur. Derriere,
mademoiselle.

Derriere.

Margaret. Yes, Mr. Baker.

Have you given that young lady a room
yet?

No, sir.

But I was on my way to do just that.

Put her in 304.

This is business, Marcus.

It will be as you wish, Inspector.

Marcus.

If you call me Inspector again, I
shall... I'll do worse than that. I'll

police close your bar.

Do you know who that young lady is?

No, sir. But that Mrs. Hamilton Clip who
came with her, there is something not

good about her.

The car that came for her, it did not
contain her husband and by its

It did not come from Basra.

Very well, Marcus, thank you.

Surely we've met somewhere before.

Surely we've done no such thing, and you
know it?

And what's more, I detest scenes.

So I think I should warn you that Mr.
Marcus, the proprietor, is a very dear

friend of my mother.

You'd better go. Here he comes now.

Be nearby if you want me. I despise men
like you.

Your room will be ready in a moment,
Miss Jones.

Your bags have been sent up, and here is
the key.

Room 304.

Absalom. Oh, Mr.

Marcus.

Mr. Marcus, I'll be here for simply
weeks. before my uncle arrives, and I'd

to find some old friends. You know
everybody here, don't you? All the very

people, Miss Jones. Well, there's this
chap I knew in London. He's here. I just

know that he is. His name is Edward
Goring.

He's tall, and he has the waviest hair
and the bluest eyes and a very kind way

of speaking.

Marcus knows everybody, and everybody
knows Marcus.

Would you believe it? But only
yesterday, a gentleman, a retired

artillery, came to Theo's hotel.

Colonel Edward.

No, Edward Goring.

You are Marcus, he said, in Brooklyn,
New York, which is in the United States.

have heard of Marcus, he said. Mr.

Marcus, please, I'm alone in this
strange country except for my uncle, and

must help me find him.

Edward, I mean.

There is Mr. Baker.

He is a nice man, Mr. Baker.

Mr. Baker, it is good to see you this
evening. Have you met Miss Jones? Why,

How do you do? How do you do? Just come
out from England.

You will excuse me, Mr. Baker.

Mr. Marcus, I'd like to make final
arrangements for the room now, if you

mind. Oh, but we do not talk about your
account till the end of the week, Miss

Jones. Well, then, would you mind
putting this in the safe for me?

see... I see.

Fresh it, Miss Jones, nester.

I remember where it was.

Brighton, I... Baby, you remember, dear
old Freddy.

Now, you listen to me, mister. Haven't I
seen you before somewhere, Baker? I've

got troubles enough, goody.

But I... Look here.

I'll clear this out any way you like
later, but I've got to talk to you. What

are you talking about?

Our man's nearby, I'm sure of it.

Our man?

Don't look up now.

See that greasy -looking traveling man
over there?

And by the stairs?

The man in the turban?

And the old lady with the knitting bag?

She's got a luger in it.

Now, every last one of these people has
filtered in here in the last ten

minutes. And every one of them is an
agent of some sort, and they're all

watching you. Oh, now, really.

I'm going to get close enough to it. I
tell you what, I'll run over and get Mr.

Martin. No, no, don't move. If you move,
anything can happen.

I tell you what, I'll have him up to
your own in about half an hour, right?

Let's see here. I wish you were better
at this.

That's Duncan dead.

Meet us room 304.

Go around and in the other way.

I'll take care of him.

Get the girl.

arrest this man.

Here, what are you doing? Take your
filthy hands off me. What do you mean?

didn't do anything. It was that awful.
Take him away. I'll be down at the

station later.

Oh, you just wait till he gets out of
that filthy jail. He'll fix you, you

meddler. You're the one who should be
arrested. Oh, I'm going to the

I'm going to report.

Now, my dear Miss Jones, that such a
thing should happen in Theo's hotel. I'm

torn in pieces.

Please go to your room. Come.

Marcus will see you to your door.

Thank you.

Now, there, there, there. You are better
now. In the night of my heart the sun

shines again.

I know you'll think I'm crazy, but are
you or aren't you Anna Shield?

Mr. Baker, you said you'd never forget
me.

Then you are Anna Shield.

What have I done?

Richard, glad to see you.

If I was the man of man, you're looking
pretty green. This is Anna Shield, of

course. Why? I know it isn't yet. It
simply can't be.

What's happened? Oh, I just pulled a
prize boner. I'll give it to you fast.

There's a girl here who looks more like
this than Anna Shield does.

Now Carmichael's here too, and somebody,
I'm sure it was Edward Goring, just

took a shot at her. while I was
communicating with me.

I just sent the girl up to a room and I
told Carmichael to go there too. I think

he's wounded.

Jacob, we've got to stop him.

Look. Please, Mr. Baker.

Mr. Baker.

Here's the key to my room. I'm going
straight upstairs and find out what the

devil's going on. You go up to my room.
The girl's room is right next door.

There's a balcony in between.

Please.

Mr. Baker.

Mr. Baker. What is it? What is it? Mr.
Baker, I need your help so most very

much. It is the police. They are
searching the rooms, disturbing the

They say they look for a dangerous
criminal who may have hidden in my

That's ridiculous.

The police have the man who did the
shooting. Yes, sir. That is the problem.

can handle the police if you excuse as
well as you can.

But these men are not police. All right,
then. All right. Call the police.

Mr. Baker, I cannot.

Two of these men I know too well.

If I call the police, oh.

Hmm.

Where are they now?

The third floor.

They approached your room and the room
of that young lady, Miss Jones.

Such a pretty young lady, Mr. Baker. I
should not like anything to happen to

Miss Jones.

No, neither would I.

Not yet.

Very well, Marcus, I'll see what I can
do.

I

wish

you were back in that filthy little
office. That's what I wish.

Deep regrets, but the dangerous criminal
has escaped and it is believed he might

have entered one of these rooms It is
necessary to search.

Oh, but there's been nobody here.

Ismahili Yassit.

Help put on Ismahili.

He is certainly not here.

I think there will be no further
discomfort.

They're gone. You can come out now.

Come out.

They're gone. You've got to come out.

You're hurt. You're terribly hurt. I'll
get a doctor. I'll get a doctor.

Oh, now, everything will be all right.
You just stay right where you are. I'll

be back in... Oh.

Now, let's pause a moment, look at our
Westinghouse program and Buddy Burnett.

Ever watch an elephant?

Say, that sounds like a real big job.

Oh, it is.

Especially when that elephant is your
child's favorite toy and he just has to

come out of the wash unharmed.

Some washers would jolt him around like
this and others would squeeze him like

that and here's the way the poor
elephant would end up.

Isn't that sad?

But he'd be absolutely safe.

in the Westinghouse laundromat here
because of its wonderfully gentle

action. You can trust things in the
laundromat that you wouldn't dream of

putting in other washers, like your very
sheerest nylons, for instance, or your

finest fabric gloves.

The instruction book will tell you just
how to do it.

And, phew, look at those greasy
overalls. Aren't they terrible?

Well, the wonder of it is that in spite
of its gentle action, the laundromat

will get those... overall cleaner than
other washers do. For instance, just one

of the laundromat deep washing action
rinses is equal to 700 hand dippings

this. And the laundromat does that
twice.

Now, here's another reason why the
laundromat's exclusive wash away, rinse

action gets your clothes so much
cleaner.

Most other washers have a straight up
and down tub like this.

And when the dirty wash water drains
out, the clothes sink to the bottom of

tub like that and the water drains down
through the clothes filtering dirt and

soap curds right back into the clothes
again but when the dirty water drains

of the westinghouse laundromat the
basket tilts back like that the clothes

tossed to the top of the basket and the
water drains away from the clothes down

here and not through them so the dirty
dirt and soap curds never get a chance

filter back into the clothes again So
own the only washer that gets your

cleaner, more gently, and without wash
wear.

Go to your Westinghouse dealers and see
the laundromat and the Westinghouse

clothes dryer.

They're America's favorite twins.

Remember, you can be sure if it's
Westinghouse.

We return now to Westinghouse Studio
One.

And they came to Baghdad.

What are you staring at me like that
for?

I suppose you found out I've been
masquerading.

Yes.

You better tell me all about it.

Maybe it's not as important as that.

What are you doing?

Searching him, of course.

All right, where is it? Where is what?
He gave it to you. Where is it? What is

it? Where is it?

Do to me.

You've hounded me and hounded me, and
Edward would have helped, only you had

arrested. And now I'm in such terrible
trouble, and I haven't any money, and

Marcus is going to put me in jail when I
can't pay. What did he say to you?

Nothing. What did he say? Nothing, I
tell you.

Well, nothing important. He said, hide
me, and then defarge or something, and

then he died, and I'm going to be
blamed, and I don't understand it, and I

to go home.

What's your name?

Victoria Jones.

What are you doing here?

In Baghdad?

I'm... I mean, I was looking for
someone. The man you put in jail.

Why? You'd better tell me the truth,
Miss Jones.

Who are you?

Oh.

Oh, my goodness.

I thought you were the master... Awful
masher.

Now I see why the police took Edward
away when you told them to. Why did you

that to Edward?

You tell me your story first.

Well, it all began when I met this man
on the street and asked him for

It was Edward, you see. And he took my
picture to take with him to Baghdad. And

he was so very nice, I just made up my
mind I had to come to Baghdad. So, of

course, when I got the chance to come
with Mrs. Cliff, I did.

And then I got here, and now I haven't
any money, and I... And I'm going to be

put out, and that's all.

You don't believe me.

Finish your story.

Who do you know in Baghdad?

But that's the truth. Don't you know the
truth when you hear it? Go on. Who do

you know?

All right. If you want a story that is a
story, Mr. Paltzford Jones, the

archaeologist, is my uncle. But he won't
be back for five weeks, and I have to

live in the meantime.

So I wanted Edward to get me a job, and
that's all.

Well.

That last bit of your story is the only
part that makes any sense.

This is the last time in my life I shall
ever try to tell the truth, so bear.

Now, Miss... Miss Jones, if that
commonplace really is your name.

Here's a truth or two for you.

The dead man there happens to be a very
close friend of mine.

Beside that, he was one of the bravest
men I've ever known.

Now, he died to bring something to... to
you.

Because he thought you were someone
else.

This whole thing is a good deal more
important than you or your hotel bill.

It's not too much to say that the future
of thousands of people may depend on

it. And you're not going to stand in the
way of a thing like that with your

engaging combination of brass and bad
judgment. Bad judgment? Bad judgment.

Edward Goring, that's your bad judgment.

A paid spy without even the patriotism
of a common form agent selling strictly

to the highest bidder. He's nothing of
the kind. He's sweet and gentle and I

came all the way here to Baghdad just to
be near him. You can't... Say those

things about him.

So her uncle is a Mr. Pornsford Jones,
then?

I can just see Auntie Pornsford Jones,
can't you?

Well, Miss Jones, whose side are you on?

Are you sure Carmichael was carrying
something valuable when he came here?

Positive. Then I know how you can get
it.

Do you?

If what you say is true, and Edward shot
Carmichael, then Edward must have known

what Carmichael was carrying and how he
carried it. Otherwise, he wouldn't have

dared to do it until Carmichael had
given the thing to me.

I say you're right.

I'll ask him. If he is what you say he
is, he'll never tell you. Very likely,

but I shall have to try.

He'd tell me, though.

Let me see if I understand you.

You're willing to find out from Edward
Goring how Carmichael carried this

secret, and you mean to give this
information to me?

That's right.

Why?

Because I've got to know if Edward is
what you said. I've got to.

And the only way is to give him a chance
to clear himself.

You think you can manage a thing like
this? He's a very dangerous man and

clever. I can manage. Please let me try.

Very well.

You understand, though, I won't be able
to trust you. You'll have to be watched

every moment. Anything, anything, but
I've got to know.

All right.

Now, here's what we must do.

I'll phone up the police and have Edward
Gawling released.

I shall call Miss Jones immediately.

Absalom! Absalom! Miss Jones will be so
happy. And so then will I, Marcus.

She is enchanting, Mrs. Ponsford -Jones.
I congratulate you on your choice of

nieces.

Oh, no answer.

It is to worry.

A thing happened to Miss Jones to make
her a tiny bit upset this evening. I

shall go up. I, Marcus, myself, to wake
her from this so sound sleep.

Oh, I shall go with you. You have no
idea how anxious I am to see this niece

mine. Ah, there you are. And I have been
calling your room and having the most

frightful visions of disaster.

Now, do you know who this is?

This is Mrs. Pouncefoot Jones, your
aunt.

Well, what a surprise.

Yes, ma 'am. idea, isn't it?

Now, Miss Jones, you will have someone
to be with, and not to be frightened

more, no?

No, I can't be frightened anymore.

Well, my dear, we're acting like two
strangers.

Yes, well, we have hardly seen one
another.

Oh, so true, so very true, and what a
pity.

I got the nicest letter from Mary only a
fortnight ago. She says Walcott's been

sick, but she didn't say what it was. Do
you know, Victoria, dear?

No, I haven't heard a word.

Oh, I... I'm going to pop off to bed
now, Auntie.

Breakfast? Oh, of course, darling.

Eight o 'clock?

Oh, splendid.

I want to see a great deal of you, while
it lasts.

While it lasts?

A visit to Baghdad, darling.

Sleep well.

Oh, I will. I surely will. You too.

Good night, Auntie.

Good night.

She is such a nice lady, Mrs. Forbes,
isn't she, John? Aye, my Christmas don't

have four years. Absalom, my Christmas.

Oh, Edward!

Oh,

Edward, you don't seem a bit glad to see
me after all I've been through.

Why, of course I'm glad to see you,
Victoria.

What has my little world been through?

Oh, Edward, it's been dreadful.

A man came into my room. A man?

Who was he? Edward!

Tell me. Well, he looked like an Arab,
only he wasn't, and he said his name was

Carmichael. Carmichael? What did he say
to you? Did he give you anything?

What happened to him? Where did he go?

He's still there.

Edward, you hurt me!

Where is it?

I want you to take a good look at this.

It's a wonderful little gadget.

It's a silencer.

You'd better tell me what you've done
with it.

With what?

I brought you all the way to Baghdad
just to get that thing from Carmichael.

Where is it? Edward, please.

Please, please.

So help me.

I'm going to start shooting in three
seconds if you don't tell me.

Look.

What are you staring at?

He still has the scarf. The scarf?
Edward, oh.

Edward, no, no. Edward, stop. Here.

Here's Edward.

Scarf.

It's good work, Richard.

Just an ordinary scarf, as far as I can
see.

Mishiel!

Here, you can keep him this time.

Oh, Mishiel, uh... Hey, uh, Mishiel,
Richard.

What do you make of this?

We'll send it to the lab, of course,
but... Nothing hidden in it, as far as I

can find? This is what he was after, all
right. You should have a good look at

it.

I don't understand.

Would the message be in numerals or in
words?

Oh, in numerals, I should think, because
Dr. Duncan and I had worked on Darwin's

theory for months.

All we'd need would be a simple
numerical formula.

There's no paper set in this thing, no
design of any sort.

Would the size mean anything?

Just a series of numbers.

Oh, poor Carmichael knew what he was
doing.

Gave his life to get this scarf to Dr.

Duncan. Or to you.

You told me that before Carmichael died,
he mentioned a name.

Miffage or defage or something. So
brave. So wonderful.

Who thought it like Sidney Carton?

It's a far, far better... Do you
remember a tale of two sisters?

My opinion, Sidney Carton was an idiot.

I'm afraid poor Carmichael died for
nothing.

Oh, no, he can't have.

Anyway, Miss... What is your name?

Jones. Miss Jones. Well, we're very
grateful to you.

Just a dirty, filthy old scarf.

Not even knitted very well.

Farge. Lafarge.

Lafarge. Tale of two cities. Madame
Lafarge.

Yes. Madame Lafarge.

Oh, yes. The grim old video set by the
guillotine knitting and dropping a

every time she lopped off somebody's
head.

Dropping a stitch.

Well, that's it. That must be it.

Don't you see? Madame Lafarge kept a
secret record by dropping a certain

of stitches.

Well, Diwan certainly dropped a lot of
stitches when he knitted this, wouldn't

he? Well, drop stitches here, rather.
Two, four, six, eight, two.

Four, six, seven.

Knit eight.

Purl seven. Well, that's the beginning
of a numerical code. Knit nine.

Purl five.

Yes. Yes, this is it. The start of a
numerical relationship.

Reset quarters, please.

This is it.

Hello, Hutchinson.

We've got it. Yes, I think so.

Send the police squad around, will you?
And somebody to take care of poor

Carmichael. Yes, you got it.

Oh, and get the plane to stand by.

Miss Sheil and Baker will accompany me
back to London.

Oh, there'll be a Miss... What is her
name? Jones. Miss Jones with us, too,

Oh, thank you. I've got to get back and
look about for a job.

Knit six.

Knit six. Purl one. Take it, she's
wonderful.

Drop two.

Drop two.

Purl three. Purl three. Knit four.

Miss Sheil, she's the most wonderful
girl.

Do you think she'd mind if I call her
Victoria?

Oh, I don't think so, really.

Anyway, I wouldn't.

And now here's Betty Furness to show you
a brand new disappearing act.

You see the front of this new
Westinghouse electric iron?

Well, now you see it, and now you don't.
That's right.

It irons way down deep into the pocket
like that. And that's because the handle

is open in the front here, see?

Yes, this is the revolutionary new
Westinghouse open -handle iron that's

on your wrist, easier on your hand, and
easier on you.

It's easier on your wrist because
there's nothing to get in the way of

thumb. Your wrist stays relaxed and free
to move naturally.

And there's no strain when you roll it
back on its heel rest.

It's easier on your hand because it
really fits your palm.

You don't have to grip the handle. Your
palm takes all the pressure comfortably

and your fingers stay relaxed.

You can even steer this iron with your
fingertips.

Why don't you go to your Westinghouse
dealer and see this amazing new iron.

while you're there, pick up your copy of
this new original word game.

It's fun to play and you'll learn lots
more about this wonderful new open

-handle iron, the easiest you ever used.

And remember, you can be sure if it's
Westinghouse.

Westinghouse is proud that our own Betty
Furness has just been voted the Michael

of the Academy of Radio and Television
Arts and Sciences.

for her outstanding performance on
Westinghouse Studio One.

A Connecticut Yankee in King Arthur's
Court will star Thomas Mitchell and

Karloff.

This is Paul Brinson saying good night,
Paul Westinghouse, who have made more

than 40 million products for the
American home.

Oh, by the way, remember, May is the
month when Americans are helping their

fellow citizens who suffer from cerebral
palsy. Help them to live normal lives.

Send your contribution to your local
cerebral palsy affiliate.

And now, until next week, good night.

Gowns by Larry Aldrich and Junior
Sophisticates. Coats by Harry Williams.

Scottish plaids and border checks
courtesy...

Haunted Winterbottom.